Latest / The Bootleg Kev Podcast / #299 - Blxst

Transcript

#299 - Blxst · The Bootleg Kev Podcast

• 0:00
  Speaker 1: Yo, what's up. It's your boy Blast. You could check
• 0:02
  Speaker 1: me out on a Bulet Cab podcast, Boutlet Cab Show
• 0:08
  Speaker 1: Special guests in here. Just drop the nice little four
• 0:11
  Speaker 1: piece on the due Bulet cav Blast is back, baby, Yes, sir,
• 0:16
  Speaker 1: what's up? Just for clarity out right now? Oh taping
• 0:19
  Speaker 1: shout already, shout out lerke Jie and Mustard. I feel
• 0:22
  Speaker 1: like Martin, you and Roddy Rich together is like it's
• 0:26
  Speaker 1: like the fucking mighty Morphin Power Rangers of like La Hooks.
• 0:30
  Speaker 1: That's good compliment. I like that. I like that. I
• 0:33
  Speaker 1: feel like people was waiting on this, but I feel
• 0:35
  Speaker 1: like it was per perfect time and too. Everybody was
• 0:38
  Speaker 1: like when are y'all going to little song together? That
• 0:40
  Speaker 1: was like the one guy. I feel like everybody was like, Man,
• 0:42
  Speaker 1: a Roddy and Blast record would be fucking nuts. Yeah,
• 0:46
  Speaker 1: perfect time, man, how does that work? Does that work? Where?
• 0:49
  Speaker 1: Like you send him the record because I know you
• 0:51
  Speaker 1: like to work on your own, usually at the house, right. Yeah, Well,
• 0:55
  Speaker 1: I did a record with Roddy a minute ago that
• 0:58
  Speaker 1: I just produce actually, but yeah, I just sent him
• 1:02
  Speaker 1: a beatpack for this. I sent it to Keifa. Actually,
• 1:04
  Speaker 1: they were sitting on it for a minute, and then
• 1:06
  Speaker 1: Roddy was like, I got something perfect for us, sent
• 1:09
  Speaker 1: that through. That was the one passionate. So how long
• 1:12
  Speaker 1: ago did you have to beat with Roddy? Because you,
• 1:15
  Speaker 1: for people don't know. I mean we talk about this
• 1:16
  Speaker 1: a lot, but you're like a og out here for sure.
• 1:18
  Speaker 1: Obviously you've taken off the last year or four years,
• 1:21
  Speaker 1: but before that you were producing a lot, Yeah, for sure.
• 1:24
  Speaker 1: So I mean that's pretty much how I got my
• 1:26
  Speaker 1: name amongst the city locally, just producing like the song
• 1:29
  Speaker 1: Forcano for real, for real, right with it? Yeah, most
• 1:33
  Speaker 1: of Beano's early catalog. But the Roddy situation, I'm kind
• 1:40
  Speaker 1: of tripping on the initial question. I was gonna say.
• 1:42
  Speaker 1: You said that you had originally produced a beat for
• 1:44
  Speaker 1: Roddy back in the day. Oh yeah, yeah, just being
• 1:46
  Speaker 1: around organically. How long ago was that though? That was
• 1:49
  Speaker 1: probably four years ago at this point, because I knew
• 1:52
  Speaker 1: Roddy a minute and the first time my medal was
• 1:55
  Speaker 1: in Compton, you know Womanton Arms projects. Just randomly it
• 1:58
  Speaker 1: was like yo, you do music, and I know his people,
• 2:01
  Speaker 1: you know, we just connected like that. So just to
• 2:04
  Speaker 1: see his grind and see everything come full circle like
• 2:06
  Speaker 1: he's seen me before. I was anybody too, And I
• 2:09
  Speaker 1: feel like this was a dope moment to you know,
• 2:12
  Speaker 1: link up. But uh, they've been sitting on that beaf
• 2:14
  Speaker 1: for like three four years. Oh damn. So the beat
• 2:17
  Speaker 1: that you just dropped he got three years ago. Yeah,
• 2:21
  Speaker 1: oh shit, damn. And then you could tell too, because
• 2:25
  Speaker 1: the sonics of the sound is like my six tape
• 2:28
  Speaker 1: one type vibes, like the early things I did with Beano.
• 2:31
  Speaker 1: It's the same type of sonics. And now, okay, so
• 2:35
  Speaker 1: the original beat that you produced for him, did that
• 2:37
  Speaker 1: ever come out? No? I never came out. Never even
• 2:38
  Speaker 1: dropped a whole different vibe too. That was a whole
• 2:41
  Speaker 1: different vibe, but it never came Yeah. Well look, man,
• 2:45
  Speaker 1: I do feel like you kind of have You do
• 2:46
  Speaker 1: make timeless music. So a three or four year old
• 2:49
  Speaker 1: song still sounds good. Absolutely not the song. The song
• 2:54
  Speaker 1: was recorded more recently, but the beat was made three
• 2:57
  Speaker 1: or four years ago. You go, there, are you still
• 2:59
  Speaker 1: recording at home a lot? Absolutely? I feel like I'm
• 3:02
  Speaker 1: like I'm used to recording that. Huh. That's like my
• 3:05
  Speaker 1: safe space. You know how to engineer yourself if it
• 3:08
  Speaker 1: ain't broke while I fix it. So like, will you like,
• 3:11
  Speaker 1: if you're out of town and you go to the studio,
• 3:13
  Speaker 1: are you like sitting at the board recording yourself or
• 3:15
  Speaker 1: do you use the other engineer for the studio? Yeah?
• 3:18
  Speaker 1: I still, you know, oping myself to work with other
• 3:20
  Speaker 1: engineers and things like that. I got a couple that
• 3:23
  Speaker 1: I work with. Shout out to the lance, shout out
• 3:26
  Speaker 1: Chris at Paramount. But for the most part, yea, I'm
• 3:30
  Speaker 1: outside the booth. I'm sitting like this with him. You know,
• 3:33
  Speaker 1: I need that genuine often of connection when I'm recording,
• 3:36
  Speaker 1: and it feels like I'm at home when I record
• 3:38
  Speaker 1: like that, versus standing in the booth and feeling disconnected
• 3:42
  Speaker 1: with the you know, I know you had said before
• 3:45
  Speaker 1: that you were recording a lot of these early records
• 3:47
  Speaker 1: on just that road like kit that you would get
• 3:49
  Speaker 1: a guitar center if you're at Paramount, what Mike you
• 3:52
  Speaker 1: picking see I'm not even that tapped into the names
• 3:55
  Speaker 1: and stuff. But I like the Norman U eighty seven. Mike,
• 3:58
  Speaker 1: that's what I just got hipped on to shout out tick.
