Latest / I Am All In with Scott Patterson / Pop Culture Minisode (S6 E13 Friday Night’s Alright for Fighting)
Transcript
- 0:00Speaker 1: I am all in.
- 0:08Speaker 2: Let's kiss you. I am all in with Scott Patterson
- 0:19Speaker 2: an iHeartRadio Podcast.
- 0:21Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast one
- 0:24Speaker 1: eleven Production's iHeartRadio, iHeartMedia, iHeart Podcast, iHeart Popcorn, I Heard
- 0:30Speaker 1: ice Cream. iHeart Christmas Trees, Episode thirteen, Season six, Friday Nights,
- 0:37Speaker 1: all right for fighting. Logan is waiting at the coffee
- 0:41Speaker 1: card for Rory's still trying to win her back. Logan,
- 0:43Speaker 1: excuse me, but this is not slick. This is a
- 0:48Speaker 1: Nora Efron movie. Loui Armstrong should be warbling as we talk.
- 0:52Speaker 1: So come on, please put me out of my misery.
- 0:54Speaker 1: You promised you'd let me take you to dinner. Nora
- 0:56Speaker 1: Ephron was a filmmaker who is best known for writing
- 1:00Speaker 1: and directing rom comms. She has written the screenplays for
- 1:04Speaker 1: When Harry Met Sally's Silkwood, Heartburn, Sleepless in Seattle, You've
- 1:07Speaker 1: Got Mail, and many more. Wow, that is quite a list.
- 1:12Speaker 1: Louis Armstrong is a jazz legend, best known for his
- 1:15Speaker 1: song what a Wonderful World We all know, we all
- 1:20Speaker 1: love it. Logan is comparing himself to a Nora Ephron
- 1:24Speaker 1: rom com because he's been trying so hard to win
- 1:27Speaker 1: Rory back, and that a Louis Armstrong song should be
- 1:31Speaker 1: playing in the background because of his romantic gestures. Did
- 1:34Speaker 1: you know in that scene, that scene that we're referring to, Yes,
- 1:39Speaker 1: that scene when Meg Ryan pretends to quote unquote get
- 1:43Speaker 1: excited in quote uno. Yes, when Harry met Sally, the
- 1:48Speaker 1: line that Billy Crystal says I'll have what she's having
- 1:52Speaker 1: was actually suggested by Billy. Also, there is a plaque
- 1:56Speaker 1: in Cat's Delian, New York City to the table where
- 1:58Speaker 1: they filmed that scene. The plaque read, or how Harry
- 2:01Speaker 1: met Sally's hope you have what she had?
- 2:05Speaker 2: And also, and I'm making sure we don't have this
- 2:08Speaker 2: in the notes, the woman that says I'll have what
- 2:11Speaker 2: she's having, I believe is Billy Crystal's mother, Jackie check
- 2:15Speaker 2: that while we continually all right, all right, So in
- 2:20Speaker 2: the same scene, by the way, for everybody listening, this
- 2:23Speaker 2: is new and improved pop culture.
- 2:25Speaker 3: So come back to us and tell us if you
- 2:27Speaker 3: do agree that this is new and improved.
- 2:29Speaker 2: So, same scene, after Rory grees to go to dinner,
- 2:33Speaker 2: Logan asked her not to back out and do not
- 2:35Speaker 2: think of backing out because I will cry and eat
- 2:37Speaker 2: a pint of Rocky Road while watching An Affair to
- 2:39Speaker 2: Remember with Rita Wilson, which is a reference to Sleepless
- 2:42Speaker 2: in Seattle and A Fair to Remember is a romantic
- 2:45Speaker 2: drama film from nineteen fifty seven starring Carrie Grant and
- 2:48Speaker 2: Debora Kerr. It is considered the most romantic film of
- 2:51Speaker 2: all time and as a remake of the nineteen thirty
- 2:53Speaker 2: nine film Love Affair. So Logan is naming the film
- 2:57Speaker 2: and a Fair to Remember, but he's referring to the
- 2:59Speaker 2: movie's Sleepless in Seattle. When Rita Wilson's character talks about
- 3:04Speaker 2: an Affair to Remember and gets very emotional. She's emotionally explained,
- 3:08Speaker 2: I think she ends up crying. Logan is saying he's
- 3:10Speaker 2: going to be like Rita Wilson crying and watching An.
