Latest / The Breakfast Club / Jemele Hill Interview and More

Transcript

Jemele Hill Interview and More · The Breakfast Club

• 0:00
  Speaker 1: It's time time time to wake up, to take in
• 0:04
  Speaker 1: financial League and Charlotte, I mean the Doctor to Practice Club, bitch,
• 0:08
  Speaker 1: the voice of the culture. People watch The Rectors Club
• 0:11
  Speaker 1: for like news to really be tuned in. It's one
• 0:14
  Speaker 1: of my favorite shows to dude, just because y'all always
• 0:17
  Speaker 1: keep you one hunting. Y'all keep it really. They might
• 0:19
  Speaker 1: not watch the news, but they're on Twitter, they're on Facebook,
• 0:21
  Speaker 1: they're you know, they're listening to the back of the Brothers.
• 0:24
  Speaker 1: It's your ass. It did your time to get it
• 0:29
  Speaker 1: off your chests, whether you're man or blessed. So people
• 0:31
  Speaker 1: to have the same endtry We want to hear from
• 0:33
  Speaker 1: you on the Breakfast Club. Hello, who's this? Hey, this
• 0:37
  Speaker 1: is Carolina. A four three was happening, the little country
• 0:41
  Speaker 1: was happening. What's something? I'm good? Okay, So I just
• 0:44
  Speaker 1: need to get it off my chest. Okay. I just
• 0:46
  Speaker 1: got a new job, so I moved to Green West,
• 0:48
  Speaker 1: South Carolina. There are so many snakes around here. Me like,
• 0:52
  Speaker 1: physical snakes are like human beings. No physical snakes. I
• 0:58
  Speaker 1: guess somebody has some pancers and they released them in
• 1:01
  Speaker 1: the wood. So they've been coming out all over the
• 1:03
  Speaker 1: place and there was this really long one, like the
• 1:06
  Speaker 1: size of like three lands on the interstate, and then
• 1:09
  Speaker 1: white people try to catch in the head. So now
• 1:12
  Speaker 1: you scared the big ass snakes? Hunh. You know what.
• 1:14
  Speaker 1: The only time I ever didn't take get killed from
• 1:17
  Speaker 1: my granddaddy went outside and chopped the head off, and
• 1:20
  Speaker 1: I was like, you're from South Carolina, you know we
• 1:23
  Speaker 1: chopped that head off and didn't hold that snake for
• 1:25
  Speaker 1: everybody to come look at. Charlomagne ain't talking that type
• 1:27
  Speaker 1: of snake. He ain't talking about that type of snake, Mama.
• 1:30
  Speaker 1: He talking about the one eyed snake. I'm sure I
• 1:32
  Speaker 1: ain't talking about no one eyed snake. Why are you
• 1:34
  Speaker 1: see what's wrong with you? Why are you thinking about
• 1:36
  Speaker 1: one eyed snakes early this morning? That's what you said.
• 1:38
  Speaker 1: You can't say you have never seen the state before.
• 1:40
  Speaker 1: I can't say nothing. You are kinky. Don't start that
• 1:42
  Speaker 1: this morning out man. Oh my god, I'm just sending
• 1:45
  Speaker 1: chopped that up to everybody being tired this morning. Thank you, mama. Hello,
• 1:50
  Speaker 1: who's dance? You know? Doors calling from South Dakota from Florida.
• 1:55
  Speaker 1: But I'm not a crazy one. Did you just said
• 1:58
  Speaker 1: you called from South Dakota from Florida. Did you say,
• 2:00
  Speaker 1: but you're not a crazy one. I'm calling from South Dakota,
• 2:03
  Speaker 1: but I'm from Florida. Got you? But I am crazy?
• 2:06
  Speaker 1: All right? Uh? I want to say good morning to
• 2:08
  Speaker 1: all three of y'all. Love y'all, listen to y'all every morning.
• 2:12
  Speaker 1: Thank you for having no tab Uh? I said, so amozos,
• 2:16
  Speaker 1: I want to shut up D two D tops dot com.
• 2:21
  Speaker 1: I thought you talked another language with me. No, no, no,
• 2:24
  Speaker 1: that's all my business. D two D tops dot com.
• 2:27
  Speaker 1: Uh follow me on Instagram. D two D tops underscore Sorry,
• 2:31
  Speaker 1: D two D top score Yeah, D two D underscore
• 2:35
  Speaker 1: tops Is that a sex type? Nervous? Yeah, that's my website.
• 2:38
  Speaker 1: Why did D two D? What does that mean? That's
• 2:41
  Speaker 1: determined to demonstrate? As in I thought of this. I
• 2:44
  Speaker 1: thought of this business, and now I'm pursuing it. I'm
• 2:47
  Speaker 1: doing it. I thought it was like a D two
• 2:50
  Speaker 1: D for tops dot com. Geez, can't get this morning? Hello?
• 2:53
  Speaker 1: Who's this? Yes? This is William Hey William, Good morning sir.
• 2:57
  Speaker 1: Hello Bill? Hey, what's scalling up? What's going on? DJ? Listen? Man?
• 3:01
  Speaker 1: Get it off? Matter? Well? The first thing I want
• 3:03
  Speaker 1: to get off my chest? Is that in the morning?
• 3:05
  Speaker 1: You know you guys say that? Or Charlemagne basically puts
• 3:09
  Speaker 1: on mister lamon saw and he asked, just come to
• 3:11
  Speaker 1: go through his spiel. And once mister Lamonsol goes to
• 3:14
  Speaker 1: a spiels, he'll never drop you. He's a bull. I
• 3:17
  Speaker 1: think that's BS because I had a case just recently
• 3:20
  Speaker 1: and he dropped me. Who dropped off? For everybody? For
• 3:23
  Speaker 1: everybody out of state. Mister Lamosaw is an attorney in
• 3:27
  Speaker 1: Ye City who hands are like a lot of personal
• 3:29
  Speaker 1: injury cases and accidents and stuff like that. Oh yeah,
• 3:32
  Speaker 1: you do the commercials. Yeah, I'm not even talking about this, Steph.
• 3:34
  Speaker 1: You used to clean the house the feminine product to
• 3:39
  Speaker 1: do it? Anything is the feminine product. A lot of drums,
• 3:43
  Speaker 1: girls use limosol the house together. I don't understand now now, okay,
• 3:52
  Speaker 1: what what does this have to do anything? So you
• 3:53
  Speaker 1: mad at him this morning? Yeah, I'm mad at him
• 3:55
  Speaker 1: because she shows on the radio he's a bull. He'll
• 3:57
  Speaker 1: never drop your case. And I'm my case got dropped
• 3:59
  Speaker 1: because I missed some more therapy sessions. You should never
• 4:02
  Speaker 1: miss therapy session. Responsible therapy sessions are amazing. No, No,
• 4:06
  Speaker 1: I was hurt. Let me physical therapy, physical therapy, physical therapy. Yeah,
• 4:10
  Speaker 1: I got hurt in an accident. Well, call mister Lamosow
• 4:13
  Speaker 1: and uh call his office. Let me think. Yeah, called
• 4:18
  Speaker 1: mister Lamosow and take this up with his office, sir,
• 4:21
  Speaker 1: and I respect you expressing your frustration. But he is
• 4:24
  Speaker 1: a great outstanding spending customer herest well, care about the people,
• 4:33
  Speaker 1: spends that money, all right, but you can call him,
• 4:36
  Speaker 1: call him now, call him. Get it off your chests.
• 4:41
  Speaker 1: Eight hundred and five eight five one on five one.
• 4:43
  Speaker 1: If you need to vent, hit us up now. It's
• 4:45
  Speaker 1: the breakfast club. Good morning, the breakfast club. This is
• 4:52
  Speaker 1: your time to get it off your chest. Whether you're
• 4:53
  Speaker 1: man from you on the breakfast club. But you got
• 4:58
  Speaker 1: something on your mind? Was this good morning? This was Nicole? Nicole?
• 5:05
  Speaker 1: How are you? DAGs? Good? Good? Good? What's up? Mama?
• 5:08
  Speaker 1: All right? Real quick? Let me tell you where I'm mad.
• 5:09
  Speaker 1: I'm just mad because of court. Of course, I drove
• 5:13
  Speaker 1: five hours to about work for two days and I
• 5:15
  Speaker 1: get there and I'm dealing with a substitute judge and
• 5:18
  Speaker 1: she's not familiar with my case, and so she had
• 5:21
  Speaker 1: to dismiss it for which they reopened it because she's
• 5:24
  Speaker 1: up in there, so I have to go back again.
• 5:26
  Speaker 1: And before I guess the real judge. That judge was
• 5:29
  Speaker 1: a social worker, and so she was a little lost.
• 5:32
  Speaker 1: And to me, that's not scared. Don't putting nobody up there,
• 5:34
  Speaker 1: that's not familiar with all of the law. You wasted
• 5:37
  Speaker 1: your time, right, Yeah, what did you do anyway? What
• 5:40
  Speaker 1: do you accuse that? What are you accused of? It
• 5:43
  Speaker 1: wasn't accused. I was going to court for violations for
• 5:46
  Speaker 1: the father not allow me to see the child. Okay,
• 5:49
  Speaker 1: dang you. Now this is a role reversal, yousallyed the
• 5:52
  Speaker 1: other way around. This is even strange. I actually had
• 5:55
  Speaker 1: to challenge the whole time of birth up until five.
• 5:58
  Speaker 1: Then finally had to started to reach out, Hey, you
• 6:00
  Speaker 1: have a son and we're going a DNA test. He's
• 6:02
  Speaker 1: a father, and immediately he went for custody and one
• 6:05
  Speaker 1: because he was in the military and he was more
• 6:07
  Speaker 1: stable than me, which to me is crazy, doing me,
• 6:10
  Speaker 1: a judge of to take a child from a mother. Wow,
• 6:13
  Speaker 1: that is ridiculous. I'm gonna say. I'm gonna say for
• 6:15
  Speaker 1: you what I say to everybody. A child needs both parents,
• 6:17
  Speaker 1: but a child definitely needs his mom, right, I'm sorry, mama. Alrighty,
• 6:21
  Speaker 1: don't have a good day for you, praying for you.
• 6:23
  Speaker 1: Helloy to have your child just taken from you. Hello,
• 6:28
  Speaker 1: good morning? Is this all homies from California? Yes? Hey
• 6:33
  Speaker 1: you guys be up early? Are you this morning too? Not? Hi? No? No,
• 6:39
  Speaker 1: unfortunately not unfortunately. All right, we'll get it off your chest. Well,
• 6:43
  Speaker 1: we want to say we're blessed again two days in
• 6:45
  Speaker 1: a row, and we want to give a shout out
• 6:48
  Speaker 1: to our five friends. Um and um what to call
• 6:54
  Speaker 1: aubrey NSA do these they're all our friends that we
• 7:00
  Speaker 1: have a little click that we friends. You have eight
• 7:04
  Speaker 1: friends now we are your friends now, yay, Well tell
• 7:08
  Speaker 1: we'll tell the gang. Okay, Well, thank you very much,
• 7:11
  Speaker 1: and keep your circle just a small bull Do we
• 7:14
  Speaker 1: have like a group text or something going? No, well,
• 7:18
  Speaker 1: we kind of. We went around our little circle and
• 7:22
  Speaker 1: told everyone that we got through the phone yesterday and
• 7:26
  Speaker 1: we're gonna tell everyone today. So we're cool now, Hey,
• 7:31
  Speaker 1: gang gang, you also recorded us to play it back
• 7:33
  Speaker 1: later for everybody. Oh it's on you know, it's on
• 7:36
  Speaker 1: the YouTube. Okay, okay for telling us. Thank you, mamma.
• 7:40
  Speaker 1: We know it's on YouTube too. Thank you though, Hello,
• 7:42
  Speaker 1: who's this? It's a channel? Fronk cool. I'm so y'all
• 7:45
  Speaker 1: doing chandelan man, what's up? Get you up your chests? Bro?
• 7:47
  Speaker 1: Good morning, good morning, good morning. Just been a little
• 7:51
  Speaker 1: rough two weeks. My car went down again. Uh, cars
• 7:55
  Speaker 1: back in the shop, and I gotta kind of hold
• 7:57
  Speaker 1: that back because I got a trial for custom and
• 8:00
  Speaker 1: my daughter next week, and I gotta pay my lawyer
• 8:02
  Speaker 1: three stacks, which is crazy, but UH just want to
• 8:05
  Speaker 1: let everybody now it could always be worse, all right,
• 8:08
  Speaker 1: when we wish you luck man in court, oh thank you.
• 8:11
  Speaker 1: And by the way, dj Envy Charlottagne bothered you and
• 8:14
  Speaker 1: that shoulder challenge thing, Hey he killing with the shoulders?
• 8:18
  Speaker 1: Who was dressed better? Killing with the shoulders? Oh definitely
• 8:23
  Speaker 1: dress not even a fair competition, y'all know my dressing
• 8:26
  Speaker 1: his trash shoulders like that? You know, Charlottagne more sassy?
• 8:31
  Speaker 1: I went talking T shirts. Listen. First of all, it
• 8:33
  Speaker 1: has nothing to do with sass. You got sas, Okay,
• 8:35
  Speaker 1: I do have a little sass, you go, all right,
• 8:36
  Speaker 1: I'm a sassy savage here you go. I'm not on
• 8:38
  Speaker 1: a little busy levels. But I'm here, get it off
• 8:40
  Speaker 1: your chests eight hundred five eight five one oh five
• 8:43
  Speaker 1: one here everybody's dj Envy, Angela yee, Charlomagne the guy,
• 8:47
  Speaker 1: we are the breakfast club. Now we're asking you know.
• 8:51
  Speaker 1: Kevin Gates recently got a lot of uh. I would
• 8:53
  Speaker 1: say a lot of criticism for him kissing his dog
• 8:55
  Speaker 1: and went asking do you mind with people kiss it dog?
• 8:58
  Speaker 1: And do you kiss your dog? Now? Charloman, you don't
• 9:01
  Speaker 1: have a dog? Correct? No, I don't have a dog.
• 9:03
  Speaker 1: I had bad experiences with dogs growing up. Um. I
• 9:06
  Speaker 1: had two Rotte Wilders named Bear and Tara, and Tara
• 9:09
  Speaker 1: was real, real mean and so um they ended up
• 9:11
  Speaker 1: having to put him down. And my other Rotte Wilder,
• 9:14
  Speaker 1: Bear got poisoned by my neighbors and he died. So
• 9:17
  Speaker 1: I've had a very bad experience with dogs. And had
• 9:19
  Speaker 1: another dog named Budweiser that I found on the screen
• 9:22
  Speaker 1: that was Aray and my daddy took that to the
• 9:24
  Speaker 1: proud too. So I've had bad experiences with dogs. I
• 9:26
  Speaker 1: don't like getting my heartbroaks. I don't have dogs, okay,
• 9:28
  Speaker 1: but have you ever kissed any of them? No? I
• 9:30
  Speaker 1: used to feed bear gummy bears though. Okay, anyway, well,
• 9:34
  Speaker 1: I have two dogs and I have it ends up
• 9:36
  Speaker 1: Belgian Mally Wall and I also have a German Shepherd
• 9:39
  Speaker 1: named Chuck Norris. And those dogs are dirty dogs like
• 9:43
  Speaker 1: they play outside, they play with with with their their
• 9:46
  Speaker 1: toys and their balls and as dirty as nasty. I
• 9:49
  Speaker 1: would not come up to my dog and say, give
• 9:51
  Speaker 1: me kiss me. I want to watch Kevin gets things
• 9:53
  Speaker 1: the dog's mouth was cleaning it in the humans mouth.
• 9:54
  Speaker 1: Dogs gonna wake up in the morning to brush their teeth.
• 9:58
  Speaker 1: You don't pull the into the mic. Pulled Dan into
• 10:00
  Speaker 1: the like Dan? Can you can you tell Dan? Dan?
• 10:02
  Speaker 1: Dan's proud to the looms wearing a total bunch this
• 10:05
  Speaker 1: morning because he could not believe that we don't kiss
• 10:07
  Speaker 1: our dogs in the mouth. I don't have a dog.
