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Dramatic Actors Panel: The Process of Their Process · Artists on Artists on Artists on Artists

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  Speaker 1: Welcome back to Artists on Artists on Artists on Artists. Boy,
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  Speaker 1: do we have a panel for you.
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  Speaker 2: Today, the Streams Screenwriting Expert panel of new voices in Hollywood.
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  Speaker 3: Castumes are character.
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  Speaker 4: Buck, Mary kil wide shot, two shot, close up.
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  Speaker 1: This is artist on Artists.
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  Speaker 2: On Artists on artists.
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  Speaker 1: Do you know why they call it show business? I
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  Speaker 1: always wondered that. And welcome back to another episode of
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  Speaker 1: Artists on Artists on Artists on Artists, the Roundtable Discussion
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  Speaker 1: podcast where Hollywood talk shop and you listen. Now we
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  Speaker 1: have a very special treat for you today. We've assembled
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  Speaker 1: an all star panel of the industry's most acclaimed dramatic actors.
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  Speaker 1: That's right, We've assembled the best and the best, all
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  Speaker 1: in one room to talk to each other about the craft,
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  Speaker 1: their acting process, and of course whether or not to
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  Speaker 1: go method. And as always, we've stuck a couple questions
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  Speaker 1: of our own into the fish bowl on the table.
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  Speaker 1: So look out for those. We are so excited for
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  Speaker 1: you to hear their conversation. Let's meet those actors.
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  Speaker 2: Now, Hey, what's up. I'm Jedediah Thompson. I recently was
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  Speaker 2: just in a movie called Spoonet.
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  Speaker 1: Hello, my name is Jared Heath. I have played the
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  Speaker 1: upcoming superhero the Mixer.
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  Speaker 5: Hey, y'all, I'm Lolin.
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  Speaker 6: I play Sergeant mohlm in World War four, a recreation
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  Speaker 6: of World War Two in the Eyes of the Future.
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  Speaker 5: So excited to be here.
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  Speaker 4: Hi, y'all, how's it going. My name is Cody Jeffrey
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  Speaker 4: Reese and I am an actor. I am recently in
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  Speaker 4: the execution of a Poor Bastard, which you guys can
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  Speaker 4: check out on video and demand right now.
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  Speaker 1: Yes, well, why don't we start with a question from
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  Speaker 1: the fishbowl. When you're preparing for a role, what is
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  Speaker 1: the first step you take?
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  Speaker 2: Well, that's a great question, you know, as you know
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  Speaker 2: more of a dramatic actor. What I really like to
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  Speaker 2: do is just kind of feast on the role. And
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  Speaker 2: by that it's kind of like my methodology of like
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  Speaker 2: you feast it in. You sit down and you eat
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  Speaker 2: up the script as much as you can. I mean,
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  Speaker 2: I'll sit there for hours and days without food and
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  Speaker 2: just kind of like eating and eating and eating the words.
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  Speaker 1: Right. No, No, that's very interesting, Jebediah, because I typically
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  Speaker 1: to the exact opposite, you know, the Mixer, he's messed
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  Speaker 1: up he's messed up in the head, and so often
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  Speaker 1: when I receive the script, I will eat nothing but
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  Speaker 1: raw meat and egg for weeks on end. It locked
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  Speaker 1: myself in a dark room, into a closet and get
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  Speaker 1: really messed up, get so messed up in the head.
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  Speaker 7: That's great.
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  Speaker 4: Yeah, you know, I'm kind of the opposite. You know,
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  Speaker 4: I personally believe that, you know, method acting for me
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  Speaker 4: takes me farther away from the character. If I get
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  Speaker 4: so into my head, I don't get into the body.
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  Speaker 4: So for me, I actually don't meet my character until
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  Speaker 4: I'm on screen.
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  Speaker 7: You know, I don't know.
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  Speaker 4: I kind of hear rumors about him, kind of, I
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  Speaker 4: tell I, let people tell me about him, and I
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  Speaker 4: see kind of what he wears, but I really don't
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  Speaker 4: think about it until it starts rolling.
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  Speaker 2: So you're not necessarily memorizing until you show up or
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  Speaker 2: what do you.
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  Speaker 7: No, I'm not memorizing.
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  Speaker 4: And the cool thing about execution of a poor bastard,
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  Speaker 4: Execution of a poor bastard. Sorry, when we were in execution,
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  Speaker 4: it was really interesting because a lot of those lines,
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  Speaker 4: you know, I would go for it and people would
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  Speaker 4: stop and they would say that was in it.
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  Speaker 7: You know that you didn't get any of the words,
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  Speaker 7: so I say, okay.
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  Speaker 1: It sounds like you were sort of guessing every time
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  Speaker 1: you had a lie.
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  Speaker 4: You can say that, but I call it channeling because
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  Speaker 4: the whole thing about it is you can tell me
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  Speaker 4: what I did wrong, and let's hope some of it
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  Speaker 4: gets in there. But I'm connected to the collective unconscious
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  Speaker 4: and we'll see if we can go and I think
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  Speaker 4: most of the time we did, and I would I'd
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  Speaker 4: like to praise our editors. You know, every editor I've
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  Speaker 4: worked with has been incredible the way they kind of
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  Speaker 4: shape my performance. I give it up to the editors.
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  Speaker 2: Yeah.
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  Speaker 1: I did notice that in some of your films, and
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  Speaker 1: especially in Execution of a Poor Bastard, where they would
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  Speaker 1: cut back and forth almost on every word to a
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  Speaker 1: reaction shot of the other person so that they could
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  Speaker 1: sort of piece together a sentence you were saying.
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  Speaker 8: Now.
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  Speaker 1: I found that very impressive.
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  Speaker 7: Yeah, it was pretty amazing.
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  Speaker 4: And I got to give it up to my actress
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  Speaker 4: scene partner who's in most of those scenes. You know,
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  Speaker 4: Jessica Winfer is so talented and amazing what she does
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  Speaker 4: and her face. I mean, you could just watch a
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  Speaker 4: whole movie of her face. And that's kind of what
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  Speaker 4: that movie turned out to be.
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  Speaker 7: In the middle way.
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  Speaker 5: I worked with Jessica. I worked with Jessica once.
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  Speaker 7: Oh you know Jessica.
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  Speaker 5: Yes, I worked with her.
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  Speaker 6: On the reimagining of Pride and Prejudice a couple of
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  Speaker 6: years ago.
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  Speaker 7: Oh she's so great, isn't she great?
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  Speaker 6: She's good's she's It's like I love an actor that
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  Speaker 6: just is processed thick.
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  Speaker 7: You know, she's process thick.
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  Speaker 1: I mean, she's absolutely very sick, process thick.
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  Speaker 7: She's got the thickest process I've ever worked with. I'll
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  Speaker 7: tell you that.
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  Speaker 6: And I have a thick process, but that that woman
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  Speaker 6: has a thick process.
