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Uncle Headless' Magical Mailbag-Picatrix lunar Sigil & more · The Occult Rejects

• 0:02
  Speaker 1: You see something's going to happen.
• 0:06
  Speaker 2: What What's gonna happen?
• 0:15
  Speaker 1: What I think too? Headless's Magical mail Bag. I got
• 0:27
  Speaker 1: my co host with me, fresh back from the Cosmic Summit.
• 0:32
  Speaker 2: Hi, Nick, how you doing good?
• 0:34
  Speaker 1: Good? Hell?
• 0:34
  Speaker 2: Are you? Thank you very much having me back looking
• 0:37
  Speaker 2: forward to this. This is the first time podcasting since
• 0:40
  Speaker 2: I've been done.
• 0:42
  Speaker 1: Right, we were just talking all about it while we
• 0:46
  Speaker 1: were off the air. That's why I relate everybody is
• 0:49
  Speaker 1: I'm showing you don't have any bail, right, we don't
• 0:54
  Speaker 1: have any mail this week, so we're gonna go deep
• 0:56
  Speaker 1: in depth into a couple of symbols that are gonna
• 1:01
  Speaker 1: hopefully blow your mind. Do you want to go first
• 1:04
  Speaker 1: and then I'll take it over. Yeah?
• 1:06
  Speaker 3: Yeah, let me just pull up the images. I had
• 1:08
  Speaker 3: your video pulled up first, so just give me a second.
• 1:11
  Speaker 4: Sorry about that, Yeah, I hate so uh yeah, I
• 1:17
  Speaker 4: was gonna say, I do have the I have a
• 1:19
  Speaker 4: sigil from the Pika tricks to let people know before
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  Speaker 4: I get to it.
• 1:24
  Speaker 2: Shire screen. Here we go. There we go. All right,
• 1:28
  Speaker 2: you can share that sir if you don't mind, please.
• 1:32
  Speaker 2: You got it awesome?
• 1:33
  Speaker 3: So yeah, that is one side We'll get to the
• 1:36
  Speaker 3: other side later. That is one side for the talisman
• 1:39
  Speaker 3: of the Moon from the Pika Trix. Again, it's from
• 1:42
  Speaker 3: the Pika Trix, and that is a tenth to eleventh
• 1:45
  Speaker 3: century supposedly grimoire on Estrological on talismanic Magic, which was
• 1:49
  Speaker 3: later translated into Latin in the thirteenth century. This is
• 1:54
  Speaker 3: considered one of the most comprehensive medieval handbook of astrological magic.
• 1:59
  Speaker 3: The Pika Tricks draws from Hermeticism, Neoplatonism, astrology, and Arabic
• 2:04
  Speaker 3: or whatever occult traditions descriptions for this image. One side
• 2:11
  Speaker 3: which I will show next, actually real quick at least
• 2:15
  Speaker 3: movie there you go. This looks a little different. One
• 2:20
  Speaker 3: side this depicts a man with a bird's head leaning
• 2:23
  Speaker 3: on a staff holding a blossoming tree, an iconic icon
• 2:28
  Speaker 3: from moon talismans in the Pika Trix. And then the
• 2:31
  Speaker 3: next side will be the seal surrounded by the Grand
• 2:35
  Speaker 3: Planetary Seal of Luna has geometric curves combined with celestial
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  Speaker 3: symbols and lunar glyphs. This image that I'm going to
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  Speaker 3: show you now switch back to even when you look
• 2:47
  Speaker 3: up planetary the planetary sigil for the moon, like with
• 2:52
  Speaker 3: the gripper and the magical squares. It even looks like
• 2:55
  Speaker 3: that too, so you know it does come from that
• 2:58
  Speaker 3: as well. I guess where they share that same idea.
• 3:02
  Speaker 3: A description in the text Pika Tricks, Book two, chapter
• 3:06
  Speaker 3: ten details this image and lunar seal for talismanic creation.
• 3:11
  Speaker 3: It's further mentioned in book four tying specific lunar mansions
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  Speaker 3: to outcomes. This would normally be for like good things,
• 3:22
  Speaker 3: other primary purposes and uses. The primary intention guides and
• 3:26
  Speaker 3: guides the wearer to hidden knowledge, dream insights, protection, well being,
• 3:31
  Speaker 3: and good fortune, especially on journeys. To make it created
• 3:37
  Speaker 3: at the correct lunar hour during the moon's exaltation, often
• 3:41
  Speaker 3: in Taurus. And if some people don't know when it
• 3:45
  Speaker 3: comes to magic, if you want to start making these
• 3:47
  Speaker 3: things each day, obviously there's a planet with it, and
• 3:49
  Speaker 3: then each hour there is an hour for each planet.
• 3:52
  Speaker 3: If you want to get real specific, if you want,
• 3:55
  Speaker 3: you can use incense. They suggest MUCKs, muss or mastic
• 4:00
  Speaker 3: anybody's ever. I never heard of mastic. It's a little
• 4:04
  Speaker 3: pricey because I think the only place you can really
• 4:06
  Speaker 3: get it from is grease.
• 4:08
  Speaker 2: But I really love that shit. That shit smells amazing.
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  Speaker 3: Use that while reciting invocations to the Moon's intelligence ruling spirit.
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  Speaker 3: The charm then works passively. Most power comes from timely
• 4:21
  Speaker 3: creation and inscription in the Pika trips. Some notable historical references.
