Latest / Arroe Collins Like It's Live / Merry Christmas Aubrey Flint Starring Actor Comedian John Bradley

Transcript

Merry Christmas Aubrey Flint Starring Actor Comedian John Bradley · Arroe Collins Like It's Live

0:00
Speaker 1: We'll be right back. and the lives they lead today
0:24
Speaker 1: as leaders and more. Be on the calling. Only on Arrow.net.
0:28
Speaker 1: A-R-R-O-E dot net. Enjoy your exploration.
0:33
Speaker 2: I think I got to promote Merry Christmas Aubrey Flint
0:35
Speaker 2: on my Christmas station, you know?
0:37
Speaker 1: Yeah, well, we need to talk about that. And I
0:39
Speaker 1: hope he talks about it as well when it comes
0:41
Speaker 1: to the music in that movie. My God.
0:44
Speaker 2: Just so you know, John, me and my 13-year-old run
0:47
Speaker 2: a Christmas radio station from our house.
0:50
Speaker 3: Oh, no way.
0:52
Speaker 1: Just at Christmas time, not all year long.
0:54
Speaker 3: No, I love that. That's awesome.
0:56
Speaker 2: But yeah, so anyway, Arrow, let's talk Christmas 18 with John.
1:02
Speaker 1: John, I got to tell you, I mean, since he
1:04
Speaker 1: was talking about Christmas music, we got to talk about
1:06
Speaker 1: the music that's in this movie. My God, it was
1:09
Speaker 1: so original and so fitting for every single scene in
1:13
Speaker 1: this film.
1:15
Speaker 3: It's pretty good, right? Yeah. The music's astounding. The first
1:18
Speaker 3: time I saw this movie, I.
1:21
Speaker 4: Just assumed that the songs in it specifically were old
1:26
Speaker 4: standards that had maybe been re-recorded or reworked in some way.
1:30
Speaker 4: But no, there's like 12 original songs in this movie
1:34
Speaker 4: and every one of them brilliant, every one of them...
1:36
Speaker 4: Sounds like a bona fide Christmas classic.
1:39
Speaker 3: And yeah, it's astounding.
1:41
Speaker 4: And I think the soundtrack album was released a couple
1:44
Speaker 4: of weeks ago. So if anybody likes those songs, if
1:46
Speaker 4: people want to make those songs part of their Christmas soundtrack,
1:50
Speaker 4: they can do it.
1:51
Speaker 1: Well, the thing about it is, is that it really does.
1:53
Speaker 1: I mean, every scene that you're in and when you're
1:57
Speaker 1: thinking about things and while you're trying to piece things together,
2:00
Speaker 1: especially reading the book, And then inside the back of
2:02
Speaker 1: your mind, you're putting the play together. Just everything when
2:05
Speaker 1: it comes to that music sets it up and it
2:08
Speaker 1: delivers us as viewers to grow forward rather than to go, oh,
2:11
Speaker 1: it's a Christmas story. No, it's not. This is a
2:13
Speaker 1: Christmas experience.
2:16
Speaker 4: Yeah, we'd like to think so. That's very kind of
2:19
Speaker 4: you to say. And yeah, it moves at a different
2:23
Speaker 4: pace than you'd expect a Christmas movie to move at.
2:26
Speaker 4: There's a lot of silent scenes. There's a lot of
2:29
Speaker 4: scenes where Aubrey is just on his own in his
2:33
Speaker 4: little apartment, just existing by himself.
2:35
Speaker 3: It's not.
2:36
Speaker 4: like breakneck feel good happy clappy sort of laugh a
2:41
Speaker 4: minute stuff a lot of the time there's a lot
2:43
Speaker 4: of more subdued moments in it and that music and
2:47
Speaker 4: both the score and the soundtrack they they fit those
2:50
Speaker 4: moments so perfectly and it i think it's you know
2:54
Speaker 4: it's it's you know maybe blowing the movie's own trumpet
2:57
Speaker 4: to say i think it is a really watchable movie
2:59
Speaker 4: because because of that pacing and that, you know, the
3:02
Speaker 4: form and structure that it has. I think it's sort
3:04
Speaker 4: of a unique experience amongst Christmas movies, I'd like to say.
