Transcript

4.11.25 · Country Weekly

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Speaker 1: Howdy, time now to catch up with Country Weekly, where
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we check out news and gossip from the world of
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country music. I'm your host, Ken Dawkins, and I will
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be reading from various sources found online. As a reminder,
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RADIOI is a reading service intended for people who are
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blind or have other disabilities that make it difficult to
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read printed material. We'll begin with the first article, dated
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April seventh, from Hollercountry dot com. First up, Kenny Chesney
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pens sweet tribute to Megan Moroney after emotional Georgia shows.
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In a contemporary country world that often feels increasingly dogged
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by petty rivalries and deeply entrenched battle lines, Kenny Chesney
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and Meghan Maroney's friendship is a reminder of the warmth
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and camaraderie that the genre can instill. Last week, when
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the news broke that Kenny Chesney would be inducted into
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the Country Music Hall of Fame this year, alongside Tony
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Brown and June Carter Cash, Megan Maroney took to Instagram
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to celebrate his achievement, gushing deserved. Now in the wake
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of Megan Maroney headlining two blockbuster shows at the aikins
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Ford Arena in her home state of Georgia, just at
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stone's throw from her alma mater, the University of Georgia.
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Kenny Chesney has endearingly returned the compliment after Maroney reflected
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on how much the weekend's performances meant to her via Instagram,
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Jesney heartwarmingly responded in the comments, so proud of you.
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In the initial post, the Tennessee Orange singer songwriter movingly mused,
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just when I thought it couldn't get any better, Huntsville
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and Athens Times two showed up. Thank you for another
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incredible weekend of the AIO tour. It's been hard to
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process that five years ago I was still a student
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at UGA, having no idea that you all support would
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one day lead to this. So grateful for every single
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one of you. God's good. In the middle of her
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mi IOK run of shows with the indifferent crooner continuing
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to cement herself as a future CMA and ACM Entertainer
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of the Year winner, Kenny Chesney and Megan Maroney spent
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much of twenty twenty four out on the road together
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as part of Chesney's Son Goes Down to Her with
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the duo performing the beach country legend's iconic nineties hit
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She Thinks My Tractor's Sexy on a number of occasions.
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During their momentous closing triple header at Foxborough Gillette Stadium
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in Massachusetts, Meghan Maroney emerged driving a green tractor and
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donning Kesney Chesney's trademark tank top, jeans and cowboy hat.
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The hilarious moment then became even sweeter, with Jesney then
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surprising Marony by asking her to perform her current country
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radio single Miokay in the front of the packed out crowd.
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With Chesney gearing up to kick off his highly anticipated
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Las Vegas residency at the Sphere next month, everybody's holding
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out hope Maroney might be a special guest one night.
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Kenny Chesney's been teasing that he has some unexpected duets
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up his sleeve for the ground baking, groundbreaking run of shows,
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and given his close friendship with Megan Maroney, were sure
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the Georgia Prodigy must be at the top of the
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list of ideal duet partners. If we're lucky, we might
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even get a full blown collaboration soon next I didn't
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come here to get beer cans thrown on me. Braxton
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Keith stops Schmid show in Texas and to stop in Gilmer,
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Texas on his headlining tour honky Tonk country star Braxton.
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Keith stopped mid concert to call out those in the
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crowd throwing beer cans toward the stage. I didn't come
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here to get beer cans thrown at me. All right,
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this isn't a damn Gavin Adcock concert, the neo traditional
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country singer said a short, if impassioned speech followed on
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from the moment. Keith has been steadily gaining popularity, with
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his viral twenty twenty four hit Cozy, having over thirty
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five million streams on Spotify alone as he embarks on
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his cross country tour. He's not letting it slide when
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things start getting out of hand. On the other side
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of the country live show spectrum, Gavin Adcock has a
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bit of a reputation for having a wild side and
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an equally wild fan base. It might not be that
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Keith was calling out his fellow country singer, but rather
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just pointing out that at his shows, the music comes first.
