Latest / The Breakfast Club / Black Friday Classics: The Game, Beanie Sigel & More!

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Black Friday Classics: The Game, Beanie Sigel & More! · The Breakfast Club

• 0:02
  Speaker 1: Nervous room anywhere else. So your brithero Frindad the cop
• 0:05
  Speaker 1: that's fays the world's most stagerous want to show the
• 0:09
  Speaker 1: camera agree? Goodness? Show is this? Listen city show Dry
• 0:18
  Speaker 1: the captain on this we ansually eat. The only one
• 0:20
  Speaker 1: who can keep these guys in chest Solomagne the guard boy.
• 0:24
  Speaker 1: This is the preference called picture good morning Usa yo
• 0:40
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:41
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:43
  Speaker 1: yo yo yo. You know if your computer angela eat
• 0:46
  Speaker 1: why it's Black Friday? Why would I get off my computer?
• 0:49
  Speaker 1: I'm gonna be moneyed all day? Are you crazy? You know?
• 0:51
  Speaker 1: First of all, Cyber Monday is a bigger deal than
• 0:53
  Speaker 1: Black Friday for us to do online shopping, if you
• 0:56
  Speaker 1: know what I'm talking about. All right, some of those
• 0:57
  Speaker 1: deals have been available already. People don't even wait until
• 1:00
  Speaker 1: Black Friday. Now, I already been doing all I gotta
• 1:04
  Speaker 1: do to buy presents for all of my family. I
• 1:05
  Speaker 1: hate waiting to the last minute. Hello to you too, Charlomagne. Hey,
• 1:10
  Speaker 1: well it is black y'all. There's a lot of sales
• 1:12
  Speaker 1: going on today. I know a lot of y'all are
• 1:14
  Speaker 1: running around into those sales. So just keep the Breakfast
• 1:16
  Speaker 1: Club on. You know, I'm black and it's Friday. It's
• 1:21
  Speaker 1: the Breakfast Club. Don't move that ones needed me Rihanna morning.
• 1:26
  Speaker 1: Everybody is DJ mvy Angela Ye Charlomagne the guy. We
• 1:29
  Speaker 1: are the Breakfast Club. We got a special guests in
• 1:31
  Speaker 1: the building. We've led his record earlier this week. Yeah, big,
• 1:35
  Speaker 1: what's happening up? Oh your independent crip multie to the
• 1:39
  Speaker 1: sun dit man, there you go, feel good? Feel I
• 1:41
  Speaker 1: always feel bad, man, I give you this morning, I'm
• 1:43
  Speaker 1: gonna tell you why I feel bad because I'll be
• 1:45
  Speaker 1: mentioning all of like new young, hot fresh drivers, and
• 1:49
  Speaker 1: I always forget to say big Chris name, And as
• 1:50
  Speaker 1: soon days leave my mom, I'm like, damn, I ain't
• 1:52
  Speaker 1: say crip, hey man. But we still out here making
• 1:53
  Speaker 1: it happen though, and that gives me the opportunity to
• 1:55
  Speaker 1: still put out this quality of music. So you know,
• 1:57
  Speaker 1: we're still winning absolutely good, absolutely And I was telling
• 2:00
  Speaker 1: you when I sell you out there that I loved
• 2:02
  Speaker 1: your performance at the BT hippat words. I appreciate that.
• 2:05
  Speaker 1: I appreciate that it's no performance, man, it's still it's
• 2:07
  Speaker 1: still I'm still trying to get my mind wrapped around
• 2:09
  Speaker 1: it off because you know, obviously you want to be
• 2:11
  Speaker 1: able to do your best on stage. But at some
• 2:14
  Speaker 1: point I got overwhelmed and kind of broke down, man,
• 2:16
  Speaker 1: because it's such an important topic. I want to bring
• 2:19
  Speaker 1: awareness and I've been putting a lot of that content
• 2:21
  Speaker 1: in my music from years ago. Bro. But to be
• 2:23
  Speaker 1: on that kind of platform and be able to do that,
• 2:25
  Speaker 1: you know, it was amazing. How'd you get off, hey, man?
• 2:28
  Speaker 1: Because you know, I don't know, man, they you know,
• 2:30
  Speaker 1: they left me in the dungeon as a dragon. It
• 2:32
  Speaker 1: was cool, and then they just forgot about me. So
• 2:34
  Speaker 1: I just I kind of creaked on about that thing,
• 2:36
  Speaker 1: and I'm free, and I'm a real kount of free.
• 2:38
  Speaker 1: And then I finally got to perform on the War
• 2:40
  Speaker 1: Show after the fact that, which is weird. It's not
• 2:43
  Speaker 1: like you don't sell records. I mean, you do pretty good.
• 2:46
  Speaker 1: It was during that transition from CD sales to streaming
• 2:49
  Speaker 1: where everybody's trying to fel where the game going, and
• 2:52
  Speaker 1: you know, if you're not streaming or getting massive numbers,
• 2:55
  Speaker 1: it's like, well you might not have a place, but
• 2:57
  Speaker 1: no hard copy sales still exists, and we're gonna get
• 3:00
  Speaker 1: those in the new string. Being a young man from
• 3:02
  Speaker 1: Mississippi was the industry everything you thought it was gonna be. Yeah,
• 3:08
  Speaker 1: because it's like the whole idea, like you gotta get
• 3:10
  Speaker 1: out of here and still make it work for you.
• 3:12
  Speaker 1: And there's so many sharks and all those one is like, yo,
• 3:14
  Speaker 1: when you put your name on that contract, you might
• 3:17
  Speaker 1: not never get out of the deal. So it was
• 3:19
  Speaker 1: a blessing for me to really be able to kind
• 3:20
  Speaker 1: of walk away independent on all my everything and be
• 3:24
  Speaker 1: out here just doing it. And now from this point
• 3:26
  Speaker 1: on his partnerships, you can't just sign a big Chris.
• 3:28
  Speaker 1: You look even younger now than you did when you
• 3:30
  Speaker 1: first came out. I mean I lost like thirty some
• 3:32
  Speaker 1: pounds younger. I eat vitamins and stuff now like chilling.
• 3:37
  Speaker 1: I ain't drinking as much, you feel me and yeah,
• 3:40
  Speaker 1: and I grew this beard right. So when you first
• 3:42
  Speaker 1: came into the game, you felt like it was a
• 3:43
  Speaker 1: lot of social drinking and not eating right and not
• 3:47
  Speaker 1: being healthy. And now you've been more conscious of that,
• 3:49
  Speaker 1: ye know, definitely. I mean when you get to when
• 3:51
  Speaker 1: you get a little bit of money, especially when for me.
• 3:53
  Speaker 1: It was like I just over indoors. You know, I
• 3:55
  Speaker 1: was going to rufe chris Dale Frisco as soon as
• 3:57
  Speaker 1: we leave here. I'm at Deal Frisco every time, like
• 3:59
  Speaker 1: bro get me reapportizes the steak. I'm going in and
• 4:02
  Speaker 1: before you know what, you thirty pounds in and you
• 4:05
  Speaker 1: you your chests hurting, and you're like, man, I'm only
• 4:07
  Speaker 1: twenty seven years old. I'm done with that though, so
• 4:11
  Speaker 1: you're like vegan out. I know I'm still cranking the steak,
• 4:14
  Speaker 1: hen but I didn't. I didn't calm down, man, because
• 4:16
  Speaker 1: I'm you know, I'm trying to be here as long
• 4:18
  Speaker 1: as I possibly can. You know, being on stage and
• 4:21
  Speaker 1: sweating it out and being heavy that ain't working and
• 4:24
  Speaker 1: happening that made you feel like, I gotta clean this up.
• 4:27
  Speaker 1: I would say, just a drinking aspect, and you you
• 4:30
  Speaker 1: start waking up, your backstart hurting, and then you start
• 4:32
  Speaker 1: seeing a lot of people that they're in the industry
• 4:35
  Speaker 1: are older than you, and they're getting right. You know
• 4:37
  Speaker 1: what I'm saying. I was watching lu To go in
• 4:39
  Speaker 1: and Slim Thug and all these people that man, I
• 4:41
  Speaker 1: gotta get it together. They trying to let me know, like,
• 4:43
  Speaker 1: all right, younger and he saw it even better. And
• 4:46
  Speaker 1: then before long, you know, you're getting a gym, you
• 4:48
  Speaker 1: start training, you start feeling better. On stage, you feel better,
• 4:50
  Speaker 1: and then everybody can see it all You're like, hey, man,
• 4:52
  Speaker 1: you're looking better. So that's that's enough for me. As
• 4:55
  Speaker 1: long as you can look down and see you, that's
• 4:57
  Speaker 1: a great thing. That's that's trying. It would say. It
• 5:02
  Speaker 1: was getting to the point where I was like, hold
• 5:04
  Speaker 1: on and then if you rest in your hands or
• 5:06
  Speaker 1: your stomach while you're kicking it, yeah, man, I was.
• 5:12
  Speaker 1: And that's a little going on. You know, it's real.
• 5:14
  Speaker 1: And your partners is like, man, you eat real good, Chris,
• 5:17
  Speaker 1: And you don't know if that's a compliment, you know
• 5:20
  Speaker 1: what I mean. I'm in the mirror, like, man, my
• 5:23
  Speaker 1: chain don't really don't my chest like it used to
• 5:25
  Speaker 1: because it's rested. Yeah yeah, nah, we fixed that now.
• 5:29
  Speaker 1: The rust you did it to b t Hi pop
• 5:30
  Speaker 1: out from a song called might not be Okay? It
• 5:32
  Speaker 1: might not be okay? Man? Why might not be okay? Well?
• 5:35
  Speaker 1: Shout out to Hommie Keneth Whitler because I did the
• 5:37
  Speaker 1: record with him. Amazing musician, amazing artists, and he's the
• 5:40
  Speaker 1: person singing on the hook and he produced a record,
• 5:43
  Speaker 1: but it was right after mister Sterling that got got
• 5:46
  Speaker 1: killed and the footage that came out. I had dropped
• 5:49
  Speaker 1: twelve or twelve that day and then that night everybody
• 5:52
  Speaker 1: saw that footage and for me as an artist, it
• 5:54
  Speaker 1: really hurt me because I was like, man, I'm doing music.
• 5:57
  Speaker 1: I'm trying to say these things and be aware, but
• 5:59
  Speaker 1: it's music really helping people, it is it healing anything?
• 6:03
  Speaker 1: And I probably took a whole week off from writing
• 6:05
  Speaker 1: or even worrying about going a studio, and I called
• 6:08
  Speaker 1: Kenneth and I was like, man, at some point, what
• 6:10
  Speaker 1: if it's not okay? Like what if it's a higher
• 6:13
  Speaker 1: level of this that we aren't realizing where it's gonna
• 6:16
  Speaker 1: take that it's that good and evil, it's those energies
• 6:19
  Speaker 1: that's gonna fix this. What if just our conscious mind
• 6:22
  Speaker 1: can't get it wrapped around, Like there's just some people
• 6:23
  Speaker 1: that don't want to see you breathe and it's nothing
• 6:26
  Speaker 1: you can do about that. And so that was the
• 6:29
  Speaker 1: idea to create a song that was so honest me
• 6:31
  Speaker 1: not really trying to be a superhero rapper, and oh
• 6:34
  Speaker 1: are we gonna be good? Like Noah, Man, Like what
• 6:36
  Speaker 1: if this isn't okay? That record resonates with me because
• 6:39
  Speaker 1: that's truly how you feel. Like you wake up some
• 6:41
  Speaker 1: mornings and you like, what can I do in that situation? Man?
• 6:45
  Speaker 1: Somebody always says to me, like people like, what's it
• 6:46
  Speaker 1: just between black and black crime and police brutality? For me,
• 6:49
  Speaker 1: the biggest difference is if if a brother tries to
• 6:51
  Speaker 1: get at me, I can defend myself. Yeah, I can't
• 6:54
  Speaker 1: do that with the polo. You don't know what to do. Yeah,
• 6:55
  Speaker 1: that gives you like a helpless feeling, and that's and
• 6:58
  Speaker 1: that's kind of scary. Now it's like you don't don't
• 7:00
  Speaker 1: know what to do. Like back in it, it's like, oh,
• 7:02
  Speaker 1: I man, I'm just worried about going to jail. I
• 7:04
  Speaker 1: get pulled over. No sudden molds, it just gonna grab me.
• 7:07
  Speaker 1: You don't know what to do. Now You're like, Okay,
• 7:10
  Speaker 1: I don't know. How are you feeling to day? You
• 7:12
  Speaker 1: know what I'm saying. And so that's a scary thing.
• 7:14
  Speaker 1: I tell them, man, people don't pull over because they
• 7:17
  Speaker 1: not scared of you. They pull over because they're scared like, okay,
• 7:19
  Speaker 1: let me get over here, all right. The people that
• 7:21
  Speaker 1: take off and trying to get through traffic while you
• 7:24
  Speaker 1: chase them, they ain't scared. Yeah, you know like those
• 7:27
  Speaker 1: are people were like, man, if I'm pulled over, bro,
• 7:29
  Speaker 1: I'm really like I wouldn't make it home exactly like
• 7:33
  Speaker 1: I'm exactly. I pull over that day when the blue
• 7:36
  Speaker 1: lights not on, but I'm driving and I feel comp
• 7:39
  Speaker 1: behind me. You just let them pass. I don't even
• 7:43
  Speaker 1: go to the gas like that looks suspicious. Crank the
• 7:47
  Speaker 1: gas station. Saw if you just feel like you're just
• 7:49
  Speaker 1: gonna pull over, I pull over, jump out like I'm
• 7:51
  Speaker 1: getting something, come back out like okay. The other thing
• 7:54
  Speaker 1: that pulled over right around the corner from my house,
• 7:56
  Speaker 1: and I had two of my friends in the car.
• 7:58
  Speaker 1: They pulled us over. We all put out hands up
• 8:00
  Speaker 1: like we don't have nothing. They would say, put your
• 8:02
  Speaker 1: hands down and stop playing. I was like, we're not playing.
