Transcript

6.12.26 · Country Weekly

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Speaker 1: Hey, it's time once again to catch up with Country Weekly,
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where we check out news and gossip from the world
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of country music. I'm your host as always, Ken Dawkins,
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and I will be reading from various sources found online.
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As a reminder, Radio I is a reading service intended
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for people who are blind or have other disabilities that
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make it difficult to read printed material. We'll begin with
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a review of the Railbird Festival from the Lexington Herald Leader,
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an article by Matt Wickstrom dated June eighth. For a moment,
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the twenty twenty six Railbird Festival in Lexington almost went political.
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Prior to Tyler Childer's headlining slot Sunday night, a pre
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recorded video message from Kentucky Governor Andy Busheer played on
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a video screen, wishing fans a happy festival and announcing
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the Railbird Festival Hall of Fame, of which Childers is
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the inaugural member. Rocky Adkins was on site to present
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the acclamation, which will serve as a permanent tribute to
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Kentucky born artists who performed at the festival and made
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lasting contributions to the state's musical legacy. But following that,
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it was back to music and Children's was happy to
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oblige with a set of heavy songs from his new record,
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Snipe Hunter, along with a few deep cuts and surprises
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along the way. Childress was far from the only Kentucky
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act to turn heads during the two day festival weekend,
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but he was the act to see this year's edition
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of a music festival. The fourth at Lexington's Red Mild
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Gaming and Racing was its biggest yet, selling out on
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Sunday with over forty five thousand in attendance to see
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Childer's third go round at the event. Childress did not disappoint,
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opening things up with two of the more boisterous songs
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from the latest compilation and eating Big Time and down Under.
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After two older love ballads Shake the Frost and All
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You're In and a handful of other tunes, Childres took
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pause for the first time to speak on being back
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in the town where his music journey took off and
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he fell in with the folk group Small Batch, which
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eventually led to a duo between him and one of
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its members, Tree Jackson. We figured we needed to put
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some music out there to land some gigs, so we
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recorded a couple of songs and we put them on SoundCloud,
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and then I forgot about them forever. That's after until
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I got TikTok trending. Childer is remarked in reference to
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his deep cut Jersey Giant, which is often covered by
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Railbird alums like l King, Sam Barber and Evan Hohner.
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We've been pulling that song back out over the last
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little bit, so I figured since we're in Lexington, it
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would be an honor to bring up Tree Jackson and
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play this song. After running through Jersey Giant, Jackson remained
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on stage for a proper duet with Childers on the
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Dean Martin classic My Rifle, My Pony and Me, before
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ripping into the slightly unhinged rabies fueled biten List that
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earlier this year earned a Grammy Award for Best Country Song. Next,
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Childers leaned into his purgatory era with White House Road
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and Hockey Tonk Flame, before offered up a moment of
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repentance from his triple album Can I Take My Hounds
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to Heaven on the jubilant way of the Truant God.
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The headlining energy from Childers was a stark contrast to
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that of the night prior, which seemed to fall a
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bit flat with illuminators. The folk band from Denver didn't
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deliver an uninspiring performance by any means, but the liveliness
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of their act didn't stack up well against other top
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level bookings like Zach Top Mountjoy and Ella Langley, the
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latter of whom would have been the best fit for
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that slot. Albany native Colton Bowlin, whose album Grandpa's Mill
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has been named one of the years best so far
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by a number of outlets, and Owensborough's Sons of Habit
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both drew large crowds to the Burl stage on Saturday.
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For the latter, their set was even capped off with
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a surprise announcement from their significant others that the band
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would be making its Grand Old Opry debut on August fourteenth.
