Latest / Yeah Buddy! Podcast / Unseen Stories: Journey of an Actress and Podcaster

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Unseen Stories: Journey of an Actress and Podcaster · Yeah Buddy! Podcast

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Music.
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Yes, yes, yes, yes. What's going on, world? This is your man,
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Buddy Romney, and we are back at it, y'all, with another episode of the Yeah, Buddy podcast.
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And you know how we do every episode. I try to bring one of my friends in the
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entertainment business on.
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We chop it up, catch up, see what we've been going on, see what's going on in
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the entertainment business up here in California.
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And this episode is like no other. This episode, I got a very special guest,
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very special guest, very good friend of mine right here.
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She is she does a lot y'all she does a lot
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she's a host two different podcasts she
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hosts the rossi's clubhouse she hosts movies lovers
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unite and then she's also a very talented actress award
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award nominated actress two times like buddy
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said you know pop the collar award-winning actress two
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times over y'all two times over and i
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just recently found out that she's also a hand model
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he's got into hand modeling yes so right now
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y'all i want y'all to make it live make it loud for my good friend miss
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rossi lacree in the building what's
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up you guys thank you thank you i appreciate that thank you
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thank you for sliding through thank you for the show yes
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got a lot to catch up on got to catch up on last time
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we we was together and stuff like that i believe it was
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around like the like for the place called no it was that no it
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was the uh it was you came on the podcast and that
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was gosh buddy was that like a year it's about a year and a half ago because i
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was still yeah because i came in i was wearing my my pronto yeah
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i don't work here no more i i got i got out of
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the insurance business yeah okay that's right you were doing
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that okay okay yeah so a year and a half ago when they before that we had we
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did the movie with the movie shout out to misha shout out to misha shout out
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to misha yeah uh what is it uh hidden in plain sight hidden in plain sight yeah
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so hidden in plain sight it was a 10 minute short film that went to.
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Premiered at the place called sacramento film festival 2023
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22 22 22 wow yeah yeah
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right yeah keep up yeah how about words 22 22 2022
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yeah how did you get involved with that
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there was a casting on sat casting and
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i did the video audition misha hit
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me up and was like you know since
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sending another audition so i did that and then she
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called me up and was like she was excited about you she's we
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got buddy on this i want you to join us
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and that's how i met her yeah so you didn't know her before
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that never knew her never knew her yeah she's
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cool did you know her yeah so i knew her from when
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i first started doing stand-up comedy really okay very first
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place i ever produced shows was at this bookstore off of del pasamo it's not
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there no more but carol's bookstore you know i know i used to go there for the
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meetings for the meetings that's how i found out about the spot that's right
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so i was doing shows so i was doing comedy shows up there and she was she was
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at the shows and she had her whole like bougie bandeau box and stuff like that.
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She was like one of the first sponsors, the unofficial sponsors of the Yeah Buddy comedy show.
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We had her bougie bandeau boxes for all your cannabis covers and all your cannabis
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needs and all that good jazz.
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So now you, that's where we're back to doing a hidden in plain side and stuff like that.
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It was very informative. Very enlightening about how.
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How closely tied it is, even though we're on the West Coast,
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stuff like that, but still how closely tied it was with slavery and everything
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like that, but then also being able to tie it into how it still affects us today. Yes, absolutely.
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Yeah, I never knew the story, and it was a real story.
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And what was it, the something house? I forget the name of the house,
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but you know, okay, so long ago, but anyways, the history of,
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When when slave owners were able to bring their slaves to California,
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California was a free state.
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So even though it was a free state, when your slave came, they had to stay at
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this certain hotel here in Sacramento.
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And it was actually over by the what was it? The K Street Bridge.
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That's where it was originally built.
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And so for her to tell the story of the guy that was brought here and then end up being free,
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at the end and the Supreme Court overruling all this never knew that never knew
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Sacramento had a history like that.
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It's not only a dramatic movie though there was some comedic stuff in there so you had to wear the BBL,
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I wanted to ask because I was like,
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what was that like when she just showed you this stuff so if y'all don't know
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watching the movie she had to have like she had to wear this fake BBL to represent
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because she was playing a reality movie She was like a social media star.
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And Misha had an idea of how she would look.
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And I remember during the audition, I remember one thing she wanted me to do was turn around.
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And unfortunately, my BBL, my ass was not that big. Sorry, I don't mean to curse.
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No worries. But it wasn't that big. She had this huge pillow thing that was wrapped around me.
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And I remember trying to forget to wear it. And she'd be like,
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oh, no, no. We got to put that on.
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It was absolutely hilarious. and then this jumper that was underneath it.
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But yeah, that was Sarah.
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That was Sarah. That was Sarah, yeah. Yeah, and then that jacket,
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that jacket, that blue jacket, I'll still wear that to the day.
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I'll still wear that to this day. I'll be, I'll wear that to this day, yeah.
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I'll tell everybody the story of it, yeah. Of the jacket. I remember the dresses
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that she had. I wanted to keep some of the dresses. They were really nice.
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But he was like, he played my man. And he was, he was for, you were for, you were conservative.
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I was conservative, yeah. He was a conservative rapper, artist. And I was like, not Ford.
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Like Snoop Dogg. Yeah, he was like Snoop Dogg. Absolutely.
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He was like Snoop Dogg. And I wasn't having it. So it was funny how the character
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progressed from at the beginning, she's like this ignorant kind of social media,
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don't care about, you know, world events, politics.
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And then along towards the end of the movie, she kind of gets it and understand
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what's going on in the world. Yeah.
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Nice. And then I said, so that movie went to the place called Sacramento Film Festival.
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Was that your first time going to that film festival? No. The first time I went
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to that film festival, I was doing a film with, oh my gosh, Dwight Taylor.
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Oh, shout out to Dwight. Yeah. Shout out to Dwight Taylor. Was it a horror movie?
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It was, yeah. It was a horror movie.
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No, it was a horror movie. It was. And it was all kid cast. Was it the doll?
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No. No. This one was, oh gosh, Matt Genius.