• 8:04
  Speaker 1: We just want to make sure everybody's good, good to go,
• 8:06
  Speaker 1: And they just let me go because I think they
• 8:07
  Speaker 1: were a little offended. You don't know. We got more
• 8:10
  Speaker 1: with when we come back. It's the breakfast club Good Morning.
• 8:12
  Speaker 1: That was drake, But control the morning. Everybody is DJ
• 8:15
  Speaker 1: m vy angela Ye, Charlemagne the guy, we are the
• 8:18
  Speaker 1: breakfast club, Big Chris is in the building. Do you
• 8:21
  Speaker 1: think they just need to be more responsible in their lyrics?
• 8:23
  Speaker 1: Like we were having this whole discussion about what Donald
• 8:25
  Speaker 1: Trump said and got caught on damn saying, and a
• 8:28
  Speaker 1: lot of people were like, well, that's how rappers talk
• 8:30
  Speaker 1: all the time, anyway. Do you feel like that's something
• 8:32
  Speaker 1: that we need to hold each other accountable for when
• 8:35
  Speaker 1: somebody says something that's out of order, just call them
• 8:37
  Speaker 1: out on it. Well, I mean, I'm not running for president,
• 8:41
  Speaker 1: you know what I'm saying first off, And a president
• 8:43
  Speaker 1: isn't a rapper for them. However they expressed themselves. It's
• 8:47
  Speaker 1: totally different than our genre of music and what we
• 8:50
  Speaker 1: grew up and how we've expressed ourselves in the neighborhoods.
• 8:52
  Speaker 1: We come from the lingo to slang. Obviously, hill pops
• 8:57
  Speaker 1: an art form, so you paint whatever you want on
• 8:59
  Speaker 1: this camp. I don't really call a thing of politics
• 9:02
  Speaker 1: as an art form. You know, what are you gonna
• 9:04
  Speaker 1: do for people? The society? You It's a different way,
• 9:07
  Speaker 1: a different lingo of talking or expressing yourself and rap
• 9:11
  Speaker 1: rap maybe just personally how you feel and what everybody
• 9:14
  Speaker 1: else thinks. I don't think a politician or a president
• 9:17
  Speaker 1: can think that way, right, you know, you have to
• 9:19
  Speaker 1: think for the mass majority. So you can be self
• 9:22
  Speaker 1: centered and be a rapper because people also feed into
• 9:26
  Speaker 1: that mentality because most people, you know it might not
• 9:28
  Speaker 1: have the courage to say cute today, boss, but they
• 9:32
  Speaker 1: listen to your favorite rapper and that make them feel like,
• 9:34
  Speaker 1: you know what. But we do have to take account
• 9:36
  Speaker 1: what we do say on records, explaining at the end
• 9:38
  Speaker 1: of the day, or give what the opposite spectrum, you know,
• 9:42
  Speaker 1: And That's what I try to do in my music,
• 9:44
  Speaker 1: and I've always tried to do that. But I'm not perfect. Man.
• 9:46
  Speaker 1: I think I think politicians to take a page of
• 9:48
  Speaker 1: the Rapper book, Like my man Norio it says that
• 9:50
  Speaker 1: Trump turned the campaign into a smack DVD battle. It's
• 9:56
  Speaker 1: a level of realness. Yeah, you know what I mean,
• 9:57
  Speaker 1: Like when you care about that politician say everything right,
• 10:00
  Speaker 1: politically correct stuff, no more. But you kind of the
• 10:03
  Speaker 1: problem with that is you kind of want them to
• 10:05
  Speaker 1: a little bit because you go overseas and you're doing
• 10:08
  Speaker 1: a lot of these were talking a lot of these
• 10:10
  Speaker 1: ambassadors and stuff like that. You don't want to just
• 10:12
  Speaker 1: be like, yeah, man, I'm like what they don't want
• 10:16
  Speaker 1: to present? Be like we need to hold in you know. No, man,
• 10:20
  Speaker 1: you got it because you're speaking for You're speaking for
• 10:22
  Speaker 1: the Oh no, you can't be like that. You gotta
• 10:27
  Speaker 1: add like you just walked in somebody to mama house.
• 10:30
  Speaker 1: That's why being politics is being political. It's not about
• 10:33
  Speaker 1: being as real as you can be. It's about, Okay,
• 10:36
  Speaker 1: what is the best decision that we can make and
• 10:38
  Speaker 1: how can we make this work for the good of everybody?
• 10:41
  Speaker 1: As much as you can. You can still put a
• 10:42
  Speaker 1: little bit of coolness on top of it, but I
• 10:44
  Speaker 1: don't don't overdo it, you know what I'm saying. So so, so,
• 10:48
  Speaker 1: what do you think the next for chrip man Man?
• 10:50
  Speaker 1: Not just the album, but like, I just see you
• 10:52
  Speaker 1: doing more than just music. Were working on it though,
• 10:55
  Speaker 1: I mean, I don't, I ain't. I ain't decided on
• 10:57
  Speaker 1: the whole getting into no movies and thing like that.
• 10:59
  Speaker 1: But if I do again, it's more scoring revolutionary level.
• 11:02
  Speaker 1: Oh brother, I'm waiting. I mean in At the same time,
• 11:05
  Speaker 1: it's other people like killing Mike Tyler quality David Banner
• 11:09
  Speaker 1: that I could also look to and you know and
• 11:11
  Speaker 1: talk to you about this. But it's one of those
• 11:13
  Speaker 1: things where now it's gonna have to be a lot
• 11:15
  Speaker 1: of talking at explaining, a lot of just being on
• 11:18
  Speaker 1: the ground. You know. I've been doing a lot of
• 11:19
  Speaker 1: music in which you would be the background or the
• 11:21
  Speaker 1: theme music for a lot that's going on. But I
• 11:24
  Speaker 1: think now I'm older and I've gotten to a point
• 11:26
  Speaker 1: where I'm realizing, yeah, those are songs, but I gotta
• 11:29
  Speaker 1: get a Hans started talking to people too, So that's
• 11:34
  Speaker 1: the homie. Yeah, that's a good I appreciate them putting
• 11:37
  Speaker 1: me on that kind of record, and even even til
• 11:39
  Speaker 1: you know what it is now it's like Man Tippin
• 11:41
  Speaker 1: getting no props for that, uh that us are else
• 11:45
  Speaker 1: ep going in. But it's because it's socially conscious, don't nobody.
• 11:49
  Speaker 1: I mean it's weird, like we claim to want revolution
• 11:52
  Speaker 1: and want liberations, but then when all artists do what
• 11:54
  Speaker 1: we want them to do, actually speak about something, you know,
• 11:57
  Speaker 1: we don't support it. I mean, well it goes far
• 12:00
  Speaker 1: the I mean the artists. You do what you can
• 12:01
  Speaker 1: to promote it, but it's also still up to a
• 12:04
  Speaker 1: lot of people to play it. I mean, if you know,
• 12:07
  Speaker 1: a radio record normally is a record that has a
• 12:09
  Speaker 1: certain bpm and it feels a certain way and then
• 12:11
  Speaker 1: go club. I mean, it would be more on us
• 12:14
  Speaker 1: now to change what a radio record is and what
• 12:16
  Speaker 1: gets played in the club, or what can be acceptable
• 12:19
  Speaker 1: and socially conscious and still jam and introducing it to
• 12:22
  Speaker 1: the people that normally don't listen to nothing but the radio.
• 12:26
  Speaker 1: You see Birth Nation yet, No, I haven't seen it.
• 12:28
  Speaker 1: I just got the book. I ain't never got a
• 12:30
  Speaker 1: gift since I came here. I appreciate that. Normally, normally
• 12:34
  Speaker 1: the first thing that happened is Yo, what depth jam at?
• 12:36
  Speaker 1: So yeah, thank you brother for understanding. I ain't watching yet.
• 12:41
  Speaker 1: You gotta go see it. It only made seven million
• 12:43
  Speaker 1: last weekend. We gotta support that, Ben, and I'm gonna
• 12:46
  Speaker 1: see that third team too. You gotta watch that, man.
• 12:48
  Speaker 1: But we appreciate you, Joe, and I appreciate y'all. It's
• 12:50
  Speaker 1: always man. Anytime you even tell you know, you're always walking,
• 12:53
  Speaker 1: no doubt. Listen, y'all hurt that you heard jam. I'm
• 12:58
  Speaker 1: gonna fall see here you go. I ain't saying we
• 13:01
  Speaker 1: still got a little for everybody. It's more time to
• 13:05
  Speaker 1: the sun. Die this big chrit. It's the breakfast Club.
• 13:07
  Speaker 1: Good morning, the breakfast Club. That was Beyonce. Would a
• 13:14
  Speaker 1: hold up? What everybody is? DJ Envy Angela yee, Charlomagne?
• 13:18
  Speaker 1: That god, we are the breakfast Club. We got a
• 13:20
  Speaker 1: special guest in the building. And Charlomagne is the only
• 13:23
  Speaker 1: guest that I've seen Charlomagne off with somebody tea or water.
• 13:29
  Speaker 1: I've never seen him do that either. Would you like
• 13:31
  Speaker 1: some water? But that's using because off for liquor? Why
• 13:35
  Speaker 1: did you have I can't. I just noticed the bar.
• 13:37
  Speaker 1: I knew you should have known. I knew about the bar,
• 13:39
  Speaker 1: but I didn't fully know about you. Have Lena dun
• 13:41
  Speaker 1: him here? Do you want to talk about the show?
• 13:42
  Speaker 1: You seem like a kanyek drinker. I've never had cone yet.
• 13:45
  Speaker 1: Really do you drink? I drink like a quarter of
• 13:48
  Speaker 1: a class of wine, pass out, do things no one
• 13:51
  Speaker 1: wants to talk about, throw up and carry on like
• 13:54
  Speaker 1: it's report Like I'm the easiest drunk in the world.
• 13:57
  Speaker 1: Got you did homework for the show, and you actually
• 13:59
  Speaker 1: watched some interviews. I did ask what interviews did you enjoy?
• 14:02
  Speaker 1: What did you like? Well, I just love watching you
• 14:05
  Speaker 1: guys do your thing, and it's so much more about
• 14:07
  Speaker 1: sort of like all of your connection than it is
• 14:09
  Speaker 1: even about the guest. But two interviews. I particularly enjoyed
• 14:12
  Speaker 1: the post Malone interview. I don't know why. I just like,
• 14:16
  Speaker 1: maybe it's like the angry college girl and me just
• 14:19
  Speaker 1: like seeing a couple of people like stick it to
• 14:20
  Speaker 1: a long haired white guy. If that's just something that
• 14:22
  Speaker 1: gives me pleasure, Okay. And then I watched the Brandy interview,
• 14:27
  Speaker 1: which I've always been a massive Brandy fan since Moitia.
• 14:30
  Speaker 1: So I was just liked how like serious I got
• 14:32
  Speaker 1: and how deep you got in there, although you said
• 14:33
  Speaker 1: that it became a little um. She was upset after.
• 14:37
  Speaker 1: I will tell you this, I do not have a
• 14:38
  Speaker 1: driver's license and I'm thirty year old. Woman never got it.
• 14:41
  Speaker 1: I made the mistake of going down the Wikipedia rabbit
• 14:44
  Speaker 1: hole celebrities who have killed people with their cars, and
• 14:46
  Speaker 1: I was like, you know what, why would you look
• 14:48
  Speaker 1: at I don't want to ever join this Wikipedia list,
• 14:52
  Speaker 1: and I feel like I really would if I was
• 14:54
  Speaker 1: given my license. So I'm going to continue this uber
• 14:57
  Speaker 1: lifestyle for as long as I don't have that, You
• 14:59
  Speaker 1: know what, thank you, thank you? Could you your thoughts
• 15:02
  Speaker 1: become things. So if you're constantly thinking about, I'm gonna
• 15:04
  Speaker 1: kill somebody in his car and kill him on the car,
• 15:05
  Speaker 1: you might end up killing somebody. Thought she was gonna
• 15:07
  Speaker 1: kill somebody. She just said she didn't want to whatever,
• 15:10
  Speaker 1: even knew I was going to kill somebody. But there
• 15:14
  Speaker 1: has to be times when you go somewhere and it
• 15:15
  Speaker 1: would be so convenient for you to get our rental.
• 15:17
  Speaker 1: You need to be able to drive. It's an adult scale,
• 15:20
  Speaker 1: and I don't want to be like a mom who
• 15:21
  Speaker 1: can't drive my kids to the hospital. But we'll get
• 15:23
  Speaker 1: to that. Now. Let's talk about girls. Oh yeah, last
• 15:25
  Speaker 1: season A Girls coming Out. We just wrapped four days ago.
• 15:29
  Speaker 1: I saw very emotional letters that you were writing. You know,
• 15:33
  Speaker 1: we still have to edit it, we still have to
• 15:35
  Speaker 1: promote it. But I have to say that that last
• 15:37
  Speaker 1: night I was weeping like a mother believing baby. I
• 15:40
  Speaker 1: couldn't believe it, just because it's been my whole twenty
• 15:42
  Speaker 1: I started writing the show when I was twenty three.
• 15:44
  Speaker 1: I'm thirty. Now those are all my that's my family.
• 15:47
  Speaker 1: Those are my best friends. So it felt like this
• 15:50
  Speaker 1: crazy loss and even though we can all like go
• 15:53
  Speaker 1: out to dinner, We've formed this incredible culture. And like
• 15:56
  Speaker 1: I woke up the next hand, I was like, what
• 15:57
  Speaker 1: do I even do with myself? Who am I? Like?
• 15:59
  Speaker 1: I kind of walked down in the street, like what
• 16:01
  Speaker 1: do I do when I'm not on this television show?
