Latest / Old Time Mystery Radio | Old Time Radio / The Whistler - "Escape to Skull Island" (1950)
Transcript
- 0:00Speaker 1: Escaped convict Steve Henshaw reaches a barge near Skull Island
- 0:04Speaker 1: as police search the waterfront at night. From CBS, this
- 0:09Speaker 1: is The Whistler, Escape to Skull Island, episode 398, first
- 0:15Speaker 1: heard January 15th, 1950. Henshaw finds refuge with George and
- 0:21Speaker 1: Melody Gromick, but the barge and its salvage connection draw
- 0:25Speaker 1: him into a search for hidden money. Faye Baker and
- 0:29Speaker 1: Ted DiCorsia are heard in a script by R. Sprague Hall,
- 0:33Speaker 1: with music by Wilbur Hatch. Here is the original broadcast.
- 0:38Speaker 1: Follow Old Time Mystery Radio for more classic mystery and
- 0:42Speaker 1: detective broadcasts.
- 0:44Speaker 2: And now, stay tuned for the mystery program that is
- 0:46Speaker 2: unique among all mystery programs. Because even when you know
- 0:50Speaker 2: who's guilty, you always receive a startling surprise at the
- 0:54Speaker 2: final curtain.
- 0:55Speaker 3: In the Signal Oil program... The Whistler.
- 1:09Speaker 4: S-I-T-N-A-L Signal, Signal.
- 1:16Speaker 2: Gasoline Signal, the famous go farther gasoline, invites you to
- 1:24Speaker 2: sit back and enjoy another strange story. by the whistler.
- 1:29Speaker 2: For extra driving pleasure, the signal to look for is
- 1:32Speaker 2: the yellow and black circle sign that identifies signal service
- 1:36Speaker 2: stations from Canada to Mexico. And for Sunday evening listening pleasure,
- 1:40Speaker 2: the signal to listen for is this whistle that identifies
- 1:44Speaker 2: the signal oil program, the whistler.
- 2:04Speaker 5: I am the Whistler, and I know many things, for
- 2:07Speaker 5: I walk by night. I know many strange tales hidden
- 2:11Speaker 5: in the hearts of men and women who have stepped
- 2:13Speaker 5: into the shadows. Yes, I know the nameless terrors of
- 2:18Speaker 5: which they dare not speak.
- 2:24Speaker 2: And now, for the Signal Oil Company, the Whistler's strange story,
- 2:29Speaker 2: Escape to Skull Island. As the pistol shot shattered the
- 2:42Speaker 2: stillness of the night along the waterfront, the figure of
- 2:45Speaker 2: a man appeared suddenly running swiftly across the railroad yard. Hatless,
- 2:50Speaker 2: the man sprinted along the tracks, then crossed over into
- 2:53Speaker 2: the deserted cobblestone street, headed for the old pier at
- 2:57Speaker 2: the end of the block. Soon the area became alive
- 3:00Speaker 2: with voices, the wail of police sirens, the screeching of brakes.
- 3:04Speaker 2: As the shouts came closer, the man, running and stumbling,
- 3:07Speaker 2: reached the dock, ran at top speed to the end
- 3:10Speaker 2: of the wharf. Then he stopped, looked around frantically. Quickly
- 3:13Speaker 2: he stepped on a rickety wooden ladder and started down.
- 3:16Speaker 2: Then he swung himself under the old wharf and clung
- 3:19Speaker 2: to a crossbeam with bleeding hands.
- 3:20Speaker 4: All right, boys, all right, let out.
- 3:23Speaker 6: Got to be around here somewhere.
- 3:25Speaker 7: Fred, Jim!
- 3:27Speaker 4: Take the other side of the pier.
- 3:29Speaker 8: Right.
- 3:29Speaker 7: Hey, Schofield.
- 3:31Speaker 5: Hey, you and Harris.
- 3:33Speaker 3: Find a warehouse.
- 3:34Speaker 4: All right, the rest of you.
- 3:36Speaker 1: This way.
- 3:37Speaker 4: You sure this guy is Steve Hensher, Lieutenant? I'm positive.
- 3:40Speaker 2: I've seen Steve Hensher too many times after recognizing him
- 3:43Speaker 2: that far back there.
- 3:44Speaker 8: Uh-huh.
- 3:45Speaker 4: Well, after the radio line came in, we had this
- 3:47Speaker 4: area covered in a matter of minutes. He won't get away.
- 3:50Speaker 6: All right, come on.
- 3:53Speaker 5: As the footsteps and the voices fade away, you know
- 3:55Speaker 5: there's only one thing you can do, don't you, Steve?
- 3:58Speaker 5: You let go and drop into the icy waters below.
