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Supervillains Roundtable (WARNING: MARVEL SPOILERS) · Artists on Artists on Artists on Artists

• 0:00
  Speaker 1: Welcome back to artists on Artists on Artists on artists. Boy,
• 0:03
  Speaker 1: do we have a panel for you today.
• 0:04
  Speaker 2: The Stream's Screenwriting Expert panel of new voices in Hollywood.
• 0:08
  Speaker 3: Castumes are a character.
• 0:10
  Speaker 2: Buck Mary Kill wide shot, two shot, close.
• 0:13
  Speaker 1: Up this artist on artists on artists on artists. Do
• 0:17
  Speaker 1: you know why they call it show business? I always
• 0:19
  Speaker 1: wondered that.
• 0:26
  Speaker 2: Welcome back to artists on artists on artists on artists.
• 0:29
  Speaker 2: WI is the season for a villain? That's right? Today
• 0:35
  Speaker 2: we sit down with four legendary villains.
• 0:39
  Speaker 4: You know the good guys, but have you met the
• 0:42
  Speaker 4: bad guys? Take a walk on the bad side of
• 0:44
  Speaker 4: town and see what it takes to act as a
• 0:48
  Speaker 4: bad man in a movie.
• 0:50
  Speaker 5: Actors go to great lengths to become evil, diabolical characters
• 0:55
  Speaker 5: that make our skins shake. So let's listen to the
• 1:01
  Speaker 5: process of being rotten.
• 1:04
  Speaker 3: Should we go around in the say our names?
• 1:07
  Speaker 1: Yes, let's go around.
• 1:09
  Speaker 6: I'm Gervai's Peanut and I play Dark Side of the Moon.
• 1:16
  Speaker 2: What movie is that? In God Woman? Hello, my name
• 1:24
  Speaker 2: is Henry Bouffo, and I played bone Apart in the
• 1:31
  Speaker 2: Batman trilogy. Bonaparte is Napoleon Bonaparte reimagined and rebuilt as
• 1:42
  Speaker 2: a cyborg like man trying to take over the world.
• 1:48
  Speaker 4: Of course, of course, Hello, my name is Jared Heath.
• 1:55
  Speaker 1: Happy to be back.
• 1:56
  Speaker 4: On the Artists on Artists on Artists on Artists podcast.
• 2:00
  Speaker 2: This is right, this is crazy right, You're the first
• 2:02
  Speaker 2: guest ever to be invited back onto this podcast.
• 2:05
  Speaker 1: It's true. They couldn't keep me away.
• 2:08
  Speaker 4: I mean, how do you have a panel about villains
• 2:11
  Speaker 4: and bad guys without talking to the most rotten to
• 2:16
  Speaker 4: their core.
• 2:17
  Speaker 1: The mixer.
• 2:20
  Speaker 4: I played the mixer, but I also most recently played
• 2:25
  Speaker 4: the mixer's son.
• 2:27
  Speaker 6: It's bizarre because you got older and they brought you
• 2:30
  Speaker 6: back to play a younger role.
• 2:33
  Speaker 1: The Irishman effect. It's opened up so many doors, changing
• 2:37
  Speaker 1: a lot actors.
• 2:38
  Speaker 2: Yeah, yeah, really amazing.
• 2:41
  Speaker 7: And my name is Henry Hayworth and my role that
• 2:48
  Speaker 7: I'm well known for is playing no more Mister nice
• 2:53
  Speaker 7: Guy was my character's name in an upcoming DC film
• 3:00
  Speaker 7: Home that has yet to be announced.
• 3:03
  Speaker 2: Do you want to announce it?
• 3:04
  Speaker 4: Well, you're doing press and you they haven't even confirmed
• 3:08
  Speaker 4: the project.
• 3:09
  Speaker 1: Look you up.
• 3:10
  Speaker 5: It's really, really, really frustrating, to be honest, because I
• 3:15
  Speaker 5: they told me to come do this because they love
• 3:17
  Speaker 5: the hype.
• 3:18
  Speaker 2: I mean, I know you guys are working in DC
• 3:21
  Speaker 2: roles here and there. Well, just going off of no More,
• 3:24
  Speaker 2: mister nice guy, is that the actual released character name
• 3:28
  Speaker 2: or it is not. It is not. It is a
• 3:31
  Speaker 2: fake name for my character.
• 3:33
  Speaker 6: It's a dummy side, dummy side, but it's for your
• 3:37
  Speaker 6: character name.
• 3:38
  Speaker 5: It's no more, mister nice guy. It's a little easter egg.
• 3:40
  Speaker 5: For people who know a.
• 3:41
  Speaker 2: Lot about d C.
• 3:44
  Speaker 1: What is the project called?
• 3:45
  Speaker 2: Yeah, tell us the project? So currently the project is
• 3:49
  Speaker 2: called unknown d C project. Okay to talk about here today?
• 3:56
  Speaker 1: You go, what's the best way scenario?
• 3:59
  Speaker 4: You come here and you promote a project you can't
• 4:04
  Speaker 4: name and a character you can't tell us who you're playing.
• 4:08
  Speaker 5: Jared, this is crazy. Everything that you're pointing out is
• 4:11
  Speaker 5: what I pointed out to them myself, And they said,
• 4:16
  Speaker 5: just go.
• 4:16
  Speaker 2: We love the hype. And I said, what is hype
• 4:19
  Speaker 2: if I have nothing to talk about?
• 4:20
  Speaker 5: But I can talk about processes and I can talk
• 4:23
  Speaker 5: about the things, the experiences I've had.
• 4:25
  Speaker 2: I just can't use any specifics.
• 4:29
  Speaker 1: Great.
• 4:30
  Speaker 2: Great, I'm excited to get into it. I feel like
• 4:33
  Speaker 2: and I wanted to check in. You know when before
• 4:35
  Speaker 2: we I came on this panel, there was a couple
• 4:38
  Speaker 2: things I wanted to think about, and the main thing
• 4:42
  Speaker 2: was for me, it is so funny how evil people
• 4:46
  Speaker 2: think I am in real life.
• 4:48
  Speaker 8: Oh, that's funny.
• 4:50
  Speaker 1: That's a good question. Are you guys evil in real life?
• 4:54
  Speaker 2: Oh, that's a lovely question. That's funny, that's a lovely question.
• 4:58
  Speaker 1: Pikes ask me that a lot, and I don't know
• 5:00
  Speaker 1: the answer, to be honest.
• 5:01
  Speaker 2: Why the presumptuous question? Are you evil in real life?
• 5:05
  Speaker 1: That's a heavy thing.
• 5:06
  Speaker 2: That I get that a lot, and you will too.
• 5:09
  Speaker 2: Once they name your project or releasing, Oh.
• 5:12
  Speaker 4: What's they name your project and give you a character
• 5:15
  Speaker 4: name and release the movie, so many doors are gonna.
• 5:17
  Speaker 2: Open up for you. I'll tell you what.
• 5:19
  Speaker 5: Guys, When you guys see how evil I am in
• 5:22
  Speaker 5: this movie, you're gonna be surprised that you're meeting me,
• 5:25
  Speaker 5: mister nice guy here. I think it's gonna be a
• 5:28
  Speaker 5: real big surprise because it's just, trust me, rancid, nasty,
• 5:33
  Speaker 5: nasty stuff.
• 5:34
  Speaker 6: You could be anybody in the movie and I wouldn't know,
• 5:38
  Speaker 6: Like we don't know anything.
• 5:40
  Speaker 3: You're gonna be completely lying, No, you know it's me.
• 5:43
  Speaker 2: You're gonna know it's me. Trust me, Trust me.
• 5:46
  Speaker 5: I DC begged me to be here because the juxtaposition
• 5:50
  Speaker 5: of knowing me now and then seeing the movie, it's
• 5:53
  Speaker 5: gonna be it's gonna be insane.
• 5:56
  Speaker 3: Oh I'm not evil, I'm just old.
• 5:59
  Speaker 2: Okay, what did Dark Side of the Moon? When did
• 6:03
  Speaker 2: you play Dark Side of the Moon? Can you remind us?
• 6:05
  Speaker 1: Yes?
• 6:06
  Speaker 3: Well, I played Dark Side of the Moon this year.
• 6:08
  Speaker 6: Oh, yes, No, it's fine. But Dark Side of the
• 6:12
  Speaker 6: Moon was introduced to Catwoman's timeline about in the third
• 6:16
  Speaker 6: comic book. So we're finally introducing.
• 6:19
  Speaker 2: And Dark Side of the Moon. What was their power?
• 6:22
  Speaker 2: What was their whole villain?
• 6:23
  Speaker 1: Dark Side of.
• 6:24
  Speaker 6: The Moon uses the moon to fuck up everyone's hormones.
• 6:30
  Speaker 2: Oh, I remember it was a very feminist, pro feminist
• 6:33
  Speaker 2: pro hormone.
• 6:34
  Speaker 4: Yes, because she's a girl superhero and so she's constantly
• 6:40
  Speaker 4: susceptible to the powers.
• 6:41
  Speaker 1: Of the moon and her cycle.
• 6:43
  Speaker 6: Yes, well, when we have a female superhero, the villains
• 6:48
  Speaker 6: have to be an obstacle for.
• 6:50
  Speaker 2: The female's great point.
• 6:53
  Speaker 5: Jeron, I wanted to say, I've always seen you as
• 6:55
  Speaker 5: kind of an evil guy too, because I remember seeing
• 6:58
  Speaker 5: your rendition of Shylock at the Royal Shakespeare Coming.
• 7:02
  Speaker 6: Thank you.
• 7:03
  Speaker 2: What was that? How long ago was that?
• 7:05
  Speaker 1: Oh?
• 7:06
  Speaker 6: That was about I want to say, did Charlotte I
• 7:08
  Speaker 6: played Slick multiple times?
• 7:09
  Speaker 2: Yeah?
• 7:10
  Speaker 3: I played Shylock at the Organ Shakespeare Festival when I
• 7:13
  Speaker 3: was eighty two, so there was about ten years ago.
• 7:16
  Speaker 2: Wow, wow y.
• 7:21
  Speaker 3: Wow, like you know a legends here and then I
• 7:24
  Speaker 3: played Shylock recently last year at Griffith Park.