• 4:00
  Speaker 1: He just bought me that mic. It's a great MIC's
• 4:02
  Speaker 1: like a three thousand mic. Yeah, I love it. There's
• 4:06
  Speaker 1: that one, and then I think the other one everyone
• 4:08
  Speaker 1: likes is that the eight hundred to Sony, that big
• 4:11
  Speaker 1: black one. Yeah, with the big booty on the back,
• 4:14
  Speaker 1: yep for sure. How often, like, okay, you, I feel
• 4:20
  Speaker 1: like you've had a pretty insane run. When we think
• 4:23
  Speaker 1: about just some of the legends you've been able to
• 4:25
  Speaker 1: record with, You've been on records with nas Rick Ross,
• 4:27
  Speaker 1: we can go on and on and on. How often
• 4:31
  Speaker 1: are you able to kind of like step out of
• 4:33
  Speaker 1: the moment and kind of appreciate the journey that you've
• 4:37
  Speaker 1: been on in just the last three or four years.
• 4:39
  Speaker 1: It's been crazy to see. Yeah, I don't think I
• 4:42
  Speaker 1: ever well this far as far as I've been recording,
• 4:47
  Speaker 1: I don't feel like I ever got to that moment
• 4:49
  Speaker 1: because I feel like I'm still living a dream. Bro
• 4:52
  Speaker 1: Like I can't even nas is like my uncle's favorite rapper,
• 4:57
  Speaker 1: you feel me, Kendrick is like my favorite rappers. It
• 5:00
  Speaker 1: was like, all this shit is unreal. I'm still trying
• 5:03
  Speaker 1: to unpack it off, still trying to create a name
• 5:05
  Speaker 1: for myself, still setting my foundation, my infrastructure. So it's
• 5:09
  Speaker 1: just I don't know. I just look at it as reinsurance.
• 5:12
  Speaker 1: You know that I'm that I'm on the right path
• 5:15
  Speaker 1: over everything. I love it. Man, How for you, like,
• 5:19
  Speaker 1: I feel like you're still hop like popping in on
• 5:22
  Speaker 1: people's projects. But I feel like the last like six months,
• 5:25
  Speaker 1: so you've been a little quiet. I'm like getting on
• 5:27
  Speaker 1: other people sit. Is it because you're in an album mode? Yes,
• 5:29
  Speaker 1: definitely in album mode. Okay, we're cooking up. I've been
• 5:32
  Speaker 1: on tour, Hella, you're on tour. Yeah, you feel me.
• 5:35
  Speaker 1: So I went to Australia for the first time. What
• 5:38
  Speaker 1: we did around out there Melbourne is crazy. I heard
• 5:42
  Speaker 1: that that's the best city I've ever been to so far.
• 5:44
  Speaker 1: I heard all the women look like Iggy. I actually
• 5:48
  Speaker 1: hear that, and I actually listen. I have friends who
• 5:51
  Speaker 1: have gone there who are African American, and they say,
• 5:53
  Speaker 1: if you look like us, you're getting all the pussy.
• 5:56
  Speaker 1: I can't vouch for it a lot, but they did
• 5:59
  Speaker 1: treat us like real here, and they just embraced the
• 6:03
  Speaker 1: LA culture too. I feel like they knew about artists
• 6:05
  Speaker 1: like Kayling. Yeah for real, for real. It was a
• 6:08
  Speaker 1: group of girls liked there. To me, like we're kaling Man.
• 6:11
  Speaker 1: That's how they said it. Accent. I can't do the accent,
• 6:15
  Speaker 1: but I'm not feeling look crazy trying to do it either,
• 6:18
  Speaker 1: is it? I heard if you say Melbourne, they get mad.
• 6:20
  Speaker 1: It's supposed to be like Melbourne, Melbourne, Melbourne. Yeah, make
• 6:23
  Speaker 1: sure I stay it the right way. Jesus put some
• 6:26
  Speaker 1: respect on them. So you were just in Australia living
• 6:28
  Speaker 1: your best life. Yeah, we did Australia Run. We did
• 6:31
  Speaker 1: like five four or five cities out there. How was
• 6:34
  Speaker 1: the food in Australia? Said the same. Is it kind
• 6:36
  Speaker 1: of like just America? But like not, I really don't recall.
• 6:42
  Speaker 1: It was in and out. You feel me in terms
• 6:44
  Speaker 1: of the vibe of Australia, is it like an American
• 6:46
  Speaker 1: vibe or is it like do you feel like you're
• 6:48
  Speaker 1: in like a whole other place. You definitely feel like
• 6:49
  Speaker 1: you're in a whole different place, just even driving by
• 6:53
  Speaker 1: certain sites of buildings, the infrastructures of buildings, everything just
• 6:57
  Speaker 1: like different. So Melbourne is your favorite city been to? Yeah?
• 7:00
  Speaker 1: So far? Just the people outside of everything, just the
• 7:04
  Speaker 1: way they embraced us, the way they actually genuinely was fans.
• 7:08
  Speaker 1: We did like an after party after It was cracking,
• 7:11
  Speaker 1: Like everybody that came to the show was at the
• 7:13
  Speaker 1: after party too. It was lit. Any tour stuff coming
• 7:17
  Speaker 1: up this year, it's gonna be a light year. I
• 7:19
  Speaker 1: felt like I definitely am dedicating this year to be
• 7:25
  Speaker 1: more creative. You feel me. It gave my debut album. Yeah,
• 7:28
  Speaker 1: but I'm gonna do select dates, different festivals and college shows,
• 7:32
  Speaker 1: things like that. So I'm still outside. But we're not
• 7:35
  Speaker 1: even considering you having any albums out yet. Yeah, call
• 7:42
  Speaker 1: it what you want. But I felt like I haven't
• 7:45
  Speaker 1: put out an album yet, Like I haven't sat down
• 7:48
  Speaker 1: and genuinely been like album mode. Everything I've been making
• 7:52
  Speaker 1: been on the move. So like now you put out
• 7:54
  Speaker 1: the four pack just to kind of appease everybody yet, like, yo,
• 7:57
  Speaker 1: I got these four where you did it before obviously, Yeah,
• 8:00
  Speaker 1: this is kind of the appetizer to the debut albums,
• 8:03
  Speaker 1: the advertizer, and you can tell too, I'm staying true
• 8:06
  Speaker 1: to my sound, but for the for the album, it's
• 8:08
  Speaker 1: gonna be more experimental. Definitely still standing true to my
• 8:12
  Speaker 1: sound for the album too, but it's an elevator version
• 8:15
  Speaker 1: of that. So I'm excited for the fans. So I
• 8:17
  Speaker 1: feel like they can predict what I'm doing. But I'm
• 8:19
  Speaker 1: feel hit on with a left jab real quick. I
• 8:21
  Speaker 1: was gonna say, how are you experimenting? Because I do
• 8:23
  Speaker 1: feel like you have your signature sound. Yeah, you have
• 8:28
  Speaker 1: your I feel like you have your pocket. If we
• 8:30
  Speaker 1: think of like what a blast bpm is, like we
• 8:33
  Speaker 1: kind of know what your pocket is. How are you
• 8:35
  Speaker 1: expanding the sound? How are you experimenting? Man? For me,
• 8:39
  Speaker 1: it's just opening my mind to different creators as well.
