Transcript

6.19.26 · Country Weekly

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Speaker 1: Come on in and join us. It's time once again
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to catch up with Country Weekly, where we dive into
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news and gossip from the world of country music. I'm
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your host, Ken Dawkins, and I will be reading from
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various sources found online now. As a reminder, Radio Eye
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is a reading surface intended for people who are blind
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or have other disabilities that make it difficult to read
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printed material. We'll begin with the first article day of
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June fifteenth from allcountrynews dot Com. First up, Peyton Smith
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bets on love's unexpected road in heartfelt new release. Some
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songs tell a story, others hold a mirror up to
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life itself. With his latest release, to Hearts, Peyton Smith
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delivers a poignant reminder that the most meaningful chapters of
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our lives are often the ones we never saw coming.
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Country music is long thrived on stories of love, loss,
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and the winding room in between. Smith taps into that
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timeless tradition here, crafting a deeply personal anthem about taking
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a leap of faith and discovering at life's greatest rewards
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often lie beyond the plans we carefully map out for ourselves.
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Two Hearts traces the evolution of young love. What begins
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is a simple connection gradually unfolds into something far bigger,
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a family, a home, and a future built on trust
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in the unknown. Rather than focusing on grand gestures of
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fairy tale romance, Smith shines a light on the quiet
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beauty of commitment and the courage it takes to embrace uncertainty.
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The song's emotional weight comes from its authenticity. Inspired by
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real life experiences, Smith explores the universal feeling of stepping
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into a future without guarantees and choosing love anyway. It's
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a sentiment that resonates deeply, especially in a world where
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certainty often feels elusive. Instead of dwelling on what could
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have been, Smith celebrates the unexpected turns that ultimately shape
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our lives for the better. The track acknowledges that the
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best things often have arrived unannounced, showing up in forms
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we never anticipated and leading us down roads we never
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intended to travel. In many ways, Two Hearts serves as
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a love letter to life's unpredictability. It's about trusting the process,
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embracing the unknown, and recognizing that the hand you're dealt
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may turn out far better than the one you thought
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you wanted. For Peyton Smith. The song marks another compelling
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entry in a growing catalog built on honesty and emotional connection.
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For listeners, it's a reminder that while life rarely unfolds
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according to plan, the detours often lead exactly where we're
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meant to be, and that's the magic of two hearts.
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It's not just a song about falling in love. It's
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about having the faith to follow where love leads, even
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when the destination is impossible to see. While we're on
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the subject of love, Brett Eldridge secretly got married. Country
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star shocks fans with surprise announcement. For years, Brett Eldridge
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held the unofficial title as one of country music's most
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eligible bachelors. With a smooth vocals, charming personality, and heart
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throb status, fans often wondered when or if the Don't
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You hit maker would ever settle down. Well, wonder no more.
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In a move that caught nearly everyone off guard, Brett
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Eldridge revealed that he has officially been or become a
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married man. The country star took to social media with
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a heartfelt and deeply personal message, sharing that his life
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has changed dramatically over the last several years and revealing
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that he found love with a woman who loves him
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the way beyond a fella with a microphone along the
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way we got married, Eldridge wrote an emotional post, stunning
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fans who had no idea the singer had even been
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in a serious relationship. Rather than making a splashy announcement
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or sharing exclusive wedding details, Eldridge chose a much more
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intimate approach. The singer offered only a sweet note reflecting
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on love, growth and gratitude, alongside a black and white
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wedding photo that showed the couple walking hand in hand.
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The surprise announcement was accompanied by an original new song,
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seemingly serving as the soundtrack to this newly revealed.
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Speaker 2: Chapter of his life.
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Speaker 1: While many celebrities document every relationship milestone publicly, Eldridge explained
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that he and his wife intentionally chose a different path.
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Some of the best things in life are the ones
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you plant and grow quietly in your sacred space, away
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from the noise, he shared. The message painted a picture
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of a relationship built far from the spotlight, one filled
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with laughter, late night conversations, shared adventures.
