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Cubby Got Into An Argument With His Wife Over A Song · The Cubby and Christine Morning Show

• 0:00
  Speaker 1: Third, a little bit of an argument between me and
• 0:03
  Speaker 1: my wife Coco over the weekend.
• 0:05
  Speaker 2: She didn't want to turn the beat around.
• 0:06
  Speaker 1: She didn't turn the beat around. In fact, the argument
• 0:09
  Speaker 1: got so heated that even the kids in the back
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  Speaker 1: of the car said, guys, stop fighting. Oh yeah, Hi,
• 0:15
  Speaker 1: there light a Femazon Cubby Christine producer christ and that
• 0:18
  Speaker 1: is Glory Estefan, her version of turned the Beat Around,
• 0:20
  Speaker 1: originally done by Vicky c Robinson. But here's what happened.
• 0:24
  Speaker 1: We had light FM on over the weekend. We were
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  Speaker 1: listening to that particular song by Gloria Estefan, and Coco
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  Speaker 1: says love to hear percussion. I said, no, no, that's wrong.
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  Speaker 2: She loves to hear percussion.
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  Speaker 1: Right, I said, that's completely wrong. It's well, I'll play
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  Speaker 1: you the clip. Yeah, I said you're wrong, Chris Christine.
• 0:51
  Speaker 1: I said, you're wrong, Coco, it's I love to feel
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  Speaker 1: the passion. She goes no, And so me, being the DJ,
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  Speaker 1: I knew I was right. So I was really like
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  Speaker 1: coarse top of the soapbox, lo and behold my wife Coco. Yeah,
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  Speaker 1: was correct. For all these years I thought she was
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  Speaker 1: saying I love to feel the passion.
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  Speaker 2: Love to hear hear percussion, and it's I love to
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  Speaker 2: hear percussion, And I thought it was love to hear
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  Speaker 2: that passion.
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  Speaker 1: Oh okay, so we both had passion in our mind. Christen,
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  Speaker 1: you heard percussion your whole life.
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  Speaker 2: Who knows her stuff and has been a percussionist, right,
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  Speaker 2: heard percussion?
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  Speaker 1: But how funny. I've heard that song for years, even
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  Speaker 1: the original I'm known for years. I've always thought it's passion.
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  Speaker 2: But again, doesn't sound like passion. But now I hear percussion.
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  Speaker 1: Turn the beat around, love to hear percussion, turn it
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  Speaker 1: upside down, love to hear percussion, Love to hear it? Yes, Christine,
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  Speaker 1: let's stick with passion. That sounds better, doesn't.
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  Speaker 2: It just changed everything?
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  Speaker 1: Can you think of any other songs that I mean
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  Speaker 1: you hear a different lyric in your head?
• 1:56
  Speaker 2: Always go back to Starbucks Lovers. That's a classic, right
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  Speaker 2: and it will always be that for me? Taylor? Sorry?
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  Speaker 1: And didn't Taylor acknowledge that people are saying that what
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  Speaker 1: song was it?
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  Speaker 2: Again?
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  Speaker 1: Is space?
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  Speaker 3: Yeah?
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  Speaker 2: Of ex lovers? And then when she did Taylor's version,
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  Speaker 2: I think she was more like she really pronounced those
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  Speaker 2: words so we wouldn't confuse it, so it's in the
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  Speaker 2: original version where it sounded like she was like, go
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  Speaker 2: and ask those Starbucks lovers. I still call Starbucks Starbucks lovers.
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  Speaker 1: Every time you say a Starbucks, you said, it's good lovers. Yeah,
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  Speaker 1: all right, give us a text at four four three
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  Speaker 1: sixty three or call one two two two one oh
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  Speaker 1: sixty seven. We're talking misheard lyrics. I used to think
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  Speaker 1: in Starship, nothing's going to stop us. Now when I
• 2:42
  Speaker 1: was a kid, I thought he was saying a parathighs
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  Speaker 1: here out listen.
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  Speaker 4: Pig in her eyes, in her eyes, that's not going
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  Speaker 4: to get you a date.
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  Speaker 2: It's a pair of fush No, No, how old were you,
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  Speaker 2: Let's see what was on your mind.
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  Speaker 1: That was eighty seven. I was sixteen. I was sixteen.
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  Speaker 2: That would explain some things.
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  Speaker 1: And I've talked about this before Christine every time every
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  Speaker 1: time you go away by Paul Young, Yeah, every time
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  Speaker 1: you go away. Do you know what my word was
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  Speaker 1: after that?
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  Speaker 2: You take a piece of meat.
• 3:24
  Speaker 1: Take a piece of meat with you. That's what I thought.
• 3:27
  Speaker 1: And then in Isla Bonita by Madonna, what's going on there?
• 3:31
  Speaker 1: Last night? I dreamt of some bagels.
• 3:34
  Speaker 2: Oh my goodness, we are so in your head right now.
• 3:37
  Speaker 2: So it's either about girls.
• 3:38
  Speaker 1: Or food pretty much. Yeah, yeah, exactly one more for you.
• 3:42
  Speaker 1: Here we go, Eminem and Rihanna. The monster. Here we go.
• 3:47
  Speaker 1: I'm friends with the mustard that's under my bed. What
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  Speaker 1: do you think?
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  Speaker 2: What is she really saying?
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  Speaker 1: I have no idea. I'm friends with the mustard though,
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  Speaker 1: that's under my bed.
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  Speaker 2: Mustard that goes on your bagel and your piece of meat,
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  Speaker 2: the sun of mob.