• 10:08
  Speaker 1: I don't think it's a big deal. You don't think
• 10:10
  Speaker 1: it's a big So you kiss your dog in the
• 10:11
  Speaker 1: mouth before, Yes, you do a numerous occasions. Yeah, mouth
• 10:14
  Speaker 1: clothes though they disclaiming no tongue, no tongue. Okay, I
• 10:17
  Speaker 1: feel like accidentally sneaks in. That's disgusting, but it's happened
• 10:21
  Speaker 1: to you. Yeah, Oh my goodness, that that you wipe
• 10:23
  Speaker 1: off your face when you kiss you go you go
• 10:25
  Speaker 1: hate boo boo boo ba boom. He's like, yeah, I
• 10:28
  Speaker 1: love my dog. Man. I guess it's kind of like
• 10:30
  Speaker 1: your child though, right, because if you're not gonna turn it,
• 10:32
  Speaker 1: chiss away from your child. And I don't have a kid.
• 10:36
  Speaker 1: The child came from your sperm. It came out to
• 10:37
  Speaker 1: your wife or your girls. The giant firm. What you
• 10:41
  Speaker 1: put your firm on your lips? You're telling us, No,
• 10:45
  Speaker 1: that's what it sounds. You just mean. I don't know
• 10:46
  Speaker 1: why you even bought that up, because it's not just firm,
• 10:48
  Speaker 1: it's firm and eggs. That because said both, I said
• 10:50
  Speaker 1: the woman in the band's fur. Yeah, but you got
• 10:53
  Speaker 1: to complete that recipe. Okay, you can't just get half
• 10:54
  Speaker 1: the recipe. You're not gonna take the firm of rubbing
• 10:57
  Speaker 1: it on your lips while you it technic meet all
• 11:00
  Speaker 1: of your kids? Did you kiss those kids? Let's go
• 11:04
  Speaker 1: too far? Man? Hello, who's this? Geordan? Hey, Josh? You
• 11:09
  Speaker 1: kisses burn? Absolutely not. The question was oh your quick, buddy,
• 11:17
  Speaker 1: your quick, And we asked you do you kiss your dog? Bro? No? Absolutely,
• 11:22
  Speaker 1: not people. People kill me with that because people love
• 11:24
  Speaker 1: to be like, oh yeah, scientists said that, you know,
• 11:26
  Speaker 1: it's the bactory and they'me out. But then be the
• 11:28
  Speaker 1: same people that be like, oh, scientists said that used
• 11:31
  Speaker 1: to take back things, but oh I'm not taking them.
• 11:33
  Speaker 1: But I'm like you us just taking these people worried.
• 11:35
  Speaker 1: Have you ever done any sort of research on the
• 11:37
  Speaker 1: clean mount because they sit and lick themselves all day
• 11:40
  Speaker 1: and eat dead animals and all this kind of stuff
• 11:42
  Speaker 1: on a regular basis. Like, I mean, I don't think
• 11:44
  Speaker 1: these guys dogs eating dead animals, now, Cabo, you know
• 11:48
  Speaker 1: what's going on? Man? Yo? You kiss your dog? Bro? No? Never?
• 11:52
  Speaker 1: Like I literally just seen the dog eat your own thrower, bro,
• 11:55
  Speaker 1: Like why would somebody kiss that? You're writing dogs be
• 11:58
  Speaker 1: sniffing up the dogs butts, man, and you know in
• 12:01
  Speaker 1: licking butts. So I don't know exactly, Mannine. Now listen,
• 12:04
  Speaker 1: stop it off. We all ask don't get mad at
• 12:06
  Speaker 1: the dog because they you mad at the the dog
• 12:09
  Speaker 1: doing what we do. All right, Hey, not me broy
• 12:12
  Speaker 1: with waves licking man? You never you never that you
• 12:16
  Speaker 1: never licked the butt? Boyna, bro, I can't do it. Well,
• 12:19
  Speaker 1: learn from your dog. You said what I said, I
• 12:22
  Speaker 1: know what comes out of my when I eat a
• 12:24
  Speaker 1: good burrito. So no, oh yeah, So I understand you
• 12:26
  Speaker 1: wouldn't want to look another man because you know what
• 12:28
  Speaker 1: comes out of yours. I get it. That's what you
• 12:31
  Speaker 1: just said. Goodness gracious, How how does everything go to
• 12:34
  Speaker 1: two butts in on this show? Five A five one
• 12:37
  Speaker 1: on five we do that. We're talking about kissing a dog.
• 12:40
  Speaker 1: Eight hundred five A five one on five one Do
• 12:42
  Speaker 1: you kiss dogs? Do you have a problem with it?
• 12:44
  Speaker 1: Call us now? It's the Breakfast Club in the morning,
• 12:46
  Speaker 1: the Breakfast Club Morning. Everybody is DJ Envy, Angela Yee,
• 12:50
  Speaker 1: Charlomagne the guy. We are the Breakfast Club. Now Kevin Gates.
• 12:55
  Speaker 1: He got a little criticism for kissing his dog. We
• 12:58
  Speaker 1: have the audio. I want to talk about me kissing
• 13:00
  Speaker 1: my dog and the mouth I did that. A dog
• 13:03
  Speaker 1: has a bad tear in his mouth that kills drums.
• 13:06
  Speaker 1: A dog mouth cleaner than a human mouth. So we're
• 13:08
  Speaker 1: asking eight hundred and five eight five one oh five one,
• 13:10
  Speaker 1: do you kiss your dog? I own two dogs. I
• 13:12
  Speaker 1: own a Belgian Mali wah uh named Enza and a
• 13:15
  Speaker 1: German shepherd named Chuck Norris. I don't kiss them in
• 13:18
  Speaker 1: the mouth. Um, I don't. I try not to get
• 13:21
  Speaker 1: my mouth too close to their face anyway. Really, yeah,
• 13:25
  Speaker 1: just you know there were tack dogs, don't. I don't
• 13:27
  Speaker 1: want you. I don't want you in my face. I
• 13:28
  Speaker 1: don't have any dogs that've had bad experiences with dogs
• 13:31
  Speaker 1: in my life. But I don't knock anybody who does
• 13:34
  Speaker 1: let their dog lift them in the face so they
• 13:36
  Speaker 1: kiss their dog because the dog is like your child.
• 13:38
  Speaker 1: So it's like if if your child runs up on
• 13:40
  Speaker 1: you and tried to kiss you the face, you're not
• 13:41
  Speaker 1: gonna say no. You didn't have to put the reget
• 13:43
  Speaker 1: in the room. That's drum drum because drum was upset.
• 13:45
  Speaker 1: I wasn't upset. First of all, you have a dog, right,
• 13:48
  Speaker 1: I haven't I had a dog yet. And you got
• 13:50
  Speaker 1: a beard. I don't know if that means so, so
• 13:54
  Speaker 1: what is that? What did you like kissing your dog
• 13:55
  Speaker 1: in the mouth. It's not like one of my favorite pastimes,
• 13:58
  Speaker 1: an I think, But he kiss me in a mout bekass?
• 13:59
  Speaker 1: You got your tongue no tongue, no tongue? All right?
• 14:02
  Speaker 1: And what kind of dog cock spending? Let's kid I mean,
• 14:05
  Speaker 1: I don't know, I don't know what your being on
• 14:07
  Speaker 1: your dog side burns? What's dan? Yeah? What man? Now
• 14:14
  Speaker 1: you used to kick get You used to kiss your dog? Yeah?
• 14:16
  Speaker 1: I used to man when you know a while though, Man,
• 14:19
  Speaker 1: But like I said, you know, I mean one day, man,
• 14:22
  Speaker 1: I swear to my dog the crap man inside and
• 14:25
  Speaker 1: I'm on the couch and now I look at the
• 14:26
  Speaker 1: dog licking button and then the kind of come over
• 14:29
  Speaker 1: to me like like you know, we want to looking
• 14:31
  Speaker 1: in the mouth and stuff. And I started thinking like,
• 14:33
  Speaker 1: oh man, you just don't looking butt and taking a
• 14:35
  Speaker 1: squad at the same time, or I can't. We can't
• 14:37
  Speaker 1: get down with that. That's a man. I pray. I
• 14:39
  Speaker 1: pray that one day. I pray one day your dog
• 14:41
  Speaker 1: walks in and sees you eating your woman's ass, and
• 14:43
  Speaker 1: then when you try to kiss your dog, he walks
• 14:45
  Speaker 1: away from you. What hey, I wouldn't blame the dog.
• 14:48
  Speaker 1: I'd be like, he ain't got come on down. No,
• 14:50
  Speaker 1: I just saw what you did. Get down with that,
• 14:53
  Speaker 1: all right? Thank you? Brother? Hello? Who's this Jason? Hey? Jason?
• 14:56
  Speaker 1: You you you kiss your dog? Jason? No, I do
• 14:59
  Speaker 1: not kiss my dog. I did a Callege research paper
• 15:01
  Speaker 1: visors about ten years ago. Talk to me, give us
• 15:03
  Speaker 1: some facts. They do eat pooh, and they do eat
• 15:07
  Speaker 1: very all the bacteria ciss schools. Yes, there is bacteria
• 15:11
  Speaker 1: the mouth that does kill other bacteria, but you do
• 15:14
  Speaker 1: not have those bacterials in your mouth. And there's a
• 15:16
  Speaker 1: lot of equal particular that isn't the dog's mouth that
• 15:18
  Speaker 1: I would not walk in my mouth. Oh okay, I
• 15:21
  Speaker 1: see that what you just said, it's very accurate. We
• 15:23
  Speaker 1: don't have the same bacteria that dogs have a nit mouth,
• 15:25
  Speaker 1: so they can eat fieces and stuff. We can't handle it, bake,
• 15:28
  Speaker 1: eat poop the animals because the bacteria that mouth will
• 15:31
  Speaker 1: kill it, but will not kill it. So you are
• 15:34
  Speaker 1: eating pop if you kiss your dog in the mouth.
• 15:36
  Speaker 1: And this is why the Breakfast Club have the best listeners,
• 15:38
  Speaker 1: because as much ignorance as we have call on this phone,
• 15:40
  Speaker 1: we have smart guys like you. Thank you, sir, thank you.
• 15:43
  Speaker 1: All right, Hello, who's this? Hey, I'm Samara, Good morning,
• 15:47
  Speaker 1: how y'all doing? Good morning? Tom? Do you kiss your
• 15:49
  Speaker 1: dog on the mouth? No, absolutely not. Why not? I
• 15:52
  Speaker 1: think I just think it's not you know, my father,
• 15:55
  Speaker 1: I don't own a dog with my father and his wife.
• 15:57
  Speaker 1: They have five dogs, and you know they keep mother
• 16:00
  Speaker 1: to kitch him when it's on the cooks and they're
• 16:02
  Speaker 1: all in dogs. You know, they stay in the house
• 16:05
  Speaker 1: and that's it and they go outside. But they don't
• 16:07
  Speaker 1: they don't do none of that in the mouth stuff.
• 16:09
  Speaker 1: That's just that's not what we do. You know, that's
• 16:12
  Speaker 1: we from texts, We from the shop. We don't do
• 16:14
  Speaker 1: all that. True, true, true, mamma. I mean it's not
• 16:17
  Speaker 1: standing here for the most part. You know. I just
• 16:19
  Speaker 1: saw a special on Megan Kelly on her TV shows.
• 16:23
  Speaker 1: A systimal boy he was kissing the neighbor's dogs and
• 16:26
  Speaker 1: he lost the arm because of it. I mean it's
• 16:28
  Speaker 1: very rare. Yes, yeah, I mean it's very rare. I
• 16:32
  Speaker 1: thowt they like Friday or thirst. Yeah. I think I
• 16:36
  Speaker 1: heard that story the bacteria and yeah, I did see that.
• 16:40
  Speaker 1: Really yeah rare. They said, it's very rare, but it's
• 16:43
  Speaker 1: it happens and a little boy he lost his lamp
• 16:45
  Speaker 1: yeah arms. Yeah, And it was very sad to hear
• 16:49
  Speaker 1: that story. So it's just a heads up to people,
• 16:52
  Speaker 1: you know, I mean, it can happen. Do what you do,
• 16:54
  Speaker 1: but you know, there's possibilities for everything. I would think
• 16:57
  Speaker 1: that it would be way more one armed white people
• 17:00
  Speaker 1: in this world. If they're back tearing from dogs at
• 17:04
  Speaker 1: somebody should go out there and do a study about that.
• 17:07
  Speaker 1: You know, it ain't gonna be me. We're not gonna
• 17:09
  Speaker 1: be statistics statistics of that. I tell you that. My God,
• 17:12
  Speaker 1: next time I see a one on one on white person,
• 17:14
  Speaker 1: I'm gonna be thinking, now, he kissed the dog, you
• 17:16
  Speaker 1: kissed you, This guy kisses do What's the mother of
• 17:18
  Speaker 1: the story. The moll of the story is never underestimate
• 17:21
  Speaker 1: the power of a sloppy kissing a wet nose on
• 17:23
  Speaker 1: a bad day. I don't know what that means. You
• 17:25
  Speaker 1: want to find out? No, I do not. I'm gonna
• 17:28
  Speaker 1: to human resources, all right, I want to everybody is
• 17:30
  Speaker 1: DJ Envy, Angela Yee, Charlomagne, the guy we are the
• 17:34
  Speaker 1: breakfast club. We got special guests in the building, sir,
• 17:37
  Speaker 1: she's back. Mister mill Hill, Hey, how y'all doing for
• 17:41
  Speaker 1: having me changed so drastically from when you were here
• 17:43
  Speaker 1: last I know right exactly. Wasn't us, No, no, it
• 17:47
  Speaker 1: wasn't you, guys, but a little bit different circumstances than
• 17:51
  Speaker 1: the last time I was here. Now with ESPN, was
• 17:53
  Speaker 1: it like a Jeff Session situation where they asked you
• 17:55
  Speaker 1: to resign, You're just gonna get right into it. No
• 17:59
  Speaker 1: warm just now congratulation, thank you, I said that. Congratulations
• 18:08
  Speaker 1: from getting rich. Yeah, oh yes, you know, it was
• 18:16
  Speaker 1: a thing. It was. Look, I know when you hear
• 18:19
  Speaker 1: am a couple party, everybody immediately caused like this is bs,
• 18:23
  Speaker 1: like this is not the case, But in this case,
• 18:25
  Speaker 1: it really was. I mean, I've been there twelve years,
• 18:27
  Speaker 1: so obviously I love the place. It's the longest job
• 18:29
  Speaker 1: I've ever had. It's the best job I've ever had,
• 18:32
  Speaker 1: and I think it's sort of I compared it to
• 18:34
  Speaker 1: a relationship, and I'm sure you guys have experienced this where, uh,
• 18:38
  Speaker 1: you know you're in love with somebody, but you realize
• 18:40
  Speaker 1: that you have no business being together. Right, So we
• 18:43
  Speaker 1: loved each other, you had no business being together, not
• 18:45
  Speaker 1: at not at this point. So we are just kind
• 18:47
  Speaker 1: of reached the end of the road. I know that
• 18:49
  Speaker 1: feeling sometimes you love your job and what it is
• 18:51
  Speaker 1: that you do, but you don't love other things that
• 18:54
  Speaker 1: come with that. Behind the scenes. Well, I think for
• 18:57
  Speaker 1: me it was just what I didn't love is that
• 18:59
  Speaker 1: I felt a little constrained and in the sense that
• 19:02
  Speaker 1: there was just such a bigger opportunity to do more.
• 19:05
  Speaker 1: And I realized that ESPN, I mean their sports network,
• 19:08
  Speaker 1: that's they're there to serve fans and to put on games,
• 19:12
  Speaker 1: and we're there to talk about, you know, results, but
• 19:15
  Speaker 1: especially in this climate, there was just a lot more
• 19:17
  Speaker 1: that I just kind of wanted to get mixed up in.
• 19:19
  Speaker 1: And I knew that things I wanted to get mixed
• 19:21
  Speaker 1: up in was not going to be good business for them.
• 19:23
  Speaker 1: Were you surprised with the good streets? Um? No, because
• 19:26
  Speaker 1: they're considering what the company is about. Yeah, they probably
• 19:30
  Speaker 1: should be there. I thought. I just kind of reached
• 19:32
  Speaker 1: a point where I wanted to be a little more active,
• 19:34
  Speaker 1: a little more vocal, and not have to worry about
• 19:37
  Speaker 1: email chain starting every time I said something right? Tone deaf?
• 19:40
  Speaker 1: Were the people at ESPN to where they say, don't
• 19:43
  Speaker 1: talk about politics when the head of state is talking
• 19:46
  Speaker 1: about sports. Yeah, if the head of state of talking
• 19:48
  Speaker 1: about sports, and why wouldn't sports journal Let's talk about politics.