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Speaker 2: And unwavering support.
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Speaker 1: For many, the announcement marked the end of an era
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for a singer who had long been viewed as one
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of Nashville's most sought after bachelor's. Yet, for Eldridge, it
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appears this new season is less about public attention and
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more about personal fulfillment. There's so many amazing things ahead,
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he wrote, and after all this time, I'm so grateful
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I have such a beautiful soul to share it oil
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all with. Though he kept many details private, one thing
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is clear. Eldridge's biggest love song may have just become
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his real life story. And judging by the joy pouring
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through his words, the country star couldn't be happier. Well,
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and now we go in a different direction, going over
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to the Associatedpress dot Com with the story that Jellyroll
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files for divorce after ten year marriage citing irreconcilable differences.
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Country music star Jelly Roll as filed for divorce from
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his wife of ten years, according to court filings. The complaint,
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filed in Franklin, Tennessee, by the hard fought Hallelujah singer,
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lists the reason for divorce as irreconcilable differences. The couple
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were married in Las Vegas on twenty sixteen. The filing
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lists the date of separation is May ninth. Jellyroll, whose
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given name is Jason de Ford, won three Grammys as
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We Know earlier this year, including Best Contemporary Country Album
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for Beautifully Broken, and his acceptance speech for the album award,
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Jellyroll thanked his wife, Alyssa de Ford, who goes by
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Bunny XO, saying I would never have changed my life
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without you. I would have ended up dead or in jail.
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The national Native songs often explore overcoming adversity and its
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long road back from drugs in prison, and he speaks
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about his redemption narcs to diverse audiences, from people serving
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time and correctional centers to concert crowds, and even in
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testimony before Congress. In December, Tennessee's Republican Governor Bill Lee
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issued a pardon for jelly Roll after friends and civic
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leaders joined in an outpouring of support. In a memoir
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released in February, Xo wrote the jelly Roll as her
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soulmate and staid a true connection kept a couple together
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through ups and downs. A message to her attorneys seeking
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comment was not immediately returned. On Tuesday. A representative for
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jelly Roll also did not immediately respond to messages. We
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keep moving down the road. Now we're at USAToday dot com,
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where country star Justin Moore stops touring with Riley Green
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amid health concerns. Country singer Justin Moore has taken a
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step back from touring to address some new health concerns.
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The You, Me and Whiskey singer forty two announced June
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eighth on Instagram that he will pause performing on Riley
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Green's Cowboy as It gets to Her to take some
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time to focus on my health. Moore, who dropped his
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latest album This Is My Dirt in October of twenty
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twenty four, did not specify the length of the hiatus.
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I'll be stepping away from touring for a short period
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and will be unable to perform some upcoming shows. This
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is the right decision for me and my family, and
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I appreciate everyone's understanding and support. He wrote this and
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a statement shared on Instagram. I'll look forward to getting
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back out there later this summer and doing what I
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love most the Arkansas Natives. Announcement came ahead of two
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concerts in Dewey Beach, Delaware, initially set for June eleventh
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and twelfth. He was also set to perform additional shows
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through the fall, with his last scheduled show in November
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in Montgomery, Alabama. Moore as the latest artist to announce
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a pause in performing this year. Other country music acts,
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from Meghan Patrick to Chase Rice have confirmed they will
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no longer tour this year due to various reasons, including
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exhaustion or to spend time with family. Last month, Taylor
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Holder twenty eight apologized to fans for canceling his upcoming
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when no one is a round tour to prioritize his
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mental health amid recent struggles in May. On May twelfth,
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in Instagram post, he said he can no longer ignore
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the toll touring has taken on his mental health. I've
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tried for a while now to put my head down
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and just push through this and give everything I have
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to the music and the people who support me. But truthfully,
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I've reached my limit right now and I need to
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take a step back and focus on getting healthy.
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Speaker 2: Older wrote that in a post.