• 7:28
  Speaker 2: Yeah. And I saw the one at the Royal Shakespeare Company.
• 7:31
  Speaker 1: I saw that.
• 7:32
  Speaker 2: I saw the one at Griffith Park. Oh yeah, during
• 7:34
  Speaker 2: the pandemic. I thought it was beautiful.
• 7:35
  Speaker 6: I mix those up because it was very minimalism on
• 7:38
  Speaker 6: both ends, but thank you.
• 7:40
  Speaker 1: I appreciate it.
• 7:41
  Speaker 2: I wish I had seen the one at Griffith Park.
• 7:43
  Speaker 2: There was so much clues. It was wonderful.
• 7:45
  Speaker 8: Jape free, free free.
• 7:47
  Speaker 2: Absolutely.
• 7:48
  Speaker 5: If I knew in the future you would be a
• 7:50
  Speaker 5: Griffith Park, I probably wouldn't have flown until London to
• 7:52
  Speaker 5: see you in that.
• 7:53
  Speaker 3: Oh, but we appreciate the patronage.
• 7:55
  Speaker 2: Oh thanks, did.
• 7:56
  Speaker 1: You fly out to London just to see him?
• 8:00
  Speaker 2: Well, I was seeing all the shows. I saw Billy
• 8:03
  Speaker 2: Elliott at the time I saw Priscilla, Queen of the Desert,
• 8:06
  Speaker 2: one of the most famous villains. Yeah. Yeah, he brought
• 8:10
  Speaker 2: art to that cold town.
• 8:12
  Speaker 5: It was so heartbreaking to watch those ar coal miners
• 8:16
  Speaker 5: art be infiltrated by art.
• 8:18
  Speaker 1: What a villain, Oh, so evil?
• 8:21
  Speaker 6: It was a good Is that ladybird coming of age
• 8:26
  Speaker 6: of a villain?
• 8:27
  Speaker 2: Girl?
• 8:28
  Speaker 4: Yes, she's so selfish and she's so mean to her mother.
• 8:33
  Speaker 2: Oh what about that villain?
• 8:35
  Speaker 5: And little miss Sunshine, that little girl who doesn't follow
• 8:37
  Speaker 5: the rules of the pageant.
• 8:40
  Speaker 2: She's funky looking.
• 8:41
  Speaker 3: She's funky looking like a villain too.
• 8:44
  Speaker 2: I passed up that movie to evil. I said, you know,
• 8:47
  Speaker 2: I won't do this. I'm sorry. It's just it doesn't
• 8:51
  Speaker 2: end well. It doesn't end well.
• 8:53
  Speaker 5: You know, Jared, You, I mean, you probably get asked
• 8:57
  Speaker 5: if you're evil all the time, and you said that
• 8:59
  Speaker 5: do you feel like yes?
• 9:00
  Speaker 4: And I say, sometimes I am. When I'm method playing
• 9:05
  Speaker 4: the mixer. You see in the months leading up to
• 9:09
  Speaker 4: me playing the mixer or the mixer's son, I get
• 9:13
  Speaker 4: rather I get rather evil. I start walking through the
• 9:18
  Speaker 4: streets with a little maniacal smile, seeing just who I
• 9:22
  Speaker 4: could lightly trip on a sidewalk sometimes I wait until
• 9:27
  Speaker 4: my neighbors are asleep, and I move their garden homes
• 9:30
  Speaker 4: a little closer to their house each and every day,
• 9:33
  Speaker 4: just to make them think they're going slowly insane, just
• 9:37
  Speaker 4: like how messed up the Mixer is in the movie.
• 9:41
  Speaker 1: And it's not like I want to do it in
• 9:44
  Speaker 1: my real life.
• 9:45
  Speaker 4: I think I'm a very nice guy, but when I'm
• 9:48
  Speaker 4: the mixer, I get a little terrible.
• 9:51
  Speaker 2: Can you remind me what actually the mixer's powers are?
• 9:55
  Speaker 1: Oh h, don't even get me started. The mixer.
• 10:00
  Speaker 4: The mixer has the power to be messed up in
• 10:03
  Speaker 4: the head. The Mixer is a villain who exists in
• 10:08
  Speaker 4: his own mind, and he's so troubled and messed up
• 10:13
  Speaker 4: that everyone he comes in contact to feels the wrath
• 10:16
  Speaker 4: of a guy who's not doing well. It's just mood, yes,
• 10:21
  Speaker 4: so he's mentally ill. That's his power.
• 10:24
  Speaker 2: Oh wow.
• 10:27
  Speaker 5: And I think this is so interesting because I feel
• 10:29
  Speaker 5: like we have four different types of villains here. You know,
• 10:33
  Speaker 5: Dark Side of the Moon is that kind of villain
• 10:35
  Speaker 5: that comes in for the one movie. You know, Bonaparte
• 10:39
  Speaker 5: is the big battie that kind of comes around, and
• 10:41
  Speaker 5: then Yours is the villain that you've got so many
• 10:45
  Speaker 5: solo movies about yourself, Yes, and mine is.
• 10:47
  Speaker 2: One completely different? And before you can you tell us
• 10:51
  Speaker 2: which I cannot?
• 10:52
  Speaker 1: Can you give a vague category?
• 10:55
  Speaker 2: Let's well no, well, how.
• 10:58
  Speaker 1: Can you answer this? Do you wear a cape or not?
• 11:02
  Speaker 2: Let's just say the first outfit you see me in
• 11:05
  Speaker 2: won't be the last. I don't know what you're doing here?
• 11:08
  Speaker 1: Now? How does this help of the movie?
• 11:12
  Speaker 2: You change at one point? Yeah?
• 11:15
  Speaker 5: Yeah, the thing you think I am in the beginning,
• 11:19
  Speaker 5: you better not be thinking that the whole time?
• 11:21
  Speaker 1: Have you shot all this? Is this all been shot?
• 11:24
  Speaker 5: It's all shot it? We just locked a picture. I'm
• 11:28
  Speaker 5: going in for eighty r tomorrow.
• 11:29
  Speaker 2: Usually they released the name of a movie and the
• 11:33
  Speaker 2: villain by.
• 11:33
  Speaker 1: That, they're probably nine hundred dollars in.
• 11:36
  Speaker 2: Well, yeah, well they're there.
• 11:38
  Speaker 5: They just want to make sure that it is good.
• 11:43
  Speaker 6: No, did I could ever since I said Tom Mardy debacle?
• 11:47
  Speaker 3: Is that hate the mood? Did this the spoiler?
• 11:50
  Speaker 2: Yeah? Someone release Tom Holland, Tom Holland.
• 11:52
  Speaker 3: Release a spoiler. The security protocols for these movies.
• 11:57
  Speaker 6: They are my wife, to get my babysitter, my baby.
• 12:07
  Speaker 3: And my babysitter. I had to fill out an NDA.
• 12:10
  Speaker 6: Wow, did you guys have to do rigorous security training
• 12:14
  Speaker 6: to hide what the plots were for the movies?
• 12:18
  Speaker 2: Yeah. Well, the hardest thing for me was all the
• 12:21
  Speaker 2: tricks and stunts.
• 12:22
  Speaker 7: You know.
• 12:23
  Speaker 2: Hiding things from the press is kind of my natural thing,
• 12:27
  Speaker 2: you know, like the press, I stay away, and honestly,
• 12:32
  Speaker 2: more of them staying away from me. You know, I
• 12:34
  Speaker 2: think nobody's really coming by my house to take photos.
• 12:38
  Speaker 2: I saw that one photo they they caught you being
• 12:42
  Speaker 2: a popuarazzi. M hmmm, I just love taking photos.
• 12:46
  Speaker 1: Yes, you took that picture of Elfhani.
• 12:50
  Speaker 2: She is a gift. Have you guys seen her in
• 12:53
  Speaker 2: any of her work?
• 12:55
  Speaker 1: Yeah, she's a talent. I can see why you would
• 12:59
  Speaker 1: like to take a picture of her.
• 13:01
  Speaker 2: So I caught Elf Fanning walking out of Craigs walking
• 13:05
  Speaker 2: out of Craigs the other day in Beverly Hills, Beverly
• 13:09
  Speaker 2: Hills with their boyfriend, and I just had to take ato.
• 13:13
  Speaker 4: And so are you pitching yourself as a sort of
• 13:16
  Speaker 4: paparazzo like to Harvey Levin and the like.
• 13:19
  Speaker 2: It's more of a thing. That's the only time they
• 13:21
  Speaker 2: approached me. I had to take the photos, and I go, look,
• 13:25
  Speaker 2: I've got all these lovely photos just showing friends, and
• 13:28
  Speaker 2: they say, I'll.
• 13:29
  Speaker 1: Buy this is one of your friends a paparazzo.
• 13:32
  Speaker 2: Yes, I know a couple paparazzi members.
• 13:35
  Speaker 4: And how I bet they pay a pretty penny for
• 13:38
  Speaker 4: something like else.
• 13:39
  Speaker 3: I'm Helanning picture was gorgeous.
• 13:42
  Speaker 2: Oh thank you, it was great. They don't pay too
• 13:44
  Speaker 2: much because Elf Fanning is a hot come out. An
• 13:49
  Speaker 2: don't get any ideas Jared photos. I feel like I
• 13:51
  Speaker 2: could see Jared trying to be a paparazzo, to get
• 13:54
  Speaker 2: in character, to be evil.
• 13:56
  Speaker 1: Listen, Oh God, that cat's out of their bag?
• 14:00
  Speaker 2: What cat?
• 14:01
  Speaker 3: What's happening?
• 14:03
  Speaker 2: A cat?
• 14:03
  Speaker 1: I let into the studio. It's gone.
• 14:06
  Speaker 2: When you brought a cat in.
• 14:08
  Speaker 4: I brought a cat in because cats are evil, and
• 14:11
  Speaker 4: I watched them to see what they do, because they're
• 14:13
  Speaker 4: always ploting.
• 14:14
  Speaker 1: I'll find them. He'll turn up.
