Latest / Under the Docs / The Weathermen III 'All 4 Floyd' (2020): Conspiracy Theories about George Floyd | Under the Docs 004
Transcript
- 0:07Speaker 1: Under the Dogs. Yeah, under the Docks, very favor. We're
- 0:12Speaker 1: breaking the looks.
- 0:14Speaker 2: Funny you could they risle the shots say coming the
- 0:18Speaker 2: dogs under the docks, Under the docks, Yeah, under the docks.
- 0:38Speaker 1: Under the Dogs.
- 0:51Speaker 3: Welcome back under the Docks.
- 0:54Speaker 4: Today, we're exploring the weatherman Iree All for Floyd twenty
- 0:57Speaker 4: twenty film, directed and narrated by Patrick Mack. The reason
- 1:01Speaker 4: we're covering this film is because it explores the death
- 1:05Speaker 4: of George Floyd in a different perspective. Patrick Mack used
- 1:10Speaker 4: to have a channel in Pursuit of Truth, which is
- 1:13Speaker 4: now banned. You're not gonna find this on the Internet.
- 1:15Speaker 4: You're not gonna find this on Google. You're gonna have
- 1:16Speaker 4: to go to Rumble and Bitchoot. And what he did
- 1:19Speaker 4: with his series was he was talking about the Weather Underground,
- 1:22Speaker 4: and the Weather Underground was a group of radical leftists
- 1:27Speaker 4: that we're trying to do some political change with kind
- 1:30Speaker 4: of race baiting, so and so forth. So he kind
- 1:32Speaker 4: of connects this third one with the All for Floyd.
- 1:35Speaker 4: So you can go back and watch one and two,
- 1:37Speaker 4: but they're totally different because this one specifically goes with
- 1:42Speaker 4: the George Floyd incident and they explore some interesting avenues
- 1:46Speaker 4: of human trafficking, foss flags, connections with politicians, so on
- 1:51Speaker 4: and so forth, And the best way to sum this
- 1:55Speaker 4: up would be it has an extensive bodycam footage and
- 2:00Speaker 4: police narratives that like maybe you wouldn't see on normal
- 2:05Speaker 4: mainstream media.
- 2:06Speaker 5: Yeah, this one it was really hard first to even find.
- 2:10Speaker 5: I wasn't even sure what this weathermend three stuff was about.
- 2:13Speaker 5: I just kind of ignored that part and just searched
- 2:16Speaker 5: for the ulf of Floyd, which made it even harder
- 2:18Speaker 5: for me to find this thing. And I did find
- 2:20Speaker 5: some random link on rumble or Odyssey.
- 2:24Speaker 6: It was not the easiest thing to come across.
- 2:26Speaker 5: And when I finally started watching it, just to be clear,
- 2:30Speaker 5: I don't think you have to watch the first two
- 2:32Speaker 5: because I didn't. I just went right to this one
- 2:35Speaker 5: and it felt stand alone enough.
- 2:38Speaker 3: I think it's completely standalone.
- 2:40Speaker 4: I think they kind of just were trying to make
- 2:42Speaker 4: some broad claims, which you kind of see.
- 2:44Speaker 3: Will get delve into it as we go through.
- 2:45Speaker 4: It, but plotting the course, the premise of this is
- 2:57Speaker 4: that the media got it all wrong, that it was
- 3:00Speaker 4: about racism, it was about something deeper. Was it something
- 3:03Speaker 4: personal was it something that maybe George seen that, the
- 3:08Speaker 4: oddities that the cops had, the redactions in bodycam footage,
- 3:14Speaker 4: the lack of transparency, the George Floyd and Shavin working
- 3:20Speaker 4: together at a nightclub. Like so they bring paint the
- 3:23Speaker 4: scenario of all these connections of different businesses and entities
- 3:27Speaker 4: and political figures that are all possibly in on this plot,
- 3:34Speaker 4: but they don't really They kind of dance around what
- 3:38Speaker 4: is the actual you know, meat and potatoes. They suggest stuff,
- 3:41Speaker 4: but they don't have any evidence.
- 3:44Speaker 5: And not only did they not have evidence. In some places,
- 3:47Speaker 5: they'll just pull up of random internet search that I
- 3:51Speaker 5: don't know if they did or if this was kind
- 3:53Speaker 5: of harvesting a bunch of different Internet forums, and then
- 3:57Speaker 5: just kind of plucking the most salacious sound stuff. They
- 4:00Speaker 5: would just be like, Hey, here's this lady that we
- 4:03Speaker 5: were just talking about. Here's a funeral home that she owns,
- 4:07Speaker 5: and here's an order for over four hundred caskets.
- 4:10Speaker 6: What does this mean?
- 4:11Speaker 5: And then they would just kind of move along without
- 4:13Speaker 5: without actually making the specific claim.
