Latest / Crosswalk Talk: Celebrity Christian Interviews / From Nickelodeon to Faith-Driven Animation: Butch Hartman Explains the Urgency
Transcript
- 0:02Speaker 1: Life Audio.
- 0:04Speaker 2: Hey Boch, thanks for joining me absolutely, Michael, thanks for
- 0:08Speaker 2: having me on to that.
- 0:08Speaker 3: I appreciate it. Animator Butch Hartman as our guest today.
- 0:11Speaker 3: He's known for such a Nickelodeon classics such as The
- 0:15Speaker 3: Fairly Odd Parents and Danny Phantom, and for a faith
- 0:19Speaker 3: based series, The Garden Cartoon. That's kind of how I
- 0:21Speaker 3: got to know you.
- 0:22Speaker 1: Really good.
- 0:22Speaker 3: Butch, of course, but also is a Christian, which is
- 0:26Speaker 3: why we have him on. He has a new studio,
- 0:28Speaker 3: Butch Hartman Studios, with exciting goals and an exciting future.
- 0:32Speaker 3: But I want to kind of catch people up for
- 0:34Speaker 3: who you are. For those who are just learning about you,
- 0:37Speaker 3: tell us about your background, tell us what got you
- 0:39Speaker 3: started in the animation world in the first place, and
- 0:42Speaker 3: what led you into this values driven space.
- 0:46Speaker 1: Well, thanks Michael so much. I'm so glad to be here.
- 0:48Speaker 2: And I was born on the planet Krypton and I
- 0:51Speaker 2: was rocketed here as a youth in a rocket ship
- 0:54Speaker 2: where I gained powers under the yellow sun of Earth. Now, okay,
- 0:58Speaker 2: now I'm actually from Michigan, was kind of like the
- 1:00Speaker 2: planet Krypton, but grew up in Michigan and in nineteen
- 1:04Speaker 2: eighty three, I came out to California to go to
- 1:06Speaker 2: cal Arts, which is an animation school.
- 1:08Speaker 1: It's actually an art school founded by Walt Disney.
- 1:10Speaker 2: But I discovered this magical place called California with this
- 1:13Speaker 2: amazing art school, and I decided to go there. Didn't
- 1:16Speaker 2: know the first thing about Disney Studios as far as
- 1:18Speaker 2: getting in.
- 1:19Speaker 1: How am I going to do this?
- 1:20Speaker 2: But it was really the only school, and then the
- 1:22Speaker 2: country that taught animation at the time went there, ended
- 1:25Speaker 2: up learning more from the other my fellow students. I
- 1:28Speaker 2: died from the teachers, great teachers, but we all just
- 1:30Speaker 2: hung out and immersed ourselves in animation and nerdiness and
- 1:33Speaker 2: all that stuff. And slowly but surely I would get
- 1:36Speaker 2: one job after another in the industry from the eighties
- 1:38Speaker 2: and nineties, and started creating shows for Nickelodeon in the
- 1:42Speaker 2: late nineties early two thousands and Fairly Out in Parents
- 1:45Speaker 2: was my first one, and then I created Danny Phantom,
- 1:48Speaker 2: and then Tough Puppy, and then Bunsen is a Beast,
- 1:50Speaker 2: and now we're doing a Christian show called The Garden Cartoon.
- 1:54Speaker 3: That's a good summary there. Now you worked on more
- 1:56Speaker 3: than one hundred and fifty episodes of The Fairly Outparents.
- 1:59Speaker 3: For those who don't know what an animator does, I
- 2:01Speaker 3: think it's probably most people. What specifically does an animator
- 2:05Speaker 3: do for working on a specific episode? Are you working
- 2:09Speaker 3: on one scene in the episode? Are working on the
- 2:12Speaker 3: entire show? Are you writing the scripts? What did you
- 2:15Speaker 3: do exactly on one of those episodes?
- 2:17Speaker 1: Such a great question.
- 2:18Speaker 2: I did a little bit of everything, and I still do.