- 4:09Speaker 5: It's your only chance, isn't it? You swim to the
- 4:12Speaker 5: edge of the pier, dive beneath the surface, and strike
- 4:15Speaker 5: out for the other side of the channel. Swimming underwater,
- 4:18Speaker 5: your heart pounds violently, but you keep going, driving yourself.
- 4:22Speaker 5: Escape the only thought in your mind. Finally, when you
- 4:25Speaker 5: feel your lungs are about to burst, you come to
- 4:27Speaker 5: the surface again. There are lights all around you. You
- 4:43Speaker 5: quickly go back under, and then you surface again... You
- 4:47Speaker 5: notice an old freighter has moved in between you and
- 4:49Speaker 5: the police in the dock. Gives you time to swim away.
- 4:52Speaker 4: Yes.
- 4:54Speaker 5: Far enough away to lose the police light. But your
- 4:57Speaker 5: arms are lead weight and your legs stiff from the cold.
- 5:01Speaker 5: And you know you'll never reach the other side of
- 5:02Speaker 5: the channel. Desperately, you struggle to keep afloat. But gradually
- 5:07Speaker 5: your strength leaves you, and there's a strange whirling sound
- 5:11Speaker 5: in your ears, and you feel yourself spinning, sinking deeper
- 5:16Speaker 5: and deeper into a warm velvet fog. Then out of
- 5:30Speaker 5: the whirlpool voices, faintly at first, but voices growing and
- 5:34Speaker 5: coming closer, Oh.
- 5:37Speaker 9: Sure, sure, sure.
- 5:38Speaker 7: He'll be all right.
- 5:39Speaker 9: Easy, my boy, easy. Yeah, now take a drink of this.
- 5:42Speaker 4: It'll do you good.
- 5:44Speaker 6: I said a good long drink.
- 5:48Speaker 5: We better get him below now. I'll get him into
- 5:51Speaker 5: some dry clothes. You don't remember a thing after that,
- 6:00Speaker 5: do you, Steve? Only darkness again and warmth spreading through you.
- 6:05Speaker 9: And the strength returning to your arms and legs. Then
- 6:09Speaker 9: suddenly you're awake again.
- 6:11Speaker 4: Morning.
- 6:12Speaker 5: The sun is streaming in through the open porthole, and
- 6:15Speaker 5: you feel the motion of the boat under you. You're
- 6:18Speaker 5: in a small cabin, but you're not alone.
- 6:22Speaker 8: Hello there. Feeling better this morning?
- 6:25Speaker 9: Yeah, yeah, I guess so.
- 6:27Speaker 8: Nothing like a good night's rest. You've been asleep for hours.
- 6:31Speaker 9: Feels like years.
- 6:33Speaker 8: I gave you one of my sleeping powders.
- 6:34Speaker 9: That stuff that tasted like fire water?
- 6:36Speaker 7: Oh, no.
- 6:38Speaker 8: That would be George's special kind of brandy. He consumes
- 6:41Speaker 8: it by the gallon.
- 6:43Speaker 3: George?
- 6:44Speaker 8: My husband, George Gromek. He fished you out of the
- 6:48Speaker 8: channel last night. My name's Melody. You were pretty far gone.
- 6:54Speaker 8: Good thing we happened to come along when we did.
- 6:56Speaker 9: Where are we?
- 6:59Speaker 8: Approximately three miles off the coast of Lower California. We're
- 7:04Speaker 8: on a business trip, but that's why we couldn't turn
- 7:06Speaker 8: back last night after we picked you up. You don't mind.
- 7:10Speaker 9: What's our destination?
- 7:12Speaker 8: A little island about three hours from here. Skull Island.
- 7:17Speaker 9: Sounds real cozy. What's that?
- 7:20Speaker 8: Ever hear of the Gromick Salvage Company? No, no, of
- 7:25Speaker 8: course not. Well, George just finished a job there. He's
- 7:28Speaker 8: just going down to wind things up.
- 7:30Speaker 9: I see.
- 7:31Speaker 8: The trip will do you good. Take your mind off
- 7:33Speaker 8: your troubles. You do have troubles.
- 7:37Speaker 9: Who hasn't?
- 7:39Speaker 8: Yours must be king size. Mine don't drive me to suicide.
- 7:44Speaker 3: Suicide?
- 7:45Speaker 8: Last night, remember? Or were you practicing for the English Channel?
- 7:51Speaker 3: Well, well, well.
- 7:52Speaker 7: Good morning, good morning. Yeah, feeling better, are we, my boy?
- 7:56Speaker 9: Uh, yeah, I guess so.
- 7:58Speaker 7: Good, good. I brought along my brandy bottle. Thought you
- 8:01Speaker 7: might like a little nip, huh?