- 4:17Speaker 4: And a little of this movie in Pursuit of Truth
- 4:21Speaker 4: got a little qi because the guy is a big
- 4:24Speaker 4: q Andon supporter and you can tell because it's question, question, question,
- 4:29Speaker 4: and like it's cool to ask a lot of questions
- 4:32Speaker 4: and their relative but sometimes it kind of gets you
- 4:34Speaker 4: down to the path of like, okay, let me, let
- 4:37Speaker 4: me get some interviews or some hardcore facts, and you're
- 4:40Speaker 4: left hanging a lot of the times. Now, some of
- 4:43Speaker 4: the key claims I thought were important for me, that
- 4:47Speaker 4: not just important but actually resonated was the El Nuevo
- 4:51Speaker 4: Rodeo nightclub.
- 4:54Speaker 3: The Shavin and Floyd both worked there.
- 4:57Speaker 4: Now they have conflicting information because they have the city
- 5:03Speaker 4: council woman on a news report saying they worked there
- 5:06Speaker 4: for seventeen years, but the narrator does clear it up
- 5:09Speaker 4: that Dovin worked there for seventeen years and Floyd worked
- 5:13Speaker 4: there about a year, so we knew that there's a connection,
- 5:16Speaker 4: and that's where they kind of harp on the was
- 5:18Speaker 4: it personal or did they have some kind of other
- 5:21Speaker 4: business relationship together?
- 5:24Speaker 5: And it leaves so many of these questions, and that
- 5:27Speaker 5: one in particular, I noticed the rhetoric of this video
- 5:30Speaker 5: where they would really emphasize over and over how Shavin
- 5:34Speaker 5: worked there for seventeen years. You know, how could you
- 5:37Speaker 5: not know every single person and then Floyd worked there
- 5:40Speaker 5: for almost a year, and I don't know exactly what
- 5:42Speaker 5: the almost is. They don't They're not specific enough to
- 5:46Speaker 5: know if almost means six months in one day or
- 5:49Speaker 5: if it means eleven months and twenty nine days, right,
- 5:52Speaker 5: but they kind of state this the seventeen years over
- 5:56Speaker 5: and over. I don't know, man, I've worked in places
- 5:58Speaker 5: for a long time and not known someone that was
- 6:01Speaker 5: there working inside versus you being outside. Because the everything
- 6:05Speaker 5: that it clarified was at Chauvin's role at this nightclub
- 6:08Speaker 5: was essentially to sit in his patrol car outside and
- 6:11Speaker 5: then wait for someone to call him or if he
- 6:13Speaker 5: saw something popping off, to then go in and kind
- 6:16Speaker 5: of investigate or instigate you could probably stay better.
- 6:20Speaker 6: And then Floyd kind of worked either the door.
- 6:22Speaker 5: Worked inside the club, so they weren't It wasn't like
- 6:24Speaker 5: they were both, you know, sharing a locker room and
- 6:27Speaker 5: like dapping each other on the fist on the way
- 6:29Speaker 5: in and out. They were still removed quite a bit.
- 6:33Speaker 3: Quite a bit from each other.
- 6:34Speaker 4: And like you said, I've worked with people right now
- 6:36Speaker 4: that I don't know everybody over there, like I could
- 6:38Speaker 4: see their face, but I don't have no idea, their
- 6:42Speaker 4: name or anything they do at the at my job,
- 6:45Speaker 4: I just seen them.
- 6:45Speaker 3: Oh yeah, that guy works with me.
- 6:47Speaker 5: And they leave a little insinuation that they might know
- 6:49Speaker 5: each other from, like the porn industry, although they don't
- 6:52Speaker 5: outright stay that. The rhetoric of the film kind of
- 6:56Speaker 5: leads you into that angle and then they just drop
- 6:58Speaker 5: it and then they walk and you know, going to
- 7:00Speaker 5: another angle.
- 7:02Speaker 4: Yeah, and when they're connecting all these businesses like the
- 7:06Speaker 4: El Nuevo Rodeo nightclub, La Rossa radio station, and the
- 7:11Speaker 4: Odd Fellows and like the Secret Society. So these key
- 7:16Speaker 4: claims that they make, they're not like it was difficult
- 7:18Speaker 4: to put key claims because they're not totally they're claiming it,
- 7:22Speaker 4: but they have nothing to back it up. It's like, well, yeah,
- 7:24Speaker 4: there's a Masonic temple in that city, and you're like, okay,
- 7:27Speaker 4: you know what I mean, Like cool, I get it, Like,
- 7:30Speaker 4: but where's the connection like this guy could have Where
- 7:34Speaker 4: they bring up Marissa from that the owner of the.
- 7:39Speaker 3: Elnuevo Rodeo Rodeo nightclub.
