Latest / The Real Report with Tony Yayo and Uncle Murda / 41’s Kyle Richh & Jenn Carter, Fivio moving onto Gospel, Alabama Barker, NLE Choppa, Going Solo & Staying Together

Transcript

41’s Kyle Richh & Jenn Carter, Fivio moving onto Gospel, Alabama Barker, NLE Choppa, Going Solo & Staying Together · The Real Report with Tony Yayo and Uncle Murda

• 0:00
  Speaker 1: One thing Offset told me when I first met him
• 0:02
  Speaker 1: in LA or some shit, it was me, Jenna Tata.
• 0:04
  Speaker 1: We came in a spot. I forgot what spot it was.
• 0:06
  Speaker 1: But he put this to the side. He said, yo,
• 0:08
  Speaker 1: whatever you do, don't be like me. And I just
• 0:11
  Speaker 1: be thinking about that shit because look at him. For me,
• 0:13
  Speaker 1: his brother, dad, rest in peace to take off. For me,
• 0:16
  Speaker 1: I don't even know his relationship with Quavo, but for me,
• 0:19
  Speaker 1: it's just not the same no more. Everybody, they sold
• 0:21
  Speaker 1: him and shit. They doing their own thing, but it's
• 0:23
  Speaker 1: just not the same for me. I be thinking about
• 0:25
  Speaker 1: that shit all the time. I try to not be
• 0:27
  Speaker 1: like that. I don't think it'll ever be like that.
• 0:30
  Speaker 2: You know what I'm saying? Because we are family.
• 0:32
  Speaker 1: I really love my brothers to death.
• 0:34
  Speaker 2: It's really real love.
• 0:36
  Speaker 3: That's what's up, man. That's real.
• 0:56
  Speaker 4: Ladies and gentlemen, we have 4-1 in the building. Brooklyn
• 1:03
  Speaker 4: is in the building. Murder's excited.
• 1:05
  Speaker 5: I'm excited.
• 1:05
  Speaker 3: You know, set that up.
• 1:06
  Speaker 6: I'm in the studio. I got the young. They need
• 1:08
  Speaker 6: I'm there. I'm there. I'm there.
• 1:11
  Speaker 4: So what's the process in the studio? Because nowadays, there's
• 1:14
  Speaker 4: a million rappers. There's a rapper coming out every day.
• 1:17
  Speaker 4: You know what I'm saying? Every single day. Back in
• 1:19
  Speaker 4: our days, it didn't seem like there was that many rappers.
• 1:23
  Speaker 4: How do y'all make y'all hit records, and how do
• 1:25
  Speaker 4: y'all just stick out from the crowd, bro?
• 1:28
  Speaker 1: That's what it is right there. You got to stick out.
• 1:30
  Speaker 1: You got to be different and innovative, word for me.
• 1:32
  Speaker 1: I just try to be as natural as possible.
• 1:34
  Speaker 2: All I really need is a spliff. I mean, I'm
• 1:37
  Speaker 2: really good. I ain't going to lie. I just get
• 1:38
  Speaker 2: in my mode a lot, get it. You know what
• 1:39
  Speaker 2: I'm saying? We be bouncing off each other, pull us.
• 1:42
  Speaker 3: You feel what I'm saying? But... You know, why do
• 1:46
  Speaker 3: I feel so good?
• 1:47
  Speaker 4: Yeah, why do I feel so good?
• 1:48
  Speaker 2: We be complimenting each other's energy and shit, feel me?
• 1:50
  Speaker 2: And that's how we do it.
• 1:52
  Speaker 3: Facts, facts. I like that, man.
• 1:54
  Speaker 6: Jim, man, so I seen that you was... creeping with
• 1:57
  Speaker 6: one of the Playboy Cardi girls, man, Gia.
• 2:00
  Speaker 3: We just started.
• 2:02
  Speaker 4: Well, I seen you with Alabama, with Alabama Barker, right?
• 2:09
  Speaker 3: I wanted to ask about that. How was that? How
• 2:11
  Speaker 3: was that whole experience, man?
• 2:14
  Speaker 5: She cool.
• 2:15
  Speaker 3: She cool? She cool. Okay, all right.
• 2:18
  Speaker 2: She cool.
• 2:18
  Speaker 3: She cool?
• 2:20
  Speaker 4: I seen him, and he took what my man Neon Girl,
• 2:22
  Speaker 4: shout out to Neon, took Neon Girl, Alabama Barker, right?
• 2:26
  Speaker 4: Travis Barker.
• 2:26
  Speaker 3: Neon Girl?
• 2:28
  Speaker 4: I don't know. That's what they said online.
• 2:30
  Speaker 3: I didn't know. No, no.
• 2:31
  Speaker 2: That's not New York shit. That's my little shit. I
• 2:34
  Speaker 2: ain't gonna lie. I'm tired of hiding from the world. Alabama.
• 2:39
  Speaker 2: Tell the world about me.
• 2:40
  Speaker 3: Oh, shit.
• 2:41
  Speaker 6: I'm tired of Alabama. He ain't saying he don't want
• 2:44
  Speaker 6: to hide it no more. He tired of hiding.
• 2:47
  Speaker 4: We want to see your lifestyle because I know you
• 2:49
  Speaker 4: like to be low profile.
• 2:51
  Speaker 1: I know, but for me, that shit got me. I'm
• 2:54
  Speaker 1: tired of living my life in private. For me, it's
• 2:56
  Speaker 1: like Where did it really get me? Like, I had
• 2:58
  Speaker 1: my piece, but I worked course.
• 2:59
  Speaker 5: You know what I'm saying?
• 3:00
  Speaker 2: I'm trying to be legendary.
• 3:02
  Speaker 4: But I knew your whole life before you even walked
• 3:03
  Speaker 4: in the room. No, you know.
• 3:05
  Speaker 3: You know what happened.
• 3:06
  Speaker 5: You're private enough.
• 3:07
  Speaker 2: You know what happened.
• 3:07
  Speaker 4: I ain't gonna lie. You don't know a lot. I
• 3:09
  Speaker 4: knew everything. You streamed. Your baby mom sent the address
• 3:13
  Speaker 4: to the ops. That was, like, super viral.
• 3:15
  Speaker 2: That was crazy.
• 3:15
  Speaker 3: Your baby mom sent the address to the ops? Yes.
• 3:18
  Speaker 2: Nah, she posted it. I ain't gonna lie.
• 3:21
  Speaker 4: So, y'all cool now, or how does that work?
• 3:23
  Speaker 2: It was a lot later.
• 3:25
  Speaker 1: It's real fucked up because we got a kid now
• 3:26
  Speaker 1: for me. And it's like, the kid don't deserve none
• 3:29
  Speaker 1: of that.
• 3:29
  Speaker 2: I ain't gonna lie.
• 3:30
  Speaker 1: So I be trying to put that shit to the
• 3:31
  Speaker 1: side for my kid, but it's hard. For me, she
• 3:33
  Speaker 1: fake broke the boundary. She broke, she crossed the line.
• 3:35
  Speaker 3: I ain't gonna lie.
• 3:36
  Speaker 1: And once you cross that line, there's really no way
• 3:37
  Speaker 1: you're getting back. So it's like, it's super hard, but
• 3:40
  Speaker 1: I be trying for myself.
• 3:41
  Speaker 3: I ain't gonna lie.
• 3:43
  Speaker 4: You ever think you gonna work it out?
• 3:44
  Speaker 2: We cordial, like, for me.
• 3:47
  Speaker 4: Because once you drop the Addy, it's like, hey.
• 3:49
  Speaker 3: It's hard.
• 3:50
  Speaker 2: I can't even bring it back to the crib.
• 3:52
  Speaker 3: You switched the spot though, right? You switched the spot, right?
• 3:55
  Speaker 3: All right, got it. But yeah, can't be at that
• 3:57
  Speaker 3: Addy no more.
• 3:57
  Speaker 2: Nah, yeah, you got to know.
• 3:58
  Speaker 7: Yeah, yeah.
• 3:59
  Speaker 3: Facts, facts.
• 3:59
  Speaker 4: Nah, because once you're an artist, you public property. So
• 4:02
  Speaker 4: when something happens and it goes viral, everybody's going to
• 4:04
  Speaker 4: watch it now. Once you sign that contract, anybody can
• 4:07
  Speaker 4: say whatever they want to say about you. That's how
• 4:11
  Speaker 4: I look at it. But y'all superstars. See, sometimes I
• 4:13
  Speaker 4: think New York, we so gangster that y'all forget that
• 4:17
  Speaker 4: Y'all rappers, like y'all still on time because it's street anxiety.
• 4:21
  Speaker 4: You know what I'm saying? You might have opps. You
• 4:23
  Speaker 4: might have niggas that don't like you. People are now
• 4:26
  Speaker 4: even more jealous because of y'all career. Y'all got the
• 4:28
  Speaker 4: watches on. Look, come on. Jeans is $ 1, 500. Lil' Webby.
• 4:30
  Speaker 4: You know what I'm saying? No, your shit's like $ 2, 000.
• 4:32
  Speaker 4: You know what I'm saying? Motherfuckers don't have diamonds on
• 4:36
  Speaker 4: your neck, Charlie. You know what I'm saying?
• 4:38
  Speaker 2: That's what come with this shit, though. I go live.
• 4:40
  Speaker 2: That's the shit we signed up for. It is what
• 4:43
  Speaker 2: it is. It's hard for me. We be battling this
• 4:44
  Speaker 2: shit every day, but we just be trying. You know
• 4:46
  Speaker 2: what I mean?
• 4:47
  Speaker 3: We're the other member of the group. Man, he locked
• 4:49
  Speaker 3: free Tata. He locked up.
• 4:50
  Speaker 4: Shout out to Tata.
• 4:52
  Speaker 5: What is he doing out here, bro?
• 4:54
  Speaker 4: Tata's on time. This is why I talk about street anxiety.
• 4:57
  Speaker 4: That's why I ask y'all. Hold up.
• 4:59
  Speaker 3: Where is Tata?
• 5:01
  Speaker 4: Street anxiety.
• 5:02
  Speaker 2: Tata, it's hard.
• 5:03
  Speaker 1: I ain't going to front.
• 5:06
  Speaker 2: He's still battling his street shit, too, because this shit
• 5:09
  Speaker 2: chasing us.
• 5:09
  Speaker 3: I ain't going to lie.
• 5:10
  Speaker 2: This shit chasing all of us.
• 5:11
  Speaker 4: Street anxiety.
• 5:12
  Speaker 2: It's really getting him, bro. I ain't going to lie.
• 5:15
  Speaker 3: I got faith in my son.
• 5:16
  Speaker 2: My son, he going to fail. Rob Markman, Jr.
• 5:18
  Speaker 3: Ty Ty, get back to the music, man. Let's get focused, man.
• 5:20
  Speaker 3: Ty Ty Jones, Jr.
• 5:21
  Speaker 4: Because we want to see our young artists in New
• 5:22
  Speaker 4: York win before the Rico comes, or win before they
• 5:26
  Speaker 4: get killed. We was in the back, we was talking
• 5:27
  Speaker 4: about Kate Flock. He had a career, 30 years now.
• 5:30
  Speaker 3: Rob Markman, Jr.: Hopefully the Rico don't come at all.
• 5:32
  Speaker 3: We want y'all to stay with.
• 5:32
  Speaker 4: The Ricos at all, man.
• 5:33
  Speaker 3: Ty Ty Jones, Jr.
• 5:33
  Speaker 4: No, we don't want the Rico to come, but these
• 5:35
  Speaker 4: are the things you got to talk about because I
• 5:36
  Speaker 4: know y'all got street anxiety, and when you leave here,
• 5:38
  Speaker 4: it's still real in the streets. I realize that, but
• 5:41
  Speaker 4: how do you keep the balance? Like Chef G, this
• 5:43
  Speaker 4: guy makes a quarter million a month, but he's up north.
• 5:46
  Speaker 4: Like for me, if I'm making that kind of money,
• 5:49
  Speaker 4: I'm staying low key. So I'm just saying, how do
• 5:53
  Speaker 4: y'all keep the balance?
• 5:54
  Speaker 1: Why stay low key and why stay productive? You know
• 5:56
  Speaker 1: what I'm saying? I got my mind focused on way
• 5:58
  Speaker 1: other shit. I'm focused on money. You know what I'm saying?
• 6:00
  Speaker 1: Since my mind is focused on money, it's hard to
• 6:02
  Speaker 1: like keep getting distracted by the bullshit. I put that
• 6:05
  Speaker 1: shit to the side with it.
• 6:08
  Speaker 3: Right. So you took Neon Girl.
• 6:11
  Speaker 4: Yeah, he just confessed his love. Shout out to Alabama Barker, right?
• 6:14
  Speaker 3: I'm saying it right?
• 6:15
  Speaker 1: Wait, why y'all keep saying Neon Girl though?
• 6:18
  Speaker 4: Nah, because I've seen it online. I've seen Neon with Alabama.
• 6:22
  Speaker 4: I've seen it online because shout out to all the
• 6:24
  Speaker 4: streaming world, Kiki, Twitch, the older head niggas, we watch
• 6:27
  Speaker 4: it too.
• 6:27
  Speaker 3: So you're saying he's not his girl?
• 6:31
  Speaker 4: Can't be.
• 6:31
  Speaker 2: I don't know what they got going on.
• 6:32
  Speaker 4: Copy. I mean, he bought out Berkham. So when you
• 6:35
  Speaker 4: buy a girl a Berkham- He bought her a burger? Yeah,
• 6:37
  Speaker 4: for $ 20, 000, $ 30, 000, I would think, you know, that's your girl.
• 6:41
  Speaker 2: That's my shit.
• 6:42
  Speaker 4: I see everything, man.
• 6:43
  Speaker 3: You said, that's my shit. Nigga, you heard him.
• 6:45
  Speaker 4: Nah, I understand.
• 6:46
  Speaker 3: Neon, you heard my boy, man.
• 6:48
  Speaker 4: I seen the way she looked at you.
• 6:49
  Speaker 2: Whatever you want to do about it, we can do it. Oh.
• 6:52
  Speaker 2: That's my shit.
• 6:53
  Speaker 4: Nah, Neon don't want to fight you, man.
• 6:54
  Speaker 3: Come on now. How you doing, Neon?
• 6:55
  Speaker 4: Nah, Neon my guy.
• 6:56
  Speaker 3: I love Neon.
• 6:57
  Speaker 2: I ain't gonna lie.
• 6:58
  Speaker 4: Are y'all going to start streaming with the music?
• 7:01
  Speaker 3: We be trying.
• 7:02
  Speaker 2: It's hard. This whole shit is hard.
• 7:04
  Speaker 4: I ain't gonna lie.
• 7:04
  Speaker 2: It's a difficult game. She really the streamer though. She
• 7:06
  Speaker 2: got this streaming shit.
• 7:07
  Speaker 4: Jen Carter, I just want to see you with all
• 7:08
  Speaker 4: the girls. I know you got all the girls. Facts.
• 7:11
  Speaker 4: We already know. We did our homework on you.
