Latest / DISGRACELAND / George Harrison: Surviving the Beatles, the London Drug Squad, and a Home Invasion
Transcript
- 0:00Speaker 1: Disgraceland is a production of Double Elvis, and the stories
- 0:13Speaker 1: about George Harrison are insane. He was set up and
- 0:17Speaker 1: busted by London's notorious drug squad. He attacked the paparazzo
- 0:22Speaker 1: who leaped from the bushes with his camera flashing. He
- 0:25Speaker 1: diffused a potentially bloody visit from the Hell's Angels, and
- 0:29Speaker 1: on the last day of the twentieth century, after rebounding
- 0:33Speaker 1: from multiple cancer diagnoses, George Harrison was terrorized and violently attacked,
- 0:39Speaker 1: an attack that left him hanging on for life with
- 0:42Speaker 1: a collapsed lung. But before that, George Harrison made great music,
- 0:48Speaker 1: some of the most enduring and soul searching music of
- 0:51Speaker 1: all time. Unlike that music I played for you at
- 0:54Speaker 1: the top of the show. That wasn't great music. That
- 0:57Speaker 1: was a preset loop from my melotron called Gortex Vortex
- 1:02Speaker 1: MK two. I played you that loop because I can't
- 1:06Speaker 1: afford the rights to Smooth by Santana and Rob Thomas.
- 1:11Speaker 1: And why would I play you that specific slice of
- 1:14Speaker 1: Spanish Harlem mona Lisa Cheese. Could I afford it? Because
- 1:18Speaker 1: that was the number one song in America On December
- 1:22Speaker 1: thirty one, nineteen ninety nine, and that was the day
- 1:25Speaker 1: that a crazed fan broke into the historic thirty five
- 1:28Speaker 1: acre Friar Park estate and tried to kill George Harrison.
- 1:34Speaker 1: On this episode, paparazzi, drug squads, crazed fans, a home
- 1:39Speaker 1: invasion in George Harrison. I'm Jake Brennan, and this is disgraceland.
- 2:18Speaker 1: This was his great chant for deliverance, his sacred chant,
- 2:23Speaker 1: his mystical sound, vibration, whatever you choose to call it.
- 2:27Speaker 1: A mantra, has incredible power. It's hypnotic. The more you
- 2:32Speaker 1: repeat your mantra, the more powerful it becomes. Repetition carves
- 2:37Speaker 1: a path deeper to awareness, and with the power of awareness,
- 2:42Speaker 1: one could be prepared.
- 2:43Speaker 2: For anything, even death.
- 2:49Speaker 1: At this particular moment, however, on the last day of
- 2:52Speaker 1: the twentieth century, George Harrison was not seeking enlightenment or awareness.
- 2:58Speaker 1: George wasn't repeating Harry Rish Harry Krishna over and over
- 3:02Speaker 1: again in order to communicate directly with God, as many
- 3:05Speaker 1: have done for close to five thousand years. He was
- 3:09Speaker 1: doing it to disorient the other man in the room
- 3:12Speaker 1: because George Harrison was under attack. Hiri Krishna Hari Krishna.
- 3:19Speaker 1: George Harrison was yelling at the man with the blonde
- 3:22Speaker 1: hair running up the stairs towards him. He just wanted
- 3:25Speaker 1: the man to stop. He hoped the mantra would cause
- 3:27Speaker 1: the man to become confused and afraid, just like George
- 3:30Speaker 1: had been confused and afraid when he was awoken by
- 3:33Speaker 1: the sound of breaking glass and knew that someone was
- 3:36Speaker 1: inside his home. But George's mantra didn't have the intended effect.
- 3:41Speaker 1: If anything, it made the man charge faster, angrier. The
- 3:46Speaker 1: man wasn't there to rob anybody. He was bounding up
- 3:49Speaker 1: the steps two at a time because the man was
- 3:52Speaker 1: there to murder George Harrison. The man's eyes were wild,
- 3:57Speaker 1: scraggly blonde hair squirming like Medusa. George stood his ground
- 4:02Speaker 1: up in the gallery that overlooked the first floor. It
- 4:04Speaker 1: was late, not quite three thirty in the morning.
- 4:07Speaker 2: Beware of darkness.
- 4:10Speaker 1: George saw that the man had a stone sword in
- 4:12Speaker 1: one hand that would be from the statue of Saint
- 4:15Speaker 1: George and the Dragon, the one that George's wife had
- 4:17Speaker 1: created and was displayed in the gardens outside. In his
- 4:21Speaker 1: other hand, the man held a knife. George thought of
- 4:24Speaker 1: his wife back in their bedroom, and of his mother
- 4:27Speaker 1: in law, who was sleeping upstairs in one of the
- 4:29Speaker 1: guest rooms Hairi Krishna Harri Krishna. George cried again just
- 4:34Speaker 1: as the man made it to the landing at the
- 4:36Speaker 1: gallery level. That shit wasn't working, so George leaped at
- 4:40Speaker 1: his attacker, But just like the mantra, this plan also backfired.
- 4:45Speaker 1: George and the attacker fell to the ground and the
- 4:47Speaker 1: man was on top of George, straddling him. George squirmed
- 4:50Speaker 1: on the ground and held his hands up in self preservation.
- 4:53Speaker 1: He couldn't let the man get away. He couldn't risk
- 4:56Speaker 1: his wife or mother in law getting injured, so he
- 4:58Speaker 1: fought back. And then the man thrust the knife down
- 5:02Speaker 1: and George fended off the first blow, but subsequent blows
- 5:06Speaker 1: came too fast. The man was too powerful, too determined.
- 5:10Speaker 1: He plunged the knife down into George's chest. George felt
- 5:13Speaker 1: the blade pierce his skin and go deep inside his body.
