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London Calling - The Clash · Barber Cuts: Beats and Bars

0:15
Welcome to Viber cuts, beats and vibes.
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We're a father to daughter music podcast that slices into some of
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the greatest albums, one cut at a time.
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With no industry ties or formal training, just a shared love of
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music, we explore albums across genres, rating favorites and
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skips while digging into what makes each one iconic.
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I bring the beats. And I bring the bars and
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together we deliver real talk and fresh takes from both sides
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of the sound. Hey everyone, I'm Riley.
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And I'm Todd and welcome to this week's episode of Barber Cuts
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where we talk about our latest album, London calling by the
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Clash. And so before we get going on
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it, though, I also want to give a shout out to a another podcast
0:58
who mentioned us recently. So our friends over at assorted
1:03
crackers. And so they Lee is a a friend
1:07
and he's one of the the hosts there and they gave their own
1:11
takes on favorite albums of theirs.
1:14
And I also don't want to give it away, but one of the ones they
1:18
mentioned is coming up fairly soon, I think if I remember the
1:23
order on on our list. So go go listen.
1:27
The episode they have is Vinyl Verdicts.
1:32
But recently, they also had Walker Jones from the Grove
1:35
Collective talking about name, image likeness or NIL and
1:39
college sports. Really interesting, even if you
1:42
aren't an Ole Miss fan. And and I'm not, so I, I promise
1:45
it is. And yeah, oh, so sad.
1:50
But also just had Dale Sanders on, who is attempting to set a
1:57
Guinness record as the oldest man to hike the Appalachian
2:00
Trail, which is roughly just shy of 2200 miles.
2:05
This guy's 90 years old, so that is quite the impressive feat.
2:12
And then lastly, they they also give takes on bourbon.
2:16
So if you're a bourbon fan, head on over, give them a listen.
2:20
As a newly 21 year old I can safely say I am not a bourbon
2:25
fan for the 1st 2 seconds of it being in my mouth and then a
2:29
bourbon fan as soon as the bourbon taste wears off and it's
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just the flavouring. Yeah.
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So, so maybe if we can find on the video, we, we may have the
2:41
first bourbon taste for, for Riley's face.
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So you can, so you can see your face.
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But anyway, so yeah, go give those guys a listen.
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Assorted crackers. They mentioned it and, and I've
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talked to Riley about it when she comes home over Christmas,
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Hopefully we'll try and get together with them and, and, and
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see what we can come up with to, to have a cross pollinated
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episode with them. So hopefully that'll work out.
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So slight diversion back to the Clash and London calling.
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Let's kick it with our Riley's laughing at me on video and I
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don't know why. So let's let's kick start it
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with our least favorite songs. Really quick, no one has video,
3:27
but what I'm seeing right now on Zoom is it's randomly zooming in
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and out of your face. Yeah, like getting really close
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to your face and then getting really far away at really random
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times. The.
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Setting just updated to auto shift the camera around so that
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I stay in the middle and so it's really messing with me
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sometimes. Yeah, it's.
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Just it's not just me, it's just leaving it really.
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Close to his face and so that one just caught me off guard the
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first time that it happened. So least favorites The Clash
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back on track, my least favorites for the Clash were
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Lost in the Supermarket and Rong Amboyo respectfully.
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Talk about some annoying songs. These got on my nerves, just got
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on my nerves. Like in only listening through
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those songs like one time they got on my nerves.
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Like they're not that The Clash is very deep in a lot of their
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lyrics, but these ones were just very surface level annoying.
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Getting lost in the supermarket is about getting lost in the
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supermarket. I'm sure there's a deeper
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meaning. Like you could get like theory,
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ethical, philosophical about it. That's like, Aww, he's he's lost
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for another reason. And then wrong and bold is it's
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violent. It starts with like him talking
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about he's gonna like fight someone.
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And to me, this song is the equivalent of if anyone's ever
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like made the joke, That's like, oh, you can stop murder by just
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being like, please don't do that.
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Like this song feels like the equivalent.
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Like they seem like they're making like this big stand
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against other people. And it's like, you better stop.
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It's like. Yeah, so so Roland Boyo is like
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a double is that is that the one that starts off?
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It's staggerly. And so I think it's a it's it's
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a based on a true story from like the staggerly guy.
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And this is a reinterpretation of maybe the original, but and
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it and it starts off with almost A and this this was almost my
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best music moment of of the album, but it's not so I'll
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share it here. It starts off as almost a swing
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big band kind of sound. And then all of a sudden it
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start or it says hold on. And then it shifts like to ska
6:10
music almost with a way different beat and jump.