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Speaker 1: On to a June fifteenth article in Men's Journal dot
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com where another country singer is hospitalized forced to cancel
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festival performance. Forty two year old country singer Tyler Farr
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had to cancel his performance at the Goshen Stampede after
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being hospitalized. The Redneck Crazy singer sustained a head injury
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in farming accidents ahead of Saturday's scheduled performance. Festival organizers
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said due to a motor vehicle incident on his farm,
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Tyler Farr was taken to a local hospital and diagnosed
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with a severe concussion. The organizers of the Etiquette Festival
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announced the update on Instagram.
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Speaker 2: They wrote, Tyler Farr.
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Speaker 1: Will no longer be able to perform at Goshen Stampede
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on June thirteenth. We appreciate everyone's understanding and will share
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additional event information as becomes available. We wish Tyler a
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speedy recovery. Although Farr shared the post on his own
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Instagram story, he did not provide any further updates. The
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venue confirmed that David Foster and All Stars would be
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taking over and filling in for Far. The post said,
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with numerous memorable performances, including appearances at Munhagen Sun Casino,
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the All Stars are a legendary New England group of
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musicians led by Doctor David Lefty Foster, performing legendary classic rock,
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country and R and B hits. Far a trained opera singer,
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released the EP called QUITB and Country in twenty twenty five.
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The country singer first rose to fame over a decade
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ago with his first single, Hot Mess, and later the
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album Redneck Crazy. His second album, Suffering Peace, made the
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top five on Billboard's two hundred All Genre chart, solidified
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his success. Far's most recent performance was on June ninth
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and Nashville. He is still scheduled to perform on June
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twentieth at the Boots and Brus Country Music Festival in California.
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Now we ease on over to Saving Country Music with
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the first article dated June sixteenth, kind of a follow
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up to something we spoke about last week. Taylor Swift
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disrupts country charts radio with new song YEP. It's out Now.
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The new big thing on country radio is an old
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big thing, says Saving Country Music. Taylor Swift, the global superstar,
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released a new song called I Knew It I Knew
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You on June fifth as part of the Toy Story
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five soundtrack, with the metadata and marketing claiming it's a
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country song. In the film, it's sung by cowgirl character Jesse.
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Now the song is cresting the Billboard Hot one hundred
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and setting records on country radio for its meteoric rise.
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Last week, Swift and I Knew I Knew It I
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Knew You made headlines by debuting at number eight eight
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on Billboard's Country Airplay chart, the first time a single
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from a woman has debuted in the top ten on
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that chart since it was first published in nineteen ninety,
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and only the second single toever do so, behind More
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Than a Memory from Garth Brooks to debuted at number
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one in two thousand and seven. The adoption of a
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song by country radio has been massive, even historic, necessitating
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a mea culpa from Saving Country Music, which said initially
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they might try to service I Knew I Knew You
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to country radio as a single. They tried that with
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Betty from Folklore, but the best it could do was
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number thirty two. Then the murder ballad Nobody No Crime
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from Evermore stalled at number fifty four. It's hard to
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see I Knew It, I Knew You doing any better
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or competing for CMAACM, Grammy Country Awards. Boy, that was
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a misunderestimate. The single has not only blown past all
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of Swift's previous post country benchmarks. It now is almost
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guaranteed CMAACM, Grammy consideration, if only because these awards will
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likely want to entice the superstar into a televised performance.
