Latest / I Am All In with Scott Patterson / Yeah, I'm, uh -- I'm sorry, too (S7 E18 “Hay Bale Maze”)

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Yeah, I'm, uh -- I'm sorry, too (S7 E18 “Hay Bale Maze”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in.
• 0:04
  Speaker 2: Oh that's just you.
• 0:17
  Speaker 3: I am all in with Scott Patterson and iHeart Radio podcast.
• 0:20
  Speaker 1: Everybody, Scott Patterson, I am all in podcast. iHeartRadio, I
• 0:24
  Speaker 1: heart Podcast, iHeart Media. This Is seven, episode eighteen, Heybail
• 0:29
  Speaker 1: Mays otherwise known as Haybail Mays.
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  Speaker 4: I keep saying hail Bail Mays. Like every time Halil
• 0:36
  Speaker 4: did I say hell? No, you said it perfectly.
• 0:39
  Speaker 1: I said, hey, hey bail Maze.
• 0:40
  Speaker 4: I keep saying hail bail. It's a little bit of
• 0:43
  Speaker 4: a hard one to say, Hey bail.
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  Speaker 1: Mas say ten times in a row, go okay, hey.
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  Speaker 4: Bail is, Hey bail is Hey bail miss, Hey bail miss.
• 0:51
  Speaker 4: It sounds like I'm saying, hey, Bill Mays, who's a
• 0:53
  Speaker 4: guy that works at iHeart right, Hey bail is okay.
• 0:57
  Speaker 1: So next time you see Bill, call him, Hey, Hey
• 0:59
  Speaker 1: bail maye Hey bail mans Uh. Season seven, episode eighteen,
• 1:06
  Speaker 1: Hey Bill May's Intrepid crew, Amy Sugarman, Susanne French. We
• 1:11
  Speaker 1: are minus Tara, Sue and Danielle Romo because they are
• 1:16
  Speaker 1: off doing really important busy.
• 1:19
  Speaker 4: You can say they're off on assignment. That's what all
• 1:21
  Speaker 4: the news that people say when they're like, Hoda isn't
• 1:24
  Speaker 4: here today because she's off on a sign.
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  Speaker 1: I mean, let me say it in an official voice.
• 1:29
  Speaker 1: And uh, Tara Sude and Daniel Romo off on assignment today.
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  Speaker 1: So stuck with these two and they're stuck with me.
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  Speaker 4: I like this episode.
• 1:40
  Speaker 2: You I love this episode.
• 1:42
  Speaker 1: Loved Yeah, I don't know. Finally, Yeah, it's pretty good.
• 1:46
  Speaker 1: It's pretty good.
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  Speaker 2: We got a festival, you got meeting. We got a
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  Speaker 2: little bit of Paris and Doyle I Colin's it been
• 1:56
  Speaker 2: since we saw Maury like.
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  Speaker 1: That very kirky things, and Gilmour gilmore quirky things, and yeah,
• 2:02
  Speaker 1: and and Babbett's morey going. We got a hay high
• 2:07
  Speaker 1: amaze high man. You know, we got all kinds of
• 2:10
  Speaker 1: good little details in there and.
• 2:12
  Speaker 4: Deep thoughts with Logan and Loralai. We got a lot
• 2:14
  Speaker 4: of we got a little.
• 2:15
  Speaker 1: There's a lot of confessional stuff happening, a lot of
• 2:18
  Speaker 1: meeting of the minds and yeah, mommy stuff, you know.
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  Speaker 4: Yeah, mommy stuff. Well, let's do it. Let's do this.
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  Speaker 1: iHeart Podcasts listen on the iHeartRadio app. Who's uh, Who's
• 2:35
  Speaker 1: taking us away? With the synopsisizations.
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  Speaker 4: Answer and the pressure.
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  Speaker 1: We're out there all right, coming off the bench. Gotta
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  Speaker 1: hit some jump shots. Let's see how you do in
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  Speaker 1: the Olympics.
• 2:49
  Speaker 2: Okay. This is season seven, episode eighteen, Hey Bayo Mays.
• 2:53
  Speaker 2: It aired on April seventeenth, two thousand and seven. As
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  Speaker 2: Stars Hollow prepares for its annual Spring Flat Festival, the
• 3:00
  Speaker 2: town is thrown off with Taylor's hay Bale maze. Meanwhile,
• 3:04
  Speaker 2: Rory brings Logan home, and Laurel I sees how serious
• 3:07
  Speaker 2: their relationship has become and worries that Logan is too
• 3:10
  Speaker 2: irresponsible for Rory. Plus a reconciliation we have been waiting
• 3:14
  Speaker 2: for between Luke and Laurel I.
• 3:17
  Speaker 4: Yes, that was awesome.
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  Speaker 1: It was uh that was.
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  Speaker 4: That was good right in the middle of the hay
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  Speaker 4: Bale maze.
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  Speaker 1: Right, Yeah, it was gripping. So what do we think?
• 3:28
  Speaker 1: Who's taking us through?
• 3:29
  Speaker 4: Suzanne? Yeah, you start and then we'll we'll chime in.
• 3:33
  Speaker 4: Don't don't you worry?
• 3:35
  Speaker 2: So the the opening scene had a cute little U
• 3:38
  Speaker 2: slap fight with Michelle and Suki. I thought it was funny.
• 3:42
  Speaker 2: As they're trying to put together the gift baskets for
• 3:46
  Speaker 2: the spring Fling. His brochure, the brochure, and she didn't
• 3:51
  Speaker 2: like the brocher in the front there was it was
• 3:52
  Speaker 2: a cute little thing. And then this is where we
• 3:54
  Speaker 2: find out that Taylor kind of fooled the whole town
• 3:59
  Speaker 2: by putting in this hay bale maze. And I guess
• 4:01
  Speaker 2: there were tears involved and we didn't get to see that,
• 4:05
  Speaker 2: but kids set up. We kind of get the chest.
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  Speaker 4: It's very Gilmoury. I don't know why they wouldn't have
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  Speaker 4: the hay bale maze and all the other.
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  Speaker 2: I know, I didn't I didn't get that at first either.
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  Speaker 2: And then especially once you see the map of the
• 4:22
  Speaker 2: town with the hay bales just everywhere, like they could
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  Speaker 2: still like fit it in around totally.
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  Speaker 4: And also it didn't seem like that would be too
• 4:29
  Speaker 4: costly other than the building of the booths, because they
• 4:31
  Speaker 4: seemed like they were all for profits, the lemonade stand,
• 4:35
  Speaker 4: you know, all the things, so.
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  Speaker 2: And they do it every year, so they probably already
• 4:38
  Speaker 2: have everything built and it's just exactlate or something.
• 4:41
  Speaker 4: So sort of flag but whatever, Taylor's town.
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  Speaker 2: And then oh, sorry, Scott, I mean to interrupt you.
• 4:50
  Speaker 1: Well I was saying, I don't know you made it sound.
• 4:53
  Speaker 2: I thought you were gonna give us your thoughts. People.
• 4:56
  Speaker 4: The people want to hear more from you, Scott.
• 4:58
  Speaker 1: They do.
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  Speaker 4: I got a less less of us, more of you.
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  Speaker 4: So yeah, you should feel good. You should feel good.
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  Speaker 4: They definitely want more of you.
• 5:11
  Speaker 1: They want more of me. I want more of them.
• 5:15
  Speaker 4: So what did you think?
• 5:17
  Speaker 1: I thought the opening was, you know, I kept saying
• 5:21
  Speaker 1: to myself. I said, boy, it's got to be hard
• 5:23
  Speaker 1: to be Michelle. I mean, imagine being that guy. Right. Uh.
• 5:27
  Speaker 1: I thought it was pretty funny. It wasn't great funny.
• 5:31
  Speaker 4: I'm with you, Yeah, I'm with you.
• 5:35
  Speaker 1: I think Lauren came in and saved the scene actually,
• 5:39
  Speaker 1: as it was kind of trailing off a little bit
• 5:41
  Speaker 1: and this lap fight was funny, but it was getting
• 5:42
  Speaker 1: like it was getting weird. Yeah, yeah, yeah, And then
• 5:47
  Speaker 1: she came in and did funny things and said things quickly,
• 5:50
  Speaker 1: and I was happy. And then yeah, I thought the
• 5:53
  Speaker 1: opening was pretty good, pretty strong, and uh, you know,
• 5:57
  Speaker 1: now we're off for the races.
• 5:59
  Speaker 4: Yeah, that's what's about to say. It's like we started
• 6:00
  Speaker 4: on a medium and it went up from there.
• 6:02
  Speaker 1: Right, And I think it's a it's a wise place
• 6:05
  Speaker 1: to begin from you you don't want to start on
• 6:08
  Speaker 1: a high.
• 6:09
  Speaker 4: Yeah, all right, and then then what happens?
• 6:12
  Speaker 2: Then it goes to Rory and Paris's apartment. Uh and Doyle.
• 6:16
  Speaker 2: Oh yeah, yes, so this I thought this was an
• 6:19
  Speaker 2: interesting scene we don't see like Logos apparently is now
• 6:22
  Speaker 2: living there, which was something we've not seen before. There
• 6:26
  Speaker 2: was an argument about the milk. I had the because
• 6:28
  Speaker 2: my family too different kinds of milk in the fridge too,
• 6:31
  Speaker 2: so that that.