• 8:42
  Speaker 1: A lot of the times I be in the house
• 8:44
  Speaker 1: by myself, Like it's only so much inspiration you can
• 8:46
  Speaker 1: pull from a bedroom and isolation, right, So I'm opening
• 8:52
  Speaker 1: my mind with different writers, different producers, different creatives, even
• 8:55
  Speaker 1: just people with good conversation. I'm just you know, putting
• 8:58
  Speaker 1: myself more out there. I'll be to myself a lot,
• 9:01
  Speaker 1: so you know, it's a challenge for me, but I'm
• 9:03
  Speaker 1: willing to go over that hump. Would you say you're
• 9:05
  Speaker 1: an introvert, I'm like an introvert extrovert, Like if you
• 9:09
  Speaker 1: know me, you know I'm goofy. You know I'm extra
• 9:11
  Speaker 1: talking and playful. But you know, the people I'm not
• 9:14
  Speaker 1: really comfortable with. It may take some time for me
• 9:16
  Speaker 1: to get open with you. You You and Righty Richard very similar. Definitely, Yeah, yeah,
• 9:21
  Speaker 1: we just we just shot the video to passion it
• 9:23
  Speaker 1: and it was like y'all got to open up more.
• 9:25
  Speaker 1: He was like, you know, we two niggas, you know,
• 9:27
  Speaker 1: like turn down video shoot shout out Righty, that's good people, Yo,
• 9:32
  Speaker 1: this is an amazing jacket. Shout out to Jeff Hamilton.
• 9:34
  Speaker 1: You said this is accustomed, Jack Hamilton. Jeff Hamilton, Man,
• 9:37
  Speaker 1: we did a you know, a custom piece for the
• 9:39
  Speaker 1: before you go to our merch so fans bought this too. Yeah,
• 9:43
  Speaker 1: what's that? At least a rack twelve hundred and fifteen hundred?
• 9:46
  Speaker 1: You feel that leather man? No, no, listen, I know
• 9:48
  Speaker 1: I'm a regular degular. He made a son's jacket and
• 9:51
  Speaker 1: I put it on at my boys shop guest list
• 9:53
  Speaker 1: in Phoenix and then he was like it's twelve hundred
• 9:56
  Speaker 1: and I took it right off and put it back.
• 9:58
  Speaker 1: I said, shout out to Jack Man out Jeff Man.
• 10:01
  Speaker 1: He good people. Yeah for you. How are you guys
• 10:04
  Speaker 1: expanding the Eagle brand because if it's gonna be kind
• 10:07
  Speaker 1: of a quiet year for you after this four pack?
• 10:10
  Speaker 1: Working on the album, Are you guys gonna be putting
• 10:14
  Speaker 1: out artists? I know we've talked to you guys, have
• 10:16
  Speaker 1: had you guys signed artist? Obviously we talked about that
• 10:18
  Speaker 1: last time. Is there gonna be any music coming out?
• 10:20
  Speaker 1: It's gonna be a lot of things coming out us.
• 10:22
  Speaker 1: Vict like likes to say, we like to keep the
• 10:24
  Speaker 1: channel noisy, right. So we got the venture side of Eagle,
• 10:28
  Speaker 1: We got the publishing side of Eagle, We got the
• 10:31
  Speaker 1: label side. We got artists like Jay Million that we're developing.
• 10:36
  Speaker 1: We got producers and artists like Grandmaster, Vic j Pilot,
• 10:40
  Speaker 1: so we pushing them out in different endeavors as well.
• 10:42
  Speaker 1: They're gonna be working on my project too. But and
• 10:45
  Speaker 1: then we got the you know, the investment side of things.
• 10:48
  Speaker 1: We were heavy on that side too. Are you guys
• 10:51
  Speaker 1: investing in We got the Creative Wreck in Philly? Okay,
• 10:54
  Speaker 1: what's that Philly Reck? Philly? It's a creator for gems.
• 10:58
  Speaker 1: I mean it's a jail for creators. My bad. So
• 11:00
  Speaker 1: when you say it's a gym for creative yeah, it's
• 11:03
  Speaker 1: like where people who are creative go to like lift weights.
• 11:07
  Speaker 1: It's like it's like a workshop for creatives. So you
• 11:10
  Speaker 1: may go in. You may want to know. You could
• 11:12
  Speaker 1: come here, you can lift weights. No one's gonna judge
• 11:15
  Speaker 1: you if you got paid on your hands and ship. Nah,
• 11:18
  Speaker 1: it's like a gym for creator. So when I say that,
• 11:21
  Speaker 1: it's like a workshop where you may link with somebody
• 11:24
  Speaker 1: who know how to print up some merch. You may
• 11:27
  Speaker 1: link with somebody who's a producer, or you know, somebody
• 11:29
  Speaker 1: who's on the brander side of things. Yeah, so it's
• 11:32
  Speaker 1: like a hub for that. But they also just partner
• 11:35
  Speaker 1: with a with Diddy for Miami Wreck as well, So
• 11:38
  Speaker 1: we're part of that, or you're just part of the
• 11:40
  Speaker 1: Philly location. We're part of the whole thing. Oh yeah,
• 11:43
  Speaker 1: so check you out in business with Diddy? Kind of yes,
• 11:46
  Speaker 1: you can say literally, you can say that. Have you
• 11:48
  Speaker 1: ever talked to Diddy? No? Not personally? Why not? I
• 11:53
  Speaker 1: mean never, It's just it hasn't been a hard encounter yet.