- 5:17Speaker 1: The man pulled the bloody blade out and stabbed George
- 5:20Speaker 1: a second time, then a third. George was yelling again.
- 5:23Speaker 1: This time it wasn't a mantra, just shrieks of pain,
- 5:26Speaker 1: pain caused, not just by a sharp knife in the chest,
- 5:29Speaker 1: but by the realization that the end of the line
- 5:31Speaker 1: was here and he had not planned for it to
- 5:34Speaker 1: happen like this. George Harrison felt it coming on another headache.
- 5:44Speaker 1: It was right in between his eyes. Sinea Cross Firm
- 5:48Speaker 1: at Twickenham Studios in London, right in front of his eyes,
- 5:51Speaker 1: was the cause of the pain. The other Beatles well, okay,
- 5:56Speaker 1: if George was being completely honest, the problem was Paul
- 6:00Speaker 1: only Paul. Sure John made it a habit to dismiss
- 6:03Speaker 1: George's songs, but right now he was tuning the fuck
- 6:07Speaker 1: out and nodding the fuck off and Ringo, well, Ringo
- 6:10Speaker 1: was ringo. Georgia didn't have beef with Ringo. George's headache
- 6:14Speaker 1: was all because of Paul. He was a dictator. I'm
- 6:17Speaker 1: kind of a dick holier than now, as if George
- 6:20Speaker 1: wasn't a fucking beatle too. By nineteen sixty nine, it
- 6:26Speaker 1: was clear that George wasn't just a sideman for the
- 6:28Speaker 1: esteemed songwriting duo of Lennon and McCartney. He was the
- 6:32Speaker 1: beadle who enriched the band culturally with Indian ragas, with
- 6:35Speaker 1: sitars and tablers and exotic sounds that went within and
- 6:38Speaker 1: without you. He was the most generous member of the band,
- 6:42Speaker 1: the lead guitarist to let Paul play the guitar solo
- 6:45Speaker 1: on his song Taxman. He even tossed the solo on
- 6:49Speaker 1: one of his greatest songs, while my Guitar gently weeps
- 6:52Speaker 1: to Eric Clapton, and Eric wasn't even in the band.
- 6:56Speaker 1: But also by nineteen sixty nine, George wandered a larger role.
- 7:00Speaker 1: He wanted to write more, more than the obligatory one
- 7:04Speaker 1: or two songs per record. He wanted to be as
- 7:06Speaker 1: respected as John and Paul when he came to writing songs.
- 7:10Speaker 1: George had long played the role of the quiet you know,
- 7:13Speaker 1: largely because Paul and John kept him quiet. And right
- 7:17Speaker 1: now at Twickenham, if being stonewalled on the songwriting front
- 7:21Speaker 1: wasn't enough to bear, George, the Beatles lead guitarist, was
- 7:25Speaker 1: being told how to play guitar by the fucking bass player.
- 7:31Speaker 1: I'll play whatever you want me to play, George told
- 7:34Speaker 1: Paul or I won't play at all. Whatever it is
- 7:36Speaker 1: it'll please you, I'll do it. But George didn't really
- 7:41Speaker 1: mean it. George just wanted a bail fuck playing whatever
- 7:44Speaker 1: Paul wanted him to play. It wasn't fun anymore. The
- 7:48Speaker 1: Beatles weren't fun anymore.
- 7:50Speaker 2: What a pity.
- 7:52Speaker 1: The Beatles gave George a headache, so he walked out
- 7:55Speaker 1: of Twickenham, went home to his bungalow and esher and
- 7:57Speaker 1: wrote Wah Wah, which is not song about a guitar pedal.
- 8:01Speaker 1: It's a song about making the decision to leave the Beatles.
- 8:05Speaker 1: George hung in there for most of nineteen sixty nine
- 8:09Speaker 1: until it became unbearable, and once the Beatles did throw
- 8:12Speaker 1: in the towel, George wasted no time. In fact, he
- 8:16Speaker 1: made up for lost time his nineteen seventy one triple
- 8:23Speaker 1: album All Things Must Pass, technically, his third solo album
- 8:26Speaker 1: following two experimental releases, was a fully realized artistic statement
- 8:31Speaker 1: about the temporality of life. Songs like My Sweet Lord
- 8:35Speaker 1: and What Is Life were pop mantras all about change
- 8:38Speaker 1: and transcendence. George Harrison had shed the Beatles and revealed
- 8:42Speaker 1: the real George Harrison, a songwriter who could go toe
- 8:46Speaker 1: to toe with his contemporaries and was just as prolific.
- 8:50Speaker 1: Even better, George finally eclipsed his former bandmates. He stole their.
- 8:55Speaker 2: Spotlight for a change.
- 8:58Speaker 1: All Things Must Pass spent eight weeks at the top
- 9:00Speaker 1: of the UK charts in seven.
- 9:03Speaker 2: Weeks at number one in the United States.
- 9:05Speaker 1: This all despite the fact that the record talked about
- 9:09Speaker 1: God more than rock music was usually comfortable with, and
- 9:12Speaker 1: did so across an expensive three LP set. But it
- 9:16Speaker 1: sold man It sold better than Ram Paul's solo album
- 9:20Speaker 1: from that same year, or sold better than John's Plastic
- 9:23Speaker 1: Ono Band and Imagine, both of which happened to be
- 9:26Speaker 1: produced by Phil Spector, the gonzo record producer who also
- 9:29Speaker 1: brought his Wall of sound aesthetic to All Things Must Pass.
- 9:33Speaker 1: The cherry on top that was having one of the
- 9:35Speaker 1: album's songs at number one on the Singles chart at
- 9:38Speaker 1: the same time the album was.
- 9:40Speaker 2: At number one.