• 4:28
  Speaker 3: Agrippa has mentioned it before, Ficino has used it before,
• 4:32
  Speaker 3: and Ashmole has also and nowadays, if people tend to
• 4:37
  Speaker 3: use it, it's frequently. They frequently craft these talismans, using
• 4:41
  Speaker 3: them for protection, psychic enhancement, health and spiritual work.
• 4:45
  Speaker 2: And uh yeah, and it's made a lot in jewelry.
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  Speaker 2: It seems to be one of the ones that you
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  Speaker 2: will see in.
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  Speaker 3: Jewelry a lot. But yeah, I mean, I guess that's
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  Speaker 3: really about it on this one.
• 4:59
  Speaker 1: What's a beautiful sid And I gotta I gotta tell
• 5:01
  Speaker 1: you your work on Fatino was amazing.
• 5:04
  Speaker 2: Oh thank you.
• 5:05
  Speaker 1: Guys haven't seen that yet. Definitely check that out. That
• 5:09
  Speaker 1: is that is phenomenal work. I think you really nailed
• 5:13
  Speaker 1: the spirit of what he was trying to go for
• 5:15
  Speaker 1: and sort of bringing back all of this, uh you know,
• 5:19
  Speaker 1: neo Platinism to the Enlightenment. You know, that's that's a
• 5:24
  Speaker 1: huge accomplishment.
• 5:25
  Speaker 2: Yeah, I know, I think it was a lot of
• 5:27
  Speaker 2: people try.
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  Speaker 1: To downplay the Enlightenment, but you know, I mean, basically,
• 5:33
  Speaker 1: this is the guy that told people, hey, it's okay
• 5:36
  Speaker 1: to read because you know, for a long time it
• 5:38
  Speaker 1: was not okay to read in Europe and they were
• 5:40
  Speaker 1: they were failing because of it. And he's like, no, guys,
• 5:43
  Speaker 1: it's okay to read this stuff. This is really good.
• 5:45
  Speaker 1: I'm gonna translate it for you. And so it took off.
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  Speaker 1: Everybody started reading Facino and it was just, you know,
• 5:52
  Speaker 1: it was game odd in Europe. I mean, it was
• 5:54
  Speaker 1: like a thousand years of darkness until that guy. So
• 5:58
  Speaker 1: and that was all occultism too.
• 5:59
  Speaker 3: People, Yeah, you know, yeah, yeah, it's interesting how some
• 6:04
  Speaker 3: of this stuff has carried on into like religion and
• 6:06
  Speaker 3: people don't even realize it came from an alchemist slice
• 6:08
  Speaker 3: the cultist.
• 6:10
  Speaker 2: Yeah, so it's yeah. I think he's a very interesting
• 6:13
  Speaker 2: character for people to learn about. So go check it
• 6:15
  Speaker 2: out if you haven't, thank you.
• 6:19
  Speaker 1: Oh yeah, no, to go to go back into it
• 6:24
  Speaker 1: a little bit. Wasn't your interview with that guy with
• 6:28
  Speaker 1: the awesome name who was under Manly p Hall he
• 6:34
  Speaker 1: was talking about Facino too, No, no, no, he was he
• 6:39
  Speaker 1: was on your show with oh.
• 6:43
  Speaker 3: Yeah, yeah, yeah, yeah.
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  Speaker 1: He was mentioning Facino too, And you know, I think
• 6:51
  Speaker 1: it's a good sign that we're getting so much Facino.
• 6:54
  Speaker 1: I've heard it like on four or five other podcasts
• 6:56
  Speaker 1: as well. They're talking about this guy, and I think
• 6:59
  Speaker 1: maybe we could be in for something like that, you know,
• 7:03
  Speaker 1: kind of that Facino energy is really good stuff. I mean,
• 7:06
  Speaker 1: he tried to be successful in a lot of things,
• 7:09
  Speaker 1: but the only thing he could be successful at was
• 7:12
  Speaker 1: this translation of the Platonic Works into you know, the
• 7:18
  Speaker 1: contemporary European languages from ancient Greek, and so that was uh,
• 7:23
  Speaker 1: you know.
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  Speaker 2: They wanted to kick him out of the church at
• 7:25
  Speaker 2: one point too.
• 7:27
  Speaker 1: Yeah, they investigated him.
• 7:29
  Speaker 4: They're like, hey, you're teaching people to read, Yeah yeah,
• 7:32
  Speaker 4: no reading aloud?
• 7:34
  Speaker 3: Yeah yeah, yeah, I think they I think the way
• 7:36
  Speaker 3: he pulled it off, he's like, well, you know, I'm
• 7:37
  Speaker 3: talking about Jesus, so some shiit like he threw like,
• 7:39
  Speaker 3: you know, you had like a religious twist on it.
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  Speaker 2: And that's how he kind of got away with it.
• 7:42
  Speaker 2: You know, you knew, I guess knew what he was doing, right.
• 7:46
  Speaker 1: No, he was integrating the pagan ways with the Christian
• 7:49
  Speaker 1: ways because the crazy people read right, and you know,
• 7:56
  Speaker 1: all of this stuff about the trivium and the quadrivium,
• 7:59
  Speaker 1: all of that comes from occultism. You know, all of
• 8:02
  Speaker 1: the ways of learning came up through this Greek style
• 8:06
  Speaker 1: of occultism. And you know, people just don't realize it,
• 8:08
  Speaker 1: but that's how we reascended to where we were at
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  Speaker 1: in the industrial age. And it's like keeping a lid
• 8:15
  Speaker 1: on that stuff, you know, really does affect humanity after
• 8:18
  Speaker 1: a long period of time. And I think we're seeing
• 8:21
  Speaker 1: the results of that now, you know what we're living
• 8:23
  Speaker 1: through with you know, all this war fever and people
• 8:25
  Speaker 1: just being sucked right back into it. They have no
• 8:27
  Speaker 1: critical thinking skills. It's just like Trump says it, therefore
• 8:31
  Speaker 1: it's good.
