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82.2: And it All Started with an Ear · Movie Meltdown

• 0:00
  Speaker 1: Let's get on with it.
• 0:01
  Speaker 2: The following feature has been rated R by the Motion
• 0:03
  Speaker 2: Picture Association of America. It is intended for mature audiences
• 0:07
  Speaker 2: and parental discretion is advised.
• 0:11
  Speaker 3: It's showtime, folks.
• 0:22
  Speaker 4: Enjoy the.
• 0:25
  Speaker 5: Show.
• 0:26
  Speaker 6: A candy-colored clown they call the Sandman. Tiptoes to my
• 0:31
  Speaker 6: room every night. Just as pretty as stardust and a whisper.
• 0:37
  Speaker 7: Go to sleep.
• 0:39
  Speaker 6: Everything is all right.
• 0:44
  Speaker 7: I close my eyes.
• 0:48
  Speaker 6: Then I drift away.
• 0:51
  Speaker 7: Into the magic night.
• 0:53
  Speaker 8: I softly.
• 1:01
  Speaker 2: This is J.T.
• 1:02
  Speaker 9: Petty, and you're listening to Logan Meltdown.
• 1:17
  Speaker 7: It's time for Sofa Theater. Detective Williams?
• 1:24
  Speaker 10: Yes?
• 1:25
  Speaker 7: My name is Jeffrey Beaumont.
• 1:27
  Speaker 8: I live near you.
• 1:28
  Speaker 7: I believe you know my father, Tom Beaumont, Beaumont's hardware store?
• 1:31
  Speaker 4: Sure, I do.
• 1:32
  Speaker 7: I understand he's in the hospital.
• 1:33
  Speaker 9: How's he doing?
• 1:35
  Speaker 7: He's okay, I guess.
• 1:36
  Speaker 6: I hope.
• 1:38
  Speaker 1: They're doing tests.
• 1:38
  Speaker 7: That's why I'm home from school.
• 1:40
  Speaker 11: Anyway, I was at the hospital this morning and coming
• 1:42
  Speaker 11: home through the field behind our neighborhood, there.
• 1:44
  Speaker 8: Behind Vista, I found an ear.
• 1:49
  Speaker 4: You did?
• 1:50
  Speaker 12: A human ear?
• 1:52
  Speaker 13: Yeah.
• 1:53
  Speaker 7: I thought I should bring it to you. Yep, that's right.
• 1:56
  Speaker 14: Let's take a look at it. Yes, that's a human ear,
• 2:04
  Speaker 14: all right. Let's take it down to the coroner's office
• 2:07
  Speaker 14: and see what they make of it. Then I want
• 2:09
  Speaker 14: you to show me exactly where you found it.
• 2:12
  Speaker 3: All right.
• 2:14
  Speaker 7: She wore blue.
• 2:17
  Speaker 12: Velvet Bluer than velvet was the night Softer than satin
• 2:37
  Speaker 12: was the light From the stars.
• 2:44
  Speaker 8: Welcome to Movie Meltdown Sofa Theater. Once again, I am Brian.
• 2:47
  Speaker 1: I am still Misty.
• 2:48
  Speaker 7: I'm still Jay.
• 2:50
  Speaker 15: I'm still Marlena.
• 2:52
  Speaker 8: All right. This week's Silver Theater feature is Blue Velvet. 1986,
• 2:58
  Speaker 8: director David Lynch. The plot's, again, not too terribly bad
• 3:02
  Speaker 8: this time from IMDb. After finding a severed human ear
• 3:06
  Speaker 8: in a field, a young man soon discovers a sinister
• 3:08
  Speaker 8: underworld lying just beneath his idyllic suburban hometown. So, with that,
• 3:14
  Speaker 8: spoiler alert, because, once again, hopefully you've seen this because
• 3:18
  Speaker 8: it's pretty damned impressive, but if not, You may not
• 3:22
  Speaker 8: want to hear us go on and on about it,
• 3:23
  Speaker 8: because I'm sure we'll ruin everything. So, go watch it first.
• 3:27
  Speaker 8: With that having been said, where should we begin?
• 3:31
  Speaker 7: I forgot the whole beginning of this movie even existed.
• 3:34
  Speaker 11: I saw this movie a long time ago, and apparently
• 3:38
  Speaker 11: the first quarter of it and the last quarter of it,
• 3:42
  Speaker 11: I'd completely forgotten and only remembered the middle part.
• 3:46
  Speaker 7: And mostly it was all the Dennis Hopper stuff.
• 3:49
  Speaker 10: And if any listeners out there can tell us what
• 3:51
  Speaker 10: exactly happened to Kyle McLaughlin's dad.
• 3:53
  Speaker 1: Did he get stung by a bee?
• 3:54
  Speaker 10: Did he have a mysterious neck pain that caused him
• 3:57
  Speaker 10: to go to the hospital?
• 3:58
  Speaker 1: What exactly happened? Did the water spigot shoot off and
• 4:02
  Speaker 1: hit him? What happened?
• 4:03
  Speaker 15: I have no idea.
• 4:04
  Speaker 7: I don't really elaborate on that.
• 4:07
  Speaker 8: I don't think it mattered for you.
• 4:09
  Speaker 1: To me, it mattered.
• 4:10
  Speaker 8: Well, because you get obsessed with weird little things. But
• 4:12
  Speaker 8: I think it was one of those, even, you know,
• 4:14
  Speaker 8: especially David Lynch, he's like, there's a medical issue. It
• 4:17
  Speaker 8: brings him home. That's really all they needed.
• 4:19
  Speaker 1: But couldn't they have made it a little bit more explained?
• 4:22
  Speaker 4: No, no.
• 4:22
  Speaker 10: It would have been more of a heart attack, at least.
• 4:25
  Speaker 10: We can understand that.
• 4:26
  Speaker 8: See, originally, yeah, I was thinking back, thinking maybe it
• 4:28
  Speaker 8: was a heart attack. But, yeah, watching it this time,
• 4:30
  Speaker 8: I was like... And then he had the huge, like,
• 4:31
  Speaker 8: thing on his head, like that whole metal piece on there. So, yeah,
• 4:35
  Speaker 8: it doesn't really.
• 4:36
  Speaker 1: Would you have that if he got stung by a bee?
• 4:38
  Speaker 7: I don't know. I thought he had a.
• 4:39
  Speaker 10: Did he get hit by an invisible car?
• 4:41
  Speaker 7: No, I thought he had a... What is that called?
• 4:43
  Speaker 4: Tracheotomy.
• 4:44
  Speaker 15: Tracheotomy.
• 4:44
  Speaker 7: It kind of looked like a tracheotomy, but I.
• 4:46
  Speaker 15: Couldn't... Yeah, I think so.
• 4:47
  Speaker 7: I couldn't tell.
• 4:48
  Speaker 8: Because he couldn't talk either the entire time. But then
• 4:50
  Speaker 8: later he could, so.
• 4:52
  Speaker 7: I'm so confused.
• 4:54
  Speaker 15: Welcome to the world of David Lynch.
• 4:56
  Speaker 8: Yes, if that's what you're confused about in David Lynch's world,
• 4:59
  Speaker 8: that's the least of your problem.
• 5:00
  Speaker 1: Everything else made sense.
• 5:01
  Speaker 10: That's just confusing.
• 5:04
  Speaker 1: Me.
• 5:05
  Speaker 15: It's weird that everything kind of made sense.
• 5:08
  Speaker 8: Yeah, that's what I noticed going back and re-watching this.
• 5:11
  Speaker 8: I'm so used to everything Lynch touches just being a mess.
• 5:16
  Speaker 8: Like genius, but at the same time, so confusing and so, like,
• 5:21
  Speaker 8: just overlaid with all these weird symbols and images and,
• 5:25
  Speaker 8: you know, stuff that means something to him but doesn't necessarily,
• 5:28
  Speaker 8: you know, it's really hard to piece through what he's
• 5:31
  Speaker 8: going through. This is about the most straightforward Lynch is
• 5:35
  Speaker 8: possibly ever. I mean, maybe Elephant Man. It's been a
• 5:37
  Speaker 8: long time since I've seen Elephant Man. It was sort
• 5:40
  Speaker 8: of normal for a movie about something as weird as
• 5:43
  Speaker 8: that was, but... stylistically and a lot of his other stuff,
• 5:47
  Speaker 8: it wasn't near as convoluted as some of his other
• 5:49
  Speaker 8: projects get. So, yeah, I was amazed at just how
• 5:54
  Speaker 8: almost normal, yeah, it's almost a normal plot line and
• 5:59
  Speaker 8: a lot of the other stuff, you know, it's still
• 6:01
  Speaker 8: relatively normal for David Lynch, again, to put it in perspective.
• 6:06
  Speaker 8: There's not weird Lynchian things all over this movie.
• 6:08
  Speaker 15: Other than him giving the weather report.
• 6:11
  Speaker 4: What?
• 6:12
  Speaker 10: Oh, the weather report, the David Lynch weather report.
• 6:14
  Speaker 9: Yeah, I remember that.
• 6:16
  Speaker 1: I do, man.
• 6:17
  Speaker 8: I missed that, actually.
• 6:18
  Speaker 7: You know, I think I must have become more warped.
• 6:21
  Speaker 11: Actually, I know I've become more warped as time has
• 6:23
  Speaker 11: gone by, because I remember when I first saw this movie,
• 6:25
  Speaker 11: I thought this was just the weirdest fucking thing I've
• 6:28
  Speaker 11: ever seen.
• 6:28
  Speaker 7: It blew my mind. I completely didn't know what to
• 6:32
  Speaker 7: think of it. Weirdest thing I'd ever seen. Creeped me out.
• 6:37
  Speaker 7: and going back and watching it is like, man, yeah,
• 6:39
  Speaker 7: I enjoyed it.
• 6:41
  Speaker 8: And I think everybody had that reaction. Like going back,
• 6:43
  Speaker 8: looking at people's response to it in 86 was just like,
• 6:47
  Speaker 8: they were appalled by what was going on and just the,
• 6:50
  Speaker 8: the weird style and all the weird things that touches on.
• 6:54
  Speaker 8: It's like, people weren't really ready for that.
• 6:56
  Speaker 11: And, and how whacked out Dennis Hopper was mommy, mommy,
• 7:00
  Speaker 11: don't look at me type thing.
• 7:04
  Speaker 7: Crazy.
• 7:05
  Speaker 8: Yeah, pretty much.
• 7:07
  Speaker 1: To me, he made the movie.
• 7:08
  Speaker 10: Everything else would have failed if it hadn't been for
• 7:11
  Speaker 10: the amount of bucket loads of crazy that Dennis Hopper
• 7:13
  Speaker 10: was able to portray in this movie.
• 7:14
  Speaker 7: Good God, he was fucking nuts.
• 7:16
  Speaker 8: I like the rest of it. I like what else
• 7:19
  Speaker 8: is going on there. It would be captivating without that.
• 7:23
  Speaker 1: If it was anybody else, I don't think it would
• 7:26
  Speaker 1: have had the amount of pull that it did.
• 7:28
  Speaker 11: Dennis Hopper has that ability to seem like he's that
• 7:31
  Speaker 11: fucking nuts, that he was that fucking nuts in real life.
• 7:35
  Speaker 10: When I read, wasn't he actually inhaling whatever that was
• 7:38
  Speaker 10: in there? Just more of a realistic feel?
• 7:40
  Speaker 1: Because it was supposed to be.
• 7:41
  Speaker 7: Nitrous oxide or what?
• 7:43
  Speaker 15: I checked.
• 7:43
  Speaker 8: I'm trying to think. Because he actually says... Because it
• 7:46
  Speaker 8: was his idea to make it this... Because he knew
• 7:49
  Speaker 8: so much about the drugs. He was like, no, it
• 7:51
  Speaker 8: shouldn't be that. It should be this.
• 7:52
  Speaker 1: And when I read, he actually was inhaling it during
• 7:55
  Speaker 1: the movie.
• 7:55
  Speaker 8: Wouldn't surprise me. Except he had just gotten out of
• 7:58
  Speaker 8: rehab at this point. So it wouldn't be good for him.
• 8:00
  Speaker 8: But yeah, it is nitrous oxide is what it's supposed
• 8:02
  Speaker 8: to be. to be in the storyline i don't know
• 8:04
  Speaker 8: what it really was probably was probably was nitrous but
• 8:07
  Speaker 8: even weirder is lynch wanted it to be helium which
• 8:10
  Speaker 8: helium does nothing to you other than affect your voice
• 8:14
  Speaker 8: and so we should shrink your lungs in the original
• 8:17
  Speaker 8: screenplay like that's what it was he was supposed to
• 8:20
  Speaker 8: just his voice was supposed to get weird and that
• 8:22
  Speaker 8: was again part of just his craziness and yeah they
• 8:24
  Speaker 8: were they showed that clip of dennis hopper talking about
• 8:27
  Speaker 8: it and he's like He told him he thought he
• 8:29
  Speaker 8: was wrong. He thought he needed to have nitrous oxide
• 8:31
  Speaker 8: so he would be getting sort of this little euphoria
• 8:33
  Speaker 8: off of it. And he said it was like 20
• 8:35
  Speaker 8: years later he stopped and thought about it and went,
• 8:38
  Speaker 8: how weird is David Lynch that all he wanted it
• 8:41
  Speaker 8: to do was just make his voice higher?
• 8:44
  Speaker 7: Well, he was doing the mommy-mommy thing. It was like
• 8:47
  Speaker 7: a child to have a child's voice. It's so weird.
• 8:51
  Speaker 15: I think that would have made equally as much sense
• 8:54
  Speaker 15: as the nitrous oxide, personally.
• 8:56
  Speaker 7: It would have made it even creepier.