• 6:32
  Speaker 4: Milk bit was funny, and Paris was very Parisy and
• 6:35
  Speaker 4: it was good. And I love having Doyle in there.
• 6:37
  Speaker 4: I love having the four of them. I could have
• 6:39
  Speaker 4: done more scenes of that. There's a few things that
• 6:41
  Speaker 4: I could have done less of and that I would
• 6:43
  Speaker 4: have liked more of. Yeah, and that was good.
• 6:46
  Speaker 1: Been hard to It would have been hard to revisit
• 6:48
  Speaker 1: that because Paris and Doyle weren't really involved in the
• 6:52
  Speaker 1: narrative at all. Right, as as it turns out in
• 6:55
  Speaker 1: the episode, they should have been. They could have been.
• 6:57
  Speaker 1: It would have been fun. They would have added humor. Well,
• 7:00
  Speaker 1: if they're running around the.
• 7:03
  Speaker 4: Building scene, good scene, good scene.
• 7:05
  Speaker 2: Yeah.
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  Speaker 1: I thought it was a very quick scene. I thought
• 7:08
  Speaker 1: the timing was perfect. You know. Everybody was fast, fast, fast, fast, fast,
• 7:13
  Speaker 1: and that's that's good acting. That's that's good stuff. Right there.
• 7:17
  Speaker 4: I think you just nailed it because it's like, uh,
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  Speaker 4: I think we like it so much because of the
• 7:25
  Speaker 4: good acting. All those people are very true to who
• 7:27
  Speaker 4: their characters are and we're seeing it all.
• 7:30
  Speaker 1: Yeah, yeah, yeah, it's it's and that's hard to do.
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  Speaker 1: And there was a lot of that in this episode.
• 7:36
  Speaker 1: There was a lot of quick back and forth, quick quick, quick,
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  Speaker 1: quick quick. But then when Lauren, uh Lorele and uh
• 7:43
  Speaker 1: I guess Suki were walking and talking through the haybil is,
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  Speaker 1: it wasn't rushed, rushed rush. They know when to sort
• 7:49
  Speaker 1: of pace it, you know, which I find very I
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  Speaker 1: don't find a lot of shows doing that. It's either
• 7:55
  Speaker 1: sometimes either two rush or it's too slow. This seems
• 7:58
  Speaker 1: to have the perfect pace at all time, this particular
• 8:01
  Speaker 1: show and most of these shows.
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  Speaker 2: There was one part in that scene. If you didn't
• 8:06
  Speaker 2: notice it, go back and watch it because it was
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  Speaker 2: pretty funny where you can see Matt Zuger was trying
• 8:10
  Speaker 2: to suppress a lat Yes, did you notice that when
• 8:13
  Speaker 2: they're paying with a lactose intolerance that we.
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  Speaker 1: Had, but that's right, he's enjoying Doyle or he's enjoying
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  Speaker 1: the Doyle performance, right, right.
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  Speaker 2: And it was you could tell it was probably like
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  Speaker 2: the third or fourth take, and he was kind of
• 8:30
  Speaker 2: anticipating that it was coming, and it was. It was
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  Speaker 2: just funny right watching him.
• 8:35
  Speaker 1: Try to It was a really good natural moment. Yes,
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  Speaker 1: you know what I mean. It seemed very organic and
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  Speaker 1: it happening in the moment exactly. Yeah, he's good, He's
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  Speaker 1: really good.
• 8:49
  Speaker 2: So then it goes to Luke's apartment and now we
• 8:51
  Speaker 2: see April. We haven't seen April for a while because
• 8:54
  Speaker 2: she moved away to New Mexico. I liked this scene.
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  Speaker 2: I thought it was cute. They're talking about she's kind
• 9:00
  Speaker 2: of settled into New Mexico. She was so upset about leaving,
• 9:03
  Speaker 2: but then it's it seems like it's kind of working
• 9:05
  Speaker 2: for her.
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  Speaker 1: Yeah, it was a good pace scene. Again, another example
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  Speaker 1: of really quick back and forth, really just hitting the
• 9:14
  Speaker 1: ping pong ball all back and forth really quickly and
• 9:17
  Speaker 1: just getting through the scene. And the more you can
• 9:20
  Speaker 1: relax into that, the more naturally it flows in, the
• 9:22
  Speaker 1: better it sounds and feels, you know what I mean.
• 9:25
  Speaker 1: And that's that's what we're all trying to achieve, is
• 9:27
  Speaker 1: that kind of ease with it. You know, when it's
• 9:30
  Speaker 1: all when you when you're sort of tighten up and
• 9:32
  Speaker 1: you're trying to rush, rush, rush, you can really tell
• 9:34
  Speaker 1: and it kind of on the scene. But I thought
• 9:37
  Speaker 1: a lot of these scenes were just kind of flawless
• 9:39
  Speaker 1: and fast and kind of cool to watch.
• 9:42
  Speaker 2: Yeah, yeah, yeah, and it really conveyed that they're totally
• 9:47
  Speaker 2: settled into the father daughter relationship. I thought, like, I
• 9:51
  Speaker 2: just I really enjoyed that. And then she she really
• 9:58
  Speaker 2: grew up though, like we haven't seen her while, and
• 10:00
  Speaker 2: then she's got her ears pierced and she's got new glasses,
• 10:06
  Speaker 2: and then we really nice.
• 10:07
  Speaker 4: Sorry, it was really really nice to have them physically together.
• 10:11
  Speaker 4: I know you said that, but it's like it really
• 10:14
  Speaker 4: changes their chemistry, your chemistry, Scott and I made a
• 10:20
  Speaker 4: note of that, like, oh man, I'm I'm so glad
• 10:23
  Speaker 4: to have them back together, and I want more of that.
• 10:25
  Speaker 1: Yes, right, right, right, right, Yeah, She's terrific. Imagine being
• 10:29
  Speaker 1: she twelve thirteen at the time and she's just just
• 10:32
  Speaker 1: throwing the lines back at me, no problem. It was
• 10:35
  Speaker 1: just like, yeah, she she was she's she was precocious.
• 10:39
  Speaker 1: She still is.
• 10:40
  Speaker 2: Yeah, yeah she did.
• 10:41
  Speaker 4: Look she looks older, Yeah, she looks older. It's weird.
• 10:45
  Speaker 2: Yeah, she's great. I actually last week I started rewatching
• 10:50
  Speaker 2: Switched at Birth and she's she's just so good, like
• 10:52
  Speaker 2: she's a great actress.
• 10:53
  Speaker 4: Such a good show.
• 10:54
  Speaker 2: It is such a good show. And this is where
• 10:58
  Speaker 2: we see the turquoise and silver bracelet for the first time.
• 11:02
  Speaker 4: Oh my god, it's literal.
• 11:04
  Speaker 2: That counts right right, you was a good sport. He
• 11:09
  Speaker 2: puts it on and he's wearing it the diner, and
• 11:12
  Speaker 2: that was that was a cool dad thing to do.
• 11:15
  Speaker 4: And you just knew, you just knew this will come
• 11:20
  Speaker 4: up with Loralai. And we were all waiting for that
• 11:23
  Speaker 4: moment because there's a couple of times where it sort
• 11:25
  Speaker 4: of peeks out from the flannel. Yeah, and it's reminding
• 11:28
  Speaker 4: us it's there without being like, you know, wonder womany
• 11:31
  Speaker 4: about it, like here's my bracelets, just this subtle little thing.
• 11:34
  Speaker 3: That we're like, oh, we're waiting for that moment, right right, right, Okay,
• 11:40
  Speaker 3: So then it goes to the Dragonfly and we've got
• 11:43
  Speaker 3: a family who's checking in for spring Fling, and we
• 11:48
  Speaker 3: hear a story about how the mom had to melt
• 11:51
  Speaker 3: the kid's tongue off of the swing set or something.
• 11:56
  Speaker 2: So it's purfluous.
• 11:57
  Speaker 4: Is that the right word. It's like I didn't really
• 11:59
  Speaker 4: need it, but it's kind of like there.
• 12:00
  Speaker 1: Okay.
• 12:01
  Speaker 3: Yeah.
• 12:02
  Speaker 2: I thought it was interesting that they they brought in.
• 12:05
  Speaker 2: Usually when we see guests at the end, they're just
• 12:09
  Speaker 2: in one scene. They're checking in or checking out. We
• 12:10
  Speaker 2: never see them again. I thought it was interesting that
• 12:12
  Speaker 2: this family like appeared again later in the episode, like
• 12:15
  Speaker 2: they actually were the spring Fling, and then we saw
• 12:19
  Speaker 2: them again to go through the maze. Yeah.
• 12:21
  Speaker 4: No, I liked that.
• 12:23
  Speaker 2: Yeah, yeah, I thought it was I thought it was cool.
• 12:26
  Speaker 2: And then also just a shout out if anybody noticed
• 12:29
  Speaker 2: that the kid is.