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So musically, it was pretty neat what they did.
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But yeah, it is a song about violence and death and murder.
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But it was it was based off supposedly real things that
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happen so. Yeah, my thing is that it almost
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it just doesn't. It is about all of those things,
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but the I don't know, I can't, I can't figure out if it's like
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just describing it or if the like, it seems as if they're
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almost trying to say like you're doing bad things and it's like
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that's not helping anything. Like, yeah, it's a bad thing.
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My my, my understanding was it was 2 criminals and one one of
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them got the better of the other like, and best I could tell from
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the songs, there was the original and then, and I can't
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remember who it was by then somebody did a cover and then
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the Clash did a reinterpretation of the cover.
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So, but yeah, it's it's a. Little bit I just pulled up the
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lyrics to see and it's like the the chorus part I guess is yeah,
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where it says like, don't you know it's wrong to cheat the
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trying man? Like if it kind of repeats that,
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you better stop. And that's the part to me,
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that's just like, all right, what are we doing here?
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Yeah, I think, I think if I remember like in in the original
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1 and then the first cover, they were saying that one person was
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to blame and then the Clash reinterpreted it and said, well,
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what if the other person was to blame?
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Yeah, I. Guess I don't know the Lord, so
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to me it's just an annoying song.
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Yeah, and, and I got, I, I got a little bit lost in trying to
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figure it out, but yeah, yeah, musically I, I liked what they
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did with the shifting of, of the beat and everything.
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But I I get your point. Yeah, So what about you?
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So my least favorites, so one of them was 4 Horsemen, and that's
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the one that sounded like it. You could have picked it up off
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of the Clash and dropped it over onto the Sex Pistols album that
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we reviewed. And so for a reason why it's my
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least favorite, go listen to that episode and hear what that
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rating was. And then also a brand new
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Cadillac again really sounded Sex Pistols punk.
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What you what you think of when you hear punk?
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But it it also had some pretty heavy rock'n'roll into it as
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well. Had a nice guitar solo in it.
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So so I said there is some rock in it, but had to come up with
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with two of them in it and it had the most punk sound to it
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there. So so those are my 2.
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All right now shifting to our favorite to Riley.
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What are your favorite two out two songs from London Calling?
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So I will say that it did not get picked as one of my
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favorite, so you're lucky, but 4 Horsemen was on there as like in
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the contenders, it got third. And if you want to know why
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that's the case, go listen to our Sex Pistols episode.
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I don't think I rated it very highly either, but I think I
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rated it a little higher than you.
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But that ended up not getting up there.
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So my second favorite was Jimmy Jazz.
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This one sounded like what it says, Jazz, and hearing it with
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the clashes specific voice was very interesting for me and I
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very much enjoyed it. Like because their voice is not
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jazzy at all at all. It's very punk.
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And so it's one that like, never would I think that jazz and punk
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could coexist in a song that I enjoyed.
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And the song proved me wrong. I thought the combination of the
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soft, soft jazz is what I'm calling it.
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Soft is like the wrong word, but jazz and just such a harsh, like
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raspy, rough around the edges voice was very interesting, like
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to listen and it was just a good song.
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I think it just stood out to me mainly because of that mix of
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genres that like clash a little bit.
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I that just became one of my favorites, but my actual
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favorite was I'm not down. This one, it just stuck out to
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me. I liked how it sounded, but the
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the lyrics to me were a lot more, I don't know,
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understandable, I guess would be the word.
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They were kind of talking about specific things that they're
11:26
concerned about while not letting it get them down, which
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is like a really fun, fun thing to hear a band that I would say
11:37
is pretty punk do cuz I think what I'm not calling the Clash
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punk necessarily. I just think they're with this
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album. I don't, I don't, I don't want
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anyone to get mad at me for calling them a genre when
11:50
they're not a genre. Yeah, but they sound very punky
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and something like with the Sex Pistols, they get very
11:58
catastrophic and then kind of are just like this sucks, life
12:03
sucks, everything sucks. And like that's one of my big
12:08
problems that I have with with punk a lot of the times is it
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just kind of leaves you in that Dead Space, which is not really
12:16
good for anyone. Stay in.
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And so I really like the song that kind of talked about all of
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the stuff that's going wrong, but kind of ended it up with,
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hey, gotta keep, gotta keep going.
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So yeah, I just really enjoyed that message.