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Matt Genius was the name. first time i
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did a film in sacramento i was what do you
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call them and it's an extra but they want to make it seem really special
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a featured extra i was
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a featured extra i was one of the ghouls and actually
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he won awards for that the two kids in the film won
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best kid both of them won awards at a place called sacramento he
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did really good yeah and come to find out he's like
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this super talented kid that's been working since
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he was like what toddler or whatever like he
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grew up in a business and he's really talented and doing big things in
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LA now nice who's that Dwight oh yeah yeah yeah
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absolutely he's doing he's
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doing big things yeah oh what movie was it that I did with Dwight it
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was pressure I can't remember but it was
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something about like some high school shooting or like that it was like this
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is true to me I was like all right man did we shot at a school we
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shot at a school and and dang I
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think it was over on Florin or somewhere and that's
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where we shot the whole film at and we had access to the school it
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was hot it was summertime yeah they got makeup artists they
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got stuff on our face i mean it was it was like he i didn't know who he was
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and after that i knew exactly who he was like he's a big deal no yeah yeah shout
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out to dwight shout out to dwight down in la making us all proud of yes absolutely
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sacramento show and then so then now it goes so we went to but that was just
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but the bcs that was your first time like being like.
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The lead then oh yeah oh yeah that was the first
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well no because i had it i had a film with
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them called the transplanted and it was uh betsy
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bynum she wrote and directed that one and that
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was right before i did this film and i was uh one of the supporting cast i was
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the neighborly neighbor you know and that was a really good film that betsy
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wrote and directed and then this one was one where i was actually a lead that
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was my first lead here in sacramento in the film and that was exciting.
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I thought she would have won. I thought she did really good.
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I don't think it was ready for that heaviest stuff. I don't think so either.
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I thought it was good. I really thought she was going to win for that film.
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You know what was dope though?
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People don't understand. She made two movies. She did. That's right. She sure did.
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She made two movies. She made like...
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As a matter of fact, because the one that we ended up showing,
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I was like, we made that in a deal.
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We made that in a couple of hours. Oh, my God.
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We made that in a couple of hours. That's funny. It was a feature length,
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remember? Because remember she found out that she didn't own that film.
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And remember, she wasn't able to submit it to other film festivals.
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And she was like, I remember her saying, I'm not doing that.
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So we're going to have two versions of it. So yeah, Misha, shout out to you,
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Misha. She did the original.
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She did the remix right there, too. She did the remix.
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That's right. Yeah. We were shooting different scenes, one for the feature length,
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one for the short film. Yeah. Okay. Yeah. Cool.
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And then, so I didn't know you had previous experience working like the PCS
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and stuff like that. What has been your experience like being an actress up here in Sacramento?
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Well, what I love about acting in Sacramento is the community.
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Because I'm originally from Portland, Oregon. So I started my acting career there.
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And so coming here, I didn't think I wanted to get back into acting.
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And when I did, the community was very welcoming. I mean, I can't think of the
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name of the film festival or whatever the group was that I joined.
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The one that we used to have the meetings at the- Oh, the audio stuff,
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the California- There we go, so sorry.
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California Film Festival, Martin Anaya.
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He was so helpful he guided
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me along the way that's why i started going to the meetings to kind of understand
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what the community was about i went to different events and
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i loved it i thought it was really good yeah yeah i got
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a lot of different roles with stat casting that
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was really huge to me when everyone was like going stat casting it
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was a great experience it was really good that's good that's good
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because i think that's the main thing that you take
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away from being up here is you have the opportunity where people
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will help you grow like with like your resume yes
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yes yes being able to become like
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if you want to take it that far like to be a member like sag and stuff like
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that i mean you're not maybe you're not going to get like those like a list
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that you that you that you know everybody you know of course everybody wants
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and inspires to want to get stuff like that but if you're just talking about
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just the point blank period point of getting your SAG card. Yeah.
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I'm all like, it's so easy to get up here because there are people like it's
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so community driven where they're like, that's what they're trying to do.
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We're like, we're just trying to build a community of SAG actors or whatever maybe.
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And then everybody's, for the most part,
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Everybody supports each other as long as whatever it is that they do doesn't
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intersect or intercross you.
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Yeah, no, I'm being nice. But yeah, it's very true.
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That's all we do. No, no. Some people don't get along with it.
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No, they don't. No, they don't. They really don't. And you see that.
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Listen, you see the ones that are there all the time, and that's going to get
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that part, that movie, working with that casting director all the time. I figured it out.
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And it is true. Like if you want your SAG card, they can help you do that.
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But I found that the way I approach things were I'm going to do it myself.
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I like working independent because I don't have to worry about I can't work
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on this film because it's SAG or whatever.
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So I kind of enjoyed the independence. But when I started out,
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I was trying to be that girl.
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I wanted to be SAG. I wanted to be like, you know, Hollywood,
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all that. And then you realize, you know, okay, that's, that is probably not going to happen.
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Like it takes a lot to make that happen. And you know what I mean?
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And if you're not in the right crowds or the right groups, I mean,
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I joined certain casting, you know, agencies around and you realize that as
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many meetings as I go to, as many group events that you go to,
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it's just, it's not happening. Yeah.
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Yeah. You know what I'm saying? Yeah. It's not happening. But like,
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it's a weird thing that like, like, you know, it's not, but you still,
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that's how, you know, people up here love it though.
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Because like you get to the point to the reality of the situation is where you like.
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Damn you know what I'm saying like it's not like a dream killer no
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it's a reality of the situation where you gotta that like that independence
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and stuff like that like being able to like with like with this setup right
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here I'm able to have like my own like production yeah exactly exactly you know
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what I'm saying I got the guy right here yeah the guy the guy right here you
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know what's I don't know about Josh, you know.
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No, no, I agree with you. I love that because my thing was after a while,
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I did a lot of like, you know, the office videos, you know, stuff like that.
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When I first started out, I'd be so excited.
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Oh my gosh, I'm doing this office video, you know? And it was just a bunch of skits.
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What I got from it was it helped me to work on camera.
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It helped me, you know, you get, I pull the positives out of it.
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But after a while I'm like, you know, okay, I'm going to have to make my own opportunities here.
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And that's exactly how I approached it. I was like, got an opportunity to do a podcast.
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Didn't know what that was. Thought it was a joke podcast, really.
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And when I first started doing it, I was just, you know, this is a lot of fun.
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And then when I realized like, wait, I can take this and make this my own thing,
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find my own lane that works out. and that's the lane that I got in and it worked out and here we are.
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But I still go on different calls. I just redefine what I'm doing.
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I won't do too many short films. I'm not going to do a lot of auditioning.
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I tend to go for things that are more commercial work. And that has helped out
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more. But that's what's up here.
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And you're going to get work like that. And get paid.
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You're going to get paid. It's not going to be something like, oh it's
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gonna go to you know your whole family's gonna see other yeah no
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but you know what my bill got paid yeah
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no commercial work industrial work i guess
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so yeah i guess i guess like i did zoomies i
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did zoomies one of my very first like acting jobs
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i think was doing um like zoomies training video i did training video out in
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um out at apple like apple over sitting at a table just like this and like there
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was some old dude sitting next to me and he was talking to like this other group
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of people just talk about like his stage presence and how he likes to tell jokes
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on stage. I'm over thinking he's a stand-up comedian.
