Latest / Four Finger Discount (Simpsons Podcast) / The Good, The Sad And The Drugly (S20E17)

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The Good, The Sad And The Drugly (S20E17) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: I'm so sorry I tried to deny who I really was.
• 0:03
  Speaker 1: You deserved better. I'll never hurt you again. Can you
• 0:06
  Speaker 1: forgive me?
• 0:07
  Speaker 4: Oh?
• 0:07
  Speaker 2: But I was born forgiving you four finger discount dude.
• 0:29
  Speaker 3: Welcome to four figured disc out of the podcast where
• 0:32
  Speaker 3: all our phones are outdated. This week we here to
• 0:34
  Speaker 3: review the good, the sad, and the Drugly.
• 0:35
  Speaker 4: I'm Dano, and I'm guy and yes, dand I just
• 0:38
  Speaker 4: gave you a pick behind the curtain because I was
• 0:41
  Speaker 4: trying to set my phone on silent. Partly was my
• 0:44
  Speaker 4: old man pause, like you know, it's funny.
• 0:46
  Speaker 3: I actually had that ready to go regardless of what
• 0:49
  Speaker 3: just happened, because they're outdated phones in this episode.
• 0:52
  Speaker 4: Oh okay, I just happened to wake out. Though I
• 0:55
  Speaker 4: wasn't mocking you in any way, I was just patially
• 0:57
  Speaker 4: waiting for you to be done. I actually had no
• 0:59
  Speaker 4: idea what you were doing. Michael Jordan and I have
• 1:01
  Speaker 4: a great many things in common. We've both got the
• 1:04
  Speaker 4: bald head, we both are fantastic, we go hard on
• 1:07
  Speaker 4: the paint, as they say, and we both take things
• 1:10
  Speaker 4: personally so well. Okay, then let's talk about the episode
• 1:15
  Speaker 4: and my troubles with technology. But yes, the good, the sad, and.
• 1:20
  Speaker 3: The literally in my notes. I can even prove it
• 1:22
  Speaker 3: so literally right there, I believe you. I'm not going
• 1:26
  Speaker 3: to look at the top bit right there on my
• 1:28
  Speaker 3: word document.
• 1:28
  Speaker 4: Let's that's very far away. I can't see it the
• 1:31
  Speaker 4: phone seat. It's literally you think, Dan, I was just
• 1:35
  Speaker 4: coming up with a gem on straight off the dome.
• 1:39
  Speaker 4: But no, it's all scripted. That's the kind of professionalism
• 1:43
  Speaker 4: we provide you at the Forefinger Discount Network. How am mate,
• 1:46
  Speaker 4: I'm doing very well.
• 1:47
  Speaker 3: I've still got a bit of a block nose, a
• 1:48
  Speaker 3: bit of a runny nose, had a cold last week,
• 1:50
  Speaker 3: but I'm feeling very refreshed because Nicola last.
• 1:54
  Speaker 4: Sunday, let me sleep in. Do we want to hear
• 1:56
  Speaker 4: the story?
• 1:56
  Speaker 3: Ok, we slip until eleven am. Wait what I wake
• 2:00
  Speaker 3: up at like eleven am. I just she goes, yeah,
• 2:02
  Speaker 3: you just look peace. So I just let you sleep,
• 2:03
  Speaker 3: and I was like, this is the latest I've slept
• 2:06
  Speaker 3: for a long long time. Kids didn't bother me, Nikola
• 2:09
  Speaker 3: didn'tother shot the kids for a walk down to the cafe.
• 2:11
  Speaker 3: They go to coffee, hot chocolate. I just laid in bed.
• 2:13
  Speaker 3: I felt so for afresh.
• 2:15
  Speaker 4: I'm a new man. Things are going good here. I'm
• 2:17
  Speaker 4: in a good place.
• 2:18
  Speaker 3: You know that our Facebook page is back, you know,
• 2:22
  Speaker 3: healthy kids, good wife, get to do the show with
• 2:24
  Speaker 3: you for a living, good times, good times, great classic kids. Indeed,
• 2:27
  Speaker 3: I'm not I'm good. I'm not sad or drugly. I
• 2:29
  Speaker 3: probably should be drugs. Maybe that may make me feel bit.
• 2:31
  Speaker 4: Maybe you should have a little bit of suit a
• 2:33
  Speaker 4: feed or something like that. But because yeah, you've got
• 2:35
  Speaker 4: a little bit of horseness in your voice. But guess
• 2:37
  Speaker 4: what kind of sexy. But that's good to hear. I mean,
• 2:42
  Speaker 4: it's good to have a Sunday morning sleeping. It is
• 2:44
  Speaker 4: one of the great pleasures in life, a sleeping It's
• 2:46
  Speaker 4: just a great time. Anytime, it's a good time to
• 2:48
  Speaker 4: sleep in, but Sunday morning.
• 2:50
  Speaker 3: Especially kids thought it was hilarious, Like can you believe
• 2:52
  Speaker 3: they slept this Lay's daddy alt.
• 2:55
  Speaker 4: Yeah, there's a reason that the song is easy like
• 2:59
  Speaker 4: Sunday morning. Right. All this was with the Lovely Layes
• 3:02
  Speaker 4: on Sunday morning, except what was sort of the opposite. Really,
• 3:05
  Speaker 4: I mean I woke up at like six am, as
• 3:07
  Speaker 4: you do, as I do, and I just had a.
• 3:11
  Speaker 4: I had a really busy weekend and I was thinking
• 3:14
  Speaker 4: about things in my house. I was over a lose
• 3:17
  Speaker 4: and I hadn't had an opportunity to do certain things.
• 3:19
  Speaker 4: That I woke and it was like a hook in
• 3:21
  Speaker 4: my brain. It's like there are dishes in the sink,
• 3:23
  Speaker 4: the bed is unmade, there's clothes all over the place.
• 3:26
  Speaker 4: I can't just lie here and just sort of so
• 3:30
  Speaker 4: I just gaveling. Land said, honey, honey, I'm just gonna
• 3:33
  Speaker 4: hit home for a bit and tidy up my house.
• 3:36
  Speaker 4: I'll be back at nine am and we can have
• 3:37
  Speaker 4: breakfast and watch inside Welcome to Life in the fast Lane, folks.
• 3:44
  Speaker 4: She's like, yes, I just want to sleep. Why did
• 3:47
  Speaker 4: you wake me? Look? Yeah, imagine that did She woke
• 3:51
  Speaker 4: up and guy wasn't next to it. I could have
• 3:53
  Speaker 4: been abducted by aliens. That'd been pretty cool though, for
• 3:57
  Speaker 4: me and her. So yep, but a good weekend on
• 4:01
  Speaker 4: my part as well. I think I too have been
• 4:03
  Speaker 4: wrestling with a little bit of a cold. We both
• 4:05
  Speaker 4: had that sort of soft and sultry sound to our voices.
• 4:07
  Speaker 3: Well, it's winter here in Australia, so everyone's getting sick.
• 4:10
  Speaker 3: Because I've got two kids sending him to school in daycare.
• 4:12
  Speaker 3: Other parents have their kids that are sick. They're like,
• 4:14
  Speaker 3: I've got to go to work, You're gonna have to
• 4:16
  Speaker 3: go to kinder You're going to have to go to school.
• 4:17
  Speaker 4: Send their kids to school sick. They make my kids sick,
• 4:20
  Speaker 4: and it comes home. The vicious circle continues. It's winter
• 4:25
  Speaker 4: and straight and how and do you know? Why? Do
• 4:27
  Speaker 4: you know? Do you know? How? I know? How's that
• 4:30
  Speaker 4: I invested in an uddie? Oh?
• 4:32
  Speaker 3: I've got about how did you udies de reckon I have?
• 4:36
  Speaker 3: It's just you know, just your oversized hoodies, whether because
• 4:39
  Speaker 3: that's been ripped off now udies and are like that.
• 4:43
  Speaker 3: It's like yeah, but you go to like Big w
• 4:45
  Speaker 3: and it's like oversized hoodie. They're called oversized hoodies, but
• 4:47
  Speaker 3: it's like everyone has called them ooodies.
• 4:49
  Speaker 4: Yes, or you know, hey, try the audie. Yeah, as
• 4:54
  Speaker 4: I like to say, it's a sawny, it must be good.
• 4:57
  Speaker 3: What I do is I'll wait to our friends at
• 4:58
  Speaker 3: zin pop culture. At the end of winter, they just
• 5:00
  Speaker 3: have clearance sales, so they always have their uddies at
• 5:03
  Speaker 3: ninety nine dollars, right. But by the by the time
• 5:05
  Speaker 3: someone they sounds like twenty eight dollars, and I'm like,
• 5:07
  Speaker 3: that's when I'm cleaning up, dude, this is.
• 5:09
  Speaker 4: Guy David's talking. Do you think I've got a payful
• 5:10
  Speaker 4: price for that shit? I think the algorithm heard me
• 5:14
  Speaker 4: say it's cold in here. There must be some toros
• 5:17
  Speaker 4: an atmosphere. I'm glad you said that. The movie guy
• 5:21
  Speaker 4: with Marlton Davis. Bring it on.
• 5:24
  Speaker 3: Is it possible to say it's cold in here without
• 5:26
  Speaker 3: saying there must be torus in the atmosphere. I don't
• 5:27
  Speaker 3: think it's possible, right.
• 5:29
  Speaker 4: I don't think it is. We're getting all Sparky Pilastri
• 5:32
  Speaker 4: up in it. That was his name, right, who's that
• 5:36
  Speaker 4: the choreographer? Was it sparky No? Spirit fingers? Yeah, spirit fingers?
• 5:40
  Speaker 4: And he saying cheerleaders, a ballerina has gone our word
• 5:45
  Speaker 4: or something? Bring it on? What's the old choreographers have
• 5:48
  Speaker 4: a look. I'm pretty sure it's Sparky Polastrie. I never
• 5:51
  Speaker 4: will doubt you.
• 5:52
  Speaker 3: It doesn't say his knee, Sparky Pilastri. Yeah, well done,
• 5:56
  Speaker 3: Ian Roberts as Sparky Polastric have.
• 5:57
  Speaker 4: An unforgettable name. But yeah, the older woman rhythm must
• 6:04
  Speaker 4: have heard me go, hmm, the pilotline of my gas
• 6:07
  Speaker 4: heater is out. It's still not fixed. I did a
• 6:10
  Speaker 4: little googles, like when I repair people Gelong region. I
• 6:15
  Speaker 4: think it's still searching. My heat is pretty antiquated, so
• 6:18
  Speaker 4: I was like, what comes upodies, how prays unsealed? Visit
• 6:23
  Speaker 4: our side. I'm like, they're always on. I didn't answer
• 6:27
  Speaker 4: your question before. How many hooodies in this house or
• 6:29
  Speaker 4: how many oversized footies in this I'm gonna the over
• 6:32
  Speaker 4: under on this.
• 6:33
  Speaker 3: I'm going to say seven me personally, the whole house. No no, no,
• 6:37
  Speaker 3: me personally, I've got about twelve.
• 6:45
  Speaker 4: Okay, understandable. They're fun, they're warm, oh yeah, they bring
• 6:50
  Speaker 4: some they bring some brightness to winter. There are a
• 6:54
  Speaker 4: few over it lose house. And she said, do you
• 6:57
  Speaker 4: want one of those? Do you know my big for
• 7:00
  Speaker 4: you help keep you warm? And these chili times, I'm like, hoodie,
• 7:03
  Speaker 4: come on, man, cool so warm, guys, a little cooler
• 7:06
  Speaker 4: than that, even in cool temperatures, sitting there putting together
• 7:11
  Speaker 4: my nose for full finger discount, so freezing, freezing. It
• 7:15
  Speaker 4: comes up and like I'm getting anody, guys, I'm doing it.
• 7:19
  Speaker 4: And that's right, just got the message ding arriving today.
• 7:23
  Speaker 4: Oh yeah, so when we never looked back, you'll have
• 7:25
  Speaker 4: twelve soon. It's all's about the US. I can wrap
• 7:29
  Speaker 4: myself up. Yeah, why are we talking about that? We
• 7:33
  Speaker 4: just talk about stuff cold. Oh that's right, yes, and
• 7:38
  Speaker 4: you've had a bit of a cold. But now I've
• 7:39
  Speaker 4: got an ooty. But guess what, We're going to keep
• 7:41
  Speaker 4: ourselves warm and you guys as well by talking about
• 7:45
  Speaker 4: the good, the bad, and the drug ly.
• 7:46
  Speaker 3: Yes, Now, this episode, there's two ways of looking at this.
• 7:48
  Speaker 3: When I first I watched it twice. So first time
• 7:50
  Speaker 3: I watched it went, I was.
• 7:51
  Speaker 4: Only looking at it one way, So tell me about
• 7:52
  Speaker 4: the other one.
• 7:52
  Speaker 3: It's just kind of like you're watching this going this
• 7:54
  Speaker 3: feels like several stories that we've seen before. You say,
• 7:58
  Speaker 3: it's just a love joy without the twist. Sure, you know,
• 8:00
  Speaker 3: he just falls in love with somebody and that's it, right,
• 8:03
  Speaker 3: Bart's friend falls in love a season two episodes, Season
• 8:05
  Speaker 3: three pisod maybe season season three episode where Millhouse falls
• 8:08
  Speaker 3: in love with a girl and Bart's jealous with This
• 8:10
  Speaker 3: time it's Millhouse who's jealous. That's the same kind of
• 8:12
  Speaker 3: story there. We've had numerous episodes with Bart being on
• 8:16
  Speaker 3: drugs or home run marijuana, that kind of thing, and
• 8:19
  Speaker 3: they go into the rawin sort of fantasy land. Similar
• 8:21
  Speaker 3: here with Lisa. However, I was in fact a fan
• 8:24
  Speaker 3: though of the Bart Millhouse aspect here where it was
• 8:27
  Speaker 3: nice to see Bart finally show some appreciation for Millhouse,
• 8:31
  Speaker 3: because Millhouse, by this point in the show, he's almost
• 8:34
  Speaker 3: become just like this punching bag that Bart almost resents
• 8:38
  Speaker 3: with him. It's almost like he's being his friend out
• 8:40
  Speaker 3: of pity.
• 8:41
  Speaker 4: But that's little. They're best friends. Absolutely. Yeah, it does
• 8:44
  Speaker 4: feel at times like Bart's almost got some degree of
• 8:47
  Speaker 4: self loathing that someone like Millhouse is his best friends, Like, oh, man,
• 8:51
  Speaker 4: can't I do better than this? Or he bring he
• 8:52
  Speaker 4: keeps Millhouse a man to make himself feel better. Yeah,
• 8:55
  Speaker 4: it's quite an unhealthy, dysfunctional friendship dynamic at times. So yeah,
• 9:01
  Speaker 4: this was actually kind of nice at the end when
• 9:03
  Speaker 4: there's some degree of recognition, He's like, this guy is
• 9:06
  Speaker 4: my friend. This guy has stuck through me through thick
• 9:09
  Speaker 4: and thin, even when I've treated him badly. I mean,
• 9:13
  Speaker 4: do you think there's enough of an acknowledgment from Bart
• 9:15
  Speaker 4: that he's been kind of a friend. I think he did.
• 9:19
  Speaker 3: I mean him going there and saying I should never
• 9:21
  Speaker 3: have done this, I should never have him apologizing. I
• 9:24
  Speaker 3: thought was a genuinely nice, sweet moment at the end there,
• 9:27
  Speaker 3: And I just think it was nice showing that he
• 9:29
  Speaker 3: showing Millhouse and showing us that.
• 9:30
  Speaker 4: He wants Millhouse around. Yeah. I think something that the
• 9:33
  Speaker 4: show does and maybe has done more frequently more recently
• 9:38
  Speaker 4: in terms of like the episodes we're talking about, seasons twenty, twenty,
• 9:41
  Speaker 4: nineteen eighteen, and whatever. Someone in the Simpsons family, usually
• 9:45
  Speaker 4: Homer will behave badly for the for ninety eight percent
• 9:50
  Speaker 4: of the episode, and then at the end it'll be
• 9:52
  Speaker 4: kind of like Marge, I love you, family, I love you. Oh,
• 9:56
  Speaker 4: it happened last week.
• 9:58
  Speaker 3: It literally happened last week when it was Homer was
• 10:01
  Speaker 3: meant to be watching Maggie and he took it to
• 10:02
  Speaker 3: the park, and it just ends with Homer Simpson, you're
• 10:05
  Speaker 3: a strong finisher.
• 10:06
  Speaker 4: Yes, Whether that's sort of a meta commentary on the
• 10:09
  Speaker 4: show itself from the writers, who knows, but yeah, it
• 10:11
  Speaker 4: feels like that that's happening more and more, that there'll
• 10:14
  Speaker 4: be bad behavior, bad behavior, bad behavior, recognition mea culper. Okay,
• 10:19
  Speaker 4: everything's back to normal. Everything's good. You're still the characters
• 10:21
  Speaker 4: we know and love. Yeah.
• 10:23
  Speaker 3: I do find though that in recent seasons, March forgives
• 10:25
  Speaker 3: Homer for doing barely anything. It's like he's been a
• 10:28
  Speaker 3: horrible human being for twenty one minutes. He said, one
• 10:31
  Speaker 3: nice thing, you've just forgiven him. But I do think
• 10:35
  Speaker 3: it was nice him going to buy the flowers. They
• 10:36
  Speaker 3: tried to do the whole bait and switch, but he
• 10:37
  Speaker 3: knew it was coming. He knew it wasn't going to
• 10:38
  Speaker 3: go to what was her name, Jenny, Jenny.
• 10:42
  Speaker 4: Playby and Hathaway.
• 10:45
  Speaker 3: I will say that having a star like Anne Hathaway,
• 10:47
  Speaker 3: she has said that it's one of her favorite things
• 10:49
  Speaker 3: she's ever done in her career, being on the Simpson's
• 10:50
  Speaker 3: Huge Star. She actually comes and does another role like
• 10:53
  Speaker 3: krusty psychic Princess Penelope. I think your name is Okay,
• 10:57
  Speaker 3: great role. This one here is so forgettable. How many
• 11:00
  Speaker 3: times is Bart fall in love with these characters? They
• 11:01
  Speaker 3: get a female guest fall in love with Bart, be
• 11:03
  Speaker 3: a girlfriend, Bart knocks her up or whatever.
• 11:05
  Speaker 4: It's like no, no, and it's just it's just funny
• 11:10
  Speaker 4: to hear those that doesn't forgettable roles. They really are.
• 11:13
  Speaker 4: I'm glad you brought this up because I'm glad you
• 11:15
  Speaker 4: said it.
• 11:16
  Speaker 3: Yeah, because you could have said this was trust me
• 11:18
  Speaker 3: Neil and Will Oh yeah whatever, there's there's nothing to it.