- 3:13Speaker 3: Affair to Remember.
- 3:15Speaker 2: Both films, Sleepless in Seattle and An Affair to Remember
- 3:18Speaker 2: had the love interest meeting at the top of the
- 3:20Speaker 2: empire stableilding. And as we said, Sleepless in Seattle is
- 3:24Speaker 2: a Nora Efron film, And as we just said, Scott
- 3:30Speaker 2: just said it was.
- 3:31Speaker 3: Rob Reiner's mother.
- 3:32Speaker 2: Rob rear the line, I'll have what's right? Oh, pardon me,
- 3:37Speaker 2: pardon me. It was Rob Reiner's mother, not Billy Crystals.
- 3:40Speaker 2: So I was close, a close. Only counts and horseses hey,
- 3:43Speaker 2: you know they're friends, so right there, buds right.
- 3:46Speaker 4: All right. So Laura is telling Rory she needs to
- 3:48Speaker 4: tell her grandparents about not having to pay for Yale anymore.
- 3:52Speaker 4: Laura says it's going to be the opening night of
- 3:54Speaker 4: Taboo all over again. Taboo is a stage musical originally
- 3:57Speaker 4: written by Mark Davies Markham. The show premiered in London's
- 4:02Speaker 4: West End at the newly open Venue Theater in two
- 4:04Speaker 4: thousand and two. Laureli is referring to Taboo because it's notorious.
- 4:08Speaker 4: Rosie O'Donnell investment. Rosie was so enamored with the production
- 4:13Speaker 4: that she decided to finance it. After sixteen previews, it
- 4:17Speaker 4: opened on November thirteen, two thousand and three, at the
- 4:19Speaker 4: Plymouth Theater, and after being hampered by mostly scathing reviews,
- 4:25Speaker 4: the production closed after one hundred performances. O'Donnell reportedly lost
- 4:29Speaker 4: her entire ten million dollar investment in the project, and
- 4:34Speaker 4: Laureli is comparing her parents losing out to an investment
- 4:39Speaker 4: into Rory's Yale future.
- 4:41Speaker 2: When you were reading that, for some reason, all that
- 4:43Speaker 2: came into my head was boy George, boy George, And
- 4:44Speaker 2: I was like, why am I thinking of boy George
- 4:46Speaker 2: when you're talking about Taboo? And I think it was
- 4:49Speaker 2: based on his life I'm pretty sure. So I looked
- 4:53Speaker 2: it up really quick. Whose life story is Taboo based on?
- 4:56Speaker 2: And it is boy George.
- 4:58Speaker 1: He was the lead.
- 5:00Speaker 2: So yeah, but he used his name, Georgio Dowd, so
- 5:03Speaker 2: he used his birth name.
- 5:05Speaker 3: As opposed to boy George, which com a chameleon. Yeah,
- 5:10Speaker 3: do you really want to hurt me? I could sing
- 5:12Speaker 3: Culture Club song all day long?
- 5:14Speaker 4: I know that one.
- 5:17Speaker 1: She could. She could deduct that entire loss ten million. God,
- 5:24Speaker 1: you got ten million laying around a chuck at our
- 5:27Speaker 1: crappy plan.
- 5:28Speaker 3: It's the holidays. I don't have ten dollars around.
- 5:33Speaker 1: The same scene. Laura I telling Rory she needs to
- 5:35Speaker 1: tell her grandparents about not having to pay for Yale anymore. Rory,
- 5:39Speaker 1: what's the worst that can happen? We won't be speaking anymore. Gee,
- 5:42Speaker 1: that would suck. So wow, they're just hating on each other,
- 5:47Speaker 1: aren't they? That nobody likes each other anymore.