• 14:15
  Speaker 2: But I guess back to the original thing. The tricks
• 14:18
  Speaker 2: of my movie were very hard. Batman v. Bonaparte was
• 14:23
  Speaker 2: very very tricky to get into. I mean, we are
• 14:26
  Speaker 2: on wires in front of blue screens hanging over water,
• 14:30
  Speaker 2: and I'm supposed to deliver the lines, and you know
• 14:33
  Speaker 2: it's just tough.
• 14:34
  Speaker 1: And you were in full eighteenth century sort of French.
• 14:39
  Speaker 2: Revolutionary eighteenth century French revolution war outfit with cyborg arms
• 14:46
  Speaker 2: and legs and limbs attached to it. And instead of
• 14:49
  Speaker 2: an arm, you have a knife instead of one arm,
• 14:53
  Speaker 2: it's a knife?
• 14:54
  Speaker 3: Is it a real shop knife?
• 14:56
  Speaker 2: Oh? I cut myself all the time. You have no idea?
• 14:59
  Speaker 1: And this is did they have to do.
• 15:02
  Speaker 4: Any sort of tricks of the camera to make you
• 15:04
  Speaker 4: as short as the real Napoleon Bonaparte?
• 15:07
  Speaker 2: They had to do a lot of camera tricks. Really.
• 15:10
  Speaker 2: I would stand next to Batman, who in our universe
• 15:14
  Speaker 2: was played by Matt mcgory, right, Matt mcgory.
• 15:19
  Speaker 1: From Criminal Minds, No, from How.
• 15:22
  Speaker 2: To get Away with Murder, It Show, Most Woke Social Media.
• 15:29
  Speaker 2: He was a wonderful Batman. Anyway, they put me about
• 15:35
  Speaker 2: twenty feet back from him, and I had to pretend
• 15:38
  Speaker 2: like I was talking to him in profile. They did
• 15:41
  Speaker 2: the same tricks in the Lord of the Rings movies.
• 15:45
  Speaker 8: Mm hmm.
• 15:46
  Speaker 3: Well, speaking of changing your body, what was it like
• 15:49
  Speaker 3: to not play the mixer but go into the mixer's
• 15:53
  Speaker 3: sun and.
• 15:56
  Speaker 4: To know this yeah, well, you know, I will be honest.
• 16:00
  Speaker 4: People say that way, or when you do a Soupa
• 16:02
  Speaker 4: Heero movie.
• 16:02
  Speaker 1: You have to train and you have to go to
• 16:04
  Speaker 1: the GM and you have to you have to do
• 16:06
  Speaker 1: all this stuff to make you Friday strong. I bet
• 16:09
  Speaker 1: you did strong.
• 16:12
  Speaker 2: At one point I gained seventy five pounds of muscle.
• 16:16
  Speaker 1: Okay, so this feels like a very starring role. This
• 16:19
  Speaker 1: feels like something that will be recurring. I'm gonna get
• 16:25
  Speaker 1: it out of you at some point.
• 16:26
  Speaker 6: It sucks because I don't want to interfere with your contract,
• 16:30
  Speaker 6: but I do want to know something.
• 16:31
  Speaker 1: I mean, like it would help you as well.
• 16:34
  Speaker 2: Well, let's just say in the beginning he's a nice
• 16:37
  Speaker 2: guy and it doesn't stay that way.
• 16:40
  Speaker 1: Oh god, you run in talents every.
• 16:46
  Speaker 2: Vanie Win mixer son, Come on an get it out
• 16:51
  Speaker 2: of you.
• 16:52
  Speaker 4: But I didn't go to the gym once I reached
• 16:55
  Speaker 4: a certain level for the mix of the mixer son.
• 16:58
  Speaker 4: For the mixer son, I didn't go to the gym.
• 17:02
  Speaker 4: I said, listen, I don't want to lift anything. I
• 17:05
  Speaker 4: don't want to touch anything because all the mental eye
• 17:07
  Speaker 4: the time, I'll be at the mental gym all day,
• 17:11
  Speaker 4: just work and stuff out up there, and so it's
• 17:14
  Speaker 4: all cgi that eight pack you see on the mixer son,
• 17:18
  Speaker 4: believe it or not, that's not really there.
• 17:21
  Speaker 2: I believe it. I've got a question, what is it? Like?
• 17:24
  Speaker 5: What?
• 17:25
  Speaker 2: Okay, what's the difference for your mentalist? What in you'd
• 17:31
  Speaker 2: play the mixer and then you play the mixer son.
• 17:35
  Speaker 2: For you, what's the difference between the characters?
• 17:39
  Speaker 3: Is the mixers son just you know, like just.
• 17:43
  Speaker 2: Kinder other than the eight pack which he mentioned, yea,
• 17:47
  Speaker 2: other than him being chiseled and ripped.
• 17:50
  Speaker 1: Yeah, So then the Mixer's son. He's evil and he's.
• 17:55
  Speaker 4: Messed up, but in a slightly different way because he's
• 17:58
  Speaker 4: inherited all of the messed up traits of the mixer.
• 18:01
  Speaker 4: But nobody notices what he's going through because he is
• 18:05
  Speaker 4: a hot alpha male and so he goes to all
• 18:09
  Speaker 4: the beach parties and all of his job as a
• 18:12
  Speaker 4: TV show host, and everyone thinks he's doing well, but.
• 18:16
  Speaker 1: He's just high functioning.
• 18:18
  Speaker 3: Does he talk like a normal man or like you
• 18:21
  Speaker 3: the mixer?
• 18:22
  Speaker 2: No, he talks like the mixer, So it seems like
• 18:26
  Speaker 2: a dead giveaway. He always shows with a voice like that.
• 18:30
  Speaker 4: Yes, he says welcome back to Access Hollywood.
• 18:35
  Speaker 2: Oh he's a Hollywood reporter. Where a quick question, where
• 18:40
  Speaker 2: are we in the Mixer movies? What is the plot
• 18:43
  Speaker 2: of this Mixer's Sun movie? Just a highlight of what's
• 18:46
  Speaker 2: going on it like a beach movie.
• 18:48
  Speaker 4: Yes, well, so the mixer has appeared in many of
• 18:52
  Speaker 4: the squirrel Man movies.
• 18:55
  Speaker 1: That's where he was. He originated from.
• 18:58
  Speaker 4: The Mixer got his solo movie, which, as we all know,
• 19:01
  Speaker 4: is a very messed up film. And then The Mixer's
• 19:04
  Speaker 4: Sun is the second standalone solo Mixer franchise, and it's
• 19:10
  Speaker 4: about a high functioning, hot and chiseled Access Hollywood host.
• 19:17
  Speaker 3: High functioning.
• 19:18
  Speaker 2: Why do you keep saying high functioning?
• 19:21
  Speaker 3: The Access Hollywood people are really he's functioning.
• 19:25
  Speaker 1: No, he's functioning really high.
• 19:29
  Speaker 2: Oh, put a deep down.
• 19:31
  Speaker 1: He's not doing so hot. And at night he gives
• 19:35
  Speaker 1: into those messed up thoughts and he.
• 19:37
  Speaker 4: Starts to do graffiti all over the walls, and he
• 19:40
  Speaker 4: starts to follow a lady Holme who runs the sound
• 19:45
  Speaker 4: on Access Hollywood and see what she's up to.
• 19:48
  Speaker 1: And at first Death starts out innocent. He gives her
• 19:51
  Speaker 1: love letters and she says.
• 19:52
  Speaker 4: Yes, let's go out because you're a hot man, but
• 19:56
  Speaker 4: deep down the rejection of what he thinks she would
• 19:59
  Speaker 4: do is enough to drive him slowly.
• 20:02
  Speaker 2: It's incredible, that's amazing. That's incredible. Dark Side of the Moon, Yes,
• 20:08
  Speaker 2: what's that? What's what it's like getting in your character?
• 20:11
  Speaker 2: I mean, are you playing a moon? Are you playing
• 20:14
  Speaker 2: a person? Are you playing the moon?
• 20:16
  Speaker 1: The shade?
• 20:16
  Speaker 2: Are you playing?
• 20:17
  Speaker 1: I asked, the shade of the dark Side?
• 20:21
  Speaker 6: So it looks When I first saw the character mark ups,
• 20:26
  Speaker 6: I said, that looks like a children's play with one
• 20:29
  Speaker 6: big moon crest, right, and then they told.
• 20:33
  Speaker 3: Me that it was just the Oh, so I'm never
• 20:38
  Speaker 3: really on set? Are you just going there?
• 20:40
  Speaker 2: And are you doing motion capture? Because I know a
• 20:43
  Speaker 2: lot of No, I'm.
• 20:44
  Speaker 3: Not using my body, no, no, no, FK twigs place
• 20:49
  Speaker 3: my body.
• 20:51
  Speaker 2: I love that is one of my favorite people to photograph.
• 20:58
  Speaker 6: Wherever I Can's the dancer and they get into dance
• 21:04
  Speaker 6: for days.
• 21:05
  Speaker 1: I like the hair.
• 21:07
  Speaker 2: Of her photographs. Wow, but your.
• 21:12
  Speaker 1: Veo so incredible. It unlocked something rather a carnal and
• 21:18
  Speaker 1: then human.
• 21:20
  Speaker 2: People talk about your veo how dark and brooding and scary.
• 21:24
  Speaker 7: It was.
• 21:24
  Speaker 3: Well, me and the team we tried to hit the
• 21:26
  Speaker 3: lowest note possible.
• 21:28
  Speaker 2: Hit it.
• 21:29
  Speaker 3: Oh, it took a while, but I could try. It
• 21:33
  Speaker 3: took a lot of vocals.
• 21:34
  Speaker 2: Well, maybe we could see it in this. Can we
• 21:36
  Speaker 2: see a clip of it?
• 21:38
  Speaker 1: Roll the footage?
• 21:40
  Speaker 3: This is a scene between me and Catwoman.
• 21:44
  Speaker 2: So Catwoman is talking to the moon at this point, yes.
• 21:47
  Speaker 1: And she's hanging on a piece of of of what
• 21:53
  Speaker 1: do you call?
• 21:57
  Speaker 2: Where are you? Where are you?
• 21:59
  Speaker 7: You?
• 22:00
  Speaker 1: Evel being? Oh no, oh.