• 8:57
  Speaker 8: It would have made it creepier.
• 8:59
  Speaker 7: Mommy, mommy!
• 9:01
  Speaker 8: Because it wouldn't even make sense in a normal... At
• 9:03
  Speaker 8: least the drug aspect of it makes sense to someone
• 9:07
  Speaker 8: who's that much of an addict. He's constantly getting his fix,
• 9:12
  Speaker 8: and he also equates... Everything he does, once he gets
• 9:16
  Speaker 8: into these sexual situations, it comes out. Once he gets
• 9:19
  Speaker 8: into the violence situations, it comes out. So his two
• 9:22
  Speaker 8: main things, they're both equated with this euphoria that he
• 9:26
  Speaker 8: kind of inhales. Another nut job is Dean Stockwell. God,
• 9:31
  Speaker 8: I love Dean Stockwell. He can play the creepiest, wackiest.
• 9:35
  Speaker 11: He's just fucking nuts.
• 9:37
  Speaker 8: He's so awesome in this movie. He's very creepy. So awesome.
• 9:41
  Speaker 7: And I think I know a guy like this.
• 9:43
  Speaker 10: Yeah.
• 9:43
  Speaker 11: I can't remember what his name is. But, yeah, he's
• 9:46
  Speaker 11: just so, the whole singing into the drop light.
• 9:49
  Speaker 8: That's so, I mean, again, that makes that whole scene,
• 9:52
  Speaker 8: I mean, it's already an amazing scene to look at. But, yeah,
• 9:55
  Speaker 8: the song.
• 9:56
  Speaker 1: And to me it's watching Dennis Hopper's face while.
• 9:59
  Speaker 7: He's singing because he's kind of lip syncing at the.
• 10:02
  Speaker 1: Same time just the look of just like I can't
• 10:04
  Speaker 1: even describe.
• 10:04
  Speaker 8: What it's just pain it's heartbreaking just to watch his
• 10:09
  Speaker 8: face during that because it's like he's so messed up
• 10:12
  Speaker 8: and it's like I don't know.
• 10:13
  Speaker 11: Like maybe the song affects him on some kind of
• 10:17
  Speaker 11: Inner turmoil.
• 10:18
  Speaker 7: Yeah, I don't know. Who knows? Maybe he was hearing
• 10:23
  Speaker 7: that song when he was getting beaten as a child.
• 10:25
  Speaker 16: I don't know.
• 10:26
  Speaker 8: It definitely does. I mean, it's the only... few things
• 10:30
  Speaker 8: that ever sort of break with him it's like the
• 10:32
  Speaker 8: only things that that make him like human the only
• 10:35
  Speaker 8: time that it appeals to the side of him that's
• 10:37
  Speaker 8: not crazy and not violent is the the music and
• 10:41
  Speaker 8: in the the velvet the little scrap of velvet that
• 10:44
  Speaker 8: he that he carries around with him it's like those
• 10:46
  Speaker 8: those are like his his only ties to humanity really
• 10:48
  Speaker 8: other than that he's like an animal like he just
• 10:51
  Speaker 8: whatever he wants to do whatever like like just that
• 10:54
  Speaker 8: that in that same little scene there like That second
• 10:58
  Speaker 8: that he looks at Kyle MacLachlan and he doesn't do
• 11:00
  Speaker 8: what he wants him to, he punches him in the face,
• 11:02
  Speaker 8: like out of nowhere. That scene is so awesome. And
• 11:05
  Speaker 8: he's just like, and it is, it's like instinct. He
• 11:08
  Speaker 8: just like, he didn't do what I wanted and just cracked.
• 11:11
  Speaker 8: Just like, oh, that scene is so amazing. Just watching him.
• 11:15
  Speaker 8: And then the weird little power play that comes into it.
• 11:18
  Speaker 8: How much of this whole plot line is about power, really.
• 11:21
  Speaker 8: And as he says, he can get him to do
• 11:24
  Speaker 8: whatever he wants. And then the even creepier thing is
• 11:27
  Speaker 8: the look on Dean Stockwell's face, that he also sort
• 11:29
  Speaker 8: of gets off on knowing that they both have this
• 11:33
  Speaker 8: power over him. So it's kind of, ah, there's so
• 11:36
  Speaker 8: many levels twisted in this movie.
• 11:38
  Speaker 7: That doesn't scare me.
• 11:46
  Speaker 2: I'm Paul, what's your name?
• 11:50
  Speaker 15: Jeffrey.
• 12:03
  Speaker 12: Where's the glasses?
• 12:04
  Speaker 7: That beer's gonna get warm.
• 12:06
  Speaker 5: One thing I can't fucking stand is warm beer makes
• 12:09
  Speaker 5: me fucking puke.
• 12:10
  Speaker 7: All right, darling, where's the glasses?
• 12:12
  Speaker 3: Here, Frank, here come the glasses.
• 12:16
  Speaker 12: See, here are the glasses.
• 12:19
  Speaker 7: Raymond, where's the fucking.
• 12:20
  Speaker 3: Beer, man? It's right here, Frank.
• 12:23
  Speaker 1: You want me to pour it?
• 12:27
  Speaker 7: No, I want you to fuck it. Shit your ass,
• 12:30
  Speaker 7: pour the fucking beer. Thank you. Let's drink up. Here's
• 12:43
  Speaker 7: to your health. Let's drink to something else.
• 12:47
  Speaker 3: Let's drink to fucking.
• 12:52
  Speaker 7: Yeah, say, here's to your fuck, Frank.
• 12:55
  Speaker 4: If you like, Frank.
• 12:57
  Speaker 7: Here's to your fuck.
• 13:00
  Speaker 4: Cheers.
• 13:02
  Speaker 3: Cheers.
• 13:04
  Speaker 7: Wow, suave, man.
• 13:06
  Speaker 8: You are so fucking suave.
• 13:12
  Speaker 7: Hey, we love Ben.
• 13:13
  Speaker 12: We love Ben.
• 13:14
  Speaker 8: Here's to Ben.
• 13:16
  Speaker 1: Here's to Ben.
• 13:21
  Speaker 7: Here's to Ben.
• 13:23
  Speaker 8: Here's to Ben.
• 13:25
  Speaker 2: Be polite.
• 13:29
  Speaker 7: Here's to Ben.
• 13:31
  Speaker 10: I kept waiting for Paul to tell me there was
• 13:34
  Speaker 10: a fish in the percolator.
• 13:35
  Speaker 1: Isn't his name Paul in this one and Pete in
• 13:37
  Speaker 1: Twin Peaks? I kept waiting.
• 13:39
  Speaker 8: I think so.
• 13:39
  Speaker 1: There's a fish in the percolator.
• 13:42
  Speaker 8: You've got to love Jack Nance. That guy is so awesome.
• 13:44
  Speaker 1: He's so awesome.
• 13:47
  Speaker 10: It's just so different from his character in Twin Peaks
• 13:49
  Speaker 10: in this one. It just threw me off a little bit.
• 13:51
  Speaker 10: He's lovable in the first one. He's just kind of, hey, dude.
• 13:55
  Speaker 1: In this one, he's like, hey. In his face, yelling
• 13:57
  Speaker 1: at him.
• 13:58
  Speaker 11: Yeah, he had all of Dennis Hopper's little gang. None
• 14:02
  Speaker 11: of them really seemed very threatening. They all seemed like
• 14:05
  Speaker 11: a bunch of, I don't know, they seemed like a
• 14:07
  Speaker 11: bunch of my dad's friends.
• 14:09
  Speaker 8: Yeah, and they're weird that they're hanging out with him,
• 14:11
  Speaker 8: number one. But I guess really if you hang out
• 14:13
  Speaker 8: with Frank Booth, you don't have to be very threatening.
• 14:16
  Speaker 8: He's threatening for the whole state.
• 14:19
  Speaker 7: They're pretty much all in fear of him. Yeah.
• 14:22
  Speaker 8: But yet everybody gets along. He never really crosses the
• 14:25
  Speaker 8: line with any of them. He's just such... Aside from
• 14:28
  Speaker 8: yelling at the guy to pour the fucking beer. Well,
• 14:30
  Speaker 8: that's just because he likes to yell at everybody. But
• 14:33
  Speaker 8: it never becomes that power play with them, really. He
• 14:35
  Speaker 8: just yells about everything, basically. So it's weird how okay
• 14:41
  Speaker 8: he is with just his little group. Other than that,
• 14:43
  Speaker 8: he's just horrible to everybody else. Him and Ben, you know,
• 14:46
  Speaker 8: but they love some death.
• 14:49
  Speaker 1: Just don't say Heineken.
• 14:50
  Speaker 10: You're all set.
• 14:52
  Speaker 7: I'm with Hopper on that one. Fuck Heineken.
• 14:57
  Speaker 8: I just like all the women hanging out with Ben.
• 14:59
  Speaker 15: Oh, yeah.
• 15:00
  Speaker 1: They were a classy group.
• 15:01
  Speaker 8: I'm so not sure what's up with that whole bunch.
• 15:05
  Speaker 8: There's so many things going on there.
• 15:07
  Speaker 7: It's like a bunch of Seventh and Hill hookers is
• 15:08
  Speaker 7: what they look like.
• 15:09
  Speaker 8: Well, and just the older, like, hefty women. They were
• 15:13
  Speaker 8: just there.
• 15:13
  Speaker 7: Yeah, they looked like people's moms.
• 15:14
  Speaker 8: They did. And half of them sitting on the couch.
• 15:17
  Speaker 8: They all looked like they were, like, even older than
• 15:19
  Speaker 8: Dean Stockwell.
• 15:20
  Speaker 3: Like, everybody.
• 15:21
  Speaker 7: Yeah, like you got them out of a bingo.
• 15:22
  Speaker 15: I was going to say, like, a bingo party. Yeah.
• 15:25
  Speaker 15: I thought there was going to be bingo here.
• 15:27
  Speaker 8: So the fact that they're hanging out with, you know,
• 15:30
  Speaker 8: Frank Booth in general, and then, like, this guy who's
• 15:33
  Speaker 8: obviously working drugs, trafficking, or just selling, or what all
• 15:38
  Speaker 8: he's doing, we're not even 100% sure. But, yeah, they're definitely...
• 15:42
  Speaker 8: Probably more or less just selling.
• 15:44
  Speaker 7: Because he's got that whole party house going on.
• 15:46
  Speaker 8: Yeah, he's involved in kidnapping and drugs. So, yeah, it's
• 15:50
  Speaker 8: really weird these people are in the room with him.
• 15:54
  Speaker 8: Makes no sense to me. And yet that's kind of
• 15:56
  Speaker 8: why it's genius. Just that shot as he walks in
• 15:59
  Speaker 8: the door, I'm just like, what the hell is this place?
• 16:02
  Speaker 10: I think the more nightmare-inducing part of the movie was
• 16:05
  Speaker 10: the chick dancing on the car. Yeah.
• 16:08
  Speaker 1: That was just absolutely frightening. There was lace in places
• 16:10
  Speaker 1: I didn't need.
• 16:11
  Speaker 10: To see lace.
• 16:11
  Speaker 11: I think it was between that and the cop's daughter's
• 16:15
  Speaker 11: cry face.
• 16:16
  Speaker 10: Oh, yeah, the cry face was not good.
• 16:18
  Speaker 9: It is a frightening face.
• 16:19
  Speaker 10: I can't make that face.
• 16:21
  Speaker 15: I can make that face.
• 16:22
  Speaker 7: Nor should you.
• 16:23
  Speaker 3: No, ever.
• 16:23
  Speaker 10: I don't know as a baby if I could distort
• 16:27
  Speaker 10: my face in that fashion.
• 16:28
  Speaker 11: Oh, my God, I haven't seen a face like that in, jeez.
• 16:31
  Speaker 10: Her face in general was no good. Her nose was
• 16:34
  Speaker 10: far too large for her face.
• 16:36
  Speaker 1: Sorry, Lauren Dern.
• 16:37
  Speaker 8: No, I like Lauren Dern. She's actually a really good actress,
• 16:39
  Speaker 8: but it's funny, it's always sort of struck me as this,
• 16:42
  Speaker 8: and it's one of those weird things that if you
• 16:44
  Speaker 8: get this, I guess you'll get it. If not, I
• 16:46
  Speaker 8: just sound like I'm crazy, too. You know how when
• 16:48
  Speaker 8: somebody wears glasses, and you get used to seeing them
• 16:51
  Speaker 8: wear glasses, and then when they take them off, They
• 16:53
  Speaker 8: kind of look weird.
• 16:54
  Speaker 15: Yeah.
• 16:54
  Speaker 8: Laura Dern has always looked like that. I've never seen
• 16:57
  Speaker 8: her in glasses, I don't think, but she always looks
• 16:59
  Speaker 8: like she doesn't look right. Like, she just took her
• 17:01
  Speaker 8: glasses off and you're like, not even that so much,
• 17:04
  Speaker 8: just that look of like, something's not right.
• 17:06
  Speaker 15: You know?
• 17:06
  Speaker 8: Something's different with you.
• 17:07
  Speaker 17: Yeah.
• 17:07
  Speaker 7: You change your face.
• 17:09
  Speaker 10: Like, what's up with that?
• 17:10
  Speaker 8: I wish she would change her face.
• 17:11
  Speaker 1: She has to get a nose job.
• 17:14
  Speaker 8: That's uncalled for.
• 17:15
  Speaker 1: If you're listening, look into that shit.
• 17:17
  Speaker 8: They just do it wrong.
• 17:18
  Speaker 1: It couldn't make it any worse than it already is.
• 17:20
  Speaker 3: Yeah.
• 17:22
  Speaker 7: Joan Rivers.
• 17:23
  Speaker 8: Joan Collins.