• 16:03
  Speaker 1: I guess the answers come to the breakfast club and
• 16:05
  Speaker 1: bother you. Why did you feel like it had to
• 16:06
  Speaker 1: be the last season though? Because I felt like it
• 16:08
  Speaker 1: could have continued on. It's a great question. I mean,
• 16:12
  Speaker 1: I think it's like when people start a job so young,
• 16:15
  Speaker 1: have to give them room to grow. And I'm including myself,
• 16:17
  Speaker 1: but I'm also thinking about all the actors that I
• 16:19
  Speaker 1: work with, Like their careers are taking off, Adams and
• 16:22
  Speaker 1: Star Wars, Alison starring in this movie that's going to
• 16:24
  Speaker 1: be amazing, Jordan Peel's and movie get Out, which is
• 16:29
  Speaker 1: coming out in February. They all have I mean, Jemima
• 16:32
  Speaker 1: is a painter, she's two kids. Everyone has passions, and
• 16:35
  Speaker 1: like I want to let them grow and develop. And
• 16:37
  Speaker 1: I felt like there was a certain point I never
• 16:40
  Speaker 1: wanted to become that show where everyone's like, yeah, I'm
• 16:41
  Speaker 1: just going to my day job. Like we've had so
• 16:43
  Speaker 1: much love for it every day that we've done it,
• 16:46
  Speaker 1: and I wanted to go out with us all still
• 16:48
  Speaker 1: having that connection and that passion for what we do
• 16:50
  Speaker 1: because I think it translates onto the screen and it
• 16:52
  Speaker 1: feels like the moment where it's like we've kind of
• 16:54
  Speaker 1: captured this magic energy between us. So let's finish out
• 16:57
  Speaker 1: the way we started. And it was beautiful, Like at
• 17:00
  Speaker 1: the end, we all cried, we all hugged, we were
• 17:02
  Speaker 1: all like, you're my sister. Give it three more years
• 17:04
  Speaker 1: than we all would have been, like you ever can
• 17:06
  Speaker 1: look at me again. I can't believe you wore the
• 17:09
  Speaker 1: same dress as me to this award show. We never
• 17:11
  Speaker 1: got into that zone. Let's talk about black people in
• 17:15
  Speaker 1: when Girls first started, you got a lot of controversy
• 17:18
  Speaker 1: because they say you didn't have a lot of black
• 17:19
  Speaker 1: faces on it. Do you think and as they said,
• 17:21
  Speaker 1: especially in Brooklyn, which is such a diverse amount of
• 17:25
  Speaker 1: at different races, they're like, why is it no back
• 17:27
  Speaker 1: think you've made up for that over the seasons. I'm
• 17:29
  Speaker 1: not going to say that I've made up for it
• 17:31
  Speaker 1: because I think that when I started the show, I
• 17:33
  Speaker 1: was twenty three and I literally I'm half Jewish and
• 17:36
  Speaker 1: half Christian. I wrote like two Jews and two Christians,
• 17:39
  Speaker 1: Like it was so close to home for me, and
• 17:42
  Speaker 1: I was writing these characters who were all in some
• 17:44
  Speaker 1: way extensions of myself. Looking back, yes, but looking back like,
• 17:48
  Speaker 1: I never want to see another poster that's four white girls.
• 17:50
  Speaker 1: I don't think we need to live in a world
• 17:51
  Speaker 1: where we have a poster that's four white girls. That
• 17:54
  Speaker 1: being said, the fact is like the experience of being
• 17:57
  Speaker 1: a young black woman in Brooklyn is different than the
• 17:59
  Speaker 1: experience of being and white women in Brooklyn. And I
• 18:01
  Speaker 1: wanted to write from a place of accuracy and passion
• 18:04
  Speaker 1: and understanding, and so in the future, I would love
• 18:06
  Speaker 1: to collaborate with and support women who want to tell
• 18:10
  Speaker 1: their stories rather than attempt to sort of co opt
• 18:13
  Speaker 1: their stories so that I have the cast that looks
• 18:16
  Speaker 1: great on a post. I'm glad you said that, because
• 18:18
  Speaker 1: the lat of women of color feel like you ignore
• 18:21
  Speaker 1: them when it comes to like feminism. I see articles
• 18:24
  Speaker 1: where they say you focus on feminism, which you mean
• 18:26
  Speaker 1: equality for white women, and that black women of color
• 18:29
  Speaker 1: That's definitely a criticism that I've gotten, and it's one
• 18:32
  Speaker 1: of the main reasons again that I start that Jenny
• 18:35
  Speaker 1: Connor and I ser Lenny letters just to have a
• 18:38
  Speaker 1: diversity of voices and to say, like, I've been given
• 18:41
  Speaker 1: this incredible gift. She's been given this incredible gift to
• 18:43
  Speaker 1: share what we have to say, So how can we
• 18:46
  Speaker 1: spread that? And I have to say, like, over the
• 18:48
  Speaker 1: six years of doing Girls, I've learned so much about
• 18:51
  Speaker 1: intersectional feminism. I mean it's like, even though white women
• 18:53
  Speaker 1: can sometimes feel like a repress minority, there's an entire
• 18:57
  Speaker 1: subsection of issues that we can't even relate to, Like
• 19:01
  Speaker 1: the sense that you have to be scared when your
• 19:03
  Speaker 1: child leaves the house, Like the sense that you don't
• 19:05
  Speaker 1: know if they're going to be able to come home.
• 19:07
  Speaker 1: Like the fact that people are assuming that you're not
• 19:09
  Speaker 1: capable of doing a specific kind of job, like and
• 19:12
  Speaker 1: so everything that was the conversation with some black woman.
• 19:14
  Speaker 1: Huh yeah, I mean I have to really, I mean,
• 19:16
  Speaker 1: I'm not trying to brag about it, ladies and gentlemen,
• 19:19
  Speaker 1: is thank you, but an honor live in the dream.
• 19:25
  Speaker 1: The breakfast club that was Tory Lane's with Love morning.
• 19:31
  Speaker 1: Everybody is DJ M v Angelu Ye, Charlemagne the God.
• 19:34
  Speaker 1: We all the breakfast club. We got a special guest
• 19:36
  Speaker 1: in the building this morning. Yes, I actually thought he
• 19:39
  Speaker 1: was here before, but he wasn't. That's because he confused
• 19:44
  Speaker 1: you with Jerry Springers. Be salted. You don't want to
• 19:49
  Speaker 1: was flaming back from Las Vegas and the flight to
• 19:51
  Speaker 1: tens of Oh you're from Jerry Springer, you know, And
• 19:53
  Speaker 1: I'm like, yeah, I was thinking the playboy guy that
• 20:00
  Speaker 1: runs the money around. Yes, no you want welcome, Welcome
• 20:15
  Speaker 1: to the show. Thank you. I can't blame me if
• 20:16
  Speaker 1: you feel like leaving now. Jesus, congratulations on officially the
• 20:22
  Speaker 1: most successful security guards in shouldn't I And I do
• 20:28
  Speaker 1: feel like running people ower too. So I used to
• 20:31
  Speaker 1: be a cop, right yeah in Chicago. Yep, that was that,
• 20:34
  Speaker 1: because that's probably one of the worst areas in the
• 20:37
  Speaker 1: country right now. Yeah, I just came out of the marine.
• 20:40
  Speaker 1: So when I did it, I really enjoyed doing it.
• 20:43
  Speaker 1: But then you just kind of get beaten down because
• 20:45
  Speaker 1: you know, people don't like the police. You're fighting all
• 20:48
  Speaker 1: the time, and you don't make a lot of money.
• 20:50
  Speaker 1: So it's just you don't like I said, if you know,
• 20:52
  Speaker 1: you get a gun, a badge, you're twenty six years old,
• 20:55
  Speaker 1: you're going out catching the bad guy. It was fun,
• 20:57
  Speaker 1: but after about seven or eight years, I just was like, man,
• 21:00
  Speaker 1: oh so you was done at all? You were a marine? Yeah,
• 21:02
  Speaker 1: I was a sixers. What did your wife and kids think? Well,
• 21:05
  Speaker 1: my wife's my executive producer. So yeah. We went on
• 21:10
  Speaker 1: Joy Springer and single. She was working. She walked on
• 21:15
  Speaker 1: stage and I said, that's not a man. I'm gonna
• 21:17
  Speaker 1: marry her. So that's a true story. No, because you
• 21:24
  Speaker 1: never knew we had a lot of transsexuals. Well you're
• 21:29
  Speaker 1: never sure you know what used to be a man,
• 21:34
  Speaker 1: but it's still marrish. It's pretty good. We see some
• 21:38
  Speaker 1: screen stuff on Jay. Do you ever to make that
• 21:40
  Speaker 1: mistake before? Like you saw something hot and you well,
• 21:42
  Speaker 1: you know what, the strangest thing that ever happened in
• 21:44
  Speaker 1: my mind? And you know, we had a lot of
• 21:46
  Speaker 1: those situations, and we had terrance sexuals on the should
• 21:48
  Speaker 1: that were just absolutely gorgeous. Um. But we had this
• 21:52
  Speaker 1: one dude, he was a guy and he got in
• 21:54
  Speaker 1: a fight with another guy and he started ripping each
• 21:56
  Speaker 1: other's shirts off, and then the one guy just had
• 21:59
  Speaker 1: one perfectly formed female press. I mean it was gorgeous.
• 22:05
  Speaker 1: And so if we break for you know, commercial, and
• 22:08
  Speaker 1: we go backstage and I go, hey, dude, what's up
• 22:11
  Speaker 1: with that? He goes, oh, I was just born that way.
• 22:13
  Speaker 1: And I go, you didn't anybody know? He goes why,
• 22:14
  Speaker 1: I didn't think anybody would be into it, like, who cares?
• 22:16
  Speaker 1: How much you can make it right? And it was
• 22:20
  Speaker 1: and it was And I asked them off for dinner.
• 22:22
  Speaker 1: And none of it was scripted. No. I mean, as
• 22:27
  Speaker 1: to god, if I brought in an uncensored tape and
• 22:30
  Speaker 1: you watched that, it's so violent. And I was on stage,
• 22:33
  Speaker 1: I'm on nnar those tapes and even watched it from
• 22:36
  Speaker 1: a different perspective. I said, Man, this is crazy, this
• 22:40
  Speaker 1: is this is really nice. This is really violent. Listen
• 22:43
  Speaker 1: when the midget stating the hot strip around the show,
• 22:46
  Speaker 1: that might be a little scripted. But when we had
• 22:48
  Speaker 1: these Hibballi's on that we're sleeping with each other, these vibs.
• 22:51
  Speaker 1: You know, it's really happy. You didn't have to provoke them.
• 22:53
  Speaker 1: You know they wanted to fight. Well, let's ask a
• 22:55
  Speaker 1: million dollars question who who Who's the better talk show host?
• 22:58
  Speaker 1: Steve will go to Jerry Spurner. Oh, I'm the best
• 23:00
  Speaker 1: talk show host on TV, and you could catch the
• 23:06
  Speaker 1: three pm and four pm on Channel eleven. Congratulations Steve Wilkos.
• 23:13
  Speaker 1: That was Beyonce with Sorry Morning, Everybody's DJ MG Angela Yee,
• 23:17
  Speaker 1: Charlomagne the guy. We are the breakfast Club guests in
• 23:20
  Speaker 1: the building, Hurricane Game, the game crazy. I'm happy to
• 23:24
  Speaker 1: be here. I'm really really happy to see y'all. What
• 23:26
  Speaker 1: do you did the disrecord to? To me? I'm like,
• 23:29
  Speaker 1: damn game because SPA like, damn game is given. I
• 23:32
  Speaker 1: spent too much. I spent too much time at Daddy daycare.
• 23:35
  Speaker 1: Man in there. You know if people forget I into
• 23:38
  Speaker 1: that like ten times to catch everything. I listened to
• 23:41
  Speaker 1: that disrecord to leave five six times, like I always
• 23:43
  Speaker 1: knew you could wrap. I wasn't no debate, but I'm like, nah,
• 23:48
  Speaker 1: my friends, y'all haired again. As soon as it came now,
• 23:50
  Speaker 1: I was in the car. I was like, put it on, now,
• 23:52
  Speaker 1: put it on now. You know what's crazy is that
• 23:54
  Speaker 1: when I when I was writing it in the studio
• 23:56
  Speaker 1: in New York, when you wrote it in New York
• 23:58
  Speaker 1: Quad Studios, and I couldn't wait to get here because
• 24:00
  Speaker 1: I couldn't find a studio in South Carolina. And I
• 24:02
  Speaker 1: was just like, I gotta get to New York because
• 24:04
  Speaker 1: I had these letters. You know, I had everything, but
• 24:06
  Speaker 1: you know, bubbling inside. And uh when I when I
• 24:09
  Speaker 1: wrote it, I felt like I felt the same feeling
• 24:12
  Speaker 1: when I was writing three hundred bars, you know what
• 24:13
  Speaker 1: I'm saying. So I knew that it was gonna be
• 24:15
  Speaker 1: something when I was done. Now the whole one of
• 24:17
  Speaker 1: the dream chases said you had a ghostwriter. That's crazy
• 24:20
  Speaker 1: because I'm always the guy that got a ghostwriter. It's like,
• 24:25
  Speaker 1: you know what I'm saying. Every everybody say, well, fifty
• 24:27
  Speaker 1: wrote the first album, and YadA YadA, Well fifty didn't
• 24:29
  Speaker 1: help write the second album, and the second album still
• 24:32
  Speaker 1: went multi platinum. The game was dead and that's my
• 24:34
  Speaker 1: favorite one. And uh, you know what I'm saying, shot
• 24:37
  Speaker 1: the fifty because we chopped it up in LA and
• 24:39
  Speaker 1: eight things all all good. Um, And then you know
• 24:42
  Speaker 1: what I'm saying, They say, oh, well he had a
• 24:44
  Speaker 1: ghostwriter on the second album, and then I did five
• 24:47
  Speaker 1: hundred bars after that. It's always game got a ghostwriter. Man,
• 24:49
  Speaker 1: I'm in the studio with my homies, you know what
• 24:51
  Speaker 1: I'm saying, and I just got it off. You know
• 24:53
  Speaker 1: what I'm saying, those my films. You can't ghostwrite what
• 24:55
  Speaker 1: Game says, you know what I'm saying, because only I
• 24:57
  Speaker 1: talk and speak like that. Well, so, was there anything
• 25:00
  Speaker 1: that you originally had thought you were putting a song
• 25:03
  Speaker 1: and said, no, you know what, this might be too far,
• 25:05
  Speaker 1: too far? Because right she she got a thing. Because
• 25:11
  Speaker 1: there was a lot of things that I left out
• 25:14
  Speaker 1: that where I could have went really really Charlemagne the God.