- 2:21Speaker 1: Just refer to simplify it.
- 2:23Speaker 2: For everybody doing a cartoons like kind of like building
- 2:25Speaker 2: a car, some people put the wheels on, some people
- 2:27Speaker 2: put the engine in, some people put the doors on.
- 2:30Speaker 2: A cartoons the same way. Some people will do the
- 2:32Speaker 2: character design, like Batman back here in my room there,
- 2:35Speaker 2: and somebody.
- 2:36Speaker 1: Will design his costume.
- 2:37Speaker 2: But then someone will design the car, and then somebody
- 2:39Speaker 2: will paint the bat cave, which is basically the set.
- 2:41Speaker 2: You know, we say people doing backgrounds, which are the sets,
- 2:44Speaker 2: the characters, which are like casting a movie, and then
- 2:47Speaker 2: voice actors come in and provide the voices, but they
- 2:49Speaker 2: all have to have a script to go off of,
- 2:51Speaker 2: so that script has to be written down. So I
- 2:53Speaker 2: was part of the writing team, and I had a
- 2:55Speaker 2: great staff for writers, great staff of artists to great
- 2:58Speaker 2: staff of I had a wonderful musician, Guy Mood, who
- 3:01Speaker 2: did my music for me. And that's every episode has
- 3:03Speaker 2: to have all those pieces in it. So once you
- 3:05Speaker 2: get one episode done, the conveyor belt keeps going, and
- 3:07Speaker 2: you do another episode and another, and the show's a
- 3:09Speaker 2: hit and runs for many years. You're doing it over
- 3:12Speaker 2: and over and over again as the years go by.
- 3:14Speaker 3: Now you are You and I are both old enough
- 3:17Speaker 3: to have done hand drawn animation. I don't think meter
- 3:19Speaker 3: animation existed. Computer animation did not exists in the eighties.
- 3:22Speaker 3: I don't think so. Yeah, what type of animation are
- 3:24Speaker 3: we talking about for your career?
- 3:27Speaker 2: Most of my career was spent doing hand drawn stuff,
- 3:29Speaker 2: like you said, on paper, pencil, markers, ink.
- 3:32Speaker 1: And paint, that type of stuff.
- 3:34Speaker 2: And people would actually paint things with paint brushes and
- 3:37Speaker 2: dead and brushes and ink and paint like that, and
- 3:40Speaker 2: they still do. That has not gone away. But now
- 3:42Speaker 2: when you have things like this like an iPad. You
- 3:45Speaker 2: got my iPad here, If I want to do a
- 3:47Speaker 2: digital drawing, I never run out of colors this ever,
- 3:49Speaker 2: where I never have to go buy another marker set
- 3:51Speaker 2: or inks or anything. It's all right here, but then
- 3:54Speaker 2: you kind of lose that traditional quality of having an
- 3:56Speaker 2: actual physical here's like a sketch pad I have here,
- 3:59Speaker 2: actually use that physical one of a kind and feel
- 4:01Speaker 2: with an actual piece of art that way.
- 4:04Speaker 1: But they still need people like us to draw, you know.
- 4:08Speaker 2: To design stuff originally, because they're not going to spend
- 4:10Speaker 2: twenty billion dollars on a movie until you draw it
- 4:12Speaker 2: up and sketch it on you know, your little notebook
- 4:15Speaker 2: and see if characters, if they like the characters are
- 4:17Speaker 2: like the story. So all computers have really done is
- 4:20Speaker 2: become tools to make things get done faster.
- 4:23Speaker 3: Looking back on your time in Nickelodeon, were there are
- 4:25Speaker 3: moments when your faith felt in conflicts with demands of
- 4:29Speaker 3: what you were doing?
- 4:30Speaker 1: And how did you navigate those?
- 4:32Speaker 3: Oh?
- 4:32Speaker 2: Thanks for asking. I got saved in the year two
- 4:35Speaker 2: thousand when I was thirty five years.