• 11:58
  Speaker 1: I'm pretty sure we're gonna run into each other something.
• 12:00
  Speaker 1: He's supposed to be putting out an R and B album. Man,
• 12:02
  Speaker 1: he's going crazy. He going crazy with jos Zy too,
• 12:05
  Speaker 1: Shout out Joe Love Records. They're going stupid. You gotta
• 12:08
  Speaker 1: be on the Diddy R and B album I work
• 12:11
  Speaker 1: with Jazz shout out jos Zy. Have you uh, because
• 12:14
  Speaker 1: I do feel like you're kind of like when we
• 12:18
  Speaker 1: think of like West Coast the last five years or so,
• 12:20
  Speaker 1: it's really like you and Roddy Rich in terms of
• 12:24
  Speaker 1: commercial success. Do you feel like, really, I really, I
• 12:28
  Speaker 1: mean commercials we leave out Tyler the creator. Yeah, you're right,
• 12:32
  Speaker 1: Fuck everyone does that, including me, apparently just I would
• 12:35
  Speaker 1: say this, it's literally Tyler, yeah, and then Tyler. We
• 12:39
  Speaker 1: gotta put Tyler number one of these. I just got
• 12:41
  Speaker 1: to his own festival, the Drama's listening party, and I
• 12:46
  Speaker 1: was like, Bro, every time we speak about the West,
• 12:48
  Speaker 1: I don't know why people leave your name. I don't
• 12:50
  Speaker 1: even like mentally see him as even like I didn't
• 12:53
  Speaker 1: mention Kendrick right now, I guess I'm thinking like I
• 12:56
  Speaker 1: don't though, Yeah, I understand what I'm talking about, like
• 12:59
  Speaker 1: the new generation. Like I feel like you and Roddy
• 13:01
  Speaker 1: have obviously each kind of hit your stride in the
• 13:04
  Speaker 1: last five years. But do you feel do you feel
• 13:07
  Speaker 1: like the pressure of like kind of like because when
• 13:10
  Speaker 1: we think of LA, I think a lot of people
• 13:12
  Speaker 1: who aren't from LA feel like LA has a certain
• 13:16
  Speaker 1: sound that isn't necessarily palatable nationwide a lot. But then
• 13:21
  Speaker 1: you got guys like yourself and Roddy who come through
• 13:24
  Speaker 1: and are making these like anthems that everybody all over
• 13:27
  Speaker 1: the world are being able to like consume. And like,
• 13:29
  Speaker 1: do you feel like any pressure in terms of just
• 13:31
  Speaker 1: representing the West on that scale or do you not
• 13:33
  Speaker 1: even think about it? You're just making music. I don't
• 13:35
  Speaker 1: even think. I don't even think that deep into it.
• 13:37
  Speaker 1: I just do me for the most part. But I
• 13:40
  Speaker 1: get it though, you know, But I also feel like
• 13:42
  Speaker 1: it starts with the producers as well, Like we have
• 13:46
  Speaker 1: a certain sonic that we are, you know, like not
• 13:50
  Speaker 1: letting go at all. So we just got to get
• 13:52
  Speaker 1: more experimental, and the producers got to be more mindful
• 13:56
  Speaker 1: of that as well, and also collaborating with the artists.
• 13:59
  Speaker 1: Got to collaborate producers outside of LA Yeah that part.
• 14:02
  Speaker 1: Get on them YouTube beats man that use a lotsarati
• 14:05
  Speaker 1: success you. I mean, they couldn't box some men from
• 14:07
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  Speaker 1: to the interview. Has anybody made any blast hooks through
• 19:36
  Speaker 1: artificial intelligence yet? The AI? Have you seen this? I've
• 19:40
  Speaker 1: seen that you're talking about, like where you kid like
• 19:44
  Speaker 1: he just did a whole verse. He wrapped it as
• 19:46
  Speaker 1: himself like he was Kanye, and then he ran it
• 19:49
  Speaker 1: through artificial intelligence and it's it sounds like a fucking
• 19:52
  Speaker 1: Kanye song. So people can literally be out here with
• 19:55
  Speaker 1: bootleg blast versus I swear cap. It'll be probably it's
• 19:59
  Speaker 1: probably easier raps, but like singing, I don't know, man,
• 20:03
  Speaker 1: we gotta let you find out a singer AI singer.
• 20:07
  Speaker 1: If someone like hypothetical situation, somebody puts up a fake
• 20:11
  Speaker 1: blast record. Yeah, and it goes crazy, right, they write it,
• 20:16
  Speaker 1: they sing it, then they put their own verses on it.
• 20:19
  Speaker 1: It goes crazy, though, are you making them take it down?
• 20:24
  Speaker 1: I mean, if I could be a part of it,
• 20:25
  Speaker 1: let's get this back. Okay, like yo, get that bag.
• 20:28
  Speaker 1: I'm not gonna hate on it, but I gotta be
• 20:30
  Speaker 1: a part of it for sure. Do you ever look
• 20:32
  Speaker 1: up blast type beats on YouTube? Yeah? Dude? Ever anything fire? Yeah,
• 20:37
  Speaker 1: you may come across something. I always wanted that. Like,
• 20:40
  Speaker 1: I'm like, heo, if I'm a rapper, I'm just like
• 20:42
  Speaker 1: type beating myself on YouTube or pause all the time.
• 20:48
  Speaker 1: You got a sick one. No, I'm just saying. I mean,
• 20:51
  Speaker 1: I can't talk about beating myself on the internet. Nah, Nah,
• 20:53
  Speaker 1: I don't. I don't think it's like I feel like
• 20:55
  Speaker 1: you gotta go to the originator for that, for the
• 20:57
  Speaker 1: blast type beats, you know, with shout out all the producers,
• 21:00
  Speaker 1: that's you know, taking as sauce and running with it.