• 8:31
  Speaker 2: Yeah, yeah, we got to get out of that mode. Yeah.
• 8:36
  Speaker 2: But even for just just so go ahead, go ahead, No, no,
• 8:40
  Speaker 2: go ahead.
• 8:41
  Speaker 3: I was just gonna say real quick, just to even
• 8:43
  Speaker 3: I guess promote the next solo one that comes out
• 8:45
  Speaker 3: will be Jacob Boehm, and then after that I should
• 8:47
  Speaker 3: have Tycho Brahe.
• 8:49
  Speaker 1: So oh that's gonna be good.
• 8:51
  Speaker 2: Yeah.
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  Speaker 3: I don't think a lot of yo, right, I don't
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  Speaker 3: think most people know that about it or even know
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  Speaker 3: the guy exists, and it's like, yo, that guy basically
• 8:59
  Speaker 3: other people kind of pimped out his work, you know
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  Speaker 3: what I'm saying.
• 9:02
  Speaker 2: Yo, But he was huge personal.
• 9:06
  Speaker 5: Nose chops.
• 9:07
  Speaker 2: Yeah he put that in there. I got that in there. Yeah,
• 9:11
  Speaker 2: yeah that Yo.
• 9:12
  Speaker 3: He found that later on that I think he was
• 9:14
  Speaker 3: born with like a stillborn twin and like he wrote
• 9:16
  Speaker 3: a poem about that ship and stuff.
• 9:17
  Speaker 2: He definitely yo.
• 9:19
  Speaker 3: He even he even married like a commoner, but had
• 9:21
  Speaker 3: it do it in a fucked up way because he
• 9:23
  Speaker 3: was like, no, I'm sorry, I'm not marrying somebody of
• 9:25
  Speaker 3: my class just because I have to. I love this
• 9:26
  Speaker 3: woman and she's not fucking whatever. And he did some
• 9:29
  Speaker 3: other way that made them legally married. It definitely had
• 9:33
  Speaker 3: an interesting life and it didn't live too long either, right.
• 9:39
  Speaker 1: His calculation survived to this day. Like he was that
• 9:42
  Speaker 1: accurate with his observations. He was in the.
• 9:45
  Speaker 3: Plane with that ship. He was so he was saying
• 9:48
  Speaker 3: that we could be so much more specific. He started
• 9:50
  Speaker 3: building his own ship because he was like, this isn't
• 9:51
  Speaker 3: specific enough.
• 9:54
  Speaker 2: The guy was crazy, but he was onto something.
• 9:59
  Speaker 1: Again. It's a it's another one of these characters that
• 10:01
  Speaker 1: just gets no attention because when you look at the
• 10:03
  Speaker 1: Tychobrahi's stuff and his model of the universe, he was
• 10:07
  Speaker 1: mathematically one hundred percent correct, even more so that our
• 10:11
  Speaker 1: current geos heliocentric model. People go back to his work
• 10:16
  Speaker 1: to actually calculate where the planets are because their model
• 10:20
  Speaker 1: doesn't necessarily fully comprehend the mathematics like he did. Tell me,
• 10:25
  Speaker 1: that's not weird, you know, Yeah, I mean we get
• 10:30
  Speaker 1: a lot of lies from NASA and these cosmologists, and
• 10:34
  Speaker 1: if you go back to people like Tychobrahi and Ficino,
• 10:38
  Speaker 1: you start to learn about what it was before this
• 10:41
  Speaker 1: kind of blob. Well, no, there was a lot of
• 10:44
  Speaker 1: that going on in road too. There is a lot
• 10:45
  Speaker 1: of bureaucracy blob shit happening before Christianity, but it seems
• 10:49
  Speaker 1: like Christianity kind of just systematized it and pushed it
• 10:52
  Speaker 1: in everybody's faces all the time, Which brings me to
• 10:56
  Speaker 1: my next symbol. All right, this right here is something else.
• 11:03
  Speaker 1: I look this up when I was going through more
• 11:06
  Speaker 1: Carthaginian art. This is a mosaic from the early Christian
• 11:10
  Speaker 1: period in Carthage. Can I ask you what what do
• 11:15
  Speaker 1: you see there?
• 11:16
  Speaker 2: Nick? There's a lot of shit. I mean, uh, I
• 11:19
  Speaker 2: believe it or not. I don't know why.
• 11:21
  Speaker 3: I think those two birds in the cross might be
• 11:23
  Speaker 3: like it almost reminds me of eyes, but I mean
• 11:26
  Speaker 3: the cross donkey, you know, and then I don't know
• 11:30
  Speaker 3: why that makes me think of the Democrat Party right away.
• 11:34
  Speaker 3: I mean there's a lot of symbolism I think in here.
• 11:36
  Speaker 3: Actually I thought it was anything specific. Uh, I would
• 11:43
  Speaker 3: even say, like the things on.
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  Speaker 1: The side deceptively simple.
• 11:46
  Speaker 3: Oh yeah, that is true. Yeah, but I think there's
• 11:48
  Speaker 3: actually some deep shit in here. But it does look
• 11:50
  Speaker 3: very just like artwork there, just blah art stuff, right.
• 11:58
  Speaker 1: I do like it though, kind of a face it
• 12:01
  Speaker 1: faded look with all the tiles, right, it's not necessarily vibrant.
