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Coming To Homerica (S20E21) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: This show is brought to you by the four Finger
• 0:02
  Speaker 1: Discount Patreon, where you'll find over one hundred hours of
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  Speaker 1: bonus podcasts, including exclusive Simpson's reviews and commentaries, as well
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  Speaker 1: The One About Friends, and so much more. So go
• 0:20
  Speaker 1: ahead and join the family today at patreon dot com
• 0:23
  Speaker 1: slash four finger Discount only.
• 0:26
  Speaker 2: I don't think we should build a fence.
• 0:28
  Speaker 3: Haven't we always taught the children to make friends with
• 0:30
  Speaker 3: those who are a little different?
• 0:32
  Speaker 2: Yes, yeah, yeah, yeah yeah. Mandy's first words are in
• 0:39
  Speaker 2: I'm in release. No. Do you see march? No? Do
• 0:43
  Speaker 2: you see why we must build that fence? Build it, homie,
• 0:46
  Speaker 2: make it as tall as the sky and deeper than hell.
• 0:49
  Speaker 2: Yeah yeah, four Finger Discount. Dude, welcome to four Finger Discount,
• 1:10
  Speaker 2: the podcast where We're come and to America. Okay, so
• 1:15
  Speaker 2: what was that from? Was that? That's the Neil Diamond song?
• 1:17
  Speaker 2: That's the Neil Diamond song. Is that called they Come
• 1:19
  Speaker 2: to America? Yeah? They're just called America the song? I guess,
• 1:23
  Speaker 2: so yeah, I mean, is there an album he had
• 1:25
  Speaker 2: called America No, it was hot all this night. That
• 1:26
  Speaker 2: was his big one, wasn't it. Yeah, two complete different things.
• 1:29
  Speaker 2: I was about to say it starts with an A.
• 1:30
  Speaker 2: That's correct. Okay, Yeah, you made the connections very very tenuous,
• 1:34
  Speaker 2: but you got there in the end. He's just he
• 1:37
  Speaker 2: has built somewhat of a career around I'm not bashing
• 1:40
  Speaker 2: Neil Diamond, right, I know maybe five of his songs,
• 1:44
  Speaker 2: but everyone seems to love them. Oh yeah, and people
• 1:47
  Speaker 2: who like Neil Diamond love Neil Diamond. Yeah very much.
• 1:50
  Speaker 2: Again for a guy who's surprisingly sort of anonymous, he's
• 1:53
  Speaker 2: a really really big star. Only was yeah, but you
• 1:57
  Speaker 2: go back through the cattle. I was like, this guy's
• 1:59
  Speaker 2: got an absolute bangers. Yeah, yeah, was a brother loves
• 2:02
  Speaker 2: Traveling Salvation Show. Great song, not just Sweet Carolina, not
• 2:07
  Speaker 2: just Sweet Caroline, Bah, don't don't even do it, but here,
• 2:11
  Speaker 2: but talking about coming to Homerica an episode that you
• 2:13
  Speaker 2: didn't like. I just rewatched it before we started recording here,
• 2:16
  Speaker 2: and I'm gonna be honest, I actually really enjoyed it
• 2:19
  Speaker 2: because I thought, for the most part, it had a
• 2:21
  Speaker 2: genuine and thoughtful story and message that it wanted to
• 2:23
  Speaker 2: get across. It did so in a very un Simpson,
• 2:28
  Speaker 2: unmodern Simpson, I want to say, modern Simpsons. Season twenty
• 2:30
  Speaker 2: Simpsons episode way where there wasn't many racist gags or
• 2:33
  Speaker 2: anything like that, or homophobic gags. It was more a
• 2:36
  Speaker 2: case of we're trying to push equality and push you know, unity,
• 2:40
  Speaker 2: unity in that in community and whatnot. And I thought
• 2:43
  Speaker 2: there was plenty of last long the way, I thought
• 2:45
  Speaker 2: they did a very solid job. Well, just like they
• 2:47
  Speaker 2: put the spring in Springfield, was they put the unity
• 2:49
  Speaker 2: in community. You're right, Yes, you're misrepresenting me little. I
• 2:53
  Speaker 2: didn't hate it. I just thought it was there. I
• 2:55
  Speaker 2: just thought it was there, that's right. It was just fine. Yeah,
• 2:57
  Speaker 2: which is fine. Of course you're gonna have a bunch
• 2:59
  Speaker 2: of episodes like that where a bunch of stuff just happens.
• 3:01
  Speaker 1: But this is the finale of season twenty, so we've
• 3:03
  Speaker 1: got to the end of season twenty. Guys, we made it.
• 3:05
  Speaker 2: We made it all the way. What episode number is this,
• 3:07
  Speaker 2: look at us. It's episode twenty one of season twenty.
• 3:10
  Speaker 1: I know that of the overall series hoevny episodes of
• 3:13
  Speaker 1: reviewed now on this show in chronological order. I gonna
• 3:16
  Speaker 1: get a list of episodes. You continue speaking, well, patting
• 3:18
  Speaker 1: this out.
• 3:19
  Speaker 2: Wife, Yeah, well, I'll just dray out one of my
• 3:21
  Speaker 2: famous lines. It was my understanding there will be no math.
• 3:23
  Speaker 2: Do you want sar math? Absolutely not.
• 3:25
  Speaker 1: Oh okay, well season twenty my life avoiding it season twenty.
• 3:29
  Speaker 1: So that would mean that this episode the finale was
• 3:32
  Speaker 1: episode four hundred and forty one of the Simpsons.
• 3:35
  Speaker 2: Moll.
• 3:36
  Speaker 1: That means there are four hundred and forty one reviews
• 3:38
  Speaker 1: that there feed listen to, plus a bunch of other
• 3:39
  Speaker 1: ones we've done as well.
• 3:40
  Speaker 2: Yeah, correct, Yeah, we've done the odd Guy on Springfield.
• 3:43
  Speaker 1: There's like, there are so many I think there's like
• 3:46
  Speaker 1: seven hundred hours of content out there for free. If
• 3:48
  Speaker 1: you like the free stuff, why do't you pay for
• 3:50
  Speaker 1: the extra stuff on Patreon.
• 3:51
  Speaker 2: We can support us now. If you're watching this on YouTube,
• 3:54
  Speaker 2: link for that as a description this video. If you're
• 3:55
  Speaker 2: listening out there in podcast world, link is also in
• 3:57
  Speaker 2: the description of this podcast. But yes, of course, thanks
• 4:00
  Speaker 2: to everyone who was watching us right now on YouTube,
• 4:02
  Speaker 2: make sure he'd subscribe. If you enjoy the show, give
• 4:04
  Speaker 2: us a thumbs up and comment blow and tell us
• 4:05
  Speaker 2: what you think of the show, and everyone out there
• 4:07
  Speaker 2: listening in podcast word, thank you for continuing to support
• 4:09
  Speaker 2: us here at four Finger Discount. Oh, the Sultan of Sprook.
• 4:12
  Speaker 2: That's well done, all.
• 4:14
  Speaker 1: Right, but yeah, coming to Home America. Your first thoughts
• 4:16
  Speaker 1: of it were it was just kind of there, But look,
• 4:18
  Speaker 1: what was it about it that didn't make you sort
• 4:20
  Speaker 1: of didn't take you away?
• 4:21
  Speaker 2: Well, first of all, Journey. First of all, I was
• 4:22
  Speaker 2: just astonished by you know that Crystal Ball the Simpsons
• 4:26
  Speaker 2: seems to how yeah, how it just predicts the future
• 4:29
  Speaker 2: all the time.
• 4:30
  Speaker 1: When I built this fence, I was like, Holy Christmas.
• 4:33
  Speaker 2: Yeah, well, it's just like something that's going to happen
• 4:36
  Speaker 2: in the future, or stuff that's maybe happened in the past,
• 4:38
  Speaker 2: or stuff that happens in the world. It's not necessarily yeah,
• 4:42
  Speaker 2: we know what's going to happen years down line. It's
• 4:44
  Speaker 2: just like people do this. People build walls, people build fences,
• 4:48
  Speaker 2: people try to separate the other from themselves.
• 4:52
  Speaker 1: I think more because it was to keep the immigrants out.
• 4:54
  Speaker 1: That's where so people got this episode again seventeen sixteen
• 4:59
  Speaker 1: whenever it was yeah, around at that time when Donald
• 5:02
  Speaker 1: Trump says We're going to build a wall, make them
• 5:04
  Speaker 1: build it, make them pay for it, that kind of thing.
• 5:06
  Speaker 1: And it's pretty much exactly to a t what this
• 5:09
  Speaker 1: episode is. Yeah, this is actually kind of scary how
• 5:11
  Speaker 1: this isn't predicting the future, but it's just kind of scary.
• 5:13
  Speaker 2: How on the nose it was well on the money. Actually,
• 5:17
  Speaker 2: this is not so much the Simpsons sort of being
• 5:19
  Speaker 2: able to predict the future as Donald Trump just having
• 5:21
  Speaker 2: no original thoughts.
• 5:22
  Speaker 1: Yeah, clearly a Simpsons fan.
• 5:25
  Speaker 2: Well, and that too. Yeah, maybe this was maybe the war.
• 5:28
  Speaker 1: Wasn't him being you know, an as divisive and trying
• 5:32
  Speaker 1: to seclude people from America. Maybe it was just him
• 5:35
  Speaker 1: paying tribute to the Simpsons.
• 5:36
  Speaker 2: It's just him giving a shout out. Yeah, maybe maybe.
• 5:38
  Speaker 1: That's his way of really trolling him and going, you
• 5:39
  Speaker 1: know what, I'm a big fan of season twenty at
• 5:41
  Speaker 1: the Simpsons, screw your golden era.
• 5:45
  Speaker 2: I may like golden toilets, and I may like golden
• 5:48
  Speaker 2: in the White House, but I do not like golden
• 5:51
  Speaker 2: ear a Simpsons. Maybe his first idea was a dome.
• 5:53
  Speaker 2: They went, don't play their hits. Yeah, keep that one
• 6:02
  Speaker 2: up your sleep for when you really need. Yeah. Look,
• 6:05
  Speaker 2: the framework of this episode, I guess the whole building
• 6:09
  Speaker 2: a wall, the whole xenophobic thing xylophone. That's correct, not
• 6:13
  Speaker 2: necessarily one hundred percent played out. I think the core
• 6:16
  Speaker 2: message of it, though, is like, hey, guess what, there's
• 6:19
  Speaker 2: more we have more in common than we have dividing us.
• 6:22
  Speaker 1: How about you just talk to each other about you
• 6:24
  Speaker 1: just talk to it, which is what happens.
• 6:25
  Speaker 2: At the end.
• 6:26
  Speaker 1: You know, they're not using them for work or anything
• 6:28
  Speaker 1: like that, or they were using them for work because
• 6:29
  Speaker 1: they building the wall, but they're just killing time doing
• 6:32
  Speaker 1: some work and just chat, oh, we actually like the
• 6:34
  Speaker 1: same thing.
• 6:34
  Speaker 2: Yes, indeed, and being quite blatant about it by having
• 6:38
  Speaker 2: the flann to say, hey, we're not so different you
• 6:40
  Speaker 2: and I. Now admittedly that line to quote doctor Eevil
• 6:43
  Speaker 2: has become such a cliche that, you know, using it
• 6:46
  Speaker 2: becomes a bit sort of tongue in cheek, But at
• 6:48
  Speaker 2: the same time it's like, okay, thanks for showing us
• 6:50
  Speaker 2: your hand there episode of The Simpsons, we get the points.
• 6:54
  Speaker 1: Sometimes you need to dumb it down for the younger
• 6:56
  Speaker 1: viewers though, And I think this one is a good
• 6:58
  Speaker 1: example of an episode that you show kids and say
• 7:01
  Speaker 1: that this is what I think this kind of episode
• 7:03
  Speaker 1: I'm not saying it was the funniest episode of anything
• 7:05
  Speaker 1: like that, but I think this is the kind of
• 7:06
  Speaker 1: episode that really separates your family guys, and even your
• 7:09
  Speaker 1: futur Rummers to an extent, and your Simpsons right and
• 7:11
  Speaker 1: your South Parks as well, because this one here is
• 7:14
  Speaker 1: something that is good for the whole family. Yes, but
• 7:18
  Speaker 1: at the end of it, kids are being taught something
• 7:19
  Speaker 1: without probably realizing to being taught something.
• 7:21
  Speaker 2: By virtue of having a positive message.
• 7:23
  Speaker 1: Yeah, it's just within the show. It's not them pushing it.
• 7:26
  Speaker 1: I mean, they are kind of pushing it and explaining
• 7:29
  Speaker 1: it for the younger viewer. But I think I can
• 7:30
  Speaker 1: put this down and the thing that Holly and Elliott
• 7:33
  Speaker 1: will take away from it is, oh, we should always
• 7:36
  Speaker 1: just sort of just include people and just realize that
• 7:38
  Speaker 1: we're all together in this. Do you think crazy Think
• 7:41
  Speaker 1: called the World?
• 7:41
  Speaker 2: Do you think that the viewers of Holly and Elliott's
• 7:43
  Speaker 2: age are going to be sort of sitting still for
• 7:46
  Speaker 2: this episode though? I Mean, it's got some but and
• 7:48
  Speaker 2: Lisa aspects to it, but essentially it's about the adult
• 7:50
  Speaker 2: community of Springfield. Are they that into.
• 7:52
  Speaker 1: That there's something about animation that kids just hooked on.
• 7:55
  Speaker 1: I think the way the fact that the Simpsons yellow
• 7:56
  Speaker 1: look I put gold in your episodes of The Simpsons
• 7:59
  Speaker 1: on and there's no way Holly in Elliot are really
• 8:01
  Speaker 1: following along what's going on.
• 8:02
  Speaker 2: I was the same.
• 8:03
  Speaker 1: I remember being a kid watching The Simpsons and going,
• 8:05
  Speaker 1: I don't quite know what's happening here, but it's cartoon
• 8:08
  Speaker 1: and it.
• 8:08
  Speaker 2: Just looks funny. Colors, sound, funny sounds, and yeah, the
• 8:12
  Speaker 2: occasional joke that you're going to get, and if you're
• 8:14
  Speaker 2: watching it with an adult in the room, jokes that
• 8:17
  Speaker 2: they get, and you know, kids are generally going to
• 8:18
  Speaker 2: be one of like, oh a grown up things that funny.
• 8:22
  Speaker 2: I'm guessing it should be funny. I'm thinking it should
• 8:24
  Speaker 2: be funny as well. Let's find out why.
• 8:26
  Speaker 1: Well, sometimes Ali, I'll notice when we're watching things like
• 8:28
  Speaker 1: The Simpsons. We started watching The Fresh Prince of Ballet
• 8:30
  Speaker 1: because I showed them the Carlton Dance and things like that.
• 8:33
  Speaker 1: So started watching Fresh Prints and he's doing some stuff
• 8:35
  Speaker 1: and he sort of looks to me as if to say,
• 8:36
  Speaker 1: that was funny, right, He's laughing like that that was funny. Yeah, yeah,
• 8:39
  Speaker 1: And he watches me if I laugh. He laughs as well. Okay,
• 8:42
  Speaker 1: so I think he's just trying to feel like a
• 8:44
  Speaker 1: grown up a little bit. Yeah, but I think they
• 8:46
  Speaker 1: would enjoy this episode. I think there was enough happening
• 8:48
  Speaker 1: in this that it was funny enough visual gags. There
• 8:50
  Speaker 1: was visual gags the kids to enjoy, visual gags for
• 8:52
  Speaker 1: adults to enjoy. There was quite a lot happening.
• 8:54
  Speaker 2: Yet that's the thing. I mean, I guess I'm going
• 8:55
  Speaker 2: to have to take off my adult hat for a
• 8:58
  Speaker 2: little while and sort of maybe try to view this
• 9:00
  Speaker 2: as a younger view would as a child would, because yeah,
• 9:03
  Speaker 2: I mean there's some stuff in this I'm like, really,
• 9:06
  Speaker 2: And then I think a kid would probably enjoy this. Well,
• 9:08
  Speaker 2: we'll give me an example of that. Can you remember, Yeah,
• 9:10
  Speaker 2: the tumbleweed going past with Ralph. Yeah, and then Ralph
• 9:13
  Speaker 2: sort of going past as a Tumblewe that would slay
• 9:15
  Speaker 2: with kids, Okay, well not with me. Yeah, but yeah,
• 9:19
  Speaker 2: I've just got to be more open hearted.
• 9:22
  Speaker 1: I think that's what The Simpsons is that it's called.
• 9:24
  Speaker 1: Though it's a small gas board of comedy, it appeals
• 9:25
  Speaker 1: to kids of all ages. Not every jokes we talked
• 9:28
  Speaker 1: about Airplane on the movie Guy with Malton and Davis.
• 9:30
  Speaker 1: How there are so many gags, and not every GAG's
• 9:33
  Speaker 1: gonna work for you, but it's gonna.
• 9:34
  Speaker 2: Work for somebody. Correct. Yes, that's a classic example of
• 9:36
  Speaker 2: that well put, well put.
• 9:38
  Speaker 1: Yes, But so overall, the story of this episode is
• 9:41
  Speaker 1: that Krusty has announced new burger, a healthy burger made
• 9:44
  Speaker 1: of balley. It's tainted. All the barley from Springfield is
• 9:48
  Speaker 1: imported from Oldenville, and because it was tainted, all the
• 9:52
  Speaker 1: meals get shut down. Oldenville are out of work, They've
• 9:54
  Speaker 1: got no nowhere to go. The town's just deserted. They
• 9:56
  Speaker 1: all moved to Springfield, and because they're good with their hands,
• 9:58
  Speaker 1: they can build stuff. They take all the jobs that
• 10:00
  Speaker 1: we don't want to do, which I think is the
• 10:02
  Speaker 1: ultimate line from this episode, Right, they're taking out jobs.
• 10:05
  Speaker 1: It's like the jobs that you weren't doing.
• 10:07
  Speaker 2: Yes, it's very interesting that our sort of upcoming recording
• 10:11
  Speaker 2: schedule yeah includes Yeah, we're going to do an episode
• 10:14
  Speaker 2: of going down to South Park and is the episode
• 10:15
  Speaker 2: titled Gobags, which is essentially not the same thing Unified
• 10:20
  Speaker 2: four fingered discount. It's a real thing. You think we'd
• 10:23
  Speaker 2: lie to you about this? We wouldn't, but that's the thing.