• 17:24
  Speaker 9: That too, probably.
• 17:26
  Speaker 7: Rhinoplasty.
• 17:27
  Speaker 9: Jesus.
• 17:28
  Speaker 1: I'm full of Heidi Montag's whatever.
• 17:32
  Speaker 15: I think it's normally fine if you stop after one
• 17:35
  Speaker 15: nose job. That's when you have multiple nose jobs.
• 17:39
  Speaker 8: They're like potato chips. You can't have just one.
• 17:41
  Speaker 9: Look at Michael.
• 17:43
  Speaker 11: I think the level of stupidity on Kyle McLaughlin's character
• 17:46
  Speaker 11: is just mind-blowing. He gets involved in this shit, but
• 17:50
  Speaker 11: then he just keeps going back because he's so, I guess,
• 17:53
  Speaker 11: I don't know, maybe he's a glutton for punishment or
• 17:56
  Speaker 11: he's that damn curious about it, but I would never
• 17:58
  Speaker 11: have gotten myself in the situation he was in.
• 18:02
  Speaker 7: He's just like, I want more.
• 18:03
  Speaker 10: You're breaking into a chick's apartment and she tries to
• 18:05
  Speaker 10: give you a blowjob.
• 18:06
  Speaker 1: At night point, he's back.
• 18:09
  Speaker 4: I mean, yeah.
• 18:10
  Speaker 8: See you tomorrow night.
• 18:11
  Speaker 10: Exactly.
• 18:13
  Speaker 15: Sounds kind of dangerous, but also kind of sexy, so.
• 18:16
  Speaker 8: I think it's both. I think initially it's just that innocence. Like,
• 18:20
  Speaker 8: he really... doesn't seem to have a clue on so
• 18:23
  Speaker 8: many levels and i guess you know bring everyone up
• 18:26
  Speaker 8: in that little town because both of the kids there
• 18:29
  Speaker 8: seem pretty wide-eyed and don't really have any idea what's
• 18:32
  Speaker 8: going on and then as they get into it i
• 18:34
  Speaker 8: think he gets kind of seduced by it and he
• 18:36
  Speaker 8: does get into that.
• 18:36
  Speaker 11: Even gets the taste of part of what frank is
• 18:39
  Speaker 11: yeah where she's like hit me and he doesn't want to.
• 18:41
  Speaker 7: Hit her and then finally he just hauls off and slaps.
• 18:44
  Speaker 8: Her he does and it's it's one of those i
• 18:46
  Speaker 8: think it's it's sort of, that's, that's why by the
• 18:49
  Speaker 8: end of it, he's like falling apart because he sees
• 18:51
  Speaker 8: himself becoming that. He sees himself, you know, kind of
• 18:54
  Speaker 8: going down that path.
• 18:55
  Speaker 1: Doesn't even Frank, Frank even say that? He's like, you're
• 18:58
  Speaker 1: like me.
• 18:59
  Speaker 8: And he kind of is, but I think it's, it's
• 19:01
  Speaker 8: that weird relationship that they immediately have between, between Cal
• 19:05
  Speaker 8: McLaughlin's character. And then the Dorothy is that it's that
• 19:10
  Speaker 8: he immediately wants to like savor. He's got this, like,
• 19:14
  Speaker 8: I want to, you know, take care of you. And,
• 19:16
  Speaker 8: But at the same time, I think he, as they
• 19:18
  Speaker 8: get into that, within that next time that they're together,
• 19:21
  Speaker 8: he also sees that power of once he's taken care
• 19:24
  Speaker 8: of her, he can, he has control over her almost.
• 19:27
  Speaker 8: And especially because she's just like that. I mean, he's
• 19:31
  Speaker 8: probably never experienced anything like this. So, I mean, he,
• 19:34
  Speaker 8: it's probably the first time he's been thrown into something
• 19:36
  Speaker 8: like that, but she's so weird. And she's at this
• 19:42
  Speaker 8: point has been so abused through her whole life. We're
• 19:45
  Speaker 8: assuming that like, she doesn't know how to have any
• 19:47
  Speaker 8: relationship that isn't like, there is no, pleasure without pain
• 19:51
  Speaker 8: everything is tied to pain at that point and just
• 19:55
  Speaker 8: being abused so it's kind of weird that yeah then
• 19:58
  Speaker 8: he gets sucked into that and and sort of seduced
• 20:01
  Speaker 8: by that same thing and i think if i.
• 20:03
  Speaker 11: Was a colin mclaughlin's character too i'd be a little
• 20:06
  Speaker 11: leery of uh Of Dennis Hopper putting on lipstick and
• 20:10
  Speaker 11: then Frenching him and then punching him until he passes out.
• 20:12
  Speaker 7: Because you know what? Once you pass out, you don't
• 20:15
  Speaker 7: know what's happening to you. Especially with a guy wearing lipstick.
• 20:18
  Speaker 8: Especially with Frank. Frank? I don't know what was going
• 20:21
  Speaker 8: on with Frank. Well, I've heard many theories, actually. But Frank?
• 20:26
  Speaker 4: Frank?
• 20:27
  Speaker 15: I'm going to argue that Kyle Glockland's character could not
• 20:30
  Speaker 15: have possibly turned into Frank. Or Dennis Hopper's character. Because...
• 20:35
  Speaker 15: You don't get to be that way unless something happened
• 20:39
  Speaker 15: horribly wrong in your childhood or something horribly wrong happened
• 20:43
  Speaker 15: to you. You don't just, like, wake up and decide
• 20:46
  Speaker 15: to be that crazy.
• 20:47
  Speaker 10: But yet he still didn't seem to mind hitting her
• 20:49
  Speaker 10: all of a sudden.
• 20:50
  Speaker 8: Yeah, he still had it inside of him. And I
• 20:53
  Speaker 8: think that's why he is, like, falling apart and crying
• 20:55
  Speaker 8: at the end is that he realizes he does have
• 20:58
  Speaker 8: part of that in him. He'll never be as crazy
• 21:00
  Speaker 8: as that. Yeah, never that crazy, but there's still just
• 21:03
  Speaker 8: that little part. You know, there's that evil that's kind
• 21:07
  Speaker 8: of inside of him.
• 21:09
  Speaker 14: I think Frank cut the ear I found off her
• 21:12
  Speaker 14: husband as a warning for her.
• 21:13
  Speaker 9: To stay alive.
• 21:17
  Speaker 7: Frank is a.
• 21:21
  Speaker 9: Very dangerous man.
• 21:25
  Speaker 7: My God.
• 21:28
  Speaker 15: Should you tell my father?
• 21:30
  Speaker 9: No, I can't do that.
• 21:33
  Speaker 8: I can't prove any of this.
• 21:34
  Speaker 7: I found out my information illegally. You could get into
• 21:38
  Speaker 7: a lot of trouble.
• 21:42
  Speaker 1: It's all on one night.
• 21:43
  Speaker 3: It is a strange.
• 21:50
  Speaker 18: World.
• 21:57
  Speaker 9: Why are there people like Frank? Why is there so
• 22:00
  Speaker 9: much trouble in this world?
• 22:04
  Speaker 4: I don't know.
• 22:04
  Speaker 10: So what does that mean for Laura Dern's character? Is
• 22:09
  Speaker 10: she going to be getting her ass kicked around a lot?
• 22:11
  Speaker 8: Probably.
• 22:11
  Speaker 10: Or has he managed to, by not getting rid of,
• 22:16
  Speaker 10: by not going that way, can he go the normal way?
• 22:20
  Speaker 7: Probably.
• 22:20
  Speaker 1: Will he always have that dark side?
• 22:22
  Speaker 7: He'll just find hookers to take it out on.
• 22:24
  Speaker 8: That's many people. As the story plays out, I think
• 22:28
  Speaker 8: we should assume that she's okay, and he's okay by
• 22:32
  Speaker 8: the end of it, because, I mean, they work in,
• 22:35
  Speaker 8: and again, this is where the symbolism comes in, and
• 22:37
  Speaker 8: to me, it's not really veiled at all. I mean,
• 22:41
  Speaker 8: everything within it is pretty straightforward, almost. It's like, the
• 22:45
  Speaker 8: whole question, I mean, they just blatantly ask, why is
• 22:49
  Speaker 8: there evil in the world? Why are there people like Frank,
• 22:52
  Speaker 8: you know? Because of the robot robins.
• 22:54
  Speaker 4: Yeah.
• 22:56
  Speaker 8: Terminator Robins.
• 22:58
  Speaker 7: They're Terminators. They're Robins from the future. They're robotic.
• 23:02
  Speaker 8: They're liquid metal.
• 23:03
  Speaker 2: Oh, Lord.
• 23:05
  Speaker 8: But that's what it is. It becomes that whole, you know,
• 23:07
  Speaker 8: good versus evil thing. And so in the end, as we,
• 23:11
  Speaker 8: you know, get further into it, we do see the,
• 23:13
  Speaker 8: you know... the whole white light comes out and you know,
• 23:16
  Speaker 8: that's sort of the, everything's all happy goodness in the world.
• 23:20
  Speaker 8: And then, you know, the, the Robin wins over the bug.
• 23:23
  Speaker 8: I think that's, that's kind of cool. Cause he uses,
• 23:25
  Speaker 8: he uses bugs like almost right off the bat in
• 23:28
  Speaker 8: the beginning. You get that little thing and it dives
• 23:30
  Speaker 8: down into the grass and it's kind of cool because it's,
• 23:34
  Speaker 8: It sets it up with the very thing that the
• 23:35
  Speaker 8: whole story is built on, is we have this nice,
• 23:37
  Speaker 8: you know, perfect little lawn, and then you dive down
• 23:40
  Speaker 8: below it, and there's just these bugs, and it's dark
• 23:43
  Speaker 8: and dirty and violent just below the surface of what's
• 23:47
  Speaker 8: seemingly perfect.
• 23:48
  Speaker 7: Yeah, this seemingly nice little town.
• 23:50
  Speaker 4: Mm-hmm.
• 23:51
  Speaker 8: Is just, you know, there's corruption and violence and evil
• 23:54
  Speaker 8: just lurking like everywhere else in the world. It's something
• 23:57
  Speaker 8: that Lynch is obsessed with anyway and has continually, you know,
• 24:01
  Speaker 8: worked into all of his stories almost.
• 24:03
  Speaker 7: Yeah, watch Twin Peaks.
• 24:04
  Speaker 4: Jeez.
• 24:05
  Speaker 8: It is funny.
• 24:06
  Speaker 1: At least the first season.
• 24:07
  Speaker 8: And a half. Yeah, well, it's not all there was.
• 24:09
  Speaker 8: The first season, just until they find the killer, really, but... But, yeah,
• 24:13
  Speaker 8: it's funny how close to Twin Peaks this seems, really.
• 24:16
  Speaker 8: Because in other directions, he gets further away. Like, his
• 24:20
  Speaker 8: earlier stuff is just way crazy and weird. And then
• 24:23
  Speaker 8: further on, he gets into different areas that he wants
• 24:25
  Speaker 8: to tackle. But yeah, this came right, you know, one
• 24:29
  Speaker 8: right after the other. So there's a lot of similarities
• 24:31
  Speaker 8: and a lot of familiar stuff.
• 24:33
  Speaker 1: Well, there was one shot.
• 24:34
  Speaker 10: I'm like, did they take this shot directly out of
• 24:35
  Speaker 10: Twin Peaks? When they were going to the diner and
• 24:39
  Speaker 10: the log truck drove by.
• 24:40
  Speaker 8: That goes by a couple of times.
• 24:42
  Speaker 7: Well, that reminds me of it.
• 24:44
  Speaker 11: So is the part in the nightclub where she's singing
• 24:47
  Speaker 11: and there's that red curtain in the background with the
• 24:49
  Speaker 11: light coming up at the bottom.
• 24:50
  Speaker 7: You know all of his dream.
• 24:52
  Speaker 11: Sequences they always had that kind of background what was.
• 24:55
  Speaker 15: That song that was always in uh twin peaks and
• 24:57
  Speaker 15: the voices carry was that in twin peaks.
• 25:00
  Speaker 8: What am i thinking this just really occurs it's yeah
• 25:02
  Speaker 8: all of her songs sound like all i can remember.
• 25:04
  Speaker 11: Is the crazy crazy midget guy dancing that just was freaky.
• 25:09
  Speaker 8: He hadn't run into him yet i guess because he
• 25:11
  Speaker 8: wasn't in this but ouch Wow. That was awesome.
• 25:14
  Speaker 7: That was. And then he talked backwards, too.
• 25:16
  Speaker 8: He's got so many of his other, you know, normal...
• 25:20
  Speaker 8: I mean, there's so many specific tie-ins in all of
• 25:22
  Speaker 8: Lynch's stuff, and piecing together some of them is really
• 25:26
  Speaker 8: kind of weird. But, I mean, you've got the log
• 25:28
  Speaker 8: truck going by many times. You've got the fire. He's always, like,
• 25:32
  Speaker 8: even as far back as, like, Elephant Man, he does
• 25:35
  Speaker 8: these big close-ups of fire. He's got this weird fire
• 25:38
  Speaker 8: obsession that in this almost does... like represent the evil
• 25:42
  Speaker 8: like it cuts to it when things are like at
• 25:44
  Speaker 8: their worst the fire you know the light still sort
• 25:47
  Speaker 8: of shining is sort of the hope end of it
• 25:49
  Speaker 8: and as it gets worse and worse is when it
• 25:51
  Speaker 8: cuts to those shots of it going out and it's
• 25:53
  Speaker 8: Dennis Hopper going now it's dark yeah so it's yeah
• 25:57
  Speaker 8: that one's there the red curtain is worked in there
• 26:00
  Speaker 8: and then it's also worked in in like the apartment
• 26:02
  Speaker 8: they keep showing that curtain blowing back and forth so
• 26:04
  Speaker 8: the red curtains there uh the road going by when
• 26:07
  Speaker 8: frank's driving is that comes back to the lost highway
• 26:11
  Speaker 8: he totally comes back to that same little thought there
• 26:15
  Speaker 8: and then the the glowing white light kind of thing
• 26:17
  Speaker 8: that he definitely worked in a lot on twin peaks
• 26:19
  Speaker 8: yeah And just in general, I think he likes that
• 26:22
  Speaker 8: kind of shot.