- 7:42Speaker 4: They suggest that her mom may have known Barack Obama's
- 7:48Speaker 4: mom because they went to school at the same time,
- 7:51Speaker 4: like at Hawaii University, which is a huge college. Like
- 7:56Speaker 4: that's like a lot of the vague claims. A lot
- 7:58Speaker 4: of these claims are really hollow. Because I watched this
- 8:02Speaker 4: film in twenty twenty when it first came out, and
- 8:04Speaker 4: I was kind of mesmerized by it because I think
- 8:07Speaker 4: I was just in the I was watching so many
- 8:09Speaker 4: things at the time and now rewatching it the claims
- 8:12Speaker 4: and knowing more and I'm like.
- 8:14Speaker 3: It's not as juicy as you expect, man.
- 8:17Speaker 4: So the claims are also they start claiming about Dei, right,
- 8:23Speaker 4: it gets into this Dei segment.
- 8:26Speaker 3: Of where like, hey, there's a you know, there's.
- 8:28Speaker 4: A huge Somalian immigration in Minneapolis and there's been this
- 8:35Speaker 4: problem with police. But it doesn't really connect for me
- 8:38Speaker 4: to the story of what's going on. Like I get
- 8:41Speaker 4: where they're loosely going with it, but it's like they
- 8:43Speaker 4: jump around because it's like is the cops bad? But
- 8:47Speaker 4: then it's this Dui higher that shot this woman, this
- 8:49Speaker 4: Australian and they go on a round about that, and
- 8:53Speaker 4: it's like a key claim for them, but it doesn't
- 8:55Speaker 4: really address much of the actual George Floyd incident.
- 9:00Speaker 5: Yeah, and I'll get into like some of the pros
- 9:03Speaker 5: and cons. In a second, I'm in my own real
- 9:06Speaker 5: short list of the key claims that I came across.
- 9:09Speaker 6: There's so many.
- 9:10Speaker 5: So for example, that George Floyd and a lot of
- 9:14Speaker 5: these claims are just things that I had already heard before,
- 9:17Speaker 5: but they're kind of consolidated. That George Floyd had broken
- 9:20Speaker 5: into an apartment and held a gun to a pregnant
- 9:23Speaker 5: woman's stomach, demanding like money and jewels. That the toxicology
- 9:28Speaker 5: report had fentanyl, meth and morphine. That one of the
- 9:32Speaker 5: claims is that he went to Yates High School, so
- 9:36Speaker 5: he says, but that there's no record of him there
- 9:38Speaker 5: dot dot dot, which I don't. It's not a claim outright,
- 9:42Speaker 5: but it's an insinuation. Another one was for someone that's
- 9:46Speaker 5: affected so many lives, where are there so few people
- 9:50Speaker 5: that actually know him that came out and talked about him.
- 9:54Speaker 5: Another one is that Ben Crump was after getting the
- 9:58Speaker 5: UN to stop militarizing police, so that there was this
- 10:01Speaker 5: overarching sort of political motive behind all this that went
- 10:05Speaker 5: way beyond any sort of local politics.
- 10:08Speaker 6: Uh.
- 10:08Speaker 5: The one that you mentioned that George Floyd and Chauvin
- 10:11Speaker 5: knew each other and worked together in various capacities that
- 10:15Speaker 5: Lana Santa Maria, the lady that owned or the mother
- 10:18Speaker 5: of the lady that owned the club again went to
- 10:21Speaker 5: this Hawaiiu and just because she went there at the
- 10:24Speaker 5: same time, she might have known, you know, Barack Obama's family.
- 10:27Speaker 6: Dot dot dot.
- 10:29Speaker 5: Also that one of Santa Marina was selling something to Sabri,
- 10:36Speaker 5: and this person, Sabri was known as the Muslim Kingmaker.
- 10:39Speaker 6: So now there's some kind.
- 10:41Speaker 5: Of a connection that if you get high up enough
- 10:43Speaker 5: in the local politics of this area, then you can
- 10:47Speaker 5: just like run the country. I don't know, dot dot
- 10:49Speaker 5: there's another dot dot dot there. There's a whole bunch
- 10:52Speaker 5: of different Muslim and Hamas specific clips and people talking,
- 10:57Speaker 5: so they start tying this link between George Floyd got
- 11:01Speaker 5: co opted by Muslims or by Hamas more.
- 11:05Speaker 6: Specifically, or Hezbollah.