• 12:06
  Speaker 1: But what we're seeing here, I think blows the lid
• 12:09
  Speaker 1: off of what was happening with early Christianity. And what
• 12:14
  Speaker 1: we see here is the two donkeys underneath the cross. Right.
• 12:19
  Speaker 1: So there's something very strange about these donkeys' faces. They're
• 12:25
  Speaker 1: not really donkey faces, right, they kind of look like
• 12:29
  Speaker 1: ant eaters, which is the exactly this is the exact
• 12:36
  Speaker 1: glyph for set the Egyptian devil, and Set was something
• 12:45
  Speaker 1: interesting when it comes to Christianity because Seth in Greek
• 12:50
  Speaker 1: is Set and Seth is the third son of Adam
• 12:54
  Speaker 1: and Eve. This is the one who has the line
• 12:57
  Speaker 1: of Set. So everybody coming from the line of Set
• 13:01
  Speaker 1: or Setian, right, they're from Set and that comes from Egypt,
• 13:06
  Speaker 1: that comes from Set worship. So Moses also wrote this
• 13:11
  Speaker 1: donkey and in the Temple of Solomon, during the reign
• 13:17
  Speaker 1: of Antiochus Sepafanis, he raided that temple and there was
• 13:21
  Speaker 1: a massive golden donkey head inside of the temple that
• 13:25
  Speaker 1: they were worshiping. So Moses, donkey Set all comes from Egypt,
• 13:31
  Speaker 1: all comes from Set worship. Now who is this guy Set?
• 13:36
  Speaker 1: He was the guy who chopped Osirius up in tiny
• 13:40
  Speaker 1: little pieces. He was the Egyptian form of the devil
• 13:44
  Speaker 1: or the bad guy. He was doing horrible things to
• 13:47
  Speaker 1: his brother and Isis and so he was also the
• 13:52
  Speaker 1: god of foreigners and storms. Right, and the Carthaginians had
• 13:56
  Speaker 1: a extensive relationship with the Egyptians. They knew everything Egypt did.
• 14:03
  Speaker 1: They were very very integral to Egyptian's success because Egypt
• 14:09
  Speaker 1: was the bread basket for the rest of the Mediterranean.
• 14:14
  Speaker 1: So how did they ship all their wheat through the Carthaginians.
• 14:18
  Speaker 1: The Carthaginians and the Egyptians had a long period of
• 14:22
  Speaker 1: cultural exchange into the time period of the writing of
• 14:26
  Speaker 1: the Septuagint, which has again this set motif. So who
• 14:32
  Speaker 1: are the Canaanite Phoenicians? Right? Who are these people that
• 14:37
  Speaker 1: are talking about anolatry? Now, in the first century, first
• 14:42
  Speaker 1: and second century AD, the common insult towards Christians and
• 14:47
  Speaker 1: Jews was to call them anolotors because the Greeks and
• 14:53
  Speaker 1: Romans said they were worshiping a donkey, a donkey head set.
• 15:00
  Speaker 1: It was commonly known back then. For some reason, everybody
• 15:03
  Speaker 1: forgot so, yeah, they used to call monolots. There's this
• 15:08
  Speaker 1: one graffiti called the Alexandros Graffito, which shows Jesus on
• 15:13
  Speaker 1: across with the donkey head, and it says Alexandros worships
• 15:17
  Speaker 1: this god and Alexandros was some Roman centurion, and so
• 15:24
  Speaker 1: he's making fun of the guy for worshiping this donkey
• 15:26
  Speaker 1: head in christ Weird.
• 15:29
  Speaker 2: Yeah, yeah, it's.
• 15:35
  Speaker 1: Very common as an insult, But it seems like the
• 15:38
  Speaker 1: only group of people that are embracing it. Are the Carthaginians,
• 15:44
  Speaker 1: which means that they probably wrote the damn Book and
• 15:47
  Speaker 1: they knew what it was about, so worshiping the Egyptian devil.
• 15:55
  Speaker 1: These four guys around the outside, turning the world are
• 15:59
  Speaker 1: the gospel authors, right. These are the you know, Matthew, Mark,
• 16:04
  Speaker 1: Luca John. They are moving the world with the gospel
• 16:08
  Speaker 1: of set worship. That is weird, it's deceptively simple. And
• 16:17
  Speaker 1: what are these roosters with the nice little coal montage. Yeah,
• 16:27
  Speaker 1: so we're talking about a braxis we're talking about These
• 16:31
  Speaker 1: are the gods of the Phoenicians.
• 16:33
  Speaker 2: Right.
• 16:34
  Speaker 1: The rooster held deep importance to the Phoenicians. You could
• 16:37
  Speaker 1: see it all over their stuff.
• 16:40
  Speaker 2: You know, it's interesting when you can actually see it.
• 16:43
  Speaker 1: Sorry, And this one right here, there's ah you can't
• 16:49
  Speaker 1: really zoom in, but uh over to the right of
• 16:53
  Speaker 1: the figure. Right, this is again TANet TANet worship over
• 16:58
  Speaker 1: to the right of the figure. You can't really see
• 17:00
  Speaker 1: it on this kind of way. It's the exact same
• 17:05
  Speaker 1: it's the exact same rooster as the one you see here.
• 17:10
  Speaker 1: It's the same motif. This Carthaginian rooster is a very
• 17:16
  Speaker 1: common theme throughout their artwork even to this day.
• 17:20
  Speaker 2: You know what was interesting actively simple?
• 17:23
  Speaker 3: The temple has brought up the rooster. The temples brought
• 17:26
  Speaker 3: up the rooster in their at their lecture as a symbol.