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  Speaker 2: Well, Aline, can we jump in? Can we jump into
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  Speaker 2: your process? I've been you know, this is actually the
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  Speaker 2: process I've been itching because I've heard so many things
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  Speaker 2: about it. You know, you read the tabloids. You're not
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  Speaker 2: sure what's true.
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  Speaker 5: Oh, thank you so much.
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  Speaker 3: I'll say.
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  Speaker 5: I start out by traveling.
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  Speaker 6: I always travel for my projects. And when I say
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  Speaker 6: I travel, I don't really go someplace where the movie
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  Speaker 6: is set. I really just I travel. I get out.
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  Speaker 6: I am different than you, Cody. I am method and
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  Speaker 6: I get into the role, and then I bord a plane,
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  Speaker 6: and then I see where is this person going?
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  Speaker 5: And how do I react to the world around me?
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  Speaker 1: Well, oftentimes, well, if the tabloids are correct, you don't
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  Speaker 1: fully make it on the plane because you are escorted
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  Speaker 1: off for bad behavior. And I was wondering if that
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  Speaker 1: was a part of the process as well.
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  Speaker 6: Sure, sure, Well, the process is getting to the airport
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  Speaker 6: like a hospital, like a fetus and starting birth. And
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  Speaker 6: then if that is boarding a plane, it's one thing.
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  Speaker 6: If it's sneaking onto a plane without a ticket, that's
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  Speaker 6: another thing. I mean, I play different roles. I think
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  Speaker 6: we have a table here of a bunch of people
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  Speaker 6: who've played different roles. I've played robbers, I've played heroes.
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  Speaker 6: I've played villains. And a villain doesn't board a plane
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  Speaker 6: the way a hero boards a plane, you know. So
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  Speaker 6: if I have to get bad press for it, I
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  Speaker 6: don't think that's Lollin's bad press. I think that's the
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  Speaker 6: movie the character's bad press.
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  Speaker 2: So I guess the tabloids are in that sense.
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  Speaker 3: Sure, but I'm not Lollan like I at Lollin.
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  Speaker 6: If you I'm very different than my roles, I'm a
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  Speaker 6: very simple man in a simple cottage. But once I
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  Speaker 6: get to the roles, I will break the law if
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  Speaker 6: it's that role, you.
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  Speaker 3: Know what I mean.
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  Speaker 2: So actually, yeah, that's what I was wondering, because I
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  Speaker 2: know one of your most legendary roles is the plane hijacker,
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  Speaker 2: and the tabloids that came out of this role were insane.
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  Speaker 2: You kept on trying to board a plane and hijacket
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  Speaker 2: within the first two minutes.
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  Speaker 6: I'm not going to get in there play plane hijacker
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  Speaker 6: and never hijack a plane before.
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  Speaker 5: I'm sorry. It's just it's just how I am.
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  Speaker 6: And that's why I never take rolls right that that
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  Speaker 6: that our fathers because I don't have a kid.
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  Speaker 3: I won't do it.
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  Speaker 5: I won't do it.
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  Speaker 6: I believe in honesty acting, and I'm going to hijack
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  Speaker 6: that plane if it's in the script. And that's what
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  Speaker 6: was so interesting about World War four because I couldn't
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  Speaker 6: physically get back to World War two for or creation
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  Speaker 6: of World War four, so I had to I had
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  Speaker 6: to get creative.
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  Speaker 2: What did you do?
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  Speaker 1: So did you kill? I?
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  Speaker 2: I got.
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  Speaker 6: I bought a gun range in Montana. I bought a
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  Speaker 6: whole gun range and I just got a couple.
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  Speaker 5: I went on to Actors Access.
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  Speaker 6: I heard that you can do non union work, and
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  Speaker 6: I got a bunch of people to agree to a
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  Speaker 6: World War to re enactment.
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  Speaker 3: And so were.
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  Speaker 1: These loaded guns with these real? Were these practical? As
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  Speaker 1: they say?
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  Speaker 6: Legally, I'm not allowed to say right now, I'm in
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  Speaker 6: the middle of a bit of a bit of a
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  Speaker 6: criminal law case.
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  Speaker 1: I was wondering about that because I heard about all
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  Speaker 1: of your your elder fraud, your telemarketing, elder fraud, and
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  Speaker 1: I didn't see any movies that sort of correlated to that.
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  Speaker 1: So was that your own thing or was is there
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  Speaker 1: something coming out well?
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  Speaker 5: As act as? We have hobbies, correct, and your.
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  Speaker 2: Hobby, Yes, is scamming older people?
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  Speaker 6: No, no, no, and yes it's it's that.
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  Speaker 1: It's that so yes, yes it's no.
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  Speaker 3: No, not for fun, no, no.
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  Speaker 6: But a little And yes it's that. I don't like
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  Speaker 6: the scam part. I like talking to the older people.
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  Speaker 6: This is when I'm rolled between roll and I'm actually
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  Speaker 6: interested in everyone here, Like what you do in between
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  Speaker 6: rolls to just wind down?
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  Speaker 4: Yeah, yeah, I mean I love wrestling. You know, I
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  Speaker 4: got a big I got a big farm and I
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  Speaker 4: like to have my family over.
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  Speaker 7: I got a big old family I got. I got eight.
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  Speaker 4: Brothers, I got three sisters, and actually got you know,
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  Speaker 4: a mom, a step dad, a step mom, and a dad.
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  Speaker 1: So you were raised on a farm.
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  Speaker 7: I was raised on a farm. Yeah, I was raised
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  Speaker 7: on a farm out in Nebraska.
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  Speaker 1: How did you get from that to Hollywood? Where you scouted?
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  Speaker 1: Did someone find you?
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  Speaker 2: Well?
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  Speaker 4: I was actually in the background of a movie. You
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  Speaker 4: might have heard of it when I was a kid.
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  Speaker 4: I was in a movie called Field of Dreams and
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  Speaker 4: oh way popular movie.
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  Speaker 7: Yeah, And I was kind of this kid.
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  Speaker 4: You know, if you look in one of the scenes,
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  Speaker 4: you know, all the bad baseball players are coming in
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  Speaker 4: and out of the field. If you look in one
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  Speaker 4: of the scenes, there's a little kid with some dip
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  Speaker 4: in his mouth, hiding in the corn stalks. And I
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  Speaker 4: was just playing hide and seek on the other side
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  Speaker 4: of the farm. And all of a sudden, I've been
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  Speaker 4: told that I'm in a movie. And Kevin Costner comes over.
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  Speaker 4: He says, hey, kid, who are you? And I said, hey,
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  Speaker 4: you know, my name is Cody Jeffrey Reese. And he said,
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  Speaker 4: that's nice to meet you. I like to be your mentor.
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  Speaker 4: And I was like, I, sir, I'm playing hide and seek,
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  Speaker 4: and the more you talk to me, the more I'm visible.
