Latest / What's Your (Least) Favorite Scary Movie? / #232: The Dentist (1996)

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#232: The Dentist (1996) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello, what's your least favorite scary movie?
• 0:10
  I am a dentist and this is my wife.
• 0:14
  Welcome to What's your least favorite scary movie?
• 0:17
  The podcast where we talk about the goods, about the ugly and
• 0:20
  the absurd and all of our favorite.
• 0:22
  And least favorite? Scary movies.
• 0:23
  Because we believe every horror movie rightfully has its fan
• 0:26
  base. Even if we don't.
• 0:27
  Always get it? My name is Travis.
• 0:29
  My name is Jesse. And welcome, everybody, We are
• 0:33
  covering our Patreon voted episode this week.
• 0:36
  Indeed we are. And I guess the patrons decided
• 0:39
  that we are all due for a trip to the dentist because we're
• 0:43
  going to be covering the dentist today.
• 0:45
  Yeah, this is a nice little weird little movie and I'm
• 0:50
  excited to talk about it today. Yeah, I think it's, I think it's
• 0:53
  going to be a fun one to talk about because it I always forget
• 0:56
  how much movie there is to this movie.
• 0:59
  What does that even mean? Because in my head it ends after
• 1:04
  the scene with his wife. You know the scene.
• 1:09
  There's a couple of those. No like, but the like.
• 1:13
  Oh yeah. Oh, really?
• 1:14
  The scene, yeah, that's where I always like imagine it ends.
• 1:18
  No. And there's so much more after.
• 1:20
  That Yeah, man, this movie goes places.
• 1:21
  Yeah, it really does. Yeah, it's a we're in for a fun
• 1:24
  time today. Somehow, the second one's even
• 1:25
  more wild. Yeah, yeah, that 1 is really
• 1:28
  weird and we'll hopefully talk about that one sometime down the
• 1:31
  line. But before we do anything else
• 1:34
  today, do you have anything that you need to announce?
• 1:38
  This weekend is gonna be our two Beer Not to Be episode.
• 1:40
  Of the movie. Okay, yeah.
• 1:42
  So just be a lookout for that and, and that's all I have by
• 1:46
  the way, of announcements. All right, so that means it's
• 1:48
  time for our poll results indeed.
• 1:50
  And we talked about old last week and that one was a tough
• 1:55
  one to do a poll for. So we ended up landing on what
• 1:58
  type of kid were you? Were you an adlib, which is
• 2:02
  chill? Or were you a Trent, which is a
• 2:05
  kid that had no chill? So over on Instagram 25% were
• 2:11
  adlib, 75% were Trents and over on Twitter 67 edlib, 33 Trent.
• 2:20
  So our chill people are over on Twitter and our no chill people
• 2:23
  are on Instagram. Sounds I would have reversed
• 2:25
  that. Actually, I think Twitter has no
• 2:28
  chill. But you know, whatever.
• 2:30
  I don't know. I I think I was an edlib.
• 2:35
  OK, yeah, I wasn't a wild kid. I didn't do like any out there
• 2:39
  shit. I was too scared.
• 2:42
  I was scared, chilled. Scared to chill?
• 2:46
  Yeah, what about you? Which one were you?
• 2:49
  Have you ever known me to have any chill whatsoever?
• 2:51
  Well, I've only known you for your adult life, so.
• 2:55
  Still. You've OK?
• 2:59
  Yeah. You did the whole spider web
• 3:01
  thing when you were like it. So yeah, you had no chill.
• 3:03
  OK. You're a trend.
• 3:04
  Yeah, unfortunately. OK, I probably did.
• 3:07
  I probably was the annoying kid on vacation.
• 3:10
  Like what's your name and occupation?
• 3:12
  Oh God. OK, sorry, those are purple.
• 3:15
  So let's talk about The Dentist. Are we ready?
• 3:18
  Yeah. OK, so The Dentist released June
• 3:22
  18th 1996 at the Fanta Festival. Like Fanta soda?
• 3:31
  No are. You sure?
• 3:33
  I'm not sure. That wasn't a confidence.
• 3:35
  No, I it's either if it's going to be anything, it's one
• 3:40
  fantastic 2 fantasy, 3 Fanta the drink or 4 whatever you said
• 3:48
  that's. What I said.
• 3:51
  Fanta like. The drink soda.
• 3:54
  Oh, I thought you were talking about a place.
• 3:55
  OK, no more than I don't know that could be, but I can't say
• 3:58
  no definitively. It's wide release was October
• 4:01
  18th, 1996 on HBO. HBO.
• 4:05
  And it released on VHS December 31st, 1996.
• 4:09
  So the very last day you got. A lot of numbers for that.
• 4:12
  Yeah, I was actually kind of surprised.
• 4:14
  I think that's the first time we've had three releases for a
• 4:17
  movie. I know we watched it on our
• 4:19
  Blu-ray which that just made it to Blu-ray last year, 2023,
• 4:25
  which is the release that we have.
• 4:26
  We scored it like so unexpectedly at Half Price
• 4:30
  Books. It was just sitting there, was
• 4:31
  on like the employee or staff pick shelf.
• 4:34
  Yeah. And you were like.
• 4:36
  Yeah. And just like, grabbed it.
• 4:38
  Just for anybody curious about these, they are super
• 4:42
  affordable. It's a 2 pack of the dentist,
• 4:44
  one and two and it's like $10 and you can get it on Amazon for
• 4:48
  probably 8 really. The woman that checked us out,
• 4:51
  she was like, this is a scary movie.
• 4:53
  And we were like, yeah, have you seen it?
• 4:54
  And she goes, no, I just hate the dentist.
• 4:56
  Yeah, yeah. That's kind of everybody's
• 4:58
  impression when they see this movie.
• 5:01
  So as of September 7th, 2024, you can watch it on AMC Plus
• 5:08
  Voodoo Free, which is now Fandango at Home Free Tubi and
• 5:13
  Plex. But if you have to watch it
• 5:16
  without ads on any of those free options, you can rent it on
• 5:19
  Apple, YouTube or Amazon for 399.
• 5:23
  Written by Dennis Paoli, Stuart Gordon and Charles Finch.
• 5:28
  I thought you said it was written by Dentist Faioli for a
• 5:31
  second. Directed by Brian Yesna.
• 5:34
  Yay. Music by Alan Howarth.
• 5:37
  That name sounds. Familiar the man who has done
• 5:39
  the soundtrack for a lot of John Carpenter films and Halloween's
• 5:43
  235. He did They Live, which was the
• 5:46
  most recent time we've discussed and which was last month.
• 5:50
  Bom bom bom BOM BOM BOM bom bom. Yep, that's the They Lift Them
• 5:52
  song. Yep.
• 5:53
  Well, you said Halloween 235 and you I feel like you kind of
• 5:57
  speed through that. So I wouldn't have a chance to
• 5:59
  do the Bom, BOM BOM, BOM. Special Effects by Anthony C
• 6:02
  Ferrante and JM Logan, starring Corbin Brinson as Doctor Alan
• 6:08
  Finestone, Linda Hoffman as Brooke, Molly Hagen as Jessica,
• 6:12
  Patty Toy as Karen, Jane Hong, Jane Hog, Jane Hog as Candy,
• 6:17
  Virginia Keen as Sarah, Michael Stadvek as Matt, and Ken Foray
• 6:22
  as Detective Gibbs. Yeah.
• 6:25
  All right. Time for our favorite game on
• 6:26
  the show. Budget or butt head?
• 6:32
  Yeah, I'm gonna go with bug Ted. Yeah, this is a very bug Ted
• 6:36
  movie. OK, the bug Ted for this was
• 6:38
  $700,000. Wowie.
• 6:41
  I don't have box office or worldwide gross because this is
• 6:44
  a straight to VHS release so nothing there.
• 6:47
  But the IMDb is 5.4 out of 10. That's pretty rude.
• 6:52
  I thought so, too. I don't really know where most
• 6:57
  people stand with this movie. I'm.
• 6:59
  I'm getting mixed reviews. I think that that kind of falls
• 7:02
  in line with an actual reception.
• 7:04
  Wow. Yeah.
• 7:05
  OK. Well, I guess that makes sense
• 7:07
  considering, you know, that is like a group of people rating
• 7:09
  it, but. Yeah, yeah.
• 7:12
  All right, so I have 3 movies from 1996 and the theme that I
• 7:17
  chose is professions you should be wary of.
• 7:21
  OK. Yeah.
• 7:22
  So that's. A fun theme.
• 7:24
  The first movie, This is not a profession just to be queer, but
• 7:29
  it's Pinocchio's revenge. You cannot be a professional
• 7:33
  Pinocchio. Be a professional liar.
• 7:36
  A what? Liar.
• 7:39
  I thought you almost said the actual thing because a lawyer is
• 7:42
  the profession of this movie. Well, I was gonna if you were
• 7:45
  gonna ask me for an example of professional liars, lawyer would
• 7:48
  have been up there. Yeah, I read the synopsis of
• 7:50
  this. We've never seen it.
• 7:51
  I'm really interested in it cuz it seems really cheesy and low
• 7:54
  budget. I was.
• 7:54
  Gonna say it sounds like something up our alley.
• 7:56
  It's is about so wait mentioned. 1st I have to ask.
• 8:02
  I'm guessing it's low budget. Yeah, absolutely.
• 8:06
  And it's about a killer doll. Is this a full moon?
• 8:12
  Features. No, I don't think so.
• 8:13
  OK, Remember Full Moon was rolling with the puppet masters
• 8:16
  at this time? They didn't.
• 8:17
  They had no need for Pinocchio. OK, I was just asking.
• 8:19
  Yeah, it's very well. It's like.
• 8:21
  You know how Charles Bambi? Yeah, it's very much of that
• 8:26
  nature, but it's not that bad. Or maybe it's actually worse.
• 8:30
  Dude, come on. Full moon.
• 8:31
  Shit's like, I love full moon stuff, but full moon's not
• 8:34
  great. That's OK.
• 8:37
  So the the profession in that one is a lawyer and it's a woman
• 8:41
  defending a serial killer or something like that.
• 8:44
  OK so yeah, you know, be wary of a wire.
• 8:47
  They're gonna be scummy people too.
• 8:48
  That released October 7th, 1996. No budget, no gross.
• 8:53
  IMDb 4.1. You know, that's not bad.
• 8:58
  No. In terms of what we've seen some
• 9:00
  IMDb scoresby. Yeah, I actually expected it to
• 9:03
  be way worse than that. So the next one is Ebola
• 9:07
  syndrome. So the profession in that is
• 9:11
  restaurant worker. So he has Ebola in that, and he
• 9:17
  works at a restaurant. Do you remember that really
• 9:19
  drunk guy at that bar one time when there is an Ebola breakout
• 9:23
  in the United States? And he was like, this is what I
• 9:25
  love about this country, 'cause you come here and it's like you
• 9:27
  have Ebola, you have Ebola, you have Ebola.
• 9:30
  I do remember that, yeah. I don't, I don't know what he
• 9:32
  was getting at with that, but. He was getting at somebody give
• 9:36
  me a ride home. There's no way I could drive.
• 9:38
  So he's like, please give me a bowl.
• 9:41
  Yeah, he was fucked up. Yeah.
• 9:43
  So I've heard that this movie is very upsetting.
• 9:46
  It's a very. Sounds upsetting.
• 9:47
  Yeah, it's a it's a grimy movie from all things that I've heard.
• 9:51
  They released June 15th, 1996. I don't have the budget or the
• 9:55
  gross, but the IMDb is 6.5. OK, yeah, so it does seem to
• 10:00
  have a decent score. Yeah, it's actually the highest
• 10:02
  of all of the movies today. Wow.
• 10:04
  So the final movie is the Stindhall Syndrome, which is
• 10:07
  about a cop. OK.
• 10:09
  So that released I don't need any further explanation that
• 10:13
  released January 26th 1996. Budget of 3.8 million, no gross.
• 10:18
  IMDb 6. OK, so not too shabby there.
• 10:23
  Got lots of syndromes going on. It took me a long time to get a
• 10:26
  a theme for this by the way, cuz 1996 is really light on horror.
• 10:31
  It's really not that great. It's like scream and then
• 10:33
  everything else. The Craft.
• 10:35
  Oh shit, I forgot the craft was in 96.
• 10:38
  OK, the scream, the craft, the dentist.
• 10:41
  In There were heavy hitters in there, but nothing that would
• 10:45
  fall in line with the theme for the dentist.
• 10:48
  But there really weren't that many movies.
• 10:51
  In reality. It was like maybe like 20
• 10:53
  something. I had that same problem last
• 10:55
  week with old because 2021. Really no horror from that genre
• 11:00
  or. No, there was plenty of horror.
• 11:03
  It was just like trying to find something that.
• 11:04
  Themes. Yeah, yeah, yeah, I can see
• 11:07
  that. OK, so time for tacklings.
• 11:09
  OK, all right. It seems like one that would be
• 11:16
  like rife with for puns. You would think, but prepared to
• 11:21
  be disappointed. No.
• 11:24
  So the one that's on the poster is it's been 6 months time for
• 11:28
  your check out. But it just sounds like an
• 11:32
  e-mail I get in my chart like it's in six months.
• 11:35
  That's like the I people trying to get me to come back in like
• 11:38
  fuck you guys. I'm not doing it right now.
• 11:39
  I'm doing well once. You all right?
• 11:43
  The next one. It's time for your final
• 11:45
  appointment. That sounds a little bit more
• 11:48
  ominous, but also a little bit odd because it's the dentist and
• 11:52
  it's supposed to be like, you know, like a lifetime thing.
• 11:56
  Yeah, I, you know, I, I don't really care for it.
• 11:59
  So next is your pain is his pleasure, which.
• 12:04
  Kinky. It's.
• 12:06
  Like I guess it works, but at the same time, whenever I read
• 12:10
  that and think about the movie, it doesn't really work because
• 12:15
  he's not getting pleasure from hurting these people.
• 12:17
  He is like delusional. Yeah, I was gonna say he's in
• 12:21
  the middle of like a severe psychotic break.
• 12:22
  Yeah, and the final one is a riff off of one of the others.
• 12:27
  It's time for your checkup. Pray it won't be your last.
• 12:31
  OK, I'm disappointed with this. Yeah, they're a really lack
• 12:34
  Western tagline, so I'm kind of bummed by.
• 12:36
  It well, I think we will have some fun with them by the end of
• 12:39
  this. I hope so.
• 12:39
  We always say that and then we drop the ball because we
• 12:42
  overthink it, unless we just go silly with it, which I think we
• 12:47
  can do for sure with this. Yeah.
• 12:50
  OK, so fun facts. OK, so Corbin wanted to do this
• 12:55
  because he wanted to take a break from the type of character
• 12:57
  that he was playing on LA Law. And I tried to find out what
• 13:02
  kind of guy he played on that. But this guy has a robust
• 13:05
  filmography. He seems to be a pretty active
• 13:08
  character actor. Wow.
• 13:10
  Yeah, he's got a lot of shit on there.
• 13:11
  So I don't know what that was like.
• 13:14
  But you know what? He's not the dentist.
• 13:16
  So that's why he wanted to do this role for.
• 13:18
  Some reason I don't know why. I feel like in an alternate
• 13:23
  universe or maybe this movie is made 10 or 15 years later.
• 13:27
  I always want to picture Bryan Cranston in this.
• 13:30
  Role. He kind of looks like him, yeah,
• 13:33
  right now, at his current age. I was watching interviews while
• 13:37
  you were asleep out there and he looks a lot like Michael Rooker.
• 13:42
  No, really. Yeah, just the way that he's
• 13:45
  aged, it's really interesting. Yeah.
• 13:46
  I feel like Michael Rooker would be terrifying in this role,
• 13:49
  mostly because the idea of Michael Rooker being a dentist
• 13:52
  is like. It's already upsetting, yeah.
• 13:55
  Yeah, and I mean that in like, because I like the guy's work.
• 14:00
  I like he plays an intimidating person.
• 14:02
  I like him as an actor, Yeah, I don't think that he works for
• 14:05
  this. I think they got the right guy.
• 14:06
  For this one, yeah, absolutely. Absolutely.
• 14:09
  All right, so the team that made this, Dennis Stewart Gordon and
• 14:13
  Charles Finch and Brian Yesna, they wanted to explore the other
• 14:17
  side of the dental experience. So when people think of the
• 14:20
  dentist, everybody has that relatable fear that strikes a
• 14:24
  chord with him. It's a terrifying thing.