• 19:51
  Speaker 1: But see, this is the thing, though, I know that
• 19:53
  Speaker 1: people have looked at the comments that have been made
• 19:55
  Speaker 1: by the current president Jimmy Pataro and even by the
• 19:57
  Speaker 1: chairman of Disney by Biker. I think people took what
• 20:00
  Speaker 1: they said a little bit too literally. Never did I
• 20:03
  Speaker 1: hear that when it made sense, when it was newsworthy
• 20:06
  Speaker 1: not to talk about these things, because you know, when
• 20:09
  Speaker 1: the president inserts themselves in the NFL anthem issue and
• 20:13
  Speaker 1: all these other things concerning sports, you have to talk
• 20:15
  Speaker 1: about it. That's your job and roll you have to
• 20:19
  Speaker 1: talk about it because that's newsworthy, right. The people that
• 20:22
  Speaker 1: complained about ESPN being too political a probably didn't appreciate
• 20:27
  Speaker 1: the viewpoint be expressed, so they had an issue with
• 20:29
  Speaker 1: the issues being discussed and the point of view being taken.
• 20:32
  Speaker 1: And it was just lazy and dumb in a stupid narrative,
• 20:35
  Speaker 1: because it's not like when you turn to like when
• 20:37
  Speaker 1: we were on the six o'clock Sports Center, Mike and
• 20:39
  Speaker 1: I were talking about illegal immigration, or we were talking
• 20:41
  Speaker 1: about healthcare, like none of that ever happened. Like we
• 20:44
  Speaker 1: were talking about sports, and anything happening to do with
• 20:47
  Speaker 1: politics or social justice involving sports were well within the
• 20:51
  Speaker 1: frame of news. You feel like you had done wrong anyway,
• 20:54
  Speaker 1: not at all. ESPN changed my life, yeah, you know,
• 20:57
  Speaker 1: and I mean obvious. See, um, it changes your fortune
• 21:01
  Speaker 1: a little bit. Six million dollars get off, and I
• 21:09
  Speaker 1: know they checked and they sat checked everything getting out
• 21:11
  Speaker 1: all of that. I am not here to confirm any
• 21:14
  Speaker 1: of those details, all right. I just want everybody out
• 21:16
  Speaker 1: there to know. Man, I just say again, you never
• 21:18
  Speaker 1: heard a figure come out of my mouth? All right,
• 21:22
  Speaker 1: Never say it's not true either. Again, no figures have
• 21:26
  Speaker 1: come out of my mouth. All right. If it wasn't too,
• 21:29
  Speaker 1: you'd be like you got legally she can't see in
• 21:32
  Speaker 1: the mouth. But but here's the thing. You didn't move
• 21:35
  Speaker 1: to La too. Now that ain't La and cheat. Look.
• 21:39
  Speaker 1: I got about twenty five hustles out here because I'm
• 21:42
  Speaker 1: out here. One of lebron documentary Shut Up and Dribble,
• 21:47
  Speaker 1: which is available on Showtime on demand. I thought I
• 21:50
  Speaker 1: throw that in there. And I'm also you know, Saffrida
• 21:52
  Speaker 1: at the Atletic. So I got jobs, you know, and
• 21:54
  Speaker 1: you your own production comes at my own production union.
• 21:58
  Speaker 1: Thank you. I mean I'm trying to A friend once
• 22:00
  Speaker 1: told me a long time ago that you gotta have
• 22:02
  Speaker 1: five hustles, So I got three. Sony two more so
• 22:04
  Speaker 1: if y'all got something for me, you know, let me know.
• 22:06
  Speaker 1: All right, Hey, we can all invest in some stuff.
• 22:09
  Speaker 1: I'm saying, you've got six millions. You want to talk
• 22:13
  Speaker 1: about some hustles. You mentioned you you do have a
• 22:16
  Speaker 1: scripted show I heard with Kelly Carter coming and Hi. Yeah,
• 22:19
  Speaker 1: so we're working on a scripted comedy um with that's
• 22:23
  Speaker 1: being developed by Sony also with Gabrielle Union as a producer,
• 22:27
  Speaker 1: not as as in front of the camera. And this
• 22:30
  Speaker 1: is the thing. You know, as a journalist, you're storyteller
• 22:32
  Speaker 1: and you guys know, you know, you collect some crazy
• 22:35
  Speaker 1: stories the longer you're in the media game. And uh,
• 22:38
  Speaker 1: you know, being a black creative now it's hot in Hollywood.
• 22:41
  Speaker 1: This is like a totally different um sort of experience
• 22:45
  Speaker 1: and I think than what it used to be. And
• 22:46
  Speaker 1: so looking at Netflix dropping that Billy on Content and
• 22:49
  Speaker 1: Hulu and Amazon and all these different places we wanted
• 22:52
  Speaker 1: to get into storytelling but doing it in a little
• 22:54
  Speaker 1: bit of a different way. All right. We got more
• 22:56
  Speaker 1: with Jamil here when we come back, do move. It's
• 22:58
  Speaker 1: the Breakfast Club. Good morning, The Breakfast Club. Cj Envy,
• 23:05
  Speaker 1: Angela Yee Charlomagne to God. We are to breakfast club.
• 23:08
  Speaker 1: We have Jamal Hill in the building. Yee. You know
• 23:11
  Speaker 1: what I wanted to ask you about. I thought about
• 23:13
  Speaker 1: you yesterday, right. I was at the Gracie Awards and
• 23:15
  Speaker 1: they honored Pam Oliver. She was the keynote speaker. And
• 23:18
  Speaker 1: I hear this all the time from women who have
• 23:20
  Speaker 1: to work in sports, who choose to work in sports,
• 23:23
  Speaker 1: how much harder it is because and especially being a
• 23:26
  Speaker 1: black woman working in sports, not just from people that
• 23:28
  Speaker 1: weigh in and comment on your abilities, but also from
• 23:32
  Speaker 1: co workers, like she talked about the beginning of her career,
• 23:35
  Speaker 1: which is, you know, earlier than the beginning of your career,
• 23:37
  Speaker 1: but just even like offering her services to help out
• 23:40
  Speaker 1: and no one wanted her help just because she was
• 23:42
  Speaker 1: a black woman. What has your experience been like, Well,
• 23:44
  Speaker 1: there is definitely a level of scrutiny and criticism that
• 23:48
  Speaker 1: you faced that will be a lot different than the men.
• 23:49
  Speaker 1: And I don't know how we got to this point
• 23:52
  Speaker 1: or I just always was amused by the fact that
• 23:54
  Speaker 1: even though for many years I worked alongside men that
• 23:57
  Speaker 1: never played professional sports, I had a better high school
• 24:00
  Speaker 1: sports career than a lot of them did it all right?
• 24:02
  Speaker 1: I started every year. I was like, all right, that's
• 24:04
  Speaker 1: what I'm talking about it, Like I had some little
• 24:06
  Speaker 1: small college offers, and a lot of dudes didn't even
• 24:10
  Speaker 1: do that. But yet, when it comes to talking about
• 24:12
  Speaker 1: sports and being involved in sports, for some reason, we
• 24:15
  Speaker 1: think your level of sports and knowledge is directly related
• 24:17
  Speaker 1: to your genitalia. And that's just not the way that
• 24:19
  Speaker 1: it works. And so, you know, for me, I had
• 24:23
  Speaker 1: to of course realize that a lot of times when
• 24:26
  Speaker 1: I write something or my commentary, especially if it's scoring
• 24:30
  Speaker 1: against what conventional mail analysts say, then you have to
• 24:33
  Speaker 1: be prepared for the fact that people are going to
• 24:35
  Speaker 1: say that's why women shouldn't talk about sports. I remember,
• 24:38
  Speaker 1: and I still like to you know, the few times
• 24:41
  Speaker 1: I'm actually right about things, I still like the Lord
• 24:44
  Speaker 1: this over, folks. I remember when Khalil Mack was coming
• 24:47
  Speaker 1: out in the draft and I saw him play against
• 24:49
  Speaker 1: Ohio State and he was the best player on the field,
• 24:51
  Speaker 1: and I was like, look, I know, Jadeveon Clowney had
• 24:54
  Speaker 1: you know, the hit of all hits against Michigan, but like,
• 24:57
  Speaker 1: Khalil Mack is the best player in this draft. Man
• 25:00
  Speaker 1: so many dudes rip me to shreds for saying that.
• 25:04
  Speaker 1: All I gotta say is how you like me now?
• 25:05
  Speaker 1: Because Khalil Back is probably the best defensive player in
• 25:08
  Speaker 1: the league, him or Aaron Donald. That's interesting though, because
• 25:11
  Speaker 1: skip bells ain't never write about nothing. But I cannot
• 25:17
  Speaker 1: think of one time skim Bell has has been right
• 25:18
  Speaker 1: about something. You know, he had told a few things
• 25:21
  Speaker 1: here and there. But that's what I'm saying is that,
• 25:23
  Speaker 1: like you know, he has an edgy opinion. And while
• 25:26
  Speaker 1: he is ridicute for that opinion at times, but it's
• 25:29
  Speaker 1: still more welcome for him to have that kind of
• 25:32
  Speaker 1: opinion as opposed to me. We all make mistakes at
• 25:34
  Speaker 1: times writing things that may not be true, or make
• 25:37
  Speaker 1: a mistake. Do you bad predictions? It's okay, I'm just
• 25:43
  Speaker 1: predicted the Giant who's gonna win this year. We knew
• 25:45
  Speaker 1: that lesson too, just like Super Bowl every year for
• 25:50
  Speaker 1: the past. But do you feel like you get attacked
• 25:52
  Speaker 1: a lot more? Oh? Absolutely, man, because when I do,
• 25:55
  Speaker 1: it's just like again, it's supposed to be some kind
• 25:57
  Speaker 1: of indictment of my genders involved in sports. Do you
• 26:01
  Speaker 1: think the media will ever respect opinions from strong black women.
• 26:04
  Speaker 1: That's a good question. Um. Kind of hard too when
• 26:07
  Speaker 1: your president doesn't seem too right now. Um, I would
• 26:10
  Speaker 1: say that's gonna always be a slippery slope for most
• 26:13
  Speaker 1: black women because when we express an opinion, especially a
• 26:18
  Speaker 1: strong point of view, in general, we're like angry or
• 26:20
  Speaker 1: allowed or fit fit in a certain stereotype. So I
• 26:24
  Speaker 1: just think in certain spaces, yes, but in most spaces
• 26:27
  Speaker 1: probably not. I want to go to the NBA anymore
• 26:32
  Speaker 1: fun anymore? Or does that team win the next five years,
• 26:34
  Speaker 1: seven years, eight years? No, you need a village. And
• 26:36
  Speaker 1: look at this riff that's going on between Kevin duran
• 26:39
  Speaker 1: and Draymond Green. I don't understand that. I don't, but
• 26:42
  Speaker 1: yet I sort of do. And it's not one of
• 26:44
  Speaker 1: those things. I think it's gonna blow over easily because
• 26:47
  Speaker 1: about how to stop. Well, clearly that the real tension
• 26:50
  Speaker 1: is in the fact that you know, Kevin Durant is
• 26:52
  Speaker 1: coming up on some free on free agency, and clearly
• 26:55
  Speaker 1: Draymond Green feels some kind of way about the fact
• 26:58
  Speaker 1: that he has not eliminated some of the speculation and
• 27:02
  Speaker 1: hasn't shut it down, and it is allowed it to
• 27:04
  Speaker 1: be a storyline and let's just talk money. Draymond Green
• 27:08
  Speaker 1: is gonna be up soon and he could get a
• 27:09
  Speaker 1: max deal. They can't keep everybody you have claim. Somebody
• 27:13
  Speaker 1: gonna have to Somebody is gonna is gonna be left
• 27:15
  Speaker 1: without to check look at him. So nobody coming here.
• 27:20
  Speaker 1: By the way, whichever one of them leave, they're going
• 27:22
  Speaker 1: to LA to play with Bron, whether Kevin. So, let
• 27:26
  Speaker 1: me ask you this, what would be the reaction if
• 27:28
  Speaker 1: Kevin Durand went to play with Lebron ject? I don't
• 27:30
  Speaker 1: think people would care no more. I think I think
• 27:33
  Speaker 1: people over there, I think after Lebron's decision and keV
• 27:36
  Speaker 1: going to Golden State, I don't think people are people
• 27:39
  Speaker 1: still on Katie's here about going to Golden State and
• 27:41
  Speaker 1: taking the quote unquote easy way. See, I'm gonna just
• 27:49
  Speaker 1: keep into sports. Lets you're in the relationship with Lebron, like,
• 27:52
  Speaker 1: because now that you're narrating his film, his documentary, some
• 27:56
  Speaker 1: people might feel like, well, now she's not gonna say
• 27:58
  Speaker 1: nothing that because they were together. No. No, I mean
• 28:01
  Speaker 1: I think he understands the function of what my job is.
• 28:04
  Speaker 1: And I've always had this attitude, regardless of whether or
• 28:08
  Speaker 1: not I had the sort of working relationship that I
• 28:11
  Speaker 1: had with Lebron or not. Is that I'm never gonna
• 28:13
  Speaker 1: say something on television or write something about an athlete
• 28:16
  Speaker 1: I can't say to their face, right, And I think
• 28:18
  Speaker 1: it's just a good guideline for journalists to have because
• 28:21
  Speaker 1: regardless even if a guy is not necessarily good, I
• 28:25
  Speaker 1: have enough professional respect for the amount of work that
• 28:27
  Speaker 1: they have put in to get to that point, because
• 28:29
  Speaker 1: it's hard to be a professional, and so I understand that.
• 28:31
  Speaker 1: And even when I'm talking to coaches, I never come
• 28:34
  Speaker 1: into this situation like I know more than them. I don't.
• 28:36
  Speaker 1: I never can because they practice at this craft much longer. Now,
• 28:39
  Speaker 1: that doesn't mean that I'm not going to ask Pee
• 28:41
  Speaker 1: Carroll while he handed Baltom Mars Shawn Lynch, because you know,
• 28:43
  Speaker 1: we could all see he should have ended at the
• 28:45
  Speaker 1: Baltom Marshawn Lynch. But that being said, there's just a
• 28:48
  Speaker 1: mutual respect there as for Lebron, even though I'm narrating
• 28:52
  Speaker 1: this documentary, I mean, Lebron and I like we ain't
• 28:54
  Speaker 1: going to them all together, you know, like we know
• 28:57
  Speaker 1: and are aware of who each other is. And we've
• 29:00
  Speaker 1: had conversations before in the past, and I just thank
• 29:04
  Speaker 1: him for honestly allowing me to have this opportunity to
• 29:07
  Speaker 1: narrate this documentary, because, as you notice, you don't hear
• 29:10
  Speaker 1: a lot of women narrating sports documentaries, and so not
• 29:13
  Speaker 1: only to pick a woman, but to pick a black woman,
• 29:16
  Speaker 1: I think that says a lot about who he is
• 29:18
  Speaker 1: and what's important to him. All Right, we got more
• 29:20
  Speaker 1: with Jamil Hill when we come back. Don't move. It's
• 29:22
  Speaker 1: to breakfast club. Good morning, good morning. Everybody is DJ
• 29:26
  Speaker 1: Envy Angela Yee. Charlomagne the god. We are the Breakfast Club.
• 29:29
  Speaker 1: We have Jamal Hill in the building. Charlomagne. Do you
• 29:31
  Speaker 1: think Draymon should have gotten suspended for arguing with Kevin Durant?
• 29:34
  Speaker 1: That's his teamMy well, the fact that he did get
• 29:36
  Speaker 1: suspended lets you know the seriousness of it. Man. That's
• 29:38
  Speaker 1: why I said this thing is not gonna blow over.
• 29:41
  Speaker 1: I think there's some real animosity there. And even hearing
• 29:43
  Speaker 1: how Kevin Durant responded when asked if he and Draymond
• 29:47
  Speaker 1: had talked, the fact that they hadn't. Any NBA player
• 29:50
  Speaker 1: would tell you through a course of a season, it's
• 29:51
  Speaker 1: a grind. And even if You've won a lot together,
• 29:54
  Speaker 1: You've spent a lot of time together. You know, it's
• 29:57
  Speaker 1: like familiarity breeds content, that's what they often say, or
• 30:00
  Speaker 1: contempt rather and so um, I think there are some
• 30:03
  Speaker 1: issues that they had there. And Draymond, you know, he
• 30:06
  Speaker 1: has a very forceful personality and he's always at guys
• 30:10
  Speaker 1: and he had just made a mistake. Kevin Durant was
• 30:12
  Speaker 1: and then it was like, so why you out here
• 30:15
  Speaker 1: letting a speculation right a free agency? It's like, whoa dude,
• 30:18
  Speaker 1: what's the real issue here? And so that leads me
• 30:20
  Speaker 1: to believe that this is not just one of those
• 30:22
  Speaker 1: arguments that take place that takes place during the course
• 30:25
  Speaker 1: of the season. We might be looking at how their
• 30:28
  Speaker 1: team winds up ending this dynasty down LA Kevin or
• 30:33
  Speaker 1: Draymond in LA. Also with the dynasty, right, I don't
• 30:35
  Speaker 1: understand why people get upset when Golden State wins every year.
