Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / A Life in Your Hand: Captain Mendosa’s Treasure (EP0880)
Transcript
- 0:28Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
- 0:33is your host, Adam Graham. If you have a comment, email it
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- 1:07seven dollars or more, we will send you access to our premium side,
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- 1:19book All I Needed to Know I Learn from Colombo and Ebook, And in
- 1:26addition to that, all donations of twenty dollars or more will receive a special
- 1:34additional thank you. At the twenty dollars level, you can enjoy one of
- 1:38the great colonial theater radio plays, including Zoro and the Pirate Raiders, the
- 1:44ever popular Perry Mason programs based on the original novels as well as their father
- 1:51Brown Mysteries, and at the fifty dollars level, you can receive an autograph
- 1:56copy of my book Tales of the Damn Knot. You live in the United
- 2:00States or Canada, wella's not. We only have four of these copies that
- 2:06we can send out right away, so if you're interested in it, let
- 2:09us know. All right, Well, we're going to bring you something a
- 2:14little different today. It's a rehearsal recording of A Life in Your Hands.
- 2:19The original date of the broadcast of the show was August fourteenth and nineteen fifty
- 2:23two. However, it's a rehearsal recording. The big difference is is it's
- 2:28missing the announcer parts of public service announcements and music, which is a little
- 2:37inconvenient in this case, as you'll hear. But with that out of the
- 2:40way, I hope you enjoy today's episode of A Life in Your Hands.
- 2:45Captain Mendoza's treasure Biber, I'm a her up him her amusement park killer accouse,
- 2:53read all about it, I know, give me the time, Joe
- 3:00ter Kate, Hey, yeah, keep the change. Yeah, thanks a
- 3:02laugh. Say there's a picture on the front page of the Dispatch, mister
- 3:07Keke, don't you want to copy that? No? No, thanks,
- 3:09Joe, Oh steph. Huh why kill it down? And plenty more Togo.
- 3:15I read about your question. All those people at the Triumph Shore or
- 3:17something. H A man was almost given the death sentence for the murder he
- 3:21didn't commit. Close call for him. What are you working on now,
- 3:25mister Keke A quiet evening in a night's sleep. Death. That's all I
- 3:29ever get day yesterday, Oh wish something big had happened to me. You
- 3:34never know, Joe, You never know when you may be called upon to
- 3:38testify to an act of violence to which you have become involved quite innocently.
- 3:42Why Joe, even now, somewhere in the city there may be a crime
- 3:46in the making and ends in there. Mands a scraper. Wait a minute,
- 4:05but you want didn't you hear me yelling for you downstairs? I was
- 4:10asleep, sleeping off your drunk last night? Huh? None of your business,
- 4:15wire sleep. I keep a good rooming house. You want to stay,
- 4:18you come home, night's sober and quiet. Somebody's calling you on the
- 4:23phone, as a woman, while you're not to say so. I wait
- 4:26for her. You can talk down the end of the hole. Who will
- 4:29listen to what I say? Nobody's paying any attention to your business. I'll
- 4:32hang up when I get downstairs. You know, shut that thing off,
- 4:38Go on up the third floor with it. Keep it quiet while I'm pucking
- 4:42on the telephone. Why is something else to do? Yeah? Phones in
- 4:48the wall there? Why you with or Aligh? You want to hear what
- 4:53I say? No concern of mine. Get talking over quick, don't tie
- 4:59up the line. This is Capitan mendo speaking. I thought you would be
- 5:10interested, Miss Harling. I know the old man in Sun, Barbados who
- 5:15keep it for almost a hundred year offering you. You're a crazy woman who
- 5:20will pay more than treasure is worth to find it. This would be a
- 5:24little game you have never played. Where at the water from seven o eight
- 5:32en eight three you will find it? I'm at nine o'clock tonight. I
- 5:42will show you them up at nine o'clock ask for Capetan Mendos or come to
- 5:47my room three oh one. Will be a pleasure to see you again,
- 5:53Miss Harling at yours. You know you know, turn off the sleeper,
- 6:09I said, tun it off? Where were you when Mendels was talking on
- 6:15the phone. I go to third floor. I could tell me you're a
- 6:18lion. No it is true. You'll want running a machine. It would
- 6:25not go out. You listen to what he said, didn't I work.
