Latest / Stuff Mom Never Told You / Book Club - Weather: A Novel
Transcript
- 0:05Speaker 1: Hey, this is Anny and SMITHA and a loup of stuff
- 0:07Speaker 1: I've never told you are production by Her Radio.
- 0:18Speaker 2: And for this edition a Feminist Book Club, we are
- 0:21Speaker 2: doing an environmental slash, kind of apocalypse, kind of survival theme.
- 0:27Speaker 3: Yeah, survivalist theme. Like, there's a lot of things.
- 0:29Speaker 2: There's a lot of dark themes, speaking of which there
- 0:32Speaker 2: are some mentions of death, end of times.
- 0:37Speaker 3: Yeah, I can't think of anything else.
- 0:40Speaker 2: I was very pleasantly surprised that the dog did not die,
- 0:42Speaker 2: So I was very scared of that.
- 0:45Speaker 1: I love that because you're what the content warnings you're
- 0:50Speaker 1: giving is preparing people for something completely different than what it.
- 0:53Speaker 3: Is I think.
- 0:55Speaker 1: But you're right that they're in there. You're not wrong,
- 0:59Speaker 1: I would say. I would also add like mental health.
- 1:01Speaker 1: There's a lot of mental.
- 1:02Speaker 3: Heal health and addiction. There's definitely.
- 1:04Speaker 2: Yeah, so a lot of the things is very like
- 1:08Speaker 2: I feel like it's my mind. But anyway, we're talking
- 1:10Speaker 2: about the book Whether a novel by Jenny affhil So.
- 1:14Speaker 2: The book was a seven year process apparently, and it's
- 1:17Speaker 2: like a before and after reaction to the election of
- 1:21Speaker 2: Donald Trump. So I was like, yeah, okay, this makes
- 1:25Speaker 2: in that context, this book makes a lot of sense
- 1:28Speaker 2: and according to this is according to several different accounts
- 1:31Speaker 2: about this book. For the book, off Phil took the
- 1:34Speaker 2: time to research the climate crisis for the novel, Like
- 1:37Speaker 2: she gets pretty technical and scientific and a few things,
- 1:40Speaker 2: but like not over the top where it feels like,
- 1:44Speaker 2: you know, it's too much. It doesn't feel sci fi.
- 1:47Speaker 2: I'll say that although I was looking for a sci
- 1:49Speaker 2: fi book originally, this is technically kind of hmm.
- 1:54Speaker 1: I feel like we did the sci fi thing with.
- 1:56Speaker 2: The movie okay maybe, but it was like it was
- 2:01Speaker 2: under that categories.
- 2:01Speaker 3: I was like, okay, we'll do that anyway. Back to it.
- 2:05Speaker 1: Cli Fi, that's what you called it, cli Fi, That's
- 2:07Speaker 1: what they called it.
- 2:08Speaker 3: I was very surprised. I was like, that's a name.
- 2:10Speaker 2: Yeah, it's cli Fi and it's there's I did not know,
- 2:13Speaker 2: and I'm like, well now now I know. Anyway, so
- 2:16Speaker 2: back to this, uh. For the book again, she did
- 2:18Speaker 2: do that research, which I feel like with her research
- 2:22Speaker 2: it does the happinesses, the halplessness, the helplessness, both of
- 2:27Speaker 2: those things kind of like makes sense. With that as
- 2:31Speaker 2: well as the fact that she looked into survivalists and
- 2:34Speaker 2: climate activists and groups, and she actually I think joined
- 2:37Speaker 2: and participated with the Extension Rebellion, which is a environmental
- 2:41Speaker 2: group in the uk UH that participates nonviolent protests, civil protests,
- 2:46Speaker 2: civil action is what it says. So I was like, oh, okay,
- 2:49Speaker 2: like she went, she went in. She also had two
- 2:53Speaker 2: other names for this book, learning to Die, and I
- 2:55Speaker 2: was like, you know what, that's actually a really fitting title.
- 2:58Speaker 2: I like the title whether, but I feel like learning
- 3:00Speaker 2: to Die made more sense.
- 3:05Speaker 1: Yeah again, listeners, you're gonna we're going to talk about it.
- 3:08Speaker 2: But.
- 3:11Speaker 1: What you think IMT is not.
- 3:12Speaker 2: And then the other book other title was American Weather,
- 3:16Speaker 2: and because during everything that was happening with the US
- 3:18Speaker 2: anything titled American, she was.
- 3:20Speaker 3: Like, I don't want it to be associated like that.
- 3:22Speaker 2: So I was like, yes, but I could see where
- 3:24Speaker 2: she was coming with that as well, because there's a
- 3:28Speaker 2: line in there about American weather. So with all that,
- 3:31Speaker 2: with the style of this book, we're going to just
- 3:34Speaker 2: do a quick summary and explain her with like, I
- 3:36Speaker 2: want to give you the details of the characters first,
- 3:39Speaker 2: and then kind of how they relate in the book,
- 3:41Speaker 2: because everything is.
- 3:46Speaker 3: Chaotic. I feel like that's the best way to explain.
- 3:48Speaker 2: It still comes in the timeline, but it feels chaotic
- 3:51Speaker 2: because she I feel like she writes like I do
- 3:55Speaker 2: and also thinks like I do in that way of
- 3:57Speaker 2: like it's just constant thought and that thought overlaps with
- 4:00Speaker 2: a thought of that thought because.
- 4:01Speaker 3: It just spirals.
- 4:03Speaker 2: Yeah, where it started from point a and then went
- 4:05Speaker 2: into number three.
- 4:08Speaker 1: A point a to number three.
- 4:09Speaker 3: Yeah, you know what I'm saying.
- 4:10Speaker 1: Yeah, no, no, she it's definitely. I don't think stream
- 4:14Speaker 1: of consciousness is quite accurate, but it's it's very much
- 4:17Speaker 1: like there'll be a short paragraph and then a longer
- 4:20Speaker 1: one and then another short one, and they're just kind
- 4:23Speaker 1: of like random thoughts. Well they're not random, they're they're related,
- 4:26Speaker 1: but they kind of feel like, oh, where did this
- 4:29Speaker 1: come from? And if you think about it, you can see.
- 4:32Speaker 3: Where it came from the lineage.
- 4:34Speaker 1: Yeah, but it it was when I was reading it,
- 4:36Speaker 1: I was like, this is a hard book to describe.
- 4:40Speaker 3: Right, That's what it was like.
- 4:41Speaker 1: At the This is like a feeling almost, it's a thought.
- 4:46Speaker 2: It's constant thought, and I've had these thoughts. Yeah, no,
- 4:50Speaker 2: especially older. I was like, oh yeah, yeah, so we'll
- 4:55Speaker 2: go ahead and jump into it again if you haven't
- 4:57Speaker 2: read this. This came out in twenty twenty, so spoiler alert,
- 5:03Speaker 2: and it's a very very short book, to the point
- 5:05Speaker 2: that people were like, it's almost not even a novella,
- 5:07Speaker 2: it's so short. So if you want to go read it.