• 26:23
  Speaker 10: I was disappointed that he didn't order pie at the diner.
• 26:26
  Speaker 1: There was no.
• 26:27
  Speaker 10: Pie and no coffee.
• 26:28
  Speaker 7: No coffee.
• 26:29
  Speaker 15: It's like a sandwich or something.
• 26:32
  Speaker 10: There's no pie, I'll tell you that right now.
• 26:34
  Speaker 8: No coffee. And no David Lynch sitting there yelling out
• 26:37
  Speaker 8: the order.
• 26:38
  Speaker 1: That was awesome.
• 26:40
  Speaker 8: He's so awesome on Twin Peaks.
• 26:41
  Speaker 1: God, I want to go home and watch Twin Peaks now.
• 26:43
  Speaker 11: I think the funny thing is the boyfriend shows up
• 26:45
  Speaker 11: ready to kick his ass until he sees.
• 26:48
  Speaker 7: naked isabella rosalini and he's like i'm so sorry man
• 26:51
  Speaker 7: i'm sorry.
• 26:51
  Speaker 11: I didn't know is that your mom it's funny when
• 26:55
  Speaker 11: it's the mom line but after that it's funny because
• 26:57
  Speaker 11: he almost has that same reaction and that's what i
• 27:00
  Speaker 11: was noticing this time it.
• 27:01
  Speaker 8: Was like nudity especially because i had that same reaction
• 27:05
  Speaker 8: as soon as she comes wandering around i was like
• 27:06
  Speaker 8: holy shit it was like nudity can be frightening i
• 27:09
  Speaker 8: mean as much as they use it in movies to
• 27:11
  Speaker 8: just be like nothing but sex and hot and you
• 27:14
  Speaker 8: know if you don't set it up that way, you know,
• 27:16
  Speaker 8: they set up your very traditional love scenes and, you know, your,
• 27:20
  Speaker 8: your stupid sex comedies. But like when you shove it
• 27:22
  Speaker 8: into a movie where it doesn't fit normally or in
• 27:25
  Speaker 8: a way that it's unnatural, it's unnerving and it looks, yeah.
• 27:30
  Speaker 8: And it looks scary. It's like, I was thinking the
• 27:32
  Speaker 8: other thing, the other one that always, like I saw
• 27:35
  Speaker 8: probably way too early, uh, the opening of Carrie, I'm
• 27:39
  Speaker 8: still kind of trying to recover from the, Scary naked
• 27:42
  Speaker 8: sissy's face covered in blood running at people.
• 27:45
  Speaker 7: Oh, yeah, I remember that.
• 27:47
  Speaker 8: Jesus, that is frightening.
• 27:48
  Speaker 7: Yeah.
• 27:49
  Speaker 8: And then I was thinking The Shining, too. Oh, the
• 27:52
  Speaker 8: old lady? The creepy old lady naked.
• 27:54
  Speaker 7: Oh, God, yeah, nobody needs to see a creepy old lady.
• 27:56
  Speaker 8: But just the fact that she's naked, it's just like,
• 27:58
  Speaker 8: what the fuck? Like, your brain can't process it.
• 28:01
  Speaker 1: Kathy Bates naked.
• 28:02
  Speaker 7: Oh, God.
• 28:02
  Speaker 8: There you go. That, too.
• 28:04
  Speaker 7: Donald Pleasance.
• 28:05
  Speaker 8: Other things we don't need to see.
• 28:07
  Speaker 1: Donald Sutherland falling naked.
• 28:09
  Speaker 6: Yeah.
• 28:11
  Speaker 8: So once again, it's like it catches you off guard
• 28:17
  Speaker 8: and it's like it's just unnerving and it has that
• 28:20
  Speaker 8: shock appeal that they're kind of going for in this
• 28:23
  Speaker 8: sort of story. But I think that was another one
• 28:26
  Speaker 8: I think was based in reality and you start to
• 28:28
  Speaker 8: see why Lynch is so messed up. I think that
• 28:30
  Speaker 8: was one of the ones that he... Like, and his
• 28:32
  Speaker 8: brother were walking home from school one day, and there
• 28:34
  Speaker 8: was just a naked woman out on the street. And
• 28:36
  Speaker 8: they weren't, oh boy, a naked woman. They were just,
• 28:38
  Speaker 8: they started crying. They were frightened. Because they knew, like,
• 28:41
  Speaker 8: something horrible had happened, you know? You don't end up
• 28:44
  Speaker 8: in that situation without something horrible going on, more than likely.
• 28:48
  Speaker 8: So it's, yeah, it's funny that that ties in so much.
• 28:52
  Speaker 8: You know, how many years later is he making this,
• 28:54
  Speaker 8: and he's still carrying these weird little images and thoughts around.
• 28:58
  Speaker 8: So it's, yeah, you start to see why Lynch is
• 29:00
  Speaker 8: messed up.
• 29:11
  Speaker 10: Hello, baby.
• 29:12
  Speaker 3: Shut up.
• 29:14
  Speaker 7: It's daddy, you shithead. Where's my bourbon? Can't you fucking
• 29:21
  Speaker 7: remember anything? Now it's dark. Spread your legs.
• 29:46
  Speaker 3: Wider. Now show it.
• 29:53
  Speaker 8: It touches on so many different versions of perversion that
• 29:57
  Speaker 8: it's like, where do you even begin?
• 30:00
  Speaker 7: You can't.
• 30:00
  Speaker 8: The voyeurism aspect and then the violence aspect.
• 30:06
  Speaker 7: The infantilism aspect. Yeah.
• 30:08
  Speaker 8: And he was almost, like, schizophrenic at the same time
• 30:11
  Speaker 8: because he's baby and daddy.
• 30:13
  Speaker 3: Yeah.
• 30:14
  Speaker 8: She's always mommy, but he switches off midway through because, yeah,
• 30:17
  Speaker 8: you thought he just had a weird mommy thing, but
• 30:19
  Speaker 8: then initially he wants her to call him daddy, so
• 30:21
  Speaker 8: then it's ancestral. Yeah, daddy's here now. Yeah, it becomes
• 30:25
  Speaker 8: so many levels of messed up. Yikes.
• 30:29
  Speaker 7: You have no idea.
• 30:30
  Speaker 8: It's frightening. But in that same scene, it's funny that
• 30:35
  Speaker 8: this was one that I think on that Pervert's Guide
• 30:37
  Speaker 8: to Cinema they brought up, and it almost makes sense.
• 30:40
  Speaker 8: I think he poses the theory that Frank is more
• 30:44
  Speaker 8: than likely impotent, which would explain why he's so fucking
• 30:48
  Speaker 8: angry all the time, and most of his sexual interaction
• 30:52
  Speaker 8: turns into violence. It's all out of complete frustration, and
• 30:58
  Speaker 8: this has kind of led him to that point, because
• 31:00
  Speaker 8: you never really see him do anything with her other
• 31:02
  Speaker 8: than sort of attack her and hump her which yeah
• 31:06
  Speaker 8: it doesn't even seem like anything would be going on
• 31:08
  Speaker 8: at that point which it probably wasn't so yeah it
• 31:11
  Speaker 8: does lead to many other levels i don't know of
• 31:15
  Speaker 8: when the more you watch the other things going on
• 31:17
  Speaker 8: and how weird he is about everyone it's like maybe
• 31:21
  Speaker 8: that's why he's so messed up and so twisted and
• 31:24
  Speaker 8: so angry and violent is because he he's lost this
• 31:27
  Speaker 8: other part of his life and all he has left
• 31:29
  Speaker 8: is just violence and insanity now. But yeah, I thought
• 31:33
  Speaker 8: that was kind of interesting. I was just, even his, um,
• 31:37
  Speaker 8: just the way that he looks at the, the whole
• 31:39
  Speaker 8: relationship as he's sitting there, like watching her sing and
• 31:42
  Speaker 8: crying half the time. It's like, or when he's watching
• 31:45
  Speaker 8: Dean Stockwell do that, it's, it's the whole relationship as
• 31:49
  Speaker 8: he looks at it. He's not even like, he's not crazy.
• 31:53
  Speaker 8: He's not in the wrong. Like in his mind, This
• 31:56
  Speaker 8: is like a great love affair. And he's just doing,
• 31:58
  Speaker 8: you know, what he feels he needs to do to
• 32:01
  Speaker 8: keep the woman he loves with him, even if it's
• 32:03
  Speaker 8: fucking crazy. And, you know, kidnapping her husband and cutting
• 32:07
  Speaker 8: off his ear and kidnapping her child and beating the
• 32:10
  Speaker 8: hell out of her. You know, he uses whatever tactics
• 32:14
  Speaker 8: he thinks he needs to keep her there. But at
• 32:15
  Speaker 8: the same time. He's thinking this is some sort of
• 32:19
  Speaker 8: normal relationship on some level. He's still totally in love
• 32:23
  Speaker 8: with her in this weird way.
• 32:24
  Speaker 15: I hope that never happens to me.
• 32:27
  Speaker 8: Let's hope not.
• 32:31
  Speaker 11: This is one of those weird movies where I'm not
• 32:33
  Speaker 11: sure if you could go on and on for hours
• 32:35
  Speaker 11: and hours and talk about.
• 32:36
  Speaker 7: I mean, you probably could, but.
• 32:38
  Speaker 11: It's one of those where you just kind of like
• 32:40
  Speaker 11: turn off the TV and you sit there and go, God,
• 32:42
  Speaker 11: I need to go for a walk.
• 32:44
  Speaker 8: Yeah.
• 32:44
  Speaker 1: Or I need to.
• 32:46
  Speaker 7: Go watch something else.
• 32:48
  Speaker 8: Pretty much. I mean, it's got a lot of really
• 32:52
  Speaker 8: heavy stuff thrown at you and a lot of it,
• 32:54
  Speaker 8: you know, some of it doesn't make sense and the
• 32:57
  Speaker 8: ones that do, you kind of wish you didn't know anymore.
• 32:59
  Speaker 15: Yeah.
• 33:01
  Speaker 4: Oh, man.
• 33:01
  Speaker 1: Makes me wish we would have chose space truckers. That's
• 33:03
  Speaker 1: at least fun.
• 33:04
  Speaker 3: It is fun.
• 33:04
  Speaker 8: I'll give you that.
• 33:06
  Speaker 3: Black lock!
• 33:07
  Speaker 10: God, I love that movie.
• 33:10
  Speaker 1: Granny panties.
• 33:11
  Speaker 10: Come on now.
• 33:12
  Speaker 8: Those are awesome.
• 33:13
  Speaker 15: Debbie Mazur has a weird face.
• 33:15
  Speaker 10: She does, but it's still kind of hot.
• 33:17
  Speaker 8: She's still hot.
• 33:17
  Speaker 15: Yeah, yeah.
• 33:18
  Speaker 1: Stephen Dorff, before he was weird looking. And a jacket.
• 33:25
  Speaker 10: She's always been a jacket.
• 33:25
  Speaker 8: Come on, he's always been a jacket.
• 33:27
  Speaker 10: But he wore bike shorts in himself.
• 33:30
  Speaker 8: He's a panda.
• 33:30
  Speaker 7: Towards the end, I couldn't understand it. It seemed like
• 33:32
  Speaker 7: they could get Hopper to do anything.
• 33:36
  Speaker 8: As far as what? As far as movies?
• 33:39
  Speaker 4: Yeah.
• 33:40
  Speaker 7: I didn't know.
• 33:41
  Speaker 11: Was he hurting for money that bad, or was he
• 33:43
  Speaker 11: just kind of like, hey, I'll do that?
• 33:45
  Speaker 8: That's the thing. I mean, he had a lot, especially
• 33:47
  Speaker 8: by the end, because once he cleaned himself up and
• 33:50
  Speaker 8: started getting real roles, I mean, he kind of did
• 33:52
  Speaker 8: okay and quit blowing all his money on drugs and
• 33:55
  Speaker 8: spent it all on art and started, like, accumulating all
• 33:58
  Speaker 8: this stuff that I mean he was creating art but
• 34:00
  Speaker 8: at the same time I think just his collection is
• 34:02
  Speaker 8: what had so much so I mean by the end
• 34:04
  Speaker 8: he shouldn't have been hurting for money.
• 34:06
  Speaker 1: What was the explanation for the crow movie because I think.
• 34:09
  Speaker 8: He just likes to work I mean you look at
• 34:11
  Speaker 8: that list of movies he made well before he was
• 34:13
  Speaker 8: on drugs he made 50 60 movies I mean so
• 34:17
  Speaker 8: even before he got on the hard times when he
• 34:20
  Speaker 8: was probably just using a good amount recreationally because I'm
• 34:22
  Speaker 8: assuming you have to go back pretty far before he
• 34:24
  Speaker 8: was on some sort of drugs but Even then, I mean,
• 34:27
  Speaker 8: go back and look at how many movies he was in, like,
• 34:30
  Speaker 8: way back when, I mean, he was just on set.
• 34:32
  Speaker 8: He was just some random side character, but, I mean,
• 34:35
  Speaker 8: I think he just liked working. Even by the end,
• 34:38
  Speaker 8: it's like, I guess even if it wasn't the best project,
• 34:41
  Speaker 8: I think he just liked making movies.