• 11:20
  Speaker 4: Yeah, Anne Hathaway is a professional. Yeah, almost to a fault,
• 11:24
  Speaker 4: you know. I mean, you had a lot of people
• 11:26
  Speaker 4: sort of ragging on it during that time when people
• 11:28
  Speaker 4: didn't like Anne Hathaway. It's like, oh, she's too polish,
• 11:31
  Speaker 4: he's too professional, she's too much of a theater kid.
• 11:34
  Speaker 4: She's not doing Hi, I'm An Hathaway and I'm on
• 11:37
  Speaker 4: the Simpsons. She's no, I'm here to play Jenny. I'm
• 11:40
  Speaker 4: gonna play Jenny. So yeah, what I've written down here
• 11:44
  Speaker 4: is like, she's not bad in this by any stretch,
• 11:48
  Speaker 4: but she's not super memorable. I mean, and even by
• 11:50
  Speaker 4: the terms of professional actors or name actors who come
• 11:54
  Speaker 4: on and play characters not necessarily themselves. My go to,
• 11:58
  Speaker 4: and this is always Edwin Norton. I thought he did. Yeah,
• 12:02
  Speaker 4: he was fine. The Triple Threat. Yeah, Triple Threat. Of course,
• 12:06
  Speaker 4: love that bit. But at the same time, I like,
• 12:09
  Speaker 4: I don't think I put him in my Top ten
• 12:11
  Speaker 4: or even Top twenty Simpson's Guest Stars or something like that.
• 12:15
  Speaker 4: But at the same time, he committed to the bit
• 12:17
  Speaker 4: and he gave a proper performance, which is what a
• 12:19
  Speaker 4: proper actor does. And that's what Anne Hathaway is doing here.
• 12:22
  Speaker 4: I mean, yeah, she's working with what she's given and
• 12:24
  Speaker 4: she's making the most of what she's given. But yeah,
• 12:27
  Speaker 4: the thing of it is, Jenny is just not that
• 12:29
  Speaker 4: memorable a character in all that memorable story. I mean,
• 12:32
  Speaker 4: she's really just sort of good. It's incorrect to call
• 12:37
  Speaker 4: her a chaos agent because she's not that. But she
• 12:40
  Speaker 4: is the one that sort of instigates a little bit
• 12:41
  Speaker 4: of chaos between Barton Millhouse just by virtue of who
• 12:45
  Speaker 4: she is. Yeah, yeah, and where she's ended up in
• 12:48
  Speaker 4: this quote unquote relationship. So look, I wouldn't call it
• 12:54
  Speaker 4: a waste of Anne Hathaway. No. I mean, if Anne
• 12:57
  Speaker 4: Hathaway wants to be on your show and is excited
• 13:01
  Speaker 4: about doing it, yeah you're not gonna say no. But
• 13:06
  Speaker 4: you mentioned the other episode that she's in, and that's
• 13:08
  Speaker 4: a better fit for it. Use great role. Look, this
• 13:12
  Speaker 4: is going to turn into me being Rolph Wigan. I
• 13:15
  Speaker 4: love Anne Hathaway. When I grow up, I'm going to
• 13:17
  Speaker 4: marry her. But I've always had a lot of time
• 13:19
  Speaker 4: for her. I've always thought she's a really talented performer, naturally,
• 13:23
  Speaker 4: but she's also got a real sort of wild and
• 13:27
  Speaker 4: daring streak in her that sometimes comes out. I love
• 13:31
  Speaker 4: the Oceans movie, the Ocean's eleven twelve thirteen movie, but
• 13:34
  Speaker 4: they made a version called Ocean's Eighth which was a
• 13:38
  Speaker 4: female and like women, so of course I don't get
• 13:43
  Speaker 4: these chicks out of my Oceans movie. No, no. I
• 13:47
  Speaker 4: was really looking forward to it, yes, and it didn't
• 13:50
  Speaker 4: turn out to be that great that. I don't think
• 13:52
  Speaker 4: the con was all that good. I don't think the
• 13:54
  Speaker 4: chemistry between the team was all that great. But what
• 13:57
  Speaker 4: was great was Anne Hathaway playing this movie star character
• 14:01
  Speaker 4: who's kind of the target of the con. She was
• 14:05
  Speaker 4: really funny, really sexy. It was just a great performance.
• 14:08
  Speaker 4: I like, why isn't the whole movie about her?
• 14:10
  Speaker 3: So, you know, we were a Netflix mini series on
• 14:13
  Speaker 3: just this character pretty much's you know.
• 14:15
  Speaker 4: Sort of a list who realized, oh, I've got a
• 14:18
  Speaker 4: talent for the con and I really enjoy it, and
• 14:22
  Speaker 4: you know, it's like why do we know a whole
• 14:23
  Speaker 4: show about her, so she's capable of really great stuff,
• 14:26
  Speaker 4: and hearing that she has this role later on playing
• 14:29
  Speaker 4: like I guess Krusty's sidekick.
• 14:31
  Speaker 3: Or she kind of replaces Krusty to an extent. Because
• 14:33
  Speaker 3: everyone likes her, you'll really like this episode.
• 14:36
  Speaker 4: Yeah, apologies, that's guys crushworthy moment over and we'll talk
• 14:40
  Speaker 4: about the rest of the episode. Yeah, but no, I'm
• 14:44
  Speaker 4: but I'm glad we're on the same page with that.
• 14:46
  Speaker 4: That's that Anne Hathaway is good, but not necessarily it
• 14:50
  Speaker 4: doesn't necessarily bring all that much to the table. The
• 14:53
  Speaker 4: character doesn't The character doesn't you right?
• 14:54
  Speaker 3: I also think I'm willing to give bart an out
• 14:57
  Speaker 3: of forgetting Millhouse as well, because picture yourself and this
• 15:00
  Speaker 3: older girl who's lovely attractive and it's interested in you.
• 15:05
  Speaker 3: That's that would consume you. Not that it's ever happened
• 15:08
  Speaker 3: to me, but I can imagine ten year old me going,
• 15:10
  Speaker 3: this older girl likes me. Screw my friends, I am
• 15:13
  Speaker 3: just going to be just focused on this girl.
• 15:15
  Speaker 4: Now. Oh, sure, you when you're at that young age
• 15:20
  Speaker 4: and some anyone shows any sort of romantic and interest
• 15:24
  Speaker 4: in you, when you're starting to sort of get a
• 15:26
  Speaker 4: hand along, like, oh, there is this thing called love
• 15:29
  Speaker 4: and romance and I don't know, maybe making out. Wow, yeah,
• 15:33
  Speaker 4: this is my thing. Now, why is everybody doing this?
• 15:36
  Speaker 4: You're working it out at the same time. Do I
• 15:38
  Speaker 4: do here? And then someone comes along who's like, Oh,
• 15:41
  Speaker 4: they're a little bit more mature than me. It's seen
• 15:43
  Speaker 4: a little bit more of the world. And wait a minute,
• 15:44
  Speaker 4: they're in just in me, a little old me. Yeah,
• 15:48
  Speaker 4: you become laser focused under that. This happened to me
• 15:51
  Speaker 4: when I was like maybe eleven or twelve years old
• 15:53
  Speaker 4: and there was a girl who was like thirteen or fourteen.
• 15:58
  Speaker 4: I was clearly like I was a mouse and she
• 16:00
  Speaker 4: was the cat, and she was batten me around for
• 16:05
  Speaker 4: her own amusement. I don't think she was being she's many.
• 16:11
  Speaker 4: I don't think she was being evil. I don't think
• 16:13
  Speaker 4: she was being doing it out of malice or spider
• 16:15
  Speaker 4: or anything like that. I think she just realized I
• 16:18
  Speaker 4: got this, I got this kid on a wire. I
• 16:20
  Speaker 4: can just do whatever I please and it'll probably boost
• 16:23
  Speaker 4: her ego a little bit for someone to be looking
• 16:25
  Speaker 4: at her with just heart eyes. So yeah, Bridget I
• 16:30
  Speaker 4: don't I don't begrudge it. Did you ever read her diary?
• 16:34
  Speaker 4: Never did? It's probably just same, But yeah, I can.
• 16:40
  Speaker 4: I can wholly relate and appreciate what happened here with
• 16:44
  Speaker 4: Barton Millhouse in that regard.
• 16:46
  Speaker 3: With Millhouse as well. Oh you fell on the sword
• 16:49
  Speaker 3: for your buddy, and now he's just left you. Yea,
• 16:51
  Speaker 3: even though he came to your houses. That I'll come
• 16:52
  Speaker 3: back every day and see you Mcgranted it's only been
• 16:54
  Speaker 3: a week, but.
• 16:54
  Speaker 4: Still that's I think we were just saying before we started,
• 16:59
  Speaker 4: before we turned the mind about you know, the weird
• 17:02
  Speaker 4: and elastic nature of time as you get older gets
• 17:05
  Speaker 4: a little bit faster. We're running out the clock when
• 17:08
  Speaker 4: you're young. Oh my god, these days are lasting for ever.
• 17:11
  Speaker 4: This week a whole week that lasts a very very
• 17:15
  Speaker 4: long time. So wait, May's finished. In July bended, we're
• 17:22
  Speaker 4: approaching the July off Ramdom. There's something else I wanted
• 17:26
  Speaker 4: to talk about, just quickly, in regard to the I
• 17:30
  Speaker 4: guess Barton Geny relationship as well. Is how I guess
• 17:34
  Speaker 4: sometimes you can enter in relationship with someone or have
• 17:38
  Speaker 4: feelings or affection or a crush on someone who will
• 17:41
  Speaker 4: you feel will make you a better person. You know,
• 17:44
  Speaker 4: there's that line. I think it's a from the Jack
• 17:46
  Speaker 4: Nicholson movie as good as it gets, Oh, you make
• 17:48
  Speaker 4: me want to be a better man. Her name is Nikola,
• 17:51
  Speaker 4: her name is Louis. Yeah. I really liked the idea,
• 17:58
  Speaker 4: and they've explored it before on The Simpsons, but I
• 18:02
  Speaker 4: thought they handled it pretty well here. The fact that, oh,
• 18:05
  Speaker 4: this person's genuinely good and they sort of see that
• 18:10
  Speaker 4: I could be genuinely they see that kind of potential
• 18:12
  Speaker 4: in me. I know that's not nice. No one else
• 18:13
  Speaker 4: can see it, but this person, this person sees it.
• 18:16
  Speaker 4: And also, well, they're kind of pretty and kind of
• 18:19
  Speaker 4: kind of sweet and.
• 18:20
  Speaker 3: Granted, butts pretending here? Oh yeah, But the thing is,
• 18:25
  Speaker 3: you finish what you're gonna say, and I'll continue. I
• 18:27
  Speaker 3: think the further it goes along is like, would it
• 18:29
  Speaker 3: be it'd be nice to be nice. I'm actually becoming
• 18:32
  Speaker 3: a better person. I'm not really pretending anymore. Yeah, you
• 18:35
  Speaker 3: can't clean. I used to be this guy because I
• 18:38
  Speaker 3: felt sorry for bart because she left him. Obviously, by
• 18:40
  Speaker 3: the end of it, he wasn't being this not she
• 18:43
  Speaker 3: was actually changing, making him a better person.
• 18:45
  Speaker 4: Yeah, and he wanted to be a better as sort
• 18:47
  Speaker 4: of you know, put Elbato behind him. He was becoming
• 18:50
  Speaker 4: a girl as much Cordio. So I really like that
• 18:55
  Speaker 4: aspect of it because I find it's something I find
• 18:57
  Speaker 4: very very interesting in relationships that well, certainly in my relationship. Yeah,
• 19:02
  Speaker 4: you you'll fall in great like or in love with someone,
• 19:07
  Speaker 4: and just like I really want to live up to
• 19:09
  Speaker 4: the example or the image that they have of me.
• 19:14
  Speaker 4: I want them to be proud of me. I want
• 19:15
  Speaker 4: I wanted to deserve them essentially.
• 19:18
  Speaker 3: And not that you don't to not be who you are.
• 19:20
  Speaker 3: You want to just improve yourself. You want to be
• 19:22
  Speaker 3: a better person, could be the better version of yourself
• 19:24
  Speaker 3: that you know you could be. But they're breaking it
• 19:25
  Speaker 3: out of you exactly.
• 19:26
  Speaker 4: Start making your bed, brushing your teeth.
• 19:29
  Speaker 3: What a concept of cleaning your house, doing the dishes,
• 19:33
  Speaker 3: waking up, feeding the cat that.
• 19:36
  Speaker 4: Was the only thing I had to do that morning.
• 19:38
  Speaker 4: Is like, I think I've fed the cat in the
• 19:39
  Speaker 4: day or so now.
• 19:41
  Speaker 3: In regards to Lisa's b plot, here she's on the medication.
• 19:44
  Speaker 3: While still allowed for some funny visuals with the faces
• 19:47
  Speaker 3: and whatnot, it didn't really go anywhere. It was just
• 19:50
  Speaker 3: she was on them and then she was off them.
• 19:53
  Speaker 4: Yeah, that was it. That was it was I've written
• 19:55
  Speaker 4: down here. Actually, it's like this whole Lisa b plot
• 19:59
  Speaker 4: is a little shallow.
• 20:00
  Speaker 3: Yeah, there's no afterthought to it besides Lisa's scene. But
• 20:02
  Speaker 3: in the QUICKI mart saying, you know, I learned that
• 20:04
  Speaker 3: you need to face the challenges head on and blah
• 20:06
  Speaker 3: blah blah. But I'm thinking the Lisa that we know
• 20:10
  Speaker 3: wouldn't go on these drugs.
• 20:12
  Speaker 4: It just felt se convend.
• 20:13
  Speaker 3: I know she was in a bit of a bad place,
• 20:14
  Speaker 3: but I still can't buy Lisa would accept medication that's
• 20:17
  Speaker 3: going to change her thought process.
• 20:19
  Speaker 4: That's right. I mean, I know that you're very fond
• 20:22
  Speaker 4: of the episode, and forgive me the title escapes me,
• 20:25
  Speaker 4: but the one where Lisa is essentially depressed and Marge Lisa, Yeah,
• 20:29
  Speaker 4: Marge says be depressed. Yeah, and you want to be sad,
• 20:32
  Speaker 4: be sad, but you want to sad, be sad. Yeah,
• 20:34
  Speaker 4: and we'll be with you every step of the wok.
• 20:37
  Speaker 4: You love it. I love it. I think it's just
• 20:39
  Speaker 4: a great sort.
• 20:40
  Speaker 3: Of acknowledged understanding of people go through things, and drugs
• 20:44
  Speaker 3: aren't always the answer. Sometimes you can't fix them. Sometimes
• 20:47
  Speaker 3: it's just you. You just be you, you be.
• 20:51
  Speaker 4: If you feel how you want to feel, and I'll
• 20:52
  Speaker 4: be here to support you through it. Yeah. Now I'm
• 20:55
  Speaker 4: not saying that to say, look, the talking cure is
• 20:58
  Speaker 4: best or the simple you know, just being there is best.
• 21:00
  Speaker 4: And there's no room for pharmaceuticals. There's only room for pharmaceuticals. Yeah,
• 21:04
  Speaker 4: you've got to be careful how you administer and all
• 21:06
  Speaker 4: that kind of business. But comparing mon Lisa with this
• 21:12
  Speaker 4: episode sort of tackling the same topic of you know,
• 21:15
  Speaker 4: mental health and how to treat it and how to
• 21:17
  Speaker 4: sort of no best look after yourself in that regard, Yeah,
• 21:22
  Speaker 4: this just felt oh okay, well we'll just do it
• 21:25
  Speaker 4: this way. And it makes for a funny visual that
• 21:28
  Speaker 4: she sings smiley faces everywhere. Not much to it, not
• 21:32
  Speaker 4: much to it, unfortunately. Yeah. Yeah, it's just the visual.
• 21:36
  Speaker 4: It's visual gags, that's all it is. Really.
• 21:37
  Speaker 3: That's for an issue that's quite sensitive. I thought it
• 21:40
  Speaker 3: just felt too bare bones. Because Lisa we've established in
• 21:44
  Speaker 3: previous episodes she's got a very addictive personality. I think
• 21:47
  Speaker 3: they really needed to tap into that. I can't see
• 21:49
  Speaker 3: someone like Lisa Marjoro's that's it, you're off the pills.
• 21:52
  Speaker 3: It's like, well, she's clearly enjoying them, on them, enjoying
• 21:56
  Speaker 3: being on them. Nay, you're just going to say you
• 21:57
  Speaker 3: can't have them anymore.
• 21:58
  Speaker 4: That's it. She's just going to be fine that It's
• 22:00
  Speaker 4: just yeah, yeah, I mean it's a quick fix for
• 22:02
  Speaker 4: a quick fix. Yeah, it doesn't work. I guess it's
• 22:05
  Speaker 4: a twenty two minute episode. But if you don't have
• 22:06
  Speaker 4: someone on drugs, you can't just say you're off them. Now,
• 22:09
  Speaker 4: that's not how it works. Yeah, I mean that it's
• 22:11
  Speaker 4: probably going to create even more of a psychological and
• 22:14
  Speaker 4: emotional imm balance. So it's just a Simpson it's just
• 22:17
  Speaker 4: an animated show. But I thought, you know, just yeah,
• 22:19
  Speaker 4: but on a topic like this, and look, it's getting
• 22:23
  Speaker 4: more and more prevalent every day. I mean, so when
• 22:27
  Speaker 4: was this I'm jumping on as episode AD in two
• 22:30
  Speaker 4: thousand and nine. Okay, I think we've been talking about, oh,
• 22:35
  Speaker 4: we're giving our kids too many pills as opposed to,
• 22:37
  Speaker 4: you know, letting them run free, and you know, all
• 22:40
  Speaker 4: that kind of business. Yeah, even at this stage of
• 22:43
  Speaker 4: the proceedings though, even in two thousand and nine. I
• 22:45
  Speaker 4: think it's it's a little shallow to be handling it
• 22:47
  Speaker 4: just like this. He did a similar episode with Bart
• 22:49
  Speaker 4: where he was on it's like the version of Ridlin
• 22:54
  Speaker 4: but what do they call it? Probably was really well
• 22:57
  Speaker 4: their version of version of yeah, yeah, and you know
• 23:00
  Speaker 4: he's becoming conspiracy theorist and bah blah. Because it was good.
• 23:03
  Speaker 4: It was to control his.
• 23:03
  Speaker 3: Ad D behavior, ADHD behavior, and this one here it's
• 23:06
  Speaker 3: just Leasa is depressed.