• 7:13
  Speaker 2: Jen got all the hoes game.
• 7:15
  Speaker 3: But she, she don't, she don't, nah, nah, nah. I'm
• 7:18
  Speaker 3: telling you, hot in this shit.
• 7:20
  Speaker 1: Jen get all the hoes game, but she don't really
• 7:23
  Speaker 1: do nothing with them. And it's like, You be wasting
• 7:25
  Speaker 1: your potential money, because I.
• 7:26
  Speaker 8: Can have more hoes too.
• 7:27
  Speaker 5: Bro, they just want the money, gang.
• 7:30
  Speaker 3: I would give them a little bit. You making enough.
• 7:31
  Speaker 4: I mean, you making enough. Come on. You got the
• 7:34
  Speaker 4: Cuban on your neck over there.
• 7:35
  Speaker 3: You shining.
• 7:36
  Speaker 4: What you think? What you mean? Teeth shining and all that.
• 7:39
  Speaker 4: What you think?
• 7:40
  Speaker 3: Even Ray Charles can see you got money.
• 7:42
  Speaker 4: Exactly. These bitches.
• 7:44
  Speaker 3: Here you go.
• 7:45
  Speaker 4: Motherfuckers be coming in here with $ 50, 000 watches on $ 50, 000 chains,
• 7:50
  Speaker 4: and you don't think a girl wants some bread? You
• 7:52
  Speaker 4: know she do.
• 7:53
  Speaker 5: Come on, Janet, come on together.
• 7:55
  Speaker 4: Y'all are famous.
• 7:56
  Speaker 5: Nobody can handle me, bro.
• 7:58
  Speaker 4: Why you say that?
• 7:59
  Speaker 7: No, no bitch can handle me, bro.
• 8:01
  Speaker 3: Oh, shit. She want them DMs getting filled up now.
• 8:05
  Speaker 2: I ain't gonna lie, bro.
• 8:06
  Speaker 3: I ain't gonna lie, bro. Oh, shit.
• 8:10
  Speaker 4: So how it feel? Do y'all feel, do like, Ty
• 8:13
  Speaker 4: Ty not being here, right? Street anxiety, right? Like, do
• 8:15
  Speaker 4: y'all feel like, cause it be feeling like New York
• 8:19
  Speaker 4: rappers just be on time and they don't even feel
• 8:21
  Speaker 4: like they happy with their money or like, How could
• 8:23
  Speaker 4: I say it? Like, they're not happy.
• 8:27
  Speaker 5: Bro, I'm happy.
• 8:28
  Speaker 7: I ain't going to lie. For me, I'm blessed to be.
• 8:31
  Speaker 7: This is what I asked for. You know, I'm trying
• 8:32
  Speaker 7: to say to be in a position like this, inspire people.
• 8:34
  Speaker 7: I ain't going to lie, it's a blessing to be
• 8:36
  Speaker 7: in a.
• 8:36
  Speaker 5: Position we in.
• 8:37
  Speaker 3: 100%.
• 8:37
  Speaker 5: That's what makes me go every day. That's why I'm here.
• 8:41
  Speaker 3: What?
• 8:41
  Speaker 5: Real shit.
• 8:42
  Speaker 2: More money, more problems, bro. In fact, you always going
• 8:44
  Speaker 2: to have problems, no matter what.
• 8:46
  Speaker 5: That's just how I go.
• 8:47
  Speaker 2: For me, we just blessed to have more money to
• 8:48
  Speaker 2: deal with them problems.
• 8:49
  Speaker 6: That's something I seen y'all in headlines before, before. Do
• 8:53
  Speaker 6: y'all like Iced Spice?
• 8:55
  Speaker 3: No.
• 9:00
  Speaker 1: Don't get me started bro, I ain't gonna lie.
• 9:05
  Speaker 4: This shit gonna get me tight.
• 9:07
  Speaker 3: You don't like Iced Spice? Jin, you don't like her neither?
• 9:11
  Speaker 5: Iced Spice is spicy.
• 9:14
  Speaker 4: Ice Spice, she said, Jeno, hit that.
• 9:15
  Speaker 6: She said, even.
• 9:19
  Speaker 3: Though I don't like it, I might tap it.
• 9:22
  Speaker 4: She said, Ice Spice.
• 9:24
  Speaker 3: Is spicy, nigga.
• 9:25
  Speaker 5: Ice Spice was a fan of us before she blew up.
• 9:27
  Speaker 2: I used to fuck with Ice Spice. We was here
• 9:28
  Speaker 2: before Ice Spice.
• 9:29
  Speaker 4: She used to.
• 9:30
  Speaker 8: Comment on my shit.
• 9:31
  Speaker 4: Facts.
• 9:32
  Speaker 7: And then for me, next thing I know, she just
• 9:36
  Speaker 7: took our sound.
• 9:36
  Speaker 3: The flow started sounding similar.
• 9:38
  Speaker 7: Yeah, and it was crazy because she invited us to
• 9:40
  Speaker 7: her music videos.
• 9:41
  Speaker 5: And shit, you know?
• 9:42
  Speaker 7: I ain't gonna lie, she was showing love.
• 9:44
  Speaker 5: For me, it is not a third.
• 9:45
  Speaker 7: It's like, when you like, for me, pay homage, I
• 9:48
  Speaker 7: just feel like it should be like, you know, common
• 9:52
  Speaker 7: ground and that. You know, that's why he feel like,
• 9:55
  Speaker 7: nigga just ran with the sound.
• 9:56
  Speaker 8: Welcome to the music industry.
• 9:58
  Speaker 4: I ain't gonna lie.
• 10:00
  Speaker 5: And that shit would have put on for New York.
• 10:01
  Speaker 5: That's just my opinion.
• 10:01
  Speaker 4: It's just welcome to the music industry.
• 10:03
  Speaker 3: Yeah, if y'all could have worked together, it actually could
• 10:04
  Speaker 3: have been kind of dope. It could have been great.
• 10:05
  Speaker 5: That shit would have been amazing for New York. That
• 10:07
  Speaker 5: shit would have been amazing for New York.
• 10:08
  Speaker 8: But you know, I don't know.
• 10:09
  Speaker 7: I don't know.
• 10:10
  Speaker 3: I don't know what it is.
• 10:11
  Speaker 4: You feel like New York is just, it just feels
• 10:13
  Speaker 4: like everything is competition? Like everybody's in competition?
• 10:16
  Speaker 5: Not us though.
• 10:17
  Speaker 7: Like we want to work with everybody. We genuinely want
• 10:20
  Speaker 7: to work with everybody, bro. I don't be knowing what's
• 10:21
  Speaker 7: going on.
• 10:22
  Speaker 1: I ain't gonna lie, but niggas, it's like a crab
• 10:23
  Speaker 1: in a barrel monster. Niggas want you to do good,
• 10:26
  Speaker 1: but nobody wants you to do better than them.
• 10:27
  Speaker 3: Word. It's weird.
• 10:28
  Speaker 2: I ain't gonna lie.
• 10:30
  Speaker 5: That's what it is though.
• 10:31
  Speaker 3: Everybody faking it.
• 10:31
  Speaker 2: I ain't gonna lie. You can't really have mans in
• 10:34
  Speaker 2: this shit.
• 10:34
  Speaker 3: I ain't gonna lie.
• 10:35
  Speaker 2: This shit. This shit not real. It's not authentic. I
• 10:38
  Speaker 2: ain't gonna lie. You gotta learn to separate that shit
• 10:40
  Speaker 2: from real life.
• 10:41
  Speaker 4: No, I totally agree with you. Welcome to the music business.
• 10:44
  Speaker 4: Ain't nobody really gonna be friends. How y'all know each other?
• 10:46
  Speaker 4: What part of Brooklyn y'all from?
• 10:48
  Speaker 3: Brownsville. Facts.
• 10:49
  Speaker 4: Brownsville. Brownsville, Brooklyn. Brownsville, real. That's a fact. So y'all
• 10:54
  Speaker 4: grew up with each other? I was born in Brownsville,
• 10:57
  Speaker 4: Brookdale Hospital.
• 10:58
  Speaker 2: I was born in Brookdale too.
• 10:59
  Speaker 4: See, that's crazy. I was born in Brookdale Hospital. I'm
• 11:02
  Speaker 4: a Queens nigga.
• 11:02
  Speaker 3: He not no Queens nigga. He was born in Brooklyn, y'all.
• 11:05
  Speaker 3: You heard that, right? That's a whole Brooklyn show today.
• 11:07
  Speaker 2: So y'all grew up with each other?
• 11:10
  Speaker 5: For a long time. Our parents went to the same church.
• 11:14
  Speaker 3: Oh, shit.
• 11:16
  Speaker 5: For a minute.
• 11:17
  Speaker 7: He was switching schools a lot. He attended my school
• 11:21
  Speaker 7: for like I think twice, left twice.
• 11:24
  Speaker 3: I don't know.
• 11:25
  Speaker 5: What you had going on, Gabe?
• 11:26
  Speaker 2: Some bullshit, bro.
• 11:27
  Speaker 1: I ain't gonna lie, I had to get out of there.
• 11:30
  Speaker 4: What do you think is more dangerous, Brownsville or East
• 11:33
  Speaker 4: New York? Brownsville. Oh, I agree.
• 11:35
  Speaker 2: I ain't gonna lie.
• 11:36
  Speaker 5: I was in the East too.
• 11:36
  Speaker 4: The East is crazy.
• 11:38
  Speaker 5: Too, though.
• 11:39
  Speaker 4: East New York is crazy too, though.
• 11:41
  Speaker 2: I don't know.
• 11:42
  Speaker 3: They the same, man.
• 11:43
  Speaker 6: East New York and Brownsville, the danger level is the same, man.
• 11:46
  Speaker 4: No, the room I heard is in Brownsville. You can't
• 11:47
  Speaker 4: have the hammer because y'all got more gun police than
• 11:51
  Speaker 4: any part in East New York. Y'all got like, man,
• 11:53
  Speaker 4: that's wild.
• 11:53
  Speaker 3: These is crazy.
• 11:56
  Speaker 4: They got the super gun police in Brownsville.
• 11:58
  Speaker 2: So I got booked nine times in the field.
• 12:00
  Speaker 3: The field is.
• 12:03
  Speaker 2: Nasty.
• 12:03
  Speaker 4: I go live.
• 12:03
  Speaker 2: You know what I'm saying? So I'll just be trying
• 12:06
  Speaker 2: to stay out this shit. I go live.
• 12:07
  Speaker 1: Mind my business shit for me because staying in this
• 12:09
  Speaker 1: New York shit is either dead or in jail.
• 12:11
  Speaker 2: Shit no good.
• 12:13
  Speaker 3: Man, listen.
• 12:15
  Speaker 4: You survive Brownsville and make it, yo, you somebody, man.
• 12:18
  Speaker 3: You better believe it. It's tough.
• 12:19
  Speaker 4: You know what I mean? It's not easy. You see murder, kill, kill.
• 12:22
  Speaker 4: Y'all probably seen that when y'all was kids. People getting
• 12:24
  Speaker 4: shot in the hood. That shit wasn't about nothing. You
• 12:27
  Speaker 4: know what I'm saying? When we was older, younger, Brooklyn
• 12:30
  Speaker 4: was crazy. Like for a Queens nigga, yo, nah, I
• 12:32
  Speaker 4: ain't going to Brooklyn. It's too crazy. Back then it
• 12:34
  Speaker 4: was crazy. But now y'all generation, it feel like it's
• 12:37
  Speaker 4: more crazy. For me, I'm going to tell you why.
• 12:40
  Speaker 4: Because y'all got better guns. Think about it. No, think
• 12:44
  Speaker 4: about it. A nigga can get shot. Look, hood, think
• 12:47
  Speaker 4: about it. A nigga get shot back in the days,
• 12:50
  Speaker 4: five times, six times with a 38, a 32, he'll survive.
• 12:55
  Speaker 4: Now you got the switchy with the hollow tips.
• 13:00
  Speaker 8: It's over.
• 13:00
  Speaker 4: One shot, you know what I'm saying?
• 13:03
  Speaker 2: Really think about it.
• 13:04
  Speaker 4: Niggas had hammers back then, murder, but a nigga have
• 13:07
  Speaker 4: a 38, nigga have a 380, a high. 9 or
• 13:10
  Speaker 4: something like that. Am I lying here? Nigga have a high. 9,
• 13:14
  Speaker 4: that shit ain't shit, bro. The guns y'all got now? Nah,
• 13:17
  Speaker 4: niggas got switches out there, nigga.
• 13:19
  Speaker 2: And to top it off, you got the internet too, bro.
• 13:21
  Speaker 2: That shit play a big factor. I ain't gonna lie.
• 13:23
  Speaker 2: Mad peer pressure, mad dissing opps, music.
• 13:25
  Speaker 3: It's a whole lot of bullshit.
• 13:27
  Speaker 6: Nigga's making ghost guns and all type of shit now. Now,
• 13:30
  Speaker 6: I notice y'all work with NEL Chapa a lot, right?
• 13:32
  Speaker 6: Y'all cool with NEL Chapa.
• 13:35
  Speaker 3: I see that. Y'all work with him a lot.
• 13:37
  Speaker 2: Yeah, we got some new shit coming out too.
• 13:38
  Speaker 3: Okay, copy. Now, he be in a lot of drama.
• 13:41
  Speaker 6: How y'all be feeling about him when y'all be seeing him?
• 13:45
  Speaker 4: Kyle Rich, y'all. You know the dancing video is kind
• 13:49
  Speaker 4: of fake. He be fucking bugging. He be bugging.
• 13:53
  Speaker 3: The dancing video? Where he had the bald head and shit.
• 13:55
  Speaker 4: Yeah, where he was dancing. Michael Jackson. And that's my nigga.
• 13:58
  Speaker 4: I fucked the energy shop up. The NBA beef he
• 14:02
  Speaker 4: had when he was dancing and all that shit, son.
• 14:04
  Speaker 4: That's my nigga, though.
• 14:06
  Speaker 1: I see all that shit, but you got to know
• 14:09
  Speaker 1: that shit ain't touching no, bro. He know what he doing, bro.
• 14:11
  Speaker 1: I mean, you can't even get mad at her, bro.
• 14:13
  Speaker 3: Got you. Got you.
• 14:14
  Speaker 4: Nah, that shit was pure entertainment, bro.
• 14:16
  Speaker 2: He was dancing.
• 14:16
  Speaker 4: 100%.
• 14:16
  Speaker 2: Y'all be talking about it right now?
• 14:18
  Speaker 4: No, he had to. Because that's the first nigga to
• 14:21
  Speaker 4: have a diss record dancing and shit and wilding in
• 14:23
  Speaker 4: the video. But it was kind of cool.
• 14:26
  Speaker 6: I'm like, y'all got the action. Because I know that
• 14:27
  Speaker 6: y'all rock with him. I'm like, yo, this.
• 14:29
  Speaker 4: Kid be having me rolling. Yeah, he had us rolling
• 14:32
  Speaker 4: with that video. When he dropped that diss record dancing.