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I was like, oh, okay, you tell jokes, I tell jokes too.
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And then everybody just looked at me hella weird and shit. And then they got
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up and they're like, you know who the fuck that was? I was like,
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no, who was that? They were like, that was Warren Buffett. You know, I was like.
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Wow i'll bet wow but these are the opportunities that
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come like with these things stuff like that you're like like you
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just being on a film set like you never know what's gonna happen like once you
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strip yourself of the ego and really understand what is up here yep there are
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so many opportunities and buses where it's all like like you don't got to be
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like famous to the whole world but like you do it what you're doing everybody
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in your world yes oh it's your face.
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Who's your famous you know and that's
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that's all you need yeah that's how i mean the the
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when i when i you know was like being realistic with
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myself and i'm like okay ross spending a lot of time on these sets you're doing
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a lot of short films you can be in that short film world but i'm not trying
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to do that so i'm like okay let me think i'm gonna start going for more commercial
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work that's what i'm gonna go for and that's what i did i did a lot of the campaign for,
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california the heat campaign that was a big deal
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didn't realize that was huge right up the street got paid
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for that the sacramento international airport one
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yeah yeah yeah yeah yeah yeah yeah you don't
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see that like every time i like open up like an app i didn't even know when
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i saw yours i was like oh my gosh i totally forgot about that so i went to their
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page i'm looking i'm looking it'd been up and i didn't even know it'd been up
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it'd been playing didn't know so i stick to that And it's in and out work, it's only one day,
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you get paid, it's a commercial, and you're done.
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So that's what I do. I do more of that type of work and that's how I got this
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latest gig that I'm on. Yeah.
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Let's talk about that in a second. I want to talk about the path that you took
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it compared to other paths like me joining the Screen Actors Guild and all that type of stuff.
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It's really more beneficial to do the commercial work like
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i said like you chase the whole aspect of you know pain and stuff
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like that right but then like once you reach the passing but in the
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past four years we've had we've had the pandemic shut us down and shut down
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everything yes absolutely we've had two strikes yes we just had hollywood burned
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down yeah right everybody down there in la and stuff like that but i was just
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all like and that's that's the stuff that's funneling all the SAG work up here
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and stuff and where I'm all like.
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Huh, I can get back into doing this industrial.
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I'm like, is anybody for SAG really going to watch this training video?
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Right. Right. No, for real. For real. Yeah. Yeah. And the training videos, like I said,
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you know, that was the first ones they had is so crazy because the first ones
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I did was in Rancho and they had this whole business complex that was not a
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working business complex, a bunch of offices.
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And I would go there like maybe once every other week they call me back and
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they have these scenarios, you know, say you're, you know, sexual harassment,
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you know, and different office videos.
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And I would do a lot of those just industrial videos and I, and it was in and
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out and it was great. Met, met a lot of people.
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But I, at that point I was still like, no, I'm an actress. I want to be an actress. I want to be Hollywood.
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I want to be, so I wasn't giving it up. And you know, I would stress myself
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out to the point where I'm like,
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I think I quit so many times that tell my husband I can't
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do this anymore like it's it's ridiculous
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and you go through that and I'm just you know you try to
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find your lane you know and and I found
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my lane you know yeah so you know I'll jump in I did a lot of extra work you
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know when I first got here a lot of extra work which is help out the community
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that's what I like about Sacramento if someone's trying to shoot a student film
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I tell people jump on those you know it helps you on set plus it gets you out there but.
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Like you said that that um a-lister type of
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stuff that it's hard work it's it's
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hard work it's hard it's a lot of work it really
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is it is yeah it goes so much more beyond
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like just the whole idea of like i don't
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know like like from like my experience for being on the
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movies it's like to like i say like say back when i was like doing like
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short films and all these types of things like that i was all like i have
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no idea what the hell i was thinking man right like
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i was like that the i think the one like the aha moment
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that i had because i when i first got like like the sad car okay
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now i'm doing background work in these sad movies i'm you know over on
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venom and all these types of things it's always just cool like
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wow wow look at all this going on and stuff like that but it was once i got
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to be the stand-in yeah on what movie was it it was either dirt well we'll just
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do a stand-in in jerome but it's probably probably last black man in san francisco
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okay and being able to see like,
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Jonathan Majors like in like that whole because I was his standard so basically
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I had to be by him you know so basically I had to be by him for the whole entire
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month the whole entire five weeks that we're filming this movie and stuff all like that so.
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Talking to him and curing his journey of like
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you know from you know going to the school and all these types
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of things like that and i'm all like and you and
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then getting the agents and yeah all this
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type of stuff and then because it's kind of like his big big break was like
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do a love crap country like hbo okay but like i was standing right next to him
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when he had found out that he had got got that booking you know what i'm saying
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so you know now i know he has all these people like PR people, ages,
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marriages, representation and stuff like that.
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And I'm seeing all these things that all these moving pieces that it takes just to get there.
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And I'm like, yeah, we're the same age. Right. Yeah, right.
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And not like the age, but I'm like there's still so much that so we've probably
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been doing it for the same amount of time.
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But like I said, seeing all the things that, all the moving parts that it takes
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in order to even just to get to that point yeah oh it's way more than just a
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fucking dream it's way more than.
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You you the hours on set you
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know being on a professional set the hours that you're on that set 15 hours
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yes 16 hours oh my gosh yes movie parts movie scripts is changing all that but
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now you don't you like you you may think that it's cool but like you know so
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i'm on this movie set But like you,
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that's your entire life For however time it is So even like once you rap,
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it's not like We're going out to parties I just did a 16 hour day,
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Besides the bed But I can't, I gotta study these lines for the next day Because
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we do script Scene by scene by scene Or whatever,
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however it is Your processes of learning the scene Learning your dialogue,
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stuff like that But I'm pretty sure the easiest way to learn it Is.
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Learn it that night you know so that way you take it with you fresh in the morning
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you're not going to want to remember a whole like hundred a page hundred twenty
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pages and then try to remember every line,
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but like yeah it's so it's a lot and then not only that but then like once you
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do like reach that point of being on like TV and everybody has that view and
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that perception of you to where now like,
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wherever I go I kind of have to be,
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like be like this like if I'm a comedian everybody's going to want to see me
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like, and maybe they might not be, maybe they might not, but that's just,
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maybe they're like man, I'm not trying to hear these fucking jokes.