• 23:07
  Speaker 4: We need to make it happier. And I was like,
• 23:09
  Speaker 4: marginal people should not be approving this well exactly given
• 23:13
  Speaker 4: what we were talking about before with that, with that
• 23:14
  Speaker 4: previous episode and that lovely sort of I want to
• 23:16
  Speaker 4: say pep talk, but yeah, that sympathetic chat that she
• 23:20
  Speaker 4: had with.
• 23:20
  Speaker 3: Her Yeah, were speaking about last week's episode. By the way,
• 23:24
  Speaker 3: the similarities with the Homer just sort of getting his
• 23:26
  Speaker 3: way out of trouble. I actually found similarities just with
• 23:28
  Speaker 3: the stories in general, where someone who doesn't usually have
• 23:32
  Speaker 3: a love in their life has a love in their life.
• 23:34
  Speaker 3: They become a different person. But then when the real
• 23:36
  Speaker 3: version of the stuff comes out, the person just leaves
• 23:38
  Speaker 3: them and then we get a sweet ending.
• 23:40
  Speaker 4: It's any teeny mimo. Oh, yeah, it's a similar thing.
• 23:45
  Speaker 3: It's a similar kind of templates. Yeah, it's not the same,
• 23:48
  Speaker 3: but it's a similar template. Yeah, or certainly similar ideas
• 23:51
  Speaker 3: being explored. Yeah, just through Yeah, the lens of a
• 23:54
  Speaker 3: different character, being a better version of yourself and then
• 23:56
  Speaker 3: the real version of yourself, but not the real version.
• 23:58
  Speaker 3: Bart was different here because mo in that episode, he
• 24:02
  Speaker 3: at least he was making cracking those gags and whatnot.
• 24:04
  Speaker 3: He was trying to change for her. But just said
• 24:06
  Speaker 3: to Jenny here, this is who I used to be,
• 24:09
  Speaker 3: but I'm different now. And she's just like, nah, you
• 24:11
  Speaker 3: lied to me. I'm leaving, Which is why I felt
• 24:13
  Speaker 3: sorry for Bart, because he was actually making a genuine effort.
• 24:15
  Speaker 4: Yeah. Yeah, you would hope that someone like Jenny, who
• 24:20
  Speaker 4: appears to be very sweet, very generous, hopefully she would
• 24:25
  Speaker 4: be very forgiving.
• 24:27
  Speaker 3: Well, they did actually animate her face quite well in
• 24:29
  Speaker 3: that scene. You can sort of see the thought process
• 24:31
  Speaker 3: going through her mind. She's like, oh, yeah, but you're
• 24:34
  Speaker 3: lied to me. Oh but yeah, but you're lied to me.
• 24:37
  Speaker 4: That's the kind of act Anne Hathaway is. The power
• 24:39
  Speaker 4: of the performance comes through in the animation, but.
• 24:43
  Speaker 3: It's also the introduction of Shorna this episode here, Shorta
• 24:46
  Speaker 3: becomes a staple of the of the show. I won't
• 24:49
  Speaker 3: leave who Shell reveal who she is.
• 24:50
  Speaker 4: I know who she becomes.
• 24:51
  Speaker 3: She's actually related to a particular character. She's somebody's daughter.
• 24:54
  Speaker 3: We find out in future episodes. But I actually don't
• 24:57
  Speaker 3: mind the fact that this could She could have easily
• 24:59
  Speaker 3: just in one note character here, But I think having
• 25:02
  Speaker 3: a female aspect of the boys will freshen up that stick.
• 25:05
  Speaker 4: That's that's very true. Not to jump ahead to favorite moments,
• 25:09
  Speaker 4: but yeah, the greenest of green. Let's get to a
• 25:13
  Speaker 4: favorite moments? Should Let's do it? Have I ruined your
• 25:17
  Speaker 4: meticulously planned schedule? The next part after Shauna was favorite moments,
• 25:21
  Speaker 4: So let's do it.
• 25:23
  Speaker 3: Four figure discount is brought to you by our incredible
• 25:26
  Speaker 3: supporters on Patreon. With your support, we're able to hire editors,
• 25:30
  Speaker 3: purchase new equipment, and everything else that goes into producing
• 25:32
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• 25:36
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• 25:42
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• 25:45
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• 25:48
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• 25:50
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• 25:53
  Speaker 4: Hey, my favorite quote forget Jenny hod Damn Shawna. It
• 26:00
  Speaker 4: just seems like a good hang. But then the last
• 26:05
  Speaker 4: time I said this about a young lady, it was
• 26:07
  Speaker 4: the Hawk Twarker. She seems like a cool person. Does
• 26:11
  Speaker 4: she exist anymore? Not? No, not anymore, she has just vanished.
• 26:18
  Speaker 1: No.
• 26:20
  Speaker 4: Yeah, the lure of that sweet sweet crypto bucks just
• 26:24
  Speaker 4: just for her in And then she got involved in
• 26:26
  Speaker 4: some kind of weird rug pool or something like that,
• 26:29
  Speaker 4: and everyone's like, oh, we trusted you. You seemed like
• 26:35
  Speaker 4: a nice cow. But yeah, sure, that was just a
• 26:38
  Speaker 4: great little bit. And I'm glad to hear that. Yeah,
• 26:43
  Speaker 4: We're gonna get more short in our future, because in
• 26:45
  Speaker 4: this episode just seemed like a nice little sprinkling of spices.
• 26:48
  Speaker 4: It's like, oh, wow, a new character who seems kind
• 26:51
  Speaker 4: of interesting, and you're right that having a adding yeah,
• 26:53
  Speaker 4: a female element to the bully cop.
• 26:56
  Speaker 3: It's almost got to the point where I feel like
• 26:57
  Speaker 3: they don't really know what to do with the bullies anymore.
• 26:59
  Speaker 3: It's just that dumb people aren't really fearing of them anymore.
• 27:03
  Speaker 3: It's just it's kind of just.
• 27:05
  Speaker 4: A bland stick now. Yeah, they're just kind of pisted. Yeah, yeah,
• 27:09
  Speaker 4: as opposed to like a threat or you know, just
• 27:13
  Speaker 4: this sort of constant existential doom that exists for young children.
• 27:20
  Speaker 4: You have to sort of walk past a certain bus
• 27:22
  Speaker 4: stop or you know, I've got this person in my
• 27:24
  Speaker 4: class and it's gonna make my life. Hell yeah. Now,
• 27:26
  Speaker 4: it's just like we're gonna have to make life unpleasant
• 27:29
  Speaker 4: for a reason.
• 27:31
  Speaker 3: And it would make sense that they're trying to impress
• 27:33
  Speaker 3: a girl. Oh yeah, those guys in particular.
• 27:38
  Speaker 4: Yeah, so, no, a really good addition. Should I mention
• 27:41
  Speaker 4: one or two or other? I'll tell you what one
• 27:43
  Speaker 4: I So.
• 27:44
  Speaker 3: I liked, you know, when Homer was arguing with his
• 27:47
  Speaker 3: reflection right in the water and he hands over his wallet, right,
• 27:50
  Speaker 3: I disliked that Homer was the one doing that.
• 27:52
  Speaker 4: Okay.
• 27:52
  Speaker 3: I think it was the aspect of this episode that
• 27:55
  Speaker 3: I didn't like the most was Home was too dumb
• 27:58
  Speaker 3: when he hits the fly with his head, and I
• 27:59
  Speaker 3: just they really dumbed him down here, just to the
• 28:01
  Speaker 3: point where he was just a blithering idiot.
• 28:03
  Speaker 4: Right.
• 28:04
  Speaker 3: I like the gag of him arguing with his reflection
• 28:07
  Speaker 3: in handing over the wallet. I think it's better suited
• 28:09
  Speaker 3: to someone like Grandpa or something, someone who's already else.
• 28:12
  Speaker 3: But I think Dan himself did the absolute best it
• 28:15
  Speaker 3: could possibly do with the material.
• 28:17
  Speaker 4: I think it was just he somehow made it funny,
• 28:19
  Speaker 4: even though I was what she's gone.
• 28:19
  Speaker 3: Guy, this is stupid. I still really laugh. So I
• 28:22
  Speaker 3: think the gag itself, I like, I just don't think
• 28:24
  Speaker 3: home it was the right choice for the gag.
• 28:26
  Speaker 4: Yeah, I completely understand where you're coming from. And yes,
• 28:29
  Speaker 4: one props to Dancy for yeah, the way the way
• 28:32
  Speaker 4: he executed look man, not trouble. Yeah, I think, as
• 28:39
  Speaker 4: we said before, doing the best with not bad material
• 28:43
  Speaker 4: but sort of subpar or mediocre material. Yeah, so sign
• 28:47
  Speaker 4: of a pro indeed, But us, as you like, I
• 28:51
  Speaker 4: had a couple more, not too many. I think we've
• 28:53
  Speaker 4: been giving Millhouse. We've been big upping our boy Van
• 28:57
  Speaker 4: Hout in this episode. What I've written here is when
• 28:59
  Speaker 4: he when he takes the rap, when he takes the
• 29:01
  Speaker 4: fall Wednesdays and everything. Yeah, but yeah, what are they
• 29:07
  Speaker 4: They threatened him with like a five day suspension, a
• 29:10
  Speaker 4: week suspension, a week suspension. He says, a nickels a skut.
• 29:14
  Speaker 4: First of all, I'm assuming it's jailhouse or criminal slang.
• 29:19
  Speaker 4: But yeah, I've just written Millhouse what a boss? Was
• 29:24
  Speaker 4: just a nickel? That's great. I thought that was so
• 29:26
  Speaker 4: and a little out of character. But at the same time,
• 29:31
  Speaker 4: I can buy him saying that either by virtue of
• 29:34
  Speaker 4: just he's being handed with Barton, he's sort of picked
• 29:36
  Speaker 4: up a little bit of his attitude. So but yeah,
• 29:39
  Speaker 4: I think we've seen mill has do that before as well.
• 29:41
  Speaker 4: Occasionally he'll show sort of a bit of grit or
• 29:47
  Speaker 4: unforeseen depth. So yeah, I just really enjoyed a nickel.
• 29:52
  Speaker 4: Fantastic and I'm always happy when Wise Guys shows up
• 29:55
  Speaker 4: to have him be the Zamboni King. Nice. Yeah, why
• 30:00
  Speaker 4: year that ending? Was? It worked? Oh? Absolutely?
• 30:02
  Speaker 3: I was a fan of just the visual gags, and
• 30:04
  Speaker 3: so I liked when the three Z's land next to Willie.
• 30:09
  Speaker 3: It was the three ends and they look like Z's
• 30:11
  Speaker 3: three and it's like he's sleeping on the ground when
• 30:14
  Speaker 3: the schools falling apart and they all hit him in
• 30:16
  Speaker 3: the head. He passes out. The three Ends land next
• 30:18
  Speaker 3: to him his ZZ. Yes, I like when they say
• 30:20
  Speaker 3: we don't know that, we don't know the why, and
• 30:22
  Speaker 3: then WILLI pulls away his heads.
• 30:23
  Speaker 4: And then there was the we talked about the smiley faces.
• 30:25
  Speaker 4: As sort of silly as that.
• 30:27
  Speaker 3: Story was, I like the Wigan getting shot and replacing
• 30:29
  Speaker 3: the blood with the smiley faces. That's all the way
• 30:32
  Speaker 3: they deployed the smiley faces like that I thought pretty
• 30:36
  Speaker 3: imaginative and kind of bleak as well, because we're looking
• 30:40
  Speaker 3: at this horrible aspect of life. Oh certainly, and let's
• 30:42
  Speaker 3: just let's just pump ourselves full of drugs and make
• 30:44
  Speaker 3: it all look better.
• 30:45
  Speaker 4: That's the thing. It's actually a really dark story, it is.
• 30:49
  Speaker 4: And when you when you put it in that, in
• 30:51
  Speaker 4: that framework or in that context, it's like, you really
• 30:54
  Speaker 4: could have done a whole episode about this. Of course
• 30:57
  Speaker 4: you could have. That's what I was saying.
• 30:58
  Speaker 3: It wasn't flasht enough because rather than try and fix
• 31:00
  Speaker 3: the problems, it's let's just pump ourselves full of drugs
• 31:03
  Speaker 3: to make us feel better.
• 31:04
  Speaker 4: Yeah. But if you surround that idea of like, there's
• 31:07
  Speaker 4: a whole lot of bad shit in the world and
• 31:09
  Speaker 4: this is acting as like a cushion yep for that
• 31:11
  Speaker 4: a band aid. Yeah, and then expand on that, expand
• 31:15
  Speaker 4: on that, expand on that, go deeper.
• 31:17
  Speaker 3: Also touch on sometimes drugs are important, sometimes they needed right, certainly, Yeah,
• 31:21
  Speaker 3: but don't use them as a crutch to prevent yourself
• 31:23
  Speaker 3: from actually making a difference. I don't think you can
• 31:26
  Speaker 3: cover that adequately in the seven or so minutes that
• 31:30
  Speaker 3: you were devoting of a twenty two minute episode.
• 31:32
  Speaker 4: Hopefully you can fit all that out into a twenty
• 31:34
  Speaker 4: two minute episode or at least maybe, you know, eighteen
• 31:37
  Speaker 4: to nineteen minutes, because you're going to have to have
• 31:39
  Speaker 4: a B plot in that episode.
• 31:41
  Speaker 3: Because the whole reason she was like this was because
• 31:43
  Speaker 3: she had such a bleak outlook on the world and
• 31:45
  Speaker 3: where it was heading. And then they pump it full
• 31:47
  Speaker 3: of drugs so that that stuff's still there. Well, yeah,
• 31:49
  Speaker 3: now she's not seeing it. Now she's a problem because
• 31:52
  Speaker 3: she keeps acknowledging it because what a skinner say. There's
• 31:54
  Speaker 3: one line where he says, this outburst was edis this
• 31:57
  Speaker 3: or it was just a oh?
• 31:58
  Speaker 4: I think you said it was either like this is
• 31:59
  Speaker 4: completely overreaction or just a normal reaction, or something like that.
• 32:02
  Speaker 4: Your outburst was either a sign of emotional imbalance or
• 32:04
  Speaker 4: a passionate response to a sobering truth, basically a more
• 32:07
  Speaker 4: elegant way. I said, but yeah, what Lisa was doing
• 32:11
  Speaker 4: here was essentially the two thousand and nine version of
• 32:14
  Speaker 4: doom scrolling. Yeah. Yeah, and look, I hope I'm not alone.
• 32:19
  Speaker 4: I think a lot of people do that, at leasts.
• 32:21
  Speaker 4: You know, you may just start watching one YouTube video
• 32:24
  Speaker 4: or listening to one podcast, and all of a sudden,
• 32:26
  Speaker 4: the almighty algorithm things, this is what he's into, this
• 32:30
  Speaker 4: is what he wants to hear. I'm going to keep
• 32:31
  Speaker 4: telling him about how he's taking all the kids.
• 32:34
  Speaker 3: That's a lighted in an episode of The Simpsons where
• 32:37
  Speaker 3: they home is reading a paper. I think he's watching
• 32:39
  Speaker 3: the kids or whatever, and he puts the paper in
• 32:41
  Speaker 3: it and Maggie's like dressed up in all this makeup whatever,
• 32:43
  Speaker 3: and you go, that's it.
• 32:44
  Speaker 4: I'm out of here. That's me when I'm doing scrolling.
• 32:46
  Speaker 4: I see something, I'm like, that's it. I'm out of here.
• 32:48
  Speaker 4: I've had enough. Everyone has their own particular sort of
• 32:51
  Speaker 4: yeah threshold, I've seen enough. It's like, this isn't good
• 32:56
  Speaker 4: for me. Put the phone down. I had a had
• 33:00
  Speaker 4: this the other day. This is when when I was
• 33:02
  Speaker 4: talking about being at losing way here at six am.
• 33:05
  Speaker 4: It's like, I want to look at my phone. Wait
• 33:08
  Speaker 4: a minute. This is like when I used to smoke cigarettes,
• 33:11
  Speaker 4: and I've said many times in the past that it's
• 33:13
  Speaker 4: addictive as that, if not more so. And I'm like,
• 33:16
  Speaker 4: you know what, I'm going to lie for a minute,
• 33:18
  Speaker 4: be present, be in my thoughts. I'm not going to
• 33:21
  Speaker 4: pick up the phone, not going to look at social media,
• 33:23
  Speaker 4: not even going to look at like the news. Honestly,
• 33:26
  Speaker 4: God started twitching in my head. I'm not try I
• 33:30
  Speaker 4: like it here, need I need, I need external stimulation.
• 33:35
  Speaker 4: I ended up actually had my smart watch on. I
• 33:38
  Speaker 4: didn't look at anything on that, but I was like,
• 33:40
  Speaker 4: I'm setting the time I'm sitting the time of fifteen minutes.
• 33:43
  Speaker 4: I made it fifteen minutes, and I was like, okay,
• 33:45
  Speaker 4: time retreat. Wow. But like, I'm not looking at Facebook
• 33:50
  Speaker 4: or X or anything like that. I'll look at the
• 33:53
  Speaker 4: news that I feel like a legitilimber person then but
• 33:56
  Speaker 4: an then it was like, oh, I've rewired my self
• 34:00
  Speaker 4: in a bad way. And I don't think I'm alone.
• 34:04
  Speaker 3: I mean, I read so much news during the day
• 34:06
  Speaker 3: on my phone. None of it stays with me. It's
• 34:09
  Speaker 3: just it's just killing time really, as opposed to actually
• 34:12
  Speaker 3: reading news. The other night, I went to bed at
• 34:14
  Speaker 3: ten forty five, which is earlier for me. I was like,
• 34:15
  Speaker 3: great for midnight for eleven, I'm gonna be going to
• 34:18
  Speaker 3: bed early, getting a good night's sleep. I'm laying in
• 34:20
  Speaker 3: bed on my phone, blah blah blah. I look at
• 34:21
  Speaker 3: it and it was like twelve ten. I've been on
• 34:24
  Speaker 3: my phone for an hour. What I just said to myself, Brendan,
• 34:27
  Speaker 3: what are you doing? I put the phone down, I'm
• 34:29
  Speaker 3: laying I'm like, but.
• 34:31
  Speaker 4: I really need to just finish what I was reading. Hey,
• 34:35
  Speaker 4: crazy indeed indeed a crazy trivia. I'm going to sit
• 34:43
  Speaker 4: here and try and draw the connection between those two things.
• 34:46
  Speaker 4: But in the mean time, let's asking trivia question. Next question,
• 34:49
  Speaker 4: you there eating the beast. My first question for you
• 34:52
  Speaker 4: is what kind of shoes the skin are wear? Oh? Hey,
• 34:56
  Speaker 4: I did write it down. Sorry, I'm Dana's always very
• 35:00
  Speaker 4: diligent about it. I'm not going to check my notes.
• 35:02
  Speaker 4: I'll always check my notes because what's wrong with that?