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It was one of many full circle moments at rail
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Bird for the group, with guitarist Dalton Daniels reflecting on
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attending rail Bird as a fan three years ago alongside
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Jacob Young from Only sixty, who played the festival back
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in twenty twenty five, dreaming that one day they'd get
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to play it. At that time we didn't have either band,
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he recalled, and a year later we're playing it. And
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two years later we are Wow. It's unbelievable just even
4:15
being here. On Sunday, it was the Creakers who stole
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the show with a blistering bluegrass show that brought arguably
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the biggest crowd to the Burl Stage that it's ever
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seen at Railbird, even more than the Red Clay Strays
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and endearing debut back in twenty twenty four. Aside from
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the crowd hollering back every word to the group's hit
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song Tennessee, the biggest highlight came when the Creakers welcomed
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fellow Eastern Kentucky group's Sunday best fresh off vocalist Nicholas Jammerson,
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set with his own band, The Morning Jay's an hour
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before to tackle their original song Swarping. Aside from the
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festival's Kentucky contingent, there was much more music to consume
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across the two days, led by the aforementioned Ella Langley,
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who likely would have received headlined billing if the lineup
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for Reale Bird had dropped after her mega hit Choosing
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Texas rather than before. Opening with the title track from
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a just released record, Dandelion, Langley powered through a wide
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ranging set that included everything from story driven missives you
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Look Like You Love Me to pop country bangers be Her,
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and a rock and cover of Gretchen Wilson's Here for
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the Party. It was the manifestation of an artist fully
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confident in herself and one that country fans should expect
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to be in the spotlight for years to come. Neo
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traditional country was also out in full fourth Sunday with
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Texas Braxton Keith and Washington Zach Top. Keith was first
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up in the early afternoon and delivered a sweltering set
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of eighties and nineties inspired originals like Real Damn Deal
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and I Own This Bar, even going as far as
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to mix in a cover of George Strait's The Chair
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to really drive his classic country stick Home. Top followed
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in the evening as direct support for Childers and conjured
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up his own blend of nostalgic twang with made for
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radio hits like I Never Lie, Sounds Like the Radio,
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and Ain't in It for My Health, the latter being
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the title track from his album that earlier this year
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took home the first ever Grammy Award for Best Traditional
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Country Album. Also standing out during the Action Pack weekend
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was Southern Indiana Stephen Wilson Junior, whose ten minute guitar
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solo while meandering through the crowd on Gary cultivated one
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of Railbird's coolest moments. Wilson also joined Mountjoy on stage
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following his Saturday set for performance of their hit song
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Astra Van as well. Then there's Cassius Culpepper and Carter Faith,
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who opened the Elkhorn and Limestone Stages on Sunday, respectively.
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Both are voices on the rise in country music, with
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Culpeper leaning heavily into southern soul as well on songs
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like Alabama Beauty, Queen, Man of His Word and a
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pair of covers from Bill Withers. By contrast, Faith was
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like a blonde Caitlin Buttz with her quick wit and
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navigation between sweet and sass on numbers like Grudge Ain't
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Over Me Yet and a countrified cover of Britney Spears Oops,
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I Did It Again, the latter of which pushed boundaries,
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similar to how Railbird has been a leader curating unique events,
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both in terms of the artists they book, but also
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the local experience is curated around it. Meanwhile, Country Music
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Hall of Famer and Kentucky native when owner Judd is
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coming home to Kentucky when owner Judd will kick off
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her Kentucky Queen Tour on September thirtieth with an intimate
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performance at the historic Lexington Opera House. This exclusive engagement
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marks the very first stop of a limited three city
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run celebrating her album The Hard Truth, which releases October second.
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Tickets go on sale this weekend. Moving on now, we
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head on down the block to parade dot com Country
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Stars concert canceled after health scare. What fans need to
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know This article dated June seventh, Mark Chestnutt was unable
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to perform his scheduled show over the weekend due to
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a temporary health setback. The nineties country music icon now
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sixty two was supposed to entertain folks in a live
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outdoor setting at Lukenbach Texas in Fredericksburg, Texas on Saturday,
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June sixth, but the evening didn't go as planned. Instead, Summerdan,
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who was already on the bill, performed a free two
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hour set and ticket holders were automatically refunded at their
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point of purchase. The official Facebook page of the music
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venue shared a post hours before the show was set
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to kick off, citing a temporary loss of Chestnut's voice
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as the reason behind the singer's abrupt concert cancelation. Hi, folks, Unfortunately,
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the Mark Chestnut show schedule for tonight on June sixth
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will be canceled due to the temporary loss of his
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voice and at this time will not be rescheduled. The
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post reads, alongside a promotional image of Chestnut. The caption continued,
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All ticket sales purchased directly from Lukenbach will be automatically refunded.
