Latest / Aaron Mahnke's Cabinet of Curiosities / Working for Peanuts
Transcript
- 0:04Speaker 1: Welcomed Aaron Mankey's Cabinet of Curiosities, a production of I
- 0:07Speaker 1: Heart Radio and Grim and Mild. Our world is full
- 0:14Speaker 1: of the unexplainable, and if history is an open book,
- 0:18Speaker 1: all of these amazing tales are right there on display,
- 0:22Speaker 1: just waiting for us to explore. Welcome to the Cabinet
- 0:27Speaker 1: of Curiosities. The job of a research scientist can be
- 0:38Speaker 1: pretty thankless. For every major breakthrough and miracle cure, there
- 0:42Speaker 1: are countless studies conducted that go nowhere, yield middling results,
- 0:46Speaker 1: or fly under the radar. But those studies and the
- 0:49Speaker 1: documentation of them are necessary if we ever hope to
- 0:52Speaker 1: move science forward. Yet, in one scientist and his assistant
- 0:58Speaker 1: authored a paper that didn't just influence the field of physics,
- 1:01Speaker 1: it made one of them famous for years to come.
- 1:05Speaker 1: Jack H. Heatherington taught physics at Michigan State University back
- 1:09Speaker 1: in the nineteen seventies. He'd been studying how helium behaved
- 1:12Speaker 1: when subjected to different temperatures and wrote a paper on
- 1:16Speaker 1: his findings. He'd done all the work himself, but when
- 1:18Speaker 1: he gave the paper to a colleague for their opinion,
- 1:21Speaker 1: they noted something odd about how it was written, Heatherington
- 1:24Speaker 1: kept referring to we instead of I throughout the paper.
- 1:27Speaker 1: He had his reasons, of course, For one, egos were
- 1:30Speaker 1: high in the scientific community. If a paper shared multiple authors,
- 1:35Speaker 1: one author couldn't stand above the others and gain attention
- 1:38Speaker 1: in their field. To The pay structure for a paper
- 1:41Speaker 1: was different when multiple authors were involved. Unfortunately, Heatherington couldn't
- 1:47Speaker 1: write it on a computer. He'd done it on a typewriter,
- 1:50Speaker 1: and fixing the mistake would have required him to manually
- 1:53Speaker 1: retype the entire thing. But he also didn't want to
- 1:56Speaker 1: share credit with anyone else, so he held out on
- 1:59Speaker 1: ad in another name to the title page. But after
- 2:02Speaker 1: thinking it over one night, Heatherington's gutt told him that
- 2:05Speaker 1: he had to get it published sooner or rather than later.
- 2:08Speaker 1: He was left without any other option and gave in,
- 2:12Speaker 1: writing down the first name he could think of, his
- 2:14Speaker 1: assistant Professor Willard. The scientific paper, titled two three and
- 2:20Speaker 1: four ADAM Exchange Effects in B C C three h E,
- 2:25Speaker 1: was submitted to Physical Review Letters, a major physics journal.
- 2:29Speaker 1: He was listed as having men co authored by J. H.
- 2:31Speaker 1: Heatherington's and F. D. C. Willard, and it was finally
- 2:35Speaker 1: published in November of nine. At first, no one batted
- 2:39Speaker 1: an eye at the additional name. The assistant didn't mind either.
- 2:43Speaker 1: Then someone came knocking. A visitor asked to speak with
- 2:46Speaker 1: Heatherington about his paper, but the author couldn't do it
- 2:49Speaker 1: at the time, so the visitor asked to speak to
- 2:51Speaker 1: Willard instead, That too, was impossible. Even more suspicious was
- 2:56Speaker 1: the time when Heatherington and Willard had to sign copies
- 2:59Speaker 1: of their paper. One such copy made its way to France,
- 3:02Speaker 1: where a physics conference was being held in ninety eight.