- 8:02Speaker 4: George.
- 8:02Speaker 7: My dear, I'm only thinking of our guest. One little nip, sir.
- 8:06Speaker 9: Uh, no, thanks.
- 8:07Speaker 8: Oh, well.
- 8:08Speaker 6: Suit yourself. Uh, Melody, how about a little breakfast, huh?
- 8:12Speaker 6: I'm famished, and I'm certain our guest, Mr.
- 8:14Speaker 7: uh... By the way, what was your name?
- 8:17Speaker 9: Uh, Slauson. Fred Slauson.
- 8:19Speaker 3: Slauson.
- 8:20Speaker 8: Mm-hmm.
- 8:21Speaker 4: Yeah.
- 8:22Speaker 9: Something funny?
- 8:23Speaker 7: No, no, no, not at all.
- 8:26Speaker 6: Just thinking about a crazy idea I had last night
- 8:28Speaker 6: that you might be a guy called Steve Hensher.
- 8:32Speaker 7: Why?
- 8:33Speaker 6: A little while after I picked you up out of
- 8:35Speaker 6: the drink, a police launch stopped us. They were looking
- 8:38Speaker 6: for an escaped con broke out of Folsom two weeks ago.
- 8:40Speaker 7: Wanted to know if I'd seen him.
- 8:43Speaker 6: Description fitted you like a glove.
- 8:46Speaker 7: But I told him I hadn't seen anybody.
- 8:47Speaker 8: Oh, come on, George. You'd better take the wheel. I'll
- 8:50Speaker 8: fix breakfast.
- 8:51Speaker 7: All right, sweetheart. Well, take it easy, my boy. If
- 8:54Speaker 7: you need anything, feel free to let us know.
- 8:57Speaker 4: Thanks.
- 8:58Speaker 7: Melody and I, we're mighty glad to have you aboard, Mr.
- 9:01Speaker 4: Slauson.
- 9:03Speaker 7: Yes, sir, Mr.
- 9:04Speaker 3: Slauson.
- 9:04Speaker 7: Mighty glad.
- 9:22Speaker 2: Tonight's $ 20 signal gasoline book goes to Edward Tomasian of Ontario, California,
- 9:27Speaker 2: for this limerick. There was a young man from Montrose
- 9:33Speaker 2: who couldn't put thoughts into prose. Signal gas, murmured he,
- 9:37Speaker 2: means go farther. To me, where it flows, mileage grows.
- 9:41Speaker 2: Goodness knows.
- 9:43Speaker 4: Signal, signal, signal gasoline. Your car will go farther, go
- 9:49Speaker 4: farther gasoline.
- 9:51Speaker 2: Our congratulations to Ed Tamazian for his clever way of
- 9:54Speaker 2: describing the good mileage you enjoy with signal, the famous
- 9:58Speaker 2: go farther gasoline. Too bad a limerick isn't long enough
- 10:01Speaker 2: to include all the benefits you notice when you switch
- 10:03Speaker 2: to Signal. I mean Signal's quick cold weather starting, Signal's
- 10:08Speaker 2: peppy pickup, Signal's smooth responsive power. For it's a fact,
- 10:12Speaker 2: mileage and performance go hand in hand. to enjoy both.
- 10:16Speaker 2: Next time, treat your car to the gasoline that's packed
- 10:19Speaker 2: with gold.
- 10:21Speaker 3: Fill up with signal and go farther.
- 10:48Speaker 5: You're puzzled by the curious turn of events, aren't you, Steve?
- 10:52Speaker 5: Thankful for your miraculous escape from the police, you found
- 10:56Speaker 5: a strange refuge aboard a trim cabin cruiser now skimming along.
- 11:00Speaker 9: The waters off the coast of Lower California.
- 11:04Speaker 5: You wonder about the man who pulled you up out
- 11:06Speaker 5: of the icy waters of the Channel last night, George Gromick.
- 11:10Speaker 5: You wonder, too, about his attractive wife, Melody. You're almost
- 11:15Speaker 5: certain they know you're the escaped convict, Steve Hensher. Yet
- 11:19Speaker 5: when they had the opportunity to turn you over to
- 11:21Speaker 5: the police, they didn't. Now you lie.
- 11:24Speaker 9: In your bunk thinking about it and wondering what.
- 11:27Speaker 5: Lies ahead for you at Skull Island. Presently, George called
- 11:31Speaker 5: you to breakfast in the galley and then in the
- 11:34Speaker 5: early afternoon.
- 11:38Speaker 7: Well, there she is, Fred. Skull Island. Journey's in.
- 11:42Speaker 9: Nice place to hold an embalmer's convention.