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We apologize for any inconvenience in wish Marcus Speedy recovery. Tonight,
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Summer Dean will be taking the Dance Hall stage from
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seven to nine. There will be no cover and I
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hope to see you folks out. Chestnuts concert was supposed
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to be a highlight of his career, as it marked
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his official headline debut at the venue. However, leading up
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to the next show, Chestnut was allegedly already showing concerning
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vocal strain, according to some fans, who pointed out his
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previous gig, which took place just two days earlier. Saw
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him in Paris on Thursday, and you could tell he
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was struggling, when fan wrote in the comments section of
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the post, While another person atit. He talked about allergies
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bothering him when we saw him Thursday in Paris. Meanwhile,
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a third person attit he played here in Paris, Texas
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Thursday night made a comment about it being breezy. Hopefully
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he didn't catch anything from here. This is the first
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time Chesnut has had to bow out of a string
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of concerts. Fall of last year, he was hospitalized and
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then forced to cancel around of performances. In twenty twenty four,
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he underwent emergency heart surgery, which led to a series
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of canceled dates. At this point, it's unclear how long
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Chestnut's vocal issues will keep him off the road, as
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his tour calendar could still continues to show performances scheduled
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throughout the summer. Now we move over to NBC news
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dot Com with the first article dated Monday, June eighth,
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Brad Paisley criticizes data center planned next to Nashville Zoo.
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Brad Paisley, Grammy Award winning American Country music singer and songwriter,
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of course, urged his followers to sign a petition to
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stop the construction of a sixty nine thousand square foot
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data center that would be fifty yards from the Nashville Zoo,
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which he called an absolute nightmare scenario in an Instagram reel.
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First of all, they don't have the power to build this,
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They don't have the water, It doesn't belong there. It
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would be an enormous monstrosity, an absolute eyesore, and detract
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in every way from not only that zoo, but that area,
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Paisley said in his video, which he posted collaboratively with
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the zoo Saturday. The Nashville Zoo, which had one point
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four million visitors last year, has over thirty seven hundred
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animals and represents over three hundred and fifty species. It's
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one of the top zoos in the world, Paisley said
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in his post. The video comes days after the zoo
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created a petition and promoted it on social media, which
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brought national attention to the dispute and had a mass
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three hundred and thirty one eight hundred and twenty four
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signatures and over one hundred and twenty six thousand shares
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by Monday afternoon. The Zoo's president and CEO, Rick Schwartz,
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said in an interview Friday he was particularly concerned about
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its impact on rare and vulnerable species at the facility,
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such as the clouded leopard, whose population the zoo is
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working to conserve. Paisley, a Nashville resident, is so far
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the most widely recognized figure to push back against the project.
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No one has shared studies or environmental impact assessments, just
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their word. That's why the Nashville Zoo is asking the
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community to join and vehemently opposing the proposed data center
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being built adjacent to the zoo. The petition says. The
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proposed data center is from DC Blocks, in Atlanta based
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company that specializes in building and operating data centers as
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a service to hyperscalers, enterprises, communications providers, and technology companies.
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According to its website, with twenty three data centers in
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operation and development, DC Blocks aims to expand the number
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of data centers across the country. More centers are required
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outside the major cities near to edge markets to house
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necessary technology to run services closer to data producers and consumers,
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its website says. The spokesperson for DC Blocks told NBC
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News on Friday that he did not immediately know what
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the data center would be used for or whether AI
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companies would be among its customers. However, the spokesperson said
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it would not be an AI factory, placing a burden
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on local resources, and is proposed on a site that
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had previously operated a data center. The zoo says the
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noise could disturb some of its animals and nearby residents,
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and out of that concern, it's fighting the data center.