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Yeah, and I and I think this whole this will come up later
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and, and, and we can re talk about it, but I think, I think
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the Clash as a band is hard to classify and quotes into a
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genre. Early 1st 2 albums, from what
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I've gathered, they were punk and then this album really
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transformed them and they kept that transformation going.
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But if you listen carefully enough, I think in most all
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their songs and you mention it, you can still hear that
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foundation of punk come through. Some songs it's stronger than
13:19
others, you know, but but you can, you can still hear it so.
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I'll say this, and I don't mean it as an insult.
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So I I hope no one takes it as it such with a, with a lead
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singer with a voice like that, you're always gonna hear a
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little bit of punk like that's I mean, and I like this.
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That's not me saying I dislike his voice.
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I think it works really well, and they work really hard to
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make it, like, more general of an audience, like, can receive
13:52
it. But like, his voice is so like,
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just is a perfect fit for punk. Like just the raspy, like going
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back to the Sex Pistols, It's like a voice that's not pretty,
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a voice that's like, not necessarily good a lot of the
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times is like the best voice for punk.
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And I just think that this album shows that in a lot of ways.
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Yeah, at least to me, Yeah. So my, my 2 favorites, second
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one was between Rudy Can't fail and Jimmy Jazz.
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Jimmy Jazz. I really liked it the the the
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stuff that it did at the end. I was like, OK, that that's you
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know, I know it's, I know it was probably their play on the whole
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scat thing that, that you see. And so it's like, OK, I get what
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they were doing, but it was just weird to me.
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So basically that's what tipped it over to Rudy Can't Fail.
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But this one has a reggae fail to it.
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So we've now mentioned punk, ska and jazz and now reggae add to
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the list. So Rudy can Fail basically
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praises the rude boys of Jamaica and in the 1960s who challenged
15:13
the status quo. That's all music stuff, but it's
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about a fun loving young man criticized by the elders for not
15:22
acting like a responsible adult because he likes to drink beer
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breakfast and so they call him crude.
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This is from the lyric, Crude and feckless, he responds.
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I know that my life makes you nervous, but I tell you, I can't
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live in service. So it's really just about him
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saying I can't do what you want me to do.
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Which fits right into the punk genre and the punk nomenclature
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of Yep, I'm going to not do what you want me to do.
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So lyrics fit in great with the Clash and, and and the punk
16:00
scene that they put reggae to it.
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And so musically, man, it is a happy, upbeat sounding song.
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I mean, and the song listening to it, if you ignore the lyrics,
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like makes you feel happy because like I think that's what
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all reggae music does and that don't.
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Worry. Be happy.
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Yeah. And so and I'll I'll touch more
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on that later as well. So my favorite song, though, was
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probably one of their more another sub genre here, pop
16:36
train in vain. The last one and of the song and
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you'll see it with parentheses parenthetically, Stand by Me is
16:48
there and it was added. Best I can tell it looks like it
16:53
was added after the deal was done for the record.
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So the song was added into the vinyl at the end in the in the
17:01
runoff area and the the sleeves had already been printed.
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So there was no mention of the song.
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So it was, you know, in 1979, December, so January 1980 in the
17:18
US when it was released, they had a vinyl hidden track.
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And so the Stand By Me was added in the US and Canada, but in the
17:27
Uki think it was just trained in vain.
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It was all done because of the popular Stand By Me song.
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So they wanted to make sure there was no, no confusion.
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And so interestingly enough, Mick Jones, who was one of the
17:42
lead singers who wrote the song, said the track was like a train
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rhythm and there was once again that feeling of being lost.
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So that's his quote. Now, other things that you read
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and other people's interpretations of people that
17:59
were close also mentioned that it could have gone to Eric,
18:04
could have been a response to a song that was written by The
18:09
Slits, another band. And Jones was dating a member of
18:13
that, and they split up at the time.
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And I think she wrote a song about standing by, that they
18:21
always would stand by their man. And then he wrote this.
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And if you look at the lyrics, it's about not standing by your
18:27
man. And but she said he would never
18:31
admit that it was about that, but she really thinks it is.
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So, you know, take it for a grain of salt, but it is just
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got a nice little rhythm. It's got a nice music.
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I mean, if it's nice, it plays well.
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You can definitely see it on the radio.
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And it was just nice to sit there and tap your song or tap
18:51
your feet and and just Bob your head to that one.
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So I really, really like the train in vain.
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So favorite song. So Next up, why is this album on
19:04
our list? Yes.
19:07
So the Clash, another example of funk, I guess.