3:08
Speaker 1: There used to be a time when MTV would give
3:10
Speaker 1: away an award for the best kiss on the screen.
3:13
Speaker 1: I think that what MTV needs to do is come
3:16
Speaker 1: back with the best hug. What you do with your
3:18
Speaker 1: father in this movie, I'm telling you, there's going to
3:21
Speaker 1: be a lot of grown men around this world that
3:23
Speaker 1: are going to say, I want that. That's the hug
3:27
Speaker 1: I want to share with my father and I want
3:28
Speaker 1: to receive from my father. Dude, that was amazing.
3:32
Speaker 3: And you didn't even say anything.
3:33
Speaker 1: It was the hug.
3:34
Speaker 3: Oh, thank you, man.
3:36
Speaker 4: Yeah, that was a moment that we were very keen
3:39
Speaker 4: to get right because in the movie, Aubrey hasn't seen
3:42
Speaker 4: his father for maybe.
3:45
Speaker 3: maybe 20 years at that point.
3:48
Speaker 4: And they've become estranged after Aubrey's mum sadly passed away
3:52
Speaker 4: on Christmas Day when he was seven years old. And
3:54
Speaker 4: there's a lot of resentment between him and his dad
3:56
Speaker 4: and they've just grown so distant.
3:58
Speaker 3: And that hug was about hugging in the here and now,
4:01
Speaker 3: but we.
4:01
Speaker 4: Wanted to make it feel like it was 20 years
4:04
Speaker 4: of missed hugs all wrapped up into this one moment,
4:09
Speaker 4: this one cathartic moment for them both because... because they'd
4:13
Speaker 4: clearly been thinking about each other in all of that time.
4:16
Speaker 4: They were just too proud and too hurt. and too
4:19
Speaker 4: traumatized to make that first move. So hopefully people might
4:23
Speaker 4: learn a few lessons from that and just realize that
4:25
Speaker 4: life's too short to be carrying around these things. And
4:29
Speaker 4: you'll always be grateful. If you do extend that olive
4:33
Speaker 4: branch to somebody in your life, you'll never regret it,
4:35
Speaker 4: I don't think. And hopefully that movie is going to cause, yeah,
4:38
Speaker 4: as you say, a lot of those real life hugs
4:40
Speaker 4: to happen right in the here and now.
4:43
Speaker 1: Well, the director and the editor really start this movie
4:47
Speaker 1: off on the right foot because it sets up everything
4:50
Speaker 1: and the theme of the movie because the opening is festive.
4:52
Speaker 1: It's emotional. And then there's that little bit of a
4:56
Speaker 1: twist that most of us go through on Christmas. There's
4:58
Speaker 1: always something that isn't going to go right. And you
5:01
Speaker 1: really do set us up perfectly with this movie. And
5:04
Speaker 1: then it's showtime. And that's when we are settled in
5:08
Speaker 1: and we're watching the story come to life in front
5:10
Speaker 1: of our eyes. It's perfect timing, dude, all the way
5:13
Speaker 1: through this movie.
5:15
Speaker 4: Yeah, it's... Because the movie uses Charles Dickens' A Christmas
5:23
Speaker 4: Carol as its template, really, it's such a classic human
5:30
Speaker 4: story in addition to a Christmas story about somebody who
5:33
Speaker 4: has turned his back on humanity and over the course
5:36
Speaker 4: of the story falls back in love with people again
5:39
Speaker 4: and falls back in love with Christmas and rediscovers the
5:42
Speaker 4: importance of connecting with human beings. So people know when
5:47
Speaker 4: they start watching the movie that Aubrey is probably not
5:50
Speaker 4: going to be the same character at the end of
5:52
Speaker 4: the movie as he was at the beginning.