• 25:17
  Speaker 1: You know what I'm saying. I could have went pretty
• 25:19
  Speaker 1: was pretty clar But I was like, somebody's mamma's must that?
• 25:22
  Speaker 1: But that's that was pretty? That was fall And I'm
• 25:24
  Speaker 1: just crazy. I don't like to do mamma's you know
• 25:27
  Speaker 1: what I'm saying. But I did go to the Graham.
• 25:28
  Speaker 1: She did have a mustache. Shaw felt its fair place.
• 25:31
  Speaker 1: But like, what are some things that are off limits
• 25:33
  Speaker 1: too far? I think kids are definitely off limits at
• 25:36
  Speaker 1: all times. Kids, you know what I'm saying. They just kids. Um.
• 25:40
  Speaker 1: Other than that, no one, yeah, nobody. Now, if everybody
• 25:43
  Speaker 1: thinks this is a publicity stunt to sell nineteen I've
• 25:46
  Speaker 1: sold twenty five million albums. I don't understand how that
• 25:49
  Speaker 1: how that's possible. I don't even care if nineteen ninety
• 25:51
  Speaker 1: two seal or don't sell. Like for the last fifteen
• 25:54
  Speaker 1: years of my life, I've been getting money here, there, everywhere.
• 25:57
  Speaker 1: I'm still rich. I'm not going broke. Ever, it's not
• 25:59
  Speaker 1: about themselves. Albums ain't really selling like they used to.
• 26:02
  Speaker 1: You're not even getting that much money. It's all in
• 26:04
  Speaker 1: the all in your advance and then you're you're back in.
• 26:08
  Speaker 1: You know that gets chewed up by the label and
• 26:09
  Speaker 1: you really don't never see that. So it's not about
• 26:11
  Speaker 1: selling albums. I'm not the label. I have a label.
• 26:13
  Speaker 1: They're gonna make the money that they put out to
• 26:15
  Speaker 1: you know what I'm saying, produce the album and all
• 26:17
  Speaker 1: of that. So it ain't I'm not making this record
• 26:19
  Speaker 1: so that the label can make all the money, you
• 26:21
  Speaker 1: know what I'm saying. So it ain't. It ain't about
• 26:23
  Speaker 1: that with me. The police never even question you. It
• 26:26
  Speaker 1: wasn't it. See. The thing about that is there's not
• 26:29
  Speaker 1: paperwork for talking to the police and implicating someone. It
• 26:33
  Speaker 1: ain't like I said, Yo, he snitched on me, told
• 26:36
  Speaker 1: the cops I had fifteen bricks in the trunk and
• 26:38
  Speaker 1: I'm facing twenty five to life. No, they had conversations
• 26:41
  Speaker 1: with police officers and implicating my crew and me about that.
• 26:46
  Speaker 1: So when police came to my house the day before
• 26:49
  Speaker 1: I left to come on tour, they were asking questions
• 26:52
  Speaker 1: based on what was told to them by these cats.
• 26:55
  Speaker 1: And there's no paperwork drawing up on that. So I
• 26:57
  Speaker 1: would meek tell, like, what did he have to do
• 27:00
  Speaker 1: the situation? I don't understand. I really and I'm and
• 27:03
  Speaker 1: I'm being one hundred percent honest, I really don't understand
• 27:05
  Speaker 1: why he why he did that. I don't understand we
• 27:09
  Speaker 1: were solid when what happened was we was in the club.
• 27:12
  Speaker 1: As soon as I seen him. I hadn't seen him
• 27:13
  Speaker 1: in a while, he was on the house arrest thing
• 27:15
  Speaker 1: in Philly or whatever. So I sent the bottle of
• 27:17
  Speaker 1: rose just for me to him over to him. You
• 27:19
  Speaker 1: know what I'm saying, like, welcome back. You know what
• 27:21
  Speaker 1: I'm saying, you know, to freedom, just being able to
• 27:24
  Speaker 1: move around, and uh, you know I had told him
• 27:26
  Speaker 1: when I was over there, I'm like, yo, casting getting
• 27:28
  Speaker 1: robbed in La and they have every like cast being
• 27:31
  Speaker 1: getting laid down for their jury. And I told him so,
• 27:33
  Speaker 1: I told him, yeah, So I told him that. Um,
• 27:38
  Speaker 1: I told him that, you know, just watch your back
• 27:39
  Speaker 1: and all that, and when you leave, don't wait to
• 27:41
  Speaker 1: the club, you know what I'm saying, and that like,
• 27:43
  Speaker 1: you know, get out of here a little bit earlier.
• 27:45
  Speaker 1: So he took my advice. He did that, and after that,
• 27:48
  Speaker 1: Sean Kingston got robbed. You know what I'm saying, um,
• 27:51
  Speaker 1: because he one of those type of cast. It's like
• 27:53
  Speaker 1: full you see Sean Kingston, that's like an easy mark,
• 27:55
  Speaker 1: you know what I'm saying. So they Sean Kingston got ribbed.
• 27:58
  Speaker 1: We get out the club. Fifteen minis later, Sean Kingston
• 28:01
  Speaker 1: called me, Bro, that's messed up. You got me robbed.
• 28:03
  Speaker 1: Meek said that you told him that Cats was robbing
• 28:06
  Speaker 1: and that he should go, and then all of a sudden,
• 28:08
  Speaker 1: I get robbed, and that's messed up. I said, Look,
• 28:10
  Speaker 1: I ain't get you robbed. Dog. If you need help
• 28:12
  Speaker 1: getting your jury back or you want to ask some questions,
• 28:14
  Speaker 1: I'll help you. Let me get off phone. What you
• 28:16
  Speaker 1: called me? I called meek? Meek said, man, I ain't
• 28:18
  Speaker 1: tell that fact nothing. So I said, let me get
• 28:21
  Speaker 1: them both phone three way, got them both on three way,
• 28:23
  Speaker 1: Kingston saying you did tell me? Meek saying you you
• 28:26
  Speaker 1: know what I'm saying, I didn't tell you, So I
• 28:27
  Speaker 1: just hung up the phone. Bro. I ain't had time
• 28:29
  Speaker 1: to argue with him. I let it go. Said, you
• 28:32
  Speaker 1: know what all I told him was you did want
• 28:34
  Speaker 1: me to get out the club? All good? It's like,
• 28:37
  Speaker 1: you know, it's it's like this, let's just say that,
• 28:39
  Speaker 1: you know, Charlotmagyne, my man. You know what I'm saying.
• 28:40
  Speaker 1: We've been rocking for over ten years. It's like if
• 28:43
  Speaker 1: you come to LA for BT weekend, I'll tell yo,
• 28:45
  Speaker 1: Charlotmayne if you need anything. I had me cats been robbing.
• 28:48
  Speaker 1: I'm your man. This ain't your pocket. I got you.
• 28:51
  Speaker 1: And right there in that same conversation is let's just say,
• 28:54
  Speaker 1: I don't know Chingy right, and then Chini your y.
• 28:59
  Speaker 1: I don't know. I just I looked at my man,
• 29:04
  Speaker 1: I looked at my man handphones. They looked blinky. She's
• 29:08
  Speaker 1: so anyway, I leave, Chinie get robbed. And then you
• 29:11
  Speaker 1: tell Chini yo, game just told me to watch out
• 29:13
  Speaker 1: and you got robbed as him. It would be like,
• 29:15
  Speaker 1: why would my man, why would you? Why would you
• 29:17
  Speaker 1: do that? Yeah? Why would you? Rob Chini? You don't
• 29:19
  Speaker 1: have nothing? Yeah, I mean, you know what I'm saying.
• 29:23
  Speaker 1: Nicky said, you want to smash Nicky? I thought you
• 29:25
  Speaker 1: and Nikki was cool. Yeah. And if me and me
• 29:29
  Speaker 1: and Nikki don't become uncool because I want to smash Nicky,
• 29:32
  Speaker 1: whole thing is because people want to smash if. That's
• 29:35
  Speaker 1: what makes Nikki hot. You know what I'm saying is
• 29:37
  Speaker 1: that people are attracted to her and that she looked
• 29:40
  Speaker 1: good and she doing her thing and everybody every if
• 29:42
  Speaker 1: everybody wants to smash you, you're doing a good thing.
• 29:44
  Speaker 1: That's not this. We got more with the game when
• 29:46
  Speaker 1: we come back, Keith and locked as to Breakfast Club.
• 29:48
  Speaker 1: Good morning, the Breakfast Club that was us you no
• 29:55
  Speaker 1: limit morning. Everybody is DJ Envy Angela Yee, Charlottagne the
• 29:58
  Speaker 1: guy we are to Breakfast. We got the game in
• 30:00
  Speaker 1: the building, Charlemagne. So when you see Sean Kingston on
• 30:03
  Speaker 1: Instagram talking all tough, and he'd been, he'd been, he'd
• 30:06
  Speaker 1: been calling everybody phone trying to back down off of that.
• 30:08
  Speaker 1: And the crazy part about it is I'm on tour
• 30:11
  Speaker 1: and I'm in New York. But when I get back
• 30:12
  Speaker 1: home and I can really like like laid the board
• 30:15
  Speaker 1: out and really play how I want to play, ain't
• 30:17
  Speaker 1: nobody gonna be doing all that. Nobody's gonna be doing
• 30:19
  Speaker 1: all that. And then you know, you got people out there.
• 30:22
  Speaker 1: They're gonna say, well, I thought you were an activist,
• 30:24
  Speaker 1: and I thought, I'm not Jesse Jackson. I'm gonna be
• 30:25
  Speaker 1: Jesse Jackson for these people. If it's some Black Lives
• 30:28
  Speaker 1: Matter stuff that need to be done, and I get
• 30:30
  Speaker 1: up and I serve my purpose and use my platform
• 30:33
  Speaker 1: to do that, then I'm doing that. But there's somebody
• 30:35
  Speaker 1: you know, ratting on me and implicate my name into
• 30:37
  Speaker 1: some stuff when I already got tried, when I'm already
• 30:40
  Speaker 1: facing you know, time and all of that for some
• 30:41
  Speaker 1: other stuff, then that angers me, and I'm off that
• 30:44
  Speaker 1: Black Lives Matter for a minute. I'm angry about this situation.
• 30:47
  Speaker 1: I'm gonna do me. I don't gotta be Jesse Jackson
• 30:49
  Speaker 1: for these people. In one hundred percent of my life.
• 30:51
  Speaker 1: I'm human. I got feelings though, after I saw your
• 30:54
  Speaker 1: interview with TMZ right where you feel conflicted. Yeah, well,
• 30:57
  Speaker 1: because I'm real, I do. I do feel conflict. You
• 31:00
  Speaker 1: know what I'm saying. I don't like what's happening with
• 31:02
  Speaker 1: the you know, two casts getting that got gunned down.
• 31:04
  Speaker 1: I don't like that. But at the same time, I'm
• 31:06
  Speaker 1: in my skin in my life and I have a
• 31:07
  Speaker 1: problem that I'm trying to address and put my attention to.
• 31:11
  Speaker 1: Usually I post and I put the positive stuff out there.
• 31:14
  Speaker 1: I say, you know, Black lives matter, this is messed up.
• 31:16
  Speaker 1: What are we gonna do now here it goes again?
• 31:18
  Speaker 1: But I don't want that mixed up with what's going
• 31:20
  Speaker 1: on with this other situation because it looks it's gonna
• 31:23
  Speaker 1: look crazy. So I just haven't said anything about it.
• 31:25
  Speaker 1: Doesn't mean that I'm I don't feel you know, say,
• 31:27
  Speaker 1: I'm not satting by you know, two more brothers getting
• 31:30
  Speaker 1: shot down by the police and none of that. It's
• 31:31
  Speaker 1: just that I don't want it looking crazy. So I
• 31:34
  Speaker 1: haven't voiced my opinion publicly. And I don't have to
• 31:38
  Speaker 1: out to you as body to reach out to you too.
• 31:40
  Speaker 1: Meek's been reaching out to me through my family on
• 31:42
  Speaker 1: the sixty side and Nipty Hustle and Big You. His
• 31:45
  Speaker 1: whole disposition is now he understands why it happened, as
• 31:50
  Speaker 1: if he didn't know what Sean Kingston that did to
• 31:54
  Speaker 1: say it or whatever, you know what I mean. So
• 31:55
  Speaker 1: and at the end of the day, I'm gonna keep
• 31:57
  Speaker 1: it real. Meek is living in Los Angeles and Beverly Hill, right,
• 32:00
  Speaker 1: was living in Beverly Hills because it might be a
• 32:03
  Speaker 1: slight problem of slight issue, you know, own the Philly side.
• 32:07
  Speaker 1: So he doesn't want that problem to go there. You know,
• 32:10
  Speaker 1: we got to come back home. Worst case scenario here,
• 32:12
  Speaker 1: get ran back to Philly, but he just left Philly.
• 32:16
  Speaker 1: It's know where you don't want to be in. At
• 32:17
  Speaker 1: the end of the day, it's hip hop. You said something,
• 32:20
  Speaker 1: he said something. It's all fair game, Like what's the
• 32:23
  Speaker 1: problem one thing you said? I thought it was interesting
• 32:26
  Speaker 1: you said that if Meek knew all this stuff about
• 32:28
  Speaker 1: game beforehand, why do records? Why was you working with him?