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It's important to point out that country radio actually has
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two major charts, and there's currently a major discrepancy between
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the two via I Knew It, I Knew You. Though
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Billboard's Luminant Radio panel put the song in the top ten,
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its first week, media base had it debuting at number
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twenty five, and this week still only has it at
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number seventeen. These are still massive numbers, for sure, and
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for Swift out of a shoot, but that discrepancy is
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quite significant. Saving country music might have underestimated the resonance
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of I Knew It, I Knew You, as much as
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the appetite by Swift, Disney and everyone else involved to
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push it to country radio as a way to advertise
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the Toy Story franchise. Really, this feels just as much
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a lesson of how country radio will adopt almost anything
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they're told to do, as opposed to truly having a
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finger on the pulse of American country music consumer and
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serving them what they want. It's not that America doesn't
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want I Knew It, I Knew You, But it's fair
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to ask how many of those listeners are country fans
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and just how country this song really is. Now, that
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doesn't mean Taylor Swift and I Knew It I Knew
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You isn't having major implications on country music. The song
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has broken Ella Langley's most recent streak at the top
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of the Billboard Hot one hundred with Choosing Texas, which
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comes in at number two this week thanks to Swift.
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It's indentally. Ella Langley's be Her, that's also been on
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a big winning streak, sits at number four on the
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Hot one hundred, but number one on the Billboard Country
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Airplay chart, where it's been for weeks. Swift's I Knew
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It I Knew You is set to depose Langley on
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radio soon, sitting at number four this week at Billboard Airplay.
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Langley is also enjoying another rare feat where she has
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three songs simultaneously in the Billboard Country Airplay Top five,
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Choosing Texas, be Her and her duet with Morgan Wallen
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I Can't Love You Anymore for the record. On the
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media based charts, Choosing Texas has already been late as recurrent,
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meaning it's not charting at the top anymore, even though
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it's receiving plenty of radio play. Could Taylor Swift and
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I Knew It I Knew You disrupt the Ella Langley
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moment in some respects it already has, But Langley is
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also disrupting Langley with Choosing Texas, keeping be her from
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hitting number one on the Billboard Hot one hundred, and
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Langley has proven her resonance is deep enough that it
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doesn't matter who else is nipping at her heels or
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deposing her from the top spot for a few weeks.
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Langley's new album Dandelion is still at number two this week,
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behind Drake. Also, Tellerswift singles have a pretty notorious track
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record of burning bright and then fading away quickly. She'll
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go through an entire album's worth of number one singles
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in a matter of months. While a song like Choosing
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Texas stays at the top for what feels like an eternity,
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It's possible I Knew It, I Knew You suffers a
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similar fate. After all, it still doesn't feel like I
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Knew It, I Knew You as that resonent of a
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track name recognition and stands support might be most of
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what is propping the song up. Elements of its melody
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are reminiscent of even the nights are better from air supply,
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and not in a good ways as saving country music,
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and the song just lacks the twang that is so
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president today's country. But clearly the lesson from the first
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few weeks of it I Knew You is not too underestimated.
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This is not some third or fourth single from a
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Swift record they're testing at country radio. It's an all
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out blitz. But the song's success might say more about
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the country radio format's permissiveness than it does the residence
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of long term impact the song will have on country
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radio or country music. Well, Taylor Swift used the wild
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success if I Knew It I Knew You to springboard
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back into country. Now that Ella Langley has shattered all
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glass ceilings and country remains hot, we'll have to see.
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But again, the rather wild, unexpected adoption and success of
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a song from a movie soundtrack is resetting the possibilities
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of women in country music and all of a sudden
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injecting Taylor Swift as a player in country once again,
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for better or for worse, Whether it's for better or
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for worse, We'll just have to wait and see next.
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It's an album review of Midland's new album Stages. Oh Midland,
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where are we and.
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Speaker 2: What are we to do with you?
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Speaker 1: As soon as we want to cast you off as
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the monkeys of country music with your embellished backstory of
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an Austin Barr band that made it big, you put
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out songs that make the mainstream of country so much
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better where you kind of don't care about all the
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marketing behind it. Then, as you become one of the
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sparks to light the current neo traditionalist revolution in country,
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you release a rather muted and disappointing album in twenty
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twenty four, is Barely Blue, Thinking you could be the
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primary songwriters and Dave Cobb's production could cover for the
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thin material. Where to land on Midland might have just
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as much to do with your mood that day as
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it does with the band and the music itself. But
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it's hard to stay mad about them when listening to
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their new album, Stages says saving country Music. Everything they
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got wrong on Barley Blue, they get right on this one.
