Latest / Fake Doctors, Real Friends with Zach and Donald / 906: Our New Girl-Bro

Transcript

906: Our New Girl-Bro · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: Someday will be two together before today?
• 0:08
  Speaker 2: Is everybody's Zach? Do you have on air turned off?
• 0:10
  Speaker 2: But I do?
• 0:11
  Speaker 1: Daniel, thank you for my weekly reminder.
• 0:13
  Speaker 2: It is all no problem. And does everybody have their
• 0:16
  Speaker 2: windows closed? My windows were closed.
• 0:18
  Speaker 1: Although I thought the bird chirping was a nice touch,
• 0:21
  Speaker 1: but my doors.
• 0:22
  Speaker 3: In my backyard, I can't. I can't help it.
• 0:25
  Speaker 1: It's Daniel, as the executive producer of the show. I
• 0:28
  Speaker 1: don't mind a little bird chirping.
• 0:30
  Speaker 3: It's my back it's my backyard. So I have a
• 0:34
  Speaker 3: We built a waterfall, right, and an ecosystem has started
• 0:39
  Speaker 3: to blossom. And said waterfall, said water with all, even
• 0:43
  Speaker 3: with the windows closed.
• 0:48
  Speaker 2: Right, all right, let's roll, Daniel, I'm rolling as Donald.
• 0:53
  Speaker 2: Are you rolling?
• 0:54
  Speaker 3: I am as fifty five seconds into the podcast, Daniel.
• 0:59
  Speaker 1: I've he got ten point nine megabytes of content for you.
• 1:03
  Speaker 2: Daniel, that's a lot of megabites. I'm stoked.
• 1:07
  Speaker 3: Wow.
• 1:09
  Speaker 1: Hey everybody, Hello, listeners, Welcome to the program. This is
• 1:14
  Speaker 1: a Scrubs rewatch podcast.
• 1:17
  Speaker 3: We are with Sack and Donald.
• 1:19
  Speaker 1: We are quickly running out episodes, quickly running out of episodes.
• 1:22
  Speaker 1: But don't you worry. We have a whole new plan
• 1:24
  Speaker 1: for you had a big meeting about it, had a
• 1:26
  Speaker 1: very big meeting, Daniel. You weren't there.
• 1:28
  Speaker 2: I was not there. You were right about that.
• 1:30
  Speaker 1: I guess you don't come to big meetings about the
• 1:32
  Speaker 1: future of the show.
• 1:35
  Speaker 2: I trust Joel as the as the iHeart representing executive
• 1:39
  Speaker 2: producer of the show. I know that Joel. Joel was
• 1:42
  Speaker 2: so glorious in this meeting. It went really well.
• 1:45
  Speaker 3: Joel, how did you feel about the Star Wars corner.
• 1:49
  Speaker 4: I'm with Zach that that sounds like a different show.
• 1:52
  Speaker 4: And no, I love you and talk to you about
• 1:55
  Speaker 4: Star Wars. That's a dream of mine. I don't That's
• 1:58
  Speaker 4: all I need every week, teen minutes to make a
• 2:00
  Speaker 4: show that you can do ad sales.
• 2:03
  Speaker 1: Yeah, you can't sell a five minute show, Donald, you can.
• 2:06
  Speaker 3: Sell a fifteen So fifteen minutes it's all we need.
• 2:08
  Speaker 1: We have this out because I think we should just
• 2:10
  Speaker 1: clear the air here. Donald, if you don't mind, in
• 2:13
  Speaker 1: the spirit of just honesty, you feel like doing a
• 2:17
  Speaker 1: separate Star Wars show, You don't have the bandwidth or
• 2:20
  Speaker 1: space and time to do it.
• 2:21
  Speaker 3: Not even a little bit, especially if you're you're busy man.
• 2:24
  Speaker 5: You got young kids.
• 2:25
  Speaker 3: Yeah, you kids, I've got other jobs that.
• 2:30
  Speaker 2: He has a TV show on NBC.
• 2:32
  Speaker 3: Well, it's not on NBC right now. It's on Peacock.
• 2:35
  Speaker 3: That's where you can find it. So isn't it?
• 2:38
  Speaker 2: Isn't it? Sometimes on NBC?
• 2:40
  Speaker 3: It is on NBC when the season hopefully is renewed
• 2:46
  Speaker 3: if the.
• 2:46
  Speaker 1: Show, When do you find out if the show is renewed?
• 2:49
  Speaker 2: Donald? It's Donald, right, it is.
• 2:51
  Speaker 1: When do you find out if?
• 2:53
  Speaker 2: Yeah?
• 2:53
  Speaker 3: With a cue correct, Okay, when do.
• 2:54
  Speaker 1: You find out if the show is renewed?
• 2:56
  Speaker 2: Donald?
• 2:57
  Speaker 1: How will that go down?
• 2:58
  Speaker 3: I'll tell you, Zach, I don't know, to be honest
• 3:03
  Speaker 3: with you, I a ballpark. I believe around upfronts, which
• 3:08
  Speaker 3: is around Mother's Day. So within the next month.
• 3:12
  Speaker 2: May tenth is Mother's Day, I believe something like that.
• 3:15
  Speaker 2: So you're going to.
• 3:16
  Speaker 1: Find out mid May if you have a very lucrative job,
• 3:21
  Speaker 1: and then you might not.
• 3:23
  Speaker 3: And then I might be unemployed. Like so, a lot
• 3:26
  Speaker 3: of pressure are right now.
• 3:27
  Speaker 2: It's a lot of pressures. This is the a lot of.
• 3:29
  Speaker 3: Pressure on me and my status as the you know,
• 3:35
  Speaker 3: breadwinner of the family. That's the first pressure. It's also
• 3:38
  Speaker 3: a lot of pressure on NBC. NBC. I know I
• 3:41
  Speaker 3: know you've got a lot of shows, You've got decisions
• 3:44
  Speaker 3: to make, right, but we know what the right decision is,
• 3:47
  Speaker 3: don't we.
• 3:47
  Speaker 1: I thought the ratings were good with this show, right.
• 3:50
  Speaker 3: The ratings are great with the show. But television ratings
• 3:52
  Speaker 3: don't matter anymore. It's all about streaming ratings now, and
• 3:56
  Speaker 3: so what we do? You know the the However, many
• 4:00
  Speaker 3: people that watch television now the traditional way, that number
• 4:07
  Speaker 3: has diminished so much that they look for, you know,
• 4:12
  Speaker 3: what did the show do in thirty days instead of
• 4:15
  Speaker 3: what did the show do that night?
• 4:20
  Speaker 2: Got it?
• 4:21
  Speaker 1: So what you're what you It isn't like you can say, hey,
• 4:24
  Speaker 1: holy cow, look at the numbers we did, because the
• 4:28
  Speaker 1: powers that be are looking at what the streaming numbers are.
• 4:31
  Speaker 3: Right, and so you can have a showy days per show,
• 4:34
  Speaker 3: though also per show, thirty per show.
• 4:38
  Speaker 1: You could have a show that's doing very well in
• 4:40
  Speaker 1: today's numbers, in its in its live slot, but still
• 4:44
  Speaker 1: not get picked up because it isn't performing well on
• 4:46
  Speaker 1: the streaming.
• 4:47
  Speaker 3: Plot, in the streaming side of things, because that's where
• 4:48
  Speaker 3: everything has to live now.
• 4:50
  Speaker 2: So that's tough.
• 4:51
  Speaker 1: That's you're living in a bit of a limbo state
• 4:54
  Speaker 1: until you find out.
• 4:55
  Speaker 3: Until you find out. Yes, that's what, that's what. That's
• 4:58
  Speaker 3: that's But the great thing of about network television is
• 5:02
  Speaker 3: they still do long seried seasons, you know what I mean.
• 5:05
  Speaker 3: So there's still like twenty two episode seasons on network
• 5:11
  Speaker 3: television streaming it's ten, eight, six, sometimes three.
• 5:20
  Speaker 2: Oh. I love listening to you, count, you.
• 5:22
  Speaker 3: Know what I mean. I'm going backwards.
• 5:23
  Speaker 2: I don't know, no, I see, I'm following in the.
• 5:25
  Speaker 3: Diamonds cool cool cool cool cool cool cool cool cool. Well,
• 5:30
  Speaker 3: you know what I mean, Like one shows picked up Count.
• 5:39
  Speaker 1: Well, I hope for your sake, you seem to money aside,
• 5:43
  Speaker 1: you seem to really enjoy the show. So for your sake,
• 5:45
  Speaker 1: I hope I really.
• 5:46
  Speaker 3: Do enjoy working with Michae O'Malley and John Cryer and
• 5:49
  Speaker 3: Abigail Spencer. I like going to work, and I like
• 5:53
  Speaker 3: being myself in front of the crew, you know what
• 5:55
  Speaker 3: I mean.
• 5:55
  Speaker 1: I like, Well, you're also such a performer, and the
• 6:00
  Speaker 1: benefit for you of doing a multi camon from an
• 6:02
  Speaker 1: audience is that you get the feedback and the laughter
• 6:06
  Speaker 1: and the joy from the audience, which I think is
• 6:08
  Speaker 1: probably very good for your mental health.
• 6:11
  Speaker 3: Absolutely so, NBC do it for me and my mental health.
• 6:14
  Speaker 1: Thank you, Yes, make your decisions. This isn't crazy that
• 6:17
  Speaker 1: somewhere one one person is just going to look at
• 6:20
  Speaker 1: a spreadsheet and be like no, no, and then all
• 6:22
  Speaker 1: those people, all those job out of a job. Or
• 6:26
  Speaker 1: in the case of this Coyote, what's the Wily Coyote
• 6:29
  Speaker 1: movie that got canceled? It's like all of those people,
• 6:32
  Speaker 1: but so much work into that movie, so many years,
• 6:35
  Speaker 1: so many so much blood, sweat and tears. And someone
• 6:39
  Speaker 1: looked at a spreadsheet and said, you know, if we
• 6:41
  Speaker 1: just never released it and took a tax right off,
• 6:44
  Speaker 1: we could, we could, we could recoup a lot of money.
• 6:47
  Speaker 1: And just I imagine one or two people were like, all right,
• 6:50
  Speaker 1: do that. It's just so amazing. And I know in
• 6:53
  Speaker 1: all business, I'm sure, but in Hollywood, how how many
• 6:55
  Speaker 1: huge decisions that affect so many people are made in
• 6:59
  Speaker 1: that way.
• 7:00
  Speaker 3: What's crazy is that it's still art, you know what
• 7:02
  Speaker 3: I mean, and people are betting on art before it's
• 7:05
  Speaker 3: even put out, you know what I mean, Before it's
• 7:07
  Speaker 3: even before the art is even viewed by the public,
• 7:11
  Speaker 3: it's already being it's already being sold and or deemed unworthy.
• 7:17
  Speaker 3: Of being art. You know what I mean. This isn't
• 7:19
  Speaker 3: real art, you know what I mean? Like, but this
• 7:21
  Speaker 3: shit is all art, regardless of what you make, regardless
• 7:24
  Speaker 3: of what. If you've got a story to tell, everyone
• 7:27
  Speaker 3: has a story to tell, and if you're brave enough
• 7:30
  Speaker 3: to put it on some type of recording and release
• 7:35
  Speaker 3: it to the masses, dude, that's art, you know what
• 7:38
  Speaker 3: I mean? And who is anyone to stifle it? That's
• 7:41
  Speaker 3: how I feel.
• 7:42
  Speaker 1: Yeah, well, there's so much money involved, so you do
• 7:44
  Speaker 1: have to understand the capitalism at all. It's just in
• 7:48
  Speaker 1: some of these cases, it's so sad when you think
• 7:51
  Speaker 1: of basically, artists are in Hollywood are stocks, and it's
• 7:55
  Speaker 1: just how it's so fascinating when you zoom out and
• 7:57
  Speaker 1: think of us all being traded up and down like stock. Yeah,
• 8:01
  Speaker 1: your show is a stock.
• 8:02
  Speaker 3: It is.
• 8:03
  Speaker 1: The Wiley Coyote movie is a stock, and they and
• 8:05
  Speaker 1: they buy and trade and sell it. That's how the
• 8:07
  Speaker 1: town works. Yeah, well, I hope you get what you want.
• 8:11
  Speaker 2: Donald Faon so too.
• 8:14
  Speaker 3: Life is life, and it is what it is, and.
• 8:16
  Speaker 1: You'll always find another job. You're very funny and listen.
• 8:19
  Speaker 1: One thing I can say for sure is that talented
• 8:21
  Speaker 1: people work. Sometimes they have more work, sometimes they have
• 8:24
  Speaker 1: less work. But if you're talented and you're kind, you
• 8:28
  Speaker 1: will find work. And I think you're talented and kind.
• 8:32
  Speaker 3: Oh you know some people might disagree. I'm sure, but.
• 8:37
  Speaker 1: Hey, I don't think there's anyone that wouldn't say.
• 8:39
  Speaker 3: I accept and receive it from you. Yo. Can I
• 8:42
  Speaker 3: just say one thing?
• 8:42
  Speaker 2: Yes, it's your show. You can say whatever you want.
• 8:45
  Speaker 3: I want to switch subjects real quick.
• 8:46
  Speaker 2: Okay, is it about Star last week?
• 8:49
  Speaker 3: No, it's not about Star Wars either.
• 8:52
  Speaker 1: We were on a call audience, a big, big call
• 8:54
  Speaker 1: with like ten people from my heart, and I want
• 8:57
  Speaker 1: to Dave Don. Donald brought up Donald brought up Star
• 8:59
  Speaker 1: Wars no less than five times in a half hour
• 9:02
  Speaker 1: zoom call.
• 9:03
  Speaker 2: Yeah, go ahead, Yeah.
• 9:05
  Speaker 1: And we were talking about future guests, and Donald's main
• 9:07
  Speaker 1: request was Dave Filoni. If anyone listening, if anyone listening
• 9:12
  Speaker 1: knows Dave Feloni, he's no, he likes you. Listen of
• 9:19
  Speaker 1: all our listeners, many of whom are in Hollywood. If
• 9:22
  Speaker 1: you have any connection to Dave Filoni, Joelle, what's the
• 9:26
  Speaker 1: email address? Or you can slide into Joel Monique's DMS
• 9:29
  Speaker 1: on Instagram.
• 9:31
  Speaker 5: I will not see your dms on Instagram.
• 9:32
  Speaker 2: Okay, you don't read the dms.
• 9:34
  Speaker 4: Okay, very private, Please don't say me things, but you can't.
• 9:38
  Speaker 4: Email us at scrubs, iHeart at gmail dot com.
• 9:41
  Speaker 1: And Grubsiheart at gmail dot com. We're gonna wait, wait, Donald,
• 9:44
  Speaker 1: calm down. We do have professional means of reaching out
• 9:47
  Speaker 1: to Dave Filoni to make Donald's dreams come true. For
• 9:49
  Speaker 1: those of you who don't know, Dave Filoni is the
• 9:51
  Speaker 1: head of Lucasfilms who decides all this Star Wars stuff
• 9:54
  Speaker 1: that is so important to Donald.
• 9:56
  Speaker 3: But I'm just a creative over there all.
• 9:58
  Speaker 1: I'm just I don't mean to minimize his contributions to
• 10:02
  Speaker 1: the Star Wars universe.
• 10:02
  Speaker 3: Donal, you don't have to roll your eyes either when
• 10:05
  Speaker 3: you say it.
• 10:06
  Speaker 1: I'm just saying that we are going to try the
• 10:08
  Speaker 1: professional means of reaching Dave Filoni. But in case anyone
• 10:11
  Speaker 1: listening is like Dave Feloni's best friend, please help us
• 10:15
  Speaker 1: out for don Anyway, what were you going to say
• 10:18
  Speaker 1: before I took a sea I.
• 10:19
  Speaker 3: Have discovered so last week I was talking about how
• 10:22
  Speaker 3: there's nothing to watch, Yes, so I revisited what done part.
• 10:29
  Speaker 2: One, Oh Dune part one.