• 35:05
  Speaker 4: He's wearing shush MutS. Yes, shush MutS, which brand from
• 35:10
  Speaker 4: try and science brand, Yes, not discolored. Hush hushpups. You
• 35:16
  Speaker 4: mentioned the letters before that were falling on Willing andes indeed,
• 35:20
  Speaker 4: but which letter hits Willy in the face? And it's
• 35:24
  Speaker 4: not the why that he pulls out for that? Gag Ah.
• 35:27
  Speaker 4: I'm going to say, p you're close, but it's al okay,
• 35:32
  Speaker 4: have am my close?
• 35:33
  Speaker 3: So n ops in the apphabet Okay. I see you're saying, yes,
• 35:38
  Speaker 3: the building blocks of all letters. I'm thinking of the
• 35:40
  Speaker 3: word springfield. My next question is what type of cookies
• 35:45
  Speaker 3: does Jenny bring to the old folks home?
• 35:49
  Speaker 4: Well, there were various kinds. Do I have to name
• 35:51
  Speaker 4: all of them your list? I can only name one
• 35:54
  Speaker 4: because I only put one down. But she got chock
• 35:58
  Speaker 4: chip for Donald? Is there low sodium or no sodium?
• 36:01
  Speaker 4: Low sodium for Abe? And best? One is not made
• 36:04
  Speaker 4: by immigrants? For Sam? And imaginary? I knew one was imaginary.
• 36:09
  Speaker 4: That's right. Well, there goes one of my questions. Chuck
• 36:12
  Speaker 4: ship for Donald, sock shit chuck shit? Did I say
• 36:16
  Speaker 4: chuck shit for darnalk? Did Is that what I said?
• 36:19
  Speaker 4: It sounded like it. I'm getting a bit mesh mash.
• 36:22
  Speaker 4: Excuse me, that's something from fear Factor. You guys, you
• 36:25
  Speaker 4: might like chuck chip cookies, but chuck shit cookies. Remember
• 36:30
  Speaker 4: those times when Joe Rogan was just a guy who
• 36:32
  Speaker 4: hosted TV. What a time to be alive, Joe Rogan,
• 36:37
  Speaker 4: friend of the pod, Come on board. Here's a question
• 36:40
  Speaker 4: for you, Dano Millhouses we used to be friends. Played
• 36:45
  Speaker 4: is number what six? Wow?
• 36:48
  Speaker 3: Now I've got a bit to discuss when we get
• 36:50
  Speaker 3: to that moment of the episode as well. Okay, we'll
• 36:52
  Speaker 3: discuss it when we get there. My next question for
• 36:54
  Speaker 3: you is Bart had been at the retirement castle for
• 36:57
  Speaker 3: how long before he started complaining?
• 37:00
  Speaker 4: To say, ten minutes?
• 37:00
  Speaker 3: Ten minutes? Yeah, yeah, it's like seven years or something
• 37:03
  Speaker 3: in hours or whatever what we were saying before.
• 37:07
  Speaker 4: Yeah, time is elastic, and when you're young stretches out.
• 37:11
  Speaker 3: Well you know how I'll do it with kids cause
• 37:12
  Speaker 3: I go, excuse me, they go, they go. They'll say
• 37:16
  Speaker 3: to me, how long until we get home? I'll go
• 37:18
  Speaker 3: fifteen minutes, fifty so long ago. It's to say it
• 37:22
  Speaker 3: as like a spider episode and they go, oh shit,
• 37:23
  Speaker 3: this like you look, that's right.
• 37:27
  Speaker 4: Watch your language. Did you ask me a question? You
• 37:32
  Speaker 4: one more? Do it? No mass. What is the slushy
• 37:36
  Speaker 4: that Bart is drinking at the quickie mart?
• 37:39
  Speaker 3: It's the Shrek five twelve ounce with a trivia question
• 37:43
  Speaker 3: on the bottom that gives you ten percent off any
• 37:45
  Speaker 3: Shrek movie besides the first two.
• 37:48
  Speaker 4: Correct? Do you remember the actual name of the Shrek flavor? Oh?
• 37:51
  Speaker 3: Bury, It's Bury something right, very blast verry blast. I
• 37:54
  Speaker 3: thought it's some sort of Shrek aspect to it, a
• 37:56
  Speaker 3: berry blast. Yeah, yeah, five twelve hours I remembered all
• 37:59
  Speaker 3: those details off the top of my head.
• 38:01
  Speaker 4: You did really well. There's a lot going on in
• 38:03
  Speaker 4: that Dimi yours.
• 38:04
  Speaker 3: All right, Let's get into some stone Cutter of shoutouts
• 38:06
  Speaker 3: and then we'll review the episode, sure thing, Starting with
• 38:18
  Speaker 3: the lovely Katy g with her one hundred doll support.
• 38:20
  Speaker 3: Thank you so much, Katie, kay t g ky t
• 38:23
  Speaker 3: G kay t. We're going at a chance going k
• 38:27
  Speaker 3: A T E E G E G I A C eight.
• 38:31
  Speaker 3: Remember it's golden So also the following supporters on patron
• 38:39
  Speaker 3: a stone cut supporters Glenn Gomez, Justin Parkers, Zach Pruitt,
• 38:42
  Speaker 3: Shanny Macher, Elliott J O'Neill is a Bella Murphy, Rag Beasley,
• 38:45
  Speaker 3: Stephen Roberts, Sean Davy, Pete Anderson, Timothy Burst and Andrew Davis,
• 38:49
  Speaker 3: Kevin Dental Plan, flood At Ballot, Window Bank, Jack McFadden
• 38:52
  Speaker 3: and Heat Apple, b Addick, mclown, March Eleven Ginger and Pickle, Preston, Murray,
• 38:55
  Speaker 3: t Lee, Enriquez, Declan Phoenix, Brian McCoy, Logan b James Shepherd,
• 38:59
  Speaker 3: Joe Ritten, Dave Pretzels, Micnwly, Gavin Lane, Dami Miller and
• 39:02
  Speaker 3: Charlie Joe.
• 39:04
  Speaker 4: That's a lot of names, man, and props to you
• 39:07
  Speaker 4: for your impressive breath control and reading them all out.
• 39:10
  Speaker 4: I can't breathe that my mouth and I can't breath
• 39:11
  Speaker 4: through my nose. It's full full of boogers. Really happy
• 39:16
  Speaker 4: to be in a confined space with you today. That's great.
• 39:20
  Speaker 4: Having said that, there's always room for more, there is.
• 39:23
  Speaker 3: Indeed, Yes, support us on Patreon if you can keep
• 39:25
  Speaker 3: the lights on here at four figure discount, and remember
• 39:27
  Speaker 3: if you have joined the four figure discount family on
• 39:29
  Speaker 3: Patreon this month but not on the stone cut of tier,
• 39:31
  Speaker 3: you'll get your name read out on the show on
• 39:33
  Speaker 3: next week's mail Bag episode.
• 39:35
  Speaker 4: Indeed, Yes, keep the lights on, keep the Wolf from
• 39:37
  Speaker 4: the door. Is that a wolf at the door. Actually, no,
• 39:39
  Speaker 4: it's one of Dando's kittens. They really want to be inside,
• 39:44
  Speaker 4: all right.
• 39:44
  Speaker 3: So the Good, the Sad, and the drugly Originally at
• 39:47
  Speaker 3: April nineteenth, two thousand and nine, the top three films
• 39:50
  Speaker 3: at the US box office at this time were number
• 39:52
  Speaker 3: one or number three. That number three was Monster's BESTUS
• 39:54
  Speaker 3: Aliens still hanging around there, apparently very successful.
• 39:58
  Speaker 4: This was the time when you could anything animated was
• 40:03
  Speaker 4: doing well, and it still does to some degree. Now
• 40:06
  Speaker 4: Pixar can't of be successful. Even pix I can't do
• 40:08
  Speaker 4: the days well rest in peace, Elio. Yeah, I know, right,
• 40:12
  Speaker 4: twenty one million or something. It's like, oh shit, look,
• 40:16
  Speaker 4: I'm not going to scoff. It's like if someone came
• 40:18
  Speaker 4: to my door with a wheelbarrow of twenty million dollars
• 40:20
  Speaker 4: in it, It's like, hey, danks. Yeah, however, my name
• 40:24
  Speaker 4: was Pixar and going, yeah, what's this chump change? Yeah?
• 40:26
  Speaker 4: So yeah, but monsters is that? I mean, yeah, there
• 40:29
  Speaker 4: was there was a time when just didn't even need
• 40:31
  Speaker 4: to be sort ip.
• 40:33
  Speaker 3: It could just be like, what are two things that
• 40:35
  Speaker 3: kids like, monsters and aliens?
• 40:36
  Speaker 4: Let's have them verse each other This is the kid's
• 40:40
  Speaker 4: version of Nuts and Gum Together at last Yeah, Cats
• 40:42
  Speaker 4: Versus Dogs and number two were State of Play thriller
• 40:46
  Speaker 4: with Ross Crowe and Ben Affleck yeap, and number one
• 40:49
  Speaker 4: was zac Efron zac Efron filmed Do You Reckon? You
• 40:51
  Speaker 4: work out what it is? I'm gonna say it's seventeen correct, Yeah,
• 40:55
  Speaker 4: Matthew Perry, Matthew Perry. Yeah. But by the way, the
• 40:58
  Speaker 4: one about friends returns this week. Oh it's back.
• 41:01
  Speaker 3: Yes, it's back. Baby's back as we record this, but
• 41:03
  Speaker 3: we're recording it to night.
• 41:05
  Speaker 4: Oh that's a little that's a little bonding time between
• 41:09
  Speaker 4: between the Dan knows, yes, talking about their favorite friends.
• 41:12
  Speaker 4: Let her be good, glad to hear it's back. It's
• 41:16
  Speaker 4: back baby. Yeah.
• 41:17
  Speaker 3: So seventeen again was number one at the US box office.
• 41:19
  Speaker 3: In this episode aired production code lab F zero seven,
• 41:23
  Speaker 3: written by Mark Wilmore, directed by the I say legendary
• 41:27
  Speaker 3: Rob Oliver, because you know why, he's the guy who
• 41:29
  Speaker 3: when I went to the Simpsons studio, were there with Nicki,
• 41:32
  Speaker 3: our friend Nicki I Saudia. I think she's now like animation,
• 41:35
  Speaker 3: like the senior animated production producer or whatever. She's like
• 41:37
  Speaker 3: in charge of everything animation. Anyway, we went there and
• 41:41
  Speaker 3: she was like, I said, to go do some stuff. Hey, Rob,
• 41:43
  Speaker 3: here these guys want Astralia Simpsons fans look after them.
• 41:45
  Speaker 4: And Rob's like cool, okay, well I was working, but sure,
• 41:50
  Speaker 4: come over here. It just like bothered in funck. Half
• 41:53
  Speaker 4: an hour.
• 41:53
  Speaker 3: He showed us how to draw March Simpson the videos
• 41:56
  Speaker 3: on the introde. That's Rob Oliver And I always say
• 41:58
  Speaker 3: he's the guy who designed the Simps s David box art,
• 42:01
  Speaker 3: which to me is a pretty cool thing.
• 42:03
  Speaker 4: I think it earns your legend status. Yeah. I think
• 42:05
  Speaker 4: of all the DVD's, e Aty the Time has really
• 42:07
  Speaker 4: cool cover up, but the Simpsons arn't like that. He
• 42:10
  Speaker 4: drew them all.
• 42:10
  Speaker 3: He designed the shape the shaped ones as well, which
• 42:13
  Speaker 3: for collectors was a bit bothersome because it was like
• 42:16
  Speaker 3: didn't fit on.
• 42:16
  Speaker 4: The shelf properly subtracting points for sorry, he was dole
• 42:20
  Speaker 4: to do it.
• 42:20
  Speaker 3: But like he designed the cover up for the DVD
• 42:22
  Speaker 3: for the Simpsons, which I think is pretty awesome.
• 42:24
  Speaker 4: Oh yeah, that's a pretty great thing to have on
• 42:27
  Speaker 4: your resume. Yeah, but the chop being nice to the
• 42:30
  Speaker 4: Dan Doos, he is indeed a lovely man. Yeah, chop
• 42:32
  Speaker 4: bold gag, I will not mock teachers out there at
• 42:34
  Speaker 4: cell phone. That's the cell phone bit, yes, yes, And
• 42:37
  Speaker 4: the couch gag. The Simpsons slashed their way through the
• 42:39
  Speaker 4: jungle to get to their couch, only to find monkey
• 42:42
  Speaker 4: versions of themselves already sitting on it. Ape Simpsons ape
• 42:45
  Speaker 4: Simpsons in Abe Simpson No ape Simpsons.
• 42:48
  Speaker 3: So the episode kicks off with Butt and Milhouse and
• 42:50
  Speaker 3: they're standing at the front of the school and they
• 42:52
  Speaker 3: both impressed themselves because they've unscrewed all the screws in
• 42:54
  Speaker 3: the school, and all of a sudden everything collapses at once.
• 42:56
  Speaker 3: We get some cool visual gigs. He like I said,
• 42:58
  Speaker 3: the z's with Willie, But I also really like to
• 43:00
  Speaker 3: the Sandwich Ralph Sandwich just snapping it up.
• 43:06
  Speaker 4: But but then.
• 43:07
  Speaker 3: Tells Millhouse, you go hi the evidence, while so I
• 43:09
  Speaker 3: walk around going who would do such a thing? What happened?
• 43:12
  Speaker 4: They do seem like a good team in disregard they're
• 43:15
  Speaker 4: best friends. Yeah, as I mentioned earlier about you know,
• 43:18
  Speaker 4: I like the ocean's kind of thing, and everyone's got
• 43:20
  Speaker 4: their role in that, and you know these guys are
• 43:22
  Speaker 4: oceans too. Essentially they pulled a pretty nifty scam, and
• 43:25
  Speaker 4: now it's like, okay, well you take care of this business,
• 43:27
  Speaker 4: and I'm going to do some distraction. No one will
• 43:29
  Speaker 4: ever suspect us. Like that's good, that's good teamwork. Yeah,
• 43:32
  Speaker 4: well done. I did watch this as well.
• 43:35
  Speaker 3: You know how, sometimes I feel like I'm more lenient
• 43:38
  Speaker 3: with it now, bosed to be real stick with the continuity.
• 43:40
  Speaker 3: Right now I'm just like whatever, But I feel like, yeah, whatever, yeah,
• 43:44
  Speaker 3: but now I watched this and I go I never
• 43:47
  Speaker 3: once was bothered by the fact that the school collapsed. Normally,
• 43:50
  Speaker 3: wouldn't you be going, well, how is the school in
• 43:52
  Speaker 3: the next scene? Who rebuilt the school? Did the kids
• 43:54
  Speaker 3: have to pay for it? What happened here?
• 43:56
  Speaker 4: Why did I have the bowl?
• 43:57
  Speaker 3: But that didn't enter my mind. Sometimes maybe realize just
• 44:02
  Speaker 3: go with it. Yes, it's just a show.
• 44:05
  Speaker 4: Yeah. I think there are certain episodes that by virtue
• 44:09
  Speaker 4: of the way they're put together or whatever, or just
• 44:11
  Speaker 4: the mood or the tone that they said, all the
• 44:13
  Speaker 4: way they make you feel. Yeah, it's like, you know what,
• 44:16
  Speaker 4: I'll let that slide.
• 44:17
  Speaker 3: I think this continuity is different too. For example, a
• 44:20
  Speaker 3: character that's been established for twenty years behaving in a
• 44:23
  Speaker 3: completely different way to what we are used to for
• 44:26
  Speaker 3: the sake of a story. Yeah, that's the continuity. It
• 44:28
  Speaker 3: really annoys me.
• 44:29
  Speaker 4: I get where you're coming from. Sort of related to that.
• 44:31
  Speaker 4: I think I either said on this show or maybe
• 44:34
  Speaker 4: on the movie Up with Molton Davis, but available in
• 44:37
  Speaker 4: your feed when you're thinking about ways to fix something,
• 44:42
  Speaker 4: and we've done this a fair bit with The Simpsons,
• 44:44
  Speaker 4: South Back and all manner of other things, it's a
• 44:46
  Speaker 4: sign that you're watching an episode that's a little underpar
• 44:49
  Speaker 4: or a little undercooked. Yeah, yeah, yeah, yeah, I didn't
• 44:51
  Speaker 4: know with this. It's like I roll with it.
• 44:54
  Speaker 3: This kind of like classic just Simpson's opening, bart Mill
• 44:56
  Speaker 3: has doing something silly, Yeah, over the.
• 44:59
  Speaker 4: Top kind of shenanigans that you can get away with
• 45:02
  Speaker 4: by virtue of it sort of being an animated show
• 45:04
  Speaker 4: as well. Yeah, I get the feeling we were watching,
• 45:06
  Speaker 4: like say Malcolm in the Middle and this happened, you'd go,
• 45:09
  Speaker 4: they gotta rebuild. That's cool.
• 45:12
  Speaker 3: But Skinner catches Milhouse, takes him away, and skinners Charmer's
• 45:17
  Speaker 3: heads in the toilet, so he thinks he's gonna get
• 45:18
  Speaker 3: pass him, but no, he can still see those shoes.
• 45:20
  Speaker 3: You recognizes that, what are they discolored hushpuppies? He thought, yeah,
• 45:23
  Speaker 3: they discolored hush puppies.
• 45:24
  Speaker 4: Yeah.
• 45:24
  Speaker 3: So they say we've got the how, the who, but
• 45:26
  Speaker 3: not the why. That is where Willy brings in the why.
• 45:28
  Speaker 3: There's fallen off, the the sign into his head and
• 45:31
  Speaker 3: Millhouse failed introduction to screwing, so they know it wasn't
• 45:34
  Speaker 3: just him. He's got to You've got to pick some
• 45:35
  Speaker 3: up there somewhere. And Charmers thinks there's a second man.
• 45:38
  Speaker 3: If he doesn't come clean, he's gonna get a week suspension,
• 45:40
  Speaker 3: which is a nickel nickel.
• 45:42
  Speaker 4: He says, second man, don't miss quote like we know
• 45:46
  Speaker 4: you're the second fun man, a fun man in Second Gunman,
• 45:49
  Speaker 4: which I think is I thought that was a pretty
• 45:51
  Speaker 4: neig gag as well.
• 45:52
  Speaker 3: And he says you're gonna miss Taco Wednesdays as well,
• 45:54
  Speaker 3: and Skinner explains to the ingredients and I was like,
• 45:56
  Speaker 3: that's the best way to rub it in, all the ingredients.
• 46:00
  Speaker 4: So we've been talking about food. It makes me feel happy.
• 46:03
  Speaker 4: Oh we wrap this up. Now I can go wrap
• 46:06
  Speaker 4: something up.