• 10:28
  Speaker 2: So the story is that they come to Springfield and
• 10:32
  Speaker 2: the Springfieldians employ the Oldenvillians to who are all Norwegian
• 10:37
  Speaker 2: based because Norwegian immigrants came there based the whole town
• 10:40
  Speaker 2: one hundred years ago. They are good at building the
• 10:42
  Speaker 2: houses blah blah blah. But then all of a sudden
• 10:44
  Speaker 2: they start realizing that they don't want them around anymore
• 10:48
  Speaker 2: because they're taking over the town. The sense.
• 10:50
  Speaker 1: They go to their bar, and I think this is
• 10:51
  Speaker 1: the thing. All the things that they bring in are
• 10:53
  Speaker 1: actually good.
• 10:55
  Speaker 2: Most like no, they pay with cash, they're clean, and
• 10:58
  Speaker 2: all their history is like the enchanting and interesting, and
• 11:01
  Speaker 2: their mythology is rich and enchanting. Yeah, they's nothing but pleasant.
• 11:04
  Speaker 1: But the hospital is a four, which means that margins
• 11:06
  Speaker 1: can't get but it can't be seen at the hospital,
• 11:08
  Speaker 1: that kind of thing. So people are being annoyed because
• 11:11
  Speaker 1: there's too many people in Springfield now, so they build
• 11:12
  Speaker 1: a wall to keep them out.
• 11:14
  Speaker 2: But was always the case, right, I mean, yes, we're
• 11:17
  Speaker 2: fine with immigration, we're fine with people coming to us,
• 11:20
  Speaker 2: but oh, we love your culture, you know, we love
• 11:22
  Speaker 2: your work ethic all that kind of stuff. Oh wait,
• 11:25
  Speaker 2: a minute. Now, you're a dreined on our resources. Oh,
• 11:28
  Speaker 2: your culture is overtaking ours, maybe by virtual of the
• 11:30
  Speaker 2: fact that it's probably more rigid and chanting than ours. Yeah,
• 11:34
  Speaker 2: I mean that that's a lesson that it's always the case,
• 11:38
  Speaker 2: that's not always the case. Not black and white.
• 11:41
  Speaker 1: This is not you can't just you can't just go, oh,
• 11:43
  Speaker 1: we should just always let immigrants and that's not.
• 11:45
  Speaker 2: How the world works. Oh, absolutely not. This is something
• 11:47
  Speaker 2: I wanted to talk about. Yeah, I mean, because yeah,
• 11:49
  Speaker 2: it's very easy to be open hearted and say, yeah,
• 11:53
  Speaker 2: what's the thing on the on the bottom of the
• 11:55
  Speaker 2: statuere liberty, give us your poor, you're tired, you're hungry. Yeah,
• 11:57
  Speaker 2: I mean we all want to be generous. We all
• 12:00
  Speaker 2: want to open our homes and our hearts. Not necessarily
• 12:02
  Speaker 2: our homes, but yeah, open our borders to people. It's like,
• 12:05
  Speaker 2: what's the lines like you don't leave home unless home
• 12:07
  Speaker 2: wants to kill you. As a line that you hear about,
• 12:10
  Speaker 2: you know, when people are coming from more torn countries
• 12:12
  Speaker 2: or something like that. You want to do the right
• 12:15
  Speaker 2: thing if you're a person with a functioning soul. Yeah,
• 12:18
  Speaker 2: But at the same time, yeah, you do have to
• 12:20
  Speaker 2: be you do have to set some manneries and you
• 12:22
  Speaker 2: do have to set some limits. There in lies the conflict,
• 12:25
  Speaker 2: doesn't it There and lies the tension.
• 12:26
  Speaker 1: I was going to say that they maybe should have
• 12:29
  Speaker 1: acknowledged more how it's not just black and white. They
• 12:31
  Speaker 1: should have been allowed in, but maybe situations like the
• 12:34
  Speaker 1: hospitals being full was their way of way of doing.
• 12:36
  Speaker 1: This can be a detriment as well. Yeah, there's a
• 12:39
  Speaker 1: child here who needs to be seen, but he can't
• 12:40
  Speaker 1: becuse there's too many people in the emergency room.
• 12:42
  Speaker 2: They did shoot themselves in the foot a little bit
• 12:44
  Speaker 2: by making the ogdenvillions what is known as quote unquote
• 12:47
  Speaker 2: Minnesota nice. Yeah, yeah, I mean that's a plus.
• 12:50
  Speaker 1: Also, they're all in hospital from being injured by working
• 12:53
  Speaker 1: for the Springfield in the Yeah, so there's.
• 12:55
  Speaker 2: A bit going on under the hood here. Yeah, they've
• 12:57
  Speaker 2: got some ideas.
• 12:58
  Speaker 1: But I thought, overall though, they handled it very well,
• 13:02
  Speaker 1: because an episode that could have been very racist. She said,
• 13:06
  Speaker 1: compared this to the was it mypods and boomsticks were home.
• 13:09
  Speaker 1: I thought everybody was a terrorist. That was so different
• 13:13
  Speaker 1: from this. This one was handled much more elegantly and
• 13:16
  Speaker 1: much more carefully. And I think they did it good.
• 13:19
  Speaker 1: It was clever to not use Afghanistan's Well.
• 13:23
  Speaker 2: I was about to say, are they, you know, sort
• 13:25
  Speaker 2: of not sitting. Are they giving themselves an escape patch
• 13:27
  Speaker 2: by making the quote unquote immigrants the whitest of the whites.
• 13:30
  Speaker 1: That's the thing. Yes, that's that's But also is that
• 13:32
  Speaker 1: their way of I say, tricking with quotation marks a
• 13:36
  Speaker 1: viewer who might be obliged to go let them lock
• 13:39
  Speaker 1: them out right, And because they're all white, the whites,
• 13:41
  Speaker 1: it's like, oh, they're not so bad. And all of
• 13:42
  Speaker 1: a sudden they start taking over and they go, oh,
• 13:44
  Speaker 1: I see what you did there.
• 13:46
  Speaker 2: Oh I thought you were giving him a nice spoonful
• 13:48
  Speaker 2: of peanut butter. There's medicine in there. What the hell?
• 13:51
  Speaker 1: But it got a Disneyland, So maybe that was their
• 13:55
  Speaker 1: choice to do so so they can go, hey, it's
• 13:58
  Speaker 1: not just what you define as an immigrant. Immigrants are
• 14:01
  Speaker 1: all kinds. It's not just black or white. Wow what
• 14:05
  Speaker 1: I did there? He went there, don't go there. But yeah,
• 14:10
  Speaker 1: I enjoyed it. Yeah, and I'm glad that we didn't
• 14:12
  Speaker 1: get a Lisa haih in her mighty subplot here as well.
• 14:15
  Speaker 1: She she chimed him by saying, you guys were all
• 14:16
  Speaker 1: immigrants once. Oh yeah, that was it. Yeah, there wasn't
• 14:19
  Speaker 1: her grandstanding anything. It was just her acknowledging you do
• 14:22
  Speaker 1: realize that we're all immigrants.
• 14:24
  Speaker 2: Oh yeah, which is a line that's yea frequently trotted
• 14:27
  Speaker 2: out but is not untrue.
• 14:30
  Speaker 1: My favorite will be your favorite moments from the episode.
• 14:34
  Speaker 2: I love this exchange at the very start where Krusty's
• 14:36
  Speaker 2: talking about his burgers and how everything's exceeding. I really liked,
• 14:39
  Speaker 2: insanely like the whole opening bit. Yeah, but the whole
• 14:42
  Speaker 2: what worse than the double Krsty burger somehow? Yes, a
• 14:46
  Speaker 2: good line out of that.
• 14:47
  Speaker 1: Yeah, you know, I just liked the whole Waka Green
• 14:50
  Speaker 1: Rapper on it charged double and look, it's so accurate.
• 14:52
  Speaker 2: It's very true. We'll get into that when we get
• 14:55
  Speaker 2: to review. But what else did you like? As someone
• 14:58
  Speaker 2: who is notoriously not hansy though well, I'm very handsy.
• 15:02
  Speaker 2: Home is lying about having a bad history of going
• 15:05
  Speaker 2: up on roofs and any other hospitals I can relate.
• 15:08
  Speaker 2: So I thought that was the last time you got
• 15:09
  Speaker 2: on a roof. I think I've been up on the
• 15:11
  Speaker 2: Lovely Louise's roof to help out. That would have been
• 15:14
  Speaker 2: a year or so ago.
• 15:15
  Speaker 1: We used to get on the roof to watch the
• 15:16
  Speaker 1: fireworks in the years eve when I was younger.
• 15:18
  Speaker 2: Roofs are fun when you're a kid, but when you're
• 15:22
  Speaker 2: old dangerous.
• 15:23
  Speaker 1: I've got a story. So we've got three cats now
• 15:26
  Speaker 1: obviously you or this if you listen to the podcast.
• 15:28
  Speaker 1: And one of them wasn't back and it was night time,
• 15:30
  Speaker 1: and usually they're back in by it by night, right,
• 15:32
  Speaker 1: And they went outside and shook the cat food and
• 15:34
  Speaker 1: I could just hear them just.
• 15:37
  Speaker 2: I was like, oh, where is she? Where she trapped?
• 15:39
  Speaker 1: What's going on? And I couldn't see anything. It was dark, right,
• 15:42
  Speaker 1: So I get my phone out, torch, go on my phone,
• 15:45
  Speaker 1: shine up and I see the two eyes and it's
• 15:46
  Speaker 1: on a roof, not next door, but the house behind
• 15:49
  Speaker 1: next door over there. So she's gotten on the roof,
• 15:51
  Speaker 1: this little cocoa kitten, and she can't get down. So
• 15:54
  Speaker 1: they're not home. Next door's not home. So I jumped
• 15:57
  Speaker 1: next doors fence, jump into the back out the other
• 15:59
  Speaker 1: one because I know they've got no I'm going just
• 16:01
  Speaker 1: jump off the.
• 16:01
  Speaker 2: Rooftop of theroof.
• 16:02
  Speaker 1: She wouldn't get off the roof. There's dogs on either
• 16:03
  Speaker 1: side of that house. So she went up on the fence.
• 16:05
  Speaker 1: And how she got up there in the first place,
• 16:06
  Speaker 1: I'm not too sure, right, So she's meam meam mew.
• 16:09
  Speaker 1: Then I see so a vision. I'm looking from the
• 16:11
  Speaker 1: back of the house. A new set of eyes pick
• 16:13
  Speaker 1: over from the side of the house over sort of
• 16:15
  Speaker 1: the sort of goes up and down sort of to
• 16:18
  Speaker 1: the corner. So over the bit of the roof, over
• 16:20
  Speaker 1: the groove, there's two eyes. It's a dirty big tom cat.
• 16:24
  Speaker 1: So she's like trapped on the roof of this dirty
• 16:25
  Speaker 1: big tom cat and it's just like looking at her,
• 16:27
  Speaker 1: and it ran away when it saw me. But I
• 16:29
  Speaker 1: had to. Then I went around to the side of
• 16:31
  Speaker 1: this person's house. Got to had milk rates there, so
• 16:34
  Speaker 1: I stacked up three milk crates. It was like an acrobatics.
• 16:38
  Speaker 2: It's like on.
• 16:39
  Speaker 1: Grass, so it's not steady. And then I'm standing on these.
• 16:42
  Speaker 1: He's got my phone torch in one hand. Coco gets
• 16:44
  Speaker 1: near the end. I grab her by the scruff, holding
• 16:46
  Speaker 1: her in one hand. Then Nicola yells that but I
• 16:49
  Speaker 1: start shaking. I thought I'm down that I'm done for.
• 16:51
  Speaker 1: I keep my balance, get the cat, throw her over
• 16:53
  Speaker 1: the fence. She's fine, get back down. And because I
• 16:55
  Speaker 1: got back in a half and a plf to try
• 16:57
  Speaker 1: and help Nickel because she'd left just water on the
• 17:00
  Speaker 1: stove or something, orders i'd run back home. I forgot
• 17:02
  Speaker 1: to put the crates back. So these guys are going
• 17:04
  Speaker 1: to get home and there's just three crates strategically stacked
• 17:08
  Speaker 1: up next to their roof. What do you think they're
• 17:09
  Speaker 1: going to think when they get home?
• 17:10
  Speaker 2: Oh?
• 17:11
  Speaker 1: Well, what do you think they thought when they got home?
• 17:12
  Speaker 1: One word poltergeist.
• 17:14
  Speaker 2: So they're going to get home and go Why are
• 17:16
  Speaker 2: our milk creaks from the side of the house now
• 17:17
  Speaker 2: at the back of the house and stacked up next
• 17:19
  Speaker 2: to the house. You'd be You'd be, oh, you think
• 17:22
  Speaker 2: that the joint was being cased. Yeah.
• 17:24
  Speaker 1: So now if I came home that had happened, I
• 17:26
  Speaker 1: would think, Oh, I'd be locking on the doors, getting
• 17:28
  Speaker 1: extra security, gets the cameras. So I forgot to tell them.
• 17:31
  Speaker 1: So it's now been three days. Do I just not
• 17:33
  Speaker 1: say anything?
• 17:33
  Speaker 2: Now? Is it too long? Is it too long to go? Hey?
• 17:36
  Speaker 2: By the way, that was me because I feel like,
• 17:37
  Speaker 2: now they've gone the extra mile and ordered extra security.
• 17:39
  Speaker 2: How was your relationship with these neighbors. We don't know.
• 17:41
  Speaker 2: They've never met them in my life. No, I don't know.
• 17:43
  Speaker 2: That's the thing. I don't know them. So now I
• 17:45
  Speaker 2: feel like now, because if they were any okay, we've
• 17:47
  Speaker 2: got the benefit of ignorance at this day, so I
• 17:49
  Speaker 2: would just let it lie. I think I'm just going
• 17:50
  Speaker 2: to let it lie because I think if they're a
• 17:52
  Speaker 2: sensible person, they've ordered security cameras. Now they have already
• 17:54
  Speaker 2: got them, right, And I think if they've got security cameras,
• 17:56
  Speaker 2: they would have already got the footage because we have
• 17:58
  Speaker 2: like a state community Facebook group and I always post
• 18:01
  Speaker 2: videos in there. If they had security cameras, I'd already
• 18:03
  Speaker 2: be in there. And this thing, the name of that
• 18:04
  Speaker 2: neighbor was actually Dave Pretzel's mcnow, longtime listener of the show,
• 18:09
  Speaker 2: now knows what happened.
• 18:11
  Speaker 1: Yeah, exactly, Yeah, you need me year it. Speaking of
• 18:15
  Speaker 1: new names, and congratulations again Jared for winning the new names.
• 18:18
  Speaker 1: But other people can enter the world card draw if
• 18:20
  Speaker 1: they get it.
• 18:20
  Speaker 2: That is correct.
• 18:22
  Speaker 1: Were trying to get that three points so we can
• 18:23
  Speaker 1: become Philip Ja again for next season.
• 18:25
  Speaker 2: Well, we're going to give him because Jay, we've got
• 18:27
  Speaker 2: three points of stime with Okay, well we'll see what happened.
• 18:30
  Speaker 1: We'll get to that when we get to them that
• 18:31
  Speaker 1: we get to that. But we've got more favorite, I'll
• 18:34
  Speaker 1: say one more. We're getting some trivia. I really liked
• 18:36
  Speaker 1: the visual gag. This is probably one of my favorite
• 18:39
  Speaker 1: gags visual gags of The Simpsons in quite some time.
• 18:42
  Speaker 1: The closed sign store. All the store, everything's closed down,
• 18:46
  Speaker 1: but the sign that sells closed signs is open and
• 18:49
  Speaker 1: just selling out.
• 18:50
  Speaker 2: I was like, that's a funny gag. That's pretty good.
• 18:54
  Speaker 2: I don't want more. This felt like old school Homer.
• 18:57
  Speaker 2: There's a lot of bad Homer in this. I mean
• 18:59
  Speaker 2: and not and not just I don't mean jerk out something,
• 19:02
  Speaker 2: just lazy gags. It's like home is a dummy, Let's
• 19:05
  Speaker 2: have him say this dumb thing.
• 19:07
  Speaker 1: There's a couple of moments where he sort of said
• 19:08
  Speaker 1: something out loud and I was like, this scene just
• 19:10
  Speaker 1: didn't need that.
• 19:11
  Speaker 2: Yeah. I think one of those is like where's my
• 19:13
  Speaker 2: Nobel price? Like what's the point? There's no that adds nothing,
• 19:18
  Speaker 2: But this I liked when they go on the double
• 19:20
  Speaker 2: date and I know what you're gonna say. Yeah, yeah,
• 19:23
  Speaker 2: it's like talk about taking jobs. Three wild men don't
• 19:26
  Speaker 2: want that feels like old school home. It didn't in
• 19:29
  Speaker 2: terms of like yeah, yeah, yeah, I mean, but it
• 19:32
  Speaker 2: was not even like acknowledge it's not it was a
• 19:34
  Speaker 2: drive by. It's a it's a pretty it's a decent gage.
• 19:38
  Speaker 2: It is. Yeah, but and it's also the kind of
• 19:40
  Speaker 2: gag that Homer would think is just like champagne comedy.
• 19:45
  Speaker 2: And also, you know, we're all just blokes here. Yeah,
• 19:48
  Speaker 2: oh love that. Yeah. So I thought that was really
• 19:50
  Speaker 2: really good and just oh it's like you still know
• 19:52
  Speaker 2: how to do it. Yeah.
• 19:53
  Speaker 1: The most episode was written by Brendan Hay and it's
• 19:56
  Speaker 1: the only episode of The Simpsons he ever wrote.
• 19:58
  Speaker 2: That's correct. I did a little deep diving. I did
• 20:01
  Speaker 2: a little shallow dive. There's not a whole lot there,
• 20:03
  Speaker 2: but it's a knee high diving. I did a bit
• 20:05
  Speaker 2: of waiting and found that Britain Hay he's he's done
• 20:08
  Speaker 2: a bit of work in comic books, on TV shows,
• 20:10
  Speaker 2: things like that. He also co wrote a book called
• 20:12
  Speaker 2: Is It Just Me? Or Is Everything Shit? Based on
• 20:15
  Speaker 2: this episode, it's just you no, no, no, sorry, that's
• 20:18
  Speaker 2: a low hanging through that gag. He didn't completely watch
• 20:22
  Speaker 2: this episode, but he did have some one or two
• 20:23
  Speaker 2: gigs and then they didn't.