19:13
But I think kind of like we talked about with Ed Sheeran and
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kind of like you briefly mentioned, this album was really
19:23
when the Clash like became what they are known as, which I would
19:29
say is not necessarily London Calling.
19:33
The one that I think everyone will know is should I stay or
19:36
should I go? Which is off the album that
19:40
comes not directly after, but after this album.
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In general, Combat rock and this album seems to be where they
19:47
experiment with what they want to be more than anything, if
19:52
that makes sense, which is what makes it such an interesting
19:57
album to listen to we've talked about in the past.
20:03
We we both love it when I would say both love it when artists
20:08
play around with as many genres as they can in one album.
20:13
And I think what's interesting about this one is to me, it
20:18
seemed as if other artists that we've listened to have seemed to
20:21
try to master the genre and the genre shifts in their album The
20:27
Clash with this one seems to literally just want to play
20:30
around with it. They don't care about mastering
20:33
it. They don't care about making it
20:34
sound right. They don't care if it gets
20:36
labeled reggae or pop or punk or rock or anything.
20:41
They just want to dip their toes in as much as they possibly can
20:47
to it seems as if to find their style.
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And so that's to me why this album is really interesting.
20:58
And their style may be experimentation.
21:01
Yeah, but you get to see, you get to see that band.
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You get to see a band that has like well known songs and as a
21:09
well known band name, kind of figure out who they are.
21:12
And that's really fun. Even if you don't like who they
21:16
end up being, it's really fun to see a band play around and
21:21
figure it out. Yeah, I agree.
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And so so first just a little bit of of history and context
21:27
with the Clash. Their debut performance as as a
21:31
band was July 4th 1976 as the debut for Sex Pistols.
21:39
So they were the opening act for the Sex Pistols.
21:42
The fact then, so. I squinted and that's if he
21:47
leaves the pause in you'll hear a pause because I squinted was
21:53
it was not a proud moment of mine.
21:55
It was very American of me, but it was like who has shows on
21:58
July 4th? Well.
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And that wouldn't cross my mind. But also being so American, I
22:04
thought being old, I said 1776 and I said it wrong and didn't
22:10
even realize it. So we're we're both American
22:13
and. Well, no, I did notice you said
22:15
you said 1976. Yeah, I did say.
22:19
And so I thought like, oh, that's like a big one too,
22:22
because it's like 200 years. Whatever.
22:25
Yeah. So I was like, why are they
22:26
playing? And I remember they're both
22:28
British punk. Yeah.
22:29
They could care less about July 4th.
22:31
In fact, I'm surprised neither of them have a song directly
22:34
about July 4th. Yeah, they probably did it on
22:37
July 4th out of spite for the Americans.
22:40
I don't know. I'm just.
22:42
Which here listen sidetrack. Again, we're being American.
22:45
We think people think so much of us, and people probably don't
22:49
care. OK but sidetrack shower thought
22:52
y'all can think about this this week.
22:54
Why do we celebrate July 4th? We celebrate veterans and stuff
22:59
like that by doing something that's like a known trigger for
23:03
PTSD for veterans, which is fireworks.
23:07
I don't know how. Neither do I.
23:09
OK, you'll still do it though. So after after the debut, they
23:17
and the Sex Pistols and and some others went to a Ramones show.
23:23
So again another punk band that I think we have an album for way
23:28
later. And the Ramones are out of New
23:31
York City. So again, they they were heavy
23:36
in the punk scene. Their second show that it was of
23:42
quite a few weeks later, August 29th, supposedly the read where
23:47
after that first show they're like, yeah, we need to get
23:50
together and practice. So they got together and
23:53
practiced. Second show was August 29th and
23:58
again they opened for the Sex Pistols so they they wore
24:04
heavily into that punk scene, especially at the beginning and
24:09
really with London Calling, as we both mentioned and and Riley
24:15
just talking about it London Calling albums when they really
24:18
started experimenting with their music.
24:21
And so again, London Calling the song is often considered by
24:26
critics to be their Best Song, but the most popular one
24:31
probably, and definitely most streamed on Spotify is as you
24:35
mentioned, should I stay or should I go?
24:37
So, so that's the that's the, that's the Clash.
24:40
So they're, they're punk. They definitely have those punk
24:43
undertones. But starting on this album, they
24:47
started infusing other genres on top of punk.
24:53
And if you listen, you can still hear it.
24:56
But they they really started doing that with with some with
25:00
the rest of their albums. Which should I stay or should I
25:03
go? I think this is a testament to
25:08
the Clash and something. I love it when bands are like
25:14
this. Cage the Elephant is like this
25:17
all like they sound. You could play like 5 Cage the
25:21
Elephant songs and you'd be like, there's no way.