• 34:43
  Speaker 15: It was.
• 34:45
  Speaker 8: What he loved doing.
• 34:46
  Speaker 1: And nobody could play crazy like him.
• 34:48
  Speaker 8: That's true.
• 34:49
  Speaker 10: I mean, River's Edge, I mean, that's like somebody mentioned,
• 34:51
  Speaker 10: you know, somebody suggested we do it, which we already
• 34:53
  Speaker 10: did it, but I mean, we touched on that again.
• 34:55
  Speaker 7: Love River's Edge.
• 34:55
  Speaker 10: Just the level of craziness that he had in there
• 34:58
  Speaker 10: was just, you can't beat that.
• 34:59
  Speaker 1: I mean, nobody can be that crazy. Maybe Christopher Walken.
• 35:03
  Speaker 8: But that's... No, yeah. But he's almost, well, I mean,
• 35:05
  Speaker 8: they both have this nature of being over the top,
• 35:08
  Speaker 8: but I think I don't know, it works on both levels,
• 35:11
  Speaker 8: because that's what I was thinking with this one, because
• 35:13
  Speaker 8: Hopper said he didn't improvise any of that dialogue. All
• 35:17
  Speaker 8: of that is how Lynch wrote it, which is even scarier, actually. So,
• 35:20
  Speaker 8: to me, I think the fact that, because to read that,
• 35:24
  Speaker 8: and even just listen to what is supposed to be said,
• 35:28
  Speaker 8: you would think it would just be funny. I mean,
• 35:30
  Speaker 8: the stuff that he rattles off, and the stream of
• 35:34
  Speaker 8: obscenities thrown together... Should be, like, completely ridiculous to the
• 35:38
  Speaker 8: point that you would start laughing, but he's so intense
• 35:41
  Speaker 8: and so frightening that, like, he makes it still, on
• 35:45
  Speaker 8: top of that, he makes it fucking scary. And it's, yeah,
• 35:49
  Speaker 8: I think that's just such a testament to him as
• 35:52
  Speaker 8: an actor, because Lynch was almost working against him, writing
• 35:55
  Speaker 8: this silly dialogue for him, but he's so fucking good
• 35:59
  Speaker 8: in this that he sells it. I mean, he makes
• 36:01
  Speaker 8: it still scary. On top of the constant fuck.
• 36:05
  Speaker 17: You know?
• 36:06
  Speaker 1: Every other word.
• 36:07
  Speaker 8: And they make that joke all the time in many movies.
• 36:09
  Speaker 8: But no, literally here. Every other word out of his
• 36:11
  Speaker 8: mouth is fuck. Sometimes two in a row. And he...
• 36:15
  Speaker 8: I mean, it just.
• 36:15
  Speaker 1: Who else is going to pull off? I want to
• 36:17
  Speaker 1: fuck it in in the mood! I mean, seriously.
• 36:19
  Speaker 10: Who else is going to pull it off?
• 36:20
  Speaker 8: A lot of people wish they could deliver that line
• 36:22
  Speaker 8: and pull it off. But no, only Dennis Hopper.
• 36:24
  Speaker 1: I mean, back to his character in River's Edge.
• 36:26
  Speaker 10: I mean, I was going to talk about his character
• 36:28
  Speaker 10: in that one.
• 36:28
  Speaker 1: Because it was just.
• 36:30
  Speaker 10: Another one of those that if with any other actor
• 36:32
  Speaker 10: would it have been as, you know, awesome as it
• 36:34
  Speaker 10: was within a, you know, anybody else have pulled that
• 36:36
  Speaker 10: off as well. Cause I mean, yes.
• 36:37
  Speaker 15: Yeah.
• 36:37
  Speaker 7: Did you do research for that?
• 36:39
  Speaker 11: Because I know some old crazy bikers that are like that,
• 36:41
  Speaker 11: that you're just completely fucking nuts.
• 36:44
  Speaker 8: Well, it's funny that these were like one after the
• 36:47
  Speaker 8: other almost, I think. And his other big role, he
• 36:50
  Speaker 8: did like blue velvet Hoosiers and then river's edge. So
• 36:53
  Speaker 8: it's like, he came back with like these three massive
• 36:56
  Speaker 8: roles right out of the gate of rehab and.
• 36:58
  Speaker 10: They weren't even that big of a part. They weren't
• 37:02
  Speaker 10: about him. He wasn't the main character.
• 37:04
  Speaker 1: In many of those.
• 37:05
  Speaker 10: But yet his character takes the movie, and he becomes
• 37:08
  Speaker 10: the most memorable part of the movie. He owns the movie,
• 37:10
  Speaker 10: even though he's not the main character.
• 37:13
  Speaker 8: Definitely in this one, Hoosiers, he got an Oscar nomination,
• 37:16
  Speaker 8: and he's not the lead.
• 37:17
  Speaker 7: He's just.
• 37:18
  Speaker 8: kind of one of the dads and becomes an assistant
• 37:21
  Speaker 8: coach or something.
• 37:21
  Speaker 1: He's the main thing i remember about that.
• 37:23
  Speaker 8: Movie and it's a different it's funny because he's so
• 37:26
  Speaker 8: crazy in blue velvet and river's edge but it's a
• 37:29
  Speaker 8: totally different kind of crazy it's like it's kind of
• 37:31
  Speaker 8: crazy it's more sad in river's edge where this is
• 37:33
  Speaker 8: just frightening it's it's so i mean to be able
• 37:36
  Speaker 8: to play that level of crazy and play it nuanced
• 37:39
  Speaker 8: you know to play it very differently.
• 37:40
  Speaker 10: Has the sad look the sad aspect in blue velvet
• 37:43
  Speaker 10: like when the guy's singing you look at him you
• 37:45
  Speaker 10: can tell how damaged he is yeah it's it's You know,
• 37:48
  Speaker 10: it's almost heartbreaking at that point, even though you know
• 37:50
  Speaker 10: how fucking insane he is and all the things he's done.
• 37:52
  Speaker 10: It's like, for a moment, you almost feel sorry for
• 37:55
  Speaker 10: him because you know bad things have happened to him
• 37:56
  Speaker 10: to get him where he is at that point.
• 37:58
  Speaker 1: I don't know.
• 37:59
  Speaker 8: I mean, you can't ever truly hate him because you
• 38:02
  Speaker 8: know how damaged he is, and that's... But.
• 38:04
  Speaker 10: That's when you actually see it.
• 38:05
  Speaker 9: Yeah.
• 38:06
  Speaker 8: Yeah. But, I mean, they're all kind of... Well, I mean,
• 38:09
  Speaker 8: the Dorothy character is such a mess, too, because, like
• 38:12
  Speaker 8: I said, with the whole sexual thing, but then you
• 38:14
  Speaker 8: see her... As soon as she gets the upper hand,
• 38:16
  Speaker 8: once she's got Kamala Glock on there with a knife,
• 38:18
  Speaker 8: she becomes Frank. Yeah, don't look at me. Don't fucking
• 38:21
  Speaker 8: look at me. Don't touch me. And don't touch me.
• 38:24
  Speaker 8: And then she's also just completely in charge. Where do
• 38:26
  Speaker 8: you ever see her yelling at or giving orders to Frank? No.
• 38:29
  Speaker 8: Hell no, because she knows what would happen.
• 38:32
  Speaker 1: He's got her kid, I mean.
• 38:34
  Speaker 7: Just in general.
• 38:35
  Speaker 8: I can't imagine anybody yelling orders at Frank.
• 38:38
  Speaker 7: That goes with the old rule of the shit rolls downhill.
• 38:41
  Speaker 8: But it is fair. funny how much she plays into
• 38:45
  Speaker 8: that little scenario too if she's so damaged and she
• 38:49
  Speaker 8: i mean that that's kind of what they wanted to
• 38:50
  Speaker 8: play her as why she's got that scary hair which
• 38:53
  Speaker 8: is really scary i don't understand but she's.
• 38:56
  Speaker 11: Wearing a wig obviously she takes it off at one
• 38:58
  Speaker 11: point but yet she puts it back.
• 38:59
  Speaker 8: On they wanted to make sure that she took it
• 39:02
  Speaker 8: off because they wanted people to know that it wasn't
• 39:04
  Speaker 8: real number one i think because it looks so bad
• 39:06
  Speaker 8: but at the same time i think because it becomes
• 39:09
  Speaker 8: part of her whole identity like everything about her is
• 39:12
  Speaker 8: fake really like her whole you know that she she
• 39:15
  Speaker 8: puts on the the whole act that everything's okay you
• 39:19
  Speaker 8: know just to get through all that she has to
• 39:21
  Speaker 8: get through she puts up with all this but i
• 39:23
  Speaker 8: mean everything her about her is is fake and this
• 39:26
  Speaker 8: you know camouflage that she uses to cover up the
• 39:29
  Speaker 8: fact that all of this is falling apart and she's
• 39:32
  Speaker 8: just completely damaged and.
• 39:34
  Speaker 11: Well that's like what you hear a lot of times
• 39:35
  Speaker 11: about abuse victims and stuff a lot of times they
• 39:37
  Speaker 11: will in their mind their mind will somehow turn themselves
• 39:42
  Speaker 11: into someone else or something else to kind of.
• 39:45
  Speaker 8: Cope with what.
• 39:46
  Speaker 11: They're going through you know a lot of times they
• 39:48
  Speaker 11: end up forgetting a lot of things and stuff but
• 39:50
  Speaker 11: I guess that's kind of where she's coming from. She's
• 39:53
  Speaker 11: morphed into this person to kind of protect her real identity.
• 39:56
  Speaker 8: Just, yeah, hiding who she really is to not have
• 39:59
  Speaker 8: to deal with it almost.
• 40:00
  Speaker 10: And how messed up is her kid going to be
• 40:02
  Speaker 10: when he grows up?
• 40:02
  Speaker 7: I don't know. Who puts a kid in a beanie
• 40:05
  Speaker 7: with a propeller?
• 40:07
  Speaker 8: That is the scary part.
• 40:09
  Speaker 15: It wasn't even a beanie. It was like a party hat.
• 40:11
  Speaker 7: Yeah, it was a pointy hat. It was like a
• 40:13
  Speaker 7: cross between a dunce cap and a beanie.
• 40:15
  Speaker 10: It was a.
• 40:17
  Speaker 8: I mean, it's fine if you have a sleepover at
• 40:20
  Speaker 8: Uncle Ben's. That's fine. But don't put that damn hat
• 40:23
  Speaker 8: on the kid.
• 40:25
  Speaker 3: Oh, man.
• 40:27
  Speaker 8: It's funny just looking at the overall layout of the movie, though,
• 40:30
  Speaker 8: because it's built as this big mystery.
• 40:32
  Speaker 9: It's a mystery.
• 40:32
  Speaker 8: I'm like, this mystery isn't much of a mystery, really.
• 40:35
  Speaker 8: You kind of know what's going on. It's very straightforward.
• 40:39
  Speaker 8: It's just him discovering it, but it's not like he's
• 40:42
  Speaker 8: really figuring things out.
• 40:43
  Speaker 11: It's like him getting thrust in this world of just dark, nasty, violent,
• 40:50
  Speaker 11: just craziness.
• 40:51
  Speaker 1: And all you're waiting for is the resolution.
• 40:53
  Speaker 10: Like, all right, how's he going to get out of this?
• 40:55
  Speaker 10: How is this going to end?
• 40:56
  Speaker 11: There's several chances where he has the opportunity to get
• 40:59
  Speaker 11: out of it.
• 41:00
  Speaker 8: Just walk away.
• 41:00
  Speaker 11: He turns around and walks right back into it. Because
• 41:03
  Speaker 11: for some reason, he's drawn to it.
• 41:05
  Speaker 8: It's that seduction end of it. Especially once he gets
• 41:08
  Speaker 8: involved with the Dorothy character. I think in the beginning,
• 41:10
  Speaker 8: it's just that voyeuristic aspect of, I want to see
• 41:13
  Speaker 8: what's going on.
• 41:14
  Speaker 7: I want to, you know, I want to.
• 41:15
  Speaker 3: Yeah.
• 41:16
  Speaker 8: Figure things out it was that curiosity end of it
• 41:18
  Speaker 8: in the very beginning but once he's involved with Dorothy
• 41:21
  Speaker 8: he really does have this weird relationship with her that,
• 41:24
  Speaker 8: you know, I don't think he loves her because he
• 41:27
  Speaker 8: still really does seem to be in love with the
• 41:29
  Speaker 8: Laura Dern character. He just wants to save her. He's
• 41:31
  Speaker 8: drawn to her to be, yeah, part of her sick.
• 41:34
  Speaker 10: You know.
• 41:34
  Speaker 1: He wants some of that crazy booty.
• 41:36
  Speaker 8: He kind of does. I mean, part of it is
• 41:38
  Speaker 8: the sexual thing because, you know, again, he's kind of
• 41:41
  Speaker 8: a dork in his real life. So you're assuming.
• 41:43
  Speaker 10: I don't picture Laura Dern's character putting out.
• 41:45
  Speaker 7: No, probably not.
• 41:46
  Speaker 8: Especially with a corporate ad. She probably... He better not
• 41:49
  Speaker 8: be getting any of that. He's gonna get some somewhere.
• 41:51
  Speaker 3: No.
• 41:53
  Speaker 8: So yeah, I think it does draw him into that
• 41:55
  Speaker 8: weird world. And I think my favorite part that they
• 42:00
  Speaker 8: work into this is the ear thing that sort of
• 42:03
  Speaker 8: ties it together, much like the bugs. When he finds
• 42:06
  Speaker 8: it at the beginning, actually everything up until that point...