- 3:06Speaker 1: Conference organizers had wanted to invite Willard to speak at
- 3:09Speaker 1: the event, but after taking one look at his signature,
- 3:12Speaker 1: they rescinded the invitation. They also barred Heatherington's from speaking
- 3:16Speaker 1: as well, and, as if things couldn't get any worse,
- 3:20Speaker 1: rumors started to spread about Professor Willard. According to the gossip,
- 3:24Speaker 1: Heatherington's wife was allowing Willard to sleep in their bed
- 3:27Speaker 1: at night, starting a scandal within the scientific community. In reality, though,
- 3:33Speaker 1: there was nothing to worry about. Heatherington's had no problem
- 3:36Speaker 1: sharing the bed with both his wife and his assistant,
- 3:39Speaker 1: not when that assistant was so soft and cuddly. F DC.
- 3:43Speaker 1: Willard's name was actually Feliss Domesticus Chester Willard, the term
- 3:48Speaker 1: felis domesticus meaning common house cats. The cats whose real
- 3:52Speaker 1: name was Chester had been sired by his father, Willard,
- 3:55Speaker 1: and so the nomina plume was born. Heatherington's never regretted
- 3:59Speaker 1: his decision, In fact, it made him kind of a
- 4:02Speaker 1: celebrity around the university and among his fellow physicists and
- 4:06Speaker 1: Professor Willard went on to author another paper in nineteen eighty,
- 4:10Speaker 1: this one written in French. The real authors, Heatherington being
- 4:14Speaker 1: one of them, couldn't agree on the veracity of the
- 4:16Speaker 1: content within, so Heatherington's offered F. DC Willard as a
- 4:20Speaker 1: stand in for all of them. This way, if anything
- 4:23Speaker 1: was found to be incorrect, it wouldn't come back to
- 4:26Speaker 1: haunt them or their reputations, and his poor cat could
- 4:29Speaker 1: take all the blame. Willard lived to the rifled age
- 4:33Speaker 1: of fourteen, passing away in nineteen eighty two. He left
- 4:36Speaker 1: a lasting impact on the field of physics, and his
- 4:39Speaker 1: papers are still quoted today. And if you want to
- 4:42Speaker 1: know if the paper you're reading was actually co written
- 4:45Speaker 1: by one Professor F. D. C. Willard, all you have
- 4:48Speaker 1: to do is look for his unique signature, an inky
- 4:51Speaker 1: pop print in the middle of the page. They say,
- 5:09Speaker 1: never go grocery shopping while you're hungry. You're liable to
- 5:12Speaker 1: buy more than you need to satisfy your cravings. It
- 5:15Speaker 1: might be better to channel that hunger into something more productive.
- 5:18Speaker 1: And that's what one resourceful man did in nineteen sixty four.
- 5:22Speaker 1: But our story actually begins before then, back in the
- 5:25Speaker 1: nineteenth century. You see. You might not realize it, but
- 5:28Speaker 1: a lot of the candy that we enjoy today got
- 5:30Speaker 1: its start over a hundred years ago. For example, Good
- 5:33Speaker 1: and Plenty licorice was created in Philadelphia way back in
- 5:36Speaker 1: eight and annual visitors to the Jersey Shore might buy
- 5:41Speaker 1: a bag of saltwater taffy for their return trip home,
- 5:44Speaker 1: unaware that the chewy treats was first made in Atlantic
- 5:47Speaker 1: City in the eighteen eighties. Much of the candy sold
- 5:51Speaker 1: during this time was also known as penny candy, sold
- 5:54Speaker 1: for a penny apiece in drug stores and five and dimes.