• 22:18
  Speaker 3: See I I vomited in the VEO booth.
• 22:22
  Speaker 1: When I did that, she went too low mine.
• 22:26
  Speaker 6: I took my mouth and I pushed it so odd
• 22:30
  Speaker 6: up against the mic that I got a regurgitation effect.
• 22:34
  Speaker 2: And I'm hearing that's what happened in the theater too.
• 22:37
  Speaker 5: I read a lot of reviews because I was so
• 22:40
  Speaker 5: excited to see Catwoman.
• 22:42
  Speaker 2: Uh the who played your Catwoman? I keep forgetting Reese right,
• 22:51
  Speaker 2: and I shouldn't forget because she was lovely and that's
• 22:54
  Speaker 2: great and FK Twigs and me, well Reese is involved
• 22:58
  Speaker 2: in it's you know, it's it's so great. And read
• 23:02
  Speaker 2: the FKA and Gerard Penut. It was such what a
• 23:06
  Speaker 2: triple billing.
• 23:08
  Speaker 5: But when I saw that, and I'm just obsessed with
• 23:11
  Speaker 5: superhero movies, obviously working one, and when I saw what
• 23:16
  Speaker 5: was going on with you, I read everything and everyone
• 23:19
  Speaker 5: was saying it was the most visceral reaction because the
• 23:22
  Speaker 5: whole thing just kind.
• 23:23
  Speaker 2: Of felt like you're in on a boat, like the vibe.
• 23:27
  Speaker 2: It was so queasy and shit. To make a villain
• 23:30
  Speaker 2: a giant moon is always an interesting choice because that's
• 23:33
  Speaker 2: something thousands of miles away.
• 23:36
  Speaker 5: I mean, right, the moon turns and there's this creature
• 23:40
  Speaker 5: on the back of the moon, but behind the creature
• 23:44
  Speaker 5: is the whole bright lit moon.
• 23:47
  Speaker 1: And it's it.
• 23:49
  Speaker 6: We wanted to represent nature, and I think that's interesting
• 23:51
  Speaker 6: about these villains, is like representing maybe the history of
• 23:54
  Speaker 6: the humans, or maybe the medical issues of the humans.
• 23:58
  Speaker 1: Or the nature us of our earth?
• 24:02
  Speaker 3: Right, and what are we pulling from yours?
• 24:04
  Speaker 2: Well, for me, I don't want to spoil anything.
• 24:09
  Speaker 3: You can say what the general tone.
• 24:13
  Speaker 1: Character?
• 24:14
  Speaker 2: So, so my character is a comment on the badness
• 24:20
  Speaker 2: of a person, yes, okay, okay, morals, Yes, so he's
• 24:25
  Speaker 2: a nice guy, and then it's commenting on people who
• 24:29
  Speaker 2: are nice guys and then are no more mister nice.
• 24:33
  Speaker 4: Which of the seven deadly sins would you say your villains.
• 24:37
  Speaker 5: Well, that would be unfair because my villain probably doesn't
• 24:42
  Speaker 5: believe God, probably isn't religious.
• 24:46
  Speaker 1: We're getting something, We're getting cross.
• 24:52
  Speaker 4: Nugget, atheist character, one personality right locked in.
• 24:59
  Speaker 1: Let's see we can get them all.
• 25:01
  Speaker 6: Oh good, Okay, can we all talk about just uh
• 25:05
  Speaker 6: working with our directors. I mean these these movies, the
• 25:09
  Speaker 6: directors they I have for these movies are big.
• 25:12
  Speaker 3: Big image people.
• 25:14
  Speaker 2: Yeah, big image people, big imag image people.
• 25:18
  Speaker 6: That's what we said in London when I worked on
• 25:20
  Speaker 6: all the Shakespeare big image.
• 25:23
  Speaker 2: Mmm.
• 25:23
  Speaker 4: Yes, Well, Tarantino and I had a wonderful, wonderful release.
• 25:28
  Speaker 2: He did all the mixer movies.
• 25:29
  Speaker 1: He did all the mixer movies. Now talking about messed
• 25:31
  Speaker 1: up guys, that's a mix messed up you do.
• 25:34
  Speaker 3: I like the Olsen Twins.
• 25:36
  Speaker 1: You're just oh, we likes you.
• 25:39
  Speaker 2: Guys look almost identical, and we both have.
• 25:42
  Speaker 1: Fashion lines coming out soon.
• 25:44
  Speaker 2: It's so crazy, you know. He has famously said he's
• 25:47
  Speaker 2: only gonna make ten movies and he's done. And I
• 25:49
  Speaker 2: can't believe his last one was the mixer's son.
• 25:53
  Speaker 1: It's true. I was surprised as well.
• 25:57
  Speaker 4: But I went to his house and he slipped a
• 25:59
  Speaker 4: little piece some paper or where he wrote on it
• 26:02
  Speaker 4: how much he was being paid, And I nearly fell
• 26:04
  Speaker 4: out of my chair.
• 26:05
  Speaker 1: So I understand. I understand where he's coming from.
• 26:09
  Speaker 2: Oh is he is? He kind of like very strict
• 26:13
  Speaker 2: about the script on set, you get to improvise. What's
• 26:15
  Speaker 2: the deal.
• 26:16
  Speaker 4: Well, he sort of lets me go off on monologues
• 26:20
  Speaker 4: because he knows I'm met it. He knows I'm in character.
• 26:23
  Speaker 4: He knows that you'll say no, just keep rolling.
• 26:25
  Speaker 1: He's got it. He's going somewhere with this.
• 26:28
  Speaker 4: But to everyone else, he is so cruel if they
• 26:31
  Speaker 4: mess up a word, he is so mean.
• 26:34
  Speaker 1: And awful, and you'll have to keep it that way.
• 26:37
  Speaker 4: Because it's not called the cashier who helps the mixer's
• 26:41
  Speaker 4: son by grapes.
• 26:42
  Speaker 1: That's not what the movie is called. The movie is
• 26:44
  Speaker 1: called The Mixer Son.
• 26:45
  Speaker 4: Yes.
• 26:46
  Speaker 6: Did you have to do any time researching at Actors
• 26:50
  Speaker 6: Axis not actors.
• 26:52
  Speaker 1: Oh, Access Hollywood? Yes?
• 26:54
  Speaker 4: Yes, Oh I watched hours hours of Access Hollywood.
• 26:59
  Speaker 1: That Mariolo. He is good at what he does.
• 27:02
  Speaker 2: I love photoing him too. He is great because he's
• 27:05
  Speaker 2: got photoing him. Hm, that's what we call it in
• 27:08
  Speaker 2: the paparazzi game. The other people call it that too.
• 27:11
  Speaker 2: I'm not sure.
• 27:12
  Speaker 1: Photo.
• 27:15
  Speaker 2: There's something behind that man's eyes. Well, there's something behind
• 27:19
  Speaker 2: that man's eyes. You can tell there's a messed up
• 27:22
  Speaker 2: something there.
• 27:23
  Speaker 4: Speaking of something behind the eyes. The color contacts they
• 27:26
  Speaker 4: gave you with Napoleon.
• 27:30
  Speaker 2: Yes, yes, thank you, the bright blue context.
• 27:34
  Speaker 1: Really go after the hair and makeup department.
• 27:36
  Speaker 2: But I don't really thank you.
• 27:40
  Speaker 1: He was the Honda blue.
• 27:42
  Speaker 2: It was Honda blue like the car, and it was
• 27:45
  Speaker 2: like a partnership, like a deal. Yes, so if you
• 27:48
  Speaker 2: look a big promo thing was Honda. They would I
• 27:52
  Speaker 2: would get in the Honda and I would go, my
• 27:54
  Speaker 2: eyes are this color?
• 27:56
  Speaker 1: Yeah?
• 27:57
  Speaker 2: I drive away. I saw that ad in a taxi.
• 28:02
  Speaker 2: That's great.
• 28:05
  Speaker 3: Did you film in New York?
• 28:06
  Speaker 2: I live in New York? Yeah? Yeah, okay, how long
• 28:10
  Speaker 2: I live in New York my whole life?
• 28:12
  Speaker 3: Now, you could do a movie, right, you could say
• 28:14
  Speaker 3: who direct.
• 28:15
  Speaker 5: I can't see who directed my movie? I am so
• 28:18
  Speaker 5: excited to tell you guys, who directed my movie? Oh,
• 28:22
  Speaker 5: Josh Whede No, why? Okay, there we go, Boss Whedon,
• 28:27
  Speaker 5: the incredible Joss Whedon directed a movie that is TVD potentially.
• 28:32
  Speaker 2: Twenty twenty five. I can't wait for you guys to
• 28:35
  Speaker 2: see it.
• 28:35
  Speaker 4: I'm honestly surprised we got a firsten last name out
• 28:38
  Speaker 4: of you in any capacity.
• 28:40
  Speaker 2: Well, they're saying there's there. That's actually the one thing
• 28:43
  Speaker 2: the said please don't tell anyone, and I I'm so tired.
• 28:47
  Speaker 2: I'sening up.
• 28:50
  Speaker 5: So I want to tell you guys the one thing
• 28:52
  Speaker 5: that I'm never supposed to tell anyone. Joss Whedon is
• 28:55
  Speaker 5: mostly involved in this movie. Baby, he's so excited about it.
• 28:59
  Speaker 4: Oh my gosh, I mean that's I'm a little worried
• 29:03
  Speaker 4: for you bad that's not coming out.
• 29:05
  Speaker 1: You've been really.
• 29:07
  Speaker 3: Asked for these things. I just what do you mean
• 29:10
  Speaker 3: You're gonna be pulled from the film or something.
• 29:12
  Speaker 2: What do you mean they tell us to only take
• 29:15
  Speaker 2: pictures of Josh Whedon if he looks terrible?
• 29:18
  Speaker 3: What these companies?
• 29:22
  Speaker 2: Oh gosh, I don't. I don't. I just don't. I
• 29:25
  Speaker 2: don't like to read things about people because I like
• 29:28
  Speaker 2: them to tell me. I love reading on set.
• 29:30
  Speaker 7: You do?
• 29:32
  Speaker 1: What are you reading these? Wow?