- 9:41Speaker 1: No Beetle had held the top spot of both charts simultaneously,
- 9:46Speaker 1: and no other Beadle would for two more years. Where
- 9:50Speaker 1: once he felt underappreciated and underprepared, George was now feeling ready.
- 9:55Speaker 1: He was becoming the artist he always wanted to be.
- 9:58Speaker 1: He was on the right path to artistic freedom, to enlightenment.
- 10:02Speaker 1: But when the time came, he would be ready to
- 10:04Speaker 1: leave his own legacy behind one that identified George as George,
- 10:08Speaker 1: not as the guy gave up and did what someone
- 10:10Speaker 1: else told him to do. The brass poker made a
- 10:19Speaker 1: dull thud as it hit the back of the head
- 10:20Speaker 1: of the man with the scraggly blonde hair. The man
- 10:23Speaker 1: fell to the floor next to where George was gasping
- 10:26Speaker 1: for air. George tasted blood in his mouth, and every
- 10:29Speaker 1: time he took a breath, his chest hurt like hell.
- 10:32Speaker 1: Blood on his pajamas, blood on the floor. He pressed
- 10:36Speaker 1: his hands to his chest and felt the holes where.
- 10:38Speaker 2: The knife had gone through.
- 10:40Speaker 1: He looked up and saw his wife, Olivia standing above him,
- 10:43Speaker 1: holding a brass poker from the fireplace. The end of
- 10:46Speaker 1: the poker was bloody. Her stance was heroic, but the
- 10:49Speaker 1: look on her face was absolute terror. George felt he
- 10:54Speaker 1: was dying at fifty six years old. He began to
- 10:58Speaker 1: repeat the Harry krish Namantra silently in his head, the
- 11:02Speaker 1: very same one he'd first heard from his divine grace,
- 11:04Speaker 1: Swami Prahubada thirty years ago. The mantra gave him purpose, clarity, power.
- 11:10Speaker 1: He repeated the words in his head and thought of
- 11:12Speaker 1: the Yogic paths to enlighten it, but his strength was weak.
- 11:17Speaker 1: Couldn't say the mantra out loud in order to feel
- 11:19Speaker 1: its positive vibration, and thus it couldn't reach his heart
- 11:23Speaker 1: and soul. All it sounded like to him was a
- 11:26Speaker 1: broken record in his head, a needle skipping on a
- 11:29Speaker 1: worn out groove. This wasn't the way he wanted to
- 11:33Speaker 1: leave his body behind, and that thought terrified him. He
- 11:37Speaker 1: had knots left to unravel, a mind to clear, karma
- 11:40Speaker 1: to burn, And as he watched the man with the
- 11:43Speaker 1: bloodied blonde hair slowly climb back to his feet and
- 11:46Speaker 1: chase Olivia into the next room, George had his mind
- 11:49Speaker 1: set on one thing he had to do before anything else.
- 11:53Speaker 1: He had to save his wife before she was killed
- 11:56Speaker 1: by a madman. The place was a fixer rubber That
- 12:24Speaker 1: was the understatement of the decade. In nineteen seventy, the
- 12:28Speaker 1: sprawling Friar Park had fallen into disrepair. The half Victorian Gothic,
- 12:34Speaker 1: half French chateau estate had been neglected for years. With
- 12:38Speaker 1: its grottoes, tunnels, caves, sandstone replica of matterhorn, an assortment
- 12:43Speaker 1: of impish garden gnomes. The place had once been one
- 12:46Speaker 1: of the most extraordinary in all of England, but all
- 12:50Speaker 1: things must pass. Its thirty five acres of gardens were
- 12:55Speaker 1: fading away, Its extensive system of small lakes and waterways
- 12:59Speaker 1: were drying up. Henley on Thames, the small town in
- 13:03Speaker 1: Oxfordshire where Friar Park had stood since its construction in
- 13:07Speaker 1: eighteen eighty nine, slated the property for demolition. However, Friar
- 13:12Speaker 1: Park presented the right challenge to the right person. A
- 13:16Speaker 1: person with money and time on his hands. George Harrison,
- 13:20Speaker 1: newly liberated from the biggest band on the planet, had
- 13:24Speaker 1: both of those things. He bought the place in nineteen seventy,
- 13:27Speaker 1: settled in Derek Taylor, the Beadles press officer called it
- 13:32Speaker 1: a dream on a hill. George invested millions over the
- 13:35Speaker 1: years to make the dream a reality. He planted trees,
- 13:39Speaker 1: brought the gardens and waterways back to life. He even
- 13:42Speaker 1: installed the state of the art recording studio inside the
- 13:45Speaker 1: one hundred and twenty room mansion, which officially served as
- 13:49Speaker 1: the headquarters of his new record label, Dark Horse. The
- 13:54Speaker 1: decision to retreat further into the country had been sealed
- 13:58Speaker 1: the year before. In March nineteen sixty nine, Sergeant Norman
- 14:02Speaker 1: Pilcher and his notorious London drug squad paid a visit
- 14:06Speaker 1: to George's home in Esher. George was arrested for some
- 14:10Speaker 1: hash hidden inside one of his shoes on the day
- 14:13Speaker 1: of Paul's wedding. No less, George fumed the cops were dirty.
- 14:18Speaker 1: They'd been setting up rock stars left and right with
- 14:21Speaker 1: similar trumped up charges. Did George take drugs obviously? Did
- 14:25Speaker 1: he keep drugs in his shoes? George famously said at
- 14:28Speaker 1: the time, I'm a tidy person. I keep my socks
- 14:31Speaker 1: in my sock drawer, in my stash in the stash box.