• 32:32
  Speaker 1: So then how do you bring it back around? How
• 32:33
  Speaker 1: can y'all be cool again? Knowing that? That's how just
• 32:37
  Speaker 1: about it just being just being able to be, you know,
• 32:40
  Speaker 1: at the same festival or in the same club, conducting
• 32:44
  Speaker 1: your business and being able to go in and out
• 32:46
  Speaker 1: without it being a problem. You say that, Now, what
• 32:48
  Speaker 1: was the conversation with fifth You know what, man A
• 32:51
  Speaker 1: long time coming. I didn't expect it to go like that.
• 32:53
  Speaker 1: I went over there. I expected him to, you know,
• 32:57
  Speaker 1: be like, you know what I'm saying, I don't know,
• 32:59
  Speaker 1: like not how it was. It was too cool. We
• 33:02
  Speaker 1: chopped it up for about like fifteen twenty minutes. It
• 33:04
  Speaker 1: was no problem. Nobody got on edge on my side,
• 33:07
  Speaker 1: nobody got on edge on his side. I went over there,
• 33:09
  Speaker 1: I walked straight through. You know what I'm saying. Security.
• 33:11
  Speaker 1: We chopped it up. We held adapt the whole time.
• 33:14
  Speaker 1: You know what I'm saying that. We was like as
• 33:16
  Speaker 1: close as I am that this mic that was defensive both. Yeah, yeah, no,
• 33:22
  Speaker 1: we did. Now, we definitely did that. And I know
• 33:25
  Speaker 1: he was thinking like yo, he could like I don't
• 33:27
  Speaker 1: know how his left is, And I was thinking, like, yo,
• 33:30
  Speaker 1: if I feel like you know what I'm saying, I'm
• 33:32
  Speaker 1: gonna tell you why I was bad because monsters standing
• 33:35
  Speaker 1: behind game and I'm standing behind fifty. So either where
• 33:39
  Speaker 1: it went, hey, you know it's gonna be a two
• 33:44
  Speaker 1: on two if you go anywhere. But we chopped it
• 33:47
  Speaker 1: at the end of the day, me and him couldn't
• 33:49
  Speaker 1: even explain to each other where it went, where it
• 33:52
  Speaker 1: really went wrong. And it had been over ten years,
• 33:55
  Speaker 1: and it was like we couldn't We couldn't even explain
• 33:58
  Speaker 1: to each other what happened, you know what I'm saying.
• 34:01
  Speaker 1: We just know that we was young, and we was angry,
• 34:03
  Speaker 1: and you know what I'm saying, shots got fired, but
• 34:05
  Speaker 1: we it was all good and we chopped it up.
• 34:07
  Speaker 1: And that ain't necessarily say that it's gonna be a
• 34:10
  Speaker 1: gen in the reunion or or we're gonna do a song,
• 34:13
  Speaker 1: but we solid and just like he said, so if
• 34:15
  Speaker 1: me and fifth is in the same club, my my
• 34:17
  Speaker 1: side ain't on edge. His side and on edge, and
• 34:19
  Speaker 1: we just you know we're in there. We coexistent him.
• 34:23
  Speaker 1: My problem was with one guy, and it could stay
• 34:26
  Speaker 1: between me and that guy. I don't gotta be whacked
• 34:29
  Speaker 1: problem with his man or his cousin, problem with my cut. No,
• 34:32
  Speaker 1: my problem is with one man. Let that man face
• 34:35
  Speaker 1: me like a man, and let's figure it out. And
• 34:37
  Speaker 1: if that's a fight, cool, if we talk and we
• 34:39
  Speaker 1: and no hands are thrown, that's cool. Let that man
• 34:42
  Speaker 1: meet me, talk to me in my face and let's
• 34:44
  Speaker 1: work it out that way. You know what I'm saying.
• 34:46
  Speaker 1: We can do it like that. It ain't gotta be
• 34:48
  Speaker 1: to call you. In his call, I was hot that day.
• 34:51
  Speaker 1: I was like, I was hot that day. I was
• 34:53
  Speaker 1: real hot that day. He did call my phone. Ain't
• 34:55
  Speaker 1: I ain't have the photoshop. He didn't say it was photoshop.
• 34:57
  Speaker 1: He said that. He called it's the game. It's the birds,
• 35:00
  Speaker 1: the game. Good morning, man. You know I love y'all.
• 35:05
  Speaker 1: That was for free DJ Kalett Drake Morning. Everybody is
• 35:09
  Speaker 1: DJ mvy Angela Yee, Charlomagne the guy. We are the
• 35:12
  Speaker 1: breakfast Club. We got a special guest in the building,
• 35:15
  Speaker 1: Beatie Single. Yeah. Ben. Now, we've had some opinions about
• 35:20
  Speaker 1: each other over the past month or so. I heard
• 35:22
  Speaker 1: you on tax podcasts. Yeah, and then you know, I
• 35:26
  Speaker 1: was questioning you with your with your disrecords. Man, it
• 35:28
  Speaker 1: sounded you sounded like a hater lately, man. Hater. Yeah.
• 35:32
  Speaker 1: How you say that because I feel like, you know,
• 35:35
  Speaker 1: you put out two disrecords, but then you was in
• 35:37
  Speaker 1: the studio with me like like eight days prior to
• 35:40
  Speaker 1: the first disrecord, and I'm like, if anybody else did that,
• 35:42
  Speaker 1: I think you'd be saying that was a sucker movie.
• 35:44
  Speaker 1: I don't, I don't. I don't think you qualified even
• 35:48
  Speaker 1: say I sound like I hated it because you don't
• 35:51
  Speaker 1: know all the particulars. So how you how you qualified
• 35:54
  Speaker 1: to say I'm a hater? Hate on what? I why?
• 35:56
  Speaker 1: I'm just telling you why? Why? Why do you say
• 35:59
  Speaker 1: I'm a hater? Because you know everything is that used
• 36:02
  Speaker 1: to be me and I used to be in that position.
• 36:04
  Speaker 1: When did you ever hear me say that? On tax podcasts?
• 36:08
  Speaker 1: Absolutely you said that you was like, yo, he can't
• 36:10
  Speaker 1: rap better than me, which could be a fact that
• 36:13
  Speaker 1: used to be me. People come up to me all
• 36:14
  Speaker 1: the time and say when you was in that position
• 36:17
  Speaker 1: beings things was better, it wasn't like that. Did that
• 36:19
  Speaker 1: sound that that's a hater? Or me giving h some
• 36:23
  Speaker 1: advice to somebody to move a little different? Did you?
• 36:26
  Speaker 1: Did you? Did you not also hear me say I
• 36:28
  Speaker 1: don't want you to make the same mistakes I did.
• 36:31
  Speaker 1: So it's that me schooling somebody or sounding like a hater.
• 36:34
  Speaker 1: That sounds like a no disrespect, But but then you
• 36:37
  Speaker 1: disrespect them, especially because I mean just for me personal
• 36:40
  Speaker 1: when you say meek not really like oh Meek not
• 36:42
  Speaker 1: a real person. He never been in the street. That's cool,
• 36:45
  Speaker 1: but like eight things prior you was in the studio
• 36:47
  Speaker 1: with him. So yeah, that's why I said that. You're
• 36:51
  Speaker 1: sitting back. Like I told people, don't let immediate social
• 36:54
  Speaker 1: media make up your mind. You're gonna buy from what
• 36:57
  Speaker 1: you're just seeing. You don't know what conversation transpired before that,
• 37:01
  Speaker 1: what events transpired before that. And like I said before,
• 37:05
  Speaker 1: I jump out the window for somebody who ain't gonna
• 37:09
  Speaker 1: even walk out the door. You got to prove yourself, bro,
• 37:13
  Speaker 1: That's what I meant by that. Like if you've gotten
• 37:15
  Speaker 1: something and you come and get me, yo, we got
• 37:17
  Speaker 1: to go do this. Hold up because I know what
• 37:19
  Speaker 1: I'm gonna do. Got you, But why ride for somebody
• 37:22
  Speaker 1: you don't think real like if you because it's bigger.
• 37:24
  Speaker 1: It's bigger than it's bigger than that particular person. It's
• 37:28
  Speaker 1: for the city. I'm for my city in a hole,
• 37:32
  Speaker 1: so he's a part of that, a very important part
• 37:35
  Speaker 1: of the city. It's not about me hitting on me.
• 37:38
  Speaker 1: I I've me totally. But when you do something now
• 37:43
  Speaker 1: and it's like man, So like I said before, I
• 37:46
  Speaker 1: jump all the way out no women, because I know
• 37:49
  Speaker 1: what I'm gonna do one another level, Like it's two
• 37:52
  Speaker 1: levels to say it ain't about music, it's about that
• 37:55
  Speaker 1: and it's about whatever. You ain't qualified to ask me
• 37:59
  Speaker 1: that question. You ain't qualified to get the answer, Brot.
• 38:03
  Speaker 1: Let's rewant it. The game came up here and you
• 38:06
  Speaker 1: know he did a disrecord going at Meek, and then
• 38:09
  Speaker 1: we heard a Meek record and we heard you on
• 38:10
  Speaker 1: the record. Yeah, so we thought that. I mean, I
• 38:13
  Speaker 1: think the world thought that you would jump in with
• 38:14
  Speaker 1: Meek and starting to go at games. So what happened?
• 38:17
  Speaker 1: And why did you jump on that record from my city?
• 38:21
  Speaker 1: But you in game were cool? Yeah, because because it's music.
• 38:26
  Speaker 1: Come on, man, just think about it. Game and Meek,
• 38:31
  Speaker 1: it's music, ain't not' hein't not going to transpire from that.
• 38:35
  Speaker 1: But a few days later you called him an apologize. No,
• 38:39
  Speaker 1: that's bulls called whack on the phone that you called
• 38:42
  Speaker 1: get him on the phone. My questions to them, is
• 38:45
  Speaker 1: you standing on what you're saying? Like, I don't want
• 38:48
  Speaker 1: to keep reiterating this because I think I clarified that
• 38:52
  Speaker 1: once conversations was going back and I asking brother, yo,
• 38:56
  Speaker 1: is this real? Because you can get straight doubt right
• 39:00
  Speaker 1: on a different level. So when you say stand down
• 39:04
  Speaker 1: and all right, require you hand do that. But then
• 39:07
  Speaker 1: when game come back and it's like, yo, we gotta
• 39:11
  Speaker 1: do this, No, we ain't gotta. You gotta handle that, bro.
• 39:15
  Speaker 1: You know what I mean. You're dealing with two people.
• 39:17
  Speaker 1: You're dining with Mac and you're dinning with Beanie C.
• 39:20
  Speaker 1: So when I see, oh this is some Beanie C,
• 39:22
  Speaker 1: I can go on to booth and slaughter them up right.
• 39:25
  Speaker 1: With the records being said, we've seen you at the
• 39:27
  Speaker 1: console and people assume that you were out helping them
• 39:30
  Speaker 1: write raps? Did you goose right any of those lyrics?
• 39:33
  Speaker 1: A few of them? Yeah, for both Meek and Omeli. Yeah. Yeah,
• 39:38
  Speaker 1: I'm just the type of phone like somebody. I don't
• 39:40
  Speaker 1: pretend to. That's just because you're a character. That's why.
• 39:44
  Speaker 1: That's the truth though, your character. He's a time. Life's
• 39:47
  Speaker 1: too short to be wasting your time with suckers. All
• 39:49
  Speaker 1: people you think it suckers, So why I'm here. I
• 39:51
  Speaker 1: don't think you're a sucker, so I should be out right. Yeah,
• 39:55
  Speaker 1: I guess yeah, I wouldn't. I mean ask me personally,
• 39:58
  Speaker 1: I wouldn't say then have a conversation the fucker. Yeah,
• 40:00
  Speaker 1: you're sitting here and you're badged a little girl, little
• 40:03
  Speaker 1: mama to she cried, that's what you do. And coward
• 40:06
  Speaker 1: talk me and you're talking to each other. Now, I'll
• 40:08
  Speaker 1: tell you that I think I think you're a hypocrite.
• 40:10
  Speaker 1: You can think what you want, and I think you'd
• 40:12
  Speaker 1: be coming off as a hater sometime and you can
• 40:15
  Speaker 1: think what you one thing. All right, Well, we got
• 40:17
  Speaker 1: more with Beanie Segul when we come back. Don't go anywhere.
• 40:20
  Speaker 1: It's the breakfast club Good Morning that was designed up
• 40:24
  Speaker 1: in the morning. Everybody is DJ Envy, Angela Yee, Charlemagne,
• 40:27
  Speaker 1: the guy we are the breakfast club. Beanie Siegel is
• 40:30
  Speaker 1: in the building. Now, how is it recorded with one? Look?
• 40:34
  Speaker 1: It's hard? Is it true? You gotta stop in between songs,
• 40:39
  Speaker 1: in between bars? Some song? Ain't my shit twisted? Because
• 40:43
  Speaker 1: we can tell you even with your voice, you know
• 40:44
  Speaker 1: your voice is not the same. Does that bather you
• 40:47
  Speaker 1: at all? Because it's not that same? No, that's why
• 40:48
  Speaker 1: you don't handing music from me, because I couldn't embrace that.
• 40:51
  Speaker 1: I'm used to going and boofing, going for four or
• 40:54
  Speaker 1: five minutes straight, no breath, and had a lot of
• 40:58
  Speaker 1: weight on me at the time. It was rolling like
• 41:00
  Speaker 1: this is my voice, so I couldn't hear me because
• 41:03
  Speaker 1: I'm used to me sounding a certain way. I couldn't
• 41:05
  Speaker 1: hear man. Then, you know, I just had to embrace it,
• 41:08
  Speaker 1: like this is what it is. This hide this side
• 41:10
  Speaker 1: sound because even now when I hear you spit, I
• 41:12
  Speaker 1: have to get over the voice because it ain't the same. Yeah,
• 41:17
  Speaker 1: and you you're listening to the balls. It's the same balls,
• 41:19
  Speaker 1: but not the same voice. Yeah, the kinds of the
• 41:21
  Speaker 1: music ain't gonna never change. Like I've been through too
• 41:25
  Speaker 1: much and the average person I have been through too much.
• 41:29
  Speaker 1: That's the other thing too. You named about four elements
• 41:31
  Speaker 1: you were suffering from when you was on a tax podcast.
