Latest / Inside Country with Wayne D / Jon Pardi is NOT Interested in This, AT ALL!!

Transcript

Jon Pardi is NOT Interested in This, AT ALL!! · Inside Country with Wayne D

0:00
Speaker 1: Listen. So we're rolling John parties in studio.
0:02
Speaker 2: Hey, thanks for You're a busy dude, especially with an
0:04
Speaker 2: album coming out, your dad husband doing a million things
0:07
Speaker 2: that wants Thanks for hanging out. Yeah.
0:08
Speaker 3: No, downtown and right now, Honky Tonkin, Well, let.
0:12
Speaker 1: Me ask how often do you get downtown? Are you
0:14
Speaker 1: a downtown Nashville guy?
0:16
Speaker 3: I love downtown Nashville. It's it's definitely changed, but it's
0:21
Speaker 3: still fun. I mean, I love that the fans love it. Yeah,
0:24
Speaker 3: you know, and it gives It's a place that the
0:26
Speaker 3: country music really calls home now with all the hoarse bars. Yeah,
0:30
Speaker 3: I went to I went I Was That with Bob
0:32
Speaker 3: Kid Rock and we went to his place afterwards, went
0:35
Speaker 3: to dinner and went to his place afterwards. Didn't stay
0:37
Speaker 3: out too late. We made it till midnight. It's pretty
0:39
Speaker 3: good for new parents. Yeah, absolutely, And you know, we
0:42
Speaker 3: got to just enjoy the lights and the people, and
0:47
Speaker 3: I enjoy watching people having fun in the name of partying.
0:51
Speaker 2: I uh, you reminded me of a saying I recently
0:53
Speaker 2: saw if if if forty is the new thirty, then
1:01
Speaker 2: nine pm is.
1:02
Speaker 1: The new midnight.
1:03
Speaker 2: Yeah, because it's like I ain't trying to I'm here
1:05
Speaker 2: for a good time. But like, if we could wrap
1:07
Speaker 2: this thing up by about ten thirty, if I'm.
1:10
Speaker 3: Not proud of myself if I make it to midnight,
1:12
Speaker 3: I'm like, we made it to midnight.
1:14
Speaker 2: That's is that is showtime different for you then now too,
1:17
Speaker 2: Like cause you play for the most.
1:18
Speaker 1: Part most venues, you go till about eleven ish, right.
1:21
Speaker 3: Yeah, but the shows don't matter because I can stay.
1:23
Speaker 3: I'll stay up to one, two the latest on the
1:26
Speaker 3: show because I get to sleep in on the tour bus.
1:29
Speaker 1: Yeah.
1:29
Speaker 3: So, but Holmes don't sleeping in. Presley's up ready to party.
1:34
Speaker 3: So like we go to bed early at the house.
1:36
Speaker 1: I love that man.
1:37
Speaker 2: Where As we sit downtown, you're peeking out the window
1:39
Speaker 2: here as the artist bar thing ever popped into conversation
1:42
Speaker 2: for you.
1:43
Speaker 3: Nobody ever emails me any with that ideas.
1:46
Speaker 2: Because I was gonna say, it's like, oh yeah, but like,
1:49
Speaker 2: you know, Jason's had a million number ones, Luke's had
1:51
Speaker 2: a million number ones. You know, they've been around forever,
1:55
Speaker 2: but now there's names like Laney, who's new to the scene,
1:57
Speaker 2: Chilley Roll, who's lady.
1:59
Speaker 3: They got them rocks. I'm on the train track still okay,
2:03
Speaker 3: and I'm gonna I got a hell of a train
2:05
Speaker 3: train steam engine, always on the climb. But I don't know.
2:09
Speaker 3: I think it's too late, honestly and all honestly, I
2:12
Speaker 3: think it's too late. I think it's burnt out. I
2:14
Speaker 3: think the artists bars are great, but it's almost like
2:19
Speaker 3: it's just you're just so many now there's no I
2:23
Speaker 3: remember all characters. I get it, but it's just like,
2:26
Speaker 3: I don't know.