5:54
Speaker 3: There's going to be some kind of transformation.
5:56
Speaker 4: But as soon as you know that, yes, you might
5:59
Speaker 4: know where the story is going to end up, but
6:00
Speaker 4: hopefully the characters.
6:02
Speaker 3: in the.
6:02
Speaker 4: Film are so watchable and so nicely drawn that you're
6:06
Speaker 4: just happy to see that transformation play.
6:08
Speaker 1: Out well it starts to transfer when we're in that
6:11
Speaker 1: talent show my god how did you even keep a
6:13
Speaker 1: straight face during that talent show i laughed my ass
6:16
Speaker 1: off the entire way when everybody got up there with
6:18
Speaker 1: with their little talents and stuff i just thought that
6:20
Speaker 1: was such a brilliant comedy place It's really adorable.
6:25
Speaker 3: It's really adorable, yeah.
6:27
Speaker 4: And, you know, one testament to the quality of the
6:30
Speaker 4: script and the sort of quality of the project is
6:33
Speaker 4: these actors that come on and they're part of the
6:37
Speaker 4: cast in the.
6:38
Speaker 3: A large part of the... A large plot device.
6:42
Speaker 4: In this movie is that Aubrey is roped into directing
6:45
Speaker 4: a production of A Christmas Carol in a care home
6:48
Speaker 4: for the elderly. The fact that we were able to
6:50
Speaker 4: populate this care home with these actors who quite often
6:54
Speaker 4: didn't have any lines even, but they were able to
6:57
Speaker 4: just bring so much personality and so much skill to
7:00
Speaker 4: these little parts and so much comic energy that, yeah,
7:04
Speaker 4: we were really spoilt. It was an embarrassment of riches,
7:07
Speaker 4: the cast that we got to populate this.
7:09
Speaker 3: And yeah, that sequence where.
7:11
Speaker 4: Each of the residents is coming up and trying out
7:13
Speaker 4: their little talent. There's something really beautiful about it. And
7:17
Speaker 4: each one of them just performed on the day magnificently.
7:20
Speaker 4: And yeah, that's a lovely little memorable set piece in
7:23
Speaker 4: the middle of the movie, we think.
7:25
Speaker 1: Please don't move. We'll be right back with actor John
7:27
Speaker 1: Bradley coming up next. The name of the movie, Merry Christmas,
7:33
Speaker 1: Aubrey Flint. You're really going to love this movie. We
7:36
Speaker 1: are back with John Bradley. God, I want to be
7:39
Speaker 1: in the theater when this movie opens up, not just once,
7:41
Speaker 1: but several different times, because I want to experience the
7:44
Speaker 1: people watching it because it embraces every age group. And
7:48
Speaker 1: I swear that even the younger generation is going to go,
7:51
Speaker 1: I want to do this. I want to go help
7:53
Speaker 1: somebody put a play together. I want to do this.
7:56
Speaker 1: That's the kind of movie this is. It makes us
7:58
Speaker 1: want to participate.
8:01
Speaker 3: Yeah.
8:01
Speaker 4: And it just, I think, I think there's something about,
8:04
Speaker 4: you know, there's lessons that younger people can learn from
8:07
Speaker 4: it in terms of, you know, how those deep and
8:12
Speaker 4: meaningful human connections, they're not going to be replaced in
8:16
Speaker 4: your heart by social media or connecting people, connecting with
8:20
Speaker 4: other human beings through a screen.
8:23
Speaker 3: You might think that you have people.
8:25
Speaker 4: Around you if you only ever text them or you
8:27
Speaker 4: only ever speak to them on social media, but There's
8:30
Speaker 4: something about sharing the same oxygen with people and sharing
8:33
Speaker 4: even no coffee with people and sharing food with people
8:37
Speaker 4: that just cannot be replicated by technology.