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If I'm not, I'm like, I gotta be, like, you know? I think, yeah,
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because I mean, if you look at certain people, like, for instance,
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King of Queens, you know, the guy that played Doug Heffernan,
23:03
Every movie that he's in, he's Doug Heffernan. Even when he's trying not to
23:07
be, he's typecast to play Doug Heffernan.
23:10
It paid off, but still, do you want to play that same character?
23:13
And then when he strays away from it, everybody looks like, because I know you're
23:18
talking about the Kevin James dude or whatever.
23:19
Yeah, the Kevin James, yeah. He had some indie movie where he had played a Nazi or whatever.
23:23
Really? Shaved-headed everything. Wow.
23:26
But it was such a far departure. Nobody would want to hear about it.
23:30
Yeah, no. didn't know nobody would ever
23:32
want to hear about that type of stuff you know i'm saying yeah he probably did like it's
23:35
like it's just a break from yeah so he's not yeah
23:38
because he's doug heffernan i mean any movies doug
23:41
heffernan just like the girl that played carrie you know she plays
23:44
that same part and even the jay-lo movie that she did she was
23:47
carrie you know so you do get type kept and people want
23:50
you to still be that person yeah all the
23:53
time even when i'm not on camera yeah they were at the grocery store they'd
23:56
be all like like yeah they'd be like hey do that do that
23:59
do that right do that me that's great
24:08
yeah or even like like just like from an actor standpoint like it's like man
24:11
do i gotta make sure like everyone oh like presentable i gotta be like you know
24:15
yeah so like or like or like the thing that used to get me all the time is like
24:20
when i would do like it's so such it's just it's more so just an ego thing but
24:24
even like I don't do background work, like a commercial.
24:26
I might get like 0.5 seconds of camera time. I'm over looking at stuff like this. Just see me on TV.
24:32
Just see me on TV. You're literally hoping that.
24:36
And then it's always because all black people look like somebody.
24:39
I'm like, oh man, you're, you're, you're, you're. And I'm like, yeah, buddy.
24:42
Like, no, you're Tyler, the creator, ain't you? I'm like, oh my gosh.
24:44
Oh my gosh, I bet you get that a lot.
24:46
I get, well, I get almost, I get almost everything but me.
24:51
Somebody called me a Lamar Morris
24:53
the other day. I had my locks in All the way down Did you have locks?
25:00
Yeah, people call me Wiz Khalifa. Really? I can see that. I can see that.
25:04
I have my Mexican partner, Tio.
25:07
He's a big Mexican dude. People would see us walking in. They're like,
25:09
that's motherfucking Wiz Khalifa burner. Stuff like that. Oh,
25:12
yeah, yeah, burner. Yeah.
25:15
I can see that. I can definitely see that. Definitely Tyler,
25:19
the creator. Yeah, I can see that. Spike Lee a little bit, too.
25:22
No, when I have the glasses in, I have a stand-up joke about that.
25:25
When I have my glasses on, I'm like, well, I got to get a new pair of glasses.
25:28
But next pair of glasses I get full Spike Lee style and stuff like that I don't
25:32
get it all the way I even got a bit about that like no because it used to happen
25:37
like this was a super awkward,
25:40
situation like where I was on I was working on a movie or whatever and you know
25:44
like we all got to be up in the changing room or whatever stuff like that so
25:47
I'm over here getting changed and the way anybody knows the way they have the
25:50
changing room is like it's just a tit and it's just a tit,
25:53
and then everybody all the backtracks we're all just up in here Everybody's
25:57
just changing and stuff like that.
25:59
So I'm over here trying to change this to my tuxedo. There's this background actor or whatever.
26:03
And he's just looking at me the whole time. And he's just like, looking at me.
26:07
You know? And I was like, what the fuck? Bro, I'm changing. Right,
26:10
right, right. I was like, man, leave me alone. And he's all like, Spike.
26:15
It's like Spike Lee. Yep. I'm like, no. He's like, yeah, he's all,
26:19
he's all, yeah, he's all.
26:20
He's like, man, I thought Spike Lee was doing background work at first.
26:23
I see it. I see it. I'm like, no, stop.
26:24
Yep, I see it. Especially when you came to the studio. and you have your glasses
26:27
on and everything. Oh, yeah. Definitely. With the glasses on, yeah.
26:30
Full spike-y mode. I'll be in my director bag lately, too, and shit like that. Oh, yeah.
26:35
Okay. I'll show you the short. If you got time, after we wrap up,
26:38
I'll show you the short for my director and stuff like that.
26:41
Nice. Nice. How do you think? Thank you.
26:43
Oh, so let's get back to, like, working back up here. Okay. Sacramento.
26:48
I don't know if we can talk about it, but you're, like, the thing?
26:52
Oh, yeah, yeah. Oh, yeah.
26:53
Oh, yeah. No, I talked to them. Yeah, they were virtual. I want to make sure they work.
26:57
Okay, cool. Yeah. So you recently just got, is it contract work?
27:01
Yeah. So it's contract work.
27:03
It's, I started out as a hand model. I shout out to Fathom.
27:06
Well, used to be Fathom. Now it's DM Studios here in Sacramento.
27:10
They're doing big things.
27:11
And it was called on sad casting. Like I said, it was for hand model.
27:15
Had the, the addition was basically, please don't, you know,
27:18
no long nails, no tattoos.
27:20
Did the interview with them. And they called me back that next day.
27:24
And was like, we'd like to book you.
27:26
So I showed up at the set and, you know, it's,
27:32
It's toy play. It's stop and go animation, what they're doing there.
27:35
And so I walk in and I'm just, it's toys everywhere.
27:39
And I'm not quite knowing what I got myself into. And I go to one of the stage.
27:43
And so this company does like, they get contracts from like Viacom or from Netflix or whoever.
27:50
And if there's a film, they cut a short out of that film and we animate that with toys.
27:56
And who knew that there's a big thing? because kids that play with toys now,
28:01
they like to watch the show and play with the toys at the same time.
28:06
They like to watch you play with the toys as they watch the real episode.
28:08
So the episode's in a corner and our thing is on a big screen.
28:13
So it was an episode of Paw Patrol and I get on set and they're like,
28:18
and they built these massive sets.
28:20
So everything that's in the episode, we have to build and make sure the set looks exactly the same.
28:25
So they give us the toys that we need And you're just moving around stuff,
28:29
but it's being recorded. And it's, it's, it's amazing what they do.
28:32
Six months later, I'm still there and I'm a production assistant now.
28:36
So yeah, yeah. It's, it's a lot of fun.
28:39
They're doing big things and it is, it's dope. Yeah.