• 17:33
  Speaker 1: And the templars come through the mystery schools. The Templars
• 17:40
  Speaker 1: come through the mystery schools. Where did the Carthaginians end
• 17:44
  Speaker 1: up retreating to when they sort of left prominence and
• 17:50
  Speaker 1: became Syrians, They went into the mystery schools. The Knights
• 17:56
  Speaker 1: Templar were the ones that sailed as to the New World.
• 18:02
  Speaker 1: That's what was on the big old sales is the
• 18:05
  Speaker 1: Knight's Templar Cross. And they came through Portugal, which was
• 18:10
  Speaker 1: the home of the Knights Templar. All of these groups
• 18:14
  Speaker 1: go back to Carthage. This is how they knew about
• 18:17
  Speaker 1: the New World because they had been sailing there for
• 18:21
  Speaker 1: thousands of years. Right. So the Carthaginians were also the Manoans,
• 18:27
  Speaker 1: and the Manoans were the arms dealers of the Mediterranean.
• 18:32
  Speaker 1: They were collecting copper from Michigan and they were taking
• 18:41
  Speaker 1: This is what I'm talking about, guys. They're still in control.
• 18:46
  Speaker 1: That's what I'm saying. There's an ominous continuity between all
• 18:50
  Speaker 1: of this Carthaginian shit, and it's right in the background
• 18:55
  Speaker 1: of a lot of things. And I wanted to show
• 18:58
  Speaker 1: everybody what I think is a tant ritual based off
• 19:02
  Speaker 1: of this inscription of TANet right here. Now, I know
• 19:09
  Speaker 1: I've probably shown it to you guys before, but the
• 19:11
  Speaker 1: stellas of TANet look exactly like this. Gloria Steinem or no,
• 19:17
  Speaker 1: not Steinem, what's her name. It's the mother of Anderson Cooper, right,
• 19:21
  Speaker 1: Gloria Vanderbilt. Gloria Vanderbilt has this image of TANet above
• 19:27
  Speaker 1: her bed right, and so this is Anderson Cooper right
• 19:33
  Speaker 1: here on the right. And then his sacrifice of a
• 19:35
  Speaker 1: brother who died at fifteen years old. Now, TANet is
• 19:38
  Speaker 1: the goddess of human sacrifice, and Carter, Anderson Cooper's brother
• 19:45
  Speaker 1: died at fifteen of supposed suicide. Oh wow, the older
• 19:50
  Speaker 1: brother getting whacked because the oldest son gets sacrificed in
• 19:55
  Speaker 1: TANet worship. Right, So this is what's happening. Now. If
• 20:02
  Speaker 1: you see above Tannate, you see that all seeing eye
• 20:05
  Speaker 1: that's all over the stelee for TANet worship in Carthage,
• 20:12
  Speaker 1: all around Syria and Israel, all of these places at
• 20:16
  Speaker 1: the tafits. They have that all saying eye above the
• 20:20
  Speaker 1: tannate motif, that triangular goddess with the circle head, triangular goddess,
• 20:25
  Speaker 1: circle head arms out. That's tannate right, It's a very
• 20:28
  Speaker 1: simple geometric shape. So uh, this tant worship I believe
• 20:34
  Speaker 1: goes on inside of movies that are fairly recent as well.
• 20:40
  Speaker 1: So I thought i'd pull up this clip. I don't
• 20:42
  Speaker 1: know if it's gonna get me whacked or not, but
• 20:44
  Speaker 1: this is from tank Girl.
• 20:46
  Speaker 5: Look, you have choices to improve that lovely hair.
• 20:51
  Speaker 6: Did are you saying for us?
• 20:59
  Speaker 1: Fine? All right?
• 21:01
  Speaker 7: What do you want me to sing?
• 21:05
  Speaker 1: Notice the colors figure.
• 21:13
  Speaker 5: Cut it off.
• 21:14
  Speaker 7: Queen the little blue bird, who has never said a word,
• 21:20
  Speaker 7: starts to sing.
• 21:22
  Speaker 1: Spring those dice.
• 21:26
  Speaker 2: I can't.
• 21:29
  Speaker 3: Blue clerk, in the middle.
• 21:32
  Speaker 7: Of his work, starts at tuned to the moon. It's
• 21:40
  Speaker 7: is nature, that's so simply, it.
• 21:44
  Speaker 1: Is the dades.
• 21:48
  Speaker 5: You can't let's do it.
• 21:50
  Speaker 1: Could be killing people as well.
• 21:52
  Speaker 5: As exact it.
• 22:02
  Speaker 6: Let's see, let's running the audience of rats.
• 22:22
  Speaker 2: They say this.
• 22:25
  Speaker 6: Upper crust ladies do it when a gentleman's.
• 22:31
  Speaker 1: Oh looks like a kidnap victim. Come on, I'll take shot.
• 22:36
  Speaker 6: Why do we do it?
• 22:39
  Speaker 3: Don't have.
• 22:43
  Speaker 1: A little cap station. Oh it looks the labels the
• 22:47
  Speaker 1: top because of jump lighting the sacrifice.
• 22:52
  Speaker 5: Or what's that stage made.
• 22:57
  Speaker 1: Aut it black and white squirts.
• 23:03
  Speaker 4: It's an all seeing guy in a trial though, What
• 23:10
  Speaker 4: the hell is that?
• 23:12
  Speaker 1: Sons like cold porter to me said and it sure, sure.
• 23:20
  Speaker 5: You do, all seeing guy in the fair bod.