• 12:36
  Speaker 4: No, it's Nolan Gould's baby brother. It's his brother. So
• 12:41
  Speaker 4: so modern family and this is what's so crazy. And
• 12:44
  Speaker 4: I'm I'm not sure if it's his baby brother or
• 12:46
  Speaker 4: older brother. Somebody can look that up, but it was
• 12:49
  Speaker 4: if you, oh it's his older brother, thank you. So okay,
• 12:52
  Speaker 4: so modern family. Nolan Gould plays one of the Dune fees,
• 12:57
  Speaker 4: so he's like the boy the boy Dune feed right. Uh,
• 13:01
  Speaker 4: when you hear that voice of that kid and see him,
• 13:05
  Speaker 4: you immediately know he's related to Nolan Gould because they
• 13:08
  Speaker 4: have the same voice and mannerisms. It's actually crazy. So
• 13:15
  Speaker 4: now we have two things to go. Rewatch Zukri laughing
• 13:18
  Speaker 4: or hiding his laugh and rewatch this kid because you
• 13:21
  Speaker 4: will immediately if you watch Modern Family and be like,
• 13:24
  Speaker 4: oh my god, genetics are amazing because these two siblings
• 13:27
  Speaker 4: are like.
• 13:29
  Speaker 2: Yes, it always amazes me when there's families that have
• 13:33
  Speaker 2: like multiple siblings achieve like stardom like the Maranos strikes
• 13:39
  Speaker 2: twice like the Maranos. Yeah, exactly.
• 13:43
  Speaker 1: Well, if they grow up around it, it's kind of
• 13:45
  Speaker 1: a natural fit, you know. Yeah, I have a good
• 13:48
  Speaker 1: I have a good buddy who's thirteen year old daughter
• 13:50
  Speaker 1: is blowing up to become a super You know.
• 13:53
  Speaker 4: You kid, You let your kid?
• 13:55
  Speaker 1: Oh no, no.
• 14:01
  Speaker 4: He's somehow they quite knew, you would say.
• 14:03
  Speaker 1: And here's the thing. He's really talented. He can do
• 14:09
  Speaker 1: any accent from any country and nail.
• 14:14
  Speaker 4: It because both his parents are actors.
• 14:16
  Speaker 1: Well, I don't do accents around him. He just picks
• 14:20
  Speaker 1: him up.
• 14:23
  Speaker 2: Maybe when he's a teenager or not.
• 14:27
  Speaker 1: I don't know. I'm still recovering from the business and
• 14:31
  Speaker 1: I'm in it, you know what I mean.
• 14:32
  Speaker 2: No kidd no, kidd it. Yeah, it's it's hard on kids.
• 14:44
  Speaker 2: So Rory calls. She's on her way home from the
• 14:48
  Speaker 2: interview that she was getting ready for in the apartment scene,
• 14:53
  Speaker 2: and she says, the interview went well, and she's all excited.
• 14:57
  Speaker 2: I kind of like that scene. It kind of reminded
• 14:59
  Speaker 2: me what I I was on the verge of graduating
• 15:01
  Speaker 2: from college and you're excited about the future because you
• 15:03
  Speaker 2: don't really know what's going to happen. I can, I
• 15:05
  Speaker 2: can relate to that, so that I enjoyed that.
• 15:10
  Speaker 1: Let's see, I think overall this episode, if I may interject,
• 15:17
  Speaker 1: you know, it was a lot of storylines were blooming
• 15:23
  Speaker 1: here that were coming to Fruition, and it was a
• 15:26
  Speaker 1: lot of happy, positive energy and finally everybody's getting it
• 15:30
  Speaker 1: together and Rory's getting a job, and you know, maybe
• 15:35
  Speaker 1: Luca Laurel I a sort of beginning again and all
• 15:39
  Speaker 1: of that. So it just it just had a very
• 15:42
  Speaker 1: kind of a happy vibe all the way around. No
• 15:46
  Speaker 1: more for Spring episode right exactly for being confused?
• 15:51
  Speaker 4: Was this the train scene when she's on the train yes, yes,
• 15:54
  Speaker 4: may I give my flags?
• 15:56
  Speaker 1: Though, oh there was it was an empty seat behind her,
• 15:58
  Speaker 1: and then the seat was filled.
• 16:00
  Speaker 4: Who would be that loud on their phone on the
• 16:04
  Speaker 4: train with all those other people. I mean, she was
• 16:07
  Speaker 4: so loud that every other person on the train would
• 16:09
  Speaker 4: be like, girl, we don't care about your.
• 16:13
  Speaker 2: And also there is the empty seat just you know, right,
• 16:16
  Speaker 2: buyers got.
• 16:16
  Speaker 4: Plenty of I just was like, this is unrealistic. But also, yes,
• 16:21
  Speaker 4: I liked the I liked it somewhat. This was sort
• 16:25
  Speaker 4: of my scene where I'm like, I don't know, but
• 16:30
  Speaker 4: point taken and that it was good energy. But I
• 16:32
  Speaker 4: was like, come.
• 16:33
  Speaker 1: On, yeah, yeah.
• 16:36
  Speaker 2: And this is also the other thing that happened in
• 16:38
  Speaker 2: the scene. This is where she announces she wants to
• 16:40
  Speaker 2: bring Logan to stars Hollow. So that was kind of
• 16:44
  Speaker 2: a milestone. Here was weird for my mind.
• 16:47
  Speaker 4: That's why it was like, he's been there, he dropped,
• 16:48
  Speaker 4: remember what he dropped? He's been there from day one
• 16:50
  Speaker 4: because he drops her off there after the party.
• 16:54
  Speaker 2: Yeah, and he also went to the Dragonfly to talk
• 16:59
  Speaker 2: to Lorelai when he trying to get Rory backack tour.
• 17:04
  Speaker 4: He's never slept over there.
• 17:06
  Speaker 1: Yeah, did you get the vibe during the official tour
• 17:09
  Speaker 1: that I was getting Christopher vibes. Yeah, Christopher said he
• 17:16
  Speaker 1: was a little too happy to be there after losing
• 17:18
  Speaker 1: millions of dollars. It's like history repeating yourself and the
• 17:25
  Speaker 1: father hates him, and the father hates Christopher. You know
• 17:28
  Speaker 1: what I'm saying. I was getting.
• 17:32
  Speaker 2: Like he's getting a tour of a town that like
• 17:34
  Speaker 2: he already kind of knows.
• 17:35
  Speaker 4: But what it's fine, I don't know.
• 17:38
  Speaker 1: It's just weird. It was a little too happy to
• 17:40
  Speaker 1: be there, right, And it's just like when.
• 17:43
  Speaker 4: She was so tang.
• 17:46
  Speaker 2: The first place I fell off my bike, this is
• 17:47
  Speaker 2: the second place I fell off my bike.
• 17:50
  Speaker 1: You know?
• 17:51
  Speaker 4: May I be a negative nelly?
• 17:53
  Speaker 1: Yes?
• 17:54
  Speaker 4: That tour could have been a lot better, I agree,
• 17:57
  Speaker 4: Or give me for saying better.
• 17:59
  Speaker 1: Right.
• 18:00
  Speaker 4: The writing wasn't my favorite there, And it's like.
• 18:03
  Speaker 1: This could have so quick, and.
• 18:05
  Speaker 4: It's like this could have been so funny with all
• 18:08
  Speaker 4: these different things and such a great opportunity for the
• 18:11
  Speaker 4: town to be like out and about and her being
• 18:13
  Speaker 4: like that's so and so and here's this, and they
• 18:16
  Speaker 4: do like a hint at Miss Patty's.
• 18:18
  Speaker 1: But like right where the lines coming from Miss Patty
• 18:22
  Speaker 1: her bike, right, you didn't know there was a private
• 18:25
  Speaker 1: jet here and wait for.
• 18:27
  Speaker 2: Miss Patty to come out and be super flirty with it.
• 18:30
  Speaker 5: Like yeah, so it was sort of about your idea
• 18:39
  Speaker 5: for a theme park, you know this kind of thing, right, yeah,
• 18:42
  Speaker 5: all kinds of opportunities.
• 18:44
  Speaker 1: I thought the same thing.
• 18:45
  Speaker 2: Yeah, so that was that.
• 18:46
  Speaker 4: I sort of was like, oh, that was, yeah, a
• 18:51
  Speaker 4: great episode. It is a great episode, and there was
• 18:53
  Speaker 4: a few points where I'm like, oh, that could have
• 18:55
  Speaker 4: been elevated.
• 18:57
  Speaker 2: Yeah, yeah, I agree with that. And what you were
• 19:00
  Speaker 2: saying about it being fast. There were a couple parts
• 19:02
  Speaker 2: in that scene when they were outside Miss Patty's I
• 19:04
  Speaker 2: had to turn the captions on because I couldn't even
• 19:06
  Speaker 2: understand what Alexis was saying. I mean, I know you're
• 19:08
  Speaker 2: supposed to talk fast on the show, but she I
• 19:12
  Speaker 2: just couldn't even understand the lines.
• 19:14
  Speaker 4: So funny you're bringing that up. I'm it's not my ears.
• 19:20
  Speaker 4: I've had my ears checked having to turn the volume
• 19:22
  Speaker 4: up higher and hire on shows. I'm watching that Jake
• 19:26
  Speaker 4: Gillenhaal thing. Finally I'm joining the party on that presumed
• 19:29
  Speaker 4: innocent and I'm like, why did you turn the volume
• 19:32
  Speaker 4: up so much, I can't hear these people, like what's
• 19:33
  Speaker 4: going on?
• 19:35
  Speaker 1: So and then and then you get to like an
• 19:37
  Speaker 1: action scene and it blows your ears off, right.
• 19:41
  Speaker 4: Dare a comer'll come on, We'll all yeah, can't take
• 19:45
  Speaker 4: it anyway.