2:27
Speaker 1: Does that cross your mind ever?
2:28
Speaker 2: Or you like, Now, I'm happy, I got my lane,
2:30
Speaker 2: I'm doing what I'm doing, I got the endorsements or whatever.
2:32
Speaker 3: Man, I don't give one crap about having a bar. Yeah,
2:38
Speaker 3: because I feel like I have so much further to
2:40
Speaker 3: go in my career that I shouldn't be worried about
2:44
Speaker 3: if I got a bar or not. Like I should
2:46
Speaker 3: be worried about making the best record, which I did,
2:50
Speaker 3: Honk and Talk Hollywood April eleventh, available everywhere. I shouldn't
2:55
Speaker 3: be worried about what I'm gonna put in my bar.
2:57
Speaker 1: That's a hell of a plug.
2:58
Speaker 3: I know, if you want to be at a bar,
3:00
Speaker 3: let's talk about it. You know, I have this Channel
3:01
Speaker 3: bar idea called Tequila Little Time that has to be
3:04
Speaker 3: on a channel in Florida. Oh I like that, so
3:07
Speaker 3: but I want to own them. I want to own
3:08
Speaker 3: the land. So yeah, Okay, gotta get make it happen.
3:11
Speaker 3: Gotta find someplace. Man. I feel like a boat bar
3:14
Speaker 3: would be way cooler.
3:15
Speaker 1: I dig that.
3:17
Speaker 2: Let's just say, if Riley Green can have a bar,
3:19
Speaker 2: anybody can have a bar.
3:21
Speaker 3: Well see it still? I mean, but Roy's like, girls
3:25
Speaker 3: go to Riley Green's bar because that's where they're like, well,
3:27
Speaker 3: it's his his bar, he should be here. Yeah, listen,
3:32
Speaker 3: everybody's got a bar.
3:33
Speaker 1: We'll get there. We'll you know what, I challenge you.
3:35
Speaker 3: Uh, I'm gonna take it over the hard rock That's
3:38
Speaker 3: why I let's do it. You watch hard Rock Cafe.
3:41
Speaker 3: I'm coming after you.
3:42
Speaker 1: I love that. Uh.
3:43
Speaker 2: When it comes to this new album, uh, you're no
3:46
Speaker 2: stranger to new country, but with with what you've put
3:49
Speaker 2: into this project, are you?
3:51
Speaker 1: How do you staye on party but.
3:53
Speaker 2: Still like make sure it's new and sounds new? Does
3:55
Speaker 2: that make sense?
3:57
Speaker 3: Well? I mean you just got to pay attention to
3:58
Speaker 3: what's going on and listen to your songwriters, listen to
4:01
Speaker 3: songs that come in, write what you want. I feel
4:04
Speaker 3: like I pay attention enough to know what's going on,
4:06
Speaker 3: but also like I didn't really care and also don't care.
4:11
Speaker 3: Don't care about what's going on. You think Morgan Wong
4:13
Speaker 3: cared about what was going on. He didn't sound like
4:16
Speaker 3: any I mean still though, I mean even Morgan, Like
4:19
Speaker 3: I used Morgan lot because he's like the biggest thing
4:21
Speaker 3: in country music. But Smile doesn't sound like anything he's done,
4:25
Speaker 3: Like it doesn't. It's like he progresses himself and does
4:29
Speaker 3: different things. That's what I did. I was like, well,
4:32
Speaker 3: I'm gonna use Jay Joyce, like I'm gonna try something different,
4:34
Speaker 3: and then it's but it's not, it's not still far
4:37
Speaker 3: fetched to where you're now gonna listen to that record
4:40
Speaker 3: and be like, oh, he went full Morgan Wall. It's like, no,
4:42
Speaker 3: it's its own thing. It's it's still mean, but I
4:45
Speaker 3: think it's just a little more like West Coast seventies
4:47
Speaker 3: country rock and roll, which is pretty badass.
4:51
Speaker 1: That's badass. I love that.