- 5:10Speaker 2: It is available on different platforms if you can get
- 5:12Speaker 2: it through your library through Lee FM. We have proteconist
- 5:17Speaker 2: Lizzie Benson, a librarian who has all the rambling, anxious
- 5:22Speaker 2: thoughts that I feel like I think most of us do,
- 5:25Speaker 2: especially now, especially as are considering things and what to
- 5:28Speaker 2: do and how to do things. She is our main
- 5:33Speaker 2: voice in this entirety and thoughts. We have her husband, Ben,
- 5:37Speaker 2: so I guess maybe his name is Ben Benson, which
- 5:39Speaker 2: is an interesting name, who is a PhD classic educator
- 5:43Speaker 2: that cannot find a job in his field, so he
- 5:46Speaker 2: goes into it. Their son, Eli, a young kid who
- 5:50Speaker 2: seems way more worldly than necessary, even calling out his
- 5:54Speaker 2: mom saying like, are you sure you're my mom? Because
- 5:57Speaker 2: you don't feel like you're not good enough to be
- 5:58Speaker 2: my mom, which I was like, bat home, and so
- 6:00Speaker 2: I was like, well that's I mean. Her brother, Henry,
- 6:04Speaker 2: who is a recovering addict trying to live a normal life,
- 6:07Speaker 2: but is very fearful and codependent on Lizzie very much.
- 6:10Speaker 2: So we have Sylvia, an old professor who helped Lizzie
- 6:14Speaker 2: get her job even though Lizzie didn't have a degree
- 6:16Speaker 2: at the library. Is also a successful podcaster I know.
- 6:20Speaker 2: I was like, oh, I didn't even know this talking
- 6:23Speaker 2: about the climate crisis. Catherine, who is Henry the brother's
- 6:26Speaker 2: partner because he like we meet her as they meet
- 6:30Speaker 2: in their life and end of relationship, like it goes
- 6:33Speaker 2: all the way through. And we also have Will, a
- 6:36Speaker 2: war reporter who has a special friendship with Lizzie.
- 6:40Speaker 3: I leave it with that.
- 6:41Speaker 2: So in the book, we read the different thoughts that
- 6:44Speaker 2: seem to plague Lizzie as a woman, a wife, a neighbor,
- 6:47Speaker 2: a coworker, a sister, a mother, a daughter, a librarian,
- 6:50Speaker 2: and an overall concerned human like you see all the
- 6:52Speaker 2: aspects of like, oh.
- 6:53Speaker 3: My god, I'm failing all here.
- 6:55Speaker 2: Through it, we find out that she has concerns as
- 6:58Speaker 2: a parent interacting with other parents, which I love those
- 7:00Speaker 2: conversations going like yeah, I do that not necessarily with parents,
- 7:03Speaker 2: but like clients and such like I gotta avoid talking
- 7:06Speaker 2: to them or how do I talk to them?
- 7:07Speaker 3: Or how do I do these things?
- 7:09Speaker 2: Survival instincts, avoiding certain neighbors, especially with them being somewhat racist,
- 7:14Speaker 2: even though they would say they're not racist, but they're racist.
- 7:17Speaker 2: Trying to figure out could she survive in the end times,
- 7:20Speaker 2: which I thought was hilarious because she talks about using
- 7:22Speaker 2: gum as bait. Yeah I'm gonna remember that, by the way.
- 7:27Speaker 1: Yeah, that stuck out to me too.
- 7:29Speaker 3: I was like, oh, okay, okay.
- 7:31Speaker 2: Her brother is slowly recovering from his addiction. He started
- 7:36Speaker 2: a new job writing greeting cards, where he meets Catherine,
- 7:40Speaker 2: a very proactive person who is all about action, so
- 7:43Speaker 2: kind of the opposite of who he is, which is
- 7:45Speaker 2: kind of a concern for him. Who Lizzie is like,
- 7:46Speaker 2: you don't want to date your same person, difference is great,
- 7:49Speaker 2: And she talks about her and her relationship with Ben
- 7:51Speaker 2: and how they're different and how they ask each other
- 7:53Speaker 2: questions and everything is a nice little surprise, and then
- 7:55Speaker 2: with that they decide to get married, and then they
- 7:58Speaker 2: decide to have a baby. During this time, Henry is
- 8:01Speaker 2: struggling with a lot of dark thoughts about the baby,
- 8:04Speaker 2: dying like a lot of dark thoughts, and I'm like, oh,
- 8:07Speaker 2: I think parents go through those, but it got especially
- 8:10Speaker 2: dark of like he's talking about shredding the baby pieces
- 8:14Speaker 2: he's counseling, which eventually leads him to cheating on his
- 8:17Speaker 2: wife and therefore leading to them getting divorced, and he
- 8:21Speaker 2: gets supervised time with the baby Iris, who happens to
- 8:26Speaker 2: be Lizzy. Lizzie's become the rock for them, as well
- 8:29Speaker 2: as her mom as well, who is very religious, talking
- 8:32Speaker 2: about Holler activities, and he does relapse during this time,
- 8:36Speaker 2: but then he comes back and he goes and lives
- 8:38Speaker 2: at Lizzie's home. Ben is one who her husband thinks
- 8:42Speaker 2: about death as well, quite often thinks about the death
- 8:45Speaker 2: of his family. Essentially, he talks about it constantly, but
- 8:48Speaker 2: also a great person is to balance Lizzie when she
- 8:51Speaker 2: gets off kilter as well, so they kind of do
- 8:54Speaker 2: this back and forth, although he does get frustrated with
- 8:57Speaker 2: Henry living there because he is not a good roommate
- 9:00Speaker 2: as she puts it, as well as the darkness of
- 9:02Speaker 2: it all and again the end times about whether or
- 9:05Speaker 2: not how they can survive, what they should have, what
- 9:07Speaker 2: they shouldn't have, At one point they talk about lighters.
- 9:09Speaker 2: Having one hundred lighters is better than having one generator
- 9:12Speaker 2: because generators make too much noise and you can trade lighters.
- 9:17Speaker 2: So they had those type of conversations, and then we
- 9:20Speaker 2: have Eli, who's someone who questions a lot. I also
- 9:23Speaker 2: likes to invent a lot, but also says, don't look
- 9:25Speaker 2: at what I'm inventing because you'll steal it, and I
- 9:27Speaker 2: need to have it for myself, but also wants to
- 9:30Speaker 2: be friends with people, and so he tries to get
- 9:32Speaker 2: his mom to do more so he can be friends
- 9:34Speaker 2: with one specific girl. It finally works awkward interactions, and
- 9:39Speaker 2: he's somewhat independent but dependent on his mother's an interesting dichotomy,
- 9:46Speaker 2: but also gets frustrated with her, like calling her out
- 9:48Speaker 2: for her getting on to him for losing a lunch
- 9:50Speaker 2: box and he's like, are you are you my mother?