• 29:36
  Speaker 2: When I'm on set, I love a good book. When
• 29:38
  Speaker 2: I was feeling filming Bonaparte, I would read Napoleon Bonapart's
• 29:42
  Speaker 2: biographies and biographies on biographies, they're really interesting.
• 29:49
  Speaker 1: So what's your favorite fun fact about Napoleon bonap.
• 29:52
  Speaker 2: One of my favorite fun facts. He had a little
• 29:55
  Speaker 2: bit of a feces finish.
• 29:57
  Speaker 1: What Oh?
• 29:59
  Speaker 2: He was mayor to his first wife, had his child,
• 30:02
  Speaker 2: then went right to back to France, left his child
• 30:07
  Speaker 2: and wife on the island that he was subjugated to,
• 30:11
  Speaker 2: took over France again, was sent all the way to
• 30:15
  Speaker 2: a small island in Africa, and at one point it
• 30:21
  Speaker 2: was discovered man was into poop.
• 30:24
  Speaker 1: Can you work that into your character?
• 30:26
  Speaker 8: Oh?
• 30:26
  Speaker 2: Ah, of course. If you guys want to see a scene,
• 30:32
  Speaker 2: I would love to see it. So this is a
• 30:37
  Speaker 2: scene of me and Batman's one of our last combinations confrontations,
• 30:45
  Speaker 2: one of our last confrontations, not combinations.
• 30:48
  Speaker 1: You're not dancing?
• 30:50
  Speaker 2: Well we might a little bit. If you guys seen
• 30:53
  Speaker 2: the movie Here we Go. We are so me and Batman.
• 30:59
  Speaker 2: Batman is is last limb, and I have taken over
• 31:02
  Speaker 2: most of America with my troops. At this point, my
• 31:05
  Speaker 2: cyborg troops and Batman's got one chance to stop me.
• 31:11
  Speaker 2: You want to dance Bonaparte? Oh Batman, you thought this
• 31:19
  Speaker 2: was gonna be easy?
• 31:20
  Speaker 3: For you, but it's not Sia Zia your poop.
• 31:24
  Speaker 2: Thank you. You wanna dance, buddy?
• 31:29
  Speaker 4: No?
• 31:29
  Speaker 2: No, why don't we dance in the Oh? Yeah, I'm
• 31:36
  Speaker 2: gonna kill you. You're gonna kill me. I'm already dead. Cyborgs,
• 31:45
  Speaker 2: French cyborgs attack.
• 31:47
  Speaker 1: Can someone fix the women's restroom? It's so fucked up in.
• 31:50
  Speaker 3: There, side bulked with French chao.
• 31:56
  Speaker 1: I love that.
• 31:58
  Speaker 8: Thank you is so grounded.
• 32:01
  Speaker 2: It's just so classic Batman and a lot of that
• 32:06
  Speaker 2: it's a classic Batman movie. A lot of that you
• 32:09
  Speaker 2: have to understand is without the context of the movie,
• 32:11
  Speaker 2: you're not getting why some of those soldiers are French
• 32:14
  Speaker 2: and Italian and it's a really I remember seeing this movie.
• 32:17
  Speaker 2: There's such an extensive.
• 32:20
  Speaker 5: Side kind of b plot about that women's bathroom, and
• 32:24
  Speaker 5: so that makes total sense that.
• 32:26
  Speaker 2: Payoff at the end when it's finally fixed and then
• 32:29
  Speaker 2: Batman runs his batmobile through it. It's a It's a Dunkirk.
• 32:35
  Speaker 2: It's a classic, you know, in Dunkirk, when they fix
• 32:38
  Speaker 2: that bathroom and then a tank runs right through it.
• 32:41
  Speaker 1: To the end of the film, they.
• 32:44
  Speaker 2: Save all those British soldiers and then somebody goes ohy,
• 32:49
  Speaker 2: that bathroom is finally fixed and then a tank rolls
• 32:53
  Speaker 2: right through it.
• 32:53
  Speaker 4: It is so. I laughed so hard at the post
• 32:56
  Speaker 4: credits scene in your movie where the poor bathroom room
• 33:00
  Speaker 4: attended goes back in and she says, I'm all good now,
• 33:04
  Speaker 4: and then an explosion.
• 33:06
  Speaker 2: It was very fun.
• 33:09
  Speaker 3: Rose o' donald quick, yes, she's back.
• 33:15
  Speaker 2: From that about my movie too, spoilers is.
• 33:21
  Speaker 4: In it that she would be like that could actually
• 33:23
  Speaker 4: destroy the movie, so I would be careful with that.
• 33:27
  Speaker 2: No, no, no, no, no, it's fine, it's fine. It's
• 33:30
  Speaker 2: just a post credit sequence.
• 33:31
  Speaker 4: Sweet, and I had Rose o'donald, Wait, no, I'm rosead
• 33:36
  Speaker 4: bar No, you're fine, you're fine, You're fine, Like.
• 33:39
  Speaker 3: She's only slightly canceled for just being annoying.
• 33:42
  Speaker 5: Rosie's not canceled. And she's a blast. She had me
• 33:45
  Speaker 5: over her roast beef dinners every.
• 33:47
  Speaker 2: Night, every night. That can't be good for cholesteroler anything.
• 33:52
  Speaker 2: I loved it. We talked so much. She's so sweet
• 33:54
  Speaker 2: and so much fun talk about.
• 33:57
  Speaker 5: We talked a lot about her show and the coup
• 34:00
  Speaker 5: because she still gets sent couchhballs every day. She gets
• 34:04
  Speaker 5: boxes and boxes. They never stopped and it's sitting in
• 34:08
  Speaker 5: her house. Is really it feels a little hoardy to
• 34:10
  Speaker 5: be honest, because there's a lot of coushballs.
• 34:12
  Speaker 2: But it was so fun to hang out with her.
• 34:15
  Speaker 1: And don't worry.
• 34:16
  Speaker 2: It was all different kinds of roast beef. It wasn't
• 34:18
  Speaker 2: just the same kind.
• 34:19
  Speaker 1: Oh, I was worried about your getting bored.
• 34:22
  Speaker 5: I'm different, just different types of cuts and different sauces
• 34:26
  Speaker 5: you can put on it, and different sides.
• 34:28
  Speaker 3: I bet that h well, different breads.
• 34:31
  Speaker 2: Different bad roast beef. I'm sorry, I'm sorry.
• 34:35
  Speaker 3: A meat can be decorated.
• 34:37
  Speaker 2: Yes, yes, so don't worry, Rosie. It's not a big part,
• 34:41
  Speaker 2: so it's not a spoiler.
• 34:43
  Speaker 1: That's good. I requested for the group. Yes, where is
• 34:48
  Speaker 1: there a problem? Okay? It was just a friend, yes, okay.
• 34:55
  Speaker 1: With My question is do you think it's harder to
• 34:58
  Speaker 1: play a villain or a good guy?
• 35:03
  Speaker 2: For me, it's always easier to play a villain because
• 35:06
  Speaker 2: you can really lose yourself and let go. For a
• 35:09
  Speaker 2: good guy, you want to find some sort of flaw.
• 35:13
  Speaker 2: But with a villain, all you have to do is
• 35:16
  Speaker 2: find a little bit of soft spot. What did you
• 35:18
  Speaker 2: find for Bonaparte? The soft spot for Bonaparte. Yeah, his
• 35:22
  Speaker 2: love for baking. Oh, he was trying to take over
• 35:27
  Speaker 2: America to bring French baking back. The man just wanted
• 35:33
  Speaker 2: to save American bakeries.
• 35:36
  Speaker 1: Yeah, that's not too evil of an agenda.
• 35:38
  Speaker 2: Not actually, but a man who's craving for power, all
• 35:43
  Speaker 2: he wants in life is the unification of the world.
• 35:46
  Speaker 2: And Napoleon actually as a person was one of the
• 35:50
  Speaker 2: most liberal, forward, progressive people that France had ever seen.
• 35:55
  Speaker 2: He brought public bathrooms to France.
• 35:58
  Speaker 8: And now we know why.
• 36:00
  Speaker 1: Now we know why.
• 36:01
  Speaker 3: There's the josephfication.
• 36:04
  Speaker 2: That is what don't we call the biz a classic justification? Gerard?
• 36:10
  Speaker 2: What's the soft spot for dark side of the Moon?
• 36:12
  Speaker 4: Is it?
• 36:13
  Speaker 2: Gerard?
• 36:15
  Speaker 3: It depends in London. It's Gerard in America. Day you
• 36:20
  Speaker 3: saw me in London, but you saw me in London.
• 36:23
  Speaker 1: We've got an anglifier.
• 36:25
  Speaker 2: Yes, it's fine.
• 36:26
  Speaker 7: I know.
• 36:27
  Speaker 3: No, my baby city caused me, Gerard, and my wife
• 36:29
  Speaker 3: caused me.
• 36:31
  Speaker 1: Oh yeah. What's the soft spot of your character? Do
• 36:34
  Speaker 1: you find any an ounce of humanity?
• 36:36
  Speaker 2: Is there a little bit of light in the dark
• 36:38
  Speaker 2: side of the moon?
• 36:42
  Speaker 6: Speaking of well, I'll say the dark side of the
• 36:45
  Speaker 6: Moon is so old, so so old. He sounds it's
• 36:51
  Speaker 6: so so old. And I won't give away spoilers, but
• 36:55
  Speaker 6: he has problems with his aorta right, the heart, that's
• 37:00
  Speaker 6: the organizing and the Moon has a heart right and yes,
• 37:06
  Speaker 6: and we see in the film, and I will love
• 37:11
  Speaker 6: to announce we're bringing him back. They're doing an origin
• 37:14
  Speaker 6: story of the Dark Side of the Moon. Wow, and
• 37:19
  Speaker 6: they think it'll do better than Catwoman, so we'll see.
• 37:23
  Speaker 1: That's very exciting.
• 37:25
  Speaker 2: Yes, that's great. That's that's gate Twigs.
• 37:28
  Speaker 3: Weaded off to the Bahamas to start shooting next month.
• 37:32
  Speaker 2: I'll be there taking photos for sure. Thanks for letting
• 37:35
  Speaker 2: me know.