• 21:04
  Speaker 1: Would you say in twenty twenty three, because I do
• 21:08
  Speaker 1: feel like being a producer, it's a very heavily saturated
• 21:11
  Speaker 1: game and unfortunately, as a producer, I feel like you're
• 21:15
  Speaker 1: kind of underappreciated in the same way that photographers and
• 21:18
  Speaker 1: videographers are underappreciated in it producers the same way. Like
• 21:21
  Speaker 1: what would be some advice you would give producers in
• 21:24
  Speaker 1: twenty twenty three, whether it's having their business right or
• 21:27
  Speaker 1: you know, I think some people chase placements as opposed to, like,
• 21:31
  Speaker 1: you know, there's other routes to monetize your talent. You
• 21:34
  Speaker 1: know what I love and shout out to hip Boy
• 21:37
  Speaker 1: because I feel like he's pinpointing this. But like producers
• 21:41
  Speaker 1: that work with that artist and just build a whole sound,
• 21:45
  Speaker 1: a whole sonic, like what he did with Benny the Butcher.
• 21:48
  Speaker 1: What are you doing with nas? Things like that? I
• 21:50
  Speaker 1: feel like we need to get back to that, like
• 21:52
  Speaker 1: Timolin and miss Yelli, Like we don't really get those
• 21:55
  Speaker 1: full bodies of work like that. So that's what I'm like.
• 21:58
  Speaker 1: If you're up becoming producer in like Indiana or something like,
• 22:01
  Speaker 1: find a dope artist that's in your city and like
• 22:03
  Speaker 1: try to build a sound. I think that's doper than
• 22:06
  Speaker 1: just getting that one hit record with that popular artist already.
• 22:09
  Speaker 1: It's like it's better when you build something from the
• 22:11
  Speaker 1: from the mud. Well you checked Riddy off the list
• 22:14
  Speaker 1: of artists that people want to see you work with.
• 22:17
  Speaker 1: Is there anybody else you really want to work with it?
• 22:19
  Speaker 1: For whatever reason, it just hasn't aligned yet. Uh, nobody specifically.
• 22:24
  Speaker 1: I mean I always say for real, but that's like
• 22:26
  Speaker 1: more so I want him to executive produce a project
• 22:29
  Speaker 1: later down the line if I'm able to, if he's
• 22:32
  Speaker 1: able to. But nobody specifically right now, I'm trying to
• 22:35
  Speaker 1: focus on myself. Yeah, nobody on the R and B side, Nah,
• 22:41
  Speaker 1: pretty much work with a lot of people. I gotta
• 22:44
  Speaker 1: get back to the blast story for sure. Yeah, I
• 22:48
  Speaker 1: mean I've been going for I've been I've been feeling
• 22:50
  Speaker 1: like t Pain last year feature crazy Future Crazy. Nowadays,
• 22:55
  Speaker 1: let's say major label calls it's a new artist they signed.
• 23:00
  Speaker 1: You have no idea who it is, but they're on
• 23:02
  Speaker 1: Atlantic and they want that blast sauce. That fucking what's
• 23:06
  Speaker 1: that hitting for? You know? I never charged for a
• 23:09
  Speaker 1: feature ever ever. No, really, So you're doing it only
• 23:14
  Speaker 1: if you truly want to truly like the song. You
• 23:16
  Speaker 1: have to like the song, you have to like the artist. Yeah,
• 23:20
  Speaker 1: I'm talking about up front. It's a back end cause
• 23:22
  Speaker 1: but if I like the song. I'm not gonna give
• 23:24
  Speaker 1: you that hash So you feel me? The back end
• 23:26
  Speaker 1: is just like the bag or is it the It
• 23:30
  Speaker 1: may be the video, it may be the wardrobe for
• 23:33
  Speaker 1: the video, things of that nature. You feel me. You
• 23:36
  Speaker 1: still got to show up as Blast. I'm still a brand,
• 23:38
  Speaker 1: I'm still a company. But on the front end, I'm
• 23:41
  Speaker 1: not fee to be like I need fifteen just to
• 23:42
  Speaker 1: record the first I need you know. Yo. It sucks
• 23:45
  Speaker 1: too because a lot of artists will pay that to
• 23:47
  Speaker 1: these features and then the song doesn't get clear. Yeah,
• 23:51
  Speaker 1: it's cold games. They got the money. Hey, get your money?
• 23:55
  Speaker 1: How you get it? Couldn't be met a What about
• 23:57
  Speaker 1: you and T Pain? That'll be crazy? I love T Paying.
• 24:02
  Speaker 1: Have you seen his any of his covers? He just
• 24:04
  Speaker 1: did a whole album. Yeah, I've been watching that. He
• 24:06
  Speaker 1: didn't get the Ozzy Osbourne war Pigs, Yeah he did.
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  Speaker 1: He did at Sam Cook, Sam Cook, he did Chris
• 24:14
  Speaker 1: Stables in the country guy, Oh come man. Yeah, T
• 24:17
  Speaker 1: Paying a legend. You guys have never connected never can.
• 24:20
  Speaker 1: I think we were supposed to. I think I know
• 24:21
  Speaker 1: his manager actually, but he never got on the table officially.
• 24:26
  Speaker 1: You gotta make that happen. Man. Yeah, because you're kind
• 24:28
  Speaker 1: of like the hook guy now, you know. Yeah, I
• 24:30
  Speaker 1: need some songs. I need to ask him a thousand questions.
• 24:33
  Speaker 1: When I did the video of Rick Ross, I asked
• 24:35
  Speaker 1: him a thousand questions. What questions did you ask a cross?
• 24:38
  Speaker 1: I was like, what did you do with your first million?
• 24:41
  Speaker 1: What are you saying? It was like the first thing
• 24:43
  Speaker 1: I did, I saved it. But he was telling me
• 24:47
  Speaker 1: it was like because I told him I lived in
• 24:49
  Speaker 1: la He was like, that's the worst place to buy
• 24:50
  Speaker 1: real estate. Get something in Atlanta. Atlanta's for sales. It's
• 24:54
  Speaker 1: a lot of land. So also the state taxes here suck. Yeah,
• 25:00
  Speaker 1: tell me about it. Are you realizing that now that
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  Speaker 1: you're rich? I wouldn't say that, but you've got that
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  Speaker 1: guy Vic over there. He will give you some terrible
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• 25:17
  Speaker 1: cleared it up on the last interview. You know what
• 25:20
  Speaker 1: you gotta do. You gotta set up the address in Nevada,
• 25:23
  Speaker 1: buy a house out there, just let it sit or
• 25:27
  Speaker 1: just have some people rent it. But all the bills
• 25:28
  Speaker 1: are in your name. Hey, I take all the advice
• 25:31
  Speaker 1: and then you past no state tax because Nevada's that's
• 25:34
  Speaker 1: what you do. No, but a rapper who you have
• 25:37
  Speaker 1: a lot of songs with does that? Yeah, he's from
• 25:41
  Speaker 1: La and like a lot of songs more than two. No,
• 25:45
  Speaker 1: I think you only have one or two with them, Okay,
• 25:47
  Speaker 1: I think yes, whatever, Yeah, not a lot of songs.