4:53
Speaker 2: Uh, who are artists outside of Morgan that keep you
4:56
Speaker 2: motivated to challenge yourself because you could easily you could
5:00
Speaker 2: easily make every John Party record sound like the last
5:04
Speaker 2: John Party record. I don't mean that in like an
5:05
Speaker 2: insulting way, but like you, you have your groove right,
5:09
Speaker 2: you have the place where you're comfortable. But when you
5:11
Speaker 2: start putting music out on a bigger scale, it's almost
5:13
Speaker 2: like you gotta you gotta leave your lane just a
5:16
Speaker 2: little bit, right.
5:18
Speaker 3: Yeah, but you don't. I mean you just you just
5:20
Speaker 3: add one more lane, Okay. You know you got three
5:23
Speaker 3: lanes out of four lane. Getting a little busy at
5:27
Speaker 3: an extra lane, I don't know. You know, you got
5:31
Speaker 3: guys like Zach Topp play with Zach. Dude's super talented.
5:35
Speaker 3: He's like a voice like the past, like I thought.
5:39
Speaker 3: Keith Whitley was singing next to me. He's so good, man,
5:41
Speaker 3: He's so good. And you know, it's guys like him
5:45
Speaker 3: that help guys like me. For a while, was like me, Cody,
5:53
Speaker 3: Me and Cody still playing country music with like fiddle
5:58
Speaker 3: and steel and and so it's had Justin Moore, you know,
6:03
Speaker 3: Justin's always been there's a bunch of guys. That was
6:05
Speaker 3: a good joke, but yeah, you know it's it helps
6:08
Speaker 3: all of us in the long run, you know, cause
6:10
Speaker 3: you got guys like Morgan, who's taking hip hop and
6:12
Speaker 3: pop and making it super I mean, gee, three football
6:16
Speaker 3: fields a night, and but you know Cody's playing football fields.
6:20
Speaker 3: I mean so it's just like it helps the whole
6:22
Speaker 3: circle of bringing everybody to get listens.
6:25
Speaker 2: When it comes to creating that music. And this is
6:28
Speaker 2: something that we asked Cody Johnson last time he was
6:30
Speaker 2: in here. Because staying true to yourself, staying true to
6:34
Speaker 2: your your country sound right, and not necessarily the sound
6:37
Speaker 2: you make, but the sound you believe in that inspired
6:39
Speaker 2: you to create. You could easily chase a hit, right,
6:43
Speaker 2: you could easily pop on a backwards ball cap and
6:46
Speaker 2: somebody could write some big old record and drop it
6:48
Speaker 2: in your lap. Why is it important for you not
6:50
Speaker 2: to do it that way, not to take something that
6:53
Speaker 2: might be easy dropped in your lap, but like to
6:54
Speaker 2: stay true to who john Party is.
6:56
Speaker 3: I think when you stay true to yourself, you're true
6:58
Speaker 3: to yourself at everything.
7:01
Speaker 1: Okay, so whether you're like.
7:04
Speaker 3: Working on a ranch, you got my cowboy hat to
7:07
Speaker 3: live it, breathe it. You know, Cody's the same way.
7:10
Speaker 3: He's he's always like rope. He lives in Texas, he
7:12
Speaker 3: got he got the tech like everybody's got cowboy things
7:15
Speaker 3: in Texas, and it's just like when you you're you're
7:18
Speaker 3: that guy and everything you do. And I think that's
7:21
Speaker 3: how you really stick to who you are without just
7:24
Speaker 3: not just if you just stick to who that artist
7:26
Speaker 3: is in music, then it becomes like, well, I got
7:29
Speaker 3: to put my hat on or I got to transform
7:31
Speaker 3: into this to be an artist when you're just like, no,
7:34
Speaker 3: I'm the artist twenty four to seven. Except even I'm
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Speaker 3: even an artist. When I got my comfy's on, my
7:39
Speaker 3: ug slippers, what's up?
7:41
Speaker 2: You know?