• 37:37
  Speaker 1: Oh no, you just tipped off the Papa rodso he's
• 37:40
  Speaker 1: gonna tell all his slimy.
• 37:42
  Speaker 2: Boys are the Bahamas. Oh, he has a crew, play
• 37:48
  Speaker 2: poker and trade photos.
• 37:50
  Speaker 1: I thought it was just the.
• 37:51
  Speaker 3: El Fanning pictures, but this is getting bigger and bigger.
• 37:55
  Speaker 2: Well, I loved a photograph a pretty woman. Can you
• 37:58
  Speaker 2: be honest? Have you taken photos of us?
• 38:01
  Speaker 7: Hm?
• 38:03
  Speaker 2: Let me check.
• 38:05
  Speaker 1: Oh no, that's a.
• 38:06
  Speaker 3: Huge, huge fold, huge folder on his phone.
• 38:10
  Speaker 1: No, oh, you have the rolodex app I see it's spinning.
• 38:15
  Speaker 2: Oh.
• 38:16
  Speaker 3: It looks old fashionate.
• 38:19
  Speaker 2: I like when they do. That's the analogue kind of thing.
• 38:22
  Speaker 1: I like it that brings a little bit of charm
• 38:25
  Speaker 1: or something rather.
• 38:27
  Speaker 2: Not familiar. Only women under twenty six.
• 38:34
  Speaker 1: A surprise.
• 38:35
  Speaker 2: I guess I should have known that before.
• 38:39
  Speaker 3: A picture of Marilyn Monroe.
• 38:40
  Speaker 2: In that Yes, Marilyn Monroe, I I didn't take that one.
• 38:45
  Speaker 2: I just really like it.
• 38:46
  Speaker 1: You use it as like a model to take.
• 38:49
  Speaker 2: I think this is the perfect paparazzi photo. If you
• 38:53
  Speaker 2: look at it, it captures her happy, sad, distressed, a mess.
• 38:59
  Speaker 2: Well that's her standing over the sewer, grade the dress.
• 39:02
  Speaker 2: That's the very stage photo. It's a great paparazzi Photozzi.
• 39:08
  Speaker 2: They caught her right as she was stepping off the upblaze.
• 39:11
  Speaker 1: No, no, they didn't need staged.
• 39:14
  Speaker 2: I don't think so. And this is what I try
• 39:16
  Speaker 2: to get all my girls to look like.
• 39:19
  Speaker 3: It is a muttet.
• 39:20
  Speaker 2: I love to get a twenty six year old in
• 39:22
  Speaker 2: under upskirt photo.
• 39:25
  Speaker 3: A fashion photographer styled her.
• 39:27
  Speaker 1: In that picture.
• 39:31
  Speaker 2: I'm always trying to get that skirt flying up.
• 39:35
  Speaker 1: Oh man, Jared, how do you do that?
• 39:40
  Speaker 2: Jared?
• 39:40
  Speaker 5: I gotta know we're talking about the secret sweet spot
• 39:43
  Speaker 5: of every villain.
• 39:45
  Speaker 2: You know, I gotta know about the mixture. Wanted to
• 39:47
  Speaker 2: know this a long time. Such a rotten guy. And
• 39:50
  Speaker 2: you can talk about his son too, if they're different.
• 39:53
  Speaker 1: Well, start with a mixture, because that's who I know
• 39:56
  Speaker 1: the most.
• 39:59
  Speaker 2: I not as for familiar with the mixer's son.
• 40:01
  Speaker 1: I have been with him for a shorter amount of time.
• 40:05
  Speaker 2: You still haven't figured out that.
• 40:08
  Speaker 4: Well, the sub spot for the mixers that he loves karaoke.
• 40:12
  Speaker 4: Oh and then there was one time when one pretty
• 40:16
  Speaker 4: girl smiled at him as he was doing karaoke, and
• 40:20
  Speaker 4: it made him want to donate to closing karaoke bars.
• 40:25
  Speaker 4: There were struggling small businesses, and so he did that.
• 40:29
  Speaker 4: And that's the core I've Ultimately, he's a guy who
• 40:32
  Speaker 4: wants to sing but can't because he's, of course so
• 40:35
  Speaker 4: messed up in the head. But the mixer's son, I'm
• 40:39
  Speaker 4: having trouble placing what's good about him because he's sort
• 40:43
  Speaker 4: of just a run to his core entertainment reporter.
• 40:47
  Speaker 2: He is handsome, he is very.
• 40:50
  Speaker 4: I guess if I had to say deep down, what
• 40:53
  Speaker 4: makes me think he's a good guy is that he
• 40:57
  Speaker 4: you know, he keeps a clean shaven face. It's the
• 41:00
  Speaker 4: sign of a trustworthy sort of guy who is just
• 41:05
  Speaker 4: a just a guy and ultimately at his heart he
• 41:08
  Speaker 4: wants to do good.
• 41:09
  Speaker 1: He got messed up along the way.
• 41:11
  Speaker 6: I realized when we were talking about our soft spots
• 41:15
  Speaker 6: and you asked me that, and we're going through.
• 41:17
  Speaker 3: I thought it was medically. What was wrong with the body?
• 41:20
  Speaker 1: You did say weakness?
• 41:22
  Speaker 2: You said the way I did. We should have known.
• 41:25
  Speaker 6: When someone of my age is weakness, I tell you
• 41:28
  Speaker 6: what part of the body is through?
• 41:31
  Speaker 1: That makes sense?
• 41:32
  Speaker 6: Oh, the Dark side of the Moon loves the world
• 41:36
  Speaker 6: and loves the is that why he wants to destroy it?
• 41:41
  Speaker 6: But he wants to destroy the people inhabiting it because
• 41:44
  Speaker 6: the people inhabiting it are ruining the earth.
• 41:48
  Speaker 2: And that's specifically the women.
• 41:52
  Speaker 1: Oh okay, I thought for a part was okay, never mind, okay, a.
• 41:57
  Speaker 2: Very feminist movie. Oh well, I could say a little
• 42:00
  Speaker 2: bit about the soft spot of my character. Giay, already,
• 42:06
  Speaker 2: what have I give it away? You're right, I've given
• 42:11
  Speaker 2: it all away. You basically know the whole movie.
• 42:17
  Speaker 5: There's a there's a cameo by Rosi o'donald and we
• 42:20
  Speaker 5: we shot in a place where they make a lot
• 42:21
  Speaker 5: of roast beef.
• 42:22
  Speaker 2: Yes, there's a lot. There's a lot given away. There's
• 42:25
  Speaker 2: a lot given away.
• 42:26
  Speaker 1: But near coalinga off the five, that's where you shot it.
• 42:31
  Speaker 2: My baby's.
• 42:35
  Speaker 1: That's where the roast beef comes from. It's get all
• 42:39
  Speaker 1: those cows. I mean when you drive by that thing.
• 42:41
  Speaker 4: I start counting when they see the cows, and I
• 42:44
  Speaker 4: stop counting when I stop seeing the.
• 42:45
  Speaker 1: Cows, and sometimes I count to like what six? Seven?
• 42:49
  Speaker 2: They don't know what you're saving your mouse?
• 42:52
  Speaker 3: You measure time by counting anyway.
• 43:00
  Speaker 5: Okay, listen, No, here's the thing. What I'll say about
• 43:03
  Speaker 5: my character is that he just wants to be loved.
• 43:13
  Speaker 2: Okay by who? Well, that remains to be seen. Oh.
• 43:17
  Speaker 4: When they don't comment on the sexuality, it usually means
• 43:20
  Speaker 4: not straight. That's what I learned from being a hoccess
• 43:25
  Speaker 4: Hollywood reporter.
• 43:27
  Speaker 2: If they don't comment, no, it's your character lgbt Q.
• 43:35
  Speaker 2: I can't say. But what I can say is that
• 43:38
  Speaker 2: it will make history too bad.
• 43:43
  Speaker 6: All of the DZ movies have so much similar roles
• 43:46
  Speaker 6: in characters, because you could be making hisstory by playing anybody.
• 43:50
  Speaker 2: Here's what I'll say love is love. I will say
• 43:54
  Speaker 2: that this character wants to be loved.
• 43:56
  Speaker 5: I will also say these are all choices that made
• 43:59
  Speaker 5: for or myself and my character, and this is never
• 44:02
  Speaker 5: addressed in the movie.
• 44:03
  Speaker 1: Oh oh, you're you could.
• 44:06
  Speaker 4: Be the first internally gay but not outwardly expressing it DC.
• 44:12
  Speaker 2: You guys, I actually I can make this announcement because this.
• 44:15
  Speaker 3: Doesn't seem like it's privileged information if.
• 44:17
  Speaker 2: You made it up.
• 44:18
  Speaker 5: But I am proud to announce that to my knowledge,
• 44:22
  Speaker 5: I'm the I'm playing the first closeted DC villain.
• 44:28
  Speaker 4: So you're publicly announcing like kind of your internal actor's backstory.
• 44:33
  Speaker 1: For the character.
• 44:34
  Speaker 8: Yeah.
• 44:34
  Speaker 6: Yeah, it's bold of you, though, to say that none
• 44:37
  Speaker 6: of the DC characters in the universe could be closeted.
• 44:40
  Speaker 2: They could not Joker straight, Riddler straight, Go Go Go
• 44:45
  Speaker 2: one at a time, seen a couple penises or no,
• 44:50
  Speaker 2: no way. Penguin is straight but has some kinks two face.
• 44:53
  Speaker 2: That's basically bisexuality.
• 44:56
  Speaker 5: That is very offensive to my character, who will never
• 44:59
  Speaker 5: bring it up because is he scared to be caught.
• 45:02
  Speaker 2: Okay, what have you told Josh Sweet in this Oh yeah, yeah, yeah,
• 45:07
  Speaker 2: he said some weird things to me. What did I know?
• 45:10
  Speaker 5: Everybody I know loves Josh, and I don't want to
• 45:12
  Speaker 5: say anything bad about him, but there's some stuff that
• 45:13
  Speaker 5: I've seen about him that isn't great if I'm being honest.
• 45:16
  Speaker 2: Can we cut that out? You're not the first, I'm not.