- 9:53Speaker 2: Because you don't seem to be good enough to be
- 9:54Speaker 2: my mother. I'm like, well, damn well, damn me, Lie,
- 9:57Speaker 2: that seems unnecessary. But also she he breaks the rules
- 10:01Speaker 2: so he doesn't cry, and it's not sad a lot
- 10:03Speaker 2: so like for him, So all these things. Lizzie is
- 10:07Speaker 2: soon offered a job assisting Sylvia, who is whose podcast
- 10:10Speaker 2: Helen high Water has become successful and there's in need
- 10:14Speaker 2: of assistance, answering the email and going out on different trips.
- 10:17Speaker 2: I felt like this was you in a little bit,
- 10:20Speaker 2: Annie in that, like she was trying to take all
- 10:22Speaker 2: the mean messages or dark messages or sad messages because
- 10:27Speaker 2: it was really affecting Sylvia and actually was affecting Lizzie too,
- 10:30Speaker 2: but it just kept her on like thought trains as
- 10:34Speaker 2: or Sylvia was really collapsing, like I can't take this.
- 10:38Speaker 2: Also her interacting with tech dudes, which she really, really
- 10:41Speaker 2: really hated, so the broad of questions started getting to
- 10:45Speaker 2: Sylvia as well as Lizzie, which eventually leads Lizzie to
- 10:49Speaker 2: stop answering Sylvia's calls and Sylvia going off the grid
- 10:53Speaker 2: to get away from it all, including the insufferable tech
- 10:56Speaker 2: pros and in the world questions and dudes coming up,
- 10:59Speaker 2: being like I have a Russian and a statement.
- 11:02Speaker 3: I love that moment, and I'm like, yeah, that's about right.
- 11:06Speaker 2: She meets Will, who seems interesting based on his own
- 11:08Speaker 2: attitudes towards war and endings, and then though they never
- 11:12Speaker 2: go beyond dreams and talking, she does find some comfort
- 11:16Speaker 2: in his company while Ben and Eli are visiting Ben's
- 11:19Speaker 2: sister because Ben is now frustrated and needs to get
- 11:21Speaker 2: out of the house because there's too much happening. Yeah,
- 11:25Speaker 2: but nothing be goes of it. Will has kind of
- 11:28Speaker 2: like disappeared, probably going off to more war reporting.
- 11:33Speaker 3: So in the end, everything goes on as normal. End
- 11:37Speaker 3: of story. Yes, so there you go again.
- 11:42Speaker 2: I'm not putting to justice, and I've left out several
- 11:45Speaker 2: key characters in here, including the driver that she called
- 11:47Speaker 2: in because she feels guilty that he's going to lose
- 11:50Speaker 2: his business if she stops using his service, even though
- 11:52Speaker 2: it is very inconvenient. So all those different things a
- 11:57Speaker 2: lot of good things. How did you feel about this
- 11:59Speaker 2: book any.
- 12:01Speaker 1: I felt like I was reading someone else's diary that
- 12:07Speaker 1: I could relate to very closely, because it is a
- 12:12Speaker 1: very It is like jumping from here to here, to
- 12:16Speaker 1: hear to hear, but you can trace where all of
- 12:20Speaker 1: it is going. I guess my overall takeaway from the
- 12:25Speaker 1: book is this feeling that I have, and I think
- 12:29Speaker 1: a lot of us have, that there's just a lot
- 12:33Speaker 1: we can't control, and like learning how to die whatever
- 12:38Speaker 1: the original title is like what do you do when
- 12:42Speaker 1: you feel like everything's ending but you have to go
- 12:48Speaker 1: on as normal. It reminds me of I had to
- 12:51Speaker 1: write this report on a French book in college called
- 12:55Speaker 1: The Stranger and at the end, like all this horrible
- 12:58Speaker 1: stuff happens, and at the end and the guy looks
- 13:02Speaker 1: at his watch and it's like, oh, it's one PM
- 13:04Speaker 1: or something. Yeah, because it's a man made structure in
- 13:07Speaker 1: the world continues and you have to keep going even
- 13:11Speaker 1: though all of this horrible stuff has happened and continues
- 13:16Speaker 1: to happen. So I don't want to make this sound
- 13:21Speaker 1: dismissive at all, but this book was like a feeling
- 13:23Speaker 1: to me. It was like a five yeah, yeah, yeah, yeah, it.
- 13:27Speaker 2: Is it definitely. It gets into like that monotony. Yeah,
- 13:34Speaker 2: but the monotony.
- 13:35Speaker 1: Is hair, yeah, and like your relationships and like as
- 13:44Speaker 1: you get older, you are talking about death more and
- 13:46Speaker 1: you are thinking about like, well, I guess gum my.
- 13:52Speaker 2: Use is the thing you and I've talked about, Well
- 13:55Speaker 2: what could we contribute, which was one of the conversations
- 13:57Speaker 2: she has with will if the end of times?
- 14:00Speaker 3: What do you bring? She's like, I can tell stories.
- 14:02Speaker 2: I'm really great at that, Like she starts off with that,
- 14:06Speaker 2: but I think like my partner and I've talked about
- 14:08Speaker 2: what would it look like going out the grid, how
- 14:10Speaker 2: do we prepare? We've talked about solars We've talked about generators,
- 14:13Speaker 2: We've talked about leaving where the best areas is.
- 14:17Speaker 3: For possible survival, all those different things.
- 14:20Speaker 2: Like, there's definitely that depth of conversation about what happens
- 14:24Speaker 2: when the government, if the government.
- 14:28Speaker 3: Becomes a dictatorship.
- 14:29Speaker 2: As we're slowly maybe seeing what she's talking about in.
- 14:34Speaker 1: Scenes first Donald Trump, she's reacting to not current.
- 14:39Speaker 3: No, and I'm sure our books have gotten even darker.
- 14:52Speaker 2: We're going to talk about the many themes because there's
- 14:54Speaker 2: tons of things we're gonna pull out on here. I
- 14:57Speaker 2: did we did want to put some quotes in here,
- 14:59Speaker 2: and we'll tell feel about it. It's a little a
- 15:03Speaker 2: little bit out of context. But at the same time,
- 15:05Speaker 2: the context is not always necessary with this book because
- 15:10Speaker 2: she tells jokes. She tells riddles a lot in here,
- 15:14Speaker 2: Like a little jokes about a man and so and
- 15:16Speaker 2: so came into a bar type of conversation.
- 15:19Speaker 1: Yeah, and then she was kind of like the insets
- 15:22Speaker 1: of the like what does this mean like like a
- 15:25Speaker 1: QA almost Oh yeah, so yeah. I mean a lot
- 15:29Speaker 1: of things could be taken out of context with this book.