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Everything you want from a Midland album they deliver on
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This is the Midland you know and love if and
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when you love them, as opposed to pretending they're anything
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more than hit or miss songwriters who might be good
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for a song or two. On each album, they put
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out a call for good country songs, regardless of who
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wrote them, and pull in quality stuff from names like
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Dean Dylon, Josh Thompson, Carlson Chamberlain, and Chris Stapleton. Instead
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of trying to be overstylized and make some bold artistic
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expression that's above their abilities, they solicit Trent Wilmanot's producer
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known for making killer, straight ahead country records from pokes
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like Cody Johnson and Drake Milligan. The result is a
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neo traditional classic country record with killer hooks, twangy and
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tasty instrumentation, and the emphasis in all the right places
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mainly Midland's easy, breezy coolness, and help make actual country
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music cool again to the masses, even if they did
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it in kind of an un cool way. Make no
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mistake about it, Though Midland seated the appetite for ours
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like Zach Top and Ella Langley, they were stepping stones
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to the widespread success traditional country enjoys today. Worthy praise
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aside stages is full of still full of country cliches,
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worn out drinking themes, rehashed storylines, and easy tropes. It
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never even attempts to venture beneath the surface and express
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something deeper. And even though they came into country as
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sort of the California Cocaine Cowboys in twenty seventeen slinging coolness,
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nine years on their kind of a version of dad country,
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with younger guys like Zach Top, Kenny Whitmeyer, Mac Geiger,
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Spencer Hatcher, called Goodwin, and so on and so forth,
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taking the reins of younger audiences. But this thirty three
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minute ten track album just breezes by in the best
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of ways. It's not just a great album of great songs.
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It's a good listening album of good songs with no skips,
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that you play on the porch or the dock on
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a summer afternoon and nobody complains. Yes, the songs licks
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or cliche, but that's inherent in old school country music,
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and being willing to embrace that and sell it with
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passion is part of the magic and potency of country songs.
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That might be the greatest compliment to pay, but it's
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a very apt one for this album, Shooting Memories with
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Tequila and Walk a Mile had those lyrical hooks that
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are just so satisfying and backed by the right sounds.
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It's pretty ironic up in texas As being sung by
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guys from California, Oregon, and Arizona respectively, with an appearance
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by Clint Black. We already reached capacity for these Texas
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As Heaven songs many years back, but that doesn't mean
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the song still doesn't work. Vaco might be where the
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cheesy writing goes too far, but Drinkin Dark Whiskey co
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written by Chris Stapleton, feels like a heater, even if
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it's another damn whisky country song. All you can ask
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for is an artist to be the best version of themselves.
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Midland was never going to bring the meaningful lyricism imbued
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with honky tonk authenticity like Silverada Moonpies, or the involved
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in reverberate moments of early Tyler Childers or the rabid
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coolness of Ella Langley. But they can be who they are,
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which is a mid career, mid level band who can
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fill an amphitheater with cool vibes and Midland coming back
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to earth in their career and putting out music that's
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hard to hate might just give them a bit more
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of the street.
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Speaker 2: Cred they've always desired.
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Speaker 1: Either way, it doesn't seem useful to cause of saving
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country music to get in the way of Midland at
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this moment. Stages is a good old country music album
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that makes you not want to hate Midland all over again.
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Now we do a couple of jumping jacks over to
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the book dot com. With the first article published June seventeenth,
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Tucker Wetmore's move to Nashville was an epic road trip
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with his mom. When it comes to country music, you
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pretty much need to be in Nashville to start your career,
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as it is the home of country music. Tucker Wetmore
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knew this, and that's why he and his mom decided
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to drive from Oregon, his home state, across America to
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begin his country career in music City. Or detailed the
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three day road trip he and his mom took it
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around twenty twenty that led him to achieving all of
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his country music dreams. Wetmore told Taste of Country Nights
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that it was in twenty twenty somewhere in the middle
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of COVID and I was like, Mom, I really want
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to do this, and she goes, I just go do it.