8:40
Speaker 3: So hopefully people watching it who.
8:42
Speaker 4: Are on their phones a bit too much or they
8:45
Speaker 4: do find that they're looking for connections in different places.
8:49
Speaker 4: They're just reminded of the beautiful simplicity of just getting involved,
8:52
Speaker 4: as you say, participating and just letting other people into
8:56
Speaker 4: their hearts, really. That's part of the lesson that we
8:58
Speaker 4: want people to take away from it.
9:00
Speaker 1: You just said something absolutely spectacular, the beautiful simplicity, because
9:04
Speaker 1: the Bah humbug scene, that is beautiful and it's simple.
9:08
Speaker 1: And every comedian on this planet is going to look
9:10
Speaker 1: at that pause that's in this movie and go, wow.
9:13
Speaker 1: That's what it's all about. That's what I want to
9:15
Speaker 1: do as a comedian. I want to have that pause.
9:18
Speaker 1: And then here comes the payoff.
9:22
Speaker 3: Yeah, it was.
9:22
Speaker 4: I think I think that one thing that Jack Spring,
9:26
Speaker 4: our director and our editor, they really insisted on was
9:31
Speaker 4: letting those pauses play out. It'd be quite it's often
9:34
Speaker 4: quite tempting, especially these days when people have short attention spans.
9:40
Speaker 4: That they that they would have cut into that and
9:43
Speaker 4: they would have truncated those pauses. The fact that we
9:46
Speaker 4: build the tension by letting those pauses play out is
9:49
Speaker 4: it's challenging.
9:50
Speaker 3: But as you say, if you let it play.
9:52
Speaker 4: Out once that payoff hits, then you're finding these little
9:56
Speaker 4: comic nuggets in amongst everything else.
9:59
Speaker 1: Doesn't this movie also give permission to what I call
10:02
Speaker 1: the secret reader, the one that will sit there and
10:04
Speaker 1: read a book such as Charles Dickens? and then sit
10:07
Speaker 1: there and then, and then come up from behind the
10:09
Speaker 1: curtain and deliver a line. And people are going, where
10:12
Speaker 1: the hell did that even come from? But yet it's
10:14
Speaker 1: because they live this secret life of reading. Cause no,
10:17
Speaker 1: they don't want to be caught reading, but yet in
10:19
Speaker 1: this movie, you prove it's okay. Go read anywhere you
10:23
Speaker 1: want to then participate.
10:26
Speaker 3: Yeah. Yeah. That's, that's a really interesting thing to take
10:29
Speaker 3: away from it.
10:30
Speaker 4: But the, as we're talking about, you know, the beautiful, uh,
10:35
Speaker 4: simplicity of these connections, but the beautiful simplicity of reading
10:38
Speaker 4: as well and how fulfilling that can be. If you
10:42
Speaker 4: really let a story into your heart, it can be
10:44
Speaker 4: so transformative. Aubrey's somebody that he's, you know, The sort
10:51
Speaker 4: of condition that he has means that he's a stickler
10:56
Speaker 4: for the truth and he doesn't believe in fiction because
10:58
Speaker 4: he believes that fiction is lies and he's only interested
11:02
Speaker 4: in facts and he's only interested in recorded history. But
11:05
Speaker 4: when he discovers A Christmas Carol, he realizes that something
11:09
Speaker 4: doesn't have to be true to have value. Just because
11:13
Speaker 4: the narrative is made up, it doesn't mean that the
11:15
Speaker 4: lessons you can learn from it aren't valid and aren't
11:18
Speaker 4: true in kind of in and of themselves. And it's
11:21
Speaker 4: when he, when he takes that risk and open himself
11:24
Speaker 4: up to that opens his heart up to the idea
11:26
Speaker 4: of fiction that he realizes just how important and transformative
11:30
Speaker 4: it can be.