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  Speaker 4: You know, I didn't know. I didn't know who I
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  Speaker 4: was talking to. I didn't know. I had no clue.
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  Speaker 4: I didn't know. So then all of a sudden, you know,
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  Speaker 4: he has my home phone. He starts calling me all
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  Speaker 4: the time, telling me to come out to La. My
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  Speaker 4: parents were a little confused. They're a little freaked out.
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  Speaker 4: They said, Kevin Cassler is being a little aggressive with
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  Speaker 4: our child.
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  Speaker 7: And he just really believed in me.
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  Speaker 4: And I went out there, stayed with him for some
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  Speaker 4: and he treated me like a son. He treated me
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  Speaker 4: like a son. Is really kind, and he kind of
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  Speaker 4: opened a lot of doors for me.
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  Speaker 1: Did you ever get back to your family or did
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  Speaker 1: you sort of kids?
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  Speaker 7: I did not.
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  Speaker 4: Summer turned into fifteen years and then now I was
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  Speaker 4: thirty years old. It was a really kind of a whirlwind.
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  Speaker 1: Isn't that how it all starts?
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  Speaker 4: You know, It's interesting, it's interesting, you know, and looking back,
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  Speaker 4: I wouldn't change a thing.
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  Speaker 7: I wouldn't change a thing because I'm happy where I am.
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  Speaker 6: Of course, not dead bodies and all I wouldn't change
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  Speaker 6: a thing either.
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  Speaker 7: No, would anyone hear change a thing?
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  Speaker 1: Absolutely not, absolutely not. You start getting these mentorships by
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  Speaker 1: it's a simple landline phone call, you know. And mine
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  Speaker 1: just so happened to be with a snake, and I
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  Speaker 1: went into the snake cave. You know what I learned
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  Speaker 1: from him? And I learned how to slither around, how
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  Speaker 1: to poison metaphorically. Of course for him it was quite literal.
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  Speaker 4: He was biting, probably re rement itself to when you
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  Speaker 4: were in that biopic about the Snake from Adam and.
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  Speaker 2: Eve, and what a phenomenal movie, a tour de force
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  Speaker 2: to paust A, Norse.
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  Speaker 3: It was incredible.
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  Speaker 1: Because you know, everyone always focuses on Adam and Eve,
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  Speaker 1: they're the superheroes, but nobody ever thinks about the snake,
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  Speaker 1: the anti hero. I think I see things just a
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  Speaker 1: little differently than everyone else. I'm a little a little screwy.
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  Speaker 6: Speaking of screwy, do you guys ever sleep with anybody
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  Speaker 6: on set?
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  Speaker 2: Oh?
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  Speaker 7: We talk about that.
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  Speaker 5: Oh the table of worldcus actors. I have to ask.
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  Speaker 2: Before we move on to that, just really quick. I
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  Speaker 2: would change I would change the things about my past.
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  Speaker 2: My my family died, a hit and run accident when
• 12:44
  Speaker 2: we were going to one of my acting classes. So
• 12:46
  Speaker 2: I'm hear that push me. That's why I have But
• 12:49
  Speaker 2: let's talk about who he's sleeping with. That's really fun. Actually,
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  Speaker 2: I really hear this.
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  Speaker 5: I take it.
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  Speaker 2: Let's go back before let's do it. I love it.
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  Speaker 1: No, we can do Jepndiah. We should dive into that.
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  Speaker 2: I know, I just wanted to. That sounds very true,
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  Speaker 2: like everybody was having an opinion on it. I just
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  Speaker 2: want to add my two cents, you know, the other side,
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  Speaker 2: the other side.
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  Speaker 4: I mean, if you want to talk about it, that
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  Speaker 4: sounds like it would really influence your career, you know,
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  Speaker 4: on your way to the acting class.
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  Speaker 7: Yeah, it did.
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  Speaker 4: I mean you're going to do what you love and
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  Speaker 4: then you know it kind of killed your family. So
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  Speaker 4: is that that's not something you want to talk about.
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  Speaker 2: I'm not. I'm not super done with processing it.
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  Speaker 7: All right, all right, but if it.
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  Speaker 1: Sounds correct, if it sounds what I'm hearing from this
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  Speaker 1: is that there's a part of you that's a little
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  Speaker 1: sick who kind of liked it.
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  Speaker 7: Jared, Jared, Hey, I think we got to let him,
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  Speaker 7: you know.
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  Speaker 2: No, no, no, let's talk about it. Let's talk at sick.
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  Speaker 1: Isn't that kind of the darkness?
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  Speaker 7: Hey?
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  Speaker 4: You know you freaking method actors obsessed with the darkness.
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  Speaker 4: It's hard for me to be around. Like, let's chill
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  Speaker 4: a little bit with him. That doesn't sound okay.
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  Speaker 6: Do you think you would be an actor today if
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  Speaker 6: your family didn't die on the way to the acting studio?
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  Speaker 2: Well, I think, you know, out of a lot of
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  Speaker 2: the loneliness, disparity, and and sadness, I had to kind of,
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  Speaker 2: you know, hide that pain and fill it with something,
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  Speaker 2: and I filled it with sitcom acting glasses at Leslie Kahn.
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  Speaker 7: Oh good good. Yeah.
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  Speaker 6: Yeah, but to get you her studio, it's a windy road.
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  Speaker 2: Yeah, No, it definitely is.
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  Speaker 6: So I understand I stopped going there because I was like,
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  Speaker 6: it's just too dangerous to get up there.
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  Speaker 2: No, yeah, it definitely, it definitely is.
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  Speaker 1: And Larlin, you have a history of hit and runs yourself,
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  Speaker 1: I mean all playing all those characters in that in
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  Speaker 1: the Hit and Run trilogy, I.
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  Speaker 2: Mean trilogy insane. What a crazy movie concept too. And
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  Speaker 2: I watched that literally weeks after my family died in
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  Speaker 2: that hit and run accident.
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  Speaker 5: I hope it brought you some closure.
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  Speaker 2: It did not. It did not at all. The hit
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  Speaker 2: and run person gets away and wins. Well.
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  Speaker 6: I remember when they brought my when my agent brought
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  Speaker 6: me the script, he said, there's no way you're doing this.
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  Speaker 5: There's no there's no arc.
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  Speaker 3: You hit the car and you leave, You hit the people,
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  Speaker 3: and you're gone.
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  Speaker 2: And it's crazy to me that they made a trilogy
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  Speaker 2: out of it. It was kind of like the Hangover series
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  Speaker 2: where it's just the same first movie but in a
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  Speaker 2: foreign location every time.
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  Speaker 1: I personally thought Hitting Run Japan was quite interesting. I mean,
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  Speaker 1: it was shot for shot the same movie, but all
• 15:19
  Speaker 1: of a sudden, we're in Tokyo, and I think that's
• 15:21
  Speaker 1: quite cool.