- 11:48Speaker 3: Oh, look over there.
- 11:50Speaker 6: See in the cove there? That's one of my barges.
- 11:55Speaker 6: Melody tell you about our operations?
- 11:57Speaker 9: Not much.
- 11:58Speaker 6: We just finished here. Tug will be here in a
- 12:01Speaker 6: few days to haul the barge back to port. Start
- 12:04Speaker 6: another project in a couple of weeks. You keep pretty busy.
- 12:07Speaker 7: Yeah, I like to keep busy. As long as it
- 12:11Speaker 7: pays off. This job didn't.
- 12:16Speaker 8: Oh?
- 12:18Speaker 7: Fred, I've got a little something for you to do.
- 12:22Speaker 4: Huh?
- 12:23Speaker 9: I figured you would have.
- 12:26Speaker 6: Sort of pay your way, you know. Nothing very difficult, understand?
- 12:31Speaker 6: Sort of a watchman. Give me a hand around the
- 12:34Speaker 6: barge when I hit it, you know?
- 12:36Speaker 4: Sure.
- 12:37Speaker 6: You'll find it very comfortable aboard the barge. Got regular
- 12:40Speaker 6: sleeping quarters for all of us. It's a nice galley.
- 12:43Speaker 7: Plenty of food. Does that sound good to you?
- 12:48Speaker 9: I've heard worse.
- 12:49Speaker 6: It'll be nice and quiet out there. No one to
- 12:54Speaker 6: bother you. I figured you'd like that.
- 12:57Speaker 4: I know.
- 13:00Speaker 9: What's down over there on the mainland?
- 13:02Speaker 7: Small village. You wouldn't be interested.
- 13:05Speaker 9: I just asked.
- 13:07Speaker 6: Last night watchman I had got lonely... Bob Wilson. Decided
- 13:12Speaker 6: to go into the village the night before last. Got
- 13:14Speaker 6: involved in a barroom brawl.
- 13:17Speaker 7: I'll have to go and bail him out.
- 13:18Speaker 6: Then I'm going to can him.
- 13:21Speaker 9: You don't have to worry about me.
- 13:24Speaker 7: I'm not worried about leaving you on the barge. Not
- 13:27Speaker 7: worried at all. I think you know a good thing
- 13:31Speaker 7: when you see it.
- 13:32Speaker 8: Everett?
- 13:34Speaker 7: Everett?
- 13:41Speaker 9: He knows, doesn't he, Steve? You're certain of it.
- 13:44Speaker 5: He calls you Fred, but you're certain he knows you're
- 13:47Speaker 5: Steve Hensher, and there must be a reason, a very
- 13:51Speaker 5: good reason why he's offering you this perfect hideout. And
- 13:55Speaker 5: you expect to find out soon what that reason is.
- 13:58Speaker 5: Then as the cruiser pulls in alongside the barge, you
- 14:02Speaker 5: climb aboard.
- 14:06Speaker 4: There you are, Fred.
- 14:07Speaker 8: Make yourself at home.
- 14:08Speaker 4: Thanks.
- 14:09Speaker 7: We're going over to the mainland now. Take care of
- 14:11Speaker 7: the Pop Wilson business.
- 14:13Speaker 9: Okay.
- 14:13Speaker 7: We'll be back before nightfall. Now, don't go away. Come on, Melody.
- 14:17Speaker 4: Let's go.
- 14:22Speaker 5: You watch the small cruiser pull out. Head across the
- 14:25Speaker 5: channel to the main. Then you turn and begin your
- 14:28Speaker 5: inspection of the barge. Finally, you wander into the galley
- 14:32Speaker 5: and make yourself some coffee. Your nervousness grows as the
- 14:36Speaker 5: afternoon wears on. Then you hear someone walking the deck outside. Instantly,
- 14:42Speaker 5: you're on your feet. Cautiously, you step out on deck.
- 14:47Speaker 5: See a short, gray-haired man standing at the edge of
- 14:50Speaker 5: the barge. He's standing near the winch, looking down at
- 14:54Speaker 5: some diving equipment.
- 14:55Speaker 9: Hey! What are you doing here?
- 14:57Speaker 3: What?
- 14:58Speaker 8: Oh.
- 14:59Speaker 4: Who are you?
- 15:00Speaker 9: Never mind. Answer my question.
- 15:02Speaker 4: Well, after Mr. Gromack fired me, I just rode out
- 15:05Speaker 4: to pick up some of my stuff.
- 15:07Speaker 7: Ah.
- 15:09Speaker 9: You must be Pop Wilson.
- 15:10Speaker 4: That's right. You the new man he hired?