28:43
That's the other thing that I was going to say to me, just being a head model
28:46
is such, it's such, it's like such the cheesiest, like it is so weird to describe
28:55
just how fun it is being a head model.
28:57
Especially when you... It's a weird thing to say, like, being a good head model.
29:00
Right. But, like, when you, like...
29:03
Grab the cookie, you grab the cookie, and they're like, oh, my God.
29:06
Yeah, right? Look at them. That was perfect. Yeah.
29:09
They're like, wonderful job, Rossi. That was so good. And so,
29:12
and you love it. Hey, you love shopping. You be like, oh, my God. Let me see.
29:15
I'll be, I'll be, like, every time I wrap up a little hand bottle,
29:18
I'm going to look at my hand. Yeah. Yeah.
29:20
Okay. Yeah. I guess he's all right. I didn't know.
29:23
Yeah. I didn't know. Yeah. And after that, I'm like, shoot, scrubbing my hands,
29:28
you know, lotion all the time. As soon as I get on set, you know,
29:30
making sure my hands are clean, lotion, nails cut.
29:33
It's a whole thing. It's a whole thing. It really is. It's like that movie Zoolander
29:38
or whatever. I was talking about that the other day.
29:40
He's all like, yeah, you got to get those things in his shirt now.
29:43
Right, right. Yeah. Get a hyperbolic time chamber to keep these things.
29:47
I might be 80, but these hands are still going to look 30. I was watching an episode of Seinfeld.
29:52
And there was one of the, on one of the episodes, George Costanza,
29:56
someone said he had really nice hands.
29:58
So they tell him he could be a hand model so he's like looking at his hands
30:03
he's he's wearing these oven mitts so that you know nothing happens to his hands
30:07
he gets backstage at something.
30:09
There's an iron and someone trips him and he falls forward and burns his hands
30:13
on the iron and that's pretty much it so i was telling you know telling people
30:16
it's kind of like that it's kind of funny because you don't realize you can't
30:19
do that yeah you want to make sure that
30:22
your hands are good yeah you know yeah i'm like
30:24
i just really be smoking weed i just be rolling blitz with these things and
30:28
i'm like if you say these are worth a
30:30
million bucks i guess i'm telling you yeah yeah
30:34
so it's a lot of fun and then so how is it now being
30:38
a production system because i think that's something that a lot of people don't realize
30:41
is up here in
30:43
northern california like that's where the career work is yes you know it's behind
30:48
the camera yes i mean being a part of the camera is cool it's great yeah it
30:53
does a lot for you but that being behind the camera production assistant work
30:57
being able to to to move up to yes whatever department it is that you want you
31:02
have the opportunity because nothing here.
31:04
I mean, you could go to film school, but I don't really think anything here
31:07
is like, once you get it, like once you get into position where you're like
31:10
production assistant, you're like, I am at film school.
31:13
Yeah, right. I'm on the job training. I'm interning. You know what I mean?
31:16
And so with the production assistant, yeah, there's a lot to go to it because
31:21
I have to make sure that these little characters that I'm, you know,
31:25
getting ready for stage, that they're, if I need to dial them,
31:29
like put something on them so that maybe there's a scene like with Netflix,
31:33
Netflix is really they don't like to see a lot of hands
31:36
we did Hot Wheels so at Hot Wheels they don't want
31:38
to see a lot of hands you got to be creative so thank goodness
31:41
there's a director on set you know and so we
31:45
had magnets so that we can move the toys and so if you're with if you're doing
31:50
Hot Wheels and they have a company Mattel it's not just Netflix it's someone
31:56
else's you know IP or whatever you want to call it right so you have to respect
32:01
that so certain cars that the company gives us.
32:04
You know, you want to make sure that the hands aren't seen.
32:07
So that was the first time that I was taught how to use magnets,
32:10
long sticks with magnets glued to the end. And so they give us the whole track too.
32:14
So then you put them under the track, make the cars move. And it's just for
32:17
maybe a two minute short, you know, but it blows up when it gets online. Kids love it.
32:23
So learning that, but yeah, what I do is make sure the characters get to set,
32:26
make sure if I need to put a dowel on them, I put a dowel on them to get them for a water scene.
32:31
Like today, we wrapped on a water scene water scenes are really
32:34
hard to do yeah but viacom loves slime
32:38
and water for the kids to see so it's a whole situation and so you're figuring
32:42
out how do i dial this thing to this to make this work so yeah so moving doing
32:46
that now so i'll hand model plus i'll take care of the the characters and make
32:50
sure that they're ready for set okay yeah it's it's a lot of fun like i go to
32:54
work and play with toys all day.
32:56
Yeah big kid and get paid for and get paid for and get
32:59
paid for and get paid for that's all that's always lovely yeah just to go
33:01
yeah go for being a big kid that's what acting is
33:04
oh it's it's great and everyone there everyone's so
33:07
creative like these people are talented they are
33:10
talented oh my god the energy that
33:13
be a movie set when everybody's working everybody knows
33:16
what their what their role is right job is it right they never
33:19
nobody's jobs steps on anybody no no
33:23
you know i'm saying but it's all such a moving part it's great and
33:26
as long as there's good craft service on oh my god dude
33:29
these these people have we have a kitchen yes we
33:32
have a stove a refrigerator we have everything in
33:35
the studio there's a person that takes care of buying all our food so you put
33:39
things that you want on a board like this company you know dm is amazing i'm
33:44
working for some amazing people and see that that's the that's the thing too
33:47
with when people say like you want to join SAG because being SAG is very professional
33:52
right but it it really doesn't.
33:54
Matter you know say this professional is professional yes
33:57
and so you can get the same experience being SAG yes
34:00
working on a non-union absolutely being treated
34:03
like how you oh oh yeah great great I
34:06
mean I've I've never worked with people and
34:09
worked on a set where people care about you you
34:12
know I mean everyone's good but on this set in particular it's
34:15
just the people that i work with i'm looking forward to going to work every morning
34:19
i'm looking forward to seeing them and how do you go into a
34:21
place where you're getting ready to do toy play yeah and film
34:25
to where you're angry or upset we you know
34:28
what i mean and it's you know it's it's toy play but it's a serious thing we
34:31
have clients who have to make sure there's a deadline you know to get the the
34:34
production done and and wrapped up so everyone plays their parts and it's it's
34:39
just great i'm so happy that i'm there i i love this company nice shout out
34:43
to dm studios shout out the DM Studios show.
34:47
So now let's get into the world of.