• 19:47
  Speaker 2: Okay, So we get to the house and Logan walks
• 19:51
  Speaker 2: in and says, it's a beautiful house. That that feels
• 19:54
  Speaker 2: a little condescending to me.
• 19:56
  Speaker 4: I don't know, I think so. I thought it was
• 19:57
  Speaker 4: polite and it is a beautiful house. It is a
• 19:59
  Speaker 4: beautiful some small town. I get what you're saying, because
• 20:01
  Speaker 4: he lives and she calls it out. That's what I like.
• 20:03
  Speaker 4: She's like, yeah, like the size of your foye.
• 20:06
  Speaker 1: That's good breeding. He was being polite and it is
• 20:09
  Speaker 1: a great and he was charmed by it.
• 20:11
  Speaker 4: And he brought the flowers. I thought, good on you.
• 20:14
  Speaker 1: I mean, at least he didn't say, well, you know,
• 20:16
  Speaker 1: this is the type of a situation our maid, one
• 20:19
  Speaker 1: of our maids lives in you. Yeah, you know. It
• 20:23
  Speaker 1: wasn't condescending about it, Okay, I.
• 20:25
  Speaker 2: Just I read it that way. That might have just
• 20:28
  Speaker 2: been my own interpretation. And then so this is where
• 20:32
  Speaker 2: they have the trundle beds and it's a little kind
• 20:35
  Speaker 2: of awkward there's two beds and.
• 20:39
  Speaker 1: A giggle.
• 20:39
  Speaker 4: I get why there's two beds because she has a
• 20:41
  Speaker 4: twin and it would be kind of small, but I
• 20:43
  Speaker 4: still was like, oh my god, the trundle.
• 20:47
  Speaker 2: I laughed when Rory said she says like, oh, I
• 20:51
  Speaker 2: didn't know we had guest towels and loreal licenes. That's
• 20:53
  Speaker 2: a way of saying towels that are clean. That made
• 20:57
  Speaker 2: me laugh.
• 20:57
  Speaker 4: I have guest towels. We call him like showtels, Like, oh,
• 21:01
  Speaker 4: those are showtels, Like, don't use that one, don't use
• 21:05
  Speaker 4: the show tells.
• 21:06
  Speaker 2: Yeah, well, sometimes the ones that look nice aren't really
• 21:10
  Speaker 2: that absorbent.
• 21:11
  Speaker 4: So you don't want to towels because their showtel is
• 21:14
  Speaker 4: like not going to be a good towel.
• 21:15
  Speaker 1: They even make absorbent towels anymore, they really don't.
• 21:18
  Speaker 4: I think the Ralph Lauren towels are still pretty good.
• 21:21
  Speaker 4: Macy's not expensive. Just go to your Macy's and get
• 21:24
  Speaker 4: some Ralph Lauren towels. I go for the white because
• 21:27
  Speaker 4: something's going on in my washing machine with gray towels
• 21:30
  Speaker 4: that they always get these like bleach stains, even though
• 21:32
  Speaker 4: I don't use bleach. It's very odd.
• 21:35
  Speaker 1: Yep.
• 21:36
  Speaker 2: Anyway, speaking of appliances, I did notice in this scene
• 21:39
  Speaker 2: that the faucet in the kitchen actually worked. Did you
• 21:43
  Speaker 2: put water in the vase for the flowers, Scott?
• 21:48
  Speaker 1: It's interesting. That's a big fake out. It's not hooked
• 21:50
  Speaker 1: up to anything.
• 21:51
  Speaker 4: So they just put like a bucket in it and
• 21:53
  Speaker 4: somehow you turn it.
• 21:54
  Speaker 2: Yeah.
• 21:54
  Speaker 1: Something, it's a big fake out.
• 21:55
  Speaker 4: It's not a real real faucet. It's just the.
• 22:00
  Speaker 1: Fakey fakey, fakey fake fake fake fake fake mhm.
• 22:04
  Speaker 2: Uh So this okay, So we got a little bit
• 22:07
  Speaker 2: ahead of ourselves because this is the Haves the town
• 22:10
  Speaker 2: too or no, that's fine.
• 22:12
  Speaker 1: They're walking through the town, bounce around.
• 22:16
  Speaker 2: Rory tries to explain who Taylor is. Taylor kind of defies.
• 22:20
  Speaker 4: Taylor have hay fever yet? Or no he's still.
• 22:23
  Speaker 1: No, not yet, not till the end.
• 22:28
  Speaker 2: And then uh. They go into the diner so that
• 22:31
  Speaker 2: Logan can finally see Luke's diner and Zach is in
• 22:34
  Speaker 2: there and he talks about Lane. But again, we haven't
• 22:37
  Speaker 2: seen Lane since she had the babies. Still haven't seen her.
• 22:43
  Speaker 2: And I thought it was cute. Rory said that they
• 22:45
  Speaker 2: saw Stephen Kwan and Zach was like, well Lane was
• 22:48
  Speaker 2: there too, right, m m mm hmm. And then Luke
• 22:56
  Speaker 2: goes outside to argue with Taylor about the hay band.
• 23:00
  Speaker 4: I have a.
• 23:00
  Speaker 2: Quag on this man.
• 23:02
  Speaker 4: I first say, though, I don't mind Zach working at
• 23:04
  Speaker 4: the diner. I find it sort of a musicum like,
• 23:07
  Speaker 4: I'm not bothered by that.
• 23:08
  Speaker 2: It's sort of I like it anyway. That's just my
• 23:11
  Speaker 2: two cents.
• 23:11
  Speaker 1: But that was also an opportunity for an epic Luke
• 23:14
  Speaker 1: a Taylor rant scene that they didn't take the opportunity
• 23:18
  Speaker 1: to do. They cut it off and cut the right like,
• 23:21
  Speaker 1: come on, man, go perfect follow him out there, let's go.
• 23:25
  Speaker 1: Let me tell the story. Let's go.
• 23:27
  Speaker 2: Yeah, I mean we did see so this is this
• 23:31
  Speaker 2: is partially what my flag is. So Luke does go
• 23:34
  Speaker 2: out there and he starts throwing the hey bails out
• 23:37
  Speaker 2: of the way. Now, I am a city girl. I
• 23:40
  Speaker 2: have never attempted to lift.
• 23:42
  Speaker 1: A Haydale looks a strong boy?
• 23:46
  Speaker 2: Is he? Okay? Is that the explanations a strong boy?
• 23:49
  Speaker 4: I actually have no idea.
• 23:51
  Speaker 1: Yeah they are. But if you're angry and you rip
• 23:53
  Speaker 1: something off, I mean, he wasn't lifting it and then
• 23:56
  Speaker 1: he was just like sort of throwing it off the
• 23:59
  Speaker 1: top of the other hey bail. So that's not that hard.
• 24:02
  Speaker 4: We ever think in a hay bale maze, like it's
• 24:05
  Speaker 4: hay on the outside, it's styrofoam on the inside.
• 24:12
  Speaker 1: Be a little tedious to build all of those like that,
• 24:16
  Speaker 1: it's real hay.
• 24:18
  Speaker 4: Yeah, I didn't know he calls caused hay fever. But
• 24:20
  Speaker 4: that's a side note. I actually did not know that
• 24:24
  Speaker 4: until this episode.
• 24:25
  Speaker 2: Well, I have another question about the hay while we're
• 24:28
  Speaker 2: discussing it. So again, I don't know. I'm not a
• 24:32
  Speaker 2: farm person. I don't know anything. But isn't wasn't that
• 24:36
  Speaker 2: technically straw isn't hay like it's more green because it's
• 24:41
  Speaker 2: it's like fresher straws.
• 24:43
  Speaker 4: Like, so you're saying it's a straw bail maze. That's
• 24:45
  Speaker 4: what I would call a hay bail.
• 24:47
  Speaker 1: I don't know.
• 24:49
  Speaker 4: Maybe hay becomes more straw e as it's dried, right,
• 24:55
  Speaker 4: That's what I.
• 24:55
  Speaker 2: Thought too, Like I thought hay was greener and this
• 24:58
  Speaker 2: was just maybe it is.
• 24:59
  Speaker 4: Hey, maybe when it's growing out of the ground and
• 25:01
  Speaker 4: then when it becomes a haybale, it dries out.
• 25:04
  Speaker 1: Can you hear the laughter coming at us from the
• 25:06
  Speaker 1: Midwest right now?
• 25:07
  Speaker 2: Yeah, people are like, I know, I'm going to probably
• 25:10
  Speaker 2: get slaughtered for that, but that's okay to me. How
• 25:13
  Speaker 2: hay and straw work. I am all here.
• 25:15
  Speaker 4: To be educate. I actually did inspire me though, because
• 25:18
  Speaker 4: I do think it's real cute when people take a
• 25:20
  Speaker 4: hay bale and put it on their front porch for
• 25:22
  Speaker 4: Halloween and then you put your pumpkins on that, just
• 25:25
  Speaker 4: saying I don't know if I'll be able to lift
• 25:29
  Speaker 4: the hay bail. We'll find out, we'll stick and do it.
• 25:32
  Speaker 1: I'll do it.
• 25:33
  Speaker 2: Yeah, that's just like he's like the Hulk.
• 25:37
  Speaker 1: There you go.
• 25:39
  Speaker 2: Okay, so this is years ago, you can still do it.