• 23:39
  Speaker 1: Oh there's the smoke. Now we're gonna start the burnt offerings.
• 23:44
  Speaker 2: Yo. You know what I told I was.
• 23:45
  Speaker 1: Gonna start the burnt offering.
• 23:48
  Speaker 2: Yo. You know I thought it was wild.
• 23:49
  Speaker 3: I don't know if you got caughted, but you you
• 23:52
  Speaker 3: know at one point when she talked about the bird
• 23:54
  Speaker 3: that has nothing to say and then all of a
• 23:56
  Speaker 3: sudden starts to sing.
• 23:57
  Speaker 2: I mean, it's the same thing as the rooster. It
• 23:58
  Speaker 2: does nothing all day until the fun and rising sun.
• 24:00
  Speaker 2: And so let's stalk.
• 24:03
  Speaker 1: Ding ding ding. There's the birds and the bees. No, look,
• 24:11
  Speaker 1: look at this guy's decapitated head over here. He's kind
• 24:15
  Speaker 1: of wearing that white towel. Right, he's kind of got
• 24:18
  Speaker 1: a white towel on his head. That's kind of weird.
• 24:22
  Speaker 1: You've got all these white towels behind her all those
• 24:25
  Speaker 1: people wearing the white towels. Maybe it has something to
• 24:27
  Speaker 1: do with wearing white at these events. Right now, if
• 24:31
  Speaker 1: you if you look on the circle red spot there,
• 24:35
  Speaker 1: those are the dice. She was wearing dice and standing
• 24:39
  Speaker 1: to the to the left of that lady in the middle. Right,
• 24:44
  Speaker 1: so to the left of the lady in the middle,
• 24:46
  Speaker 1: you've got the dice hanging from her ears. Weird, weird stuff.
• 24:51
  Speaker 1: And again over to the left or over to the
• 24:54
  Speaker 1: right a little bit is also the rooster. And what
• 24:58
  Speaker 1: do we see there. We've got at that same cross
• 25:03
  Speaker 1: in the circle motif, crossing the circle motif. Isn't that weird?
• 25:09
  Speaker 1: It's all right there, So what do you think.
• 25:16
  Speaker 3: I definitely think there was stuff in there that's kind
• 25:18
  Speaker 3: of bizarre. Yeah, I think the earrings and the rooster ship,
• 25:22
  Speaker 3: it was pretty wild. And I mean there's other stuff
• 25:24
  Speaker 3: in there that matches too, But of that, really, I
• 25:27
  Speaker 3: think you're on the something with that.
• 25:28
  Speaker 2: Actually that was weird.
• 25:30
  Speaker 1: They had the kid on the stage too, I mean,
• 25:33
  Speaker 1: even though talking about the kid.
• 25:39
  Speaker 3: Yeah no, I definitely yeah, yeah, yeah, no.
• 25:46
  Speaker 1: That was a good fun When you put all the
• 25:47
  Speaker 1: little pieces together, man, things start to get dark. Maybe
• 25:52
  Speaker 1: our whole society is built off of this. Like I've
• 25:55
  Speaker 1: talked about before, maybe, uh, the Carthaginian form of government
• 25:59
  Speaker 1: was called an oligarchic republic, right where at the very
• 26:04
  Speaker 1: top of the society where judges who would decide most things,
• 26:07
  Speaker 1: and they were you know, family line. They were all
• 26:11
  Speaker 1: Carthaginian family lines. These were the most important families in
• 26:15
  Speaker 1: the city. And they passed on their authority to their kids.
• 26:19
  Speaker 1: And so below them was the Senate. And the Senate
• 26:23
  Speaker 1: was made up of these corporations and all the richest
• 26:26
  Speaker 1: oligarchs in that society, again passing it off to their kids,
• 26:30
  Speaker 1: and that Senate would then vote on the laws, right
• 26:34
  Speaker 1: and then below them that was kind of like the playpen.
• 26:37
  Speaker 1: And the playpen was just for the plebs, all the serfs,
• 26:41
  Speaker 1: all the people who are under them. They got the
• 26:43
  Speaker 1: little playpen. Now what do we have in our government.
• 26:46
  Speaker 1: We've got these giant ruling families over top of all
• 26:49
  Speaker 1: the corporations with some sort of unseen judge in the background, right,
• 26:55
  Speaker 1: and all these corporations are the ones ruling our lives,
• 26:58
  Speaker 1: just like they would be if we lived in Cartha.
• 27:01
  Speaker 1: Because we have the same form of government. And again
• 27:05
  Speaker 1: when we talk about the society of Cincinnati, that's the
• 27:08
  Speaker 1: family lineage that's ruling this country, just like they did
• 27:12
  Speaker 1: in the oligarchic Republic of Carthage. It strained the parallels
• 27:20
  Speaker 1: and who can deny we live in an oligarchy.
• 27:22
  Speaker 2: Now.
• 27:23
  Speaker 1: Another interesting part is the what's the predecessor to the
• 27:28
  Speaker 1: CIA and OSS? What was our intelligence agency dujoure for that,
• 27:35
  Speaker 1: I don't know. Naval intelligence. Oh, it was always naval
• 27:41
  Speaker 1: intelligence from the beginning of the country, all the way
• 27:44
  Speaker 1: up until the formation of the OSS and World War Two.