- 14:35Speaker 1: It's not mine. Didn't matter. The drug squad hauled George outside,
- 14:39Speaker 1: where a photographer for a local newspaper sprung from the bushes,
- 14:43Speaker 1: camera flashing. George took a swing and told the paparazzo
- 14:47Speaker 1: to beat it or he'd get a beat down. The
- 14:49Speaker 1: dude dropped his camera in fear and ran.
- 14:52Speaker 2: George managed to smash.
- 14:54Speaker 1: It to pieces with his beetle boot before he was
- 14:56Speaker 1: hauled off to jail. He pled guilty to unlawful possession,
- 15:00Speaker 1: paid his two hundred and.
- 15:01Speaker 2: Fifty pounds fine.
- 15:05Speaker 1: At Friar Park. George didn't fear being under the microscope
- 15:08Speaker 1: of the London drug squad, but that didn't mean that
- 15:11Speaker 1: he was no longer afraid. Since the height of Beatlemania,
- 15:15Speaker 1: George had regularly feared for his life, the hordes of
- 15:18Speaker 1: screaming fans, the crush of an infatuated crowd. It was
- 15:22Speaker 1: like he was constantly being chased by people in a
- 15:25Speaker 1: violent trance. What would the fans have done if they
- 15:28Speaker 1: had actually caught up to them? Years before the Beatles
- 15:31Speaker 1: called it quits, George was already asking himself, what is life?
- 15:36Speaker 1: Is this? It? Does this make me feel happy? Will
- 15:38Speaker 1: this get me to where I want to go?
- 15:40Speaker 2: Am I safe?
- 15:44Speaker 1: The fear hit a fever pitch in December nineteen eighty
- 15:47Speaker 1: when John Lennon was gunned down outside his apartment at
- 15:50Speaker 1: the Dakota in New York City. That was enough to
- 15:53Speaker 1: make every Beetle paranoid. George dumped another million pounds into
- 15:57Speaker 1: Friar Park, but this time it wasn't to make the
- 16:00Speaker 1: garden's green. This time it was to install razor wire cameras,
- 16:05Speaker 1: alarms guard dogs. Historically, the tolkienesque grounds of Friar Park
- 16:11Speaker 1: were open to the public.
- 16:12Speaker 2: No more.
- 16:13Speaker 1: The gates were locked. George Harrison was no longer expecting
- 16:17Speaker 1: anyone uninvited to visit cracker Box Palace. But just because
- 16:21Speaker 1: he wasn't expecting anyone didn't mean that they wouldn't seek
- 16:24Speaker 1: him out. Over the years, George and his wife Olivia
- 16:29Speaker 1: received numerous death threats in the mail. Crazed fans attempted
- 16:33Speaker 1: to scale the estate walls and break in, and the
- 16:36Speaker 1: FBI even managed to foil the plants of an American
- 16:39Speaker 1: who intended to burn Friar Park to the ground. While George, Olivia,
- 16:42Speaker 1: and their son were at home, and as the sentry
- 16:45Speaker 1: wound down, George's existential fear ramped up. He'd found a
- 16:49Speaker 1: lump in his neck cancer. The doctors found more in
- 16:54Speaker 1: his law. A few operations and radiation treatments later, and
- 16:58Speaker 1: George was feeling better. The cancer was in remission. George
- 17:02Speaker 1: had found solace in meditation. He focused on his mantra.
- 17:07Speaker 1: Mantras made you feel good. Repeating the words out loud,
- 17:11Speaker 1: over and over again was a bomb. So the more
- 17:14Speaker 1: George used repetition, the better he felt. He became focused, aware, strong, unafraid.
- 17:21Speaker 1: He went to sleep before midnight on the evening of
- 17:23Speaker 1: December thirtieth, nineteen ninety nine. Tomorrow will be a new day,
- 17:28Speaker 1: and soon he would chant in the name of the
- 17:30Speaker 1: Lord to welcome a brand new century. Just hours later,
- 17:37Speaker 1: shortly before the sun rose on the morning of New
- 17:39Speaker 1: Year's Eve, Michael Abram climbed through the shattered window of
- 17:42Speaker 1: George Harrison's Friar Park mansion. He'd broken it with the
- 17:46Speaker 1: stone sword that he'd been able to rip off of
- 17:48Speaker 1: the statue.
- 17:49Speaker 2: Outside.
- 17:50Speaker 1: The statue was a depiction of Saint George slaying the dragon.
- 17:54Speaker 1: Abram thought it fitting, seeing as he was on a
- 17:56Speaker 1: mission to do a little slaying of his own. He
- 17:59Speaker 1: also thought it humorous because the George on the inside
- 18:02Speaker 1: of this house he was no saint, despite what the
- 18:05Speaker 1: world said to the contrary. Abram brushed his scraggly blonde
- 18:10Speaker 1: hair away from his eyes with the blade of the
- 18:12Speaker 1: knife he held in his other hand. A lit cigarette
- 18:15Speaker 1: burned between his lips. He scanned the room. It was dark,
- 18:19Speaker 1: but he could tell he was in the kitchen. He
- 18:21Speaker 1: listened for voices, but the voices inside his own head
- 18:24Speaker 1: were making it difficult. They wouldn't shut up. Sometimes he
- 18:28Speaker 1: would drown the voices out with his Walkman, the volume
- 18:31Speaker 1: cranked up all the way to ten. Oasis cassettes were
- 18:34Speaker 1: the best. They were mastered for maximum sonic impact, and
- 18:38Speaker 1: Oasis was the best period That song Wonderwall. Abram believed
- 18:42Speaker 1: that the Gallagher brothers had written that song about the
- 18:45Speaker 1: walls of his flat. People complained that Oasis just ripped
- 18:48Speaker 1: off the Beatles, but Abram knew better. Oasis were better
- 18:52Speaker 1: than the Beatles. Abram used to listen to the Beatles,
- 18:55Speaker 1: and that was before the voices escalated in his head
- 18:57Speaker 1: and showed him the light and inner light. Perhaps the Beatles, well,
- 19:01Speaker 1: they were just pure evil. All you need is love,
- 19:04Speaker 1: patently untrue. That was just a manufactured sentiment to shroud
- 19:08Speaker 1: one of their spells. Because the Beatles were actually witches.