- 15:15Speaker 9: Yeah.
- 15:16Speaker 4: Ever worked for Gromek before?
- 15:19Speaker 5: No.
- 15:20Speaker 4: Just wondered.
- 15:21Speaker 9: Mind if I ask a few now?
- 15:24Speaker 4: No, I don't mind.
- 15:25Speaker 9: What kind of a salvage job was this?
- 15:28Speaker 4: You don't know?
- 15:29Speaker 9: Would I be asking if I did?
- 15:31Speaker 4: My stuff's in here.
- 15:33Speaker 9: Help yourself. Well, what about it?
- 15:38Speaker 4: Huh? Oh, the job. Yeah. Well, you ever hear of
- 15:43Speaker 4: the Lady Luck? The gambling ship used to operate in
- 15:46Speaker 4: these waters.
- 15:48Speaker 9: Name's familiar.
- 15:49Speaker 4: She was raided one night a couple years back. The boss,
- 15:53Speaker 4: Gino Bravelli, got away in a small boat. Took over
- 15:56Speaker 4: 200 grand with him.
- 15:58Speaker 9: Oh, yeah?
- 15:59Speaker 4: Yeah. But Bravelli really didn't get away. His boat hit
- 16:04Speaker 4: the rocks. Went down. So did Gino. And the box
- 16:10Speaker 4: of money. Uh-huh.
- 16:12Speaker 9: That what Gromick was looking for?
- 16:14Speaker 5: Yep.
- 16:15Speaker 4: But he didn't find the dough.
- 16:17Speaker 3: So he says.
- 16:19Speaker 9: You think different.
- 16:21Speaker 7: Maybe.
- 16:22Speaker 9: Why would Gromick want to hold out?
- 16:24Speaker 4: He had backers. They put up the dough for this job.
- 16:28Speaker 4: All he furnished was the equipment, the winch, air pump,
- 16:31Speaker 4: a diving suit, and his experience. I see. So Gromick
- 16:35Speaker 4: was the only diver we had on board. Only guy
- 16:39Speaker 4: who ever went below. What do you suppose he's keeping
- 16:43Speaker 4: that diving equipment on board for if the job's finished?
- 16:46Speaker 9: Yeah, yeah, yeah.
- 16:49Speaker 10: You know, Pop, I'm getting curious. Real curious. It's been
- 16:53Speaker 10: gnawing at me for days. I'd like to find out.
- 16:57Speaker 10: Is it tough going below?
- 16:59Speaker 4: No. Been down lots of times myself. But not on
- 17:03Speaker 4: this job.
- 17:04Speaker 9: Could I handle the works on deck while you went
- 17:07Speaker 9: down for a look?
- 17:07Speaker 4: Sure.
- 17:08Speaker 8: Sure.
- 17:09Speaker 4: All you got to do is let me down and
- 17:11Speaker 4: pull me up. I'll tell you when over the phone.
- 17:15Speaker 4: In the meantime, you keep working that air pump.
- 17:18Speaker 9: Let's go.
- 17:18Speaker 5: It doesn't take long, does it, Steve? Pop tells you
- 17:29Speaker 5: exactly what to do. And once he's in the diving suit,
- 17:33Speaker 5: the winch started, you lower him into the choppy waters
- 17:36Speaker 5: along the barge.
- 17:39Speaker 9: Okay, Pop.
- 17:41Speaker 4: Okay, son.
- 17:42Speaker 11: Just keep working that air pump. Getting kind of close
- 17:46Speaker 11: down here.
- 17:47Speaker 9: Spot anything yet?
- 17:49Speaker 4: Not a thing. Keep lowering. Hold it. Hold it.
- 17:59Speaker 11: The boat's here all right.
- 18:00Speaker 9: Well, what do you know? Yeah.
- 18:03Speaker 4: Looks like she's wedged in between the rocks. I can
- 18:07Speaker 4: reach her.
- 18:08Speaker 11: Right from where I'm standing.
- 18:11Speaker 4: Just a sec.
- 18:15Speaker 9: What are you doing, Pop?
- 18:18Speaker 4: Pop. I'm trying to get aboard.
- 18:22Speaker 8: It's kind of slippery. I....
- 18:26Speaker 9: Hey, what's the matter?
- 18:29Speaker 4: I hurt my ankle. You better hold.
- 18:32Speaker 11: Me up, son.
- 18:44Speaker 10: Sure you're okay here? Yeah, I'll be all right. So
- 18:48Speaker 10: Gromick is lying. The boat is there, huh? It sure is.
- 18:54Speaker 9: How'd you like to split that 200 grand, Pop?