• 27:49
  Speaker 1: They were the premier form of spycraft throughout the rest
• 27:56
  Speaker 1: of the world, was naval intelligence because you had to
• 27:59
  Speaker 1: make sure those ports were open, and this is where
• 28:01
  Speaker 1: trade secrets would happen. And what do you find at
• 28:04
  Speaker 1: all those ports? Masodic temples, all the Masonic temples, is
• 28:10
  Speaker 1: how they would get their information. This is where they
• 28:14
  Speaker 1: would spy from. All the lodges, is where you could
• 28:17
  Speaker 1: meet your brothers in private. That spycraft that goes directly
• 28:23
  Speaker 1: back to what the Carthaginians had all over the world.
• 28:27
  Speaker 1: If you know anything about Irish mythology, it's all about
• 28:30
  Speaker 1: bail worship. How in the hell do they know about bail? Well,
• 28:35
  Speaker 1: where did the Carthaginians get their tin up in the
• 28:37
  Speaker 1: British aisles, up in Ireland. That's where they got their
• 28:40
  Speaker 1: tin to mix with the copper in the United States
• 28:45
  Speaker 1: to make bronze. And they were the arms dealers of
• 28:48
  Speaker 1: the bronze age. They knew all this stuff. It's a
• 28:52
  Speaker 1: very direct line implicating them as being the founders of
• 28:56
  Speaker 1: this country because they knew where it was. They knew
• 29:00
  Speaker 1: all about it, or at least they had a vague
• 29:02
  Speaker 1: idea because it was passed along their bloodlines. We don't
• 29:06
  Speaker 1: have access to that kind of knowledge, but they knew,
• 29:11
  Speaker 1: and that's why we have ruly families, the thirteen blood lines.
• 29:16
  Speaker 1: Fucking Carthaginian as fuck.
• 29:20
  Speaker 2: Fuck I like that. Well, sense, yo, you know what
• 29:27
  Speaker 2: you gotta do.
• 29:28
  Speaker 3: I mean I was thinking, I think I had told
• 29:30
  Speaker 3: you about it, that I was thinking too of like
• 29:34
  Speaker 3: certain things to bring to the place. And I know
• 29:37
  Speaker 3: this is like a year from now, and who knows
• 29:38
  Speaker 3: if they even do another one, but I know I
• 29:39
  Speaker 3: was telling you that if they do another Cosmic summit,
• 29:42
  Speaker 3: for the cost of to have a booth for the
• 29:46
  Speaker 3: three days and then to bring people add on the
• 29:49
  Speaker 3: price to bring people. It actually makes it real cheap
• 29:52
  Speaker 3: to fucking get there, and then you can promote your shit.
• 29:56
  Speaker 3: I was trying to think of certain things, if you
• 29:58
  Speaker 3: could make it or whatever, or just have certain things
• 30:02
  Speaker 3: of topics for people to be told about when they
• 30:05
  Speaker 3: came to the booth besides magic, and I was even thinking.
• 30:08
  Speaker 3: I was like, this might be a good one to
• 30:10
  Speaker 3: tell people about there, And I was like, headless would
• 30:12
  Speaker 3: be the main for that.
• 30:15
  Speaker 1: Dude. The more eyes we can get on this Carthaginian stuff,
• 30:18
  Speaker 1: I mean, I'm not making it up. You can see
• 30:20
  Speaker 1: for yourself. All of the things have an ominous continuity.
• 30:24
  Speaker 1: The more eyes we can get on it, dude, we
• 30:26
  Speaker 1: could unravel this thing because just the small bits that
• 30:30
  Speaker 1: take you outside the mainstream on this thing, nobody thinks
• 30:33
  Speaker 1: about Carthage, nobody thinks about the Punic Wars. All of
• 30:37
  Speaker 1: that stuff is over. But they never asked the question
• 30:40
  Speaker 1: what happened to these people? Where did they go? What
• 30:42
  Speaker 1: did they do? Somehow the guys who gave us our
• 30:45
  Speaker 1: alphabet and explored the New world just suddenly disappeared. They
• 30:50
  Speaker 1: were the richest motherfuckers in all of the Middle East,
• 30:55
  Speaker 1: Like these were the cellars of purple. They were the
• 30:58
  Speaker 1: soul place that you could get that color, and all
• 31:02
  Speaker 1: of the royals came and paid whatever they charged. That's
• 31:07
  Speaker 1: a lot of gold. Yeah, that's a lot of knowledge too,
• 31:14
  Speaker 1: and I think they kept it, you know. I mean
• 31:16
  Speaker 1: they were the ones closest to these libraries. They were
• 31:19
  Speaker 1: the ones always trading in secrets. That's why at Alexandria
• 31:23
  Speaker 1: you had the library right at the port is because
• 31:27
  Speaker 1: any books, any scrolls that were on board had to
• 31:30
  Speaker 1: be copied at the library of the Alexandria before they
• 31:34
  Speaker 1: could be shipped anywhere. It was a requirement. That's where
• 31:37
  Speaker 1: they collected all the knowledge again through naval intelligence, and
• 31:41
  Speaker 1: Carthage had this awesome port right They had these high
• 31:45
  Speaker 1: walls on the outside of the port so that you
• 31:48
  Speaker 1: couldn't see in to see what they were loading or
• 31:51
  Speaker 1: unloading on these trirems. They had this whole idea of
• 31:55
  Speaker 1: naval intelligence on lot thousands of years ago. These people
• 32:00
  Speaker 1: were fucking smart and they don't get enough credit because
• 32:05
  Speaker 1: they became the elites everywhere, you know, I mean, we
• 32:08
  Speaker 1: don't think about it like that, but that's what's going
• 32:10
  Speaker 1: on right now. And they invented Christianity unfortunately, if that's
• 32:16
  Speaker 1: your thing. But they also invented all of the pagan
• 32:19
  Speaker 1: religions too. They spread that bail worship all over Ireland.