25:24
That's all. It's not the same band.
25:26
Yeah go listen to the KC elephant on shuffle and it's a
25:29
wild trip but I I'm re watching through stranger things right
25:35
now with the new season coming out.
25:38
So I'm watching through season 1 and I completely forgot that a
25:44
big song in season 1 Stranger things is should I stay or
25:47
should I go? Because the Clash was seen as
25:50
like this underground music that was introduced to Will the
25:53
little boy, and he uses it as a way to communicate to his family
25:59
that he's there. So he turns on the radio and
26:01
starts playing the song and people talk about like he like
26:07
sings it. And that's how they know it's
26:09
Will because they'll say that. See, he's even singing that
26:12
weird song he likes. And so I like, was listening to
26:17
that and I was like, oh, yeah. And then at one point they say,
26:20
so you like the Clash. And I was like, that's the
26:22
Clash. I'm listening to the Clash.
26:25
I've been listening to the Clash this whole week.
26:27
And I had no idea that that was the Clash because I went
26:30
straight to this album and didn't look at, like, their
26:33
overall. Yeah.
26:34
So that was really funny to like, be like, I can know that
26:38
song. I know that song Well, Yeah.
26:42
And the other one that you probably know I've heard is Rock
26:45
the Casbah. Rock the Casbah.
26:50
Well, that's the flash too. Those I think those two are on
26:54
the same album. But you know, but this album
26:57
specifically, it is our a lot of people still label it a punk
27:02
album. Maybe they label it a punk album
27:04
because it's from a punk band. But you know, I'm also not gonna
27:11
disagree with somebody if they call it a different type of
27:14
genre, but we got it labeled as a punk album.
27:17
But because you can hear the undertones of punk, but it's
27:22
definitely infused with, as we've talked about, reggae, pop,
27:25
funk, scob. There's some R&B notes that
27:29
country, rockabilly, rock'n'roll, obviously.
27:35
So there's a there's a lot of different genres that are fused
27:39
in there. The album itself is a #16 on
27:45
Rolling Stones top 500 best albums, the highest of of any
27:50
punk band, and a little Memphis trivia here.
27:57
The album cover is well known. The It's the bassist smashing
28:03
his bass guitar and the The base is now on display at the Museum
28:09
of London, But the topography is a nod to Elvis Presley's debut
28:15
album, with Elvis vertically in pink and Presley horizontally in
28:21
green. The London Colin is the same
28:25
way. London is vertically in pink,
28:28
calling is horizontally and green and it looks to be the
28:32
same font as Elvis Presley. So that's pretty neat being
28:36
being from Memphis 2007 the album was inducted into the
28:41
Grammy Holland Hall of Fame. Some people that have been
28:46
influenced by it. The Edge.
28:48
Who's the guitars from U2, The Offspring, Green Day, Jacob
28:53
Dylan of The Wallflowers, Bob Dylan's son, Arctic Monkeys, Bad
28:58
Religion, just to name a few of the bigger ones.
29:00
And then outside of rock, Chuck D of Public Enemy, which we may
29:04
have a Public Enemy album on our list, I have no idea.
29:10
So even Chuck D is called them an inspiration.
29:14
So that that's that's pretty neat that it, it got outside of
29:17
rock and punk scene as well. I do also want to throw out a
29:20
few like random things. Go ahead.
29:24
So this is not about the clash, but things that we talked about
29:28
with the clash that we need to circle back on.
29:31
So one is with the Cure which I mixed up those bands for far too
29:40
long because the names were similar.
29:44
But also another pop culture reference that I got to witness
29:48
is. I'm also re watch or watching
29:50
through Gilmore Girls right now because it's finally feeling
29:53
like fall a little bit at least here.
29:56
I know y'all are not experiencing that.
29:59
Still sweating, but in one of the episodes, Lorelei, the main
30:05
character is says something along the lines of like, I
30:09
really got to go in there. That's the cure playing meaning
30:12
like someone's in distress. She goes like, oh, that's the
30:16
cure, I gotta go handle this. And so she walks in and very
30:21
somberly laying on the bed after a bad day is one of the
30:25
characters listening to pictures of you by the cure.
30:30
So even like game where girls franchise agrees with you that
30:36
the cure, if the cure is playing, bad things happen.
30:40
And then I just thought that. Was funny.
30:43
That's a shout back to quite a few episodes ago.