- 18:58Speaker 4: Fine, but I can't go down there again. Not with
- 19:02Speaker 4: this ankle. Besides, I'm afraid the job calls for a
- 19:06Speaker 4: younger man. I wouldn't have the strength.
- 19:09Speaker 9: All right, all right. Anything wrong with me trying it?
- 19:11Speaker 4: No.
- 19:12Speaker 5: No?
- 19:13Speaker 4: I guess not.
- 19:14Speaker 9: Only you tell me what to do and I'll do it.
- 19:16Speaker 4: Now, wait a minute. Wait a minute. You can't go
- 19:17Speaker 4: down there now. Better wait till the sea calms down. Wait.
- 19:21Speaker 9: I can't wait. Gromick will be back tonight.
- 19:23Speaker 4: Now, look. You're green at this. You never can tell
- 19:25Speaker 4: what might happen down there. Better not try it.
- 19:30Speaker 10: There's a couple of hundred grand down there, right?
- 19:32Speaker 3: Sure, sure.
- 19:32Speaker 4: But maybe you'll get yourself killed.
- 19:35Speaker 9: Wait a minute. I got an idea.
- 19:37Speaker 4: All right. So we wait.
- 19:40Speaker 9: Gromick comes back. Maybe I can handle him after all.
- 19:44Speaker 4: What do you mean?
- 19:45Speaker 9: Look, did he and his wife ever stay on board
- 19:48Speaker 9: the barge here?
- 19:49Speaker 4: Sure, all the time we were working.
- 19:51Speaker 9: Can you walk okay?
- 19:53Speaker 4: Oh, sure, sure, I can manage.
- 19:56Speaker 7: Why?
- 19:57Speaker 9: Come on. I want to see their cabin.
- 20:07Speaker 5: You follow Pop to the cabin. The one occupied by
- 20:10Speaker 5: George and Melody Gromick. It doesn't take long to find
- 20:13Speaker 5: what you're looking for, what you'd expect to find. A
- 20:16Speaker 5: small box containing Melody's sleeping powders. She'd given you some
- 20:21Speaker 5: sleeping powders last night, and you played a hunch, figured
- 20:24Speaker 5: she'd keep some aboard the barge, too. You send Pop
- 20:28Speaker 5: back on deck to keep an eye out for the
- 20:30Speaker 5: return of the Gromick. The moment he's gone, you reach
- 20:33Speaker 5: for the half-empty bottle of brandy on the shelf over
- 20:36Speaker 5: the top bunk.
- 20:37Speaker 4: Gromick's brandy.
- 20:38Speaker 5: Pour the sleeping powders into the bottle. Replace it on
- 20:41Speaker 5: the shelf. You know exactly what you're going to do now.
- 20:46Speaker 5: Exactly what's going to happen, Steve. A few drinks of
- 20:50Speaker 5: this brandy will take care of George Gromick. And you
- 20:53Speaker 5: smile as you close the cabin door.
- 20:57Speaker 4: Fred! Fred!
- 20:58Speaker 9: What's the matter?
- 20:58Speaker 4: They're coming, the Gromacs. Okay, okay. Look, look, I got
- 21:01Speaker 4: to get out of here.
- 21:01Speaker 9: It's too late now. They'll spot you. Where's your boat?
- 21:03Speaker 4: Portside.
- 21:04Speaker 9: Well, chances. They may not see it. Can you hide
- 21:06Speaker 9: anywhere in this tub? Well, yeah, yeah, I guess so.
- 21:08Speaker 3: All right, beat it.
- 21:09Speaker 9: Stay out of sight. I'll handle them.
- 21:16Speaker 5: You hurry out onto the deck. Peer through the half-darkness.
- 21:19Speaker 5: Watch Gromac's cruiser approach. You're a little surprised, aren't you, Steve?
- 21:24Speaker 5: when it pulls up alongside the barge to find that
- 21:27Speaker 5: Melody is alone.
- 21:29Speaker 4: Hello there.
- 21:30Speaker 8: Hi.
- 21:32Speaker 4: Give me a hand, will you? Sure, okay.
- 21:35Speaker 5: Got it?
- 21:35Speaker 9: She's sort of rough.
- 21:37Speaker 5: Yeah.
- 21:38Speaker 8: Might be it for a start.
- 21:42Speaker 9: Uh, where's Mr.
- 21:44Speaker 4: Gromick?
- 21:45Speaker 8: Had to go back to San Diego. Business. It was sudden.
- 21:50Speaker 9: Oh, I see.
- 21:51Speaker 8: Oh. Oh, it's getting chilly. You got any coffee on?
- 21:56Speaker 4: Sure.
- 21:57Speaker 9: Come on.
- 21:59Speaker 8: You've had rather a busy afternoon, haven't you, Fred?