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  Speaker 4: I was a huge fan of Hit and Run Borneo
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  Speaker 4: because there's only like one car, and it was so
• 15:28
  Speaker 4: interesting because it kind of turned on its head where
• 15:30
  Speaker 4: you knew you needed to hit this car, but you
• 15:33
  Speaker 4: couldn't find it, and so it was this jungle search
• 15:36
  Speaker 4: where you needed to find this one car that the
• 15:39
  Speaker 4: president drives. The stakes were higher. I thought it was interesting.
• 15:43
  Speaker 4: I watched it with my kids and.
• 15:45
  Speaker 7: My family, my aunt, my aunt Nan. My aunt Nan
• 15:48
  Speaker 7: loved it.
• 15:48
  Speaker 4: She got a T shirt she and I remember, I
• 15:51
  Speaker 4: think I text you, I said, hey, I text you
• 15:54
  Speaker 4: voted my aunt Nan holding the T shirt got over
• 15:56
  Speaker 4: her chest.
• 15:57
  Speaker 3: Yes, the famous where'd he go?
• 16:01
  Speaker 2: T shirt? He go Yeah, Yeah, I watched that movie alone. Yeah,
• 16:09
  Speaker 2: everybody slept with oh sleeping.
• 16:12
  Speaker 1: You know.
• 16:13
  Speaker 4: I think it's a responsibility of the above the line
• 16:17
  Speaker 4: members of any production, you know, actors, writers, directors, producers.
• 16:21
  Speaker 4: I think it's a responsibility for them to have sex
• 16:23
  Speaker 4: with at least one below the line person for equality.
• 16:28
  Speaker 1: It's quite charitable. I think it's they.
• 16:33
  Speaker 4: Put so much work in, and they work so hard. Gaffers,
• 16:36
  Speaker 4: best boys, folly artists, key grips, you know, even just
• 16:40
  Speaker 4: the regular grips, not even the keys, not even the
• 16:42
  Speaker 4: best boys, the normal boys. I mean, I'm I'm having
• 16:45
  Speaker 4: sex with anybody who is interested because they put so
• 16:49
  Speaker 4: much work.
• 16:49
  Speaker 2: All we all agree with that, right, we're all on
• 16:51
  Speaker 2: board with that.
• 16:52
  Speaker 1: I admired that very much. I slept with a woman
• 16:57
  Speaker 1: named Cassidy James.
• 17:00
  Speaker 2: And I continue.
• 17:02
  Speaker 1: She was on the first set I ever worked on,
• 17:05
  Speaker 1: and every set heads forth, I call her back, I say, Cassidy,
• 17:10
  Speaker 1: I'm working on a movie. And then she comes over
• 17:13
  Speaker 1: and she sleeps with me. Okay, anyway, I'm kind of
• 17:18
  Speaker 1: a dog. I'm a little mess.
• 17:20
  Speaker 5: You are a dog.
• 17:21
  Speaker 1: Who else? What's everybody's little black book full.
• 17:25
  Speaker 2: Of Well, you know, I find it really interesting for myself.
• 17:28
  Speaker 2: Something and I've never really spoken this puts this into words,
• 17:33
  Speaker 2: but something about the deep devastation I carry really attracts
• 17:36
  Speaker 2: a lot of people. So there's something about once the
• 17:40
  Speaker 2: camera starts rolling and I start going, I don't want
• 17:43
  Speaker 2: this to sound cocky or conceited, but everybody just wants
• 17:47
  Speaker 2: to start fucking me. Director, crew, you know, even producers,
• 17:52
  Speaker 2: even editors, when they're editing it. I'll get weird calls
• 17:54
  Speaker 2: in the night going like, hey you up love this
• 17:56
  Speaker 2: new cut? Got something to show you and it's dick pic.
• 18:00
  Speaker 1: That's very interesting, Jebediah, When your real life wife died
• 18:04
  Speaker 1: in that fireball accident, did that do anything for your
• 18:07
  Speaker 1: love life?
• 18:08
  Speaker 2: Well? She was pregnant, right, she was pregnant. And what
• 18:12
  Speaker 2: happened was she was she was and I caught her
• 18:15
  Speaker 2: drinking fireball whiskey and I said this is a bad idea,
• 18:18
  Speaker 2: And she said, you think this is a bad idea,
• 18:20
  Speaker 2: watch this dumps fireball all over herself lights herself on fire.
• 18:25
  Speaker 4: Did you think to stop her at any point? Did
• 18:28
  Speaker 4: you think to grab the bottle out of her hand?
• 18:30
  Speaker 7: Or you know there's matches.
• 18:32
  Speaker 2: You know, some people freeze up in moments. There's a
• 18:36
  Speaker 2: moment when trauma comes back and you realize you're powerless
• 18:41
  Speaker 2: in a situation and you're just a little boy sitting
• 18:44
  Speaker 2: in front of Leslie Kah Studios wondering where your family is.
• 18:48
  Speaker 2: So you did not, Yeah, I tried mentally to overcome it,
• 18:53
  Speaker 2: but it was just watching somebody screaming for you know,
• 18:59
  Speaker 2: forty five to to an hour.
• 19:01
  Speaker 4: She was alive and on fire for forty five minutes
• 19:03
  Speaker 4: to an hour.
• 19:04
  Speaker 7: He didn't stop her.
• 19:05
  Speaker 2: Whiskey does not burn hot, and it doesn't it burns long,
• 19:09
  Speaker 2: So you know, after that, that was crazy to have
• 19:11
  Speaker 2: people kind of wanting to have sex with me. I've
• 19:16
  Speaker 2: got a question from the fish bowl if anybody else
• 19:19
  Speaker 2: before we move on, does anybody else want to talk
• 19:21
  Speaker 2: about who they're fucking?
• 19:24
  Speaker 3: I fucked Scajoe Great once a.
• 19:28
  Speaker 4: Year, Scardro Robinson, the baseball player scar wrong once.
• 19:33
  Speaker 6: A year cool a nasty pitch scat.
• 19:35
  Speaker 1: Has yeah, wow, nasty pitch and talk about talk about
• 19:40
  Speaker 1: bad person he is in jail for, you know, pushing
• 19:44
  Speaker 1: that family off a bridge, and I I know you
• 19:49
  Speaker 1: seem to be attracted to that as a criminal, wanted
• 19:52
  Speaker 1: criminal yourself.
• 19:54
  Speaker 6: Nah, it's my character's not law, then, Jared, you're just
• 19:58
  Speaker 6: spreading a lot, are you all right?
• 20:00
  Speaker 7: Yeah?
• 20:01
  Speaker 1: No, I'm just look I I sweat when I'm I'm
• 20:05
  Speaker 1: feeling in character, and I'm feeling a little bit of
• 20:07
  Speaker 1: the mixer come out hearing about how fucked up you
• 20:10
  Speaker 1: all are.
• 20:11
  Speaker 4: Oh god, oh great, So your character's coming out in
• 20:14
  Speaker 4: the middle.