• 41:34
  Speaker 1: Did that not make you want to say, you know what,
• 41:36
  Speaker 1: maybe I need to calm down on nah on the
• 41:38
  Speaker 1: street thing. Nah, not at all, because you wouldn't say
• 41:42
  Speaker 1: that like you saying that because the incident that occurred,
• 41:45
  Speaker 1: Like I said, I ain't gonna buy any right mind
• 41:48
  Speaker 1: gonna stand straight in front of me and square off.
• 41:51
  Speaker 1: You're gonna catch an out. I do this. I mean,
• 41:54
  Speaker 1: even when something up You've been making comments about the
• 41:58
  Speaker 1: young rappers too. You don't think you should just let
• 42:00
  Speaker 1: kids be kids because somebody let you be a kid once. Nah.
• 42:06
  Speaker 1: Somebody needs to talk to the kids. Somebody need to
• 42:08
  Speaker 1: get them talk about it. I don't raise the dregs.
• 42:14
  Speaker 1: That's women like men. When when they started doing that,
• 42:17
  Speaker 1: you had, you had people in the back of the
• 42:18
  Speaker 1: day like George Clinton. Different is good, it's good, But
• 42:23
  Speaker 1: when you get to the point whereas though it's blatant.
• 42:27
  Speaker 1: I shouldn't have to explain to my son why two
• 42:29
  Speaker 1: men kissing on TV. I shouldn't have to explain to
• 42:33
  Speaker 1: my son why people wear men is wearing high heels
• 42:37
  Speaker 1: and you want to Would you want to explain that
• 42:40
  Speaker 1: to your son? Nah? And I don't want to explain
• 42:41
  Speaker 1: to my son why dudes on Instagram? What guns? Either?
• 42:44
  Speaker 1: We saw you on the ground with two guns up
• 42:46
  Speaker 1: like criminization criminalization is neither one is good? How that's criminization?
• 42:52
  Speaker 1: They was props. Sobody, I hear you talk about the
• 42:54
  Speaker 1: kids clothes. You remember you did the state property clothing line.
• 42:56
  Speaker 1: I remember an interview you did when you said they
• 42:58
  Speaker 1: got the little compartment to hide your guns and hide
• 43:01
  Speaker 1: your dope like it could have that that that looks crazy.
• 43:05
  Speaker 1: And when you think a man, shut up? What's up?
• 43:08
  Speaker 1: What's up? What's up? Man? So? So where is it?
• 43:11
  Speaker 1: Is the new project coming out? And are you staying
• 43:13
  Speaker 1: independent on you sign? What? What's the what's the future
• 43:16
  Speaker 1: for Beanie se Man? I might do a double c
• 43:18
  Speaker 1: there this music coming out. I don't get back to
• 43:21
  Speaker 1: the other music though. I just had the Lord up
• 43:23
  Speaker 1: a clip on that side just in case hip hop?
• 43:26
  Speaker 1: So what happens if me calls you and like, yo, Mac,
• 43:29
  Speaker 1: what's up? Let's squatch this? But the phone calling, let's
• 43:33
  Speaker 1: sit down. It's just that simple. It's that easy. But
• 43:37
  Speaker 1: then but you in your mind you still think he's
• 43:40
  Speaker 1: not real. He's a sucker. You just keep saying that
• 43:44
  Speaker 1: you I'm not gonna let you put words on my moth.
• 43:47
  Speaker 1: You keep you said that, regardless, I'm not putting on
• 43:50
  Speaker 1: your mother. You said that, regardless, you keep why you
• 43:54
  Speaker 1: keep harping on that. We answer that, you're like, so
• 43:56
  Speaker 1: don't talk out to that because you want what you
• 43:59
  Speaker 1: you want. If you're saying you want unity, to stop
• 44:02
  Speaker 1: keep doing that, man, don't stop playing. It's confusing to
• 44:07
  Speaker 1: you because you don't know the severity of the situation.
• 44:10
  Speaker 1: You do it two and a half hour record. You
• 44:12
  Speaker 1: don't know the severity of the situation. Man, But it
• 44:14
  Speaker 1: can't be that's too close to home. It's too close
• 44:17
  Speaker 1: to home. We'll see, Like I said, I don't know.
• 44:19
  Speaker 1: I might not pick that call up, but we'll see.
• 44:22
  Speaker 1: What I mean, that'd be the better move, that'd be
• 44:25
  Speaker 1: the smarter move for me. I don't want to walk
• 44:27
  Speaker 1: a track and somebody present the rest of my life
• 44:31
  Speaker 1: or I don't want to do that, So that'd be
• 44:34
  Speaker 1: what BEANIEC you should do. Like I said, it got
• 44:39
  Speaker 1: what Mac want to do. But what Beanie C you
• 44:40
  Speaker 1: want to do? It's just that well, I know I'm
• 44:42
  Speaker 1: not qualified to speak on this, but you can understand
• 44:44
  Speaker 1: how some people don't think what you're doing is all
• 44:47
  Speaker 1: the way solid. You might not think that because you're
• 44:51
  Speaker 1: not qualified. You're right and no personality. Man, that you
• 44:55
  Speaker 1: don't come from my world. You don't come from You
• 44:57
  Speaker 1: wouldn't understand my world. You don't come from my world.
• 45:01
  Speaker 1: You don't know nothing about that, man. Nah, I don't
• 45:03
  Speaker 1: yes running, Come off, man, I don't want to stop running.
• 45:07
  Speaker 1: You're shitting it's dangerous. It's dangerous. You're talking about somebody
• 45:12
  Speaker 1: who went to Wall police. It's dangerous. Attempting murders in
• 45:17
  Speaker 1: the height of my career, it's dangerous. You don't know
• 45:20
  Speaker 1: nothing about that, man, No, you sit up paying. Your
• 45:23
  Speaker 1: job is to play games, play with something safe, man,
• 45:26
  Speaker 1: don't play with me, all right, Penny Single, It's the
• 45:32
  Speaker 1: breakfast Club and good lording, good morning, Donkey of the
• 45:42
  Speaker 1: Day democrat to being Dunky of the Day, a little
• 45:47
  Speaker 1: bit of any other day. Now, I've been called a
• 45:56
  Speaker 1: lot of my twenty three years, but Donkey of the
• 45:58
  Speaker 1: Day is a new wife. Yes, dunk Here to Day
• 46:03
  Speaker 1: goes the x Ohio State Superstar Football play at Troy Smith.
• 46:06
  Speaker 1: Now Troy Smith got arrested for drunk driving and cops
• 46:09
  Speaker 1: found a little man juana a little weed in his
• 46:12
  Speaker 1: cop Okay, not drunk driving. Driving while on drugs is
• 46:14
  Speaker 1: stupid and selfishing. That by itself is dunk Here to
• 46:18
  Speaker 1: Day wherever. But TMZ Sports obtained the dash camp video
• 46:22
  Speaker 1: shot by the police officers when they pulled over the
• 46:24
  Speaker 1: Hydman Trophy winner, and this takes it to a whole
• 46:27
  Speaker 1: nother level. I always find it a music when people
• 46:29
  Speaker 1: are drunk, because when I'm drunk, I don't think I'm impaired,
• 46:32
  Speaker 1: meaning I know what's going on. I know what I'm saying.
• 46:36
  Speaker 1: When I see people like Troy Smith, I question if
• 46:38
  Speaker 1: I've ever really been drunk? Can we hear this traffic stop? Please?
• 46:41
  Speaker 1: Are you doing good yourself? I'm officer, sir, I'm officer.
• 46:46
  Speaker 1: You're an officer? No, no, no, I'm great. How much
• 46:49
  Speaker 1: alcohol you consume tonight? Fair to say, what's your highest
• 46:52
  Speaker 1: level education? I graduated from Ohio State. My name is
• 46:56
  Speaker 1: Troy Smith. Okay, college degree. I've graduated from Ohio State
• 47:00
  Speaker 1: with the degree in bachelor's Fair to say you know
• 47:03
  Speaker 1: the alphabet, sir? Definitely? But okay, that's that's what I'm
• 47:06
  Speaker 1: trying to ask you. What. I just want to make
• 47:08
  Speaker 1: sure you're not in parents, not at all? Okay, can
• 47:10
  Speaker 1: you recite to alphabet formy started the letter C and
• 47:12
  Speaker 1: stop at the letter W. I can? I can definitely
• 47:15
  Speaker 1: recite the A, the ABC's from A to Z, from
• 47:19
  Speaker 1: C to W. Can you do that? C, D, E, F,
• 47:25
  Speaker 1: G H. I just want to go Okay, where do
• 47:33
  Speaker 1: we start? Right? First of all, he said he had
• 47:37
  Speaker 1: no alcohol? Vy did I? Detective test determine. Yes. Second,
• 47:42
  Speaker 1: he said, I'm officer. What does that even mean? What
• 47:45
  Speaker 1: were you trying to say? High officers, Hi, I'm Maybe
• 47:49
  Speaker 1: you said it's I am in officer's relative. You had
• 47:51
  Speaker 1: a Fraternal order police card and do it. As soon
• 47:54
  Speaker 1: as you said I'm officer, the police knew you were drunk. Okay.
• 47:58
  Speaker 1: They were just going along with you to see how
• 48:00
  Speaker 1: good this was gonna get, and it got better. Because
• 48:02
  Speaker 1: what exactly is a degree in bachelor's You have a
• 48:06
  Speaker 1: degree in single min What kind of profession do you
• 48:08
  Speaker 1: start with that degree? Do you get eligible bachelors and
• 48:11
  Speaker 1: hooked them up with women who are looking for them?
• 48:12
  Speaker 1: You have a degree in pampology? Huh? Now it is defense.
• 48:16
  Speaker 1: The police hit him with a trick question with that
• 48:18
  Speaker 1: alphabet thing. Okay, starting that C is a little difficult,
• 48:21
  Speaker 1: but just sounded off in your head. A B boom
• 48:26
  Speaker 1: didn't start at C and you wouldn't have any problem.
• 48:29
  Speaker 1: But bro, you got stuck after I can I hear?
• 48:32
  Speaker 1: I need to hear one more time? Can I hear
• 48:33
  Speaker 1: one more time? Can you recite the alphabet form? They
• 48:35
  Speaker 1: started the letter C and stop the letter W. I
• 48:38
  Speaker 1: can I can definitely recite the A the ABC's from
• 48:41
  Speaker 1: A to Z, from C to W. Can you do that?
• 48:45
  Speaker 1: C D E F G H. I I just want
• 48:53
  Speaker 1: to Hey, now, let's be clear. The cop was trying
• 48:56
  Speaker 1: to be funny when he said, recite the alphabet from
• 48:59
  Speaker 1: C to W because the CW was a black network
• 49:01
  Speaker 1: that was the home of Dwayne's brothers girlfriends in the game. Okay,
• 49:04
  Speaker 1: y'all need to stay woke out here, all right. That cop,
• 49:07
  Speaker 1: that cop knew what he was doing. Okay, and you
• 49:10
  Speaker 1: have to give the man Troy a little bit of
• 49:12
  Speaker 1: props because he used the last letter he could remember
• 49:15
  Speaker 1: in the alphabet to form a complete sentence. Play it
• 49:18
  Speaker 1: one more time. Just listen to what he did. This
• 49:20
  Speaker 1: is a genius. C D E F G H. I
• 49:28
  Speaker 1: just want to go home from Troy, damn it. Okay,
• 49:34
  Speaker 1: he should get some points for that, all right. Please
• 49:38
  Speaker 1: give Troy Smith the biggest he hall please. All right,
• 49:44
  Speaker 1: you gotta give him a little bit of props. He
• 49:46
  Speaker 1: failed to field sobriety tests, but that was a little
• 49:50
  Speaker 1: bit of genius. The last letter you can remember is I,
• 49:54
  Speaker 1: and then you just finished with a complete sentence. I
• 49:56
  Speaker 1: just want to go home, right, applau to Troy smith Man.
• 49:59
  Speaker 1: My goodness, all right, that was amazing. It's the Breakfast
• 50:02
  Speaker 1: Club morning. Everybody is DJ m Vy, Angelaine Charlomagne the guy.
• 50:09
  Speaker 1: We are the Breakfast Club. And I can't wait for
• 50:11
  Speaker 1: him his name. We have an orgy in the building.
• 50:15
  Speaker 1: I can't wait for him to butcher this name. We
• 50:17
  Speaker 1: have an origin, It's yes, it's origin and er I'm niner,
• 50:22
  Speaker 1: so it's aug but here's Molly Children is a very
• 50:30
  Speaker 1: common I was just called through me off all of
• 50:35
  Speaker 1: you are? They all start with I don't know any
• 50:39
  Speaker 1: of orgy, Welcome to the show. Well, I'm glad to
• 50:44
  Speaker 1: be here. Thanks for having me. We love Insecure, love
• 50:46
  Speaker 1: your character, your mommy of Tony Child. I get that
• 50:49
  Speaker 1: all the time, and I love that people like say
• 50:51
  Speaker 1: it like it's new, Like has anyone ever took yes,
• 50:55
  Speaker 1: everybody about thousand people every day? Did you study up
• 50:57
  Speaker 1: for that role? Or? Um? What you know? Uh? Eas
• 51:01
  Speaker 1: to send me the She hit me up when it
• 51:04
  Speaker 1: was about to go on, and I was just like
• 51:06
  Speaker 1: I read the script and I was like I need
• 51:08
  Speaker 1: I need this in my life, like like I know
• 51:10
  Speaker 1: this check And so it was five auditions before I
• 51:13
  Speaker 1: actually booked it. It was it was intense, but like
• 51:15
  Speaker 1: when I read it, Plus I knew Easta. I like,
• 51:17
  Speaker 1: I'd watch Awkward Black Girl. I was like, I get
• 51:19
  Speaker 1: this voice, like I know, I know the characters. I
• 51:21
  Speaker 1: really wanted it. In my research to you, I found
• 51:23
  Speaker 1: out you were a virgin. True story, and you a
• 51:26
  Speaker 1: hole on the show. Okay, not actually free now I'm
• 51:31
  Speaker 1: a virgin now yeah? Wow, see I thought you was
• 51:33
  Speaker 1: just celibate. Is a virgin to this, she's a virgin too,
• 51:38
  Speaker 1: stages a virgin virgin virgin? Yeah, you know how black
• 51:42
  Speaker 1: people like when you do it? What about your virgin
• 51:46
  Speaker 1: I'm a real wow, I'm actually don't don't mean you,
• 51:53
  Speaker 1: I promise you. Why do people know you a virgin?
