Latest / Yeah Buddy! Podcast / From Friday After Next to Tyler Perry: Inside Reggie Gaskins’ Cinematic Climb

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From Friday After Next to Tyler Perry: Inside Reggie Gaskins’ Cinematic Climb · Yeah Buddy! Podcast

• 0:00
  Music.
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  Yes, yes, yes. What's going on, world? This is your man, Buddy Romick,
• 0:33
  and we are back at it with another episode of the Yeah Buddy podcast.
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  And you know how we do on every episode. I like to bring some of my friends
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  in the entertainment business.
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  We sit down, chop it up, talk about our journeys in Hollywood, see what we got going on.
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  And this episode is like no other,
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  y'all. So if you are a first time listener, thank you for tuning in.
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  And if you are a returning friend, y'all welcome back. We got another exciting episode for y'all.
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  We got my good friend here, man. Y'all might have seen him in the movie Friday
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  after next. You're also going to see the Tyler Perry series.
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  She's the people streaming right now on Netflix, and you've seen them on a whole
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  bunch of TV shows and movies.
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  In the meantime, in between time, right now, y'all, I want y'all to make it live.
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  We'll make it live for my good friend, Mr. Reggie Gaskins, in the building, y'all.
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  Thank you, man. Reggie, man. Thank you. Thank you. Thank you,
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  Reggie, for coming and sitting down on the Yeah Buddy podcast. Thank you for tuning in.
• 1:23
  Yeah, buddy. Yeah, buddy. Yeah, buddy.
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  So quick recap of how we got introduced. A short film of mine that I produced
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  and directed was playing at the Chinese Theater earlier in May for this wonderful,
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  wonderful film festival that was put on called the Andy Nights Film Festival.
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  And that's how we had got introduced. What was your kind of connection?
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  What led you to be there at the Andy Nights Film Festival?
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  Andy Nights Film Festival started with my boy Dave Brown. So my very,
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  my second short film that I ever did was one of the first films ever screened
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  at an Indy Night Film Festival when he started it some 15 years ago.
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  So I've been going to Indy Night off and on over the years, ever since the inaugural
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  festival, which was 20 some years ago.
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  Oh, awesome, man. That's great to see that, see how that's that kind of support
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  because people need that.
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  Because like you say, you the second one there, ours was like just this past month.
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  So the support is what's really important. And like for us, like actors,
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  you know, trying to make it as crazy as Hollywood and stuff like that.
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  So that's your film was a really good film, dude.
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  Oh, thank you, man. Yeah. Yeah. That almost. That was funny.
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  Think that was that was probably like the first time oh well i've seen it you
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  know i said because i was buying like edit and stuff like that but for the the
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  crew and the cast and stuff like that that was able to make it out there that
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  was their very first time not only seeing the movie but probably most likely
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  see like seeing themselves on the big screen so that's why like i said like,
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  that's important like paying it forward because you like you wouldn't ever know
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  that back there just being at this film festival oh let me
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  keep support let me keep supporting just how far
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  you could take because i said i don't know that that could have been like our oscar
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  moment you know what i'm saying just being there on hollywood boulevard and
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  like nobody up here in sacramento says that they had a
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  movie played at the chinese theater exactly right yeah
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  so yeah so that's dope
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  man that's dope and uh so your big break in in
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  hollywood came being cast as officer officer b dicks and if friday friday after
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  next how did that role how did that role come about So I was on a television
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  pilot for ABC called Go Sick and the original Punk'd.
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  And in that show, I played a meter maid who would give people parking tickets for no reason.
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  And it became this big thing in Hollywood.
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  And the producers of Friday After Next got wind of it, saw it.
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  All my agents were like, yo, we want him to come in and audition for Officer B. Dix.
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  And I'm still new, you know, in Hollywood to a certain extent.
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  And I get in there and I see all these other great actors and comedians.
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  I was like, yo, darn the audition. I need to get an autograph and a couple pictures.
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  Because I didn't know. I was the funniest dude in Hollywood or anything like that.
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  And I just went in there, did my thing, had some fun, you know,
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  clowning, and got the call. And it was like, they booked you. And I was like, what?
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  And for me, especially at that time, it was a testament of just staying diligent
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  in prayer, because I prayed about it a lot, and diligent in the work ethic.
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  I was always practicing acting. I used to go to talk to trees in the park and play characters.
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  You know? And so for me, it was just a work ethic, to be honest with you.
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  I just really tried to stay diligent and being prepared whenever that opportunity came.
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  Yeah. I think that's what you talk about, like with the work ethic.
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  Because as actors, we all think we're a unique room. We all think we're our
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  own individual person, which we are.