• 14:34
  Speaker 4: That shit was... Because you never seen a nigga make
• 14:36
  Speaker 4: a diss record like... like playing around and dancing and shit.
• 14:39
  Speaker 4: So he's pure entertainment. That's my nigga though. I ran
• 14:49
  Speaker 4: into him a couple of times. That's my nigga. I
• 14:50
  Speaker 4: fuck with him. He definitely know how to market himself.
• 14:52
  Speaker 4: Cause like you said, we talking about it. So how
• 14:56
  Speaker 4: do you stay off the static? Cause I can't say
• 14:58
  Speaker 4: beef is always poor. It's for him. How you stay
• 15:01
  Speaker 4: out of the static? Cause it's like when we violated
• 15:05
  Speaker 4: a nigga back in the days, You might not have
• 15:07
  Speaker 4: seen us beat a nigga up or like catching on
• 15:10
  Speaker 4: the DVD. You're catching on cocaine city smack or something.
• 15:14
  Speaker 4: And then world star and all that shit came. And
• 15:16
  Speaker 4: that's when like niggas get exposed to slap. But it's
• 15:19
  Speaker 4: like now all this now for nigga violate. It's like, yo,
• 15:22
  Speaker 4: you got to kill a nigga or some shit now, bro.
• 15:25
  Speaker 4: It's kind of hard to get, stay away from that shit.
• 15:27
  Speaker 4: Cause like, yo, your street cattle Billy's on the line.
• 15:29
  Speaker 4: Oh no, this nigga violated. Nah, he's dead. That's like,
• 15:33
  Speaker 4: it's just, Crazy times we in with music artists, so
• 15:36
  Speaker 4: I just want to know how y'all really stay out
• 15:38
  Speaker 4: the way. Like, yo, fuck it. Because I'd rather get
• 15:40
  Speaker 4: the money than be in jail or get the money
• 15:42
  Speaker 4: and be dead.
• 15:43
  Speaker 2: 100%.
• 15:43
  Speaker 4: Because I feel like that's the fucked up thing with
• 15:45
  Speaker 4: New York. We got plenty of artists. You know, you
• 15:47
  Speaker 4: got 6ix9ine, Fumble the Bag with the telling shit, Free
• 15:50
  Speaker 4: Tradeway and them. Rest in Peace, Pop Smoke, Pop Smoke
• 15:53
  Speaker 4: got killed. And then it's like K-Flop, niggas fronted on him.
• 15:56
  Speaker 4: He called a case. It's like every new artist we got,
• 15:59
  Speaker 4: Chef G, know what I'm saying? He in jail, sleepy
• 16:02
  Speaker 4: out here. And it's like, now it's y'all. So it's like,
• 16:06
  Speaker 4: y'all on the radar. Like y'all got hits. I done
• 16:08
  Speaker 4: heard y'all records overseas. Like I heard Henny, am I lying?
• 16:11
  Speaker 4: I don't know where we was at, London or something.
• 16:12
  Speaker 4: We heard Henny. And that was like my first introduction
• 16:15
  Speaker 4: to y'all. So I just want to know how y'all
• 16:17
  Speaker 4: stay out the way. And how the fuck did y'all
• 16:19
  Speaker 4: make that record? Tell me if she fucking again. Y'all
• 16:21
  Speaker 4: make hits.
• 16:24
  Speaker 3: And Hennessy do make you want to fuck.
• 16:26
  Speaker 6: I remember when it was like, it was like the
• 16:30
  Speaker 6: perfect record and shit.
• 16:31
  Speaker 4: That shit was rocking overseas in London. That's like my first,
• 16:34
  Speaker 4: it might be my first time hearing it.
• 16:37
  Speaker 2: Yo, I fuck with London. I ain't gonna lie. We
• 16:38
  Speaker 2: had our best show in London. London is crazy.
• 16:40
  Speaker 5: London tough.
• 16:41
  Speaker 4: I ain't gonna lie.
• 16:42
  Speaker 1: I'm going to let her answer that question because for me,
• 16:44
  Speaker 1: she really stay out the static.
• 16:45
  Speaker 2: She's amazing out there.
• 16:46
  Speaker 7: I ain't gonna lie.
• 16:47
  Speaker 2: This shit's super hard for me.
• 16:49
  Speaker 4: We don't got beef.
• 16:52
  Speaker 3: We just make music, bro. Only with Ice Spice. Only
• 16:53
  Speaker 3: with Ice Spice.
• 16:54
  Speaker 4: No, it's not even beef.
• 16:55
  Speaker 2: I don't beef with Ice Face.
• 16:58
  Speaker 3: I don't like that shit she does.
• 17:01
  Speaker 2: For me.
• 17:01
  Speaker 3: Yeah, facts.
• 17:03
  Speaker 4: She be in the crib with the bitches by the fireplace.
• 17:06
  Speaker 4: She got a little game.
• 17:09
  Speaker 8: She might have two.
• 17:10
  Speaker 3: She might have two. Ooh, yeah.
• 17:12
  Speaker 4: Playing some shit.
• 17:13
  Speaker 3: Come on.
• 17:14
  Speaker 4: They got fans. They got groupies.
• 17:17
  Speaker 5: We focus on the money, though. The fans, bro. That's
• 17:19
  Speaker 5: what matters. That's what God is here.
• 17:22
  Speaker 4: How's the tour life? Because I see y'all touring and
• 17:24
  Speaker 4: doing a lot of shows.
• 17:25
  Speaker 2: Yo, American Dream Tour, that shit just got shut down.
• 17:28
  Speaker 3: Oh, they shut American Dream down?
• 17:29
  Speaker 2: Yeah, like two days ago.
• 17:31
  Speaker 1: Crazy situation for me. We was about to perform and
• 17:35
  Speaker 1: shit just got shut down.
• 17:36
  Speaker 2: I don't know what happened. But, you know what I mean?
• 17:39
  Speaker 4: I ain't going to lie.
• 17:41
  Speaker 2: You should make another move, I ain't gonna lie.
• 17:43
  Speaker 5: Nah, yeah, we gotta run it back up.
• 17:44
  Speaker 7: We just got mad texts saying that they.
• 17:46
  Speaker 1: Want a refund.
• 17:46
  Speaker 3: People came out, people wanted to see y'all, man.
• 17:50
  Speaker 4: Yeah, of course, man.
• 17:52
  Speaker 3: Of course.
• 17:52
  Speaker 2: We gonna do some shit, we gonna make it right,
• 17:54
  Speaker 2: I ain't gonna lie.
• 17:55
  Speaker 4: Y'all got the new generation. So how y'all feel about radio, streaming?
• 18:00
  Speaker 4: What do y'all like more?
• 18:02
  Speaker 2: I mean, they both equally important to me. Like, don't
• 18:05
  Speaker 2: get it twisted.
• 18:07
  Speaker 1: Streaming is in our face every day, but it's a huge,
• 18:09
  Speaker 1: huge audience for radio, too.
• 18:11
  Speaker 2: That shit is important.
• 18:12
  Speaker 1: If you really want to push a record, I ain't
• 18:13
  Speaker 1: gonna lie. Like, not pushing a record without the radio.
• 18:16
  Speaker 1: You know what I mean? But you got to learn
• 18:19
  Speaker 1: how to utilize both. I mean, we're in a new generation.
• 18:22
  Speaker 1: We got the internet now. We didn't have the internet before,
• 18:24
  Speaker 1: but now the internet is at everybody's hands. So everybody
• 18:27
  Speaker 1: got the same opportunity to go movie. So the only
• 18:30
  Speaker 1: person stopping you is yourself.
• 18:32
  Speaker 2: That's how I see it.
• 18:34
  Speaker 4: So who picks the beats? What's the process? Because it's
• 18:37
  Speaker 4: hard to make a record that goes past the Lincoln Tunnel.
• 18:40
  Speaker 4: You know what I'm saying? Now, really think about it.
• 18:42
  Speaker 4: There's a million rappers in New York.
• 18:43
  Speaker 8: Am I lying, Murder?
• 18:44
  Speaker 4: No, you're right. So to hear you overseas in London
• 18:48
  Speaker 4: in a club, what's the process of making a record?
• 18:50
  Speaker 4: Because y'all obviously know the sound and y'all make hit records.
• 18:53
  Speaker 4: It's not glazing, y'all. I know y'all be like, glazing
• 18:55
  Speaker 4: right now. I'm not glazing right now. I'm just telling
• 18:57
  Speaker 4: the truth. I heard y'all playing in London. I don't
• 19:00
  Speaker 4: hear a lot of rappers from New York. Y'all caliber,
• 19:04
  Speaker 4: like playing in London. What's the process in the studio?
• 19:08
  Speaker 4: Do y'all write or do y'all just go in there
• 19:10
  Speaker 4: and freestyle? Do you like to be in the booth?
• 19:13
  Speaker 4: Do you sit down? Don't want to be in the
• 19:15
  Speaker 4: booth and sit out with the mic? What's the process?
• 19:17
  Speaker 4: How to be in the studio? Y'all got tons of bitches?
• 19:20
  Speaker 4: What y'all doing?
• 19:20
  Speaker 2: It depends on the vibe.
• 19:23
  Speaker 1: If it's mad bitches, for me, we're going to make
• 19:26
  Speaker 1: some nice party shit for the girls, some movie shit.
• 19:30
  Speaker 1: But honestly, me, I'm a nigga, I really like to
• 19:32
  Speaker 1: lock in by myself and shit. I don't really like
• 19:34
  Speaker 1: nobody in the school. Because when I'm by myself, I
• 19:36
  Speaker 1: really get to experiment. I get to try new things.
• 19:38
  Speaker 1: There's no judgment for me. I really get to tap
• 19:40
  Speaker 1: on myself and shit.
• 19:41
  Speaker 2: That's just me though. Other people different than me.
• 19:44
  Speaker 4: Rob Markman What about you, Jim? How do you like
• 19:46
  Speaker 4: the studio?
• 19:47
  Speaker 5: Yeah, I don't like No, I don't even like.
• 19:49
  Speaker 2: The bitches in the studio.
• 19:51
  Speaker 3: Oh shit.
• 19:52
  Speaker 5: Like, it's so real.
• 19:54
  Speaker 7: Like when I pull up to a session and I
• 19:55
  Speaker 7: see it's a party vibe, I won't even hop on
• 19:57
  Speaker 7: a song because I know this shit just tomfoolery.
• 20:00
  Speaker 5: You feel me?
• 20:00
  Speaker 8: I ain't gonna lie, like, feel me, niggas be.
• 20:02
  Speaker 3: I ain't about to get in my zone.
• 20:04
  Speaker 7: Niggas be just like, feel me, if we gon' party,
• 20:06
  Speaker 7: let's party. Like, I bet you wanna, like, that's what
• 20:08
  Speaker 7: I'm saying. Like, if it's a party vibe, I bet.
• 20:10
  Speaker 7: He has to tell me, like, yo, bro, get on
• 20:12
  Speaker 7: the song. And I get on the song, and I'm
• 20:14
  Speaker 7: a freestyler, that shit, but the freestyles, they go viral, too.
• 20:17
  Speaker 3: So, they really do depend.
• 20:19
  Speaker 5: On the vibe.
• 20:19
  Speaker 3: What you think they wanna do, man?
• 20:23
  Speaker 4: I mean, we make a record. Tell me if she
• 20:25
  Speaker 4: fucking again. It was no bitches in the stoop. That's crazy.
• 20:33
  Speaker 7: Me, K.R., MC, Tata was there, but Tata didn't even
• 20:36
  Speaker 7: get on the song that day.
• 20:38
  Speaker 5: Me and K.R.
• 20:38
  Speaker 7: Was feeding off of each other. Oh yeah, this the
• 20:41
  Speaker 7: one right here. Anytime we hear some shit that's different,
• 20:43
  Speaker 7: that niggas ain't even touch yet.
• 20:44
  Speaker 5: Yeah, let's do that.
• 20:45
  Speaker 2: Nah, Gangsta Girl, that's what it's about for me. We
• 20:47
  Speaker 2: pioneers in this shit. I don't like to do nothing
• 20:49
  Speaker 2: that anybody else did before.
• 20:50
  Speaker 3: That shit.
• 20:51
  Speaker 2: I don't like that shit.
• 20:52
  Speaker 1: I like originality, and that's why you still here for me,
• 20:54
  Speaker 1: because we keep switching the sound up. We keep switching
• 20:57
  Speaker 1: the sound up. That's how you stay relevant.
• 20:58
  Speaker 4: That's crazy.
• 20:59
  Speaker 2: Shout out Drake.
• 21:00
  Speaker 1: I think Drake is one of the best at doing
• 21:02
  Speaker 1: that shit. The reason why he's still relevant to this day,
• 21:04
  Speaker 1: because he knows how to adapt to the new sound.
• 21:06
  Speaker 2: He's always adjusting. That's what you got to do as
• 21:08
  Speaker 2: an artist.
• 21:08
  Speaker 4: You see, I was tuned in. I knew everything about y'all, man.
• 21:11
  Speaker 3: I'm like- How y'all come up with the name 4-1?
• 21:13
  Speaker 3: I'm tuned in a lot. How y'all come up with
• 21:14
  Speaker 3: that name, 4-1?
• 21:15
  Speaker 2: 4-1, one for all.
• 21:18
  Speaker 3: Feel me?
• 21:19
  Speaker 2: That's the motto. It's a family at the end of
• 21:21
  Speaker 2: the day. 4-1 is not even just me, Jen, Tata, D-Bills.
• 21:25
  Speaker 2: It's Maddox, Angola. It's really a family behind this shit.
• 21:27
  Speaker 2: That's really what'll be keeping this shit going.
• 21:29
  Speaker 3: Got you. Got you.
• 21:31
  Speaker 2: We turned this shit into a movement. Now this shit
• 21:33
  Speaker 2: is global. This shit worldwide.
• 21:35
  Speaker 3: Facts. I don't know about that.
• 21:38
  Speaker 4: So y'all all got these, you, Jen, Tata, I got
• 21:42
  Speaker 4: these solo albums. Talk about that. We waiting on that
• 21:45
  Speaker 4: because now we always hit y'all together. And who would
• 21:48
  Speaker 4: y'all like to work with?
• 21:50
  Speaker 3: First the fat boys break up. Come on, man. Is
• 21:54
  Speaker 3: the group breaking up, man? What's going on? Dolo albums?
• 21:57
  Speaker 3: I don't know.
• 21:57
  Speaker 2: I'm not breaking up.
• 21:58
  Speaker 3: All right. I'm just making sure, man. I'm just making sure.
• 22:01
  Speaker 4: Football is back, folks. And you need to change the
• 22:03
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• 23:18
  Speaker 3: Whoa.