• 20:24
  Speaker 1: Sound like your spirit animal though? Is it just me
• 20:26
  Speaker 1: as everything?
• 20:26
  Speaker 2: Shit?
• 20:27
  Speaker 1: It sounds like the book of your life these days?
• 20:29
  Speaker 1: Well a little bit you come in your really shit.
• 20:33
  Speaker 2: I like to think I phrased a little more elegantly.
• 20:36
  Speaker 2: Having said that, I'm maybe not the only person that
• 20:38
  Speaker 2: feels this way, given that we have patrons who are saying, hey, guy, Dando,
• 20:42
  Speaker 2: you're ever going to do that? Shit's fact, mate, Shore. Yeah,
• 20:45
  Speaker 2: which we might do. What do a test pilots see
• 20:47
  Speaker 2: what the will numbers are like? Yeah.
• 20:49
  Speaker 1: He also directed the which I haven't seen yet, the
• 20:51
  Speaker 1: Gremlins animated prequel series. I'd never want to watch it.
• 20:54
  Speaker 1: It's been a for years now.
• 20:56
  Speaker 2: Yes, and artists. What's it called? Is it called Legend
• 20:58
  Speaker 2: of the Mogwires?
• 20:59
  Speaker 1: I don't know, but I just Gremlins. To me a
• 21:01
  Speaker 1: puppets man, They gotta puppets of it can't be animated.
• 21:04
  Speaker 1: I call me old fashion. But he also Dawn of
• 21:06
  Speaker 1: the CRUs and other DreamWorks work. So you know this
• 21:09
  Speaker 1: guy's he's a worker. Yeah, he is a worker. Indeed, Yeah,
• 21:11
  Speaker 1: what Star Wars Detours? He's the writer of the unreleased
• 21:16
  Speaker 1: animated Star Wars comedy star Wars Detours an unreleased comedy.
• 21:19
  Speaker 2: Okay, what does it mean? Has just been made? It
• 21:21
  Speaker 2: hasn't been released yet? Or is it so bad that
• 21:23
  Speaker 2: it can never be released? Star Wars Detours?
• 21:26
  Speaker 1: Do you want a little bit of a liftime? Do
• 21:28
  Speaker 1: mean to wait around and show you? What it says?
• 21:30
  Speaker 1: Is an unaired American animated comedy series is differentiated from
• 21:34
  Speaker 1: the other Star Wars animated series and that it is
• 21:36
  Speaker 1: a parody of the franchise. It offers a comedic take
• 21:38
  Speaker 1: on what happened between the prequel trilogy one, two, and
• 21:41
  Speaker 1: three and the original trilogy. The series was produced by
• 21:43
  Speaker 1: Lucasfilm in collaboration with Robot Chicken creator Seth Green and
• 21:46
  Speaker 1: Matthews Cenric Cenric sounds about right, mat and Although thirty
• 21:51
  Speaker 1: nine episodes of the show were produced, their release has
• 21:53
  Speaker 1: been on hold since twenty thirteen following Disney's acquisition of Lucasfilm.
• 21:58
  Speaker 2: When so they're out there, someone, there's thirty one episodes
• 22:00
  Speaker 2: of the show that we have not seen for ten years.
• 22:02
  Speaker 1: Footage of the series debut at Star Wars celebration in
• 22:05
  Speaker 1: mid twenty twelve. It was planned to be set between
• 22:07
  Speaker 1: the events of the trilogy, as I said. In March
• 22:09
  Speaker 1: twenty thirteen, Lucas Film postponed the release of the series
• 22:12
  Speaker 1: after reconsidering whether a comedy series would be a sensible
• 22:14
  Speaker 1: way to introduce the franchise to new fans. When a
• 22:16
  Speaker 1: sequel trilogy was being produced by Disney. That September, Seth
• 22:19
  Speaker 1: Green said, thirt nine episodes have been completed, with sixty
• 22:21
  Speaker 1: two additional scripts finished, and it's just never been released.
• 22:24
  Speaker 1: I knew that the Robot Chicken, the latest update beyond
• 22:28
  Speaker 1: it were. At twenty twenty five Star Wars Celebration Japan,
• 22:31
  Speaker 1: a Lucasfilm Animation retrospective poster was released, featuring a storm
• 22:34
  Speaker 1: Trooper from the series among the studio's wild array of projects.
• 22:37
  Speaker 1: Collider cided that sided this as the first official acknowledgment
• 22:41
  Speaker 1: of the series in over a decade.
• 22:42
  Speaker 2: Wow, sort of out there, Disney, So it's there somewhere.
• 22:45
  Speaker 2: Let the people decide. I feel like now is the
• 22:47
  Speaker 2: right time to release something like this. Why do you
• 22:49
  Speaker 2: think because people are sick of the Star Wars original
• 22:52
  Speaker 2: series on Disney. Plus you know, I know you're a
• 22:54
  Speaker 2: big fan of and Or, but many people aren't excited
• 22:57
  Speaker 2: for Star Wars anymore. I think this will be one
• 22:59
  Speaker 2: way of it feels like this has been held backed
• 23:02
  Speaker 2: by Disney because this wasn't our, so you're not going
• 23:04
  Speaker 2: to see it. I feel if Disney released this in
• 23:07
  Speaker 2: my bit of good faith with the hardcore Star Wars fans.
• 23:10
  Speaker 2: Quite possibly, a Star Wars series parroting the series sounds fun. Interesting,
• 23:14
  Speaker 2: the star Trek, what was? What does Star Wars have
• 23:17
  Speaker 2: coming up?
• 23:17
  Speaker 1: Are they working on a new trilogy? I don't think
• 23:19
  Speaker 1: that the own will is the Mandalorian movie.
• 23:21
  Speaker 2: I guess the only other one that I know about
• 23:23
  Speaker 2: is Star Wars Colin star Fighter starring Ryan.
• 23:27
  Speaker 1: Gosling, Wayne Gosling. No way, yeah, all right, So upcoming
• 23:30
  Speaker 1: Star Wars projects everal new Star Wars movies are in
• 23:32
  Speaker 1: development and up been coming. The next film slated for
• 23:34
  Speaker 1: releases The Mandalorian and Grogoo The Worst Name of All
• 23:36
  Speaker 1: Time set the premiere twenty twenty six, following that Star
• 23:39
  Speaker 1: Wars Star Fighter twenty twenty seven. Several other projects are
• 23:42
  Speaker 1: also in the works, including a movie centered around Ray
• 23:44
  Speaker 1: Skywalker and a trilogy by Simon Kimberg, according to Space
• 23:48
  Speaker 1: dot Com. Okay, anyway, but back to coming to America.
• 23:52
  Speaker 2: Yes, indeed we took a bit of a Star Wars
• 23:53
  Speaker 2: tangent y Brendan Hayes. He write some good gags. Yes.
• 23:57
  Speaker 1: This show is brought to you by the four figure
• 23:59
  Speaker 1: discount patrinon on, where you'll find over one hundred hours
• 24:02
  Speaker 1: of bonus podcasts, including exclusive Simpsons reviews and commentaries, as
• 24:06
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• 24:09
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  Speaker 1: the One About Friends, and so much more. So go
• 24:17
  Speaker 1: ahead and join the family today at patreon dot com
• 24:20
  Speaker 1: slash four figure discount.
• 24:22
  Speaker 3: Next question you there eating the Beast.
• 24:25
  Speaker 1: My first question for you is how much percentage of
• 24:29
  Speaker 1: false Hey Hayes, are the pregnancy test giving? I want
• 24:33
  Speaker 1: to say twenty twenty is correct?
• 24:34
  Speaker 2: Yes? Yeah. At Krusty Berger, mm hmm. What is the
• 24:38
  Speaker 2: little bonus treat you get when you order a crusty meal?
• 24:42
  Speaker 2: Bonus treat? It's on the menu.
• 24:45
  Speaker 1: Ah, I didn't notice that. It's like a little kids
• 24:47
  Speaker 1: having meal toy kind of thing.
• 24:48
  Speaker 2: It is, but it's krusty related. What do you think
• 24:50
  Speaker 2: about it's a free slide whistle?
• 24:53
  Speaker 1: Can I just acknowledge went to a birthday party? Get
• 24:55
  Speaker 1: on the weekend? Right anyway? Life, Yes, this is a
• 24:59
  Speaker 1: little teaser for shits fucked, mate, It's not really shit's fucked.
• 25:02
  Speaker 1: It's just more like things that grand my gears. Yes,
• 25:04
  Speaker 1: as a parent, right, who has to go to a
• 25:05
  Speaker 1: lot of kids birthday parties these days? And kids love
• 25:07
  Speaker 1: their party bags?
• 25:08
  Speaker 2: Right.
• 25:09
  Speaker 1: Don't put whistles in your party bags or anything that
• 25:13
  Speaker 1: makes a loud noise in the party bag, because then
• 25:16
  Speaker 1: all that happens on the way home is noises in
• 25:19
  Speaker 1: the backs there of the car. Don't put whistles in
• 25:22
  Speaker 1: party bags. People, don't do it?
• 25:24
  Speaker 3: Please?
• 25:25
  Speaker 1: Oh yeah, terrible a fun idea in concept, But there
• 25:27
  Speaker 1: are many things that seem fun in concept, but when
• 25:29
  Speaker 1: you actually execute them terrible decision. Whistles and things that
• 25:32
  Speaker 1: make loud sounds in party bags are one of them.
• 25:35
  Speaker 1: I wholly agree with you. I know I sound old
• 25:37
  Speaker 1: right now, but you are.
• 25:38
  Speaker 2: Old right now. I am old right now. Okay, My
• 25:42
  Speaker 2: next question to you, the Barley farmer being interviewed by
• 25:45
  Speaker 2: Ken Brockman. What is his wife's name? Ah?
• 25:47
  Speaker 1: Men, this literally I was going to go back and
• 25:49
  Speaker 1: get the notes for it, and I didn't. I'm gonna
• 25:50
  Speaker 1: say Helen.
• 25:52
  Speaker 2: And you'd be wrong. It's Dagney, Dagony.
• 25:54
  Speaker 1: Okay, they all had funny names, didn't They must just
• 25:56
  Speaker 1: say different different.
• 25:58
  Speaker 2: Come on, man, I.
• 26:00
  Speaker 1: Learned nothing from us, right, terrible of me. So my
• 26:02
  Speaker 1: next question for you is what was the show that
• 26:04
  Speaker 1: the family were watching before they saw the commercial for
• 26:07
  Speaker 1: the new Krusty Burger the It.
• 26:09
  Speaker 2: Was the Drowningest Catch. Yeah, you know, it seemed to
• 26:13
  Speaker 2: be correct, that is right. What is the name of
• 26:17
  Speaker 2: the king who's on the Norwegian coins or the Ogden
• 26:21
  Speaker 2: billion coins?
• 26:22
  Speaker 1: Yeah, they say, I can't remember. It is Harold the Fifth,
• 26:25
  Speaker 1: Harold the Fifth.
• 26:26
  Speaker 2: All right.
• 26:26
  Speaker 1: My final question for you will be how many of
• 26:29
  Speaker 1: the Mother Nature burgers did Homer actually eat?
• 26:32
  Speaker 2: Yeah? It doesn't, Yeah, it doesn't. Indeed, yes, apparently everybody
• 26:35
  Speaker 2: had one. Yeah. I initially thought, oh, Homer is sick
• 26:37
  Speaker 2: because he ate too much of this stuff, and you know,
• 26:39
  Speaker 2: it's barley, It's going to go right through it. So
• 26:41
  Speaker 2: this was a bit a little bit of an interesting swerve.
• 26:43
  Speaker 2: It's like, oh, okay, I didn't know where the episode
• 26:46
  Speaker 2: was going.
• 26:46
  Speaker 1: This actually fell like a classic opening act, didn't it.
• 26:49
  Speaker 1: Oh yeah, I quite enjoyed the start of this episode.
• 26:51
  Speaker 1: I enjoyed the episode overall. But yeah, that is all
• 26:53
  Speaker 1: my trivia. Do you have any more questions for me?
• 26:54
  Speaker 1: One last quarter?
• 26:55
  Speaker 2: Then do it? Okay? Then the kid who offers art
• 26:58
  Speaker 2: the primer paint at the end, Yeah, at the end,
• 27:00
  Speaker 2: he's wearing a sports jersey's got a number on it.
• 27:04
  Speaker 2: Do you remember that number? Sixteen? You're awfully closed eighteen? Yeah, indeed,
• 27:09
  Speaker 2: this is what this is what gets you in trouble.
• 27:11
  Speaker 2: You keep thinking, Hey, eighteen turns out to be sixteen.
• 27:15
  Speaker 2: Oh jail beat hey entry into Speaking of the Hill
• 27:21
  Speaker 2: and those shows will make a lot more sense.
• 27:23
  Speaker 1: Yeah, we've just relaunched Speaking of the Hill on our
• 27:25
  Speaker 1: Patreon if you like King of the Hill since the
• 27:26
  Speaker 1: show's just been rebooted. We're currently in the midst of
• 27:28
  Speaker 1: season two. We just reviewed the episode Hank's Dirty Long
• 27:31
  Speaker 1: Hanks Dirty Laundry, where he mistakenly gets confused for someone
• 27:34
  Speaker 1: who would hire a pornographic pornographic pornographic film. It's not
• 27:39
  Speaker 1: a film and not a word that sounds like something
• 27:41
  Speaker 1: the residence of Ogdenville would say.
• 27:43
  Speaker 2: That's that's, that's what AI has had. AI spars pornographic, pornographic. No,
• 27:47
  Speaker 2: I think they would just call it corn. Started with
• 27:59
  Speaker 2: the lovely kadg think you're so much Katie with your.
• 28:00
  Speaker 1: One hundred dollars support, absolute champion. Also the following people,
• 28:04
  Speaker 1: Glenn Gomez, Justin Parker, Zach Pruitt, Shanny Macker, Elliott, Jo
• 28:08
  Speaker 1: O'Neill is, a Bella, Murphy, Rage Beasley, Stephen Roberts, Seawan
• 28:11
  Speaker 1: DV Pete Anderson, Timothy Bells and Andrew Davis, Kevin Dental
• 28:14
  Speaker 1: planned Flood Bellow win to make Jack McFadden he that
• 28:16
  Speaker 1: will be Adrick McLeod, March, Eleven Ginger and Pickle Preston Murray,
• 28:19
  Speaker 1: to Lee Enriquez, Declan Phoenix, Brian McCoy, Logan, b James Sheppard,
• 28:23
  Speaker 1: Joe Reading said, Dave Pretzel's McNally, Gavin Lane, Demi Miller
• 28:26
  Speaker 1: and Charlie Joe.
• 28:27
  Speaker 2: We are very very grateful to each and every single
• 28:29
  Speaker 2: one of you. You're keeping the lights on, You're keeping
• 28:31
  Speaker 2: the wolf from the door fing the lights on.
• 28:33
  Speaker 1: Indeed, Yeah, so we hope that we are supplying you
• 28:36
  Speaker 1: with the good stuff, and everyone who supports us on
• 28:38
  Speaker 1: Patreon on five dollars or more gets the name shad
• 28:41
  Speaker 1: It on that first month. But you also get early
• 28:43
  Speaker 1: and ad free access to our entire archive of shows
• 28:46
  Speaker 1: you at the four finger to scant network, and access
• 28:48
  Speaker 1: to one hundred hours of bonus.
• 28:50
  Speaker 2: Podcast as well. It's a lot of stuff.
• 28:52
  Speaker 1: Our discord channel, our Facebook community, so much stuff support
• 28:55
  Speaker 1: the show. Okay, so let's get into our reviews. Shall
• 28:58
  Speaker 1: we have come into a marker which originally aired May seventeenth,
• 29:02
  Speaker 1: two thousand and nine. The top three films at the
• 29:04
  Speaker 1: US box office at that time in number three X
• 29:06
  Speaker 1: Men Oranges, Wolverine Boo in number two Star Trek pretty good,
• 29:10
  Speaker 1: and in number one Angels and Demons Never Seen It.
• 29:12
  Speaker 1: It's the same three films as last week. It is
• 29:14
  Speaker 1: the sequel to the Vinci Code. It is not that great.
• 29:17
  Speaker 1: Let's go back and see what we what is the
• 29:19
  Speaker 1: next the seasons obviously finished. Now let's see what was
• 29:22
  Speaker 1: number one going forward after this? So okay, so next
• 29:25
  Speaker 1: week we have number one Night at the Museum, the
• 29:28
  Speaker 1: number two The Smithsonian one, Battle of the Mis Simsonian
• 29:31
  Speaker 1: After that was up, then The Hangover came around and
• 29:33
  Speaker 1: was number one for a few weeks. Then Transformers Revenge
• 29:36
  Speaker 1: of the Fall Fallen was number one for a while.
• 29:39
  Speaker 1: As I say, Age Down of the Dinosaurs. Harry Potter,
• 29:41
  Speaker 1: The Half Blood Prince g Force, Funny.
• 29:43
  Speaker 2: People was number one for one week.
• 29:45
  Speaker 1: G I Joe The Rise of Cobra was number one.
• 29:48
  Speaker 1: District nine good movie, solid inglorious basses number one. The
• 29:52
  Speaker 1: final destination I can do bad all by myself, clad
• 29:56
  Speaker 1: with a chance of meat balls. And that's where the
• 29:58
  Speaker 1: Simpsons Season twenty one kicks offs of. I'll keep that
• 30:00
  Speaker 1: one to myself. But yeah, some good movies in there,
• 30:02
  Speaker 1: but not in the level of when we just did
• 30:04
  Speaker 1: Hanks thirty Launde. What was that was like Titanic? A
• 30:06
  Speaker 1: few good Will Hunting was in there, Will Hunting, the
• 30:10
  Speaker 1: Wedding Singer, and then as good as it guess what
• 30:12
  Speaker 1: a line?
• 30:15
  Speaker 2: Take me back? All right?