• 20:15
  Speaker 1: Of his I can't be talking to Jared anymore. You're
• 20:18
  Speaker 1: talking to the mixer. He's so screwy.
• 20:23
  Speaker 6: I got a question for the mixer and everyone. Yeah,
• 20:27
  Speaker 6: what's the most fucked up thing you've ever done on set?
• 20:31
  Speaker 7: Let's hear from the mixer first.
• 20:34
  Speaker 1: Well, then the mixer. The mixer isn't on set. The
• 20:37
  Speaker 1: mixer is just living his real life. If that makes
• 20:40
  Speaker 1: any Jared is on set, I can tell you something
• 20:43
  Speaker 1: fucked up. Jared is done. You'll put ketchup packets on
• 20:46
  Speaker 1: the toilet, so when all the crew people sit down,
• 20:49
  Speaker 1: catch up explodes. But in terms of the mixer, the
• 20:54
  Speaker 1: mixer's messed up. He'll go into scenes, he'll, he'll, he'll, he'll,
• 20:59
  Speaker 1: he'll install the knobs on the lights so that they
• 21:02
  Speaker 1: fall down and it is chaos. He would go into girls'
• 21:06
  Speaker 1: rooms and deal their underwear.
• 21:10
  Speaker 3: Character.
• 21:11
  Speaker 2: This is the mixert.
• 21:14
  Speaker 4: Now, this is an exciting It's actually a really exciting
• 21:16
  Speaker 4: opportunity because I've been wanting to talk to somebody who's
• 21:18
  Speaker 4: in character, because, as I'll know, I'm pretty anti method.
• 21:21
  Speaker 7: So let's talk about it. The mixture.
• 21:22
  Speaker 4: Let's chat the mixer.
• 21:26
  Speaker 7: What's your favorite candy?
• 21:29
  Speaker 1: My favorite candy is salt.
• 21:32
  Speaker 7: Okay, the mixer. Where do you want to go on vacation?
• 21:36
  Speaker 1: My vacation?
• 21:37
  Speaker 2: Hell?
• 21:38
  Speaker 1: Hell, below the earth? Hell?
• 21:41
  Speaker 7: Okay, okay, Hey, the mixer. What was your mom and
• 21:44
  Speaker 7: dad like?
• 21:45
  Speaker 1: Dude, Hey, pick a card, any card?
• 21:51
  Speaker 4: Okay, I'll pick this card. Oh, it's the aid of Spades.
• 21:54
  Speaker 1: Wrong knife ow fuck mixer that you've just been mixed.
• 22:04
  Speaker 2: I want to help.
• 22:07
  Speaker 7: I need a band aid.
• 22:09
  Speaker 2: I want to.
• 22:10
  Speaker 1: Help, stay back, stay back and let the blood pour
• 22:14
  Speaker 1: from his little hands.
• 22:16
  Speaker 7: I got a fucking band aid. I'm fine.
• 22:18
  Speaker 4: Don't fucking stab me again, Jared, Okay, I guess I
• 22:22
  Speaker 4: egged you on.
• 22:23
  Speaker 7: Yeah, welcome back.
• 22:24
  Speaker 1: I'm come back. I'm back on back. Now, what are
• 22:27
  Speaker 1: you talking about with the stabbing?
• 22:29
  Speaker 7: Don't do that, ship, Don't do that.
• 22:31
  Speaker 1: When I'm in character, I don't remember anything. It's like
• 22:35
  Speaker 1: a blackout.
• 22:37
  Speaker 7: Don't do that ship.
• 22:38
  Speaker 6: That is why I love acting so much.
• 22:40
  Speaker 5: Look at that moment that just happened.
• 22:43
  Speaker 2: You know. Funny story, I actually did watch one of
• 22:46
  Speaker 2: my cousins get mauled to death by a pack of wolves.
• 22:49
  Speaker 7: Of course you did. I'm sorry to hear that though.
• 22:52
  Speaker 3: That really sorry you did that Broadway play Wolf Mole.
• 22:58
  Speaker 2: Yeah. Right after that, I was cast in a Broadway
• 23:00
  Speaker 2: play completely coincidentally called Wolf Mall.
• 23:04
  Speaker 1: I was always wondering if Wolf Mall was a metaphor
• 23:07
  Speaker 1: for being mauled by a wolf.
• 23:10
  Speaker 2: But it wasn't. It wasn't. It was literally a play
• 23:13
  Speaker 2: about being malled to death by a wolf. Well, here's
• 23:17
  Speaker 2: a question from the fish bowl that I thought was
• 23:20
  Speaker 2: really interesting. You know, we all come from such big
• 23:25
  Speaker 2: places in our life now, but what is the essential
• 23:29
  Speaker 2: purpose of our art? What is the essential purpose of
• 23:33
  Speaker 2: being a dramatic actor and what does it offer to
• 23:37
  Speaker 2: the world. I thought this was really interesting, and I
• 23:38
  Speaker 2: wanted to get everybody's opinion on this.
• 23:43
  Speaker 6: I think it's to connect and that's what I aimed
• 23:48
  Speaker 6: to do in World War Four, where it's like you just.
• 23:52
  Speaker 8: There's so much discourse about World War Two, and it's
• 23:59
  Speaker 8: bringing together the missing pieces and the parts using stories
• 24:05
  Speaker 8: and using.
• 24:06
  Speaker 2: Words just a quick I don't know if there's much
• 24:10
  Speaker 2: you know, debate or discourse about World War Two. There's
• 24:13
  Speaker 2: more just you know, understanding the history of it. I
• 24:16
  Speaker 2: don't know if there's much disagreement in World War Two.
• 24:20
  Speaker 1: At the time, right everyone was talking about world War two,
• 24:25
  Speaker 1: wild world War two was happening. I think you're very
• 24:28
  Speaker 1: right about that.
• 24:28
  Speaker 6: Talking about it, and it's bringing those conversations back up
• 24:32
  Speaker 6: and healing it.
• 24:34
  Speaker 4: Can I ask why your movie is called World War
• 24:36
  Speaker 4: Four if it's just about World War Two.
• 24:38
  Speaker 6: It's reimagining World War Two in a futuristic new context.
• 24:45
  Speaker 6: So it's like you learning things about the past and
• 24:48
  Speaker 6: you're not even it's not a retelling, it is a reconstruction.
• 24:52
  Speaker 1: I did notice the movie was very accurate to World
• 24:56
  Speaker 1: War Two, very much felt like World War Two, except
• 24:59
  Speaker 1: everything was in and I thought that said a lot
• 25:01
  Speaker 1: about society.
• 25:03
  Speaker 6: Yes, and it gets you to break down your barriers
• 25:05
  Speaker 6: of what the past was, and it gets you to
• 25:08
  Speaker 6: go where where is my understanding of what happened and
• 25:11
  Speaker 6: what will happen?
• 25:12
  Speaker 3: And where are we?