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As we move forward, we've taken then next step in
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our fight against the proposed data center, the Zoo wrote
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in comment to NBC News. Our land use attorney and
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former Metro Codes director Bill Herbert has filed his owning
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appeal with the city. The goal of this appeal is
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to overturn the permits that DC blocks has filed and
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that have been approved. National residents have voiced their concern
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the Mayor, Freddie O'Connell, who's working closely with our Department
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of Law and Metro departments to ensure large scale data
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centers don't harm our local communities. That's according to Julie
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Oakes Smith, chief communications officer for the Mayor's office, and
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she wrote to NBC we're looking at what options are
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available under the law for the mayor and Metro government
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to implement safeguards to protect our air, water and ratepayers
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and keep our neighborhoods and our residents from being negatively
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impacted by these facilities. Paisley often weaves social commentary and
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complex issues into his music, and outside of his music career,
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he remains engaged in cultural and philanthropic issues. He and
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his wife helped start a nonprofit back in twenty twenty
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called The Store, which is a free referral based grocery
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store in Nashville that fights food insecurity. Paisley also joined
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U twenty four, a platform to raise money and support
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Ukraine and the Ukrainian President Vladimir Zelinsky, founded back in
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January twenty twenty three. Nashville Zoo is overwhelmed with gratitude
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for the support from the community as we continue our
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fight against the proposed data center. We would like to
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take this time to thank Brad Paisley, a dear friend
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of the Zoo, for making a public statement on our behalf.
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The Zoo wrote on NBC News with more on Brad Paisley,
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we head to Saving Country Music with the first article
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dated June ninth, and the headline what is going on
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with these new Brad Paisley songs? Fans of country music
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artists Brad Paisley have been celebrating recently as new songs
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from the performer have been populating on streaming services a
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few at a time, and have been reminding them of
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his early career output in the best of ways. The
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songs come very anticipated from Paisley fans, since it's officially
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been over nine years since April twenty seventeen's Love and
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War that we've heard a proper new original album from
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the singer and guitar slinger. The six songs released so
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far are full of strong traditional country wordplay, double entendres,
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and catchy puns in hooky, easy to love country songs,
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while the instrumentation in production is indicative of nineties country.
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Now this doesn't just feel like old Brad Paisley. It
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feels like Brad Paisley at his best, when he's able
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to work his cleverness into country songs. The first of
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now six new singles, called Fallen, was released on May eleventh,
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and came the same day it was announced as part
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of a greater project titled tackle Box. But tackle Box
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wouldn't exactly be an album per se, and it wouldn't
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exactly include new material. I see this project as never ending.
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It's almost like the fans have a direct link to
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my dropbox or to a playlist that never ends. Says Paisley.
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We are calling a tackle box because it's a box
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full of hooks country lyric hooks. In this digital age,
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I have every song I've ever written at my fingertips.
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This project gave us a license to dig back into
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the catalog of songs that were never released, and that
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feels like in a time period, a style of writing,
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a sound, and a nostalgia. In other words, these are
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not new songs, even if they might be new to
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the public. Paisley goes on to further explain went back
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into the studio to record or re record at the
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Castle in Franklin, the same place where several of my
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first few albums were recorded. When I first started writing
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and recording music, I couldn't have dreamed of the ability
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to put something out instantly for the fans. Now. Don't
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get it wrong, even though these songs are older, they
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are still cool and dare we say, at saving country
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music even cooler since they're coming from an earlier era
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in the Brad Paisley legacy. But despite the positivity around
16:53
the recent release songs. There's still something that feels weird
16:56
about how all of this is transpiring. Instead of the
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song releases perhaps being an indication that the damn is
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finally starting to break that's been held back and braid
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Brad's creative output, it might be the latest sign yet
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that something is inherently wrong in his career, either with
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a publishing deal, his record label deal, or both, or
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something else. Brad Paisley has released other new music in
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between whatever tackle Box turns out to be and his
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twenty seventeen album Love and War. Just last year, Paisley
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released a really excellent Christmas record called Snow Globe Town.