- 4:37Speaker 1: Old, and I had lived most of.
- 4:39Speaker 2: My life without believing who Jesus was or knowing who
- 4:42Speaker 2: Jesus was. And then when I sold fairly on parents
- 4:45Speaker 2: like right when I sold it to Nickelodeon, I became
- 4:48Speaker 2: say I got saved and love the Lord start following
- 4:50Speaker 2: the Lord, and so I was living in a secular world,
- 4:53Speaker 2: working in a secular world, but having a navigated like
- 4:55Speaker 2: a Christian the Bible tells us to be. Why is
- 4:57Speaker 2: the serpents and harmless as doves? You know, I couldn't
- 5:00Speaker 2: just start making shows about Christianity. No one's going to
- 5:04Speaker 2: make a show like that in Hollywood. I made right
- 5:06Speaker 2: off the bat, And so I would just try and
- 5:08Speaker 2: put Christian values in my stuff, you know, happiness, joy, love, peace,
- 5:11Speaker 2: that kind of thing. But behind the scenes, I was
- 5:14Speaker 2: always like trying to encourage people, lift them up. I
- 5:17Speaker 2: know I'm not perfect, I never was, but I tried to.
- 5:20Speaker 2: My heart and my values were changing.
- 5:22Speaker 1: The entire time I was making the show.
- 5:25Speaker 2: Certain jokes I would make when I first got saved,
- 5:27Speaker 2: I wouldn't make later on as my walk with Jesus increased,
- 5:30Speaker 2: you know, because when you're with the Lord, you're going
- 5:33Speaker 2: to become more a reflection of him. You're going to
- 5:35Speaker 2: be more like him, as a Christian means means christ like.
- 5:37Speaker 2: So my words would change, my thoughts would change, jokes
- 5:40Speaker 2: I would make. I didn't make anymore things I would say.
- 5:42Speaker 2: I didn't say anymore things I would do. Hey, let's
- 5:45Speaker 2: all go out after work. I wouldn't do things like
- 5:46Speaker 2: that anymore.
- 5:47Speaker 1: You know, stuff like that.
- 5:48Speaker 2: My life started changing, my heart started changing, and so
- 5:51Speaker 2: my value started changing a lot. So it was really
- 5:54Speaker 2: a lot of temptations in Hollywood, a lot of temptations
- 5:56Speaker 2: in the world do matter where you go. But I
- 5:59Speaker 2: really was great grateful that I had the Lord to
- 6:01Speaker 2: lean on during that time.
- 6:03Speaker 3: Tell me why you wanted to start and why you
- 6:06Speaker 3: wanted to launch into values driven entertainment. What did you
- 6:09Speaker 3: see as the need right now in society for that?
- 6:13Speaker 2: I think we all know what the need is. I
- 6:14Speaker 2: think it's a very different place. I mean not saying
- 6:17Speaker 2: Hollywood's ever been a center of morality, and by the way,
- 6:22Speaker 2: I'm not the most moral person ever.
- 6:23Speaker 1: That's why I need a savior.
- 6:25Speaker 2: But I will say this, there's a lot of kids
- 6:27Speaker 2: that won't walk into a church ever, but they have
- 6:29Speaker 2: an iPhone in their hand and something has to go
- 6:31Speaker 2: in that screen. And it's my job as a creator
- 6:34Speaker 2: and a filmmaker at a cartoonist as to what I'm
- 6:37Speaker 2: going to put on that screen.
- 6:38Speaker 1: So what do I put on that screen?
- 6:39Speaker 2: Am I going to put in something that's detrimental to
- 6:41Speaker 2: that child's wellbeing or am I going to put something
- 6:43Speaker 2: else going to make them laugh and give them hope
- 6:45Speaker 2: and give them joy. So now knowing, do they want
- 6:47Speaker 2: to watch it again? But maybe when they're an adult
- 6:50Speaker 2: and those traumatic moments said, maybe they can lean back
- 6:52Speaker 2: on something they learned as a kid and it will
- 6:54Speaker 2: help them. And that's what I want to do because
- 6:57Speaker 2: I learned a lot from you know, listen, television shaped
- 6:59Speaker 2: me growing up. I grew up in the seventies and
- 7:01Speaker 2: I'm not saying TV was perfect back then, but you
- 7:04Speaker 2: didn't get nearly as exposed to as much dark stuff
- 7:07Speaker 2: back then as you do.