• 30:17
  Speaker 1: So, as we said, The original edit was March May seventeenth,
• 30:20
  Speaker 1: two thousand and nine. Production code La b F one two,
• 30:23
  Speaker 1: written by Brendan Hay, directed by Stephen Dean Moore. Chopball,
• 30:27
  Speaker 1: gig It's Facebook Not Ass Book now there's a new
• 30:29
  Speaker 1: thing here. So there's chip ll gag, catch gag. They're
• 30:32
  Speaker 1: the usual two correct, but modern day Simpsons. When I
• 30:34
  Speaker 1: say modern day will sleep, there's now the billboard gag
• 30:37
  Speaker 1: in the instruments and I've written it down and this
• 30:39
  Speaker 1: one here I should have done it for the other
• 30:40
  Speaker 1: ones as well, but for this one here it is
• 30:42
  Speaker 1: spied a pig of the musical music by you two
• 30:45
  Speaker 1: and Alf Clawson.
• 30:46
  Speaker 2: That's rest in peace, Alf rip elf. Yeah.
• 30:49
  Speaker 1: And the catch gag was the one from How the
• 30:51
  Speaker 1: Test was one, which is probably one of my favorite
• 30:52
  Speaker 1: catch gags in a while where they go to all
• 30:54
  Speaker 1: the various sitcoms.
• 30:55
  Speaker 2: It's a good one. They've used it about five times.
• 30:57
  Speaker 2: Five times, have they really? Yeah? Okay, yeah, well I
• 30:59
  Speaker 2: mean not prior to this, but five times in total. Okay.
• 31:02
  Speaker 1: Well, if you need to pad time out and fill
• 31:03
  Speaker 1: time because you can't be bothered writing something, this is
• 31:05
  Speaker 1: the one to use.
• 31:06
  Speaker 2: Sure. Yeah. Indeed.
• 31:07
  Speaker 1: The episode kicks off at Krusty Loo Studios and Krusty
• 31:11
  Speaker 1: uses playing chess with Teeny. He falls right into his trap,
• 31:14
  Speaker 1: just like he did in Africa. Then his agent, who's
• 31:16
  Speaker 1: appeared a few times now, his agent, and he says,
• 31:18
  Speaker 1: your home pregnancy tests are giving false He hayes of
• 31:21
  Speaker 1: the twenty percent of them, it was to say, hey,
• 31:23
  Speaker 1: are you and it's not mine? He says, don't worry
• 31:26
  Speaker 1: about this. Krusty is a illegitimate businessman. Repackage them, mark
• 31:30
  Speaker 1: them as coffee stirs, and sell them in the Philippines.
• 31:33
  Speaker 2: Genius. Now another rasue studies show your Krusty burger is
• 31:38
  Speaker 2: the unhealthiest fast food item in the world, worse than
• 31:42
  Speaker 2: a double Krusty Burger somehow. Yes, okay, here's what we do.
• 31:48
  Speaker 2: What's that food we never put in any of our meals. Vegetables? Yeah,
• 31:51
  Speaker 2: those guys find the cheapest one and make a burger
• 31:55
  Speaker 2: out of it, then throw it in a green wrapper
• 31:56
  Speaker 2: and double the price and say it's gotten. None of
• 31:59
  Speaker 2: those those unhealthy sounding.
• 32:01
  Speaker 3: Things trans fats.
• 32:04
  Speaker 2: That's it. While you're in there, spray a little nicotine
• 32:06
  Speaker 2: juice on the kid's meals. Get them looked.
• 32:10
  Speaker 1: The idea of healthy food I've mentioned this in the
• 32:12
  Speaker 1: podcast before at fast food restaurants just seems so redundant
• 32:15
  Speaker 1: to me. So, yeah, if you go into a fast
• 32:18
  Speaker 1: food restaurant, you're going for fast food you're going for
• 32:21
  Speaker 1: empty calories, like, don't try and fool yourself into thinking
• 32:23
  Speaker 1: you're doing good bye yourself. Just if you're gonna eat healthy,
• 32:26
  Speaker 1: go to the middle, roll onder macas, get some maccas,
• 32:29
  Speaker 1: get some mc nuggies with some mustard and whatnot.
• 32:31
  Speaker 2: You know, some honey mustard?
• 32:32
  Speaker 1: Yeah, is that your nugget? Dip of sauce?
• 32:36
  Speaker 2: It is?
• 32:37
  Speaker 1: Who has it with sauce? I mean a happy meal tomatoes,
• 32:40
  Speaker 1: smato sauce, not bad. It's got to be the honey mustard.
• 32:43
  Speaker 2: It mat. I'm gonna throw one of the Lovely Louisa's
• 32:45
  Speaker 2: kids under the bus, but they will.
• 32:46
  Speaker 1: Oca make sure they stay there. Throw them right under.
• 32:48
  Speaker 2: Oh yes, exactly. I cat dirt on the bury them
• 32:52
  Speaker 2: under there occasually. Oh need a snack, okay, put some
• 32:57
  Speaker 2: nuggets in the air. Fryer gonna have a be the
• 32:59
  Speaker 2: sauce and is having ketchup play on tomato sauce. But
• 33:03
  Speaker 2: I can't condone this. I won't sanction this buffoonery.
• 33:05
  Speaker 1: You haven't lived until you've tried aoli as well as
• 33:08
  Speaker 1: good Yeah, oh yeah, Honestly, my life was never the
• 33:10
  Speaker 1: same after I tried Ali. I was I have to
• 33:12
  Speaker 1: do everything in this now. Okay, but it's so bad
• 33:14
  Speaker 1: for you, but it's so good.
• 33:15
  Speaker 2: Here's the thing. If you're getting like a sizeable amount
• 33:17
  Speaker 2: of nuggets from KFC or from McDonald's or what or wherever,
• 33:23
  Speaker 2: and you're offered the option of more than one sauce,
• 33:26
  Speaker 2: are you just getting double the honey mustard or are
• 33:28
  Speaker 2: you getting a bit of variety.
• 33:29
  Speaker 1: I'm getting whatever form of aoli they have and a mustard.
• 33:32
  Speaker 2: Okay, I will get honey mustard and sweet and sour.
• 33:36
  Speaker 1: You have never been a sweet and sour man. Too sweet,
• 33:38
  Speaker 1: too sour.
• 33:40
  Speaker 2: I can't fault that, arg I can't fault your line
• 33:42
  Speaker 2: of thinking there. But that's what I'll get. And I
• 33:44
  Speaker 2: think the two well kind of com They're different enough,
• 33:47
  Speaker 2: are they? Okay?
• 33:48
  Speaker 1: Yes, When I get a steak, I get garlic sauce
• 33:50
  Speaker 1: and mushroom sauce, and I'm mix them together. We always
• 33:52
  Speaker 1: do it at the Park of Steakhouse. Don't just get
• 33:55
  Speaker 1: the one, go to get the two and mix them together.
• 33:56
  Speaker 1: It makes the ultimate sauce for your steak. So you say, yeah,
• 34:00
  Speaker 1: I dip the nugget with two sources at the same time.
• 34:02
  Speaker 2: I never have had. Maybe you should try that next time.
• 34:04
  Speaker 2: Maybe I should.
• 34:05
  Speaker 1: I dipped one end in one one and the other
• 34:07
  Speaker 1: and then just put it all in your mouth and
• 34:08
  Speaker 1: his gat what is his taste?
• 34:10
  Speaker 2: Like? Honey? I broke my rule to myself the other
• 34:14
  Speaker 2: day because it's Friday night. What's your rule? Oh? I
• 34:17
  Speaker 2: was exhausted. It was Friday night. Was like I said,
• 34:19
  Speaker 2: the lovely Louise like, I'm just staying and I can't
• 34:22
  Speaker 2: be ours cooking. I'm just gonna go get some fish
• 34:24
  Speaker 2: and chips. My fish and chip shopping around the corner.
• 34:27
  Speaker 2: Was it closed? Really? The one I ever? Yeah, I
• 34:30
  Speaker 2: don't know.
• 34:31
  Speaker 1: Chippy apparently like English chipies with their homemade they cut
• 34:34
  Speaker 1: them and come and makes them at the back. That's awesome, Adam.
• 34:36
  Speaker 1: Yeah we got to try them.
• 34:37
  Speaker 2: Yeah, good place. Shout out to Nick and Pete. Nick
• 34:40
  Speaker 2: and Pete shout out. They were either extremely busy, because
• 34:43
  Speaker 2: I think it was a I think cats were playing
• 34:45
  Speaker 2: at home on on Friday night, watching it on the
• 34:47
  Speaker 2: Telly Essendon game yours Friday, yep, yep, So they may
• 34:50
  Speaker 2: have just been flat out busy. Maybe also a possibility,
• 34:53
  Speaker 2: And I'm like, do I want to go to the
• 34:56
  Speaker 2: I went to Dano's pizza joint that he recommends that
• 34:58
  Speaker 2: it's not far from my place. It's not bad either,
• 35:01
  Speaker 2: Razaria Romania Romania. Yes, indeed, like I'm not the move
• 35:06
  Speaker 2: for beizs and like, oh forget, I'll just get mackets.
• 35:08
  Speaker 2: I'd a had Macas in a while, and I'm like,
• 35:09
  Speaker 2: I'm trying to steer away from that. But they had
• 35:11
  Speaker 2: the new burger, the Big Arch. I believe it was
• 35:14
  Speaker 2: called I'm like, this is a big Mac. I saw
• 35:16
  Speaker 2: picture of them. It was like a big Mac with
• 35:18
  Speaker 2: different sources or something like that. A big Mac. It's
• 35:20
  Speaker 2: a big Mac with a clock in it, essentially. But
• 35:22
  Speaker 2: I thought, oh, I'll give this a will. Yeah, it
• 35:24
  Speaker 2: was so disappointing.
• 35:26
  Speaker 1: It was very disapoint I hate it when you're excited
• 35:28
  Speaker 1: for something new and it's bad.
• 35:29
  Speaker 2: Oh yeah, Macas is letting the side down recently. So
• 35:32
  Speaker 2: and yeah, I was not exactly paying fast food prices
• 35:34
  Speaker 2: for you know, if I'm walking over this amount of money,
• 35:37
  Speaker 2: I'd like a pretty good burger. This was not a
• 35:39
  Speaker 2: bit of a shame. But anyway, what was your rule
• 35:41
  Speaker 2: that you're broth though you going to macts, you go
• 35:44
  Speaker 2: to make it a little time now. No, No, I
• 35:45
  Speaker 2: haven't been for a while, A good long while.
• 35:47
  Speaker 1: A few weeks ago you're like, oh, I've got machas
• 35:49
  Speaker 1: because you just want to macs.
• 35:50
  Speaker 2: I think that was a couple of months ago. It
• 35:53
  Speaker 2: just blows into one week, it sure, But anyway, the
• 35:57
  Speaker 2: point is McDonald's like Krusty Berger. These days, it pretty
• 36:00
  Speaker 2: much is. Yeah.
• 36:01
  Speaker 1: I can't remember the last time I had McDonald's and
• 36:03
  Speaker 1: actually enjoyed it.
• 36:04
  Speaker 2: I just it's just a watt of money to me.
• 36:06
  Speaker 2: That's the thing. I did not enjoy. This didn't even
• 36:09
  Speaker 2: hit me in the reptile brain where it's like, yeah,
• 36:13
  Speaker 2: this is the stuff I used to enjoy when I
• 36:14
  Speaker 2: was a child who had no taste. It's like this
• 36:16
  Speaker 2: is just this cardboard. Yeah, it literally just tastes like cardboard. Yeah, yep. Good. Anyway, anyway,
• 36:22
  Speaker 2: we've lost that sponsor. HEYKFC, though I don't care, come through.
• 36:28
  Speaker 2: I love it, well, you love it. I don't changed
• 36:31
  Speaker 2: the slogan. Who ever decided that absolute idiot? Well, but
• 36:35
  Speaker 2: now it's sure to get inspired.
• 36:37
  Speaker 1: How about that dead Air debt and I'm like no no.
• 36:39
  Speaker 2: From Australian hip hop out Generous Genesis, Oh us, I
• 36:42
  Speaker 2: don't care. It's a local act. I don't don't care.
• 36:44
  Speaker 2: You don't love it.
• 36:45
  Speaker 1: I know I do not love it. I don't care.
• 36:47
  Speaker 1: I love it was the greatest campaign they've ever done,
• 36:50
  Speaker 1: better than Finger Looking Good, and they blew it away.
• 36:52
  Speaker 1: Maybe they had to, maybe they had to pay Hi.
• 36:54
  Speaker 2: I don't think. I don't think it's better than finger
• 36:56
  Speaker 2: Looking Good. That has just entered the vernacular.
• 36:58
  Speaker 1: See finger Looking Good is a slogan. This was an ad,
• 37:02
  Speaker 1: so they're kind of too.
• 37:03
  Speaker 2: It was a jingle, but it's not not necessarily jingle
• 37:05
  Speaker 2: because it was pre it was I'm gonna throw it out.
• 37:08
  Speaker 1: It is the best use of a commercial song in
• 37:10
  Speaker 1: an ad sense, wouldn't it be nice?
• 37:12
  Speaker 2: I don't disagree with you. You say that.
• 37:14
  Speaker 1: That song comes on and people go, it's the KFC song,
• 37:17
  Speaker 1: Like it's now known as the KFC song.
• 37:19
  Speaker 2: It's a it was you live and breathe KFC, though I.
• 37:21
  Speaker 1: Don't live and breathe it you do. But if I'm
• 37:24
  Speaker 1: going to get takeaway, it's going to be KFC because
• 37:26
  Speaker 1: you know why, I've got it in my notes. They
• 37:28
  Speaker 1: don't shy away from the fact that they're giant food.
• 37:30
  Speaker 1: They don't have a healthy optunity. They have twisters, which
• 37:32
  Speaker 1: is at a rap, but they don't.
• 37:33
  Speaker 2: Go out and say have a healthy opertence, like do
• 37:35
  Speaker 2: you want your ship in a burger or do you
• 37:36
  Speaker 2: want it in a wrap? It's like it's still junk food.
• 37:38
  Speaker 2: Mac is trying and go this is for you. Would
• 37:41
  Speaker 2: you like that?
• 37:41
  Speaker 1: Would you like your childhood have apple slices and water
• 37:43
  Speaker 1: with a happy meal?
• 37:44
  Speaker 2: Well? Do I want to be fucking happy? How about
• 37:47
  Speaker 2: how about I just go to where if they walk
• 37:51
  Speaker 2: in the door, there's a whole basket of apple free
• 37:54
  Speaker 2: lu Lulu, he's gone some apple. I'm not paying eight
• 37:58
  Speaker 2: dollars for apple slide a bag of apple slide. This
• 38:00
  Speaker 2: is fuck off.
• 38:01
  Speaker 1: Go away with your healthy options. I get that it's
• 38:03
  Speaker 1: all perception, but I think people by this point and
• 38:05
  Speaker 1: are going I know what I'm getting. If I'm going
• 38:09
  Speaker 1: to take away restaurant, just give me takeaway. Don't try
• 38:13
  Speaker 1: and pretend you're healthy. I know there's some people say,
• 38:15
  Speaker 1: but the parents, what about the parents they're buying? Well,
• 38:18
  Speaker 1: you're buy your kids jung food, you should probably just
• 38:19
  Speaker 1: fucking eat it as well. Well, yeah, if you're gonna
• 38:21
  Speaker 1: shove that certain example, if you're gonna shovel that ship
• 38:23
  Speaker 1: into your kids mouths? Why did you put it in
• 38:25
  Speaker 1: your own mouth? Lead by shit fucked mate mate. But
• 38:31
  Speaker 1: so it's the unhealthiest burger by trans fats YadA went
• 38:34
  Speaker 1: at home and the FAUNI mere watching the drowning catch.
• 38:38
  Speaker 1: It was worth it to be on TV. Make sure
• 38:39
  Speaker 1: you put out dying screams in the promo. And this
• 38:42
  Speaker 1: is where Homer says one of those stupid lines. He goes, yes,
• 38:44
  Speaker 1: the real drowningest catches man, what on earth was that?
• 38:49
  Speaker 2: Yeah? Indeed, I must say something here. Indeed, I mean
• 38:53
  Speaker 2: there's that old saying. You know, it's like the the
• 38:55
  Speaker 2: most dangerous game is man, all that kind of thing,
• 38:57
  Speaker 2: or you know, the real monster is us? All that shit.
• 39:00
  Speaker 2: So maybe he's just like, oh, he's trying to sound profound.
• 39:04
  Speaker 1: But he could have just said something like drama queen,
• 39:06
  Speaker 1: just something like that.
• 39:07
  Speaker 2: Yeah, exactly, Look that's better.
• 39:12
  Speaker 1: Mindsaying there would be me trying to be insightful never
• 39:15
  Speaker 1: works on this. What he says is actually stupid.
• 39:17
  Speaker 2: Oh yeah, and he's and also he's putting on his
• 39:19
  Speaker 2: kind of voices. Yes.
• 39:22
  Speaker 1: So then they see the commercial for the Mother Nature
• 39:24
  Speaker 1: burger and people care about health they for some reason. Yep,
• 39:27
  Speaker 1: that's it has made one hundred percent from wheat fed balley.
• 39:30
  Speaker 1: Tastes like a healthier future. Ama says, we're going to
• 39:34
  Speaker 1: Krusty Burger.
• 39:34
  Speaker 2: I do like the way that ad was constructed. By
• 39:36
  Speaker 2: the way, with you, you've got the obvious stunt double
• 39:38
  Speaker 2: actually taking a bite out of the burger, when you've
• 39:40
  Speaker 2: got Krusty holding the burger that's had a bite dagging
• 39:42
  Speaker 2: out of it, cut with a knife, clearly, so loved
• 39:45
  Speaker 2: all that. Yes, little little little detail, little details like that. Okay,
• 39:49
  Speaker 2: I'll take back some of the shit I talk fred
• 39:51
  Speaker 2: about our man Brendan Hay.
• 39:53
  Speaker 1: This next one here, this next bit was really it
• 39:57
  Speaker 1: was ridiculous. So a Poo's there and he's thankful it's
• 39:59
  Speaker 1: finally a burger for.
• 40:00
  Speaker 2: Hindi, Hindi Indi. Yeah.
• 40:04
  Speaker 1: Now no one can tell that he's whether he's American
• 40:06
  Speaker 1: or not, or tell that he's not an American. And
• 40:07
  Speaker 1: he does a Bollywood style dance for some reason outside
• 40:09
  Speaker 1: the restaurant.
• 40:10
  Speaker 2: And what was the point of this. Yeah, with the
• 40:15
  Speaker 2: insightful cultural criticism you've come to except from guy Davis, hmmm,
• 40:19
  Speaker 2: not too sure about the poo dance.