• 23:19
  Speaker 1: One thing Offset told me when I first met the
• 23:21
  Speaker 1: nigga in LA or some shit, it was me and
• 23:23
  Speaker 1: Jenna Tata. We came in a spot. I forgot what
• 23:25
  Speaker 1: spot it was for me. But he put this to
• 23:26
  Speaker 1: the side. He said, yo, whatever you do, don't be
• 23:29
  Speaker 1: like me. I just be thinking about that shit, because
• 23:31
  Speaker 1: look at him, for me, his brother, dad, rest in
• 23:34
  Speaker 1: peace to take off. I don't even know his relationship
• 23:37
  Speaker 1: with Quavo, but for me, it's just not.
• 23:39
  Speaker 2: The same no more.
• 23:40
  Speaker 1: Everybody, they sold him and shit, they doing their own thing,
• 23:42
  Speaker 1: but it's just not the same for me. I be
• 23:44
  Speaker 1: thinking about that shit all the time. I try to
• 23:46
  Speaker 1: not be like that. I don't think it'll ever be
• 23:48
  Speaker 1: like that, you know what I'm saying? Because we a family.
• 23:52
  Speaker 1: I really love my brothers to death. It's really real love.
• 23:55
  Speaker 3: That's what's up, man. That's what's up, man. That's real.
• 23:59
  Speaker 6: I feel like for.
• 24:03
  Speaker 4: Y'all generation, it's a lot more pressure. You know what
• 24:07
  Speaker 4: I'm saying? Especially in New York City, because New York City,
• 24:09
  Speaker 4: we done make our everyday fashion. Money, you gotta look good,
• 24:12
  Speaker 4: you gotta, like your jeans.
• 24:13
  Speaker 3: New York City, baby.
• 24:15
  Speaker 4: Why you keep talking about it?
• 24:16
  Speaker 2: No, I'm just saying.
• 24:17
  Speaker 4: No, I'm just saying, both of y'all jeans like 2000.
• 24:19
  Speaker 3: You know what I'm saying?
• 24:21
  Speaker 4: Y'all just, it's New York. You gotta do that as
• 24:23
  Speaker 4: an artist. It's a lot more pressure. Know what I'm saying?
• 24:26
  Speaker 4: You got fucking scammers looking like rappers now. Know what
• 24:29
  Speaker 4: I'm saying? So it's like, yo, you're like, oh shit,
• 24:31
  Speaker 4: it's pressure. I gotta buy these jeans. Know what I'm saying?
• 24:34
  Speaker 4: I gotta do this. It's a lot more pressure. I'm
• 24:35
  Speaker 4: on the gram.
• 24:36
  Speaker 5: Oh, where?
• 24:36
  Speaker 4: Yo, he got, what?
• 24:37
  Speaker 3: His bro, he's a 30. I used to be like that.
• 24:39
  Speaker 4: I used to be like that. I'm not like that.
• 24:41
  Speaker 5: I used to be the.
• 24:42
  Speaker 6: Nigga that was acting like he was playing for the
• 24:44
  Speaker 6: 49ers and that just scammed all the girls.
• 24:46
  Speaker 2: Oh, I does.
• 24:46
  Speaker 3: You see all type of shit, man? Pressure.
• 24:49
  Speaker 4: That's what I'm saying.
• 24:49
  Speaker 3: Pressure.
• 24:50
  Speaker 4: You got a nigga saying he's on the 49ers. But
• 24:53
  Speaker 4: it's pressure. Like, New York would be like, yo, like,
• 24:56
  Speaker 4: for instance, for instance, y'all shit going, like, fashion going
• 24:59
  Speaker 4: so fast. Yo, Amiri Poppin, I got all these jeans.
• 25:02
  Speaker 4: Amiri spent a little rack. I'm not y'all. I'm spending
• 25:05
  Speaker 4: a little rack on my shit. I'm going to keep
• 25:06
  Speaker 4: my shit for a while. I'm going to wear my Amiri.
• 25:08
  Speaker 4: Then here y'all go. Amiri Day, wear Rick Owens. Amiri Day,
• 25:13
  Speaker 4: wear Rick Owens. Nah, you got to wear the Wave-O. $ 1, 500.
• 25:17
  Speaker 8: That shit is bad pressure.
• 25:18
  Speaker 4: When we back in the day and put on a band,
• 25:20
  Speaker 4: Red Monkey's like, you ain't hunting or some shit. He's
• 25:23
  Speaker 4: just got one use.
• 25:24
  Speaker 2: This shit is fire.
• 25:25
  Speaker 4: Nigga, I'm wearing them shits every day if I spend $ 1, 500.
• 25:28
  Speaker 2: I still be wearing these shits, man. I wear these
• 25:30
  Speaker 2: shits like a hundred times a week.
• 25:32
  Speaker 3: I don't give a fuck.
• 25:33
  Speaker 4: That shit is Russian, man.
• 25:34
  Speaker 2: But the fans, they see you with some shit twice,
• 25:36
  Speaker 2: they start doing a dick vibe and shit.
• 25:37
  Speaker 7: I used to give a fuck, but then I realized
• 25:40
  Speaker 7: I'm really that.
• 25:41
  Speaker 2: I'm saying like, I'm really that.
• 25:43
  Speaker 5: I could've put on a sweatsuit.
• 25:44
  Speaker 2: Talk that shit, Jeff. Talk that shit, Jeff.
• 25:49
  Speaker 5: He keeps telling me get dressed.
• 25:50
  Speaker 8: I'm trying to be comfy.
• 25:52
  Speaker 3: Fuck.
• 25:53
  Speaker 4: For sure, y'all do get fly. Y'all got a clothing
• 25:55
  Speaker 4: line coming? Y'all ever do that?
• 25:57
  Speaker 2: Nah, super soon.
• 25:58
  Speaker 5: Nah, we gotta get on that.
• 25:59
  Speaker 2: We got a lot of shit coming. I ain't gonna
• 26:00
  Speaker 2: front and forth.
• 26:02
  Speaker 3: You on point, see?
• 26:03
  Speaker 5: Come on, bro.
• 26:04
  Speaker 4: You ever think about acting?
• 26:06
  Speaker 3: Yeah.
• 26:07
  Speaker 4: I need them classes, bro.
• 26:08
  Speaker 2: I'm trying to get nice.
• 26:09
  Speaker 3: I ain't going to lie.
• 26:10
  Speaker 2: I take the acting shit to the movies.
• 26:12
  Speaker 3: Facts.
• 26:12
  Speaker 2: But I got to get nice, you know what I'm saying?
• 26:14
  Speaker 2: I need them classes. I ain't going to lie.
• 26:15
  Speaker 4: Because you got to think, who's the only rap group
• 26:17
  Speaker 4: that made it from Brownsville? M.O.P.? Who else? That was it.
• 26:21
  Speaker 4: Y'all and M.O.P.? Y'all don't even know who M.O.P.
• 26:24
  Speaker 3: Is.
• 26:25
  Speaker 4: I'm just saying, y'all wasn't even born. You wasn't born.
• 26:31
  Speaker 3: Come on, man.
• 26:32
  Speaker 8: Back in the day. Back in the day.
• 26:35
  Speaker 4: Nah, but I'm just saying, it's just them right here
• 26:37
  Speaker 4: and M.O.P. from Brownsville. Y'all the only ones to take off.
• 26:39
  Speaker 4: That's big for Brownsville, Brooklyn.
• 26:41
  Speaker 7: I ain't gonna lie.
• 26:42
  Speaker 3: I feel good. Y'all really took off.
• 26:43
  Speaker 2: Yeah.
• 26:50
  Speaker 4: To be playing overseas and fucking make it out of
• 26:53
  Speaker 4: New York City?
• 26:54
  Speaker 5: We got to go back overseas, bro.
• 26:55
  Speaker 2: I ain't going to lie. I still think we got
• 26:57
  Speaker 2: a long way to go. This is nothing.
• 26:59
  Speaker 3: Y'all just getting started, man.
• 27:01
  Speaker 2: Super just getting started.
• 27:02
  Speaker 3: So how these individual projects is going to work, man?
• 27:06
  Speaker 3: I know y'all going to feature on each other's projects.
• 27:07
  Speaker 3: Of course.
• 27:08
  Speaker 2: Of course.
• 27:09
  Speaker 1: I mean, but I'm really just trying to do nothing
• 27:11
  Speaker 1: that I did before. I'm just trying to be on
• 27:13
  Speaker 1: some super different shit. I'm really showing them what KR
• 27:16
  Speaker 1: is for me. I'm really here to stay. I got
• 27:18
  Speaker 1: a different message I'm trying to put straight, man.
• 27:21
  Speaker 3: Turn up, letting them know who the real K.R. is.
• 27:24
  Speaker 3: We here to be legendary, bro. Got you, man.
• 27:26
  Speaker 1: I'm tired of chasing peace, bro. I'm trying to be legendary.
• 27:28
  Speaker 3: He's going to let y'all know who the real K.R. is.
• 27:30
  Speaker 3: Ain't no more chilling, man. I would love to see
• 27:32
  Speaker 3: the documentary.
• 27:34
  Speaker 2: It's coming soon, bro. Coming to the theater in a year.
• 27:36
  Speaker 4: I want to see the documentary on you guys, because
• 27:38
  Speaker 4: you guys are making hit records, and I feel like
• 27:40
  Speaker 4: y'all didn't get just caught up in that drill wave.
• 27:43
  Speaker 4: A lot of rappers got caught up in the drill wave.
• 27:45
  Speaker 4: They came and went. And I'm not saying Drill is dead,
• 27:48
  Speaker 4: because people still listen to Drill.
• 27:49
  Speaker 2: Nah, it's not dead.
• 27:50
  Speaker 4: It's not dead, but what I'm saying is y'all making
• 27:53
  Speaker 4: records that are just not just Drill.
• 27:56
  Speaker 6: Yeah.
• 27:57
  Speaker 1: That's why we still relevant. Like I said, for me,
• 27:59
  Speaker 1: we want to keep a dive into the new sound.
• 28:00
  Speaker 1: We making the new sound. I mean, it's got to
• 28:04
  Speaker 1: be different.
• 28:04
  Speaker 4: Who would you want to do records with? Anybody you
• 28:06
  Speaker 4: didn't want to work with yet?
• 28:08
  Speaker 2: Everybody. I'm trying to go different. I need some Party
• 28:11
  Speaker 2: Next Door shit.
• 28:12
  Speaker 1: I need some 50s shit too. I ain't going to lie.
• 28:14
  Speaker 1: Me and 50, we got some Chicago love. It's coming soon.
• 28:16
  Speaker 4: I just seen you with Sleepy just dropped a heat secret.
• 28:18
  Speaker 4: Talk about that.
• 28:19
  Speaker 3: How was that?
• 28:19
  Speaker 4: Facts.
• 28:20
  Speaker 2: I just dropped a big movie. I ain't gonna lie.
• 28:22
  Speaker 2: That's my son. I was just on 2K with him.
• 28:25
  Speaker 4: Y'all probably had 10 million views.
• 28:26
  Speaker 2: You play 2K a day, I ain't gonna lie. For me,
• 28:28
  Speaker 2: that record right there, big movie.
• 28:31
  Speaker 4: How many views? Y'all probably had five, 10 million. Y'all
• 28:34
  Speaker 4: just dropped it. Y'all do views.
• 28:36
  Speaker 2: I ain't gonna lie. Like we was saying, bro.
• 28:42
  Speaker 3: Streams, bro.
• 28:43
  Speaker 2: Streams don't even matter. This shit's just pennies now, bro.
• 28:46
  Speaker 4: Yeah. It's really, get the tour money and, you know,
• 28:49
  Speaker 4: stack up and later on down the line, sell y'all
• 28:52
  Speaker 4: masters and, you know, get fucking rich. That's what people
• 28:54
  Speaker 4: is doing. You know, own some of your music, because
• 28:57
  Speaker 4: I'm quite sure y'all going to do that down the line.
• 28:59
  Speaker 4: You know, y'all are smart. You know, you're in business, right?
• 29:02
  Speaker 4: Y'all be good.
• 29:03
  Speaker 3: Jay, who you want to work with on your own
• 29:05
  Speaker 3: solo project, man, that you ain't work with, Jay?
• 29:09
  Speaker 7: I don't work with a lot of people, but there's
• 29:10
  Speaker 7: still a couple people on my list. I be wanting
• 29:14
  Speaker 7: to give love to the new artists too. There's a
• 29:17
  Speaker 7: lot of new artists coming out here, popping and shit,
• 29:20
  Speaker 7: Atlanta doing their thing for me. I want to work with,
• 29:25
  Speaker 7: I feel like I wanted to work with Doug.
• 29:29
  Speaker 5: Young Thug.
• 29:31
  Speaker 7: I've worked with a lot of people though, I'm just
• 29:32
  Speaker 7: not trying to expose it. I'm just not trying to
• 29:34
  Speaker 7: expose it, though.
• 29:35
  Speaker 4: Rob Markman I mean, you might not like Doug, you
• 29:40
  Speaker 4: know what I'm saying?
• 29:41
  Speaker 5: But other people- Rob Markman Wait, why you don't like?
• 29:43
  Speaker 5: What's up? Wait, what's wrong?
• 29:46
  Speaker 4: Rob Markman I'm just saying.
• 29:49
  Speaker 8: I like Doug.
• 29:50
  Speaker 4: You know what I think it is with the youth,
• 29:51
  Speaker 4: with Doug?
• 29:52
  Speaker 3: Rob Markman What it is, man?
• 29:52
  Speaker 4: Rob Markman Doug got the hit records and he got
• 29:55
  Speaker 4: the fashion.
• 29:56
  Speaker 7: Bro, I feel like Doug is just like, his voice
• 29:58
  Speaker 7: is iconic.
• 30:00
  Speaker 5: Future too, I'll put Future up there too, for real.
• 30:03
  Speaker 4: Nah, Future, I fuck with Gunna too, though. I fuck
• 30:06
  Speaker 4: with Gunna too, bro. I fuck with Gunna. But I
• 30:08
  Speaker 4: think what is, I think- What's going on, bro? Yo,
• 30:11
  Speaker 4: come on, man. Stop all that. I'm giving you- I'm
• 30:13
  Speaker 4: just naming- What, bro? I don't fuck with Gunna.
• 30:16
  Speaker 6: They just naming everybody that's bad right now.
• 30:19
  Speaker 3: What? You fuck with Gunna.
• 30:20
  Speaker 4: I fuck with Gunna, too. This is the real report.
• 30:23
  Speaker 3: They say Young Thug and Gunna is bad in the streets, right?
• 30:27
  Speaker 3: They say they bad. Okay. Young Thug did bad in
• 30:30
  Speaker 3: the precinct and Gunna did bad, right?
• 30:33
  Speaker 6: They say they bad. Y'all not aware of this shit?
• 30:36
  Speaker 6: Y'all looking like y'all confused. Y'all aware of this? Y'all
• 30:38
  Speaker 6: aware of this, right?
• 30:39
  Speaker 8: So what about the music? What the fuck.
• 30:42
  Speaker 4: Going on with him?
• 30:43
  Speaker 6: I don't want you to get to the point about
• 30:46
  Speaker 6: the music.
• 30:46
  Speaker 4: You gotta separate.
• 30:47
  Speaker 3: Thank you. Say it.