• 14:27
  The writer Paoli was saying, not one time.
• 14:31
  Do you ever go to the dentist and you not bleed pretty much
• 14:34
  every single time you go there? You know, like, they draw blood
• 14:36
  from you. Yeah.
• 14:38
  So they wanted to take the approach of what it's like from
• 14:43
  the dentist's perspective, and they wanted to explore how they
• 14:49
  have a lot of pressure. They brought up the statistic
• 14:52
  that they have the highest suicide rates of all
• 14:54
  professions. An actual statistic like this.
• 14:57
  They have to deal with fucked up mouths and like seeing decay and
• 15:00
  just like all of these things all day.
• 15:03
  So, you know, like they wanted to just kind of explore the
• 15:06
  pressures that go. I kind of like that because
• 15:08
  like, you know, when you're doing your, you know, the theme
• 15:11
  being like professions you got to watch out for.
• 15:13
  It's not necessarily that all of those people in those
• 15:15
  professions are bad people or that their jobs are inherently
• 15:18
  like. It's more just like you can all
• 15:23
  you can always relate to a bad experience with one.
• 15:25
  It's that and it's just such a vulnerable place.
• 15:29
  Yes, it's there's tends to be a lot of high pressure working
• 15:32
  with the public all the time. It always sucks when you work
• 15:36
  with the public. I don't care what you do, that's
• 15:38
  just it's a nightmare situation. Yeah.
• 15:40
  And you know, I was kind of thinking about that the other
• 15:43
  day when I had my own medical thing going on and everybody was
• 15:50
  thankfully very friendly with us.
• 15:53
  But like, I was like, man, imagine just one person having a
• 15:56
  bad day and then they're like, all right, stuck the needle too
• 15:59
  far up your arm. Hope that's cool like.
• 16:01
  Yeah, You got to keep yourself composed.
• 16:03
  So yeah, like even though you're dealing with your own shit,
• 16:07
  Yeah, because you're dealing with other people's lives here,
• 16:09
  Yeah. They wanted to also do a more
• 16:13
  realistic and grounded story compared to the other shit that
• 16:16
  they you've done. So for those of you who are
• 16:18
  unaware, this is the team that brought you films such as
• 16:20
  Reanimator Society, which we covered recently, Honey, I
• 16:25
  Shrunk the Kids. Yeah.
• 16:28
  That famous triple feature, everybody.
• 16:30
  Yeah, everybody. Yeah, that's, I think that's a
• 16:33
  classic line of bread there. Yeah.
• 16:35
  So, yeah, they they just decided like, let's do something that's
• 16:37
  a little bit more grounded for us here.
• 16:40
  And even then they took it weird.
• 16:43
  But I do see and appreciate them actually taking like a grounded
• 16:47
  approach to something like this. After receiving the final
• 16:51
  rewrite, Brian Yeltsin actually said it was too narrow for what
• 16:54
  he wanted, so he took an extra day, and that's when he brought
• 16:57
  in Charles Finch to touch up the script just a little bit more to
• 16:59
  open it up, to make it a little bit more weird.
• 17:02
  OK, give it, give it that flair that they're used to.
• 17:06
  Exactly. They got Kevin Yeager involved
• 17:10
  in the special effects to help make the oversized mouth that
• 17:14
  they used to film the dental scenes.
• 17:16
  So when we see the mouth and any of the drilling, any of the
• 17:21
  stuff doing like the dental work, it's an oversized mouth.
• 17:24
  Oh my. God, so it's like the opposite,
• 17:26
  opposite of like how a lot of times they'll do like miniatures
• 17:29
  on sets for big scenes. Yeah, they blew it up.
• 17:33
  Oh. My God, that's.
• 17:35
  It's kind of. Impressive that, yeah.
• 17:37
  And. How do they make the hands look
• 17:39
  normal size reaching in? Do we normally?
• 17:41
  We don't see the hands, we see the tools.
• 17:44
  Man, my brain gaslit me. It's crazy.
• 17:47
  It's not I. Could have told you I would have
• 17:49
  sworn on my life that I saw his hand holding that little drill
• 17:52
  when he's going at Paula's tooth.
• 17:55
  You're seeing, yeah, they do a good job of shooting it.
• 17:57
  They did a great way of framing the shots on that.
• 18:00
  But the the mouth isn't like like absurdly.
• 18:03
  Large. Yeah, no, I'm not saying that
• 18:05
  it's absurdly large, but like, I feel like, you know, a hand
• 18:08
  would be a very obvious comparative piece.
• 18:11
  Yeah, so they only had one mouth for the entire film, the budget.
• 18:15
  They dealt with nothing but budget constraints the entire
• 18:18
  time they made this movie, and that was one of them.
• 18:20
  They did have to make one more mouth for the child because a
• 18:24
  child's mouth does not work with the adult mouth with the, you
• 18:29
  know, type of teeth that they have.
• 18:30
  Yeah, it's a whole different way out down there.
• 18:33
  So due to that, they had to be very careful about how they shot
• 18:38
  which sequences because, yeah, each person receives a different
• 18:41
  type of dental trauma. So they had to like save the
• 18:46
  more fucked up drilling scenes for afterwards, like towards the
• 18:51
  end of the shoot. Yeah, OK.
• 18:52
  In my head, just immediately, I'm feeling like it probably had
• 18:57
  to go like Paula, Marv, Brooke. Because if you think about it,
• 19:05
  we see Paula, it's like more towards the left side of her
• 19:07
  mouth and Marv tends to be more towards the right side of his
• 19:10
  mouth and then they focus more on his tongue.
• 19:12
  I think the one that so we see a lot of like Tooths being pulled
• 19:17
  from Brooke, yeah. But I think the one that has the
• 19:20
  most damage done to it is Paula because he is just straight up
• 19:24
  destroying her molar. With the but it's just that one
• 19:27
  tooth though. Yeah, but like, that is
• 19:30
  destroying that tooth. So any other shot we're seeing,
• 19:34
  like a complete mouth, they have to like, fuck that one up
• 19:36
  entirely. Yeah.
• 19:40
  Not to mention the other dude, the IRS guy.
• 19:43
  Marv. Is that Marv?
• 19:45
  Yeah, he had his own little thing.
• 19:47
  It's all right if I call you Alan, you can call me Marv.
• 19:50
  They had a really cool thing. So I saw they had like a little
• 19:53
  like sketches of how they designed this and they had the
• 19:56
  special effects guys explaining how they did it, but they
• 19:59
  constructed like another little mouthpiece to go over his mouth.
• 20:02
  They had to make it like a normal sized mouth to make it
• 20:04
  look like it was like. Exaggerated.
• 20:07
  Open. Yeah, Because that's how they
• 20:09
  have him set up there. Yeah, cuz as long as his jaw
• 20:12
  gets broken. Yeah, so his actual mouth is
• 20:16
  behind the tongue in. There, I was gonna say.
• 20:17
  That's how I would picture it, yeah, Being if I was to try and
• 20:21
  sketch it out myself. Yeah, it was impressive work.
• 20:25
  That's God, that's so cool. And the final thing, So we'll
• 20:30
  make the upsetting thing about this movie, one of the upsetting
• 20:33
  things about this movie, a little bit more fun in a way.
• 20:37
  So the dog scene. OK.
• 20:38
  And you, as soon as you said the upsetting thing, even though
• 20:41
  this whole movie's upsetting, I knew it was going to be about
• 20:44
  the dog. Yeah.
• 20:45
  So again, limited budget, they're having to figure out how
• 20:49
  they're going to do this. They don't have time to make
• 20:51
  one. They don't have the budget to
• 20:52
  make one, so they were calling around prop shops to see if they
• 20:56
  could get any type of dog. They're like, all right, let's
• 20:59
  get a German Shepherd. That's an accessible one.
• 21:00
  That's one that is likely to make somebody terrified enough
• 21:04
  to want to, like, kill it in self-defense.
• 21:07
  So they found that person's like, yeah, we got one, We'll do
• 21:10
  it. So they cast a German Shepherd.
• 21:15
  When they got to filming, they received a Rottweiler.
• 21:19
  I was going to say that was not a German.
• 21:21
  Shepherd. So they're like fuck, OK, we
• 21:24
  can't use the German Shepherd body now, so we need to get a
• 21:28
  Rottweiler 1. So they like scrambled and call
• 21:31
  it around and they ended up getting somebody saying, yeah,
• 21:34
  we got one. And they're like OK, great.
• 21:36
  So it's the day of shooting and they arrive with the prop for
• 21:42
  the dead dog and it's a goat. So in this movie, when we see
• 21:50
  that dog and they pull the whole blanket bag, it's a goat.
• 21:55
  They had to do everything in their power to disguise it and
• 21:57
  make it not look like a goat and then instead like a dog.
• 22:01
  I mean, they could have also just.
• 22:04
  Not showing the body. No, no, they they had to.
• 22:07
  I know that's not Yuzna's style, Snile, not his smile, but yeah,
• 22:13
  I mean to me that seems like the most budget friendly way.
• 22:16
  I think so too, but I think that they they had to get that shot.
• 22:20
  And I don't know, like, you know, it's not up to me if
• 22:24
  that's the creative decision. Like we need to show the dog
• 22:27
  whatever. But yeah, so I thought it was
• 22:29
  funny that they had to, you know, go and get a go.
• 22:32
  And so. So that's my fun facts.
• 22:34
  OK, so it's time for us to do our good, bad, ugly and absurd.
• 22:38
  So Jesse, what did you like about this movie?
• 22:42
  OK. So I really like that this is
• 22:46
  touching on a very common thing like this is, I want to say it's
• 22:50
  a universal thing, but it's not necessarily universal, at least
• 22:54
  not in the United States. Dental insurance is a privilege,
• 23:00
  Yeah. On top of what our country tends
• 23:03
  to consider a privilege of health insurance rather than a
• 23:09
  basic human right, unfortunately, Yeah.
• 23:12
  And. But, you know, it is something
• 23:15
  that enough people are familiar with.
• 23:17
  It's a relatable thing to be stressful.
• 23:21
  Even if you generally have positive experiences at the
• 23:25
  dentist, it's still not pleasant.
• 23:27
  Ever. Yeah.
• 23:28
  I mean, like it's not a thing that everybody does, but I would
• 23:32
  say 90% of the population experiences this.
• 23:34
  Yeah, like there's, there's enough people that you're like.
• 23:37
  It's a common thing, it's a common experience, It's
• 23:39
  something that pretty much everybody can relate.
• 23:42
  To yes, and even if you haven't been able to go, you at least
• 23:45
  have a frame of reference. For what it is, just the
• 23:47
  concept, yeah, of it's itself, it's terrifying.
• 23:50
  You don't even have to have experienced it, but people going
• 23:52
  in there drilling your fucking teeth, pulling your teeth,
• 23:56
  that's such a, it's just such a thing that makes you just upset.
• 24:01
  Yeah, and like the scene where he he pokes the kids mouth and
• 24:05
  he starts bleeding. He's like, why?
• 24:06
  You shouldn't have moved around so much.
• 24:08
  I've had like dentists blame me for bleeding and I'm like, no,
• 24:13
  you just, you shoved your little pick.
• 24:16
  Yeah, up in my gum. That's why I bled you.
• 24:18
  Cut me. I'm sitting perfectly still.
• 24:22
  So. Yeah.
• 24:23
  So like, that's relatable. But I also like that they have a
• 24:26
  little bit of an example showing that he's got stuff going on in
• 24:29
  his private life. Not that I think it makes it a
• 24:31
  murder spree. OK, But I also like that it's
• 24:33
  more nuanced. Like, it's not just that.
• 24:35
  Like, his wife was cheating on him, so he snapped.
• 24:37
  Like, he's got clearly some other underlying issues because
• 24:41
  Brooke, even references like, did you take?
• 24:43
  Yeah, she was like, did you take your pill today?
• 24:45
  It sounds like you're having an episode.
• 24:46
  Remember, you're only supposed to take one.
• 24:48
  And we saw him like gobbling him down, so we know it wasn't
• 24:53
  great. I love that scene because he
• 24:55
  just gets Kaizen. Yeah, Karen comes.
• 24:58
  In and she's like from her perspective, it probably almost
• 25:01
  looks like he's trying to like overdose on pills because he.
• 25:03
  Got he played it off perfectly because he's like playing it off
• 25:05
  as a coughing fit. Yeah.
• 25:07
  Yeah, but that's just so funny scene.
• 25:10
  It's like Talia, when we see her get caught with something in her
• 25:13
  mouth, like Talia, she's like bra bra.
• 25:14
  It's like side eyes, like, oh, Oh no.
• 25:19
  Yeah, and I also like it's, this is a campy movie, but it's the
• 25:25
  type of camp that it plays it straight because it feels like
• 25:28
  it's very serious. But like that line I used for
• 25:32
  the opening, that's an exact quote.
• 25:35
  And that's his delivery. And he does it twice.
• 25:37
  He does it once in fantasy and then he actually does it out
• 25:41
  loud in real life, which that's the opposite of how most people
• 25:45
  do it, where they have an argument and then later they
• 25:47
  imagine what they should have, he said.
• 25:49
  He walks through the steps the right way and he's like, this is
• 25:52
  what I'm going to say when the time comes.
• 25:54
  That scene when he's doing that in like the fantasy 1, though,
• 25:57
  the line afterwards is like, Oh my God, a fucking lobby.
• 26:01
  He's like, yeah, he's like my wife's.
• 26:04
  That's my wife and I'm a dentist.
• 26:06
  Show him how perfect your teeth. Are like and that means she's
• 26:09
  got a perfect bite show. Him.
• 26:12
  Yeah, it's so good. I was like, oh damn.
• 26:15
  And I also like this is also one that like, so I know that there
• 26:20
  are plenty of movies where the big twist at the end is is all
• 26:23
  in their head. But like we see right from the
• 26:26
  beginning him imagining stuff. So we know right away that we
• 26:30
  can't fully trust everything we're seeing on the screen and
• 26:33
  he's narrating this whole thing. So this is very much a case of
• 26:37
  an unreliable narrator. So we can get some really weird
• 26:40
  visuals and we're like questioning stuff and some of it
• 26:43
  seems very outlandish until we see other people seeing it.
• 26:47
  So I just, I think this movie does a lot of really good things
• 26:50
  and it's it's honestly, it's well paced, which is weird to
• 26:54
  say because you don't think of a dentist office as being a well
• 26:57
  placed, well paced place. Yeah, it's, well, we got a
• 27:03
  really good writing team like this and I think it shows, you
• 27:06
  know, these are people that are really good at their jobs and
• 27:09
  they've made some of the horror classics out there.
• 27:12
  And Brian Yasna is known as being a very meticulous person
• 27:16
  when he's involved with a movie, he he likes to have a lot of
• 27:19
  attention to detail. And he's very like, even when
• 27:22
  he's not the director, even when he's a producer, he's very
• 27:24
  involved on set. I was watching an interview of
• 27:28
  Corbin Bernsen. I think that's his last name.
• 27:33
  Yeah, Bernsen. And he was talking about how
• 27:37
  this movie experience, it was so fast-paced because they had such
• 27:42
  a short amount of time. They had such a low budget.
• 27:44
  He said that they he didn't even know if they really had enough,
• 27:46
  like, film stock to get this thing done.
• 27:48
  So they had to, like, move fast and anytime, you know, like,
• 27:53
  Brian is like, don't think about it.
• 27:55
  Just like, just do it and like, go all out with this, OK, Just
• 27:59
  do it. And I think it ended up working
• 28:02
  in the benefit of the movie here because, like, you get a lot of
• 28:05
  people and they're just like, going with their instincts for
• 28:06
  what this character is. Yes.
• 28:08
  And yeah, I think it was a really good performance all
• 28:10
  around. Also, we've got like some fun
• 28:12
  appearances in this. We've got a little baby, Mark
• 28:15
  Ruffalo. I know like and I was surprised
• 28:18
  that I didn't say introducing Mark Ruffalo.
• 28:20
  Yeah, like. Damn he was a baby at this
• 28:23
  point. And he, like, honestly, if I
• 28:26
  didn't know it was Mike Ruffalo, I wouldn't have known it was
• 28:28
  Mike Ruffalo, you know? He looks exactly.
• 28:30
  No, I mean, that's what I mean. Like I can see but like hearing
• 28:36
  him and watching. Him.
• 28:37
  Oh yeah, his voice is a lot different.