• 10:32
  Speaker 3: And well I always loved it. Yeah, great, and now
• 10:37
  Speaker 3: the sequel is just dropped, and did you want just ish?
• 10:41
  Speaker 2: But yes, did you watch it?
• 10:43
  Speaker 3: I've watched it twice already.
• 10:44
  Speaker 2: You watched the sequel twice already. Okay, good, we finally
• 10:47
  Speaker 2: found some content that you like.
• 10:49
  Speaker 3: That's Charlemaye is one fucking Charles Salamy young man.
• 10:54
  Speaker 1: Yeah, Charlemagne, Charlemaye Charona, however you say his name, Charlem May.
• 11:00
  Speaker 1: I was like, I honestly thought that might be a
• 11:02
  Speaker 1: character in the movie. And I was like, oh no,
• 11:06
  Speaker 1: that Tim shallow May you like you some shallow man.
• 11:09
  Speaker 3: He's one charming young man. He's how many times have
• 11:15
  Speaker 3: you watched it? Daniel?
• 11:17
  Speaker 2: Just the one time?
• 11:18
  Speaker 3: But it was have you seen okay, I've seen you.
• 11:21
  Speaker 3: Guys know how I refuse to go to the movies now.
• 11:23
  Speaker 2: Sorry, we know, we know all the reasons.
• 11:25
  Speaker 3: Yes, I wish I would have saw this one in
• 11:29
  Speaker 3: the theaters.
• 11:30
  Speaker 5: Yeah, yeah, you do that right alone.
• 11:33
  Speaker 3: My god, holy shit, he said this was a movie
• 11:38
  Speaker 3: for the theaters.
• 11:40
  Speaker 5: Take it down.
• 11:44
  Speaker 1: Well, I'm glad. Most importantly, I'm glad you found some
• 11:46
  Speaker 1: content that you that you like. Donald That's that's what
• 11:49
  Speaker 1: I like to see.
• 11:49
  Speaker 2: I like to see you.
• 11:50
  Speaker 1: You love art, you love sci fi.
• 11:53
  Speaker 3: This is really good sci fi too. This ain't no
• 11:55
  Speaker 3: bullshit sci fi. This is like the mother of all
• 11:59
  Speaker 3: sci This is I mean, other than two thousand and
• 12:03
  Speaker 3: one A Space Odyssey. Uh, this is the mother. This
• 12:06
  Speaker 3: is the This is the one that Lucas, This is
• 12:08
  Speaker 3: the one that everybody has bitten off of. This is
• 12:12
  Speaker 3: the one that everybody is biting off of. Holy cow, dude,
• 12:17
  Speaker 3: holy cow wow.
• 12:19
  Speaker 1: I want you to just if I could back up
• 12:21
  Speaker 1: for a second, I want you to think that there
• 12:23
  Speaker 1: is a lot of other content out there that you
• 12:26
  Speaker 1: might consume that would make you as excited as this.
• 12:29
  Speaker 1: I want you to be open to the possibility of
• 12:32
  Speaker 1: watching more good things.
• 12:34
  Speaker 3: But I can watch this and see where everybody, you
• 12:37
  Speaker 3: know what I mean, even in the old one as well.
• 12:38
  Speaker 3: I can watch this and see where everybody's getting their
• 12:41
  Speaker 3: ideas from. You know what I mean, and why certain
• 12:44
  Speaker 3: things are so important and you know what I mean,
• 12:47
  Speaker 3: Like this is it's the store every every hero's journey.
• 12:52
  Speaker 3: It seems like this is it. You can see all
• 12:57
  Speaker 3: the tropes, all the tropes are there, but this has
• 13:00
  Speaker 3: done very well. So shout out to Charlemaye for shut up,
• 13:05
  Speaker 3: shut up. Shout out Challow May for carrying this movie
• 13:09
  Speaker 3: and doing a very good job.
• 13:10
  Speaker 2: Same thing with Zindeya and our beloved Florence Pugh Donald.
• 13:15
  Speaker 3: Yeah. Man, she's not really in this one that much,
• 13:17
  Speaker 3: don't you know what I mean? Yeah, but she's not
• 13:20
  Speaker 3: in it that much, man, you know what I mean?
• 13:22
  Speaker 3: I know the next one, she's definitely.
• 13:25
  Speaker 2: The next one.
• 13:26
  Speaker 1: I think the next one is where she gets a
• 13:28
  Speaker 1: lot more to do. Yeah, And I think it's pretty
• 13:31
  Speaker 1: clear there's going to be a next one.
• 13:33
  Speaker 3: I just announced the next one. I think. I don't
• 13:37
  Speaker 3: know that they did, did they?
• 13:38
  Speaker 1: Well, the movie made nine trillion dollars. I'm not going
• 13:41
  Speaker 1: to make a next one.
• 13:42
  Speaker 2: I know that is at least the plan. It's a
• 13:44
  Speaker 2: three parter.
• 13:45
  Speaker 3: I haven't felt this way about a movie or a
• 13:47
  Speaker 3: trilogy in a very long time. I hope they stick
• 13:50
  Speaker 3: the landing. Please stick the landing, you know what I mean.
• 13:52
  Speaker 3: I think the last time I felt this way was
• 13:54
  Speaker 3: Avengers in Game.
• 13:56
  Speaker 1: Well, he's pretty he's he has said he wants to
• 14:00
  Speaker 1: make a third one. He just needs a break from
• 14:01
  Speaker 1: the world of done for a bit you den Villanov
• 14:05
  Speaker 1: French Canadian right talented people as a whole? Should we
• 14:11
  Speaker 1: get into the Scrubs? Donald, Why don't you count us
• 14:13
  Speaker 1: in like you do so beautifully.
• 14:15
  Speaker 3: I'm gonna wait for the plane to.
• 14:18
  Speaker 1: Go by, really, because some of our listeners don't want
• 14:21
  Speaker 1: to wait for the plane to go by.
• 14:23
  Speaker 2: Wait for it, Wait for it, wait for it.
• 14:27
  Speaker 3: Hold five, six, seven?
• 14:31
  Speaker 2: Stories?
• 14:32
  Speaker 3: You're not sure we made about a bunch of dogs
• 14:36
  Speaker 3: and nurses, said.
• 14:40
  Speaker 6: He's the stories net.
• 14:45
  Speaker 3: So gather here, yead here.
• 14:54
  Speaker 1: This is the first episode of Scrubs that I'm not
• 14:59
  Speaker 1: in in any way. Now I've been not been in
• 15:02
  Speaker 1: an episode or two before, but I think even my
• 15:05
  Speaker 1: name was on as a credit. I think this was
• 15:07
  Speaker 1: the first time I was only on as executive producer.
• 15:10
  Speaker 1: I thought I did six episodes, but I guess I
• 15:12
  Speaker 1: only did five.
• 15:13
  Speaker 3: There's one more episode. You come back and you and
• 15:15
  Speaker 3: Elliott are about to have a baby moon or some
• 15:18
  Speaker 3: shit like that.
• 15:19
  Speaker 1: Oh, that's it.
• 15:21
  Speaker 2: They must have delayed it.
• 15:22
  Speaker 1: They must have shot it and delayed it because I
• 15:25
  Speaker 1: thought that I knew I had done six and this
• 15:28
  Speaker 1: is number five. Sorry, this is number six.
• 15:32
  Speaker 3: With the three there's only one episode this whole season
• 15:35
  Speaker 3: with the three of us.
• 15:36
  Speaker 1: Well, audience, you know more than anything from listening to
• 15:38
  Speaker 1: this podcast, that we like to go into each episode fresh.
• 15:42
  Speaker 1: We don't like listening and watching from a place of
• 15:44
  Speaker 1: having a specific point of view going into it. We
• 15:47
  Speaker 1: like to clear our slate. We like to wipe our
• 15:50
  Speaker 1: whiteboards fresh and clean as we take in a new episode,
• 15:54
  Speaker 1: a new oh boy, and I would like to say,
• 15:58
  Speaker 1: are you ready with that caveat? I would like to say,
• 16:02
  Speaker 1: this is probably the worst episode of Scrub. It is
• 16:06
  Speaker 1: a fucking mess. Was abysmal. Yes, Joelle, you're laughing your thoughts, uh.
• 16:15
  Speaker 4: I think when I was watching, I was like, I
• 16:17
  Speaker 4: feel like I like this a little bit more than
• 16:18
  Speaker 4: last week's episode, which it was really difficult for me.
• 16:21
  Speaker 4: I was like, this is a slog, but this one
• 16:23
  Speaker 4: was to your point all over the place.
• 16:25
  Speaker 3: It was just what the fuck? What? No idea?
• 16:29
  Speaker 4: The whole cold storyline was just bananas?
• 16:32
  Speaker 3: What about? How about the a storyline?
• 16:35
  Speaker 5: Where did you hear Dad on the phone?
• 16:37
  Speaker 3: Where? What the hell? What?
• 16:40
  Speaker 2: What about?
• 16:40
  Speaker 1: Can I just talk about? Like maybe the nator is
• 16:43
  Speaker 1: how you say that word?
• 16:44
  Speaker 2: Right?
• 16:45
  Speaker 1: The lowest point Nat, dear dear, nator.
• 16:48
  Speaker 2: Look that up, Dannel, because I've heard it both ways.
• 16:50
  Speaker 3: Okay, I've heard it, Dear, I've heard it, Nader, I've
• 16:55
  Speaker 3: heard it Nadr. I've heard it.
• 16:58
  Speaker 1: I've heard both, dear, Nat, and I want to say
• 17:01
  Speaker 1: it right for the audience. I want them to think
• 17:02
  Speaker 1: that I know an s a T word here.
• 17:06
  Speaker 3: I've heard it nor, not her, noder, not her, not her,
• 17:13
  Speaker 3: not her, not her.
• 17:15
  Speaker 2: It's nader. Now it seems like it's nator in American
• 17:19
  Speaker 2: English and nadir in British English.
• 17:25
  Speaker 3: In my British accents.
• 17:27
  Speaker 1: I'm interestingscribed to. Well, I'm an American Daniel, so I
• 17:30
  Speaker 1: feel like I should say nator.
• 17:32
  Speaker 3: I will say it to my British accents.
• 17:36
  Speaker 2: I think for you, Yeah, that's that's.
• 17:39
  Speaker 1: I think that our English fans will say that you
• 17:40
  Speaker 1: nailed that, thank you. I think that the Nator of
• 17:45
  Speaker 1: nine episodes of Scrubs, maybe Turk saying, I can't believe
• 17:50
  Speaker 1: you get to see j D naked?
• 17:53
  Speaker 3: I like that, Actually, well, why do you want to
• 17:58
  Speaker 3: see me naked? That's never like he wants to fuck. No.
• 18:03
  Speaker 2: I don't know, dude.
• 18:04
  Speaker 1: The joke is that the joke of our whole relationship
• 18:07
  Speaker 1: is that we're heterosexual men who are who are silly
• 18:10
  Speaker 1: and flirty in a way, but we love each other.
• 18:12
  Speaker 1: We're not We don't want to fuck each other. You
• 18:14
  Speaker 1: don't not longing to see my cock? What the fuck
• 18:17
  Speaker 1: is that?
• 18:20
  Speaker 3: Why are you so offended?
• 18:21
  Speaker 2: I just thought it was so stupid.
• 18:23
  Speaker 3: You're so offended.
• 18:24
  Speaker 2: You're literally earnestly man that.
• 18:27
  Speaker 3: You long to see my cock? How come I co?
• 18:29
  Speaker 3: How come turnkit long to see j d'scock?
• 18:31
  Speaker 1: The character is not making a joke. He's earnestly sad
• 18:35
  Speaker 1: and jealous that he's mad.
• 18:37
  Speaker 3: No, he's mad that she has the privilege of seeing
• 18:41
  Speaker 3: you naked when she doesn't even know how to do
• 18:45
  Speaker 3: any of it. She doesn't know about eagling. She doesn't
• 18:47
  Speaker 3: know what eagling is.
• 18:48
  Speaker 1: You didn't think it was odd that Turk is longing
• 18:51
  Speaker 1: to see JD naked?
• 18:53
  Speaker 3: He I don't think. I don't think that's I don't
• 18:55
  Speaker 3: think that's what he's really saying. I think he's saying, Yo,
• 18:58
  Speaker 3: you're like him at all. There's nothing him about you.
• 19:04
  Speaker 3: And you guys get and you get to bang, You
• 19:06
  Speaker 3: guys get to have sex. This doesn't make sense. How
• 19:09
  Speaker 3: does this make sense.
• 19:11
  Speaker 1: I think it. I think it's really off and weird
• 19:15
  Speaker 1: because the whole show was weird, the whole joke. But
• 19:18
  Speaker 1: let me come on, I'm all worked up. The whole
• 19:21
  Speaker 1: joke of our relationship, which audience has loved and we
• 19:24
  Speaker 1: loved playing because it is really us, is that we
• 19:27
  Speaker 1: are these kind of guys. You and I do stupid ship.
• 19:30
  Speaker 1: You and I do do growing to groin, hug and laugh.
• 19:33
  Speaker 1: We don't want to fuck each other. I don't want
• 19:35
  Speaker 1: to sound talk. Why longing to see JD's cock?
• 19:41
  Speaker 3: Not once, You've never wanted to be like, I wonder
• 19:43
  Speaker 3: what it looks like.
• 19:44
  Speaker 2: I've seen it.
• 19:45
  Speaker 1: It's fine, it's fine, it's cirzy and fine.
• 19:49
  Speaker 3: What do we what are we doing?
• 19:50
  Speaker 1: It looks like it might it looks it looks like
• 19:53
  Speaker 1: it might hurt.
• 19:59
  Speaker 2: Wow.
• 20:01
  Speaker 3: This yo, this this show makes no sense. What's so?
• 20:04
  Speaker 2: I mean, it makes sense, I guess, but it's just
• 20:06
  Speaker 2: it's horrible. Does again? I went up before we going there?
• 20:09
  Speaker 3: Dad? In the morning, Dad, I just had.
• 20:11
  Speaker 1: Sex and then hold them later while she's fucking cold
• 20:15
  Speaker 1: doing it.
• 20:16
  Speaker 3: Oh, he's got me Doggystown Dad.
• 20:18
  Speaker 2: Yeah, this is on ABC.
• 20:21
  Speaker 3: By the way, on ABC.
• 20:23
  Speaker 2: This was trash.
• 20:24
  Speaker 1: And again, before we go into details, I want to
• 20:27
  Speaker 1: no disrespect to the creative people behind it. I know
• 20:30
  Speaker 1: they were doing their best. The actors are all lovely,
• 20:32
  Speaker 1: the writers are all funny people.
• 20:34
  Speaker 3: I was not lovely. I was trash.
• 20:35
  Speaker 1: This just doesn't work. And Donald was very broad. But
• 20:38
  Speaker 1: that's not your mind into that horrible Yeah.
• 20:40
  Speaker 2: You are so bad been away along.
• 20:42
  Speaker 3: I am very you have been away a long time.
• 20:45
  Speaker 3: This motherfucker man straight.
• 20:46
  Speaker 1: By the way, Dan, I need that as a sound
• 20:48
  Speaker 1: bite on my sound machine. Donald's oh yeah, Donald's line
• 20:51
  Speaker 1: reading from his Campbell's soup commercial.
• 20:54
  Speaker 2: No, it's not Campbell's folders. Folders a best part of
• 20:58
  Speaker 2: waking off. Damn, oh, jessy ya.
• 21:01
  Speaker 1: Two things I need for the soundboard are I need
• 21:04
  Speaker 1: the song Ocula you totally dissed me on Yeah, I mean,
• 21:09
  Speaker 1: I feel like iHeart pays you decently well and you
• 21:12
  Speaker 1: should deliver the goods. You're right, I'm I'm just kidding,
• 21:17
  Speaker 1: It's okay. And also I need Donald saying you have
• 21:21
  Speaker 1: been away a long time, in away a long time.
• 21:28
  Speaker 2: All right.