- 6:28I don't know what they're talking about the map. I could not hear what
- 6:31he's saying. You're a lion. I'll find out what you know if I
- 6:35have to b my arm. You're hurt my arm? Talk is that the
- 6:42map? See see the map? No woman, her name is Harling,
- 6:47her own man. It's a banker. He says. She'd come here at
- 6:53nine o'clock and buy map if she wanted, if she'd buy it from him,
- 6:58she'd buy it from me. That's all I know. Hurt me.
- 7:05Ah, get up on your feet, heat working. If you want to
- 7:11stay around here, I work. You tell Mendos this happened. I'm not.
- 7:15I'm not pin. You're better not. Keep your big mouth shut your
- 7:20ears open. When I ask you something, answer me. You catch on,
- 7:27I catch on, I catch on. I can't talk any longer,
- 7:36Betty, I just can't. Well. Now that you've heard about it,
- 7:42where you go? Why not? I think it's the most exciting thing that
- 7:46ever happened. We'll fly down to Miami to pick up the cabin cruiser and
- 7:49take everybody we know, and some shovels, but he is not silly.
- 7:56Oh to some waterfront rooming house. Oh course alone. Don't worry. I'll
- 8:01carry you a happy and look, Betty's almost nine o'clock. You think over
- 8:05the cruise and I'll call you when I get back with my treasure, Matt.
- 8:09Goodbye. Well Captain Mendos, how are you to night? Move out
- 8:18of my way? I have to eat, Captain. What I do is
- 8:20my business and away from the door. Let me throw two hundred and seventy
- 8:24pounds. Captain if you want to try pushing me around, help yourself.
- 8:31You don't want to try, and I'm glad you don't. It's no use
- 8:37I was fighting, you know. I think it's about time we had a
- 8:39friendly to talk, got acquainted. I have nothing to say. Come on
- 8:45into my room and said, I have nothing to say. You've got to
- 8:48change this. Last night you were talking loud and long. Then I go
- 8:54up to eat whatever you're saying. Tell me where you're going to be,
- 8:58Mendos, and I'll send over the immigration officer. A pickuyards suck ciprsure.
- 9:03Oh you'll know that. I come on in where we can talk. I
- 9:07never can tell who was listening out here in the hall, cheer for you.
- 9:15Sit down. You sure had a time last night. I don't know
- 9:24you were laughing so hard about that freighter the edge marked. I talked to
- 9:28the third mate on her today. He tells me they didn't know they had
- 9:33a passenger of this last trip. I say, in my cabin here in
- 9:37a lifeboat, smuggled yourself ashore. I leave tomorrow. I do not say.
- 9:41I can't blame you for sneaking in the country. The customs inspectors might
- 9:46have asked questions about a treasure map, you know them map. Sit down,
- 9:52mendors. No, no, I leave this place like that woman that's
- 9:54coming to buy it tonight. Why don't you let me talk to her.
- 9:58No, I'll make a better dear for you. Get your twice what you
- 10:01want and take my share and not turn you into the police. Shames Shamil
- 10:07the knife seen your graamer, get away from me. You speak to the
- 10:11police. When I leave this country, I will leave this knife with you.
- 10:15Senor, my friend Wondabada, like the nights we spend in the park
- 10:28and the old country music, the talk, good friends together. It's so
- 10:33good to see you and hear you play, am I yeah, see yah
- 10:37again, play again for your room. But the neighbors, I fell you
- 10:43about the other people in the hotel. They pay to sleep maybe nine o'clock
- 10:48at night. They do not sleep so early. Perhaps they do not like
- 10:52the higher lever right if they don't. Next door, the man break up
- 10:56the room, open and close the drawers to his bureau. I hear him
- 11:01banging while you play. Downstairs, they're on the cleaner. Listen. Someone
- 11:09is always coming in or going out all night long. Is a noise.
- 11:15We can have music if they had have bang and crash and boom all the
- 11:20time. Yeah, if you think it is all right, I will play.
- 11:24Yeah, plays the song we used to sing with Frieda before the war,
- 11:30Freed. Oh she's dead, you know, Yeah, yeah, she's
- 11:35gone. So many are gone. That is the way of the resistance,
- 11:39the underground. You live or you die, You escape or you are caught.