11:31
Speaker 1: You know, and it's not even just the Christmas story
11:32
Speaker 1: because the way that Aubrey handles this whole entire situation,
11:36
Speaker 1: he picks up a physical problem.
11:38
Speaker 3: Book.
11:39
Speaker 1: And that was like, so exciting to my child inside.
11:42
Speaker 1: It was like, oh my God, he's holding the book.
11:46
Speaker 1: And there's just so many different symbolisms all the way
11:48
Speaker 1: through this.
11:50
Speaker 3: Yeah, no, no, definitely. Definitely. It's him.
11:54
Speaker 4: And, you know, one of the beautiful things about his
11:57
Speaker 4: relationship with that book, because the book of A Christmas
12:01
Speaker 4: Carol becomes a character in itself when he finds out
12:04
Speaker 4: that the lady who gives him that.
12:05
Speaker 3: Book She cherishes that book because her mom gave it
12:09
Speaker 3: to her as a gift.
12:11
Speaker 4: And once he knows that and once he remembers that
12:14
Speaker 4: his own mother passed away when he was seven years old,
12:17
Speaker 4: he realizes the importance of these things and the importance
12:20
Speaker 4: of books. And if somebody gives you a book, they're
12:23
Speaker 4: not just giving you a gift. They're giving you a
12:26
Speaker 4: lot of.
12:26
Speaker 3: Ideas and they're giving you.
12:28
Speaker 4: A lifetime's relationship with the words, with the printed word.
12:33
Speaker 3: And if somebody gives you a book as a gift,
12:35
Speaker 3: what the book that.
12:36
Speaker 4: They decide to give you says so much about what
12:39
Speaker 4: they think about you, but so much about them themselves
12:42
Speaker 4: as well. But you're not just given a physical object.
12:45
Speaker 4: You're given ideas. And that's a huge thing.
12:48
Speaker 1: So then how would you break down receiving the Napoleon
12:51
Speaker 1: then if that's the way we're going to talk about
12:53
Speaker 1: a book? Because it comes from a heart, too, that
12:55
Speaker 1: loved you so much and that understood the younger version
12:58
Speaker 1: of Aubrey.
13:00
Speaker 3: Yeah, definitely.
13:01
Speaker 4: I mean, his connection with his Napoleon statue is, at
13:07
Speaker 4: the start of the movie at least, the most important
13:10
Speaker 4: relationship in his life. And myself and Jack, the director,
13:14
Speaker 4: we really mined that for meaning and symbolism. He venerates
13:20
Speaker 4: this statue of Napoleon, yes, because he has this connection
13:23
Speaker 4: to his mum, but we also were thinking because he's
13:26
Speaker 4: estranged from his dad, napoleon becomes his surrogate father in
13:31
Speaker 4: a way it becomes his moral compass napoleon's always the
13:35
Speaker 4: person that he checks in with to see if he's
13:37
Speaker 4: doing the right thing and he looks for that fatherly
13:41
Speaker 4: assurance and guidance from a statue of a historical figure
13:45
Speaker 4: that died you know 300 years ago that's how devoid
13:50
Speaker 4: of humanity.
13:50
Speaker 3: His life is that his best friend is a is.
13:53
Speaker 4: A 12 inch high statue and you know That could
13:57
Speaker 4: be seen as being a little bit bleak, and it is.
14:00
Speaker 4: It does have its sad elements to it, but there's
14:01
Speaker 4: something beautiful about that relationship.
14:03
Speaker 3: That's... Yeah, you can see the importance of that in
14:08
Speaker 3: Aubrey's life.
14:08
Speaker 4: And then he takes a step towards the end of
14:11
Speaker 4: the film, which is unthinkable at the start of it.
14:14
Speaker 4: And that's just a testament to how he grows over.
14:17
Speaker 3: The course of the movie.