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We're going to have a good show. I just want
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to get myself clear. We're coming here to listen to
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country music, he explained, before telling his band to hit
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it boys and launching back into the interrupted song. Poasting
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a clip of the incident on his own social media,
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Keith explained his thoughts further, I love live music and
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when given the opportunity to speak up about unruliness in
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the concert community, I will protect my audience, band crew, equipment,
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and most importantly, the integrity of live performance experiences. Adcock
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wasn't quite so appreciative of the comments, leaving a comment
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on Country Central's Instagram account saying maybe he should learn
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how to handle his fans without bringing someone else into it.
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Welcome to the big leagues, kid, then we might have
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a developing country rivalry on our hands. Next, Ella Langley
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performs minor surgery on Riley Green during their Damn Country
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Music tour. Hot off their Spellbinding show in Toronto. Riley
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Green and Ella Langley have shared a video of the
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two artists on their tour bus. And it's not for
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the squeamish. What are you going to do? Riley Green
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exclaims in half mock, half genuine fear as he puts
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his trust in Ella Langley, his wounded hand placed on
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the impromptu surgery table, complete with kitchen roll and manicure scissors.
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I'm going to cut that off, Langley quips, delicately, delicately,
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holding Green's palm and aiming the scissors at his injury.
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As Langley carefully removes the excess skin from his blister,
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Green recounts the story as to how it all happened. Well,
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a kid was trying to cross the street and I
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saw a car coming, so I went and grabbed him.
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The kid was holding a baby, so I couldn't push
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the kid out of the way, so I had to
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grab the kid. I caught the baby with this hand,
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but I fell and I wanted to cradle, so I
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skinned this hand and on the curb. But I saved
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their lives. And the baby was holding a box of kittens,
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so a all made it too well. However, Langley's laugh
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and disbelieving headshake, coupled with Green's sports injury in the
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caption led everybody to believe a slightly different conclusion. Although
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Riley Green saving Babies and Kittens is undoubtedly a viral
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music video waiting to happen, Green and Langley's relationship has
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been under scrutiny for months as the pair navigate the
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will they won't they media speculation, with conjecture building around
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their on stage relationships. Since the start of this tour,
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fans have been debating whether the pair still have a chemistry,
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but this video sits at all straight. Green and Langley
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are just fine. They're fun, they're friendly, and they're still
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looking out for each other. Riley Green has been teasing
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unreleased tracks via social media lately, and also paid tribute
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to country music icon Travis Tritt, so we're keeping our
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fingers crossed. New music is on the way. Green's Damned
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Country Music tour with Ella Langley continues through the summer
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before he heads out on his European run. In Moving On,
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we move over to countrynow dot com, with the first
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article published on April seventh. Cole Swindale announces twenty twenty
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five Happy Hour Sad Tour, which includes Lexington. Cole Swindale
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is set to hit the road this fall for his
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twenty twenty five headlining Happy Hour Sad Tour. Announced today,
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The highly anticipated trek will launch on September fourth and
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Toledo and continue through October twenty sixth, with stops across Georgia, Colorado, Washington, Florida,
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Kentucky and Moore. The four time ACM Award winner, will
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be joined by special guests Priscilla Block, Logan Crosby, and
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Grayland James. While reflecting on the upcoming run, Swindell expressed
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nothing but pure excitement to the chance to connect with
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his loyal listeners again very soon. I cannot wait to
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get out on the road this year for the Happy
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Hour Sad Tour, said Swindell. Getting to write songs and
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make music for a living is a dream come true,
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and there are so many folks that make that happen.
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I hope the fans that spend their hard earned money
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to come out and support us know how much we
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appreciate it and how much we love seeing them out
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there having fun. Produced by Pepper Entertainment, with the Florida
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tour dates produced by AEG Live. The Happy Hour Sad
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Tour is going to be a special trek for Swindell
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as it will celebrate his fifth studio album for Warner
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Music Nashville, Spanish Moss. The name of the tour stems
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from an unreleased title on the upcoming project. Upon its
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June twenty seventh arrival, fans will get their hands on
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the entire collection, which includes Swindell's current top five and
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rising single Forever to Me, which he co wrote with
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future tour mate Graylan James and Rocky Block. He also
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recently released the title track Spanish Moss to digital service providers,
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following songs like Kill a Prayer and One Day. It's
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always a new level of excitement to be touring with
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a new album out, so I expect this fall to
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be one to remember. I'm pumped up to have Priscilla,
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Logan and Graylan out there with us, three artists I
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really believe in get the crowd fired up for a
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great night. He added. Members of Swindell's down Home crew
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can access pre sale tickets for the Happy Hour Sad
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Tour during the presale. It starts or started this past Tuesday.