- 5:57Speaker 1: Clerks would scoop out various treats from glass containers and
- 6:00Speaker 1: then dumped them into bags, meaning the candy was often
- 6:03Speaker 1: sold in bulk rather than individually. For one cent per units,
- 6:08Speaker 1: and at least one of those candies is still produced
- 6:10Speaker 1: to this day. It's a squishy, orange colored combination of sugar, corn, syrup,
- 6:15Speaker 1: pectin and other ingredients that have been formed into the
- 6:18Speaker 1: shape of a common peanut. Bite into one, and your
- 6:21Speaker 1: taste buds are immediately flooded with a flavor that has
- 6:25Speaker 1: been described by some as dishonorable banana. Now. Over the years,
- 6:29Speaker 1: Circus peanuts took on different flavors like orange and we're
- 6:33Speaker 1: only sold during certain times of the year since keeping
- 6:36Speaker 1: them fresh was difficult, But as cellophane packaging took off
- 6:39Speaker 1: in the nineteen forties, they became more widely available and
- 6:42Speaker 1: in different colors too, such as yellow and white. Though
- 6:46Speaker 1: Circus peanuts are still sold today, their popularity has dwindled
- 6:50Speaker 1: when compared to such modern confections like Skittles, Eminem's Nerds,
- 6:54Speaker 1: and even the True and Tried candy bar. But John
- 6:57Speaker 1: Hallohan saw the value in Circus peanuts over fifty years
- 7:00Speaker 1: ago while he was serving as the vice president of
- 7:03Speaker 1: General Mills. The company was looking to bolster its roster
- 7:07Speaker 1: of breakfast cereals. A new cereal, especially something unlike anything else.
- 7:11Speaker 1: They were making at the time would have been expensive
- 7:14Speaker 1: to produce. It would have required research and testing and
- 7:17Speaker 1: new machines, all things that General Mills didn't want to
- 7:21Speaker 1: spend money on, so instead, they framed their new initiative
- 7:24Speaker 1: as a challenge, using the company's existing manufacturing capabilities for
- 7:29Speaker 1: things like cheerios and wheaties. Employees were encouraged to create
- 7:33Speaker 1: something brand new, and they were given six months. Hallahan
- 7:37Speaker 1: started researching, beginning with a box of cheerios. Along the way,
- 7:41Speaker 1: he came across a pack of circus peanuts, and that's
- 7:43Speaker 1: when he saw the whole picture. He took the cheerios
- 7:46Speaker 1: and the banana candy and got to work. Little by little,
- 7:50Speaker 1: Hallohan cut up the circus peanuts into tiny pieces, which
- 7:54Speaker 1: he sprinkled over a bowl full of cereal. His idea
- 7:57Speaker 1: was a hit, and General Mills put the concept into production.
- 8:01Speaker 1: The marshmallow pieces were referred to as marbits, while the
- 8:05Speaker 1: oat pieces came in shapes like bells and arrowheads. General
- 8:09Speaker 1: Mills even brought on an advertising company to help sell
- 8:12Speaker 1: the new cereal to the masses, and they decided to
- 8:15Speaker 1: market it around a popular fashion trend at the time,
- 8:18Speaker 1: charm bracelets over time, the cereal changed to adapt to
- 8:22Speaker 1: the changing tastes of the people who ate it, namely children.
- 8:26Speaker 1: The plain oat cereal was eventually coated in sugar, and
- 8:29Speaker 1: the marshmallow shapes were changed as well. But walk through
- 8:32Speaker 1: any grocery store today and you're certain to spot a
- 8:35Speaker 1: familiar red box. Those hearts, stars, horseshoes, Clover's blue moons,
- 8:40Speaker 1: golden rainbows, and red balloons that all got their start
- 8:44Speaker 1: as circus peanuts in nineteen sixty four have stuck around
- 8:47Speaker 1: as one of the most famous breakfast cereals around and
- 8:50Speaker 1: possibly the most famous leprechaun as well, Lucky Charms. I
- 8:59Speaker 1: hope you've enjoyed today's guided tour of the Cabinet of Curiosities.
- 9:03Speaker 1: Subscribe for free on Apple Podcasts, or learn more about
- 9:06Speaker 1: the show by visiting Curiosities podcast dot com. The show
- 9:11Speaker 1: was created by me Aaron Mankey in partnership with how
- 9:14Speaker 1: Stuff Works. I make another award winning show called Lore,
- 9:18Speaker 1: which is a podcast, book series, and television show, and
- 9:22Speaker 1: you can learn all about it over at the World
- 9:24Speaker 1: of Lore dot com. And until next time, stay curious. Yeah,