• 30:49
  Speaker 4: Say it. Nah, real shit though. I fuck with thug music.
• 30:53
  Speaker 2: I fuck with gunna music.
• 30:54
  Speaker 4: I don't know them in real life. I don't give
• 30:56
  Speaker 4: a fuck about what they did. I don't give a
• 30:57
  Speaker 4: fuck about what they do with me.
• 30:58
  Speaker 2: I don't give a fuck.
• 30:59
  Speaker 4: About what they do with me.
• 31:00
  Speaker 3: If they call us to do a record, they going
• 31:02
  Speaker 3: to do a record. It's business. Y'all going to do
• 31:04
  Speaker 3: a record? If OTF Jam come home and start rapping,
• 31:06
  Speaker 3: y'all going.
• 31:06
  Speaker 5: To do a record with him too?
• 31:07
  Speaker 4: I never even heard a song from him though.
• 31:09
  Speaker 3: But I never heard a song from him though.
• 31:10
  Speaker 6: If he come home and start rapping and his shit
• 31:11
  Speaker 6: get lit, y'all going to do a record with him too?
• 31:13
  Speaker 8: That's not somebody that I was like.
• 31:16
  Speaker 3: You going to start bumping his shit too?
• 31:17
  Speaker 4: Nigga, you wasn't... So you wasn't bumping Gunna? So we
• 31:20
  Speaker 4: wasn't bumping Gunna? Why are you doing that? We wasn't
• 31:24
  Speaker 4: listening to the Gunna backstage. When he dropped that album,
• 31:28
  Speaker 4: music is... Yo, look. Yo, you know what's the great thing? Yo,
• 31:32
  Speaker 4: I'm going to tell you.
• 31:34
  Speaker 3: Yo, yo, look.
• 31:34
  Speaker 4: Let me tell you the realest shit ever. Yo, you
• 31:38
  Speaker 4: could have a bad rep in the streets. You could
• 31:41
  Speaker 4: have a bad rep in jail. You could have the
• 31:43
  Speaker 4: most bad press in the world. But if you make
• 31:46
  Speaker 4: a hit record, that supersedes everything. I don't give a
• 31:49
  Speaker 4: fuck what you did. You slapped your mama, slapped the president,
• 31:53
  Speaker 4: kicked your girl out of the car, whatever it is.
• 31:55
  Speaker 4: And I'm not condoning none of that. If you make
• 31:59
  Speaker 4: a hit record, it's going to fix all of that.
• 32:03
  Speaker 4: Am I wrong or right? That's how I feel. Niggas
• 32:06
  Speaker 4: care about the music. Yeah, niggas care about the lifestyle.
• 32:10
  Speaker 3: Definitely.
• 32:10
  Speaker 4: They want to know if you real or whatever. But
• 32:12
  Speaker 4: if you fuck up. Considered to the streets and you
• 32:16
  Speaker 4: make a hit record. Don't act like you wasn't bumping Gunna.
• 32:18
  Speaker 3: I was not bumping with Gunna, man.
• 32:19
  Speaker 4: Yo, like the barber.
• 32:20
  Speaker 5: Maybe he just wasn't a Gunna fan.
• 32:22
  Speaker 4: Biggest Gunna fan. Gunna was bumping. Gunna was fire, bro. Backstage.
• 32:27
  Speaker 4: He was fire, yeah.
• 32:28
  Speaker 2: I ain't gonna lie.
• 32:29
  Speaker 4: Now I'm back on Rodeo. Niggas was like this. Let's
• 32:33
  Speaker 4: not heck like, you wasn't listening to Gunna back then, bruh.
• 32:36
  Speaker 7: Damn, man.
• 32:36
  Speaker 4: Harlem legend.
• 32:37
  Speaker 3: Where you at, Harlem legend? I need you to say
• 32:39
  Speaker 3: something for me.
• 32:39
  Speaker 4: Nah, I'm not listening to that nigga right now. We
• 32:41
  Speaker 4: telling the truth. A hit supersedes everything.
• 32:46
  Speaker 3: No, it don't. Don't listen to that, the streets.
• 32:48
  Speaker 4: A hit supersedes everything.
• 32:50
  Speaker 5: I just feel like they talented.
• 32:51
  Speaker 7: I mean, personally, I just feel like that song would be.
• 32:54
  Speaker 3: All right, can you name somebody else you want to
• 32:55
  Speaker 3: work with, man? Yo. All right.
• 32:58
  Speaker 8: For me, shout out Lil Uzi Vert. I already worked
• 33:00
  Speaker 8: with him.
• 33:00
  Speaker 6: Who?
• 33:01
  Speaker 8: Lil Uzi Vert.
• 33:02
  Speaker 2: All right, Lil Uzi.
• 33:03
  Speaker 3: Yeah, he ain't do no shit. Shout out to Lil Uzi, man.
• 33:05
  Speaker 4: Shout out to Lil Uzi.
• 33:06
  Speaker 5: Yeah, shout out to Lil Uzi.
• 33:07
  Speaker 4: He just dropped an EP. I'm listening to it.
• 33:08
  Speaker 1: Word.
• 33:09
  Speaker 4: It's pretty dope. Word. I like poured on there.
• 33:11
  Speaker 1: Crazy, man.
• 33:11
  Speaker 7: I'm in tune.
• 33:12
  Speaker 4: See me?
• 33:13
  Speaker 3: Bumping Lil Uzi shit. I ain't know. I'm just finding
• 33:16
  Speaker 3: this out.
• 33:16
  Speaker 4: I knew them, right? I was in tune with his
• 33:18
  Speaker 4: whole life, right? He's in tune. I love hip hop. See,
• 33:21
  Speaker 4: the whole thing is I like having... iced tea on
• 33:24
  Speaker 4: here and didn't have a full one on here. Cause
• 33:27
  Speaker 4: it's both elements of hip hop. You know what I'm saying?
• 33:30
  Speaker 4: So if you catch my eye, that means you working
• 33:33
  Speaker 4: because you're marketing yourself when I'm seeing you. With a
• 33:36
  Speaker 4: ton of rappers that drop every day.
• 33:38
  Speaker 3: You ain't come tell me, like, yo, Merc, I was
• 33:39
  Speaker 3: listening to Lil Uzi, shit or something. We usually let
• 33:42
  Speaker 3: each other know what we listening to. Like, we put
• 33:43
  Speaker 3: each other on.
• 33:44
  Speaker 4: You ain't come let me know. I just happen to
• 33:47
  Speaker 4: listen to it. My kids is fucking 18 and 20. So,
• 33:50
  Speaker 4: I listen. Tyler, the Creator, this nigga, that nigga, 4-1.
• 33:53
  Speaker 4: That's what they don't understand. Like, the kids is 18
• 33:55
  Speaker 4: to 21 to 24 to 28 to 26 to 25.
• 33:56
  Speaker 4: It's fucking with them. So if you in the crib
• 34:04
  Speaker 4: and your kid is playing that, or they want to
• 34:07
  Speaker 4: hear that shit in the car, you're going to know
• 34:08
  Speaker 4: about the music, yo. I'm in my 40s, nigga. Like shit,
• 34:12
  Speaker 4: I know shit, everything. You know what I'm saying? And
• 34:15
  Speaker 4: then when you're going viral, you know your girl giving
• 34:16
  Speaker 4: out shit, your opps and shit, that shit going viral.
• 34:19
  Speaker 4: Because people are.
• 34:20
  Speaker 3: Just keeping it real. You know what.
• 34:22
  Speaker 4: I'm saying, Jen? Or when Jen's with a bad bitch,
• 34:25
  Speaker 4: like that shit going viral.
• 34:26
  Speaker 3: Yeah. Jen took Playboy Cardigan.
• 34:29
  Speaker 5: That's crazy.
• 34:30
  Speaker 4: You know Jen got game. I'm just saying.
• 34:32
  Speaker 3: Jen got game.
• 34:35
  Speaker 4: Jen in these streets, man.
• 34:38
  Speaker 2: Jen in these streets, man.
• 34:41
  Speaker 3: Jen in these streets, man.
• 34:43
  Speaker 4: She be creeping.
• 34:46
  Speaker 3: Brooklyn, baby. Brooklyn.
• 34:49
  Speaker 8: Gotta reminder. Gotta reminder. I ain't gonna lie.
• 34:53
  Speaker 3: You know, East New York and Brownsville is neighbors, man.
• 34:55
  Speaker 4: I know they neighbors. I know that.
• 34:57
  Speaker 3: It's all good. We all grimy.
• 34:58
  Speaker 2: We all grimy.
• 35:01
  Speaker 4: Shout out to King BMO. When he was on the show,
• 35:04
  Speaker 4: he was super excited.
• 35:04
  Speaker 3: Of course, man.
• 35:05
  Speaker 4: I can see y'all doing it. Y'all would do a
• 35:06
  Speaker 4: record with him?
• 35:07
  Speaker 3: Of course. Y'all need to do that, man. Yeah, of course.
• 35:09
  Speaker 3: I can see that happening. That's my guy.
• 35:13
  Speaker 4: Chef, free chef. I can see y'all doing something with him.
• 35:16
  Speaker 5: I saw Deebo's got a song on.
• 35:19
  Speaker 4: I could see y'all doing something with Lil Shimmy, Rob 4ix9ine.
• 35:21
  Speaker 2: We probably going crazy.
• 35:24
  Speaker 4: I could see y'all doing something with G Herbo.
• 35:26
  Speaker 2: We got some shit with Herbo.
• 35:28
  Speaker 4: Okay, fire. Fire. I could even see y'all fucking with
• 35:33
  Speaker 4: Chicago niggas like Q50 and them. Nigga naming everybody. Yeah,
• 35:38
  Speaker 4: I be bumping blood on little Jeff. Rest in peace.
• 35:41
  Speaker 2: Nah, rest in peace. I be bumping him too.
• 35:43
  Speaker 4: Yeah, I be bumping blood. I fuck with.
• 35:46
  Speaker 2: My son Vaughn, I ain't gonna lie.
• 35:50
  Speaker 4: Yeah. King Vaughn?
• 35:51
  Speaker 2: Nah, Vaughn on 1700.
• 35:53
  Speaker 3: Oh.
• 35:54
  Speaker 4: Nah, because I remember when Fabio had the record with
• 35:56
  Speaker 4: King Vaughn. That was kind of dope.
• 35:58
  Speaker 3: Yeah, that shit.
• 35:58
  Speaker 4: It's great. That was like the first Brooklyn nigga you
• 36:01
  Speaker 4: seen had a record with him.
• 36:02
  Speaker 3: He made a statement.
• 36:03
  Speaker 1: Which I think about 5e and his little gospel shit.
• 36:07
  Speaker 6: They was telling me about it. I didn't get to
• 36:09
  Speaker 6: hear it still yet, man. What y'all think about that shit?
• 36:12
  Speaker 6: I wouldn't let the youth think about it.
• 36:13
  Speaker 4: The whole thing is, do you still have ops when
• 36:16
  Speaker 4: you do gospel music?
• 36:17
  Speaker 3: Hell yeah.
• 36:18
  Speaker 4: Even if you stop, because you've been saying GDK for
• 36:20
  Speaker 4: a long time. Nah, he probably do.
• 36:21
  Speaker 2: For me, that shit don't go nowhere.
• 36:22
  Speaker 3: Yeah, the ops don't give two fucks about that.
• 36:24
  Speaker 2: But for me, he just, he choosing a different path.
• 36:27
  Speaker 4: No, I love that for him. You actually out-jack it.
• 36:28
  Speaker 3: I ain't gonna lie.
• 36:29
  Speaker 4: No, I jack it too. But the whole thing is,
• 36:31
  Speaker 4: it's the ops jacket. Who cares, bro? See, for me,
• 36:35
  Speaker 4: it's people, places, and things. So it's like, We have
• 36:38
  Speaker 4: street anxiety. Why? Because we know that no matter as
• 36:41
  Speaker 4: long as we live, as long as I live, I
• 36:43
  Speaker 4: watch my back. That's street anxiety. So what I'm saying
• 36:47
  Speaker 4: is I'm a man of God, too. Like, you know
• 36:49
  Speaker 4: what I'm saying? I got Jesus and Mary in my arms.
• 36:51
  Speaker 4: I'm a man of God, too. But I still got
• 36:53
  Speaker 4: street anxiety from what I've been through. Like, when I
• 36:56
  Speaker 4: was your age, same shit y'all going through. Mom's crib
• 36:57
  Speaker 4: shot up. We was with 50, so it was a
• 37:00
  Speaker 4: whole bunch of shit going on. You know what I mean?
• 37:02
  Speaker 4: And I know everybody, murder, shootouts, street anxiety, y'all shit
• 37:06
  Speaker 4: y'all been through. Being from Brownsville, come on. It ain't
• 37:09
  Speaker 4: a walk in the park. It ain't fucking rainbows and fucking...
• 37:14
  Speaker 4: I see what.
• 37:15
  Speaker 1: You're saying, but we all got this shit chasing us.
• 37:18
  Speaker 1: For me, I'm a man of God, too. For me,
• 37:21
  Speaker 1: and I still got street anxiety. For me, this shit
• 37:23
  Speaker 1: is my life. I can't run away from this shit.
• 37:25
  Speaker 1: But at the same time, that don't mean that we
• 37:27
  Speaker 1: can't choose to change the type of energy that we
• 37:29
  Speaker 1: putting out in the world. The way I see it,
• 37:32
  Speaker 1: he got a whole lot of influence. And for me,
• 37:34
  Speaker 1: he was in the movies. And for me, now he's
• 37:36
  Speaker 1: just trying to do right with his influence.
• 37:37
  Speaker 4: But how can we do that when negative energy, negative
• 37:41
  Speaker 4: news spreads faster?
• 37:43
  Speaker 5: Who cares, bro?
• 37:44
  Speaker 6: I mean, look, we talking about him now, so I
• 37:45
  Speaker 6: guess it's working, right? We talking about him doing the
• 37:48
  Speaker 6: God thing now. But the whole thing is, do you
• 37:50
  Speaker 6: think kids now will purchase a gospel album?
• 37:54
  Speaker 5: Maybe he not aiming for the kids.
• 37:55
  Speaker 7: I don't know.
• 37:57
  Speaker 2: With the power of God.
• 37:58
  Speaker 5: Maybe he aiming for Leader Herod.
• 38:00
  Speaker 4: Yo, listen, God don't strike me down. I don't have
• 38:02
  Speaker 4: nothing against God.
• 38:03
  Speaker 8: I'm aiming for the people of Leader Herod.
• 38:06
  Speaker 4: I just don't know if the YNs are going jacked at.
• 38:09
  Speaker 5: That's it.
• 38:10
  Speaker 3: Let me move away just in case God decides to
• 38:12
  Speaker 3: strike this nigga down.
• 38:13
  Speaker 5: That's the problem, Troncise. Troncise fought the YNs.
• 38:15
  Speaker 8: That's the problem, man.
• 38:16
  Speaker 1: That's the shit that was holding me back for a minute.