• 46:07
  Speaker 3: Okay, burritos, wrap yourself up in your udy and eat
• 46:10
  Speaker 3: a burrito.
• 46:11
  Speaker 4: Oh my goodness. Oh you're just describing my perfect Tuesday. Okay,
• 46:16
  Speaker 4: let's do it.
• 46:17
  Speaker 3: Four figure discount is brought to you by our incredible
• 46:20
  Speaker 3: supporters on Patreon. With your support, we're able to hire editors,
• 46:23
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• 46:26
  Speaker 3: top quality shows. Each and every week. Our supporters get
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• 46:36
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  Speaker 3: and Discord communities. So go ahead and support the show
• 46:41
  Speaker 3: today for as little as just one dollar at patreon
• 46:44
  Speaker 3: dot com. Slash four figure discount. But Milhouse, he sees
• 46:48
  Speaker 3: bar outside the door and he's like, nah, not gonna happen.
• 46:50
  Speaker 3: So they say, take him away.
• 46:53
  Speaker 2: I'll never tell.
• 46:54
  Speaker 4: Consider yourself suspended, mister Willie. Take him to the big
• 46:58
  Speaker 4: house where he lives. Let's go a lot. Suspended by
• 47:05
  Speaker 4: you working? Were you ever suspended from school? Never? Suspended?
• 47:11
  Speaker 4: I had attention once and it was because yeah, and
• 47:14
  Speaker 4: it was because it.
• 47:15
  Speaker 3: Was after school, after school, after school detention that was
• 47:17
  Speaker 3: the worst, like lunchtime attention. It's like, well, we're gonna
• 47:20
  Speaker 3: sit after school, was like, fuck, I'm missing power Rags.
• 47:25
  Speaker 4: Also, yeah, if you're not home, and I was like,
• 47:28
  Speaker 4: why you're late. Don't got detention. You've actually got a
• 47:32
  Speaker 4: sort of cop to it to.
• 47:33
  Speaker 3: It's one of those detentions though, where teachers like, technically,
• 47:36
  Speaker 3: I don't really think you've done all that wrong, but
• 47:38
  Speaker 3: because you were part of this, you have to be
• 47:39
  Speaker 3: part of the detention. So he was one of my
• 47:41
  Speaker 3: friends were getting beaten up. I joined in to protect
• 47:44
  Speaker 3: my friend. Because I intervened, I then too had to
• 47:47
  Speaker 3: be part of the problem.
• 47:48
  Speaker 4: You're part of the skirmish. Yes, yeah, yeah, I was
• 47:52
  Speaker 4: never suspended too much of a goody goody, but oh yeah.
• 47:55
  Speaker 4: I always thought, oh, I think I knew maybe one
• 47:57
  Speaker 4: or two people who had been suspended that weren't necessarily
• 48:00
  Speaker 4: my friends are usually like the bad boys that I
• 48:02
  Speaker 4: was scared of, or you know, my girl who was
• 48:03
  Speaker 4: busted smoking or something like that. But it almost seemed
• 48:06
  Speaker 4: like the hugest deal. I remember one kid in particular,
• 48:11
  Speaker 4: who I think it either was about to could spend
• 48:13
  Speaker 4: it or even get expelled. God, it was like Shindler's
• 48:16
  Speaker 4: list in But what I mean, we knew he was
• 48:22
  Speaker 4: a screw up, a mess up. But at the same
• 48:25
  Speaker 4: time that seems so extreme. You ruined his life. He's
• 48:29
  Speaker 4: about fourteen, or it's with hindsight and red accint of
• 48:35
  Speaker 4: going better without him. I imagine the teachers just like,
• 48:40
  Speaker 4: once we remove this person from the equation, everything's just
• 48:43
  Speaker 4: going to run so much smoother. They're just incredibly disruptive, disrespectful,
• 48:47
  Speaker 4: all this kind of stuff. But yeah, imagine this age
• 48:50
  Speaker 4: like suspension, just feel like, oh my god, like a
• 48:52
  Speaker 4: death sentence or suspended boy walking. Yeah, very much so.
• 48:56
  Speaker 4: I mean, it's how they present it, and that's how
• 48:58
  Speaker 4: it would feel at that age.
• 48:59
  Speaker 3: What does Skinner say, take him to the big house
• 49:02
  Speaker 3: where he lives? Nelson hand gestures the haha, what's that
• 49:07
  Speaker 3: reference to? Is there a film where someone does that sign?
• 49:10
  Speaker 4: That's a really good question. I'm not sure because it
• 49:12
  Speaker 4: was too it's it's too unusual. Yeah, not too specific
• 49:17
  Speaker 4: to not be. So what's the call?
• 49:19
  Speaker 3: What's the call when you get in the march? Is
• 49:20
  Speaker 3: it the well the death March or the Death Walk?
• 49:23
  Speaker 3: What's the movie is called the Green Mark? But yeah,
• 49:26
  Speaker 3: but but was that a green mile reference there.
• 49:30
  Speaker 4: Ahead of the walk?
• 49:31
  Speaker 3: Does it American what is American something which called a
• 49:35
  Speaker 3: s L A s L Yeah, I can't really there's
• 49:38
  Speaker 3: going to be a reference to something. Let us not
• 49:40
  Speaker 3: listen is mail bag of fourfignscap dot com dot you.
• 49:43
  Speaker 3: We'll give you a two thumbs up.
• 49:44
  Speaker 4: I say, this is we wholly planned this. This is
• 49:48
  Speaker 4: a nice bit of interactivity for the podcast, as opposed
• 49:50
  Speaker 4: to just not doing.
• 49:51
  Speaker 3: Our research and make sure that you send you questions
• 49:52
  Speaker 3: through because are we going to do recording our mail
• 49:54
  Speaker 3: bag episode? So mail bak A four five this gap
• 49:56
  Speaker 3: dot com dot au send them through a s A P.
• 50:00
  Speaker 3: But we're now at home, and Milhouse says, because Bart
• 50:02
  Speaker 3: goes to visit him through the window, he's annoyed that
• 50:04
  Speaker 3: he's been suspended, and he's also granted as well, so
• 50:06
  Speaker 3: we can't leave the house either, and now he's stuck
• 50:08
  Speaker 3: at homelesstem to Kirk Yell at Mad Money with Jim Kramer,
• 50:10
  Speaker 3: you said textucks with bulletproof, which.
• 50:12
  Speaker 4: I too thought, by the way, not to tell the
• 50:17
  Speaker 4: makers of the Simpsons how to do their job, although
• 50:18
  Speaker 4: we do that a lot. I had the feeling you
• 50:20
  Speaker 4: didn't need to cut to Kurt. You didn't need to
• 50:22
  Speaker 4: cut to him looking at the team. Kirk, I said,
• 50:25
  Speaker 4: Kirk right, he said, Kurt did I I've got no
• 50:28
  Speaker 4: bar on the brain or Kurt Russ on the brain.
• 50:31
  Speaker 4: Lways they wrestle inside me. I get the feeling now.
• 50:33
  Speaker 4: It just would have been better if you just heard
• 50:35
  Speaker 4: him yelling at the TV, as opposed to cutting to
• 50:37
  Speaker 4: him doing it. I felt like a very family guy
• 50:39
  Speaker 4: s cutaway, didn't it. It did a bit, yeah, and
• 50:42
  Speaker 4: just hearing like he gets bad and I didn't think
• 50:46
  Speaker 4: it was their bad. But at the same time, I
• 50:48
  Speaker 4: get what you're saying. Yeah, I just would have been
• 50:50
  Speaker 4: funny if you have Millhouse like rolling Eyes. I was like, oh,
• 50:54
  Speaker 4: actually here, like you said, dark starts with a ballot
• 50:57
  Speaker 4: bro Yeah.
• 50:59
  Speaker 3: Homer now thinks that, oh he's taken, but oh, he
• 51:01
  Speaker 3: says the Millhouse, I'm gonna be here every day. And
• 51:03
  Speaker 3: he's like, thank you, you're a true friend, blah blah blah.
• 51:05
  Speaker 3: And they're driving away and Homer thinks that Millhouse is
• 51:08
  Speaker 3: the bad influence. I think he's this albato kid. And
• 51:11
  Speaker 3: then he drops him off at the retirement castle whilst
• 51:13
  Speaker 3: he has a nap around the corner. I like the
• 51:15
  Speaker 3: detail of him taking off his pants before he goes
• 51:17
  Speaker 3: to sleep. I was like, that's that's the king right there,
• 51:21
  Speaker 3: taking your pants to go over Nat.
• 51:25
  Speaker 4: I get where you're going. And I actually do think
• 51:27
  Speaker 4: that was a pretty funny moment in here. It's true there,
• 51:30
  Speaker 4: it's like, I haven't got the time for this shit.
• 51:31
  Speaker 4: You go do it.
• 51:32
  Speaker 3: But Bart's been it for ten minutes. It feels like
• 51:34
  Speaker 3: seven hours and kid years or whatever. Then the girl
• 51:36
  Speaker 3: who doesn't recoil at the sight of all the old
• 51:38
  Speaker 3: people arrives and Bart is immediately smitt and he sees
• 51:40
  Speaker 3: Jenny and she's brought cookies.
• 51:42
  Speaker 4: Hi, guys. I brought cookies. Chocolate chip for Donald Low,
• 51:48
  Speaker 4: sodium for Abe, not made by immigrants for Sam, and
• 51:53
  Speaker 4: imaginary for Major Preston. With this cooking, I can buy
• 51:57
  Speaker 4: back Private O Malley from the Zulus.
• 52:00
  Speaker 1: I think it is so cool what you're doing. So
• 52:03
  Speaker 1: what's the gag? You put xlax and the cookies and
• 52:05
  Speaker 1: just sit back and watch the fireworks.
• 52:07
  Speaker 4: I would never do that, Oh right.
• 52:10
  Speaker 1: I was thinking of other things that are hilarious, like
• 52:13
  Speaker 1: things that you think are funny.
• 52:15
  Speaker 4: Yeah, those are funny.
• 52:17
  Speaker 1: Yeah, I'm Bart, I'm Jenny. She had more curves than
• 52:22
  Speaker 1: a hot wheels track. Well, she didn't yet, but she
• 52:24
  Speaker 1: would after puberty.
• 52:27
  Speaker 3: Do you know what curves are when you ten? But
• 52:31
  Speaker 3: it was a nice little because it's a little inner monologue.
• 52:34
  Speaker 3: Pad back out and she's old. He's like, Helen, was
• 52:36
  Speaker 3: I have for that's her aunt Bell, who dresses just alike.
• 52:40
  Speaker 3: So now Lisa is doing her social studies and the
• 52:43
  Speaker 3: topic is Springfield in fifty years. Oh so she does
• 52:46
  Speaker 3: a quick Google search and water's gone, people drink soap
• 52:49
  Speaker 3: world wore over, last drop of oil, last available parking space,
• 52:52
  Speaker 3: feel forever, and the last one pretty blank. Last polar
• 52:55
  Speaker 3: bear hangs ouf in prison. I was like, oh shit,
• 52:57
  Speaker 3: oh boy, yeah, not cool.
• 52:59
  Speaker 4: So she down just got a very morbid outlook on life.
• 53:02
  Speaker 3: But I'm thinking, Lisa, she didn't know all this already.
• 53:05
  Speaker 3: Does She always complained about global warming and everything.
• 53:07
  Speaker 4: That's true. But I guess getting pummeled with bad news
• 53:11
  Speaker 4: after bad news after bad news, it's just gonna it's
• 53:14
  Speaker 4: gonna heighten your anxiety and and I guess your depression
• 53:19
  Speaker 4: when you were in school in the seventies and they said,
• 53:22
  Speaker 4: what's the eighteen seventies, Yeah, what's gonna what's the we're
• 53:25
  Speaker 4: gonna be like in the future.
• 53:26
  Speaker 3: Was it flying cars? Was that the thing? I feel
• 53:29
  Speaker 3: like we've got to the probably like we're all going
• 53:31
  Speaker 3: probably not gonna have flying cars. Just that's that's going
• 53:33
  Speaker 3: to be a thousand years plus in the future. We're
• 53:35
  Speaker 3: gonna be flying around in cars anytime soon.
• 53:38
  Speaker 4: No, I don't think we. I think our version of
• 53:42
  Speaker 4: flying cars now is drones and all that kind of stuff.
• 53:45
  Speaker 4: And you know where it's like, no, Douggie the pizza
• 53:47
  Speaker 4: Boy is not going to deliver your you know, large caprachosa.
• 53:51
  Speaker 4: It's gonna be Dougy the pizza Bot. It's gonna be
• 53:53
  Speaker 4: Dodugy the Pizza Bot or Duggy the Pizza drone droning
• 53:55
  Speaker 4: the pizza boy pizza. But let's just go don't you
• 54:01
  Speaker 4: love how that idea revolving in real time? What's your
• 54:05
  Speaker 4: tune in for? People have paid big money to do
• 54:07
  Speaker 4: what we just did they do It's only when I
• 54:14
  Speaker 4: was at school, and in yes, I was in primary
• 54:18
  Speaker 4: school in the seventies. Let's say secondary school in the
• 54:20
  Speaker 4: eighties feels a little less ancient, not really. I think
• 54:24
  Speaker 4: we were still quite optimistic about the future in a
• 54:27
  Speaker 4: lot of ways, and flying cars and jet packs is
• 54:30
  Speaker 4: kind of the shorthand for that.
• 54:31
  Speaker 3: Right back to the future a bit. Yeah, it's like
• 54:34
  Speaker 3: the world in twenty fifty is going to be like this.
• 54:36
  Speaker 4: Yeah. Oh you know, you can your car's going to
• 54:39
  Speaker 4: be powered by the little mister nuclear in the back
• 54:42
  Speaker 4: or what hoverboards? Yeah, or you know, I'm going to
• 54:45
  Speaker 4: rummage through your trash get a banana peel bush. Now
• 54:48
  Speaker 4: we've got a full tank of energy. You know, it's like, oh, yeah,
• 54:51
  Speaker 4: that'll that'll be good. Yeah, not too bad. Yeah, we
• 54:54
  Speaker 4: weren't really concerned about things like global warming or anything
• 54:58
  Speaker 4: like that. You go to too busy fucking everything up. Well,
• 55:01
  Speaker 4: that's true. We were creating the problem rather than actually
• 55:03
  Speaker 4: thinking about potential problems down the line.
• 55:05
  Speaker 3: So that's next week's problem, correct, Yeah, at least it's
• 55:10
  Speaker 3: in a bad state. Now she's seen how the word's
• 55:11
  Speaker 3: going to be and she's she's not a fan because
• 55:13
  Speaker 3: you know, the internet never lives. This is exactly what's
• 55:15
  Speaker 3: gonna happen to the world. People drinking soap, oh very much.
• 55:18
  Speaker 4: Yeah. Yeah.
• 55:19
  Speaker 3: But we're now at school and Bart tells Nelson about Jenny,
• 55:21
  Speaker 3: the fifth grade girl. So she's a bit older, and
• 55:23
  Speaker 3: he says he feels like a better person when he's
• 55:24
  Speaker 3: around her, and Nelson says, yeah, to claim her as
• 55:27
  Speaker 3: your own by punching her in the arm or put
• 55:29
  Speaker 3: some gum in her hair, and he sees her pushing
• 55:31
  Speaker 3: a kid on the swing whilst Nelson saying puncho, puncho,
• 55:34
  Speaker 3: which actually pays off at the end, and that punch
• 55:36
  Speaker 3: a bit.
• 55:36
  Speaker 4: I kind of like Nelson being a bro in this way,
• 55:39
  Speaker 4: and I mean bro in the most positive sense, like
• 55:41
  Speaker 4: being being your boy.
• 55:43
  Speaker 3: And him and Barter friends, aren't they but the whole
• 55:46
  Speaker 3: he isn't really aligned with the bullies anymore, is he?
• 55:48
  Speaker 4: The bullies are a trio now, Yeah, Nelson's kind of
• 55:51
  Speaker 4: a law unto himself.
• 55:52
  Speaker 3: It's hard for him to go back to being that bully. Really,
• 55:55
  Speaker 3: he can be more of the.
• 55:58
  Speaker 4: Kind of guy.
• 55:58
  Speaker 3: But he's not really beating it up. I don't think
• 56:00
  Speaker 3: anymore than from my memory anyway, because it's just not
• 56:02
  Speaker 3: who he is.
• 56:03
  Speaker 4: He's now. It's almost like he's one of the kids.
• 56:05
  Speaker 4: He's too powerful to bother with just near bullying. He's like,
• 56:09
  Speaker 4: I don't need to I know.
• 56:11
  Speaker 3: On the alpha of the playground, we've seen that, we've
• 56:14
  Speaker 3: seen too much of the emotional side of Nelson now
• 56:16
  Speaker 3: to buy that anyway.
• 56:16
  Speaker 4: That's correct. Yeah, but I liked him being sort of
• 56:19
  Speaker 4: you know, bar it's boy here, and then the whole
• 56:21
  Speaker 4: thing about offering extra misguided romantic advice. But then I
• 56:27
  Speaker 4: put some gum in here. T two, you might get lucky.
• 56:30
  Speaker 4: That's a condom reference, right, correct. But I also thought
• 56:34
  Speaker 4: that was just really sweet. Yeah, it's like, oh, he's
• 56:36
  Speaker 4: looking at for him, Yeah, but he's not.
• 56:38
  Speaker 3: He doesn't punch Jenny insteady and suggests a picnic date
• 56:41
  Speaker 3: with his special PB and Jay double no PB double
• 56:45
  Speaker 3: J What it is? Yes, yes, she says, yep, sure,
• 56:48
  Speaker 3: let's do this date, but then tells Willie he has
• 56:50
  Speaker 3: a girlfriend, and he says, I've got one. Two she's
• 56:52
  Speaker 3: a bikini model from Sweden. Go out, it's true and
• 56:56
  Speaker 3: joking with my job's.
• 56:58
  Speaker 4: Actually come out. They can side for it.
• 57:01
  Speaker 3: Oh and now it's time for the reports on fifty years.
• 57:06
  Speaker 3: This could always been my favorite moments. Ralph saying vacuums
• 57:09
  Speaker 3: will be quiet and not scary, and I'm like, you
• 57:10
  Speaker 3: know what, it's twenty twenty five. Vacuums are still fucking loud.
• 57:13
  Speaker 3: Oh yeah, Nicole bought a robo vacuum right. Oh, not
• 57:18
  Speaker 3: the rumba, but whatever it is. I know she spent
• 57:21
  Speaker 3: six hundred bucks. We had a gift card from Harvey
• 57:23
  Speaker 3: Norman because we bought the lambs.
• 57:24
  Speaker 4: Sweet. They gave us money back on the gift card.