• 32:23
  Speaker 1: You know that can't be really denied bail in Ireland.
• 32:27
  Speaker 1: All the bail worship came through the Carthaginian All the
• 32:31
  Speaker 1: bail worship that happened in Spain came through Carthage. It
• 32:35
  Speaker 1: was a Spanish well before it was it belonged to
• 32:39
  Speaker 1: the Visigoths. It was the Carthaginians. They own that little peninsula.
• 32:48
  Speaker 1: This is why they came over to the New World
• 32:49
  Speaker 1: through Spain. You know, Spain and Portugal already knew this stuff.
• 32:55
  Speaker 1: They were Carthaginians. But what do you think should we
• 33:05
  Speaker 1: wrap it there?
• 33:06
  Speaker 2: Yeah?
• 33:07
  Speaker 3: Yeah, I think that. I think that actually went very
• 33:09
  Speaker 3: very well. That was really good. People even send in
• 33:12
  Speaker 3: the chat, some says even go without the mel it's
• 33:16
  Speaker 3: well done today.
• 33:20
  Speaker 1: Well thank you. Uh, if you guys have any stories again,
• 33:24
  Speaker 1: center to the mailbag Headless Giant Podcast at gmail dot
• 33:28
  Speaker 1: com and we will definitely talk about those. But uh yeah,
• 33:32
  Speaker 1: if you guys like the Carthage thing, I could I
• 33:35
  Speaker 1: could probably make it a series because there's just so
• 33:38
  Speaker 1: much information about it, and it's like each each little
• 33:41
  Speaker 1: bit fits together with the other stuff.
• 33:45
  Speaker 2: You know, there's a deep, deep topic on its own
• 33:47
  Speaker 2: for sure.
• 33:52
  Speaker 1: Right And I haven't even gotten into the Babylonian side
• 33:55
  Speaker 1: of Carthage. Because Carthage or the the Catakite Phoenicians were
• 33:59
  Speaker 1: taken over by the Neo Syrians at the same time
• 34:01
  Speaker 1: that the Jews were. That's why they were writing about
• 34:04
  Speaker 1: it the same way. But basically, like if you look
• 34:08
  Speaker 1: at their artwork, you can see that they adopted the
• 34:12
  Speaker 1: eye shape from the Samerians. So I think what they're
• 34:16
  Speaker 1: indicating in all of these different works of art that
• 34:19
  Speaker 1: look really simple but have really deep meaning is all
• 34:23
  Speaker 1: of the different motifs that they're absorbing from all of
• 34:25
  Speaker 1: these cultures around them. You know, you see the Egyptian
• 34:29
  Speaker 1: influence in that cross. You see that cross again on
• 34:32
  Speaker 1: this Gloria Vanderbilt shadow box. It's so strange, this ominous
• 34:39
  Speaker 1: continuity between all these things. You know, hell, yes, who
• 34:44
  Speaker 1: could have figured? But tune in on Sunday. Do you
• 34:50
  Speaker 1: have anything coming up? Nick?
• 34:52
  Speaker 2: I think July first, Do I have somebody this? I
• 34:56
  Speaker 2: think it might have somebody this weekend? Tell you the
• 34:58
  Speaker 2: truth but I can't.
• 34:59
  Speaker 3: Oh yeah, I got somebody Domino coming on Saturday, but
• 35:03
  Speaker 3: that's for herbal stuff. But uh, July first, I know
• 35:07
  Speaker 3: why I told you about it. I'm assuming you're you
• 35:09
  Speaker 3: can make it earlier. We got a kid coming on
• 35:13
  Speaker 3: that it met from the summit that is uh, this
• 35:15
  Speaker 3: kid's fucking smartest ship and he was kind of hanging
• 35:18
  Speaker 3: out with Ashton Forbes the whole time. It was like
• 35:20
  Speaker 3: part of his little Ashan Forbes had an entourage of
• 35:23
  Speaker 3: like nerdy kids with them at this summit. It was
• 35:25
  Speaker 3: fucking It was actually pretty cool to listen to them
• 35:28
  Speaker 3: like talking debate and shit.
• 35:29
  Speaker 2: I was like, holy fuck.
• 35:30
  Speaker 3: I was like, you know, this is amazing, and these
• 35:32
  Speaker 3: kids are young. He's he's gonna come on and present
• 35:35
  Speaker 3: some ship with free energy and electric and some weird ship.
• 35:38
  Speaker 3: He's gonna make slides and he's got a presentation. So
• 35:41
  Speaker 3: July first will be doing that.
• 35:44
  Speaker 2: Awesome. Yeah, yeah, that should be fun.
• 35:47
  Speaker 1: Well, if you guys tune in on Sunday, we're gonna
• 35:50
  Speaker 1: have another trialogue. Ethan said, he is back, So that's
• 35:53
  Speaker 1: gonna be yes coming on Sunday.
• 35:56
  Speaker 2: Nice.
• 35:58
  Speaker 3: That is awesome. Yeah, yeah, he was coming on Saturday.
• 36:01
  Speaker 3: So yeah, that's awesome. He's going on good, good, awesome.
• 36:07
  Speaker 1: Yeah, it's gonna be great to have Ethan back. I'm
• 36:10
  Speaker 1: sure he's had a rough time. If you guys, could
• 36:13
  Speaker 1: you know, send your wishes along, that would be great.
• 36:15
  Speaker 1: So if if you guys will join me next time,
• 36:19
  Speaker 1: I'll see you then later. But