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The run includes Lexington, as I mentioned, September eighteenth at
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Rupp Arena with Priscilla Block and Logan Crosby. Next, Hailey
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Witters drops new track high on a Heartbreak announces Corn
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Queen album. Hailey Witters is gearing up to release her
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highly anticipated album Corn Queen on June sixth via Pegasus Records.
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Big Loud Records Songs and Daughters to celebrate. She's also
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unveiled High on a Heartbreak, a dreamy, new and interesting
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track that sets the stage for the sixteen song album.
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This release finds the Iowa born, Nashville based singer songwriter
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leaning into the wistful haze of heartbreak, capturing the bittersweet
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yet intoxicating feeling of allowing herself to feel all the
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pain instead of running from it. She paints a vivid
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picture of the moment where she finally decides to give in,
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sipping from the bottle and surrendering to the rush of
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missing someone. Witterer sings, I've been bottling it up, but
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now the bottom of the bottles got me up on
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this neon moon. I gotta miss you kind of rush,
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Gonna let your memory roll over me, just like your
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hands used to do. I know you think I'm low,
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but baby, I'm high. High on Heartbreak Tonight On a
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Heartbreak Tonight. The song came to life in an accompanying
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music video filmed in East Nashville's famed Pink Palace, the
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house of Adora. Witter's dances around the glamorous setting amid
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the haunting yet cathartic melody, showcasing a new sense of
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freedom from the past and a desire to move on
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to greener pastures. Reflecting on the story behind High on
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a Heartbreak, Witter shares, I wrote this song with David Garcia,
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Hillary Lindsay and Jesse Joe Dillon. I wanted to write
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the antithesis of a heartbreak song, one about a heartbreak,
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feeling good versus feeling bad, almost like a guilty pleasure.
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This song feels like something you'd put on to get
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ready for a fun night out on the town after
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a breakup. It feels like owning the heartbreak rather than
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feeling sorry for yourself. High on a Heartbreak follows Monday's
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release of High on the Hog, as well as other
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previously released tracks from the LP, including Prodigal Daughter featuring
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Molly Tuttle in caseerroles. Each of these songs offer a
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glimpse into the theme of reflection that runs throughout the
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forthcoming collection. Listeners can expect to hear the I'm in
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Love singer paying homage to her Midwestern heritage and the
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highs and lows of small town living. The lyrics are
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sharp and full of tongue in cheek wordplay while the
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tones dance around Witter's signature country sound with a modern flare.
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She once again stepped into the studio in Nashville with
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longtime collaborator now husband Jake Gear to record this project
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that features collaborations with Charles Wesley Godwin, Molly Tuttle, and
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The Wilder Blue. The collection is named after the term
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that fans have coined for her, corn Queen, as a
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tribute to her Iowa roots. Witters has come to realize
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how much pride she has for that little title, as
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it is a true reflection of her real life. Fans
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started calling me the corn Queen because I'm from i
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Witters explains, at first it seemed kind of silly, but
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the more I thought about it, the more I love
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the duality of it. Corn is this simple, humble crop,
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and queen implies royalty passed down through blood. I come
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from a long line of blue collar farmers and construction workers.