• 40:21
  Speaker 1: I thought he was vegan, not vegetarian. Isn't he vegan?
• 40:26
  Speaker 2: I don't think he's ever copted being vegan because I
• 40:28
  Speaker 2: never anything that's come from an animal, and at least
• 40:31
  Speaker 2: like you just think I'm a monster. Oh of course
• 40:33
  Speaker 2: hear that, isn't he vegan? I always thought vegetarian, but
• 40:37
  Speaker 2: I could be wrong because vegetarian doesn't eat meat. It's
• 40:40
  Speaker 2: nothing that comes from an animal. That's eggs, no cheese,
• 40:42
  Speaker 2: none of that. Yeah yeah, none of the good stuff.
• 40:44
  Speaker 1: Yeahs. Anyway, anyway, stupid scene, Yeah yeah. Then it has
• 40:48
  Speaker 1: Homer taking a big buy it, saying he's saving the earth.
• 40:51
  Speaker 1: He wears my noble price, which is stupid, but it.
• 40:53
  Speaker 2: Is funny though.
• 40:54
  Speaker 1: When the plant hungery Jack's do him like plant based Berger.
• 40:58
  Speaker 1: I think Maci's dom as well. Now people think that
• 41:01
  Speaker 1: they're healthier because they're based, they're not.
• 41:03
  Speaker 2: No, no, no, she has probably been deep fried. God
• 41:06
  Speaker 2: knows how many saturated fats or whatever it's got in it.
• 41:09
  Speaker 1: Yeah, it's not good at all. Because my dad had one.
• 41:12
  Speaker 1: He's like, yeah, meet a couple of these ones because
• 41:14
  Speaker 1: they're better for it. And I'm like, Dad, no, there's
• 41:16
  Speaker 1: actually more more fat in isn't a whopper, it's actually
• 41:19
  Speaker 1: bad for you. So now we're at home home. He's
• 41:21
  Speaker 1: got the stomach ache. He asked himself, why did you
• 41:23
  Speaker 1: eat twelve? He goes to use all the different various
• 41:26
  Speaker 1: bathrooms and toilets, but they're all being used to everybody
• 41:27
  Speaker 1: else because everyone else tried them as well. Because we
• 41:29
  Speaker 1: should have explained a trusty burger. It's businesses booming. Everyone's
• 41:32
  Speaker 1: excited to try this new burger, all right, which is
• 41:35
  Speaker 1: it's usually the case when a new thing comes to
• 41:37
  Speaker 1: talk about the Golden Narch Burger like it's something new.
• 41:39
  Speaker 1: It's got a new hat, so I have to try
• 41:40
  Speaker 1: it out. But then he throws up into Lisa's sacks,
• 41:42
  Speaker 1: gets his face stuck on the outside, and that's the
• 41:44
  Speaker 1: end of that chapter. Were now at the school and
• 41:47
  Speaker 1: Skinner and Charmers are also un while they do an
• 41:50
  Speaker 1: announcement saying that the Presidential ab Crunch Challenge and the
• 41:52
  Speaker 1: Sloppy Joeathon are canceled.
• 41:55
  Speaker 2: At the Sloppy Joathon, I'll I'll be all up in
• 41:57
  Speaker 2: that business.
• 41:57
  Speaker 1: Oh Sloppy Joseph is so good, And I didn't know
• 42:00
  Speaker 1: what a sloppy Joe was until I watch Billy Madison.
• 42:03
  Speaker 1: My mum used to cook spaghetti all the time. But
• 42:05
  Speaker 1: then when I watched Billy Madison, I was like, oh,
• 42:07
  Speaker 1: you can put that shit on a bred roll, snappy
• 42:08
  Speaker 1: do oh oh shit, let's.
• 42:11
  Speaker 2: Just change the game.
• 42:13
  Speaker 1: And then this is where Charmers says to Skinner if
• 42:15
  Speaker 1: I die, I want you in charge of rehiring the
• 42:18
  Speaker 1: rehiring committee for my position. He just hold my head
• 42:21
  Speaker 1: and say soothing things, and he does by saying third
• 42:23
  Speaker 1: grade math scores are holding steady. This show is brought
• 42:27
  Speaker 1: to you by the four Fingered Discount Patreon, where you'll
• 42:29
  Speaker 1: find over one hundred hours of bonus podcasts, including exclusive
• 42:33
  Speaker 1: Simpsons reviews and commentaries, as well as exclusive episodes of
• 42:37
  Speaker 1: Going Down to South Park, tales of Futurama, Bob's Pods,
• 42:40
  Speaker 1: Speaking of the Hill, Talking Sifould, the One about Friends,
• 42:44
  Speaker 1: and so much more. So go ahead and join the
• 42:46
  Speaker 1: family today at patreon dot com slash four finger Discout.
• 42:50
  Speaker 1: Then we get the news report. I mean it wouldn't
• 42:52
  Speaker 1: be a good Simpsons new report. We had a good.
• 42:53
  Speaker 2: Tagline, Oh remind me sorry, its fewed army, and he
• 42:59
  Speaker 2: blames America's barley basket Ogdenville, which settled one hundred years
• 43:02
  Speaker 2: ago by Norwegian immigrants, and he speaks to one of
• 43:06
  Speaker 2: the people who own I guess at the own the mill,
• 43:09
  Speaker 2: the barley mill, brend Left Jensen. Indeed, this is probably
• 43:13
  Speaker 2: an opportune time to mention that the first broadcast of
• 43:17
  Speaker 2: this particular episode coincided with Norwegian Constitution Day, basically their
• 43:22
  Speaker 2: showy Day, their fourth of July. Pretty much. Yeah, the
• 43:24
  Speaker 2: Norwegian Constitution was signed in eighteen fourteen. It made Norway
• 43:27
  Speaker 2: independent and it is celebrated by parades and people eating
• 43:32
  Speaker 2: hot dogs, waffles and ice cream. Norway sounds fucking dope,
• 43:35
  Speaker 2: it does, doesn't Yeah, waffles, ice cream and what hot dogs? Yeah,
• 43:41
  Speaker 2: hot dogs, waffles and ice cream. That's just delightful.
• 43:45
  Speaker 1: And they had parades. I would, but don't do parades anymore.
• 43:49
  Speaker 1: Oh no, it's just too much hassel n can't catshup
• 43:53
  Speaker 1: down the streets? Nah, fuck the kids, fuck Garla parade.
• 43:56
  Speaker 2: Well, yeah, I was over the over at Lose the
• 44:00
  Speaker 2: the night looking for something to watch and we were
• 44:02
  Speaker 2: sort of like, put a couple of movies on the
• 44:04
  Speaker 2: memory stick. Let's have a look at the trailers. There's
• 44:06
  Speaker 2: other thing came up on the homepage, on the YouTube homepage,
• 44:08
  Speaker 2: it was like you may have seen this. It's a
• 44:12
  Speaker 2: city on the grow. That's basically it. Yeah, from nineteen sixties,
• 44:16
  Speaker 2: from nineteen sixty six, I've seen this as well. Yeah,
• 44:19
  Speaker 2: which Lou and I it literally was a city on
• 44:21
  Speaker 2: the grow. Oh yeah. But Lou and I like we're
• 44:25
  Speaker 2: ten years from here where those kids at the end
• 44:27
  Speaker 2: of the school yard. So I was like, oh my god,
• 44:29
  Speaker 2: this is But it really was Geelong city on the grow.
• 44:32
  Speaker 2: It didn't have narration or anything like that.
• 44:34
  Speaker 1: But it's just people working in factories and kids out
• 44:36
  Speaker 1: the front smiling and playing hopscoatch.
• 44:39
  Speaker 2: I mean, look, nostalgia is the most you know, toxic
• 44:44
  Speaker 2: of bruise. But at the same time, how we make
• 44:46
  Speaker 2: our money, we got to go back incorporate some of it.
• 44:50
  Speaker 2: Well yeah, oh god, we don't regress. But oh yeah,
• 44:54
  Speaker 2: I mean we're saying, oh yeah, look, this wife is
• 44:55
  Speaker 2: probably getting beaten or something like that. All these kids
• 44:58
  Speaker 2: are probably getting you know, smacked the most inconsequential of
• 45:01
  Speaker 2: reasons or anything like that.
• 45:02
  Speaker 1: While just talking to because patients, Saint Darren and Doug,
• 45:05
  Speaker 1: they've gone to America. They've left today to fight America
• 45:08
  Speaker 1: for the first time in twenty five years. So hope
• 45:09
  Speaker 1: you're having a good time over there you listening to
• 45:11
  Speaker 1: I hope your social media feeds are squeaky clean. Yes, exactly,
• 45:14
  Speaker 1: did tell me about that. But we're talking about theme parks,
• 45:16
  Speaker 1: and he was saying, because he's a big theme park guy,
• 45:18
  Speaker 1: how it's almost like theme parks are starting to realize, Oh,
• 45:22
  Speaker 1: people just want rides. I don't want to have to
• 45:23
  Speaker 1: wear glasses anymore, because there's a whole era of like
• 45:27
  Speaker 1: ten us ten to fifteen years, you mean like virtual Yeah,
• 45:30
  Speaker 1: rather than build roller coasters, it's hey, sit in front
• 45:32
  Speaker 1: of the screen and put glasses on and you'll have
• 45:35
  Speaker 1: a great time. That suck, And it's like, I understand
• 45:37
  Speaker 1: it's cheaper and it's less maintenance, but you know what,
• 45:40
  Speaker 1: people want fun And it's mentioned a bit of nostalgia.
• 45:43
  Speaker 1: Universal Studios they got rid of the Back to the Future, right,
• 45:45
  Speaker 1: which granded was a virtual reality one, but they got
• 45:46
  Speaker 1: rid of the Jaws ride and all these other rides,
• 45:49
  Speaker 1: and now they're selling this stuff saying, remember Jaws the anniversary,
• 45:53
  Speaker 1: Remember we had a ride, and everyone's like yeah, you
• 45:54
  Speaker 1: fucking got rid of it.
• 45:55
  Speaker 2: Yes, indeed we are for the time being at least
• 45:59
  Speaker 2: still being is made of flesh and blood. You know,
• 46:02
  Speaker 2: we exist in the physical, tangible world. We want to
• 46:05
  Speaker 2: actually move fast, go up and down. That'd be fantastic.
• 46:10
  Speaker 2: So build it out of the fucking roller coaster. Put
• 46:13
  Speaker 2: me in a room on a couch the rocks while
• 46:18
  Speaker 2: I'm wearing three D glasses. Fuck you. I want to
• 46:21
  Speaker 2: be taken on an adventure. Correct.
• 46:23
  Speaker 1: And they try to get it to the ET ride
• 46:24
  Speaker 1: and apparently there's not picket line fans and they're like, oh,
• 46:27
  Speaker 1: you want to keep this.
• 46:27
  Speaker 2: No one's like, yes, yes, we do. It's a fucking
• 46:30
  Speaker 2: good ride. It's not a roller coaster, you know, it's
• 46:32
  Speaker 2: a family friendly ride. It's fucking et Just leave it alone.
• 46:35
  Speaker 2: Stop trying to fix things like you can incorporate new rides,
• 46:39
  Speaker 2: but don't try. And just fucking enough with the virtual
• 46:42
  Speaker 2: reality rides. How do we get to talk about the
• 46:44
  Speaker 2: nostalgia because of the house. We got rid of the Jaws, right,
• 46:47
  Speaker 2: we got And now this is the thing. They've just
• 46:49
  Speaker 2: launched the Universal Movie Parade and guess what's in the parade?
• 46:53
  Speaker 2: Et Jaws back to the future all the shit you
• 46:56
  Speaker 2: got rid of. You know, don't don't overdose, don't get
• 47:02
  Speaker 2: high on your own supply. But you know things were
• 47:04
  Speaker 2: better back then. They were.
• 47:07
  Speaker 3: The food poisoning has been traced to a single ingredient,
• 47:10
  Speaker 3: tainted barley. And where does that barley come from? Our
• 47:13
  Speaker 3: neighbor to the southeast, Ogdenville, the state's barley basket since
• 47:17
  Speaker 3: it was settled one hundred years ago by Norwegian immigrants.
• 47:20
  Speaker 3: I'm here with barley farmer brendlf Jensen, Brendliff.
• 47:23
  Speaker 2: What happened is a big old rat got caught up
• 47:26
  Speaker 2: in the grinders there.
• 47:27
  Speaker 3: Saw my wife Dagne took a hose to it, and
• 47:30
  Speaker 3: it's all cleaned out now. So you're guaranteeing it's safe
• 47:33
  Speaker 3: to eat Ogdenville barley once more. Well, where there's barley,
• 47:37
  Speaker 3: there's rat. You know, Now, when will you be starting
• 47:40
  Speaker 3: the interview that just went out live?
• 47:44
  Speaker 2: Well, then we're screwed.
• 47:46
  Speaker 1: Cuts of the meal all closed down the next day,
• 47:49
  Speaker 1: museums all shut down, everything shut down. I wanted to
• 47:51
  Speaker 1: acknowledge the use of color so far in this episode,
• 47:54
  Speaker 1: So where now unweldy or pale yellow? It's very Monotone
• 47:58
  Speaker 1: is a color CPS. Yeah, it's very early Wizard of Oz,
• 48:02
  Speaker 1: that kind of tone. And everything's closed down except for
• 48:04
  Speaker 1: the close sign store, which I thought you liked it
• 48:07
  Speaker 1: very fun gag. The families are all moving out like
• 48:09
  Speaker 1: the Beverly Hill Billies with Granny on top and also
• 48:12
  Speaker 1: a bit grapes of wrath.
• 48:13
  Speaker 2: You yeah, yeah, we're yeah, the great John Steinbeck book
• 48:18
  Speaker 2: about the Great Depression and the Dustball and all that
• 48:20
  Speaker 2: kind of stuff.
• 48:21
  Speaker 1: Ye, and it's all deserted now. Then they enter Springfield,
• 48:23
  Speaker 1: where there's a two drink minimum and Homers in the
• 48:26
  Speaker 1: car park or Builders Barn aka Bunnings aka Hammer Barn
• 48:29
  Speaker 1: for all those Blue fans out there. I experienced by
• 48:32
  Speaker 1: the way. I've never felt stupider.
• 48:35
  Speaker 2: Actually I do.
• 48:36
  Speaker 1: I feel stupid a quite often, but I felt so embarrassed.
• 48:40
  Speaker 1: You've seen jingle all the way correct. I have nd
• 48:42
  Speaker 1: Swarzegg running around trying to find it.
• 48:43
  Speaker 2: Turbo man, that is the plot.
• 48:45
  Speaker 1: Bunnings have just announced, well they've had him for a while,
• 48:48
  Speaker 1: but they've re released them. Bluey gnomes Okay, bluey gnomes
• 48:52
  Speaker 1: are a thing in Bluey. They're iconic for Blue fans
• 48:54
  Speaker 1: and they've released actual genuine garden names that look the same,
• 48:57
  Speaker 1: so of course we get the Bunnings and Alliotts. He's
• 49:00
  Speaker 1: his blue carriage is gonna find around the store. And
• 49:01
  Speaker 1: I was like, oh, I'll get you one of those gnomes,
• 49:04
  Speaker 1: so I'll walk up to let Vergi. I can't find them.
• 49:06
  Speaker 1: I said, where are the gnomes the blue names located?
• 49:09
  Speaker 1: The two girls started laughing at me, genuinely just laughing
• 49:11
  Speaker 1: at me, and I was like, what they said that
• 49:13
  Speaker 1: the first ten minutes and then get and put on
• 49:14
  Speaker 1: the shlve. You actually thought we're gonna gonna get one.
• 49:16
  Speaker 2: I was like yeah.
• 49:18
  Speaker 1: She's like yeah, unless you line up like five am,
• 49:20
  Speaker 1: he ain't getting a bluey. They sell like twentyred bucks
• 49:21
  Speaker 1: on eBay.
• 49:22
  Speaker 2: I'm like a blue Garden gnome, so I'm Swartznegger and
• 49:26
  Speaker 2: jingle all the way, Toby Man. They just they looked
• 49:28
  Speaker 2: at each other and just laugh and I was like, oh, oh,
• 49:32
  Speaker 2: I'm that guy. The thing of it is then Dano
• 49:34
  Speaker 2: actually called me to commiserate. I was not impressed. Yeah,
• 49:36
  Speaker 2: And I said, well, here's the thing, Dando, your wife's
• 49:39
  Speaker 2: cookies out of this world. You brought it back to
• 49:45
  Speaker 2: the Simpsons. Yeah as we as we like to say
• 49:49
  Speaker 2: on this show, Rip Vilarten.
• 49:51
  Speaker 1: We miss you greatly. Yes, anyway, so no builders. Barn
• 49:54
  Speaker 1: Barck questions, Homer, are you sure you're gonna be able
• 49:56
  Speaker 1: to install these roof gutters? I wouldn't know where to begin,
• 49:58
  Speaker 1: And he says since he has a bad history of
• 50:00
  Speaker 1: going on roofs and waking up in hospitals. He gets
• 50:02
  Speaker 1: the olden Villians who offer to help him. He says,
• 50:04
  Speaker 1: your facial hair scream is rugged but reliab or so
• 50:07
  Speaker 1: like my own. Yeah, so he hires them. They call
• 50:09
  Speaker 1: him sir, so that means he knows that I'm better
• 50:10
  Speaker 1: than him, which is an ignorant line, but you know,
• 50:14
  Speaker 1: poking fun at people who actually think that way.
• 50:16
  Speaker 2: Yes, I was wondering would I have enjoyed this more
• 50:20
  Speaker 2: if it was in like a quote unquote classic Simpsons,
• 50:23
  Speaker 2: Probably yeah, or the case have I just spent too
• 50:26
  Speaker 2: much time with jackass Homer. It's like I had it
• 50:30
  Speaker 2: when he says things like that when in the olden days,
• 50:33
  Speaker 2: I would have like, oh, yeah, that's the kind of
• 50:34
  Speaker 2: ignorant thing that he would say.
• 50:35
  Speaker 1: But see in the Golden near Home he called me
• 50:38
  Speaker 1: so yeah, he's He's like, I can't believe it. He
• 50:41
  Speaker 1: actually think he deserves to me called sir, just likes
• 50:43
  Speaker 1: the idea of being called sir. But then he offers
• 50:46
  Speaker 1: them a lemon version of Balley aid. They all enjoy it.