• 21:29
  Speaker 1: So Lucy gets up at five thirty in the morning
• 21:32
  Speaker 1: and she's overwhelmed her schedule, so she tells her.
• 21:36
  Speaker 3: Dad that she had sex.
• 21:38
  Speaker 1: She's she's trying to get all in. She has to
• 21:40
  Speaker 1: call her dad at five thirty, and then she tells
• 21:42
  Speaker 1: her dad that she's having her lady needs taken care
• 21:45
  Speaker 1: of and that she's in the middle of a real
• 21:48
  Speaker 1: sexual awakening. And then Cole wakes up and says, once
• 21:51
  Speaker 1: you wake up the troops. She got a storm the
• 21:53
  Speaker 1: beach regarding his morning wood.
• 21:56
  Speaker 4: And then she's like, I do have time for that?
• 21:57
  Speaker 4: I said, girl, what are you doing? Go to class?
• 22:00
  Speaker 2: Well?
• 22:00
  Speaker 1: She really, I mean, one thing is for certain. Even
• 22:02
  Speaker 1: though Dave Franco's character is the worst, she really does
• 22:08
  Speaker 1: love having sex with him.
• 22:11
  Speaker 3: Well, not only that, his jokes are starting to become
• 22:14
  Speaker 3: charming now too, like by the end of the episode.
• 22:18
  Speaker 3: By the end of the episode, I like his character
• 22:24
  Speaker 3: the most out of everybody. He's the funny One's the one.
• 22:27
  Speaker 2: What are you talking about? I thought he was.
• 22:29
  Speaker 1: I think he's the biggest douche in the world.
• 22:31
  Speaker 3: He makes me laugh so hard at some of the
• 22:34
  Speaker 3: things that he's saying about being stoned.
• 22:36
  Speaker 2: Yeah, you were just because there was a weed joke.
• 22:38
  Speaker 2: There was a weed joke.
• 22:39
  Speaker 3: There's also there's also you know how okay balloons?
• 22:45
  Speaker 2: What made those balloons go up?
• 22:46
  Speaker 3: I think it was something like this thing.
• 22:49
  Speaker 2: Is so stupid. I gotta say. I was just on
• 22:50
  Speaker 2: a zoom call.
• 22:51
  Speaker 1: The woman who was sign she was pitching me a show,
• 22:55
  Speaker 1: and she was being really just gesticulate. It was out
• 22:58
  Speaker 1: of a comedy sketch. She kept gesticulating, and then like
• 23:01
  Speaker 1: in the middle of an important point, like there'd be
• 23:03
  Speaker 1: fireworks because and then and then no, she didn't want them, Joelle.
• 23:09
  Speaker 1: This was no one. No one knows how to turn
• 23:12
  Speaker 1: this fucking thing off. So she was like making a
• 23:14
  Speaker 1: pitch to me, and every time she was like making
• 23:16
  Speaker 1: a point, there'd be fireworks, and I just had.
• 23:18
  Speaker 2: To start laughing in her face. That's very funny, Daniel.
• 23:23
  Speaker 1: We need to do a public service and tell people
• 23:25
  Speaker 1: how to turn that off if they want.
• 23:27
  Speaker 2: Well, it's you know, we can do it. And in fact,
• 23:30
  Speaker 2: I'll insert it right here.
• 23:31
  Speaker 1: And Daniel's going to tell you if you if you
• 23:33
  Speaker 1: don't want to see that new what is it called?
• 23:35
  Speaker 2: It's what is it? They're called reactions. They're part of
• 23:38
  Speaker 2: the new mac os Sonoma.
• 23:40
  Speaker 1: Yeah, if you don't want that on, Daniel's going to
• 23:42
  Speaker 1: tell you how to turn off right now.
• 23:44
  Speaker 2: Hey listeners, it's DJ Danel tired of those pesky hand
• 23:48
  Speaker 2: gestures ruining your meeting, trying to make a serious point
• 23:51
  Speaker 2: only to have it interrupted by fireworks. Sounds like you
• 23:54
  Speaker 2: have the latest Apple operating system Sonoma, and need to
• 23:58
  Speaker 2: turn off video Reaction, and I'm going to tell you how. First,
• 24:03
  Speaker 2: enter your chosen video conferencing app as normal. Once your
• 24:07
  Speaker 2: camera has turned on, you'll notice a green video icon
• 24:10
  Speaker 2: in the top right of your menu bar, next to
• 24:12
  Speaker 2: the day and time. Open the green video menu and
• 24:15
  Speaker 2: click the icon next to the word reactions to deactivate it.
• 24:19
  Speaker 2: If it's turned off, the icon will look gray instead
• 24:22
  Speaker 2: of blue. And that's it. No more thumbs ups or
• 24:25
  Speaker 2: hearthands embarrassing you when you're trying to ask your boss
• 24:29
  Speaker 2: for a raise. Now back to the show, Thank you, Dan?
• 24:34
  Speaker 2: All right? So what.
• 24:37
  Speaker 1: Public dun.
• 24:40
  Speaker 3: So at the end of the episode, I honestly think
• 24:42
  Speaker 3: cole is I started laughing at his jokes midway through.
• 24:47
  Speaker 3: I'm like, Okay, that's funny, that's funny. That's the actually
• 24:51
  Speaker 3: the better joke of the show. That's the better joke.
• 24:53
  Speaker 1: Well, Dave Franco is such a funny performer that I
• 24:58
  Speaker 1: like him so much, but I also such a good
• 25:00
  Speaker 1: actor that I was like, I fucking hate this character.
• 25:03
  Speaker 2: He's the worst.
• 25:05
  Speaker 3: But and he and once you get that that's who
• 25:08
  Speaker 3: the character is, it became funny to me and I
• 25:12
  Speaker 3: started laughing at some of the ship. He said like,
• 25:14
  Speaker 3: once the whatever.
• 25:16
  Speaker 5: Once you wake the troops.
• 25:18
  Speaker 1: Once, once you wake up the troops, you gotta storm.
• 25:20
  Speaker 3: The beach, meaning he needs time to fuck.
• 25:23
  Speaker 1: He has quite a labido. Maybe you maybe you identify
• 25:26
  Speaker 1: with him because he.
• 25:27
  Speaker 3: Has quite well, that is his character, but I like
• 25:30
  Speaker 3: the fact that you know there's something in there. Also,
• 25:33
  Speaker 3: he wants to go hang out with a patient who's
• 25:36
  Speaker 3: got some fucked up shit going on, and he's gonna shoot.
• 25:39
  Speaker 2: The ship because the guy has weed. Because the guy
• 25:42
  Speaker 2: has weed.
• 25:43
  Speaker 3: Yeah, but nobody's gonna hang out. Nobody's hanging out with
• 25:45
  Speaker 3: the guy. The guys in the hospital for some terminal ship.
• 25:47
  Speaker 2: Yeah, but he's just done there.
• 25:49
  Speaker 1: No, he's got glaucoma and he's only going there because
• 25:51
  Speaker 1: he has government weeds. We'll get there. You're jumping ahead. Uh,
• 25:56
  Speaker 1: Turk is really Turk's storyline is that he's mourning Jay
• 26:00
  Speaker 1: and then there's a New Orleans style funeral.
• 26:03
  Speaker 2: Yes, and Carrie Bosche says he done gone design. Yeah,
• 26:09
  Speaker 2: that was really fucking uncomfortable.
• 26:12
  Speaker 3: Yeah, I mean this whole show is really uncomfortable.
• 26:17
  Speaker 1: Now no, wait, now I have a question. What do
• 26:19
  Speaker 1: you call that type of funeral other than a New
• 26:21
  Speaker 1: Orleans style funeral?
• 26:22
  Speaker 2: Is that what you call it?
• 26:24
  Speaker 4: I want to say homegoming, but I think that's just
• 26:27
  Speaker 4: it's a very black aspective, because a homegoming, I don't know.
• 26:31
  Speaker 1: I've only seen that in reference to it, like a
• 26:33
  Speaker 1: New Orleans style funeral. That's what I That's how I
• 26:36
  Speaker 1: picture it. It was a cool looking fantasy. By the way,
• 26:39
  Speaker 1: they only used it for a split second. There's no fansy.
• 26:42
  Speaker 1: I think that's the only fantasy in the whole show.
• 26:45
  Speaker 4: New Orleans Tourism Board calls it a jazz funeral. Begets
• 26:49
  Speaker 4: at a church or funeral home and leads the way
• 26:51
  Speaker 4: to the cemetery more as you're joined by a brass
• 26:54
  Speaker 4: band that plays music that starts off heavy and sad
• 26:56
  Speaker 4: but soon turns celebratory.
• 26:58
  Speaker 2: I think that's so cool.
• 26:59
  Speaker 3: By the way, it's freaking awesome that I would love
• 27:02
  Speaker 3: a parade.
• 27:03
  Speaker 2: I love a parade.
• 27:06
  Speaker 3: I love a parade.
• 27:08
  Speaker 1: I think that a jazz funeral is fucking cool. I've
• 27:12
  Speaker 1: never been to one.
• 27:14
  Speaker 3: That would be an awesome way to go A celebration,
• 27:17
  Speaker 3: A celebration, a parade.
• 27:19
  Speaker 1: Well, I told you the John Redders story. I've always
• 27:22
  Speaker 1: thought of that. In fact of I think I told
• 27:25
  Speaker 1: you guys right when you hear the USC marching band, Yeah,
• 27:28
  Speaker 1: the USC marching At the end of the memorial, the
• 27:31
  Speaker 1: USC Marching Band came in because John Redder loved the
• 27:34
  Speaker 1: USC and they played a whole band at full volume
• 27:37
  Speaker 1: in this auditorium, and then it was so powerful And
• 27:41
  Speaker 1: I actually put that in wish I was here, shot it,
• 27:46
  Speaker 1: and then ended up not using it.
• 27:47
  Speaker 2: But I don't know why. I wish I had because
• 27:50
  Speaker 2: it was really cool.
• 27:51
  Speaker 3: There's something really special about my culture. I remember seeing
• 27:56
  Speaker 3: a movie when I was a kid. My mom loved it,
• 27:59
  Speaker 3: and it was about this woman who was like the
• 28:02
  Speaker 3: she was the nanny to this family, but her daughter
• 28:08
  Speaker 3: was actually passing as a white girl, but she was black. Yeah,
• 28:17
  Speaker 3: but every check the woman got, she would put a
• 28:22
  Speaker 3: little bit away for her funeral. So at the end
• 28:25
  Speaker 3: of the movie, when her funeral happens, it's this huge
• 28:28
  Speaker 3: parade for this woman who I forget the name of
• 28:33
  Speaker 3: the movie. And this is such a classic movie. The
• 28:37
  Speaker 3: star of the movie won an Academy Award for it.
• 28:39
  Speaker 3: I think she's the first black woman to ever win
• 28:41
  Speaker 3: an Academy Award. I'm not, am I wrong?
• 28:44
  Speaker 5: You're the first black woman to win an Academy Award.
• 28:46
  Speaker 1: Was in.
• 28:50
  Speaker 4: You?
• 28:51
  Speaker 3: But wasn't she the person that played She might not
• 28:54
  Speaker 3: be the person who played this character.
• 28:55
  Speaker 4: Then are you saying she's the same woman but not
• 28:58
  Speaker 4: for the ale.
• 29:00
  Speaker 3: I don't know. I could be wrong. All I know
• 29:02
  Speaker 3: is she puts the money away at the end of
• 29:03
  Speaker 3: the It's an old movie. It's older than I am,
• 29:06
  Speaker 3: and it's probably came out when my mother was very young,
• 29:10
  Speaker 3: and she used to love watching that movie. That one
• 29:13
  Speaker 3: and Mommy deris. I don't know why Mommy deris, but
• 29:15
  Speaker 3: that one and Mommy deris, No why that movie? Imitation
• 29:21
  Speaker 3: of Life, Imitation of Life, Imitation.
• 29:24
  Speaker 4: Of life, Starrying hating McDonald, Yeah, it's I watched it
• 29:26
  Speaker 4: in film school when I was through. I was like,
• 29:28
  Speaker 4: I didn't know we were making movies like this.
• 29:30
  Speaker 3: Back then, right back then. A girl who is literally passing.
• 29:35
  Speaker 5: Nineteen thirty four is the original real estate.
• 29:37
  Speaker 3: Passing in white America as a white woman. And she's
• 29:42
  Speaker 3: really black, and her mother is like a nanny and
• 29:46
  Speaker 3: all types of shit, and it's just a powerful I
• 29:49
  Speaker 3: just remember at the end, she puts on this huge
• 29:53
  Speaker 3: parade for her funeral. All the money that she put
• 29:56
  Speaker 3: away for the funeral, and at the end that's this
• 29:58
  Speaker 3: huge parade. Thought, that's a way to go. Man, Like,
• 30:01
  Speaker 3: if you're going to go out, let everybody celebrate this
• 30:05
  Speaker 3: ship I want.
• 30:06
  Speaker 2: I want brass.
• 30:07
  Speaker 3: Let everybody celebrate, don't just be. And I mean I
• 30:10
  Speaker 3: I dread funerals. I hate crying saying goodbye. I want
• 30:15
  Speaker 3: it to be if I want to. If I'm going
• 30:17
  Speaker 3: to cry, yeah sure, But I want to celebrate your life.
• 30:20
  Speaker 3: I don't want to freaking, you know, mourn that you're going,
• 30:24
  Speaker 3: regardless of how you were taking or whatever. You know.
• 30:26
  Speaker 3: I want to celebrate whoever. And I hope people want
• 30:29
  Speaker 3: to celebrate me when.
• 30:29
  Speaker 2: I'm going, you honor me. I'll play a trumpet myself, baby,
• 30:34
  Speaker 2: at your funeral.
• 30:35
  Speaker 3: I want you to play it out of your buttthole, though,
• 30:37
  Speaker 3: I want you to take the trumpet, stick it in
• 30:39
  Speaker 3: your button.
• 30:40
  Speaker 2: Go, I'm not doing that.
• 30:42
  Speaker 3: What would you like me to say?
• 30:44
  Speaker 1: Would you like me to perform at your funeral? If
• 30:46
  Speaker 1: you die before me?
• 30:48
  Speaker 3: I die before you. I want you to do like
• 30:54
  Speaker 3: something that something that you know when you were just
• 30:58
  Speaker 3: up and coming, something that I want everybody to perform
• 31:01
  Speaker 3: at my funeral. I'm not gonna lie.
• 31:03
  Speaker 2: What do you want me to do? I want to
• 31:04
  Speaker 2: start rehearsing in case you.
• 31:05
  Speaker 3: Know, you got to fuck up. Do some type of
• 31:07
  Speaker 3: monologue or something like that.
• 31:08
  Speaker 1: Okay, something Maybe maybe I'll sing a Corner of the
• 31:10
  Speaker 1: Sky from Pippin.
• 31:13
  Speaker 3: I prefer you didn't sing.
• 31:15
  Speaker 2: Oh you want me to sing?
• 31:16
  Speaker 3: I prefer you. I prefer you.
• 31:18
  Speaker 2: Oh you want me to do?
• 31:19
  Speaker 1: Like an monologue from a play.
• 31:22
  Speaker 3: Or something like that, something that touch Hi.
• 31:24
  Speaker 1: I'm Zach Braff, I'm six foot tall, I'm with Cia,
• 31:28
  Speaker 1: and I'll be performing a monologue from Glengarry, Glenn Ross, Shelley,
• 31:32
  Speaker 1: the Machine, Levine Perfect. And then I go into go
• 31:37
  Speaker 1: into like a ten minute monologue and I literally just
• 31:40
  Speaker 1: give it all I got.
• 31:41
  Speaker 3: I love it. That would be the best, That would
• 31:43
  Speaker 3: be the best sinned off ever. All right, joking, but I'm.
• 31:46
  Speaker 1: Doing awesome I think you're family and friends that that
• 31:50
  Speaker 1: didn't know or listen to this podcast to be like,
• 31:51
  Speaker 1: what the fuck is Zach doing? No, I think I
• 31:54
  Speaker 1: have to say this was Donald Steer.