- 7:08Speaker 1: Now.
- 7:09Speaker 3: Amen to that. Let's talk about your new studio, which
- 7:12Speaker 3: Hartman Studios. What types of projects are you going to
- 7:15Speaker 3: make with it, and what should people look forward to?
- 7:18Speaker 2: Well, thank you, it's amazing. They were opening up which
- 7:21Speaker 2: Heartman Studios, and I auditioned and got the job. It
- 7:23Speaker 2: was crazy. I didn't think that. I couldn't believe I
- 7:27Speaker 2: got it. No, you know, it takes a lot to
- 7:29Speaker 2: open up your own studio. And we started off with
- 7:32Speaker 2: a garden cartoon. It was a cartoon I developed during
- 7:35Speaker 2: my time in Nickelodeon, but I never made it at
- 7:37Speaker 2: a Kelodion, of course. So when I left Ickelodeon in
- 7:39Speaker 2: twenty eighteen, I decided to make The Garden cartoon, which
- 7:42Speaker 2: is about a little lion named Lenny a little lamb
- 7:45Speaker 2: named Lucian. Together they live and work in a miraculous
- 7:47Speaker 2: garden where anything can grow. And God comes down as
- 7:50Speaker 2: a rainbow and talks to them every day and gives
- 7:52Speaker 2: them an assignment and as sue that assignment, and through
- 7:54Speaker 2: an original song or a scripture, they learned how to
- 7:56Speaker 2: do the assignment better. It's really funny. We started with
- 7:58Speaker 2: funny first. His kids want to want something entertaining and oh,
- 8:02Speaker 2: by the way, there's scripture in it too. So The
- 8:04Speaker 2: Garden's doing really well. It's actually on Angel Studios right now.
- 8:07Speaker 2: We just signed an exclusive deal for season two an
- 8:09Speaker 2: Angel Studio, so that's on as well. It's going to
- 8:12Speaker 2: be so exciting. But now we got some brand new
- 8:14Speaker 2: shows I'm doing. I got one idea I want to
- 8:16Speaker 2: do that. We're doing a half hour special.
- 8:19Speaker 1: Now.
- 8:19Speaker 2: I love the story of Noah's Ark, but I thought,
- 8:21Speaker 2: what if we took the TV show The Office and
- 8:23Speaker 2: put it inside Noah's Ark because like they're on the
- 8:26Speaker 2: arc for forty days and forty nights.
- 8:28Speaker 1: Noah, his wife, a ton of talking animals. What went
- 8:30Speaker 1: on in there?
- 8:31Speaker 2: It's like, well, Company Picnic Friday, why they're permitting still raining?
- 8:36Speaker 2: I guess the Company Picnic's canceled? All right, what are
- 8:37Speaker 2: we going to do today, guys? And so that show
- 8:40Speaker 2: is called two by two and I'm excited about that.
- 8:42Speaker 2: So that's kind of an older kid audience for that one,
- 8:46Speaker 2: like maybe twelve to eighteen. And then we're doing one
- 8:48Speaker 2: called Apossom Paul, where there's a little apossum who goes
- 8:51Speaker 2: around the land of Judea and talks about Jesus, and
- 8:54Speaker 2: that's for younger kids.
- 8:56Speaker 1: He's an en and he gets.
- 8:57Speaker 2: When he gets maybe hit the head and knocked down,
- 9:00Speaker 2: he plays dead because he plays possum.
- 9:02Speaker 1: And so Apossum Paul's another one we want to do.