• 45:21
  Speaker 1: Let's go around that makes me excited.
• 45:23
  Speaker 6: Let's admit one secrets and admitting my secret one secret
• 45:31
  Speaker 6: about the role that I'm just inspired that your character's
• 45:35
  Speaker 6: closing one one secret about secret.
• 45:37
  Speaker 1: I can't.
• 45:38
  Speaker 2: It's very interesting to talk about secrets. I mean, Meryl
• 45:41
  Speaker 2: Streep always says every character needs a secret.
• 45:44
  Speaker 4: Yeah.
• 45:44
  Speaker 2: I would love to talk about what your method and
• 45:47
  Speaker 2: what your secret is for your character. Yeah, that would
• 45:50
  Speaker 2: be great. Are we all method here? Did we all
• 45:52
  Speaker 2: go method? Or did we not? I was in and out?
• 45:55
  Speaker 2: So no, what you I bet?
• 45:57
  Speaker 4: It seems like you're a method for all the times
• 45:59
  Speaker 4: that you are taking pictures of girls.
• 46:02
  Speaker 2: Wow. Yes, when they say action, I'm mef it. I
• 46:04
  Speaker 2: mean the character when they cut I go to lunch.
• 46:08
  Speaker 1: Okay, so that's not me, that's just tactic I had.
• 46:13
  Speaker 2: I'll just tell you my process. I had a.
• 46:17
  Speaker 5: A character journal where if I was writing in this journal,
• 46:19
  Speaker 5: I was the character all the time, and I wrote
• 46:22
  Speaker 5: some gross stuff.
• 46:24
  Speaker 2: In there, like what well, I can't give anything away,
• 46:28
  Speaker 2: but I drew a lot of pictures of people with
• 46:33
  Speaker 2: bullet holes in them. I drew a lot of pictures
• 46:37
  Speaker 2: of the gross shop shop because I can tell you
• 46:43
  Speaker 2: guys look queasy and someone with a.
• 46:45
  Speaker 3: Hole through their oil or that's just gross, gross, gross.
• 46:49
  Speaker 2: So you are very similar to your character. You've also
• 46:52
  Speaker 2: got a hole in your heart.
• 46:54
  Speaker 1: Oops. I wasn't supposed to say.
• 46:56
  Speaker 3: But that is my secret.
• 46:57
  Speaker 1: That's a real life secret.
• 46:59
  Speaker 3: The dark side of the Moon is dying, and so
• 47:01
  Speaker 3: am I are you?
• 47:04
  Speaker 1: So when what happens when the Dark side of the
• 47:09
  Speaker 1: Moon goes away? Do you die too?
• 47:12
  Speaker 2: Are they trying to time it out perfect?
• 47:14
  Speaker 6: The chicken or the egg? Do you join the union
• 47:17
  Speaker 6: or get your sag guard? It's like one of the two.
• 47:19
  Speaker 6: You know what will happen, and then the joining the
• 47:24
  Speaker 6: union or getting your sag card to join.
• 47:27
  Speaker 1: The make a choice, have to make a choice.
• 47:31
  Speaker 3: Chicken in the egg away? How do you join the union?
• 47:34
  Speaker 2: Do you get a job? Or do you join the
• 47:36
  Speaker 2: You know some more with mister peanut, Please tell me
• 47:38
  Speaker 2: you you're in the union. You're in SAG right until
• 47:42
  Speaker 2: the day I died.
• 47:45
  Speaker 1: Wow, they're going to induct you into SAG the day
• 47:48
  Speaker 1: you pass away.
• 47:49
  Speaker 3: I am an equity member as a man of the theater.
• 47:54
  Speaker 3: But besides that, I ve O. I'm barely on stage.
• 47:58
  Speaker 4: Okay maybe okay, I don't know how you're scooting this
• 48:02
  Speaker 4: sones sleep, but well, lock me up SAG.
• 48:06
  Speaker 1: That's a good secret.
• 48:08
  Speaker 2: You must be a must must, must must join. They
• 48:11
  Speaker 2: must send you a lot of you know what tells
• 48:15
  Speaker 2: him A must join up the hospital?
• 48:19
  Speaker 3: You must join the hospital.
• 48:21
  Speaker 1: You're a goal.
• 48:22
  Speaker 2: You're a hospital must join. I'm dying. They're sending you
• 48:26
  Speaker 2: letters saying this is your last chance to join the hospital.
• 48:31
  Speaker 1: You are going to pass away. You need to join
• 48:34
  Speaker 1: this hospital.
• 48:35
  Speaker 6: Now and then then the hospital must joins. O, the
• 48:40
  Speaker 6: hospital must joins.
• 48:41
  Speaker 4: Oh so you could probably make another movie before because
• 48:46
  Speaker 4: you haven't gotten one yet.
• 48:47
  Speaker 3: That's why we're doing the origin story of the Dark
• 48:49
  Speaker 3: said of the.
• 48:50
  Speaker 2: Moon before I go.
• 48:51
  Speaker 1: Now, you icye you eligible? Or is that something else?
• 48:56
  Speaker 2: I think that's a different guild.
• 48:58
  Speaker 1: That's a different guild.
• 49:01
  Speaker 3: If I haven't paid my dues.
• 49:02
  Speaker 1: Next, well what about you? What'sh just a secret?
• 49:06
  Speaker 2: Can we talk about maybe a secret.
• 49:09
  Speaker 4: Of the.
• 49:12
  Speaker 1: Mixer son's mom. Oh with a mixer son.
• 49:16
  Speaker 2: Yeah, that's a secret.
• 49:18
  Speaker 4: This is actually a real sort of onset secret because
• 49:21
  Speaker 4: the mixer's mom was Julianne Moore and she did such
• 49:26
  Speaker 4: a great job. We did three takes of a very
• 49:29
  Speaker 4: heartwarming scene that sort of humanizes the mixer's son. But
• 49:35
  Speaker 4: in it I got so into character and so off
• 49:38
  Speaker 4: script that I ended up banishing her from set, so
• 49:41
  Speaker 4: they wrote her completely out.
• 49:43
  Speaker 2: Of the movie. Can we see that clip?
• 49:46
  Speaker 7: Yes?
• 49:46
  Speaker 1: Please see that Yes, with my commentary in it, that'd
• 49:50
  Speaker 1: be great daily. Right, Yes, I'll bring you the Daily. Okay,
• 49:55
  Speaker 1: here we go. So this is Julianne Moore is comforting
• 49:59
  Speaker 1: a young the mixer's.
• 50:02
  Speaker 4: Son after a troubling shoot on the Access Hollywood set
• 50:07
  Speaker 4: where he.
• 50:11
  Speaker 1: He's an adult.
• 50:14
  Speaker 4: He's an adult. He goes to visit his mom sometimes
• 50:16
  Speaker 4: after shoots. Okay, here we go, let's roll it.
• 50:22
  Speaker 2: Listen, mixer son, I think.
• 50:27
  Speaker 1: I think you got just or split it out.
• 50:32
  Speaker 2: Look, I love you no matter what. You mess up.
• 50:35
  Speaker 4: Your filth and grime, your filth and grime, and I
• 50:38
  Speaker 4: will banish you from the earth.
• 50:40
  Speaker 1: And actually I will banish you from this set. Get
• 50:44
  Speaker 1: off my set?
• 50:47
  Speaker 2: He is he serious? Oh my gosh's take to get off?
• 50:52
  Speaker 2: Is it serious?
• 50:53
  Speaker 1: Get out?
• 50:54
  Speaker 2: Books?
• 50:54
  Speaker 6: Work camera up in three two one, Access Hollywood, Go.
• 51:05
  Speaker 1: And the news?
• 51:06
  Speaker 2: Is it in?
• 51:08
  Speaker 4: In Coppo's News, Ben Affleck and Jana are on the
• 51:12
  Speaker 4: fridge again.
• 51:13
  Speaker 1: Can you say trouble in Paradise?
• 51:16
  Speaker 2: Wow? Wow? What a great clip. So in that clip
• 51:21
  Speaker 2: if I saw it visually, so I feel like I
• 51:23
  Speaker 2: could describe it. You and Julianne Moore were having what
• 51:28
  Speaker 2: was supposed to be a conversation and then yes, you
• 51:33
  Speaker 2: banished her and they immediately moved on to the next scene,
• 51:36
  Speaker 2: which was the Access Hollywood scene.
• 51:39
  Speaker 1: Tarantino is nothing but efficient? Is he really is? Oh gosh?
• 51:44
  Speaker 2: She seemed very confused.
• 51:46
  Speaker 1: She was very confused. I called her. I sent her
• 51:48
  Speaker 1: a fruit basket. Once I was out of character. We
• 51:51
  Speaker 1: made up. We're getting lunch soon. It's all gonna be over.
• 51:55
  Speaker 4: But I would love to know from all of you,
• 51:57
  Speaker 4: you know where there's he's very I would love to
• 51:59
  Speaker 4: know what you're hoping for audiences to see in this movie. Actually,
• 52:05
  Speaker 4: you know what I just want to know.
• 52:07
  Speaker 2: I would love you. Are you okay? What's going on?
• 52:12
  Speaker 2: You're being very high function he please please tell me
• 52:15
  Speaker 2: the mixer isn't showing. Don't tell me, please tell me.
• 52:18
  Speaker 1: Oh, because I'm I'm fighting him off.
• 52:21
  Speaker 4: I'm fighting off the mixer and I'm fighting off the
• 52:23
  Speaker 4: mixer Son right now?
• 52:25
  Speaker 2: Okay, you know what.
• 52:26
  Speaker 1: Failt and grind?
• 52:27
  Speaker 7: Oh?
• 52:28
  Speaker 2: Who is that?
• 52:28
  Speaker 1: Failth and grime? Junior? O the mixer Son?
• 52:33
  Speaker 2: Oh, the both the same.
• 52:36
  Speaker 1: I'm giving them down. I'm giving them down.
• 52:40
  Speaker 2: Or so we know it's the sun with.
• 52:43
  Speaker 4: Yes like cracked egg shells, horrors of the Earth, horror,
• 52:48
  Speaker 4: pestual and slime.
• 52:50
  Speaker 1: And then the mixer Son is pops in with something
• 52:53
  Speaker 1: like horror, pestul and slime, Junior.