• 38:18
  Speaker 2: I don't give a fuck what nobody think.
• 38:21
  Speaker 4: But then you got to think, this is New York City.
• 38:23
  Speaker 4: How you going to pay the bills? You got to rap,
• 38:24
  Speaker 4: do shows. So if y'all don't do Big Drip no more,
• 38:27
  Speaker 4: Can I get shows? Because he could do New York.
• 38:32
  Speaker 4: He could do New York. He could do the New
• 38:34
  Speaker 4: York joint.
• 38:35
  Speaker 2: He could do. I don't know. What are you doing?
• 38:37
  Speaker 3: He's 41.
• 38:38
  Speaker 2: What if he ready to wrap it up?
• 38:40
  Speaker 4: That's true.
• 38:41
  Speaker 3: Hey, 40.
• 38:43
  Speaker 4: I don't know how old he is.
• 38:45
  Speaker 3: He old.
• 38:46
  Speaker 4: I was like, damn. See, that's the thing. This age
• 38:49
  Speaker 4: matter in hip hop. They just told you, like, damn.
• 38:52
  Speaker 3: Damn. This is crazy.
• 38:55
  Speaker 4: Damn, why niggas get old so fast? Nigga be like 25,
• 38:58
  Speaker 4: and they be.
• 38:59
  Speaker 5: Like, yo, you are old right now.
• 39:01
  Speaker 3: Why is that?
• 39:03
  Speaker 4: Why is that with y'all ever though? Nigga be 20. Yo,
• 39:05
  Speaker 4: nigga just turned 24.
• 39:06
  Speaker 3: I'm in the best shape of my life, nigga.
• 39:08
  Speaker 5: You about to call me old.
• 39:09
  Speaker 2: When I was younger, I used to be doing the
• 39:10
  Speaker 2: same shit, but now that I get older.
• 39:11
  Speaker 5: Yeah, now I kind of feel bad. It's the best
• 39:13
  Speaker 5: thing you can make of this, bro.
• 39:14
  Speaker 8: I'm like, hold on.
• 39:15
  Speaker 2: God forbid a nigga still make it to this age.
• 39:17
  Speaker 3: How old are you now, man?
• 39:19
  Speaker 2: I'm 23, if I'm saying it like that.
• 39:20
  Speaker 3: This nigga said, I'm old now.
• 39:22
  Speaker 4: I ain't gonna lie.
• 39:23
  Speaker 2: This shit I been through, I'm really like 40.
• 39:24
  Speaker 4: That's what I mean.
• 39:25
  Speaker 3: Nigga be 25.
• 39:26
  Speaker 4: Nigga's like, yo, he a old head.
• 39:31
  Speaker 8: Exactly, bro.
• 39:33
  Speaker 3: 25.
• 39:33
  Speaker 4: Yo, you a old head, man. They call you Unk
• 39:36
  Speaker 4: at 25.
• 39:36
  Speaker 5: They call you Unk at 25.
• 39:37
  Speaker 2: I'm 23.
• 39:38
  Speaker 4: That's crazy, bro. It's so crazy, man.
• 39:42
  Speaker 2: It's multiple new generations. It's not just one. It's shit crazy, bro.
• 39:46
  Speaker 6: So y'all feel like Fabio old. To y'all, he's old.
• 39:48
  Speaker 6: Y'all look at him with like an old head. He
• 39:50
  Speaker 6: definitely old.
• 39:51
  Speaker 2: That's my boy though.
• 39:52
  Speaker 3: Got you. Got you. I fuck with Bobby Heavy. Got you.
• 39:56
  Speaker 3: All right.
• 39:58
  Speaker 4: Got you. What you saying? She said he's 23 years old.
• 40:03
  Speaker 3: So nigga. That's shit.
• 40:04
  Speaker 2: That's old, man. I ain't gonna lie. But like, it's
• 40:07
  Speaker 2: not wrong being old.
• 40:09
  Speaker 3: Yeah. Damn, nigga.
• 40:10
  Speaker 4: Shit.
• 40:10
  Speaker 3: We in the best shape of our life, nigga. Nigga
• 40:12
  Speaker 3: over here like, damn, that's old.
• 40:14
  Speaker 2: Nigga, we still doing the same shit.
• 40:16
  Speaker 3: Facts. You know what the young people got to understand though, right? See,
• 40:19
  Speaker 3: y'all say that, right?
• 40:20
  Speaker 6: But you know, if somebody, you know, God forbid, when
• 40:22
  Speaker 6: somebody die at 40 or something.
• 40:24
  Speaker 3: Like that, you know, they say, damn, he was young.
• 40:27
  Speaker 8: That's a fact.
• 40:28
  Speaker 3: You know what I mean? That's a fact.
• 40:29
  Speaker 6: But if somebody's fucking 40 here running around doing their thing,
• 40:32
  Speaker 6: you want to fucking call them old, though, my nigga.
• 40:35
  Speaker 8: That is a fact.
• 40:35
  Speaker 2: No, everything changes. You got to know it. They only
• 40:37
  Speaker 2: give you credit when you die.
• 40:39
  Speaker 8: That shit crazy.
• 40:42
  Speaker 3: Yo, yo.
• 40:44
  Speaker 4: You know what's crazy? That's why the younger generation don't
• 40:47
  Speaker 4: care about dying. It's 28 years old. Y'all are tripping.
• 40:52
  Speaker 4: We just was with Ice-T, got a Richard Milly on.
• 40:54
  Speaker 4: He's 69 years old, he look good.
• 40:56
  Speaker 3: For real. 68 looking good, no pause. He looking good
• 40:58
  Speaker 3: for his teens, right man? He like man. 68, you
• 41:01
  Speaker 3: wouldn't even believe that shit.
• 41:02
  Speaker 4: He's 68 about to be 70. That nigga said my
• 41:04
  Speaker 4: waist is thin and my skin look pretty, nigga.
• 41:07
  Speaker 3: For real, real pimp shit, nigga.
• 41:08
  Speaker 5: Salute to Ice-T.
• 41:09
  Speaker 8: Nah, he look young.
• 41:10
  Speaker 2: Ah, that's crazy.
• 41:11
  Speaker 3: For real.
• 41:11
  Speaker 4: It's cool to want to be older. It seem like
• 41:13
  Speaker 4: niggas want to die young. Like, cause now niggas saying
• 41:15
  Speaker 4: I'm an unk at 28, you want to die young.
• 41:17
  Speaker 4: You don't care.
• 41:18
  Speaker 8: Bro, that's, bro, the people that be saying.
• 41:20
  Speaker 2: Ask me to kids, bro.
• 41:21
  Speaker 3: You don't want to be great, bro. I want to
• 41:22
  Speaker 3: die young.
• 41:23
  Speaker 4: You don't care. Unc is 28? That's crazy.
• 41:28
  Speaker 8: They be like, yo, you pushing 30.
• 41:31
  Speaker 7: Once you turn 25, once you turn 25, they say
• 41:33
  Speaker 7: you're pushing 30.
• 41:35
  Speaker 5: And that makes you Unc.
• 41:36
  Speaker 4: See, this is what discouraged the rappers. Say I'm 28
• 41:38
  Speaker 4: and I ain't get on yet. Y'all discouraging me, but
• 41:43
  Speaker 4: I still look good. You know what I'm saying?
• 41:44
  Speaker 2: That's why you can't care about what people do.
• 41:45
  Speaker 4: Yeah, exactly.
• 41:46
  Speaker 8: Because y'all telling me I'm an uncle.
• 41:49
  Speaker 5: Nah, we just letting you be aware.
• 41:52
  Speaker 7: Nah. You're not supposed to give a fuck, though.
• 41:56
  Speaker 5: Real shit.
• 41:56
  Speaker 4: Think about it. Fabio came in the game at 30.
• 41:59
  Speaker 4: So that's why he like, yo, that nigga mad.
• 42:01
  Speaker 2: It's really never too late, though. The baby bags.
• 42:05
  Speaker 4: So I'm saying.
• 42:05
  Speaker 2: French Montana, he mad. They got billboard hits right now.
• 42:09
  Speaker 5: Age don't matter in this shit, bro.
• 42:10
  Speaker 3: I'm not going to lie. Age don't matter. My lady, man.
• 42:13
  Speaker 4: That's why you got to get on before you hit
• 42:15
  Speaker 4: an age limit now.
• 42:16
  Speaker 3: Nah, but you can still do it. You got to hustle.
• 42:17
  Speaker 3: It don't matter what age, bro. You just got to
• 42:19
  Speaker 3: work hard.
• 42:20
  Speaker 5: It don't matter what age that shit come.
• 42:24
  Speaker 4: Nah, niggas been age shaming. YN's been age shaming for
• 42:27
  Speaker 4: a minute.
• 42:28
  Speaker 5: They just young and happy to be young. Let them
• 42:30
  Speaker 5: be young. They happy right now.
• 42:32
  Speaker 4: Niggas ain't making it, though. They getting shot by the minute.
• 42:35
  Speaker 3: We making it.
• 42:36
  Speaker 4: We making it. Like, I'm happy I'm alive.
• 42:39
  Speaker 2: It's a blessing.
• 42:40
  Speaker 4: I'm keeping it real. You go through mad shit, street anxiety,
• 42:43
  Speaker 4: you know what I'm saying? I'm just happy to be here.
• 42:46
  Speaker 4: Hip hop police, duck that. Y'all catching all the Ricohs.
• 42:49
  Speaker 4: We was lucky. We just missed all the Ricohs. We
• 42:51
  Speaker 4: had hip hop police though. They was on our heels.
• 42:54
  Speaker 4: Every day we couldn't go to the clubs. They had
• 42:56
  Speaker 4: us banned from the clubs. That'd be another thing too.
• 42:59
  Speaker 4: Niggas be like, ban the niggas. That's crazy. They used
• 43:04
  Speaker 4: to be like, no G-Unit. Huh?
• 43:05
  Speaker 5: Band of niggas from the club?
• 43:06
  Speaker 4: Yeah. They used to be like, no G-Unit, no Dipset,
• 43:09
  Speaker 4: certain niggas, Uncle Murder. No Uncle Murder. Definitely. Damn. Hip hop,
• 43:13
  Speaker 4: hip hop. Why you do that? Am I lying?
• 43:16
  Speaker 3: No, it was a little crazy back then. It was
• 43:18
  Speaker 3: a little running around. It was a little crazy.
• 43:20
  Speaker 4: Summer Jam ain't stupid. Yo, give 4-1 limited tickets. Give
• 43:23
  Speaker 4: them two tickets.
• 43:24
  Speaker 6: Nah, nah.
• 43:24
  Speaker 5: Summer Jam, big jacket.
• 43:26
  Speaker 4: We have the entourage in the back.
• 43:27
  Speaker 6: So shit.
• 43:28
  Speaker 8: Big jacket.
• 43:30
  Speaker 2: Now they be playing.
• 43:31
  Speaker 4: Niggas be scared of the YNs now.
• 43:33
  Speaker 3: See, my nigga Cal keep it raised and now they
• 43:34
  Speaker 3: be playing.
• 43:35
  Speaker 2: Now they definitely be playing.
• 43:36
  Speaker 8: Bro, that's because we be trying to come 40 deep, bro.
• 43:39
  Speaker 4: Yeah, they know y'all got the goonie goombas. No.
• 43:41
  Speaker 3: 40 niggas? 40 niggas. And we got like 10 niggas
• 43:45
  Speaker 3: that should be crazy.
• 43:46
  Speaker 4: That's what I'm saying.
• 43:47
  Speaker 7: It's just because we be having bad people, bro.
• 43:51
  Speaker 4: So in y'all mind, how you think 40 YNs look
• 43:53
  Speaker 4: coming my way? How do you think somebody named- Bro.
• 43:55
  Speaker 8: It don't be YNs. I'm saying it.
• 43:58
  Speaker 2: It's the team.
• 43:59
  Speaker 7: It's men put together for me that carry themselves.
• 44:01
  Speaker 8: Young men.
• 44:02
  Speaker 4: 40 Brooklyn niggas coming there. You know, I ain't going
• 44:03
  Speaker 4: to lie for me.
• 44:05
  Speaker 2: You know, all that when we coming to build.
• 44:06
  Speaker 8: Like, we coming to build a presidential, real presidential.
• 44:09
  Speaker 4: Nah, but Summer Jam is smart enough to know to say, yo,
• 44:11
  Speaker 4: you know what? Give four one, give them five tickets.
• 44:16
  Speaker 5: They just don't like us smoking.
• 44:19
  Speaker 2: What?
• 44:19
  Speaker 3: They don't like this shit?
• 44:22
  Speaker 1: Nigga.
• 44:22
  Speaker 4: No, I'm just saying. No, I'm just saying.
• 44:24
  Speaker 6: Powered by Endor, the unit Dispo, our brand. You know
• 44:27
  Speaker 6: the vibes.
• 44:29
  Speaker 3: Shout out Thrax, man.
• 44:31
  Speaker 4: Y'all ever think about open dispensary or getting into cannabis
• 44:34
  Speaker 4: or no?
• 44:34
  Speaker 2: Starting a brand?
• 44:35
  Speaker 4: I got a brand called Thrax. Oh, you got a strength?
• 44:37
  Speaker 4: Talk about that. Called Thrax?
• 44:39
  Speaker 3: Thrax, Thrax, Thrax. Thrax? Okay.
• 44:42
  Speaker 2: So it's a big move right now for me.
• 44:44
  Speaker 1: We had a couple drops for me, but we took
• 44:46
  Speaker 1: some time to really get the flower together and shit.
• 44:48
  Speaker 2: We bought a drop in like a week or two
• 44:51
  Speaker 2: for me.
• 44:51
  Speaker 5: Rob Markman Shout out Thrax. Shout out Maui Waiwi for
• 44:53
  Speaker 5: my son Tata.
• 44:54
  Speaker 2: My son Tata not here right now.
• 44:57
  Speaker 3: Free Tata.
• 44:58
  Speaker 1: I'm trying to open mad avenues in this shit. Like
• 45:00
  Speaker 1: this music shit opened a lot of avenues for me.
• 45:02
  Speaker 1: And cannabis is just one of them for me.
• 45:03
  Speaker 4: I mean, y'all from Brownsville. Y'all got a story. Being
• 45:06
  Speaker 4: from Brownsville.
• 45:07
  Speaker 3: People gonna be like, yo, what happened to Ty Ty?
• 45:08
  Speaker 2: Yo, where Ty Ty at?
• 45:09
  Speaker 5: He's fine, yo.
• 45:10
  Speaker 3: I think they going through some shit. No, he's fine.
• 45:12
  Speaker 4: Ty Ty on the block right now.
• 45:14
  Speaker 5: Ty Ty is probably just asleep.
• 45:16
  Speaker 3: He on the block.
• 45:16
  Speaker 4: He's just sleeping right now. Fuckin' with Ty Ty. But look,
• 45:19
  Speaker 4: the whole thing is, look.
• 45:20
  Speaker 8: I promise you he's probably sleeping.
• 45:21
  Speaker 3: No skin in this, though.