• 51:55
  Speaker 1: It comes out like I don't. I don't hide it people. Virgin?
• 51:59
  Speaker 1: Why not? Yeah? The same way people like no, somebody
• 52:01
  Speaker 1: had to one nice stand. It's like you can say
• 52:03
  Speaker 1: that and I can say, like, do you want to masturbate? No?
• 52:07
  Speaker 1: I don't. Do you want to have sex? I absolutely do? Absolutely,
• 52:11
  Speaker 1: Though you want to have sex if you've never had it?
• 52:13
  Speaker 1: I mean, like I really really really, I'm like when
• 52:18
  Speaker 1: I saw the Signy commercial and they got into elevator
• 52:22
  Speaker 1: and the dude opened up water and they was just
• 52:24
  Speaker 1: all over her. And I was like, maybe I need
• 52:26
  Speaker 1: to sign me my life, like I need that kind
• 52:28
  Speaker 1: of water. Like if sex is used to sell toothdayes,
• 52:30
  Speaker 1: like I know it's good secure, it might make you
• 52:34
  Speaker 1: want to have sex because you have some great sex
• 52:36
  Speaker 1: Molly be vobbin. What's funny. It's like it really just
• 52:40
  Speaker 1: getting your spirit. Because when me and Jared, because we
• 52:43
  Speaker 1: we did like a bulk of our sex scenes like
• 52:45
  Speaker 1: on the same day. It like I remember going home,
• 52:47
  Speaker 1: like I got on my phone though, because it's like
• 52:51
  Speaker 1: this dude was just like even though like we're simulated,
• 52:53
  Speaker 1: it was like this dude was just like I'm being
• 52:55
  Speaker 1: this is like ohh And I had to like you
• 52:57
  Speaker 1: still get wet, you get wet and everything. Oh my god,
• 53:00
  Speaker 1: a human being. I'm not like, this is a human being.
• 53:10
  Speaker 1: She breathes as well, she peas, she defecates, she sweats,
• 53:14
  Speaker 1: she had sex. Jesus. I want to know how how
• 53:19
  Speaker 1: can I tell my daughter? What do I tell my daughter?
• 53:21
  Speaker 1: Because this is beautiful to be Nigerian, but allowed to
• 53:25
  Speaker 1: do with it personally? I had plans to have sex
• 53:27
  Speaker 1: with time I knew the dude. I was like, it's
• 53:30
  Speaker 1: on popping. But it was like coming to America, you
• 53:33
  Speaker 1: already knew who wife he was gonna be like that. No,
• 53:35
  Speaker 1: but like I definitely knew. I had his I had
• 53:37
  Speaker 1: him figured out. And then um, I got to college
• 53:40
  Speaker 1: when I was seventeen. Well, the reason I was going
• 53:42
  Speaker 1: on the way to eighteen my mom's a nurse, and
• 53:44
  Speaker 1: so I was like, if I ever get pregnant, I
• 53:46
  Speaker 1: don't need to talking to my mama and she Africa
• 53:50
  Speaker 1: What what do you mean breg nant? Like I just
• 53:53
  Speaker 1: I just not going back to that afterday Like like
• 53:57
  Speaker 1: I was like, I'm not gonna be able to make it.
• 54:00
  Speaker 1: So I was like when I turn eighteen, if you're
• 54:01
  Speaker 1: an adult, like everybody canna call my mama. And then
• 54:04
  Speaker 1: I got to college, got saved like at seventeen, and
• 54:07
  Speaker 1: I was like, hey, yeah, you know see most people
• 54:09
  Speaker 1: I know who gets saved get saved after they've already
• 54:11
  Speaker 1: had sex, dud. I have some friends that are saved
• 54:13
  Speaker 1: and they've become born again yet anyway, So the christ
• 54:21
  Speaker 1: culture or choice what you mean your virgins all three? Yeah?
• 54:25
  Speaker 1: Both Like like I don't separate like my like my
• 54:28
  Speaker 1: religion and faith and all that's really important. Now, when
• 54:30
  Speaker 1: when you meet a guy and you start dating, do
• 54:33
  Speaker 1: you have to tell him like on the first date
• 54:35
  Speaker 1: or no, because I don't think that's the first thing.
• 54:37
  Speaker 1: But I don't think that's the most important thing about
• 54:38
  Speaker 1: It's not the most important things. How it is because
• 54:40
  Speaker 1: the insecure insecure people probably look at you and they think,
• 54:43
  Speaker 1: I want if she is freaky but doesn't tell some
• 54:45
  Speaker 1: guy like doesn't make some guys say, well, I'm thinking
• 54:48
  Speaker 1: about It's like I'm very I'm very securing myself, like
• 54:50
  Speaker 1: I know that everybody's important. No, I don't go in
• 54:53
  Speaker 1: there night like, but you should still like me because
• 54:55
  Speaker 1: I'm like, it's two sixteen people pomp Like I know
• 54:58
  Speaker 1: people want to do this. So I'm not like not
• 55:01
  Speaker 1: eve enough to be like, but I'm still like a person.
• 55:04
  Speaker 1: It's just like we have a nice day. If it
• 55:06
  Speaker 1: comes up, then I'm like, oh, by the way, yeah,
• 55:08
  Speaker 1: I know, it's just something. I say it as casually
• 55:10
  Speaker 1: as as like no, actually I would like water instead
• 55:12
  Speaker 1: of you know, like I don't I don't make a
• 55:14
  Speaker 1: big Some people make a big deal out of it,
• 55:15
  Speaker 1: like well, you know, there's this thing. Yeah, I'm just like,
• 55:20
  Speaker 1: it's not how many guys balanced after after you told
• 55:22
  Speaker 1: her that there're a couple, And I'm like, that's cool.
• 55:25
  Speaker 1: I'm gonna be on Now. That's why you good wife material.
• 55:29
  Speaker 1: You keep you with wife and just have a side
• 55:31
  Speaker 1: chick and tell you you know, y'all grow into something else.
• 55:34
  Speaker 1: That's advice. Yeah, I'm saying the guys out there, this
• 55:37
  Speaker 1: is great wife material. I got T shirts. I've got
• 55:40
  Speaker 1: T shirts that say keeping a lock to like get
• 55:41
  Speaker 1: that rock, like you know T shirt. I have a
• 55:43
  Speaker 1: T shirt coming, get that rock collered it me rock
• 55:48
  Speaker 1: your stands dot com. We're right on the first day
• 55:52
  Speaker 1: and it's and it's and it's real catchy or whatever.
• 55:54
  Speaker 1: And like the dude knew about all of this, and
• 55:56
  Speaker 1: he was like, now you cool, cool cool, Like you know,
• 55:58
  Speaker 1: we're just cool. We're chilling one day and he was like,
• 56:01
  Speaker 1: but I mean, if we're gonna be in a relationship,
• 56:03
  Speaker 1: we gotta have like compromises. And I was like, relationship,
• 56:07
  Speaker 1: I'm not looking for us to be in a relationship.
• 56:09
  Speaker 1: I hit him with Molly's Live, I'm not looking for
• 56:11
  Speaker 1: us to be in a relationship. But also like this
• 56:13
  Speaker 1: is a core it's a core value. We can compromise
• 56:16
  Speaker 1: on what movie to see, we can compromise on if
• 56:18
  Speaker 1: we want time versus shouting food sir, no, sir, and
• 56:21
  Speaker 1: like legitimately ghosted me and then ghosted me and then
• 56:25
  Speaker 1: like three months later sent me a car like I'm
• 56:29
  Speaker 1: sorry I fell out of your life when you wouldn't
• 56:31
  Speaker 1: have sex with me. I was like the first episode
• 56:33
  Speaker 1: of Insecure. Okay, I've had some they have curses, say
• 56:37
  Speaker 1: that or he wrote, he wrote that my car get
• 56:42
  Speaker 1: on that. I'm sorry, I'll popped that a lout of
• 56:43
  Speaker 1: your life. I am so much more impressed by your
• 56:46
  Speaker 1: character now on EPO because I know you're really acting now.
• 56:49
  Speaker 1: It was doing a great job. I have to I
• 56:51
  Speaker 1: have to kind of tell the funny story the scene
• 56:54
  Speaker 1: when Jared comes in, you know, here's the wine and
• 56:56
  Speaker 1: be like bypass the food to be ghostraight you on
• 56:59
  Speaker 1: the wall. That's that was the first thing. The second
• 57:01
  Speaker 1: is the doggy South. So in rehearsal, you know, I'm
• 57:04
  Speaker 1: a dance like I'm Africans, I'm a dancer. I'm like,
• 57:07
  Speaker 1: I know, I know how whatever. You know. I was
• 57:10
  Speaker 1: justing by button daddy. I keep a body on in
• 57:14
  Speaker 1: my front pocket, like just you know, hold back. And
• 57:18
  Speaker 1: so you know, we're doing the season and rehearsal and
• 57:21
  Speaker 1: I'm a little off be because you know, I grew
• 57:22
  Speaker 1: up with three brothers. So I'm I'm like, I take charge.
• 57:25
  Speaker 1: And so the lady died who works in the wardrobe.
• 57:27
  Speaker 1: She was like, she took me to the bathroom. She's like,
• 57:29
  Speaker 1: you gotta let the man leave. So she like got
• 57:31
  Speaker 1: behind me and I'm like, practice it, and she was like,
• 57:34
  Speaker 1: all right, I go call him in the bathroom. I
• 57:36
  Speaker 1: was like, you want me to go call the dude?
• 57:38
  Speaker 1: She was like yeah, So I called Lengths and who
• 57:39
  Speaker 1: places Jared. I was like, so they said we were
• 57:41
  Speaker 1: kind of like out of sink and offerhythm. So do
• 57:44
  Speaker 1: you want to practice? We practice? But here's the thing. So,
• 57:48
  Speaker 1: like we come out and I'm like in characters, I'm
• 57:50
  Speaker 1: like say focus or whatever. I come out and it's
• 57:53
  Speaker 1: like all the sound and camera dudes like y'all all right.
• 57:56
  Speaker 1: I'm like, oh my god. And we just talked about everything.
• 57:58
  Speaker 1: So by the time we got to set the next day,
• 58:00
  Speaker 1: we were like really comfortable with this guy say about that.
• 58:03
  Speaker 1: You know, God, blessing. I thought I thought my mom
• 58:08
  Speaker 1: was gonna be Nigeria not seeing nothing right, and she
• 58:11
  Speaker 1: is a Nigeria. The problem is Insecure is now playing
• 58:15
  Speaker 1: on the continent. That's a blessing that she has itself.
• 58:21
  Speaker 1: They're delayed. They're like now too, so I don't want them. Listen, Linda,
• 58:25
  Speaker 1: that's gonna be funny. I can just even this minute.
• 58:29
  Speaker 1: Oh this is nonsense. This is not why we busted
• 58:31
  Speaker 1: to Medica. I'm like that, you got a nice, good
• 58:34
  Speaker 1: paying y'all. See y'all, y'all. I know Mom, if you're listening,
• 58:38
  Speaker 1: you we got more with Missus Orgy when we come back,
• 58:42
  Speaker 1: or Molly from Insecure. It's the breakfast club in the morning.
• 58:46
  Speaker 1: That was Drake with control of morning. Everybody is cej
• 58:49
  Speaker 1: m vy Angela Yee, Charlemagne the guy. We are the
• 58:51
  Speaker 1: breakfast club. Now we have Molly from Insecure or von
• 58:55
  Speaker 1: Orgy to get bullied in high school. I got bullied
• 58:58
  Speaker 1: from third grade to eighth grade. Why you seemed like
• 59:01
  Speaker 1: such for thank you well when I came because I
• 59:04
  Speaker 1: was one in Nigeria and when I got here, I
• 59:06
  Speaker 1: had this thick accent, so of course you know you
• 59:08
  Speaker 1: would call that scratch and all that, and then I
• 59:10
  Speaker 1: had big labs, which now people paid for, but back
• 59:13
  Speaker 1: then I had yeah and uh so he called me
• 59:16
  Speaker 1: like super Coolers, a fat cat from Rescue Rangers. You
• 59:18
  Speaker 1: don't remember Rescue Rangers. Yeah, yeah, so they would call
• 59:25
  Speaker 1: me I went to the theme song I did so yeah,
• 59:27
  Speaker 1: so I got I got bullied. And here's the funny thing,
• 59:30
  Speaker 1: Like African parents don't care that you don't have friends,
• 59:33
  Speaker 1: Like like they didn't bring you to America for you
• 59:35
  Speaker 1: to have, like friends, what are you getting? Is that's
• 59:38
  Speaker 1: all you need? Like I was like, no, I actually
• 59:40
  Speaker 1: want people to talk to you. What I'm eating, okay,
• 59:42
  Speaker 1: it doesn't matter to me. So my mother would always say, yeah,
• 59:45
  Speaker 1: just jealous, all of them. They're just jealous of you.