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It feels like one of those seasonal albums that you'll
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be returning to each season for years to come, But
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this is different from a serious, proper studio album. That's
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what we were supposed to receive from Brad Paisley in
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twenty twenty three or shortly thereafter. On September twenty ninth
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of that year, Paisley announced a new album called Sun
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of the Mountains. As a native of West Virginia, the
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album was going to be Paisley's return to his original
17:54
roots through a very forward thinking project. Where he sang
17:57
about the beauty of Appalachia, where he was confronting the
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crisis plaguing the region. Coinciding with the announcement was the
18:05
release of the album's first four tracks, which were said
18:08
to be sequenced very intentionally to tell a deeper story.
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The opening song, featuring Dan Timnsky and Jerry Douglas, was
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called Son of the Mountains, written by Paisley and with
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Lee Thomas Miller. So is the second song, The Medicine Will,
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which addressed West Virginia's opioid crisis. Anticipation was high for
18:26
the album. It felt like Paisley was trying to put
18:28
together a project similar to the insurgent Appalachian artists that
18:31
were reshaping country music at the time, like Tyler Chilters
18:35
and Sierra Ferrell. But those first four songs are all
18:39
we ever received from Son of the Mountains. After that
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and further promises of details forthcoming about the upcoming project,
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the entire thing appeared to be mothballed, if not scrapped altogether.
18:50
By the time Paisley's Christmas album came out November of
18:53
last year, Son of the Mountains seemed to have been
18:55
completely memory hold. So the next question is what exactly
19:00
is going on with Brad Paisley's career. Just like Gary Allen,
19:03
Josh Turner, Joe Nichols, and other artists, Paisley likesly signed
19:07
a record deal back in the day that might not
19:09
reflect the realities of the modern music industry. Their deals
19:13
and the label leads managing them don't often know how
19:16
to move forward without a dedicated radio strategy, putting these
19:20
artists careers in limbo. Ultimately, if a label can't see
19:23
a profitable outcome for releasing new music, then more likely
19:26
to just sit on their hands and not release anything
19:29
new at all. For Brad Paisley's entire career, starting with
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his debut album in nineteen ninety nine, Who Needs Pictures,
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He'd recorded for Ariston Nashville, which was a division of
19:38
Sony Music Nashville. In the spring of twenty twenty three,
19:42
so just about as the time Sun of the Mountains
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was likely being finalized for release, Ariston Nashville was shuddered,
19:49
with the artists on the label being shuffled to other
19:51
Sony Nashville imprints, But Paisley ended up on Mercury Nashville,
19:55
which is part of a Universal Music Group, not Sony.
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All of us is to say that Brad Paisley very
20:02
well could be suffering under some sort of weird label
20:04
contract regime that is, forbidding him from releasing actually new music.
20:09
Many of these music robe based labels, if they don't
20:11
see a radio strategy for you, they just don't know
20:14
what to do, and ultimately they do nothing. Brad Paisley's
20:18
now fifty three. He's made quite a few weird steps
20:20
and outright missteps in his later career. It's unlikely he
20:23
has another hit album or hit single just waiting to
20:26
be released, but that doesn't mean he doesn't deserve the
20:28
creative freedom to release the music he wishes. Clearly he
20:32
was feeling passionate about Sun of the Mountains at one point.
20:36
There's a good chance Paisley ultimately ends up on the
20:38
Country Music Hall of Fame. But as we've seen time
20:41
and time again, when an artist ages out or loses
20:43
radio support, their careers get fumbled. It's a lonely place
20:47
where you're no longer mainstream relevant, but are still too
20:50
young to be considered legendary. Next on, Garth Brooks looking
20:56
to sell his catalog for two billion dollars. So Garth
21:00
Brooks is pondering the sale of his music catalog and
21:03
including both his publishing and recorded music rights, all of
21:07
which he's retained sole ownership over his career. According to
21:11
The Wall Street Journal, who was first to report the news,
21:13
Garth's asking price is said to be upwards of two
21:16
billion dollars, though that doesn't mean that will be the
21:19
eventual price. The first question one might have is if
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Garth can actually fetch that kind of cash for his catalog.