• 45:22
  Speaker 4: My call, Ty Ty. Yeah, you know what I'm saying?
• 45:24
  Speaker 2: Come on, Ty.
• 45:25
  Speaker 3: Come on, man.
• 45:27
  Speaker 4: Think about this, right? Documentary and a book. People want
• 45:30
  Speaker 4: to know your life. People want to know what it
• 45:32
  Speaker 4: is growing up in Brownsville. How it is, how you grew.
• 45:34
  Speaker 3: Up, how you're known.
• 45:39
  Speaker 1: How many times.
• 45:44
  Speaker 8: You got shot at?
• 45:45
  Speaker 5: Yo, how was it growing up in Cypress?
• 45:47
  Speaker 6: I grew up in pink houses. I grew up in
• 45:49
  Speaker 6: pink houses. I'm from pink houses, but Cypress is like.
• 45:53
  Speaker 8: Literally down the block. Literally across the street.
• 45:56
  Speaker 6: That was like, I hung out over there too. So
• 45:58
  Speaker 6: I was like, from Pink Houses and from Cypress as
• 46:00
  Speaker 6: well too.
• 46:01
  Speaker 5: That's like, the whole family said, man. That's why I
• 46:04
  Speaker 5: say like, East New York get crazy too.
• 46:06
  Speaker 3: Shout out to Pink Houses and shout out to Cypress, man.
• 46:08
  Speaker 5: Shout out Brooklyn, man.
• 46:09
  Speaker 8: Brooklyn!
• 46:10
  Speaker 5: In the fucking house, man.
• 46:11
  Speaker 8: 4-1 in the building.
• 46:11
  Speaker 5: I ain't gonna lie, this shit lost.
• 46:12
  Speaker 3: Jay, you ever got shot at?
• 46:14
  Speaker 4: Yo, what is going on? Leave Jen alone.
• 46:21
  Speaker 3: The speech wanna know.
• 46:23
  Speaker 4: The game is changing. Keefie D just got found guilty
• 46:27
  Speaker 4: for telling on himself about a case from 30 years ago.
• 46:29
  Speaker 3: Goddamn.
• 46:30
  Speaker 4: People are not talking.
• 46:31
  Speaker 3: I'm saying, did you get shot at? I said, did
• 46:33
  Speaker 3: you get shot at?
• 46:34
  Speaker 4: They don't even wanna talk about that.
• 46:35
  Speaker 3: Did you get shot at?
• 46:37
  Speaker 4: Keefie D just got locked up.
• 46:38
  Speaker 2: Yo, bro, what's up with you and Mariah Carey, bro?
• 46:40
  Speaker 3: Shout out to Mariah Carey. That's like my sister. Shout
• 46:43
  Speaker 3: out to Mariah Carey.
• 46:44
  Speaker 5: That's like my sister.
• 46:45
  Speaker 3: Shout out to Mariah Carey.
• 46:46
  Speaker 6: I ain't going to hold you. She was on the
• 46:48
  Speaker 6: radio with Angie Martinez. And she was like, yo, Angie
• 46:52
  Speaker 6: Martinez asked her, so what is Mariah Carey listening to
• 46:54
  Speaker 6: right now? She was like, it's actually a record out
• 46:56
  Speaker 6: right now called Bullet Bullet by this guy named Uncle Murder.
• 47:00
  Speaker 6: And that's my favorite record right now. And I was like, oh, shit.
• 47:05
  Speaker 6: Then I wound up actually working with Mariah Carey. I
• 47:07
  Speaker 6: had her on the record with me, 50 years. and
• 47:10
  Speaker 6: Young Jeezy. It was the one in remix. Shout out
• 47:13
  Speaker 6: to Mariah Carey. All night, we got super drunk.
• 47:17
  Speaker 3: You know what?
• 47:17
  Speaker 6: Rest in peace to my man Hank too, because he
• 47:19
  Speaker 6: was with me. Man, that's my Godhood brother, man. Rest
• 47:22
  Speaker 6: in peace to my guy Big Hank. He was with
• 47:24
  Speaker 6: me all night, rolling with me. That was my dog. Yeah,
• 47:27
  Speaker 6: we got twisted with Mariah Carey. Nick Cannon actually popped
• 47:31
  Speaker 6: up and he was a little pissed off. He was like, yo,
• 47:34
  Speaker 6: so Yo, the kids at home, she was like, I
• 47:39
  Speaker 6: don't care. Well, you watch him. I'm going to the
• 47:41
  Speaker 6: studio and record with Murda.
• 47:43
  Speaker 3: He's like, serious? You want to? Yeah. And we went
• 47:46
  Speaker 3: in the studio and recorded.
• 47:48
  Speaker 4: I don't know how Murda do it, but Brooklyn niggas
• 47:50
  Speaker 4: know everybody. Nah. What the fuck? Shout out to Mariah Carey. Nah,
• 47:55
  Speaker 4: because we were running to people, right? I'll meet Rev
• 47:58
  Speaker 4: Run for the first time, and he'd be like, Murda,
• 47:59
  Speaker 4: keep me off the wrap up. and shit like that.
• 48:02
  Speaker 4: And he'd be like, yo, he was fucking writing for
• 48:04
  Speaker 4: Diggy back.
• 48:04
  Speaker 3: Then, right? Shout out to Diggy Simmons. Rest in peace,
• 48:06
  Speaker 3: Chris Lighty, too.
• 48:07
  Speaker 4: He hooked that whole thing up, bro.
• 48:08
  Speaker 3: I'm my man.
• 48:09
  Speaker 4: Then we run into Ice-T, and he's like, yeah, Ice-T,
• 48:11
  Speaker 4: remember that time we was chilling at the Wesleyan in Brooklyn?
• 48:15
  Speaker 5: I'm like, yo.
• 48:15
  Speaker 8: Nah, word of my death is done to anybody.
• 48:18
  Speaker 4: So for me, I don't know. We had G-Unit. We
• 48:21
  Speaker 4: was a little more spoiled, so it was a little
• 48:23
  Speaker 4: less work. It was work, but it was less work.
• 48:25
  Speaker 4: We had Violet. 50 Cent was the hottest shit on earth.
• 48:29
  Speaker 4: We was right next to him, so it was kind
• 48:30
  Speaker 4: of easier. But for him, I look at him as
• 48:33
  Speaker 4: like a hustler because he know everybody had to put
• 48:36
  Speaker 4: in way more work than I did. Not saying I
• 48:39
  Speaker 4: didn't put in work, but it was kind of an
• 48:41
  Speaker 4: easier lane for me.
• 48:42
  Speaker 3: He was spoiled, y'all.
• 48:43
  Speaker 4: You heard he had- Nah, I didn't say I was spoiled.
• 48:44
  Speaker 3: They had the good life, man.
• 48:45
  Speaker 5: Nah.
• 48:45
  Speaker 3: Trust me though, you know why? I'm going to tell
• 48:47
  Speaker 3: you something. I live in now.
• 48:48
  Speaker 4: So I see how it is. Oh my God. Oh
• 48:51
  Speaker 4: my God.
• 48:52
  Speaker 6: It's a total different experience.
• 48:54
  Speaker 4: Yo, Kyle, ask him this. It's a total different experience.
• 48:56
  Speaker 4: Who he made more money with though, y'all? Jay-Z or 50?
• 48:59
  Speaker 3: I definitely made more money with 50.
• 49:01
  Speaker 4: Oh, okay, cool.
• 49:02
  Speaker 3: I definitely made more money with 50.
• 49:03
  Speaker 4: Shit.
• 49:04
  Speaker 3: Can't even compare that. The money is definitely different than
• 49:07
  Speaker 3: I made.
• 49:07
  Speaker 2: I made some money with 50 too.
• 49:09
  Speaker 5: Yo, 50, let's make some money. Yeah, you definitely.
• 49:12
  Speaker 3: Gonna make some money with 50. Oh my God. Get
• 49:14
  Speaker 3: into the acting, man.
• 49:15
  Speaker 4: Get into the acting. Rob Markman, Jr.: Y'all ever think
• 49:17
  Speaker 4: about getting into the acting? I'm already acting, bro.
• 49:19
  Speaker 7: Rob Markman, Jr.
• 49:20
  Speaker 5: You see me? I been started acting as soon as
• 49:21
  Speaker 5: this shit started.
• 49:22
  Speaker 2: Facts. Rob Markman, Jr.: Ain't gonna lie.
• 49:25
  Speaker 3: Coming soon. Rob Markman, Jr.: Coming soon. Pause.
• 49:28
  Speaker 4: Coming soon.
• 49:28
  Speaker 3: Pause.
• 49:29
  Speaker 7: Pause.
• 49:29
  Speaker 2: Double pause.
• 49:29
  Speaker 3: Rob Markman, Jr.
• 49:30
  Speaker 4: So one of the solo albums coming and what's the
• 49:32
  Speaker 4: process and what producers y'all working with? Do I know
• 49:36
  Speaker 4: any of the producers? Let me know what's going on.
• 49:39
  Speaker 1: For me, I'm on some shit like I'm really trying
• 49:41
  Speaker 1: to build a team. Some real in-house shit for me.
• 49:43
  Speaker 1: I just made a post the other day. I really,
• 49:46
  Speaker 1: I'm trying to get like mad producers, mad engineers, mad creators,
• 49:50
  Speaker 1: and I'm trying to just like really make a whole movie.
• 49:52
  Speaker 1: You know what I'm saying? Something I like for me.
• 49:54
  Speaker 1: I ain't seen before some whole different shit. I ain't
• 49:56
  Speaker 1: trying to be, I ain't trying to be the same.
• 49:59
  Speaker 3: Same, most of something different this time around, right? Got you.
• 50:02
  Speaker 3: Got you, my guy.
• 50:03
  Speaker 4: What's some of the producers you want to work with? Riot,
• 50:05
  Speaker 4: something like that? That's not one? I heard some beats
• 50:10
  Speaker 4: from Riot the other day.
• 50:11
  Speaker 2: I don't got no.
• 50:12
  Speaker 5: Riot is actually tough.
• 50:13
  Speaker 2: Riot is mad tough. I don't know when he got
• 50:15
  Speaker 2: going with this shit for me. He start laughing.
• 50:18
  Speaker 3: I thought he was about to say, Riot old. You
• 50:20
  Speaker 3: never know with him, bro.
• 50:21
  Speaker 4: Oh, shit.
• 50:22
  Speaker 8: Oh, no.
• 50:22
  Speaker 4: I'm just saying.
• 50:23
  Speaker 3: He might be like, that's an old nigga, bro. I'm
• 50:25
  Speaker 3: just saying, you never know with.
• 50:26
  Speaker 2: Him, man.
• 50:26
  Speaker 4: There's a lot of ill producers in New York right now.
• 50:28
  Speaker 4: Let me think. Riot is one. Give me another one.
• 50:30
  Speaker 4: Chef G, Sleepy Hollow. Oh, my God.
• 50:32
  Speaker 3: Great John.
• 50:32
  Speaker 4: Great John is.
• 50:33
  Speaker 2: I just worked with Great John the other day. We
• 50:35
  Speaker 2: got some shit going on.
• 50:35
  Speaker 4: I could see y'all doing some shit with Great John.
• 50:37
  Speaker 2: Yeah, he's doing it.
• 50:38
  Speaker 4: Let's go on and on.
• 50:40
  Speaker 3: Who else?
• 50:41
  Speaker 1: 2-4.
• 50:42
  Speaker 2: What's up?
• 50:43
  Speaker 4: Ryan.
• 50:45
  Speaker 5: I've been making beats lately.
• 50:46
  Speaker 7: Oh shit.
• 50:47
  Speaker 3: Oh shit. Nah, yeah.
• 50:48
  Speaker 2: I ain't gonna lie. Nah, me too.
• 50:50
  Speaker 7: It be hard to find beats, so I just be
• 50:51
  Speaker 7: trying to make them myself. I just lock in with producers.
• 50:54
  Speaker 7: I tell them step by step what to do and shit,
• 50:57
  Speaker 7: and I make beats from there.
• 50:58
  Speaker 5: Sometimes I use them, sometimes I don't. I don't be
• 51:00
  Speaker 5: knowing what to do.
• 51:01
  Speaker 4: Y'all got studios in the crib? Y'all prefer to work
• 51:02
  Speaker 4: in a crib?
• 51:04
  Speaker 2: I ain't gonna lie, I don't ever go to the studio.
• 51:06
  Speaker 2: That's how I'm linking the bros.
• 51:07
  Speaker 5: I'm not going to the studio.
• 51:09
  Speaker 4: You keep the studio in the crib. Hell yeah, man. Yeah,
• 51:10
  Speaker 4: I got the studio still.
• 51:11
  Speaker 2: In the crib. It's an easy setup. Easy setup.
• 51:14
  Speaker 1: For me, I got my little interface. For me, I
• 51:16
  Speaker 1: got my mic. I got my mic stand. And I
• 51:19
  Speaker 1: got my laptop.
• 51:20
  Speaker 2: Where you going? That's all I need.
• 51:22
  Speaker 4: Don't it be feeling like some of the biggest records
• 51:23
  Speaker 4: are just made generically like in the fucking bathroom. I
• 51:28
  Speaker 4: made this record in the studio.
• 51:29
  Speaker 2: I made In Your Eyes.
• 51:31
  Speaker 1: That's one of my biggest solo songs for me. I
• 51:34
  Speaker 1: made that shit in my bed. For me, laid down
• 51:36
  Speaker 1: with a cover on my head.
• 51:38
  Speaker 2: That's crazy.
• 51:39
  Speaker 1: And I had a sock on the mic too because
• 51:41
  Speaker 1: that was when I first got my setup. I mean,
• 51:43
  Speaker 1: that's why the audio kind of sound weird. It was
• 51:45
  Speaker 1: made on my bed, but nigga, that shit still went movie.
• 51:48
  Speaker 1: And that shit not even on DSPs.
• 51:50
  Speaker 2: That shit crazy.
• 51:50
  Speaker 4: Because you be thinking, yo, I got to go get
• 51:52
  Speaker 4: this record mixed and mastered. And the motherfucker be laying
• 51:55
  Speaker 4: in his bed with a mic, his first set up,
• 51:58
  Speaker 4: and that be his biggest fucking record.
• 52:00
  Speaker 3: How y'all feel about A.I., man? Would y'all ever use
• 52:02
  Speaker 3: it with y'all music?
• 52:02
  Speaker 2: I don't fuck with that shit.
• 52:03
  Speaker 5: What do you even use? What would it be useful for?
• 52:06
  Speaker 1: I know that shit going to ruin everything. I just
• 52:08
  Speaker 1: see it coming. Like, that could just be the next
• 52:10
  Speaker 1: wave of destruction. That shit going to ruin everything.
• 52:14
  Speaker 3: Feel like that for real?
• 52:15
  Speaker 4: Hell yeah.
• 52:15
  Speaker 2: It's too powerful.
• 52:16
  Speaker 4: It's too great.
• 52:17
  Speaker 1: Robots, AI, all that technology shit, nigga, it's not going
• 52:20
  Speaker 1: to mean no more jobs, no more none of that.