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  But it's different. like when you walk into like the audition room
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  and there's like a hundred people that look like
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  you you know i say people that audition for the same type of role you're like
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  oh i guess i'm like you know it may not be
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  as unique as i as i thought i was so it's bad now it's
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  like you say that work ethic is that work ethic that's going
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  to separate it you know that put it in that work that's going to separate you
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  from getting that audition right right yeah and i have so um and so yeah i have
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  a motto I live by that and I learned this from a motivational speaker.
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  He said that success can only be purchased with the currency of hard work.
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  I try to live by that. Oh, yeah. I'm going to take that with me.
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  Can you say it one more time? Success can only be purchased by the currency of hard work.
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  Awesome. Y'all's purchase it.
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  And you had a background into a comedy firm, doing like sketch,
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  also doing some stand-up and stuff like that. So what was it like?
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  I saw some of your YouTube clips, bro. I saw some of your YouTube clips.
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  I saw the performance at the Comedy Chateau and stuff like that.
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  But yeah. So I studied at Second City in L.A. and Groundings in L.A. for a hot minute, right?
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  I never wanted to do comedy. I didn't even want to do sketch.
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  I got to L.A. from Philly coming off of the stages of Philly and New York and Off-Broadway.
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  So I had done two trains, running my rainy black bottom, fences,
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  pearly, victorious, you know, all these plays. Yeah.
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  A plays. And I get to L.A. and they're like, oh, you're hilarious.
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  No. No. You're like, I'm serious.
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  Ain't nothing funny about what I'm about to do right now.
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  And my A's like, Regis, you're funny. You should do more stand-up. For what?
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  I can get you more auditions. Well, get better at your job, bro. Yeah.
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  If you can't give me auditions as me as a dramatic actor, do your job.
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  I don't want to do stand-up.
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  And I said, I'm good at sketch. But stand-up, I was like, that's a whole other
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  beast. You know, I can say, now, but don't put me in front of 30,000 people
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  with a microphone in a band.
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  Everybody won't look, you know?
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  But my boy at the time, a brother named Earthquake, and another good friend
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  of mine passed away, a brother named David Arnold.
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  They said, Reg, if they want to pay you to be funny, learn to be funny.
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  And I never looked at it like that. I'm all in my pride and ego.
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  Like, I'm a theater-trained actor. I've done fences and my radius black bottom,
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  you know, and when they put it so simple, it's like, you know what, let me learn it.
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  And so I let me try.
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  And brother named Chris Spencer, the first person that gave me a shot,
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  put me on stage at the Laugh Factory. Hmm.
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  Not the Laugh Factory. Shoot. A
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  good thing. The club will come to me in a second. It's a famous club, too.
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  And from there, I got into doing stand-up, which helped me book the role.
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  ABC, which helped me book the role in Friday After Next.
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  Yeah, it's crazy how, like, with doing stand-up comedy, I feel like,
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  because you're right, as long as you write, it's always about yourself.
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  It's about yourself, kind of, like, your view on things. and then
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  you kind of you're able to kind of like take that into acting like make like
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  you're able like more personable like with acting and stuff like that you i
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  gotta be somebody else or trying to be somebody else you don't find yourself
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  in somebody else but in stand-up comedy it's like i'm really just finding myself
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  within myself exactly exactly.
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  Just to put me up at the comedy store and yeah it's a whole art to it my boy
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  david arnold used to teach a class called The Art of Stand-Up and just,
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  you know, back then having the opportunity to work with Kat and Mike Epps and,
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  you know, Kevin Hart and I and a couple other cats played on the celebrity basketball team.
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  And just listening to them, the work ethic, you know, Earthquake used to get
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  a newspaper and read the paper every day and try to figure out where's the funny
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  in this as it relates to my life.
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  And Quake and David Arnold, Chris Spencer, you know, scruncho and Rodney Perry,
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  all these dudes, man, their work ethic is,
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  be the best comedian they could be was inspiring to me to be the best actor I could be.
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  Yeah. That was my passion.
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  Stand up's your passion. Go for yours. Acting is mine.
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  And I'm always pushing myself to try to be the best. I don't even get,
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  you know, I ain't been on some of the shows I wouldn't be on.
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  You know, I was up for and ain't get.
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  But I never lost the joy for it, never lost the passion for it.
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  And I'm so thankful and grateful to be on the Tyler Perry show.
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  Coming out also, starring me, Andre Fuller and Selena Kay, Judy Johnson and
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  Richard White. And so I'm just thankful, man.
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  Is this another show? Besides She's the People?
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  It's a new movie that I did called Commandment X that's coming out.