21:26
Though two billion dollars might be too rich for of
21:28
an asking price, it might not be outside the ballpark.
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When Sony acquired fifty percent of Michael Jackson's catalog in
21:36
twenty twenty four, it was for six hundred million, and
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Jackson's assets were said to be valued somewhere between one
21:41
point two and one point six billion. Historically, Garth is
21:45
certainly on that Michael Jackson level, and he's still living.
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Garth can still promote those assets and his music, and
21:52
doesn't have accusations of pedophilia to contend with. The Second
21:56
most important question might be why Garth Brooks wants to
21:59
sell and why now Brooks is famous for wanting to
22:02
keep complete and total control over his intellectual property in
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any in all capacities. He's refused to put his music
22:09
up on streaming services, first launching his own autonomous streaming
22:13
service called ghost Tunes, before later partnering with Amazon for
22:16
exclusive digital distribution. He even sued Blockbuster Music for selling
22:21
used copies of his albums. So why sell now? The
22:25
answer is that everyone with any good sense seems to
22:27
be cashing out on the American economy, especially when it
22:30
comes to intellectual property. With the onset of AI and
22:34
the potentially catastrophic ramifications that could wreck on music and
22:38
especially back catalogs, now is the time to grab whatever
22:41
equity you can and call it good. Now is also
22:44
the time to sell, as massive corporations still have an
22:47
appetite to buy up these assets and they may never
22:49
be valued higher. Garth Brooks is also getting old. He's
22:53
sixty four, recently stopped his weekly podcasts, has no tour planned,
22:58
and only has a few appearances schedule for the summer.
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Though it might be foolish to expect a second retirement
23:04
from the country music superstar, Certainly, Garth's days of crushing
23:08
it live or in the studio are behind him. Despite
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his rabid popularity over his career, Garth Brooks has been
23:15
a polarizing character, especially from his financial first perspective on
23:19
his career. Selling his catalog for two billion dollars or
23:23
even something just shy of that will certainly stir up
23:25
those emotions again, but it also might be one of
23:28
the best things to happen to one of the most
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important catalogs in country music history. Generations of listeners remain
23:35
disconnected from the Garth Brooks music legacy, and that gaping
23:38
hole isn't good for anyone, especially Garth. Next voice of
23:44
the Grand Old Arpery and Radio Hall of Famer, Bill Cody,
23:47
has passed away. Arguably, nobody had a more recognizable voice
23:52
in country music over the last thirty plus years. Who
23:55
wasn't a singer himself. He might have not penned the
23:59
tunes that send shivers down your spine, or sing them
24:02
with grand eloquence, or picked the guitar behind them, but
24:05
Bill Cody was the person we would invite into our homes,
24:08
our cars, our ears, and our hearts to deliver all
24:12
those heartfelt songs from our favorite country stars. He was
24:15
one of the voices of the Grand Old Opry and
24:17
one of the voices of our lives, along with announcing
24:21
countless shows for the Grand Old Opry over the years.