• 31:55
  Speaker 3: You surprised how many people. I think you'd be surprised
• 31:58
  Speaker 3: how many people would be like, I'm gonna I'm about
• 32:00
  Speaker 3: to buy impromptu ship. Here we go. Motherfuckers come out.
• 32:03
  Speaker 1: And if I like, what if I roasted you instead?
• 32:06
  Speaker 1: If I did like A like.
• 32:07
  Speaker 3: A, then you'd have to go on last.
• 32:12
  Speaker 2: Okay, well, do we know who else is performing?
• 32:15
  Speaker 3: Well? Definitely definitely new edition.
• 32:18
  Speaker 1: Who do you want like if if if, if they're
• 32:21
  Speaker 1: still alive, who do you want to perform?
• 32:23
  Speaker 2: And assume you can get anyone?
• 32:25
  Speaker 3: Assuming jay z.
• 32:28
  Speaker 1: Z Okay, maybe he makes a rap specifically about your life.
• 32:31
  Speaker 3: I want him to start from the beginning and go
• 32:34
  Speaker 3: all the way to the end.
• 32:36
  Speaker 2: Yeah, start from Campbell, from the Campbell's.
• 32:38
  Speaker 3: Folgers, motherfucker. That's the professional ship I want them to.
• 32:43
  Speaker 3: I want him to start from the National Black Theater, right,
• 32:47
  Speaker 3: take it from the National Black Theata all the way
• 32:49
  Speaker 3: to death.
• 32:50
  Speaker 2: Okay, got it? Well, I'm going to put in a
• 32:52
  Speaker 2: request for that.
• 32:54
  Speaker 3: He's still alive.
• 32:54
  Speaker 2: We don't know if he's going to still be alive, right.
• 32:56
  Speaker 3: We don't know what it is. We don't know when
• 32:58
  Speaker 3: it is. You don't you definite know.
• 33:00
  Speaker 1: If it's soon, we could probably get Dion Warwick.
• 33:03
  Speaker 3: And vere this way. That's what you can do, you
• 33:09
  Speaker 3: Dion Warwick.
• 33:10
  Speaker 2: Oh, yeah, that's what friends are for.
• 33:13
  Speaker 3: And you can remember.
• 33:17
  Speaker 1: I love that song all right, So if you if
• 33:18
  Speaker 1: it's soon, I will sing, keep smiling.
• 33:22
  Speaker 3: Smiling, keep shot shining, no, and you can always count
• 33:28
  Speaker 3: on me. Show that's what friends are fuck, come on now,
• 33:36
  Speaker 3: who else?
• 33:38
  Speaker 2: Who else?
• 33:39
  Speaker 3: I want you to get? The originals?
• 33:42
  Speaker 1: Wdney's not alive.
• 33:43
  Speaker 3: Wendy Houston is not an original on that.
• 33:44
  Speaker 2: Who's the originals?
• 33:45
  Speaker 3: It's Dion Warwick, It's Elton John Stevie Wonder and Gladys
• 33:53
  Speaker 3: Knight where we came in opened me and now the
• 33:58
  Speaker 3: song much small see and I.
• 34:05
  Speaker 2: Thank you here.
• 34:14
  Speaker 3: Well and the weather to come in from and so
• 34:24
  Speaker 3: if you can remember remember, he goes, oh, and then
• 34:32
  Speaker 3: keep smiling.
• 34:34
  Speaker 1: Well I can keep together, man, I have a contact
• 34:36
  Speaker 1: to get together.
• 34:38
  Speaker 3: What's that?
• 34:39
  Speaker 2: I can get all those people together?
• 34:41
  Speaker 3: Awesome for my funeral?
• 34:44
  Speaker 1: If I really could, I have a good connection to Elton.
• 34:46
  Speaker 3: I can't die. I'd have to die soon, but that
• 34:48
  Speaker 3: to happen though.
• 34:50
  Speaker 1: Yeah, I don't know how much import is. I don't
• 34:53
  Speaker 1: know how important this is to you. But if you
• 34:54
  Speaker 1: want it, you're gonna have to die sooner than later.
• 34:57
  Speaker 3: If I love this, I'm gonna have to croak now.
• 35:02
  Speaker 1: All right, on that note, we'll be right back. Just
• 35:04
  Speaker 1: listen to this commercial. You're gonna love it. We have
• 35:15
  Speaker 1: to return to talking about Scrubs now. Sarah Chalk is here.
• 35:18
  Speaker 1: I guess the contractual thing for season nine was they
• 35:21
  Speaker 1: didn't want to pay me and Sarah at the same time,
• 35:23
  Speaker 1: so if I left, then they could pay Sarah.
• 35:26
  Speaker 3: I don't know what the contract I think that's what
• 35:29
  Speaker 3: it was, because I'm getting money like that. Shit. Well,
• 35:31
  Speaker 3: we can't keep we can't afford to both of y'all,
• 35:33
  Speaker 3: So one of y'all motherfuckers gotta go.
• 35:35
  Speaker 2: Well.
• 35:36
  Speaker 1: I tapped out and Sarah tapped in.
• 35:38
  Speaker 2: That's clear we what's happened. There's no explanation.
• 35:41
  Speaker 1: There's no explanation as to why at all. I mean,
• 35:46
  Speaker 1: even the young caster introducing themselves to her, they've never
• 35:48
  Speaker 1: met her. No one's ever explained why she hasn't been there. Yeah,
• 35:53
  Speaker 1: and she's very pregnant, really for real pregnant, not fake pregnant.
• 35:58
  Speaker 3: Isn't this the first time? Also, so that the show
• 36:00
  Speaker 3: is now opened with someone else doing.
• 36:02
  Speaker 1: The yes, so Carrie Boshet in the title sequence puts
• 36:08
  Speaker 1: the X ray now facing the right way into the
• 36:13
  Speaker 1: light box. So there was some sad scrubs score. When
• 36:23
  Speaker 1: Sarah Elliott tells you that I'm that I said that
• 36:25
  Speaker 1: I miss you too? Did was like? And then Elliott
• 36:32
  Speaker 1: refers to it as riding the eagle, which really upset you.
• 36:35
  Speaker 3: It triggers him.
• 36:36
  Speaker 2: Yeah, it would trigger you too.
• 36:38
  Speaker 3: I think you don't ride the eagle, you eagle?
• 36:41
  Speaker 2: Yeah, and I don't.
• 36:43
  Speaker 3: Let's do the eagle. Let's eagle.
• 36:45
  Speaker 2: It's just eag.
• 36:46
  Speaker 1: Those of you out there who like to eagle your friends,
• 36:48
  Speaker 1: make sure you're using that correctly. You don't ride the eagle,
• 36:52
  Speaker 1: you eagle. It's a it's a verb. We learned that
• 36:56
  Speaker 1: JD and Turk had a pillow fight club.
• 37:01
  Speaker 3: You don't talk about that shit.
• 37:03
  Speaker 1: You don't talk about it. Denise is so fucking nuts
• 37:05
  Speaker 1: that she jokingly tells her boyfriend that she's late with
• 37:10
  Speaker 1: her period and then it turns him on. He says
• 37:14
  Speaker 1: that he vibes on crazy. Obviously, you or someone one
• 37:18
  Speaker 1: of you guys pointed it out that they're so obviously
• 37:21
  Speaker 1: meant to be. Yeah, Donald, you're the one who point
• 37:24
  Speaker 1: out there so obviously meant to be Cox and Jordan,
• 37:27
  Speaker 1: and I really see that now more than ever.
• 37:29
  Speaker 3: Like it's like, oh, even when he stands next to
• 37:31
  Speaker 3: Johnny C, even when he's standing next to Johnny C,
• 37:35
  Speaker 3: he's like a I'm not gonna say a younger version,
• 37:39
  Speaker 3: but he is almost a they almost look alike. Like
• 37:43
  Speaker 3: this is the direction the show could have went, you
• 37:47
  Speaker 3: know what I mean, and everybody would have said, oh,
• 37:49
  Speaker 3: I see where they're going. I'm gonna be honest with you.
• 37:52
  Speaker 3: I think my character is way too distracting. I think
• 37:56
  Speaker 3: there are so many other stories they could have done
• 37:58
  Speaker 3: other than me missing JD. Then sorry Turk missing JD.
• 38:02
  Speaker 3: I feel like this is something that we did before
• 38:05
  Speaker 3: where he goes to Disneyland, and you know, it just
• 38:09
  Speaker 3: seems I mean, I get it. Everything it's supposed to
• 38:11
  Speaker 3: be poetry. It all has to rhyme and shit like that.
• 38:13
  Speaker 3: But that's a question.
• 38:17
  Speaker 2: Joelle. Please, do you guys think the.
• 38:19
  Speaker 4: Show would be better if Drew was the lead character
• 38:21
  Speaker 4: and we were following his journey.
• 38:22
  Speaker 2: Yes, that's a good question. I think, Yes, I do, Actually, yes,
• 38:26
  Speaker 2: I do.
• 38:26
  Speaker 1: I think that I think this is this is not
• 38:30
  Speaker 1: meant to.
• 38:30
  Speaker 3: Be Conscious's no disrespect to Carrie, no disrespect to her character.
• 38:34
  Speaker 1: No disrespect to Carrie. We've said a thousand times that
• 38:37
  Speaker 1: Carrie is a phenomenal actress, and I do take full
• 38:40
  Speaker 1: credit for discovering her. Okay, No, she's an extraordinary actress
• 38:45
  Speaker 1: and so adorable and beautiful and a sweetheart of a
• 38:48
  Speaker 1: human being. I wonder if we were asking too much
• 38:51
  Speaker 1: of the audience. Not only were we switching the voiceover,
• 38:55
  Speaker 1: but we were switching to the female perspective. I wonder
• 38:58
  Speaker 1: if it would have been easier for them to invest
• 39:01
  Speaker 1: again in a young male intern.
• 39:04
  Speaker 2: I don't know.
• 39:04
  Speaker 3: I don't think. I don't think it has to do
• 39:06
  Speaker 3: with gender. I just don't think. I just think the
• 39:08
  Speaker 3: character is the same character all over again.
• 39:11
  Speaker 1: And all right, that's better said. You're right, it isn't
• 39:15
  Speaker 1: just it's not perhaps it's not gender. It's it's going
• 39:18
  Speaker 1: for the exact wide eyed, goofy person as opposed to
• 39:22
  Speaker 1: trying a different angle. I also think that Drew just
• 39:26
  Speaker 1: is stealing the show. To be honest, I think that
• 39:28
  Speaker 1: he's the most grounded, the most real. I mean, it's
• 39:32
  Speaker 1: a great lesson for actors, new actors out there. I mean,
• 39:35
  Speaker 1: watch the difference between what we're all doing because we've
• 39:39
  Speaker 1: leaned into all the jokes. And look at what Michael
• 39:42
  Speaker 1: Mosley's doing. He's in a broad comedy, but he's playing
• 39:45
  Speaker 1: it all straight and it really makes a difference. And
• 39:49
  Speaker 1: that's what we used to do before we leaned into
• 39:52
  Speaker 1: the turn on all these jokes. Now, granted, some of
• 39:55
  Speaker 1: the script is doesn't help when Turk's longing to see
• 39:58
  Speaker 1: JD's cock.
• 40:03
  Speaker 4: Yeah, I just think Drew, like returning with somebody who
• 40:06
  Speaker 4: was like I'm not sure I can do this and
• 40:07
  Speaker 4: I already failed once is so much more compelling. Then
• 40:12
  Speaker 4: I'm really excited to become a doctor. It's hard, which
• 40:17
  Speaker 4: is sort of what Lucy's storyline is so far, Like
• 40:20
  Speaker 4: I don't want That's what it started out. What the
• 40:22
  Speaker 4: issue is where JD when he starts is like I
• 40:25
  Speaker 4: really want to be a doctor. Oh my gosh, I'm
• 40:27
  Speaker 4: going to have to confront a lot of difficulties. But
• 40:30
  Speaker 4: it's not like, oh, it's hard to be a doctor.
• 40:32
  Speaker 4: It's emotionally, I'm so vulnerable. Being a doctor is going
• 40:36
  Speaker 4: to challenge that aspect of me. But we don't really
• 40:38
  Speaker 4: see that so much with Lucy, and so yeah, I
• 40:40
  Speaker 4: don't know. I'm very invested in Drew's character.
• 40:42
  Speaker 1: We all so we were interns. These are med students,
• 40:45
  Speaker 1: And that woman who spoke about the difference last week
• 40:49
  Speaker 1: really put that in my head because yet again there's
• 40:51
  Speaker 1: a scene where Lucy's being asked to start an IV
• 40:54
  Speaker 1: in this episode, and we learned that a med student
• 40:58
  Speaker 1: would never be doing that on a patient. So you know,
• 41:03
  Speaker 1: there's also this difference the fact that we were we
• 41:05
  Speaker 1: were interns, we were further along in our in our process.
• 41:09
  Speaker 3: We were comparable at being we were capable, i should say,
• 41:14
  Speaker 3: at being in a hospital and working around people who
• 41:17
  Speaker 3: were in need.
• 41:18
  Speaker 1: Of We were at the point in the in the
• 41:20
  Speaker 1: journey where you're actually interacting with people.
• 41:22
  Speaker 3: You can do this. Now, you're you're allowed.
• 41:26
  Speaker 1: All right, Cole, this is what you were talking about earlier.
• 41:28
  Speaker 1: He's going to go leave to hang out with a
• 41:30
  Speaker 1: glaucoma patient because the guy clearly has legal weed. This
• 41:36
  Speaker 1: is long before weed was as legal as it is
• 41:38
  Speaker 1: now in California.
• 41:39
  Speaker 3: But or in any weed is legal in New York.
• 41:42
  Speaker 1: Bro I know, I'm just saying it's it's such a
• 41:45
  Speaker 1: different era that they had to clearly stipulate that it
• 41:48
  Speaker 1: was government weed for a glaucoma patient. And they're going
• 41:52
  Speaker 1: to watch Benson, which for a lot of people, I'm
• 41:55
  Speaker 1: sure they have no knowledge of what Benson is. But
• 41:58
  Speaker 1: Donald and I are of the era where we watched Benson.
• 42:01
  Speaker 7: That that that Robert Benson was that that that that.
• 42:12
  Speaker 1: He was the right hand man for it to the governor,
• 42:15
  Speaker 1: to the governor, and uh, the governor was kind of
• 42:20
  Speaker 1: a goofy guy.
• 42:21
  Speaker 3: Right governor. I forgot there was some dumb ass and
• 42:25
  Speaker 3: Benson was the one who was really running the ship.
• 42:28
  Speaker 3: Got it wasn't just running the he wasn't just running
• 42:30
  Speaker 3: helping run the freaking whatever the state was. He was
• 42:34
  Speaker 3: also helping run the house, like the White House and
• 42:37
  Speaker 3: stuff like, I mean.
• 42:38
  Speaker 2: Whatever, the governor's mansion.
• 42:40
  Speaker 3: The governor's mansion. And that's where that joke comes from. Motherfucker.
• 42:44
  Speaker 3: I ain't Benson. I ain't here to solve everybody's problems and.
• 42:48
  Speaker 1: Ship and whose joke is that that's you.
• 42:51
  Speaker 3: No, that's like I think it's like a Martin Lawrence.
• 42:53
  Speaker 1: Or all I know is that when Donald and I
• 42:55
  Speaker 1: checked into our loft that we rented that we've told
• 42:58
  Speaker 1: you about in what what was probably two thousand, the
• 43:02
  Speaker 1: summer of two thousand, Donald.
• 43:04
  Speaker 3: Two thousand and one or two.
• 43:06
  Speaker 1: There were two rooms and one was way better than
• 43:09
  Speaker 1: the other. And Donald, well, you got there first, so
• 43:12
  Speaker 1: you got Donald Jack did Donald Jack didn't. He's like,
• 43:15
  Speaker 1: I'm not fucking standing in that room. I'm not Benson.