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  Yeah. And this one, this one's a monster.
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  Okay. We got the Yeah, Buddy exclusive. You don't got to say too much.
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  I know NDAs and all that type of stuff. But yeah, we got the Yeah Buddy exclusive
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  right now. Yeah. Awesome.
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  And it's the first time we're talking about it publicly. All right,
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  cool. I'll take it, man. I'll take it.
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  I don't want to get you in too much trouble. So let's move on to the other project
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  that you had just. You talked about comedy and stuff like that.
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  I watched the Tyler Perry, She's the People. Shout out to Terry J.
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  Vaughn, one of my favorite actresses.
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  She actually just did a short film out here in the Bay Area,
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  which is doing really good out here.
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  But yeah, Tyler Perry, she's the people in this TV show.
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  You play a character by the name of Reverend Jones in episode five and six.
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  Yeah. Stick up.
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  Tell us a little bit about the character, what it kind of took you to break
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  it down, like the backstory for this character and how you kind of got into this character.
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  So when I got the script and read about him, I was like, oh, he's a little shady.
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  And so my first thought was, instead of just playing the character as this overly
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  shady type dude, he just believes that what he's doing is right.
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  He believes that the Lord has blessed him to do the things that he's doing,
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  no matter how wrong they may be.
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  I just kept it very natural, where it's like, I don't believe I'm doing anything
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  wrong. You know, and he's a praying man. So the spirit hits him at any moment.
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  You just never know when the spirit, oh glory, you just never know.
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  It may hit him. And that was something that Tyler allowed me to incorporate.
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  And Tyler is a very graceful, graceful director to actors.
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  You know, he allows you to do your work.
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  You know, it's the director thing. You know, it's like if I'm the director,
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  I'm not the actor. You do your job. He,
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  do their job at levels maybe they didn't even see themselves going.
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  Very collaborative and I appreciate him for that. It was a great experience.
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  I loved playing Reverend Jones.
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  Everybody, write in the comments, bring back Reverend Jones.
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  He has to come back. That pipeline is an essential storyline in the show.
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  He has to come back because he plays an important part. He didn't even come
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  back really rich. Right.
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  Or the old most hated made it down,
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  yeah and then so like speak like how you say one thing I just noticed when you
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  was acting you talk about like with Tyler Perry a lot of you show like a free range like just.
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  The two episodes that you were in I noticed you were able to show a huge range
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  different types of emotions from being seriously concerned to like you said
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  just break it out to the prayer to just being very,
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  comical with it you know with just the two episodes that you were in.
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  How were you able to kind of, I guess this is leading into like with your production
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  company, Holla It's Your Boy Productions.
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  How have you been able to, being your lead actor, directing yourself,
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  editing yourself, writing yourself, how have you been able to take that and
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  incorporate it into these other projects that you do on these other productions?
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  So in terms of writing and directing for myself and stuff like that with my
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  production company, company.
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  Like I said, Hollywood sold me as a comedian. I saw myself as an actor.
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  And I remember early on my career on stage, I was playing a slave.
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  And this was like my third time playing a slave or something.
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  And I was like, I don't want my whole career to be, yes, a boss,
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  anything else. I was like, I don't want that.
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  And the director said, if you want to do something on your own,
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  write it yourself. But when you're on my stage, you focus on your character.
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  And when he said write it yourself that stuck with me
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  and i wrote my own film for me to star in because i was like i can play other
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  characters and i was like i played high school basketball and college basketball
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  and the coach said if you're not in it to win a championship don't do it so
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  i attacked writing like i want to write to win an award you know.
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  If I'm directing it, I want to direct to win an award. And if I'm going to act
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  in it, I have to act to win an award.
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  So out of two aspects, necessity and being thorough.
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  Hollywood is like they're not at the time giving me a shot to play a dramatic
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  act. So let me write it myself, you know, and start it myself.
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  Yeah. I don't have all the equipment, you know, and I got to figure out how
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  to shoot it. I figured out how to rent the equipment and work with certain people.
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  And then when people saw my films, Hey, can you do my film? Can you produce
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  my film? Can you direct it?
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  And that's how my company came about. So if you need a company,
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  yeah, facilitate you getting a retold from script to screen.
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  You know, I can assist with writing. I can bring a whole team together to shoot
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  it, edit it, and give you a finished product.
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  And that's how the company came about and directing.
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  If you have a passion And I'll use Jordan Even though Jordan had a coach He
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  directed himself To be the best player he could be Ron, Kevin Garnett Jalen Hurst.
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  McPatrick Mahomes Even though they have a
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  coach They're still out there Doing their job And working hard to be good at
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  it So I worked hard at being a good director And being a good actor so when
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  I got my shot set up and I know what I want as a director switch now you're coming to that zone.