• 25:44
  Speaker 2: This is the thing where Suki Laurel I are walking
• 25:46
  Speaker 2: around the hay bale maze and kind of Laurel I
• 25:49
  Speaker 2: sort of going through her thought process about Logan, and
• 25:53
  Speaker 2: I thought she made a good point about how, you know,
• 25:56
  Speaker 2: Rory is an adult now and so Laurel like have
• 26:00
  Speaker 2: an opinion on jessin Dean, but now that she's with Logan,
• 26:04
  Speaker 2: like she it's kind of up to Rory what to do.
• 26:09
  Speaker 2: It just that kind of struck a chord with me
• 26:11
  Speaker 2: because my oldest just turned twenty one, so I'm kind
• 26:14
  Speaker 2: of like trying to figure out this whole thing in
• 26:16
  Speaker 2: my head too, So I don't know, I just thought
• 26:20
  Speaker 2: that was interesting to point that out.
• 26:24
  Speaker 1: Yeah, she's concerned, and but she doesn't want to be,
• 26:27
  Speaker 1: you know, the helicoptering her twenty one year old twenty
• 26:31
  Speaker 1: two year old daughter. Yeah right, so yeah it's a
• 26:33
  Speaker 1: fine line.
• 26:35
  Speaker 4: Yes, yes, yes it is.
• 26:37
  Speaker 2: And then at the end they stop and they look
• 26:39
  Speaker 2: around and they're like, wait, where are the booths for
• 26:41
  Speaker 2: the festival? And then we go to a daytimetown.
• 26:48
  Speaker 1: Meeting, maybe the only one ever usually Yeah, yeah, mercifully short,
• 26:58
  Speaker 1: by the way. It was, Yes, it was, And it
• 27:02
  Speaker 1: was filled with humor, was it was? It was. It
• 27:05
  Speaker 1: was really like.
• 27:05
  Speaker 2: An old time. It was, you know, like a season
• 27:08
  Speaker 2: one town meeting. I loved it, and I loved that
• 27:11
  Speaker 2: April and Lorelei gretted each other with a hug.
• 27:15
  Speaker 4: I thought that was so that really, I thought, oh
• 27:18
  Speaker 4: my gosh, these two really like each other. All that
• 27:20
  Speaker 4: stuff was such nonsense.
• 27:22
  Speaker 2: Yeah, yeah, I agree. It was like, oh, they could
• 27:27
  Speaker 2: have been doing this the whole time. But Luke and
• 27:30
  Speaker 2: Laurelai had a nice conversation. I thought, kind of breaking
• 27:33
  Speaker 2: the ice, and you know, kind of not about anything important,
• 27:37
  Speaker 2: but at least they were having a conversation.
• 27:40
  Speaker 1: The appropriate nervousness of running into your ex and being nice.
• 27:44
  Speaker 2: Yeah, and then we find out that Taylor has taken
• 27:50
  Speaker 2: away the budget for all of the booths and spent
• 27:52
  Speaker 2: them all, spent the whole as sort of a flag.
• 27:56
  Speaker 1: But I have to tell you when they revealed Kirk
• 27:59
  Speaker 1: as the with the moosehead, cow head, the minotaur, the minotaur,
• 28:04
  Speaker 1: when when I said the exact same line right before
• 28:10
  Speaker 1: uh Gypsy said her line, I said, what the hell
• 28:13
  Speaker 1: is that? And then she said what the hell is?
• 28:18
  Speaker 1: And did did Sally Strothers not steal this scene? She did?
• 28:23
  Speaker 2: Yeah, yeah, she stole the town meeting more of them.
• 28:28
  Speaker 4: To be honest, I know it was so good.
• 28:31
  Speaker 2: I just I love all of them.
• 28:35
  Speaker 1: And at the height of it, everybody gets up in leaves.
• 28:41
  Speaker 1: It's like, we're not doing this.
• 28:43
  Speaker 2: Taylor's like, wait, where are you going?
• 28:46
  Speaker 4: I like that They come around to the hay Bale
• 28:47
  Speaker 4: maze later, but we'll get to that.
• 28:51
  Speaker 2: And then the shot of the gazebo being lifted by
• 28:55
  Speaker 2: the crane.
• 28:55
  Speaker 4: I know, it's just so banana.
• 28:58
  Speaker 1: That was a big deal, A big deal. It's like
• 29:01
  Speaker 1: ripping the heart out of Gilmore fans. Right, do you
• 29:03
  Speaker 1: remember all this?
• 29:04
  Speaker 4: Hey? Sorry?
• 29:07
  Speaker 1: What you got? You go?
• 29:08
  Speaker 4: You go first in then Oscar. I don't know if
• 29:10
  Speaker 4: you remembered this all this, hey, because it's pretty major.
• 29:13
  Speaker 1: Yeah, I remember it.
• 29:15
  Speaker 4: Yeah, go back on to the gazebo.
• 29:16
  Speaker 1: You know, you know what my memory of it was,
• 29:17
  Speaker 1: there was a ton of hay around That was it.
• 29:22
  Speaker 1: If we get on set and like, oh there's a
• 29:23
  Speaker 1: lot of hay bells. It's a lot of hay bells.
• 29:25
  Speaker 4: Hey, it's going on around here.
• 29:28
  Speaker 1: Hey man, what a pain for the crew to have
• 29:32
  Speaker 1: to move that around like scene to scene because it
• 29:36
  Speaker 1: was so much. Boy, they are they are in their
• 29:39
  Speaker 1: money that day.
• 29:40
  Speaker 4: Or those Yeah, because they was like it wasn't just
• 29:44
  Speaker 4: like uh, they didn't fake it for TV like the
• 29:48
  Speaker 4: whole town was hey, hey bill mates.
• 29:51
  Speaker 2: Yeah, because they showed they had several scenes of the
• 29:54
  Speaker 2: characters walking through the entire square and there was hey everywhere.
• 29:58
  Speaker 4: They didn't can find of it. You can find photos
• 30:01
  Speaker 4: of it. I'm sure online man in the Gilmore book
• 30:04
  Speaker 4: where you see the entire lot is like a hey
• 30:07
  Speaker 4: bale maze, the whole Gilmore town. Crazy.
• 30:12
  Speaker 1: Yeah, I thought Taylor revealing the maye the first time
• 30:17
  Speaker 1: in the town hall meeting was funny. He was so
• 30:18
  Speaker 1: excited about Yeah, and it was so big, it was
• 30:21
  Speaker 1: so complex.
• 30:23
  Speaker 2: And the very detailed mockup of the whole town it
• 30:26
  Speaker 2: was pretty cool. And even showed it even showed the
• 30:30
  Speaker 2: gazebo off to the side, so like they it literally
• 30:33
  Speaker 2: matched what they actually built. Okay, So then Lorla walks
• 30:45
  Speaker 2: into her house and is shocked to find that cooking
• 30:48
  Speaker 2: is happening in her house.
• 30:50
  Speaker 4: Very cute, but I don't know why she was so
• 30:52
  Speaker 4: shocked because it's the same thing that happened on the
• 30:53
  Speaker 4: Valentine's episode when they went to the fake Martha's vineyard.
• 30:56
  Speaker 4: Oh that's right. Yeah. So it was like, okay, well
• 30:59
  Speaker 4: you know that these two do this. Yeah, okay, fine, fine,
• 31:03
  Speaker 4: I like, let it go. But I also was like,
• 31:06
  Speaker 4: you know, these two love to cook, and they're very
• 31:07
  Speaker 4: like kind of domestic story.
• 31:09
  Speaker 1: You're like pulling the flag out of your pocket that
• 31:11
  Speaker 1: decided not to throw it yeah.
• 31:13
  Speaker 4: It's like a flag that I didn't care about. It's like, okay,
• 31:15
  Speaker 4: well you know they cook. You've literally walked in on
• 31:18
  Speaker 4: this before.
• 31:19
  Speaker 1: It's like you threw the flag, but then you reverse
• 31:21
  Speaker 1: the call right away.
• 31:22
  Speaker 2: Hiyah yeah, yeah, but she just has the flag in
• 31:26
  Speaker 2: her hand, but has that right.
• 31:30
  Speaker 1: Scott?
• 31:31
  Speaker 2: Thank you?
• 31:31
  Speaker 4: Yeah, although I don't know that. Ye, I mean they
• 31:33
  Speaker 4: definitely had to go to the market, but yeah, whatever.
• 31:38
  Speaker 1: I don't even know what is. It's like a fish chicken.
• 31:43
  Speaker 1: I thought it was chicken chicken.
• 31:45
  Speaker 4: Don't you worry You'll be making pie?
• 31:47
  Speaker 1: Yeah, no, no, I will, I will.
• 31:50
  Speaker 4: Yeah, that's a little tease of what's coming up. That's
• 31:52
  Speaker 4: a little hint to the future.
• 31:54
  Speaker 1: Oh my god, wait why now? She very excited about it,
• 32:00
  Speaker 1: even though I don't know what you're talking about.
• 32:02
  Speaker 4: We had the little toast, the wine toast?
• 32:06
  Speaker 2: Was this?
• 32:06
  Speaker 1: When? So?
• 32:07
  Speaker 2: Was this?
• 32:07
  Speaker 4: When she found out she got the offer because she's
• 32:10
  Speaker 4: been checking the phone so much.