• 43:18
  Speaker 3: So I slept. I slept in the hallway.
• 43:20
  Speaker 1: Back outside my room, outside of his room, because the
• 43:25
  Speaker 1: ship was so fucking it was so rustic.
• 43:28
  Speaker 2: I don't know if that's the word. It was, so
• 43:30
  Speaker 2: it's not.
• 43:31
  Speaker 3: Where it was like that ship was like straight.
• 43:33
  Speaker 1: First of all, it was an artist loft and the room.
• 43:36
  Speaker 1: The place was giant's probably three thousand square feet. It
• 43:38
  Speaker 1: was huge, but it hadn't been redone.
• 43:41
  Speaker 3: It hadn't been like I've tried to sleep in there
• 43:44
  Speaker 3: one night and it was the stuffiest room.
• 43:47
  Speaker 2: And dryer were in there too.
• 43:49
  Speaker 3: Yeah, I was like, get stuff fuck out of here.
• 43:53
  Speaker 1: So anyway, outside the room that I had chosen. There
• 43:56
  Speaker 1: was like a you know, a day bed that was nice.
• 43:59
  Speaker 1: It was like big and so Donald just slept there.
• 44:02
  Speaker 3: I was like, fuck this.
• 44:03
  Speaker 2: It was so funny though.
• 44:05
  Speaker 3: I'll never forget that summer. Yeah, it's a great summer.
• 44:08
  Speaker 3: That's one of my favorite summers of all time.
• 44:11
  Speaker 1: So Turk is finally teaching. I guess he got JD's
• 44:14
  Speaker 1: classroom because he's teaching, and there's a mix up with
• 44:19
  Speaker 1: Lucy's slides. She she mixed up ones from a bachelorette.
• 44:24
  Speaker 3: Her sister's bachelorette party were.
• 44:27
  Speaker 1: She really goes nuts. She really get that party got wow.
• 44:30
  Speaker 1: That was like that was like an above ground pool party.
• 44:34
  Speaker 3: I hate to tell you this, man, but bachelorette parties,
• 44:36
  Speaker 3: depending on who the bachelorette is, really the things go crazy.
• 44:41
  Speaker 3: They get as crazy as bachelor parties. Man. Anything I
• 44:43
  Speaker 3: say crazy, I mean sex, yes, and and.
• 44:49
  Speaker 4: At least involvement potentially, Yeah, like freaking people lose their minds.
• 44:54
  Speaker 3: Yo, dude, I don't know what it is about. It's
• 44:56
  Speaker 3: my last night and then everybody else is like, well,
• 44:59
  Speaker 3: then it's my last night too.
• 45:01
  Speaker 1: You know, you hear the stereotype of men's bachelor parties
• 45:04
  Speaker 1: getting crazy, and there's like women's are just like that too,
• 45:07
  Speaker 1: and there's escorts or strippers. But I wonder what the
• 45:12
  Speaker 1: real percentage of.
• 45:14
  Speaker 3: As Shanning Tatum. You could ask Shanning Tatum with the
• 45:16
  Speaker 3: real he made a freaking fortune off of Magic Mike
• 45:21
  Speaker 3: a fortune.
• 45:22
  Speaker 1: I've never seen those movies. Does he does he Works?
• 45:24
  Speaker 3: I've never seen. I've never seen one of those movies.
• 45:28
  Speaker 3: But it's about what are we doing.
• 45:30
  Speaker 5: With our lives?
• 45:30
  Speaker 4: These are classic American cinema.
• 45:33
  Speaker 3: See magic like it's let's watch Magic mic.
• 45:36
  Speaker 1: Maybe this is now going to be a Magic Mike
• 45:40
  Speaker 1: Rewatch podcast, a.
• 45:42
  Speaker 3: Magic like rewatch. Joe ellis happiest.
• 45:46
  Speaker 5: I would love are hitting me?
• 45:52
  Speaker 1: What percentage do you think of bacheloretts hook up on
• 45:59
  Speaker 1: their bachelor rep party weekend?
• 46:02
  Speaker 3: That's probably the same percentage, maybe even more than men.
• 46:05
  Speaker 1: Don't they called a hen do a hen do in London?
• 46:08
  Speaker 4: Look up with someone like fifteen maybe maybe less ten
• 46:11
  Speaker 4: to five.
• 46:12
  Speaker 3: No, I say it's I say it's the exact opposite.
• 46:15
  Speaker 3: I say it's more than men, really more than I
• 46:20
  Speaker 3: think it's five percent more than men.
• 46:21
  Speaker 4: That's like when we have the marriage counselorn and she
• 46:24
  Speaker 4: said women cheat more than men. I said, what is
• 46:26
  Speaker 4: happening my perception of the world crazy.
• 46:28
  Speaker 2: She knows, she knows. Well.
• 46:31
  Speaker 1: All I know is if I ever get married, I
• 46:33
  Speaker 1: hope that the bachelorette party slash hen do is something
• 46:36
  Speaker 1: very tame. Like in Napa we went for a girl's weekend.
• 46:40
  Speaker 3: Yeah, that's where that should be happening. We went for
• 46:42
  Speaker 3: a girls' weekend.
• 46:44
  Speaker 2: No want.
• 46:45
  Speaker 4: I used to live in Boystown in Chicago, and so
• 46:47
  Speaker 4: we would see just troves of bridal parties, like getting drunk,
• 46:52
  Speaker 4: and then they would wind up like groping the dudes.
• 46:54
  Speaker 4: The dudes are like, I'm in Boystown, I'm not here
• 46:57
  Speaker 4: for you. Leave me all loa, Like it's safe. It's
• 47:01
  Speaker 4: not cheating because you're gay. It's like it's still a
• 47:02
  Speaker 4: human you get just put your hands on what are
• 47:04
  Speaker 4: we doing?
• 47:05
  Speaker 5: Yeah?
• 47:05
  Speaker 3: I can't just put my penis in your mouth and
• 47:07
  Speaker 3: me be gay and say it's not cheating. That's the
• 47:10
  Speaker 3: fuck out.
• 47:11
  Speaker 4: Do you think that's what she was doing, because they
• 47:13
  Speaker 4: were like there was a time where she's like, what
• 47:16
  Speaker 4: are you doing?
• 47:16
  Speaker 2: Yeah?
• 47:17
  Speaker 5: I mean it rained with nine dollars. This is insanely she.
• 47:20
  Speaker 1: Was She was I imploied, I inferred that she was
• 47:23
  Speaker 1: blowing him.
• 47:24
  Speaker 3: That's what I thought. Yikes.
• 47:28
  Speaker 1: And then and then Cocks put that picture on the
• 47:30
  Speaker 1: wall and then she says, I made it rain.
• 47:36
  Speaker 2: Move on.
• 47:40
  Speaker 5: Nine dollars? Is not making it rains?
• 47:42
  Speaker 3: Yeah, that's that's That's.
• 47:44
  Speaker 1: What qualifies is making it and rain. When you make
• 47:47
  Speaker 1: it rain common?
• 47:49
  Speaker 2: Is it single? Is it singles?
• 47:52
  Speaker 3: Yeah?
• 47:52
  Speaker 5: It can be usually.
• 47:54
  Speaker 3: I mean you can make it rain with hundreds. It
• 47:55
  Speaker 3: just has to be a bunch of dollars.
• 47:57
  Speaker 1: Wait, but does that makes it rain with hundreds?
• 48:00
  Speaker 3: Rappers?
• 48:01
  Speaker 2: Rappers? Rappers?
• 48:05
  Speaker 3: I mean you make it rain with them? If you
• 48:06
  Speaker 3: what if you took out, like, you know, one hundred
• 48:09
  Speaker 3: and five dollar bills and made it rain, people would
• 48:12
  Speaker 3: be like, oh ship, this motherfucker made it rain. That's donald.
• 48:15
  Speaker 2: Have you ever made it ring? Uh?
• 48:17
  Speaker 3: In a Gavin De Grau video directed by me I
• 48:21
  Speaker 3: invented making it rain and a Gavin De Grau video
• 48:25
  Speaker 3: Make the Zach, you can check the stats. You could
• 48:29
  Speaker 3: check the stats before that video.
• 48:31
  Speaker 2: I don't ring mother girl.
• 48:36
  Speaker 1: We were by the way, this is now a time
• 48:39
  Speaker 1: when after this episode you should watch on YouTube the
• 48:41
  Speaker 1: Gavin de Graw video for Chariot that I directed where
• 48:44
  Speaker 1: you will see Donald Faison make it Rain.
• 48:47
  Speaker 2: Wow, great song too, Wow mm hmm.
• 48:53
  Speaker 3: Jamie King, Jamie.
• 48:54
  Speaker 1: King is the love interest. Remember that shoot, Donald, That
• 48:58
  Speaker 1: was a crazy shoot.
• 48:59
  Speaker 3: That was one of the open things I had ever
• 49:01
  Speaker 3: seen you do at that point. It was at that
• 49:05
  Speaker 3: point I had never seen you. I mean, well, I
• 49:08
  Speaker 3: take it back, you did. You did direct that episode,
• 49:11
  Speaker 3: but this was something that you had. You were completely
• 49:14
  Speaker 3: like on your own and all you had was Cabot.
• 49:16
  Speaker 3: Really that's it, and me and then everybody else. I
• 49:20
  Speaker 3: didn't know who the fuck they were. There wasn't the
• 49:22
  Speaker 3: normal crew and everything. At least with Scrubs when you
• 49:25
  Speaker 3: directed the first that first episode, at least you had
• 49:28
  Speaker 3: the crew had your back, the cast had your back.
• 49:30
  Speaker 3: You knew everyone, and we were trying to make a
• 49:33
  Speaker 3: great show. At this point, it was like, Doug, I'm
• 49:36
  Speaker 3: trying to make the best video for you, Gavin, and
• 49:40
  Speaker 3: I don't know any of these people, and the set
• 49:43
  Speaker 3: is not working the way it's supposed to.
• 49:45
  Speaker 2: Wasn't. It was a nightmare.
• 49:47
  Speaker 1: It was one of the scariest shoots I've ever been
• 49:48
  Speaker 1: on because I had designed this whole video as a
• 49:50
  Speaker 1: Wanner without the camera cutting. It was a very elaborate
• 49:53
  Speaker 1: moving set and we spent a lot of money on
• 49:58
  Speaker 1: the set.
• 49:59
  Speaker 3: Days when MTV would let you do that too.
• 50:01
  Speaker 1: That was back in the day when there were still
• 50:03
  Speaker 1: big budgets for videos, and we had about one hundred extras.
• 50:06
  Speaker 1: We needed a full day of rehearsal and we just
• 50:07
  Speaker 1: didn't have it, and so we tried to do them
• 50:09
  Speaker 1: one day. I remember it was like six pm and
• 50:11
  Speaker 1: we hadn't shot anything, which is called in director lingo
• 50:16
  Speaker 1: a fucking nightmare. But then then I pivoted, because you
• 50:21
  Speaker 1: have to pivot as a filmmaker when things aren't working,
• 50:24
  Speaker 1: and I said, this is no longer a Wunner, and
• 50:26
  Speaker 1: guess what we're gonna We're gonna do it in pieces,
• 50:29
  Speaker 1: and in between we're going to cut some really beautiful
• 50:31
  Speaker 1: close up shots of very handsome Gavin de Graux singing
• 50:34
  Speaker 1: into the lens. And so it'll be a series of
• 50:37
  Speaker 1: winners that are stitched together with a shot of Gavin
• 50:41
  Speaker 1: singing the lens. And by the way it was, it
• 50:43
  Speaker 1: ended up being a blessing in disguise because everybody wanted
• 50:47
  Speaker 1: to see him singing in close up, whereas the video
• 50:49
  Speaker 1: didn't have that, but uh, it was crazy.
• 50:53
  Speaker 2: It was crazy.
• 50:53
  Speaker 3: Well, the video show told the story of you know,
• 50:58
  Speaker 3: artist and how they get to the stage, you know
• 51:01
  Speaker 3: what I mean, work, Yeah, how they get from the
• 51:03
  Speaker 3: beginning of the beginning of it all to the stage finally,
• 51:07
  Speaker 3: and how there's always that young someone in your life
• 51:12
  Speaker 3: to distract you along the way. And sometimes it's money,
• 51:16
  Speaker 3: sometimes it's Jamie King. Jamie King. That's right.
• 51:20
  Speaker 1: If we had a day of rehearsal, which would have
• 51:22
  Speaker 1: been so expensive, but I could have really done the
• 51:25
  Speaker 1: whole thing as a wanner, woun't have been cool. But anyway,
• 51:27
  Speaker 1: if you're curious, check out the video. All right, we'll
• 51:29
  Speaker 1: take a break and we'll be right back. This this
• 51:31
  Speaker 1: particular ad right here is one of the best we've
• 51:34
  Speaker 1: ever done.
• 51:34
  Speaker 3: Oh man, I hope it's something for like if you
• 51:38
  Speaker 3: were a loved one has mesothelio and we're.
• 51:53
  Speaker 2: You know, I watched.
• 51:54
  Speaker 1: I stopped watching as much CNN as I was watching
• 51:56
  Speaker 1: because it's so bad for me. But I realized when
• 51:57
  Speaker 1: I was watching it that all the ads were aimed
• 51:59
  Speaker 1: at senior So I was I was getting targeted by
• 52:02
  Speaker 1: all these senior citizen ads. I never see I never
• 52:05
  Speaker 1: see young fun ads like like our I don't watch
• 52:08
  Speaker 1: sports obviously, which is usually where our T mobile stuff airs,
• 52:11
  Speaker 1: so I never even see like young fun ads. I
• 52:15
  Speaker 1: just see ads aimed at seniors.
• 52:17
  Speaker 3: I didn't realize that. I didn't realize that a lot
• 52:19
  Speaker 3: of old people stay up late too. I would think
• 52:22
  Speaker 3: they would go to bed early, because late night is
• 52:25
  Speaker 3: when they start trying to sell you all of that
• 52:26
  Speaker 3: old old ship.
• 52:28
  Speaker 1: You know, CNN is constantly trying to sell me something
• 52:31
  Speaker 1: that's like, I shouldn't clean my gutters because it's too
• 52:34
  Speaker 1: dangerous for me to clean my guns, and I'm gonna,
• 52:38
  Speaker 1: I'm gonna gonna, I'm gonna get hurt. I mean, I know,
• 52:41
  Speaker 1: no joke. I know people do get a lot of
• 52:43
  Speaker 1: people get hurt cleaning their gutters, but I am not.
• 52:46
  Speaker 1: I don't think the target demo for that, for that campaign.
• 52:50
  Speaker 1: But I can't tell you how many times I've seen
• 52:51
  Speaker 1: the change to this product so you don't have to
• 52:54
  Speaker 1: clean your gutters.
• 52:54
  Speaker 3: Thing Life Alert Commercial Life Alert. It still exists.
• 53:00
  Speaker 1: That they got a new they got a new lady
• 53:02
  Speaker 1: who fell and can't get up.
• 53:03
  Speaker 3: I can't get up.
• 53:04
  Speaker 2: Yeah, they retired.
• 53:07
  Speaker 3: She fell and didn't get up.
• 53:09
  Speaker 2: She never did get out. She never never got she
• 53:11
  Speaker 2: never did get out, she never did get up.
• 53:24
  Speaker 1: All right here In more Bad Scrubs episodes, Cole is
• 53:28
  Speaker 1: convinced that there's rankings, that's all bullshit. He's tricked by
• 53:33
  Speaker 1: Cocks and Drew and what about this?
• 53:36
  Speaker 2: This was so stupid.
• 53:37
  Speaker 1: Chop pants, So Turk wears sweatpants or sorry, Scrubs, let's
• 53:43
  Speaker 1: say chop on them because he loves pork chops so much.
• 53:48
  Speaker 1: Then Denise says, look, there's JD and like like the
• 53:53
  Speaker 1: worst sitcome ever. Turk goes, where did he wear his
• 53:56
  Speaker 1: pork chop pants?
• 53:58
  Speaker 3: It's not great.