• 52:22
  Speaker 2: They're going to make everything inauthentic. It's already like that.
• 52:25
  Speaker 1: Even with the end of the, for me, the videos
• 52:27
  Speaker 1: and shit, you can't even tell which AI was real.
• 52:30
  Speaker 2: It's going to become real life. You're not going to
• 52:32
  Speaker 2: be able to tell which.
• 52:32
  Speaker 4: AI is real. Rob Markman, I seen Drake tell a bitch,
• 52:33
  Speaker 4: I thought she was AI. On the 20 versus one,
• 52:36
  Speaker 4: he thought a girl was AI. Like, oh shit, you're real?
• 52:39
  Speaker 4: I thought you was AI. So I feel what he's saying.
• 52:42
  Speaker 4: Or even the rubber shit. That nigga was like, nah,
• 52:44
  Speaker 4: I made this record. I made this shit. I made
• 52:47
  Speaker 4: this shit.
• 52:47
  Speaker 2: That's inauthentic.
• 52:48
  Speaker 4: And then they found out the information. Like, yo, this
• 52:50
  Speaker 4: shit is AI, geez. With the rubbers, nigga. My watch
• 52:54
  Speaker 4: is flowing, nigga. That shit.
• 52:56
  Speaker 2: That shit was really AI?
• 52:57
  Speaker 4: That shit, the whole song is AI. He found out.
• 52:59
  Speaker 4: The whole song? The whole shit. So, like, how that work, though?
• 53:03
  Speaker 5: I don't think that's possible.
• 53:04
  Speaker 4: Nah, they said he lied.
• 53:05
  Speaker 3: Nah, it is possible.
• 53:05
  Speaker 4: They found, they found, they got stuff to know now
• 53:09
  Speaker 4: if your whole song is AI, if you use a
• 53:11
  Speaker 4: piece of AI in the song. They got like technology.
• 53:14
  Speaker 4: So he said he didn't. Rubber said, yo, nah, the
• 53:17
  Speaker 4: song is not A.I. It's not A.I. Y'all bugging.
• 53:19
  Speaker 3: Then the owner of the A.I. company came out and confirmed.
• 53:23
  Speaker 4: And said it's A.I. That he was all cap.
• 53:25
  Speaker 3: It was all A.I.
• 53:26
  Speaker 4: Just like how Tyga had the whole A.I. Because I'll
• 53:27
  Speaker 4: be tight.
• 53:28
  Speaker 7: I deadass write a goodass song and somebody come out
• 53:30
  Speaker 7: and talk about some this mess.
• 53:31
  Speaker 5: This shit is from A.I. That's why A.I. gets me tight.
• 53:35
  Speaker 8: I mean, niggas, that can't.
• 53:37
  Speaker 2: Tell what's real.
• 53:38
  Speaker 7: That's what I'm saying. I don't think that's possible.
• 53:42
  Speaker 4: I think they know us.
• 53:44
  Speaker 2: They gonna tell if it's AI.
• 53:45
  Speaker 5: All that chat GPT shit, I don't even know how
• 53:47
  Speaker 5: they fucking use that shit.
• 53:48
  Speaker 2: I don't use that shit. That shit the boys.
• 53:50
  Speaker 5: That shit came out before.
• 53:51
  Speaker 3: That shit came.
• 53:52
  Speaker 5: Out after we even popped off.
• 53:55
  Speaker 4: That's why Doja went in on Tyga. He did the
• 53:59
  Speaker 4: whole AI album. Yo, that shit sucks. That shit is garbage.
• 54:03
  Speaker 5: And that shit is like cheating, bro.
• 54:04
  Speaker 4: It takes, yeah, it is cheating. It is cheating, bro.
• 54:05
  Speaker 2: You cheating, bro. Nah, yeah, I don't jack that shit.
• 54:08
  Speaker 5: I should not. Like, what the fuck?
• 54:11
  Speaker 2: I could go AI and go movie right now. Why
• 54:14
  Speaker 2: do that?
• 54:15
  Speaker 5: But that shit don't even feel authentic, though.
• 54:16
  Speaker 2: Like, if you used to like.
• 54:19
  Speaker 3: That shit crazy.
• 54:21
  Speaker 4: Yeah, and then once niggas heard you use AI, it's like,
• 54:23
  Speaker 4: it's over for you. That's like me, like, yo, I
• 54:26
  Speaker 4: got a hit record tomorrow and I'll be like, yo,
• 54:28
  Speaker 4: this shit ain't AI. And then niggas look it up.
• 54:30
  Speaker 2: I was worse than a ghostwriter. That's what you're saying.
• 54:34
  Speaker 5: That's what it is.
• 54:35
  Speaker 4: That's what you're saying. That's what it is.
• 54:36
  Speaker 3: That's what it is.
• 54:36
  Speaker 5: That's what it is.
• 54:37
  Speaker 4: That's what it is. That's what it is.
• 54:38
  Speaker 3: That's what it is. That's what it is.
• 54:39
  Speaker 4: That's what it is. That's what it is. That's what
• 54:40
  Speaker 4: it is. That's what it is. That's what it is.
• 54:42
  Speaker 4: That's what it is.
• 54:43
  Speaker 3: That's what it is.
• 54:43
  Speaker 5: That's what it is.
• 54:44
  Speaker 4: That's what it is.
• 54:45
  Speaker 3: That's what it is.
• 54:45
  Speaker 4: That's what it is.
• 54:45
  Speaker 3: That's what it is. That's what it is. That's what
• 54:47
  Speaker 3: it is. That's what it is.
• 54:47
  Speaker 4: That's what it is.
• 54:49
  Speaker 3: That's what it is. Yo, that's the best way to
• 54:50
  Speaker 3: explain it. AI.
• 54:51
  Speaker 6: But There's a girl who, what was her name? We
• 54:53
  Speaker 6: just looked up. She did like a $ 3 million deal, right?
• 54:57
  Speaker 6: And she wrote records, right? So she from a small town, too.
• 55:03
  Speaker 6: I just seen her. She had an interview on TV
• 55:04
  Speaker 6: the other day. She from a small town, right? It's
• 55:07
  Speaker 6: probably about, I think it's no more than 7,000 people
• 55:10
  Speaker 6: in the town that she's from. So she really don't
• 55:12
  Speaker 6: got no way to really get her music out there, right?
• 55:14
  Speaker 6: So she's a writer, right? So what she did was
• 55:17
  Speaker 6: she created an AR artist, right?
• 55:21
  Speaker 3: And had this A.I.
• 55:22
  Speaker 6: Artist sing her songs and got her music out there
• 55:25
  Speaker 6: like that. Look, she's from a small-ass town, 7,000 people.
• 55:29
  Speaker 6: So she created an A.I. artist, she wrote the records,
• 55:32
  Speaker 6: and had the A.I. artist sing her records. And this
• 55:35
  Speaker 6: shit wound up going all type of number one on
• 55:38
  Speaker 6: all type of certain billboard charts and all that to
• 55:40
  Speaker 6: the point where a label wound up giving her a
• 55:42
  Speaker 6: $ 3 million deal. Now, what you feel about that?
• 55:46
  Speaker 5: What the fuck?
• 55:47
  Speaker 3: Her name is what? Talisha Jones. That's the one she
• 55:51
  Speaker 3: created the artist.
• 55:52
  Speaker 5: But she wrote the song though.
• 55:54
  Speaker 6: Do you feel that was a dope way to use AI?
• 55:58
  Speaker 6: She had no other way to get her music out
• 56:00
  Speaker 6: there like that. Look, she from a small town. How
• 56:01
  Speaker 6: she going to really move around to get her music
• 56:04
  Speaker 6: out there to the labels.
• 56:05
  Speaker 8: And to the artists?
• 56:06
  Speaker 5: She got a deal as a ghostwriter.
• 56:07
  Speaker 4: Or as an artist?
• 56:07
  Speaker 6: She got a deal as an artist as far as
• 56:10
  Speaker 6: writing music with her AI artist.
• 56:13
  Speaker 1: I ain't going to lie, niggas is out there scamming
• 56:15
  Speaker 1: and all this other shit. I can't knock nobody's way
• 56:18
  Speaker 1: to get money. I can't knock nobody's hustle. She did
• 56:20
  Speaker 1: that shit.
• 56:21
  Speaker 2: I ain't going to lie.
• 56:23
  Speaker 5: She wrote the lyrics for me.
• 56:25
  Speaker 1: That's a fire ghostwriter shit.
• 56:28
  Speaker 5: She probably just ain't have the voice.
• 56:29
  Speaker 7: And nine times out of ten, that's how it.
• 56:30
  Speaker 5: Is for a lot of ghostwriters.
• 56:32
  Speaker 2: That's cool.
• 56:34
  Speaker 7: They probably just don't got the image and star power,
• 56:37
  Speaker 7: but they got that ass right.
• 56:39
  Speaker 5: Just to make the vocals. Yeah, that's what I'm saying.
• 56:41
  Speaker 4: Oh, that's dope. That's a great ghostwriter for an artist.
• 56:43
  Speaker 5: She could have got Taylor Swift to sing that shit.
• 56:45
  Speaker 3: Exactly. But she ain't have no way to get to
• 56:47
  Speaker 3: Taylor Swift.
• 56:47
  Speaker 2: Exactly.
• 56:47
  Speaker 8: She probably just can't have the connect.
• 56:49
  Speaker 3: She can't have the connect to Taylor Swift.
• 56:51
  Speaker 6: But now that people see her writing abilities and how
• 56:54
  Speaker 6: dope she is as a writer, now she got the
• 56:57
  Speaker 6: capabilities to.
• 56:57
  Speaker 3: Get to all these other artists now. You know what
• 57:00
  Speaker 3: I'm saying?
• 57:00
  Speaker 1: So, A.I.
• 57:00
  Speaker 3: Worked in that way. And she ain't cat with it.
• 57:02
  Speaker 3: You know what I'm saying? She ain't cat with it.
• 57:04
  Speaker 6: That's a dude that he was talking about who let A.I.
• 57:08
  Speaker 6: write the whole record for him. Now, see, that's corny.
• 57:10
  Speaker 6: You know what I'm saying? So, like I say, there's
• 57:13
  Speaker 6: ways you can do it.
• 57:14
  Speaker 4: Yeah, I agree with you on that. Now let me
• 57:15
  Speaker 4: ask you a question. Where does the marketing and the
• 57:17
  Speaker 4: hustle come from? From Brownsville? Because, pal, I see you streaming.
• 57:21
  Speaker 4: I see you with the streamers. And then just the
• 57:23
  Speaker 4: other day, you popped up on my timeline. And I
• 57:25
  Speaker 4: see you doing Red Bull Freestyle, which was pretty dope.
• 57:29
  Speaker 1: Red Bull is a billion dollar company. It's everyday location, man.
• 57:32
  Speaker 1: It's not just Brownsville, though.
• 57:33
  Speaker 2: It's Brownsville. It's also Africa. There's two different mindsets. And
• 57:37
  Speaker 2: we both from Brownsville and both African.
• 57:39
  Speaker 4: And what part of Africa you're from?
• 57:40
  Speaker 2: I'm from Nigeria. She from Nigeria too.
• 57:42
  Speaker 4: Oh, I've been to Lagos.
• 57:43
  Speaker 2: It's like a different mindset.
• 57:44
  Speaker 4: I've been to Lagos.
• 57:45
  Speaker 1: We naturally go-getters. Like, we always going to get to
• 57:47
  Speaker 1: the money. And then we combine that with the Brownsville,
• 57:50
  Speaker 1: the hustle, the grittiness, all that bullshit, all the fashion.
• 57:54
  Speaker 2: Like, we fake unstoppable. Ain't gonna lie.
• 57:57
  Speaker 3: Africans don't play, boy.
• 58:00
  Speaker 4: We did a whole tour in Africa. Y'all ever think about,
• 58:02
  Speaker 4: y'all ever go back to Nigeria? Y'all ever go back?
• 58:04
  Speaker 2: I never went to Nigeria.
• 58:05
  Speaker 3: She did.
• 58:05
  Speaker 4: That's cool. I never had the money. Y'all got to
• 58:07
  Speaker 4: let people know about your African roots. Y'all playing.
• 58:09
  Speaker 2: I was popped. What's going on? How much is that shit?
• 58:12
  Speaker 2: I shit the bag. I ain't gonna lie. I never
• 58:14
  Speaker 2: had the money.
• 58:15
  Speaker 4: My family over there right now.
• 58:16
  Speaker 3: I ain't gonna lie.
• 58:17
  Speaker 2: For me, I go.
• 58:19
  Speaker 7: I used to go at like every other summer type
• 58:21
  Speaker 7: shit before I got popping.
• 58:22
  Speaker 4: Y'all ever think about working with some of the African
• 58:24
  Speaker 4: artists like Burner Boy?
• 58:25
  Speaker 3: Nah, hell yeah.
• 58:26
  Speaker 2: I'm trying to do that. That's really the final goal.
• 58:28
  Speaker 3: I ain't gonna lie.
• 58:29
  Speaker 1: That shit will make my parents happy. So I'll definitely
• 58:32
  Speaker 1: do that shit.
• 58:33
  Speaker 3: That's dope, man. Burn the boy, holla at the youth, man.
• 58:36
  Speaker 4: Yeah, I love Africa. We went to Cape Verdea. We've
• 58:38
  Speaker 4: been to Angola. We went to Lagos. Yeah.
• 58:41
  Speaker 3: Monaco.
• 58:42
  Speaker 4: We've been to Wari. I'm trying to go to Lagos, too.
• 58:44
  Speaker 4: I think my illest thing was going to, we went
• 58:46
  Speaker 4: to Johannesburg and we went to Robbins Island where Nelson
• 58:48
  Speaker 4: Mandela went to jail at. That was like one of
• 58:51
  Speaker 4: my illest experiences. That's a vibe. You know what I'm saying?
• 58:54
  Speaker 4: In Johannesburg.
• 58:55
  Speaker 2: All right, nigga. We got to tour the whole Africa.
• 58:57
  Speaker 4: Yeah.
• 58:58
  Speaker 5: We out to Dutty December.
• 59:00
  Speaker 2: Don't you do something with your wheat.
• 59:01
  Speaker 4: Your African roots, man. We got the solo albums dropping.
• 59:05
  Speaker 4: You know what I'm saying? Free Tata. Tata, get up here, man.
• 59:08
  Speaker 6: Free Tata. We got the solo 4-1 albums dropping.
• 59:12
  Speaker 4: We got the 4-1 albums dropping. They got some hit
• 59:14
  Speaker 4: records they just played. You know what I'm saying? Make
• 59:17
  Speaker 4: sure y'all like, share, and subscribe. 4-1's in the building. Brooklyn, Brownsville.
• 59:22
  Speaker 3: East New York.
• 59:24
  Speaker 6: Jen took Playboy Cardi girl, and Cal took Neon girl.
• 59:29
  Speaker 8: Whoa!
• 59:30
  Speaker 4: We out.