• 42:09
  Speaker 8: is all perfect. And you know, with the exception of
• 42:12
  Speaker 8: his dad, it's like everything else is still pretty perfect
• 42:14
  Speaker 8: in their little, you get all those shots of perfection
• 42:16
  Speaker 8: and the flowers and the firemen going by and, and
• 42:19
  Speaker 8: it's this perfect little town. And then he finds the
• 42:21
  Speaker 8: ear and.
• 42:23
  Speaker 9: It, who do I?
• 42:23
  Speaker 10: It's a perfect little Norman Rockwell thing.
• 42:25
  Speaker 8: It really is. And, and then he finds the ear
• 42:27
  Speaker 8: and it does that super zoom close up into the ear.
• 42:31
  Speaker 8: And then from there, it's just like a fucking roller coaster.
• 42:34
  Speaker 8: It's like, it takes him into this dark, twisted little
• 42:37
  Speaker 8: version of hell. Basically. And then in the end, we
• 42:40
  Speaker 8: get that where the shot comes back out of his ear,
• 42:43
  Speaker 8: and it's like it's through. It's like everything's good again.
• 42:46
  Speaker 8: It's like he's made it through this, you know, this
• 42:48
  Speaker 8: ride of, you know, hell, basically. It's the whole thing,
• 42:52
  Speaker 8: like the whole movie, once it enters into that part,
• 42:54
  Speaker 8: it's just like him just being sucked into this evil world.
• 42:58
  Speaker 8: I think the movie.
• 43:00
  Speaker 15: Poster should have said, and it all started with an ear.
• 43:04
  Speaker 8: I'd go see that. That sounds really sick and twisted.
• 43:07
  Speaker 10: I just find it hard believing that after all that,
• 43:11
  Speaker 10: that everything's just going to be bright and sunny and
• 43:13
  Speaker 10: sunshiny and everything.
• 43:14
  Speaker 8: Especially with those two. There's not going to be any.
• 43:16
  Speaker 7: Long, lingering trauma.
• 43:19
  Speaker 1: Everything's going to be sunshine and robins.
• 43:21
  Speaker 7: He's trying to put it behind him. Mechanical robins.
• 43:24
  Speaker 1: But still, there's going to be that trauma that's deep inside.
• 43:26
  Speaker 1: When's he going to snap?
• 43:28
  Speaker 10: When's he going to, you know, when Laura Dern probably
• 43:30
  Speaker 10: does put out, is she going to beat the hell
• 43:32
  Speaker 10: out of her afterwards?
• 43:34
  Speaker 1: It's a repressed thing. Is it just going to snap?
• 43:37
  Speaker 8: And maybe that's part of it. Well, maybe that's part
• 43:40
  Speaker 8: of it. God, I love this movie. It's just always
• 43:45
  Speaker 8: underlying there. I mean, it really, I mean, even when
• 43:47
  Speaker 8: things seem nice, obviously they aren't. So, I mean, even
• 43:50
  Speaker 8: once they get out of that situation, I mean, hell,
• 43:53
  Speaker 8: as long as you're alive at any given moment, things
• 43:55
  Speaker 8: can just go to hell. And I don't know, it
• 43:58
  Speaker 8: is one of those that... You have to fight it,
• 44:01
  Speaker 8: I suppose. I mean, it is one of those, he's
• 44:03
  Speaker 8: fighting the demon within him. So, I mean, I guess
• 44:06
  Speaker 8: he's in charge of, from there on out, trying to
• 44:09
  Speaker 8: not become like Frank and not give in to the
• 44:12
  Speaker 8: dark side that everybody sort of has.
• 44:14
  Speaker 10: I don't know.
• 44:15
  Speaker 8: I think it's just amazing... Again, this is definitely one
• 44:20
  Speaker 8: of Lynch's best because it's so tight, and so it
• 44:23
  Speaker 8: doesn't get sidetracked on his craziness.
• 44:26
  Speaker 1: It doesn't make your head want to explode.
• 44:29
  Speaker 8: Yeah, well, it doesn't become so confusing that it ceases
• 44:33
  Speaker 8: to be a good story anymore, which he gets into
• 44:36
  Speaker 8: that area in several other movies.
• 44:38
  Speaker 12: Yeah.
• 44:39
  Speaker 8: This one is such... Eraserhead? Well, that doesn't even really
• 44:42
  Speaker 8: have a story. Lost Highway?
• 44:43
  Speaker 7: Good God.
• 44:44
  Speaker 8: Lost Highway? I'd almost want to go back and watch,
• 44:46
  Speaker 8: because that has one, but it's so... Again, it gets
• 44:49
  Speaker 8: almost to the point of confusion to where you can't even...
• 44:52
  Speaker 8: I mean, this one is still such a straightforward story. That, yes,
• 44:56
  Speaker 8: it's messed up all the way through, but the story
• 44:59
  Speaker 8: itself is really well pieced together and simple. Where, yeah,
• 45:03
  Speaker 8: so much of his other stuff is just, you know,
• 45:05
  Speaker 8: gets out of control. This is probably him almost at
• 45:08
  Speaker 8: his best. And just visually, it's all amazing. Just all
• 45:11
  Speaker 8: those shots, all the creepy industrial shots over at Frank's.
• 45:15
  Speaker 8: I mean, he works that into everything. Even there where
• 45:17
  Speaker 8: you don't necessarily have to have it, but he wanted...
• 45:20
  Speaker 8: that part of town to be dark and creepy. It's
• 45:22
  Speaker 8: the dirty part of town. Yeah, he wanted that.
• 45:24
  Speaker 7: It's always the dirty, seedy, industrial part of town. That's
• 45:27
  Speaker 7: where I work. It's dirty. It's bad neighborhoods. It's where
• 45:30
  Speaker 7: you don't want to be at night.
• 45:32
  Speaker 8: And that's where Frank exists. So yeah, that's just like
• 45:36
  Speaker 8: a weird.
• 45:36
  Speaker 7: Kyle McLaughlin wakes up.
• 45:37
  Speaker 8: So yeah, it's a strange world. I guess what you
• 45:42
  Speaker 8: take from it. What you do from there is up
• 45:44
  Speaker 8: to you. I did notice how... I don't think I've remembered,
• 45:49
  Speaker 8: because I hadn't watched this in forever, how much, I guess,
• 45:52
  Speaker 8: Tarantino was influenced by this. Because I'd always thought the
• 45:55
  Speaker 8: Pulp Fiction character was sort of a version of her,
• 45:59
  Speaker 8: an almost more attractive version of her. I don't get
• 46:03
  Speaker 8: the Isabella Rossellini thing.
• 46:05
  Speaker 10: She's just strange looking.
• 46:05
  Speaker 7: I don't... Yeah.
• 46:07
  Speaker 1: Made me want to hit her, too.
• 46:08
  Speaker 8: I mean... I mean... The what, huh? Isabella Rossellini. I
• 46:11
  Speaker 8: just never got into her as a... I don't think
• 46:14
  Speaker 8: she's hot.
• 46:14
  Speaker 7: I'm sorry.
• 46:15
  Speaker 3: Okay.
• 46:15
  Speaker 8: I think she's weird.
• 46:15
  Speaker 1: Not even in a B-cost?
• 46:16
  Speaker 7: No, no, no.
• 46:17
  Speaker 8: Not even in a B-cost.
• 46:18
  Speaker 7: I was trying to figure out what the tie-in was
• 46:19
  Speaker 7: with Tarantino.
• 46:20
  Speaker 8: But the Pulp Fiction, the... Butch's girlfriend. To me, she's
• 46:25
  Speaker 8: kind of got, she's got the dark hair. She's got
• 46:27
  Speaker 8: the accent. She's got, you know, she, she's sort of
• 46:30
  Speaker 8: like a, just sort of a minor nod to that,
• 46:33
  Speaker 8: which I always thought that. See, she's so cute about it.
• 46:37
  Speaker 8: That's the thing that, you know, she's so good at it,
• 46:39
  Speaker 8: but in this one, you don't, I don't know. You
• 46:41
  Speaker 8: don't feel too much for her. You know, she's, she's
• 46:43
  Speaker 8: still such a weird, twisted, cold character that you, you
• 46:47
  Speaker 8: don't get sucked in by her. Whereas at least in
• 46:49
  Speaker 8: Pulp Fiction, she's very likable. But then the, I forgot,
• 46:52
  Speaker 8: I mean, the ear. Jesus, it's like cutting off an
• 46:55
  Speaker 8: ear and then at the end you've got a guy
• 46:57
  Speaker 8: tied to a chair with his ear cut off. I'm like, okay,
• 47:00
  Speaker 8: that's not subtle at all. So it wasn't but like, what,
• 47:04
  Speaker 8: a couple of years went by. It wasn't that long.
• 47:07
  Speaker 7: And you had reservoir dogs.
• 47:08
  Speaker 8: A decade or so and you get reservoir dogs. So yeah, it's...
• 47:11
  Speaker 8: He's definitely felt in the Tarantino world. But other than that,
• 47:17
  Speaker 8: I don't know. I think we've covered many of the twisted,
• 47:19
  Speaker 8: messed up areas here.
• 47:21
  Speaker 7: I'm out of stuff.
• 47:22
  Speaker 14: I'm good.
• 47:23
  Speaker 15: Me too.
• 47:24
  Speaker 8: So if nothing else, we'll go to the music world,
• 47:27
  Speaker 8: which there is a good amount of songs that have
• 47:30
  Speaker 8: been affected by this movie and have tied it into theirs.
• 47:34
  Speaker 8: The first one we're going to go with actually is
• 47:37
  Speaker 8: As a tie, I actually did an interview with the
• 47:40
  Speaker 8: people who made a documentary about this band, but it's
• 47:43
  Speaker 8: the Gits, and the lead singer was actually from our
• 47:47
  Speaker 8: town here and had a bad story herself. Ended in
• 47:51
  Speaker 8: a very bad way, too. So if you don't know
• 47:53
  Speaker 8: anything about the Gits, yeah, find out more about them
• 47:55
  Speaker 8: because they're pretty awesome anyway. But they did a song
• 47:58
  Speaker 8: called Here's to Your Fuck. I think that's the way
• 48:02
  Speaker 8: to round out this part.
• 48:03
  Speaker 15: I don't know if you're a detective or a pervert.
• 48:06
  Speaker 7: It's for me to know and you to find out.
• 48:08
  Speaker 13: It's for me to know and.
• 48:23
  Speaker 5: You to find out.
• 49:13
  Speaker 2: It's time to stretch and fetch. See what's cooking at
• 49:17
  Speaker 2: our refreshment counter. You'll find your favorite... foods and beverages,
• 49:21
  Speaker 2: plus many new goodies to tempt your appetite and add
• 49:25
  Speaker 2: to your evening's pleasure. Everything's the finest quality. So treat
• 49:30
  Speaker 2: yourself now.
• 49:33
  Speaker 15: Don't be frightened.
• 49:34
  Speaker 11: He won't hurt you.
• 49:35
  Speaker 10: He won't hurt you.
• 49:37
  Speaker 3: He won't hurt you.
• 49:43
  Speaker 17: You will feel the chill of horror. Yet this is
• 49:47
  Speaker 17: not a horror story. You will feel the warmth of love.
• 49:54
  Speaker 17: Yet this is not a love story. It is the
• 49:57
  Speaker 17: shocking true story of a very real monster who was
• 50:02
  Speaker 17: also a very real human being. Ladies and gentlemen, the terrible.
• 50:12
  Speaker 12: Elephant.
• 50:15
  Speaker 3: Man.
• 50:18
  Speaker 17: Man's a complete idiot.
• 50:21
  Speaker 7: Pray to God he's an idiot.
• 50:22
  Speaker 17: Supposing he's an intelligent man trapped in some monstrous body.
• 50:27
  Speaker 3: Where have you been?
• 50:29
  Speaker 8: What did you do?
• 50:30
  Speaker 11: Please don't!
• 50:33
  Speaker 8: I know exactly what you've done to him and he's
• 50:35
  Speaker 8: never going back to that.
• 50:37
  Speaker 11: Don't you understand me?
• 50:38
  Speaker 4: He's a freak.
• 50:40
  Speaker 8: That's how they live.
• 50:42
  Speaker 10: We are partners, he and I.
• 50:45
  Speaker 8: Terrible though his appearance is, he is superior in intelligence.
• 50:49
  Speaker 10: He can read and write. He's quiet, gentle.
• 50:53
  Speaker 15: Not to say even refined in his mind.
• 50:55
  Speaker 9: Can you imagine the kind of life he must have had?
• 50:59
  Speaker 15: Yes, I think I can.
• 51:01
  Speaker 8: I don't believe so.
• 51:02
  Speaker 7: No one could possibly imagine it.
• 51:04
  Speaker 9: I don't believe any of us can.
• 51:06
  Speaker 12: Where is he?
• 51:07
  Speaker 9: I don't know what you mean, sir.
• 51:09
  Speaker 10: He's gone!
• 51:10
  Speaker 4: He's gone!
• 51:14
  Speaker 10: Anthony Hopkins Anne Bancroft.
• 51:16
  Speaker 7: John Gielgud.
• 51:43
  Speaker 17: Wendy Hiller and John Hurt as the Elephant Man. A
• 51:50
  Speaker 17: shattering experience. For the right price, you will see something
• 51:56
  Speaker 17: you'll never ever see again in your life.
• 52:00
  Speaker 16: Popsyndicate.com your one stop for all your unhealthy obsessions breaking
• 52:07
  Speaker 16: news and in-depth reviews on all of your favorite.
• 52:09
  Speaker 8: Movies music tv shows.
• 52:11
  Speaker 16: Podcasts comics books popsyndicate.com.