• 25:14
  Speaker 1: Seeing Hitler in Robot for really made me realize, you know,
• 25:20
  Speaker 1: maybe this guy is not such a good guy. And
• 25:22
  Speaker 1: I thought that this movie was very.
• 25:24
  Speaker 2: Educational for me. That was this was the movie that
• 25:27
  Speaker 2: made you realize that there was not a good guy.
• 25:29
  Speaker 1: Well, I just never really thought about it before, and
• 25:32
  Speaker 1: this movie said, hey, wake up, wake up, Jared. This
• 25:36
  Speaker 1: is who Hitler was. And I'm shocked. I'm shocked we
• 25:40
  Speaker 1: are talking about it, Bore.
• 25:41
  Speaker 4: Yes, I don't know what our service is, man, I
• 25:45
  Speaker 4: don't know what we're doing here.
• 25:47
  Speaker 3: Cody.
• 25:47
  Speaker 1: You're having an excess to crisis.
• 25:49
  Speaker 7: I know I'm not.
• 25:50
  Speaker 4: I'm having a crisis where I don't see all as
• 25:52
  Speaker 4: people who are contributing as much as I'm contributing. That's
• 25:55
  Speaker 4: the truth of it. What do you get You're farce
• 25:59
  Speaker 4: in the darkness. You're manipulating the pain. You're trying to
• 26:02
  Speaker 4: make people feel bad, and you're trying to make yourself
• 26:04
  Speaker 4: feel bad about things that ain't so bad.
• 26:06
  Speaker 1: Okay, y'all don't anoring the darkness. You're ignoring.
• 26:10
  Speaker 7: I know the darkness.
• 26:11
  Speaker 1: I'm Cody. I'm the happy, floppy hair boy in the
• 26:14
  Speaker 1: Baseball movie.
• 26:16
  Speaker 5: I ain't that.
• 26:17
  Speaker 7: No, that ain't me at all.
• 26:19
  Speaker 4: I chipped my tooth on a crawdad last week. I
• 26:21
  Speaker 4: and I went to the dentist and I took care
• 26:23
  Speaker 4: of it. I didn't turn it into some fucking character
• 26:25
  Speaker 4: where I was fucking you know, I'm I'm upset my
• 26:29
  Speaker 4: tooth is shipped by a crowddad.
• 26:31
  Speaker 7: That ain't me.
• 26:32
  Speaker 2: Okay, No, maybe you're right. Well, I thought pain into Well,
• 26:37
  Speaker 2: you're a little different, and I apologize. My family dying
• 26:41
  Speaker 2: is basically like chipping my tooth. I finally get saying.
• 26:46
  Speaker 4: I'm just saying, y'all, we're making movies, we're making art, Okay,
• 26:49
  Speaker 4: we're escaping, and I think sometimes y'all are trying to
• 26:53
  Speaker 4: feel the pain in order to justify this cushy job
• 26:57
  Speaker 4: we got because we live a good life. Y'all know
• 26:59
  Speaker 4: that all three of y'all have seven assistants next to
• 27:03
  Speaker 4: you right now. None of them have said a single word.
• 27:05
  Speaker 4: Y'all got huge teams, okay, and I just got me.
• 27:10
  Speaker 1: Well, I think we could all agree. We pay our
• 27:12
  Speaker 1: assistants not to talk. Why would they be.
• 27:17
  Speaker 2: Just enough not to talk? Okay, just enough not to talk.
• 27:20
  Speaker 1: They get wonderful benefits. Wonderful benefits. By the way, Tebidiah,
• 27:24
  Speaker 1: I'm so sorry to hear that your assistant exploded the
• 27:27
  Speaker 1: other day. That must have been hard to watch.
• 27:29
  Speaker 2: God, it was. It was really tough to watch. Actually,
• 27:33
  Speaker 2: she We're trying to build a train track right near
• 27:36
  Speaker 2: my house, and we're clearing out this old cave. And
• 27:40
  Speaker 2: you know, one wrong stick of dynamite can send somebody
• 27:44
  Speaker 2: all over the place, and that's exactly what happens. So
• 27:46
  Speaker 2: I just wanted to give a big shout out to
• 27:48
  Speaker 2: h Jenniff Francis's family. We mourn with you.
• 27:55
  Speaker 4: Why you got your assistants building to train man, What
• 27:57
  Speaker 4: do you have your assistance doing?
• 28:01
  Speaker 2: What do you have your assistance doing?
• 28:03
  Speaker 7: I ain't got no assistance. I got really good friends
• 28:06
  Speaker 7: who helped me out for free.
• 28:08
  Speaker 2: Okay, that sounds illegal, that sounds very illegal.
• 28:14
  Speaker 7: No, I got friends who do me favors.
• 28:17
  Speaker 9: Okay, Cody, you get you sleep with people in trucks.
• 28:21
  Speaker 9: I just am I'm sick of this high horse talking
• 28:25
  Speaker 9: down to faux paw mopaw. We all have our own processes,
• 28:31
  Speaker 9: and we're all different, and it's all thick, and it's
• 28:33
  Speaker 9: all different, all right.
• 28:37
  Speaker 4: If I'll respect y'all's thick processes, if you respect mine, Okay, Cody,
• 28:41
  Speaker 4: I think it's.
• 28:42
  Speaker 1: Time you start paying your assistance. Once you start paying
• 28:44
  Speaker 1: your assistance, they can actually do things for you, like
• 28:48
  Speaker 1: I don't know, taking a bunch of.
• 28:49
  Speaker 10: Rad chickens, sharp being things that I fucked up on it,
• 28:54
  Speaker 10: sharp being you worn'ts like piss and shit just writing
• 28:58
  Speaker 10: it on the chicken.
• 29:00
  Speaker 3: Slimy uncooked chicken, right.
• 29:03
  Speaker 1: Slimy uncooked chicken, sometimes in the packaging, sometimes without.
• 29:06
  Speaker 2: So you eat, you eat the chicken that you write on.
• 29:10
  Speaker 2: It's not I thought maybe you were taking out other
• 29:12
  Speaker 2: people's chicken and doing it to scare them, But it's
• 29:14
  Speaker 2: more just to scare yourself.
• 29:16
  Speaker 1: It's to scare myself. And when you write swear words
• 29:19
  Speaker 1: on chicken and you eat them, you absorb all the
• 29:23
  Speaker 1: pestilens and the slime and the and the dark corners
• 29:26
  Speaker 1: of humanity. You absorbed a pis and shit that you
• 29:31
  Speaker 1: that you write on the chicken.
• 29:33
  Speaker 7: I got a question for y'all. Do y'all like rehearsing.
• 29:37
  Speaker 2: No, hate it, absolutely hate it.
• 29:42
  Speaker 11: I would say, no, I haven't done it in so
• 29:46
  Speaker 11: many years. Where's the last time somebody showed up to
• 29:51
  Speaker 11: a rehearsal that they were scheduled for?
• 29:54
  Speaker 2: Oh?