- 11:06Speaker 5: They kind of go through a few different names, and
- 11:09Speaker 5: that the entire BLM movement was co opted by Middle
- 11:13Speaker 5: Eastern politics used to just foment more chaos in the
- 11:17Speaker 5: United States. If anything I can say is like the
- 11:20Speaker 5: main claim that was like the number one claim, and
- 11:22Speaker 5: then there was a few other really minor ones about
- 11:25Speaker 5: human trafficking, which it didn't go too far into. And
- 11:28Speaker 5: then it also because they went so hard on the
- 11:31Speaker 5: paint about Middle Eastern politics, and then they're also like,
- 11:34Speaker 5: oh and Larasa, which is like this Mexican South American
- 11:38Speaker 5: movement is also trying to take over the US. So
- 11:41Speaker 5: they kind of just try and take a little bit
- 11:43Speaker 5: of everything from the whole buffet and present it. But
- 11:46Speaker 5: those were the main ones, and one of the finals
- 11:49Speaker 5: that maybe George Floyd was a dummy or had a clone,
- 11:52Speaker 5: and then those are left very vague, but the insinuation
- 11:55Speaker 5: is definitely made.
- 11:56Speaker 4: And then that's why I was going to go off
- 11:58Speaker 4: with the dummy where they're like, like the seventh Sigma
- 12:01Speaker 4: Incorporated that makes these dummies is right across the street.
- 12:05Speaker 4: That's like the only information that they have that that
- 12:08Speaker 4: like to stake on this claim. They're like, whoa, I'm
- 12:11Speaker 4: just saying there's a thing across the street. You never know,
- 12:14Speaker 4: Like that's that's part of the trouble in some of
- 12:17Speaker 4: the of the claims in the Film's.
- 12:25Speaker 3: Get to the hidden treasures. I don't know about you there.
- 12:29Speaker 3: I had a few hidden treasures in here. To me.
- 12:33Speaker 3: I thought the score is top tier.
- 12:35Speaker 4: I like the beats, but that's just me being biased
- 12:38Speaker 4: because I'm a hip hop guy, you know what I mean.
- 12:40Speaker 4: This guy's Patrick Mack is a musician. Before he started
- 12:45Speaker 4: doing all this stuff, he was a musician and it shows.
- 12:48Speaker 3: And I like the beats. I like some of the
- 12:49Speaker 3: transitions of the movie.
- 12:51Speaker 4: I thought it was a thorough breakdown of the police
- 12:54Speaker 4: footage of what you could get. A lot of it
- 12:57Speaker 4: was redacted obviously, and kind of you could tell that
- 13:01Speaker 4: there was nefarious stuff going on. And I liked how
- 13:03Speaker 4: they really connected a lot of people, like it was
- 13:06Speaker 4: like cool to like, oh I can look into this right, like,
- 13:10Speaker 4: oh maybe this is something. Didn't give me any clarification,
- 13:13Speaker 4: but it gives you a whole lot of lists.
- 13:15Speaker 3: If you were like doing.
- 13:15Speaker 4: A podcast or something, you might have so good material
- 13:18Speaker 4: to go off of.
- 13:21Speaker 5: I mean, I agree, but I also disagree on the music.
- 13:24Speaker 5: I liked some of the music, but there were so
- 13:26Speaker 5: many times that I actually had to make a note
- 13:28Speaker 5: as I was watching this movie, like I like the music,
- 13:31Speaker 5: but it does not go with whatever they were showing
- 13:34Speaker 5: me on the screen. It would be like a city
- 13:36Speaker 5: on fire, and then it's like a club beat or
- 13:38Speaker 5: something or I don't know, or there would be like
- 13:40Speaker 5: a very somber moment and then like this really aggressive
- 13:43Speaker 5: beat or vice versa. So the actual pairing, like the
- 13:46Speaker 5: DJ work, could he use a little bit of help
- 13:49Speaker 5: or more discretion, I think. And it's funny that you
- 13:52Speaker 5: say that the guy that made this has like a
- 13:55Speaker 5: music background, because I kind of make so much more
- 13:58Speaker 5: sense now because it really does make it easy that
- 14:01Speaker 5: if you're into pro tools or you're using you know,
- 14:04Speaker 5: one of the other sort of like digital audio workstation software,
- 14:09Speaker 5: once you just add a video track to it, it's
- 14:11Speaker 5: like the same tool all over again. So for a
- 14:13Speaker 5: lot of people, video editing and audio edding becomes interchangeable,
- 14:17Speaker 5: especially if you're into the engineering aspect, so I can
- 14:20Speaker 5: I can see that, and it also gives you a
- 14:22Speaker 5: leg up on being able to just put together a documentary.