- 15:33Speaker 2: So one of the big things obviously is doom. Yeah,
- 15:37Speaker 2: that's one thing. And this is the quote there's a
- 15:39Speaker 2: period after every disaster in which people wonder around trying
- 15:42Speaker 2: to figure out if it's truly a disaster. Disaster psychologists
- 15:46Speaker 2: use the term at milling to describe most people's default
- 15:49Speaker 2: actions when they find themselves in frightening new situations. So
- 15:54Speaker 2: like being in the middle of it, which I feel
- 15:55Speaker 2: like you don't realize you're in the middle of it
- 15:59Speaker 2: because is coming.
- 16:03Speaker 1: Yeah, yeah, And I think we've talked about this a
- 16:06Speaker 1: lot before in our trauma episodes, plenty of episodes. But
- 16:11Speaker 1: I think when something bad happens, a lot of us
- 16:15Speaker 1: have a I do. I have a processing period of
- 16:20Speaker 1: I don't know how bad it is yet, So I
- 16:23Speaker 1: don't know how bad whatever has happened. It could get
- 16:27Speaker 1: worse what I'm thinking it is, or maybe it's not
- 16:31Speaker 1: as bad as I think it is. But there is
- 16:33Speaker 1: that period where you're kind of in a limbo state
- 16:39Speaker 1: and not sure, right, I.
- 16:42Speaker 2: Mean, it's kind of like that conversation when people talk
- 16:45Speaker 2: about I couldn't handle that situation, and you don't know
- 16:47Speaker 2: what you can handle until you're in it, and you
- 16:49Speaker 2: really don't realize how bad it was.
- 16:51Speaker 3: Until after the fact.
- 16:53Speaker 2: Like I think people who are in like different situations
- 16:58Speaker 2: where they've been violated or they've been harmed or something,
- 17:01Speaker 2: they don't realize it was harmful and they're like because
- 17:04Speaker 2: they just put it aside.
- 17:07Speaker 1: Yeah. Yeah, And the context of this book, I think
- 17:14Speaker 1: the interesting point she's making is that for a lot
- 17:19Speaker 1: of us, who I mean, she's pretty well off, like
- 17:22Speaker 1: she's doing generally fine in the context of this world
- 17:28Speaker 1: that we live in, but she still has this feeling
- 17:32Speaker 1: that the world is ending. She still has this all
- 17:37Speaker 1: of these overwhelming emotions. There are just things that every
- 17:41Speaker 1: day she thinks about, and I believe a lot of
- 17:47Speaker 1: people can relate to that in terms of it does
- 17:51Speaker 1: feel like we're in a disaster, but also the world
- 17:54Speaker 1: keeps moving, right, Yeah, that sensation is very hard to reconcile.
- 18:01Speaker 2: Right, yeah, right, there's so obviously the doom of it
- 18:10Speaker 2: all again is like it kind of ties in with
- 18:12Speaker 2: everything else because we wouldn't talk about spirituality, but like
- 18:15Speaker 2: letting go of death. She talks about the character Margo,
- 18:18Speaker 2: who is a Buddhist who helps meditation, and everything is
- 18:22Speaker 2: like very like, no, you're not doing these things. These
- 18:25Speaker 2: are these things happening to you type of conversations and
- 18:27Speaker 2: how you handle it like allmost but it does kind
- 18:29Speaker 2: of like trying to equate doom as just a state
- 18:33Speaker 2: of being.
- 18:34Speaker 1: Mm hmmm, yeah, yeah it does. But it's also especially
- 18:42Speaker 1: interesting because she has a kid, which I know we've
- 18:45Speaker 1: talked about that before, but having these interactions with her
- 18:50Speaker 1: child when she is having these interactions with the world,
- 18:57Speaker 1: are these thoughts you know, uh, the world and how
- 19:02Speaker 1: do you how do you talk to a child about that?
- 19:05Speaker 3: Right? And she does. She's like, do I talk to him?
- 19:08Speaker 3: Or do I just leave it be?
- 19:08Speaker 1: Yeah? Exactly, like do I ruin everything right now? Or
- 19:12Speaker 1: is it gonna ruin everything if I don't tell him?
- 19:15Speaker 1: Which is better choice?
- 19:19Speaker 2: And then another thing we have is the survivalist ideal.
- 19:22Speaker 2: She supposedically writes survival instructors have a saying get organized
- 19:25Speaker 2: or die. Who's not talking about the chaos in her
- 19:30Speaker 2: time and like things that need to be done, and
- 19:33Speaker 2: the fact that her husband's just like no, yeah, this
- 19:35Speaker 2: is what you do. She's like, wait, how do you
- 19:36Speaker 2: clean up spices? And like he's like, that's what you do.
- 19:39Speaker 2: She's like, I guess I've never noticed it until you
- 19:41Speaker 2: were gone. But he was part of that key factor.
- 19:45Speaker 2: But also he's so organized that it's almost unnerving. I'm like,
- 19:50Speaker 2: what is he organizing for? But yeah again. She also
- 19:56Speaker 2: she and Will have a conversation about if they could
- 19:59Speaker 2: survive because she talks very dupe and gloom and he
- 20:02Speaker 2: loves it. Apparently Will likes it, which is that part
- 20:04Speaker 2: of that attraction to them is that she can be
- 20:08Speaker 2: that gloom oh my god, and he seems to be like, yeah,
- 20:12Speaker 2: okay type of talk. And at one point they talk
- 20:15Speaker 2: about what does what does she bring? And She's like,
- 20:17Speaker 2: a lively conversation, I can do these things, and then
- 20:20Speaker 2: talk about how she can she knows about spitting enough
- 20:24Speaker 2: to attract fish.
- 20:27Speaker 1: She the fishing thing was a whole. She went down
- 20:30Speaker 1: a rabbit hole catch fish.
- 20:34Speaker 3: I will never forget it. I will remember that gum thing.
- 20:37Speaker 2: That's really like, that's one of the survivalist things to
- 20:40Speaker 2: have because it can help from hunger pain as well
- 20:44Speaker 2: as fishing.
- 20:47Speaker 1: I've heard mixed things about the chewing of gum for hunger.
- 20:51Speaker 1: I've heard it can actually make you hungrier in the
- 20:53Speaker 1: long run because you're chewing and you're not getting anything.
- 20:57Speaker 1: But anyway, I do know it's a you know, I
- 21:03Speaker 1: grew up next to his survival, right, That's.
- 21:05Speaker 3: What I'm saying. I was like, Okay, let's see.
- 21:07Speaker 2: But then she talks about how out of shape she is,
- 21:09Speaker 2: and she's like, yeah, I'm gone, I'm done. She talked
- 21:12Speaker 2: about she can't grow up with a certain amount of
- 21:14Speaker 2: steps because they're going hiking, and she's like, yeah, I'm dead.
- 21:17Speaker 3: It's over. There's nothing to survive.
- 21:21Speaker 1: Yeah, you know at a certain point.