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The Brunette singer said that was the moment he dropped everything,
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packed his stuff to go to Nashville. We came in
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a car. I had a sub Ru Legacy, and me
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and my mom drove around the country and I had COVID.
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Speaker 2: At the time.
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Speaker 1: I was getting over COVID, he says. So I just
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beat at the time for three days and were driving.
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All of those three days. She drove most of it.
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Speaker 2: God bless her.
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Speaker 1: Just crazy to think that one of country music's most
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promising up and comers would likely have ever started his
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career in country music had it not been for a wing,
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a prayer, COVID, his mom, and a Subaru. Next long
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lost patriotic Charlie Daniels band anthem My Home now available
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after a decade. A stirring patriotic anthem from the legendary
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Charlie Daniels band is now available for the first time
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in a decade. Taste of Country readers are the first
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ones to find out about it. A lost track from
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the archives titled My Home drops commercially for the first
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time in this past Wednesday. More than a decade after
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at first debuted. The Charlie Daniels Band first recorded My
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Home back in twenty fourteen from Macy's Fourth of July
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television special, but the song never saw commercial release at
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that time. The recording late dormant over the years as
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the Country Music Hall of Famer and his band focused
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on touring and new recording projects. Following Daniel's death in
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twenty twenty, the track was largely forgotten until last year,
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when Daniel's son, Charlie Daniels Junior, rediscovered My Home and
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started to look into releasing it. As he relates in
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a Soapbox column, it took extensive research, conversations with songwriter
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Bill Schmerenhorn, and a long search for the master recording
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of the track to move the release forward, and it
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couldn't have happened without help from Sheerhorn and co writer
23:03
Doug Castero's. The result is an uptempo track that balances
23:07
country and rock elements, topped off by scorching, fleet fingered
23:11
fiddle runs from Daniels. The song's unabashedly flagwaving lyrics are
23:16
especially appropriate as America prepares to celebrate its two hundred
23:19
and fiftieth birthday on July fourth. The archival release of
23:24
My Home is part of a busy slate of projects
23:26
that Daniel's estate is focused on. In twenty twenty six,
23:30
Daniels would have turned ninety in October, leading into what
23:33
his family terms the tenth decade of Charlie Daniels. Other
23:37
special events include the Legend of Charlie Daniels Show at
23:40
Fort Campbell, Kentucky that'll be on July fourth, featuring performances
23:44
from a CDB hologram, the Frontmen, Aaron Tippin and Eric
23:49
Lee Beddingfield. There's also an upcoming Best of the Charlie's
23:52
Band Volunteer Jam compilation that's an album due in August.
23:57
My Home is currently available via all major digit services.
24:02
The Boots got a new list this week, the Top
24:04
ten Tim McGraw's Songs. Tim McGraw's had a spectacularly long
24:08
and successful career that landed him in the Country Music
24:11
Hall of Fame, and that's what makes him one of
24:13
country music's top modern artists. Launch's recording career with the
24:17
release of a self titled album back in nineteen ninety three.
24:21
Though none of the poor singles from the project were successful,
24:25
His career caught fire with the release of his second album,
24:27
Not a Moment Too Soon in nineteen ninety four. That
24:30
album scored McGraw his first hit single with Indian Outlaw,
24:34
as well as two number one hits with Don't Take
24:36
the Girl and the title song. McGraw has gone on
24:40
to a career that's landed him thirty number one hits,
24:42
and he's maintained a high profile marriage to fellow country
24:45
superstar Faith Hill, as well as high powered acting career
24:49
in films and on television. McGraw's built one of the
24:52
biggest careers in country music by making unusually bold and
24:55
diverse song choices. Top songs included powerful anthems like Please
25:00
Remember Me and Live Like You Were Dying, Humble and Kind,
25:03
and more, but he's also been mindful of sheer entertainment
25:06
value of lighter fare, including I Like It, Love It,
25:08
and more. Though the Louisiana native launched in nineteen ninety
25:12
with his self titled debut record, it wasn't until the
25:15
release of his sophomore project four years later that McGraw
25:18
got the adoration of both country professionals and fans alike.