14:18
Speaker 1: Well, it just it shows the true spirit of Christmas
14:20
Speaker 1: in the way that materialistic value is like it's there,
14:23
Speaker 1: but you don't need it. And if you've got something
14:25
Speaker 1: of value inside your heart. share it so that it
14:28
Speaker 1: will affect other people. Because look at how many lives,
14:31
Speaker 1: just your one decision, Aubrey's one decision, look how many
14:35
Speaker 1: lives changed inside that theater because of that decision.
14:40
Speaker 3: Yeah, yeah, that's right.
14:42
Speaker 4: And it's that thing that I've always said, if you
14:46
Speaker 4: go through life And in any situation that you're in,
14:49
Speaker 4: you have a choice whether to do the right thing.
14:52
Speaker 3: Or not do the right thing. You have a.
14:55
Speaker 4: Choice whether to help somebody or not, or whether to
14:57
Speaker 4: make them happy or not. And if you have that
15:00
Speaker 4: choice and you can do something for other people, then.
15:03
Speaker 3: Why not do it?
15:05
Speaker 4: Aubrey, over the course of the film, he stops looking
15:09
Speaker 4: at the past and starts looking at the present.
15:12
Speaker 3: He'd never think to... you know, to be without Napoleon.
15:16
Speaker 4: Life without Napoleon seems, life without Napoleon seems rootless and
15:20
Speaker 4: empty until he realizes that if he could sell Napoleon,
15:25
Speaker 4: the benefit that would have to living, breathing people now
15:30
Speaker 4: outweighs any sense of sentiment that he has around it
15:33
Speaker 4: and it's him making mature decisions that may not be
15:38
Speaker 4: easy for him but he knows what the right thing
15:39
Speaker 4: to do and he he decides to do the right
15:43
Speaker 4: thing in that moment i think that's a really beautiful
15:45
Speaker 4: moment of he's reached the he's reached a realization about
15:49
Speaker 4: his place in the world then and the value of
15:52
Speaker 4: other people This.
15:53
Speaker 1: Is one of those movies that isn't going to be
15:55
Speaker 1: just a Christmas movie. I'm going to be able to
15:57
Speaker 1: sit down and watch this in March as well as October.
16:00
Speaker 1: I mean, there's just something that just feels so good
16:03
Speaker 1: about this for every day of the year, not just
16:05
Speaker 1: a Christmas day.
16:08
Speaker 3: Yeah, we hope so.
16:09
Speaker 4: And that was something that marked it out amongst other
16:12
Speaker 4: Christmas movies, I think, that there are lessons to be
16:16
Speaker 4: learned from it all year round. It is about Christmas
16:19
Speaker 4: is the backdrop to it, but it's more about Yeah,
16:22
Speaker 4: more about character studies. And, you know, one of the
16:26
Speaker 4: satisfying things about that character for me is that Aubrey
16:30
Speaker 4: thinks that he hates Christmas, but he doesn't.
16:34
Speaker 3: He hates that his mum died. That's what he hates.
16:37
Speaker 3: And his hatred of Christmas is just the way that
16:39
Speaker 3: he can process that. He can't be angry.
16:42
Speaker 4: About the death of his mum because it's too painful
16:44
Speaker 4: so he takes out all of his frustration on Christmas
16:47
Speaker 4: and the audience know that about him but he doesn't
16:50
Speaker 4: know it about himself so you can forget the Christmas
16:53
Speaker 4: backdrop and I think those characters are still watchable and
16:57
Speaker 4: investable enough that you'd still take something from it in
17:00
Speaker 4: March I'd like to think This.
17:02
Speaker 1: Is just an outsider looking in, and one of the
17:04
Speaker 1: big stars of the movie doesn't even say a word
17:06
Speaker 1: but the hat. I think the hat is Aubrey's mask.
17:10
Speaker 1: As long as you've got that hat on, you are Batman,
17:13
Speaker 1: you are Superman, you are anybody you want to be.