- 19:14Speaker 1: They traveled on brooms. They had spoken in mantras ever
- 19:17Speaker 1: since their return from Rishikesh, and Abram knew that mantras
- 19:21Speaker 1: like Hari Krishno were really the Devil's tom. Of course,
- 19:26Speaker 1: none of this was actually true, but Abram believed it was.
- 19:29Speaker 1: His belief was unwavering. He was in the middle of
- 19:32Speaker 1: a full blown psychotic episode from which there was no escape.
- 19:35Speaker 1: He didn't know why he believed the things he did.
- 19:37Speaker 1: The voice is told in these things, and he took
- 19:39Speaker 1: them as gospel things like George Harrison was the most
- 19:44Speaker 1: evil beetle of all, that he was the cause of
- 19:47Speaker 1: the voices in Abram's head, that Georgia cast a spell,
- 19:50Speaker 1: taken possession of Abram's mind and tortured him from three
- 19:53Speaker 1: hundred kilometers away from Oxfordshire to Liverpool, where Abram called home.
- 19:57Speaker 1: Abram believed it wasn't a coincidence that he lived in
- 19:59Speaker 1: the city where the Beatles had famously got their start,
- 20:02Speaker 1: and the voices further told him that the only way
- 20:05Speaker 1: that he could break that spell and thus to be
- 20:07Speaker 1: free of the voices in his head, was to find
- 20:10Speaker 1: George Harrison and kill him. Now enveloped within the darkness
- 20:17Speaker 1: of Friar Park, Abram was surprised that an alarm had
- 20:21Speaker 1: yet to sound, or that he had been able to
- 20:23Speaker 1: make it over the exterior fence of the estate unseen.
- 20:26Speaker 1: All that money spent on security wasted, and where were
- 20:30Speaker 1: the guard dogs that had supposedly started their watch nineteen
- 20:33Speaker 1: years ago. Old senile probably buried on the grounds among
- 20:37Speaker 1: the garden gnomes. George Harrison, on the other hand, despite
- 20:41Speaker 1: all the threats and the fears, and the recent treatments
- 20:43Speaker 1: for cancer. He was very much alive, and he was
- 20:47Speaker 1: somewhere inside this enormous house, maybe behind that locked door.
- 20:52Speaker 1: Abram slowly made his way through the kitchen into the
- 20:55Speaker 1: main hallway, the stone sword in one hand and his
- 20:58Speaker 1: knife in the other. He heard noises coming from upstairs, footsteps.
- 21:03Speaker 1: They were getting closer and louder. Abram approached a set
- 21:07Speaker 1: of stairs.
- 21:07Speaker 2: It led up to the.
- 21:08Speaker 1: Gallery overlooking the main floor. He braced himself for a
- 21:11Speaker 1: beatle to come shooting out into the open, riding a
- 21:14Speaker 1: wooden broom with a long flowing cape, transfiguring spells at
- 21:17Speaker 1: the ready, and then from out of the shadows, he
- 21:20Speaker 1: appeared at the top of the stairs, George Harrison.
- 21:26Speaker 2: He had no broom, no cape.
- 21:28Speaker 1: He was unarmed, He appeared unafraid, and he was reciting
- 21:32Speaker 1: unspeakable incantations of evil. And the louder George spoke, the
- 21:36Speaker 1: more it's steadied, Abrams resolve. It was sorcery, all of it.
- 21:41Speaker 1: There was no turning back. This was the moment, here
- 21:44Speaker 1: in the darkness. It wouldn't last all day. George Harrison
- 21:49Speaker 1: had better be prepared to die. We'll be right back
- 21:57Speaker 1: after this word word word. The Hell's Angels had taken
- 22:07Speaker 1: over three Savo Row and they were loud, rude, drunk,
- 22:11Speaker 1: They smelled like shit, and they were everywhere. They had
- 22:15Speaker 1: muscled their way past Jimmy the doorman. Now they're making
- 22:19Speaker 1: a racket inside the offices of Apple Core. Their black
- 22:22Speaker 1: leather MC jackets and unruly, windswept hair were a sharp
- 22:26Speaker 1: contrast to the clean green carpets and white walls. It
- 22:30Speaker 1: was nineteen sixty eight Christmas party at the swinging headquarters
- 22:34Speaker 1: of the Beatles' burgeoning media company. But the dozen or
- 22:37Speaker 1: so angels who had crashed the party were fucking up
- 22:40Speaker 1: the peace and love vibe. They exuded, not goodwill towards
- 22:44Speaker 1: their fellow man, but menace, intimidation, terror. Two angels from
- 22:50Speaker 1: the San Francisco chapter, Tumbleweed and Frisco Pete, were wasted
- 22:54Speaker 1: on Scotch and cokes, and now they wanted food, and
- 22:57Speaker 1: they could smell the turkey in the kitchen, all forty
- 23:00Speaker 1: three pounds of it. They were Apple's guests and they
- 23:03Speaker 1: wanted to eat now. John and Yoko, festively dressed as
- 23:08Speaker 1: Sanna and Missus Klaus, tried to calm the bikers down,
- 23:12Speaker 1: but even a woody bloke like John was no match.
- 23:15Speaker 1: Chrisco Pete looked John dead in the eye and said,
- 23:17Speaker 1: without a hint of humor.
- 23:19Speaker 2: What the fuck is going on in this place? We
- 23:21Speaker 2: want to eat.