• 30:38
  Speaker 1: We all grew up in the nineties, right with the
• 30:40
  Speaker 1: bold winning six championship. This doesn't feel like a fight
• 30:44
  Speaker 1: with It's not interesting. Not interesting. You really challenged the
• 30:47
  Speaker 1: bulls during that. It's like, Mike, we knew that was
• 30:51
  Speaker 1: a foregone conclusion. He was what was it a so
• 30:54
  Speaker 1: called all star team or did he put those players
• 30:57
  Speaker 1: and make those players? Why does it matter? It does?
• 30:59
  Speaker 1: It does? Mike never been to a game seven in
• 31:01
  Speaker 1: the finals. We knew what Mike was going to do.
• 31:03
  Speaker 1: An NBA final doesn't matter. It doesn't matter. We love
• 31:05
  Speaker 1: everybody scoring thirty and nobody, well the Knicks, I ain't
• 31:08
  Speaker 1: gonna get it. How do you feel about Nike doing
• 31:11
  Speaker 1: a deal with Colin Kaepernick? I love it, um, but
• 31:14
  Speaker 1: I want people to understanding this. They didn't do it
• 31:17
  Speaker 1: out of charity. They didn't do it because they have
• 31:20
  Speaker 1: a social conscience. They did it to make money. Look
• 31:22
  Speaker 1: at how that merchant. Some people might have thought that
• 31:25
  Speaker 1: it wouldn't make money. No, they knew. Let me, it's Nike,
• 31:28
  Speaker 1: like they look into market research. And one of the
• 31:32
  Speaker 1: things that's always bothered me whenever there's discussions about Colin
• 31:35
  Speaker 1: Kaepernick is we spend so much time talking about people
• 31:39
  Speaker 1: who dislike his dance and the detractors not realizing like
• 31:43
  Speaker 1: he has a huge fan base. Like for all the
• 31:46
  Speaker 1: idiots out there burning knows mall Walker elevens or whatever,
• 31:51
  Speaker 1: there are twice as many people who would buy anything
• 31:54
  Speaker 1: with Colin Kaepernick's name or likeness on the T shirt said,
• 31:58
  Speaker 1: he asked for Nike, They're already guard like you can't
• 31:59
  Speaker 1: even to get those things. I think another company was
• 32:02
  Speaker 1: trying to step up, and even I do, I do
• 32:06
  Speaker 1: it was it was I completely believe that because he
• 32:09
  Speaker 1: can still generate buzz. I mean the amount of media
• 32:12
  Speaker 1: attention what they say was almost two hundred million dollars
• 32:15
  Speaker 1: that he generated for Nike in two days. So wherever
• 32:19
  Speaker 1: he goes like he's somebody who's you know, so polarizing
• 32:23
  Speaker 1: that he's gonna draw from both sides. He's gonna have
• 32:26
  Speaker 1: his fans that are gonna ride for him and the
• 32:28
  Speaker 1: people that don't like him are still gonna pay attention
• 32:30
  Speaker 1: to his every move. So he's sort of in the
• 32:32
  Speaker 1: perfect space in that regard. But it was, you know,
• 32:35
  Speaker 1: a bold decision by Nike and ultimate troll move for
• 32:38
  Speaker 1: his first commercial running that first weekend other NFL season. Yeah,
• 32:42
  Speaker 1: that's brilliant, checkmate. I'm glad he did to deal. I like,
• 32:44
  Speaker 1: people are aking like Nike is the new black power,
• 32:46
  Speaker 1: Like nah, no, man, they need to relax on that.
• 32:48
  Speaker 1: I also don't like along those same lines, people thinking
• 32:52
  Speaker 1: that you have to be broke if you're an activist.
• 32:55
  Speaker 1: You know, I've had conversations with both Tommy Smith and
• 32:58
  Speaker 1: John Carlos about what life was like for them after
• 33:00
  Speaker 1: they raised the FIST. They couldn't afford to feed their families,
• 33:04
  Speaker 1: and they couldn't get jobs, and they were ostracized in
• 33:07
  Speaker 1: this country, and that put them under financial hardship. Part
• 33:11
  Speaker 1: of the reason why Colin Kaepernick is able to keep
• 33:14
  Speaker 1: his activism in this fight going is because he has
• 33:16
  Speaker 1: financial leverage, because he made the money in San Francisco.
• 33:20
  Speaker 1: Because you know, he could probably have any speaking engagement
• 33:24
  Speaker 1: he wants and commands any dollar figure because Nike is
• 33:27
  Speaker 1: continuing to give him a contract. That's part of what
• 33:30
  Speaker 1: gets this and keeps him in the news and keeps
• 33:33
  Speaker 1: this conversation, this very important conversation going. So he so,
• 33:37
  Speaker 1: just because you stand for something doesn't mean that your
• 33:40
  Speaker 1: checking account has to be on zero. Because some people
• 33:42
  Speaker 1: are trying to say that he's trying to profit off
• 33:44
  Speaker 1: being involved in social justice issue issues, when I think
• 33:48
  Speaker 1: he's just doing the smart thing. And not to mention
• 33:50
  Speaker 1: his jersey sales with the NFL, he donated all of
• 33:53
  Speaker 1: that to different social justice causes, so he's put his
• 33:56
  Speaker 1: beliefs in his money. They've certainly aligned les talking about
• 34:00
  Speaker 1: decisions right leaving teams, Let's talk about you for a second.
• 34:05
  Speaker 1: Are you feeling great and comfortable now not being in
• 34:08
  Speaker 1: front of the camera and being more behind the scenes.
• 34:10
  Speaker 1: Do you like that better? I do? I mean I
• 34:12
  Speaker 1: want to better its relative and I want people to
• 34:15
  Speaker 1: understand I haven't retired from television, okay, right now, I'm
• 34:19
  Speaker 1: just sort of mulling my options and thinking about what
• 34:22
  Speaker 1: makes the most sense. I've never This is a very
• 34:25
  Speaker 1: foreign stage for me in my career. Like I came
• 34:29
  Speaker 1: up under the umbrella of traditional media. So I'm used
• 34:32
  Speaker 1: to working for just one place. That's where the paycheck
• 34:35
  Speaker 1: is coming from, representing just them, and then that's it.
• 34:38
  Speaker 1: I'm now building my career more ala carte, all right,
• 34:41
  Speaker 1: And so you know, as you mentioned, I have the
• 34:43
  Speaker 1: production company writing for the Atlantic, mulling some podcast opportunities
• 34:48
  Speaker 1: as well, and thinking about what direction I want my
• 34:52
  Speaker 1: television career to go. Now, you could produce your own
• 34:55
  Speaker 1: TV show. I could, but you know, most of the
• 34:57
  Speaker 1: stuff that I want to do with the production company
• 34:59
  Speaker 1: does not involve me being front facing talent um because
• 35:02
  Speaker 1: I still want to tell stories. That's the whole reason
• 35:04
  Speaker 1: I became a journalist, and so the other part of it,
• 35:07
  Speaker 1: I think for me too is one thing I think
• 35:10
  Speaker 1: I learned over the last year, year and a half
• 35:13
  Speaker 1: is that I don't know that I ever want to
• 35:14
  Speaker 1: be sort of solely owned by one entity. You know,
• 35:17
  Speaker 1: my greatest asset is my versatility. And as you guys know,
• 35:21
  Speaker 1: there's a lot of companies that you work for that
• 35:23
  Speaker 1: won't let you do other things. And I don't know
• 35:25
  Speaker 1: if I want to be under that kind of constraint again. So, um,
• 35:29
  Speaker 1: how you walk in demanding what you want because you're
• 35:32
  Speaker 1: in a situation where you don't need to have something
• 35:35
  Speaker 1: else and you can say, look, I already have this,
• 35:37
  Speaker 1: this and that going on. See there, y'all go man,
• 35:41
  Speaker 1: y'all have relatives I've never heard of. Call of me
• 35:44
  Speaker 1: after doing this shit. I'm I feel like God moved
• 35:49
  Speaker 1: you for a reason. Though, because you a reason, everything
• 35:52
  Speaker 1: happens for you cannot be handcuffed. The ESPN. M. Mel
• 35:56
  Speaker 1: Hill has too much to offer the world. Everything happens
• 35:58
  Speaker 1: for a reason. I'm a big believer in that, and
• 36:00
  Speaker 1: I definitely believe in the adage of when guy closes
• 36:03
  Speaker 1: the door, he opens a window, right, And so that's
• 36:06
  Speaker 1: why I'm able or was able to leave espn A.
• 36:09
  Speaker 1: What a great deal of peace of mind because I
• 36:12
  Speaker 1: knew I was in the exact place that I was
• 36:14
  Speaker 1: supposed to be. I appreciate you guys for having me. Well,
• 36:16
  Speaker 1: thank you, I left having a millionaire woman in the room.
• 36:19
  Speaker 1: You know, so we appreciate you because too got it.
• 36:27
  Speaker 1: It's the mill Hill. Yes, it's the Breakfast Club. Thank
• 36:29
  Speaker 1: you because it stopping through ej Envy Angela yee. Charlemagne
• 36:33
  Speaker 1: the guy, we are the breakfast club. Now if he
• 36:35
  Speaker 1: just joined us. We were talking about Jada Pinkett Smith.
• 36:38
  Speaker 1: She did an interview with Sway and they were talking
• 36:40
  Speaker 1: about Will's X. Let's see what they had to say.
• 36:43
  Speaker 1: You know, she's going on vacations with Will without me
• 36:46
  Speaker 1: with Trey. You know what I mean, Because I feel
• 36:48
  Speaker 1: as though Trey needs to feel that dynamic between his
• 36:51
  Speaker 1: two parents. That's very important that he can feel that
• 36:55
  Speaker 1: connection and feel you know, where they do meet, so
• 36:59
  Speaker 1: that he can feel, um, you know that that parental
• 37:04
  Speaker 1: connection while you're married with Will, they've been on vacation
• 37:07
  Speaker 1: together yes, they have. They actually just came off for one.
• 37:10
  Speaker 1: So Charlottage, what do you think. Well, first of all,
• 37:12
  Speaker 1: I want to drop on the clues bombs with Jada
• 37:14
  Speaker 1: pinker Smith. I am a pinker Smith. When he knows Carter,
• 37:16
  Speaker 1: I feel like I respect the fact that she's secure
• 37:21
  Speaker 1: in hers enough and she trusts Will enough that he
• 37:24
  Speaker 1: will go on this trip and do the right thing.
• 37:26
  Speaker 1: Because I really don't think I have a problem with
• 37:29
  Speaker 1: two parents co parenting, even if both of those parents
• 37:32
  Speaker 1: have moved on and they're married to somebody else, I
• 37:34
  Speaker 1: don't have a problem with them co parenting and still
• 37:36
  Speaker 1: doing things with the child right. And I think that
• 37:39
  Speaker 1: vacation is a different step though. I mean, it's really
• 37:41
  Speaker 1: not if you not if you trust your partner and
• 37:44
  Speaker 1: you really feel like nothing's going on between these two
• 37:47
  Speaker 1: and you feel like they're just gonna go out and
• 37:49
  Speaker 1: have fun with the child, I don't think there's anything
• 37:51
  Speaker 1: wrong with that whatsoever. I really don't. I me personally,
• 37:55
  Speaker 1: would I be for that. No, But I'm, you know,
• 37:57
  Speaker 1: still dealing with a lot of my own insecurities, and
• 37:59
  Speaker 1: you know, I'm my emotional intelligence is high, but but
• 38:03
  Speaker 1: my sometimes I can get a little sensitive. I'm saying
• 38:06
  Speaker 1: I'm a camping I mean, I couldn't. I don't think
• 38:08
  Speaker 1: I could do with that with you. I like, yeah,
• 38:11
  Speaker 1: I know what I'm supposed to say. I'm supposed to
• 38:12
  Speaker 1: be like, sure, go ahead going out, but y'all have
• 38:14
  Speaker 1: a great time. Matter of fact, you know what, just
• 38:17
  Speaker 1: hit me when you hit me, just bring me back
• 38:19
  Speaker 1: a souvenir. Nah be, That's that's not how I'm They've
• 38:21
  Speaker 1: been together a long time, bro, Will and jad have
• 38:23
  Speaker 1: been together a long time, and it's always been the
• 38:25
  Speaker 1: rumors that they swing, right, So you know, you wouldn't
• 38:28
  Speaker 1: give a damn if he went out with his ex
• 38:30
  Speaker 1: baby Mama. If that was your relationship and they swing there,
• 38:33
  Speaker 1: that's cool. But I don't think I'm not secure, bro,
• 38:35
  Speaker 1: I'm just not like. That's why I say I respect
• 38:38
  Speaker 1: Jada's security, love right, and the fact that she trust
• 38:42
  Speaker 1: Will that much and I got to see the baby
• 38:44
  Speaker 1: Mama depends how I'm saying baby Mama might not be
• 38:48
  Speaker 1: a popping you, right, because that could that could be
• 38:50
  Speaker 1: a lot to do with it too, And that's part
• 38:52
  Speaker 1: of it, because think about it, if she if she
• 38:54
  Speaker 1: not attractive, it t she ain't know she ain't been
• 38:57
  Speaker 1: working out, ain't tripping. I don't know what will baby
• 39:01
  Speaker 1: Mama look like? You know what I'm saying, so that
• 39:03
  Speaker 1: that that fact is in it too. I thought that's
• 39:04
  Speaker 1: just my superficial ask. Right now, now, think about let's
• 39:07
  Speaker 1: say she let's say, let's say Will Smith baby mama.
• 39:10
  Speaker 1: Let me see somebody Charlomagne like Nicole Murphy. Nicole's all right,
• 39:14
  Speaker 1: she cool. That she's just cool. Now, would you let
• 39:17
  Speaker 1: would still be cool. I'm more of a Kelly Roland
• 39:19
  Speaker 1: type of but but but you know, Kelly's married and
• 39:23
  Speaker 1: none I'm married. That that conversation just to get it,
• 39:27
  Speaker 1: you know, that's why I mean, I still consider Kelly
• 39:29
  Speaker 1: Rolling the good of chocolate goddess. But right for I
• 39:31
  Speaker 1: see what you're saying. Forget it. I see what you're
• 39:33
  Speaker 1: saying in my scenario. By the way, if my baby
• 39:36
  Speaker 1: mama right looked like Kelly Roland, she would not be
• 39:39
  Speaker 1: my ex baby mama. She would be my wife. Let's
• 39:41
  Speaker 1: be clear about that. Okay, all right, I'm not even
• 39:44
  Speaker 1: playing this game with you. Brother. Hello, who's this? Hello?
• 39:47
  Speaker 1: This is say hey Stacy, good morning, good morning. Would
• 39:50
  Speaker 1: you let your man go on vacation with his ex.
• 39:52
  Speaker 1: I definitely would. I think Jada is right that they
• 39:55
  Speaker 1: need to have that dynamic between trade by themselves. I
• 39:58
  Speaker 1: definitely agree with that. I kind of agreed you. I mean,
• 40:01
  Speaker 1: you know, the sensitive side of me, the insecure side
• 40:05
  Speaker 1: says hell no, hell, But the mature adult side that's
• 40:08
  Speaker 1: been going to therapy and can deal with my insecurities
• 40:11
  Speaker 1: says yes. I don't have a problem with that. I'm
• 40:13
  Speaker 1: in the middle. Bron, I don't know. Thank you, Mama, Hello,
• 40:16
  Speaker 1: who's this? Hey mama? Now? Would you let your ex
• 40:19
  Speaker 1: go on vacation with uh his baby? Mama? No, I wouldn't.