30:47
Yeah, and. Then not that you're not that
30:49
you're calling because you, you let in saying I got these two
30:52
bands confused. So you you are recognizing this
30:55
is a legit Cure story and you have not gotten them confused?
31:00
No, I'm just wanting to make sure that's clear for everybody.
31:04
Before I listen to The Pure and The Clash, I used to get them
31:09
confused because they sounded very similar name wise, very
31:14
different every other way. Yeah, true.
31:17
And then the other one is, I completely forgot to mention
31:20
this last episode, but with you talking about the Clash opening
31:25
for Sex Pistols and it being like, yeah, that makes perfect
31:30
sense. It made me think of with, with
31:32
Reliant K, they have opened for people that like like they
31:39
opened for Avril Lavigne in 2025, like as a like pop punk
31:44
reunion fest or something. But I think what would surprise
31:47
a lot of people is that in 2010 the band opened for Paramore for
31:53
their spring tour. Like Paramore is a giant band.
31:59
What was your like Kay do in opening for Paramore?
32:02
I don't know. Paramore recently opened for
32:04
Taylor Swift on her tour for a few of the dates to like give an
32:09
idea like big band. But those are also hot pun
32:13
references which made me think of that.
32:15
So few things to wrap up before moving on to.
32:20
Ratings. Ratings.
32:22
So let's hit those ratings, Riley, which I'll ray.
32:26
My personal rating was A5. I love it.
32:30
I didn't hate it. It got very annoying to me.
32:34
We talked about this a little bit with ACDC, which we haven't
32:39
recorded, but you and I have talked about this with ACDC of
32:44
over time. I think that I think this is the
32:48
only time that the way we do this setup kind of hurts the
32:52
album is because we're supposed to listen to this album and
32:55
familiarize ourselves within like a week or so, which is
32:58
normally a perfect amount of time.
33:00
But when the singer has a very distinct voice that's not
33:05
necessarily pretty, such as ACDC, Sex Pistols, The Clash, it
33:10
can get very annoying very quickly and you get so burnt out
33:15
on the sound so quickly. And I would say instrumentally
33:20
it like kept me engaged because like we said, they experiment so
33:23
much. But I'm just not a huge fan of
33:25
the voice. And so it just got on my nerves.
33:30
I couldn't listen to it as much as I would have liked to
33:33
familiarize myself and I just could not enjoy it as much as I
33:38
think I could. If I listen to it very spaced
33:40
out because I liked some songs enough to like, I would add them
33:45
and I would like it. I wouldn't skip them if they
33:47
popped up on my shuffle playlist or anything like that.
33:52
But just in a row as an album, an hour of just this kind of
33:58
like very punk emphasis, emphasized voice made it just
34:05
smack in the middle for me, I would say.
34:09
But I would say objectively, I would say an 8.
34:14
I would say an 8 because they do play around with so many genres.
34:18
And I think that because because I said of what I said, they play
34:22
around with so many. They don't aim to like perfect
34:24
any. There are going to be those
34:26
little like parts that don't exactly like fit.
34:29
Kind of like were you talking about like throwing in like like
34:33
randomly or like trying to scat or something like that?
34:36
Like little bits and pieces where they were just playing
34:38
around, but like to someone who's just trying to listen to
34:42
it, it's like, why did you do that?
34:44
Like that doesn't work, which makes sense given like the
34:48
exploration of the album, but it's going to lower the
34:51
objective rating, probably intentionally on their part so.
34:56
Yeah, so for me, my personal rating was a 7.5.
35:00
I liked it. So it's not as punk as Sex
35:07
Pistols, which I enjoyed and and the the voice did not bother me
35:14
as as much either. So I I actually enjoyed the
35:20
album. There were, there were a couple
35:21
songs that I wasn't a fan of and you know, the, the more I listen
35:26
to it, it's like, OK, yeah, I can skip that one, you know.
35:30
So again, not my favorite, but I did enjoy it.
35:33
Objective half point higher 8.5 again from the music side of
35:39
things, infusing so much of this into what they knew, which was
35:44
the punk sound is impressive. And then seeing that
35:50
experimentation and, and new wave and different things that,
35:54
that, that come out of what this album did again, just, you know,
35:59
it's, it's a good album. And most of these that we listen
36:02
to, they're, they're going to have fairly high objective
36:05
ratings because they're, you know, they, they've done
36:07
something in in the musical pantheon.
36:12
So, so those are our ratings. Now on to best beats and bars.
36:20
What was What was the best bar from this album?