• 52:17
  Speaker 3: It's part of your problem.
• 52:18
  Speaker 8: You know you haven't seen enough movies all.
• 52:21
  Speaker 14: Of life's riddles are answered in the movies and now
• 52:25
  Speaker 14: on with the show.
• 52:29
  Speaker 8: Let's fuck!
• 52:32
  Speaker 18: I'll fuck anything that moves!
• 52:39
  Speaker 13: Don't you fucking.
• 52:53
  Speaker 5: Look at me! Baby wants velvet, baby wants the fuck
• 53:02
  Speaker 5: I rub a little velvet when I watch you sing
• 53:06
  Speaker 5: Turn on the gas.
• 53:06
  Speaker 13: You're like me.
• 53:24
  Speaker 3: Alright, we are back and we've got feedback. Yay, feedback.
• 53:28
  Speaker 15: Yay!
• 53:48
  Speaker 8: Are you okay?
• 53:50
  Speaker 15: No. I'm in exhaustion.
• 53:53
  Speaker 8: This week we hear back from Metal Mikey.
• 53:55
  Speaker 10: Aw, hey, Metal Mikey.
• 53:57
  Speaker 4: Hey, hey, Movie Meltdown. This is Metal Mikey getting in
• 54:01
  Speaker 4: touch with you again. This is not so much for
• 54:04
  Speaker 4: a movie in advance. This is just sort of thoughts
• 54:06
  Speaker 4: that I wanted to catch up on with a recent
• 54:09
  Speaker 4: episode I listened to, which would be the fantabulous duo
• 54:12
  Speaker 4: of the Wookie Palooza episodes. And a small aside, I
• 54:18
  Speaker 4: do have the honor and privilege of having met Peter Mayhew,
• 54:22
  Speaker 4: I think it was like around last year or the
• 54:23
  Speaker 4: year before or so, when I was assisting at a
• 54:27
  Speaker 4: local toy fair that was being run by the 501st
• 54:32
  Speaker 4: Star Wars Costuming Group. Great gentleman, hell of a nice guy.
• 54:37
  Speaker 4: But I understand... For some strange reason, it seems like
• 54:41
  Speaker 4: every time I pick up on an episode of Movie Mountain,
• 54:44
  Speaker 4: it's like, possibly half of the people are there. I mean,
• 54:47
  Speaker 4: what the hell's up? God, are you sure, like, having
• 54:50
  Speaker 4: a rotating roster? That's just crazy, man.
• 54:53
  Speaker 8: Crazy.
• 54:54
  Speaker 4: But another side of craziness is a lot of my
• 54:57
  Speaker 4: stuff in this episode seems to be addressed specifically to Marlena. So,
• 55:01
  Speaker 4: you know, hey, you might want to listen up. First off,
• 55:04
  Speaker 4: I think she hit up on an excellent movie concept.
• 55:08
  Speaker 4: I would love to see a development for Snake-demic coming up,
• 55:13
  Speaker 4: but also, I'm with her. I love Little Monsters. I
• 55:18
  Speaker 4: don't get all the hate here, but then again, there's
• 55:20
  Speaker 4: something else I don't get in this episode in particular,
• 55:22
  Speaker 4: which is the sort of love acceptance for the Resident
• 55:26
  Speaker 4: Evil movies. I mean, no disrespect to all of you,
• 55:29
  Speaker 4: but to me, they're honestly mediocre at best. They're not
• 55:32
  Speaker 4: really that good movies.
• 55:35
  Speaker 3: Uh.
• 55:35
  Speaker 4: the hot rumor of the episode was of course megan
• 55:38
  Speaker 4: fox not being part of transformers 3 i guarantee you
• 55:42
  Speaker 4: people all you listeners and movie meltdown i guarantee you
• 55:47
  Speaker 4: that with megan fox not being in the third transformers
• 55:49
  Speaker 4: movie give her about a year we won't even hear
• 55:52
  Speaker 4: about her ever again in terms of filmmaking i mean
• 55:57
  Speaker 4: what great film role is she going to have And
• 56:02
  Speaker 4: right now I'm waiting for a dumbass biker to cross
• 56:04
  Speaker 4: the street. But anyways, yeah, what great world is she
• 56:08
  Speaker 4: going to be known for? I mean, her big paycheck
• 56:11
  Speaker 4: is now pretty much out the window. So give her
• 56:14
  Speaker 4: about a year, I guarantee you nobody's going to even
• 56:16
  Speaker 4: think about Megan Fox anymore. And I did also want
• 56:20
  Speaker 4: to bring up the random-ass local Louisville phenomenon, apparently, of having, oh, geez,
• 56:28
  Speaker 4: Kurt Loder graffiti up around town. I guarantee you it
• 56:32
  Speaker 4: would be more awesome if Adam Curry received random-ass, you know, graffiti. Oh, shit,
• 56:37
  Speaker 4: I almost forgot the one other thing about the Marlena Palooza,
• 56:41
  Speaker 4: which is, Tiny Toons has indeed been started to be
• 56:45
  Speaker 4: collected on DVD, so rest assured, that is available. Now,
• 56:51
  Speaker 4: as for the movie of the episode, Terror, you tickled
• 56:56
  Speaker 4: my fancy. I mean, I watch a lot of incredible
• 56:58
  Speaker 4: bullshit for my own little podcast.
• 57:01
  Speaker 8: Extra Traction, but.
• 57:05
  Speaker 4: I love just the random ass stuff that's just sort
• 57:07
  Speaker 4: of like, wait, what? This is happening, huh? So you
• 57:13
  Speaker 4: intrigued me greatly with the concept of this movie, Terror.
• 57:19
  Speaker 4: or terror, or however you pronounce it. But I will say,
• 57:26
  Speaker 4: if you need anybody to take up the banner for
• 57:29
  Speaker 4: making Bad Time with Brenda, if you want somebody to
• 57:32
  Speaker 4: make Bad Time with Brenda a living, breathing reality film,
• 57:38
  Speaker 4: Give me a few months, okay? Maybe I'll come up
• 57:40
  Speaker 4: with a script treatment. You never know. But anyways, excellent job.
• 57:44
  Speaker 4: Half of the movie meltdown roster on this episode. Kept
• 57:47
  Speaker 4: me laughing, kept me entertained. And I, of course, will
• 57:50
  Speaker 4: talk to you again sometime soonish, all right? You take care.
• 57:54
  Speaker 4: Talk to you later.
• 57:54
  Speaker 8: Bye.
• 57:56
  Speaker 1: Snake-demic? What is the snake-demic?
• 57:58
  Speaker 7: You know, for the phone.
• 57:59
  Speaker 8: Snake.
• 58:01
  Speaker 10: Oh.
• 58:02
  Speaker 7: Oh, I don't know.
• 58:02
  Speaker 1: I have no idea.
• 58:04
  Speaker 11: As for the Resident Evil movies, I never actually, I
• 58:06
  Speaker 11: don't know about Roger, but I never really thought they
• 58:08
  Speaker 11: were great movies as far as like, you know, cinematic genius.
• 58:15
  Speaker 11: But you know what? They got things in it that
• 58:17
  Speaker 11: I like. They got zombies, it's got Mila Jovovich, and
• 58:20
  Speaker 11: it's got a lot of guns.
• 58:21
  Speaker 7: And a lot of shit blowing up and people getting shot.
• 58:24
  Speaker 7: And that appeals to me.
• 58:26
  Speaker 1: They're fun.
• 58:27
  Speaker 10: They're, you know, cinematic genius work. She's never going to
• 58:31
  Speaker 10: win an Oscar for this, but they're fun.
• 58:32
  Speaker 7: They are fun.
• 58:33
  Speaker 8: I was not all that impressed with the first one.
• 58:35
  Speaker 8: I don't remember the second one. I might have seen it,
• 58:38
  Speaker 8: but I did just, the third one is the only
• 58:40
  Speaker 8: one I'd watched recently, and I did kind of like
• 58:42
  Speaker 8: that one. I thought visually it looked a little better
• 58:44
  Speaker 8: than the other two.
• 58:45
  Speaker 1: I liked the first one the best, though.
• 58:47
  Speaker 8: I think well i just i like the outdoors like
• 58:49
  Speaker 8: we really hadn't got everything was so contained in that
• 58:51
  Speaker 8: first movie to that one little inside the building that
• 58:54
  Speaker 8: we finally got outside we got all these cool desert
• 58:56
  Speaker 8: shots the bird scenes were really cool it's like i
• 58:59
  Speaker 8: actually liked a lot of what they did with the
• 59:01
  Speaker 8: third one again it's not great it's not amazing it's
• 59:04
  Speaker 8: certainly not the best movie of that type or zombies
• 59:07
  Speaker 8: if you want to consider it a regular zombie movie
• 59:09
  Speaker 8: but they're fun.
• 59:10
  Speaker 11: Each his own and it just happens to be one
• 59:13
  Speaker 11: that i like.
• 59:14
  Speaker 8: They're entertaining that's really all you ask for and nobody's you.
• 59:17
  Speaker 7: Know i can like it just me so yeah.
• 59:20
  Speaker 8: Um what was.
• 59:23
  Speaker 7: The other comment uh the the change up in the roster. Yeah.
• 59:27
  Speaker 8: Which as for the crew, dude, dude, we're like.
• 59:30
  Speaker 7: We're like a basketball team. Okay. Sometimes you got to
• 59:32
  Speaker 7: have some of them sit out and then bring new
• 59:34
  Speaker 7: players in.
• 59:35
  Speaker 15: So, uh, it's hard to get six people to dedicate
• 59:39
  Speaker 15: five hours every Sunday without fail.
• 59:43
  Speaker 8: It's, it's hard to do. I mean, that, that's sort
• 59:45
  Speaker 8: of the one must do have lives.
• 59:48
  Speaker 7: Well, I'm not.
• 59:49
  Speaker 8: Included in that, but I got a.
• 59:50
  Speaker 11: Lot of work to do, a lot of work to do.
• 59:53
  Speaker 11: So between that and, uh, club stuff and a kid I'm.
• 59:59
  Speaker 7: Just lazy yeah I got a kid.
• 1:00:03
  Speaker 8: Oh man it's one of those things it's a lot
• 1:00:07
  Speaker 8: easier especially for you most of the time I think
• 1:00:12
  Speaker 8: he's flying solo which on the one hand is a
• 1:00:14
  Speaker 8: lot easier to schedule but it doesn't give you a
• 1:00:16
  Speaker 8: lot of interaction you have to feed on your listeners
• 1:00:19
  Speaker 8: so on that one I don't envy you because I
• 1:00:22
  Speaker 8: kind of like the conversations that we get into But
• 1:00:25
  Speaker 8: as far as the scheduling people together, yeah, you got
• 1:00:27
  Speaker 8: to cut some slack. Because, yeah, you try to get,
• 1:00:30
  Speaker 8: you know, several of your friends together each week, every week, religiously.
• 1:00:35
  Speaker 8: It's pretty damned impossible.
• 1:00:37
  Speaker 7: And some of us work weird schedules.
• 1:00:39
  Speaker 10: Yeah.
• 1:00:40
  Speaker 8: It's hard to find one day period, let alone, you know,
• 1:00:43
  Speaker 8: once things mix up. Like, next week is a good example.
• 1:00:46
  Speaker 8: We're going to be veering off for that very reason. Like,
• 1:00:49
  Speaker 8: nobody could be here.
• 1:00:49
  Speaker 15: Oh, yeah, good, because I want to go to IKEA
• 1:00:51
  Speaker 15: next week.
• 1:00:52
  Speaker 10: Oh, God.
• 1:00:53
  Speaker 1: I was going to say.
• 1:00:54
  Speaker 15: I probably won't make it next Sunday.
• 1:00:56
  Speaker 7: It's Father's Day, so... And then we'll be in Florida
• 1:00:59
  Speaker 7: for two weeks. And then we'll be in Florida for
• 1:01:00
  Speaker 7: two weeks.
• 1:01:00
  Speaker 8: Then we've got vacation coming up for at least two
• 1:01:03
  Speaker 8: of the crew. So, yeah, it's constant... But even in
• 1:01:06
  Speaker 8: the beginning, like, from the conception of the whole, you know, show,
• 1:01:09
  Speaker 8: the whole idea initially was I still, I wanted a
• 1:01:13
  Speaker 8: group of regulars, but at the same time, I wanted
• 1:01:15
  Speaker 8: to have the option of bringing other people along the
• 1:01:17
  Speaker 8: way and just kind of, I think it keeps things
• 1:01:20
  Speaker 8: interesting if we can. So there's only been a few
• 1:01:22
  Speaker 8: times when we can, because usually I can't find the victims.
• 1:01:25
  Speaker 10: Yeah, I mean, we had.
• 1:01:27
  Speaker 8: Jesse, and then we had Eddie.
• 1:01:28
  Speaker 1: Eddie has pretty eyes.
• 1:01:29
  Speaker 4: So.
• 1:01:31
  Speaker 8: We're trying to.
• 1:01:32
  Speaker 15: You just need a sound clip of that so you
• 1:01:33
  Speaker 15: can loop it whenever someone says, Eddie.
• 1:01:36
  Speaker 1: Eddie has pretty eyes.
• 1:01:37
  Speaker 7: Sound clip that.
• 1:01:39
  Speaker 8: As long as you have her around, I don't think
• 1:01:41
  Speaker 8: you need a sound clip. So, yeah, I mean, and
• 1:01:44
  Speaker 8: I've actually thrown it out there to several other people,
• 1:01:46
  Speaker 8: and we're trying to work stuff in. And plus, I
• 1:01:49
  Speaker 8: just like having different people's opinions, which is why I
• 1:01:52
  Speaker 8: think we.