• 29:54
  Speaker 7: Never, I ain't never pose.
• 29:56
  Speaker 9: I'm too busy fucking Scar Joe Roe, Joe Road, the
• 30:00
  Speaker 9: baseball player.
• 30:01
  Speaker 1: That must be very He's on the Houston Astros, on
• 30:05
  Speaker 1: the road all the time.
• 30:06
  Speaker 4: He's in right now too, which is difficult.
• 30:10
  Speaker 8: What do you do?
• 30:11
  Speaker 1: How does he balance his time between fucking you, being
• 30:14
  Speaker 1: on the Houston Astros and serving fifteen years to life.
• 30:18
  Speaker 3: And that's why we pay on my assistance because of that.
• 30:23
  Speaker 1: Break him out of jail.
• 30:24
  Speaker 3: Yes, it's got.
• 30:25
  Speaker 1: Him in his baseball suit. Shoop him off to Texas.
• 30:30
  Speaker 3: It's better than shopping Broad Chicken.
• 30:34
  Speaker 1: You don't know what that does to my character. Anyway,
• 30:37
  Speaker 1: I haven't been to rehearsal. And everybody knows that they
• 30:40
  Speaker 1: show up. They spend the money, thousands and thousands of
• 30:43
  Speaker 1: dollars on crew and actors and people to be there,
• 30:47
  Speaker 1: and I am not there because it would better serve
• 30:49
  Speaker 1: the movie if I am at home eating my fucked
• 30:52
  Speaker 1: up chicken. Maybe we should. We should wrap this off
• 30:55
  Speaker 1: with one final question? What's next?
• 31:00
  Speaker 7: I am shooting something next week. I don't know what
• 31:03
  Speaker 7: it is.
• 31:03
  Speaker 4: I won't know until I show up, but my my
• 31:06
  Speaker 4: manager said it's really great.
• 31:08
  Speaker 2: Do you have any name or anything like that.
• 31:10
  Speaker 4: I think I'm playing someone who is in history, but
• 31:13
  Speaker 4: I don't know who it is yet.
• 31:14
  Speaker 1: Do you know the movie president?
• 31:16
  Speaker 4: The movie is called the movie is called The Mark
• 31:21
  Speaker 4: Twain's Story. But I don't know who I'm playing yet.
• 31:24
  Speaker 1: So you are the lead in the Mark Twain Story.
• 31:27
  Speaker 7: Yeah, but I don't know what it's about. I ain't
• 31:29
  Speaker 7: looked it up or anything.
• 31:30
  Speaker 1: It sounds like you're playing Mark Twain.
• 31:34
  Speaker 7: I guess, Well, it.
• 31:36
  Speaker 1: Sounds very excited.
• 31:36
  Speaker 7: Well, see, I don't know. I mean, I don't know.
• 31:38
  Speaker 4: Maybe you know it's maybe it's the person who's writing
• 31:40
  Speaker 4: the story. Maybe it's somebody else.
• 31:42
  Speaker 7: I don't know. I'm excited. It's gonna be fun.
• 31:45
  Speaker 2: So Mark Twain is an author, so if anybody was
• 31:47
  Speaker 2: writing the story, it'd probably be Mark Twain.
• 31:49
  Speaker 7: Well, who's to say. We don't know, and we don't
• 31:51
  Speaker 7: know who wrote it.
• 31:52
  Speaker 4: So I'm excited though they're paying me twenty five million dollars,
• 31:55
  Speaker 4: so I'm looking forward to it.
• 31:58
  Speaker 7: What about you, Jared, what are you up to?
• 32:02
  Speaker 1: Well? Funny you should ask, I mean, honestly, obviously, I
• 32:07
  Speaker 1: should say. The mixer has been signed on for about
• 32:10
  Speaker 1: seventeen more movies, so you will be getting a new
• 32:14
  Speaker 1: mixer every three years until my body gives out, which
• 32:20
  Speaker 1: I don't think it will. And then in the middle
• 32:24
  Speaker 1: of that, somewhere around twenty twenty five, I will be
• 32:28
  Speaker 1: voicing the animated character and a Disney film called Little
• 32:32
  Speaker 1: Rabbit Gets a Carrot, And I'm very excited to play
• 32:37
  Speaker 1: the Little Rabbit. It's going to be a deep departure
• 32:41
  Speaker 1: for me to add some dimension to the Little Rabbit.
• 32:46
  Speaker 7: Have you thought about going method for that yet? What
• 32:48
  Speaker 7: are you gonna do?
• 32:49
  Speaker 1: Oh? I'm going method. I'm going method. I'm going to
• 32:52
  Speaker 1: be the Easter Bunny at my niece's Easter Christmas.
• 32:57
  Speaker 2: I mean, that's fun. You guys combine them, that's really fun.
• 33:01
  Speaker 1: I've run a different region of Christianity.
• 33:05
  Speaker 2: Region understandable is it the Southwest region or the.
• 33:12
  Speaker 5: Region of Christianity?
• 33:13
  Speaker 1: Is the New Mexico sect of Christianity where we celebrate
• 33:17
  Speaker 1: Eastern Christmas on the same day, and then we celebrate
• 33:21
  Speaker 1: Christmas a second time, but that's with Halloween. We call
• 33:25
  Speaker 1: it Spooky Christmas. And it's where Jesus Christ came back
• 33:30
  Speaker 1: to eat a pupkins.
• 33:32
  Speaker 7: I've heard about New Mexico Christianity.
• 33:36
  Speaker 2: Lolon, what are you up to?
• 33:40
  Speaker 6: Well, I don't know if I'm allowed to say this,
• 33:43
  Speaker 6: but I'll go forward take the risk. We're doing hit
• 33:46
  Speaker 6: and Run boat series.
• 33:48
  Speaker 3: We're doing a.
• 33:48
  Speaker 2: Boat, so it's just called hit and Run boat.
• 33:53
  Speaker 6: I think it's untitled Hit and Run Boat Project.
• 33:57
  Speaker 5: To be honest.
• 33:58
  Speaker 6: I think it's we're just doing the series and we're
• 34:02
  Speaker 6: doing it all in a boat.
• 34:03
  Speaker 2: Yeah. Quick question is it Is it a boat hitting
• 34:06
  Speaker 2: a boat or a car hitting a boat or a
• 34:08
  Speaker 2: boat hitting a car.
• 34:09
  Speaker 5: Oh, I should have been clear. It's a car hitting
• 34:12
  Speaker 5: a boat.
• 34:13
  Speaker 1: So it kid goes in the water like a duck tour.
• 34:17
  Speaker 5: Yes, and the car scurry scurry is away. They can't
• 34:20
  Speaker 5: find it, so it hits.
• 34:22
  Speaker 2: The boat and then drives away in the water.
• 34:24
  Speaker 5: Or it sinks or the boat.
• 34:25
  Speaker 6: The boat can't find the car, is what's happening, and.