- 22:02Speaker 4: Busy?
- 22:03Speaker 11: Oh.
- 22:04Speaker 9: Things have been kind of quiet.
- 22:06Speaker 8: Where's Pop?
- 22:08Speaker 5: What?
- 22:09Speaker 8: Pop Wilson. He's on board, I know. I saw him
- 22:13Speaker 8: roll out this afternoon. I've been watching your activities through
- 22:18Speaker 8: my glasses. Oh. You might as well call him. We
- 22:22Speaker 8: have work to do.
- 22:25Speaker 9: Look, what's on your mind, Melody?
- 22:27Speaker 8: I want that money. You and Pop are going to
- 22:31Speaker 8: help me get it. It's a two-man job, and I'm
- 22:34Speaker 8: not very good at the hand pump.
- 22:36Speaker 9: Where does George figure in on this?
- 22:38Speaker 4: He doesn't.
- 22:40Speaker 8: At this moment, there's a welcoming committee waiting for dear
- 22:43Speaker 8: George in San Diego. Of course, he doesn't know it.
- 22:48Speaker 8: You see, there are... There was an anonymous phone call.
- 22:51Speaker 7: Uh-huh.
- 22:54Speaker 8: I'm afraid George is going to have a lot of
- 22:56Speaker 8: explaining to do about several of his operations.
- 23:03Speaker 9: Coffee?
- 23:05Speaker 4: Steve? Steve, huh?
- 23:08Speaker 9: You know who I am?
- 23:09Speaker 8: We've known all along. Steve Hensher, escaped convict. Now, why
- 23:15Speaker 8: don't you get pop? We've got to work fast.
- 23:17Speaker 9: What's in it for us?
- 23:18Speaker 8: A share. $ 50, 000. Don't complain. That's more than George was
- 23:24Speaker 8: going to give you. He was going to make it
- 23:26Speaker 8: a bullet in the head. Now, run along, Stevie.
- 23:34Speaker 5: For a moment, you stand there staring at Melody. Then
- 23:37Speaker 5: she turns her back to you and pours her coffee.
- 23:40Speaker 5: Your plans have changed, haven't they, Steve? It isn't George
- 23:44Speaker 5: you have to take care of now.
- 23:45Speaker 4: It's Melody.
- 23:46Speaker 5: Quickly, you step through the door, slam a chuck, and
- 23:49Speaker 5: lock it. What is it?
- 23:53Speaker 4: Sorry, sweetheart.
- 23:54Speaker 9: Fifty grand isn't enough. I want the whole two hundred
- 23:57Speaker 9: thousand myself. No split with anybody.
- 24:12Speaker 2: Right now, during the rainy season, scientific lubrication is even
- 24:15Speaker 2: more important to your car to keep moisture from working
- 24:18Speaker 2: into vital moving parts and causing damage. That's why I
- 24:22Speaker 2: think you'll be interested in knowing about some of the
- 24:24Speaker 2: extras you enjoy when you have your car lubricated at
- 24:27Speaker 2: a Signal service station. First of all, Signal dealers don't
- 24:31Speaker 2: take any chance on memory when it comes to the
- 24:33Speaker 2: many lubrication points on your car. Instead, they check against
- 24:37Speaker 2: Signal's factory-recommended lubrication chart, which clearly shows every part. Then
- 24:42Speaker 2: they use nine specialized Signal oils and greases, so each
- 24:45Speaker 2: part will get the exact type of protection it needs.
- 24:49Speaker 2: And finally, just to make doubly sure not a single
- 24:51Speaker 2: part has been overlooked, they check each part again, which
- 24:54Speaker 2: is why it's called signal double-check lubrication. Now, that's the
- 24:59Speaker 2: kind of lube job you want if your car is
- 25:02Speaker 2: to give you the long, trouble-free service that was built
- 25:04Speaker 2: into it. And that's the kind of lubrication you get
- 25:07Speaker 2: from friendly, independent signal dealers.
- 25:16Speaker 5: Yes, Steve, you've made up your mind, haven't you? You
- 25:19Speaker 5: don't intend to share any of the $ 200, 000 with Melody Gromick.
- 25:24Speaker 5: And so you've put her out of the way temporarily,
- 25:27Speaker 5: locked her in the galley until you can dispose of
- 25:29Speaker 5: her for good. The weather has calmed down now and
- 25:33Speaker 5: you're on deck with Pop Wilson. He's helping you into
- 25:35Speaker 5: the diving suit, briefing you and cautioning you. And you
- 25:39Speaker 5: listen to him carefully. You're anxious to get it over with,
- 25:42Speaker 5: aren't you? And just a little nervous about your trip
- 25:44Speaker 5: below the surface of the water.