• 50:49
  Speaker 1: When in Springfield and Hammer says he's glad they've all
• 50:51
  Speaker 1: come to take all the jobs that they don't want
• 50:53
  Speaker 1: to do, which, as I said, that's the line that
• 50:54
  Speaker 1: sums up this episode.
• 50:55
  Speaker 2: Indeed. Yeah, there's a lot of shout outs to the
• 50:57
  Speaker 2: film Witness in here by the way, Yeah, when you
• 51:00
  Speaker 2: go do you know this one with? Have you seen this?
• 51:02
  Speaker 2: Would I like it? You would? Indeed? Yet you know
• 51:04
  Speaker 2: what kind of movie I like? Oh right, this is
• 51:05
  Speaker 2: a good This is a really good movie, Witness.
• 51:07
  Speaker 1: I'm going to look it up. Why you tell me
• 51:09
  Speaker 1: a little bit about it without spoiling the film of course.
• 51:10
  Speaker 2: Okay, starring Harrison Ford, directed by austrais On, Peter Wiir
• 51:13
  Speaker 2: mayber Well, Yeah, yeah, Harrison Ford is a cop. He
• 51:18
  Speaker 2: is protecting a young Armish boy who witnesses a murder
• 51:21
  Speaker 2: during his visit to the big city. Harrison Ford goes
• 51:24
  Speaker 2: back to the Amish community in rural Pennsylvania, he's pursued
• 51:28
  Speaker 2: by the corrupt cops. He also finds love with the
• 51:30
  Speaker 2: child's mother, played by young Kelly McGillis. Because you teach
• 51:32
  Speaker 2: their jibs, well, I know, but he does their gibs.
• 51:35
  Speaker 2: Because Harrison Ford, before he became an actor, was a
• 51:39
  Speaker 2: carpenter and also apparently a weed dealer.
• 51:41
  Speaker 1: So it was Tim Allan apparently, well he was a
• 51:43
  Speaker 1: coat deal coat dealer, yes, next level. Yeah, he's like, hey, Harrison,
• 51:50
  Speaker 1: friend of Barrison, you can get better than the.
• 51:56
  Speaker 2: Witness. Fantastic movie, but there's a lot of barn raising
• 51:59
  Speaker 2: and a lot of sort of.
• 52:00
  Speaker 1: Tis no Pool but yeah, Witness, Okay, I will check
• 52:04
  Speaker 1: that out. So this is the kind of things again
• 52:07
  Speaker 1: we've mentioned how no one unless've seen the film will
• 52:10
  Speaker 1: probably have any idea that's a reference of something. Yeah,
• 52:12
  Speaker 1: but if you're a fan of Witness, that's that.
• 52:13
  Speaker 2: Yeah, they're not being really overt with it, but okay,
• 52:17
  Speaker 2: it's if you know, you know, if you know you know,
• 52:19
  Speaker 2: all right then yeah.
• 52:20
  Speaker 1: So, as I said, they're at Homa's house. Now they've
• 52:21
  Speaker 1: tried the lemonade. They're really enjoying. Homer says, you know,
• 52:24
  Speaker 1: you never have too much of a good thing. You know,
• 52:25
  Speaker 1: you're taking you're doing all the jobs that we don't
• 52:26
  Speaker 1: want to do. Pan up to everyone entering from Ogdenville
• 52:30
  Speaker 1: over the border.
• 52:31
  Speaker 2: And you too, and even the sign of Ogdenville or yeah,
• 52:34
  Speaker 2: the words on the map.
• 52:35
  Speaker 1: Yeah, the map looks like it's a what would you
• 52:37
  Speaker 1: call it a crop not a crop circle, but it
• 52:38
  Speaker 1: looks like it's just been put out of stones or whatever.
• 52:40
  Speaker 1: It's actually people and they've all crossed the border. So
• 52:43
  Speaker 1: the Springfield is full of ogden Villions and they're all
• 52:45
  Speaker 1: fixing Springfield, fixing Kirk glasses, walking old people like their dogs,
• 52:50
  Speaker 1: giving the bush a haircut, things like that. And there's
• 52:52
  Speaker 1: where Inger, Inger, Inger, whatever you want to say.
• 52:55
  Speaker 2: Inger.
• 52:56
  Speaker 1: She is getting a tour of the Simpsons kitchen. March says,
• 52:58
  Speaker 1: you know, did you have kitchens back in olle Yes,
• 53:00
  Speaker 1: before the dark days when we lost everything? And Marge says, well,
• 53:03
  Speaker 1: that's good. Lest you know you are around a blender.
• 53:05
  Speaker 1: So he even Marge doesn't really sympathize with she's really
• 53:10
  Speaker 1: hardship that they've gone through. So it's just acknowledging that, oh,
• 53:13
  Speaker 1: you want them around to help do your ship, but
• 53:14
  Speaker 1: you don't want actually knowledge that the human beings the
• 53:16
  Speaker 1: human beings and have come from a shitty situation. Oh yes,
• 53:20
  Speaker 1: Margin shows ye, shows her around the kitchen. Then she
• 53:22
  Speaker 1: gives it a rundown. She says, Grandpa is inside, the
• 53:25
  Speaker 1: dog has to be out. The dogs inside, Grandpa has
• 53:27
  Speaker 1: to be out. For whatever reason. Flanders, our neighbor drops
• 53:29
  Speaker 1: by unexpectedly sometimes Hello doesn't stay for very long. Then
• 53:34
  Speaker 1: she explains to Bart and Lisa and Maggie that she
• 53:37
  Speaker 1: will be the new nanny, and Bart straight away says
• 53:41
  Speaker 1: Mom says, I can ask him for breakfast and then
• 53:43
  Speaker 1: and then it pans out and he goes, oh, wait,
• 53:44
  Speaker 1: she's still here, And I'm like, that's because she just
• 53:46
  Speaker 1: introduced you to her. The gag works from a visual
• 53:49
  Speaker 1: perspective because you can't see Marge and it pans, oh,
• 53:51
  Speaker 1: you're still here. It's like, but Marge just said, here's
• 53:53
  Speaker 1: your new nanny, like she hasn't gone anywhere. The gag
• 53:56
  Speaker 1: doesn't really work that level. Again, Devil's advocate if I'm
• 53:59
  Speaker 1: going to do that, but is so we're not taken
• 54:03
  Speaker 1: with the idea of like, here's someone I can pull
• 54:05
  Speaker 1: a swifty on, Oh I can get ice cream for
• 54:07
  Speaker 1: breakfast and he just is ADHD. Brain sort of instantly
• 54:09
  Speaker 1: switches to that through It's like, oh, mom, silly, It's
• 54:12
  Speaker 1: like I'm giving him escape patch, I'm giving you an out.
• 54:15
  Speaker 2: Okay.
• 54:16
  Speaker 1: Lisa says she'll eat anything that she puts in front
• 54:18
  Speaker 1: of her or before that, though, March is no because
• 54:21
  Speaker 1: he asked marched and you can't have any was an
• 54:23
  Speaker 1: ice cream for breakfast, but you can't have chop chip
• 54:24
  Speaker 1: pancakes and syrup. This is totally something that happens in
• 54:27
  Speaker 1: his household. Saturday morning. Holy now, Nicholas still be in bed.
• 54:31
  Speaker 1: I'll be up with the kids and I'll go, can
• 54:32
  Speaker 1: I have a lolly? And I'm like, whatever, just fucking
• 54:34
  Speaker 1: a lolli, Nicolas. And then they'll tell Nicol later She's like,
• 54:36
  Speaker 1: why is only knock nine thirty? And I was like,
• 54:38
  Speaker 1: but it's okay for them have fruit lips?
• 54:40
  Speaker 2: Yeah? Have you seen when these kids have for breakfast?
• 54:42
  Speaker 2: Go get Bob some fruit lits? Okay, lollies. No.
• 54:46
  Speaker 1: Lisa then says, as I said, She'll eat whatever. And
• 54:48
  Speaker 1: Maggie now has nanny like the ones that Joe Piscopo
• 54:51
  Speaker 1: and Eat the Hawk.
• 54:51
  Speaker 2: Left their wives for did eat the hawk leave him
• 54:54
  Speaker 2: here for nanny, He didy Man, having said that he
• 55:00
  Speaker 2: and his new wife have been together for many, many years.
• 55:02
  Speaker 2: Oh so he's still with the nanny. Yeah, well, I
• 55:04
  Speaker 2: guess if you're fine, love you fine, love, don't you
• 55:07
  Speaker 2: can't be with the one you love, honey, love the
• 55:08
  Speaker 2: one you're with.
• 55:09
  Speaker 1: So then Nanny she says, keep keep your hands, sorry
• 55:11
  Speaker 1: off my homie, and she takes that down.
• 55:14
  Speaker 2: Told me.
• 55:14
  Speaker 1: Then Maggie is quite nervous about new people, but turns
• 55:17
  Speaker 1: out she's not nervous, she's just a bit gassy, and
• 55:19
  Speaker 1: Inger gives her the Ingleberry oil under her tongue, which
• 55:21
  Speaker 1: fixes it all straight away, and Marge feels bad for
• 55:24
  Speaker 1: calling her references. Then Luigi's it's a double date, Marge,
• 55:27
  Speaker 1: Homer Selma and Debourne thorn Borg the orn whatever. He's
• 55:32
  Speaker 1: a Norwegian olden Villian, she says, they now dating after
• 55:36
  Speaker 1: she hired him to kill the moles in her garden,
• 55:37
  Speaker 1: but she has the face of his great uncle Madris.
• 55:39
  Speaker 2: Or something on.
• 55:40
  Speaker 1: Yeah, Magnus, after half of the accident he had and
• 55:43
  Speaker 1: then talking about it, he said, talking about taking the
• 55:45
  Speaker 1: jobs at none of us want at Springfield Want, which
• 55:47
  Speaker 1: is a good gag, and then he says his flobber
• 55:49
  Speaker 1: could light the town for a year or something along
• 55:50
  Speaker 1: those lines.
• 55:51
  Speaker 2: Did I zing the earth? Good? Yes?
• 55:52
  Speaker 3: You did?
• 55:52
  Speaker 2: Great, she's in love with him. Did you call it flubber?
• 55:56
  Speaker 2: He said blubber? Oh though he said flubber. I said flobber.
• 55:58
  Speaker 2: Did he say blubber? Yeah?
• 55:59
  Speaker 1: I think, Oh, maybe the kids are just started watching flobber,
• 56:01
  Speaker 1: so flobbers just on the mind. We're now at the
• 56:06
  Speaker 1: at the park and all the kids from Old de
• 56:09
  Speaker 1: Villa wearing Minnesota Viking apparrol, which annoys Millhouse because this
• 56:12
  Speaker 1: is Tennessee Titans territory. This is totally meet the footy.
• 56:15
  Speaker 1: We Our seats are in a Gelong Cats fans section, right,
• 56:18
  Speaker 1: But there's the option if you can't make it to
• 56:19
  Speaker 1: the game, you can sell your tickets, your seats back
• 56:21
  Speaker 1: to the club and we'll give it to somebody else.
• 56:25
  Speaker 1: The people behind us scenes has never come to games,
• 56:28
  Speaker 1: so our seats always have opposition supporters.
• 56:31
  Speaker 2: Right behind us.
• 56:31
  Speaker 1: So Geelong fans everywhere, but right behind us opposition supporters.
• 56:35
  Speaker 2: I'm like, what is going on? Are they often vocal?
• 56:38
  Speaker 2: Very vocal?
• 56:39
  Speaker 1: I'm all for everyone every time has their supporters, but it's.
• 56:42
  Speaker 2: Just like it's behind me.
• 56:44
  Speaker 1: That's the lesson of this episode is the thing they're
• 56:47
  Speaker 1: always like smart us because it's always someone different, right Becau.
• 56:50
  Speaker 1: There's always a different team that you're playing. It's usually
• 56:52
  Speaker 1: young blokes with a few beers now and they is
• 56:57
  Speaker 1: lippy and it's just like just they're doing miss try
• 57:00
  Speaker 1: Science Yer to three thousand basically at the foot where
• 57:02
  Speaker 1: it's just running commentary and I'm like, shut the funk up,
• 57:05
  Speaker 1: like no one wants to hear what you think about everything.
• 57:07
  Speaker 2: Yeah, we got BT for this shit. Yeah.
• 57:09
  Speaker 1: It's like, I mean, I'm all about supporting and cheering
• 57:11
  Speaker 1: the game, but they're just like giving and they think
• 57:14
  Speaker 1: they're funny.
• 57:14
  Speaker 2: Well that's the problem. Here's the thing. Everybody thinks they've
• 57:17
  Speaker 2: got a podcast. They don't. It's only it's only Dandem guy.
• 57:20
  Speaker 2: We're the only ones who have a podcast.
• 57:22
  Speaker 1: Used to be when I said I do a podcast
• 57:23
  Speaker 1: for a living, people will say, what's a podcast? Now
• 57:25
  Speaker 1: I say I do a podcast for a living. They go, oh,
• 57:27
  Speaker 1: of course you do. Everyone does, and yeah, well you
• 57:30
  Speaker 1: know what you know ruin this celebrities? Oh yeah, oh
• 57:35
  Speaker 1: no one was doing podcasts. No one was doing podcasts.
• 57:38
  Speaker 2: Yeah, I completely blame Jason Bateman for this.
• 57:40
  Speaker 1: Yeah he's one of them, good guy probably, But but
• 57:44
  Speaker 1: then shows how the natives ride sky and he ends
• 57:47
  Speaker 1: up crashing into the school bus and goes down the
• 57:49
  Speaker 1: hill on the skateboard crashing into the school bus and
• 57:51
  Speaker 1: dislocates his arm or his elbow or something along those lines.
• 57:53
  Speaker 1: It's now going to be a three hour wait in
• 57:55
  Speaker 1: the emergency room because all the old.
• 57:57
  Speaker 2: And villions are there now.
• 57:58
  Speaker 1: They sneeze funny, and they're out of English form, so
• 58:01
  Speaker 1: she has to use a Norwegian form. Homer says he's
• 58:03
  Speaker 1: annoyed that the foreigners are clogging up his system or
• 58:06
  Speaker 1: cloging up the system. I hurt my back un cloging
• 58:08
  Speaker 1: your septic system. Yeah, well, can come back tomorrow. It's
• 58:10
  Speaker 1: still broken again. You can come back and fix it
• 58:11
  Speaker 1: again for you tomorrow. Margin says you would care for
• 58:14
  Speaker 1: him at home. So they're trying to say I think
• 58:16
  Speaker 1: this is their way of also saying it doesn't always
• 58:18
  Speaker 1: have its benefits. You know, hospitals are full, which means
• 58:21
  Speaker 1: parents are now having to take their kids home. I
• 58:22
  Speaker 1: get the treatment they need.
• 58:23
  Speaker 2: That kind of thing. It is the thing. You take
• 58:25
  Speaker 2: the good, you take the bad, you have to, Yeah,
• 58:27
  Speaker 2: you take them both and then you have the facts alive. Yes,
• 58:30
  Speaker 2: margin puts bart back in place. So just like yeah
• 58:33
  Speaker 2: he had the kind yeah shoulders. Yeah, did the whole
• 58:37
  Speaker 2: Martain Riggs from lethal weapon. Yes.
• 58:39
  Speaker 1: Indeed all the Wokes from the English cricket team who
• 58:42
  Speaker 1: went out with a disticcated shoulder.
• 58:43
  Speaker 2: You see that no.
• 58:45
  Speaker 1: England had the just precludes me watching. I had a
• 58:48
  Speaker 1: Test cricket, had a Test game against and he had
• 58:49
  Speaker 1: the game won. They needed to make like thirty two
• 58:52
  Speaker 1: runs or something. He had four wickets in hand and
• 58:54
  Speaker 1: stuffed it up. And the guy who was ninth the
• 58:56
  Speaker 1: one of the balls have disiccated shoulder. So you get
• 58:58
  Speaker 1: to run out and be the ninth batter with dissiccated shoulder.
• 59:01
  Speaker 1: And of course he went out. Man, Actually I don't
• 59:03
  Speaker 1: think he went out, but they fluffed it up and
• 59:06
  Speaker 1: they lost. Yeah, crick at a But then, as I
• 59:09
  Speaker 1: was saying, Homer is starting to think that maybe you
• 59:12
  Speaker 1: having these immigrants here was a bad idea. Maybe it's
• 59:14
  Speaker 1: better when they weren't around here. At least it points out, well,
• 59:16
  Speaker 1: we were once immigrants and you want a baby. Do
• 59:18
  Speaker 1: you still like milk and hugs? He's like, I actually do,
• 59:20
  Speaker 1: so he gives hers some milk, give it a hug,
• 59:22
  Speaker 1: and he's like, you know what, not bad. This was
• 59:24
  Speaker 1: actually one of my favorite moments that I didn't talk
• 59:26
  Speaker 1: about it earlier. Be goes, Yeah, I think it would
• 59:27
  Speaker 1: be nice to mention it here, because yeah, who doesn't
• 59:29
  Speaker 1: like milk and hugs?
• 59:30
  Speaker 2: Never too old for a cuddle.
• 59:32
  Speaker 1: We're a nice glass of milk. Yes, I've had a
• 59:34
  Speaker 1: glass of milk for a long time, milk with my cereal.
• 59:35
  Speaker 1: But I don't have a glass of milk. I don't
• 59:37
  Speaker 1: drink coffee your tea, so I don't really get milk.
• 59:39
  Speaker 2: All that often. I had to get milk for something
• 59:41
  Speaker 2: I might have been making, like mac and cheese. Do
• 59:43
  Speaker 2: you get like the full fat milk? We get skim milk. No,
• 59:46
  Speaker 2: I just got read because I don't really have that
• 59:48
  Speaker 2: much of that. So I have black coffee and I
• 59:50
  Speaker 2: don't have cereal or coffee, so I don't really have
• 59:53
  Speaker 2: milk in the house all that often. But I needed
• 59:55
  Speaker 2: for mac and cheese. I've got a little thing. There
• 59:56
  Speaker 2: was a little bit left in the container so I'm like,
• 59:58
  Speaker 2: you know what, I'm going to drink it straight like
• 1:00:00
  Speaker 2: a man. Delicious. It was really nice. Should have got
• 1:00:03
  Speaker 2: some quick, put some quick in there. Well, I used to.