• 32:13
  Speaker 2: Right, that's why she left the room, and that gave
• 32:16
  Speaker 2: us the little conversation between Loralai and Logan the beginning
• 32:20
  Speaker 2: of it. Right, So, Rory had left the room to
• 32:22
  Speaker 2: answer her phone, and then that's when they have their
• 32:25
  Speaker 2: conversation that then finished. Later started out and they started
• 32:30
  Speaker 2: out nice, but then she was like when Logan was
• 32:34
  Speaker 2: just being so casual and nonchalant that she kind of
• 32:37
  Speaker 2: see her tone changing a little bit. But then finish
• 32:40
  Speaker 2: right right, yeah, She's like, I got the job. I
• 32:42
  Speaker 2: got the job. So ended on a happy note and
• 32:47
  Speaker 2: then uh there. So now there're another walking through the town,
• 32:53
  Speaker 2: walking through all the hay bales everywhere. They're going to
• 32:55
  Speaker 2: Weston's to get pies, and so Rory's kind of thinking
• 32:59
  Speaker 2: through her options. Does she want to take this, give
• 33:02
  Speaker 2: up a fellowship or.
• 33:04
  Speaker 4: Is this where he is this where he says, don't
• 33:06
  Speaker 4: factor me in.
• 33:07
  Speaker 2: No, he says that she should go for the fellowship,
• 33:11
  Speaker 2: and laurel I disagree with him.
• 33:14
  Speaker 6: Oh right right, yeah, okay, So which I want to
• 33:20
  Speaker 6: at the end, I want to discuss her options, but
• 33:22
  Speaker 6: I want to wait till we get further.
• 33:25
  Speaker 4: Keep keep going and then we'll talk about that.
• 33:27
  Speaker 2: Yeah. Yeah, because that scene is coming up with the.
• 33:30
  Speaker 4: Bird in the hands, two in the bush, is that
• 33:32
  Speaker 4: the thing?
• 33:33
  Speaker 2: Yes, yes, we'll get exactly. And Lorelai points out that
• 33:36
  Speaker 2: to Logan that he's a gambler, but Rory is very
• 33:40
  Speaker 2: calculating and she plans everything and she's not a gambler,
• 33:45
  Speaker 2: and so it was just an interesting I you know,
• 33:48
  Speaker 2: Laurela is kind of speaking from her perspective of being
• 33:53
  Speaker 2: the responsible adult, and Logan, you know, is coming from
• 33:58
  Speaker 2: the different perspective where he is and of that experience.
• 34:01
  Speaker 2: I mean, even though he did just lose a bunch,
• 34:03
  Speaker 2: it's all yeah, yeah, right, got credit card statement.
• 34:07
  Speaker 1: And there's a class warfare scene.
• 34:11
  Speaker 4: Class warfare, yes exactly.
• 34:14
  Speaker 2: It's the tea up to the worst spoor household.
• 34:16
  Speaker 4: But we'll get to that.
• 34:18
  Speaker 2: Yeah, Sport City all the way. So that's actually the
• 34:23
  Speaker 2: next scene is uh, they're in Rory's bedroom and Loucan
• 34:27
  Speaker 2: like gets dressed to go back out in the kitchen.
• 34:30
  Speaker 2: But sorry, Scott, you might need to plug your ears.
• 34:34
  Speaker 4: Suzan before that, hello, Like, that was a very I
• 34:41
  Speaker 4: don't want to be gross, I understand, but thank you
• 34:45
  Speaker 4: mad Zukri before you put your shirt on.
• 34:47
  Speaker 2: That was a great They had to make sure to
• 34:49
  Speaker 2: hubba hubba.
• 34:51
  Speaker 4: This guy is so beayblicious anyway, Sorry.
• 34:56
  Speaker 1: Scott, No, I was thinking of the exact same thing
• 34:59
  Speaker 1: we did a.
• 34:59
  Speaker 4: Tea when you had to have those I.
• 35:03
  Speaker 1: Bear no ill will. I mean, I am not jealous
• 35:06
  Speaker 1: of other men. If they put the time in, they
• 35:09
  Speaker 1: deserve the accolade.
• 35:10
  Speaker 4: True, he definitely was hitting the gym before this episode.
• 35:14
  Speaker 1: Well, yeah, I mean you can't. You don't roll out
• 35:16
  Speaker 1: of bed looking like that. You're got to work at it.
• 35:19
  Speaker 1: It takes dedication, takes grit.
• 35:21
  Speaker 4: I was a good scene that he's putting on the pants,
• 35:23
  Speaker 4: putting on the shirt, putting on the socks.
• 35:25
  Speaker 1: Yeah, and that was a.
• 35:27
  Speaker 4: Very good conversation they have following that. This is where
• 35:30
  Speaker 4: they really have the heart to heart. And also I
• 35:33
  Speaker 4: was glad we resolved it and that it didn't like
• 35:35
  Speaker 4: I didn't have to deal with this for like so
• 35:37
  Speaker 4: many episodes.
• 35:38
  Speaker 2: It's like, okay, right, I agree, they got it out there.
• 35:41
  Speaker 2: Logan understood what laurla I was saying and addressed it,
• 35:46
  Speaker 2: and then you know, vice versa. I thought it was good.
• 35:49
  Speaker 2: And you know, he compared himself to what she did,
• 35:54
  Speaker 2: and you know, she walked away from a life of privilege.
• 35:56
  Speaker 4: And yeah, and he calls that out right right like
• 36:00
  Speaker 4: she says, I understand that, and he says, I thought
• 36:02
  Speaker 4: you would, because that's what you did. You left the
• 36:04
  Speaker 4: world of privilege to do things your way. And I
• 36:07
  Speaker 4: spit when I said that.
• 36:08
  Speaker 1: Sorry, a little a little different circumstances, I would say.
• 36:12
  Speaker 4: True, very true, very a little different. But she does say,
• 36:16
  Speaker 4: I guess I never thought of it that way.
• 36:17
  Speaker 1: Did she call him Christopher at all?
• 36:21
  Speaker 4: You know, I've seen a lot of people make comparisons
• 36:23
  Speaker 4: to April and Rory having a lot of similarities speaking.
• 36:28
  Speaker 2: Up, you know, with the books and their whole thing.
• 36:31
  Speaker 4: So yeah, just calling that out.
• 36:34
  Speaker 2: Yeah, And I mean I've seen people, you know, kind
• 36:37
  Speaker 2: of make a comparison between Christopher and Logan too, I'm sure.
• 36:40
  Speaker 2: I mean, I don't think Christopher has the drive that
• 36:43
  Speaker 2: Logan has, right, Christopher's kind of just you know, he
• 36:48
  Speaker 2: lives his life just kind of screw up, which.
• 36:51
  Speaker 1: And I think he looks better than Christopher with his
• 36:53
  Speaker 1: shirt off.
• 36:54
  Speaker 4: Thank you, thank you, thank you for that. Hello.
• 37:00
  Speaker 2: Agree. And then the scene ends with pie and ice cream,
• 37:04
  Speaker 2: Like how you can't go wrong with that?
• 37:05
  Speaker 4: So all right, so now it's sell On girls, it is, Yeah.
• 37:13
  Speaker 2: Pie and ice cream. It's that's just how it is.
• 37:15
  Speaker 1: That was what they were gonna call it. They were
• 37:17
  Speaker 1: gonna call it pie and ice cream, not Gilmore Girls.
• 37:19
  Speaker 2: And I liked that it was just Logan and Loralai,
• 37:24
  Speaker 2: like they didn't have Rory come join them, Like it
• 37:26
  Speaker 2: was just the two of them, you know, having having
• 37:29
  Speaker 2: the snacks. So I thought that was yeah. Yeah. And
• 37:34
  Speaker 2: then now it's the next day and we're at the
• 37:36
  Speaker 2: hay Bale Maze and uh, this is where we meet
• 37:40
  Speaker 2: the Saint Clair family again. And the kid is not
• 37:43
  Speaker 2: impressed with the hay Baise. He's like, is that all
• 37:46
  Speaker 2: there is?
• 37:46
  Speaker 4: Are there?
• 37:47
  Speaker 2: Fireworks? Are there?
• 37:49
  Speaker 1: You know?
• 37:49
  Speaker 2: I'm like, I don't know if you should have fireworks
• 37:50
  Speaker 2: and hay bail may so.
• 37:51
  Speaker 4: No, hay bail may so bad. We'll talk about that too.
• 37:54
  Speaker 2: But and then Logan like kind of pumps the kid up,
• 37:59
  Speaker 2: and then they go into the maze and everybody, everybody
• 38:03
  Speaker 2: loves the maze. When Maury comes out, he's like, I'm
• 38:08
  Speaker 2: just on the maize. You know, it's pretty good. This series, really,
• 38:16
  Speaker 2: the entire seven seasons would have benefited from more Maury.
• 38:21
  Speaker 1: He's just for sure for sure?
• 38:26
  Speaker 2: Yeah?
• 38:26
  Speaker 4: Or Kirk.
• 38:28
  Speaker 2: Yeah. And so this is where Rory reveals she's made
• 38:33
  Speaker 2: her decision and she's gonna say no to the Providence
• 38:37
  Speaker 2: General Bulletin, and I hope that she gets the fellowship.
• 38:42
  Speaker 2: I don't know what did you guys think of that decision.