- 23:22Speaker 1: Neil Astminhall and Peter Brown tried to subdue them. They
- 23:26Speaker 1: managed people for a living, after all, and they've gotten
- 23:28Speaker 1: the Beatles out of many a dicey scrap in the past.
- 23:31Speaker 1: And the Angels could give two fucks. They weren't listening.
- 23:34Speaker 1: There was only one person they'd listened to, and that
- 23:37Speaker 1: was George. George Harrison was the one who had extended
- 23:45Speaker 1: and opened invitation to the Hell's Angels in the first place.
- 23:48Speaker 1: The hippies and the hate seen beyond burnout to George
- 23:51Speaker 1: when he paid a visit to San Francisco back in
- 23:53Speaker 1: the summer, but the Angels were all right in his eyes.
- 23:57Speaker 1: He even sent a memo to Apple staffers ahead of
- 23:59Speaker 1: the MC's visit, which Warren quote, there will be twelve
- 24:02Speaker 1: in number, complete with black leather jackets and motorcycles. They
- 24:05Speaker 1: may look as if they're going to do you in,
- 24:08Speaker 1: but are very straight and do good things, so don't
- 24:10Speaker 1: fear them or uptight them. Try to assist them without
- 24:14Speaker 1: neglecting your apple business and without letting them take control
- 24:17Speaker 1: of Savile Row. It was easier said than done.
- 24:21Speaker 2: The situation was officially out of control.
- 24:24Speaker 1: George Harrison was a Pisces, the zodiac sign with the fish.
- 24:29Speaker 1: You know, one fish goes one way or the other
- 24:30Speaker 1: fish goes the other way, And George is saying, so
- 24:33Speaker 1: what do you offered me? It was duality right. It
- 24:35Speaker 1: would explain George's dual fascinations with quiet ukuleles and loud
- 24:39Speaker 1: Formula one race cars, or why in one moment he'd
- 24:42Speaker 1: be practicing transcendental meditation and the next he'd indulge in
- 24:45Speaker 1: a Savoy truffle sized line of cocaine. And it would
- 24:49Speaker 1: also explain why he saw only the best in people,
- 24:52Speaker 1: even a group as polarizing as the Hell's Angels, because
- 24:56Speaker 1: on some days George himself acted like a Hell's Angel,
- 25:00Speaker 1: on other days he was the guy who uninvited the
- 25:02Speaker 1: Hell's Angels from the party. George arrived at Savile Row
- 25:06Speaker 1: as the bikers were tearing the Christmas turkey apart and
- 25:09Speaker 1: continuing to harass anyone.
- 25:10Speaker 2: Who dared get in their way.
- 25:13Speaker 1: George was quiet, as was his reputation, and although he
- 25:16Speaker 1: spoke softly, the bikers listened up, yin and yang. George said,
- 25:21Speaker 1: heads and tails, yes, and no one moment you hear
- 25:24Speaker 1: the next moment you're not. Tumbleweed and Frisco Pete weren't following.
- 25:29Speaker 1: George cut to the chase. You know, bug her off.
- 25:33Speaker 1: The angels got on their bikes and left. Michael Abram
- 25:41Speaker 1: was no angel. He wasn't going anywhere, and no amount
- 25:45Speaker 1: of screaming from George or Olivia Harrison was going to
- 25:48Speaker 1: change his mind. After Olivia had gone full Sammy Sosa
- 25:51Speaker 1: on his head with the brass poker, Abram rebounded and
- 25:55Speaker 1: chased her into a meditation room nearby. Olivia stumbled, grabbed
- 26:00Speaker 1: her by the neck, both hands grasped tight. He squeezed
- 26:04Speaker 1: her throat tight. He hadn't intended to kill anyone else,
- 26:07Speaker 1: but so helping the fucking god. If the she devil
- 26:09Speaker 1: was going to stand in his way, he would do
- 26:11Speaker 1: what he believed he had to do. The voices in
- 26:15Speaker 1: his head were getting louder, now elongated bowels, hard consonants.
- 26:19Speaker 1: They weren't speaking the King's English. They wouldn't stop, so
- 26:23Speaker 1: he kept going. He kept his grip tighter. Olivia struggled
- 26:26Speaker 1: to breathe. She dug her hands at Abram's face, and
- 26:30Speaker 1: George managed to get off the ground and was also
- 26:32Speaker 1: struggling to breathe. Every time he exhaled, he felt more
- 26:35Speaker 1: blood empty into his mouth. He stumbled into the meditation area,
- 26:39Speaker 1: the wounds and his chest bleeding, his legs nearly.
- 26:41Speaker 2: Giving out on him.
- 26:42Speaker 1: He reached out and grabbed Abram and struggled to pull
- 26:45Speaker 1: him off Olivia. The three of them fell to the floor.
- 26:48Speaker 1: George and Abram wrestled on the ground. George felt the
- 26:51Speaker 1: energy draining from his body. Even in his weak state.
- 26:54Speaker 1: The fact that the attack was happening on that particular
- 26:57Speaker 1: day was not lost on him. It was all too mutch.
- 27:06Speaker 1: Just one week prior, a zealous fan had broken into
- 27:09Speaker 1: George's house, not this house at Friar Park, but another
- 27:13Speaker 1: house George owned and Maui along the Hannah Highway on
- 27:16Speaker 1: a bluff overlooking the Pacific. Local police found an intruder
- 27:20Speaker 1: in the kitchen after they've been ticked off by neighbors.
- 27:24Speaker 1: She was eating a frozen pizza and drinking root beer.
- 27:27Speaker 1: Turns out she'd been stalking George for months. Georgie had
- 27:30Speaker 1: been so thankful that they were not in Maui when
- 27:32Speaker 1: had happened, and he knew he dodged a bullet, maybe
- 27:35Speaker 1: even an actual bullet.