• 1:00:05
  Speaker 2: It was the after school treaked. Oh it was cocaine
• 1:00:08
  Speaker 2: for kids. Yeah, it's just like six heaped teat tablespoons
• 1:00:11
  Speaker 2: of that's insane, man, No, that's too much, too much. Yeah,
• 1:00:14
  Speaker 2: I had to be kated on the bottom and caked
• 1:00:15
  Speaker 2: on the top. It was just like just drinking quick.
• 1:00:17
  Speaker 2: Oh yeah, so good stone would the spoon would just
• 1:00:21
  Speaker 2: stand up straight in the and the glass. But now
• 1:00:23
  Speaker 2: this milk had been in the fridge for a while,
• 1:00:25
  Speaker 2: was ice cold, and I just had like a good
• 1:00:27
  Speaker 2: sized mouthful just to polish off the containers. Like, holy moly,
• 1:00:30
  Speaker 2: that was nice. You know he likes milk, Santa Claus.
• 1:00:34
  Speaker 2: I got no response to that.
• 1:00:37
  Speaker 1: Was like live glass milk out for Santa. You always
• 1:00:39
  Speaker 1: have a glass book, couple of cookies, and some carrots
• 1:00:41
  Speaker 1: of the reindeer.
• 1:00:41
  Speaker 2: That's yeah, that is true. I do remember that we
• 1:00:44
  Speaker 2: never never left the glass and milk out for the
• 1:00:46
  Speaker 2: for Santa Claus. No, just like the presents and go buddy,
• 1:00:50
  Speaker 2: you never left him anything. No, I'm sure I did.
• 1:00:53
  Speaker 2: I did when I was, when I was, when I
• 1:00:55
  Speaker 2: was a very young don't do it now? How do
• 1:00:57
  Speaker 2: you expect presents?
• 1:00:58
  Speaker 1: How do you think those presents to your tree on
• 1:01:00
  Speaker 1: Christmas morning? Count Basie, do I break it to him?
• 1:01:04
  Speaker 1: You live in beer? Oh two fingers a whiskey, but
• 1:01:08
  Speaker 1: on your chest?
• 1:01:08
  Speaker 2: Yeah? Well, didn't you see the motion pitch of Red
• 1:01:14
  Speaker 2: One starring Dwayne Johnson and Preservans and as me and
• 1:01:18
  Speaker 2: my friend Charlie referred to him Jack Simmons because JK
• 1:01:22
  Speaker 2: Simmons was just jacked. Yeh, duk buck old man jacked?
• 1:01:25
  Speaker 2: Oh yeah, old man Jay. This is weird.
• 1:01:29
  Speaker 1: There's no muscles here, but it's like it's still muscles somehow.
• 1:01:31
  Speaker 1: There's veins there, wrinkley veins.
• 1:01:35
  Speaker 2: Like looking at this help.
• 1:01:38
  Speaker 1: But then we're at Moe's now and Carl's annoyed by
• 1:01:41
  Speaker 1: the Norwegians, and most as I don't mind them, because
• 1:01:43
  Speaker 1: you know, they pay cash, they keep their they keep clean,
• 1:01:45
  Speaker 1: and their mythology is richer than chanting. Do you think
• 1:01:47
  Speaker 1: they use the character of Mo, who's usually the most racist,
• 1:01:51
  Speaker 1: to speaking of the person as a way to saying,
• 1:01:53
  Speaker 1: you guys are the problem. I'm actually fine, that's a
• 1:01:55
  Speaker 1: good point. Yeah, I think that's a that's a very
• 1:01:57
  Speaker 1: good way of putting it. There's one to cut straight
• 1:01:58
  Speaker 1: to most. I was like, yeah, guy's gonna be there.
• 1:02:00
  Speaker 2: Immigrants, emigrants. Lames was saying them immigrants.
• 1:02:04
  Speaker 1: Well, he is actually an immigrant. As we assume mummy talks.
• 1:02:08
  Speaker 1: He talks about how he doesn't serve beer anymore. He
• 1:02:10
  Speaker 1: serves aquavit.
• 1:02:11
  Speaker 2: This is supposed a lot of like real rocket fuel acvavit.
• 1:02:14
  Speaker 1: Is it a real thing? Oh yeah, oh shit, I
• 1:02:16
  Speaker 1: didn't know that. I am going to give the google.
• 1:02:19
  Speaker 1: It was a clear liqueur, yeah, also spelled akavit, is
• 1:02:24
  Speaker 1: a Scandinavian spirit primarily produced in Denmark, Sweden, and Norway.
• 1:02:28
  Speaker 1: It is a distilled spirit, typically made from grain or
• 1:02:30
  Speaker 1: potatoes and flavored with a variety of herbs and spices.
• 1:02:34
  Speaker 1: Carraway and dill are the dominant flavorings both, but other
• 1:02:37
  Speaker 1: spices like pennel, cumin, and cardamom.
• 1:02:41
  Speaker 2: Can also be used. Okay, then, yeah, I didn't realize
• 1:02:44
  Speaker 2: it's a real thing. It's a spicy liquor, spicy liquea
• 1:02:47
  Speaker 2: as he calls it. Yeah, it sounds liquors and the cures, yes,
• 1:02:51
  Speaker 2: but more more liquors than the liqueurs. I think sometimes
• 1:02:53
  Speaker 2: is on those lines. But anyway, this is where you're
• 1:02:56
  Speaker 2: annoyed by this, saying, what do you mean you turned
• 1:02:58
  Speaker 2: your back on this mood? Not serving beer anymore. It's
• 1:03:00
  Speaker 2: all about the other king Harolds now because they've changed
• 1:03:03
  Speaker 2: the currency essentially. Now in Springfield and Homer asked for
• 1:03:06
  Speaker 2: a glass of it and it gets him drunk really
• 1:03:08
  Speaker 2: really fast. Must be very alcoholic, right, I think it's
• 1:03:11
  Speaker 2: pretty high package. Yeah, but I see drinks a lot
• 1:03:14
  Speaker 2: of it. Oh sign of it?
• 1:03:15
  Speaker 1: Basically what is the percentage? I think it happened like
• 1:03:17
  Speaker 1: in the shot it's a spirit.
• 1:03:19
  Speaker 2: Yeah. So now he's hung over at work. This was
• 1:03:21
  Speaker 2: very quick. There's lots of quick cutaways in this one.
• 1:03:23
  Speaker 2: So he's late. Well, fire again.
• 1:03:28
  Speaker 3: You leaked and drunk, Shut up?
• 1:03:31
  Speaker 2: You last your job.
• 1:03:33
  Speaker 3: It's not my fault.
• 1:03:34
  Speaker 2: Those Egdenville guys plied me with their native liqueurs and liquors,
• 1:03:38
  Speaker 2: but mostly liqueurs. Oh poor, and you with your alcoholism. Yeah.
• 1:03:47
  Speaker 1: This show is brought to you by the four Fingered
• 1:03:48
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• 1:03:51
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• 1:03:56
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• 1:03:59
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• 1:04:04
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• 1:04:06
  Speaker 1: ahead and join the family today at patreon dot com
• 1:04:09
  Speaker 1: Slash four finger discount. But then it's a town meeting,
• 1:04:13
  Speaker 1: says at the front tonight it's our immigrant problem. Tomorrow
• 1:04:15
  Speaker 1: we turn on you, and the Blue Head Lawyer makes
• 1:04:17
  Speaker 1: an appearance here. Haven't seen him for a long time.
• 1:04:20
  Speaker 1: I actually tell a lie. He appeared recently, right.
• 1:04:22
  Speaker 2: Well, on an old episode that we watched.
• 1:04:24
  Speaker 1: Was another episode an not the one that I thought
• 1:04:26
  Speaker 1: it was one where he says something about Disney stealing.
• 1:04:29
  Speaker 2: I don't know anyway.
• 1:04:30
  Speaker 1: Blue Head Lawyer is there and he says that immigant
• 1:04:32
  Speaker 1: shouldn't be allowed in Springfield, and Homer supports his xylophobia,
• 1:04:35
  Speaker 1: not xenophobia, at least it points out, and so it
• 1:04:37
  Speaker 1: should be xenophobia, he says, no xylophobe, because it's the
• 1:04:40
  Speaker 1: music here when skeletons are dancing.
• 1:04:42
  Speaker 2: I didn't I didn't hate that, that's actually true. I
• 1:04:45
  Speaker 2: liked it.
• 1:04:45
  Speaker 1: And then they end up banning immigrants and xylophones and
• 1:04:49
  Speaker 1: the border's clothes and miss lagasys you can't take my
• 1:04:51
  Speaker 1: xylophone and runs out like a little insident zone style
• 1:04:54
  Speaker 1: with the xylophone playing.
• 1:04:55
  Speaker 2: It's a funny visual gag. I've got a lot of
• 1:04:57
  Speaker 2: respect for someone who can really rock a xylophone or
• 1:05:00
  Speaker 2: a glockenspiel.
• 1:05:01
  Speaker 1: Or anyone who just playing musical instrument of any kind. Well, yes, true,
• 1:05:04
  Speaker 1: but the ones that aren't you stocks down a drums, guitar,
• 1:05:06
  Speaker 1: that kind of thing.
• 1:05:07
  Speaker 2: There was a stage I may have been in the ad,
• 1:05:09
  Speaker 2: but you would hear like rock songs or pop songs
• 1:05:13
  Speaker 2: that actually had the xylophone or the glock and spiel
• 1:05:15
  Speaker 2: in there. I'm like, it's pretty rare. I kind of
• 1:05:17
  Speaker 2: like that. I can I still say to this day.
• 1:05:18
  Speaker 1: One of the things that really got me attracted to Nicola,
• 1:05:22
  Speaker 1: right obviously, you know, I went on a date with
• 1:05:24
  Speaker 1: a blah blah blah. She was staying at a friends
• 1:05:26
  Speaker 1: place and went and visited her at a friend's place.
• 1:05:28
  Speaker 1: I had this piano there, and Nichola starts playing the
• 1:05:31
  Speaker 1: piano and I was like that was so awesome. Oh yeah,
• 1:05:34
  Speaker 1: like I would I've always wanted to be able to
• 1:05:36
  Speaker 1: play the piano. Nicholas just like, yeah, I can play it,
• 1:05:37
  Speaker 1: starts playing that daylight no do do do do do
• 1:05:40
  Speaker 1: do it?
• 1:05:41
  Speaker 2: And I was like, I love you. You're awesome, and
• 1:05:44
  Speaker 2: then she fucking just buzzed out Baker Street on the saxophone.
• 1:05:46
  Speaker 1: I was like this woman, Oh yeah, now I have
• 1:05:48
  Speaker 1: the most respectful for musicians. Yeah, Nicola is awesome at saxophone.
• 1:05:52
  Speaker 1: She was in a genuine band.
• 1:05:53
  Speaker 2: I'll bet you yeah.
• 1:05:55
  Speaker 1: Well, police officer, jazz musician, accountant, don't at all, mother, wife, wife,
• 1:06:02
  Speaker 1: the dando her greatest achievement. But yeah, So the town
• 1:06:07
  Speaker 1: meeting has happened and they have agreed to ben or
• 1:06:09
  Speaker 1: close the border, not allow any more immigrants in Sore
• 1:06:12
  Speaker 1: now at the border and the Norwegians are getting in
• 1:06:16
  Speaker 1: still that they're running across the border. They're getting between
• 1:06:18
  Speaker 1: Wigham's legs. It's like this guy's ridding a bike. What
• 1:06:21
  Speaker 1: am I superman? And then they realize they're going to
• 1:06:23
  Speaker 1: need extra help because Springfield only has three cops. That's
• 1:06:27
  Speaker 1: a funny joke. If it wasn't just the last week
• 1:06:29
  Speaker 1: we had the four Great Women and a manicure. The
• 1:06:31
  Speaker 1: one before that was Waverley Hills No. Two one dough
• 1:06:34
  Speaker 1: where they acknowledged that there's more cops in spring because
• 1:06:36
  Speaker 1: time it gets.
• 1:06:37
  Speaker 2: Arrested at the start.
• 1:06:38
  Speaker 1: That's right, you've just made the joke there's more cops
• 1:06:40
  Speaker 1: in Springfield, and there was any make it three.
• 1:06:43
  Speaker 2: Later on you get more cops at the end of
• 1:06:44
  Speaker 2: this episode as well. So then against the whole thing
• 1:06:46
  Speaker 2: production meetings. Indeed, Plus, did we really need to cut
• 1:06:49
  Speaker 2: away to Eddie with gout? I don't think we did.
• 1:06:51
  Speaker 2: What we all are funny, No, where's Eddie? So if
• 1:06:54
  Speaker 2: you're gonna have a cutaway cut away to something funny,
• 1:06:57
  Speaker 2: why does he walk out? Or if he's you know,
• 1:07:00
  Speaker 2: if he really does have gout, which you normally get
• 1:07:01
  Speaker 2: from indulgent in wine and rich food and all that
• 1:07:03
  Speaker 2: kind of stuff, have him in bed with you know, Ah,
• 1:07:06
  Speaker 2: it splits up. Ah, I've got gat But also he's
• 1:07:08
  Speaker 2: drinking a glass of wine at the same time because
• 1:07:10
  Speaker 2: you just can't help himself. Or he's eating and like
• 1:07:12
  Speaker 2: eating a fucking thing a patterns.
• 1:07:14
  Speaker 1: Or his ancestors in Norwegian and he's actually been kicked out.
• 1:07:17
  Speaker 2: Good point. See we're fixing it.
• 1:07:20
  Speaker 1: Guy rocks up on a horse that's asked off to
• 1:07:21
  Speaker 1: pay to get in with. I was like, no, no,
• 1:07:23
  Speaker 1: it's free, going for free, it's free. And then he
• 1:07:24
  Speaker 1: suggest vigilantes who will work for free because of the
• 1:07:27
  Speaker 1: adrenaline Russia of having tiny, tiny bit of authority over
• 1:07:29
  Speaker 1: your fellow man. And it cuts to everyone standing there
• 1:07:32
  Speaker 1: with guns and your typical he would expect to be
• 1:07:34
  Speaker 1: in a vigilante group in Springfield or all there. You've
• 1:07:36
  Speaker 1: got your kleatuses and Lenny Carl's and your barnies and whatnot.
• 1:07:40
  Speaker 1: Mole Man's are as well, I believe, and home and
• 1:07:42
  Speaker 1: then puts the gun in his.
• 1:07:43
  Speaker 2: Mouth as well. Almost made a big mistake, And I
• 1:07:45
  Speaker 2: was like, sure, yeah, that just wasn't funny. That's not funny.
• 1:07:51
  Speaker 2: That's not funny.
• 1:07:52
  Speaker 1: No word in the Simpsons movie when Wigan was eating
• 1:07:55
  Speaker 1: doughnuts of his gun and it goes bang and it
• 1:07:57
  Speaker 1: shoots his hat and he goes, wow, wow, cloth, that
• 1:08:00
  Speaker 1: was different. This is Homer just putting a gun in
• 1:08:02
  Speaker 1: his mouth.
• 1:08:02
  Speaker 2: Well, that's it. It needed a little more build up
• 1:08:05
  Speaker 2: with everything they were doing when they were shooting at
• 1:08:06
  Speaker 2: berns and all that kind of stuff.
• 1:08:08
  Speaker 1: Yeah, but no, it happened just happened so quickly. Yeah,
• 1:08:11
  Speaker 1: it did indeed. So now we get them guarding the
• 1:08:14
  Speaker 1: border with guns. Agnuses allowed in, but the Norwegians aren't,
• 1:08:16
  Speaker 1: and all our negative energy has been harnessed to help
• 1:08:19
  Speaker 1: keep Springfield's borders secure from Ogden Villians. But our group,
• 1:08:22
  Speaker 1: it needs a name, and then it represents the US
• 1:08:24
  Speaker 1: history of defending our way of life.
• 1:08:26
  Speaker 2: The Klan no bad ideas. Let's keep trying the Nazis.
• 1:08:30
  Speaker 2: You stop truck they need.
• 1:08:33
  Speaker 1: Carl suggests the star spangled goofballs. That's what they go with,
• 1:08:37
  Speaker 1: the goofballs, goofballs, goofballs. Yeah, Homer is now going to
• 1:08:40
  Speaker 1: be They've got a chair with balloons, and Home is
• 1:08:42
  Speaker 1: going to be referring to himself as screaming eagle up
• 1:08:45
  Speaker 1: above and letting the guys that on the bottom of
• 1:08:47
  Speaker 1: the ground loses ground losers patrol something on those lines
• 1:08:50
  Speaker 1: on the ground to find the ones that Homer spotting
• 1:08:53
  Speaker 1: from up above. They release the sandbags, but the chair
• 1:08:55
  Speaker 1: just breaks, so then Lenny and Carl take over. They
• 1:08:57
  Speaker 1: fly up in the in the chair on the balloons,
• 1:09:00
  Speaker 1: but they go two high and it's too cold up there.
• 1:09:01
  Speaker 1: But we do see the uphouse came from the up house. Yeah,
• 1:09:04
  Speaker 1: interesting cameo. It wasn't owned by Disney at this point.
• 1:09:06
  Speaker 1: It feels like something that have now because they're owned
• 1:09:08
  Speaker 1: by Disney, but they weren't owned by Disney at this point.
• 1:09:11
  Speaker 2: And you mentioned up earlier when we were talking about,
• 1:09:12
  Speaker 2: you know, films that are going to be topping the
• 1:09:14
  Speaker 2: box office between two weeks. Yeah. Interesting.
• 1:09:17
  Speaker 1: At least it was a timely reference.
• 1:09:18
  Speaker 2: That's right.
• 1:09:20
  Speaker 3: I'm sorry to say that this poorly can see patrol
• 1:09:22
  Speaker 3: carried out by a group of brank amateurs had somehow
• 1:09:25
  Speaker 3: been a failure. Yeah. Those body chaps of crafty. One
• 1:09:29
  Speaker 3: of them handcuffed me to this tree.
• 1:09:31
  Speaker 2: Not a tree, chief, that's the street side. You just
• 1:09:33
  Speaker 2: looped your belt around it when you were changing your pants.
• 1:09:36
  Speaker 3: Okay, I'm hearing lots of problems but no solutions.
• 1:09:40
  Speaker 1: And Homo sees Bart that he's bouncing a ball against
• 1:09:42
  Speaker 1: a billboard, right, and it ends up bouncing off the billboard,
• 1:09:45
  Speaker 1: hits home in the head. He goes to choke him
• 1:09:47
  Speaker 1: to see.
• 1:09:47
  Speaker 2: The visual gag. Yet isn't there wasn't stop child abuse.