- 5:50Speaker 2: Yeah, I mean Rory's very caustic towards her grandparents in
- 5:52Speaker 2: this way.
- 5:53Speaker 1: Rash Laura, I Wow, Ice Ice Baby, Ice Ice Baby
- 5:57Speaker 1: is a titled nineteen ninety song by rapper Vanilla Ice.
- 6:00Speaker 1: Although we know the hit song by Vanilla Ice, we've stopped,
- 6:03Speaker 1: lor I is referring to it.
- 6:05Speaker 3: Collaborate and listen.
- 6:06Speaker 2: Ice is back with a brand new intention or so invention.
- 6:10Speaker 2: I used to be able to sing that whole thing.
- 6:11Speaker 3: Can you do it?
- 6:12Speaker 1: I just know I wouldn't even attempt it in front
- 6:16Speaker 1: of me. I would not do that.
- 6:18Speaker 3: Ice.
- 6:18Speaker 4: You do that, baby, You go ahead and do it,
- 6:20Speaker 4: and then collaborate and listen.
- 6:23Speaker 3: Ice is back with a brand new invention.
- 6:25Speaker 1: This is when music died, nineteen ninety, the day that
- 6:29Speaker 1: music died.
- 6:33Speaker 3: Come to the extreme.
- 6:34Speaker 2: I wrock a mic like a vandal, light up a
- 6:36Speaker 2: stage and watch a jump like a candle dance.
- 6:38Speaker 3: Go rush to the speaker that booms. I'm killing your
- 6:41Speaker 3: brain like.
- 6:41Speaker 1: A do you have any time in all?
- 6:45Speaker 4: Shockingly yes, with my cold.
- 6:50Speaker 1: Although we know it's a hit song by Vitilized, Lorelei
- 6:53Speaker 1: is referring to it like Rory is being Ice Cold
- 6:58Speaker 1: to her grandparents. You know, only on this pod cast
- 7:00Speaker 1: is does Vanilla Ice get more respect than Bob Dylan?
- 7:03Speaker 3: Rolling in my five point oh with my ragtop down
- 7:06Speaker 3: so my hair candlow. Early He's on the standby waiting
- 7:08Speaker 3: to see say. I just drove back, kept on pursuing
- 7:12Speaker 3: to the next stop.
- 7:14Speaker 1: Amy, What what address are you at right now? Huh?
- 7:17Speaker 1: Give me your dress. We're gonna send Jeeves over the tranquilizer.
- 7:20Speaker 3: Anytime I can do, Ice Ice, baby, r.
- 7:23Speaker 1: I'm right there with you. Did you know that Vanilla
- 7:26Speaker 1: Ice wrote this song when he was sixteen years old
- 7:29Speaker 1: and this song was the first hip hop single ever
- 7:32Speaker 1: to top the Billboard.
- 7:34Speaker 3: Away, that's actually crazy.
- 7:36Speaker 1: With diversifying the hot one hundred chart with hip hop music?
- 7:41Speaker 3: Did you stop?
- 7:42Speaker 1: No?
- 7:42Speaker 2: I just drove back, kept on pursuing to do the
- 7:44Speaker 2: next stop. I must have left and I'm heading to
- 7:46Speaker 2: the next block. The block was dead, yo. So I
- 7:48Speaker 2: continued to a one a beachfront avenue Paris, telling Rory
- 8:02Speaker 2: how she double booked photographers for the football game and
- 8:05Speaker 2: they got mad.
- 8:05Speaker 3: First of all, I so this was irritating because no
- 8:09Speaker 3: one's leaving a.
- 8:10Speaker 1: Hole like that.
- 8:11Speaker 2: So Para says, and then, of course when the temperamental
- 8:13Speaker 2: artis found out, I had double book the gig. They
- 8:16Speaker 2: flew n Naomi Campbell level hissy fits and quit. Naomi
- 8:20Speaker 2: Campbell is a legendary model, one of the Big five
- 8:23Speaker 2: models of her generation, declared supermodels by the fashion industry.