- 27:37Speaker 2: Hear me, Lord, thank you Lord. Now.
- 27:42Speaker 1: One week later, at Friar Park, George felt like he
- 27:46Speaker 1: had no voice to ask for help or give banks.
- 27:49Speaker 1: He did wonder if being a pisce he's had something
- 27:51Speaker 1: to do with it. One week he was safe, the
- 27:54Speaker 1: next week he was in mortal danger. He used every
- 27:57Speaker 1: last bit of strength to keep abrahmat where the two
- 28:00Speaker 1: of them were tossing around on the floor. Olivia stood
- 28:03Speaker 1: up and grabbed a table lamp that was nearby. She
- 28:06Speaker 1: swung it at Abram's head.
- 28:07Speaker 2: It missed.
- 28:08Speaker 1: She swung it again another miss. Abram reached out and
- 28:11Speaker 1: grabbed the lamp's cord. He pulled hard. The force yanked
- 28:14Speaker 1: Olivia towards him. She pulled back, but it did little
- 28:17Speaker 1: to move Abram. Abram pulled again, like he was reeling
- 28:19Speaker 1: in a big fish from a little pond. Olivia felt
- 28:22Speaker 1: she was losing ground. Suddenly, there was more commotion downstairs.
- 28:26Speaker 1: The sound of the front door being ripped open. More
- 28:29Speaker 1: voices beams of light shot out into the darkness. Police
- 28:34Speaker 1: Olivia remembered she had phoned both the police and some
- 28:36Speaker 1: of the Friar Park's staff when George had initially gone
- 28:39Speaker 1: downstairs to investigate the sound of breaking glass that had
- 28:42Speaker 1: woken them up. She threw the lamp at Abram's head
- 28:44Speaker 1: and ran out to the stairs to get their attention.
- 28:47Speaker 1: The cops beelined to the meditation room, pounced, subdued Abram,
- 28:51Speaker 1: and stopped the attack. George had lost a lot of
- 28:55Speaker 1: blood by the time the authorities brought the melee to
- 28:58Speaker 1: an end. Michael Abe was put in handcuffs and led
- 29:01Speaker 1: away as the first rays of the sun struggled to
- 29:04Speaker 1: peek out over the horizon. The medics took George's vitals.
- 29:08Speaker 1: They tended to the numerous knife wounds on his chest.
- 29:11Speaker 1: They placed him on a stretcher. One of his lungs
- 29:13Speaker 1: had collapsed, Abram's knife had narrowly missed his heart. He
- 29:17Speaker 1: needed to get to a hospital immediately.
- 29:20Speaker 2: George knew that.
- 29:21Speaker 1: The next few minutes and hours were incredibly important. Anything
- 29:24Speaker 1: could happen. All things do pass, it's just a matter
- 29:28Speaker 1: of when they pass. He needed to focus his mind
- 29:32Speaker 1: and prepare for the day that he did leave the
- 29:34Speaker 1: physical realm, whether that day was tomorrow or ten years
- 29:37Speaker 1: down the road. That's the art of dying, to consciously
- 29:41Speaker 1: leave one's body at death. No reincarnation meant that there
- 29:45Speaker 1: was no loose ends to take care of, no knots
- 29:48Speaker 1: to unravel. The liberation of the soul. The first thing
- 29:52Speaker 1: George had to do was not lose his wits or
- 29:55Speaker 1: his sense of humor. As he was carried out to
- 29:58Speaker 1: the ambulance, George passed a new staff member who had
- 30:01Speaker 1: only been at the estate for a few days. So
- 30:06Speaker 1: George asked, without missing a beat, how are you liking
- 30:09Speaker 1: the new job so far? Some things you just couldn't
- 30:29Speaker 1: plan for. Some things just happened. Maybe you willed them
- 30:34Speaker 1: into existence, but planning was out of the question. You
- 30:37Speaker 1: just went with the flow. George Harrison was at a
- 30:41Speaker 1: dinner in Los Angeles with Roy Orbison and Jeff Lynn
- 30:44Speaker 1: when the unplanned happened. It was nineteen eighty eight. Jeff
- 30:51Speaker 1: Lynn was cool. Sure. His band Elo were obviously indebted
- 30:55Speaker 1: to the Beatles, and he had even produced George's latest
- 30:57Speaker 1: solo album, Cloud Nine, but Roy Orbison was cool on
- 31:02Speaker 1: another level. The voice, the big Oh. He was a legend.
- 31:06Speaker 1: He was what the Beatles aspired to be when they
- 31:08Speaker 1: were banging around clubs in Hamburg almost thirty years earlier.
- 31:13Speaker 1: George realized that a massive opportunity was sitting across the
- 31:17Speaker 1: table from him. He asked Roy and Jeff if they
- 31:20Speaker 1: wanted to head into the studio the next day to
- 31:22Speaker 1: sing on a song George was working on accelerate through
- 31:25Speaker 1: the curve, just like the best F one drivers, or
- 31:27Speaker 1: rather through life's curves. George figured in that moment, when's
- 31:32Speaker 1: the next time he was going to be having dinner
- 31:34Speaker 1: with Roy Orbison. Roy smiled behind his trademark dark sunglasses.
- 31:40Speaker 2: Sure he would.
- 31:42Speaker 1: So George rang up Bob Dylan because Bob was in
- 31:45Speaker 1: town and he'd come and clutch when it came to
- 31:46Speaker 1: sniffing out a studio to record him. George and Bob
- 31:50Speaker 1: went way back back to even before Bob agreed to
- 31:52Speaker 1: appear in the concert for Bangladesh that George organized in
- 31:55Speaker 1: nineteen seventy one, the first of its kind, a star
- 31:59Speaker 1: studded bee fit to raise money.