7:41
Speaker 3: Up? Put up in there? You come about come about
7:44
Speaker 3: eight o'clock. You know, I'll be in my comfy clothes.
7:46
Speaker 1: It's over the work.
7:48
Speaker 3: The work clothes are hung up. But you know, I
7:52
Speaker 3: feel like there's a lot of that. You know, you
7:54
Speaker 3: just do. You're the artist? You who are? You? Are?
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Speaker 3: You are all the time, And I feel like if
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Speaker 3: you live it and breathe, it is true, it shows up.
8:03
Speaker 3: And you're not afraid to stand for who you are
8:05
Speaker 3: as an artist because it's you. It makes sense. I
8:08
Speaker 3: think that makes sense.
8:09
Speaker 2: It does for sure, because as a fan, it's easier
8:10
Speaker 2: to connect with somebody who is authentic versus playing a character.
8:14
Speaker 2: Whether a song is is massive or not, you can
8:17
Speaker 2: tell if that person believes in it. Like we've talked
8:21
Speaker 2: to different artists, like like Kenny Chesney passed on check
8:25
Speaker 2: yes or no. He was offered it before George Straight
8:27
Speaker 2: because he's like, it's just not me. Jake Owen was
8:30
Speaker 2: offered Big Green tractor. He's like, I'm not a tractor guy. Yeah,
8:33
Speaker 2: He's like, I don't own one. I've never written one.
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Speaker 1: Right, I mean he's missing the money he could.
8:38
Speaker 3: Have been as I mean, it has a bad decision.
8:42
Speaker 2: But when it comes to the authenticity, it also makes
8:45
Speaker 2: it easier for fans to connect with you. Right, what's
8:50
Speaker 2: been a cool fan story that you have from any
8:52
Speaker 2: point in your career where maybe it kind of helps
8:54
Speaker 2: you go, yeah, I'm in the right place at the
8:56
Speaker 2: right time.
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Speaker 3: Man. I feel like recently, He've got a song called
8:59
Speaker 3: She Drive a Way. It's on the new record and
9:01
Speaker 3: it's a father daughter song and it's a tough father
9:05
Speaker 3: dough song, but it's beautiful and it talks about, you know,
9:12
Speaker 3: being in the delivery room and it's a full circlel moment.
9:16
Speaker 3: It's like talks about me and you're you know, like say,
9:18
Speaker 3: you meet Summer's dad and you ask her to marry
9:21
Speaker 3: and then you have a little baby girl, and it's
9:22
Speaker 3: like the circle, the circle life. No, it's it's not
9:27
Speaker 3: like but you din to get it in this kind
9:28
Speaker 3: of way. It's like it comes around you have a
9:29
Speaker 3: baby girl, your own, and we put it out and
9:32
Speaker 3: like the amount hundreds, mind not thousands yet it's still fresh,
9:37
Speaker 3: but like of videos a sweet little baby baby girls
9:41
Speaker 3: like being held for the first time and she drives
9:43
Speaker 3: away is playing in the background and it's beautiful and
9:47
Speaker 3: it's my first I feel like a lot of my
9:51
Speaker 3: fans are like same age and we're growing up together
9:53
Speaker 3: in the world and everybody's starting to have kids and
9:55
Speaker 3: it's like it's their first time too, and they're using
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Speaker 3: this song and it's still spe sholing because normally I'm
10:02
Speaker 3: like drink, party, party, dance, dance, dance, and it's like
10:05
Speaker 3: different that come up with the family story and it
10:08
Speaker 3: like means it's so special to like first time fathers
10:11
Speaker 3: and stuff and so recently, like that's that that aspect
10:15
Speaker 3: of like you know, I've been there and you just
10:18
Speaker 3: kind of live life and your your music goes through
10:21
Speaker 3: that and it kind of shows what I went through
10:23
Speaker 3: and now everybody's going through it too. Is you know,
10:25
Speaker 3: new baby girls come in the.
10:26
Speaker 2: World when when the dad's stuff, you know, creeps over
10:31
Speaker 2: into the work stuff because obviously dad is number one job, right.