- 8:26Speaker 2: She was the first black woman to appears a model
- 8:27Speaker 2: in the covers of Time in Vogue France. Harris is
- 8:30Speaker 2: referring to when Campbell threw a phone at her assistant
- 8:34Speaker 2: in two thousand and six and faced assault charges and
- 8:36Speaker 2: pled guilty. She had to do two hundred hours of
- 8:39Speaker 2: community service, the same amount of hours I think Rory.
- 8:41Speaker 1: Had to do.
- 8:42Speaker 2: Did you know Naomi Campbell has appeared on over five
- 8:45Speaker 2: hundred magazine covers and is one of the most fought
- 8:47Speaker 2: photographed people in the world.
- 8:49Speaker 4: All right, so Laura lies on the phone calling her
- 8:51Speaker 4: parents that tell them why they aren't paying for Yale anymore.
- 8:55Speaker 4: Richard picks up, and then Emily picks up Laura, I
- 8:58Speaker 4: says Rowan Martin. Rowan and Martin's laugh In was a
- 9:02Speaker 4: sketch comedy TV program hosted by Dan Rowan and Dick Martin.
- 9:06Speaker 1: And not to interrupt, but guess who bought Dick Martin's
- 9:09Speaker 1: house that he built in two thousand and three? You
- 9:13Speaker 1: you thank you?
- 9:14Speaker 3: Oh no way, that's a cool fun fact.
- 9:17Speaker 2: Sweet that was your house you had for like a
- 9:19Speaker 2: long long time eighteen years.
- 9:21Speaker 3: Oh no, wonder you were so sad to.
- 9:23Speaker 1: Leave its cool house.
- 9:27Speaker 3: That's prettyoch.
- 9:28Speaker 2: I wanted to interject, please do That's exactly the kind
- 9:31Speaker 2: of interjection we like.
- 9:32Speaker 1: Thank you, thank you for the encouragement.
- 9:36Speaker 4: So the show was characterized by a rapid fire series
- 9:38Speaker 4: of gags and sketches lauralized naming two rapid fire comics
- 9:42Speaker 4: when answering the phone and both Emily and Richard pick
- 9:45Speaker 4: up right after each other. And did you know that
- 9:49Speaker 4: Lauren Michaels was a young writer for this sketch comedy
- 9:52Speaker 4: show and adapted some ideas for SNL. So if it
- 9:56Speaker 4: wasn't for Rowan and Martin, we wouldn't have an SNL.
- 9:59Speaker 3: And isn't this gold wasn't this Goldie Han show too? Yes?
- 10:02Speaker 1: I was going to say that's where she was, twenty
- 10:04Speaker 1: year old Goldiehan in a bikini shaken around. You know,
- 10:09Speaker 1: I don't know about that last statement about the Lauren
- 10:12Speaker 1: Michaels you know, Lauren Michaels took the National Lampoon guys
- 10:20Speaker 1: and built SNL, you know, when they were doing their
- 10:23Speaker 1: radio program.
- 10:25Speaker 4: Check it.
- 10:25Speaker 3: I feel like it's probably right.
- 10:27Speaker 1: Really well, no, no, I know, Rowan and Martin was
- 10:30Speaker 1: definitely an inspiration. I'm not saying it wasn't for Lauren Michaels,
- 10:34Speaker 1: but there's more to it.
- 10:37Speaker 3: Yeah, I think that's probably quite valid.
- 10:39Speaker 1: Yeah. Yeah, because Chevy Chase and all the Guilder Rater,
- 10:41Speaker 1: all those people were National Lampoon. Yeah, people doing a
- 10:46Speaker 1: radio show.
- 10:47Speaker 4: I watched Christmas Vacations so many times during.