• 28:38
  Yeah, and then we've got Ken for Ray, which that's really, that's
• 28:43
  always fun. Jan Hogue.
• 28:45
  I'm doing my yearly rewatch of Scream Queen, so I miss Bing.
• 28:50
  You know, it's just, it's a, it's a really good cast.
• 28:53
  Yeah. OK.
• 28:54
  All right. Is that if you're good?
• 28:56
  Yes. OK.
• 28:58
  So I thought that they did a great job with the the tooth
• 29:03
  trauma in this movie here. This movie's effects are fucking
• 29:08
  crazy. And I just when you get the
• 29:11
  shots of the teeth being drilled, those teeth, Oh my God.
• 29:16
  Like they're not bleeding. So it's not 100% realistic, but
• 29:20
  you see that and it's just good at getting that reaction from
• 29:24
  you. Like, yeah, that's some of the
• 29:25
  most that I've cringed watching a movie.
• 29:28
  I'd say probably since we watched Cabin Fever 2 with the
• 29:32
  fingernails. Yeah.
• 29:34
  Yeah. But this movie has a lot more of
• 29:36
  that because anytime you go there with the teeth, it's just,
• 29:40
  it's just so fucking upsetting. And I think one of the things
• 29:44
  that might get overlooked that is a big part of why it's so
• 29:48
  effective was the sound. Because when they're doing that,
• 29:52
  you can hear the little bits of the needle just scraping the
• 29:57
  teeth and you know that sound. And you know, when you hear that
• 30:00
  sound, that feeling like it just takes you back to being in the
• 30:04
  dentist. So I thought that that stuff was
• 30:07
  amazing. I, like I said before, I thought
• 30:09
  the performances were great. And I love that.
• 30:12
  It was just like a relatable horror because I think that is,
• 30:16
  it's not something that's easily achieved, I guess.
• 30:18
  Like, yeah, you know, like, there's something always there,
• 30:21
  like a fear that you can play on, like, you know, being
• 30:23
  killed. But that's just so basic.
• 30:25
  But this one right here is so specific and something that
• 30:27
  everybody knows because they've all experienced this before.
• 30:30
  Yeah. And it's like it's another
• 30:32
  thing, too, that like, you're always nervous about the
• 30:37
  dentist. You can't see what they're doing
• 30:39
  in there, and you're kind of having to trust them.
• 30:41
  But I think there's also an element of like, OK, he starts
• 30:44
  to fuck me up. I just get up out of the chair,
• 30:46
  right? Like, what's he going to do?
• 30:48
  And then this movie answers that.
• 30:50
  So I have this thing when I'm in the dentist where, you know, the
• 30:55
  whole thing of like going into the abyss, Yeah, like where you
• 30:59
  like, you know, if you're like, sitting up somewhere like.
• 31:00
  Call to the abyss. Call to the abyss.
• 31:02
  Yeah, I have my own version of that with the dentist.
• 31:04
  And it's like anytime they're like doing something or drilling
• 31:07
  in my mouth, I'm like, what if I just bite?
• 31:09
  What if I just bite right now? Like I would fuck myself up but
• 31:12
  like I'm getting the call. Like he's calling me right now
• 31:17
  do I do? And like, I have to actually
• 31:21
  actively like, find myself. I have my own version of that
• 31:24
  and it's like whenever you know they're in there and they're
• 31:26
  doing the the scraping and stuff, I always picture old boy
• 31:30
  when they're like gonna take out the teeth and he's like licking
• 31:33
  the hammer and he's like. Part.
• 31:35
  Of me is like whenever I start licking the the scraping tool
• 31:41
  and then I have just to think about it back then I'll never be
• 31:43
  able to go back to that. I'm just imagining like your
• 31:46
  head, like you're win back, but your head's leaning forward and
• 31:50
  your tongue is just pulling out. The Dennis is like, oh, what are
• 31:54
  you doing? Andre would never have me back.
• 32:00
  Hey, if we ever get a Dennis Three, can we have both of these
• 32:03
  things happen? Oh man, it's called Corbin up.
• 32:08
  Corbin, we have some ideas. Yeah.
• 32:11
  Oh God. OK, so let's talk about some
• 32:14
  bad. OK, I I love the concept.
• 32:19
  This is my brain how it goes. I love the concept of these
• 32:23
  relaxing rooms, but from like an infection control standpoint,
• 32:29
  it's a nightmare like that kids wearing a lay.
• 32:31
  Is this a disposable lay? Because it doesn't look like one
• 32:35
  of the Dollar Tree ones where you get 3 in a pack.
• 32:37
  So it's not like that big of a write off.
• 32:38
  Like he's just wearing it and getting all of his slobbery
• 32:41
  germs all over it it like, and then like the opera room, all
• 32:46
  those velvet curtains like. I think the opera room is for
• 32:49
  special occasions. Like I forgot about that though
• 32:52
  that I love that addition to this movie here just having
• 32:56
  different themed rooms. For the amorphous of dust in
• 32:59
  those curtains is so stressful to me.
• 33:02
  But I mean, any other room's gonna have normal levels of dust
• 33:06
  too, It's not like. Yeah, but you don't normally go
• 33:09
  into a dentist's office and see an ornate velvet curtain draped
• 33:14
  across an entire wall. You're not going to the right
• 33:17
  dentist. Yeah, maybe I do need to go
• 33:20
  ahead and get myself 86 from my dentist office.
• 33:23
  So I can. Find this different dentist.
• 33:26
  My dentist has a whole Jurassic Park theme room.
• 33:29
  It's fucking like pterodactyls just like, fine.
• 33:32
  I like to imagine that he gets into character as AT Rex and so
• 33:36
  he only gets like your front teeth cuz he's.
• 33:39
  Like he's like leaning over with his chest over there in your
• 33:43
  mouth. Just like, I'm sorry I can't
• 33:44
  reach. It's like the guy from Scary
• 33:47
  Movie too. So, yeah, so that's just things
• 33:52
  like that where like the like braces are orthodontist, like
• 33:56
  that's a different specialty which I never had braces.
• 33:59
  Can you go to a regular dentist to get them off or is that also
• 34:02
  the orthodontist? I only went to the orthodontist
• 34:06
  whenever I got mine removed, but there could be like somebody
• 34:11
  that specializes in both, I don't know.
• 34:13
  OK. So yeah, just like those little
• 34:16
  like my brain not being able to turn off real world stuff for a
• 34:21
  moment. Yeah.
• 34:23
  But yeah, those that's really that.
• 34:26
  OK, All right. So I don't know, man, it's hard.
• 34:31
  I wish I had more Ken Foray. Some of the characters in
• 34:35
  general say. That about every movie.
• 34:36
  Yeah, that's true. They're just kind of like
• 34:38
  secondary characters. It's not even like AB plot, like
• 34:41
  it's just kind of like a we'll just have these guys.
• 34:46
  It's like suddenly the cops show up and I'm like, Oh yeah,
• 34:48
  they're doing this whole investment.
• 34:49
  Like I am surprised literally every time the cops pop up on
• 34:52
  screen. Yeah, but man, like, I, I, you
• 34:55
  know, like, I really struggle to think of like, like I almost
• 34:58
  want to say the cast of the workers there in the dentist
• 35:04
  office were underutilized. But then again, they all serve
• 35:09
  their purpose. Yeah, I like honestly, I feel
• 35:13
  like they all, like you got to know them very well for the
• 35:17
  amount of screen time they had, which I think means that they
• 35:20
  did a really good job of utilizing their time on screen.
• 35:23
  You know, one thing, I guess, like the ending is kind of
• 35:26
  strange. It feels like it could have
• 35:28
  naturally ended with them being taken away at the dentist's
• 35:31
  office, but like, he gets away for a minute and goes to the
• 35:34
  school and then is busted there. And it feels like that could
• 35:40
  have been like a bigger thing. But really, we only spend maybe
• 35:45
  2 minutes there total. Yeah.
• 35:48
  And I don't know, that just that kind of felt like it could have
• 35:51
  been good sequel material. Like he we caught with him
• 35:56
  driving away right next to the cop.
• 35:58
  I love that shot. Yeah.
• 36:01
  And then I thought that that was going to be the last we saw of
• 36:03
  him. But no, he's at the dentist's
• 36:05
  office or at the school he's teaching instead ordering
• 36:11
  everybody to do extractions. And then they're like, now we'll
• 36:13
  get them. So I guess I would have handled
• 36:17
  the ending differently, but those are really the only things
• 36:20
  I could think. So ugly stuff.
• 36:25
  OK. So obviously the abuse of the
• 36:29
  vulnerability of your patients, that's never cool.
• 36:33
  Yeah, abuse of your staff. Yeah.
• 36:38
  Abuse of your wife? Yeah, the wife cheating.
• 36:47
  You're not so sure about. That I'm not so sure because he
• 36:49
  treats it as like every woman that sees this man has sucked
• 36:53
  his cock so. But wait, what?
• 36:57
  Cuz it's like the same thing with Paula too.
• 37:00
  What? Do you mean?
• 37:03
  Like when he sees Matt over at Paula's house, he immediately is
• 37:06
  like, they're also having an affair.
• 37:08
  They are. Do we know that though?
• 37:10
  We're only seeing it from Alan's POV.
• 37:13
  See, The thing is, and he's already spiraled.
• 37:15
  I think any this movie it's upfront about what is real and
• 37:20
  what's not. When something's not real, they
• 37:23
  weigh it out and show you reality immediately after the
• 37:28
  bad thing has happened or you know, anything else.
• 37:32
  But like, no, that right there was real.
• 37:34
  And he, you know, she even, like, talks about him at the
• 37:38
  dental office. I'm just saying I have.
• 37:42
  Some. But what does?
• 37:42
  How does that negate the cheating thing?
• 37:45
  No cheating is bad. I'm just, you know, saying I I
• 37:50
  question if it actually happened or not.
• 37:53
  The cheating. Yeah.
• 37:57
  No, I think it that very much happened.
• 38:00
  That was the thing that broke the camel's back right there.
• 38:02
  That was a straw that broke the camel's back.
• 38:04
  I don't think this movie is ever fooling the viewers.
• 38:07
  I think the viewers, people that are watching the movie, get the
• 38:11
  full story laid out in front of them.
• 38:14
  It's the character that is really having a hard time
• 38:19
  discerning what's real and what's not.
• 38:21
  It's just he, he goes to this place where he's like spiraling
• 38:25
  that everything is rotten and decaying.
• 38:30
  And it just makes it hard for me to trust everything I'm seeing
• 38:33
  on screen because he is not reliable as a narrator.
• 38:37
  So that's my that's my thing. Cheating is still bad.
• 38:40
  It's still an ugly. I just you like in cheating.
• 38:44
  Yeah, no, I wasn't saying that cheating is like.
• 38:47
  Questionable. Maybe it's OK in the situation.
• 38:49
  The cheating is questionable if it occurred, but he was clearly
• 38:53
  not a good husband to her. No, she was not a Good Wife to
• 38:56
  him. Yeah, their whole relationship
• 38:58
  dynamic was. Terrible.
• 38:59
  Yeah, they were not good for each other.
• 39:01
  Yeah, and his like. Yeah.
• 39:06
  Also obligatory dog death. Well, also very ugly.
• 39:10
  Yeah, I think you pretty much covered everything right there
• 39:14
  because those are a lot of the things I was going to say.
• 39:16
  OK then. Yeah, all right.
• 39:18
  So absurd. His monologue is like so fucking
• 39:23
  funny to me. the OR not his monologue but like his voice
• 39:26
  over narration. Yes thank you.
• 39:29
  It's so fucking funny to me the whole time where he's like
• 39:32
  narrating everything and equating it to tooth decay.
• 39:35
  I love the dental puns. Yeah, I.
• 39:37
  Do I do love it? I just think it's very absurd
• 39:40
  because again, like I said, this movie is like the air of it, the
• 39:45
  shooting of it and everything feels very like straight and
• 39:47
  dramatic, but it's like the decay.
• 39:51
  How deep does it go down to the nerve?
• 39:54
  Like I think it's absurd in a good way.
• 39:57
  He. Kind of reminds me of the Barber
• 40:01
  Fred from Courage to the Cowardly Dog, where he has to
• 40:05
  shave all the hair because it's naughty.
• 40:08
  Naughty. Yeah, my absurd.
• 40:12
  Is their pool guy is Prison Mike and that Mark Ruffalo is in this
• 40:21
  movie? Yeah, and isn't that weird like
• 40:26
  how many like big actors show up in dentist related scenes in
• 40:31
  movies? Like think about Little Shop of
• 40:33
  Horrors. Like, oh, hey, there's Jack
• 40:36
  Nicholson. Yeah, but it's like before they
• 40:39
  like. Got big?
• 40:39
  Yeah, I mean, I know that's only two examples, but it's still
• 40:44
  like weird that I have to immediately come to mind.
• 40:47
  Nothing on the prison mic. He just gave me a blank stare
• 40:51
  when I said that. You don't see it.
• 40:54
  I I'm going to be really honest for a second, I was like, oh, is
• 40:59
  it? And I was like, no, prison mic
• 41:01
  is just Steve Carell and I didn't want to be stupid on
• 41:05
  recording and now you're forcing it out of me so.
• 41:09
  You know, like this is a safe place to be stupid.
• 41:12
  I like I often have my dumbest moments on this show right here.
• 41:17
  Yeah, so I that's that's where my brain went with that.
• 41:20
  OK, so I saw what you were doing, but he needed a purple
• 41:25
  bandana. Yeah, then it would maybe land.
• 41:29
  Yeah, maybe. I would have been funny then.
• 41:32
  Maybe. Maybe.
• 41:35
  OK, what do you raise it? 8 1/2.
• 41:41
  Wow, OK, yeah, I think I'm gonna go like way against most
• 41:46
  people's norm with this or like, you know what most people would
• 41:51
  say about this movie? I'd say it's a nine.
• 41:53
  OK, It's super effective, man. I just.
• 41:56
  I think it's it's well written, well shot, well acted.
• 42:00
  Yeah, everything I thought played out perfectly.
• 42:04
  It's just really good. I'm surprised.
• 42:06
  I'm surprised that people don't like it as much as I do.
• 42:10
  And the pacing of it I think is really good.
• 42:12
  Yeah, that's a big. Part that's that's a big thing,
• 42:14
  because this has the potential to be seriously boring.
• 42:18
  That's true, yeah. Yeah.
• 42:19
  It could be in the wrong hands for sure.
• 42:21
  All right, so what's the average?
• 42:22
  8.75. 8.75 Great. All right.
• 42:26
  All right, let's. Do this.
• 42:28
  So we start off and we hear Alan talking and he's saying
• 42:32
  something about Puccini will be just right.
• 42:36
  And then we see him like his hands are in the air and it
• 42:39
  looks like he's trying to do dental work and he's talking to
• 42:42
  his imaginary patient. And he was like, let me tell you
• 42:47
  how I got here. It feels very, it's very 90s
• 42:49
  like. I'm sure you're wondering how I
• 42:51
  got here. It feels dream like to me
• 42:54
  because they, the way they shot it, they have like these dream
• 42:58
  like filters over it and it just, it's like, and let me tell
• 43:02
  you this story. Yeah.
• 43:04
  And we immediately have this moment where he's like, I had a
• 43:06
  beautiful wife and home and then it comes to him going.
• 43:12
  Yeah, yeah, it's funny. Yeah, and he is.
• 43:14
  He's talking about there's like the stench of decay underneath
• 43:17
  it all. He's getting a call from the IRS
• 43:20
  and he's like, no, my business manager messed up sending out my
• 43:22
  returns. You're going to need to speak to
• 43:24
  him. It's not me.
• 43:26
  And then he's mad about a stain on his shirt.
• 43:29
  It's a very like, not noticeable saying.
• 43:31
  I get being pissed that the cleaners missed it once you do
• 43:34
  see it because if you're paying for your service, it feels like
• 43:37
  that should not be there. But also, that's not Brooke's
• 43:40
  fault. And when she's like, well, I've
• 43:43
  been really busy with this charity, he goes, but now I need
• 43:46
  to wear this shirt. And this shirt I only wear with
• 43:48
  the diamond cufflinks. And I don't suppose you've
• 43:50
  picked those up from the Jewelers yet?
• 43:51
  And he's like a fucking asshole. And she's like, OK, well, here's
• 43:54
  an early anniversary gift. Not early as in a week early.
• 43:58
  Early as in I was going to give it to you tonight at our
• 44:01
  anniversary dinner. Platinum cufflinks.