• 40:23
  Speaker 1: I would have to be in that same hotel day resort,
• 40:28
  Speaker 1: I'd have to be close. And why you trust them? Well,
• 40:32
  Speaker 1: I do trust them, but still, I mean, you're insecure,
• 40:36
  Speaker 1: like one of us, shine of y'all, and neither one
• 40:37
  Speaker 1: of y'all would let yall spouse go. So don't act
• 40:41
  Speaker 1: like right, we just asked you. I'm just saying so, No,
• 40:47
  Speaker 1: I wouldn't feel comfortable with that. But I feel like
• 40:50
  Speaker 1: in their case, that's the backs of wife, and they
• 40:52
  Speaker 1: seem to be working on their relationship for a long time,
• 40:55
  Speaker 1: so we don't know what they got going on fingers
• 40:59
  Speaker 1: though I've always been the rum I don't know. I
• 41:02
  Speaker 1: don't think I know right now. Okay, thank you, But
• 41:04
  Speaker 1: like like y'all said, the rumor is always better than
• 41:07
  Speaker 1: the truth, especially when it's more attaining. Y'all have a
• 41:10
  Speaker 1: good morning. An eight hundred and five A five one
• 41:13
  Speaker 1: oh five one. Now, would you let your boyfriend, your girlfriend,
• 41:17
  Speaker 1: your wife, your husband go on vacation without you with
• 41:20
  Speaker 1: their X because they have a baby together, for the
• 41:22
  Speaker 1: sake of the baby. Would you call us now? Is
• 41:24
  Speaker 1: the Breakfast Club? Go Morning Putting? Everybody is DJ Envy,
• 41:27
  Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.
• 41:30
  Speaker 1: Now if you just joined us, we're talking J to
• 41:32
  Speaker 1: Pinkett Smith. She did an interview with Sway and she
• 41:35
  Speaker 1: was talking about Will Smith's ex and them going on
• 41:38
  Speaker 1: vacation without her. Let's listen. You know she's gone on
• 41:41
  Speaker 1: vacations with Will without me with Trey. You know what
• 41:44
  Speaker 1: I mean? Because I feel as though Trey needs to
• 41:47
  Speaker 1: feel that dynamic between his two parents. That's very important
• 41:51
  Speaker 1: that he can feel that connection and feel you know,
• 41:55
  Speaker 1: where they do meet, so that he can feel um
• 41:59
  Speaker 1: you that that parental connection while you're married with Will.
• 42:04
  Speaker 1: They've been on vacation together, Yes they have. They actually
• 42:06
  Speaker 1: just came off for one. Let me be honest, man,
• 42:08
  Speaker 1: I've been thinking about this. I've been thinking about this,
• 42:10
  Speaker 1: and I had to remove myself out of the situation
• 42:13
  Speaker 1: and think if I was Jaden Will and how long
• 42:16
  Speaker 1: we've been together, and if I had an ex baby Mama,
• 42:20
  Speaker 1: I don't think I would have a problem with this, bro.
• 42:22
  Speaker 1: And the reason I would not have a problem with
• 42:23
  Speaker 1: this because you do have to trust your significant other.
• 42:25
  Speaker 1: You have to be secure, and you have to have
• 42:28
  Speaker 1: the utmost confidence that your significant other would do the
• 42:31
  Speaker 1: right thing. But the number one factor for me would
• 42:34
  Speaker 1: be how to Mama. Look, you know the ex baby
• 42:37
  Speaker 1: Mama is banging, then I don't know if I'd put
• 42:41
  Speaker 1: my man in that position. See, and I was thinking
• 42:42
  Speaker 1: the same thing, like, I trust my wife. Go, But
• 42:46
  Speaker 1: now what happened if her exes Michael b. Jordan or
• 42:50
  Speaker 1: her exes what's the name Shama More or or one
• 42:54
  Speaker 1: of them the brothers that all Chisel done, Yes, no
• 42:58
  Speaker 1: doubt it was. Guys got a sex when them guys
• 43:00
  Speaker 1: you think is sex with them guys? That are sex. Um, Yeah,
• 43:04
  Speaker 1: I don't yeah, yeah, yeah, yeah yeah. Michael B. Jordans,
• 43:08
  Speaker 1: I would wife's ex. You know why I would be
• 43:10
  Speaker 1: so intertill about that situation? Why why you left for me? Okay,
• 43:14
  Speaker 1: I'm saying, like, why are you left that for me?
• 43:17
  Speaker 1: You know what I'm saying. I can't be that nice
• 43:18
  Speaker 1: of a guy. I don't make you laugh that much, right,
• 43:20
  Speaker 1: you know what I'm saying, Why why? Why did you
• 43:22
  Speaker 1: leave him for me? That's what would make me in
• 43:24
  Speaker 1: secure about that whole situation. I would never left Maybe
• 43:28
  Speaker 1: I would never be secure in our relationship because I
• 43:31
  Speaker 1: would be wondering why you left him for me? Michael B.
• 43:34
  Speaker 1: Jordan chilling there on the beat, shirt off your wife
• 43:37
  Speaker 1: coming out with take calls, get upset? Hello, who's this? Hey?
• 43:43
  Speaker 1: Would you let your man go on vacation with his ex? No?
• 43:47
  Speaker 1: Why not? I chose my man, But I don't choked
• 43:51
  Speaker 1: her might be Okay. Will's son is twenty six years old.
• 43:56
  Speaker 1: I mean, what are they gonna do on vacation this
• 43:58
  Speaker 1: year that they haven't done in the past twenty five years?
• 44:01
  Speaker 1: They probably never went on vacation. That's the thing. And
• 44:03
  Speaker 1: the fact that he is so old. You don't need
• 44:05
  Speaker 1: to go. You don't need know the vacation gonna vacation
• 44:07
  Speaker 1: by yourself. Illo. Who's this? Yeah? My name Chloe. I'm
• 44:10
  Speaker 1: calling him because I feel like on suffering stuff, some
• 44:13
  Speaker 1: parents do need to sit down on their kids get
• 44:16
  Speaker 1: up age, especially if they going to college or they
• 44:18
  Speaker 1: got life plans that's going on and it ain't need
• 44:21
  Speaker 1: to sit down and figure out what's going on with
• 44:22
  Speaker 1: their kids. A lot of black parents don't communicate well
• 44:25
  Speaker 1: when he comes to passing. So I wouldn't have an
• 44:28
  Speaker 1: issue with my child's father. Met him, have great report,
• 44:30
  Speaker 1: he got kids by other women. For me and him
• 44:33
  Speaker 1: to sit down, have a joint, we can smoke, talk
• 44:36
  Speaker 1: about our kids, figure out, you know, school plans, stuff
• 44:40
  Speaker 1: that they evolved in. You know, it's bigger than just
• 44:43
  Speaker 1: being sexual. Sometimes when you got kids, you got so
• 44:47
  Speaker 1: let me ask you question, would you let your man
• 44:49
  Speaker 1: go on vacation with his ex with their child without you?
• 44:53
  Speaker 1: Right now? I really wish he would be able to
• 44:55
  Speaker 1: go on the triple his ex because he doesn't really
• 44:57
  Speaker 1: get to see his daughter like that. Maybe they could
• 44:59
  Speaker 1: sit there down and a constant and see how happy
• 45:02
  Speaker 1: their daughter is to have them together. That's real. Things
• 45:06
  Speaker 1: be better if you can sit down and see your
• 45:07
  Speaker 1: kids smile and know like my parents is cool because
• 45:10
  Speaker 1: I didn't have that growing up, so I said, when
• 45:12
  Speaker 1: I had kids, me and my kids find I ain't
• 45:14
  Speaker 1: been together for five sixty years now, But when he
• 45:17
  Speaker 1: called my phone, I pick up. When he emailed me
• 45:20
  Speaker 1: about his kid or some hallwork or some packing, I'm
• 45:23
  Speaker 1: emailing back when his father daughter dance, I'm communicating because
• 45:26
  Speaker 1: he is just as important as I am to my daughter,
• 45:29
  Speaker 1: and we need to look beyond all this all or
• 45:32
  Speaker 1: all they might be having sex. He not even attracted
• 45:35
  Speaker 1: to me no more. You're right, all right, Well, thank you, mama,
• 45:38
  Speaker 1: So you know, detroying to be able? Then what else
• 45:40
  Speaker 1: I'm in Charlotte and love you dear, Hey, y'all, Well
• 45:45
  Speaker 1: what some all of the story, man, and all of
• 45:46
  Speaker 1: the story is. I guess we have to stop being
• 45:48
  Speaker 1: so insecure. Yeah, you know what I'm saying. I respect
• 45:51
  Speaker 1: the level of security that Jada Pinkett Smith is shown
• 45:54
  Speaker 1: by a line Will Smith to go on a date
• 45:56
  Speaker 1: with a date, not a date of vacation with his ex.
• 45:59
  Speaker 1: But I still I see what his next baby mama
• 46:01
  Speaker 1: look like I gotta see how much Will Powell Will
• 46:02
  Speaker 1: Smith guy right, right? But Will Will seems like a
• 46:06
  Speaker 1: highly enlightened individual, right like like if anybody can go
• 46:11
  Speaker 1: out and have a good time with his ex wife,
• 46:14
  Speaker 1: it's Will Smith. But but you know what, man, no
• 46:16
  Speaker 1: more I think about it. As I get older, I
• 46:17
  Speaker 1: get mature, I don't have those crazy er just like
• 46:19
  Speaker 1: that because in a way, in a way, it's like
• 46:21
  Speaker 1: when you go out of town by yourself, You're right.
• 46:23
  Speaker 1: When I go out of town for the weekend by
• 46:25
  Speaker 1: myself and my wife not around, it's plenty of opportunity
• 46:28
  Speaker 1: to do some bs. I'm just not with it right now.
• 46:30
  Speaker 1: And Will Smith, you're not read it no more. Ever,
• 46:32
  Speaker 1: I'm not with it no more ever. And Will Smith
• 46:34
  Speaker 1: about ten fifteen years no holds? Will Smith? Old? He
• 46:37
  Speaker 1: up there? He about ten years older than me. I
• 46:39
  Speaker 1: wouldn't say ten six seven years old. You no way
• 46:43
  Speaker 1: gotta be damn fifty. Yeah, he's fine, forty six forty seven.
• 46:47
  Speaker 1: We'll gotta be damned at fifty at least. So all
• 46:50
  Speaker 1: I'm all I'm saying is if how old he so
• 46:54
  Speaker 1: he's ten years old? Ten years old of me? So
• 46:56
  Speaker 1: all I'm saying with Will Smith is if he's tired
• 47:00
  Speaker 1: at forty nine, if I'm tired at thirty nine, I
• 47:03
  Speaker 1: know Will time at forty nine. All right, exactly, That's
• 47:05
  Speaker 1: all I'm saying. The Breakfast Club, your mornings will never
• 47:08
  Speaker 1: be the same. Don't see me. The Adventure with Luke's
• 47:12
  Speaker 1: commander as he teams up with Albus Dumbledore to stop
• 47:15
  Speaker 1: the dark wizard Grundebald's plans divide the Wizarding World Fantastic
• 47:20
  Speaker 1: Beasts The Crimes of Grundebald now playing ratey PG. Thirteen.
• 47:24
  Speaker 1: Don't be at a date time you get Dunky, you
• 47:32
  Speaker 1: are acting. I'm gonna fatten all that around your eye.
• 47:39
  Speaker 1: They want this man two Donden blowers. Man, they're waiting
• 47:42
  Speaker 1: for Charlomagne, the top in gloves. Let's go. He had
• 47:44
  Speaker 1: to make a judgment as who was going to be
• 47:46
  Speaker 1: on the donkey of the day. They chose you because
• 47:49
  Speaker 1: the Breakfast Club. Bitch you, Who's donkey of the day
• 47:51
  Speaker 1: to day? All right, listen, man, Charlomagne and got here.
• 47:55
  Speaker 1: I'm on vacation. I don't give a damn what y'all
• 47:57
  Speaker 1: think about that, because I deserve it. Now. The Breakfast
• 48:00
  Speaker 1: I was in eighty plus markets in a one hundred
• 48:01
  Speaker 1: and fifty country. So we have a lot of new
• 48:03
  Speaker 1: listeners who probably don't even know who Charlomagne the God is.
• 48:05
  Speaker 1: So use my time off to catch up on some
• 48:08
  Speaker 1: of my past work. Okay, okay, if you knew here,
• 48:11
  Speaker 1: I do a segment every day called Donkey to Day
• 48:13
  Speaker 1: donkey as in jackass, and that's when I give someone
• 48:15
  Speaker 1: the credit they deserve for being stupid. So if you've
• 48:18
  Speaker 1: never heard of it, this is new to you. But
• 48:19
  Speaker 1: if you are a regular listener, and this is an
• 48:21
  Speaker 1: oldiep but goody because it's the best of the Donkey
• 48:24
  Speaker 1: of the day. Donkey of to Day goes to a
• 48:26
  Speaker 1: young woman from Arizona named Jacqueline Ideas. She's thirty one
• 48:29
  Speaker 1: years old and was arrested on suspicion of stalking and
• 48:32
  Speaker 1: arrassing a man she met online. Let me tell you something, man,
• 48:35
  Speaker 1: we have all dealt with someone in our lives who
• 48:37
  Speaker 1: just wasn't into us the way we were into them. Okay,
• 48:39
  Speaker 1: it happens, But I was always taught to, you know,
• 48:42
  Speaker 1: never make someone a priority if you only remain that option. Well,
• 48:45
  Speaker 1: Jacqueline didn't get that memo. At all. Okay. In fact,
• 48:48
  Speaker 1: Jacqueline is a harsh reminded to tell us that there
• 48:51
  Speaker 1: is levels to thirst. Okay, as humans, we all have
• 48:53
  Speaker 1: a basic instinct when it comes to thirst, so right,
• 48:56
  Speaker 1: and natural craving for fluids. But that's not the level
• 48:59
  Speaker 1: of the third I'm talking about. I'm talking continuous dehydration.
• 49:02
  Speaker 1: I'm talking a deficit of total body water. I'm talking
• 49:04
  Speaker 1: about the kind of dehydration that happens when free water
• 49:07
  Speaker 1: lass exceeds free water intake. What are the causes of
• 49:11
  Speaker 1: this kind of dehydration. Well, usually it's due to exercise, disease,
• 49:15
  Speaker 1: high environmental temperatures, but most commonly caused by a new
• 49:19
  Speaker 1: love interest. Okay, a new bay or the prospect of
• 49:22
  Speaker 1: a new bay can make up most hydrated hydrated amongst
• 49:26
  Speaker 1: us thirsty all right. In Jacqueline is just another example
• 49:29
  Speaker 1: of that. The Jacqueline met a man on a dating website.
• 49:32
  Speaker 1: She said, they went on a few dates and Jacqueline
• 49:34
  Speaker 1: immediately felt like she had met her soul mate. Well,
• 49:37
  Speaker 1: here's the thing about that whole soul mate thing. Both
• 49:39
  Speaker 1: parties have to feel that way. Okay, if you feel
• 49:42
  Speaker 1: like I'm your soul mate and I feel like you
• 49:44
  Speaker 1: just some chick I'm smashing for the summer. The fastest
• 49:47
  Speaker 1: way to make me moon walk out of this situation
• 49:49
  Speaker 1: is to say to me, you're my soul mate. Do
• 49:52
  Speaker 1: you realize you can scare a man away with that
• 49:54
  Speaker 1: kind of talk too early? Go on a couple of
• 49:56
  Speaker 1: dates with a woman, and you know, and then have
• 49:59
  Speaker 1: that woman tell you you want to get married all right,
• 50:03
  Speaker 1: Tell that man you want to have his baby, right,
• 50:07
  Speaker 1: tell him you feel like y'all a soul mate, and
• 50:09
  Speaker 1: then watch that man quickly fade away like an avenger
• 50:11
  Speaker 1: after Thanos gets all the Infinity stunt. Okay, well, that's
• 50:14
  Speaker 1: clearly what happened in this situation, but Jacqueline refused to
• 50:17
  Speaker 1: fade to dust without a fight. Let's go to Aisy
• 50:20
  Speaker 1: family dot com for the report. Please. A woman accused
• 50:22
  Speaker 1: of stalking and threatening a valley man she met online
• 50:25
  Speaker 1: after they went on only one date. Feliche, she wolf
• 50:29
  Speaker 1: His phone was sixty five thousand text message. Jacqueline Addis
• 50:33
  Speaker 1: claims she went on three dates with a Paradise Valley
• 50:36
  Speaker 1: man she met through an online dating service for millionaire matchmaking.