• 25:50
  Speaker 1: Speaking of a lot of songs. Have you talked to
• 25:52
  Speaker 1: Mazzi if you wrote him since he's been in jailer,
• 25:54
  Speaker 1: I haven't. Haven't talked to Mazzi free Mazi man. I
• 25:56
  Speaker 1: talked to Davo though, and uh, you say, you know
• 25:59
  Speaker 1: he good spirits. So when he gets out, I think
• 26:02
  Speaker 1: you guys should do another like dude, just for clarity
• 26:05
  Speaker 1: three just all Mazzi features. That'd be crazy. Nah. I
• 26:08
  Speaker 1: definitely want to check that off my list sooner or later,
• 26:10
  Speaker 1: like a Mazi some type of project, whether it be
• 26:14
  Speaker 1: four songs, ten songs, something, because I feel like the
• 26:17
  Speaker 1: chemistry we got we ain't missed yet. I feel like
• 26:20
  Speaker 1: to Mazzi was like an early believer in you in
• 26:22
  Speaker 1: terms of like just like collaborating, and you know, I
• 26:25
  Speaker 1: feel like Mazi has a huge following and I feel
• 26:27
  Speaker 1: like he put you on some shit that you know
• 26:30
  Speaker 1: at that time. I remember a lot of people found
• 26:33
  Speaker 1: you through MAZZI definitely shout out Dava for really making
• 26:37
  Speaker 1: a play, but I always stay between Mazi and Eric Bellinger.
• 26:40
  Speaker 1: That was the first two artists that gave me that platform.
• 26:44
  Speaker 1: What did Eric do for you? He gave me a
• 26:45
  Speaker 1: feature early. This was before Beno. Eric's great. Yeah, he
• 26:49
  Speaker 1: gave me a hook early on. He give you a
• 26:51
  Speaker 1: hook early, just through to you. Well we swapped, you know,
• 26:54
  Speaker 1: I gave him a hook as well. Has he put
• 26:56
  Speaker 1: yours out? Yeah? Okay, I didn't know if he was
• 26:59
  Speaker 1: like holding on to you because I've been hearing random
• 27:01
  Speaker 1: hooks or years they are like four years old. When
• 27:03
  Speaker 1: rappers play me songs, they'd be like, yeah, I got
• 27:05
  Speaker 1: a record with Blast. I'm like, I was like, yeah,
• 27:07
  Speaker 1: we did this shit in like twenty seventeen, right right right?
• 27:10
  Speaker 1: Why haven't you released it? Did you ever like have
• 27:14
  Speaker 1: to take shit down online because it's old or unauthorized?
• 27:18
  Speaker 1: I did that early on. I did that early on.
• 27:21
  Speaker 1: I had a lot of you know, unpolished music up
• 27:25
  Speaker 1: and I felt like as a brand, it wasn't you know,
• 27:27
  Speaker 1: I mean, I mean like an artist who maybe has
• 27:29
  Speaker 1: had a hook for like oh no, no, no no, well,
• 27:33
  Speaker 1: I don't know that they've never had to drop on somebody.
• 27:38
  Speaker 1: I feel like we are tight knit company. We don't
• 27:41
  Speaker 1: really leak too much. We have a small circle anyway
• 27:44
  Speaker 1: as far as the creative team, So none of that
• 27:47
  Speaker 1: ever happened to me. They did try to leak the
• 27:51
  Speaker 1: The Passionate record though, me and Roddy before it came out.
• 27:53
  Speaker 1: It was like two days before it came out. Really, yeah,
• 27:56
  Speaker 1: but it was also on the Insecure show, like maybe
• 28:00
  Speaker 1: a month or two prior so, somebody had it. It's
• 28:02
  Speaker 1: been through a lot of hands, yeah, it was, yeah,
• 28:05
  Speaker 1: but we got it under control. Yeah. Once it's on
• 28:07
  Speaker 1: a TV show. Who knows how many people have touched
• 28:09
  Speaker 1: the song or had it in their email at that point. Yeah,
• 28:12
  Speaker 1: pretty much. Damn. I remember I used to shout I
• 28:15
  Speaker 1: got my name because I used to get the lead
• 28:18
  Speaker 1: and made a whole brand off of it, stealing met
• 28:22
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• 28:25
  Speaker 1: rich one. No no, no, no no, no, you're the rich one.
• 28:27
  Speaker 1: Ever since you got that that platinum plaque behind you,
• 28:31
  Speaker 1: E've ben running up the bag yeah, what's the next
• 28:33
  Speaker 1: song that's about to that? I can get a plaque
• 28:35
  Speaker 1: for what's the next song? You gotta have some more certifications.
• 28:39
  Speaker 1: Have the the die hard mm hm plaque. That'll be legendary.
• 28:45
  Speaker 1: They have they done plaques for that. Not that yet,
• 28:48
  Speaker 1: but yeah, that's a legendary situation right there. I'm excited
• 28:52
  Speaker 1: for that one. Is it already platinum? We can look
• 28:56
  Speaker 1: it up and do the math, but I haven't. Hey,
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  Speaker 1: when I was you came out? Did you come out
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  Speaker 1: with Kendrick at Staple or at Crypto? I didn't, Okay,
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  Speaker 1: maybe that's what. Maybe I remember being disappointed that you
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  Speaker 1: didn't because I went to two of the shows. I
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  Speaker 1: was there at. That show was Legend. I was like,
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  Speaker 1: this would be a great opportunity to bring Blast out,
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  Speaker 1: but it was such a like very unique set. I
• 31:20
  Speaker 1: feel like it'd be kind of weird to like implement
• 31:23
  Speaker 1: like a yeah, the way that show was, it was
• 31:26
  Speaker 1: so like choreography and it was very and I was
• 31:30
  Speaker 1: on tour at the same time too. We actually performed
• 31:33
  Speaker 1: in London. I want to say back to back dates
• 31:36
  Speaker 1: like and his venue was right across the street from mine.