• 44:05
  Yeah, and everything's cool after that.
• 44:07
  No, except he's like. But these cost a fortune.
• 44:10
  And she's like, could you not? See, that's one of those things
• 44:14
  I think could be real. Like it's almost like a
• 44:16
  compliment. Like I bet these costs a lot of
• 44:18
  money, you know what I mean? Like these would look really
• 44:20
  good. And then I could see how it
• 44:22
  could be perceived as like a thing about money being brought
• 44:24
  up instead. Cuz it's definitely implied
• 44:26
  she's like a housewife. Yeah.
• 44:30
  Especially like the whole line with like that.
• 44:31
  I've been really busy with the charity, you know, like.
• 44:34
  I thought maybe she was working at like, yeah, charity or like a
• 44:37
  nonprofit type thing. No, I think that's like how she
• 44:40
  like fills her time. OK, so yeah, he's really into
• 44:45
  it. And then she's like, all right,
• 44:48
  So what are we doing tonight? And he's like, well, I've got
• 44:51
  his dinner, dinner reservations at 7:00, so you need to wear
• 44:58
  your black dress. And then he goes to kiss her and
• 45:02
  finds out she's got nothing on under the robe.
• 45:04
  And he's like, you wear that in front of the pool, Pool man, he
• 45:07
  says. Pool man.
• 45:07
  He doesn't say pool boy well. He's a he's a man.
• 45:10
  I just, I think it's funny because it's the common term.
• 45:12
  So I appreciate that little touch characterization from him.
• 45:16
  She and she was like, I'm wearing a robe.
• 45:19
  She was out there flirting with him and he saw that before he
• 45:22
  called her in there. And yeah, it is kind of weird to
• 45:25
  be kind of naked out there. But he didn't know she didn't
• 45:28
  have anything on under the robe until he started pulling it off
• 45:31
  either. You know what I mean?
• 45:32
  It's not like it was like I'm definitely naked under here.
• 45:36
  I guess. Come on man, let's not be a
• 45:39
  naive about the. Situation here.
• 45:41
  I'm being naive about it. I'm just saying like, you know,
• 45:46
  he did not know she was naked until he was pulling her robe
• 45:48
  off. Yeah, OK.
• 45:50
  Yeah. Then he goes outside and he
• 45:52
  yells at the pool man, 'cause there's sledge all over the
• 45:53
  ground and he's like, well, you got a broken filter.
• 45:55
  He's like, well, you're gonna come fix it tomorrow then,
• 45:57
  right? He goes, it'll probably be next
• 45:58
  week. He goes, if you want a job, he's
• 46:01
  like, all right man. Like I said tomorrow.
• 46:04
  Yeah, so he drives off and then as he's driving, he notices that
• 46:08
  his hand is a little bit dirty too.
• 46:11
  And then he makes the connection that he didn't touch the pool
• 46:14
  guy, he touched his wife, who must have been touching the pool
• 46:19
  guy or the pool guy touching her.
• 46:21
  So he drives back to the house and goes back inside and sneaks
• 46:25
  and watches from inside and catches her cheating on him.
• 46:28
  Yep. And then he goes to his Home
• 46:31
  Office and grabs the gun from his drawer.
• 46:34
  And that's when he like, basically, he goes out there,
• 46:37
  holds her head down a little bit farther from where it was and is
• 46:44
  screaming at them. And he was telling her to bite
• 46:48
  and he's about to shoot. And then we see that this is all
• 46:51
  just a fantasy. Yeah, the way that that plays
• 46:54
  out, though, is so it's fun. Yeah.
• 46:57
  She has perfect teeth. I kind of wish we had gotten
• 47:00
  that. I know that would have been.
• 47:02
  That would have been a great way to do that, yeah.
• 47:05
  Meanwhile at his office, like appointments are running late
• 47:07
  and they're all desperately trying to get a hold of him.
• 47:09
  Which like, OK, I get it if you have your own practice, but
• 47:13
  wouldn't you have at least like one more actual full DDS?
• 47:17
  You know, like. Not the one that I work at all.
• 47:20
  Right? Work at that I go to.
• 47:21
  Really. Yeah.
• 47:22
  It's only one, just one guy. Yeah.
• 47:24
  And the other people there are the, I don't know the term for
• 47:27
  that dental hygienist. Yeah, that's all.
• 47:31
  But it's a family owned business.
• 47:33
  And I guess that that's what I mean, it's probably how most of
• 47:35
  them are. That's how this one comes across
• 47:38
  too. OK.
• 47:39
  Yeah, I guess I was confused by yours because there's two names
• 47:42
  in the name of the office. Yeah, it was his dad.
• 47:45
  He inherited it from him. But then they could just leave
• 47:49
  it at the one name. I think that there was a time
• 47:52
  where they worked together. You see my confusion though.
• 47:56
  Yeah, I get it. Yeah.
• 47:58
  OK, so Alan goes to Paula's house 'cause he's like following
• 48:03
  the pool man map and Paula sees him and he lies about trying to
• 48:09
  do a surprise party for Brooke and was like trying to get dates
• 48:12
  and availability and didn't want to make a call because he didn't
• 48:14
  want Brooke to get suspicious. And then he sees like Paula's
• 48:19
  teeth and thinks he sees Sledge in her mouth.
• 48:23
  Yeah, it looks, Yeah, You see a bunch of cavities back there.
• 48:26
  He's like, it's been a while since you've been.
• 48:28
  Stop by tomorrow. Yeah, he's like, I'll have
• 48:31
  somebody come make an appointment.
• 48:32
  I'll have somebody call, make an appointment for you.
• 48:35
  And. Then he goes around back and he
• 48:37
  sees Matt go inside the house with Paula and then he's chased
• 48:41
  and attacked by not a German Shepherd.
• 48:44
  Yep, a Rottweiler. Yep, and old dog, it breaks free
• 48:47
  from the gate and then ends up biting his arm and then in like
• 48:50
  a last sit shepherd, he ends up shooting the dog just yeah, it
• 48:55
  sucks. So go back to the dentist
• 48:59
  office. We I love this transition shot
• 49:02
  because it goes to you see heaven and like the dog went to
• 49:05
  heaven. Oh no, we're in the dentist
• 49:07
  office. Yeah, and Karen does go.
• 49:09
  Welcome to hell. Yeah, yeah, cuz he's got these.
• 49:13
  Themed rooms cuz he believes that going to the dentist should
• 49:16
  be a more relaxing experience for the patients and that there
• 49:19
  will be better outcomes, which is a really nice idea in theory.
• 49:22
  I don't necessarily love the execution of this, although I do
• 49:25
  love that all of the jackets and whatnot are themed to the room.
• 49:29
  I think it's awesome and the themed.
• 49:31
  Music and everything. Yeah, I think it's a great idea.
• 49:35
  So Alan arrives at the office, he sneaks in.
• 49:38
  He starts to have like, audio hallucinations of Brook telling
• 49:42
  him that he's boring and yeah, what?
• 49:46
  The way you said, Brook. Brook yeah.
• 49:49
  Brook yeah. So yeah, he's having like
• 49:51
  hallucinations and he's hearing the the pool guy and stuff like
• 49:54
  that. And then he puts on his jacket
• 49:57
  and he's ready to get to. It So he says that he's been
• 50:00
  there for two hours. He just had a migraine, so he's
• 50:02
  back in his office. So first patient of the day is,
• 50:06
  oh Jodie Sanders, a little kid having his very first dentist
• 50:09
  trip. Is it just me or does he seem a
• 50:11
  little bit old for this to be his first dentist trip?
• 50:14
  You don't know. Looks like 5:00-ish to me.
• 50:17
  I don't know how old you're supposed to be for your first
• 50:19
  dentist trip. I feel like it's younger than
• 50:20
  five. I'm not sure.
• 50:23
  I feel like it's before kindergarten.
• 50:26
  He's the first one he remem remembers since he's so young.
• 50:29
  She just says it's the first one every.
• 50:30
  Time. This kid, he's crying.
• 50:34
  Like, I don't know if he noticed that, but he's got tears in his
• 50:36
  eyes. They were playing the scenes
• 50:38
  back in the interviews that I was watching in there.
• 50:41
  And yeah, you can see a couple of tears in his eye.
• 50:43
  And like, the guy's like, oh, are you nervous?
• 50:45
  And he shakes his head. He's like, no, I'm not.
• 50:48
  Yeah. So he's like, OK, let's take him
• 50:49
  back to the room. So he takes him back to the
• 50:51
  rainforest room. Yeah.
• 50:53
  He's got him like the little jacket on and he's got the lay
• 50:57
  on him. And you know, it's a pretty
• 50:59
  chill environment. And as he's doing this in his
• 51:01
  head, he is thinking like, OK, well, obviously I'm going to
• 51:04
  kick Brooke out. And then the mom is holding
• 51:07
  Jodi's hand. And she's like, what a
• 51:10
  impressive practice you have here.
• 51:13
  Seems like it's pretty lucrative work these days.
• 51:15
  And he goes, well, I work hard, too hard to have it all just
• 51:20
  disappear. If I kick her out, she'll take
• 51:23
  half of everything. And he's like spiraling, some of
• 51:25
  it internal, some of it external.
• 51:28
  And he's getting very aggressive with Jody's teeth.
• 51:30
  And the shot of the teeth bothers me because they're like,
• 51:35
  you can see the looseness of the gums around it.
• 51:38
  Yeah, it's. Yeah.
• 51:40
  Icky and he pokes the gum and it just starts shooting out blood.
• 51:45
  It's a lot of blood. It's more than just like a
• 51:48
  little poke that happens and you just soap to get rid of it.
• 51:52
  This is like he is bleeding down the front of his mouth.
• 51:56
  Mom swoops him up and leaves. Candy tries to stop him.
• 52:03
  Yeah, and stop her and him. Everybody just chalks it up to
• 52:07
  the. Kid being.
• 52:08
  A little bit too afraid of the Dennis well.
• 52:10
  Here's The thing is that because he's so worked up, Alan, like he
• 52:15
  is complete 180 from how he was acting with Jody out in the
• 52:20
  waiting group, right? And he's like, he wasn't sitting
• 52:22
  still. He needs to learn how to sit
• 52:23
  still. Sir, he is 5.
• 52:26
  Yeah, you need to learn how to work with children, man.
• 52:29
  Yeah, there's a whole different. Like, if you can't accommodate
• 52:32
  children at your practice, just say so.
• 52:33
  There are different types like you can have like children
• 52:36
  dentists. I remember I that's what I had
• 52:38
  whenever I was growing up. And then eventually, like I
• 52:40
  remember going to my first adult dentist and that was a
• 52:43
  terrifying experience. My little sister used to get so
• 52:47
  worked up going to the dentist she would cry until she threw
• 52:50
  up. Gross.
• 52:51
  And then he had to go in there and get in that mouth.
• 52:54
  Like because my mom would schedule her appointments at the
• 52:56
  same obviously makes sense. So I would be done ages before
• 53:00
  her because she'd just be putting up such a fit.
• 53:03
  And they had like a little prize room where after you were done
• 53:06
  with your appointment, you could get like a little prize from one
• 53:09
  of the buckets. So I just, I took a lot of time
• 53:12
  because again, I'm a Trent and I have no chill.
• 53:14
  I took a lot of time picking out the perfect prize at the end
• 53:18
  because I had another fucking hour to go before my sister was
• 53:21
  ready to leave. Got a lot of time to bowl that
• 53:23
  one over, All right? So he calls his wife back in his
• 53:29
  office and he tells her that he loves her and she's kind of
• 53:33
  freaked out, kind of noticing that he's being weird.
• 53:36
  Ask him if he's taking any of his medication today.
• 53:39
  And he's like, I'm running late, so can you meet me at the office
• 53:44
  tonight? Yeah.
• 53:45
  Oh, and he smelled cigarettes on her before and she's like I.
• 53:50
  Smoking. She's fully smoking.
• 53:51
  She's smoking in the scene right here.
• 53:53
  Yeah, yeah. And then I like how like when
• 53:57
  she hangs up and she's like Dick and he's like bitch, yeah, yeah.
• 54:02
  They hate each other. Yeah, it's a terrible.
• 54:04
  Religion and honestly they hated each other before the shooting
• 54:06
  happened. Yeah, it was a terrible dynamic.
• 54:09
  Yeah, they don't need to be together at all.
• 54:11
  No, neither of them seems like the type to want to admit
• 54:15
  failure. Yeah, so.
• 54:21
  Which is in fact a stage name. Steve, her manager, had
• 54:24
  suggested April showers, but she said she prefers rain.
• 54:28
  Not like the weather, but like the Queen, which has worked
• 54:32
  because she is a local beauty queen.
• 54:35
  See, whenever I out of the rain, I was like, all right, rain it
• 54:39
  in, rain it in April. Too much.
• 54:43
  Yeah. She's got very much like a
• 54:44
  Marilyn Monroe kind of vibe going on.
• 54:46
  Yeah, they, I think that they put her in here because the
• 54:50
  writers were talking about how some people go to the dentist to
• 54:54
  become famous because they want to have good looking teeth and
• 54:57
  it's all part of the look that you're supposed to have as a
• 54:59
  star. Well, and she even says because
• 55:01
  Karen was just going to do the cleaning and let her.
• 55:03
  She was like, nothing looks major.
• 55:06
  Alan's running late. Like, we'll just clean you up
• 55:09
  and you can go. And she goes, oh, well, my
• 55:10
  manager Steve, wanted to talk to the dentist.
• 55:13
  My mouth is the only part that he hasn't fully made over.
• 55:15
  Yeah, so that's intense. And she's got beautiful
• 55:19
  chompers. Like she.
• 55:20
  What does she need made over? He's going to get veneers for
• 55:23
  her or something. Yeah, if that was even the thing
• 55:25
  back then. So he goes back there.
• 55:28
  She's like, all right, don't worry about it, you can go home.
• 55:30
  But in walks Allen, and he's like, all right, I'm here, I'm
• 55:34
  going to do it. Making Karen look like a fool.
• 55:36
  Yeah. And he's like, there's a shadow
• 55:39
  by the whatever fucking tooth, the XK 7420, that one.
• 55:44
  Yeah. And she's like, yeah, but it
• 55:47
  wasn't really indicative of anything.
• 55:48
  He's like, Nope. It's it's a cavity.
• 55:50
  We're just going to go ahead and fill it.
• 55:51
  And April is fully nervous at this point and she's like, I
• 55:55
  just can I nod. And he goes, well, it's your
• 55:56
  mouth, I suppose if you just want to lose your tooth, that's
• 55:59
  fine. And she's like.
• 56:02
  Yeah, it's all. Fucked up.
• 56:03
  I would not. This guy came in with some
• 56:05
  intense energy and I would not want to be a part of it.
• 56:07
  Meanwhile Steve is out in the waiting room.
• 56:10
  Sarah this like probably 17 year old or something.
• 56:13
  She is there to get her braces off.
• 56:15
  She is 2 hours early for her appointment but she's just so
• 56:19
  excited and Steve sees her, asks her to do a catwalk and gives
• 56:25
  her his card. Yeah, it's, it's kind of weird.
• 56:27
  I so I looked her up because I, I didn't know how old she was.
• 56:31
  Either I didn't know she was supposed to be a kid or she's
• 56:32
  supposed to be an adult. She references her mom coming to
• 56:35
  pick her up. But the actor is 20 here, so
• 56:38
  like, I don't know if she was supposed to be a kid or not
• 56:40
  still. And I don't know if I'm supposed
• 56:42
  to be creeped out by the way Mark Ruffalo's characters.
• 56:45
  Like, all right now, you could be a model.
• 56:47
  Good. Get up and do a little want to
• 56:49
  walk for me because if it's a kid then that's much more
• 56:52
  upsetting. No, I think the implication is
• 56:55
  definitely that she's going to be a kid.
• 56:56
  I know the actress may have been 20, but.
• 56:59
  She she looks really. Young references to her mom
• 57:03
  dropping her off and stuff like that, Yeah, I think that makes
• 57:05
  that and the fact that she not that adults don't have braces
• 57:09
  like it was. Just a more.
• 57:10
  Common thing. Yeah, I was in high school
• 57:13
  whenever I had my braces, so yeah.
• 57:15
  And it does come across creepy until he gives her an actual
• 57:18
  card and even and then he seems like he wouldn't be great to
• 57:21
  have as a manager. Yeah, I at first I thought that,
• 57:25
  I mean, just from all the dialogue from April beforehand,
• 57:28
  I thought that he was going to be a really creepy character,
• 57:31
  but he ends up being pretty like defensive of.