• 57:26
  Speaker 4: I am. I understand the whole Harvey Norman gift card
• 57:31
  Speaker 4: thing in theory, but it just seems like so odd.
• 57:34
  Speaker 4: It's like, buy a bunch of stuff, we'll give you
• 57:37
  Speaker 4: some stuff back, but you got to spend it with us. Yeah, yeah,
• 57:40
  Speaker 4: I mean it. I said that.
• 57:42
  Speaker 3: The way they get you though, so we we gain
• 57:45
  Speaker 3: the system. We gain the system, right, because the way
• 57:48
  Speaker 3: they get most people is sixty months interest free or
• 57:50
  Speaker 3: whatever it is, right, and then you only have to
• 57:53
  Speaker 3: pay a certain fee each month. There's no interest. It's
• 57:56
  Speaker 3: just you go have it paid up by sixty months.
• 57:58
  Speaker 3: By the end of it, you will have paid six
• 58:00
  Speaker 3: hundred dollars in fees. Then you get this. But we
• 58:03
  Speaker 3: just paid for the couch outright. We put it on
• 58:06
  Speaker 3: the after pay or whatever like that. That's of our
• 58:08
  Speaker 3: latitude latitude, right, yes, and then that week we just
• 58:11
  Speaker 3: paid it all straight away. Which means we also get
• 58:13
  Speaker 3: our gift card. So we paid it outright and then
• 58:16
  Speaker 3: we got the six hundred dollars.
• 58:18
  Speaker 4: So wet.
• 58:18
  Speaker 3: We essentially got six hundred dollars free money. But if
• 58:21
  Speaker 3: you wait too, that's pretty good. But if you wait
• 58:23
  Speaker 3: to the end of it, you've essentially paid all that
• 58:25
  Speaker 3: money in fees.
• 58:26
  Speaker 4: Well that's correct.
• 58:26
  Speaker 3: Yeah, So if you can afford to do it, still
• 58:28
  Speaker 3: sign up to the plan right so that you get
• 58:31
  Speaker 3: the gift card and then just pay it out right
• 58:33
  Speaker 3: that week and then it's all paid off, it's finished,
• 58:35
  Speaker 3: and you get your gift card.
• 58:36
  Speaker 4: See I missed that step in the middle, because you see,
• 58:39
  Speaker 4: I'm not as saddy as Dan though that is a
• 58:41
  Speaker 4: very clever consumer. He's always on the lookout anyway to
• 58:44
  Speaker 4: save a buck, buddy. Oh absolutely, So essentially we got
• 58:46
  Speaker 4: six hundred dollars for free money. No, that's fantastic, because
• 58:48
  Speaker 4: I mean I too bought something from a friend of
• 58:52
  Speaker 4: the pod Harving Norman laptop and put it on that
• 58:56
  Speaker 4: latitude thing and I'm like, hey, yeah, I got time
• 58:58
  Speaker 4: to pay this off. Fantastic. Didn't read the fine print,
• 59:01
  Speaker 4: so it's like, oh, okay, so no interest, but there
• 59:04
  Speaker 4: is that fee.
• 59:05
  Speaker 3: I think it was sixty months in just free ten
• 59:07
  Speaker 3: dollars a month fee. So after sixty months, paid six
• 59:10
  Speaker 3: hundred dollars.
• 59:11
  Speaker 4: That's great. I mean I ended up paying it off
• 59:14
  Speaker 4: before all that kind of stuff. But at the same time,
• 59:15
  Speaker 4: I am paying that fee and not that much in
• 59:18
  Speaker 4: the overall scheme of things over a certain amount of time.
• 59:21
  Speaker 4: But you know, you're right, it adds up and then
• 59:22
  Speaker 4: you look at it go, Okay, this guy's a bit
• 59:24
  Speaker 4: more money than they should. There could have been may money.
• 59:27
  Speaker 4: But you wanted that laptop?
• 59:28
  Speaker 3: Now, well I needed it according to you, this is
• 59:33
  Speaker 3: john you did, though I really not according to me,
• 59:38
  Speaker 3: according to everybody, didn't your mate come over and he
• 59:41
  Speaker 3: was like, yeah, this is fucked bite.
• 59:42
  Speaker 4: I took it to Savvy Steve the computer expert. He's like, yeah,
• 59:46
  Speaker 4: this is a this is about as powerful as millhouse. Yeah,
• 59:52
  Speaker 4: this is during the COVID times when you know, Dan
• 59:54
  Speaker 4: and I weren't in the same room. Have you trying
• 59:57
  Speaker 4: to do a podcast? It was like, guy, you're even
• 1:00:01
  Speaker 4: more in articulate than usual. Is your brain on the computer?
• 1:00:07
  Speaker 4: But yeah, but robo.
• 1:00:08
  Speaker 3: She bought the robo vacuum with her with a gift
• 1:00:10
  Speaker 3: card and she put it on and it's so so
• 1:00:13
  Speaker 3: what it does is it goes around, right, And I've
• 1:00:16
  Speaker 3: always been skeptical on them, and I'm still skeptical.
• 1:00:18
  Speaker 4: It's easy minutes.
• 1:00:19
  Speaker 3: Spend five minutes as vacuuting the house, right, But this
• 1:00:22
  Speaker 3: thing's going around and then it has to go and
• 1:00:24
  Speaker 3: empty yourself. So it goes back to its base and
• 1:00:25
  Speaker 3: just goes.
• 1:00:28
  Speaker 4: It takes like a vacuum. Shit.
• 1:00:29
  Speaker 3: Yeah, I'm trying to watch TV here. This thing takes
• 1:00:33
  Speaker 3: so long to vacuum everything. Most people say I don't
• 1:00:37
  Speaker 3: when I'm at work, I'm like, that's fine, right, but
• 1:00:39
  Speaker 3: I wait from home. It's me the fact you go
• 1:00:45
  Speaker 3: to the office, I don't.
• 1:00:48
  Speaker 4: Well, even with say a top of the line vacuum
• 1:00:53
  Speaker 4: cleaner like my good mate Dyson that I have. Wow,
• 1:00:58
  Speaker 4: this is really you know, suck up the dust that's
• 1:01:00
  Speaker 4: all over my place. But the same time, you and
• 1:01:04
  Speaker 4: I are cat men. Now, yeah, cats hate them, cats hate.
• 1:01:09
  Speaker 3: One cat doesn't give a ship one cat. We have
• 1:01:10
  Speaker 3: Coco right by the vacuum one.
• 1:01:12
  Speaker 4: Oh, they give a ship, They give a ship over.
• 1:01:15
  Speaker 3: Sometimes you know, she's on the couch or she's in
• 1:01:17
  Speaker 3: the way. I'll try to like, if I touch that
• 1:01:20
  Speaker 3: cat whilst the vacuum is on, She goes skits cats man.
• 1:01:25
  Speaker 4: They don't like vacuum. And here in lies the irony
• 1:01:32
  Speaker 4: that the reason it's messy, dear fur, is mostly what
• 1:01:35
  Speaker 4: I'm vacuum out. Yeah, hey, but we now return you
• 1:01:39
  Speaker 4: to the good, the bat, the drugly already in progress.
• 1:01:41
  Speaker 3: Things look at all messy and disheveled. Lisa here, she's
• 1:01:43
  Speaker 3: not looking at a good way at all. She goes
• 1:01:44
  Speaker 3: on the rant of how the world is basically over
• 1:01:46
  Speaker 3: and the kids are just like shocked.
• 1:01:48
  Speaker 4: There absolute silence. One kid jumps out the window.
• 1:01:53
  Speaker 3: Did one start crying or just one? Just I think
• 1:01:55
  Speaker 3: Ralph starts crying, jump out and in skins there's office.
• 1:02:00
  Speaker 3: You know, as you said earlier, your appurst was either
• 1:02:02
  Speaker 3: a sign of emotional imbalance or a passionate response to
• 1:02:04
  Speaker 3: a sobering truth. And he suggests therapy, and she says,
• 1:02:07
  Speaker 3: what's the point. You know we're all gonna be ending.
• 1:02:11
  Speaker 3: It's gonna be ending soon anyway, And he says, cause
• 1:02:12
  Speaker 3: I need you to return to Sports Illustrated.
• 1:02:14
  Speaker 4: Magazine or something. Yeah, I didn't get that at all.
• 1:02:16
  Speaker 3: No, they can putting things in my bag, and I'm like,
• 1:02:19
  Speaker 3: huh whatever. Went out on the date with Jenny and
• 1:02:23
  Speaker 3: Bart and she asks how else but makes the world
• 1:02:26
  Speaker 3: a better place? And he says he works with mentally
• 1:02:28
  Speaker 3: challenged a mentally challenged guy, and he sees Homer. He says,
• 1:02:31
  Speaker 3: there he is there. She goes seems pretty high functioning,
• 1:02:33
  Speaker 3: and we get the argument with the pond.
• 1:02:35
  Speaker 4: Don't check your fist to me. Look, man, I don't
• 1:02:38
  Speaker 4: want any trouble. Come on, just chake my wallet, leave
• 1:02:41
  Speaker 4: me alone. Okay.
• 1:02:43
  Speaker 3: I went out on the rowboat and they see the bullies.
• 1:02:46
  Speaker 3: Just be Dick's teach these ducklings.
• 1:02:48
  Speaker 4: This is pretty evil.
• 1:02:49
  Speaker 3: Yeah, it is evil indeed. Yeah, And she asked Bart
• 1:02:52
  Speaker 3: to rescue the ducklings. So he jumps off the boat,
• 1:02:54
  Speaker 3: start swimming over there, questions to himself, why am I
• 1:02:56
  Speaker 3: doing this? Turns around, Oh yeah, tail, he asked the guys.
• 1:03:00
  Speaker 4: Yes, look guys, we're all men here. I'm trying to
• 1:03:03
  Speaker 4: impress this girl. Do you reckon? You could like not
• 1:03:04
  Speaker 4: do it not?
• 1:03:05
  Speaker 3: These ducklings, like we have the bea job a little
• 1:03:07
  Speaker 3: bit and he's like okay, So he takes on the on.
• 1:03:09
  Speaker 3: The takes one for the team. Gets a little bit
• 1:03:11
  Speaker 3: beaten up, and she said, oh my god, bar these
• 1:03:14
  Speaker 3: ducks you have magnificent You were that stopped biting you.
• 1:03:16
  Speaker 4: So basically he's one are over. That's also when we
• 1:03:18
  Speaker 4: get to see Shorna, because I said, we got the
• 1:03:19
  Speaker 4: beach up a little bit, because.
• 1:03:22
  Speaker 1: Either the ducks suffers or the kid does, or none
• 1:03:26
  Speaker 1: of you skeet nothing from Shanna.
• 1:03:28
  Speaker 4: I'm Shana. I love that. Something short. I'm sure so good.
• 1:03:39
  Speaker 4: I don't know why I like that. I thought you
• 1:03:40
  Speaker 4: would have hated the shorty coatter. I'm glad you liked it.
• 1:03:42
  Speaker 4: Oh is fantastic. We've all known as short in our lives.
• 1:03:47
  Speaker 4: Oh yeah, oh yeah, I know you're bad news. You
• 1:03:51
  Speaker 4: are bad news, and I am doom scrolling.
• 1:03:58
  Speaker 3: Were now the pediatric mental wellness group. When your kid's
• 1:04:01
  Speaker 3: gone cuckoo and the psychiatrist, whoever it is there, thinks
• 1:04:06
  Speaker 3: that least are suffering from environment related despair, and it
• 1:04:09
  Speaker 3: says it's even worst when you know what's got a name,
• 1:04:11
  Speaker 3: And she says, don't worry at Lisa will be fine
• 1:04:12
  Speaker 3: after years of expensive treatment and have a new drug
• 1:04:15
  Speaker 3: called ignoratoll to ignore all the problems in the world,
• 1:04:18
  Speaker 3: and Marge's concerned a least is a little bit too
• 1:04:20
  Speaker 3: young for happy pills. Bhama says, we've done all we can.
• 1:04:22
  Speaker 3: We've come to an appointment in the middle of the day.
• 1:04:24
  Speaker 3: So then LISAA says, go ahead, numb me. And I'm like,
• 1:04:27
  Speaker 3: that's very unlike Lisa.
• 1:04:30
  Speaker 4: So if we're being generous, we could say, oh, well,
• 1:04:33
  Speaker 4: you know this is she's in a depressed state, that
• 1:04:36
  Speaker 4: kind of a response to a situation so bad. It's like, look,
• 1:04:42
  Speaker 4: I can't talk my way out of this, or I
• 1:04:43
  Speaker 4: can't feel my way out of this. Just numb me. Yeah,
• 1:04:47
  Speaker 4: it's a reaction that a lot of people have. They
• 1:04:49
  Speaker 4: just get numb to the crisis of the world, the
• 1:04:52
  Speaker 4: multiple crises of the world.
• 1:04:53
  Speaker 3: But then starts doing the dishes for Marge. And because
• 1:04:56
  Speaker 3: the angle is he wants marsh to tell Jenny that
• 1:04:58
  Speaker 3: this is the kind of thing he does all the time.
• 1:05:00
  Speaker 3: And Homus has a line here and the delivery from
• 1:05:03
  Speaker 3: Dan was so spot on that you can't tell me
• 1:05:05
  Speaker 3: he's being sarcastic or he's just an idiot. Where he goes, yeah,
• 1:05:07
  Speaker 3: bus boys get all the chicks. So is Homer just
• 1:05:10
  Speaker 3: an idiot? And he thinks that or is he just
• 1:05:11
  Speaker 3: being sarcastic towards Bart. I mean it's more than he's
• 1:05:15
  Speaker 3: an idiot, right, I was leaning more towards sarcasm because
• 1:05:19
  Speaker 3: they played him have to be such an idiot in
• 1:05:20
  Speaker 3: this episode.
• 1:05:21
  Speaker 4: That's why lead towards that. Yeah, but it's not out
• 1:05:25
  Speaker 4: of character for Homer to say something like that, And
• 1:05:27
  Speaker 4: the sarcasting was like, oh, yeah, right, yeah, bus boys
• 1:05:30
  Speaker 4: get all the chicks.
• 1:05:31
  Speaker 3: Yeah, but now the bus arrives and they're off to
• 1:05:33
  Speaker 3: school where they're going to prepare their little minds for
• 1:05:36
  Speaker 3: a future we'll never see. It sounds like someone's going
• 1:05:38
  Speaker 3: a case of the mondays, a case of the Mondays.
• 1:05:41
  Speaker 4: I'm having one right now, that's Tuesday.
• 1:05:44
  Speaker 3: And Hope gives her a pill. She takes it on
• 1:05:45
  Speaker 3: the bus. I'm going to dizzyland, and then we have
• 1:05:48
  Speaker 3: What a Wonderful.
• 1:05:49
  Speaker 4: World played some by Louis Armstrong. Yeah, one of the
• 1:05:52
  Speaker 4: most iconic songs of all time.
• 1:05:53
  Speaker 3: I think it's certainly it's such as for what the
• 1:05:57
  Speaker 3: song means, right, it's the perfect song to play over
• 1:05:59
  Speaker 3: the top of shit going wrong. Though it's been used
• 1:06:01
  Speaker 3: so many times in that sense, I think it was.
• 1:06:03
  Speaker 4: It's multipurpose in that regard. You're right, who's who did
• 1:06:05
  Speaker 4: the app? Who used to do that? Michael Moore? Right,
• 1:06:07
  Speaker 4: the shoot the American Gun was they did.
• 1:06:11
  Speaker 3: Roger and Me bowling for Coluine for Columbine, and they
• 1:06:13
  Speaker 3: played a clip of montage with all people shooting themselves
• 1:06:16
  Speaker 3: on live TV and whatnot, and that song's playing over
• 1:06:19
  Speaker 3: the top, and it just stuck with me.
• 1:06:20
  Speaker 4: Oh sure, yeah, his the thing. I mean, look, I'm forgiving.
• 1:06:24
  Speaker 4: I can't remember exactly when Louis Armstrong first recorded and
• 1:06:26
  Speaker 4: released What a Wonderful World, but it became very, very
• 1:06:30
  Speaker 4: big where with the release of Good Morning Vietnam. Oh
• 1:06:33
  Speaker 4: really is that? It's on that similar soundtrack of that.
• 1:06:37
  Speaker 4: That soundtrack was everywhere back in I want to say,
• 1:06:39
  Speaker 4: a nineteen eighty seven that was a hugely popular movie.
• 1:06:43
  Speaker 4: It's called Good Morning Vietnam. Good Morning Vietnam. My tribute
• 1:06:49
  Speaker 4: to the like great Robin. But it really it not
• 1:06:53
  Speaker 4: not necessarily reinvigorated Robin Williams's career, but it was like, oh,
• 1:06:57
  Speaker 4: this is what this guy does, and he does it
• 1:06:59
  Speaker 4: better than anybody else. Let's let him do this. In
• 1:07:02
  Speaker 4: various ways. From this, the Dead Party society who dressing
• 1:07:05
  Speaker 4: up a drag correct, yes, and then he was Patch Adams.
• 1:07:09
  Speaker 4: It was Geenie as well. He did, he had a
• 1:07:10
  Speaker 4: street there. He was hooked Jamuji.
• 1:07:12
  Speaker 3: Oh oh no. Robin Williams is like the movie staff
• 1:07:16
  Speaker 3: for nineties kids. It's like he was like our dad.
• 1:07:18
  Speaker 4: Absolutely, and Good Morning Vietnam was the thing that really
• 1:07:21
  Speaker 4: just sort of put the foot to the floor. Oh yeah, yeah.
• 1:07:23
  Speaker 4: I mean he'd been in a bunch of he was
• 1:07:25
  Speaker 4: well known from walkan Mindian, from his stand up and
• 1:07:27
  Speaker 4: all that kind of stuff, and he'd been in a
• 1:07:29
  Speaker 4: bunch of movies, but he never really found anything that
• 1:07:31
  Speaker 4: quite fit. It's just let him be him, didn't it.