- 14:25Speaker 5: So the main pro for me, I think was just
- 14:29Speaker 5: that it does a great job of summarizing all of
- 14:33Speaker 5: the different soundbites that you might have heard on like
- 14:37Speaker 5: Fox News or AM radio or anything, making the rounds
- 14:40Speaker 5: on like you're racist aunt sharing something on Facebook and
- 14:43Speaker 5: you're like, oh, yeah, I heard that George Floyd might
- 14:45Speaker 5: have been a dummy. Well, here you've kind of got
- 14:48Speaker 5: all of those different claims consolidated into one video, which
- 14:53Speaker 5: is the main pro. And then I guess the main
- 14:55Speaker 5: con for me is that that's all you get. You
- 14:58Speaker 5: kind of just get a recap, a mixtape of the
- 15:02Speaker 5: claims that Fox would insinuate. But there's not a lot
- 15:05Speaker 5: of follow up on this. And then it also adds
- 15:07Speaker 5: a little bit of extra noise because not only do
- 15:10Speaker 5: you get the Fox News claims, now you're getting like
- 15:13Speaker 5: the weird truth social claims and the weird like fore
- 15:16Speaker 5: Chan claims like all across the internet. Those are also
- 15:20Speaker 5: kind of stummarized in here. But again I want to
- 15:23Speaker 5: stress that summarize does not mean that any conclusions are made,
- 15:27Speaker 5: any additional context is really provided other than just collecting
- 15:31Speaker 5: it all for you.
- 15:34Speaker 3: I would have to agree on that.
- 15:35Speaker 4: And also one of my overboard and just kind of
- 15:39Speaker 4: doesn't do the film well. It's way longer than it
- 15:41Speaker 4: should be. It drags a lot, like you're trying to
- 15:44Speaker 4: like okay, And the thing is, it's not a long film.
- 15:47Speaker 4: It's not like a money Master's three hours. It's like
- 15:49Speaker 4: an hour and twenty minute.
- 15:50Speaker 3: So you'd think like, oh, it should be boom boom
- 15:52Speaker 3: boom boom, but.
- 15:53Speaker 4: It just drags and they kind of hop around on
- 15:57Speaker 4: the scenes, like they'll be talking about Santa Maria and
- 15:59Speaker 4: this scene and then it goes off and you think
- 16:01Speaker 4: that they're starting on a new thing, and then they
- 16:02Speaker 4: bring her back into it and it's just all over
- 16:06Speaker 4: the place.
- 16:07Speaker 3: And you made a good point. It's kind of like.
- 16:09Speaker 4: A four chan form just people arguing about did you
- 16:13Speaker 4: see this? Did you see this? Like that's kind of
- 16:16Speaker 4: for me, and that it speculates way too much. There's
- 16:19Speaker 4: way too much speculation that makes so many claims without evidence,
- 16:23Speaker 4: especially with the human trafficking and drug trafficking quote unquote.
- 16:27Speaker 4: They kind of just throw it out there and then
- 16:29Speaker 4: make no addition. They're like, well, secret societies do kidnap people,
- 16:33Speaker 4: and they do human trafficking, and Laurasa does this and
- 16:37Speaker 4: Hamas does this, so possibly there could be human And
- 16:42Speaker 4: they're like, okay, but where's the evidence of all the
- 16:44Speaker 4: people that you brought up connected to it?
- 16:48Speaker 5: Right, So there's a couple different rhetorical rules and if
- 16:52Speaker 5: you have do like philosophical debate and stuff. But the
- 16:54Speaker 5: two ones and the reason I want to bring this
- 16:56Speaker 5: one up is because they get criticized so much for
- 16:59Speaker 5: main media, and I guess this particular documentary it felt like,
- 17:04Speaker 5: whether intentional or not, those same rhetorical devices or like
- 17:09Speaker 5: tricks that are coming from mainstream media made their way
- 17:13Speaker 5: into this video too and just kind of got repeated.
- 17:15Speaker 5: For example, there's a lot of ad hominem where ad
- 17:19Speaker 5: hominem for they'll mention like, well, here's this guy, Keith Ellison,
- 17:22Speaker 5: and Keith Ellison is connected politically to the lady that
- 17:26Speaker 5: owns the club and to politics, and here's some domestic
- 17:29Speaker 5: abuse allegations that were later dropped, and then here's and
- 17:32Speaker 5: then they don't actually like say, like what specifically about
- 17:36Speaker 5: the abuse allegations that they decided to you know, put
- 17:39Speaker 5: vo and put an image and go into it for
- 17:42Speaker 5: this documentary.
- 17:43Speaker 6: At what point does that tie.
- 17:44Speaker 5: Into George Floyd or you know, Hamas or any of
- 17:48Speaker 5: these other It really is just sort of like selling
- 17:51Speaker 5: everyone's character. The same way that I was kind of
- 17:54Speaker 5: excited in a way to hear about the human trafficking
- 17:58Speaker 5: like porn industry can between Floyd and Chauvin because I
- 18:02Speaker 5: had heard this before online or internet or whatever, and finally,
- 18:07Speaker 5: you know, here's a video that's all about it, and
- 18:09Speaker 5: they just kind of repeated the claim and didn't go
- 18:11Speaker 5: directly into it. So just it's a lot of like
- 18:14Speaker 5: ad hominum stuff. This guy smoked weed, this guy was
- 18:16Speaker 5: in poorn, this guy, you know, did you know fentanyl?