• 50:41
  Speaker 1: Court records say Addas sent the victim sixty five thousand
• 50:45
  Speaker 1: text messages, including threats to kill him where his body
• 50:49
  Speaker 1: parts and bathe in his blood. Addis does not deny
• 50:52
  Speaker 1: the volume of text messages she did, however, regret the
• 50:56
  Speaker 1: nature of some of those messages. Addis said she never
• 51:00
  Speaker 1: tended to hurt or scare the victim, and she doesn't
• 51:02
  Speaker 1: blame him for her incarceration. Jacqueline Addis is being held
• 51:06
  Speaker 1: in jail without bond. Sixty five thousand. That's crazy. Sixty
• 51:11
  Speaker 1: five time for that thousand? How do you even say?
• 51:15
  Speaker 1: I don't even think I've sent that many text messages
• 51:17
  Speaker 1: in my life. My man, I didn't block her, my
• 51:19
  Speaker 1: man exactly, my man who was receiving those texts? At
• 51:22
  Speaker 1: what point do you decide you may need to block
• 51:24
  Speaker 1: this number? Sixty five thousand texts? Bro, crazy, I'm blocking
• 51:28
  Speaker 1: your number if you talk spicy to me after three
• 51:30
  Speaker 1: to four texts? All right, sixty five thousand, ladies, Please
• 51:33
  Speaker 1: don't ever come across this part. All right? Remember Law
• 51:36
  Speaker 1: thirty six and to forty eight Laws of power to
• 51:38
  Speaker 1: say things you cannot have ignoring ignoring them as the
• 51:41
  Speaker 1: best revenge I had get fly on his ass. All right,
• 51:43
  Speaker 1: Just make sure you don't block him on social media
• 51:45
  Speaker 1: so you can see you shining, act like you're having
• 51:47
  Speaker 1: a ball without him, and I guarantee he will hit
• 51:49
  Speaker 1: you up. But whatever you do, don't sound like this. Okay,
• 51:53
  Speaker 1: this is Jacqueline Addis live from jail. What's here? What
• 51:57
  Speaker 1: she had to say. I felt like I meant my soul.
• 52:00
  Speaker 1: Everything was just the way it was, and I thought
• 52:01
  Speaker 1: we would just do what everybody else did and we
• 52:03
  Speaker 1: would just like get married and everything would be fine.
• 52:05
  Speaker 1: But that's not what happens. You're not angry, Oh my god, No,
• 52:09
  Speaker 1: I love him so much. I just want to love
• 52:11
  Speaker 1: him so much. That's it. And if he doesn't like it,
• 52:13
  Speaker 1: then I'll go home and I'll love my exployment. What
• 52:16
  Speaker 1: am I says to do the point of love is
• 52:19
  Speaker 1: to keep giving it. That's the math equation. It's love
• 52:22
  Speaker 1: equals three point three, which is infinity times equals, and
• 52:25
  Speaker 1: he's squared, which is light. Light is forever l If
• 52:29
  Speaker 1: love was a number, it would be three, so it's
• 52:30
  Speaker 1: infinity times light, which is also infinity. So it's just forward,
• 52:34
  Speaker 1: forever forward. And if you're selfish, you can't understand that
• 52:37
  Speaker 1: because you want something in return he's not giving me
• 52:39
  Speaker 1: anything in return, and I still love him any Right,
• 52:41
  Speaker 1: That's what love is. That's what the universe is supposed
• 52:43
  Speaker 1: to be made of. When you're finding love. Not everything
• 52:47
  Speaker 1: is perfect. This was a journey, and I want to
• 52:50
  Speaker 1: apologize because nobody would ever be more sorry. See, I
• 52:54
  Speaker 1: don't understand that's that deal with that kind of crazy,
• 52:58
  Speaker 1: because that kind of crazy didn't just come out of nowhere,
• 53:01
  Speaker 1: all right. It had to be a sign of that
• 53:04
  Speaker 1: type of crazy when y'all first started kicking it with
• 53:06
  Speaker 1: each other. I got a homeboy right now who's dealing
• 53:09
  Speaker 1: with some crazy and early, early, early on in the relationship,
• 53:12
  Speaker 1: he found out that this young woman left her children
• 53:17
  Speaker 1: in her crib by by himself so she could go
• 53:23
  Speaker 1: check on her other dude at the club. Right, But
• 53:25
  Speaker 1: isn't that a sign of crazy? How old were a kid? Yeah, toddlers,
• 53:29
  Speaker 1: So that's crazy, That's what I'm saying. So when you
• 53:32
  Speaker 1: when they show you that in the beginning and then
• 53:34
  Speaker 1: it escalates the things even worse, that's kind of your
• 53:38
  Speaker 1: fault because you had to see this type of crazy
• 53:42
  Speaker 1: kids this summer. Remember, there's a fine line between interests
• 53:45
  Speaker 1: and stalking and let's just all stay on the right
• 53:47
  Speaker 1: side of that. Okay, some donkey the days just sell themselves.
• 53:51
  Speaker 1: Please give Jacqueline I just the biggest he hall. Did
• 53:58
  Speaker 1: she say that she's just gonna go back to her ex?
• 54:02
  Speaker 1: Did she say that play that type of crazy again?
• 54:05
  Speaker 1: She said she's gonna go back to that. I felt
• 54:07
  Speaker 1: like I meant my soul me and everything was just
• 54:09
  Speaker 1: the way it was, and I thought we would just
• 54:11
  Speaker 1: do what everybody else did and we would just like
• 54:12
  Speaker 1: get married and everything would be fine. But that's not
• 54:14
  Speaker 1: what happens. So you're not angry with him? No, oh
• 54:17
  Speaker 1: my god, No, I love him so much. I just
• 54:19
  Speaker 1: want to love him so much. And if he doesn't
• 54:21
  Speaker 1: like it, then I'll go home and I'll love my exployment.
• 54:27
  Speaker 1: Now from the ex boyfriend, I gotta beat up the
• 54:28
  Speaker 1: new boyfriend. No, that boyfriend doesn't want her either, because
• 54:32
  Speaker 1: I don't want to. No, No, don't come back to me.
• 54:34
  Speaker 1: Joe basically saying, I'm trying to upgrade, but if the
• 54:36
  Speaker 1: bank don't get me the loan, you know, I'm gonna
• 54:38
  Speaker 1: gonna stay in the car. And I'm man, Okay, I
• 54:40
  Speaker 1: canna buy a new car. What she's saying morning. Everybody
• 54:43
  Speaker 1: is DJ Envy Angela Ye, Charlomagne the guy. We are
• 54:47
  Speaker 1: the breakfast Club. We got a special guest in the building.
• 54:50
  Speaker 1: I'm telling you sex sex symbol extraordinair. Okay, brush my god,
• 55:01
  Speaker 1: Michael no good and will all the ladies and all
• 55:04
  Speaker 1: the fellows like Michael B. Jordan's okay, ask him to
• 55:07
  Speaker 1: take your shirt onverw oh Man man, real quick, awkward.
• 55:14
  Speaker 1: Jesus's the movement going on now. And you guys can't
• 55:16
  Speaker 1: just harass Michael people. That's what you got to say
• 55:22
  Speaker 1: that you say, you say, how are you, sir? I'm
• 55:27
  Speaker 1: doing good man. How is your life changed since Black Panther?
• 55:30
  Speaker 1: It's insane. Uh, it's uh, you know, kind of known before.
• 55:33
  Speaker 1: I guess now it's just it's can't go anywhere, malls
• 55:36
  Speaker 1: off limits. You know what I'm saying. Postmates, you know
• 55:38
  Speaker 1: what I'm saying. My Postmates, Bill went through the roof.
• 55:40
  Speaker 1: I'm in your house. It's just a it's incredible, especially
• 55:43
  Speaker 1: with the kids next generation. Man, just seeing them kind
• 55:46
  Speaker 1: of how excited they've been, you know, after seeing the movie,
• 55:48
  Speaker 1: and just kind of their reaction to me walking around
• 55:50
  Speaker 1: has been It's been pretty incredible, incredible that buried me
• 55:53
  Speaker 1: in the ocean with my ancestors that jumped from ships
• 55:55
  Speaker 1: because they knew death was better than Bondage who wrote
• 55:57
  Speaker 1: that line, I was right, man, Wow, Ryan, Ryan Cooler's uh,
• 56:02
  Speaker 1: he's incredible man. We just wanted to, you know, really
• 56:04
  Speaker 1: get the essence of what kill Monger was trying to
• 56:07
  Speaker 1: was trying to say, and you know, going and change,
• 56:09
  Speaker 1: trying to you know, trying to trying to live. It
• 56:12
  Speaker 1: wasn't really on his agenda. He was willing to die
• 56:14
  Speaker 1: for what he believed in, and you know, going out
• 56:16
  Speaker 1: what his answers did was was proving his point. I
• 56:18
  Speaker 1: think I think he won. I think he got his
• 56:19
  Speaker 1: point across in the end. You see you see the
• 56:22
  Speaker 1: child to actually go back to Oakland. You know what
• 56:23
  Speaker 1: I'm saying, by the buildings really like you know, open
• 56:25
  Speaker 1: up the borders of Wakanda. So that was you know,
• 56:27
  Speaker 1: kill Monger's victory. I want to say, said to keep
• 56:30
  Speaker 1: my diary during the time that you did Black Panther. Yeah,
• 56:33
  Speaker 1: for most of my characters in general, um, not for television,
• 56:36
  Speaker 1: but for film. I like to write a diary from
• 56:38
  Speaker 1: like the earliest memory of a character. Up until the
• 56:40
  Speaker 1: first page of the script, which just kind of gives
• 56:42
  Speaker 1: me like a backstory, a subtext to always know where
• 56:45
  Speaker 1: my characters are at. So I always kind of like
• 56:47
  Speaker 1: keep those. So I got a like a you know,
• 56:49
  Speaker 1: a crate full of, like you know, meet notebooks of
• 56:52
  Speaker 1: like all my characters that I played thus far, and
• 56:53
  Speaker 1: it's kind of memory that you think, oh no, maybe
• 56:57
  Speaker 1: like maybe when it's alsoting done, or like you know,
• 56:59
  Speaker 1: at the end of it, you know, some than that
• 57:00
  Speaker 1: people kind of look back on and just kind of
• 57:02
  Speaker 1: get a subtext to all the characters that that's actually
• 57:04
  Speaker 1: a good idea maybe something like that. Never really thought
• 57:06
  Speaker 1: about it like that. But let's break it down. Let's
• 57:08
  Speaker 1: go to the beginning. What made what made? What introduced
• 57:10
  Speaker 1: you to this character? Why did you want to play
• 57:12
  Speaker 1: Kim Ryan Coo? Yeah, I mean he just called me
• 57:14
  Speaker 1: up and I was like, yo, might un to this movie,
• 57:16
  Speaker 1: and I was like, exactly, nah. It was like it
• 57:21
  Speaker 1: wasn't even um. Just as soon as he got the
• 57:25
  Speaker 1: job pretty much, he hit me up a little bit
• 57:28
  Speaker 1: after that and I was just like, yo, you want
• 57:29
  Speaker 1: to play this? You know, kill Monger? You know what
• 57:31
  Speaker 1: I'm saying. The villain I think would be a good
• 57:32
  Speaker 1: move from me. I was like, all right, cool, w
• 57:33
  Speaker 1: would you winto comics when you went to Yeah, it
• 57:35
  Speaker 1: was a big comical guy growing up. More Marvel. Okay,
• 57:39
  Speaker 1: I mean I always like like Batman, you know what
• 57:40
  Speaker 1: I'm saying. But Batman might have been the best one.
• 57:42
  Speaker 1: The best one, you know what I'm saying. He was
• 57:43
  Speaker 1: like for me, he was just the smartest. He was
• 57:45
  Speaker 1: always like a like ahead of everybody else. He had
• 57:47
  Speaker 1: ways to kill everybody just in case they started tripping.
• 57:49
  Speaker 1: I always thought that was like super dope. But Marvel
• 57:51
  Speaker 1: was always like top not if. But they were jumping
• 57:53
  Speaker 1: out the window online saying Batman could beat thing. Though
• 57:55
  Speaker 1: that ain't happening. No never, no, no, no, no, He's
• 57:57
  Speaker 1: not that smart. It wasn't gonna happen. It's I always
• 58:00
  Speaker 1: been a big comic book guy growing up. But so
• 58:02
  Speaker 1: playing kill Monger was like a no brainer for sure.
• 58:05
  Speaker 1: And it's my first time playing the villain. How do
• 58:07
  Speaker 1: you prepare it for the role, Like, did you have
• 58:09
  Speaker 1: to bulk up? It? Was it a lot of training?
• 58:10
  Speaker 1: Did you watch a lot of videos of black men
• 58:12
  Speaker 1: getting shot by police? Not really get angry and Wait, No,
• 58:15
  Speaker 1: I mean that didn't. I mean, that's not too hard,
• 58:17
  Speaker 1: you know what I'm saying. Like for me, it was
• 58:19
  Speaker 1: more or less a sorry allergies, No, just not. It
• 58:26
  Speaker 1: ain't that hard for me out there. I'm good. I'm good.
• 58:28
  Speaker 1: I'm good, I'm good. Um No, It's one of those
• 58:31
  Speaker 1: things were like, uh, it took me to a dark place.
• 58:34
  Speaker 1: This character not even a dark place, but I just isolated,
• 58:37
  Speaker 1: you know what I mean. Like it was one of
• 58:38
  Speaker 1: those things where you know, kill Monger, what he was
• 58:40
  Speaker 1: fighting for wasn't too far from you know, what the
• 58:45
  Speaker 1: culture was feeling at the moment. You know what I'm saying.
• 58:47
  Speaker 1: It was an opportunity for me to kind of express
• 58:49
  Speaker 1: I think with our generation it's feeling right now, you
• 58:52
  Speaker 1: know through my art, you know what I'm saying. And
• 58:54
  Speaker 1: that was that was like a real liberating you know
• 58:56
  Speaker 1: what I'm saying. Feeling for me. So you know, I
• 58:58
  Speaker 1: spent a lot of time away from my family, really
• 59:00
  Speaker 1: talking to my mom and my dad, you know what
• 59:01
  Speaker 1: I'm saying, like my brothers and sisters and stuff like that.
• 59:03
  Speaker 1: You know, I was you know, I worked out a lot.
• 59:06
  Speaker 1: It was a sad place, man. I just kind of
• 59:07
  Speaker 1: like stayed to myself, and so the physical aspect was
• 59:10
  Speaker 1: that was the easy part. Mentally, kind of going to
• 59:12
  Speaker 1: that lonely place and willing to do whatever it takes
• 59:14
  Speaker 1: to kind of free as people was the not that
• 59:17
  Speaker 1: was a more challenging part, you know what I'm saying.
• 59:19
  Speaker 1: But it was a lot of fun too. What about
• 59:20
  Speaker 1: white women? Did you cut off white women doing that? More? Man?
• 59:23
  Speaker 1: Why wasn't that go back there? I like women, period,
• 59:26
  Speaker 1: all women. Everybody's on the table. Okay, everybody's table. Everybody's
• 59:34
  Speaker 1: on the table, man, everybody. How much how much of
• 59:36
  Speaker 1: kill Monger philosophy do you agree with? Um? I mean,
• 59:41
  Speaker 1: I feel like, first of all, it's a movie, you
• 59:43
  Speaker 1: know what I'm saying. So there's a lot of things
• 59:45
  Speaker 1: that Kilmunger has to do to service the character. You
• 59:47
  Speaker 1: know what I'm saying, That service the story, you know
• 59:48
  Speaker 1: what I'm saying. To the challenge to Challa, he's a tool,
• 59:51
  Speaker 1: you know what I'm saying in that movie. But there's
• 59:52
  Speaker 1: a lot of it that you know, I mean, you
• 59:54
  Speaker 1: grew up in a press society, you know I'm saying,
• 59:56
  Speaker 1: systemic society. You know you're gonna create kill Monger like you.
• 1:00:00
  Speaker 1: You can't create that. So I feel like this there's
• 1:00:03
  Speaker 1: something that I agree with the something that I don't.