• 31:39
  Speaker 1: Oh too? Did he give you any advice in terms of, like,
• 31:42
  Speaker 1: you know, Rick Ross told you to move out of
• 31:43
  Speaker 1: California Kendrick alone, I'm gonna hit him when when I
• 31:47
  Speaker 1: really really really need his advice, But i know he'd
• 31:50
  Speaker 1: be in his own world, so I'm gonna treat that
• 31:52
  Speaker 1: relationship sacredly. There it is, man So album on the way,
• 31:56
  Speaker 1: the four pack is out. Now you got a song
• 31:59
  Speaker 1: with Larry June. Yeah, who's been killing shit? How long
• 32:03
  Speaker 1: have you been hip to Larry's movement? Because he's been
• 32:06
  Speaker 1: for the better part of the last ten years building
• 32:08
  Speaker 1: an independent powerhouse. Right. I actually got put on Larry
• 32:11
  Speaker 1: Jones from VIC. Yeah, he put me onto his music,
• 32:15
  Speaker 1: and I really just liked how he branded everything, his
• 32:18
  Speaker 1: aesthetic organic. It's all very consistent. Yours is too, though.
• 32:23
  Speaker 1: You guys are very purposeful in terms of the branding
• 32:25
  Speaker 1: and the aesthetic of all your I feel like all
• 32:27
  Speaker 1: your art, everything just flows together right, and I feel
• 32:30
  Speaker 1: like it was only right. And I pay attention to
• 32:32
  Speaker 1: the comments too, as far as like with the fans
• 32:35
  Speaker 1: be wanting from me and stuff, and they always preached
• 32:37
  Speaker 1: about Larry Jones. I got a heavy fan base in
• 32:40
  Speaker 1: the Bay, so it was perfect. You guys do a swap.
• 32:43
  Speaker 1: No we didn't. We didn't not yet you gotta do
• 32:46
  Speaker 1: one for him, now, yeah, that's inevitab. We definitely gonna
• 32:48
  Speaker 1: cook up some more. Even he just he just popped
• 32:51
  Speaker 1: out of my Ja's residency at the in Vegas. Right.
• 32:55
  Speaker 1: I forgot you're doing now, yeah, you're rich. What do
• 32:59
  Speaker 1: we talking about? You're you gotta They don't be giving
• 33:02
  Speaker 1: Dre's residencies. They no lightweights out here. We're building the relationships.
• 33:06
  Speaker 1: That's all I could say. How is it like doing
• 33:09
  Speaker 1: because I've been to Dre's a million times, and when
• 33:13
  Speaker 1: you perform at Dre's, you're performing for your fans, but
• 33:16
  Speaker 1: you're also performing for just like tourists that are in town. Right,
• 33:19
  Speaker 1: So is it different like when you do a Dre's show?
• 33:22
  Speaker 1: Like how because is it kind of like doing a
• 33:24
  Speaker 1: club show or is it it's like that pocket right
• 33:28
  Speaker 1: in the middle of a like an actual show in
• 33:31
  Speaker 1: a club show, but the crowd it felt like it
• 33:33
  Speaker 1: was nothing but blast fans up in there the way
• 33:35
  Speaker 1: that was screaming word for word. How often are you
• 33:38
  Speaker 1: doing it. Well, we just did the first one earlier
• 33:42
  Speaker 1: this year. I have another residence residency out there right
• 33:46
  Speaker 1: now at daylight. But we're cooking up right now. We're
• 33:49
  Speaker 1: just building a relationship for the most part. Do you
• 33:50
  Speaker 1: gamble when you're in Vegas? Slightly at the tables? What
• 33:54
  Speaker 1: do you play? Though? Cras Craps is the best funniest
• 33:57
  Speaker 1: game you could win, really one when you lose him though,
• 34:00
  Speaker 1: because you can lose fast exactly, Man Craps, You'll be
• 34:04
  Speaker 1: fucking on a run and they'd be like, let me
• 34:06
  Speaker 1: buy all the fucking numbers. That's seven in Still. Yeah,
• 34:09
  Speaker 1: I'm still a student though, so I you know, I
• 34:11
  Speaker 1: play sale. You know who's really good at crabs. Who
• 34:13
  Speaker 1: taught me was DJ Head. He's a degenerate gambler. He
• 34:15
  Speaker 1: would never let you picture him gambling, of course, not
• 34:19
  Speaker 1: because he's perfect, but he is a that is his
• 34:21
  Speaker 1: one black mark. He got something on him. He's a gambler.
• 34:25
  Speaker 1: Motherfucker on the trap table. It's like watching Tiger Woods
• 34:28
  Speaker 1: play golf. That's crazy. I just I never knew how
• 34:31
  Speaker 1: to play crabs until me and Head went to Vegas
• 34:32
  Speaker 1: and it was like watching art. Yeah, he's amazing. At crabs.
• 34:36
  Speaker 1: I don't know if you could be good at craps,
• 34:38
  Speaker 1: but he was, Yeah, yeah, craps is fun. That's grazy.
• 34:40
  Speaker 1: I cannot picture DJ head gambling. You've been in any
• 34:43
  Speaker 1: Vegas strip clubs? Not at all. You gotta go stay
• 34:46
  Speaker 1: away from ship clubs. Why just a smart thing to do.
• 34:51
  Speaker 1: Save your dollars. No, you go and you eat, you
• 34:54
  Speaker 1: go and eat. You gotta go and get the chicken
• 34:56
  Speaker 1: wings out, eat chicken. See, I don't got no reason
• 34:59
  Speaker 1: at the club vegan something like that. What's that mean?
• 35:03
  Speaker 1: A vegan? Are you vegan? I'm a I'm a picky eater.
• 35:07
  Speaker 1: I'm tired of the titles. You feel me. You don't
• 35:10
  Speaker 1: eat chicken? No, I haven't ate chicken in probably like
• 35:13
  Speaker 1: twelve years. Why so good? So where do you get
• 35:17
  Speaker 1: your protein from? It's a lot of Yeah, we're not
• 35:20
  Speaker 1: even finna dive all the way. You eat fish? Where
• 35:22
  Speaker 1: do cows get their protein from? What about gorilla's? This
• 35:27
  Speaker 1: guy's fucking This guy right here is the same. He's like, yeah,
• 35:30
  Speaker 1: you tell him, motherfucker. So you don't eat fish or anything? Yeah,
• 35:35
  Speaker 1: you fish occasionally. That's like the only thing I go
• 35:38
  Speaker 1: to as far as when I tell you had a steak,
• 35:42
  Speaker 1: I don't think I ever had a steak in my life.