17:17
Speaker 3: That's right. Yeah, absolutely. Absolutely. It would seem such a
17:21
Speaker 3: stroke of genius, that hat.
17:23
Speaker 4: Because he pulls it down over his eyes and he
17:26
Speaker 4: has these flaps that are covering his ears. It's his
17:30
Speaker 4: way of... blocking out the world. It's his way of,
17:34
Speaker 4: you know, he doesn't want to hear the voices of
17:37
Speaker 4: other people. He doesn't want to see other people. He
17:39
Speaker 4: doesn't really want to go out of the apartment if
17:42
Speaker 4: he doesn't have to. So it's his way of buffering
17:45
Speaker 4: himself against a world that he finds scary and unlivable.
17:49
Speaker 3: And over the course of.
17:50
Speaker 4: The movie, you can't even by the end of the
17:53
Speaker 4: movie pinpoint the moment that he lost the hat. But
17:57
Speaker 4: there's a moment where he sat on a bench by
18:00
Speaker 4: a lake where he used to sit with his mom
18:02
Speaker 4: when he was a child, when she was alive. And
18:04
Speaker 4: suddenly he doesn't have the hat anymore. And you can't
18:07
Speaker 4: even pinpoint where he's lost it. But there's something about
18:10
Speaker 4: he doesn't need it anymore. He doesn't feel that he
18:13
Speaker 4: needs to be protected from the world because he's starting
18:15
Speaker 4: to embrace it. And those little pieces of symbolism from
18:19
Speaker 4: something as... something as banal as wearing a hat or not.
18:23
Speaker 4: They can tell you a lot about where a character
18:25
Speaker 4: is at any one moment.
18:27
Speaker 1: Well, and it also proves that your decision today will
18:30
Speaker 1: affect other people because even when Ellen is announcing that
18:33
Speaker 1: the Christmas show is over and the shock on everybody
18:36
Speaker 1: else's faces, I would love to see the shock on
18:38
Speaker 1: the viewers' faces because all of a sudden we're at
18:41
Speaker 1: a turning point of this entire movie. What's going to
18:44
Speaker 1: happen next? And all of a sudden, I swear to God,
18:46
Speaker 1: all eyes were on you, dude.
18:50
Speaker 4: Yeah, I mean, by that stage, we've made the audience
18:56
Speaker 4: hopefully fall in love with the residents of the care
19:00
Speaker 4: home and all of these older people who are going
19:02
Speaker 4: to be transplanted to the four corners of the country
19:06
Speaker 4: and separated and at their time of life forced to... themselves,
19:12
Speaker 4: if the care home gets shut down, the fact is
19:14
Speaker 4: that becomes a really realistic prospect as soon as that
19:17
Speaker 4: play is cancelled. And hopefully that's going to break a
19:20
Speaker 4: few hearts. And then when Aubrey may or may not
19:22
Speaker 4: come in to save the day, by quite a left-field
19:26
Speaker 4: way he manages to save the day, I'd like to say,
19:30
Speaker 4: you're really glad that somebody's coming in to rescue them because...
19:33
Speaker 4: Because basically the implication is it'd kill them. Losing that
19:37
Speaker 4: care home would kill a lot of these people. And
19:39
Speaker 4: we don't want that to happen. And yeah, it's about
19:42
Speaker 4: Aubrey getting the chance to do something for somebody else
19:44
Speaker 4: and taking the opportunity.
19:46
Speaker 3: Wow.
19:47
Speaker 1: You got to come back to this show anytime in
19:48
Speaker 1: the future. The door is always open. going to be
19:50
Speaker 1: open for.
19:50
Speaker 4: You, dude.
19:52
Speaker 3: Thank you, man. It's been absolutely lovely. I really enjoyed it.
19:55
Speaker 1: Well, you be brilliant today.
19:56
Speaker 3: Okay. You too, man. Thank you so much.
19:59
Speaker 1: Thank you.