• 1:00:04
  Speaker 1: He's an extreme version of what I think a lot
• 1:00:06
  Speaker 1: of people feel today. And it was I was glad
• 1:00:08
  Speaker 1: to kind of be able to play that character and
• 1:00:10
  Speaker 1: like bring that to the screen. That form a little
• 1:00:12
  Speaker 1: double little creed jabs he gave me just now you
• 1:00:15
  Speaker 1: should have fell out. Did you anticipate the movie would
• 1:00:21
  Speaker 1: have the impact that it was going to have when
• 1:00:23
  Speaker 1: you were filming it. I mean I thought we I
• 1:00:25
  Speaker 1: thought we had something special, you know, if we all
• 1:00:27
  Speaker 1: kind of did our jobs, you know what I'm saying
• 1:00:29
  Speaker 1: from behind the camera in front of the camera. I
• 1:00:31
  Speaker 1: never imagined that it was going to have the reach
• 1:00:34
  Speaker 1: that it did. I did. I told Ryan last summer,
• 1:00:38
  Speaker 1: I said, you know, black pans are gonna make of
• 1:00:39
  Speaker 1: a billion dollars. He was like, what I said, I'm
• 1:00:42
  Speaker 1: telling you because you don't have all the Marvel fans
• 1:00:44
  Speaker 1: and every black person in America who ain't even up
• 1:00:46
  Speaker 1: on comments gonna go see it's gonna do with a
• 1:00:48
  Speaker 1: billion now? And then we didn't really account for I
• 1:00:49
  Speaker 1: think people going to see it three, four or five times.
• 1:00:52
  Speaker 1: And I saw it three times. That's that's what coming
• 1:00:55
  Speaker 1: to people buying out the theaters as being able to
• 1:00:58
  Speaker 1: like take kids that wouldn't actially had the opportunity or
• 1:01:01
  Speaker 1: the means to go see the film. So it was,
• 1:01:03
  Speaker 1: it was, it was a big deal, and it's kind
• 1:01:05
  Speaker 1: of like it's kind of surreal, but the impact hasn't
• 1:01:07
  Speaker 1: really hit me right now. It's still like because it's
• 1:01:09
  Speaker 1: still living and still you know, so I think the
• 1:01:11
  Speaker 1: real impact for me personally won't happen until, you know,
• 1:01:15
  Speaker 1: years later after it desk really settles. But you can
• 1:01:17
  Speaker 1: see the shift because Denzelzel was like, Yo, Michael can
• 1:01:20
  Speaker 1: have all my old holes. That's what he said. Next,
• 1:01:26
  Speaker 1: it was that was a cool interview I did with
• 1:01:27
  Speaker 1: him in the New York Times, man, honestly, just to
• 1:01:29
  Speaker 1: be able to have a conversation with him, you know,
• 1:01:31
  Speaker 1: and just spit those gems and being able to like,
• 1:01:33
  Speaker 1: you know, hear him kind of like you know, kick
• 1:01:36
  Speaker 1: that wisdom was was was a big deal, he said,
• 1:01:38
  Speaker 1: you next, it's a lot of pressure, bro A little
• 1:01:40
  Speaker 1: bit not for me. It's like, I mean, I'm just
• 1:01:43
  Speaker 1: gonna keep doing what I've been doing, you know what
• 1:01:44
  Speaker 1: I'm saying, Like you know, creating a production company, you know,
• 1:01:47
  Speaker 1: outline of Society was a big deal for me, Um
• 1:01:50
  Speaker 1: because I realized, like the true powers behind the camera.
• 1:01:52
  Speaker 1: You know what I'm saying. Everybody wants to, you know,
• 1:01:54
  Speaker 1: be in front of the camera, be a star, be famous.
• 1:01:57
  Speaker 1: You know what I'm saying. All that good stuff, and
• 1:01:58
  Speaker 1: that's cool and fun and all that good stuff. But
• 1:02:00
  Speaker 1: you know, when you got to make the decisions when
• 1:02:02
  Speaker 1: you get a chance to employ people, but key people
• 1:02:04
  Speaker 1: of color. You know what I'm saying. Women, You know
• 1:02:06
  Speaker 1: what I'm saying, Like in in those positions that are
• 1:02:09
  Speaker 1: really going to make a difference, that's when you really
• 1:02:11
  Speaker 1: start to see some We got more with Michael B.
• 1:02:13
  Speaker 1: Jordan when we come back, keep it locked as the
• 1:02:15
  Speaker 1: Breakfast Club. Good morning, everybody is DJ Envy, Angela Yee,
• 1:02:19
  Speaker 1: Charlemagne the guy we all the Breakfast Club. Michael B.
• 1:02:22
  Speaker 1: Jordan's in the building. Ye. It is from your production company,
• 1:02:27
  Speaker 1: a co production between UM you know, hbo UM and
• 1:02:30
  Speaker 1: um Ram and Ronnie's who's our director with his production
• 1:02:34
  Speaker 1: company as well. And it was my first you know,
• 1:02:38
  Speaker 1: real project that I got a chance to produce. So
• 1:02:41
  Speaker 1: that was nah very much. So you know, to go
• 1:02:43
  Speaker 1: from like Wallace on the Wire, you know, being casted
• 1:02:45
  Speaker 1: in front of the camera. So, you know, fifteen years later,
• 1:02:48
  Speaker 1: being able to like produce something, it was a it
• 1:02:51
  Speaker 1: was a milestone. I wondered what y'all was going to
• 1:02:53
  Speaker 1: do after Black Panther. So what you mean like this
• 1:02:55
  Speaker 1: in general, like like what what's the next role you
• 1:02:57
  Speaker 1: take when you do something that monumental? Yeah? So why
• 1:03:00
  Speaker 1: farne um? I think because it's so relevant to what's
• 1:03:05
  Speaker 1: going on today. You know what I'm saying with like
• 1:03:07
  Speaker 1: media control, you know, anti intellectualism, you know what I'm saying,
• 1:03:10
  Speaker 1: the fact that you know, free thought, freethinking, all the
• 1:03:13
  Speaker 1: distractions that we have due to technology. You know what
• 1:03:15
  Speaker 1: I'm saying, propaganda, et cetera, et cetera. You know what
• 1:03:19
  Speaker 1: Ray Bradberry did you know over sixty years ago, still
• 1:03:21
  Speaker 1: very much so relevant today. And we wrote that movie
• 1:03:24
  Speaker 1: before the you know, the presidential elections. So it's like
• 1:03:26
  Speaker 1: there's a lot of things that are in this film
• 1:03:28
  Speaker 1: that that are very real today. Um, obviously there's some
• 1:03:34
  Speaker 1: changes due to like no technology and the digital area
• 1:03:37
  Speaker 1: that error that we live in. We incorporated a lot
• 1:03:39
  Speaker 1: of like you know, kind of futuristic sci fi things,
• 1:03:41
  Speaker 1: but it's in the near future like things that we
• 1:03:44
  Speaker 1: were like, okay, cool, we can see if we go
• 1:03:46
  Speaker 1: ten more years down the road, we could probably be
• 1:03:47
  Speaker 1: in that situation right now. So that's one of the
• 1:03:50
  Speaker 1: reasons why I really wanted to step into that character
• 1:03:52
  Speaker 1: and played that role. You knew it was gonna be
• 1:03:53
  Speaker 1: a TV movie or he didn't care. Now I knew
• 1:03:55
  Speaker 1: it was gonna be on HBO. Okay, okay, I mean
• 1:03:57
  Speaker 1: for me, honestly, it was it was it was opportunity
• 1:04:00
  Speaker 1: to aid to that story, be able to produce something,
• 1:04:05
  Speaker 1: get a credit, you know I'm saying under my production company,
• 1:04:06
  Speaker 1: to get some real stake with the credibility of HBO.
• 1:04:09
  Speaker 1: You know what I'm saying, to be able to like,
• 1:04:10
  Speaker 1: you know, have my logo go up right after HBO
• 1:04:12
  Speaker 1: is like okay cool. That instantly gives my company a
• 1:04:15
  Speaker 1: lot of a lot of cashe and then um, yeah,
• 1:04:17
  Speaker 1: in the story I believe that, you know, working with
• 1:04:19
  Speaker 1: Michael Shannon also, you know what I'm saying, it's like
• 1:04:21
  Speaker 1: a credible actor. So it was it was a win
• 1:04:23
  Speaker 1: win for me all the right around. But what got
• 1:04:24
  Speaker 1: what got you into acting? I know, you. You were
• 1:04:26
  Speaker 1: raised in New Yep. A lot of times, Nwik is
• 1:04:29
  Speaker 1: probably one of those places where it's one of the
• 1:04:31
  Speaker 1: shout out you could get somebody. I mean we often
• 1:04:34
  Speaker 1: called city feel me. So what got you into acting? Um?
• 1:04:38
  Speaker 1: I mean it was it was random. My mom has
• 1:04:41
  Speaker 1: Lucas or whatever. She was going to a doctor's appointment
• 1:04:44
  Speaker 1: when I was like eleven years old. I was sitting
• 1:04:45
  Speaker 1: in the waiting room. She came out. The receptionist was like, Yo,
• 1:04:48
  Speaker 1: do you want to You know, you should get your
• 1:04:50
  Speaker 1: son in the modeling. I started out modeling for like
• 1:04:52
  Speaker 1: toys and Russ and models. I told you that eleven.
• 1:04:55
  Speaker 1: She was a pedophile. Cut it out. She had she
• 1:04:58
  Speaker 1: had two sons that was in the business, probably like you.
• 1:05:00
  Speaker 1: My mom was probably talking to her, you know, some
• 1:05:02
  Speaker 1: other appointments about you know, we were pour growing up,
• 1:05:04
  Speaker 1: you know what I'm saying. Didn't like making extra bucks.
• 1:05:06
  Speaker 1: It was easy to come to the city, go to
• 1:05:08
  Speaker 1: like go see you know, quick booking whatever whatever. And
• 1:05:11
  Speaker 1: I guess over time I started booking. So I guess
• 1:05:13
  Speaker 1: over the next year or so, my agent was just like, yo,
• 1:05:16
  Speaker 1: do you want to like start going out for like,
• 1:05:18
  Speaker 1: you know, commercials, and background and extra working all that stuff,
• 1:05:21
  Speaker 1: and then it just slowly evolved into acting. Like I
• 1:05:24
  Speaker 1: never really liked acting seriously until probably The Wire and
• 1:05:29
  Speaker 1: being around like I Dress and David Simon and JD
• 1:05:33
  Speaker 1: Williams and Andre Royal and all these like all the
• 1:05:35
  Speaker 1: phenomenal veteran actors on that show. They're like, Yo, Mike,
• 1:05:38
  Speaker 1: you can actually do something with this. You can make
• 1:05:40
  Speaker 1: a career out of this. And that's when I kind
• 1:05:42
  Speaker 1: of started taking it seriously. So you've had a relationship
• 1:05:44
  Speaker 1: with HBO for a while. Yeah, yeah, it's been it's
• 1:05:47
  Speaker 1: been like sixteen years. A lot more respect now, I'm sure,
• 1:05:50
  Speaker 1: without a doubt. I mean it's gross, you know. I
• 1:05:51
  Speaker 1: mean I kind of like paid my dues as a
• 1:05:53
  Speaker 1: kid and kind of grew into the man that I
• 1:05:55
  Speaker 1: am today and looking back at I was, I guess
• 1:05:57
  Speaker 1: I was a child actor. But it wasn't like I
• 1:05:59
  Speaker 1: got too much too fast where I was like emotionally
• 1:06:02
  Speaker 1: not able to handle what was going on. So you
• 1:06:04
  Speaker 1: ain't gonna see me on the you know, running the
• 1:06:06
  Speaker 1: street going crazy, you know what I'm saying, No drug habits.
• 1:06:09
  Speaker 1: I got a good family, like my family, my friends,
• 1:06:12
  Speaker 1: everybody kind of keeps me grounded. And if you ever
• 1:06:14
  Speaker 1: around me and my friends, you're like, damn, you might
• 1:06:15
  Speaker 1: need some new friends because they hate you. They keep
• 1:06:17
  Speaker 1: it real with me. They touched you know what I'm saying.
• 1:06:19
  Speaker 1: They just they keep me home. You still live with
• 1:06:21
  Speaker 1: your parents. They live with me. But it's like position.
• 1:06:27
  Speaker 1: But it's like, why wouldn't not You know what I'm saying.
• 1:06:29
  Speaker 1: If you get the opportunity, you make the money, you
• 1:06:30
  Speaker 1: know what I'm saying, making enough money to be able
• 1:06:31
  Speaker 1: to take care of your family that took care of
• 1:06:33
  Speaker 1: you your whole life, while wouldn't you move them out?
• 1:06:36
  Speaker 1: You know what I'm saying, And I'm never home. You
• 1:06:37
  Speaker 1: feel like you got short shafted for black parents. And
• 1:06:39
  Speaker 1: speaking of money, what I mean I was looking at
• 1:06:41
  Speaker 1: the salaries. Did you didn't look too chunky? If you
• 1:06:45
  Speaker 1: look at the sally what do they say you made
• 1:06:46
  Speaker 1: like maybe two million? I don't know. I mean, I'm
• 1:06:48
  Speaker 1: just man, that's probably wrong. How are you? How are
• 1:06:50
  Speaker 1: you getting How you getting these numbers? Where you getting
• 1:06:52
  Speaker 1: these nims? From what I'm saying, that's what fool for
• 1:06:56
  Speaker 1: you want to So I'm putting everything you read on
• 1:06:57
  Speaker 1: the end of it ain't true, true, true, you know
• 1:06:59
  Speaker 1: what I'm saying. But now, but one of those things
• 1:07:00
  Speaker 1: were like you live with your mom, that's what masking many. Yeah, yeah,
• 1:07:08
  Speaker 1: that's one of those things. We're like, you know, at
• 1:07:10
  Speaker 1: the end of the day, like Marvel's Marvel, and you
• 1:07:12
  Speaker 1: gotta be do what's best for the project at that
• 1:07:14
  Speaker 1: stage in the game. You know what I'm saying. We're
• 1:07:15
  Speaker 1: you know, individually in our acting careers, we're all kind
• 1:07:18
  Speaker 1: of like, you know, featuring our quote. We're doing we
• 1:07:20
  Speaker 1: gotta do you climbing that letter. You have a Netflix
• 1:07:23
  Speaker 1: movie too, deals with Netflix. Yeah, I gotta, I gotta
• 1:07:27
  Speaker 1: a show that I um that I sold to Netflix,
• 1:07:31
  Speaker 1: Raising Dion. It's about a single mom raising her eight
• 1:07:34
  Speaker 1: year old with superpowers and sold to the Miles Perspective
• 1:07:37
  Speaker 1: um or Superhero Kid. Yeah yeah, yeah, yeah, single black mom,
• 1:07:41
  Speaker 1: you know, raising a kid, and uh, you know producing
• 1:07:44
  Speaker 1: that as well. So I'm actually I'm being in as well.
• 1:07:46
  Speaker 1: I'm starting in it for a couple of episodes. That
• 1:07:48
  Speaker 1: was the trade off, you know, when you when you
• 1:07:50
  Speaker 1: get to a certain point of you know, making production
• 1:07:53
  Speaker 1: deals right now as an actor, you gotta kind of
• 1:07:56
  Speaker 1: like negotiate a little bit, and you know, trade yourself
• 1:07:58
  Speaker 1: off a little bit for a couple of episodes, get
• 1:08:00
  Speaker 1: that producer credit to get that show on the air.
• 1:08:02
  Speaker 1: So that was one of those things. But Netflix is
• 1:08:04
  Speaker 1: an incredible home to work with, great collaborators. They believe
• 1:08:07
  Speaker 1: in the creatives. They give us a lot of control
• 1:08:08
  Speaker 1: to go off and do our things. So I teamed
• 1:08:10
  Speaker 1: up with macro Charles King over there. He's amazing and
• 1:08:13
  Speaker 1: um yeah, man, we got with getting ready to start
• 1:08:15
  Speaker 1: shooting at the summer. So let's talk about these women. Man,
• 1:08:17
  Speaker 1: you know what's going on? Why? Well, why everybody want
• 1:08:21
  Speaker 1: to know about what I'm doing on my life. You've
• 1:08:22
  Speaker 1: got to be disciplined, Michael, because they on you all
• 1:08:25
  Speaker 1: right now, they on you now. Now. Recently, this girl
• 1:08:27
  Speaker 1: from Temple got into your DMS and brought you a
• 1:08:29
  Speaker 1: smoothe and you pulled up on it. No, she didn't,
• 1:08:31
  Speaker 1: and you pulled up one look at I love like
• 1:08:34
  Speaker 1: you bought your smoothie and you pulled up on it. Lot.
• 1:08:41
  Speaker 1: If you read the Internet, I declined to smoothie. Okay,
• 1:08:44
  Speaker 1: she didn't buy me no smooth Let's happen. I think
• 1:08:49
  Speaker 1: this happened. So you want to go see it. Listen
• 1:08:51
  Speaker 1: this no, no, this is what happened right. So this
• 1:08:53
  Speaker 1: got right here? Boy, So uh, we're shooting at tip
• 1:08:56
  Speaker 1: the university and our base camp is behind the door rooms.