• 38:45
  Speaker 4: I think there could have been I think it could
• 38:47
  Speaker 4: have been played a bit better. I think she could
• 38:48
  Speaker 4: have gone back and said, thank you so much for
• 38:51
  Speaker 4: this offer, can you give me another week? You know,
• 38:54
  Speaker 4: I think there's way I think she's just taking their deadline,
• 38:57
  Speaker 4: and like, because I think she should see what she
• 38:59
  Speaker 4: gets from all these other jobs that she's applied for.
• 39:02
  Speaker 4: It was that was like. And also, I don't know
• 39:06
  Speaker 4: why she's all into this fellowship. I don't know. It's
• 39:08
  Speaker 4: not necessarily the decision I would have made.
• 39:12
  Speaker 2: I agree. I think I do a little short sighted
• 39:14
  Speaker 2: because the fellowship is only six weeks. Correct, we are
• 39:18
  Speaker 2: You're just not thinking big plasure.
• 39:20
  Speaker 4: You're not really thinking big picture, correct, right, because.
• 39:23
  Speaker 2: She could have told the Providence newspaper, Hey, if I
• 39:27
  Speaker 2: get this, I'll go do that, yes, exactly, like a
• 39:29
  Speaker 2: start date or something.
• 39:31
  Speaker 4: Right, she's not a great negotiator with her prospective potential jobs.
• 39:37
  Speaker 4: But whatever, Maybe she's just young and out of college
• 39:41
  Speaker 4: and maybe we have the wisdom of going I think
• 39:43
  Speaker 4: you can work this out.
• 39:45
  Speaker 2: No, I probably wasn't a good negotiator at that age either.
• 39:49
  Speaker 2: But I mean me with my four dollars and twenty
• 39:51
  Speaker 2: five cents an hour, I don't think I was either.
• 39:53
  Speaker 4: I know I was like an hour. I'll take it.
• 39:58
  Speaker 2: Yes, But this might be a good time to point
• 40:02
  Speaker 2: out that she we had that episode where she went
• 40:07
  Speaker 2: back to Mitcham's newspaper and totally bugged that guy to
• 40:10
  Speaker 2: give her a job, and he does, and then we
• 40:13
  Speaker 2: never we never hear about.
• 40:14
  Speaker 4: It, like it just it just vanish semi famous guy,
• 40:18
  Speaker 4: like that guy's kind of like in a lot of things.
• 40:19
  Speaker 2: That guy. Right, Yeah, we interviewed him and that after
• 40:23
  Speaker 2: she like bugged the crap out of him to give
• 40:25
  Speaker 2: her that job. Back then she makes like one more
• 40:27
  Speaker 2: reference to it, and then we never hear from it
• 40:29
  Speaker 2: again the whole rest of the series. So I didn't.
• 40:32
  Speaker 2: I never understood why the writers like abandoned that whole
• 40:34
  Speaker 2: storyline because it could have been a well opportunities there,
• 40:39
  Speaker 2: but but whatever. Also, I wanted to point out we
• 40:44
  Speaker 2: finally got to see Martha Suki's second kid. You are corregged.
• 40:51
  Speaker 2: Yes we did at the baptism, but she was just
• 40:54
  Speaker 2: a baby in the stroller and we finally get to
• 40:57
  Speaker 2: see her as a little toddler. So I thought she
• 40:59
  Speaker 2: was cute.
• 41:00
  Speaker 4: Yeah, I think I don't know that they're aging exactly correctly.
• 41:04
  Speaker 2: Yeah, I don't think.
• 41:04
  Speaker 4: So something's a little off because the one guy seems
• 41:07
  Speaker 4: so much older than I think he is. But whatever. Yeah,
• 41:10
  Speaker 4: they also see Kirk on stilts, and I learned that
• 41:13
  Speaker 4: Sean Gun. Sean Gun did not necessarily know how to
• 41:17
  Speaker 4: walk on stilts.
• 41:19
  Speaker 1: So how would one know how to walk on stilts
• 41:23
  Speaker 1: unless they were with a circus?
• 41:25
  Speaker 4: Well, I don't know. You don't know that. I don't
• 41:27
  Speaker 4: know how to walk on Still.
• 41:28
  Speaker 1: Some people I know you. I know you don't know
• 41:29
  Speaker 1: how to walk.
• 41:30
  Speaker 4: I did not, but you people learn things.
• 41:35
  Speaker 2: Yeah, I know how to twirl a baton, and you
• 41:36
  Speaker 2: might not think I do.
• 41:37
  Speaker 4: And I do.
• 41:38
  Speaker 1: I know you know how to twirl a baton. I
• 41:41
  Speaker 1: am a.
• 41:41
  Speaker 4: Really good baton whirler.
• 41:44
  Speaker 1: Oh I know, I know.
• 41:46
  Speaker 2: But I do not know how to walk on stilts,
• 41:47
  Speaker 2: and I don't think I want to.
• 41:49
  Speaker 1: I can juggle, can you juggle? Three balls?
• 41:51
  Speaker 2: Can juggle?
• 41:52
  Speaker 4: Actually I can juggle three tennis balls like I used
• 41:55
  Speaker 4: to be better. But I can juggle, but I cannot
• 41:57
  Speaker 4: do a hula hoop anymore. My niece can do hula
• 42:00
  Speaker 4: hoop for like, she could just go for ten minutes
• 42:03
  Speaker 4: if you wanted her to, and I can't go.
• 42:04
  Speaker 1: Can you Can you juggle two balls with one hand? Ah?
• 42:07
  Speaker 4: Yes, I used to be able to do that. It's
• 42:09
  Speaker 4: all about the rhythm of the juggling. Sure, I can't.
• 42:14
  Speaker 4: I don't know it's any magic tricks.
• 42:15
  Speaker 1: But we'll have to have a juggle off one day.
• 42:17
  Speaker 2: That'd be fun.
• 42:18
  Speaker 4: Actually I cannot walk on stilts, can you?
• 42:22
  Speaker 1: I don't care to. I'm not interested in.
• 42:26
  Speaker 4: Walking to go to the circus.
• 42:30
  Speaker 1: Actually no, I'm not fond of clothes. We hired one
• 42:38
  Speaker 1: for next but you did not, And I just couldn't
• 42:42
  Speaker 1: wait till the guy left. Oh.
• 42:44
  Speaker 4: When we were that age, when we were a little
• 42:46
  Speaker 4: our mom hired Miss Mouse. She was sort of this,
• 42:49
  Speaker 4: like did the birthday party circuit. And I'm like, why
• 42:52
  Speaker 4: did we had this creepy lady in a mouse costume?
• 42:56
  Speaker 1: Like what?
• 42:58
  Speaker 2: Why?
• 42:59
  Speaker 4: But yeah, clowns are you can't wait till they leave
• 43:02
  Speaker 4: because there it's weird. I told you I once had
• 43:04
  Speaker 4: a clown try to steal my wall.
• 43:08
  Speaker 1: Steal your what, steal your wallet?
• 43:11
  Speaker 4: Degret and I. We were like in the studio, this
• 43:14
  Speaker 4: is so many years ago. I mean, this is twenty
• 43:17
  Speaker 4: twenty years plus years ago. And someone sent Ryan a
• 43:21
  Speaker 4: singing telegram and it was this creepy clown lady and
• 43:26
  Speaker 4: she's got some creepy basket and I see her take
• 43:31
  Speaker 4: my wallet off the counter and put it.
• 43:34
  Speaker 2: In her basket, and I'm just like, I.
• 43:37
  Speaker 4: Just took my wallet back out of her basket, and
• 43:40
  Speaker 4: just like I'll never forget it. I'm like, I literally
• 43:45
  Speaker 4: I can't remember what I had for lunch today, but
• 43:48
  Speaker 4: I can remember that clown woman trying to take my wallet.
• 43:53
  Speaker 4: And I was just sad something.
• 43:55
  Speaker 1: You got to keep your eye on clowns. Can't take
• 43:58
  Speaker 1: your eyes off.
• 43:58
  Speaker 2: Those clowns, are you Okay? So now we're at the diner.
• 44:14
  Speaker 2: It's all the craziness of the maze. April is working there,
• 44:19
  Speaker 2: which was fun to watch. She was delivering a few meals,
• 44:24
  Speaker 2: can really fast.
• 44:25
  Speaker 4: Question, wasn't there a rule no running in the maze,
• 44:27
  Speaker 4: and yet I felt like everyone was running in the maze.
• 44:29
  Speaker 2: Okay, just making sure I'm not. You know, it's so tempting.
• 44:36
  Speaker 1: I actually shouted out to stop running. Yeah, I do
• 44:39
  Speaker 1: it at the pool we go to too. I say, the
• 44:41
  Speaker 1: kids are running. I say slow down, slow down, nobody's
• 44:45
  Speaker 1: gonna get hurt.
• 44:47
  Speaker 2: That's funny that you say that because of the year
• 44:51
  Speaker 2: in the life. But anyways, we'll get to that. So
• 44:55
  Speaker 2: April Zach has the maze memorized basically because he's delivering
• 45:00
  Speaker 2: to people's houses and so he instead of going around.
• 45:03
  Speaker 2: That was pretty hard. Yeah, And then so April goes
• 45:08
  Speaker 2: to the maize and she runs off. That was just
• 45:10
  Speaker 2: a cute little sort of in between and now we
• 45:13
  Speaker 2: see uh. This I thought was my favorite part of
• 45:17
  Speaker 2: the episode was Lorelei and Luke in the main the best.