- 10:50Speaker 1: The holidays, same scenes, Laura I joking about which Christopher, Emily,
- 10:57Speaker 1: and Richard are referring to laurasipher Isshuewood that cabaret money
- 11:02Speaker 1: was burning a hole in his pocket. Christopher Isherwood is
- 11:04Speaker 1: known for the nineteen thirty nine novel Goodbye to Berlin,
- 11:08Speaker 1: which was later turned into the musical Cabaret. The original
- 11:10Speaker 1: Broadway production opened on November twenty, nineteen sixty six. I
- 11:15Speaker 1: remember nineteen sixty six. It was a great year at
- 11:17Speaker 1: the Broadhurst Theater in New York City. It became a
- 11:20Speaker 1: box office hit, ran for eleven hundred and sixty six performances,
- 11:24Speaker 1: and was then turned into a film, Cabaret. The film
- 11:27Speaker 1: ended up making forty two million dollars at the box office,
- 11:33Speaker 1: which starred Liza Minelli and directed by Bob Fossey. That
- 11:38Speaker 1: was a lot of money for a film to rake
- 11:41Speaker 1: in at that time. Lorelei is comparing her Christopher to
- 11:45Speaker 1: Christopher Isherwood. Both are rich and burning holes in their pockets.
- 11:50Speaker 1: Did you know? Author Christopher Isherwood, who created the character
- 11:53Speaker 1: of Sally Bulls, felt Liza Minelli was far too talented
- 11:56Speaker 1: for the role. Hell of a thing. Sorry, kid, you're
- 12:01Speaker 1: too good bye.
- 12:02Speaker 2: Loralai and Rory are at Yale talking about dressing crazy
- 12:05Speaker 2: for their lunch date.
- 12:06Speaker 3: Oh so typical.
- 12:07Speaker 2: Kid grows up, goes to a fancy school, becomes a snob,
- 12:10Speaker 2: and is suddenly ashamed of her mother. You totally Mildred
- 12:12Speaker 2: Piers to me. Mildred Pearce is in nineteen forty five
- 12:15Speaker 2: American melodrama directed by Michael Curtis and starring Joan Crawford.
- 12:20Speaker 2: In the film, Mildred and her daughter Vida do not
- 12:22Speaker 2: get along and she's so ashamed of her mother. The
- 12:24Speaker 2: film was later turned into a series starring Kate Winslet
- 12:27Speaker 2: and Guy Pearce. I kind of remember that Laurai is
- 12:30Speaker 2: saying Rory is ashamed of her by not dressing crazy
- 12:32Speaker 2: for their lunch date. Did you know the original film
- 12:34Speaker 2: starring Joan Crawford, the famous slap scene on the staircase
- 12:38Speaker 2: was an actual slap. Joan instructed her costar and blythe
- 12:41Speaker 2: to actually slap her.
- 12:43Speaker 3: Wow. Wow, this is new and improved pop culture.
- 12:47Speaker 4: This is juicy. Same scene, Laura's telling Rory about the
- 12:50Speaker 4: reaction from Richard Emily not having to pay for Yale anymore.
- 12:53Speaker 4: Laura says, they took it great. Mom practically broke the phone,
- 12:56Speaker 4: she hung.
- 12:57Speaker 3: Up so hard.