- 11:46No one is wounded or kept her free. I remember three Rice Nick,
- 11:56she used to see It's so beauty to Sully. I remember one night
- 12:01and someone at your door. Yeah you see, what did I tell you?
- 12:05They do not like the violin. I go tell them, I said,
- 12:09I believe. Tell them I am no, no, no, no,
- 12:13Sudan my friend, it is next door. No one is bothering us,
- 12:16or get the neighbors. Now play if the song we used to sing
- 12:22with freedom? Yeah, but softly as loud as you want to play.
- 12:28I will move out if they don't like it. Ah, a woman what?
- 12:50What? What is it? A woman's screen? Fair? What happens?
- 12:54What though we stay here, we do not witness? Do you know
- 12:56what it is to see? In all country? During the war, the
- 13:00witness dies too. But that was the Nazis Germany. This is the mirac
- 13:05of the United States. He stayed in the room. He tells the police.
- 13:09Come. She says her name after she knocked. She says for me,
- 13:13Jean Harving. Hold on something please so he will not be a faith
- 13:24waver. That's your lake Faber hair hair rest fite for waterfront murder. That's
- 13:30your paper lake framber here joel oh thanks, hey, this new word of
- 13:35mister kick this Jean Harling. You figure she did it leddy like her money
- 13:39up to here, killing some waterfront mud. It don't seem natural. The
- 13:43prosecution says. He was stabbed. Yeah, that's right, you know I
- 13:48always had the idea of classy people like her never use a knife or anything
- 13:52but eating. You know what I mean, mister King, Yes, yes,
- 13:56I do now what you mean exactly here keep the change. Oh thank
- 14:01but hi, hi appart you can me adellar, mister Keg. What ill
- 14:07I do? What'll I say? Hi, mister Kay if the court pleases,
- 14:15Yes, yes, mister Keig, please come to the bench. If
- 14:18it please the court, I would like to enter this case as a meekast
- 14:20CURII. It does please the court, mister King, I am very glad
- 14:24this case is interested in the man of your reputation and standing in the legal
- 14:28profession. Ladies and gentlemen of the jury, your attention. This is Jonathan
- 14:37kg. He will serve me as a meekast curia during this trial. To
- 14:41explain, he is officially a friend of the court. He serves neither side
- 14:45prosecution nor defense. Mister Keig's object is to assist us in arriving at the
- 14:50truth through cross examination. If there are no questions from the jury, you
- 14:54may proceed, mister Keig, thank you, your honor. I would like
- 14:58to call the defendant, Miss Jean Harling, to the stand. Miss Harling,
- 15:05what was your association with a man known as Captain Juan Mendos. He
- 15:09wanted to sell me a map of treasure. Man, you intended to dig
- 15:11for this treasure? Yeah, but miss Harling, isn't your family reputed to
- 15:16be wealthy? Yes? But I thought it would be fun. Did you
- 15:18inform your family of this player? I told some of my friends. I
- 15:22asked them to go along and make it a party. How much did the
- 15:26captain ask phrase map? We didn't set a price. I was to go
- 15:28to his room. You went there alone? Yes. I knocked on the
- 15:33door to room three oh one, then waited. He didn't answer. I
- 15:37tried the door. It opened. Captain was lying across the bed with blood.
- 15:43Missus Grogan, who lives down the hall, says she heard a scream
- 15:46open her door and saw you running for the stairway. That's right. Why
- 15:50didn't you call the police? I did, yes, after the story was
- 15:52in the newspapers, after you had talked with your lawyers. Why the delay,
- 15:56Miss Harley? I was upset? I well, I was never in
- 15:58a place I sat before. I never saw a murdered man. I was
- 16:03afraid, afraid after the murder. Yet you went to such a place unescorted
- 16:06without a weapon, solely on the strength of a letter from a man you
- 16:08did not know. That's not true. I knew Captain Mendos two years ago.