- 18:20Speaker 5: So therefore, if you're going to try and make a
- 18:23Speaker 5: case that maybe he died from fentanyl and not from
- 18:26Speaker 5: being suffocated, then make that case. And I've actually heard
- 18:30Speaker 5: convincing versions of that case, and none of that was
- 18:32Speaker 5: in here, So it where it kind of needed those boosts,
- 18:34Speaker 5: it didn't have it, and it leveraged ad hominem and
- 18:37Speaker 5: the other I guess the million dollar word for this
- 18:39Speaker 5: one for me is there's a rhetorical device called gish gallop,
- 18:43Speaker 5: and gish gallop as if you're in a debate, if
- 18:46Speaker 5: you just pepper someone with like two hundred claims, now
- 18:50Speaker 5: they're going to have to spend the rest of their
- 18:52Speaker 5: time not presenting their own thoughts and ideas or counters,
- 18:55Speaker 5: but they're gonna have to address every one of those
- 18:57Speaker 5: two hundred things. And it's a lot easier to make
- 19:00Speaker 5: a claim, and they just let it sit out on
- 19:02Speaker 5: the table than making the claim and backing it up
- 19:05Speaker 5: versus somebody that has to now like counter that thing,
- 19:09Speaker 5: because now you've got to be specific about what you're countering,
- 19:11Speaker 5: what information you got to bring to the table. So
- 19:14Speaker 5: that's known as a Gish gallop rhetorical device, where you
- 19:17Speaker 5: just flood with so many things that are shallow that
- 19:21Speaker 5: you can't really come back and refute them all or
- 19:23Speaker 5: even think about them all. It's like just bam bam, bam,
- 19:26Speaker 5: bam bam. Here's another unrelated thing.
- 19:36Speaker 4: I think it's time to test the waters with a
- 19:38Speaker 4: deep dive. For me, what holds up is, even though
- 19:43Speaker 4: it's brief, they kind of finally make the connection.
- 19:45Speaker 3: This is where the whole film stretches.
- 19:47Speaker 4: I feel like they stretch this one to kind of
- 19:50Speaker 4: fit into the Weatherman one and Weatherman two. So at
- 19:53Speaker 4: the end of the film they kind of go, and
- 19:56Speaker 4: here's the weather the weather underground connection because this guy
- 20:00Speaker 4: knows this guy, this guy knows this guy.
- 20:02Speaker 3: That was consistent, because you can look it up.
- 20:05Speaker 4: I looked a couple of you know, those people do
- 20:06Speaker 4: know each other, and I think the inconsistency in the
- 20:11Speaker 4: official story, but it's kind of something we already knew,
- 20:14Speaker 4: but that does hold up. And then I would say,
- 20:16Speaker 4: obviously the Minneapolis Police force corruption, but that's also kind
- 20:22Speaker 4: of like a hey, captain, obvious for me, you know
- 20:24Speaker 4: what I mean, Like, yeah, it is corrupt.
- 20:25Speaker 3: Probably, Yeah.
- 20:27Speaker 5: I was hoping that they were gonna be pulling some
- 20:31Speaker 5: police reports and then we did a deep dive into
- 20:33Speaker 5: this officer involved, and again it didn't really go into
- 20:36Speaker 5: the deep dives I needed from them for this to
- 20:39Speaker 5: be like a super valuable documentary for me.
- 20:43Speaker 3: No, I totally agree.
- 20:44Speaker 4: And what doesn't add up for me is a lot
- 20:48Speaker 4: of the stuff, right, It's too many to even just
- 20:52Speaker 4: really name. So I kind of just summed it up
- 20:54Speaker 4: in like so much speculation. I think you said it
- 20:57Speaker 4: the best. Just pepper them to death with so much
- 21:00Speaker 4: claims and suggestions that you can't debunk it because it
- 21:05Speaker 4: will take you forever, so you just kind of move on.
- 21:07Speaker 4: And a lot of stuff doesn't hold up in this
- 21:10Speaker 4: in these claims because we've now I'll give them one
- 21:14Speaker 4: credit is that they did it so fast. This came
- 21:16Speaker 4: out about a month after the George Floyd incident, so
- 21:21Speaker 4: they kind of like they lost a lot in the
- 21:24Speaker 4: mix right in the sauce. They were trying to throw
- 21:26Speaker 4: it together. They got like the q vibes, and they
- 21:28Speaker 4: try to throw everything that they talk about on their
- 21:31Speaker 4: podcast in the previous two films and try to shove
- 21:35Speaker 4: it all in here, and a lot of it doesn't
- 21:37Speaker 4: hold up.