• 53:05
  Speaker 3: To the force of a performance. O.
• 53:07
  Speaker 1: Thank you, thank you, thank you, Junior.
• 53:12
  Speaker 2: So what did you want to say?
• 53:15
  Speaker 1: What I want to know is what everyone's working on
• 53:18
  Speaker 1: after this.
• 53:21
  Speaker 3: Great I've already entered it. Dogs oide of the Moon
• 53:23
  Speaker 3: origin story and.
• 53:25
  Speaker 2: So so is the Dogs side of the Moon? Just
• 53:27
  Speaker 2: a person in the Bahamas and then goes up to
• 53:30
  Speaker 2: the Moon. What's the why are you filming in the Bahamas?
• 53:33
  Speaker 3: Well, we're doing it for a certain angle where Reese
• 53:37
  Speaker 3: is directing.
• 53:38
  Speaker 2: Great I love to see her in the director's chairs.
• 53:41
  Speaker 2: She jumped from catwoman to the director's chairs and.
• 53:45
  Speaker 3: We're going to see the Birth of the Moon.
• 53:48
  Speaker 6: And they they found a spot in the Bahamas where
• 53:52
  Speaker 6: they can get a gorgeous shot of the sky.
• 53:54
  Speaker 2: Also, I want to die there. So as you are
• 53:59
  Speaker 2: just doing vo for the movie.
• 54:01
  Speaker 6: Yes, and the production company came up to me and
• 54:03
  Speaker 6: they said, Okay, we gotta go, we gotta go.
• 54:05
  Speaker 3: You got two months here we go.
• 54:06
  Speaker 2: We gotta go.
• 54:07
  Speaker 3: And I said yes, so they.
• 54:09
  Speaker 1: Said prod yes. Well, they were taking a lot of
• 54:13
  Speaker 1: money riding on you, bee.
• 54:15
  Speaker 7: Yes.
• 54:15
  Speaker 6: They were talking about doctors and they were like, we
• 54:17
  Speaker 6: gotta go. And I said to them, They said, where
• 54:20
  Speaker 6: do you want to shoot this? Where do you want
• 54:21
  Speaker 6: to spend the last three weeks of your life? And
• 54:24
  Speaker 6: I said to the bombers, m what about you all.
• 54:28
  Speaker 2: I'm working on a small indie movie right now. It's
• 54:31
  Speaker 2: black and white and it's gonna be good. What's it about.
• 54:36
  Speaker 2: It's about the voyages of two men stuck on a boat. Okay,
• 54:42
  Speaker 2: and they it's drama, a straight drama, a spooky thriller.
• 54:47
  Speaker 2: It's me and Matthew Lillard. We are stuck on a boat.
• 54:51
  Speaker 2: I love him. Mm hm. He's so funny. And is
• 54:54
  Speaker 2: he directing too? He's such a good director. He is
• 54:57
  Speaker 2: not directing. I was directing the director is Isn't that? Yes?
• 55:04
  Speaker 2: It's Reese Witherspoon and Freddie Prince Junior have teamed up
• 55:08
  Speaker 2: to direct this wow small indie. We're shooting in Long
• 55:13
  Speaker 2: Beach and I'm really excited for people to see this one.
• 55:18
  Speaker 4: You well, I probably shouldn't say, but I'm gonna say
• 55:23
  Speaker 4: it anyway, because I've cleared this with the studio.
• 55:26
  Speaker 1: Don't let me model behavior that you shouldn't be doing.
• 55:30
  Speaker 1: I went proud to announce the Mexa's grandson is in production.
• 55:37
  Speaker 1: Who I think your health?
• 55:40
  Speaker 3: Sho angle?
• 55:41
  Speaker 2: Taking on a third in that little breaks gonna split
• 55:44
  Speaker 2: you once more.
• 55:46
  Speaker 1: I have just enough room up here for one more.
• 55:50
  Speaker 2: Have you started the process of finding the mixer's grandson?
• 55:54
  Speaker 1: No, I'm the mixer's grandson.
• 55:56
  Speaker 2: Wait, what do you mean?
• 55:58
  Speaker 4: No?
• 55:58
  Speaker 5: Have you started in yourself inside?
• 56:01
  Speaker 1: Well? No, I'm gonna go to Miami first.
• 56:05
  Speaker 2: You don't want to ruin Miami.
• 56:07
  Speaker 4: No, I don't want to ruin Miami. I take my
• 56:09
  Speaker 4: wonderful vacation in Miami with my wife and kids. And
• 56:12
  Speaker 4: then afterwards I'm getting into the mixer's grandson.
• 56:15
  Speaker 2: What are you doing Miami?
• 56:17
  Speaker 8: Oh?
• 56:18
  Speaker 3: I sit on the beach, I go to those stores.
• 56:21
  Speaker 1: I buy some of those fun neon shades.
• 56:24
  Speaker 2: Lots of young starlets in Miami. Yes, I would love
• 56:28
  Speaker 2: to meet the mixer's grandson. I wish that he was
• 56:30
  Speaker 2: I wish he was here.
• 56:31
  Speaker 4: Right.
• 56:31
  Speaker 1: Well, I did meet him briefly. Perhaps he might stop buying.
• 56:37
  Speaker 2: A moment the whole family grandson.
• 56:41
  Speaker 1: Okay, so let me let me try and let them in.
• 56:43
  Speaker 1: Let me try and let them Humanity is dragged through
• 56:50
  Speaker 1: the mud. Humanity is dragged through the mud.
• 56:54
  Speaker 4: Junior hillmanody, dragged through the mud, Google Gaga.
• 56:58
  Speaker 2: Oh, you're fighting your baby.
• 57:02
  Speaker 1: We're doing.
• 57:04
  Speaker 2: You're playing a baby We're doing.
• 57:07
  Speaker 3: Of course, you wouldn't want to ruin Miami by fighting
• 57:09
  Speaker 3: me in a baby.
• 57:11
  Speaker 4: No, because you know I want to. It's make Ansia
• 57:13
  Speaker 4: time with me and my wife. I want to be
• 57:15
  Speaker 4: able to know you do things and husbands and wives do.
• 57:17
  Speaker 4: And I cannot let that character in there yet.
• 57:19
  Speaker 2: She doesn't want to have to look after an evil
• 57:22
  Speaker 2: little toddler.
• 57:22
  Speaker 4: Else she's already had kids I said, Deborah, don't let
• 57:26
  Speaker 4: me be this character around you.
• 57:28
  Speaker 1: I'm gonna go away. You deserve a girls night. Ouh,
• 57:32
  Speaker 1: you could deserve something.
• 57:33
  Speaker 2: Else, Harry will Well, you please tell us what because
• 57:38
  Speaker 2: obviously you're working on the film.
• 57:41
  Speaker 5: Well, the movie comes out twenty twenty five, and I
• 57:43
  Speaker 5: am locked to the contract because there are going to
• 57:48
  Speaker 5: be and I can announce this four spinoffs.
• 57:52
  Speaker 1: Oh, you're really skirting so much money right now?
• 58:00
  Speaker 7: It is.
• 58:00
  Speaker 2: So do you understand the place that I'm.
• 58:03
  Speaker 1: Asking, the stakes of what you're doing.
• 58:05
  Speaker 2: I would say, this is the most tumultuous time of
• 58:08
  Speaker 2: my entire life. Why did you come? Why did you
• 58:10
  Speaker 2: join this podcast?
• 58:11
  Speaker 5: The thing is when you get to something this big,
• 58:15
  Speaker 5: and you're standing on the precipice of something and one
• 58:18
  Speaker 5: marketing person thinks it's a good idea, and they clearly
• 58:20
  Speaker 5: all were at the same happy hour and they call
• 58:22
  Speaker 5: you at the same time, and they're so excited about something,
• 58:26
  Speaker 5: and then they're scared to cancel, and they're scared to
• 58:28
  Speaker 5: say no. And then all of a sudden, you're doing
• 58:30
  Speaker 5: this thing, and maybe somebody got fired because you're doing it,
• 58:34
  Speaker 5: but you can't say no, You know what I mean?
• 58:36
  Speaker 5: Like to sit with you guys and to talk to
• 58:38
  Speaker 5: you guys about, you know, all this stuff and be
• 58:40
  Speaker 5: able to discuss this.
• 58:42
  Speaker 2: And to be able to really really really go into depth.
• 58:46
  Speaker 5: About everything, because it's so stressful everything that's happening to
• 58:49
  Speaker 5: me right now.
• 58:50
  Speaker 2: Every sing bake, Oh, I just can't take it anymore.
• 58:53
  Speaker 2: And it's just like and it's like, if this is
• 58:55
  Speaker 2: all I have to do just to be able to
• 58:57
  Speaker 2: play slime.
• 58:57
  Speaker 8: Boils, Oh no oh no, oh no oh no no, Gerard, oh.
• 59:08
  Speaker 1: No, We've gotta must join you, gotta come pick them up.
• 59:13
  Speaker 5: This has been Artists on Artists and artists and artists
• 59:15
  Speaker 5: answering the question. Now, that's why they call it show business.
• 59:18
  Speaker 5: Good Night Hollywood. Hi, I'm Angela Jertana, I'm Jeremy Colhayne,
• 59:22
  Speaker 5: I'm Patrick McDonald's, and.
• 59:23
  Speaker 4: I'm Kylie Brakman. Artists on Artists on Artists on Artists
• 59:27
  Speaker 4: is an improvised Hollywood roundtable podcast available on iTunes and Spotify.
• 59:31
  Speaker 2: You can follow us at aoaoaoa pod on Twitter and Instagram.
• 59:35
  Speaker 2: That's right, four a's with three o's in between.
• 59:38
  Speaker 6: Then.
• 59:39
  Speaker 2: Pod music for this week's episode was provided by Gabriel
• 59:42
  Speaker 2: Pontan Stars.
• 59:43
  Speaker 4: They're just like us, and if you like this episode,
• 59:46
  Speaker 4: you can give us five of them by rating and
• 59:49
  Speaker 4: reviewing us.
• 59:49
  Speaker 1: On Apple Podcasts. That's all for now, good Night Hollywood,