- 12:57Speaker 4: And Dad, well, Dad was solemn, quiet, sad. It was
- 13:01Speaker 4: a huge success. Okay, here's how I see it. You
- 13:03Speaker 4: and your grandparents are at a huge crossroads. A press service,
- 13:07Speaker 4: if you will. They are the Bridges of Madison County
- 13:10Speaker 4: and you are Meryl Streep. So The Bridges of Madison
- 13:14Speaker 4: County is a nineteen ninety five romantic film based on
- 13:17Speaker 4: the novel written by Robert James Walker. It was produced
- 13:20Speaker 4: and directed by Clint Eastwood, who also starred in the
- 13:22Speaker 4: film alongside Meryl Streep. The film is set in nineteen
- 13:26Speaker 4: sixty five, where Meryl Streep plays it Italian warbride Francesca Johnson,
- 13:31Speaker 4: who lives with her husband and two children on their
- 13:34Speaker 4: Iowa farm. That year, she meets national geographic photojournalist Robert
- 13:39Speaker 4: Kincaid played by Clint Eastwood, who comes to Madison County
- 13:42Speaker 4: to photograph its historic covered bridges. With Francesca's family away
- 13:47Speaker 4: for a short trip, the couple have an intense four
- 13:50Speaker 4: day love affair, and Lorelai is using this reference as
- 13:53Speaker 4: a divide among their family. Meryl Streep is divided on
- 13:57Speaker 4: what to do love Clint Eastwood's careacter or go back
- 14:01Speaker 4: to her husband.
- 14:02Speaker 1: Emily arguing what she finds music about the whole Christopher
- 14:06Speaker 1: paying for Yale situation, Laurel I jokingly responds, lourl. Reno
- 14:11Speaker 1: nine one one, that's a good line. Reno nine one
- 14:15Speaker 1: one is an American comedy television series created by Robert
- 14:18Speaker 1: Ben Garrant, Thomas Lennon, and Carrie Kenny Silver. Thomas Lennon
- 14:24Speaker 1: is a comedic genius. It is a mockumentary documentary style
- 14:29Speaker 1: parody of law enforcement documentary show, specifically cops, with comic
- 14:33Speaker 1: actors playing the police officer. Laurai is naming off something
- 14:38Speaker 1: amusing by responding to Emily, did you know the whole
- 14:41Speaker 1: series is basically improvised by the cast.
- 14:45Speaker 3: People love that show.
- 14:47Speaker 1: Oh it's brilliant. It's brilliant. I mean, just it's so funny.
- 14:52Speaker 1: It is really funny.
- 14:53Speaker 2: I'm happy this once for me. Loreli and Luke are
- 14:55Speaker 2: awkward in the morning and bump into each other, which
- 14:58Speaker 2: if you miss the recap this week we dig into this,
- 15:01Speaker 2: but Laura Li says it hurts so good, as mister
- 15:04Speaker 2: Mellencamp said, is it bleeding? Okay, There's many reasons why
- 15:08Speaker 2: I love this line, but first I'll tell you. John
- 15:10Speaker 2: Mellencamp is a singer songwriter whose hit Hurt So Good
- 15:13Speaker 2: landed number two on the Billboard Hot one hundred. Lorli
- 15:17Speaker 2: quotes this song after bumping into Luke in the bedroom
- 15:19Speaker 2: in the morning. John's daughter and our good friend, Teddy
- 15:23Speaker 2: Mellencamp was on the Real Housewives of Beverly Hills. In
- 15:26Speaker 2: a recent Watch What Happens Live interview with Teddy, he
- 15:29Speaker 2: said he has only seen a few episodes the show
- 15:31Speaker 2: and calls her dramatic.
- 15:33Speaker 1: John Mellencamp's daughter Yeah, you didn't know that. I did
- 15:36Speaker 1: not know that. Oh.
- 15:37Speaker 3: Yes, So we work every day with Teddy Mellencamp. She
- 15:40Speaker 3: is our pal. We'd love her. Her podcast is amazing.
- 15:44Speaker 1: But we hung out at the Vegas thing. Yeah, I
- 15:47Speaker 1: heard she's fantastic. That's her dad.
- 15:52Speaker 4: Yeah, wait, Amy, have you met have you met John?
- 15:54Speaker 4: Because I've met him with her?
- 15:56Speaker 3: Oh are you serious?
- 15:57Speaker 4: Yeah?
- 15:58Speaker 1: Who's her mother?
- 15:59Speaker 2: Her mom was married to John isn't now but at
- 16:03Speaker 2: the time, but not famous.
- 16:04Speaker 3: But this is the funniest thing, so I.
- 16:06Speaker 1: Always correct it was before.