10:35
Speaker 2: What has been something that you're surprised you learned as
10:40
Speaker 2: far as being a dad, And what's something that you've
10:42
Speaker 2: been proud to watch your wife learn as far as motherhood?
10:47
Speaker 3: Oh, summers, she's super mom, it feels like, but I
10:53
Speaker 3: mean I just learned how to take care of the girls,
10:56
Speaker 3: you know, and do everything you can. So if you
10:59
Speaker 3: have to be alone with your kids, like you got it.
11:01
Speaker 3: You know, some dads they're just like you don't leave
11:03
Speaker 3: the kid alone with your dad, you know, Like hey,
11:06
Speaker 3: so I really tried to learn that for summer and
11:09
Speaker 3: for the children, and it's a lot. I mean I
11:12
Speaker 3: ask a lot of questions Summer and she's like, yeah,
11:14
Speaker 3: blah blah blah blah. But Summer is really good at
11:16
Speaker 3: organizing just being like super mom and it really helps
11:19
Speaker 3: have a great mom. Like summer when I'm on the
11:22
Speaker 3: road constantly and I'm not constantly. We got a good schedule,
11:26
Speaker 3: but still like we're gone three weeks sometimes and it's tough,
11:29
Speaker 3: but it's just nice to have summer. But you know,
11:33
Speaker 3: if we're gone that long, we do kind of meet
11:35
Speaker 3: in the middle, so she'll come out and see me
11:36
Speaker 3: and bring the girls. But definitely a team. It's definitely
11:40
Speaker 3: a team thing have parents. And also shout out to
11:43
Speaker 3: all the single parents out there too, because that's you know,
11:46
Speaker 3: I couldn't imagine not having summer or you know, just
11:49
Speaker 3: to have a break. So yeah, it's a it's definitely
11:54
Speaker 3: a very difficult thing being parent but it's fun and
11:57
Speaker 3: it's it's rewarding.
11:59
Speaker 1: Yeah, absolutely it is.
12:01
Speaker 2: When it comes to the parenting thing, how important is
12:04
Speaker 2: it for you to get them on the road as
12:05
Speaker 2: often as you can? And does that affect the schedule
12:08
Speaker 2: that you make for yourself?
12:09
Speaker 3: Now, well, you know, since I'm home a lot, I like,
12:11
Speaker 3: you know, I like to get a couple days, you know,
12:15
Speaker 3: Like it's like I went to Australia and I went
12:19
Speaker 3: by myself. I relaxed the whole damn time.
12:23
Speaker 1: They're like, what you.
12:24
Speaker 3: Do in Australia. I said nothing. I stayed at the
12:26
Speaker 3: hotel and I played the shows.
12:28
Speaker 1: That's what I did there.
12:30
Speaker 3: You go, I didn't do anything.
12:31
Speaker 2: That's fantastic. When it comes to this new project, it's
12:35
Speaker 2: fourteen songs, deep.
12:36
Speaker 3: Right, who gave this guy information?
12:39
Speaker 1: Seventeen seventeen? Sorry, sorry, seventeen songs.
12:42
Speaker 3: I remember my first radio job.
12:45
Speaker 2: When it comes to what they call them instant grat tracks, right,
12:49
Speaker 2: that's just a label thing. But when it comes to
12:52
Speaker 2: the songs that a fan gets early on the album
12:54
Speaker 2: versus you know, here's the date and here's the rest,
12:57
Speaker 2: how do you determine which songs those are gonna be?
12:59
Speaker 3: Well, this was pretty easy. We had Friday O Heartbreaker.
13:02
Speaker 3: That that was the first release that was also single,
13:06
Speaker 3: and then oh it was that, and then it was
13:11
Speaker 3: Hanky Talk California. That's the title track, so and it's
13:14
Speaker 3: the badass songs. You get that out, you got the
13:16
Speaker 3: title track. And the next it was Love the Lights Out,
13:19
Speaker 3: which is like a superkin soulful, sexy song, and we
13:22
Speaker 3: released out on Valentine's Day because it's a love song.