- 21:39Speaker 5: There's some very specific examples of that that I got
- 21:42Speaker 5: for Like, So, as they're going through this, they bring
- 21:45Speaker 5: up the Bill Ayers, the weather Underground, they bring up
- 21:47Speaker 5: move dot org. They mentioned that Omar Ilahan like married
- 21:51Speaker 5: her brother. At one point, they show clips from Project
- 21:54Speaker 5: Veritas doing underground like secret interviews with people about using
- 22:01Speaker 5: fetal cells and planned parenthood. And then they start showing
- 22:04Speaker 5: Antifa books and then they show like, look this guy
- 22:07Speaker 5: that's holding his ANTIFA book. There's a cafe connected to
- 22:10Speaker 5: it called Moon Palace Books, and they're connected.
- 22:13Speaker 6: To this place called geek Love.
- 22:14Speaker 5: And now here's a picture of the FBI Pedophile logo
- 22:17Speaker 5: next to Roxy logo. And they're not stopping and saying, hey,
- 22:22Speaker 5: here's why we're connecting the FBI pedophile logo through the
- 22:26Speaker 5: Roxy logo. Here's a specific claim, here's a person at Roxy,
- 22:30Speaker 5: or here's you know, them using their company assets to
- 22:33Speaker 5: do this it's just here's a picture that you might
- 22:36Speaker 5: have seen online.
- 22:37Speaker 6: Okay, here's another one. Here's another one.
- 22:39Speaker 5: Yeah, so and the other big the deep dive ball
- 22:42Speaker 5: was hoping they will go into is they bring up
- 22:44Speaker 5: the Oddfellows and then they bring up like Lodge one
- 22:47Speaker 5: eighteen and they zoom into an all seeing eye graphic
- 22:51Speaker 5: somewhere and then they show a picture of the Oddfellows
- 22:54Speaker 5: dressed as women, making just I guess an insinuation. That's
- 22:58Speaker 5: also I wasn't understand, And how did this kill George Floyd?
- 23:02Speaker 5: Did these dudes dressing up in the forties somehow like
- 23:05Speaker 5: kill George Floyd? I was waiting for that specific connection,
- 23:08Speaker 5: and then there was kind of a mic drop moment
- 23:11Speaker 5: where they were like, who knows if they're really connected
- 23:14Speaker 5: to the Oddfellows. We don't really know or any other
- 23:17Speaker 5: Masonic organization. And I just got a point like Oddfellows
- 23:20Speaker 5: is not a Masonic organization. It's a non Masonic organization
- 23:25Speaker 5: for people that don't want to join the Masons but
- 23:26Speaker 5: want to have the same kind of vibe and then
- 23:29Speaker 5: get drunk and dress up like chicks.
- 23:31Speaker 6: Right, that's what they go to the Oddfellows for.
- 23:34Speaker 4: Yeah, they really did push a lot of narratives. That's
- 23:37Speaker 4: where you're talking about the oddfellows and then for me,
- 23:40Speaker 4: for me, the hardest part was just getting through the
- 23:42Speaker 4: like I'm like, okay, we're I'm thinking that we're gonna
- 23:45Speaker 4: get oh man, this cop had twenty other cops that
- 23:49Speaker 4: were slaying dope for him, and they had like they
- 23:51Speaker 4: found like fifteen houses with a bunch of kids in
- 23:54Speaker 4: the basements or something of that nature. And they never
- 23:57Speaker 4: give you anything that the payoff is. It's really it
- 24:01Speaker 4: sucks the historical culture. Like any impact it had on
- 24:13Speaker 4: on what we do, I don't think.
- 24:15Speaker 3: I think it was very minimal. I think that it's
- 24:18Speaker 3: something that was just there.
- 24:19Speaker 4: It's something that I think that I was, like I
- 24:21Speaker 4: saw it, and I don't know how many other people
- 24:22Speaker 4: saw it. I think it was like when I looked
- 24:24Speaker 4: up on altsensor dot com where you can find all
- 24:28Speaker 4: the in pursuits work, they had to think about like
- 24:31Speaker 4: two hundred thousand views total, maybe three hundred thousand, a
- 24:34Speaker 4: nice view count, but mainly it seems like a Q phenomenon.
- 24:39Speaker 4: So it was very niche you know, it's stuck in
- 24:43Speaker 4: this little group of people that believe a certain thing,
- 24:46Speaker 4: and now this film may have pushed more onto that
- 24:49Speaker 4: Q narrative and been significant in an impact for them,
- 24:53Speaker 4: But other than that, I don't think it really held
- 24:56Speaker 4: wait for much people, and it was gone, and that's
- 24:59Speaker 4: why it's all so hard to find.
- 25:02Speaker 6: I agree on all counts with that.
- 25:03Speaker 5: I think that it's a good example that it's so
- 25:06Speaker 5: hard to find is almost proof that it hadn't made.