- 21:26Speaker 2: Because she also talked about the bear out running the
- 21:29Speaker 2: bear and the dude was like, I just need to
- 21:31Speaker 2: outrun you.
- 21:32Speaker 1: Yeah.
- 21:34Speaker 3: She had a lot of quotes in there. Yeah.
- 21:37Speaker 2: Then we have technology as a thing. So that's a
- 21:39Speaker 2: big theme obviously with the in the world. Who's who
- 21:42Speaker 2: has the right to stay and what happens and and
- 21:45Speaker 2: all these things, And this is one of the quotes.
- 21:47Speaker 3: I thought it was interesting.
- 21:48Speaker 2: Somehow I get seated halfway down the table from her, Sofia,
- 21:51Speaker 2: I am trapped next to this young techno optimist guy.
- 21:54Speaker 2: He explains that current technology will no longer seem strange
- 21:58Speaker 2: when the generation who didn't grow up with it finally
- 22:01Speaker 2: ages out of the conversation dies. I think he means
- 22:04Speaker 2: his point is that eventually all those who are unnerved
- 22:07Speaker 2: about what is falling away will be gone, and after
- 22:10Speaker 2: that there won't be any more talk of what has
- 22:13Speaker 2: been lost, only of what has been gained.
- 22:15Speaker 1: Ohly, that is so bleak, Yeah.
- 22:20Speaker 2: Because they all talk about like who survive and essentially
- 22:23Speaker 2: those who like embrace technology are the only ones worth surviving.
- 22:31Speaker 1: Yeah, And in the post Trump landscape that she wrote
- 22:36Speaker 1: us in, this is a very relevant conversation. But it
- 22:42Speaker 1: does feel Yeah, anybody who would not agree with us,
- 22:48Speaker 1: just let them die will die out and then.
- 22:54Speaker 3: And then we're here.
- 22:55Speaker 2: But also like I feel like in tandem because they
- 22:57Speaker 2: talk about they can't wait till they are like lifeless
- 23:01Speaker 2: and they're just you know, beings a part of the
- 23:03Speaker 2: tech world essentially, but then at the same time they're
- 23:06Speaker 2: so impatient for this like neutrality. On top of that,
- 23:12Speaker 2: it's interesting because Sylvia says the only way you can
- 23:14Speaker 2: protect her son is being rich, which.
- 23:17Speaker 3: Is exactly also the tech ideas.
- 23:22Speaker 1: Sylvia was such an interesting character to me, uh, because
- 23:26Speaker 1: she was very She has this podcast, she gets these
- 23:30Speaker 1: tech broue comments, she gets these interviews, but she was
- 23:36Speaker 1: somebody who I think was seeing she was trying to
- 23:42Speaker 1: have these important conversations, which was also but she was
- 23:45Speaker 1: also seeing it's not going anywhere, and these tech bros
- 23:49Speaker 1: are winning, and they're the ones that I'm talking to, right,
- 23:52Speaker 1: And the people who are writing in are also.
- 23:55Speaker 3: Not really no, they're just about save me.
- 23:59Speaker 1: Yeah. And so in the end she ends up like
- 24:02Speaker 1: she stops the show and ends up gardening and is
- 24:08Speaker 1: basically like, well, the world is ending anyway, Like I
- 24:13Speaker 1: tried my past.
- 24:15Speaker 3: I'm done.
- 24:16Speaker 2: World done right with that? Going on talk about progress,
- 24:21Speaker 2: there's a couple of quotes. It says, a desire for
- 24:24Speaker 2: small government is nothing new. Of course, at the end
- 24:26Speaker 2: of the nineteenth century, a US government officially proposed closing
- 24:30Speaker 2: the Office of Patents. Everything of importance had already been invented,
- 24:34Speaker 2: he said.
- 24:36Speaker 3: And this is really.
- 24:37Speaker 2: Early, like like nineteen I want to say forty, so
- 24:40Speaker 2: d's when that was stated.
- 24:43Speaker 3: And I was like, oh.
- 24:45Speaker 2: Interesting, when they were trying to save money in the government,
- 24:49Speaker 2: and I'm like we are the opposite, like we're not
- 24:52Speaker 2: having small government, we're having we're having small amount of people.
- 24:57Speaker 2: They want a small dictatorship, but they want to have
- 25:00Speaker 2: the most power, which is interesting. And then another quote,
- 25:04Speaker 2: and then it is another day and another and another,
- 25:07Speaker 2: and I will not go on about this because no
- 25:08Speaker 2: doubt you too have experienced time just and this is
- 25:13Speaker 2: I think that conversation, uh, is it with Margo One
- 25:20Speaker 2: of the conversations with Margo maybe where it's just like
- 25:24Speaker 2: and it is and just is like even when tragedy happens,
- 25:27Speaker 2: it is it just goes on and on and on.
- 25:30Speaker 2: Oh no, I think it's actually with the never mind, No,
- 25:32Speaker 2: it's with the driver that's you boo friends, the older man,
- 25:36Speaker 2: and he just goes on and on and on and
- 25:38Speaker 2: that's it.
- 25:40Speaker 3: That's the experience. That's progress.
- 25:42Speaker 2: And I'm like, all, damn, yeah, damn, bro, I sorry.
- 25:49Speaker 3: It's pretty bleak.
- 25:53Speaker 1: A lot of it is, yeah, but it is. You know,
- 26:00Speaker 1: I would love if listeners wrote in about this. I
- 26:03Speaker 1: just feel like I was relating a lot, because you know,
- 26:06Speaker 1: you have these moments that are like when you tell
- 26:10Speaker 1: them to somebody, they feel small, but in your head
- 26:13Speaker 1: they feel bigger, like this represents more to me than
- 26:17Speaker 1: it sounds when I'm telling you. But those kind of
- 26:24Speaker 1: experiences you have that are, oh, I just talked to
- 26:28Speaker 1: this random person, but that conversation reflects so much about
- 26:35Speaker 1: how you feel in the state of the world as
- 26:37Speaker 1: you view it.
- 26:40Speaker 3: Yeah, it is.
- 26:42Speaker 2: And I only put one quote for anxiety and overthinking
- 26:45Speaker 2: because the entirety of the book is anxiety and overthinking.
- 26:49Speaker 2: But she writes, my brother told me once that he
- 26:52Speaker 2: missed drugs because they made the world stop calling to him.
- 26:57Speaker 3: And there are those moments like we have.
- 26:58Speaker 2: Those moments are just like we want to stop thinking,
- 27:02Speaker 2: We want to stop it. She kind of talks about
- 27:05Speaker 2: social media in that same way, like the dredging, the
- 27:08Speaker 2: being trained to just click buttons and not having any
- 27:14Speaker 2: kind of patience and just feeling like, you know, the constant.
- 27:16Speaker 2: But at the same time, that's one more thing that
- 27:20Speaker 2: helps you stop thinking about the world.
- 27:24Speaker 3: Yeah, essentially.
- 27:25Speaker 2: And I think he was the epitome of overthinking and anxiety.