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I've been out here for over a decade, brushing my
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teeth and truck stop bathrooms, sleeping on hotel floors, driving
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myself from gig to gig. It's not glamorous, but I'm
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proud of It. I like the idea of a queen
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with a little grit and elbow grease. The track list
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for Corn Queen includes High on the Hog, Prodigal Daughter,
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a Shotgun, Wedding Baby, Hell of a Heart, High on
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a Heartbreak, It'll Do Hearsay, anything like Me, I Don't
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Want You, the Nail, Casseroles, Wagon, Wholesome, White, Limousine, Corn Queen,
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and Dance More. Just a few weeks before the unveiling
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of Corn Queen, Haley Witters is set to hit the
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stage at the first ever Sand in My Boots Festival
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that'll be on May sixteenth in Gulf Shor's, Alabama. She
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will also perform at the Under the Big Sky Music
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Festival running July eighteenth through the twentieth in Whitefish, Montana.
13:11
Moving Along, Ernest makes big career move with the launch
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of his own label, Daville Records. Ernest has announced the
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launch of his own label, Daville Records, in a joint
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venture with Big Loud Records. The country hit maker has
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been making waves in Nashville since signing with The Big
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Loud in nineteen or in twenty nineteen. Within these five years,
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he's racked up an impressive list of chart topping songwriting
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credits and developed the sounds deeply rooted in the traditions
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of music City. When looking to take the next step
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in his career, it only made sense to further dive
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into the business side with his own personal imprint. The
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new business venture named after Ernest Beloved nineteen seventy five,
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Coupe de Ville, is all about helping budding artists develop
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lasting careers while honing in on their personal songwriting craft
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in a collaborative and creative environment. We're going to build
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this thing wide and on concrete, says Ernest. Artist Development.
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Write the songs and do it the old school way.
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Make the video, see the vision, help the vision come
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to life. We have been in business with Ernest for
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almost a decade. What started with arn as a young,
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prolific songwriter artist in Big Loud's publishing hallways has evolved
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into so much more over the years. Big Loud CEO
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partner Seth England shares our partnerships and Earnst Cadillac Music
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have gone so well and has desired to create the
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Ville Records alongside of it. Made sense. Ernest himself grew
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in an independent and cultural environment much like the one
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he desires to create. He and I have talked about
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this day for years and all of the unique ways
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we could help break the next wave of prolific artists.
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Kudos to Rys, Cody, and Chandler for buying into this
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vision and supporting this unique rollout style with their upcoming
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to Ville project. Ernest shared the big news with a
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cinematic video posted across social media that explores why he
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decided to embark on this journey, introduces the first set
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of artists, and prepares listeners for the release of an
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inaugural to Ville Records EP. I kind of had an
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idea in my head that I wanted to have a
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label one day, and then the pieces started falling and
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were getting started, he can be heard declaring in the narration.
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Once I had that Coupe Deville, I kind of just
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wanted everything to exist in that world. I'm able to
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create something nobody else is making. It's just up to
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us not to mess it up. Taking fans inside the studio,
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the clip goes on to list the first signings in
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the new label's roster, Chandler Walters, Rice Rutherford, and Cody Loden,
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hailing from Marietta, Georgia. Walker's develops his craft as a
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steel guitar player while touring with acts like post Malone
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and Earnest. In addition to his instrumental skills, he's earned
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success as a multi platinum all genre number one songwriter
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with Post Malones five times platinum. I had some help
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featuring Morgan Wallen Loaden, former firefighter paramedic turned singer songwriter
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who found inspiration and the honest storytelling of count legends
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like Keith Whitley and Don Williams, along with the raw
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edge of rock icons like Bob Seger. Over the past
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few years, he's been carving out his own path with
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a one of a kind journey rooted in passion. The
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third member of the roster is son of Nashville Songwriters
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Hall of Fame member Rivers Rutherford. Rice Rutherford, a Nashville
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native with a standout baritone voice. The emerging act was
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just starting to make waves with his first songs when
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Ernest stepped in and pushed him to chase a career
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as an artist. With these three budding acts, along with
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a few superstar guests like Miranda Lambert, Snoop Dogg, and
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Jake Worthington and others. Ernest set out to create the
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first projects pre released on Deville Records, Cadillac Sessions. The
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mixtape style record will feature two new originals and one cover,
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all of which celebrate sounds of nineties country music and
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Western swing interlaced with a modern twist. Together, we sat
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down and created a collaborative album to show the world
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what we're going to do. You're going to get a
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chance to see their personalities. I'm going to pull it
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out of them if it's the last thing I do,
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added the Grammy nominated performer. Fans will finally get to
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experience the magic behind this collaboration when it drops on
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May ninth. Now we waddle on over to saving country
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music with their usual news and some commentary. First article
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date at April eighth, Turnpike Troubadours reveal details of new album,
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The Price of Admission. The Turnpike Troubadours have always been
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a band graced by a fervent and frankly gossipy fans
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base that take any kernel of information about the band
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and make it go megaviral before breakfast ahead of their
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return from a hiatus in twenty twenty one and Before
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the release of their twenty twenty three album A Cat
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in the Rain, leaks and rumors abounded, which probably did
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more to promote the band than any big money promotional
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push or press coverage. Smartly sensing this truth, the band
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has been using a succession of purposeful leaks and easter
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eggs to promote their new album, The Price of Admission.