• 54:01
  Speaker 1: Then Elliott says, chillax my brother, which made me cringe a.
• 54:04
  Speaker 3: Bit even more. It made me cringe more than freaking
• 54:09
  Speaker 3: the Zion thing because we we as the old Cruise,
• 54:12
  Speaker 3: should know better.
• 54:13
  Speaker 1: By the way, there's three moments in this episode where
• 54:16
  Speaker 1: white people say things that are very cringey, and the
• 54:20
  Speaker 1: second was chillax my brother. And then when Turkey is
• 54:25
  Speaker 1: auditioning new friends, Kelso says that he wants a black
• 54:28
  Speaker 1: friend to help him out with the sisters and so
• 54:31
  Speaker 1: he can quote get my swirl on.
• 54:34
  Speaker 3: I'm all about the swirl.
• 54:36
  Speaker 2: Okay, what does that mean? Swirrel? I don't even know.
• 54:39
  Speaker 3: It's like when you mix chocolate and vanilla and you swirl.
• 54:42
  Speaker 1: Oh yeah, well then you're a.
• 54:44
  Speaker 3: Snailor that's literally the name of the fucking ice cream swirl,
• 54:48
  Speaker 3: chocolate and vanilla swirl.
• 54:50
  Speaker 1: I didn't know what get my swirl on means. I
• 54:52
  Speaker 1: just knew that didn't sound right coming out again.
• 54:54
  Speaker 3: It means like when you dip you're in some uh
• 55:00
  Speaker 3: it would be swirling, got it or anything? That's not
• 55:04
  Speaker 3: win the more you know, but it has to be sex.
• 55:09
  Speaker 3: It's not dating, it's sex swirling.
• 55:12
  Speaker 2: It's only se yes.
• 55:13
  Speaker 1: So if I not a date with an African American woman,
• 55:16
  Speaker 1: I'm not.
• 55:16
  Speaker 3: That is not swirling. Y'all went out on a date.
• 55:19
  Speaker 3: It's only sex.
• 55:20
  Speaker 1: When we when we copulate mix, I see when we
• 55:26
  Speaker 1: become when our bodies swirl together.
• 55:30
  Speaker 3: Sure have a swirl. Now, Look, if you don't like
• 55:34
  Speaker 3: to swirl, you don't like to swirl, that's you. Everybody
• 55:36
  Speaker 3: each their own. I'm just gonna say this for everybody
• 55:39
  Speaker 3: out there, it's okay to swirl. If you do swirl. Yeah,
• 55:45
  Speaker 3: love has no color.
• 55:47
  Speaker 1: Right, And this is coming from someone who who really
• 55:50
  Speaker 1: has committed his entire life to air.
• 55:54
  Speaker 3: That's not true. I date. I am the rainbow fucking kind.
• 55:56
  Speaker 3: I have dated pretty well.
• 55:57
  Speaker 2: Not I have every I have dated rainbow.
• 56:04
  Speaker 1: If you haven't had sex with a man, I don't think.
• 56:06
  Speaker 3: Right, that's what I'm saying. I said, not the gay
• 56:08
  Speaker 3: kind of rainbow yet. Yes, yes, right, thank you.
• 56:12
  Speaker 1: But you're an equal opportunity.
• 56:14
  Speaker 3: Absolutely, And whoever floats my boat, my wife, who that is?
• 56:20
  Speaker 3: Who it is right now? Yeah, is the one that
• 56:23
  Speaker 3: has me.
• 56:24
  Speaker 1: Do you ever ask you wife if you're trying to
• 56:26
  Speaker 1: if you're trying to propose intercourse with your with your wife, casey,
• 56:30
  Speaker 1: have you ever said, do you want to swirl?
• 56:32
  Speaker 3: No? I say, do you want some black dick?
• 56:42
  Speaker 4: You're way too excited about that.
• 56:46
  Speaker 2: The man loves his wife.
• 56:47
  Speaker 1: Listen, the man may may every couple have a love
• 56:51
  Speaker 1: relationship so strong.
• 56:53
  Speaker 2: He's in love with this.
• 56:54
  Speaker 3: I want to tell you something right now. We fight sometimes, yes,
• 56:57
  Speaker 3: and it's horrible, and we say some horrible things to
• 57:01
  Speaker 3: each other, but there is no person on this planet
• 57:05
  Speaker 3: that I would want to spend the rest of my
• 57:09
  Speaker 3: life with other than her. There is not one person
• 57:15
  Speaker 3: she has. I don't know what it is about her,
• 57:20
  Speaker 3: but I really enjoy the life that we have created together.
• 57:25
  Speaker 2: That's amazing.
• 57:25
  Speaker 3: I don't want to sacrifice that or anything.
• 57:28
  Speaker 1: How do you make up when you've had a bad fight?
• 57:30
  Speaker 1: Are you the first person to say I'm sorry?
• 57:32
  Speaker 3: They want to see my black dick? No, I don't.
• 57:40
  Speaker 1: I think I think what happened was I think what happened?
• 57:44
  Speaker 1: You know, I say that, I think what was I
• 57:46
  Speaker 1: think what happened is you got vulnerable and then you
• 57:49
  Speaker 1: felt like you had to pull up your masculinity.
• 57:52
  Speaker 3: Maybe maybe maybe there was a bit of that in there,
• 57:54
  Speaker 3: But that's that's that's that's that. That means nothing to
• 57:58
  Speaker 3: the fact that you don't think I'd.
• 57:59
  Speaker 1: Be saying, I'm sure you do jokingly, but I'm curious
• 58:02
  Speaker 1: for a real answer. When you guys have a bad fight,
• 58:05
  Speaker 1: is it she that normally tries to make amends?
• 58:07
  Speaker 2: Or do you do it?
• 58:09
  Speaker 3: We don't make amends. We just forget about it and
• 58:12
  Speaker 3: move on. That's what.
• 58:13
  Speaker 1: Oh, that seems healthy. Let me write that down.
• 58:15
  Speaker 3: So it's just marriage, that's about. That's what marriage is.
• 58:19
  Speaker 3: Marriage is this. I hate you? I hate you too.
• 58:23
  Speaker 3: I'll talk to you later.
• 58:25
  Speaker 1: Wow, I feel like it might be good to like
• 58:29
  Speaker 1: occasionally talk it out and be like, hey about the
• 58:31
  Speaker 1: other night. I'm sorry, I was feeling this and you
• 58:35
  Speaker 1: were feeling that, and I I, you don't ever do that.
• 58:38
  Speaker 3: Yeah, but that's like, you know, that's that's the boring
• 58:43
  Speaker 3: part of marriage making up. But that's like fucking.
• 58:47
  Speaker 2: I'm asking if that happens.
• 58:49
  Speaker 3: Yeah, that does happen, But that's not the fun part.
• 58:52
  Speaker 3: The fun part isn't the I fucked up my bead.
• 58:56
  Speaker 3: That's there's no even in the argument. The argument's the
• 58:59
  Speaker 3: beat part, like the way that we I don't know, like, yeah,
• 59:06
  Speaker 3: sure we'll have the talk of she's coming home? Is
• 59:11
  Speaker 3: that her?
• 59:11
  Speaker 6: No?
• 59:13
  Speaker 3: Yes, it is the way that we have. Let's ask her. Shit,
• 59:17
  Speaker 3: Ka hit the song down, Casey, come down here. I
• 59:23
  Speaker 3: don't know nothing about raising these fools, so tell me
• 59:26
  Speaker 3: what to do. Don't know nothing about raising these kids.
• 59:30
  Speaker 3: And that's what it is.
• 59:34
  Speaker 2: Hi. We just played your song. Hi guys, Hi, Hi Casey.
• 59:37
  Speaker 3: Were you were y'all just thinking about me and played
• 59:40
  Speaker 3: it for no.
• 59:41
  Speaker 1: Well, Donald, we were talking about when couples argue and
• 59:45
  Speaker 1: then it gets bad, and then we were asking Donald
• 59:48
  Speaker 1: how like whether he or you is the first person
• 59:52
  Speaker 1: after it's calmed down and all the emotions out to
• 59:55
  Speaker 1: be like, hey, sorry about da da da da da
• 59:58
  Speaker 1: da da, And Donald kind of implied that y'all just
• 1:00:00
  Speaker 1: kind of move on, don't talk about it.
• 1:00:02
  Speaker 8: Oh no, No, I'm trying to communicate throughout the entire thing,
• 1:00:12
  Speaker 8: and he doesn't like to communicate his way up.
• 1:00:15
  Speaker 9: And he also doesn't like to say he's sorry and
• 1:00:17
  Speaker 9: admit when he's wrong. So the way that I know
• 1:00:22
  Speaker 9: when he knows he's wrong and he's trying to say
• 1:00:24
  Speaker 9: sorry is usually because he pulls it out and was like.
• 1:00:27
  Speaker 5: No, he told us that.
• 1:00:29
  Speaker 2: We were like, no, he pulls his penis out.
• 1:00:34
  Speaker 6: Did you tell them you pull your penis out?
• 1:00:35
  Speaker 2: Yeah, but we thought he was joking. We've done it.
• 1:00:38
  Speaker 3: Was joking.
• 1:00:39
  Speaker 1: Oh no, that's his way of making up with him.
• 1:00:42
  Speaker 2: He pulls up penis.
• 1:00:43
  Speaker 10: He doesn't know how to say sorry, so he'll just
• 1:00:45
  Speaker 10: be like he'll he'll he'll ride it out for like
• 1:00:48
  Speaker 10: three or four days, and then finally he'll be like does.
• 1:00:52
  Speaker 3: This look Does this look good to you?
• 1:00:59
  Speaker 2: But it sounds like you? Then forgive him.
• 1:01:01
  Speaker 10: You guys never have the like guy you know what,
• 1:01:05
  Speaker 10: because I've already said and voiced everything in my I've
• 1:01:10
  Speaker 10: communicated everything, I've already talked it out, I've already expressed
• 1:01:14
  Speaker 10: every But don't.
• 1:01:15
  Speaker 1: You him, don't you want wouldn't you prefer him to
• 1:01:18
  Speaker 1: be like, hey, I'm really sorry, I fucked up because
• 1:01:21
  Speaker 1: of X y Z.
• 1:01:23
  Speaker 9: I would prefer him to do a lot of things,
• 1:01:25
  Speaker 9: But that's not who I'm married, and he's I know
• 1:01:31
  Speaker 9: him better than the back of my hand, and this
• 1:01:33
  Speaker 9: is how he is. And I will say once that
• 1:01:37
  Speaker 9: that contact has been made or that's out of the way,
• 1:01:42
  Speaker 9: then he's I'm sorry, you know, I just tuck like
• 1:01:45
  Speaker 9: that because of this, this, this, And I'm like, well,
• 1:01:48
  Speaker 9: just say that ship you could have saved, said that
• 1:01:49
  Speaker 9: ship three days ago.
• 1:01:51
  Speaker 2: Right, just so much? Wow, Really, Casey you are you're
• 1:01:57
  Speaker 2: pretty pretty. You're a pretty great wife here Ca.
• 1:02:01
  Speaker 9: Yeah, you guys have to remember we've been together how long?
• 1:02:05
  Speaker 9: Since two thousand and six? I mean, this is a
• 1:02:08
  Speaker 9: long time. I don't have I'm you know what, I
• 1:02:10
  Speaker 9: don't have time to sit. I'm not deep, I'm not sensitive,
• 1:02:15
  Speaker 9: So it's kind of like that's but.
• 1:02:16
  Speaker 1: You also are a very strong personality, and I wonder
• 1:02:20
  Speaker 1: that it sounds like you're saying you do, but when
• 1:02:23
  Speaker 1: the fight's going on, or you're like, do you want
• 1:02:25
  Speaker 1: to say, like this is not how we should be communicating.
• 1:02:29
  Speaker 2: You know, I do I say all those things.
• 1:02:31
  Speaker 6: I mean I do. He knows.
• 1:02:32
  Speaker 9: I mean, at least I think I say this is
• 1:02:35
  Speaker 9: not healthy, this is not like even just recently, we
• 1:02:38
  Speaker 9: had an argument and it all stemmed from like our
• 1:02:42
  Speaker 9: kids basketball, and I was like, this basketball is one
• 1:02:46
  Speaker 9: of is a big distractor in our happiness as a family.
• 1:02:51
  Speaker 6: As a whole. I was like, we need to dial
• 1:02:53
  Speaker 6: it back.
• 1:02:53
  Speaker 9: And you know, we fight and it goes and then
• 1:02:56
  Speaker 9: days later we're like, you know, we've seen penis and
• 1:03:01
  Speaker 9: balls and everything. Then it's like, yeah, I don't think
• 1:03:05
  Speaker 9: we need to do this tonight and go to practice
• 1:03:07
  Speaker 9: and this, and I think we need to scale it back.
• 1:03:08
  Speaker 2: I'm like, oh, I see, so there's a rhythm to it.
• 1:03:12
  Speaker 1: There's so you know, even when it's Donald, I mean,
• 1:03:15
  Speaker 1: you know, I don't have a lot of experience of
• 1:03:18
  Speaker 1: Donald ever going ever, Hey, I want to reach out.
• 1:03:24
  Speaker 1: This is awkward and uncomfortable, but I was out of
• 1:03:27
  Speaker 1: line and I'm sorry. I don't have any experience of that.
• 1:03:29
  Speaker 9: No, I mean it, and not to be arrogant, but
• 1:03:32
  Speaker 9: I honestly believe there's times that y'all's friendship probably would
• 1:03:37
  Speaker 9: have never lasted this long had I not been the Christ.
• 1:03:40
  Speaker 2: It's true.
• 1:03:42
  Speaker 1: It's true because he doesn't. Ever, he's never the one
• 1:03:44
  Speaker 1: to say that, you've been the one to be like,
• 1:03:47
  Speaker 1: y'all need to talk.
• 1:03:49
  Speaker 9: Yeah, And that's what I told him the other day
• 1:03:51
  Speaker 9: when we were talking about something else. I was like,
• 1:03:53
  Speaker 9: I have no problem going with my tail between my lege.
• 1:03:56
  Speaker 9: I don't get embarrassed. I have no shame to be
• 1:03:59
  Speaker 9: the one that says this fire or even not even
• 1:04:03
  Speaker 9: to my husband, like even if it's a third party,
• 1:04:05
  Speaker 9: I have no problem to be like, guys, sorry, I
• 1:04:07
  Speaker 9: blew this out of proportion. I'm the reason this, this
• 1:04:09
  Speaker 9: whole fight happened, Like, let's get past this for the kids.
• 1:04:13
  Speaker 6: Like it's my fault.
• 1:04:14
  Speaker 3: I sometimes I'll take the blame just so we.
• 1:04:17
  Speaker 9: Can all communicate about it. And which is not healthy, Probably.
• 1:04:21
  Speaker 1: No, because doesn't that build resentment because after a while
• 1:04:24
  Speaker 1: you're like, I always fucking am the one who ends
• 1:04:26
  Speaker 1: the fight. I'm always the one who puts my tail.
• 1:04:28
  Speaker 5: Between my legs, but I also just like it.
• 1:04:30
  Speaker 6: But everyone's happy, right.
• 1:04:32
  Speaker 1: But during those three days where there's tension and you're
• 1:04:34
  Speaker 1: not talking, do you ever want to be like, hey,
• 1:04:37
  Speaker 1: this is so stupid. Can we can we can we
• 1:04:40
  Speaker 1: just talk this out? Like I don't want to be
• 1:04:41
  Speaker 1: in silent treatment mode sometimes.
• 1:04:43
  Speaker 9: But then sometimes I'm like whatever, good luck. You know,
• 1:04:48
  Speaker 9: there's times that we're Donald's like I want to divorce.
• 1:04:51
  Speaker 3: I'm like, all right, I want a divorce too. Yeah,
• 1:04:59
  Speaker 3: h no, I hate you. I want a divorce. That's
• 1:05:02
  Speaker 3: let's do it. But that's what I say now.