24:23
Most people know Country Radio Hall of Famer Bill Cody
24:27
through WSM six fifties long running flagship morning show Coffee
24:31
Country and Cody. For many, those three words of the
24:35
title were essential for getting their mornings started off right
24:38
on three decades, but this was just the centerpiece of
24:41
his career. For some fifty four years, Cody appeared all
24:44
over radio and television, including GAC TV's Masters series, Tennessee's
24:49
wild Side on PBS, Ray Stevens Nashville on RFDTV, Willie's
24:55
Roadhouse on Sirious Examine, so many more. Born in Lebanon, Kentucky,
25:00
on December sixteenth, nineteen fifty four, and growing up in
25:03
towns like Gravel Switch, Crab, Orchard in Junction City, radio
25:07
loom large for Bill Cody because it gave him a
25:10
window to the bigger world. His dad was a Baptist
25:13
preacher and would broadcast his sermons on the one thousand
25:15
watt station WLBN out of Lebanon every Sunday. That is
25:20
where Bill Cody would officially start his broadcast career. At
25:23
the ripe old age of twelve, Cody immediately became enamorated
25:27
with the radio format and started sitting in with country
25:30
DJ Frank Kemp. One day, Kemp called in six, so
25:34
the twelve year old Cody took the reins, playing his
25:36
first song, Wanda Jackson's I'll Sing in the Sunshine on
25:39
an album at forty five r pm, so it sounded
25:43
like the Chipmunks. He would get her better hang of
25:45
the job as time went on. When Cody turned eighteen
25:49
and could begin his career in ernest, he started working
25:51
at WVLK and Lexington. Cody would continue to bounce around
25:55
stations in Louisville, WHO in Orlando, Florida, down TOYX and
26:01
San Antonio and other locations until he finally made it
26:04
to his dream job at the mothership of country radio,
26:07
WSMAM in nineteen ninety four. He also appeared on wsm
26:12
FM from ninety six through two thousand. It wasn't just
26:17
the presence and voice of Bill Cody, but his personality
26:20
is musical knowledge. The way he could disarm performers when
26:23
they came into the studio and make them feel right
26:26
at home that ultimately proved how irreplaceable Bill Cody really was.
26:31
That's why longtime fans and listeners were so heartbroken to
26:33
hear that he'd been admitted to the ICU in May
26:36
and was suffering from heart and kidney failure. He was
26:39
waiting for a heart and kidney transplant when he passed
26:41
away on Tuesday, June ninth. Bill Cody was also champion
26:45
of traditional country artists, up in comers, legends, and independent
26:48
performers who are others in radio would sometimes ignore, but
26:52
Bill would give them a voice in one of the
26:54
most important radio stations in country music. As Garth Brooks said,
26:58
there might be someone somewhere in the world who loved
27:00
country music as much, but nobody loved country music more
27:04
than Bill Cody. Cody might have spinned them, announced them,
27:07
and interviewed them as opposed to being one himself. But
27:10
he was also the facilitator the folk room of so
27:12
many country music songs, the de factor mayor of the
27:16
country music airwaves. He was also officially a Country Radio
27:19
Hall of Famer, a Country Music Disc Jockey Hall of Famer,
27:23
and an honoree of the Music City Walk of Fame.
27:26
Bill Cody leaves behind his high school sweetheart who he married, Rebecca,
27:30
as well as three children. He also leaves behind dead
27:33
air that will be difficult, too impossible to properly fill.
27:38
And finally, from the boot dot Com dated June tenth,
27:42
Keith Urban says, I really don't have a plan for
27:44
what's next. Keith Urban is releasing a full length album
27:48
of ten yacht rock cover songs along with one new
27:51
original song, and that's this weekend. It's called flow State.
27:56
Most of the time, when artists are asked what's next
27:58
for them, they have a clear direction for the next
28:01
step of their career, but not Urban, at least not
28:03
this time. Urban sat down with Taste of Country Nights,
28:07
where he talked about what comes after he releases flow
28:10
State and if he'll continue to cover songs or get
28:12
back to making albums of full original recordings. I have
28:16
no idea, he admits, I didn't expect this. I don't know.
28:19
I really don't have a plan with what I'm doing next.
28:21
He continues. I think being spontaneous and having fun in
28:24
the studio is how this record got born, and I'm
28:27
up for doing more of that. Whatever that looks like
28:30
and whatever that sounds like. Well, this concludes the reading
28:34
of Country Weekly for this week. If you have any
28:37
comments or suggestions about our program, kindly call us at
28:40
eight five nine four two two six three nine zero.
28:44
Thank you so much for joining me and on behalf
28:46
of everyone here at RADIOI. This is Ken Dawkins, wishing
28:50
you a great day