- 27:31Speaker 2: I feel like, especially when it came to the child,
- 27:35Speaker 2: iris the baby and all the things that he could
- 27:37Speaker 2: do wrong and making mistakes and being a father or
- 27:42Speaker 2: having a kid. I don't know being a father, I
- 27:44Speaker 2: guess it could be the same one the same, but
- 27:46Speaker 2: I feel like having a kid, being responsible for a kid,
- 27:50Speaker 2: him losing sleep, him not being able to sleep, feeling
- 27:53Speaker 2: like he's going to fall off, or like constant.
- 27:57Speaker 3: Yeah.
- 28:00Speaker 1: Yeah, And this is something I believe a lot of
- 28:04Speaker 1: us can relate to as well as when you have
- 28:08Speaker 1: those anxiety issues, well you have anxiety and someone else
- 28:14Speaker 1: in your orbit has it to a much higher degree,
- 28:20Speaker 1: it can be really difficult to walk the line between
- 28:27Speaker 1: I understand you and also I I don't know, like
- 28:36Speaker 1: not not a pep talk, but you know, like trying
- 28:40Speaker 1: to be like, but it's not that bad, right, because
- 28:44Speaker 1: it can be really complicated when you have those emotions
- 28:48Speaker 1: as well and you have those feelings as well. And
- 28:51Speaker 1: he was living with Lizzie and so just that whole
- 28:58Speaker 1: thing was I feel like that was a really difficult
- 29:05Speaker 1: relationship for them both.
- 29:09Speaker 2: It was interesting too, because his Catherine character was the
- 29:12Speaker 2: opposite of both of them in that she was like,
- 29:16Speaker 2: I need to take action, we need to do this now.
- 29:17Speaker 2: At one point she was talking about how do you
- 29:19Speaker 2: feel with the current issues of things, and like.
- 29:24Speaker 3: Lizzie takes it broad like broad broad like, well, all.
- 29:27Speaker 2: This is happening, and this is happening, and there's no
- 29:29Speaker 2: real way of saying anything is good, So I don't
- 29:31Speaker 2: know why you're asking me this, in which Catherin.
- 29:35Speaker 3: I was talking about politics.
- 29:39Speaker 2: Like she was very like, She's like, oh okay, like
- 29:42Speaker 2: y in tune, so much so that it gave Henry
- 29:46Speaker 2: even more anxiety because he didn't want tell her anything,
- 29:48Speaker 2: because she would want to put things into action immediately
- 29:50Speaker 2: to solve it, and he didn't like that. Again, the
- 29:54Speaker 2: opposite of who he was speaking of, which we're going
- 29:57Speaker 2: to talk about. Obviously, there's different forms of relationships here.
- 30:00Speaker 2: Here's a couple of quotes. Here's one says she's talking
- 30:03Speaker 2: about to Tracy, who was a bartender who was watching Will.
- 30:07Speaker 3: And Lizzie Floyd.
- 30:08Speaker 2: She's like, get that girl, go ahead, why don't you
- 30:10Speaker 2: sleep with her? You have you have free time, whatever,
- 30:13Speaker 2: And Tracy says, sure, sure, I suppose I could go
- 30:16Speaker 2: for someone safe, but I've never felt like this before, never,
- 30:19Speaker 2: And then and then her response Lizzie's responses, but no
- 30:22Speaker 2: one is safe.
- 30:23Speaker 3: I want to tell her what is safe?
- 30:25Speaker 2: I got a question mark like in actuality, what you
- 30:28Speaker 2: think is safe is never safe?
- 30:30Speaker 1: M hmm. Yeah. Anyone can hurt you. I've leave that firmly.
- 30:39Speaker 1: Anyone can hurt you. Even the people who you care
- 30:44Speaker 1: about can hurt you the most because they grow the
- 30:46Speaker 1: most about you and you care about them the most.
- 30:49Speaker 2: People who are supposed to be safe are usually not
- 30:51Speaker 2: the safest, whether it's the not chosen family, like your
- 30:55Speaker 2: family family. And then another quote, This is when Ben
- 30:59Speaker 2: is trying to convince her to leave for a couple
- 31:01Speaker 2: of weeks, just for a little bit, a couple of months,
- 31:04Speaker 2: I think, and her He's like, what's keeping you here?
- 31:07Speaker 2: He says, please, I think, But no, I can't even
- 31:10Speaker 2: look at him.
- 31:10Speaker 3: All these people. I have so many people, you wouldn't
- 31:13Speaker 3: believe it.
- 31:13Speaker 2: And she's thinking about Sylvia, her mom, her brother, her
- 31:16Speaker 2: brother's child, Iris, like all of these people who depend
- 31:20Speaker 2: on her. In her mind, the driver, even she considers
- 31:23Speaker 2: the driver who she's like, what happens to him if
- 31:26Speaker 2: I don't use his business Like it's a constant state
- 31:29Speaker 2: of being, of being like I have to be everything
- 31:31Speaker 2: to everybody. I can't take breaks.
- 31:35Speaker 1: Yeah, And once again I think a lot of listeners
- 31:40Speaker 1: can relate to that, because if you care about people
- 31:46Speaker 1: and our current state of affairs. Everything feels very precarious. Uh,
- 31:52Speaker 1: and you are constantly thinking about, oh my god, this person,
- 31:55Speaker 1: how can I how can I help them? How can
- 31:59Speaker 1: I help this person? And the driver. You know, even
- 32:05Speaker 1: if it's not somebody who is your family or found family,
- 32:09Speaker 1: it is somebody in your life that you've grown to
- 32:14Speaker 1: care about enough that you're worried about their state of
- 32:19Speaker 1: affairs and what will happen to them.
- 32:33Speaker 2: And then she talks about marriage and being because I'm like,
- 32:37Speaker 2: I'll relate to this in a way like I have
- 32:39Speaker 2: a great relationship, but also like at the same time,
- 32:42Speaker 2: you're like a little bit change. They write funny how
- 32:45Speaker 2: when you're married, all you want is to be anonymous
- 32:48Speaker 2: to each other again. But when you're anonymous, all you
- 32:50Speaker 2: want is to be married and reading together in bed.
- 32:54Speaker 3: Well yeah, even though you are like, I need a break,
- 32:57Speaker 3: but I miss you, I need you here.
- 33:00Speaker 1: Yep, grasses are a screener. It is.
- 33:03Speaker 2: It is like conversation and her and Ben's relationship, like
- 33:06Speaker 2: he reminds her, He's like, She's like, I would love
- 33:09Speaker 2: to be in love. He's like, you are in love
- 33:12Speaker 2: with me. I'm right here, and like you would think
- 33:16Speaker 2: he would be infanded, but he's not. He's like, oh,
- 33:18Speaker 2: you know, come on now, calm down, everything's good here.