- 16:18I had the cruiser in Haiti. My skipper went ashore, didn't come
- 16:22back, so I hired Captain Mendos for the rest of the trip. How
- 16:26long did he work for you? Two months? He was insolent. I
- 16:30hired him. You parted in anger. Then I wasn't mad. I just
- 16:33didn't want him around anymore. Look at this knife. Yes, have you
- 16:37ever seen it before? No, this is the murder weapon, Miss Harling,
- 16:41take a good look at it. I am you're not. You entered
- 16:47the room. Why did you scream? I think I saw a man.
- 16:52I'm not sure. That's why I never mentioned it before. Go on,
- 16:55a shadow. It might have been the curtain. The window was open.
- 16:59It was a man climbing out onto the fire state. Describe the man.
- 17:03I can't. He was just a shadow, perhaps a shadow created in your
- 17:06mind to divert suspicions. But you can't say that I didn't kill Captain Mendos.
- 17:10I didn't. I didn't. That will be all, Miss Harling.
- 17:15The next weitness please, I want a question, mister Burt Kramer, owner
- 17:18of the rooming house. Captain Mendos was your guest. Mister Kramer checked in
- 17:26the day before he got killed, game room drunk that night. I told
- 17:29him to get out. I run a clean place, and I don't want
- 17:32an issue. You have a criminal record. I believe that's why I try
- 17:37to keep a clean place. I don't want to get mixed up with anything.
- 17:41Since I turned on, you knew about the treasure map. Mendoor did
- 17:45mumble something about a map when he came home roaring drunk. I didn't pay
- 17:49no attention. Where were you when he was murdered in my room alone?
- 17:56No alibi? You seem to anticipate my questions. I have had a few
- 18:00shot at me before. Yes, I'm sure you have, mister Kramer,
- 18:06did you know Miss Harling was coming to see Captain Mendos on the night of
- 18:08his death. All I knew was some woman called him. I asked her
- 18:12phone. You didn't know her name? He didn't say. I didn't ask.
- 18:15Did you see her enter the building walk by my door? Did you
- 18:19see her leave? Which buy me in the stairways. She was in a
- 18:22hurry that'll be all. Yes, I didn't help him much, mister Kig,
- 18:30that's too bad. I gained two valuable impressions. Mister Kramer, you're
- 18:33hiding information and you do not care to help the court find the Mendel's killer.
- 18:38You may expect further questions. Step down, please, Next witness,
- 18:44Gino Rochi, you are employed by mister Kramer. Did you know miss Harling
- 18:51was coming to the rooming house the night of the murder? I hear Captain
- 18:55Mendo's talk on phone. She wished to buy the treasure. Man you knew
- 18:59about them up too. I am the one would tell me to Kramer.
- 19:03I don't know wish to speak, but he tweets my arms so it breaks.
- 19:07Oh he forced you to speak. See he say If I hell Mendez
- 19:11anything, he killed me. Go on. Later he talked with Mendoz.
- 19:17I listen, Kramer wants part of the money for the map or he will
- 19:21tell the police on Mendez tell them what Mendos sneak into the country. Did
- 19:26Mendez agree? He say he killed Kramer. Gino, did you see miss
- 19:30Harling the night of the murder? I see her. I hear a woman
- 19:34scream. I run down from upstairs and see her run away. What were
- 19:37you doing upstairs? Anyone would tell you. They hear me. I cleaned
- 19:42the hall with my sweeper at nine o'clock at night. See, I have
- 19:47nothing else to do. I like sweeper. All other cleaning boys have broom.
- 19:52You know him sweetly. I see you've done very well since you've been
- 19:56in this country. See I have the machine to thank you, Gina.
- 20:02That'll be all. I go back to work now. Please stay in the
- 20:04courtroom, Gino. I may have to ask more questions, your honor.
- 20:08I would like to request to recess until tomorrow. That time, I would
- 20:12like to cross examine an innocent bystander to the Mendoe's murder. Court will recess
- 20:17until tomorrow at nine o'clock called will never you wish, mister keg and that
- 20:21person must testify. Franz Gelkin, Yeah, that is me your occupation.
- 20:32I'm a watchmaker. Where were you on the night one Mendez met his death?