13:26
Speaker 3: So that was like that went hand in hand. And
13:28
Speaker 3: then she drives away as parents and fathers and little
13:32
Speaker 3: baby girls. So everybody likes that song and that one
13:36
Speaker 3: really did they start? I mean, I guess you picked
13:38
Speaker 3: the ones that really generate and get people talking on
13:41
Speaker 3: whatever day is it released, so especially putting like Love
13:45
Speaker 3: the Lights Out on Valentine's Day. You know, I thought
13:48
Speaker 3: this one been my favorite releases of a record so far.
13:51
Speaker 1: You look, you look and sound very excited about it.
13:54
Speaker 3: This is a great record I've had. It's been done
13:56
Speaker 3: for eight months. I finished this July twenty twenty four.
14:01
Speaker 3: This has been a test of patience to let me
14:03
Speaker 3: tell you. Okay, well, I can't disres I think it
14:06
Speaker 3: was eight months. But yeah, it's not my label's fault.
14:09
Speaker 3: But it is my label's fault. But usually I don't
14:12
Speaker 3: finish the album so quick. Since it was the first
14:15
Speaker 3: time working with Jay it it got done really fast
14:21
Speaker 3: because we just spent the whole month working on it.
14:23
Speaker 3: Where the other ones, I'd go on and go tour
14:25
Speaker 3: and I'd go do this, and I'd come back and
14:27
Speaker 3: I'd be sick. It took forever to get the final vocals.
14:30
Speaker 3: So whereas this you just did all one. I was
14:32
Speaker 3: feeling good and so when the label wasn't ready, Hell,
14:35
Speaker 3: I wasn't ready, and they're like, it's not my label's fault.
14:39
Speaker 3: I take that back, But damn it have long release dates.
14:42
Speaker 3: So we got a big ass label and then and
14:45
Speaker 3: then twenty four was an election year. We didn't want
14:47
Speaker 3: to be like oversight by all this stuff going on.
14:50
Speaker 3: So April eleventh, Honkitong called it was available everywhere. But
14:54
Speaker 3: that was that was kind of like where we met
14:56
Speaker 3: in the middle. I was like, because they were trying
14:59
Speaker 3: to get in, Like June, June broke my heart. I
15:01
Speaker 3: was like, hell no, hell no, June, that is the
15:05
Speaker 3: whole the whole year's done. June, mind, well just put
15:09
Speaker 3: the Christmas record. Let's go to the Christmas too. Freaking June,
15:13
Speaker 3: you kidding me?
15:15
Speaker 1: The year's over At that point, I know.
15:17
Speaker 3: I was like, well no, no, no, no no. We
15:19
Speaker 3: wanted March. We got April. So love my label, Capitol
15:24
Speaker 3: Records Universal. They let me be me. I'm telling you,
15:27
Speaker 3: I got an r'd this record. It was my decision
15:31
Speaker 3: to bring Jay in and just really just being full, creative, thinkful,
15:37
Speaker 3: like everybody's been so like, do you think, John.
15:39
Speaker 1: Why was it?
15:40
Speaker 2: You said it was so easy to put together or
15:42
Speaker 2: not so easy, but it fell together fashions than past records.
15:45
Speaker 2: Is it because of a fresh voice, fresh eyes on
15:49
Speaker 2: the project.
15:50
Speaker 1: Or you were just more focused.
15:52
Speaker 3: No, I mean it's uh, you know when I asked Jay,
15:55
Speaker 3: I I had like a month and a half to
15:57
Speaker 3: do the record, and Jay Joyce owns his own studios,
16:02
Speaker 3: so we didn't have you know, next week somebody knocking
16:05
Speaker 3: at the black door. D liked ding ding ding D
16:08
Speaker 3: Come on, get out of here. We gotta record my record.