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Ahead of its April eleventh release, a billboard was erected
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outside of Stillwater, where they'll be participating in the massive
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Boys of Oklahoma gathering this weekend, and after photos of
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the billboard went out wild on the Internet last week,
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they also purposely leaked the song be Here via touch Tunes,
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similar to what happened ahead of the previous album. On Tuesday,
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the band officially revealed the details of A Price of
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Admission via posts on social media and texts to fans.
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Just like their twenty twenty four album, A Cat and
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the Rain, the eleven song set will be produced by
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Shooter Jennings, though this one was recorded at Shooter's Snake
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Mountain studio at Sunset Sound in Los Angeles, as opposed
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to Muscle Shoals. Like most t T albums, the majority
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of songs are written by Evan Felker. He finds co
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writers in Old Crow, Medicine Shows, Catch Secor, Former Turnpike, Troubadour,
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Tulsa Music God John Fulbright, as well as Dave Simonette
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Trampled by Turtles. Felker also co writes a song with
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Turned Like fiddle player Kyle Nicks, and Nix also contributes
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his own song to close out the album. The pairing
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of bassist R. C. Edwards and songwriter Lance Rourke also
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contributed a track, just like they did on the last album.
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Expect an album with some slower songwriter based tracks in
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the first half. The album turns much more loud and
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rowdy in the second half. The price of admission is
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now available for pre SA, but physical copies will not
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be available upon release, probably due to the rush time
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schedule to get the album out before the Boys of Oklahoma.
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That's a Gathering in Stillwater. The track list on the
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Red River searching for a Light, for giving You be
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here Heaven, passing through the Devil plies his trade a
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lie upon No, That's a lie agreed upon Ruby Ann
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what was advertised? Leaving Town and Nothing You Can Do
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Next on Luke Comb's playing the Newport Folk Festival. When
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recently naming the Newport Folk Festival the seventh best festival
19:59
and all of country roots music, one of the top
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selling points was how performing at the festival is a
20:04
white Whale moment for many artists. For the unaware, white
20:08
whale refers to Herman Melville's Moby Dick and the primary
20:12
character's obsession at achieving something just out of reach. The
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reason Newport Folk Festival is so prestigious is the history
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of the festival comes with now in its sixty sixth year.
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It's where Bob Dylan went electric. It's where Johnny Cash
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introduced Chris Christofferson to the world. It's where Joni Mitchell
20:29
made her triumphant return. It's where a few years ago
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you could see Tyler Childers join the Turnpike Troubadours to
20:35
sing John Prine's Paradise. Moments like these seem to happen
20:39
every year at Newport. Where does someone like Luke Combs
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fit into all of this, Well, we're about to find
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out after he was recently announced as one of the
20:47
performers at the twenty twenty five Newport Folk line up
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in late July and Rhode Island. This has definitely drawn
20:53
curiosity for many of the Newport folk faithful and for
20:56
some downright ire that someone of Luke's ilk would be
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included in beloved line up. But folk fans shouldn't be angry,
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and here's why. Yes, Luke Colmbed is one of the
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largest names in popular country music and in all of
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music for that matter. It's really only Morgan Wallen who
21:12
puts up more consistent consumption numbers in country, with honorable
21:16
mentions to Jelly Roll, Zack Bryan and Surging Zach Topp.