- 33:21Speaker 2: And they do have a good relationship once again. But
- 33:24Speaker 2: sometimes it just feels stale in comparison to especially when
- 33:27Speaker 2: your concentration is how do we not die?
- 33:30Speaker 1: Yeah? Yeah, and you can when your thoughts are how
- 33:35Speaker 1: do we not die? I think some people do reach
- 33:38Speaker 1: for excitement, and that can be I need to break
- 33:43Speaker 1: from you, let me flirt with this will guy right.
- 33:46Speaker 3: Right, and he just to hit that boundary just a
- 33:49Speaker 3: little touch.
- 33:50Speaker 2: Also, she does talk about being old now, like she
- 33:52Speaker 2: talks about how she's so old at her job that
- 33:55Speaker 2: the kids have started wearing her clothes again and now
- 33:58Speaker 2: she's in fashion. She's like, oh my god, now look
- 34:00Speaker 2: like I'm trying to be with it like them, I
- 34:02Speaker 2: need to go back.
- 34:03Speaker 3: But I was like, yeah, yep, it comes.
- 34:08Speaker 2: From And then also talking about the fact that she
- 34:12Speaker 2: has arthritis in her knee and she swore to God
- 34:15Speaker 2: it wasn't because she's too young.
- 34:19Speaker 3: Maybe if you're my age, maybe.
- 34:20Speaker 2: Not, but just saying, but like having that excitement of
- 34:27Speaker 2: this man who's attractive, who as she found out like
- 34:30Speaker 2: dates women who are so attractive finding you attractive. It
- 34:33Speaker 2: was just like feeling wanted in that way is a
- 34:37Speaker 2: new high. Yeah again, a new connection and knowing that
- 34:42Speaker 2: it's fleeting because he was leaving.
- 34:44Speaker 3: She knew that too.
- 34:45Speaker 1: Yeah.
- 34:46Speaker 2: Not great emotional affairs are not okay, I do not
- 34:49Speaker 2: conn I'm just saying yeah, in that relationship, and then
- 34:55Speaker 2: we have that like the spirituality and morality Okay, it's
- 34:58Speaker 2: all within this book obviously, just like seees out between
- 35:03Speaker 2: the meditation moments between her talking about what she should
- 35:06Speaker 2: do shouldn't do, between not being racist, between like but
- 35:10Speaker 2: at the same time being prejudiced because or being scared
- 35:13Speaker 2: to talk to someone who has a different language because
- 35:14Speaker 2: you don't like know that fear in itself.
- 35:18Speaker 3: So many things in here.
- 35:20Speaker 2: But here's a quote, and I love this quote because
- 35:22Speaker 2: you're talking to reference to the dog. My mother told
- 35:25Speaker 2: me once that each thing, each being has two names.
- 35:28Speaker 2: One is the name by what she's just known in
- 35:30Speaker 2: this world, and the other is a secret name that
- 35:32Speaker 2: it keeps hidden. But if you call it by this name,
- 35:36Speaker 2: it cannot help or respond. This is the name by
- 35:38Speaker 2: which the creature was known in the garden. Of Eden,
- 35:41Speaker 2: and then she tries to find the name of the
- 35:43Speaker 2: dog m hm, because she's like, I know you have
- 35:48Speaker 2: a different name. I need to find out this name.
- 35:51Speaker 2: I'm not gonna lie. I did say that something was
- 35:52Speaker 2: gonna happen with a dog. I was like, why are
- 35:54Speaker 2: you focusing so.
- 35:55Speaker 3: Hard on this dog?
- 36:00Speaker 1: Been trained?
- 36:02Speaker 3: Where the dog gets hurt?
- 36:03Speaker 2: Oh no, it's okay, yeah, anyway, but let's find that
- 36:08Speaker 2: levels because her mom is very spiritual, very religious, to
- 36:12Speaker 2: the point that she goes to churchyard there one day
- 36:13Speaker 2: and her mom is so proud, so proud and so
- 36:17Speaker 2: excited she's there.
- 36:19Speaker 3: But obviously that's not her thing.
- 36:21Speaker 2: They do a lot of meditation, specifically Buddhist meditation, which
- 36:25Speaker 2: is like an interesting form of meditation as in fact,
- 36:29Speaker 2: this is one of the mantras that she has from
- 36:32Speaker 2: the meditation. So it's breathing in. I know that I
- 36:36Speaker 2: am of the nature to grow old, breathing out. I
- 36:39Speaker 2: know that I cannot escape old age, breathing in. I
- 36:43Speaker 2: know that I am of the nature to get sick,
- 36:45Speaker 2: breathing out. I know that I cannot escape sickness. Breathing in.
- 36:50Speaker 2: I know that I am of the nature to die
- 36:52Speaker 2: breathing out. I know that I cannot escape dying.
- 36:54Speaker 3: Breathing in.
- 36:55Speaker 2: I know that one day I'll have to let go
- 36:58Speaker 2: of everything and everyone I love, breathing out. I know
- 37:01Speaker 2: there's no way to bring them along like they.
- 37:06Speaker 1: Yeah, did it have to be that dark? Once again?
- 37:12Speaker 1: Very bleak.
- 37:14Speaker 2: I feel like one of the parts that she's saying
- 37:16Speaker 2: this is she's watching or her husband is watching over
- 37:19Speaker 2: talking about how they she watches them, and he watches
- 37:21Speaker 2: them in their sleep to see if they're dying and
- 37:25Speaker 2: can't reconcile the fact that he can't stop them from dying. Yeah,
- 37:30Speaker 2: and this is the mantra that he has to stay
- 37:32Speaker 2: in order to let it go.
- 37:35Speaker 3: Yeah.
- 37:36Speaker 1: Uh once again, Yep, it's a it's I feel like
- 37:43Speaker 1: it touches on that once you get older, suddenly death
- 37:49Speaker 1: feels much more prescient than it feels like. I remember
- 37:55Speaker 1: when I was young, I was like, ah, I was
- 37:58Speaker 1: the I was the person who's like, I'll be fine,
- 38:01Speaker 1: And now it's like, well, I could swallow something incorrectly,
- 38:06Speaker 1: that will be the end of me. And so there
- 38:10Speaker 1: are a lot there's a lot of that kind of
- 38:13Speaker 1: thought throughout the book of Just You can't really stop it.
- 38:21Speaker 1: You can't stop it.
- 38:23Speaker 2: She has a quote in here, young personal worry, what
- 38:26Speaker 2: if nothing I do matters? Old personal worry? What if
- 38:29Speaker 2: everything I do does? And I'm like, yeah, yeah.
- 38:34Speaker 1: Yep, yep. Although I would be interested if younger listeners
- 38:42Speaker 1: right in, hey, young, I think in the state of
- 38:45Speaker 1: our world ending, what feels like constant barrage of world
- 38:52Speaker 1: ending news if that feeling is still the same, But
- 38:56Speaker 1: I would say that resonates with me of like, yeah,
- 39:00Speaker 1: when I was young, I was like, oh, sure that
- 39:03Speaker 1: And now I'm like, oh no, everything everything, Yeah.