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  Speaker 1: I'm friends with a monster. And then something about the bed,
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  Speaker 1: the monster under my bed. Any phone calls, Kristen, Yeah,
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  Speaker 1: no one cares about this particular topic. But if you
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  Speaker 1: care about this topic like that, guys, can you can
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  Speaker 1: you call us at one hundred two two two one
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  Speaker 1: o sixty seven or text us at four four three
• 4:23
  Speaker 1: sixty three. Anybody texting, Well, you have one, we have one.
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  Speaker 2: We have a text from six to three to one.
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  Speaker 2: Good morning, Cubby. I always knew it was percussion, So
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  Speaker 2: when you started talking about the passion, I was like,
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  Speaker 2: oh my gosh, I've had it wrong all these years.
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  Speaker 2: So glad to hear I was correct, because they go
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  Speaker 2: and play the drum with the with the red on
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  Speaker 2: the drums.
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  Speaker 1: Yeah, l on the drums.
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  Speaker 2: Yes, it completely makes sense that she's singing about percussion.
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  Speaker 2: All right, what what were we thinking?
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  Speaker 1: You had a phone call? Hang, oh, we got a
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  Speaker 1: phone call. Lemen, you know what? Take it live. Hit
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  Speaker 1: the button, Kristin, let's see what happens. I don't care anymore.
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  Speaker 1: Hi Light FM, what's your STU?
• 5:02
  Speaker 3: STU?
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  Speaker 1: All right? Give lyric please?
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  Speaker 3: Yeah, I still don't know the name. Boy. When I
• 5:08
  Speaker 3: sing that Michael Jackson song, it sounds that he's saying,
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  Speaker 3: I'm gonna stand on the side of the mountain side,
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  Speaker 3: and he repeats it about one hundred times. I'm gonna
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  Speaker 3: stand outside the mountain.
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  Speaker 2: Yeah, we don't know what he's saying.
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  Speaker 3: But I have no idea what he's saying.
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  Speaker 2: I don't think we do.
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  Speaker 1: I think we do, we do. I've heard he's saying,
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  Speaker 1: I'm gonna say it one more time. I'm not going
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  Speaker 1: to stop. I'm gonna say it one more time. I'm
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  Speaker 1: not gonna stop. I'm gonna say it one more time.
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  Speaker 1: I'm not going to stop.
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  Speaker 3: I figure he's just standing on the side of the
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  Speaker 3: mountain side.
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  Speaker 1: I'm standing on top of the mountain side, and I'm
• 5:38
  Speaker 1: standing on top of the mountain side. Yeah, we have
• 5:41
  Speaker 1: to play that next. Hey, Stu, what are you doing
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  Speaker 1: up so early?
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  Speaker 3: I had it in the work, all right, what do
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  Speaker 3: you do ups.
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  Speaker 2: Brown's House?
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  Speaker 1: All right, thank you Stu for listening.
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  Speaker 3: Okay you I have a great day. Guys.
• 5:59
  Speaker 1: All right, it's you all right.
• 6:00
  Speaker 2: In the song Bad Moon Rising, I always saying there's
• 6:03
  Speaker 2: a bathroom on the right.
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  Speaker 1: I see a bathroom to right.
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  Speaker 2: That's because that's what you want to see.
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  Speaker 1: Let's take another call one sixty seven hi Light FM.
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  Speaker 1: You are live on the air, give me your misheard lyric.
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  Speaker 3: If Michael Jackson storms, well, don't stop for you getting up.
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  Speaker 3: I believe what I hear is don't stop for the
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  Speaker 3: post office.
• 6:29
  Speaker 1: Don't stop your post office. And that's a good point yep, Yes,
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  Speaker 1: we need to go there forever stamps. All right, what's
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  Speaker 1: your name? Daniel? Thank you for listening. We appreciate you.
• 6:41
  Speaker 2: Thank you.
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  Speaker 1: By Okay, So this is fun. We've got some mishard
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  Speaker 1: lyrics here anymore.
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  Speaker 3: We got more cars.
• 6:47
  Speaker 1: Take another call hi Light FM, give me your misheard lyric.
• 6:51
  Speaker 1: You're live on the air.
• 6:55
  Speaker 3: Lyric was a Kenny Rogers song and it is a
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  Speaker 3: four hundred children doing crop in the field. And that
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  Speaker 3: was four hungry children and a crop in the people.
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  Speaker 1: Oh what song is that?
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  Speaker 3: I would take the fine time believing for I don't know.
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  Speaker 3: I was very young.
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  Speaker 1: No, Kenny Rogers, right, you said.
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  Speaker 2: Yeah, I k Katy Rogers, Lucille.
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  Speaker 1: Yeah, and what did you think he was saying?
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  Speaker 4: Do you want to repeat?
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  Speaker 3: Uh? No, hundred children doing crop in the field.
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  Speaker 1: Oh, that's here.
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  Speaker 4: Thank you for going in a bar and toledo across
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  Speaker 4: from the depot on a barstoo.
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  Speaker 1: She took a for I don't know when the line
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  Speaker 1: comes out, Oh, yes, that is true, might be in
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  Speaker 1: the chorus.
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  Speaker 4: I walked on over, sat down and asked her.
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  Speaker 1: Maybe right here when the drinks finally hit her, she said,
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  Speaker 1: I'm no quitter, but I'm finally quit living on dreams.
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  Speaker 1: Are you better say it? I'm hungry for laughter hereover after,
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  Speaker 1: I'm after whatever the other lives brain.
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  Speaker 4: In the mirror.
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  Speaker 1: All right, I'm gonna hear that later on. What's coming
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  Speaker 1: up with the news, Christine.
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  Speaker 2: We'll check out the headlines and guys, if you want
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  Speaker 2: to be more attractive, this is something you need to do.
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  Speaker 1: All right, take us out. Kenny Shadows strange look on
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  Speaker 1: his face.
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  Speaker 4: The big hands were callous. You look like a mountain