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But from the very beginning, Colms has always proven to
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go deeper than the surface with his music, even if
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that's not what you'll hear from him on the radio. First.
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Colms has always been a strong champion of independent country
21:31
and roots artists, directly using his platform to promote important
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performers from Billy Strings early on to Amanda Shires and
21:39
Leon Bridges, and collaborations to important songwriters like Brent Cobb,
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Rob Snyder, Channing Wilson, Eric Dillon and others. Colms has
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been a huge supporter of the Wilder Blue who Colms
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first read about here on Saving Country music and then
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performed Seven Bridges Road with them and took them out
21:56
on tour, similar to what he's done for Flatland Cavalry
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and other non radio country bands. Combs concurred with saving
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country music when it came to naming Ships in the
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Harbor by Tommy Prine That's john Son the song of
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the Year back in twenty twenty two. Luke Combs has
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dialed into what is happening in the country and roots
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real Then, of course, there was Luke's championing of Tracy
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Chapman's Fast Car, making it the song of the Summer
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in twenty twenty three, introducing it to an entirely new generation,
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earning Chapman CMA Awards, and culminating in a performance of
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the song with Chapman herself on the twenty twenty four
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Grammy Awards. Some are surmising that Luke Comb's being added
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to the Newport line up is to facilitate Tracy Chapman
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showing up to have a similar moment. The reclusive Chapman
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has been in the press a lot lately. Folks should
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probably not get ahead of themselves with that theory, But
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collaboration has been at the heart of Luke's last album,
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Fathers and Sons, with his most heartfelt and the greatest
22:53
album yet on Q It was also his worst performing commercially,
22:57
and the label has released no singles from it, even
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though the Man Sees Me in It I'm sorry The
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Man he Sees in Me hit number thirteen on the
23:05
Hot Country Songs chart. In twenty twenty two, Saving Country
23:09
Music claimed Luke Colmbs was the leader mainstream country needs.
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He is the healthy alternative to the Morgan Wallens of
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the world. Does he fit with a Newport folk festival vibe? Well,
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not exactly, but let's see what he has in story.
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He's earned that privilege and should have the right to
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knock off a bucket list moment in his career, no
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different than any other performer. The fact that Combs even
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wants to play Newport is for a massive pay cut
23:32
is one of the primary reasons it should be allowed
23:34
to and the Newport Peanut Gallery should give him a
23:37
chance through booking. Luke Combs is Newport giving away a
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chance to an up and comer who could better benefit
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for it. Yeah, it is, and this is the one
23:45
fair criticism, But it's Luke's presence at the fest that
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could elevate all the other performers from the increased interest,
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just like he's done throughout his career. Saving Country Music
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says it's also imperative that Luke Combs cater his performance
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to the venue and audience, which frankly mainstream folks rarely
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do when they get booked by independent festivals. Know your place.
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If you come out and simply play the hits, it's
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not going to be what the audience wants. But you
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also have to be yourself, which Combs can do and
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still endear himself to that audience. But none of us
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feels like advice Luke Colmes needs to hear from us.
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If you only know Luke Colmbs through the big radio hits,
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you might look sideways at his inclusion in the Newport
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Folk Festival lineup. But those in country music who've been
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paying attention to his career from the beginning don't need
24:29
a history lesson. Luke Holmes has at least earned a
24:32
Newport Folk birth if he wants it, and with his
24:34
history of collaboration and the history of collaboration at Newport
24:37
Folk festivals, it could result in music magic next. Alan
24:43
Jackson has too much of a good time gets concerts
24:46
shut down. When it comes to the rules of country music,
24:50
Alan Jackson never broke one in his illustrious Hall of
24:53
Fame career, except maybe water skiing and jeans. As a
24:57
staunch neo traditionalist, Alan Jackson is always been true to
25:00
his country roots. When it came to the rules of
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life and the music business. Wow, that's another story. Alan
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Jackson never had patience for silly pedantry. That's why he
25:09
told his drummer to play without sticks in nineteen ninety
25:12
four when the ACM Awards forced him to perform to
25:15
a backing track, and why he stopped short playing pop
25:18
atop to perform choices by George Jones at the nineteen
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ninety nine CMA Awards when they kicked Jones off the show.