- 39:11Speaker 3: And this is another quote there.
- 39:13Speaker 2: I really liked it because it was just like if
- 39:16Speaker 2: it didn't belong in the spiritualey but it feels like
- 39:18Speaker 2: the comfort, the small comforts that she has. There wasn't many,
- 39:21Speaker 2: but it's there's a heroic tower of folded things on
- 39:24Speaker 2: the table. I spot my favorite shirt, my least depressing underwear.
- 39:28Speaker 2: I go into the bedroom change into them. Now I'm
- 39:31Speaker 2: a brand new person, and I was like, yeah, when
- 39:34Speaker 2: you get into that like comfy but like clean, when
- 39:37Speaker 2: you first take that shower and you feel refreshed, and
- 39:40Speaker 2: then you're wearing everything clean, new, and like you feel
- 39:43Speaker 2: like you can start over before you drop the food
- 39:46Speaker 2: on your on yourself me specifically, but like it is
- 39:49Speaker 2: like I am brand new.
- 39:51Speaker 1: Hmm.
- 39:52Speaker 2: It does feel nice. And I also love the line
- 39:54Speaker 2: my least depressing underwear. I was like, yeah, because mer.
- 40:02Speaker 1: Yep, I've worried about throwing away some underwear. Sometimes this
- 40:06Speaker 1: doesn't look good. However, I do whatever I do.
- 40:14Speaker 2: And then another one what it means to be a
- 40:17Speaker 2: good person. A moral person is calculated differently in times
- 40:20Speaker 2: of crisis than in ordinary circumstances. And then she talks
- 40:24Speaker 2: about two situations where one is she pulls up a
- 40:27Speaker 2: slide of people where they're having a picnic and they're
- 40:30Speaker 2: just chilling and they're just hanging out, no big deal.
- 40:32Speaker 2: But then you take the next line and you see
- 40:34Speaker 2: children drowning and they do they're having a nice little picnic,
- 40:37Speaker 2: ignoring that situation, and now they've become monsters. And I
- 40:41Speaker 2: was like, yeah, and this is a Sylvia ism. I
- 40:44Speaker 2: think we get to put it at that. And when
- 40:46Speaker 2: she talks about so, she also has another one about
- 40:48Speaker 2: a plotting and I was.
- 40:49Speaker 3: Like what what.
- 40:52Speaker 2: Yeah, where she explains the plotting happened because they were
- 40:54Speaker 2: protecting themselves and I was like, interesting, we didn't have
- 41:00Speaker 2: any other tactics to protect ourselves as humans, like bears.
- 41:03Speaker 3: Can claude things, but applauding.
- 41:07Speaker 2: Yeah, oh, but I found that interesting because it does.
- 41:12Speaker 2: She's like, circumstances change what we see are how we
- 41:16Speaker 2: see a group of people. It's that level of understanding
- 41:19Speaker 2: because you see, like people have you know, done amazing
- 41:22Speaker 2: things and solving and crying all these diseases, but they
- 41:26Speaker 2: went through testing on humans and killing people and using
- 41:29Speaker 2: people of specific races as test subjects. Like that makes
- 41:33Speaker 2: some monsters, Like at one point there were heroes. Of course,
- 41:36Speaker 2: mine's a little darker, I guess in that real, but
- 41:38Speaker 2: it's true. And you see what they've done to get
- 41:40Speaker 2: to these answers, You're like, yeah, but that makes them yeah,
- 41:42Speaker 2: cruel and monsters. Like there's this level of indignation and
- 41:47Speaker 2: realizing the morality of it, Like, but what.
- 41:50Speaker 3: If and how if?
- 41:52Speaker 2: This book is a lot I will say it's not
- 41:54Speaker 2: as dark as some of the other books that we read,
- 41:56Speaker 2: Like I didn't go into a funk. I think it's
- 41:59Speaker 2: like just lighthearted enough. She puts an enough little equips
- 42:04Speaker 2: and kind of distances emotions from it because it's more thought.
- 42:09Speaker 3: Than events and you know, feelings. But I enjoyed it.
- 42:14Speaker 1: I agree, and I do think for better or worse,
- 42:20Speaker 1: there is a sort of disassociation, dissociation that many of
- 42:27Speaker 1: us can relate to, especially right now when you're going
- 42:33Speaker 1: through when this is your life and every day you're
- 42:35Speaker 1: trying to oh, I've got to do a podcast on cheese,
- 42:40Speaker 1: which I had to do last week. But meanwhile, ron
- 42:46Speaker 1: like having those. It feels odd to be continuing your
- 42:53Speaker 1: life when all of these things are happening, and so
- 42:58Speaker 1: there is there's a layer of distance, as you said,
- 43:01Speaker 1: that I think spares you from as bleak as it is.
- 43:06Speaker 1: It's not going to put you in a spiral, most
- 43:10Speaker 1: likely because probably you're experiencing it.
- 43:13Speaker 3: To fill normal.
- 43:16Speaker 1: Yeah. Unfortunately, so well how we feel about that.
- 43:20Speaker 2: But essentially yeah, yeah, but I did enjoy it.
- 43:25Speaker 1: I mean, like I said, I felt like I was
- 43:29Speaker 1: reading a diary of somebody that I felt, oh, yes,
- 43:33Speaker 1: this also explains a lot of my emotions.
- 43:35Speaker 2: Right, this is where I am as well, especially about
- 43:39Speaker 2: like can I do this?
- 43:40Speaker 3: What do I do? How do I handle this? Do
- 43:42Speaker 3: I talk to this person? I'm going to hide in
- 43:43Speaker 3: this hardware store. Now I have to buy a heart.
- 43:46Speaker 3: Now I'm about to buy a hammer exactly.
- 43:50Speaker 1: We've all been there. We've all been there well. Listeners,
- 43:57Speaker 1: please let us know your thoughts and any any suggestions
- 44:01Speaker 1: for future book club picks. You can email us at
- 44:04Speaker 1: Hello at Steffannever Told You dot com. You can find
- 44:06Speaker 1: us on Blue Scotch Mom Stuff podcast or on Instagram
- 44:08Speaker 1: and TikTok at Stuff I've Never Told You. We're also
- 44:10Speaker 1: on YouTube. We have some merchandise at Common Bureau, and
- 44:13Speaker 1: we have a book you can get wherever you get
- 44:14Speaker 1: your books. Thanks, It's always too our super produced Christine
- 44:17Speaker 1: or executive and a protubutor Joey.
- 44:19Speaker 3: Thank you and thanks to you for listening.
- 44:22Speaker 1: Stuff Never Told You to production by Heart Radio. For
- 44:24Speaker 1: more podcast from my heart Radio, you can check out
- 44:26Speaker 1: the heart Radio app, Apple Podcasts, or wherever you listen
- 44:28Speaker 1: to your favorite shows.