- 20:36In the next room, you seem nervous upsets to g I have told
- 20:41you that I know nothing nothing, your honor, ladies and gentlemen of the
- 20:47jury. My witness was a member of the underground in Germany. During the
- 20:51war. I have tried to assure mister Galkin that he is not on trial
- 20:56and is in no personal danger. I hope you will understand if I have
- 21:00difficulty in this cross examination. Mister Galkin. Our purpose is to find a
- 21:04killer and protect the innocent. The courters aware of your experience, however,
- 21:10we would appreciate your cooperation with mister Kate. Mister Galkina, I understand.
- 21:18Now. I want you to recall every sound you heard that might have a
- 21:22bearing on the murder. What were you doing at the time, Herman here's
- 21:26my friend. Herman was playing the violin. We had some beer, we
- 21:32talked, and I listened. You were concentrating on the music. Yeah,
- 21:37yeah, you wanted to hear the violin. Were there other noises which bothered
- 21:41you? These gracious terrible There lived the walls they make from cardboard. You
- 21:45can hear people snow, they boom, they bang, they crash. I
- 21:52get used to it. I've paid no attention. A man was murdered in
- 21:55the next room, mister Galkin. Now try to recall what you heard.
- 21:59I think I try, but nothing, Your honor. I would like to
- 22:03make an unusual request. Proceed mister King. As you know, memory is
- 22:08linked with the situation. Using this principle, I would like to ask mister
- 22:12Galkin's friend, Hermann Kleiner to play the music he did the night of the
- 22:17murder. Is he regular? But I will grant your request. Here's Herman
- 22:21Kleiner present in the court. Here's your honor. Will you please help us,
- 22:25mister Kleiner, your eye hill, mister Galkin, try to concentrate on
- 22:32the room. You're win, the music, everything that happened. Yeah,
- 22:36speak whatever comes to your mind. I close my eyes. That might help.
- 22:41We talked about the neighbors. Maybe they do not lags of violin.
- 22:48Maybe the men next door open and close the drawers to his bureau, bang,
- 22:52crash. After a while he goes out. Later the door opened and
- 22:56closed. Did you hear a key in the lock? Nothing? Carefully the
- 23:00key? Yeah, there was a key. Then someone entered the room,
- 23:06probably Captain Mendel's. Yeah, that is right. The room is quiet.
- 23:11I hear the boy cleaning with a sweeper upstairs. It keeps running. The
- 23:15woman comes through the door. We think it is our door. She knocks.
- 23:19We talk about free this's song and the knock comes again. We know
- 23:25it is next door. She says, her name is the gene. It
- 23:27is Jean Harling. The door opens and we hears the scream. How long
- 23:33after the door opened a moment, two or three seconds. What did you
- 23:37and mister Kleiner do after you heard the scream? We sat in the room.
- 23:41We were afraid. In Germany, if you see too much, they
- 23:45kill you. Also, we understand, mister Gulkan. And now to sum
- 23:51it up, bureau drawers were opened and closed. Someone entered the room.
- 23:55It was quiet until miss Harling knocked. She eddered, then seconds later s
- 24:00yeah, that is what I hear. There was one other sound, a
- 24:03cleaner, an old style back you sweeper running on the floor above. Yeah,
- 24:07they do so the boy he pushes it around all the time. If
- 24:11the court please, I wish to demonstrate the sound of that sweeper. If
- 24:14you feel it as a bearing on the case, proceed, mister KG.
- 24:17The machine would be passing back and forth over a rug. It would sound
- 24:21like this if the machine is standing in one place. If it is not
- 24:33being used, it will sound like this. Mister galcan which sound did you
- 24:44hear? This the sweeper in motion or this the sweeper standing in place.
- 24:56That's mush it, that's musch what I hear? Thank you Franz Gelkin,
- 25:00you, an innocent bystander, have supplied us with information that will lead us
- 25:04to the killer your honor. Three people knew about the treasure man Gene Harling,
- 25:12Gino Arucci, and Bert Kramer. Only one admits going to the murder
- 25:17room. I didn't kill Captain Mendos. You must believe from the time you
- 25:21opened the door to the moment you screamed there wasn't time. You are innocent
- 25:25thanks to the testimony of Franz Gelkin. But you, mister Kramer, have
- 25:30no such alibi. I was in my room. Can you prove that?