• 1:08:59
  Speaker 1: Let's come out of hair and make a trailer. It
• 1:09:01
  Speaker 1: was in the windows went crazy, blah blah blah. Yeah yeah.
• 1:09:03
  Speaker 1: I went out, talked to a couple of them through
• 1:09:05
  Speaker 1: the window, just like, you know, show them some love.
• 1:09:08
  Speaker 1: Went off of the cook. I was like, cool, cook
• 1:09:10
  Speaker 1: me something whatever, just being nice. They slid in my DMS.
• 1:09:14
  Speaker 1: Where can I see the food? I answered? A couple
• 1:09:16
  Speaker 1: of them said cool, just come down and meet me
• 1:09:18
  Speaker 1: at my at the base camp. I'll tell the security
• 1:09:21
  Speaker 1: to chill out. Went out there, gave me a flake
• 1:09:24
  Speaker 1: some other friends. I told her bringing friends. We took
• 1:09:26
  Speaker 1: some pictures. You ate it. That was it. I took
• 1:09:28
  Speaker 1: a couple of bikes. You're not worried about period, blake,
• 1:09:31
  Speaker 1: Come on, come on, how they get you? That's roots voodoo?
• 1:09:37
  Speaker 1: I mean, nah, I took good bikes whatever, man, what
• 1:09:40
  Speaker 1: I mean whatever? I know what I'm saying. I took
• 1:09:42
  Speaker 1: a good bikes. It was cool and let's tell page
• 1:09:44
  Speaker 1: come in man, I need to shoot from my come,
• 1:09:49
  Speaker 1: I took a couple of bikes. It was cool though
• 1:09:51
  Speaker 1: back the end of the day like that was some
• 1:09:52
  Speaker 1: craziest thing a girl has done to get your attention
• 1:09:54
  Speaker 1: as they eat them, popped about your crib, laid in
• 1:09:57
  Speaker 1: your bed, and you no, you see that. See the
• 1:10:01
  Speaker 1: blonde right there? She said, know what she's been talking
• 1:10:03
  Speaker 1: about in your ask for much? I have her own
• 1:10:08
  Speaker 1: video says she don't even want to come in here now.
• 1:10:12
  Speaker 1: Out of control. You have out of control energy that
• 1:10:18
  Speaker 1: they have with Michael B. Jordan. Rumor has it that
• 1:10:21
  Speaker 1: he's in a relationship. So I'm really look, I'm chilling, man,
• 1:10:25
  Speaker 1: I keep I keep my i'mna keep on personal life. Okay,
• 1:10:29
  Speaker 1: I'm keeping that. I'm chilling. We got more with Michael B.
• 1:10:33
  Speaker 1: Jordan at tour when we come back. Keeping locked as
• 1:10:35
  Speaker 1: the breakfast Club one morning, the breakfast Club. Everybody is
• 1:10:42
  Speaker 1: DJ Envy, Angela Yee, Charlemagne the guy. We are the
• 1:10:45
  Speaker 1: breakfast club. We have Michael B. Jordan in the building. Now,
• 1:10:49
  Speaker 1: what is the craziest thing a female fan has done
• 1:10:51
  Speaker 1: for you? I mean, I don't know. It's one fan
• 1:10:54
  Speaker 1: in Philly. I guess made a cut out of me
• 1:10:56
  Speaker 1: and like, you know, actually took me to prim Taket
• 1:11:00
  Speaker 1: shot out to problem exactly and that was a little extreme,
• 1:11:02
  Speaker 1: you know what I'm saying. So I responded back to her.
• 1:11:03
  Speaker 1: So she got she got my attention with that one. Yeah,
• 1:11:05
  Speaker 1: she got my attention with that one. So I mean,
• 1:11:07
  Speaker 1: I'm not a rapper like these rappers be having, like
• 1:11:09
  Speaker 1: you know what, I'm seeing these fans and stuff going crazy.
• 1:11:11
  Speaker 1: I think musician fans and like active fans are different,
• 1:11:13
  Speaker 1: you know. I think it's a different type of like,
• 1:11:15
  Speaker 1: you know, obsession a little bit. So I don't really
• 1:11:17
  Speaker 1: get too many crazy, crazy, crazy fans of a woman
• 1:11:20
  Speaker 1: throwing her panties on the stage if you were a
• 1:11:21
  Speaker 1: singer and in the acting world screenshot at her without
• 1:11:26
  Speaker 1: parties on. I don't know, man, I don't know. I
• 1:11:29
  Speaker 1: listen to Tiffany Hatrish. Yeah, my family crazy. But she
• 1:11:34
  Speaker 1: told me something. I don't even know if I should
• 1:11:35
  Speaker 1: be repeating this, but oh man, so don't no listen.
• 1:11:37
  Speaker 1: She's so she said she's not shaving her pupid hair
• 1:11:42
  Speaker 1: until she has sex with you. Okay, now you know
• 1:11:44
  Speaker 1: it's gonna be hot this summer. Do you do you
• 1:11:46
  Speaker 1: do you want to have her down there all bush?
• 1:11:48
  Speaker 1: Can you make that happen? I know you're gonna see
• 1:11:50
  Speaker 1: her at night at the met Yallas, So you're gonna
• 1:11:51
  Speaker 1: put that on me? Yes? What you mean, ain't gonna
• 1:11:53
  Speaker 1: do me? Let her walk around with a bush? I
• 1:11:55
  Speaker 1: ain't gonna do it me. I never this first time
• 1:11:56
  Speaker 1: I'm hearing about it. How long those this was yesterday?
• 1:11:59
  Speaker 1: So that day? No, she know what you're talking about?
• 1:12:03
  Speaker 1: Been growing? That'd be a good look for you. She'll
• 1:12:06
  Speaker 1: do love African princess. Why don't you do stand upright? Man?
• 1:12:09
  Speaker 1: You don't think about it? What's up? No? I know,
• 1:12:11
  Speaker 1: I know? Why don't you have to stand up? You
• 1:12:13
  Speaker 1: got a black man? Oh you? Oh you got a relationship.
• 1:12:17
  Speaker 1: Why y'all trying to bait me into answering this goddamn question.
• 1:12:20
  Speaker 1: I'm chilling. I'm chilling. I'm chilling. What is this white
• 1:12:23
  Speaker 1: woman's name? What are you talking about? Why do you
• 1:12:26
  Speaker 1: talking about? You know? Why you cleave me alone? Or anything?
• 1:12:29
  Speaker 1: Or anything or anything? Asking? I'm just asking, man, I'm chilling. Man,
• 1:12:33
  Speaker 1: So no real interest, and Tiffany had this is what
• 1:12:34
  Speaker 1: you're telling. Tiffany's dope. So, oh that's a good You're
• 1:12:38
  Speaker 1: saying you're not going to bait him in this interview
• 1:12:40
  Speaker 1: is basically all I'm telling you is when you see
• 1:12:42
  Speaker 1: her the night at the Macgalla, she got a full
• 1:12:43
  Speaker 1: bush down there on you on me to get it removed.
• 1:12:47
  Speaker 1: You're a friend, right, Yeah, why can't you can't You
• 1:12:50
  Speaker 1: can't convince her to take care of that. She wanted you.
• 1:12:52
  Speaker 1: She said she's not back, and then you got to
• 1:12:57
  Speaker 1: think about all the money she's gonna make in the future. Man,
• 1:12:59
  Speaker 1: that's a good y'a can build your you don't think
• 1:13:04
  Speaker 1: so leave me alone. You have to be very fitting
• 1:13:11
  Speaker 1: in shape. You think you can do something that you
• 1:13:13
  Speaker 1: actually had to gain, say sixty pounds out of shape.
• 1:13:18
  Speaker 1: I can't wait you would do that? Oh man, I
• 1:13:20
  Speaker 1: can't wait. Just like I said, I got to do
• 1:13:22
  Speaker 1: it soon because like the older you get, the harder
• 1:13:23
  Speaker 1: it is to get back in the shape. But I
• 1:13:25
  Speaker 1: really can't wait to like play a role. I gotta
• 1:13:26
  Speaker 1: put on a lot of weight. I could just eat,
• 1:13:30
  Speaker 1: not work out. It'll be awesome. Right now, we're in
• 1:13:32
  Speaker 1: the middle of the shooting Create two, and it's like
• 1:13:34
  Speaker 1: my body's like, whoof I am tired? I am tired,
• 1:13:38
  Speaker 1: tired was there any part of you that didn't want
• 1:13:39
  Speaker 1: to come back and do create two because Ryan wasn't
• 1:13:41
  Speaker 1: doing it In the beginning, I was. I was a
• 1:13:44
  Speaker 1: little hesitant, honestly. Um, you know, it was something that
• 1:13:47
  Speaker 1: we started, we created, you know, but he came on
• 1:13:49
  Speaker 1: board and you know, he's producing it as well, so
• 1:13:51
  Speaker 1: he still has his finger prints on and he's still involved.
• 1:13:53
  Speaker 1: But in the beginning, you know, uh yeah, it was
• 1:13:56
  Speaker 1: a little hesitation there. But Stephen Cables when we finally
• 1:13:59
  Speaker 1: got him, we locked down to a director. He's from Cleveland, Um,
• 1:14:03
  Speaker 1: you know, went to usc Um. You know, he did
• 1:14:06
  Speaker 1: this film called The Land. You know, did a lot
• 1:14:07
  Speaker 1: of made a lot of noise and sundance. He's an
• 1:14:09
  Speaker 1: incredible filmmaker and we're really lucky to have him because
• 1:14:12
  Speaker 1: we're he's putting his fingerprints on it too, so we're good.
• 1:14:15
  Speaker 1: We're in good shape. I don't like the premise though,
• 1:14:17
  Speaker 1: you don't even know the premise stopped reading the Internet.
• 1:14:19
  Speaker 1: Stop reading the Internet. And the Russian it's so predictable.
• 1:14:22
  Speaker 1: Like first about the second one. The sequel is really tough,
• 1:14:25
  Speaker 1: okay too to anything. It's really hard to make, you
• 1:14:27
  Speaker 1: know what I'm saying, and to really like bringing nostalgic
• 1:14:29
  Speaker 1: back and tie in you know what I'm saying with
• 1:14:31
  Speaker 1: Rocky and and and still give create his own legacy
• 1:14:34
  Speaker 1: and like brancha off down and you know, give Creed
• 1:14:36
  Speaker 1: his own his own lane. There's a there's a there's
• 1:14:38
  Speaker 1: a natural tie, and there's not natural balance there between
• 1:14:41
  Speaker 1: making a second one a little bit bigger than the
• 1:14:43
  Speaker 1: first one. You know what I'm saying. We didn't have
• 1:14:45
  Speaker 1: a true bad guy. It wasn't a real antagonist in
• 1:14:48
  Speaker 1: the first film. Um, it was really about the origin
• 1:14:51
  Speaker 1: story of a donna. So this one, we're gonna try to,
• 1:14:53
  Speaker 1: you know, make things a little bit more spicy during
• 1:14:56
  Speaker 1: this one, because the first one, we want to flight
• 1:14:58
  Speaker 1: together and I look over Envy and he's crying. For
• 1:15:03
  Speaker 1: the record, your shirt was off when he was crying.
• 1:15:11
  Speaker 1: I'm not sure. It was a little awkward. I don't
• 1:15:19
  Speaker 1: even know what babe cry. It was a little tear
• 1:15:20
  Speaker 1: came down already. You know, you're like, you're naturally more
• 1:15:25
  Speaker 1: emotional when you're playing in there, You're more you're you're
• 1:15:28
  Speaker 1: more likely to cry. Washing what you're saying I read
• 1:15:32
  Speaker 1: on the internet, Speaking of the internet, this is America.
• 1:15:39
  Speaker 1: I saw you tweeting that you I mean, keep posting
• 1:15:40
  Speaker 1: on Instagram how much you enjoyed that video. Yeah, man,
• 1:15:43
  Speaker 1: it's incredible. I think it's like right on time. Honestly. Um,
• 1:15:46
  Speaker 1: you know, I feel like Donald, you know, we're actually
• 1:15:48
  Speaker 1: kicking it last night. We were we were hanging out
• 1:15:51
  Speaker 1: last night. He's in town for the met and stuff
• 1:15:53
  Speaker 1: like that. We you know, singing his praise and stuff
• 1:15:55
  Speaker 1: all night. Man, we had a good time. But, um,
• 1:15:57
  Speaker 1: I feel like Donald is the distraction. You know what
• 1:16:00
  Speaker 1: I'm saying, Child, child's gaming up, Child's game's distraction to
• 1:16:04
  Speaker 1: what's really going on. You know what I'm saying in
• 1:16:06
  Speaker 1: the world right now, just as much as we're distracted
• 1:16:08
  Speaker 1: by everything else that's going on and not really pay
• 1:16:10
  Speaker 1: attention to the world around us. So I encourage people
• 1:16:13
  Speaker 1: to watch the video, but don't look at it at child.
• 1:16:18
  Speaker 1: Try not to. Yeah, could you see the pale horse
• 1:16:20
  Speaker 1: in the background. Exactly what the cop call following up
• 1:16:23
  Speaker 1: the kids on their cell phone according everything. You know
• 1:16:25
  Speaker 1: what I'm saying, You see you see you know Donald?
• 1:16:27
  Speaker 1: You know what I'm saying. Shoot my man, you know
• 1:16:29
  Speaker 1: what I'm saying. Traymon Martin I'm saying, popping on the
• 1:16:31
  Speaker 1: head or whatever, but then also seeing him Traymon Martin,
• 1:16:34
  Speaker 1: isn't it tym his father? No, it's not, it's not,
• 1:16:37
  Speaker 1: it's not it's another artist. Yes, it's an artist, all right,
• 1:16:40
  Speaker 1: Miss bokeaeople thought that it wasn't okay cool. I saw
• 1:16:45
  Speaker 1: the resemblance and okay, all good. But anyway, but you
• 1:16:47
  Speaker 1: see the way guncre know, I'm saying, way for the gun,
• 1:16:50
  Speaker 1: you know what I'm saying, nightly the way, but the
• 1:16:51
  Speaker 1: body is dragged away and some people exactly. So there's
• 1:16:54
  Speaker 1: a lot of little things in there that I feel
• 1:16:56
  Speaker 1: like it's super important. And he's a genius heroes, isn't
• 1:16:59
  Speaker 1: amazing to the director? Um, there's a lot of the
• 1:17:01
  Speaker 1: laner you know what I'm saying, and all of his
• 1:17:03
  Speaker 1: childish music videos. So yeah, man, it's a It was
• 1:17:06
  Speaker 1: a good video. I loved it. I just wish that
• 1:17:08
  Speaker 1: in that one scene where he shot the choir, I
• 1:17:10
  Speaker 1: wish he was a white person actually shooting the choir
• 1:17:12
  Speaker 1: instead of Perkins because I don't feel I feel like people.
• 1:17:18
  Speaker 1: I don't like the optics of black people killing black people.
• 1:17:20
  Speaker 1: See what you're saying. Yeah, yeah, it might have been
• 1:17:22
  Speaker 1: a little bit more like clear yea what he's trying
• 1:17:24
  Speaker 1: to say? Yeah, Because I mean, if you're white and
• 1:17:26
  Speaker 1: you're watching that, all you see is black black killing
• 1:17:28
  Speaker 1: black people. Yeah, I see, you know what I mean,
• 1:17:29
  Speaker 1: And it reinforces the negative stereotype you already have of
• 1:17:31
  Speaker 1: us anyway. But other than that, I thought it was
• 1:17:34
  Speaker 1: a genius video, iconic video. I think it goes down legendary.
• 1:17:37
  Speaker 1: Michael Jordan gotta get about it. He got some TV
• 1:17:39
  Speaker 1: to do. It's very busy, but we really appreciate you
• 1:17:42
  Speaker 1: for stopping. I always tell people from Hollywood, especially the
• 1:17:46
  Speaker 1: black actors, they forget about their black basis, you know
• 1:17:48
  Speaker 1: what I'm saying. So it's good to see y'all still
• 1:17:50
  Speaker 1: coming back with the rush off to the white people. No,
• 1:17:52
  Speaker 1: not coming. I never. I never lose touch man, never
• 1:17:56
  Speaker 1: lose touch. Bro alright to me, I appreciate you guys. Absolutely.
• 1:17:59
  Speaker 1: It's my Kail B. Jordan. It's the Breakfast Club. Good morning,