• 1:07:33
  Speaker 4: It just let him be him. Yeah, I mean good
• 1:07:36
  Speaker 4: hunting shit. Oh yeah, absolutely. The guys are incredibly talented actor,
• 1:07:41
  Speaker 4: but yeah, this was just like, I don't think it's
• 1:07:44
  Speaker 4: a very accurate representation the guy he was, of the
• 1:07:46
  Speaker 4: real life guy that he was actually playing, but as
• 1:07:49
  Speaker 4: an entertainment vehicle, it's like, oh yeah, good morning th
• 1:07:53
  Speaker 4: damb and What a Wonderful World was really sort of
• 1:07:56
  Speaker 4: the breakout song of the soundtrack. The sound is very
• 1:08:00
  Speaker 4: much you know, greatest hits of the fifties, sixties, et cetera,
• 1:08:03
  Speaker 4: et cetera, et cetera. But you go to a wedding
• 1:08:06
  Speaker 4: and what a wonderful worl would play. You go to
• 1:08:08
  Speaker 4: a nightclub and they'd kind of close out really with
• 1:08:10
  Speaker 4: what a wonderful World in preclusing to unfortunity. But you know,
• 1:08:17
  Speaker 4: it's like, oh, here's a nice way to send people
• 1:08:19
  Speaker 4: out at the end of the evening. You may not
• 1:08:21
  Speaker 4: even feel that bad if you didn't pick up that night,
• 1:08:23
  Speaker 4: just like, oh, what a wonderful world? And then but
• 1:08:26
  Speaker 4: did You're right? It becomes multipurpers like, oh, this song
• 1:08:29
  Speaker 4: makes me feel so good a wonderful time? Yeah? Is
• 1:08:36
  Speaker 4: it only Louis Armstrong posits that we're living in a
• 1:08:40
  Speaker 4: wonderful world? What this use of the song presupposed is
• 1:08:43
  Speaker 4: maybe it's not so Yeah again, very effective use of
• 1:08:51
  Speaker 4: it here.
• 1:08:53
  Speaker 3: Four figure discount is brought to you by our incredible
• 1:08:55
  Speaker 3: supporters on Patreon. With your support, we're able to hire editors,
• 1:08:59
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• 1:09:02
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• 1:09:05
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• 1:09:08
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• 1:09:11
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• 1:09:13
  Speaker 3: exclusive Facebook and Discord communities. So go ahead and support
• 1:09:16
  Speaker 3: the show today for as little as just one dollar
• 1:09:18
  Speaker 3: at patreon dot com slash four finger discount. But Lisa,
• 1:09:22
  Speaker 3: see he's the homeless guy with his dog but buddy
• 1:09:25
  Speaker 3: vomiting and things like that, and she's just seeing they're
• 1:09:27
  Speaker 3: all just.
• 1:09:28
  Speaker 4: Bringing up the smiley face, the smiley face, yeah, and
• 1:09:30
  Speaker 4: the and the iconic smiley face yeah, the forest cup
• 1:09:33
  Speaker 4: smiley for forest gum smiley face yeah.
• 1:09:35
  Speaker 3: But then sets the table. I don't know how easy
• 1:09:38
  Speaker 3: this was. I've just done all this time instead of
• 1:09:40
  Speaker 3: throwing all those tangents. And I'm like this as a parent.
• 1:09:43
  Speaker 3: Now I watch she's going, if only kid's new. You
• 1:09:48
  Speaker 3: say to a kid, it's time to put your shoes on.
• 1:09:51
  Speaker 4: Just put your freaking shoes on. What is it a
• 1:09:54
  Speaker 4: big deal forgive the pony mouth kid the shite hard?
• 1:09:58
  Speaker 4: Just do it? Look, why are you trip?
• 1:10:01
  Speaker 3: And you're you've become every boy? And mother dreams of
• 1:10:04
  Speaker 3: a girl and Jenny is surprised by that the fact
• 1:10:08
  Speaker 3: that the special man that Bart works with is actually
• 1:10:09
  Speaker 3: his father and we get the squashed in the fly
• 1:10:11
  Speaker 3: with his head and I was like, ah.
• 1:10:13
  Speaker 4: Whatever to quote the title of the Great Anam Sandler,
• 1:10:19
  Speaker 4: Jennifer Andison Romcom, just go with it. Yeah.
• 1:10:21
  Speaker 3: Then she says, or your family like this, and he
• 1:10:24
  Speaker 3: sees Lisa with the smiley faces. She's in her own world.
• 1:10:26
  Speaker 4: Yeah, she's zoned out.
• 1:10:27
  Speaker 3: I did like that bit though, of Wigan being shot
• 1:10:29
  Speaker 3: and the blood pouring out, but it's just it's just
• 1:10:31
  Speaker 3: the smiley face. The margin's impressed with with what Jenny
• 1:10:34
  Speaker 3: has done with Bart.
• 1:10:35
  Speaker 4: I think.
• 1:10:36
  Speaker 3: I think Barta's a combination of Habitat for Humanity and
• 1:10:38
  Speaker 3: the Jonas brothers, and nothing can ever change my opinion
• 1:10:40
  Speaker 3: of him. Doorbell, lightning starts running outside. You know something's happening.
• 1:10:45
  Speaker 3: Oh wait, it's Millhouse.
• 1:10:46
  Speaker 4: Because I haven't atually acknowledged him since that's true, but
• 1:10:49
  Speaker 4: not once watching this did I go what about Millhouse?
• 1:10:53
  Speaker 4: We should always be thinking where's Millhouse? Yeah? I too,
• 1:10:55
  Speaker 4: As of you forgot about Millhouse, so it's easy for
• 1:10:57
  Speaker 4: Bart to forget about him as well. And then Bart.
• 1:10:59
  Speaker 3: Says, here, we don't have any money, go away, and
• 1:11:01
  Speaker 3: he's trying to clearly he is putting on this act.
• 1:11:04
  Speaker 3: You know, Yeah, the real sort of Bart was coming
• 1:11:06
  Speaker 3: out a little bit.
• 1:11:06
  Speaker 4: Not now, mil Yeah, that kind of Yeah.
• 1:11:09
  Speaker 3: Then he hears a doorbell again, so he storms off
• 1:11:10
  Speaker 3: and it's Millhouse asking why he never visited him, and
• 1:11:13
  Speaker 3: Bart says, has been busy, and then he realizes that
• 1:11:15
  Speaker 3: Jenny has replaced him.
• 1:11:16
  Speaker 4: Well doesn't seen him again? Oh, I see what's going
• 1:11:18
  Speaker 4: on here? Wait a minute, don't my glasses are fogged up.
• 1:11:20
  Speaker 4: It's actually Jenny. Milhouse says here, I've learned a few
• 1:11:24
  Speaker 4: new swear words from my injured uncle. And Bart says,
• 1:11:27
  Speaker 4: you know, only by knowing them can you prevent little
• 1:11:29
  Speaker 4: kids from saying them? Yeah. He then tells Milhouse, look, dude,
• 1:11:34
  Speaker 4: I'm a change man. Now. I can't be doing this anymore. Milhouse.
• 1:11:38
  Speaker 1: Real best friends often don't speak for years at a time,
• 1:11:41
  Speaker 1: like John Adams and Thomas Jefferson. Just because you saw
• 1:11:44
  Speaker 1: one episode of one mini series doesn't mean you get
• 1:11:47
  Speaker 1: to use it as a web.
• 1:11:49
  Speaker 4: I look it up.
• 1:11:50
  Speaker 3: It's the mini series John Adams, Yeah, starring Paul Jim
• 1:11:53
  Speaker 3: or Jim Might from two thousand and eight. But then
• 1:11:55
  Speaker 3: says he needs to keep all these dark past hidden
• 1:11:58
  Speaker 3: and Jenny sends him a text saying that missus hi
• 1:12:00
  Speaker 3: babba bash, she's just being your cutesye, and then he says,
• 1:12:02
  Speaker 3: I guess you found your Abigail Adams.
• 1:12:04
  Speaker 4: Who.
• 1:12:05
  Speaker 3: These are the kind of lines that when you're watching
• 1:12:07
  Speaker 3: The Simpsons in the Golden Near as a kid, you
• 1:12:09
  Speaker 3: had no idea what it was, but he just like
• 1:12:11
  Speaker 3: it must be something, right, and he sort of went
• 1:12:13
  Speaker 3: with it, and as you got old, you're like, oh,
• 1:12:15
  Speaker 3: the referencing that. Yeah, now, this little bit here felt
• 1:12:17
  Speaker 3: like classic Simpsons.
• 1:12:18
  Speaker 4: It really did. And whether you know, it's a combination
• 1:12:20
  Speaker 4: of I don't quite get this, but it's delivered with
• 1:12:23
  Speaker 4: such confidence. It's funny. But yeah, these guys must know
• 1:12:27
  Speaker 4: something that I don't. Yeah, and obviously pretend to laugh. Yeah,
• 1:12:30
  Speaker 4: pretty much, But yeah, I wholly agree with you. I mean,
• 1:12:33
  Speaker 4: that was just a great line about just because you
• 1:12:35
  Speaker 4: watched one episode of that and then just watched the
• 1:12:38
  Speaker 4: one episode and doesn't know it else. That's the payoff. Yeah,
• 1:12:40
  Speaker 4: it's so good. It was very very good. Indeed.
• 1:12:42
  Speaker 3: Yeah, Milhousen says he's the fifth wheel on the bicycle
• 1:12:45
  Speaker 3: with training wheels, and he says next time he may
• 1:12:47
  Speaker 3: not be able to bite his tongue because it's difficult
• 1:12:50
  Speaker 3: as he tries to show. Then it's time for the
• 1:12:52
  Speaker 3: church bake sale, and Flanders asked reverend if you want
• 1:12:55
  Speaker 3: some of his Devil's food cake, but he says, is
• 1:12:57
  Speaker 3: it actually Devil's food cake? No, it's actually angel food
• 1:12:59
  Speaker 3: with chuck on top of Flanner's always be lying about
• 1:13:01
  Speaker 3: his food. Two a larmtops it's the one floor, yeah,
• 1:13:07
  Speaker 3: but sees Jenny. He apologizes for being late. He didn't
• 1:13:10
  Speaker 3: realize that the oven had to be on to bake stuff.
• 1:13:12
  Speaker 3: And Millhouse arrives as well, and he says he's got
• 1:13:15
  Speaker 3: his face his favorite Bible section or something, Revelations. That's right, yeah, yeah,
• 1:13:21
  Speaker 3: but she said, oh that's mine too, he says. And
• 1:13:24
  Speaker 3: she says to Bart, maybe we should bring Millhouse on
• 1:13:26
  Speaker 3: our trip to Juice Country, and Bart says no, because
• 1:13:29
  Speaker 3: you'll spill everything. It's a nice play on wine country, why,
• 1:13:32
  Speaker 3: of course, But he says, you'll spill everything, not juice,
• 1:13:34
  Speaker 3: not the secrets, of course, and Milhouse agrees, but he
• 1:13:37
  Speaker 3: says he'll see them soon, then walks backwards, slowly avoiding everything,
• 1:13:41
  Speaker 3: goes over the sea saw then crashes into what can
• 1:13:43
  Speaker 3: the shum of trash cans or something like that, and
• 1:13:46
  Speaker 3: Jenny says, Bart looks tense going to cookie and as
• 1:13:48
  Speaker 3: he's he goes to the cookies, the world Millhouse's face.
• 1:13:51
  Speaker 3: Then we get the plate and it says we used
• 1:13:52
  Speaker 3: to be friends, number six in a series. Now, these
• 1:13:55
  Speaker 3: remind me of a series of Simpson's plates from the nineties.
• 1:13:58
  Speaker 4: Right, we'll tell me what. I've got one of them.
• 1:14:00
  Speaker 4: There's actually six in the set, and they are like
• 1:14:03
  Speaker 4: twenty four carrot gold, and they just got that really
• 1:14:06
  Speaker 4: early nineties design to them, so they think the first
• 1:14:09
  Speaker 4: one came out at ninety and then each ye they
• 1:14:10
  Speaker 4: have released a different one. We've actually got them up
• 1:14:12
  Speaker 4: here so you can see them. I saved them here.
• 1:14:14
  Speaker 4: Here's someone selling them on eBay for nine hundred dollars
• 1:14:17
  Speaker 4: for the whole set. You did say, twenty four carrod gold.
• 1:14:20
  Speaker 4: I mean, who made these? Donald Trump?
• 1:14:21
  Speaker 3: Yeah they are there, gives a look, So that's just
• 1:14:25
  Speaker 3: the designer. They're just really nice looking Simpsons glasses. Yeah, plates, sorry,
• 1:14:31
  Speaker 3: plates glasses. Each plate is.
• 1:14:33
  Speaker 4: A like a little document of authenticity there as well.
• 1:14:36
  Speaker 3: Yeah, each little document, but each one or one of
• 1:14:39
  Speaker 3: them was just the Simpsons Family on the Couch, and
• 1:14:41
  Speaker 3: the other ones are sort of taken from moments from
• 1:14:43
  Speaker 3: season one one from season two the Three Eyed Fish.
• 1:14:46
  Speaker 3: The other ones are from the Call the Simpsons, Maggie
• 1:14:48
  Speaker 3: with the bear, We've got the Simpsons singing the Christmas
• 1:14:51
  Speaker 3: car at the end of the first episode, the Shock
• 1:14:53
  Speaker 3: Therapy one from episode three on one hours, and then
• 1:14:56
  Speaker 3: Lisa and Bleeding Games Murphy from Wunning Lisa playing sacks
• 1:14:59
  Speaker 3: on the bridge at right, and they're really lovely plates.
• 1:15:02
  Speaker 3: And when I saw that, I thought, what if there
• 1:15:03
  Speaker 3: was a reference to the old Simpsons plates number six
• 1:15:05
  Speaker 3: in the series, or just the fact that people collect
• 1:15:07
  Speaker 3: the plates.
• 1:15:09
  Speaker 4: I'm gonna go with people just collecting the plates. But
• 1:15:11
  Speaker 4: I like where your head's at.
• 1:15:12
  Speaker 3: Then we get don't worry be happy again, Simpsons walking
• 1:15:15
  Speaker 3: out that money for those those royalties. Indeed, yeah, and
• 1:15:18
  Speaker 3: he plays this is playing as Lisa is just sitting
• 1:15:21
  Speaker 3: there in her own little world, and she's about to
• 1:15:23
  Speaker 3: kiss a face which turns out to be Maggie holding
• 1:15:25
  Speaker 3: a fan and MAGGI.
• 1:15:26
  Speaker 4: Why are you trying to kill your sister? Look what
• 1:15:28
  Speaker 4: are you doing? She's zoned out, you know, she's disconnected
• 1:15:31
  Speaker 4: from reality.
• 1:15:32
  Speaker 3: Maggie. Maggie's holding the fan. Why are you trying to
• 1:15:35
  Speaker 3: kill your sister? She's pushing the fan towards her.
• 1:15:38
  Speaker 4: No, I mean that Lisa's sort just getting for realid
• 1:15:40
  Speaker 4: and not. Yeah, why why is Mackie trying to hurt her?
• 1:15:42
  Speaker 4: Because Meg's a baby.
• 1:15:44
  Speaker 3: Marja says that's it, and she throws them in the bin.
• 1:15:46
  Speaker 3: The dog eats them and he starts going towards the
• 1:15:48
  Speaker 3: fan as well. Then Bart says Millhouse or the Juice
• 1:15:52
  Speaker 3: Country that the aquarium, I think somewhere, And Bart says
• 1:15:55
  Speaker 3: Millhos shouldn't be here because when he's at sea little
• 1:15:58
  Speaker 3: he gets nosebleeds. She says that's fine. She says, no worry,
• 1:16:00
  Speaker 3: millh Has is fine. Then mil Has surprises them. He says,
• 1:16:03
  Speaker 3: I can't get nose bees when my heart's broken.
• 1:16:05
  Speaker 4: You can't blee out your nose when your heart's broken.
• 1:16:07
  Speaker 4: Good line.
• 1:16:08
  Speaker 3: But then tells him to stop being creepy, and he
• 1:16:10
  Speaker 3: points out the scared dolphin, and the dolphins says that
• 1:16:13
  Speaker 3: Bart made him swimming seven up and then Barta says, look,
• 1:16:16
  Speaker 3: I can't do this anymore. The pressure's got to He
• 1:16:18
  Speaker 3: gives it up and says, he comes clean, explains all
• 1:16:20
  Speaker 3: the various names that he's got before I.
• 1:16:23
  Speaker 1: Met you, I was Elbardo, Skinner's Bane, the Sultan of
• 1:16:26
  Speaker 1: spit Wise, the Dean of d Minus, the Ica run
• 1:16:29
  Speaker 1: the kid.
• 1:16:29
  Speaker 3: No, no, no, I like Skinner's Bane, Sultan's spit Ons.
• 1:16:33
  Speaker 3: It's kind of like the Babe Ruth. He's got all
• 1:16:35
  Speaker 3: these various names. The Sultan's swap.
• 1:16:37
  Speaker 4: Swat, that's a great one.
• 1:16:38
  Speaker 3: Yeah, And then she thinks the entire relationship has been
• 1:16:42
  Speaker 3: built on lies. He's like, no, it hasn't, just the
• 1:16:44
  Speaker 3: stuff I said, and she's thinking about it. You can
• 1:16:46
  Speaker 3: see it's going through a mind at a cust of bart crying,
• 1:16:48
  Speaker 3: she's she's dubbed him.
• 1:16:50
  Speaker 4: It is tough. I mean, Jenny's right in some regards.
• 1:16:53
  Speaker 4: I mean, he did misrepresent himself. But at the same time,
• 1:16:57
  Speaker 4: you know, I think you do see making an effort
• 1:17:00
  Speaker 4: that he's generally making the effort to improve, and he
• 1:17:02
  Speaker 4: is being improved by this external force by Jenny. But
• 1:17:06
  Speaker 4: also yeah, I mean he's got that feeling. As I
• 1:17:07
  Speaker 4: said earlier, it's like, wow, now I want to live
• 1:17:10
  Speaker 4: up to what this person thinks of me. And but yeah,
• 1:17:14
  Speaker 4: if it's built on that foundation, that flimsy foundation of lies,
• 1:17:17
  Speaker 4: and I'm sorry, it's just not going to end well,
• 1:17:18
  Speaker 4: and it does not in this case. But as Homer says,
• 1:17:20
  Speaker 4: girls come and go, but you always have your family.
• 1:17:22
  Speaker 4: They both broke out crying.
• 1:17:25
  Speaker 3: Bart is drinking his sorrows away with a five to
• 1:17:27
  Speaker 3: twelve ounce Shrek Berry blast. As we're saying, get ten
• 1:17:30
  Speaker 3: percent off if you answer the trivia question correctly if
• 1:17:32
  Speaker 3: any Shrek DVD except the first two at least it
• 1:17:36
  Speaker 3: has a randomly arise and she says she learned that
• 1:17:37
  Speaker 3: you can't wallow and despare you to just face things
• 1:17:40
  Speaker 3: as they are, take things as they come. And then
• 1:17:44
  Speaker 3: Bart buys ten dollars Roses that he was supposed to
• 1:17:46
  Speaker 3: hold for Lenny for his grandmother's grave, so instead he
• 1:17:48
  Speaker 3: takes the daft man's standy to his grandma's grave, and
• 1:17:51
  Speaker 3: she's probably appreciated that. He just basically says that, you know,
• 1:17:54
  Speaker 3: he's lost money because he invested in a condo and
• 1:17:57
  Speaker 3: they went bankrupt. Now that crane assits there thrusting every day.