- 25:34No? No, I can't. But I didn't murder the Swab. I
- 25:40wouldn't journy my hand. You have a good motive, money, you have
- 25:44a record of crime. You cannot account for your actions during the time of
- 25:48the murder. I didn't kill We shall see, mister Kramer. The only
- 25:53person with an acceptable alibi is Gino Arucci. Mister Arucci, will you take
- 25:59the sad Gino you hate Bert Kramer? Do see? I hate? Where
- 26:11were you when Captain Mendos was killed? I tell you in a room above,
- 26:15who said the hall? See see in the hall tool you were cleaning
- 26:18the room. You saw the open window the virus game. You climbed down
- 26:23to search for Captain Mendo's treasure. Cramer will not have it. I won't
- 26:26let him have it. I take it away from Mendoz returned. He found
- 26:30you in his room. So you killed him with this knife. I do
- 26:34not want to kill Captain Mendows. He twisted my arm like Kramer. I'm
- 26:40blind with hate. I think only a Kramer. So you stabbed Mendez.
- 26:44You left the room. When Miss Harling entered, she saw your shadow.
- 26:48Now, Gino, what did you do with the man in sweet I hide
- 26:53it in the back of my sweep. The sweeper you left running to cover
- 26:56your actions while you search Captain Mendo's room. See where the sweeper is?
- 27:02There is also Gino. Everybody says, everybody know this, Yes, you,
- 27:07your honor. Franz Gelkin's testimony leads us to an unusual murderer. Gino
- 27:11Roucci killed one man to revenge the injustice of another, A brutal man who
- 27:17twisted his arm bailif Old the Routie for the murder of one mentals. Mister
- 27:22King has quartows you of moltive. Thanks. We greatly appreciate your health in
- 27:27bringing out the truth in this case. That's very kind of you, your
- 27:30honor, but the thanks should go to our innocentdvicetander. Mister Franz Gelkin,
- 27:34you're right, of course, mister King. We can only hope that all
- 27:37Americans will heed this lesson in real citizenship from a newcomer to our land.
- 27:41Thank you and good night. Good night, mister King, welcome back.
- 27:49Well, we have legal ices in the audience, so they may have more
- 27:53guides. I don't think technically that the custodian would be charged with murder,
- 28:00at least not first degree murder who certainly wasn't premeditated. But maybe that would
- 28:07be considered a burglary, and burglary a felony, and a homicide committed in
- 28:12the course of committing a felony could be a murder. Be an interesting legal
- 28:17argument at the bench. Well, one of our listeners, Dianna, is
- 28:22calling foul on one of mister Kegg's pieces of evidence regarding episode eight fifty Judge
- 28:30Cook murder. How he solved the crime was that the lady heard the dog
- 28:33in the water, and no dog would go into the lake without a reason.
- 28:37I beg to differ. I have two Border Collies and they don't need
- 28:41any excuse to go swimming in any water. We come across the river,
- 28:45stock dams, puddles and water tanks. So that piece of evidence is hardly
- 28:52enough to convict a man on just thought I would mention it. Enjoy the
- 28:55show and keep up the good work. Thanks so much for the comment.
- 29:02And it does raise an interesting point, and it is kind of a widely
- 29:10held assumption in a lot of mysteries that if a dog goes into the water,
- 29:15it is to fetch something. And this goes back to the Father Brown
- 29:22mystery, for example, the Oracle of the Dog. But there are always
- 29:26exceptions. Though the sound of the water wasn't enough for the conviction itself,
- 29:33because you remember he had the area searched and came up with the murder weapon.
- 29:40It would have been embarrassing, of course, had the dog just been
- 29:44a normal dog that went into the water. Now again, weather dogs commonly
- 29:48go into the water. One thing you have to keep in to count at
- 29:52night, just for the heck of it. Maybe dog owners could speak to
- 29:56that, and maybe the example could have been made more palatable by some additional
- 30:03fact, like the dog was a trained dog and so would only go into
- 30:07the water play fetch, and perhaps some of this varies by breed. But
- 30:12as it turns out that Jonathan Cake was right as he always is. It
- 30:18didn't matter that the route he took to get to the solution was a little
- 30:22precarious. But thanks for the comment, Nanna, and I'd love to hear
- 30:26from any other dog owners on their perspective on that. All right, Well,
- 30:32that'll do it for today. I encourage you to support our listener support
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