• 57:34
  Her. Yeah, a little bit.
• 57:35
  Yeah, so we got back into the dentist's office with Alan and
• 57:40
  April, and he's going to give her some of the laughing gas and
• 57:46
  knock her out. And he gets her all set up.
• 57:49
  And then he starts to have this vision of her grabbing his junk
• 57:55
  and. She's like, I won't hurt you if
• 57:56
  you don't hurt me. And then he's imagining Sledge
• 57:59
  on his crotch. And then he imagines that she is
• 58:03
  Brooke instead and starts kissing her and starts
• 58:06
  undressing her and then starts choking her.
• 58:09
  And this whole scene is incredibly fucking upsetting.
• 58:11
  I. Think the most upsetting part is
• 58:12
  like it cuts back there and then it's just him fingering her
• 58:15
  mouth. He's doing the same thing that
• 58:17
  he saw Matt doing to Brooke, which we didn't even talk about
• 58:20
  that, but his hands were fucking disgusting.
• 58:23
  Yeah, like pull Swatch. And she's like, give me some of
• 58:25
  that. Yeah, that that they were
• 58:29
  probably into some weird kingship so.
• 58:31
  They I can't. I can't.
• 58:33
  Yeah, yeah. This is a really.
• 58:35
  That is not a safe lubricant, no.
• 58:39
  So yeah, this is a really upsetting scene.
• 58:41
  He's like undressing her because he's envisioning it being Brooke
• 58:45
  and making out with her, but in reality he's just doing all this
• 58:48
  to April as she's knocked out. And then she comes to the
• 58:51
  nitrous is running out, and she's coughing.
• 58:54
  And he, like, very quickly is like, oh, you're having a bad
• 58:56
  reaction. And he's saying all this as he's
• 58:58
  redressing her, except he can't pull up her nylon.
• 59:01
  So he rips them the rest of the way off.
• 59:03
  And from April's perspective, this is the most terrifying
• 59:09
  fucking situation imaginable. Yeah, Can you imagine?
• 59:12
  You wake up and the person just had you fully undressed.
• 59:16
  It's it's awful. And shit, yeah, yeah, it's
• 59:19
  fucked up. So she's super dazed too, and
• 59:24
  she's screaming for Steve to come get her.
• 59:27
  So Steve goes back there and grabs her in.
• 59:30
  And Alan is very adamant that like, it was just a bad reaction
• 59:32
  to the night dress. Like her shoes are off 'cause
• 59:34
  we're trying to make her more comfortable.
• 59:36
  Yeah, and that all works for the moment.
• 59:38
  For a second. Yeah, so Steve's like, all
• 59:40
  right. He carries her eyes like, all
• 59:41
  right, we're going to get you taken care of.
• 59:42
  Don't worry about it. So Jessica, the other hygienist,
• 59:46
  goes in there to clean up the room, and she sees the nylons,
• 59:49
  and she shows Karen. And Karen, honestly, like, she
• 59:53
  tries to give him the benefit of the doubt.
• 59:54
  And she was like, maybe they fell out of her purse.
• 59:57
  You know, we don't know that they were hers.
• 59:58
  We don't know the entire situation.
• 1:00:00
  And Jessica's like, did you see that mess when she came out?
• 1:00:03
  Yeah, like when you see that right there, you like red flags
• 1:00:07
  all over the place. Yeah, and Karen's like, well, I
• 1:00:11
  can ask him about it, but I think Jessica's worried that
• 1:00:14
  it'll just end up making it more like her getting in trouble
• 1:00:16
  instead of anything actually being resolved.
• 1:00:18
  Yeah. So now we get Mr. IRS.
• 1:00:24
  Marvin Goldblum. Yeah, he arrives and he is.
• 1:00:28
  You've got some pretty significant tax problems.
• 1:00:32
  I have some pretty significant dental problems.
• 1:00:35
  Maybe a little gentle quid pro quo?
• 1:00:38
  Yeah, it was, 'cause he comes in there, he's like, oh man, don't
• 1:00:41
  fucking hassle me about this shit right now.
• 1:00:42
  And he's like, no, no, I got some dental work that he done.
• 1:00:45
  Yeah, and he's like, OK, fine, go to the backroom.
• 1:00:48
  And then Steve comes in and punches his lights out.
• 1:00:52
  Yeah, and he calls him a creepo. He never, he should have
• 1:00:55
  outright said what it was. Always says he's a fucking
• 1:00:57
  creep. We're suing.
• 1:00:59
  Yeah, and then he just leaves. Yeah.
• 1:01:03
  So this is when he's like, all right.
• 1:01:06
  He's like, well, first he has this miniature rant about like,
• 1:01:09
  nobody caring about the work they do.
• 1:01:11
  He's like, we uphold society and keep everybody's mouths together
• 1:01:16
  and nobody gives a shit. You guys can all leave.
• 1:01:21
  And then? And Sarah, like, is trying to
• 1:01:23
  stick around. She's like, maybe he can squeeze
• 1:01:26
  me in real quick. And candy, like, God, Jan Hoag
• 1:01:30
  is just like a plus here. She was like, I would love to
• 1:01:33
  have her as like, the receptionist greeting me and and
• 1:01:37
  like, yeah, she seems to genuinely care, yeah.
• 1:01:39
  Yeah, well, when he arrived, he was cuz she was going up.
• 1:01:43
  She's finally getting her braces off.
• 1:01:45
  She was going to have a party that night.
• 1:01:46
  Yeah. And then the IRS guy's like, I'm
• 1:01:48
  the next patient. And then Candy is like, I'm
• 1:01:53
  sorry, kids. Yeah, Candy's like I like Sarah
• 1:01:56
  as a person. I also like the ability to pay
• 1:01:59
  my bills. And if the IRS shuts us down, I
• 1:02:02
  can't do that. So yeah, Sarah's bummed.
• 1:02:07
  And then of course, you know Marvin doesn't get his teeth
• 1:02:11
  work done either. Yeah, and.
• 1:02:13
  Everybody's home, and it's not night time.
• 1:02:15
  So Brooke arrives at the dentist's office.
• 1:02:18
  Yeah, walking around the office looking for him.
• 1:02:20
  And then she hears some opera music down the hall, so she
• 1:02:23
  wanders into the room and it's the opera themed.
• 1:02:26
  Room. Yeah, La Scala themed after like
• 1:02:29
  a specific opera hall in Italy. Operatori #4 yeah, it's a very,
• 1:02:35
  it's a very well done one. He's like wearing a fucking tux
• 1:02:38
  and everything. He's in full cosplay for this.
• 1:02:41
  And then he says something that she reacts to perfectly.
• 1:02:44
  Like you said, all of the acting in this movie is a plus because
• 1:02:48
  he goes, I wanted this to be a surprise for our anniversary.
• 1:02:51
  And she's like, so our reservation.
• 1:02:55
  Yeah, we're going to be away, Yeah.
• 1:02:58
  And he's like, sit down, I want you to try it out.
• 1:03:00
  And she's like, seriously, did you did you take your pills?
• 1:03:03
  Did you take too many pills? And he's like, no, just sit.
• 1:03:07
  And as soon as she does, he ties her by the neck to the chair and
• 1:03:12
  gives her, in his words, just enough nitrous.
• 1:03:15
  Yeah, except he fucking, which turns the dial in that thing all
• 1:03:18
  the way up, just enough to not kill her.
• 1:03:21
  Yeah, but also, like, she's still very much alert.
• 1:03:25
  And he, he says he can see what they've all become.
• 1:03:31
  And then he starts pulling out her teeth.
• 1:03:33
  Yeah, he's like every time he's doing all of these things in
• 1:03:37
  people's mouths, he's just having these visions of their
• 1:03:40
  whole mouth being decayed. Yeah, yeah.
• 1:03:44
  Like you remember the guy who sold Andy's mom the first Good
• 1:03:50
  Guy doll? Yeah, very first Child's Play
• 1:03:52
  movie like that. Like his teeth.
• 1:03:54
  Yeah, but worse. Worse.
• 1:03:56
  Yeah, his. Teeth and Art the Clown's teeth.
• 1:03:59
  Had. Nasty decayed babies.
• 1:04:01
  Yep, that's exactly the baby, right?
• 1:04:03
  There. Yeah.
• 1:04:04
  So we have a voiceover at his house, and he's talking about
• 1:04:07
  how he never uses the pool, but he had it built because it was
• 1:04:10
  important to Brooke and she uses it all the time.
• 1:04:13
  And then we see her on the bed and she's got a terribly swollen
• 1:04:16
  face. Yeah, she's tied up, she's
• 1:04:18
  gagged, she can't talk. And it's, yeah, it's a fucking
• 1:04:24
  upsetting scene here. So it cuts to the next day.
• 1:04:28
  We see jars of what looks like maybe baby food on the counter
• 1:04:31
  and his empty pill bottles. Brooke is on is on a chair by
• 1:04:36
  the pool and she's tied up and there's like a sun hat covering
• 1:04:39
  her face. It looks like if you because
• 1:04:41
  it's like a clear tubing that he used to tie her up.
• 1:04:44
  So it's not immediately obvious that that's what's happening.
• 1:04:46
  So if you just got a glimpse of her, you just think she's like
• 1:04:48
  sleeping by the. Yeah, and Matt, the pool guy is
• 1:04:50
  back there doing his pool work and he's just, you know, taking
• 1:04:53
  glances he's over there at or he's not noticing anything yet.
• 1:04:56
  The police arrive, and they're asking if they know if he knows
• 1:04:59
  anything about the robberies in the neighborhood or about the
• 1:05:02
  shooting that happened next door the previous day.
• 1:05:04
  And he's like, no, no, don't know anything about it.
• 1:05:07
  And they're like, what about your wife?
• 1:05:08
  And he goes out. Well, she's still asleep.
• 1:05:10
  And like Ken Forres, like must be nice.
• 1:05:14
  So while all that's happening, the pool guy is out there
• 1:05:17
  cleaning the pool within that, and he ends up scooping out one
• 1:05:20
  of the tongues or one of the tongues Brooke's.
• 1:05:23
  Tongue, yeah. So he's like, what the fuck is
• 1:05:26
  this? So he goes over there to check
• 1:05:27
  on Brooke and he pulls the hat back and she's alive still and.
• 1:05:31
  She looks they did really great makeup work on her 'cause not
• 1:05:34
  only did they make her face really swollen, but they also
• 1:05:37
  like did a good job of like making her eyes look like really
• 1:05:39
  bruised and sunken in. Yeah, and the teeth and
• 1:05:42
  everything. Yeah teeth are all gone, but for
• 1:05:45
  the front ones it looks like they're shaved to points, which
• 1:05:47
  is what makes me think maybe she did have veneers in the front
• 1:05:50
  teeth cuz that's your teeth get shaved down from.
• 1:05:53
  Yeah, yeah, more crowns. That's what happens with crowns,
• 1:05:56
  too. And there's, like, stitches
• 1:05:59
  where her tongue had been cut. Yeah.
• 1:06:02
  And she's, like, trying to get Matt to look.
• 1:06:05
  Yeah. And she's trying to, like,
• 1:06:06
  gesture to Matt, like, look behind you.
• 1:06:08
  But he doesn't until it's too late.
• 1:06:10
  And Alan is stabbing him. And he goes, please, Mr.
• 1:06:13
  Feinstein. And he goes, It's Doctor
• 1:06:15
  Feinstein. And that's my wife.
• 1:06:18
  Yeah, I love that shot, the way that it's shot overhead of him,
• 1:06:22
  just like chasing down the pole, just slashing him and.
• 1:06:25
  I feel like honestly this feels like the most I've ever seen her
• 1:06:29
  face and I don't know if it's cuz of our DVD version if it's
• 1:06:32
  different in where we've watched it streaming before cuz I don't
• 1:06:35
  feel like I remember it being. Watched on blurry ones too.
• 1:06:39
  When we bought this, we did we. Watched the second one on
• 1:06:41
  Blu-ray. I thought we watched the first
• 1:06:42
  one. Too.
• 1:06:42
  No, we watched the second one. OK, yeah, I guess you're right.
• 1:06:46
  So. So it feels like there were more
• 1:06:48
  shots of that. It could be, yeah.
• 1:06:51
  Or like a like a prolonged shot, yeah.
• 1:06:54
  I don't know, it could be. Cuz I was like prepared to like
• 1:06:58
  try and take notes of it cuz I was like, this flash comes by
• 1:07:00
  really quick and we've seen this movie a few times.
• 1:07:02
  So yeah, I don't know if my brain just cut it short or if it
• 1:07:06
  like is shorter on streaming it. Had been a while since we
• 1:07:09
  watched it. We watched it when we first
• 1:07:10
  moved in here, which was three years from now.
• 1:07:12
  So I know it's the special effects guys were talking about
• 1:07:16
  how they did that shot of him when he's slashing him from the
• 1:07:19
  overhead shot and like the blood shooting out the way it is, it
• 1:07:23
  was cool. So they gave the guy a sponge
• 1:07:26
  and they doused it with fake blood.
• 1:07:28
  So he was holding it underneath his neck the entire time.
• 1:07:31
  And anytime he would do the splashing thing, he would
• 1:07:33
  squeeze in someone would just. Shoot out.
• 1:07:35
  Cool. Yeah, that's that's a cool way
• 1:07:37
  to do that. Honestly, hearing how that would
• 1:07:40
  have played it, like just hearing that would think that's
• 1:07:42
  not going to look good. But then as they're describing
• 1:07:45
  it and watching it play out, it was really like the blood
• 1:07:48
  splatters. Perfect.
• 1:07:49
  Some of the best practical effects are done when you're on
• 1:07:52
  a major budget and you have to film things a certain way and
• 1:07:55
  you have to come up with like, OK, we're going to hide this
• 1:07:58
  just the right way. You mean like a like a no
• 1:08:00
  budget? Yeah, OK.
• 1:08:01
  You said a major budget. Oh, minor, like a majorly short
• 1:08:06
  budget. OK, yeah, I know what I was
• 1:08:08
  trying to say in my head and I did not say that out loud
• 1:08:10
  correctly. I was going to say no, you're
• 1:08:11
  right. Major budgets do good special
• 1:08:14
  effects. But no, I think that's a very
• 1:08:16
  true thing too. Just like low budget but finding
• 1:08:19
  creative ways to get the outcome.
• 1:08:21
  Yeah, sometimes it's more realistic effects.
• 1:08:24
  Yeah, like it's necessity is the mother of invention.
• 1:08:27
  Exactly. Yeah.
• 1:08:29
  All right. So yeah, the pool guy is now
• 1:08:32
  officially dead, so he's back at the office.
• 1:08:35
  Paula is annoyed that Alan is late.
• 1:08:37
  She doesn't care about having the music.
• 1:08:39
  She's actually kind of fucking rude, Yeah.
• 1:08:42
  Like, I do not like Paula. I don't think she deserved to
• 1:08:45
  die, but I don't think I'd want to be around her.
• 1:08:47
  Yeah, she's not exactly nice. I mean, she didn't really ask
• 1:08:50
  for this appointment, but she could have refused.
• 1:08:53
  She's awesome. She's having a really bad day.
• 1:08:55
  She was like, I think Dennis shot the dog.
• 1:08:57
  He waited until I was attached to the thing.
• 1:09:00
  So everybody in this neighborhood just has terrible
• 1:09:02
  fucking marriage. Who the fuck is Dennis?
• 1:09:04
  I think her husband. We never even see him.
• 1:09:06
  I thought she was single. No, I was just going based off
• 1:09:09
  of context. OK, I maybe that, yeah, that
• 1:09:12
  would be fucking shitty. If if you're married to somebody
• 1:09:15
  that you suspect would have done something like that, get the
• 1:09:17
  fuck out of there. Yeah, it's a There's a lot of,
• 1:09:21
  like, social commentary underlying this that's kind of
• 1:09:24
  terrifying on its own. Yeah.
• 1:09:26
  But you know what else is terrifying?
• 1:09:28
  What? The way Alan just starts
• 1:09:30
  grinding at her tooth. Oh, yeah.
• 1:09:32
  And Jessica's like stop, stop, stop.
• 1:09:36
  OK, so like, yeah, he takes her back to the music room.
• 1:09:39
  Or is it jazz room? I don't know.
• 1:09:40
  But she hates the music. She's like cut that shit.
• 1:09:42
  Out. To be fair, if I was put in the
• 1:09:43
  jazz room, I'd like I would say, can you?