- 32:01Speaker 2: To help refugees.
- 32:03Speaker 1: Speaking of refugees, Georgia left his guitar at Tom Petty's house,
- 32:06Speaker 1: so he had to stop and pick it up on
- 32:08Speaker 1: the way to the studio. It wouldn't be polite to
- 32:10Speaker 1: not invite Tom along, seeing as he was tight with Bob,
- 32:13Speaker 1: having backed him up on that True Confessions tour just
- 32:16Speaker 1: a few years prior, and just like George and Bob
- 32:18Speaker 1: and Jeff, Tom would do anything to record with the
- 32:21Speaker 1: Great Roy Orgison. Within a matter of hours, the least
- 32:25Speaker 1: expected supergroup of the nineteen eighties had been formed. And
- 32:29Speaker 1: after a few weeks of collectively strumming acoustic guitars and
- 32:32Speaker 1: writing new songs during the day, and then singing those
- 32:34Speaker 1: songs around the same microphone together each evening, the Traveling
- 32:38Speaker 1: Wilbury's had an album. The Traveling Wilbury's Volume One was
- 32:43Speaker 1: released in October of nineteen eighty eight. It unexpectedly put
- 32:47Speaker 1: classic rock icons on the pop charts. It even made
- 32:50Speaker 1: Roy Orbison seem cool to gen xers. Roy got to
- 32:53Speaker 1: see the album go platinum before he died not even
- 32:57Speaker 1: two months later, at the age of fifty two. George
- 33:01Speaker 1: hadn't planned for that to happen either, for Roy to
- 33:04Speaker 1: be gone so soon after they had become so close.
- 33:08Speaker 1: Was Roy ready to die? Had he properly prepared to
- 33:11Speaker 1: leave his body behind? George could only hope only Roy
- 33:15Speaker 1: knew the answer. After Roy's death, the rest of the
- 33:19Speaker 1: Wilbury shot the music video for the single End of
- 33:22Speaker 1: the Line. In it, the band sits in a train
- 33:25Speaker 1: car in trades versus. When it comes time for Roy's verse,
- 33:29Speaker 1: the spotlight is on a solitary guitar rocking in a
- 33:32Speaker 1: rocking chair. The band thought it was the perfect tribute.
- 33:36Speaker 1: Roy's body was gone, but his voice carried on well.
- 33:40Speaker 1: George thought it is all right. He'd meet Roy at
- 33:44Speaker 1: the end of the line. But George wasn't quite ready
- 33:47Speaker 1: for the journey to end just yet. Even more than
- 33:50Speaker 1: a decade after Roy's death in the year two thousand,
- 33:54Speaker 1: George didn't want the ride to be over. He had
- 33:56Speaker 1: gardens to tend to, tunnels and caves left un cover,
- 34:00Speaker 1: and the great expanse of his thirty five acre estate.
- 34:03Speaker 1: Restoring the grounds at Friar Park was a major undertaking
- 34:07Speaker 1: that required both time and patience. He was the estate
- 34:11Speaker 1: steward now and he had to get it ready for
- 34:13Speaker 1: the next century. Like its original owner, Sir Francis Crisp
- 34:16Speaker 1: had done one hundred years ago, and just like Sir
- 34:19Speaker 1: Francis Crisp or Sir Frankie Crisp, as George immortalized him
- 34:23Speaker 1: in song on All Things Must Pass, George would never
- 34:26Speaker 1: see the fruits of his many labors. The saplings he planted,
- 34:31Speaker 1: He would never see them mature into full grown trees.
- 34:33Speaker 1: He really wanted to see them, but take so long.
- 34:38Speaker 1: And George also knew that he had no control over
- 34:40Speaker 1: when or how he would reach the end of the line.
- 34:42Speaker 1: The attack that he had suffered at the hands of
- 34:44Speaker 1: Michael Abram made that crystal clear, so he cleared his mind.
- 34:50Speaker 1: He focused on what he'd been able to accomplish in
- 34:52Speaker 1: the gardens at Friar Park, not the parts he'd yet
- 34:55Speaker 1: to get to.
- 34:56Speaker 2: He didn't look back.
- 34:57Speaker 1: In anger at the final days of the Beatles and
- 34:59Speaker 1: the frustration he felt towards Paul in particular, he forgave
- 35:03Speaker 1: Michael Abram for that night of absolute terror. Abram had
- 35:08Speaker 1: been found not guilty by reason of insanity. It was
- 35:11Speaker 1: being sent to his psychiatric hospital for further treatment. George
- 35:15Speaker 1: hoped to get the help he so desperately needed. George
- 35:19Speaker 1: didn't want to get to the end of the line.
- 35:21Speaker 2: No one did.
- 35:23Speaker 1: But when he did, if he was hit by a car,
- 35:25Speaker 1: or fell down the stairs, or god forbid, that cancer
- 35:28Speaker 1: came back, then he would be ready. From that moment on,
- 35:33Speaker 1: there were no more surprises, not even when he died
- 35:37Speaker 1: from lung cancer in November of two thousand and one
- 35:40Speaker 1: and a Beverly Hills home owned by Paul McCartney, with
- 35:43Speaker 1: family and Harry Krishna devotees by his bedside, chanting a
- 35:48Speaker 1: beautifully orchestrated exit from this.
- 35:50Speaker 2: World with grace.
- 35:57Speaker 1: I'm Jake Brennan in this this Disgraceland. Disgraceland was created
- 36:33Speaker 1: by Yours Truly and is produced in partnership with Double Elvis.
- 36:37Speaker 1: Credits for this episode can be found on the show
- 36:39Speaker 1: notes page at disgracelampod dot com. If you're listening as
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- 37:22Speaker 1: Rock a Roller, He the bed Don Man