• 34:29
  Speaker 1: So the boat is trying to get the car. The
• 34:32
  Speaker 1: car follows the boat into the water, but the boat
• 34:35
  Speaker 1: doesn't see it, and then the car hits the boat
• 34:38
  Speaker 1: and doesn't sink.
• 34:40
  Speaker 7: Sounds like a real cat and mouse story.
• 34:42
  Speaker 6: Me, yes, it's it's very it's a car hits boat.
• 34:48
  Speaker 1: And do you feel remorse in this one as the
• 34:51
  Speaker 1: as the driver of the.
• 34:51
  Speaker 3: Boat or no, Well, an actor can tell.
• 34:55
  Speaker 6: Also, Lalen doesn't know. I'll have to get into a
• 34:59
  Speaker 6: hit her.
• 35:00
  Speaker 3: The character hit her.
• 35:03
  Speaker 1: Let's get hit I want to hear hitters.
• 35:08
  Speaker 5: Give me some space, give me.
• 35:12
  Speaker 7: Right now.
• 35:13
  Speaker 1: I'm so excited to hear her do the voice. The
• 35:16
  Speaker 1: voice is what makes him.
• 35:22
  Speaker 5: We hit him.
• 35:23
  Speaker 3: Let's get out of here.
• 35:26
  Speaker 7: He's doing the car too.
• 35:29
  Speaker 3: Fuck, we hit that ball. Let's get out of here.
• 35:34
  Speaker 3: We hit that boat. Let's get out of the water.
• 35:40
  Speaker 2: I remember that in the movies that most of the
• 35:43
  Speaker 2: car sound effects was made by you, were made by you.
• 35:46
  Speaker 3: What happened? I blacked out?
• 35:48
  Speaker 2: You did not you?
• 35:52
  Speaker 1: I know exactly what you mean.
• 35:55
  Speaker 7: No, y'all did not do that.
• 35:58
  Speaker 2: Who's next?
• 35:59
  Speaker 3: Who's next?
• 36:00
  Speaker 2: Well, you know, I've just got a couple of funeral
• 36:04
  Speaker 2: memorial services to hit up the next couple weeks and months.
• 36:08
  Speaker 2: They're kind of backlog right now.
• 36:09
  Speaker 1: All right, it's Jeff and Dayah. Give us a rapid firelist.
• 36:12
  Speaker 1: Who's dead?
• 36:13
  Speaker 2: Okay, my grandmother just passed away. She was the one
• 36:17
  Speaker 2: who raised me as one. Okay, we'll go a little faster.
• 36:22
  Speaker 2: My dog got hit by the train. I just built.
• 36:26
  Speaker 2: My favorite chef his restaurant collapsed in an earthquake.
• 36:30
  Speaker 1: And three, probably many more if you count house. So
• 36:33
  Speaker 1: let's say.
• 36:35
  Speaker 2: I own a hotel in uh In, Kenya and it
• 36:38
  Speaker 2: also just collapsed. Same earthquake affected that. Yeah, an airplane
• 36:44
  Speaker 2: of most of my distant relatives who were coming to
• 36:47
  Speaker 2: see me and welcome me. I was trying to do
• 36:48
  Speaker 2: this whole big family get together. It got hit by
• 36:51
  Speaker 2: lightning and just went down. Then, ironically, I'm going to
• 36:56
  Speaker 2: the funeral of somebody I actually hit and run away from.
• 37:00
  Speaker 2: In a twist of fate, I was the one who
• 37:02
  Speaker 2: killed a family and at home to this day. So
• 37:06
  Speaker 2: I'm giving a little speech in an apology, because it's
• 37:10
  Speaker 2: crazy that they let you be at the funeral and
• 37:13
  Speaker 2: give a speech. They're very upset, but I've got you
• 37:15
  Speaker 2: want to hear the speech, yes.
• 37:17
  Speaker 7: Sure, but please you don't have to get in character
• 37:21
  Speaker 7: for it, do you? Because I can't handle that right now.
• 37:22
  Speaker 2: I'm mostly playing myself in my movies. Hi, I'm so sorry,
• 37:31
  Speaker 2: I'm here. I just wanted to say a few words.
• 37:36
  Speaker 2: Life is perpetually in motion, and sometimes that motion stops,
• 37:42
  Speaker 2: and sometimes other people cause that motion to stop, like
• 37:46
  Speaker 2: a car hitting a family. The car comes to a stop,
• 37:50
  Speaker 2: and so do they cheers.
• 37:56
  Speaker 4: It's beautiful looking for notes, But cheers isn't usually the
• 38:00
  Speaker 4: way you endo any sort of eulogy.
• 38:03
  Speaker 1: Yeah, and I wouldn't. One would be you don't really
• 38:06
  Speaker 1: you should? You should plug your movie at the end
• 38:08
  Speaker 1: of it. At every every press appearance, there is an objective,
• 38:12
  Speaker 1: and it is to see, uh, you have to plug
• 38:14
  Speaker 1: something at the end.
• 38:16
  Speaker 2: Yeah, oh yeah, that's very true. Maybe I maybe I'll
• 38:18
  Speaker 2: do that. And I like cheers honestly, It's what I've
• 38:20
  Speaker 2: used at most of my memorial services. That's kind of
• 38:23
  Speaker 2: my signature move.
• 38:24
  Speaker 7: Well, you're right, I shouldn't, you know, teach its own.
• 38:26
  Speaker 2: I guess, yeah, teach his own. But that's me. Should
• 38:31
  Speaker 2: we end it? Uh? Just kind of saying acting things.
• 38:36
  Speaker 1: Sure, you want to say some acting things.
• 38:39
  Speaker 2: Let's all say some acting things and let's go, Uh,
• 38:44
  Speaker 2: hit your mark, always hit you blocking, blocking.
• 38:49
  Speaker 5: Connect paper for the lines to be on.
• 38:55
  Speaker 7: Oh yeah, script wearing costume, trailers.
• 39:04
  Speaker 1: Fake blood. That one was from the mix it. This
• 39:08
  Speaker 1: has been the Artist on Artists on Artists on Artists,
• 39:11
  Speaker 1: dramatic Actors panel, answering the age old question. Now, that's
• 39:15
  Speaker 1: why they call it show business. We'll see you next week.
• 39:20
  Speaker 2: Hi, I'm Angel Jertana, I'm Jeremy Colhayne, I'm Patrick McDonald's.
• 39:23
  Speaker 1: And I'm Kylie Brakman. Artists on Artists on Artists on
• 39:26
  Speaker 1: Artists is an improvised Hollywood roundtable podcast available on iTunes
• 39:30
  Speaker 1: and Spotify.
• 39:31
  Speaker 2: You can follow us at aoaoaoa pod on Twitter and Instagram.
• 39:35
  Speaker 4: That's right, four a's with three o's in between, then pod.
• 39:39
  Speaker 1: We'll see you next time. Good Night, Hollywood,