34:52
Podcasting our thing our thing our new thing our
34:55
new thing how long you've been doing podcasting let's see
34:58
i've probably been doing podcasting for i'll
35:01
say we'll say we'll say three years we'll
35:05
say three years maybe four years but i'll give it a good three years yeah
35:08
okay three years yeah so maybe the podcast
35:11
that you do yourself yes it's called rossi's clubhouse yes it's up there for
35:16
people to see right now yes yeah rossi's clubhouse a sacramento-based podcast
35:21
yes whoa whoa no sound effects i love this thank you you can add it into the thing.
35:33
So how long you been doing i was on rossi's clubhouse yeah you were my first
35:38
guest so excited so nervous is he going to respond back to me please say buddy's going to come through,
35:43
and we we just figured out that was a year and a half ago so and that's that's
35:47
when i started at Rossi's Clubhouse about a year and a half ago.
35:51
And thanks to you, I have to say, you had this networking event.
35:55
And so, and I remember you used to do that every third or fourth Wednesday of
35:59
the month. Something like that.
36:02
DJ, cameras, backdrop, I mean, drinks.
36:06
I mean, everyone showed up. Remember, oh, it was great. We had SAG up there.
36:12
Yeah, I was like, that's the only place you would go when you would see like
36:16
a SAG baker. and you know somebody giving out information about SAG and then
36:19
right next to you can order a shot and hit it. No seriously.
36:24
DJ's playing with.
36:28
Red Carpid. I mean it was it was great.
36:32
Oh my gosh. It was great.
36:36
It was really good and I met Zach who had the studio and he was there new in town.
36:44
I remember he showed up and we end up
36:46
talking i remember we talked for a long time and after that
36:49
he had called me up and was like hey i saw your your show
36:52
movie lovers unite what will it take for me to get you to leave
36:55
them come with me and let's do something well not
36:58
not not gonna leave movie lovers tonight but we can do our own project
37:01
and so that's how i hooked up with zach and he had a studio and
37:04
i remember we didn't know what we're gonna do so the first one
37:07
was like oh i'll just do movie reviews because we were kind of i didn't know
37:10
yeah and i remember yum's awkward came in and when
37:14
he came in after we did that interview we was like
37:16
that's it that's what we're gonna do we're going to do interviews and
37:20
and thank you yum's awkward for you know giving us direction and so the show
37:25
popped off like that i think zach and i were together for i don't know maybe
37:29
six seven months yeah and he got his thing going and i took the show and just
37:35
put it online added it to you know all major you know,
37:40
podcasting platforms and yeah. Yeah.
37:44
So how is it with.
37:46
Interview with people what is your process like you
37:49
very like let me take notes make sure I hit all these
37:52
talking you know yeah at first I wanted
37:55
to do that and I remember Zach and I would go back and forth because he was
37:59
like let's have a conversation but if you've never done interviews you don't
38:03
you know what I mean to me I wanted to come and make sure I knew everything
38:06
that you did yeah and so I know something about you so my process is to if I'm
38:11
interviewing an artist with music,
38:13
like a rap artist or an R&B artist. I'll listen to their music for about a week.
38:18
And then the day of the interview, that's all I'm doing is listen to your music all morning long.
38:23
I'm finding out things about you. I want to know every album that you did when
38:27
you first started so that I know the artist.
38:29
And then I'll just think of questions
38:30
asked, you know, things that are interesting that I want to know.
38:33
But I do a lot of research into how to interview, what are good questions to
38:37
ask to kind of give me a guideline and go off on that. And then from there, we have a conversation.
38:43
Yeah. Yeah. I noticed that because when I left your podcast and whatever,
38:47
I was just walking like, like Oprah.
38:56
It's not like she knew anything about me, but she was able to get so much information out of me.
39:01
I was like, one thing I always talk about, I was like, I don't really try to talk about,
39:08
family and feed to that point of view, but I was all like,
39:11
you had just you just got me open i was all like do whoop whoop and then they
39:14
said i was like you were great yeah i was like i was like yeah i was like she
39:18
got me open i was all right you were great i'll never forget the funniest thing
39:22
that you said is i asked you about,
39:25
heckling heckling that was got me oh my god and you said you said your dad,
39:30
your dad and i remember that was so funny because
39:33
you were just great you you you turn it into like a comedy act
39:36
you know yeah yeah my mom called me up too sorry i know
39:39
i'm sorry well stop breaking him
39:42
that was great that was great yeah that was
39:45
great but no that was that was dope i'm glad to see it's still
39:48
still growing steve i saw you had shelly shelly and then you had um shelly k
39:51
booker saw her on your show that's super cool i saw her on your show and she
39:57
was so funny and i reached out to her and she was she was just great she gave
40:03
me this whole bio and told of course of course it It was, I love Buddy, he's great, da-da-da.
40:08
And she came on a show, and we're like really good friends.
40:11
We actually were working on a podcast together that we wanted to do.
40:15
And it would come about- I think that would be cool.
40:18
We had meetings on it, we would do Zoom calls on it, but what ended up happening
40:23
was, Shelly's really busy. Shelly has, I mean, seriously.
40:27
Shelly's a teacher on set she does this yeah we
40:30
haven't had time and she's like I know we're still I'm like Shelly I
40:33
know because I got busy too yeah but we were
40:36
we were gonna work together and I go to I've gone to her show Shelly's just
40:39
great but she is busy she's funny as hell she messaged me like she had messaged
40:43
me like just to catch up with me or whatever I'm like yeah just chill it's like
40:46
what you up there's like I'm just over here hanging out with Scarlett Johansson
40:48
on the set of Jurassic World yeah right that's right that's right yeah what
40:53
are you talking about right now Like leave me.
40:58
She's like, yeah, just let you know, I'm going to be in England for a while.
41:01
I'm going, I'm going overseas and I'm going to be working on a film Jurassic
41:04
World. We're shooting over there.
41:06
And I'm like, do your thing. You know, she's like, so the podcast thing, I'm like, girl, yeah.
41:13
And she's busy. She's busy. And she's, she helps out a lot too.
41:16
She'll give me some pointers.
41:18
And, you know, she also is like, you know, you should be working on sets as
41:22
a production assistant.
41:23
You should be doing this and then i and then i end up doing it
41:26
and i remember hitting her up and saying i did it she's like you should i'm
41:30
so happy for you that's great so i love you shelly love you yeah yeah shout
41:34
out to shelly and then you also have the the the podcast movie lovers movie
41:39
lovers unite yes shout out to john de gregorio he's the host of movie lovers
41:44
unite he's had this podcast,
41:46
gosh i think he said for six years before i came along and uh we do movie reviews
41:51
we do interviews Shout out to Matt Barnes.