• 1:05:04
  Speaker 9: But there was a time, say a year ago, when
• 1:05:06
  Speaker 9: you were like, let's get a divorce, and.
• 1:05:07
  Speaker 3: I'm like, I'm gonna I'm going to divorce you.
• 1:05:09
  Speaker 9: I'm like, good luck, good luck doing all manual labor
• 1:05:13
  Speaker 9: to get to the point where you've got to divorce me, because.
• 1:05:15
  Speaker 8: I'm the one that's gonna have to.
• 1:05:16
  Speaker 1: Call you Donald Donald baked down, trying.
• 1:05:22
  Speaker 3: To deal with people. This is what I do.
• 1:05:26
  Speaker 1: Donald trying to call a lawyer and organize a call
• 1:05:30
  Speaker 1: with the lawyer.
• 1:05:31
  Speaker 2: I can't picture it.
• 1:05:32
  Speaker 1: Yeah, So he'd be like, babe, babe, babe, babe, can
• 1:05:36
  Speaker 1: you call a lawyer for me, but.
• 1:05:38
  Speaker 9: Also guys, I have to say and and I'm very
• 1:05:41
  Speaker 9: grateful for this. We've never had a fight, h that
• 1:05:46
  Speaker 9: wasn't over stupid ship. Like We've never had like some
• 1:05:49
  Speaker 9: real crazy marriage doomsday fight.
• 1:05:53
  Speaker 6: We've at least I don't think so. The fights we
• 1:05:55
  Speaker 6: have are like stupid ship.
• 1:05:58
  Speaker 1: Can we give it to a different topic, Casey, One
• 1:06:01
  Speaker 1: more question for you that came up today. This has
• 1:06:03
  Speaker 1: nothing to do with your life. You were wondering how
• 1:06:06
  Speaker 1: what percentage of women at their bachelorette parties are actually
• 1:06:09
  Speaker 1: hooking up with men? Do you think that it's higher
• 1:06:12
  Speaker 1: even or less than men less.
• 1:06:15
  Speaker 3: I've been at least eight or nine, and.
• 1:06:19
  Speaker 9: I've never experienced anything like that the bachelorette parties.
• 1:06:23
  Speaker 6: I've gone to.
• 1:06:23
  Speaker 5: Even with the dudes.
• 1:06:25
  Speaker 9: They're doing the dances and all that stuff, it's more.
• 1:06:28
  Speaker 5: Of the cringe, like all the girls are in the corner.
• 1:06:31
  Speaker 3: Like, oh god, hold on, hold on, hold on, hold on.
• 1:06:34
  Speaker 3: That's Casey's group of people.
• 1:06:36
  Speaker 1: That's case that's your group of friends.
• 1:06:38
  Speaker 3: That's not that's not at all of a sudden act
• 1:06:40
  Speaker 3: like hold on now, hold on now, this is a
• 1:06:45
  Speaker 3: different demographic. I don't trust those it's like a fucking
• 1:06:50
  Speaker 3: bachelorette party.
• 1:06:52
  Speaker 2: All right, all right, thank you, Casey, thank you Casey.
• 1:06:57
  Speaker 9: Yes, I just had a four hour breakfast with God
• 1:07:00
  Speaker 9: and I'm just everybody now.
• 1:07:06
  Speaker 5: Seeing her.
• 1:07:07
  Speaker 2: Okay.
• 1:07:08
  Speaker 1: I love Zach, Zach, Zach, Zach, Zach, I love you, sweetheart.
• 1:07:14
  Speaker 1: He married, Well, he just has to show his penis.
• 1:07:18
  Speaker 1: You've all you got to do is basically your recipe
• 1:07:21
  Speaker 1: is ignored for three days and then whip out your penis.
• 1:07:25
  Speaker 5: I don't want a magical penis, so.
• 1:07:29
  Speaker 1: You must have a magical penis.
• 1:07:31
  Speaker 3: That should be.
• 1:07:39
  Speaker 2: Well.
• 1:07:40
  Speaker 1: We all doubted you Donald when you said that your
• 1:07:41
  Speaker 1: penis solves all your marital problems.
• 1:07:44
  Speaker 2: Wow.
• 1:07:45
  Speaker 1: Wow, let's finish up the newsletters. A lie uh Lucy
• 1:07:51
  Speaker 1: runs out of underwear and so she wears a bathing
• 1:07:54
  Speaker 1: suit to work. Turkey is auditioning new friends. The funniest
• 1:07:59
  Speaker 1: one of all was who says that he's ready to
• 1:08:01
  Speaker 1: take their relationship to the next level physically, And he.
• 1:08:05
  Speaker 3: Said, did you say physically? He goes weird five, and
• 1:08:08
  Speaker 3: then he goes get there, and then he gets there
• 1:08:11
  Speaker 3: and winks, I'm glad that Todd is still a brown.
• 1:08:15
  Speaker 1: Yeah, Todd should be in more of the show, by the.
• 1:08:16
  Speaker 3: Way, I know, right, And look, if we're going to
• 1:08:19
  Speaker 3: introduce new characters, let's at least bring back some of
• 1:08:22
  Speaker 3: the old ones for more than just their typical line.
• 1:08:26
  Speaker 1: By the way, Joelle said the show should be told
• 1:08:27
  Speaker 1: from from Drew's point of view, I think it should
• 1:08:29
  Speaker 1: be told from Todd's point of view.
• 1:08:31
  Speaker 3: I want to show that's a dangerous, dangerous show. No, no, no,
• 1:08:37
  Speaker 3: the fact that Todd is allowed to work at this space.
• 1:08:40
  Speaker 2: You're right, he's a seasoning. He's a seasoning.
• 1:08:43
  Speaker 1: You don't want to you don't want to las to
• 1:08:45
  Speaker 1: have a little salts. You don't want all salts.
• 1:08:47
  Speaker 3: No, all right.
• 1:08:49
  Speaker 2: Elliott goes home.
• 1:08:50
  Speaker 1: After talking to patient and Lucy loses faith in her snore.
• 1:08:58
  Speaker 1: Lucy banged her boyfriend while talking to her dad and
• 1:09:01
  Speaker 1: said it was the most turned on she's ever been.
• 1:09:05
  Speaker 11: Lucy a free And then at that moment, right there,
• 1:09:08
  Speaker 11: I thought to myself, Elliott should be able to relate
• 1:09:13
  Speaker 11: to this shit because she is.
• 1:09:17
  Speaker 3: Her freak flag is way more than Lucy's. So when
• 1:09:22
  Speaker 3: she said that, I expected Elliott to be like, oh, well,
• 1:09:25
  Speaker 3: there was this one time, you know what I mean?
• 1:09:28
  Speaker 4: Yes, but yes, I was so confused by the dynamic
• 1:09:31
  Speaker 4: between these two and like Elliott is classic why and
• 1:09:33
  Speaker 4: she always is bleeding hert for her students where she's like,
• 1:09:36
  Speaker 4: I really want them to like me, and I hope.
• 1:09:37
  Speaker 4: And so it was conflicting because on the one hand,
• 1:09:39
  Speaker 4: I was like, oh, maybe this is showing a lot
• 1:09:41
  Speaker 4: of growth in Elliott in that, you know, She's like, no,
• 1:09:44
  Speaker 4: it's got to be about me. We remember from the
• 1:09:46
  Speaker 4: original Scrub series, like I want to be a mom.
• 1:09:48
  Speaker 5: I'm not sure one of be a doctor all in
• 1:09:50
  Speaker 5: my life?
• 1:09:50
  Speaker 3: How to take it?
• 1:09:51
  Speaker 4: Like, so the end results sort of worked for me,
• 1:09:54
  Speaker 4: but the initial part, like I really think Elliott would
• 1:09:57
  Speaker 4: understand Lucy in a much more intimate way so quickly.
• 1:10:00
  Speaker 5: I have so much in common.
• 1:10:02
  Speaker 3: They're they're the same freaking character pretty much, you know
• 1:10:05
  Speaker 3: what I mean. It's like they put they put JD
• 1:10:09
  Speaker 3: and Elliott and smashed them together and made Lucy, you
• 1:10:12
  Speaker 3: know what I mean, all of them. It's it's it's
• 1:10:15
  Speaker 3: very clear that that's what they did, and and it
• 1:10:19
  Speaker 3: would have been. And she is more like Elliott than
• 1:10:21
  Speaker 3: she is JD. You know what I mean. Her fantasies
• 1:10:24
  Speaker 3: are Elliott, you know what I mean, but she does
• 1:10:27
  Speaker 3: fantasize like JD. Did you know. It's it's it's it's
• 1:10:31
  Speaker 3: very it's it's very upsetting in a lot of ways,
• 1:10:35
  Speaker 3: because it's like we could have went so many other ways.
• 1:10:37
  Speaker 3: We could have just made it so that this is
• 1:10:38
  Speaker 3: a completely different show with completely new characters. But we're
• 1:10:43
  Speaker 3: trying to recreate the same shit over and over again
• 1:10:47
  Speaker 3: in every episode though too. It's not like just one episode,
• 1:10:50
  Speaker 3: it's every episode. So that being said, we should probably
• 1:10:54
  Speaker 3: get to the letters. Eat these balls, Zach, eat these
• 1:11:00
  Speaker 3: balls that eat these balls ahead your sound effects machine.
• 1:11:08
  Speaker 2: Right, Steve Aoki? Who wow?
• 1:11:14
  Speaker 1: All right, let's go break, and then when we come back,
• 1:11:16
  Speaker 1: we'll play the Joel Monique is Down to Get Down
• 1:11:18
  Speaker 1: song because we know it's an audience favorite. This commercial
• 1:11:21
  Speaker 1: right here changed my life.
• 1:11:30
  Speaker 3: And we're back.
• 1:11:33
  Speaker 2: Get the world out all time. Joel Monique is down
• 1:11:39
  Speaker 2: to get down.
• 1:11:42
  Speaker 6: No matter what's between your eggs.
• 1:11:43
  Speaker 2: Tomorrow morning you could be make an egg Joel money
• 1:11:47
  Speaker 2: is down, get down.
• 1:11:49
  Speaker 5: Oh yeah, Joel Monique is down to get.
• 1:11:54
  Speaker 1: And there's the Joel song. Thank you Dan for playing that.
• 1:11:56
  Speaker 1: All right, Joel, Let's go to letters.
• 1:11:59
  Speaker 5: All right?
• 1:12:00
  Speaker 2: You know Okay, everybody ready.
• 1:12:02
  Speaker 12: Yeah, Hi, My name is Jeff Richmond from Columbia, Maryland,
• 1:12:05
  Speaker 12: and I'm calling in to talk about how I love
• 1:12:08
  Speaker 12: the episode my new girl bro. And I'll make this
• 1:12:11
  Speaker 12: very quick, but there are four reasons why I really
• 1:12:13
  Speaker 12: liked this episode. I do like that we still get
• 1:12:15
  Speaker 12: to see the funny but heartfelt, dynamic relationship between JD
• 1:12:19
  Speaker 12: and Turk. I really do think it's rare in life
• 1:12:20
  Speaker 12: to have such a close friend, and at the end
• 1:12:22
  Speaker 12: of the episode, doctor Cox told Turk how rare it
• 1:12:25
  Speaker 12: was to be able to work with your best friend,
• 1:12:27
  Speaker 12: and that to me meant a lot, because having friends
• 1:12:29
  Speaker 12: at work makes the day so much better. The second
• 1:12:32
  Speaker 12: thing is is that I love that doctor Cox treats
• 1:12:35
  Speaker 12: Lucy the same way that he treated JD during the
• 1:12:37
  Speaker 12: entire series. That line about the dumb shadow was extremely
• 1:12:41
  Speaker 12: funny and it really honors the core of the show
• 1:12:43
  Speaker 12: and the relationship between JD and doctor Cox, and also
• 1:12:46
  Speaker 12: how they're able to transfer that relationship to doctor Cox
• 1:12:49
  Speaker 12: and Lucy as well. Third, how Lucy looks up to
• 1:12:53
  Speaker 12: doctor Reid. This episode really celebrates strong, powerful and professional
• 1:12:56
  Speaker 12: women working in a traditionally male dominated field, and I
• 1:13:00
  Speaker 12: think this entire episode did a great job with this,
• 1:13:02
  Speaker 12: but specifically, you know, we were able to see the
• 1:13:05
  Speaker 12: point of view from a young lady looking up to
• 1:13:08
  Speaker 12: an older female in the same profession with more experience
• 1:13:11
  Speaker 12: in that industry.
• 1:13:12
  Speaker 3: And as I rewatched this season, you know, when I
• 1:13:15
  Speaker 3: watched it.
• 1:13:15
  Speaker 12: First, I was single with no kids, and now I
• 1:13:17
  Speaker 12: have two young children and a wife, and I was
• 1:13:20
  Speaker 12: able to kind of see how my wife was able
• 1:13:22
  Speaker 12: to make changes in her life and her professional career
• 1:13:25
  Speaker 12: as we started having children, so I was able to
• 1:13:27
  Speaker 12: relate to that a lot. And then finally, I think
• 1:13:30
  Speaker 12: one of the best gags of the entire show, that's right,
• 1:13:33
  Speaker 12: I said it when at the very end Cole says
• 1:13:36
  Speaker 12: you suck Zimmerman.
• 1:13:38
  Speaker 2: I think that whole joke about there being class.
• 1:13:40
  Speaker 12: Rankings and ended up being the ranks based on their
• 1:13:43
  Speaker 12: alphabetical last name, and his last name was double A Aaronson, And.
• 1:13:48
  Speaker 2: That bit right there, I think is extremely funny. And
• 1:13:51
  Speaker 2: thank you. Those are my quick tidbits. Thank you, Jeff.
• 1:13:57
  Speaker 3: Jeff.
• 1:13:57
  Speaker 1: Okay, Jeff, I like you, and you sound like a
• 1:13:59
  Speaker 1: nice man. I just don't agree with you.
• 1:14:04
  Speaker 2: There you go. But you know, he made some good points.
• 1:14:07
  Speaker 3: Yeah, yeah, but there are points about the old show
• 1:14:11
  Speaker 3: though the point all of the points are talking about
• 1:14:14
  Speaker 3: how this show reminds him of the old show.
• 1:14:18
  Speaker 5: You can still see her longing for the original.
• 1:14:19
  Speaker 1: But I think I think Joelle like asked someone in
• 1:14:24
  Speaker 1: her building who's a nice person to watch episode six
• 1:14:28
  Speaker 1: and be like, do to be a favorite. We can't
• 1:14:29
  Speaker 1: get anyone to say, Jeff, Jeff, Jeff, remember when I
• 1:14:34
  Speaker 1: watched Jeff, Remember when I watched your cat.
• 1:14:36
  Speaker 4: Jeff, Jeff did write it about another episode and I said, Hey,
• 1:14:40
  Speaker 4: would you like to say something nice abou episode six?
• 1:14:41
  Speaker 4: And he's so kindly sat in this voicemail. So we
• 1:14:44
  Speaker 4: appreciate you, Jeff.
• 1:14:46
  Speaker 1: Jeff, We appreciate you, to appreciate you, the fact, the
• 1:14:50
  Speaker 1: fact that we needed you, Jeff.
• 1:14:51
  Speaker 2: We needed you, Jeff, We.
• 1:14:52
  Speaker 3: Needed the fact that anyone can find helpless.
• 1:14:55
  Speaker 2: Jeff Richmond, You're our only hope.
• 1:14:57
  Speaker 3: I like this, Zach Yeah, system a system Yeah, Oh god,
• 1:15:03
  Speaker 3: come oh.
• 1:15:07
  Speaker 5: Voicemail.
• 1:15:09
  Speaker 1: That's how easy it is to get you to come.
• 1:15:10
  Speaker 1: I could do that ship so easy. Yoda, yoda, come on, baby,
• 1:15:16
  Speaker 1: you got this, You got this.
• 1:15:19
  Speaker 3: What's happening?
• 1:15:22
  Speaker 1: Ewaukee's yub Nub chicky, Why why I celebrate the live?