- 25:09Speaker 5: The hugest ripples and waves, and the impact that it
- 25:12Speaker 5: might have made, or any legacy that might have left,
- 25:15Speaker 5: is going to be largely emotional, I think, and rhetorical,
- 25:19Speaker 5: and not necessarily somebody five or ten years from now
- 25:24Speaker 5: quoting this movie because it broke some brand new information
- 25:28Speaker 5: that led to some other discovery, because it doesn't do
- 25:30Speaker 5: any of that.
- 25:35Speaker 3: So let's get into sink or Swim.
- 25:38Speaker 4: I'm gonna let you go first because I kind of
- 25:40Speaker 4: changed mine up, but I think we're kind of bordering
- 25:43Speaker 4: on the same level in this one as well.
- 25:46Speaker 5: I would rate this one shallow out of three. We
- 25:50Speaker 5: got shallow, deep dive or twenty thousand legs. If we
- 25:53Speaker 5: were to simplify and just say sink or swim, then
- 25:56Speaker 5: I would just have to say sink like this one
- 25:58Speaker 5: sinks because it just repeats all of the things that
- 26:02Speaker 5: I've already heard and it doesn't go into any more detail.
- 26:05Speaker 5: And if we've got a rating for sink or swim
- 26:09Speaker 5: or to keep something shallow, then I think this sets
- 26:12Speaker 5: a pretty good baseline, like this does not meet I
- 26:15Speaker 5: guess my criteria for something I would recommend someone else
- 26:19Speaker 5: going watch. If I recommend someone else go and watch this,
- 26:22Speaker 5: I would be embarrassed because they would come at me
- 26:24Speaker 5: about like, hey, this made all these claims, and I'd
- 26:26Speaker 5: have to be like, yeah, I guess, yeah, No, it
- 26:28Speaker 5: doesn't really back any of that up. So this one
- 26:31Speaker 5: is kind of in shallow waters with me.
- 26:33Speaker 3: And I'm with you. I think it sinks.
- 26:35Speaker 4: But I changed my rating because I was kind of like,
- 26:37Speaker 4: I think they dive deep on a lot of subjects,
- 26:40Speaker 4: but I put it like a point five a shallow
- 26:43Speaker 4: dive because it really like makes you think you're gonna
- 26:46Speaker 4: go into something incredible, but boom, your neck cracks at
- 26:49Speaker 4: the bottom of the ocean because you're only in two
- 26:51Speaker 4: feet of water.
- 26:52Speaker 3: And this one does not hold up at all.
- 26:56Speaker 4: I'm the one that watched it first because I saw
- 26:59Speaker 4: it in twenty and I think at the time, watching
- 27:03Speaker 4: so many other things, and I think I blended some
- 27:06Speaker 4: other documentaries that we're actually gonna get into into this
- 27:09Speaker 4: one because I watched them all around the same time.
- 27:11Speaker 3: And rewatching it, I was like, oh, wow, this really sucks.
- 27:15Speaker 4: Like this stinks, like it doesn't have anything that I
- 27:18Speaker 4: can go off off. I can go look up these
- 27:20Speaker 4: connections which you already know, but they're not significant enough
- 27:24Speaker 4: to make anything any more material. It's it's just got
- 27:27Speaker 4: like a point five And I'm with you, like, if
- 27:29Speaker 4: we have anything, this is a sink completely, you know,
- 27:31Speaker 4: abandoned ship.
- 27:42Speaker 3: Or I think that does it for us, you know
- 27:44Speaker 3: what I mean.
- 27:45Speaker 4: Tune in Under the Docks, got a good one coming
- 27:48Speaker 4: up for you next the Trayvon Martin Hoax. I think
- 27:52Speaker 4: that'll get some people really happy with us.
- 27:56Speaker 5: Yeah, And speaking of being happy with us, go ahead
- 27:59Speaker 5: and go uh to our websites. You can go to
- 28:02Speaker 5: Paranoid American dot com, go to the Patreon. You'll get
- 28:05Speaker 5: early access to this maybe other uncut versions. Who knows.
- 28:10Speaker 5: You'll have to join in order to find out. And
- 28:12Speaker 5: I know you've got some spots you can send people
- 28:14Speaker 5: to it as well.
- 28:15Speaker 4: Yeah, kill themocking birds dot Com. And I was actually
- 28:19Speaker 4: gonna get a I'll talk to you afterwards maybe well
- 28:21Speaker 4: maybe we'll get some uh links up. I was gonna
- 28:24Speaker 4: say that was on both of our sites where they
- 28:26Speaker 4: could get some of these documentaries to watch for themselves.
- 28:29Speaker 7: All right, y'all peace, Yeah, the.
- 28:45Speaker 1: Funny only the Ducks, Onneil the Dux, Yeah, Mondion, the
- 28:55Speaker 1: do under the Jobs,