• 1:09:45
  Not really. Yeah, not jazz.
• 1:09:49
  No. As Angela says in the office,
• 1:09:52
  just play the right notes. Yeah, OK.
• 1:09:56
  But yeah, he's like, all right, we're gonna just fucking do some
• 1:09:59
  work here. And then he takes this giant
• 1:10:02
  drill. It's not a normal one.
• 1:10:05
  That's. My medicine alarm.
• 1:10:08
  Do we need to pause for you to do your medicine?
• 1:10:10
  OK, We'll be right back. OK.
• 1:10:14
  Yeah, so Jessica's like a let's not.
• 1:10:18
  Do this. It's like completely eviscerate
• 1:10:20
  this woman's tooth. Yeah, he's literally grinding it
• 1:10:24
  to dust. This is the most upsetting one
• 1:10:27
  to me because you see it's a big ass drill and it's just, it's
• 1:10:31
  straight up just pulverizing this tooth.
• 1:10:34
  Yeah, it just, and it's just meant to be a filling that needs
• 1:10:37
  to be redone. You can even see the silver from
• 1:10:40
  where it was before. It doesn't even really need to
• 1:10:42
  be done I don't think. It just needs to be cleaned
• 1:10:46
  maybe. Yeah, because I am destroying
• 1:10:48
  it. Yeah, and so Jessica, she does
• 1:10:51
  the right thing and she snaps him out of it, takes him out in
• 1:10:55
  the hall, and he's not OK with it.
• 1:10:58
  He's like, don't you ever do that again?
• 1:11:00
  Yeah, he's like, are you going to tell me how to run my
• 1:11:02
  business? And then he gets distracted by
• 1:11:05
  something else, so she runs in there.
• 1:11:09
  And she lets Paula leave. Yes, yeah.
• 1:11:11
  She's like, you need to run, you need to get out of here.
• 1:11:14
  So she does. And then he comes back.
• 1:11:16
  He's like, where'd Paula go? And she's like if she just
• 1:11:19
  decided she didn't want to and can.
• 1:11:21
  You imagine the state of her mouth that like, what would you
• 1:11:23
  do if you left the dentist's office with that jaggedy ass
• 1:11:26
  mess in the back of your mouth? Go to an emergency dentist.
• 1:11:31
  That's what you do. You gotta get that.
• 1:11:32
  Yeah, you can't that like there's definitely a raw nerd
• 1:11:36
  exposed there. Yeah, no, Yeah.
• 1:11:38
  He did give her the numbing stuff before.
• 1:11:41
  And even that he did that in a painful way, like he did it
• 1:11:44
  intentionally painful. Yeah.
• 1:11:46
  And so once that numbness is gone, you're just going to be in
• 1:11:50
  a world of hurt. Yeah.
• 1:11:51
  Yeah. But he's like, what happened to
• 1:11:54
  her? Why'd she go?
• 1:11:54
  And she's like, well, she just decided to go, and who can
• 1:11:57
  blame? Her.
• 1:11:58
  And he's like, and you let her. And she's like, yeah.
• 1:12:02
  And then he just scolds her. He's like, you've not been
• 1:12:05
  professional. I've not been too satisfied with
• 1:12:07
  your professionalism in this workplace.
• 1:12:10
  And you're also questioning me. Your job is to keep the person
• 1:12:14
  here. And then she's like, are you
• 1:12:15
  blaming me about this? He's like, not only am I blaming
• 1:12:19
  you, I'm firing you. And then she's like, all right,
• 1:12:21
  well, I know about the pantyhose.
• 1:12:25
  And then, yeah, she pulls them out.
• 1:12:27
  And then he has like, a little panic attack.
• 1:12:30
  He's like Jessica. It's nothing happened, I swear.
• 1:12:33
  And she's like, I'm reporting you.
• 1:12:36
  And then he's like, I don't think so.
• 1:12:39
  And he chokes her with her nylons.
• 1:12:41
  Yep. So he pulls her back in there,
• 1:12:43
  they have a good little struggle and she almost gets them.
• 1:12:45
  She takes the needle like the syringe with another thing of
• 1:12:49
  the numbing stuff, and just before she's about to stab him,
• 1:12:52
  he chokes her out. Yeah, and the unfortunate thing
• 1:12:55
  is that even cheap nylons are going to choke you out pretty
• 1:12:58
  efficiently. But you know, you know, Steve
• 1:13:01
  didn't get April Rain. No cheap nylons.
• 1:13:03
  No, not at all. He didn't get those legs inside
• 1:13:07
  the egg. 3 for a dollar. From Walmart.
• 1:13:09
  That didn't happen. That's not how Mark Ruffalo
• 1:13:12
  rolls. So we cut over to the cops.
• 1:13:17
  They find the bullets, the the shot that killed the dog and
• 1:13:23
  they do some forensics on it and they find out what type of gun
• 1:13:26
  that is and they do a scan of all of the people that would
• 1:13:30
  have had the gun in the area. And Alan is the only person
• 1:13:34
  around here that has that gun that matches.
• 1:13:37
  Pretty interesting. Back at the dentist's office,
• 1:13:40
  Sarah's about to go back for her appointment, finally
• 1:13:43
  rescheduled. And then Marv comes in and gets
• 1:13:45
  in front of her again, and Candy's like she's been looking
• 1:13:49
  forward to this for two years. And so I was like, hey, Monday.
• 1:13:53
  Yeah. Yeah.
• 1:13:55
  So yeah, he finally gets his own little room.
• 1:13:59
  He's he's in a rainforest. Yeah, so he's getting set up
• 1:14:03
  back there. And he's basically telling Alan
• 1:14:08
  that he is, in fact, blackmailing him.
• 1:14:09
  He's like, straight up, you are gonna owe a lot of money.
• 1:14:12
  You have been very fraudulent with your claims.
• 1:14:15
  You've spent a lot of money on your wife.
• 1:14:17
  I can see that. And then Alan's just kind of
• 1:14:21
  like he goes, listen, it'll be a lot cheaper to deal with me than
• 1:14:24
  my supervisor. See, here's the thing.
• 1:14:27
  He is in a good position to squeeze somebody like this, and
• 1:14:31
  I get it. He's got all the details.
• 1:14:33
  Yeah, so he's asking for a favor here.
• 1:14:35
  But as soon as Alan gets him in the chair there, that's his
• 1:14:39
  moment to be like, all right, you're going to fucking do that
• 1:14:42
  shit right, or I'm going to do this right now.
• 1:14:46
  And he might not keep his word, but at the same time you have
• 1:14:51
  the very real threat of having your mouth fucked up right there
• 1:14:54
  and. Because Marv is not smart about
• 1:14:55
  this because he's like basically getting the best work that he
• 1:14:58
  can. Because he's like, I'll laser
• 1:14:59
  bond these back. Like he's got some crowns that I
• 1:15:02
  guess fell out of Marvin's mouth.
• 1:15:04
  Yeah, yeah. And so once he gets him in
• 1:15:06
  there, he, he's just like, you're just, you're going to
• 1:15:10
  keep asking for things. You're never going to get
• 1:15:12
  better. And so he puts the little, he
• 1:15:16
  gives them the gas and cranks it up a little bit too much and
• 1:15:20
  then puts in the little jaw opener thing and does it until
• 1:15:23
  his jaw basically cracks open. Yeah, he like, Oh my God, he
• 1:15:27
  puts it in there and he's just wrenching it over and over again
• 1:15:30
  and it's just, oh, it's just getting so big and bloody and
• 1:15:33
  it's just so nasty. You know who would appreciate
• 1:15:35
  this guy's style? Rusty Nail.
• 1:15:38
  Oh yeah, he would. Yeah.
• 1:15:42
  He's like, I prefer to use my bare hands to RIP off jowls.
• 1:15:45
  Jowls. Yeah, so he ties him up and he's
• 1:15:51
  just like trying to stab at his teeth and he ends up like his
• 1:15:56
  tongue. Yeah, he's like drilling at his
• 1:15:57
  tongue. Which?
• 1:15:59
  Yeah, he is fucking him up and he's back there screaming.
• 1:16:02
  And while all this is happening, we got a dental salesman that
• 1:16:07
  has come into the phone office. He's.
• 1:16:09
  Fair to sell like supplies. And he's like, can I speak with
• 1:16:13
  Doctor Feinstein? And he's like, well, I actually
• 1:16:14
  deal with all the salesman. Yeah, she's the office manager.
• 1:16:17
  Yeah, she's office manager. And while that's happening, you
• 1:16:20
  can hear Goldblum back there screaming.
• 1:16:22
  But then the guy's like, there's always one screamer, you know
• 1:16:25
  what I mean? So like, you can explain it
• 1:16:26
  away, like, oh, people are just afraid of the dentists.
• 1:16:30
  So meanwhile at the house, the cops are back there.
• 1:16:33
  They find Matt's body out back and then as they go inside and
• 1:16:38
  look around and they find Brooke tied up.
• 1:16:40
  Still alive. Still alive, everything hasn't
• 1:16:46
  passed out from shock or anything.
• 1:16:48
  I feel bad for her. Yeah, I think she she may have
• 1:16:51
  gone through that process again and again.
• 1:16:53
  Already. But yeah, she's kind of in that
• 1:16:55
  luminal space of like, her body is adapting enough to try and
• 1:16:58
  survive, but not so much to like let her sleep through her pain
• 1:17:02
  or anything. Yeah, so back at the dentist's
• 1:17:05
  office, Karen is looking around and she finds Jessica's back
• 1:17:09
  still there because she asked She's what happened?
• 1:17:11
  Where is. Jessica and he's like, I fired
• 1:17:13
  her and she goes, we're already short staffed.
• 1:17:16
  Yeah. And she's like, don't we need to
• 1:17:17
  close down for the day? And then, you know, he has his
• 1:17:20
  own little power trip moment. He's like, this is my office.
• 1:17:22
  Yeah. Basically so she is immediately
• 1:17:26
  suspicious and when she goes into the rainforest room she
• 1:17:28
  finds Marv and she's like Oh no. And then Alan attacks her and
• 1:17:32
  because Karen was the one he liked more, he's like this will
• 1:17:37
  be nice and simple and he just shoots an air bubble.
• 1:17:40
  Yeah, like, he just, like, takes the needle and shoots it in her
• 1:17:43
  neck. And like, he's like, he
• 1:17:44
  explains. So calm.
• 1:17:46
  He's like, all right, so I'm just gonna do this, I'm gonna
• 1:17:47
  shoot this in your neck and it's gonna just send air bubbles up
• 1:17:50
  into your brain and you're gonna die.
• 1:17:52
  Yep. And then?
• 1:17:53
  He does that thing, except I always thought it was like the
• 1:17:55
  heart. I think it could be anywhere,
• 1:17:58
  yeah. Well, I thought it was like when
• 1:18:00
  the air hits the heart that it's the problem.
• 1:18:02
  I don't know. You know what I don't know?
• 1:18:07
  I only know this because it was a death method used in Oh Fuck I
• 1:18:14
  can't remember the writer's name.
• 1:18:15
  Not RL Stein but the other spooky teen writer back in the
• 1:18:20
  day. He had this book where basically
• 1:18:22
  this girl had to solve her own murder and she ends up saving
• 1:18:25
  like one of her friends or her brother or something by putting
• 1:18:29
  her spirit into the air bubble that gets injected in the vein
• 1:18:33
  and. It's it's a.
• 1:18:36
  Kind of a fever dream of a book. As peaceful as it sounds, it's
• 1:18:40
  actually a very violent death. Here too because.
• 1:18:42
  Karen just collapses on the ground and just, like, seizes.
• 1:18:45
  Yeah, basically. So in the front office, Candy is
• 1:18:48
  like, hey, we still have Sarah here.
• 1:18:52
  We still have Jessica and Karen back there.
• 1:18:53
  Can I just send her back there? And, you know, they'll get her
• 1:18:56
  prepped and everything. And then he's like, yeah, sure,
• 1:18:58
  go ahead and send her back. And The thing is, like, the
• 1:19:01
  whole time I'm feeling so bad for Sarah every time she's not
• 1:19:04
  getting her braces off. But then I have this competing
• 1:19:08
  sense of relief, Yeah, that she's not walking into this
• 1:19:11
  danger. It's all fine.
• 1:19:12
  So it's like back and forth. But we see her, and he's
• 1:19:15
  finishing up taking off her braces, and she's real happy.
• 1:19:19
  And she smiles at him, and we're like, OK, cool, maybe this is
• 1:19:22
  going to be nice. And then he goes.
• 1:19:23
  Your teeth are never gonna be as nice as they are now.
• 1:19:25
  It's all downhill from here. Just he he took the braces off
• 1:19:28
  1st so she's having the happy. Moment.
• 1:19:30
  Yeah, yeah. Yeah.
• 1:19:32
  And then yeah, no, he's like, yeah, it's all downhill.
• 1:19:35
  You're not gonna take care of them.
• 1:19:36
  They're just gonna decay. And it's just all gonna turn to
• 1:19:38
  shoot like everything else. And he pulls out a gun and she's
• 1:19:42
  like. And so she runs and she runs
• 1:19:45
  out. Nobody's out there.
• 1:19:47
  Where the fuck did Candy go? Where did candy go?
• 1:19:50
  Cuz she's gonna pop back up here in a minute, but she's gone for
• 1:19:54
  all of this. Yeah, you're right.
• 1:19:55
  I didn't even think about. That Yeah.
• 1:19:57
  So it's basically this cat and mouse scene where Alan is trying
• 1:20:00
  to find her, and she is at one point hiding in a closet and she
• 1:20:04
  sees Jessica's body and she, you know, freaks out but manages to
• 1:20:09
  sneak out while Alan's looking elsewhere.
• 1:20:12
  And then she sneaks to a different room.
• 1:20:13
  Unfortunately, it's the rainforest room.
• 1:20:15
  So she finds Karen's body, and she finds Marv tied up.
• 1:20:19
  So she unties Marv. At that moment, Alan comes in,
• 1:20:23
  but Marv bodies Alan. Yeah, he's just straight up
• 1:20:27
  tackles and yeah, yeah, at least he's fighting, you know what I
• 1:20:31
  mean? He's helping her.
• 1:20:32
  Yeah, he's just like I should have let you go for skit.
• 1:20:37
  So he I guess off screen takes care of Marvin or Marv and then
• 1:20:42
  ends up with him getting Sarah in the opera room.
• 1:20:46
  Yeah, and she's like, please, I promise I will brush three times
• 1:20:49
  a day and no cane. He goes like to pinky square.
• 1:20:53
  Do you say pretty please or something?
• 1:20:55
  Like that he, he makes her, like, say it like five times.
• 1:20:57
  Yeah, I swear, three times a day, no candy.
• 1:21:00
  And then he's like, all right. All right.
• 1:21:02
  And cops come in, He has already left.
• 1:21:04
  Sarah is fully dramatized. And we see like that shot that
• 1:21:09
  you mentioned at the beginning where he's just driving along
• 1:21:12
  listening to his opera and there's a cop car right next to
• 1:21:14
  him, so. It's, I love that shot.
• 1:21:16
  It's so cool. Yeah, he's just driving.
• 1:21:18
  And then the cop car just like turns.
• 1:21:20
  Oh my God, it's so awesome. So Sarah's crying, and the cops
• 1:21:24
  are like, do you have any idea of where he's gone?
• 1:21:27
  And she was like, I have no idea.
• 1:21:28
  I have no idea. And Candy is like, completely
• 1:21:32
  bad because she was gone for all of this.
• 1:21:33
  She doesn't see what happens. So she's just like, it's such a
• 1:21:36
  shame. Beautiful marriage, a kind
• 1:21:40
  doctor, a wonderful teacher. And Sarah goes, well, you just
• 1:21:44
  shot. I almost.
• 1:21:48
  Died. Ken Forrey is like, wait a
• 1:21:50
  minute, teacher. And then they're like, OK, we
• 1:21:53
  think we might know where he's at now.
• 1:21:55
  So it cuts to him. He's giving instructions to one
• 1:21:59
  of his students and he's like, OK, He's like, I need you to do
• 1:22:02
  an extraction. Well, first he's like, go ahead
• 1:22:05
  and like drill or something and they're like, well, shouldn't we
• 1:22:07
  give the patient anesthesia? And he goes no.
• 1:22:09
  He is actually drilling this person.
• 1:22:11
  First he's drilling the fucking teeth and then like they're in
• 1:22:14
  pain. Yeah.