36:23
I kind of talked about it with I'm Not Down, but I would say
36:26
any of the lyrics from I'm Not Down are just kind of beautiful
36:32
in their own little way. But my favorite part is it's a
36:39
little bit long, so stick with me here.
36:41
But it's great, It says, because I've lived that kind of day when
36:47
none of your sorrows will go away.
36:48
It goes down and down and hit the floor, down and down and
36:51
down. Some more depression.
36:53
But I know there will be some way when I can swing everything
36:56
back my way, like size scrapers rising up floor by floor.
37:00
I'm not getting up. And I mean, I just think that's
37:06
beautiful. I mean, everyone's been there,
37:08
everyone's been down, Everyone's had that day.
37:13
But the reminder that floor by floor, like skyscrapers, you're
37:18
not giving up. It's just like a really
37:20
beautiful way to picture it that like you can go down, but just
37:24
know that you're going back up again.
37:26
Someday soon very good. So my best beat is short.
37:34
It's the opening of the guns of Brixton.
37:38
And so it's a bass line and some drums guitars kick in, you know,
37:43
and it's also got a scratch of a vinyl needle that you can hear
37:47
and there as well. And you know, I heard it and was
37:53
like, OK, I'm, I'm instantly bopping head like, OK, this is
37:59
this is a really smooth, could be hip hop beat.
38:04
And so I was like, OK, let's let me let me look and see if
38:07
anybody's actually sampled it or used it.
38:09
And sure enough, Cypress Hill on their song.
38:14
What's your number in 2004, same bass line.
38:21
Fat Boy Slim copied sampled for a beats International song dub
38:28
Be Good to Me in 1990. It's been sampled and used a few
38:31
other times as well, but the baseline of it is just super
38:34
slick and real nice. And the way it that song intros
38:37
is is really cool. So that's my best beat of the
38:42
album, which then leads us into our songs of the week, which is
38:49
song of the week, alright. This is This is borderline my
38:53
song of the week every week, but I like can never put it.
38:59
Had the outcome been different on Saturday, your song of the
39:02
week would have been Rocky Top. OK, so we don't need to talk
39:07
about that. It's still Rocky Top.
39:10
Fall for life baby, fall for life.
39:13
This is probably one of my favorite songs.
39:16
I love it. It's the thought by Holden
39:19
Miller, specifically the thought Tomato version.
39:26
The reason it's tomato version is because there's lyric in
39:29
there that says, did you know I eat tomatoes now?
39:31
I don't really like them, but it's nice to feel I've grown
39:34
some way somehow talking about growing up after a breakup.
39:39
And he's kind of it's he's talking to the other person in
39:44
the breakup. And that's one of the lyrics is
39:47
like, see, I've changed too. I've grown and I that's so funny
39:52
to me as someone who does not like tomatoes.
39:55
But the chorus of it is I've spent some days again, ways to
40:02
tell you I miss you. But just like, you know, as a
40:04
friend. So it's like, I'm still not over
40:06
you, just not in the way where we kiss.
40:08
I just missed the thought of like dinner and movies, dating
40:11
and everything like that. And I just think that he put to
40:14
words such a real feeling that so many people go through during
40:17
breakups. And it's just the one where it's
40:21
like, I don't want to date you, but I miss thinking about
40:24
dating. I miss being in a relationship,
40:26
but not with you. And so it's just such a fun
40:32
song. It's it's, it's really fun to
40:36
listen to, fun to sing along. It's a fun beat.
40:39
It's very happy sounding and I just think it's a very real
40:43
feeling that not enough people talk about.
40:46
And so I love this song. I've loved this song for many
40:49
years and today was finally the day it's deem it song of the
40:53
week. Nice, so I've actually got 2
40:58
songs of the week. Both brother inspired songs, not
41:02
a whole album. Both inspired by the album so
41:08
the So the first one is Paper Planes by Mia yes and So what do
41:17
we. Call the sound effects.
41:18
Yeah, yeah. Wesley, my brother, Brother Pod,
41:23
you wanna talk about that? Brother Barber?
41:25
What he likes the song. Oh gosh, he terrorized us with
41:29
it for a little bit. This was the one he terrorized
41:31
us with for a little bit. It wasn't the memorable ones,
41:36
but he used to play the song on like repeat.
41:39
He was obsessed with it and I got so annoyed with.
41:42
It I like it. Well, anyway, it's, it's funny
41:47
because I was listening to some other Clash songs and one of the
41:53
songs that came on was Straight to Hell.