• 1:18:01
  Speaker 3: Then it cuts to but apologizing to Millhouse, do you
• 1:18:03
  Speaker 3: think he's you're supposed to think he's going Jenny because
• 1:18:05
  Speaker 3: hes got the flowers, but no, it's actually the Millhouse,
• 1:18:07
  Speaker 3: and Millhouse says I was born for giving you bait
• 1:18:09
  Speaker 3: and switch. Yeah, and he says he'll never turn his
• 1:18:11
  Speaker 3: backage on him again and says punch him, punch him.
• 1:18:14
  Speaker 3: He does punch him a little bit, and then they
• 1:18:16
  Speaker 3: use his bonie kin to turn the school into an
• 1:18:18
  Speaker 3: ice drink.
• 1:18:19
  Speaker 4: The true romantic gesture. I mean, do you. I don't
• 1:18:23
  Speaker 4: punch Nicola only when she's out of line. She should
• 1:18:27
  Speaker 4: in the Mount Darby one of the best lines as
• 1:18:32
  Speaker 4: to your grandma. We're not condoning his action, disclaim her disclaimer.
• 1:18:37
  Speaker 4: But now earlier in the episode, did he actually sort
• 1:18:39
  Speaker 4: of give Jenny that we didn't he opted not see
• 1:18:42
  Speaker 4: but he actually does follow through with with milhou the house. Yeah,
• 1:18:46
  Speaker 4: true love. Yes, Yeah, it's actually well written this episode
• 1:18:51
  Speaker 4: in many aspects. Oh yeah, a lot of good construction.
• 1:18:53
  Speaker 4: That's trying to say.
• 1:18:55
  Speaker 3: It feels very same, same, the stories feel like they're
• 1:18:57
  Speaker 3: treading the same sort of like story, but they a
• 1:19:00
  Speaker 3: bit of a spin on it.
• 1:19:01
  Speaker 4: There's actual there's one might I say they put a
• 1:19:03
  Speaker 4: clock in it? Yeah, that's right.
• 1:19:04
  Speaker 3: Yeah, there's genuine emotion here, and there's payoffs to things
• 1:19:08
  Speaker 3: like the punching.
• 1:19:09
  Speaker 4: It's great set ups and payoffs.
• 1:19:11
  Speaker 3: Yeah yeah, yeah, even that line about the John Adams
• 1:19:13
  Speaker 3: doc the mini series that things are planted and then
• 1:19:16
  Speaker 3: they paid.
• 1:19:18
  Speaker 4: A middlely maybe just like thirty seconds later, but still yeah.
• 1:19:22
  Speaker 3: But overall, yeah, this was just I originally had in
• 1:19:26
  Speaker 3: my notes. This just feels very placeholder. It's just sort
• 1:19:28
  Speaker 3: of there. But reviewing it, I think I enjoyed more
• 1:19:30
  Speaker 3: reviewing it, Like the the motion behind the Bart and
• 1:19:34
  Speaker 3: Milhouse story was enough for me to give this one
• 1:19:36
  Speaker 3: of the thumbs up. I think it wasn't a standard
• 1:19:40
  Speaker 3: episode like it's forgettable.
• 1:19:41
  Speaker 4: It is forgettable. Yeh, I was never going to give
• 1:19:43
  Speaker 4: this a thumbs down. It's not a bad episode. Yeah.
• 1:19:46
  Speaker 4: My thumb was sort of like more in the mid section.
• 1:19:49
  Speaker 3: And it's fine. Yeah, it's like a huge thumbs up.
• 1:19:52
  Speaker 3: But it's like, there's nothing wrong with this one.
• 1:19:54
  Speaker 4: Yeah, thumbs aren't way up. They kind of it's all right,
• 1:19:58
  Speaker 4: what do we learn bomb? What did to learn from
• 1:20:00
  Speaker 4: this episode? I can actually attest this in real life.
• 1:20:03
  Speaker 4: Bus boys do get all the chicks. I will frequently
• 1:20:06
  Speaker 4: be over at Lose and she will have made a
• 1:20:09
  Speaker 4: nice in and of course I'll take care of the dishes.
• 1:20:11
  Speaker 4: She goes, We've got a dishwasher, like but certain things
• 1:20:14
  Speaker 4: don't go in the dish washer, so need the labels.
• 1:20:18
  Speaker 4: So I'm going to wash it this. I'm going to
• 1:20:20
  Speaker 4: wash it for you microwave nutsy. But yes, I can
• 1:20:25
  Speaker 4: test the bus boys do actually get all the chicks.
• 1:20:27
  Speaker 4: So I mean it's something I already knew. But it's
• 1:20:29
  Speaker 4: the chick that you want, not all the chicks.
• 1:20:31
  Speaker 3: Maybe you watch out, Louise, do some dishes to lie
• 1:20:35
  Speaker 3: ladies do some dishes tonight?
• 1:20:37
  Speaker 4: How that works out for you? I do the dishes
• 1:20:39
  Speaker 4: every day, my friend, I am the dish washer. But
• 1:20:43
  Speaker 4: you enjoy doing dishes? Oh yeah, I do it. Yeah.
• 1:20:46
  Speaker 4: This might be a Davis family thing. It might be
• 1:20:48
  Speaker 4: in our DNA because you know, I'll go see the
• 1:20:51
  Speaker 4: lovely Margaret Mary. Uh, that's my mother and that we
• 1:20:57
  Speaker 4: dishes and thinks not that many don't know. After we've
• 1:20:58
  Speaker 4: had like a cup of coffee or you know the
• 1:21:00
  Speaker 4: family's been over and had like coffee and cake or something.
• 1:21:02
  Speaker 4: Mum and the woman to take care of those discipline
• 1:21:07
  Speaker 4: my dishes. But she's very happy to stand there at
• 1:21:11
  Speaker 4: ninety something, a little hot sauce, a little hot water,
• 1:21:18
  Speaker 4: and a little liquid soap in the sink and get
• 1:21:21
  Speaker 4: him looking sparkling.
• 1:21:23
  Speaker 3: I feel the same way. Yeah, well done, I learned it, apparently,
• 1:21:26
  Speaker 3: and it's true. Anything else the Shrek went to, no
• 1:21:28
  Speaker 3: one's buying.
• 1:21:29
  Speaker 4: That's true. Having said that, Shrek number five coming up? Yeah,
• 1:21:32
  Speaker 4: next year. It was meant to be this year. Now
• 1:21:33
  Speaker 4: next year. Apparently Zindaya is the voice of Shrek and Fiona.
• 1:21:36
  Speaker 3: Don't they're going to fix the design to give you
• 1:21:38
  Speaker 3: a stoic nimber. We're outraged by the design. It It
• 1:21:43
  Speaker 3: does look different enough where I went. Obviously they are
• 1:21:45
  Speaker 3: in Shrek. I mean I can see why people. Yeah,
• 1:21:47
  Speaker 3: so Shrek have changed the Shrek design. He looks different now,
• 1:21:50
  Speaker 3: and I watched his going. I'm not bothered by it.
• 1:21:53
  Speaker 3: But still I don't see the point. Why did you
• 1:21:55
  Speaker 3: feel a need to have to change the designer, Shrek.
• 1:21:58
  Speaker 3: It's only so slightly, but it's enough where you go
• 1:22:00
  Speaker 3: that looks off. Yeah, either change the design or just
• 1:22:05
  Speaker 3: do it as it was.
• 1:22:06
  Speaker 4: We use the time all the time, doodling on someone's dreams,
• 1:22:10
  Speaker 4: like when they READID Star Wars like I didn't need
• 1:22:13
  Speaker 4: I didn't need to see you thet not not this
• 1:22:15
  Speaker 4: way anyway in New Hope. Okay, Star Wars. It looked
• 1:22:20
  Speaker 4: great in Return of the Jedi, So yeah, he belongs
• 1:22:23
  Speaker 4: to Return of the Jedi. Leave him there, correct, Yes,
• 1:22:25
  Speaker 4: And so when you do these alterations to things that
• 1:22:28
  Speaker 4: people really really love. Something I'm learning as a generation
• 1:22:31
  Speaker 4: XT type is how much the millennials love Shrek. Love Shrek?
• 1:22:35
  Speaker 4: Oh ye? Yeah, I mean, of course I know you do,
• 1:22:37
  Speaker 4: but I mean I thought you were just a widow
• 1:22:41
  Speaker 4: no people. Yeah, the kid the kids love Shrek.
• 1:22:44
  Speaker 3: Donkey meant the word to us. It gave Eddie Murphy
• 1:22:47
  Speaker 3: a new lease on life.
• 1:22:48
  Speaker 4: Well, as we were saying before about Robin Williams, yeah,
• 1:22:51
  Speaker 4: I mean, sometimes you can be in the doldrooms a
• 1:22:53
  Speaker 4: little bit and then you find a role that makes
• 1:22:55
  Speaker 4: people realize or remember it's like oh wow, yeah capable
• 1:22:58
  Speaker 4: of this or able to handle this or something like that.
• 1:23:02
  Speaker 4: So yeah, you're right, I mean, because yeah, ro Eddie Murphy,
• 1:23:06
  Speaker 4: it's sort of like, why do we like this? Guy?
• 1:23:08
  Speaker 3: Was doing a lot kids films after this, right? And
• 1:23:11
  Speaker 3: you know what any thing is if you were if
• 1:23:13
  Speaker 3: you enjoyed. If you lived through the Eddie Murphy of
• 1:23:15
  Speaker 3: the eighties, right where it was Beverly Hills, cop and
• 1:23:17
  Speaker 3: raw and delirious and all this other stuff. It's like,
• 1:23:19
  Speaker 3: you like the Eddie Murphy. My kids put Meet Dave
• 1:23:22
  Speaker 3: and Daddy Dayker on it the other day and they
• 1:23:24
  Speaker 3: freaking love them. Man, they loved them. It's like, you
• 1:23:26
  Speaker 3: know what, he was making these movies for his kids.
• 1:23:29
  Speaker 4: Kids like them. That's a good point. That is a
• 1:23:31
  Speaker 4: good point. He made the movies for us, and now
• 1:23:34
  Speaker 4: he's making movies for his kids. Who do you make
• 1:23:36
  Speaker 4: Pluto Nashville the money? You know what? I still say
• 1:23:42
  Speaker 4: is underrated both finger. No one's saying both figures underrated.
• 1:23:46
  Speaker 3: I was the only one of my I was the
• 1:23:48
  Speaker 3: only one of my friends that ever knew of that film.
• 1:23:50
  Speaker 3: And like I sometimes see it on TV, I'm like,
• 1:23:52
  Speaker 3: I'm gonna make sure I set thim aside to watch Bothing.
• 1:23:54
  Speaker 3: I love that movie.
• 1:23:55
  Speaker 4: Oh a lot of people love both Okay, good and
• 1:23:58
  Speaker 4: I'm glad not the only one, So I'm not a
• 1:23:59
  Speaker 4: weird well questions. Leave your remarks in the comments. From
• 1:24:07
  Speaker 4: miss Day forward, your names will.
• 1:24:09
  Speaker 3: Be time for the guy Davis New Name Championship. You
• 1:24:13
  Speaker 3: can't lead aboard stands at this in first position, we
• 1:24:16
  Speaker 3: have Jared Hornby on twenty points. We have Phil Hawkins
• 1:24:19
  Speaker 3: on nineteen, only one point behind, and Brian hughesy mchughes.
• 1:24:23
  Speaker 3: He's climbed that ladder. He's on fifteen points. Now take
• 1:24:25
  Speaker 3: it away.
• 1:24:26
  Speaker 4: One point goes to jen Uine mistake. Oh, Jared's got
• 1:24:31
  Speaker 4: one points on twenty one. Now come in anyway is
• 1:24:34
  Speaker 4: getting away? He got one point and two points go
• 1:24:38
  Speaker 4: to You give love a butt name. You gotta sing it.
• 1:24:43
  Speaker 4: You give love a butt name. That is Steve Roberts Wild.
• 1:24:48
  Speaker 4: I'm Steve. He now won four points Wild.
• 1:24:50
  Speaker 3: He's either got two one points and a two point
• 1:24:53
  Speaker 3: now or two two's either way, two plus two is four.
• 1:25:00
  Speaker 4: Say the lone guy. It was my understanding there would
• 1:25:02
  Speaker 4: be no math who got the three this week? The three?
• 1:25:06
  Speaker 4: Just get to the three point three points goes to
• 1:25:09
  Speaker 4: over dosed. That is hugh'sy mc hughest. He's climb that ladder.
• 1:25:16
  Speaker 3: He He is now third on eighteen points, only two
• 1:25:20
  Speaker 3: three points behind Jared and one point behind Phil Hawkins.
• 1:25:23
  Speaker 3: He has come out of absolutely nowhere.
• 1:25:25
  Speaker 4: Boy, He's a dark or Brian Hughsey Mchughes trying to
• 1:25:29
  Speaker 4: steal that mantle. Well, we wish you the best of luck,
• 1:25:33
  Speaker 4: Hughes he but luck's not got everything to do with that.
• 1:25:37
  Speaker 4: You've got to be in it to win it, by
• 1:25:39
  Speaker 4: which I mean the Guy That Ever's New Name Challenge.
• 1:25:41
  Speaker 3: So the leader board now stands Jared Hornby in first
• 1:25:43
  Speaker 3: position on twenty one, Phil Hawkins on nineteen and second,
• 1:25:45
  Speaker 3: and Brian hughesy Mchughes on eighteen and third. It's a
• 1:25:48
  Speaker 3: very close frace. Anyone can win.
• 1:25:50
  Speaker 4: Anyone can win. It's probably gonna be no anyone can win. Yeah,
• 1:25:56
  Speaker 4: but everyone can be a part of it. And look,
• 1:25:58
  Speaker 4: we highly recommend you do so. Just dear, slot your
• 1:26:01
  Speaker 4: new name into the Guy Data's New Name Challenge when
• 1:26:03
  Speaker 4: it is announced on the Facebook patrons page, and you
• 1:26:07
  Speaker 4: too could have your name read out by Dan.
• 1:26:10
  Speaker 3: On Guy Indeed, all right, speaking of we're gettingname right out.
• 1:26:13
  Speaker 3: You're gonna supported as on Patreon anyone who's joined the
• 1:26:15
  Speaker 3: family on Patreon this month. As I said earlier, you'll
• 1:26:18
  Speaker 3: get your name right out on next week's Mailbag episode.
• 1:26:20
  Speaker 3: We're going to be answering your question. So keep sending
• 1:26:22
  Speaker 3: them through mailbag at four finger discount dot com dot
• 1:26:25
  Speaker 3: au want to hear from each and every single one
• 1:26:27
  Speaker 3: of you. Also, we're going to be reviewing after that
• 1:26:31
  Speaker 3: Father Knows Worse. That'll be the next season twenty episode,
• 1:26:33
  Speaker 3: and we're going to be putting a poll up in
• 1:26:35
  Speaker 3: the Patreon group with a party theme to find out
• 1:26:38
  Speaker 3: which is going to be the next guy on Springfield
• 1:26:40
  Speaker 3: Review in July because Elliott turned seven in as he
• 1:26:43
  Speaker 3: told me this morning, nineteen days.
• 1:26:46
  Speaker 4: It's great when you're a kidding you because cat very
• 1:26:49
  Speaker 4: very specific. I'm so excited so many days to my
• 1:26:52
  Speaker 4: special day. Yes, the countdown is on birthdays.
• 1:26:56
  Speaker 3: I feel like now though I don't want, I don't
• 1:26:59
  Speaker 3: make a big deal about my birth days, right, but
• 1:27:01
  Speaker 3: when it gets to my birthday and like no one
• 1:27:03
  Speaker 3: else is making a big deal, I'm kind of like,
• 1:27:05
  Speaker 3: it's kind of wish someone would, oh ya know. It's
• 1:27:08
  Speaker 3: just I didn't want to make a big deal because
• 1:27:10
  Speaker 3: like it's just the birthday. But now it gets my
• 1:27:11
  Speaker 3: birthday and go. It would be nice, though, if people
• 1:27:13
  Speaker 3: made an effort.
• 1:27:15
  Speaker 4: I think our nerve endings have been kind of deadened
• 1:27:17
  Speaker 4: again by social media. In a life but you know
• 1:27:20
  Speaker 4: when Facebook first started taking off, and you know, it
• 1:27:24
  Speaker 4: came up on the main page, like someone says birthday,
• 1:27:27
  Speaker 4: and you know, the more frends you made, all the
• 1:27:29
  Speaker 4: more you got to know someone on their particular platform,
• 1:27:32
  Speaker 4: it start seeing these birthday messages start racking up. Wow,
• 1:27:36
  Speaker 4: people so popular.
• 1:27:38
  Speaker 3: Yeah, but it took effort to have to write happy birthdays,
• 1:27:41
  Speaker 3: like you you made an ef out of your day
• 1:27:42
  Speaker 3: to do it. Now it's got the auto certain happy
• 1:27:45
  Speaker 3: birthday and it's just like an automated thing.
• 1:27:46
  Speaker 4: Yeah. I don't like that.
• 1:27:47
  Speaker 3: Yeah, you know, you know when people stop doing it,
• 1:27:50
  Speaker 3: when someone started the trend of not replying to every message,
• 1:27:53
  Speaker 3: just going thanks to everyone.
• 1:27:55
  Speaker 4: Thanks guys, appreciate it. It's like, did you even read them? More?
• 1:27:58
  Speaker 4: You even read my message. But when you start to
• 1:27:59
  Speaker 4: go through and.
• 1:28:00
  Speaker 3: Acknowledge each one, it's like, ah, he actually knows that
• 1:28:03
  Speaker 3: I made the effort.
• 1:28:03
  Speaker 4: I met the effort next time. Now it's just appreciate
• 1:28:06
  Speaker 4: the effort guys, O bug or you know, you go
• 1:28:08
  Speaker 4: through your message, put a little heart on each one
• 1:28:10
  Speaker 4: of them. Yeah, even that's so much effort. I still
• 1:28:13
  Speaker 4: do with everyone who does. I'm like I always acknowledge
• 1:28:15
  Speaker 4: I've read this. I appreciate this. You know why because
• 1:28:18
  Speaker 4: you care, because I care. Yes, guilty of anything, it's
• 1:28:21
  Speaker 4: that you care too much. But the next Sea twenty
• 1:28:22
  Speaker 4: episode will be Father Knows Worst Guy on Spirit. Polls
• 1:28:26
  Speaker 4: are now going up on Patreon and next week is
• 1:28:28
  Speaker 4: the mail bag. But for now it said, as any
• 1:28:29
  Speaker 4: final words for those incredible listeners out there, just that
• 1:28:32
  Speaker 4: it's a great pleasure, Brendan Nano for me to be
• 1:28:34
  Speaker 4: your second fundment. Sh