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Alan Jackson was the headliner of the two Step In
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Fest on Saturday, April fifth, in Georgetown, Texas, north of Austin.
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The appearance was also part of his last call won
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for the road tour, and according to Jackson, will probably
25:38
be the last time he ever performs in Texas. These
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final Alan Jackson performances are like a trip down memory
25:45
lane with an extensive video retrospective it plays before he
25:48
takes the stage and photos and videos commemorating portions of
25:52
his career appearing on the stage video screen during the performance.
25:56
Though it still accompanies Jackson at center stage due to
25:59
the symptoms of his neurological disease CMT that has put
26:03
him on the path to retirement, he still stood most
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of the time, walking around the stage in moments and
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throwing T shirts to the fans in the audience. Jackson
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did have a portion of the show where he sat
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on the stool with his fiddler and guitarist and played
26:15
snippets of songs while telling the stories behind them and
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when they meant to what they meant to his career,
26:21
and he performed the songs here in the Real World
26:24
Jason that Neon Rainbow, as well as a deeper cut
26:27
Dallas and a newer song The Older I Get. In
26:29
this fashion. The main stage at the three stage two
26:32
step in as a very large area accordinged off in
26:35
front of it, often referred to as the pit in
26:37
the concert business. As the organizers at C three Presents
26:41
will probably tell you this area's restricted access for safety
26:44
and security reasons, but his performers and fans often point
26:48
out it can create a mote for the vibe that
26:50
is usually conveyed between the artist and their audience, especially
26:54
when it's so wide. Well, Alan Jackson apparently wasn't fond
26:57
of this motive the two step in, so while singing
27:00
good Time, he started telling the crowd to jump over
27:03
the barrier and to start dancing in the space in
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front of the stage. Don't worry, they want to rest you.
27:08
Jackson said, it's the two step in, but you can't
27:11
two step so with permission from Alan Jackson himself, this
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is exactly what the crowd started to do. The cameras
27:17
broadcasting on the big screens flanking the stage showed people
27:20
hopping the barriers and dancing as Alan sang, but of
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course security wasn't having it. Though they seemed permissive at first,
27:27
as the space between the stage and the barriers began
27:29
to get clogged with barrier jumpers, Security shut the show
27:33
down and demanded everyone leave, refusing to allow any more
27:36
music until the area was emptied. The pause probably lasted
27:39
for around fifteen minutes and likely cut Alan Jackson's already
27:43
shortened festival by two or three songs. When the area
27:46
was cleared, Alan Jackson was given the mic back, but
27:49
made sure to reiterate he wanted people in the area
27:51
and for them to have a good time. Though the
27:54
barriers in front of the stages at the two step
27:56
in seemed inordinately large and do kill a vibe between
28:00
the performer and the audience. It probably was also unsafe
28:03
that there was no place for security and medical personnel
28:06
to operate if there was an emergency, and in fact
28:09
there was with Flatland cavalry set earlier in the day.
28:12
But the folks who got to jump the barriers had
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a glorious moment in the forbidden zone dancing to Alan
28:17
Jackson mere feet away. Alan Jackson also gets another feather
28:21
in his cap for being a badass with a devil
28:23
may care attitude about the rules, and ultimately nobody got
28:26
hurt and everyone had a good story to tell. Texas
28:29
will not forget the potential final show by Alan Jackson
28:32
anytime soon, and Alan won't forget it either. This concludes
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the reading of Country Weekly for this week. If you
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have any comments or suggestions about our program, kindly call
28:43
us at eight five nine four two two sixty three ninety.
28:47
Thank you for joining me and on behalf of everyone
28:49
here at RADIOI this is Ken Dawkins, wishing you a
28:52
great day.