41:54
Thank you so much for giving us that interview. That was the highlight of the show.
41:59
But yeah, John is great. And we've been working together for about three years.
42:04
And I started out as just someone that just came on the show,
42:07
just as a guest, moved up to doing a co-host.
42:10
And thanks to him, he's the one that was like, you need to have your own segment.
42:15
So we did the spinoff Rossi Talks. And so that's with Movie Lovers United.
42:20
And that's the other one that I do. and just yeah yeah
42:23
absolutely and so oh sorry i didn't mean to cut you
42:26
off i also want to say shout out to uh don tucker to
42:29
jason nichols to elijah barkless they're my co-hosts for our video game segment
42:34
and you guys will be saying that soon yes thank you so with movie lovers unite
42:39
that's more of a collaborative not necessarily not that ross's clubhouse was
42:43
it but yeah well as long as i'd be in front of the camera yeah oh yeah more
42:46
of a collaborative yeah What are some of the things that you.
42:49
Like pros and cons, that you've taken away from being collaborative,
42:53
but then also basically doing it on your own? Let's see. I...
42:58
I enjoyed having someone there with me. I felt safe with John.
43:02
I felt comfortable with John. I didn't know if I could sit by myself.
43:05
I was really scared about sitting by myself. And I remember the first time I
43:09
did that was the spinoff Aussie talks.
43:12
And if you go back and see the first, you know, show that I did the first couple
43:16
of shows that I did review in a couple of movies, I sped through that so fast.
43:20
I was talking so fast. I was trying to get done. Cause it's trying to get off camera.
43:23
I didn't know if I could do it. So that was the thing was I enjoy that.
43:27
I have a network of people that works with me and shout out to unfiltered studios.
43:34
That's a network that we're under.
43:36
And so this, it's a network that has a lot of podcasts under them.
43:39
So we're, we're with them.
43:40
And so, but John and I are, you know, our thing, we just under them.
43:44
And it's great to have a network of people where if I needed anything or whatever.
43:49
They can help me out with that. With Rossi's Clubhouse, it's me.
43:53
It's me by myself. John does produce sometimes. times
43:56
i credit him as a director at times but
43:59
that's me sitting there doing this i look for the talent and
44:03
and they still help me out like they'll do the shorts for me
44:05
they still do all of that for me editing they
44:09
do all that for me i just find the the artist and i
44:12
sit there and direct the show myself and will produce myself
44:15
nice yeah nice nice you're able to take take
44:19
all this from both yeah so you get the best of both words yeah exactly
44:23
you're able to take the cons away from absolutely take all.
44:26
The pros and stuff like that absolutely nice nice
44:28
and i saw like the movie lovers united was it was
44:31
i won't it was number one yeah we're let's
44:34
see this this week we are number one in tv
44:37
and film review number five in film
44:40
review and so that was the latest numbers on uh
44:43
good plots okay so yeah we we tend to stay up
44:45
in the top 10 you know but we hit that number one number
44:48
three so much you know so we
44:52
have good content people enjoy the interaction between
44:55
john and i plus we network with other podcasts so like
44:58
if i'm busy with rossi's clubhouse john has
45:01
other people that he can network in that can fill in for me or he'll do
45:04
you know something with some friends that he
45:07
has you know so we have a group that we will work with so
45:10
if i'm not there he has someone that he can still sit with okay you know but
45:14
we just have to make sure because we're sponsored now yeah we make sure that
45:17
at least we sit together at least two times a month you know that people can
45:21
see us together because they love for us to be together okay yeah congratulations
45:25
on the sponsorship yeah so what was i mean i don't know if you dive into that too much but like.
45:30
What was that process like from going on the podcast to now being able to have sponsorship?
45:36
Because that's one of the things with so many podcasts out there nowadays.
45:38
It's like, how do I monetize it? How do I monetize it?
45:41
Of course, it's fun to sit down here talking to people, doing whatever it is that you want to do.
45:47
But eventually, you do want to get to that. Oh, of course. You want monetization.
45:50
Oh, absolutely. Yeah, you work for that. It's great. I mean,
45:53
we've come a long way. I mean, to where we didn't have any sponsors and then
45:57
we'd get, you know, one sponsor and it didn't last that long.
46:00
One thing I do want to say is people think that you have to have a certain number
46:03
of followers or you have to have a certain number of people that watch your
46:07
show. It's not quite like that.
46:08
If you have a good show and your name is out there, like we were able to get
46:12
movie lovers out there, people invest in you.
46:15
You know, Matt Barnes is not going to come sit with us. just you know what
46:18
i mean like it's something that goes you know that where they've seen
46:21
us interview other people and then we can get an interview like
46:24
that but those things help having him
46:27
on the show helped people want to you know invest in
46:30
us and you don't give a sponsorship yeah but it
46:33
took a long time it took years to get a steady sponsorship that
46:36
we have now it's a climb yeah you know it's in
46:39
youtube you have to have a certain amount of hours that you
46:42
have to even consistently you have
46:45
to consistently have that so it's a
46:48
climb but it's doable you know and especially
46:50
if you're good and you and you have steady content yeah okay definitely keep
46:55
keep that in mind yes yes okay cool so what we're gonna do right here now is
47:02
play a game that i like to call the malrush one what people don't know about
47:05
you because i say you you multi-talented You do so much from the hand modeling, acting, producing.
47:11
The podcasting, multiple podcasting.
47:13
But what people don't know about you is that you're a secret.
47:15
I don't know if it's a secret or not, but you're a gamer.
47:18
Oh, gosh, I'm a huge gamer. Huge gamer. Huge gamer. Okay. Yes.
47:21
So for this special edition of the Mount Rushmore.
47:29
Okay, cool. So yeah, so for this edition of the Mount Rushmore,
47:32
we're going to do your top four video game genres. Okay.
47:37
All right. I love horror. I love shooters.
47:41
Oh, I love role-playing games. And I guess action games will kind of be like shooters.
47:48
So action games. Those are my four favorites. So I'm pretty much across the board.