16:11
Speaker 3: It was like, now we had all this time. We
16:14
Speaker 3: recorded two songs a day, and also which was really cool,
16:17
Speaker 3: and also in that magic moment, we sang final vocals
16:21
Speaker 3: that day, so like once we got done, brand new,
16:24
Speaker 3: just making this song, never play it, you know, just
16:27
Speaker 3: brand new to the little baby song boom final vocals.
16:31
Speaker 1: Wrong was that it being born boom to the world.
16:36
Speaker 3: And like Jay's studios, it's an old church, so it's
16:39
Speaker 3: like it's all kinds of stuff, the neon Cross and
16:42
Speaker 3: we had so like we had so much time to
16:44
Speaker 3: really take our time, and then we were in the
16:46
Speaker 3: studio all day. So when I was saying I wasn't traveling,
16:50
Speaker 3: I wasn't bush hogging. I wasn't out like chainsawing, you know,
16:54
Speaker 3: kidding allergies up. I wasn't like feeding the cows.
16:57
Speaker 2: Hey, like I was.
16:58
Speaker 3: Literally just in the studio, so it kept me like
17:02
Speaker 3: super healthy for vocals, and we just knocked it out.
17:07
Speaker 3: It was a really great experience.
17:10
Speaker 2: As you look at the seventeen songs, because we'll edit,
17:14
Speaker 2: we'll edit the first I don't know why I thought fourteen.
17:17
Speaker 1: We were just looking at it a minute ago. I
17:19
Speaker 1: looked at you like it was your fault the last song.
17:22
Speaker 1: Did you see that?
17:22
Speaker 2: Though? I go fourteen, you go seventeen, and I looked
17:24
Speaker 2: over like he was her fault. I'm like, thanks, roll,
17:29
Speaker 2: it's always my fault. I rolled a car over daily.
17:31
Speaker 3: One thing. Don't blame the girl, Yeah, no.
17:34
Speaker 1: I don't. I never.
17:36
Speaker 3: I never Yeah much of that. Yeah, you looked right
17:38
Speaker 3: at me and blame me.
17:39
Speaker 2: No, he don't leave me alone. The last thing I
17:44
Speaker 2: want to ask, because I know you got to run
17:45
Speaker 2: and it's going to be the pick your favorite baby story,
17:48
Speaker 2: what's as you look at the seventeen tracks, what is
17:51
Speaker 2: the one that stands out here like damn, I can't
17:53
Speaker 2: believe that I get I get to call that song
17:55
Speaker 2: mine and I know you're proud of the whole project,
17:58
Speaker 2: and I'm sure there's other songs that didn't make it
17:59
Speaker 2: maybe here later, But out of this project, is there
18:02
Speaker 2: one that you're like, that's wow?
18:03
Speaker 3: I thought, I mean I thought that one for songwriting wise,
18:06
Speaker 3: She Drives Away. I mean it's just a really well
18:09
Speaker 3: written song, great story, and that was when I was like, man,
18:12
Speaker 3: that's just cool that I get to have that as
18:14
Speaker 3: my song and it is my song because our you know,
18:18
Speaker 3: we made it so much just like a the way
18:23
Speaker 3: it's recorded, it's almost it's so cinemous. It's like cinematic
18:26
Speaker 3: the way it's recorded. I know that sounds funny because
18:29
Speaker 3: cinematic mainly like visual, but like for the Ears, it's
18:32
Speaker 3: like it paints this storyline in it and it's just
18:36
Speaker 3: really pretty. And that was one of those that I'm
18:40
Speaker 3: proud to call mine especially, and it's like fresh, I'm
18:44
Speaker 3: fresh dad. I used to do the heart heartbreak beer
18:47
Speaker 3: drinking tunes. This one's like I go to baby Girl
18:49
Speaker 3: now and everybody's got a baby girl, so it's it's new.
18:53
Speaker 2: You know, let's go, well, the new album is coming,
18:56
Speaker 2: and make sure you listen to all seventeen seventeen of
18:59
Speaker 2: the songs GIPT, the three that tated Yeah, just kidding,
19:03
Speaker 2: Tom Party, thank you brother, thank you