• 1:22:14
  And then, yeah, he's having that conversation with the students.
• 1:22:18
  He's like, actually, you know what?
• 1:22:19
  Like do an extraction. And then he turns around to all
• 1:22:22
  of the students. He's like everybody.
• 1:22:24
  Everybody start extracting. And at first a couple of people
• 1:22:28
  laughed, thinking it's a joke, and then he pulls out the gun
• 1:22:30
  and they're like. Yeah, he's like, I'm not fucking
• 1:22:33
  kidding. Get to extracting now.
• 1:22:35
  I wish we. Had seen like one student like
• 1:22:38
  be a little bit more eager than the rest.
• 1:22:39
  Yeah, you feel. Like all right.
• 1:22:41
  Could be Jack Nicholson. Except it's like actually Jack.
• 1:22:46
  Nicholson Yeah, no, yeah, that's what I'm saying.
• 1:22:48
  He's like or like him today and he's like, hey, I finally made
• 1:22:51
  it to dental. School.
• 1:22:52
  Yeah, yeah. So he right before he actually
• 1:22:56
  makes him do that though, the cops bust in and they hold him
• 1:22:59
  at gunpoint, but he manages to take one of them hostage.
• 1:23:04
  Yeah, he takes one of them hostage.
• 1:23:05
  And then he starts seeing all of the students and patients as,
• 1:23:08
  like, his victims of his little spree.
• 1:23:11
  Yeah. And he shoots at one of them
• 1:23:13
  that he thinks it's Matt, but it's actually just a patient,
• 1:23:16
  and he gets shot in the leg. So at least he's not hurt.
• 1:23:18
  Yeah. And in the commotion, he manages
• 1:23:20
  to run off. And I guess the dental school is
• 1:23:23
  attached to the performing arts hall.
• 1:23:26
  It's. Like an auditorium there, which
• 1:23:28
  isn't too weird to think about if you're at a school.
• 1:23:32
  No, it's not weird that they have both, it's just weird that
• 1:23:35
  they would be next. To connected, Yeah, you're
• 1:23:37
  right, yeah. And there's like a student in
• 1:23:40
  there, an opera student who. Sing an opera to an empty
• 1:23:43
  auditorium. It's.
• 1:23:44
  Probably just the rehearsal space.
• 1:23:46
  Probably, but she's got the spotlight on her and everything.
• 1:23:49
  This is not weird at all to me. This, No, this makes sense,
• 1:23:51
  yeah. No, he's like mesmerized by the
• 1:23:54
  opera. Yeah, that's But then he starts
• 1:23:57
  seeing her as Brooke and he like, goes up and he like
• 1:24:01
  touches her and she like, startles and he drops the gun
• 1:24:05
  and drops to his knees and starts crying.
• 1:24:07
  And that's when the cops come in.
• 1:24:09
  And then he still sees the student as Brooke, except now
• 1:24:11
  Brooke's laughing because he got caught.
• 1:24:13
  Yeah, Yep. And it ends with him where we
• 1:24:17
  first saw him in like the White Room, but it's him being taken
• 1:24:20
  to like a psych ward. Yeah, well, it's time for his
• 1:24:24
  his appointment and he's saying no, no, no.
• 1:24:27
  And it's a dental visit, except the dental hygienist is a very
• 1:24:32
  gummy broke. Yeah, yeah.
• 1:24:36
  And I think that this is all on his head.
• 1:24:37
  Yeah, absolutely. Because we get the dentist too.
• 1:24:41
  Yeah. And he very much is a free man.
• 1:24:44
  So I don't remember how he gets out of that situation though.
• 1:24:47
  I wouldn't say Freeman, I'd say fugitive.
• 1:24:49
  He's a fugitive, yeah, but he's free.
• 1:24:51
  He's not locked up. Yeah or anything.
• 1:24:54
  So, yeah. But yeah, that's how it ends.
• 1:24:58
  So how do you feel after talking about it?
• 1:25:00
  I will bump it up to an 8.75 because this is a solid fucking
• 1:25:04
  movie. Yeah, I agree.
• 1:25:06
  I'm going to keep mine another nine because I still feel like
• 1:25:08
  that's right. But I love this movie.
• 1:25:10
  I think it's super solid. It's effective horror.
• 1:25:14
  And really, when you want horror, when you're watching
• 1:25:17
  horror, you want it to be something that makes you feel
• 1:25:20
  uncomfortable, that's effective and scary.
• 1:25:23
  And this is one that I think actually achieves while also
• 1:25:26
  having a good story. So our final average is 8.875.
• 1:25:32
  OK. So that's good, real good.
• 1:25:35
  I think one thing that I might change, we don't have to show
• 1:25:42
  the dog death. No, it's never necessary.
• 1:25:45
  It really all it did was give him a bullet to track him down,
• 1:25:50
  but you could have killed somebody with it.
• 1:25:53
  Yeah, you could have done it differently.
• 1:25:55
  Yeah, it didn't have to be a dog.
• 1:25:57
  Yeah, and we didn't have to see the dog's body go body.
• 1:26:00
  Yeah, also that. So yeah, you know, now I'm
• 1:26:05
  picturing like the beginning of Return of the Living Dead, like
• 1:26:08
  where they're like trying to go through.
• 1:26:09
  The cadavers. Yeah, yeah, yeah.
• 1:26:13
  OK, So what do we think Talia thought of this?
• 1:26:18
  I think Talia liked it. I think she was put off by the
• 1:26:21
  dog death though. She's always put off by the dog
• 1:26:24
  death. She is, she very much relates to
• 1:26:27
  the dental trauma with this because she had part of her jaw
• 1:26:31
  removed. So, you know, that's always a
• 1:26:34
  scary thing for her. But the people that she saw were
• 1:26:36
  super nice. Yeah, at one point she was like
• 1:26:38
  looking at us like guys and we're like, we know that they
• 1:26:41
  were much kinder to you at Med Vet.
• 1:26:42
  But that's why it's so scary, because, you know, it could have
• 1:26:45
  been this guy. But she was, the whole time, she
• 1:26:48
  was really playful. She was showing off her Tommy.
• 1:26:51
  She was she was feeling this. So I think Talia would give it
• 1:26:55
  and mine if it were not for the dog death. 88 Yeah, because of
• 1:26:59
  that automatic point deduction, Zoe's ultimate warrior.
• 1:27:08
  Let's see. Not Sarah cuz Sarah saved her
• 1:27:13
  life by agreeing to not eat a specific type of food.
• 1:27:17
  Yeah, you're right. You know what Ken 4A cause Ken
• 1:27:21
  4A pulled that classic an old hand at this.
• 1:27:25
  I'm so unbothered by death that I'm eating at a crime scene.
• 1:27:28
  You're right, You know, I didn't even talk about it, but my
• 1:27:31
  favorite thing from him in this movie is like, all right, so go
• 1:27:35
  over there, interview the people, see what happened with
• 1:27:38
  the dog death, try and find the robber cop stuff.
• 1:27:42
  Yeah. It feels like that was like a
• 1:27:44
  note to improv the line. And yeah, just cop stuff.
• 1:27:47
  He's. Like read it out loud.
• 1:27:48
  Yeah, Cop. Stuff, but it worked like God
• 1:27:50
  damn it, Ken. Perfect.
• 1:27:54
  Yeah, it's like, you know what? Damn it, I'll accept.
• 1:27:58
  It better than we wrote. I loved it.
• 1:28:00
  It was so funny. So yeah, I agree with you.
• 1:28:03
  Yeah. Let's make it again.
• 1:28:05
  I like how we just are putting Ken for Ray instead of the
• 1:28:07
  character's name. We they never say Detective
• 1:28:10
  Gibbs in the movie that's. Just I think they probably did
• 1:28:12
  at some. Point maybe one time, I don't
• 1:28:14
  know. I just remember like detective.
• 1:28:17
  That's all I remember. OK, well, we know who Zoe's
• 1:28:20
  Ultimate Warrior was. Yeah, but who did you relate to?
• 1:28:23
  I see we didn't get anybody that's like actually like scared
• 1:28:28
  of the dentist but has like. April was, she was very nervous,
• 1:28:33
  so. No, my thing with the dentist
• 1:28:36
  was I had to have a lot of trips with the dentist because I had a
• 1:28:40
  very terrible mouth growing up. Just like it was all fucked up
• 1:28:44
  in all kinds of ways. I remember like the dentist
• 1:28:46
  actually looked at my mouth one time and said I've never seen
• 1:28:49
  this before. It's like it was bad.
• 1:28:54
  I think they even raided out of 10/1 time.
• 1:28:57
  It was an AI think. A scale of bad.
• 1:29:01
  Yeah, I wish you. Were the.
• 1:29:03
  Tongue. I had to have all kinds of like
• 1:29:05
  dental surgery. I had a tooth that grew under my
• 1:29:07
  tongue and it had to be surgically removed.
• 1:29:10
  What did I marry? Somebody with fucked up teeth,
• 1:29:14
  but they're in like a, I'm not going to say they're good, but
• 1:29:19
  they're in an OK space now. Like, you know, nice.
• 1:29:22
  Smile. Well, thank you.
• 1:29:23
  But there's some jank for sure. But there's nowhere near as much
• 1:29:27
  jank as there should be or would have been if I had never touched
• 1:29:32
  my teeth. As God intended.
• 1:29:34
  Seriously, Like I've got some old pictures of my fucked up
• 1:29:38
  teeth, like my old fucked up smile.
• 1:29:40
  And it was bad. So.
• 1:29:42
  Yeah. So I didn't get that person in
• 1:29:46
  this movie. You know, somebody that's like a
• 1:29:48
  repeat customer. Customer.
• 1:29:50
  Yeah. Like I think that that would
• 1:29:51
  have been kind of cool. Like somebody's like, all right,
• 1:29:53
  I know, you know. Yeah, my teeth are fucked up.
• 1:29:56
  I got another cavity. Actually, no, I'm gonna pick a
• 1:30:00
  relate one for you. OK.
• 1:30:03
  Because I've been reminding you and over and over and over again
• 1:30:06
  that you need to schedule your six month cleaning.
• 1:30:08
  So I think you're gonna be Paula.
• 1:30:10
  OK, sure. Yeah, I'll be Paula.
• 1:30:13
  I've had my teeth destroyed like that before too, man.
• 1:30:17
  I've had just about anything you can do, and they're done.
• 1:30:21
  Yep. So, all right.
• 1:30:22
  What about you? Who'd you relate to?
• 1:30:27
  We didn't have the person for you that came in there with like
• 1:30:30
  the impeccable teeth, you know what I mean?
• 1:30:33
  Actually, probably I would relate to April because there
• 1:30:36
  really wasn't much. I've got a little bit of a
• 1:30:38
  shadow but it was the same thing where like no I have a doctor
• 1:30:41
  not in active psychosis and he was like if you brush and floss
• 1:30:45
  it probably will be fine on its own.
• 1:30:47
  Oh dude, let me give you all some real Travis experience
• 1:30:50
  dental. And this is like, within the
• 1:30:52
  past, like, few years, my dentist sometimes would be like,
• 1:30:55
  that's a shallow cavity. Yeah.
• 1:30:58
  You want to do this without any numbing?
• 1:31:00
  I'm like, I'll fucking trust you, doc, you know?
• 1:31:02
  And then, like, I've had several teeth done without getting any
• 1:31:06
  numbing. They just drill my tooth without
• 1:31:08
  anything. Yeah.
• 1:31:10
  And if it's very surface level, it's not comfortable.
• 1:31:12
  But you know, the numbing sucks too.
• 1:31:14
  It doesn't help that you also have that ginger thing where you
• 1:31:17
  take more anaesthesia than like a normal person to get all the
• 1:31:21
  way numb. I guess, yeah, I might have
• 1:31:23
  that. You know, you've told me before
• 1:31:25
  that they've had to give you multiple shots and you can still
• 1:31:27
  feel it. Yeah, yeah.
• 1:31:30
  It's never really a comfortable experience for me.
• 1:31:32
  Like I've never truly feel 100% non.
• 1:31:35
  I didn't even think about that, but yeah.
• 1:31:37
  Yeah, yeah. No, cuz like the the shadow
• 1:31:41
  thing isn't really necessarily a cavity.
• 1:31:43
  It's just like, hey, you have the potential to get a cavity.
• 1:31:45
  Yeah. So the fact that he was gonna
• 1:31:46
  drill a hole into her mouth. The whole filling, yeah, it's
• 1:31:50
  very fucked up. OK, so those are their people
• 1:31:53
  then. OK, OK, so time for reviews.
• 1:31:58
  No. No tagline.
• 1:32:00
  Dream SQL. And Dream SQL, yeah, yeah, yeah.
• 1:32:04
  OK, OK. Dream SQL.
• 1:32:05
  So they do kind of like give you room for this here cuz yeah
• 1:32:09
  you're right, We do have some unreliable narrator stuff.
• 1:32:14
  I think everything at the end happened except for him getting
• 1:32:17
  carried away and put into a pure white room with his wife.
• 1:32:20
  Yeah, I do want to have broken the sequel I.
• 1:32:26
  Want to? Get her revenge.
• 1:32:27
  I feel like she needs to, yeah, she needs to be back.
• 1:32:30
  And she's got, like, fake teeth now.
• 1:32:34
  Yeah. Or maybe she like embraces the
• 1:32:36
  gummed tooth look. No, I like to imagine that she
• 1:32:42
  again to reference old boy, one tooth for every year of my life,
• 1:32:45
  but it's one tooth for every tooth of my life.
• 1:32:48
  And she does that to him and. I think she gets him and gets
• 1:32:54
  her revenge. Yeah, she's going to get her
• 1:32:57
  revenge somehow, some way, but I think she's going to do more
• 1:33:02
  fucked up things too on top of it.
• 1:33:04
  See, I think a good thing and this kind of falls in line with
• 1:33:09
  how the actual sequel plays out. But like, and if this isn't
• 1:33:13
  exactly how the sequel goes, like just please, I'm not trying
• 1:33:16
  to steal it. This is just out of my head.
• 1:33:19
  But like he escapes and he's trying to build like a life away
• 1:33:24
  from all that be private. But when he's there, he she
• 1:33:30
  arrives and she's playing it cool too.
• 1:33:33
  And she like, she's trying to like put herself in his life to
• 1:33:40
  try and get close and get revenge.
• 1:33:42
  And he's having to try and balance his old life and his new
• 1:33:47
  life did not have other people realize that he's had this so.
• 1:33:50
  Almost like a spy versus spy situation.
• 1:33:52
  Kind of yeah. And you know, like in the off
• 1:33:55
  hours when people aren't noticing or even, you know,
• 1:33:58
  behind closes doors at the office and shit, like she'll be
• 1:34:01
  there. Like she applies for the job
• 1:34:02
  there and she becomes like a hygienist or something, you
• 1:34:06
  know? I mean like he can't call out
• 1:34:08
  that he knows her. And then she's not qualified.
• 1:34:10
  Yeah, she's like, well, if you do that, I'm going to blow the
• 1:34:13
  whistle on the entire thing here.
• 1:34:15
  So she is forced to be in the point.
• 1:34:16
  We're waiting to see what she's got planned for him, yeah.
• 1:34:19
  I like that, but she like, you know, at first she plays it off
• 1:34:22
  cool, you know, like, oh, don't worry, like, you know, if you
• 1:34:24
  play nice, I'll play nice, you know, and she like maybe tries
• 1:34:27
  to give some like, well, like, like romance manipulation here,
• 1:34:32
  like, you know, I still have feelings for you and stuff like
• 1:34:34
  that. And because she's back and he's
• 1:34:37
  getting paranoid, he's starting to spiral again.
• 1:34:39
  Yeah, the one thing I do want to definitely keep from the actual
• 1:34:42
  sequel is that one scene. You know which one I'm talking
• 1:34:46
  about. The real fucked up mouth
• 1:34:48
  torture. Yes, yes, absolutely.
• 1:34:50
  Yeah. I'm not spoiling anything
• 1:34:51
  because I know we'll talk about it eventually, and that is one
• 1:34:53
  of the gnarliest things I've ever seen in a horror movie.
• 1:34:57
  I think one other thing that I would like to keep from the
• 1:34:59
  sequel is Clint Howard. Fuck, I forgot he's in.
• 1:35:03
  It Yeah. So we got to have Clint Howard
• 1:35:05
  on board for this, too, Clint. Howard yeah, always.
• 1:35:08
  We'll find the boy for him to fit.