• 35:44
  Speaker 1: Oh you're I never liked even as a kid, that
• 35:47
  Speaker 1: poor guy and likes too chewy. You don't You never
• 35:50
  Speaker 1: had an in and out? Yeah? I probably had in
• 35:52
  Speaker 1: and out when I was younger. You don't need burgers,
• 35:56
  Speaker 1: vecchi burgers. It's the same thing. It's twenty twenty three.
• 35:59
  Speaker 1: You're trying to tell me a veggie burger that tastes
• 36:01
  Speaker 1: like ass cheeks is the same You ever have urger? Guys?
• 36:04
  Speaker 1: Nobody wants none of that bullshit. Shut out burger guys,
• 36:07
  Speaker 1: black independent, shout out to them, support the company. They
• 36:10
  Speaker 1: going crazy, fire, better than in and out, better than everything.
• 36:14
  Speaker 1: You're a fucking liar. Don't tell people that this is crazy.
• 36:17
  Speaker 1: I'm serious. Try it so you okay? On a daily basis,
• 36:21
  Speaker 1: you wait, like, are you eating salads all fucking day?
• 36:24
  Speaker 1: Peanut butter? What are you eating? I eat everything you
• 36:28
  Speaker 1: regular person would eat. Just a veggie style, a lot
• 36:30
  Speaker 1: of potato chips, a lot of cereal. I am a
• 36:33
  Speaker 1: heavy potato chippy eater. Unfortunately that's what your favorite choice.
• 36:37
  Speaker 1: I like hot cheetos. That will fuck you up. It
• 36:41
  Speaker 1: will you won't need a steak, but you're gonna eat
• 36:42
  Speaker 1: that bullshit? No? Yeah, tell me about it. What do
• 36:45
  Speaker 1: you think is worse for you the steak? You're crazy?
• 36:50
  Speaker 1: What about Do you eat a lot of cereal? I
• 36:53
  Speaker 1: don't eat cereal at all, never in life. No, I'm
• 36:56
  Speaker 1: more of a fruit guy before cereal as a kid,
• 36:59
  Speaker 1: you didn't eat Yeah, growing up, I ate you know
• 37:03
  Speaker 1: you never bust nine PM bowl of Lucky Charms. Na.
• 37:08
  Speaker 1: I'm a noodles type of guy, like ramon am the pack. Yeah.
• 37:15
  Speaker 1: Do you have anything special with the noodles? Are we
• 37:17
  Speaker 1: putting in hot sauce or cheese or anything? Nah, I
• 37:19
  Speaker 1: ain't going to We're not in jail now. We're gonna
• 37:22
  Speaker 1: eat them regular. We ain't making a spread. We gotta
• 37:25
  Speaker 1: get you some cereal and some steak. What's your favorite cereal? Ever?
• 37:30
  Speaker 1: It goes back and forth. I got three. I lose
• 37:32
  Speaker 1: the one with the frog on it that used to
• 37:34
  Speaker 1: be SPACs. I love. I like peanut butter crunch, even
• 37:38
  Speaker 1: though it's the roof of your mouth up. Yeah. I
• 37:41
  Speaker 1: like apple jacks and Lucky Charms. Everything with sugar. Se
• 37:47
  Speaker 1: you used to put the extra sugar you know how
• 37:49
  Speaker 1: people put that only in cheerios. You get the regular cheerios,
• 37:52
  Speaker 1: you put the sugar in it. Yeah, that's real. Ghetto
• 37:54
  Speaker 1: is a ghetto unhealthy? You eat hot cheetos. I don't
• 37:58
  Speaker 1: want a steak. Yeah, steak is good. It's dead. Well,
• 38:03
  Speaker 1: I mean, you would you rather meet by a live
• 38:05
  Speaker 1: cow's ass? You know? Actually I don't, you have a
• 38:10
  Speaker 1: says the guy with the dead cow on his fucking coat.
• 38:13
  Speaker 1: Right now, you've got come on now, you're too good
• 38:18
  Speaker 1: to eat it, but you'll wear the cow. This is
• 38:20
  Speaker 1: Jeff Hamilton. It's different. It's premium. You're you know what
• 38:25
  Speaker 1: you are. You're a hypocrite, You're right, I am all right,
• 38:29
  Speaker 1: Well listen, man, I'm human. That's what I am. Everybody's
• 38:32
  Speaker 1: a hypocrite. Yeah, look, we gotta get you on some
• 38:34
  Speaker 1: fucking meat. Bro. Pause, you know what I mean. I'm mighty.
• 38:38
  Speaker 1: Ya have a good day. Blast. The new single with
• 38:41
  Speaker 1: Roddy Rich is out everywhere requested obviously. The four pack
• 38:45
  Speaker 1: is out just for clarity to absolute album before the
• 38:49
  Speaker 1: end of the year. It's we don't know yet, we
• 38:51
  Speaker 1: don't know yet. You're very methodical. Yeah, yeah, yeah, we're
• 38:54
  Speaker 1: gonna be in your face though regardless. Pause, okay, and
• 38:58
  Speaker 1: uh is the video was body out yet? No? It's not.
• 39:01
  Speaker 1: It's dropping real soon. Did you direct it? I did not?
• 39:05
  Speaker 1: Is that all Blue sat direct? Dave? There it is? Well, look,
• 39:08
  Speaker 1: go support this guy. We need to start a go
• 39:11
  Speaker 1: fund me for him to be better. We just all
• 39:14
  Speaker 1: need to just get you some Kobe beef. You're rich.
• 39:17
  Speaker 1: We don't need to give you a go funding. We
• 39:19
  Speaker 1: need to take you to a nice steakhouse. Vic. Are
• 39:22
  Speaker 1: you on the same level good at least not everyone
• 39:27
  Speaker 1: in your team's in team? Yeah? Would you go fish
• 39:34
  Speaker 1: eat you like chicken nuggets? Hell? Vegan chicken nuggets? Hell? Yeah?
• 39:40
  Speaker 1: That ship? Is that? Sh is? It tastes like fucking
• 39:46
  Speaker 1: First of all, they can't call it you. I'm tired
• 39:48
  Speaker 1: of these vegan fucks calling things vegan something like vegan
• 39:51
  Speaker 1: chicken wings. Just call it like a chick pee ball.
• 39:56
  Speaker 1: It's not a fucking chicken anyway. That's how we in
• 39:59
  Speaker 1: the interview, Guy us Shuttle Dietary shout out the bouleg
• 40:03
  Speaker 1: my guy. I appreciate you, brother, appreciate Yes, sir,