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  And being able to do both stems from your passion do you want how bad do you want it and I wanted both,
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  yeah and then what were you able to learn like being like owning your own production
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  company what were you able to learn about the business side of movie making
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  that you didn't really necessarily know just for being the actor.
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  How hard it is to get money to make a dad-go-a-film.
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  Yeah. You know, when you're an actor, you just get hired and you go to work.
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  You don't want to... Man, when I tell you... Goodness.
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  It is a difficult, tall task. Raising a fuck to make a film,
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  and it's a difficult talk to ensure that that film makes money.
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  I didn't know that.
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  But it's just through prayer and supplication, you just stay diligent.
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  If the world sees your will to succeed,
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  Eventually, the world will bend to your will. Wow, I can see how bad he wants it.
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  When you started your project, I'm sure there was a point where nobody saw how bad you want it. Yeah.
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  Or how bad you want it. Mm-hmm.
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  Yeah. You want this little thing. Yeah, buddy, good luck. You know? Yeah, yeah, yeah.
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  They saw, yo, he really wants this. Mm-hmm. What can I help?
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  You know, how can I come on board? And next thing you know, you're sitting in
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  Man's Chinese Theater watching your project.
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  Yeah, man. That's why we had kind of put the, like at the end credits,
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  we had put the, it was kind of unconventional, like in credits,
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  we just put like just a slideshow of just all the work that we had put in to get to this point.
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  Cause that was kind of like, that was kind of like, that was,
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  that was, that was my movie within the movie.
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  Cause it was a testament, like how you say it from, it started off with nobody
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  believing in the project except for me and the writer.
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  And then it ended with all these, these wonderful people just jumping off board
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  and helping out. it. Yeah, it was such a beautiful thing. Yeah, yeah.
• 18:44
  Cool. And then before we do wrap this up, I don't think I mentioned this in
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  your introduction, but you are, congratulations, you're an NAACP Award Image
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  Award nominee, which is a huge thing for, it was Restraining Order,
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  was that the name of the film?
• 18:58
  Yeah, Restraining Order. Yeah, yeah. How did that come about?
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  Restraining Order was the first feature
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  film that I wrote, and I was just dogmatic in beliefs of this film.
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  And I shot a short of it and put the short on YouTube.
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  And I would post a short and go on way back on MySpace.
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  MySpace and then Facebook. And I was like, yo, here's the short version of this
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  film. I'm seeking money to get a feature.
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  And long story short, somebody on the internet only, they wrote and said, how much do you need?
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  And I wrote back and I said, well, much you got.
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  We kept that conversation going. They ultimately financed the film.
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  And like I said, I strive to just, you know, go for it because we never have
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  enough money to do anything. Oh, yeah.
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  Go for it. And Robin, it's a day one about Robin Gibbons. Robin Gibbons ain't
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  no joke when it comes to acting. And she's a good rabbit.
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  Robin Gibbons came. She put it down. Sean Blakemore, Kiki Haynes,
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  who's also starring in Tyler Perry's film, All the Queen's Men.
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  Sean Blake, they all came together and we put together a good film.
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  And thankfully, I was nominated. I didn't win. I lost to a kill in the beat.
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  Hey, but you can't be mad at losing to Angela Bassett and Kiki Palmer.
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  You're in the same category as them, man. You're in the same category as them.
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  You can't be mad at that. I wasn't mad at all.
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  So I wanted to play a character, which was a lawyer that I loved playing.
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  Hollywood wouldn't give me a shot. So I wrote it.
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  Let's do the best directing, best writing, best editing.
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  And it came about from that.
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  I know you, I know you just talk about playing the lawyer. I know you love playing
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  lawyers. I got to go back and I got to go and finish watching the lawyer movie that you did.
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  But I got to start. Like I said, it was on my queue of movies to watch.
• 20:57
  I like my life halfway through it. But yeah, I need to go back and finish watching it.
• 21:00
  Okay. Yeah, what was the name of that movie again?
• 21:04
  The lawyer movie that you played the lawyer? I played the Lawyer and Restraining
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  Order, but the most current one is The Lying Truth.
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  And that was the one, The Lying Truth. Yeah, that was what I was peeping at
• 21:14
  the other day. Yeah, and both of those were on Peacock.
• 21:17
  And shout out to the man Grant who was on The Gates.
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  She's in The Lying Truth and my film, my romantic comedy called Because We're Done.
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  Those are all through your production company, right?
• 21:29
  Yes. Awesome, man. Amazing. Amazing. So before we do get up at it,
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  I know I'll let you get up at it and do some things.