• 1:01:53
  Speaker 1: And sometimes we get tired of Roger's stuff.
• 1:01:54
  Speaker 8: Well, that too, which is... Which is why we made
• 1:01:57
  Speaker 8: up that excuse that he's, you know, having illness problems today.
• 1:02:00
  Speaker 8: We were just like... We're like, dude, you just stay home.
• 1:02:05
  Speaker 8: We've had about enough of you this week.
• 1:02:06
  Speaker 15: I took Roger's place. I kind of slept through most
• 1:02:08
  Speaker 15: of Blue Ball, but that's why I didn't talk very much.
• 1:02:10
  Speaker 1: I think Lauren slept through part of it, too.
• 1:02:11
  Speaker 15: Yeah.
• 1:02:12
  Speaker 8: But I'd already seen it.
• 1:02:13
  Speaker 15: I watched it, like, two to three years ago, so.
• 1:02:16
  Speaker 10: Yeah, but you stayed awake during the podcast, which is
• 1:02:18
  Speaker 10: more than Roger can do.
• 1:02:19
  Speaker 15: Yeah, that's true.
• 1:02:20
  Speaker 8: And I got up at 4 o'clock this morning to
• 1:02:21
  Speaker 8: start doing the prepping and everything. This show is a
• 1:02:24
  Speaker 8: hell of a lot of work, let me tell you.
• 1:02:26
  Speaker 8: That was after being gone the whole weekend, so I'm
• 1:02:28
  Speaker 8: lucky to be awake now. So, yeah, it's a lot
• 1:02:32
  Speaker 8: to piece together. I have to bed. I got back
• 1:02:35
  Speaker 8: up in four, sadly. So, yeah, it's a lot to
• 1:02:39
  Speaker 8: piece together, but I think it's worth it. I think
• 1:02:41
  Speaker 8: we've put together a lot of really interesting stuff along
• 1:02:44
  Speaker 8: the way, and I like being able to.
• 1:02:48
  Speaker 8: The Misty is not that interesting. But the shows have
• 1:02:51
  Speaker 8: been pretty interesting, I think. So, yeah, I don't know.
• 1:02:56
  Speaker 8: Many people might disagree, but I think we've put together
• 1:02:58
  Speaker 8: some cool stuff along the way. So that's why I
• 1:03:01
  Speaker 8: keep fighting to keep it going. It's an uphill battle
• 1:03:04
  Speaker 8: every episode, but I think it's worth it. So that's
• 1:03:07
  Speaker 8: just me.
• 1:03:07
  Speaker 15: So here's the new excuse I'm telling my mom so
• 1:03:10
  Speaker 15: she doesn't try to find and listen to this. That it's...
• 1:03:16
  Speaker 15: You can only get it on iTunes, and it costs
• 1:03:18
  Speaker 15: like $ 60 for a yearly subscription.
• 1:03:20
  Speaker 8: That'll keep her away. Yeah. She ain't paying money for
• 1:03:23
  Speaker 8: this crap. I know.
• 1:03:26
  Speaker 3: Oh, Lord.
• 1:03:26
  Speaker 15: I just want to sometimes be like, bitch, stay out
• 1:03:29
  Speaker 15: of my personal life. What's wrong with that? I don't
• 1:03:32
  Speaker 15: want to be your friend on Facebook.
• 1:03:35
  Speaker 8: And I'm a radio star, so what do you need
• 1:03:37
  Speaker 8: to know about? So you've got Tiny Toons now.
• 1:03:41
  Speaker 15: Sweet. I'm going to have to find Tiny Toons.
• 1:03:43
  Speaker 10: I knew that one was out.
• 1:03:44
  Speaker 15: I didn't.
• 1:03:45
  Speaker 10: I found bootleg copies of the Muppet Babies.
• 1:03:48
  Speaker 9: There you go.
• 1:03:49
  Speaker 10: I'm not interested in it, but.
• 1:03:51
  Speaker 8: I know where to point you in the direction of them.
• 1:03:54
  Speaker 8: Not that I can know in such behavior, but that's
• 1:03:56
  Speaker 8: probably the only way you're going to find it because
• 1:03:57
  Speaker 8: I'm assuming music and video rights are going to be
• 1:04:01
  Speaker 8: impossible to ever get out.
• 1:04:02
  Speaker 10: I just got my Daria box set, the complete set,
• 1:04:05
  Speaker 10: and I read the insert and they changed all the
• 1:04:07
  Speaker 10: music in Daria.
• 1:04:09
  Speaker 8: Yep.
• 1:04:09
  Speaker 1: I guess it's not really that disturbing. I love the show.
• 1:04:12
  Speaker 8: Other than Mystic Spiral. You don't fuck with Mystic Spiral.
• 1:04:15
  Speaker 10: I still have my Mystic Spiral fan club card in
• 1:04:17
  Speaker 10: my wallet.
• 1:04:17
  Speaker 15: I have that diary book thingy.
• 1:04:20
  Speaker 1: Oh, me too. I have that.
• 1:04:21
  Speaker 3: It's awesome.
• 1:04:22
  Speaker 7: Do we have any more feedback?
• 1:04:24
  Speaker 8: That is actually it. Thank you to Mikey. We wanted
• 1:04:27
  Speaker 8: to throw that out there for everybody. Keep the phone
• 1:04:31
  Speaker 8: calls and emails coming in.
• 1:04:32
  Speaker 1: Don't be shy. Just let your feelings roll on by.
• 1:04:38
  Speaker 9: Don't be shy. We'd like to hear from you. So
• 1:04:41
  Speaker 9: give us a call at 502-365-5565. Or you can email
• 1:04:46
  Speaker 9: us at geeksatmoviemeltdown.com. And just stop by the website for
• 1:04:50
  Speaker 9: our frequent updates. That's moviemeltdown.com. And while you're there, click
• 1:04:55
  Speaker 9: on the forums link and go to our message boards
• 1:04:57
  Speaker 9: at Pop Syndicate. Or go to popsyndicate.com and go to
• 1:05:00
  Speaker 9: the forum sections and look for Movie Meltdown.
• 1:05:04
  Speaker 15: Wait, did he say Marlena Palooza?
• 1:05:11
  Speaker 8: I believe he did, actually. Awesome. Did you want your
• 1:05:14
  Speaker 8: own Palooza? Because you've got it.
• 1:05:17
  Speaker 15: Can it be Marlena Rama instead of Palooza?
• 1:05:19
  Speaker 8: We'll have to clear it with Mike, yeah.
• 1:05:23
  Speaker 15: I find myself adding any time... Okay, for example, yesterday...
• 1:05:27
  Speaker 15: My friend and I were going to Kohl's, and I
• 1:05:30
  Speaker 15: had this bad habit of saying Arama 2010 or Athon
• 1:05:33
  Speaker 15: 2010 to everything that I do. I'm like, all right,
• 1:05:37
  Speaker 15: Shappathon 2010 or, like, Zaxby's Arama 2010. It's really annoying.
• 1:05:43
  Speaker 15: She's like, for the love of God, please stop doing that.
• 1:05:45
  Speaker 15: I'm going to punch you in your face.
• 1:05:48
  Speaker 8: None of this surprises me at all.
• 1:05:51
  Speaker 15: It's an embarrassing problem I have, but I'm glad I'm
• 1:05:53
  Speaker 15: over that mama-likey thing that I said a lot.
• 1:05:55
  Speaker 1: The first step is admitting you have a problem.
• 1:05:58
  Speaker 8: Yeah, that's kind of disturbing, actually. Especially after today's movie.
• 1:06:02
  Speaker 15: Mama-likey.
• 1:06:04
  Speaker 8: Where's my bourbon at, bitch? Okay, kids, get out your
• 1:06:08
  Speaker 8: decoder pins. Dun-dun-dun-dun.
• 1:06:15
  Speaker 9: Nice.
• 1:06:15
  Speaker 8: It's hot in here.
• 1:06:20
  Speaker 1: It's making me old man laugh. God, it's hot in here.
• 1:06:28
  Speaker 8: Jesus Christ. It is time for the movie meltdown secret
• 1:06:31
  Speaker 8: circle reveal of the next two features.
• 1:06:32
  Speaker 15: Holy shit.
• 1:06:33
  Speaker 8: Kind of, sort of.
• 1:06:35
  Speaker 15: Possibly.
• 1:06:35
  Speaker 8: Actually, one and a whole lot of talking.
• 1:06:37
  Speaker 2: I could tell that tonight's message was really important.
• 1:06:40
  Speaker 8: Next week, as previously stated, we will be taking a
• 1:06:43
  Speaker 8: little departure from our regular routine. Thank God. And I
• 1:06:47
  Speaker 8: will actually, this week, I will be piecing together all
• 1:06:50
  Speaker 8: the interviews and whatnot from the Flyover Film Festival, so...
• 1:06:54
  Speaker 8: Next week, we will be getting the coverage from the
• 1:06:57
  Speaker 8: Flyover Film Festival, including interviews with several of the directors.
• 1:07:01
  Speaker 8: So that should be fun.
• 1:07:02
  Speaker 10: Bitchin'. Awesome.
• 1:07:04
  Speaker 3: Radical.
• 1:07:06
  Speaker 15: Tubular.
• 1:07:07
  Speaker 7: Gnarly.
• 1:07:09
  Speaker 15: I'm out of 80s.
• 1:07:12
  Speaker 10: I don't know.
• 1:07:13
  Speaker 11: Rad.
• 1:07:13
  Speaker 1: Did I already say rad?
• 1:07:14
  Speaker 15: Yeah, I think so.
• 1:07:15
  Speaker 9: Oh, wow.
• 1:07:16
  Speaker 1: I said radical. I thought you said short, mid-cooler.
• 1:07:18
  Speaker 15: Okay.
• 1:07:20
  Speaker 8: And the following week, by popular demand from the rest
• 1:07:24
  Speaker 8: of the crew, basically, and even a few of the
• 1:07:26
  Speaker 8: listeners now, we'll be watching Pontypool.
• 1:07:28
  Speaker 1: Good, because I bought it.
• 1:07:30
  Speaker 15: I watched it last night, but I'll watch it again.
• 1:07:33
  Speaker 8: You don't know anything yet. You're still in the dark
• 1:07:36
  Speaker 8: until two weeks from now.
• 1:07:37
  Speaker 3: It's awesome.
• 1:07:38
  Speaker 7: You forgot it all.
• 1:07:39
  Speaker 1: It's not awesome.
• 1:07:39
  Speaker 9: I don't think so.
• 1:07:41
  Speaker 8: She don't know what she's talking about.
• 1:07:42
  Speaker 7: I don't think so.
• 1:07:44
  Speaker 15: You'll... I don't know.
• 1:07:45
  Speaker 7: I'll just.
• 1:07:46
  Speaker 8: I'll save it. You should save it.
• 1:07:47
  Speaker 3: I'll save it.
• 1:07:48
  Speaker 8: Save it. All right. I'm assuming that is it for us.
• 1:07:53
  Speaker 8: So we will go out with Jay's suggestion for the
• 1:07:57
  Speaker 8: closing song here. We will go out with Now It's
• 1:07:59
  Speaker 8: Dark from Anthrax. Is it wrong that I kind of,
• 1:08:03
  Speaker 8: I don't think that's going too far? Because many of
• 1:08:06
  Speaker 8: the time in any intimate situation, I just kind of
• 1:08:09
  Speaker 8: want to scream out, don't you fucking look at me!
• 1:08:12
  Speaker 8: Maybe that's just me, I don't know.
• 1:08:13
  Speaker 1: Yeah, maybe that is you.
• 1:08:14
  Speaker 3: Oops.
• 1:08:15
  Speaker 1: Sorry.
• 1:08:16
  Speaker 8: I guess. Sharing a little too much information. All right,
• 1:08:19
  Speaker 8: that about does it. We will be back next week.
• 1:08:21
  Speaker 8: Same geek time, same geek feed. Thanks for listening.
• 1:08:24
  Speaker 10: Later, y'all.
• 1:08:25
  Speaker 15: Goodbye.
• 1:08:26
  Speaker 17: Bye.
• 1:08:27
  Speaker 15: Bye.
• 1:08:58
  Speaker 3: Oh, baby.
• 1:08:58
  Speaker 18: I'm your man, I'm wild Exactly what I want to
• 1:09:42
  Speaker 18: see Now it's dark, mommy Don't you fucking look at
• 1:09:50
  Speaker 18: me I'm sedation I'm elation Intoxication Now it's dark.
• 1:09:56
  Speaker 15: Hey, I need.
• 1:10:01
  Speaker 18: Cold and exudants I'm dirty, they're stinking.
• 1:10:09
  Speaker 3: Thank you.
• 1:10:34
  Speaker 5: No, it's dark.
• 1:11:34
  Speaker 15: Bye.
• 1:11:34
  Speaker 3: Bye.
• 1:12:34
  Speaker 7: Thank you. Now it's dark, mommy.
• 1:13:03
  Speaker 3: Don't you fucking look at me.
• 1:13:04
  Speaker 7: It's the.
• 1:13:07
  Speaker 18: Station of elation and intoxication.
• 1:13:14
  Speaker 3: Now it's dark. Now it's dark.
• 1:13:23
  Speaker 7: Now it's dark.
• 1:13:24
  Speaker 3: All right.
• 1:13:28
  Speaker 1: Let's hit the fucking road!
• 1:13:30
  Speaker 9: This show is a production of Movie Meltdown, produced and
• 1:13:32
  Speaker 9: edited by Brian Renfro, featuring contact music performed by Tamara Deering.
• 1:13:36
  Speaker 9: To help support the show, email producer at moviemeltdown.com for
• 1:13:39
  Speaker 9: ways that you can contribute or advertise with us.