• 1:09:49
  Speaker 1: Yah, report child abuse. So we've got to choke Bart
• 1:09:52
  Speaker 1: and they realize, oh, no, we'll do We'll build a fence.
• 1:09:54
  Speaker 1: We'll build a fence around this. It's saying all this, right,
• 1:09:56
  Speaker 1: Southbuck have already done this story, haven't they.
• 1:09:58
  Speaker 2: I'm pretty sure, Yeah, Simpsons already done the story. Shitty,
• 1:10:01
  Speaker 2: what guy he's guarding the fence.
• 1:10:03
  Speaker 1: Remember they build a wall, So it wasn't So maybe
• 1:10:06
  Speaker 1: maybe Trump's actually a South Park fan.
• 1:10:08
  Speaker 2: I wonder now, maybe just aishonado of animation. Maybe yeah, maybe.
• 1:10:14
  Speaker 1: Indeed, then we get dinner time and Marge is concerned
• 1:10:17
  Speaker 1: about the fact that they're going to be building a wall, says,
• 1:10:19
  Speaker 1: we've taught the kids to befriend those who are a
• 1:10:21
  Speaker 1: little bit different, and then Maggie, they're all going, does
• 1:10:23
  Speaker 1: Thatt wrike you to go?
• 1:10:24
  Speaker 2: Yes?
• 1:10:24
  Speaker 1: Yes, and Maggie says yeah. So she says yes in Norwegian,
• 1:10:28
  Speaker 1: how many used as an example to why they should
• 1:10:30
  Speaker 1: build a fence, and March says, build it, Homie. High's
• 1:10:32
  Speaker 1: the sky deep as hell? So context a side, right,
• 1:10:36
  Speaker 1: And how horrible that is for Marge as a person
• 1:10:38
  Speaker 1: to say. I understand that she'd be annoyed by this.
• 1:10:41
  Speaker 1: Having Maggie speak for the first time and the family
• 1:10:44
  Speaker 1: see this is a huge moment in the history of
• 1:10:46
  Speaker 1: the show and it's just fobbed off for a quick game.
• 1:10:49
  Speaker 1: Oh yeah, I mean it takes away from the daddy
• 1:10:52
  Speaker 1: moment for me where that's right.
• 1:10:53
  Speaker 2: Yeah. I was just about to say, which they basically
• 1:10:57
  Speaker 2: film framed a whole episode around, had a whole bunch
• 1:10:59
  Speaker 2: of the sim mythology around. Yeah. So yeah, for them
• 1:11:02
  Speaker 2: to sort of throw that again under the bus.
• 1:11:04
  Speaker 1: Because margin Homer and the family think that this is
• 1:11:06
  Speaker 1: actually her first word, and I was like, you just
• 1:11:08
  Speaker 1: sort of it means nothing.
• 1:11:11
  Speaker 2: Yeah, I mean, okay, what's the work around for this? Yeah?
• 1:11:15
  Speaker 2: Do you have her like maybe drawing like yah on
• 1:11:19
  Speaker 2: the wall in like Lingenbury jam or something, or just
• 1:11:23
  Speaker 2: don't have to have Marge approof of the wall at all?
• 1:11:26
  Speaker 2: Man also a possibility.
• 1:11:27
  Speaker 1: I don't think Marcha ever have approved for the wall.
• 1:11:29
  Speaker 1: I guess they're trying to say that even someone that
• 1:11:31
  Speaker 1: is good, even good people, can get caught up in
• 1:11:33
  Speaker 1: mob mentality, in the mentality of it all. Anyway, it
• 1:11:36
  Speaker 1: just annoyed me, and it shouldn't because I know it's
• 1:11:37
  Speaker 1: just season twenty the Simpsons, but I just sort of
• 1:11:40
  Speaker 1: went just this just feels like it takes away from
• 1:11:42
  Speaker 1: that classic Daddy.
• 1:11:43
  Speaker 2: Ending of Lisa's first word.
• 1:11:46
  Speaker 1: But then the mayor asks who knows how to build
• 1:11:48
  Speaker 1: a wall?
• 1:11:49
  Speaker 2: No one knows.
• 1:11:50
  Speaker 1: I know who, Carp suggests the Norwegians, the barley jacks wall.
• 1:11:52
  Speaker 1: We're getting the build it and they can bugger off.
• 1:11:54
  Speaker 1: So they all help them build it.
• 1:11:56
  Speaker 2: They're all there.
• 1:11:57
  Speaker 1: I did love to keep out sign which was made,
• 1:11:59
  Speaker 1: and Ogden ill yes, and Snake is chatting away. One
• 1:12:02
  Speaker 1: of the guys he talks beout. His wife puts so
• 1:12:04
  Speaker 1: many pillows on the bed and they put in the
• 1:12:05
  Speaker 1: right order. And then the other one says, and she
• 1:12:07
  Speaker 1: always wants a cat slip in a bed.
• 1:12:09
  Speaker 2: Tell me.
• 1:12:10
  Speaker 1: Flanders bonds over the other guy with his button sweaters,
• 1:12:13
  Speaker 1: and then the kid mentions to Bart about the prime
• 1:12:15
  Speaker 1: and the happier stuff. Stay on the wall, a long geve.
• 1:12:17
  Speaker 1: You put primer first. And the war finally goes up,
• 1:12:20
  Speaker 1: and it's just silence. We get Ralph at Tumblewee, but
• 1:12:22
  Speaker 1: everyone sort of realizes, oh, it's kind of quiet. Yeah,
• 1:12:24
  Speaker 1: it kind of sucks. Something doesn't feel quite right here.
• 1:12:27
  Speaker 1: It turns out in Norwegians they missed them, and because
• 1:12:30
  Speaker 1: of that they built a door as well, and they
• 1:12:33
  Speaker 1: realize he you know what, we should just let them in.
• 1:12:35
  Speaker 2: Okay, this begs the question, This raises the question. Yes,
• 1:12:40
  Speaker 2: why on earth with the Ogdenvillians wants to hang from
• 1:12:43
  Speaker 2: those people of Springfield? Why would they want to hang
• 1:12:45
  Speaker 2: out with them? No know where to go because they're
• 1:12:47
  Speaker 2: just so nice? I guess you know where to go?
• 1:12:49
  Speaker 2: I guess. Yeah. Ogdenville's ruined, isn't it. The olden Villions
• 1:12:53
  Speaker 2: seem pretty can do it. Feels like they could rebuild this.
• 1:12:56
  Speaker 2: They could rebuild, they'd probably, But the thing is that they.
• 1:12:59
  Speaker 1: Can build stuff, but their whole economy was built on
• 1:13:01
  Speaker 1: the Bari.
• 1:13:02
  Speaker 2: That's correct, Yes, and they need a good entrepreneur to
• 1:13:05
  Speaker 2: sort of show them the way. Yeah, they need a
• 1:13:08
  Speaker 2: dandough essential. But this is the thing.
• 1:13:10
  Speaker 1: Well, okay, they're going out of business right because no
• 1:13:12
  Speaker 1: one's to buy the bar anymore. But couldn't they just say, look,
• 1:13:14
  Speaker 1: we've cleaned our stuff up, We're just going to make
• 1:13:16
  Speaker 1: it properly again, because where else thinking eat the barallet
• 1:13:18
  Speaker 1: from shelby them? They shall people have a good barley.
• 1:13:21
  Speaker 1: I don't know, yeah, but you're right. Why would why
• 1:13:23
  Speaker 1: would they want to hang out with them, given.
• 1:13:26
  Speaker 2: That they're yeah, being completely exploitative and kind of cruel.
• 1:13:30
  Speaker 2: And I bet you next week we never see them again.
• 1:13:32
  Speaker 2: Oh and speaking, hey, speaking next week, do you think
• 1:13:34
  Speaker 2: Home is going to get his job back? What job? What?
• 1:13:39
  Speaker 2: I was thinking about this the other night.
• 1:13:41
  Speaker 1: Probably happily ever after that's the end of the episode.
• 1:13:44
  Speaker 1: Oh yeah, the end I think a big swing is
• 1:13:46
  Speaker 1: sore they've ever seen and the Uegian flag and yeah, yeah,
• 1:13:48
  Speaker 1: yeah were.
• 1:13:49
  Speaker 2: The Homer keep losing his job? I mean, should they
• 1:13:51
  Speaker 2: make it like a plot point or a story sort
• 1:13:53
  Speaker 2: of driver in Egyptue where he loses one that he
• 1:13:56
  Speaker 2: has to find some way to get it back, that
• 1:13:59
  Speaker 2: he has to who persuade Smithers or mister Burns like
• 1:14:04
  Speaker 2: no you really need me? Or or have him sucking
• 1:14:06
  Speaker 2: up or having to do something and genius to get
• 1:14:08
  Speaker 2: his job back. I don't know, I get the feeling
• 1:14:11
  Speaker 2: that might be kind of fun.
• 1:14:13
  Speaker 1: I think at this point here it feels as a
• 1:14:16
  Speaker 1: vieurop of Season twenty of The Simpsons that the writers
• 1:14:18
  Speaker 1: almost see Homer's job as a roadblock and a nuisance
• 1:14:22
  Speaker 1: because they want to use him as a tool for comedices.
• 1:14:25
  Speaker 1: Escapade is on the show. But him having a job means, oh,
• 1:14:28
  Speaker 1: he can't do that. So they's either don't acknowledge the
• 1:14:30
  Speaker 1: job or they fight get him fired, fired and fired.
• 1:14:33
  Speaker 1: If they had their way, he probably wouldn't work at
• 1:14:35
  Speaker 1: the power plant anymore. But how could this the family
• 1:14:38
  Speaker 1: function without a breadwinner? Yeah, so that's why he still
• 1:14:42
  Speaker 1: has to have the job. But it's almost like him
• 1:14:44
  Speaker 1: having a job now is just oh, he's got a job,
• 1:14:46
  Speaker 1: but don't worry about it.
• 1:14:47
  Speaker 2: Don't wry about that.
• 1:14:48
  Speaker 1: They let him get away or whatever. Yeah, so it
• 1:14:50
  Speaker 1: seems a bit far fetched now, but that's what happens
• 1:14:53
  Speaker 1: when a show goes for twenty plus years. Now thirty
• 1:14:55
  Speaker 1: seven years. It's pretty insane, right, it's very insane.
• 1:14:59
  Speaker 2: What do we learn bomb? All right?
• 1:15:01
  Speaker 1: So what did you learn from the episode? Mister Davis?
• 1:15:03
  Speaker 2: That if you're gonna have facial hair, you'd better make
• 1:15:05
  Speaker 2: it rugged but reliable.
• 1:15:06
  Speaker 1: What's reliable facial hair to you? So I don't like mustaches.
• 1:15:09
  Speaker 1: I think mustache by itself is I don't know. You
• 1:15:14
  Speaker 1: have to be able to truly rock that mustache, that's correct.
• 1:15:16
  Speaker 1: It's too many people out there trying thinking they're rocking
• 1:15:18
  Speaker 1: the mustache. And they're not rocking the mustache.
• 1:15:20
  Speaker 2: Yes, there are really only three people who can wear
• 1:15:22
  Speaker 2: the mustacher, but Renald's Tom Selick and not Ned Flanders
• 1:15:26
  Speaker 2: and Ned Flanders that's correct. Yeah, yeah, otherwise you look
• 1:15:29
  Speaker 2: kind of seedy, particularly younger people.
• 1:15:31
  Speaker 1: Speaking of Tom Selick, we've just reviewed the one where
• 1:15:34
  Speaker 1: doctor Ramore dies on the one about friends with my
• 1:15:36
  Speaker 1: wife Nicholas. If you like friends, check out our podcast
• 1:15:39
  Speaker 1: or one about friends that's now gonna be on our
• 1:15:41
  Speaker 1: YouTube channel as well. So if you're watching this, check
• 1:15:42
  Speaker 1: it out on our YouTube channel. Wow, you can see
• 1:15:44
  Speaker 1: who my wife is. She's real, not just a you know,
• 1:15:47
  Speaker 1: she lives in Canada. You don't know, m Yeah, but no,
• 1:15:51
  Speaker 1: you see people just rocking the mustache and like, no, no, no, no.
• 1:15:55
  Speaker 1: Facial hair is reliable. Facial hair is usually covering the
• 1:15:58
  Speaker 1: bottom half of your face.
• 1:15:59
  Speaker 2: You know what annoying to me?
• 1:16:00
  Speaker 1: And it's just because I'm getting old, but seeing younger
• 1:16:02
  Speaker 1: people who know they can't grow a mustache, should they
• 1:16:04
  Speaker 1: grow the shitty mustache just purely out of iron? He
• 1:16:06
  Speaker 1: just like, I don't care, I don't care. This looks shit,
• 1:16:08
  Speaker 1: and I'm like you should. I'm like, I'm not going
• 1:16:11
  Speaker 1: to react because I know that's why you've got this
• 1:16:13
  Speaker 1: thing here, but it annoys me in the inside.
• 1:16:17
  Speaker 2: Oh what did I learned?
• 1:16:18
  Speaker 1: I'll learned that apparently there's now any three cops in
• 1:16:20
  Speaker 1: Springfield again. Yeah, just continuity out the window. But what
• 1:16:23
  Speaker 1: does Matt Salmon say? There's no canon, no such thing
• 1:16:27
  Speaker 1: as Canada continuity in the Simpsons, it doesn't exists.
• 1:16:31
  Speaker 2: Forward, your names will be. It is now time for
• 1:16:34
  Speaker 2: the Guy David's New Name Challenge. He current lead.
• 1:16:36
  Speaker 1: The board stands at this in first position we have
• 1:16:41
  Speaker 1: Jared Hornby on twenty six points, In second position we
• 1:16:44
  Speaker 1: have Phil Hawkins on twenty two points, and in third
• 1:16:47
  Speaker 1: position we have Brian Hughes in Mchughes on eighteen points.
• 1:16:51
  Speaker 2: I believe what a long, strange trip it's been throughout
• 1:16:55
  Speaker 2: season twenty. That yeah, the final round of the New
• 1:16:58
  Speaker 2: Name Challenge for this season. One point goes to dope
• 1:17:04
  Speaker 2: fence mechanism. That would be a clever Carl clever.
• 1:17:09
  Speaker 1: He ends the month on eleven points on on clever Kyle,
• 1:17:12
  Speaker 1: not bad Kyle season season on eleven points isn't He'll
• 1:17:16
  Speaker 1: be back.
• 1:17:17
  Speaker 2: He'll be back. Two points goes to the wall guy,
• 1:17:22
  Speaker 2: the wall guy. That would be Luke McCain. I believe
• 1:17:25
  Speaker 2: Luke's got points this seasons got points because I'm pretty
• 1:17:29
  Speaker 2: sure you said, Oh, Luke McKay, you have done it again. No,
• 1:17:32
  Speaker 2: there must have been last season. Here's no points this
• 1:17:34
  Speaker 2: season he does now he does wild cut, wild cut,
• 1:17:37
  Speaker 2: wild card. Luke McKay, Why don't Luke, You're in the running, buddy,
• 1:17:39
  Speaker 2: don't buddy, And three points goes to this was showsen
• 1:17:43
  Speaker 2: pretty much for Dando border Insecurity's nay, here's the winner.
• 1:17:51
  Speaker 2: He has done it again.
• 1:17:52
  Speaker 1: Indeed, wow where he ends the season on twenty nine points,
• 1:17:56
  Speaker 1: well ahead of our man Phil j No, No, he
• 1:17:58
  Speaker 1: doesn't get the j We said to him last week.
• 1:18:01
  Speaker 1: If you get the three points, Phil, you can get back.
• 1:18:04
  Speaker 2: But you are just Philip Hawkins buddy. But that's that's
• 1:18:07
  Speaker 2: all right. Philip Porkin's is great. Unfortunately in this situation,
• 1:18:10
  Speaker 2: Jared Hornby is great. Yeah.
• 1:18:11
  Speaker 1: Phil Hawkins ends this season in second position on twenty two.
• 1:18:15
  Speaker 1: First position Jared Hornby twenty nine and Brian here's mchughes
• 1:18:18
  Speaker 1: on eighteen.
• 1:18:18
  Speaker 2: Well done, Jared, well look well done. Everyone who supplied
• 1:18:21
  Speaker 2: a new name to the guy Davis new name Challenge
• 1:18:24
  Speaker 2: Slash Championship. We know the name keep changing from episode
• 1:18:26
  Speaker 2: to episode, but we're very happy that you're engaging. We're
• 1:18:30
  Speaker 2: very happy that you're showing imagination and initiative. And yeah, look,
• 1:18:35
  Speaker 2: Dan as the engine. I am the passenger seat. But
• 1:18:38
  Speaker 2: you guys are the oil and the petrol that keeps
• 1:18:41
  Speaker 2: this machine moving.
• 1:18:42
  Speaker 1: Yes, indeed, and we use the money that you give
• 1:18:44
  Speaker 1: us to keep the machine running.
• 1:18:45
  Speaker 2: That's correct. Yes, money pays for yourself. What I feel?
• 1:18:51
  Speaker 2: What a scan? All right? Guys, we I hope you
• 1:18:55
  Speaker 2: enjoyed our review of the season finale of season twenty
• 1:18:57
  Speaker 2: of The Simpsons, titled coming to Home You've already forgotten
• 1:19:02
  Speaker 2: I had to check my nervees Coming to Home America.
• 1:19:04
  Speaker 2: Thank you.
• 1:19:04
  Speaker 1: If you're watching us on YouTube, make sure you hit
• 1:19:06
  Speaker 1: the subscribe, but need you haven't already give us a
• 1:19:08
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• 1:19:10
  Speaker 1: think of the show. On next week's show, we're going
• 1:19:12
  Speaker 1: to be doing a season twenty wrap up, and then
• 1:19:14
  Speaker 1: we'll be back with a season twenty one episode or
• 1:19:16
  Speaker 1: maybe even a classic review for Guy on Springfield, depending
• 1:19:19
  Speaker 1: on what week of the month it is.
• 1:19:21
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• 1:19:21
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• 1:19:25
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• 1:19:33
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• 1:19:39
  Speaker 1: with it? Davis and you find a words For those
• 1:19:40
  Speaker 1: incredible listener slash viewers out there.
• 1:19:42
  Speaker 2: We hope you've enjoyed forving a discount a podcast with
• 1:19:45
  Speaker 2: mythology that is rich and enchanting. S