47:52
Okay um i don't mind online
47:55
games but i'm more of a single player gamer
47:59
until i discovered the division two and when
48:01
i discovered that and realized i was like i'd go
48:04
to the to the game store and i'm like it's online i don't want
48:07
to play online the last time i played online was call of duty and
48:10
every time i would respawn they shoot me in the head yeah
48:13
i'd respawn they shoot me ahead i'm not trying to do that yeah yeah
48:16
yeah but this game was so good i'm like okay i'm gonna do it
48:19
and i fell in love with playing it online met met
48:21
met a guy that i play online with and he
48:24
helped me throughout the whole game because i was kind of levels below him
48:27
and we'd sit up and be one in the morning and we
48:30
just tackle this map and it's such a fun game so
48:33
that's the only game i will play online okay cool yes
48:36
i'm gonna do i'm gonna do another now rush one okay we did so we'll
48:39
do your top four video game consoles okay oh gosh
48:42
playstation is that's that's where
48:45
i play on that's that's that's mine i love playstation i
48:49
was like a kid in a candy store when christmas came
48:52
and i was presented with the playstation 5 that i begged
48:54
for four years to have yeah so i love the playstation 5
48:58
let's see the the playstation 2 was really good i thought that was a good console
49:02
and console and that came out the gamecube gamecube is great you know there's
49:07
not too many games that i played on the gamecube there was two and they were
49:12
the best games i I couldn't believe that Nintendo had these type of games.
49:15
But they were great. Oh, Dreamcast.
49:18
Dreamcast. And then, of course, Xbox. Okay. Yes. Yeah, yeah,
49:21
yeah. Yeah. I was definitely an Xbox growing up. Okay. I had the Xbox 360. Yes.
49:26
The Death Ring. The Red Death Ring. I was like, wasn't that?
49:29
Did you get the Death Ring? Oh, my word.
49:31
Especially when I came, when you come home from school, fresh off the phone.
49:34
Oh, my gosh. You know, it's like me some Halo.
49:36
Right. And then you press that. They do it. I'm like, oh, my gosh. Oh, my gosh.
49:40
My kid loved the Xbox. And I remember when he got the death ring And I remember
49:45
being pissed Because I'm thinking, what did you do to it?
49:48
It just happened But it happened to me too And that was the worst thing about
49:53
the 360 Was the death ring And I'm such a gamer, I remember panicking Just panicking Turn it off.
50:03
Yes, the worst The worst, yeah,
50:08
I played Halo But I'm more like, what's I got? NBA 2K That was all I was playing. I'm a 2K guy.
50:14
When online first started, being popular and stuff like that, yeah, I was killing it.
50:18
I was... If I knew there was a career in video games, I would have made me some
50:24
bank. I get you. Absolutely get you. I like the...
50:28
Remember the arcade-y basketball games that came out?
50:31
I can't remember the name, but it spun off the rappers when they had the fighting
50:36
games. Remember the rappers would come out?
50:38
50 Cent had, he had his game, but they also had that fighting game. I can't think of Def Jam.
50:44
Well, there was also an arcade-y basketball game. And it was so much fun.
50:49
I had a great time with that. And I think that was on a PlayStation 2.
50:52
It was the best. They need to bring that back out. If I could just put a lie
50:55
from me, remember. It was an NBA Jam, was it? NBA Jam.
50:58
NBA Jam 2-1-2, yeah Oh my god,
51:04
so fun So fun, yes NBA Jam I think they should have it at the coin up In the
51:10
old side Yeah, you can play them at the arcade But at home,
51:16
Yeah, yeah, yeah They would do these with the big hands Yeah,
51:19
yeah, NBA Jam Thank you No worries, that's what we're here for NBA Jam Yeah, that's funny.
51:28
So we're going to wrap up this here episode of the Yeah Buddy podcast.
51:32
But before we do, is there anything else that you want to let the people know,
51:35
let them know what you know?
51:37
Yes, on Rossi's Clubhouse on January 27th. Guys, we're not going to go live.
51:42
We are going to start recording our episodes.
51:44
So Misha DeSalle, who is a Sacramento writer, director, producer.
51:51
That's the film. Hit it in plain sight. She's going to be on the show on the
51:54
27th and February 10th. LaShawn.
51:58
He's a RB artist. He's great. He's going to come on the show.
52:01
And we have many more for you guys. So definitely.
52:04
So yeah. So looking forward to seeing how much Rossi's Clubhouse grows.
52:09
Thank you. Looking to see you continue to grow with Movie Lovers Unite.
52:12
Looking forward to seeing the bands. Thank you. See the bands,
52:15
places, you know what I'm saying? Yes. Popping up more and like ads and stuff
52:17
all like that. Thank you. For the Sacramento Airport commercial.
52:19
Thank you. That's right. No, I'm saying it's great to see. just like I said, like from.
52:25
You never know how it's going to be when you show up on a movie set with somebody,
52:28
co-star, actor, whatever it may be, because there's so many different types
52:31
of personalities or what everybody's goals and intentions are with being on
52:38
this broadcast and stuff like that.
52:40
So I say just being on the hit-of-day play side with you, for that being my
52:43
first experience working with you, getting to know you, stuff like that.
52:45
It's been a pleasure. Thank you.
52:47
Same here. So glad to call you a friend. Yes, absolutely. And I'm glad after
52:50
a year and a half, after almost a year and a half, I finally was able to get you on the podcast.
52:55
So happy when you when you reached out i was like about time
52:58
but i'll travel three times three times the storm then
53:02
the second time something came up i think it was like traffic it was like yeah
53:04
it was it was bad it was bad it was bad so yeah i was so happy i was like making
53:09
sure i was looking at looking at my phone like okay let me make sure we're gonna
53:12
we're gonna make this happen got offset went home got cleaned up and was like
53:16
okay this is gonna happen we are on our way yeah yeah
53:19
it's here we is here and and you know you got to come back out obviously you've
53:22
got to do a Of course, we're going to catch up on something.
53:24
There's something we didn't talk about here, but we're going to catch up.
53:28
We're going to catch up, yeah.
53:29
So one more time, I'm going to show everybody right here, Rossi's Clubhouse,
53:32
Sacramento-based podcast.
53:34
They follow it on YouTube, or where can I hear it? You guys can follow me on YouTube.
53:38
And, yeah, you follow me on YouTube. I have an Instagram, McCree123HotMilcom,
53:42
and I have a Facebook, but definitely YouTube, guys. Please go and subscribe.
53:47
That's right, y'all. and you go follow me at you know
53:50
ever yeah buddy entertainment everywhere you go to yeahbuddyent.com just
53:54
follow all my stand-up comedy my my video
53:58
logs the yeah buddy tv and then yeah
54:01
and then all the episodes of the yeah buddy podcast the funny bit with this
54:04
podcast and also have my episode up the episode that we
54:06
did i have that up there too oh do you have it nice oh yeah good good
54:10
thank you yes yes good episode go check out that episode go check out the episode
54:15
of the rossi's clubhouse with me yes and then like i said you can follow the
54:18
buddy podcast anywhere you listen to your podcast my name has been buddy rama
54:22
your host this is rossi bye guys and we are out y'all deuces.
54:31
Music.