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  But like I said, before we was talking, you grew up in Philly.
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  That's what you call it from. That's what you call it from. Philly.
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  And one thing I realized up here in the Bay Area, because my friend Tim,
• 21:48
  he has a documentary that he's doing on this rapper that I passed away called The Jacket.
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  And one of the rappers, Freeway from Philly, she did something on the documentary,
• 21:59
  just speaking about their relationship.
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  And that kind of got me to realize just how really connected Philadelphia and
• 22:07
  the Bay Area is as far as with the arts and entertainment.
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  There's so much rich history with both cities kind of having a pipeline to Hollywood.
• 22:18
  So like with you growing up in Philly, was there kind of like that pipeline?
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  Or were you kind of like the person that established that pipeline?
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  Like, hey, here's how you make it to Hollywood.
• 22:28
  No, that pipeline was kind of there. I mean, you know, some of the old years,
• 22:32
  Kevin Bacon from Philly, Bradley Cooper, you know, a lot of people don't know.
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  And Freedom Theater is where I started at, which produced a lot of people,
• 22:41
  great actors in the business.
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  Who really taught me
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  to be respected as a
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  craft didn't teach me to try to be
• 22:52
  a star or want to be a star like if you want to be famous go somewhere else
• 22:56
  but if you want to be respected as a good actor writer producer director this
• 23:00
  is the the starting point of how to be respected for the work that you do and
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  that's what it you know and i was on the show eve also from philly.
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  And Eve was just about the work.
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  She wasn't trying to be famous. She wasn't trying to be a star or whatever. You know what I mean?
• 23:18
  She did. And she was like, what I do?
• 23:23
  Yeah, yeah. So I just want to be a really great actress right now. Yeah.
• 23:27
  Right. And that's the work that I feel that Philly put in me.
• 23:31
  And then watching Kevin Hart's work ethic is maniacal, you know?
• 23:36
  It's crazy. I don't know Jill Scott, but I've heard the stories.
• 23:40
  Her work ethic, maniacal. Yeah.
• 23:43
  Cooper kept his regular job.
• 23:47
  Even when he was doing big movies, he's like, I'm keeping my job until I'm sure I'm okay.
• 23:55
  You know? He just kept.
• 23:58
  So that's what filming us do. Work ethic. Yeah, we kind of had,
• 24:02
  like I said, that same pipeline up here with the barrier. Like ours, we got like the E.
• 24:08
  Before we got the Zidaya's. Tyler Perry's even come up here a couple of times.
• 24:13
  We got Paul Moody's been up here. You know, did great. It's a huge pipeline
• 24:15
  for like comedians and stuff like that too.
• 24:17
  So like I said, that's kind of like the symmetry that we have up here,
• 24:21
  the symmetry that we have.
• 24:22
  Right. That was just a little fun fact, but that was just a little fun fact
• 24:25
  that I wanted to point out here and stuff like that.
• 24:28
  But yeah, so before we do wrap up this episode of the Yeah, Buddy podcast,
• 24:31
  tell people where they can find you at, follow you at, and then like I said,
• 24:35
  tell them a little bit about Tyler Perry. She's the people where they can watch it at.
• 24:38
  So you can find me on all social media under my name, Reggie Gaskins.
• 24:42
  If it's on your screen, you can see how it's spelled out. That's everywhere.
• 24:46
  Shooting Tyler Perry, she the people. I'm loving the show.
• 24:49
  Terry J. Vaughn, I've known her 20 years. She is incredible.
• 24:52
  Her husband, Karan, they're good people.
• 24:54
  Tyler is a good, good man. Y'all get what you heard. He's a good dude.
• 24:59
  He's a business to run. Everybody run their business with a certain way of necessity
• 25:05
  and what they have to do to get their business to flourish.
• 25:10
  And look out for my new film called Commandment X. Commandment X.
• 25:16
  You play the what? I play an assassin. Oh, okay. Okay, cool.
• 25:21
  Yeah, we're definitely going to be looking to check it out for that one. So, yeah.
• 25:24
  Reggie Gaskins, y'all follow him where he said to. And then I said,
• 25:27
  Buddy Rami, catch me at YeahBuddyENT or go to my website, YeahBuddyENT.com for
• 25:32
  all my podcasts, stand-up and sketches.
• 25:34
  And then like I said if you was a returning friend thank you for tuning in if
• 25:37
  this is your first time I hope you enjoyed the show and I will catch you next
• 25:41
  time until then I'll be your man Buddy Rami I'll catch y'all next time thank
• 25:45
  you my man thank you thank you man.
• 25:49
  Music.