- 16:10Speaker 2: So I always tell Teddy like, hell's your dad because
- 16:15Speaker 2: I think he's so cute, And she'll say Pepaw And
- 16:19Speaker 2: then sometimes she'll send me like Christmas photos where they're
- 16:21Speaker 2: all there and literally, this.
- 16:23Speaker 3: Is what I'll say about Peapa.
- 16:25Speaker 2: It's like Christmas morning and Pea Paw is ten out
- 16:29Speaker 2: of ten dressed in the coolest outfits I've ever seen.
- 16:32Speaker 2: I'm literally like, Pepa is wearing that in the kitchen
- 16:35Speaker 2: right now, like what a study has come out on stage,
- 16:40Speaker 2: the kids have come out on stage with John, Like
- 16:44Speaker 2: it's pretty cool.
- 16:46Speaker 3: Yeah, it's legit.
- 16:48Speaker 2: Yeah. She she sends the barf emoji every time I say,
- 16:52Speaker 2: your dad's a babe.
- 16:54Speaker 3: So many people say it's her.
- 16:56Speaker 4: When we were in Vegas for something with her, her
- 16:58Speaker 4: dad was performing at the Oh that's right, and so
- 17:01Speaker 4: he stopped by to say hi, and I was like,
- 17:04Speaker 4: I think you just forget.
- 17:05Speaker 3: We work with Teddy so much I forget.
- 17:06Speaker 4: I'm like, oh, her dad's John Mellencamp, like ever, just.
- 17:09Speaker 3: Forget well, And they have the total regular father daughter like.
- 17:13Speaker 3: He's just a regular old dad to her. But to us,
- 17:16Speaker 3: we're like, it's John Mellencamp.
- 17:17Speaker 2: I just want to go Little Diddy, Little Doddy, Little Diddy.
- 17:24Speaker 3: He's so awesome.
- 17:27Speaker 1: So he was John Cougar and then he became.
- 17:30Speaker 2: John Cougar Mellencamp, and then there was a time when
- 17:32Speaker 2: he wasn't like John, don't call me Cougar. I think
- 17:36Speaker 2: it was John Cougar. Then he was John Cougar Mellencamp.
- 17:38Speaker 2: But he's really John Mellencamp.
- 17:40Speaker 4: Teddy sometimes says the Kougs.
- 17:42Speaker 3: Yes they do, ca the Cougs.
- 17:44Speaker 2: Yeah, we should have cold called Eddy.
- 17:48Speaker 3: We should have just called her and been like, your
- 17:50Speaker 3: dad's in our pop culture. Maybe we'll do that. He's
- 17:52Speaker 3: recording right now.
- 17:54Speaker 2: Oh my god, Tara, maybe we need to call her
- 17:57Speaker 2: when we record again, give her a little shout out,
- 17:59Speaker 2: because we did that with Mark Dallas. When we need
- 18:01Speaker 2: to call all the celebrities.
- 18:02Speaker 3: When their parents.
- 18:04Speaker 1: You mentioned it's a whole new podcast exactly. Anyway, that's
- 18:09Speaker 1: going to wrap it up here. Thank you, ladies, Tara
- 18:12Speaker 1: sued Amy Sugarman. Next episode, Season six, episode fourteen. You've
- 18:18Speaker 1: been Gilmore best friends on the planet. Keep the cards
- 18:20Speaker 1: and letters coming. Don't forget to go to veeps dot
- 18:23Speaker 1: events backslash I hyphen m hyphen all hyphen in for
- 18:29Speaker 1: tickets to our live event January seventeenth, and it's going
- 18:34Speaker 1: to start streaming a week after that, so you can
- 18:37Speaker 1: get tickets to both. Anyway, I love you guys, Stay
- 18:41Speaker 1: safe everyone, Hey, everybody, and at forget. Follow us on
- 19:12Speaker 1: Instagram at I Am all In podcast and email us
- 19:17Speaker 1: at Gilmore at iHeartRadio dot com.