• 59:48
  Speaker 1: And one day she was just like, you know, one
• 59:49
  Speaker 1: day you're going to war for them, so they're gonna
• 59:52
  Speaker 1: work for you. So in the heat of getting bullied,
• 59:55
  Speaker 1: like you know, when like it gets to the rim
• 59:56
  Speaker 1: and like it's about the boil off. We were in
• 59:58
  Speaker 1: seventh grade and I never to get it. I just
• 1:00:00
  Speaker 1: like the only thing that came out of me was like,
• 1:00:02
  Speaker 1: one day, you guys are all going to work for
• 1:00:03
  Speaker 1: me at white people. But it was just like we're
• 1:00:10
  Speaker 1: in seventh grade. We don't even know what we want
• 1:00:12
  Speaker 1: to be in life next year. So not only did
• 1:00:15
  Speaker 1: I get clowned even more for that, Like it was
• 1:00:18
  Speaker 1: just like I got hold like my didn't worked. Did
• 1:00:21
  Speaker 1: anybody ever tell you to calm down your Africanness or
• 1:00:23
  Speaker 1: blackness the way they wanted you to tell that girl
• 1:00:26
  Speaker 1: on that episode? What you know? Because of the bullying,
• 1:00:29
  Speaker 1: I became more Americans, So like I'm like, I talked
• 1:00:31
  Speaker 1: like this when I'm back home, it's like my people,
• 1:00:33
  Speaker 1: So you're frightened. It's double consciousness everybody. It's like a
• 1:00:37
  Speaker 1: path too that you have to Yeah. Yeah, I just
• 1:00:40
  Speaker 1: don't like turning down the blackness for white people. The
• 1:00:42
  Speaker 1: problem is we love blackness and ratchetness and gathers together. Ye,
• 1:00:46
  Speaker 1: not the same thing. It's not because like they're different
• 1:00:49
  Speaker 1: types of black. Like I told East, I was like
• 1:00:51
  Speaker 1: this beat on the shows a new type of black
• 1:00:53
  Speaker 1: experience for me because I'm an African and I grew
• 1:00:55
  Speaker 1: up in the suburbs and even though I went to
• 1:00:58
  Speaker 1: school with black people, was like that was different. I
• 1:01:00
  Speaker 1: was like, now being on this show, I'm seeing the
• 1:01:03
  Speaker 1: with the sophisticated batchet folks, Like, I'm seeing like a
• 1:01:06
  Speaker 1: different element of blackness. And then and so people automatically
• 1:01:10
  Speaker 1: seemed like, oh, you're black, you get it. It's like, no,
• 1:01:11
  Speaker 1: there's different types of blackness. I lived in Hallam shout
• 1:01:14
  Speaker 1: out to Hallam one thirty four. My shots just can't
• 1:01:24
  Speaker 1: heaven and like, how do you not? Like I know,
• 1:01:29
  Speaker 1: it doesn't matter, you know, like you wear all your
• 1:01:33
  Speaker 1: clothes on, like I got Nike, you're here, I got
• 1:01:36
  Speaker 1: news down here. It's just like and that's a matter. Yeah.
• 1:01:43
  Speaker 1: I went to a DFS concor in twenty fourteen. I
• 1:01:46
  Speaker 1: got my whole. I really, I literally thought. I thought.
• 1:01:48
  Speaker 1: I was like document, that's one of my favorite person.
• 1:01:50
  Speaker 1: Oh my god, Like I really like that. That's that's
• 1:01:57
  Speaker 1: his regular talking about what like every time is. And
• 1:02:00
  Speaker 1: I don't know, maybe I loved him because he always
• 1:02:01
  Speaker 1: had a prey on his album Dear God, My Father,
• 1:02:04
  Speaker 1: I come to you, and it's like, oh my god,
• 1:02:06
  Speaker 1: he just needs a hug. He just really he doesn't
• 1:02:10
  Speaker 1: understand the dress got up. They called me the body
• 1:02:18
  Speaker 1: ron Kill on that Firstace that was for you, because
• 1:02:20
  Speaker 1: I just I just keep a steady it worship chorus.
• 1:02:23
  Speaker 1: What it doesn't like. I don't need to go to
• 1:02:25
  Speaker 1: the gym. You just plant your feet and just out
• 1:02:28
  Speaker 1: for no reasons. You don't you no body roll like
• 1:02:32
  Speaker 1: a virgin. By the way, Wow does the virgin body?
• 1:02:39
  Speaker 1: I don't like him, but he's such I love him though,
• 1:02:43
  Speaker 1: But thank you guys for watching. I done it for
• 1:02:45
  Speaker 1: a second season. Get me, damn, damn, you got you
• 1:02:58
  Speaker 1: got h and we appreciate that. She hit us on
• 1:03:05
  Speaker 1: Twitter and then really came through. The show came through.
• 1:03:07
  Speaker 1: I was like, yo, I'm in New York for two days.
• 1:03:09
  Speaker 1: Let's make this happen. And thank you guys so much
• 1:03:11
  Speaker 1: for wanting me to be on the show. Only two
• 1:03:13
  Speaker 1: more episodes left. Every Sunday ten thirty, gang It's It's
• 1:03:16
  Speaker 1: It's uphill from here. It's just sick gets gangster with
• 1:03:18
  Speaker 1: every the lesson and Chamin gonna cry again, Like a
• 1:03:22
  Speaker 1: couple of episodes, did you cry? I was so mad
• 1:03:24
  Speaker 1: at Easy when she asselected that boy in that studio.
• 1:03:25
  Speaker 1: That's how I know I like the show because I'm
• 1:03:27
  Speaker 1: emotionally invested. But here's the thing, though, she like came
• 1:03:29
  Speaker 1: at somebody because after the dude who got elected president.
• 1:03:33
  Speaker 1: After he got elected, she was on Twitter and some
• 1:03:36
  Speaker 1: dude roll back cheater. I was like, if you don't
• 1:03:41
  Speaker 1: shut you'all taking TV characters to heartseller, this is scripted TV.
• 1:03:47
  Speaker 1: Like what what mama said? It's just like if you
• 1:03:51
  Speaker 1: don't shut your tail up, like this is not the
• 1:03:53
  Speaker 1: time of place. He got bigger Fisher Bryan and dude
• 1:03:55
  Speaker 1: was just like cheater period man, when you would a
• 1:03:58
  Speaker 1: period that it like, but forget all the other great
• 1:04:01
  Speaker 1: things people were saying, you're so great. I'm cheat on
• 1:04:09
  Speaker 1: a tweeter cheater. Everybody tweets everybody. It's the breakfast Clocal Morning,
• 1:04:22
  Speaker 1: the Breakfast Club that was Tory Lane's with Love Morning.
• 1:04:28
  Speaker 1: Everybody is DJ m vy, Angela Yee, Charlemagne the God.
• 1:04:31
  Speaker 1: We all the breakfast Club. We got some special guests
• 1:04:34
  Speaker 1: here each and Pepper's hair and Pepper's more guys. Good morning,
• 1:04:43
  Speaker 1: you artist, need you too? Yeah? Okay, you wrapping? Okay, Mama,
• 1:04:48
  Speaker 1: how do you like that? You know what she wanted
• 1:04:51
  Speaker 1: really bad and I like it. She do have a
• 1:04:54
  Speaker 1: song called out the time that she's She's just completed.
• 1:04:58
  Speaker 1: I'm not mad at it now so she can skip college. Yeah,
• 1:05:01
  Speaker 1: all right, like I didn't get a chance for this college,
• 1:05:07
  Speaker 1: and I know it was like to get college, you know,
• 1:05:09
  Speaker 1: pursue your dreams and everything. I was just adamant about
• 1:05:12
  Speaker 1: it because even from when she was growing up, I
• 1:05:14
  Speaker 1: was like, everyone's like, oh, put her in this and
• 1:05:16
  Speaker 1: put her in that, because I was bumping into all
• 1:05:18
  Speaker 1: these agents and things like that, and I was like, Nope,
• 1:05:21
  Speaker 1: I didn't want to be a child story. I really
• 1:05:23
  Speaker 1: didn't want that. I mean, I feel like now she's
• 1:05:26
  Speaker 1: came into her own and she's she's strong and and
• 1:05:29
  Speaker 1: she she showed me like this amazing like energy and
• 1:05:33
  Speaker 1: she wanted bad so I'm not gonna kill it or
• 1:05:36
  Speaker 1: stop it. And I see the music that she is
• 1:05:38
  Speaker 1: working on and I'm like, Okay, your daddy tracked your
• 1:05:41
  Speaker 1: mom and Pepper Russia. Can you handle that? I believe
• 1:05:45
  Speaker 1: I can. I've been preparing for it since I was
• 1:05:47
  Speaker 1: a little girl, ever since I knew that I wanted
• 1:05:49
  Speaker 1: to be an artist. Really, so I think I can
• 1:05:52
  Speaker 1: definitely handle. You're only eighteen years old, Yeah, yeah, she
• 1:05:55
  Speaker 1: just turned eighteen. She she actually was sixteen when she
• 1:05:58
  Speaker 1: got on grown Up, so that she was seventeen. I
• 1:06:06
  Speaker 1: did know. I'm like she's seventeen and the eighteen like
• 1:06:12
  Speaker 1: put her on nothing. We know all the stuff that
• 1:06:17
  Speaker 1: you've probably been through on tour being a teen staff.
• 1:06:20
  Speaker 1: Are you fine with that for your daughter going on
• 1:06:22
  Speaker 1: to our meeting guys and come on tour now. And
• 1:06:26
  Speaker 1: it's crazy, you know, maybe formation around me because I
• 1:06:30
  Speaker 1: know I'm in the club and so my crew be
• 1:06:32
  Speaker 1: like all right, pat like watching me. I know I
• 1:06:36
  Speaker 1: will be there as much as I can or have
• 1:06:38
  Speaker 1: somebody with her and you know, to replace me. But
• 1:06:42
  Speaker 1: I already know she's I know her mom's always hey,
• 1:06:46
  Speaker 1: so far, so great. She is a good she doesn't curse.
• 1:06:49
  Speaker 1: It's like some people writing some music for her, and
• 1:06:52
  Speaker 1: it was like, I'm like, no cursing, no ing words.
• 1:06:56
  Speaker 1: And we were practicing one song that we loved that
• 1:06:58
  Speaker 1: someone wrote in like try to fix the N word.
• 1:07:02
  Speaker 1: I don't want you to kind of saying it even
• 1:07:03
  Speaker 1: though we say it, I say it, but mama y'all
• 1:07:08
  Speaker 1: wrote push it. But that I still didn't curse. The questions.
• 1:07:12
  Speaker 1: It's very sexual sex that was in every ad about
• 1:07:21
  Speaker 1: safe sex and talking about having that conversation. Now to
• 1:07:24
  Speaker 1: have a sexual song in but I'm not that I
• 1:07:26
  Speaker 1: let her live a little. At the beginning of my career,
• 1:07:29
  Speaker 1: I was right, a little edgy, but compared to what
• 1:07:32
  Speaker 1: now play, that's nothing, but what about I take your
• 1:07:36
  Speaker 1: man right? But I can see I live honestly, I
• 1:07:45
  Speaker 1: do live. That was just something that you know, business
• 1:07:49
  Speaker 1: somehow online classes or something. Do you like your mom
• 1:07:52
  Speaker 1: and dad's music? You cup of fing to be honest,
• 1:07:55
  Speaker 1: like I've since I've been around my mom most of
• 1:07:58
  Speaker 1: my life, like, I've listened to more of a music
• 1:08:00
  Speaker 1: And I really I love my dad's music. I just
• 1:08:02
  Speaker 1: don't think I like, actually listened to as much as
• 1:08:05
  Speaker 1: I should have. But he is very talented and I
• 1:08:08
  Speaker 1: love the one one of the most underrated by the way. Yeah,
• 1:08:11
  Speaker 1: like oh and that song Everything's Gonna be all right?
• 1:08:13
  Speaker 1: He didn't have his dad. I never knew my dad.
• 1:08:15
  Speaker 1: It's the next line. That's a line that you cannot say.
• 1:08:22
  Speaker 1: Did you ever ask your daddy what opp was when
• 1:08:24
  Speaker 1: you was a kid? I asked her, access mom. She
• 1:08:28
  Speaker 1: was just like, she wouldn't tell me. So I went
• 1:08:30
  Speaker 1: on Google and I found is a song that while
• 1:08:35
  Speaker 1: you're here. I'm gonna be honest, you said why I'm
• 1:08:38
  Speaker 1: here because that when that song first came out, I
• 1:08:44
  Speaker 1: didn't put a face to the video, like there was
• 1:08:46
  Speaker 1: nothing really like you know, social media, Like I was like,
• 1:08:49
  Speaker 1: who are these people talking like this? Like this rat
• 1:08:52
  Speaker 1: was hot? It was like this is crazy. And I
• 1:08:54
  Speaker 1: kept trying to see who this this group is, you know,
• 1:08:57
  Speaker 1: and I was like, because I love that song. When
• 1:08:59
  Speaker 1: I first heard it, I was like, oh my god.
• 1:09:00
  Speaker 1: Then it was at the MTV at the Daytona Beach,
• 1:09:03
  Speaker 1: you know, when MT was doing a spring breaks though,
• 1:09:07
  Speaker 1: and I met him there they were doing the opp
• 1:09:11
  Speaker 1: and day I met him, you said, I got some
• 1:09:13
  Speaker 1: p for you. I'm telling you from that moing on
• 1:09:19
  Speaker 1: and then together. So when you googled it, what came up?
• 1:09:22
  Speaker 1: There's other people's property back. I don't think images. I
• 1:09:26
  Speaker 1: didn't say images. I went to all and then it
• 1:09:28
  Speaker 1: just said the said, you know old for little property. Okay,
• 1:09:38
  Speaker 1: I didn't you know what he said. I don't think
• 1:09:41
  Speaker 1: I went to the Urban Dictionary. I think that I
• 1:09:45
  Speaker 1: lived a lot from the sectionary. I love you dynamic.
• 1:09:49
  Speaker 1: That's dope man thursdays am. But we appreciate you guys
• 1:09:59
  Speaker 1: for joining up and each Yeah, and I'm tweet after
• 1:10:01
  Speaker 1: when you read the book and let us know, definitely reaction,
• 1:10:04
  Speaker 1: don't go on a Twitter rent, just like you know,
• 1:10:10
  Speaker 1: I should let her do it, right right, that's interesting,
• 1:10:14
  Speaker 1: tell me where you're gonna do it. And she's a
• 1:10:17
  Speaker 1: good girl. Yeah, alright, Well it's the Breakfast Club. Good morning,