41:56
And the intro was Paper Planes. Like I immediately started
42:02
singing paper planes and, and I played it for the Mama Barber
42:07
and she was like, yeah, that's paper planes.
42:11
And so when looked at it, sure enough, she sampled this song or
42:15
that song. So I was like, huh, that's,
42:17
that's pretty funny. So, so that was one of them.
42:19
So it made me go go listen to that one a couple of times.
42:22
And then the other one, you inadvertently referenced it up
42:27
at the top of the episode 3 Little Birds by Bob Marley.
42:32
It was released on the Exodus album in 1977.
42:36
And So what made me get there was there's a song called
42:41
Revolution Rock next to last song on London Calling.
42:46
And it again has a reggae sound to it.
42:50
And there's a lyric from Revolution Rock that says, tell
42:54
your ma, tell your Pennsylvania, everything's going to be all
42:57
right. And I'm like, OK, immediately
43:00
went to Bob Marley. Don't worry, you know about a
43:05
thing because every little thing's going to be all right.
43:08
And so 3 Little Birds is the actual name of the song.
43:12
And again, fun, happy, like good to listen to when you're down.
43:18
Because again, like, hey, every, everything's going to be all
43:22
right. So I'm talking about 3 Little
43:25
Birds, so I will. So London Calling made me think
43:31
to talk about songs that make you think of other signs and I
43:33
did get a listen to the song because of London Calling.
43:37
London Calling always makes me think of London from Third Eye
43:43
Blind, which is a whole song about not wanting to go to
43:47
London. So any time I hear London
43:50
Calling, all I can think of is don't want to go to London as if
43:56
they're talking to one another. So that brings us to a close,
44:03
but we have to talk about our next album.
44:08
I guess before next album. Again, a reminder, we do have
44:12
socials Barber cuts pod out there.
44:16
So comments go like the photos also give us a a rating on the
44:23
podcast where we are those, I think, help.
44:27
And then you can also e-mail us Barbara cuts pod@gmail.com.
44:32
So now that we've done our podcast, Obligatory now, next
44:38
album. I'm scared about this one.
44:40
I'm scared our next one, you're going to be excited.
44:44
Oh, someone's Our next one is Purple Rain by Prince and the
44:49
Revolution. Yeah.
44:52
I'm scared. This is a good one.
44:54
But I'm not scared. I'm scared because I have no
44:58
idea what what to expect. I know the song Purple Rain, but
45:04
I'm I'm so white, if you will, for Prince.
45:09
So, so it's funny because yesterday Mama Barbara and I
45:14
were out walking and and I was like, OK, have you know, this
45:22
album really came out in in American in 1980 and I was like,
45:27
what? And I was trying to think and it
45:29
was going back to your forget not slow down about the the
45:35
album. It's like, OK, this is now my
45:37
music. And I was like, OK, what, why,
45:41
why do I kick start really in early 90s with Pearl Jam,
45:45
Nirvana as my music and, you know, 16 some odd years old then
45:51
like, why did I skip the 80s? Like, and, and I was trying to
45:57
think it's like, because most of the time I can't think of a lot
45:59
of 80s music that I like that I really like.
46:03
When I tell people, I I tell people like you went straight
46:08
from like 70s Hard Rock to grunge.
46:12
Yeah, and and so I did not have. Any in between?
46:16
Yeah, and and so there's bits and pieces obviously of 80s
46:19
music that I like. I didn't hate all of it, but,
46:24
you know, use like Purple Rain. Never thought of French
46:26
yesterday in that conversation of 80s music I like.
46:29
This you like, Prince? I I OK spoiler spoiler alert I I
46:33
like this album so. Mama Barber.
46:36
Yeah, Mama. This is a This is This is a good
46:38
album. I'll be interested to see your
46:41
take. So I'll be too spoiled so, but
46:44
yeah, I liked it. I'm excited cuz this is one of
46:47
the first that has such. It's such a big name that I know
46:52
nothing about really, so I'm excited and scared.
46:56
So Purple Rain by Prince, 1984. So I'm not sure how many 80s
47:02
albums we've had, but that's a good cliffhanger.
47:06
So TuneIn next week, and I'll tell you how many 80s albums
47:12
we've listened to thus far. And we'll figure out if I like
47:17
Prince or not. Disappoint my music people are
47:19
not. Yeah.
47:20
Oh, it's going to be. What's it going to be?
47:23
What's it going? To be, but until then.
47:25
Yes. Until then, I'm done.
47:28
And I'm Riley, and this is with another episode of Firework
47:31
Cuts.