• 1:35:09
  He'll be there. Yeah.
• 1:35:11
  OK, cool. So that's a nice little way out
• 1:35:13
  for a sequel there. All right, All right, now
• 1:35:16
  tagline. Let's see if we can actually do
• 1:35:18
  something better this time. Do we want to bring Jack
• 1:35:23
  Nicholson into this? We can.
• 1:35:27
  You can't handle the tooth. Yes, you can't handle the tooth.
• 1:35:33
  I like it. I like it a lot.
• 1:35:35
  Full circle. How long have you been thinking
• 1:35:37
  of that since? We started.
• 1:35:38
  Did you OK? Good.
• 1:35:41
  I'm proud of you. That was good.
• 1:35:42
  Thank. You I'm glad I didn't like spoil
• 1:35:44
  it at. The beginning of.
• 1:35:45
  That so I feel like that's less fun.
• 1:35:48
  Perfect. All right, Well, I guess that
• 1:35:50
  means we're moving on to reviews now.
• 1:35:51
  Reviews OK, so I got us an IMDb review and I had to do some
• 1:35:58
  digging for like a good one because, you know, some of it
• 1:36:01
  was just not great. Here's the thing, I'm totally
• 1:36:03
  fine if people do or don't like a movie.
• 1:36:05
  I just want to know why? Yeah, I'm saying I wanted like a
• 1:36:08
  good thought out explanation. For it, that's kind of our whole
• 1:36:11
  thing here that we totally respect people's opinions for.
• 1:36:14
  Not like we joke around when we say a score is rude, but like,
• 1:36:18
  if you can explain why you feel that way, I can be like, yeah, I
• 1:36:22
  get it, this movie is not for you.
• 1:36:24
  Yeah, that's fine. All right, so this was rated 4
• 1:36:28
  out 10. It's titled a great
• 1:36:30
  disappointment. Boring.
• 1:36:32
  No. So they say.
• 1:36:35
  This film attracted my attention by being brought to us by the
• 1:36:38
  creators of Reanimator. Brian Yelson and Stuart Gordon
• 1:36:41
  are pretty are a pretty incredible team and I've
• 1:36:43
  thoroughly enjoyed their body of work.
• 1:36:45
  Sadly, I think this one falls short of their other projects
• 1:36:49
  aside from the girl who plays Sarah.
• 1:36:50
  The acting is cheesy and over the top, the film quality is
• 1:36:54
  poor and the general plot is just weak with some sort of
• 1:36:57
  opera tie in that doesn't really make sense.
• 1:37:00
  The real strength of the film is in the special effects and
• 1:37:02
  makeup, while some of the scenes aren't exactly realistic, such
• 1:37:06
  as the mower destruction scene. The FX crew went out of their
• 1:37:10
  way to be disgusting and gory, which is what makes this film
• 1:37:13
  memorable at all. Many people dislike tooth trauma
• 1:37:16
  in horror films, so this is going to leave them very feeling
• 1:37:19
  very uncomfortable. I don't like teeth being pulled
• 1:37:22
  or knocked out with hammers, but the way this film presented it,
• 1:37:25
  I found the gore more enjoyable enjoyable than disturbing.
• 1:37:29
  For the most part, The Dentist is a forgettable film and not
• 1:37:33
  something you need to see on your phone, see or own.
• 1:37:36
  I haven't seen The Dentist Too yet, but I suspect that one
• 1:37:39
  isn't much better. Perhaps you'd be better off with
• 1:37:41
  Doctor Giggles or Novocaine. OK, Doctor Giggles is a good
• 1:37:45
  movie too. Here's The thing is that when
• 1:37:50
  you think about the dentist, you don't think about necessarily
• 1:37:52
  the whole plot. You do just think of those
• 1:37:54
  moments in the chair. And then you're like, oh, well,
• 1:37:56
  the rest of the movie must just be a lot of, like, sludge.
• 1:37:59
  Yeah, But when you're actually watching it, there's not really
• 1:38:02
  dull moments on the screen. Everything is moving the story
• 1:38:05
  forward, which is what you want. Yeah, I I agree with you.
• 1:38:08
  I think like they keep it interesting and they keep a good
• 1:38:12
  pace with it. I can get how somebody would
• 1:38:15
  like upon reflection be like, I don't really remember much well.
• 1:38:19
  From this person's person. Oh, sorry, go ahead.
• 1:38:21
  Oh, I was going to say because the the effects are so gruesome,
• 1:38:25
  like they're, they're well done, but also they hit a thing that
• 1:38:29
  so many people are just very like evolutionarily we want to
• 1:38:34
  keep our teeth intact. Yeah.
• 1:38:36
  And everybody who's suffered any type of tooth pain, Yeah, like,
• 1:38:41
  it's so sensitive. Yeah.
• 1:38:43
  It hurts in a unique way that no other part of your body does.
• 1:38:47
  Yeah, yeah. So with this person, I can
• 1:38:50
  understand why they didn't like it, because they went in with
• 1:38:54
  the assumption of the filmography of these people.
• 1:38:57
  Yeah, which is very outlandish. Like society and Reanimator,
• 1:39:02
  they take a concept they just like make it as weird as they
• 1:39:06
  possibly can, as right here they did make the dentist weird.
• 1:39:10
  A lot of the reviews here were like people saying like I just
• 1:39:13
  caught this on TV and the only reason I kept watching it is
• 1:39:16
  because it was so weird. Like, oh, that's a Brian yes
• 1:39:19
  movie for you right there, but it's not like it doesn't go full
• 1:39:22
  yes, no, or that's stupid. Gordon.
• 1:39:24
  Yeah. And I will say, I do think that
• 1:39:26
  the second one is a little bit more actiony, like there's a
• 1:39:33
  little bit more going on. It feels more like a Yosno film
• 1:39:36
  than this one does. It was really interesting
• 1:39:38
  because like they they were talking in the interview with
• 1:39:44
  Corbin and he said the first one they they didn't they didn't
• 1:39:54
  like what he did with the script because he did it his way.
• 1:39:58
  He yasneted up. And they're like, OK, when they
• 1:40:02
  when the producers of the second one gave him the script, they
• 1:40:05
  wouldn't let him have it until the day before shooting so he
• 1:40:08
  couldn't fuck with it any. But instead they like would meet
• 1:40:13
  at night after shooting and then they would take the next day's
• 1:40:16
  scenes and rewrite them. So that's probably why we get
• 1:40:20
  some of the Azna stuff from the second one.
• 1:40:23
  OK, that amped up a little bit because they're writing it so
• 1:40:25
  last minute and maybe it's just like so chaotic and that.
• 1:40:29
  Yeah. Right there.
• 1:40:30
  But this one right here is like a little bit more methodical and
• 1:40:33
  they shot for a grounded experience.
• 1:40:34
  Yes, they were intending to be more grounded.
• 1:40:37
  Yeah, it was just grounded that he is.
• 1:40:38
  No way. Exactly.
• 1:40:39
  Yeah, that's grounded the best he can get.
• 1:40:41
  Yeah. All right.
• 1:40:42
  So listener. He's not exactly C level, if you
• 1:40:45
  know what I mean. And I think you do all right.
• 1:40:49
  Time for some listener reviews. So we got to today.
• 1:40:53
  OK, first one is from Cube Saves.
• 1:40:55
  OK, it says this movie always stuck with me.
• 1:40:58
  Teeth. Body horror is a good niche.
• 1:41:00
  Yeah. You know what it is, and I feel
• 1:41:03
  like it definitely stands out all on its own because holy
• 1:41:07
  shit, it's just so fucking upsetting.
• 1:41:09
  But I think when you think of a lot of movies that involve, I
• 1:41:14
  hate the term, but torture porn type stuff, you have a mix of
• 1:41:19
  things happening. It's not just one specific
• 1:41:21
  thing. So this all being focused on
• 1:41:23
  teeth is unique. Yeah, exactly.
• 1:41:26
  Yeah, You can have scenes of people getting their teeth
• 1:41:28
  pulled out and that's always upsetting, but this one focuses
• 1:41:32
  purely on it. Yeah, cuz like I can think of
• 1:41:34
  probably like 3 or 4 movies off the top of my head that have
• 1:41:38
  tooth trauma, but just as like one thing in a whole gory mess.
• 1:41:42
  Saw Three and Vile. Also, truth or dare, the sci-fi
• 1:41:47
  one. Oh, yeah.
• 1:41:48
  So there we go. We got three right off the bat
• 1:41:49
  right there. Yeah, they're all in a little
• 1:41:52
  torture. Yeah, sub genre right there.
• 1:41:55
  OK. And one more.
• 1:41:57
  We have Ward Zombie, who says? I think I have this on DVD, but
• 1:42:03
  from what I can remember, it was not good Zombies.
• 1:42:07
  It's OK, man. If you don't like it, Yeah, But
• 1:42:09
  maybe, like, give it another watch.
• 1:42:10
  Give it. Another shot.
• 1:42:11
  Listen, there have been so many movies over time that I've been
• 1:42:14
  like, I did not like that. And then I rewatch and I'm like,
• 1:42:16
  you know what, Actually I do? It happens all the time it.
• 1:42:18
  Happens. All the time.
• 1:42:20
  It's happened in the reverse, also to be.
• 1:42:22
  Fair. True.
• 1:42:22
  Yeah, I've got a movie I've walked down.
• 1:42:24
  I'm like, that's not as good as I remembered.
• 1:42:26
  Yeah, I remember famously as talking about Halloween
• 1:42:29
  resurrection, and I ended up being talked out of defending it
• 1:42:33
  as much as I was by the end. I remember we all liked it.
• 1:42:38
  We liked it, but I was really hardcore defending it until like
• 1:42:43
  halfway through and I was like, no, I'm talking myself out of
• 1:42:45
  this movie as we're going through it.
• 1:42:47
  Yeah, none. Yeah, but I get it, man.
• 1:42:51
  Maybe give it another shot. But if you don't like it, you
• 1:42:53
  don't like it, That's that's totally cool.
• 1:42:55
  But if you already have it on DVD anyway.
• 1:42:57
  Give it another shot, and it's also free if you don't have it
• 1:42:59
  on DVD. So yeah, that's also happened to
• 1:43:02
  me plenty of times. I think I have something on a
• 1:43:04
  DVDI do. Yeah, yeah, we do that quite a
• 1:43:07
  bit actually. OK, so that's it for this week's
• 1:43:10
  episode. Yep, again, this Sunday is going
• 1:43:13
  to be our TV or not to be episode.
• 1:43:15
  We'll of course share that we don't know what it is until we
• 1:43:18
  sit down to pick it out. It's a Jessie pick this month.
• 1:43:21
  Yeah. And then next week, guess what
• 1:43:24
  it is? It's my pic and I chose In a
• 1:43:28
  Violent nature. We're getting a new release up
• 1:43:31
  in this piece. Yeah, it's.
• 1:43:32
  Releasing tomorrow on Shutter. Yep, Friday the 13th on shutter,
• 1:43:37
  you can watch it. You've been able to watch it on
• 1:43:39
  rentals for a while now. So if you don't have shutter and
• 1:43:42
  you don't want to do that, you can do that also.
• 1:43:44
  It is. I feel it's worth the rental.
• 1:43:46
  This is another one that I've read has been kind of divisive
• 1:43:50
  for audiences. I've read that too, yeah.
• 1:43:54
  I know we've already kind of touched on that.
• 1:43:55
  We really enjoyed it, so I'm excited to revisit it.
• 1:43:59
  I am. I'm really excited for it.
• 1:44:01
  It's going to be an interesting one to cover on a podcast.
• 1:44:03
  I think it's it's a unique movie.
• 1:44:05
  It's a unique movie, but I think I think there's plenty that
• 1:44:08
  we'll be able to talk about. Yeah, it's definitely.
• 1:44:10
  If you don't know anything about it, just go into it.
• 1:44:12
  Blind. Go in blind.
• 1:44:14
  Absolutely. I recommend that for any movie,
• 1:44:16
  but especially this. But this one especially because
• 1:44:18
  Travis was like so hyped up for it and we watched like a teaser
• 1:44:21
  for it. Not a full trailer, just like a
• 1:44:23
  little teaser and. I watched the full trailer.
• 1:44:25
  But that's rare for you. Well, I remember somebody, I
• 1:44:31
  wasn't even on my radar, and somebody mentioned the premise
• 1:44:33
  and had the trailer attached. I was like, fuck it, let's see
• 1:44:36
  what it is. But the trailer doesn't give
• 1:44:38
  anything away. Yeah, and it gives you an idea
• 1:44:40
  of what the movie's gonna be like.
• 1:44:42
  And I was not sold by it when you showed it to me, but I was
• 1:44:47
  willing to go watch it with you. And I'm so glad I did because it
• 1:44:51
  wasn't what I expected it to be. And it's.
• 1:44:55
  Just watch it just like I just at least give it a shot.
• 1:44:59
  It might not be your thing and that's when I can absolutely
• 1:45:02
  understand not being somebody's thing.
• 1:45:03
  But yes, I highly recommend at least checking it out.
• 1:45:06
  Yes, at least give it a shot because you never know until you
• 1:45:09
  try. Yeah, and also because we're
• 1:45:11
  going to be talking about it and I don't want to spoil it for you
• 1:45:13
  unless you want it to be spoiled for you, then come on over.
• 1:45:16
  Yeah, we'll talk about it. So yeah, that's coming up.
• 1:45:20
  So in the meantime, we would like to thank our patrons.
• 1:45:24
  We have Joe. Freitatron.
• 1:45:27
  As is his name, Amber, Michael Ward, Zombie Tyler and Chad.
• 1:45:32
  Yay. Thank you guys so much.
• 1:45:34
  You guys are awesome. We really appreciate the support
• 1:45:36
  that you provide for us in the show.
• 1:45:38
  It does a whole lot and we very much appreciate it.
• 1:45:42
  You guys are the best. It makes a huge difference for
• 1:45:44
  us and we really do appreciate. It Yeah, if you can't do it
• 1:45:47
  totally cool, we get it. But we have other ways you can
• 1:45:51
  maybe help. You can rate US on whatever
• 1:45:53
  platform you listen on. You can subscribe or follow us
• 1:45:56
  on whatever platform, drop a little review, maybe we'll read
• 1:46:00
  that on the show if you do that and share episodes if yeah, you
• 1:46:05
  know, we released something that you liked or you think somebody
• 1:46:08
  might like. You know, we really appreciate
• 1:46:09
  it when you guys do that. You guys are awesome.
• 1:46:11
  Also, like, vote in our polls and have a fun debate with it
• 1:46:16
  because we started doing that with phenomena because we were
• 1:46:20
  just going back and forth, like would it be better to have a
• 1:46:22
  swarm of insects or a fun chimpanzee sidekick?
• 1:46:26
  And that became such a fun discussion with people.
• 1:46:29
  We like hearing people debate. Yeah, if you yeah, if you got
• 1:46:32
  thoughts on it, I love that too. Yeah, I guess some people that
• 1:46:36
  send them as private messages and I love that too.
• 1:46:38
  So I. Love it when people share why
• 1:46:40
  they're voting the way they are and they try and try and
• 1:46:42
  convince people to vote for their side.
• 1:46:44
  And also some people and do write insurance which I'll I'll
• 1:46:47
  always allow those two. Those are cool too.
• 1:46:48
  This is a democracy. Yeah, absolutely.
• 1:46:51
  All right. So thank you, guys.
• 1:46:53
  We really appreciate you all being here.
• 1:46:55
  And you can find us on our social media.
• 1:46:57
  We're on Instagram and threads, at least favorite scary movie
• 1:46:59
  podcast, Twitter and Blueski at least favepod.
• 1:47:02
  You can find us on our website whichareleastfavoritescarymovie@gmail.com
• 1:47:04
  or you can e-mail us at least favorite scarymovie@gmail.com.
• 1:47:07
  All right. So I think that's it for now.
• 1:47:10
  We will see you guys on your next dental cleaning, which is
• 1:47:15
  in a week, so I'm sorry so soon. We do weekend visits.
• 1:47:18
  Oh yeah, we're doing. Yeah, we got an emergency.
• 1:47:21
  Emergency. The emergency clinic is open
• 1:47:22
  people. Come on.
• 1:47:23
  Over talk on in all right see y'all Bye bye.
• 1:47:40
  Your brain is in a weird place right now because you just woke
• 1:47:42
  up from a nap. I haven't slept well for the
• 1:47:45
  past. Few years I can tell.