- 25:47Speaker 9: Finally, you're ready.
- 25:49Speaker 5: The winch lifts you off the barge, swings you out
- 25:52Speaker 5: over the sea, and then lowers you slowly into the depths.
- 25:59Speaker 5: You stare through the little glass port in your helmet.
- 26:02Speaker 5: Look out at a cold, silent world before you. A strange,
- 26:06Speaker 5: fascinating world of weird shadows accented by your torchlight. Elusive
- 26:11Speaker 5: shapes that move stealthily around you.
- 26:13Speaker 4: In the water.
- 26:14Speaker 9: Finally, your feet touch bottoms. Hold it, Pop.
- 26:18Speaker 4: Hold it.
- 26:19Speaker 7: You okay?
- 26:20Speaker 9: Yeah, yeah, fine.
- 26:22Speaker 4: The ship's towards shore.
- 26:23Speaker 11: You see it?
- 26:25Speaker 3: Just a sec.
- 26:26Speaker 9: You turn slowly. Move your torch around. Watch the beam
- 26:30Speaker 9: of light spear the darkness.
- 26:32Speaker 4: And there it is.
- 26:33Speaker 9: The battered boat wedged in between the rocks. And you
- 26:37Speaker 9: move toward it.
- 26:38Speaker 4: Hey, Pop. Pop.
- 26:42Speaker 6: Yeah?
- 26:43Speaker 9: You slowing down on that air pump? It's getting stuffy
- 26:45Speaker 9: down here. Say, what's the matter up there? Something wrong? I.
- 26:51Speaker 11: I don't know.
- 26:52Speaker 9: Look, you better get me up. I.
- 26:56Speaker 11: I feel sort of dizzy.
- 26:59Speaker 4: Pop.
- 27:01Speaker 9: Start the winch. Start the winch.
- 27:03Speaker 4: Get that pump going.
- 27:05Speaker 11: I can't.
- 27:07Speaker 7: Funny.
- 27:08Speaker 4: Never had a slug of brandy hit me... Brandy? Like this.
- 27:15Speaker 3: What brandy?
- 27:17Speaker 8: In.
- 27:18Speaker 4: Gromack's cabin.
- 27:21Speaker 11: I took a few drinks from that bottle while you
- 27:27Speaker 11: were with Mrs.
- 27:28Speaker 4: Gromack.
- 27:30Speaker 11: I didn't think I.
- 27:33Speaker 5: I.
- 27:35Speaker 4: I... Pop!
- 27:36Speaker 7: Pop!
- 27:59Speaker 2: Let that whistle be your signal for the signal oil program,
- 28:03Speaker 2: The Whistler, each Sunday night at this same time. Brought
- 28:06Speaker 2: to you by Signal Oil Company, marketers of signal gasoline
- 28:10Speaker 2: and motor oil, and fine automotive accessories. Remember, if you
- 28:14Speaker 2: would like the fun of having your friends hear a
- 28:16Speaker 2: limerick of yours on The Whistler, the address to which
- 28:18Speaker 2: to send it is The Signal Oil Company, Los Angeles 55, California.
- 28:24Speaker 2: All limericks become the property of The Signal Oil Company.
- 28:27Speaker 2: Those selected for use on The Whistler will be chosen
- 28:29Speaker 2: by our advertising representatives on the basis of humor, suitability,
- 28:33Speaker 2: and originality.
- 28:34Speaker 3: So, of course, they must be your own composition.
- 28:37Speaker 2: Featured in tonight's story were Ted DiCorsia, Faye Baker, Tom Tully,
- 28:48Speaker 2: and William Conrad. The Whistler was produced and directed by
- 28:52Speaker 2: George W. Allen, with story by R. Sprague Hall, music
- 28:55Speaker 2: by Wilbur Hatch, and was transmitted to our troops overseas
- 28:58Speaker 2: by the Armed Forces Radio Service. The Whistler is entirely fictional,
- 29:03Speaker 2: and all characters portrayed on The Whistler are also fictional.
- 29:06Speaker 2: Any similarity of names or resemblance to persons living or
- 29:10Speaker 2: dead is purely coincidental. Remember, at this same time next Sunday,
- 29:16Speaker 2: another strange tale. by The Whistler.
- 29:32Speaker 4: S-I-G-N-A-L Signal, signal, gas, go!
- 29:43Speaker 1: The Whistler has concluded its January 15, 1950 broadcast of
- 29:48Speaker 1: Escape to Skull Island. Good night, and thank you for
- 29:52Speaker 1: keeping us company. Follow Old Time Mystery Radio for more
- 29:57Speaker 1: classic mystery and detective broadcasts.