• 45:22
  Speaker 2: It was great. Shout out to the blue and green
• 45:26
  Speaker 2: plaid shirt she was wearing. We saw that in another
• 45:28
  Speaker 2: episode when she was with Chris, and I always liked
• 45:31
  Speaker 2: that shirt. I actually have the speech if you want it.
• 45:34
  Speaker 2: Do you want to hear the speech?
• 45:36
  Speaker 4: Sure? I messed up that night. I went to Christopher.
• 45:39
  Speaker 4: I'm sorry, Luke, Yeah, yeah, I mean I never admitted
• 45:43
  Speaker 4: to you. I never admitted it to you. It was
• 45:46
  Speaker 4: wrong what I did, and it was and I'm really sorry. Okay, thanks.
• 45:51
  Speaker 4: I don't know why I didn't say this before, and
• 45:53
  Speaker 4: he was more warm about it. I think I'm not
• 45:55
  Speaker 4: doing good acting. Luke says, you know, I'm sorry because
• 46:00
  Speaker 4: I don't know. It's just not that I've had April.
• 46:03
  Speaker 4: I've learned a lot, and I was crazy to think
• 46:05
  Speaker 4: that I had to fix everything in my relationship with
• 46:07
  Speaker 4: April before I could really be with you. And that's
• 46:09
  Speaker 4: just not how you fix things. I mean, things just
• 46:11
  Speaker 4: don't stand still. They're always changing. And then she says, yeah,
• 46:15
  Speaker 4: I guess I was compartmentalizing, if that's what you call it.
• 46:17
  Speaker 4: I mean I should have opened my compartments. It should
• 46:19
  Speaker 4: have gotten your help. I wanted to help, I know,
• 46:21
  Speaker 4: and I'm sorry. And I'm sorry also because I think
• 46:24
  Speaker 4: I kind of used April to push you away. Good scene, people,
• 46:30
  Speaker 4: I've been waiting for this for so long.
• 46:32
  Speaker 1: That yeah, good scene.
• 46:36
  Speaker 2: Yeah. It was good to see them finally acknowledged that
• 46:38
  Speaker 2: they both had a role in the insanity.
• 46:43
  Speaker 4: I'm glad that they did it the way they did
• 46:45
  Speaker 4: it like that. There was no sudden like and I
• 46:49
  Speaker 4: love you kissed, do you know what I'm saying?
• 46:50
  Speaker 2: Thing like that?
• 46:51
  Speaker 4: It was just how it was. And then off they went.
• 46:55
  Speaker 3: Yeah.
• 46:55
  Speaker 4: I thought, okay, Okay, that would have been a hard
• 46:58
  Speaker 4: conversation for me to like walk away from. Yeah it
• 47:02
  Speaker 4: was good, really good.
• 47:04
  Speaker 1: Yeah. I think they both have to process what that
• 47:06
  Speaker 1: conversation really meant, yeah, and what it could potentially lead to.
• 47:11
  Speaker 1: And nobody was going to move too fast, right, They're
• 47:16
  Speaker 1: just gonna sleep on.
• 47:18
  Speaker 2: It exactly, Yeah, like what what's the next step going
• 47:22
  Speaker 2: to be? Is going to be a next step?
• 47:24
  Speaker 4: Right right right?
• 47:27
  Speaker 2: M And then we got the trouba Door, Like this
• 47:30
  Speaker 2: episode had everything.
• 47:33
  Speaker 1: The Troubadour following him in.
• 47:35
  Speaker 2: Good to see the Troubadour.
• 47:38
  Speaker 1: And no one's gonna know, there's gonna be no heartbreak tonight,
• 47:42
  Speaker 1: no one's losing their life tonight or whatever. Those lyrics perfect.
• 47:47
  Speaker 2: Yeah, it was good. And then it goes to the
• 47:49
  Speaker 2: crane shop that lives up and you can see literally
• 47:52
  Speaker 2: the whole square with the flags, and I just I
• 47:56
  Speaker 2: really liked that scene.
• 47:57
  Speaker 1: I want to give a shout out to Grantly Phillips.
• 48:00
  Speaker 1: I think he's still touring now, I'm not. If you
• 48:03
  Speaker 1: have a chance to go see him, you should. He's fantastic.
• 48:06
  Speaker 1: He's fantastic live and a great storyteller and just an
• 48:10
  Speaker 1: all round great guy. So go see him.
• 48:13
  Speaker 4: Give a shout out to this episode for being like Gilmore.
• 48:17
  Speaker 1: Yeah, it was really the essence of Gilmour. It really
• 48:20
  Speaker 1: gave you the It was so grounded, and it gave
• 48:23
  Speaker 1: you that, you know, the real community feel. And we're
• 48:27
  Speaker 1: going to do a festival. Imagine and boy, I mean
• 48:30
  Speaker 1: I'm beating a dead horse on this thing, and I'm
• 48:32
  Speaker 1: going to get lamb basted for this. But imagine what
• 48:35
  Speaker 1: a Luke and Laurel I wedding would have been. Yes, disgust, gosh.
• 48:42
  Speaker 4: I also think we had like some fair and you
• 48:45
  Speaker 4: said this, Scott, I'm just reiterating, we had very pivotable,
• 48:48
  Speaker 4: pivotal Rory Logan, Laurel I, Luke moments in this Like,
• 48:53
  Speaker 4: this was not a fluff episode. It had a lot.
• 48:57
  Speaker 2: Yeah, it really on all fronts advanced the story.
• 49:02
  Speaker 1: Yeah, there was there was rehabilitation, there was there was
• 49:05
  Speaker 1: personal growth, there was introspection, and I mean it was
• 49:08
  Speaker 1: it was terrific. It was really terrific. And it was active. Yeah,
• 49:13
  Speaker 1: you know, and they were doing fun stuff, fun stars,
• 49:15
  Speaker 1: hollow stuff. I just you know, Amy, I think you're right.
• 49:19
  Speaker 1: I think we could have used more of the peripheral characters.
• 49:22
  Speaker 1: And bring them more into the fold, especially if we're
• 49:26
  Speaker 1: spending a lot of time in that community, you know,
• 49:29
  Speaker 1: and we were that they had the opportunity actually taken
• 49:31
  Speaker 1: that opportunity would have been an A plus episode for me,
• 49:34
  Speaker 1: But instead I think it's just an A. So yeah, anyway, I.
• 49:39
  Speaker 4: Think are we ready to give our what we get?
• 49:41
  Speaker 1: I think, yeah, let's let's rate it.
• 49:44
  Speaker 2: I really loved this episode. I'm going to give it
• 49:47
  Speaker 2: eight point nine salty nuts.
• 49:52
  Speaker 4: Two point five uh HIAA pans of.
• 49:57
  Speaker 1: Payea, Susanna, what't you give it?
• 50:00
  Speaker 2: I gave it eight point nine.
• 50:01
  Speaker 1: Eight point nine and nine point five from Amikins. Yeah,
• 50:05
  Speaker 1: I think I'm gonna give it a I think I'm
• 50:08
  Speaker 1: right there with you, Amy. I think a nine point
• 50:10
  Speaker 1: five turquoise bracelets.
• 50:14
  Speaker 4: Oh my god, we forgot to say when the bracelet
• 50:18
  Speaker 4: pops out and she sees it my bracelet, everybody, Jackie,
• 50:25
  Speaker 4: can you try to find bracelets like that so we
• 50:28
  Speaker 4: can all wear them?
• 50:29
  Speaker 1: Please?
• 50:30
  Speaker 4: I will pay for them. If somebody can find a
• 50:32
  Speaker 4: bracelet that looks.
• 50:33
  Speaker 1: Just like it, all right, well that's gonna do it.
• 50:37
  Speaker 1: Thank you, everybody, Amy, Susanne, best fans, all the plant.
• 50:41
  Speaker 1: Thanks for download to keep the cards, letters come and
• 50:43
  Speaker 1: smoke signals. Pigeon dropped, not pigeon droppings, but pigeon bye
• 50:49
  Speaker 1: notes by pigeon pigeon droppings. We're going to get those anyway.
• 50:55
  Speaker 1: Y'all are great, We love you, and it's.
• 50:57
  Speaker 4: Just like riding a bike.
• 51:00
  Speaker 1: Yeah, next week, just like we keep doing them. Oh,
• 51:03
  Speaker 1: write the name of the episode Hilltops and Hannah Barberous
• 51:07
  Speaker 1: right next we did we do a comedy show or
• 51:16
  Speaker 1: just give up that dream? We should give it up.
• 51:19
  Speaker 1: We should give up the dream.
• 51:20
  Speaker 4: Funny, and it was funnier because it took me a
• 51:23
  Speaker 4: minute to get it where I'm like, and then I
• 51:27
  Speaker 4: also just clicked and I just was like, also, I
• 51:30
  Speaker 4: have to go turn my air conditioning on because I'm
• 51:32
  Speaker 4: so hot. I'm having a hoflash. So oh my god,
• 51:34
  Speaker 4: say you're goodbyes while I do that.
• 51:35
  Speaker 1: All right, bye bye, I love y'all, see ya bye,
• 51:40
  Speaker 1: and remember we and I am all In.
• 51:43
  Speaker 7: Stay safe everyone, everybody, don't forget.
• 52:14
  Speaker 1: Follow us on Instagram at I Am All In podcast
• 52:18
  Speaker 1: and email us at Gilmore at iHeartRadio dot com