• 1:15:29
  Speaker 1: I don't kicking out alien the Ewakey's song made his
• 1:15:35
  Speaker 1: leg kickout. So I'm gonna I'm gonna text Casey some techniques.
• 1:15:41
  Speaker 3: First of all, I love you.
• 1:15:44
  Speaker 1: I'm gonna sing Casey the song so she knows what
• 1:15:47
  Speaker 1: to do next round. Next time you'll have a fight
• 1:15:48
  Speaker 1: and you have to get get ignored for three days.
• 1:15:51
  Speaker 3: Just sing just said, you don't even have to get
• 1:15:54
  Speaker 3: ignored for three days. And when he whips out his
• 1:15:57
  Speaker 3: pienis you don't even have to touch it.
• 1:15:58
  Speaker 1: Just yup, celebrate the life.
• 1:16:08
  Speaker 2: Yeah, all right, play this could have been a surprise
• 1:16:17
  Speaker 2: here it is.
• 1:16:20
  Speaker 13: Hi, everybody, This is Tamika. Thank you for inviting me
• 1:16:23
  Speaker 13: back for episode two. I don't know if you remember.
• 1:16:27
  Speaker 13: I did the highlights and low lights of that episode.
• 1:16:30
  Speaker 13: I did what's working and what's not working. I'm not
• 1:16:32
  Speaker 13: sure if you heard that, because I don't think I
• 1:16:34
  Speaker 13: got it to Joel in time. But for episode six,
• 1:16:37
  Speaker 13: I'm going to do what I noticed on what I wonder.
• 1:16:39
  Speaker 13: So what I noticed as I was watching this is
• 1:16:41
  Speaker 13: that I'm still laughing as I'm watching this episode, So
• 1:16:44
  Speaker 13: that means the writing is still working. And I think
• 1:16:47
  Speaker 13: specifically what's working is those moments of unpredictable humor. I'm
• 1:16:53
  Speaker 13: thinking about early in the episode when Elliott, who looked beautiful,
• 1:16:59
  Speaker 13: is talking to her and goes, he misses you too,
• 1:17:03
  Speaker 13: and Turk turns to the side and you hear the BA.
• 1:17:07
  Speaker 6: Could not have predicted that was coming. That made me laugh.
• 1:17:11
  Speaker 13: When Lucy's telling the story about how her sister has
• 1:17:14
  Speaker 13: to have sex with her fiance for the first time.
• 1:17:15
  Speaker 13: I was just sitting there listening, and then she dropped
• 1:17:18
  Speaker 13: the in case the stripper got her pregnant.
• 1:17:21
  Speaker 6: Could not have predicted that.
• 1:17:23
  Speaker 13: Had Denise started her rant toward Cole with I'm going
• 1:17:27
  Speaker 13: to get a sock and put Nickels in it, I
• 1:17:29
  Speaker 13: would have known she was going to end it with
• 1:17:31
  Speaker 13: beating him with it, because I have brothers like I
• 1:17:33
  Speaker 13: know how that goes. So it was unpredictable and funny
• 1:17:37
  Speaker 13: for me when she started out with a jar and
• 1:17:39
  Speaker 13: then still ended up with beating him with it. So
• 1:17:42
  Speaker 13: I think it's those unpredictable moments that are really still
• 1:17:45
  Speaker 13: making me laugh. So good on paper, for sure. So
• 1:17:50
  Speaker 13: what I wonder since something still isn't quite right is
• 1:17:56
  Speaker 13: the first thing I wonder is if med school was
• 1:17:58
  Speaker 13: the right setting watching people learn to do things? Isn't
• 1:18:01
  Speaker 13: that exciting? Watching people do the damn thing is way
• 1:18:04
  Speaker 13: more fun. I think about like, and I haven't seen
• 1:18:07
  Speaker 13: Rocky like the way dudes have seen Rocky, But I
• 1:18:10
  Speaker 13: feel like we don't spend a whole lot of time
• 1:18:13
  Speaker 13: watching him get ready to fight. We spend a ton
• 1:18:16
  Speaker 13: of time watching him fight, And so I think we
• 1:18:19
  Speaker 13: don't want to spend a whole lot of time watching
• 1:18:21
  Speaker 13: these kids.
• 1:18:22
  Speaker 3: Learn the doctor.
• 1:18:22
  Speaker 13: We want to watch these kids doctor, just like we
• 1:18:24
  Speaker 13: did with the first group of characters. And then I
• 1:18:29
  Speaker 13: also wonder who the target audience was. I just want
• 1:18:34
  Speaker 13: to also point out that I could recognize med School
• 1:18:36
  Speaker 13: was a way to keep some of the original players
• 1:18:39
  Speaker 13: engaged while bringing in some new people. But I think
• 1:18:43
  Speaker 13: it could have been fine just to have them be
• 1:18:45
  Speaker 13: the next crop of residents coming into the hospital and
• 1:18:48
  Speaker 13: having the existing characters be doctors in that hospital who
• 1:18:52
  Speaker 13: were truly doing cameos, because let's face it, y'all are
• 1:18:54
  Speaker 13: not doing cameos. Target audience. I'm wondering who the target
• 1:18:58
  Speaker 13: audience is because the existing audience, those existing fans we
• 1:19:03
  Speaker 13: had been watching that show for like six seven, eight years.
• 1:19:06
  Speaker 13: We were well past college age, I think, and college
• 1:19:09
  Speaker 13: kids aren't that exciting to watch unless you're in college.
• 1:19:11
  Speaker 13: Maybe if you're in high school. So I don't know,
• 1:19:14
  Speaker 13: Like I'm curious about who your target. Who the target was,
• 1:19:17
  Speaker 13: not you, but who the target was. Considering that, and
• 1:19:20
  Speaker 13: considering that it was said in med school, I wonder
• 1:19:23
  Speaker 13: what the audience investment would have been if Denise or
• 1:19:26
  Speaker 13: Drew had been the main character, because I know I
• 1:19:29
  Speaker 13: have found myself wondering what was going on in their head,
• 1:19:33
  Speaker 13: Like what would their voiceover have been. I don't really
• 1:19:35
  Speaker 13: care what Lucy's voiceovers are. I don't know why, I
• 1:19:38
  Speaker 13: just don't. I do have to give some credit to Cole.
• 1:19:40
  Speaker 13: I gotta give credit where credits due. He was funny
• 1:19:42
  Speaker 13: for like two point five seconds. It was when Drew
• 1:19:46
  Speaker 13: was late too. I guess rounds I don't know, and
• 1:19:50
  Speaker 13: he goes nice of you to join us, Drew to
• 1:19:52
  Speaker 13: call Cox's attention to it, and then Cox says something
• 1:19:55
  Speaker 13: and he goes optional, and right there you can see
• 1:19:58
  Speaker 13: the whole switch where like his eyes droop and his
• 1:20:01
  Speaker 13: voice changes to.
• 1:20:02
  Speaker 6: That like, oh, I gotta go.
• 1:20:05
  Speaker 13: You know he's now like that late nineties Limp Biscuit
• 1:20:09
  Speaker 13: fan bro. And I know you're probably waiting for me
• 1:20:12
  Speaker 13: to say, no, shade, but I'm not going to say it.
• 1:20:14
  Speaker 6: That was shady and I meant it. But he's being
• 1:20:17
  Speaker 6: he's so predictable.
• 1:20:18
  Speaker 13: When that's his delivery, and when he's in that mode
• 1:20:21
  Speaker 13: and predictable is just not funny. And I wish someone
• 1:20:24
  Speaker 13: had given him that note. So those are all of
• 1:20:26
  Speaker 13: the things that I wonder, and I wonder if those
• 1:20:29
  Speaker 13: things were different, if maybe there would have been some
• 1:20:32
  Speaker 13: chemistry between what was what was good on paper and
• 1:20:36
  Speaker 13: what was going on on the screen, and we could
• 1:20:38
  Speaker 13: have gotten some more seasons. So that's it for me.
• 1:20:42
  Speaker 13: Let me know your thoughts, and thank you for the
• 1:20:44
  Speaker 13: shout out. The other week.
• 1:20:45
  Speaker 6: My mother is convinced I'm famous.
• 1:20:47
  Speaker 2: Bye, Well, I really appreciate you.
• 1:20:51
  Speaker 1: Very very nice and very nice analysis from Tamika. I
• 1:20:55
  Speaker 1: really like the way she puts time and effort go ahead.
• 1:20:59
  Speaker 1: She was wrong about Rocky. There's a lot of training completely.
• 1:21:02
  Speaker 3: Wrong about Rocky. Is the ultimate movie of Training? Is
• 1:21:07
  Speaker 3: the hype that's not that's the hype before down Dawn.
• 1:21:16
  Speaker 2: Ahead, that ship.
• 1:21:22
  Speaker 3: That ship is hype music for a reason, because you
• 1:21:25
  Speaker 3: about to run up some motherfucking steps, You about to
• 1:21:27
  Speaker 3: beat the sheep ship out of some fucking beef.
• 1:21:33
  Speaker 2: Showing the difference. You've got to do it in Russia.
• 1:21:35
  Speaker 3: Now you gotta do it in Russia, Rocky, Now you
• 1:21:38
  Speaker 3: gotta do it in Russia. Had to do it first.
• 1:21:41
  Speaker 3: You had to do it in Philadelphia in the Philadelphia Hood.
• 1:21:44
  Speaker 3: Then fucking Polo was like, nah fuck that we going
• 1:21:47
  Speaker 3: to l A and you had to do it with
• 1:21:48
  Speaker 3: the brothers and then to beat mister t. Then you
• 1:21:53
  Speaker 3: had to do it in Russia. Rocky. You had to
• 1:21:56
  Speaker 3: do it in Russia, and you had to train there too.
• 1:21:59
  Speaker 1: So I'm just saying, all right, well, thank you, Tamika.
• 1:22:02
  Speaker 1: I did like what you said. I didn't know what
• 1:22:04
  Speaker 1: she was on with the jars thing. Is she mistaking
• 1:22:06
  Speaker 1: another episode?
• 1:22:07
  Speaker 3: No, So the scene where Cole says some shit and
• 1:22:12
  Speaker 3: Cox and Turk says, I can't right now, Denise, will
• 1:22:17
  Speaker 3: you handle this? She says absolutely. She goes, We're gonna
• 1:22:20
  Speaker 3: take all of your little dumb things that you say.
• 1:22:22
  Speaker 3: We're going to put it in a jar, nice big jar,
• 1:22:25
  Speaker 3: and we're going to fill that little jar up with
• 1:22:27
  Speaker 3: all of your dumb things, and when that jar is filled,
• 1:22:30
  Speaker 3: I'm gonna take it and I'm gonna beat you over
• 1:22:32
  Speaker 3: the head with it.
• 1:22:33
  Speaker 2: Pretty much.
• 1:22:33
  Speaker 1: I must have blocked that out, all right. Thank you, Tamika,
• 1:22:37
  Speaker 1: Thank you Jeff.
• 1:22:39
  Speaker 2: That was really great.
• 1:22:40
  Speaker 1: Joelle, thank you for helping us find those those awesome
• 1:22:44
  Speaker 1: calls out. Jelly audience, thank you so much for tuning in.
• 1:22:48
  Speaker 1: We really appreciate you spending a little bit of time
• 1:22:51
  Speaker 1: with us. If you get in a fight with your partner,
• 1:22:54
  Speaker 1: we don't endorse just taking out your penis.
• 1:22:58
  Speaker 3: Depends on how long y'all been together for.
• 1:23:00
  Speaker 1: It depends, but we do want it. We do have
• 1:23:03
  Speaker 1: anecdotal information that for some couples it doesn't work.
• 1:23:10
  Speaker 3: Listen, my wife gets the joke. She leans in with it.
• 1:23:14
  Speaker 3: We fight over dumb, dumb, dumb, dumb shit, and we
• 1:23:17
  Speaker 3: don't fight over real shit because there isn't. We don't
• 1:23:20
  Speaker 3: argue about that stuff. For some reason, we fight over
• 1:23:23
  Speaker 3: things that are I can't believe we just had an
• 1:23:27
  Speaker 3: argument and said I want to get divorced over this
• 1:23:30
  Speaker 3: dumb shit, you.
• 1:23:31
  Speaker 5: Know what I mean?
• 1:23:32
  Speaker 3: Like, I don't know about you guys and how you
• 1:23:35
  Speaker 3: are with your partners, but you know. I know you're
• 1:23:40
  Speaker 3: going to find trying. Hey, look I it works for us,
• 1:23:47
  Speaker 3: and thank god, she freaking gets.
• 1:23:49
  Speaker 1: Me my only recommendation at all, and take it from
• 1:23:52
  Speaker 1: someone who's not in a relationship, so I don't really
• 1:23:56
  Speaker 1: have any fucking leg to stand on. Would be that
• 1:23:59
  Speaker 1: maybe you wouldn't do the full three days of ignoring
• 1:24:03
  Speaker 1: each other, but suck it up and be like, I'm
• 1:24:08
  Speaker 1: sorry sooner.
• 1:24:11
  Speaker 3: Where's the fun in that though? You know what I mean?
• 1:24:13
  Speaker 2: Like being in a silent treatment with anyone in my life.
• 1:24:17
  Speaker 3: There's no we're we're we're having It doesn't work that way.
• 1:24:22
  Speaker 3: I wish, I wish it did work that way. But
• 1:24:26
  Speaker 3: you got to be in your feelings also, Man, I
• 1:24:28
  Speaker 3: gotta let my wife have her time to be angry
• 1:24:32
  Speaker 3: with me. I don't want to try and you know
• 1:24:35
  Speaker 3: what I mean, This is this is shit is forever,
• 1:24:37
  Speaker 3: you know what I mean. So if she's gonna be
• 1:24:39
  Speaker 3: angry with me for a day, I would I want
• 1:24:42
  Speaker 3: to allow her to have that shit. Fuck it. You
• 1:24:44
  Speaker 3: want to be mad at me, be mad at me,
• 1:24:46
  Speaker 3: and when you do have some shit to say, you're
• 1:24:48
  Speaker 3: gonna say that shit and we're gonna argue and we're
• 1:24:49
  Speaker 3: gonna fight about that ship, but we're also gonna make
• 1:24:52
  Speaker 3: love and we're gonna make up. You know what I mean.
• 1:24:54
  Speaker 3: This is forever, This isn't you know what I mean?
• 1:24:57
  Speaker 3: She said something that's true. We yet to have a fight,
• 1:25:01
  Speaker 3: and I hope we never have a fight about some
• 1:25:03
  Speaker 3: bullshit that that's gonna that's a real threat to our marriage.
• 1:25:08
  Speaker 3: We fight about dumb ship like that's my sock. Yes,
• 1:25:12
  Speaker 3: so fucking what you know what I mean? You know
• 1:25:15
  Speaker 3: what I mean, like that's dumb ship that doesn't that's
• 1:25:18
  Speaker 3: not gonna, that's not gonna destroy.
• 1:25:22
  Speaker 4: What.
• 1:25:22
  Speaker 3: I hope it doesn't destroy where we have. I hope
• 1:25:24
  Speaker 3: our marriage is stronger than that. I don't want to
• 1:25:26
  Speaker 3: chinx it anyway. My point is, you know.
• 1:25:28
  Speaker 1: To each you guys have a thing that works. That's
• 1:25:31
  Speaker 1: what we hear and uh and we appreciate you being
• 1:25:35
  Speaker 1: so candid with us.
• 1:25:37
  Speaker 2: And that's our show kind of sound.
• 1:25:42
  Speaker 11: Do or do not?
• 1:25:44
  Speaker 3: There is no try. I whipped up my penis and
• 1:25:47
  Speaker 3: said that before to about sure we made about a
• 1:25:54
  Speaker 3: bunch of.
• 1:25:59
  Speaker 10: That story.
• 1:26:00
  Speaker 2: Next all should know. So gather round you here, hop
• 1:26:06
  Speaker 2: gather around you here, hoard specs.
• 1:26:08
  Speaker 3: We watch your wiz and
• 1:26:12
  Speaker 6: H