25:22
So according to the Boot and Taste of Country. The
25:25
number ten song Down on the Farm, this barnstorming honky
25:28
Tonkin' tune was the third single from McGraw's sophomore effort,
25:32
Not a Moment too Soon. Here McGraw beams with redneck
25:35
pride as he invites listeners to embrace their inner hillbilly
25:38
side get down on the Far. Number nine says the
25:42
boot Better Than I Used to Be, Written by Ashley
25:45
Gore and Brian, McGraw's twenty ten single, is a powerful
25:48
song that's anchored by a heartfelt proclamation, I ain't as
25:51
good as I'm gonna get, but I'm better than I
25:54
used to be. The number eight song Felt Good on
25:57
My Lips. This effervescent uptemp track finds McGraw casually recounting
26:02
his interactions with a girl at the bar and verses
26:05
before erupting in euphoria about a kissy snag that sure
26:09
felt good on my lips. Something Like That is the
26:12
number seven song, serving as the second single off McGraw's
26:16
nineteen ninety nine of Place in the Sun album. This
26:19
bright love song chronicles the all American love story of
26:22
a young man being completely smitten by a woman he
26:24
meets in passing. Number six goes to Humble and Kind.
26:29
If there was a country song guidebook on how to
26:32
live life, McGraw's Humble and Kind would be it. Written
26:35
by Laurie McKenna, the ernest tune finds McGraw offering words
26:40
of wisdom on how to live a life that at
26:42
its core reflects a humble and kind character. The twenty
26:45
sixteen track nabbed multiple accolades, including a Grammy for Best
26:50
Country Song. The following year, Indian Outlaw comes in at
26:54
number five, Undoubtedly the breakthrough single four Tim McGraw. Indian
26:58
Outlaw was released as the lead sayingle off his sophomore
27:01
album nineteen ninety four is not a moment too soon Here.
27:04
McGraw's playful proclamations as a half Cherokee and chuckdaw Man
27:08
make the song an exuberant and barnstorming country anthem. Number four,
27:14
Don't Take the Girl. This gut punch of a ballad
27:17
finds McGraw narrating the life of Johnny as he pleads
27:20
with his father, a robber, and God not to take
27:23
the girl. The nineteen ninety four country love story focuses
27:27
on three pillars of Johnny's life and the depth of
27:30
his selfless love for the girl. It really cuts deep,
27:33
but it's one of McGraw's best songs ever. The number
27:37
three song from Tim McGraw according to The Boot and
27:39
Taste of Country, I Like It, I Love It. This
27:42
epic country sing along jam puts listeners in an instant
27:45
feel good mood. Released in nineteen ninety five's the lead
27:48
single off McGraw's All I Want album number two, Please
27:52
Remember Me. On this soaring heartbreak number, McGrath plaintively implores
27:55
his ex to not forget him and all the times
27:58
they spent together. And the number one song of Tim
28:02
mc graw according to The Boot, Live Like You Were
28:04
Dying his biggest song to date. Live Like You Were
28:07
Dying one multiple Grammy, c M A and A c
28:09
M Awards. At the heart of it, the powerful two
28:12
thousand four songs speaks to every one from all walks
28:15
of life and serves as a poignant reminder to live
28:17
life to its fullest. Well. This concludes the reading of
28:21
Country Weekly for this week. If you have any comments
28:23
or suggestions about the programme, please call us at eight
28:26
five nine four two two sixty three ninety Thank you
28:30
so much for joining me and on behalf of everyone
28:33
here at Radio I. This is Ken Dawkins's wishing you
28:35
a great day.