- 9:04Speaker 2: And then we were another one about three little dragons
- 9:07Speaker 2: that are making fast food and a town run by
- 9:10Speaker 2: the greasy, terrible Cornhog who wants to just float the town.
- 9:13Speaker 1: With grease and is disgusting pigfigs. His name is the
- 9:16Speaker 1: corn Hoog.
- 9:16Speaker 2: So the three little Dragon is named Smoky, Spicy and Stewy.
- 9:20Speaker 2: Smoky breathes fire, he makes the hamburger's spicy breaths hot sauce,
- 9:24Speaker 2: he makes the tacos, and Stewy breathes stell and ice
- 9:26Speaker 2: as she makes the milkshakes. And so they have their
- 9:29Speaker 2: fresh food, and of course the cornhog wants to destroy them.
- 9:32Speaker 2: So the show is called Dragon Drive Through. And that's
- 9:34Speaker 2: another one that we're doing. And these are all for
- 9:36Speaker 2: family friendly audiences. You know, we mentioned God in them.
- 9:39Speaker 2: They're not straight up you know, Christian shows about the Bible,
- 9:42Speaker 2: but they are full of family values. Were full of
- 9:44Speaker 2: fun and enjoyment for everybody.
- 9:55Speaker 3: What does animation do that live action cannot? In other words,
- 9:59Speaker 3: how can why? How does animation communicate it to a child?
- 10:03Speaker 3: Maybe that other types of genres do not communicate. Why
- 10:06Speaker 3: are you so passionate about animation?
- 10:10Speaker 2: Oh? I love animation simply because there's so many things
- 10:12Speaker 2: you can do in animation and you can't do in
- 10:14Speaker 2: live action. They can do it faster. I think animation
- 10:17Speaker 2: really gives you a chance to really go into your
- 10:18Speaker 2: imagination and just do whatever.
- 10:21Speaker 1: Comes to mind.
- 10:22Speaker 2: You know, if I wanted to do an episode of
- 10:24Speaker 2: fairly on parents. I could just draw Timmy Turner wishes
- 10:27Speaker 2: for something.
- 10:28Speaker 1: Which just for an elephant, Boom, an elephant shows up.
- 10:30Speaker 2: But if I did a live action fairly on parents,
- 10:32Speaker 2: then took like a real physical magic wand like this
- 10:34Speaker 2: one here, and I wished up an elephant, I'd have
- 10:36Speaker 2: to go rent an elephant, get the elephant wrangler, have
- 10:39Speaker 2: the elephant come in, have them waiting off set.
- 10:42Speaker 1: Ready for the elephant, bring the elephant in. Your writing
- 10:47Speaker 1: is very.
- 10:47Speaker 2: Limited when it comes to live action because the real
- 10:49Speaker 2: world is a lot harder to maneuver through than a
- 10:51Speaker 2: piece of paper with a pencil on.
- 10:53Speaker 1: It or an iPad, if you will.
- 10:55Speaker 2: So animation is a lot and for me a lot
- 10:57Speaker 2: more fun to do because I could really do a
- 10:58Speaker 2: lot more.
- 11:00Speaker 3: Well, what strikes me though, but just that we don't
- 11:02Speaker 3: have a ton of animation in the faith genre. We
- 11:05Speaker 3: have some, but it seems like we have like live
- 11:07Speaker 3: action dominates.
- 11:08Speaker 1: Why is that?
- 11:09Speaker 3: Is it just hard hard to do? Is it expensive?
- 11:13Speaker 3: Is it? I think talent?
- 11:15Speaker 1: That's such a great question. You know.
- 11:17Speaker 2: I was just at NRB this weekend, our last week
- 11:20Speaker 2: that National Religious Broadcasters can Mention in Nashville and they
- 11:25Speaker 2: are about five hundred booths there, of all these different
- 11:27Speaker 2: podcasts and TV shows and movies and apps and all
- 11:30Speaker 2: this stuff. We were one of the only kids booths there.
- 11:33Speaker 2: There's very little kids entertainment in the Christian marketplace, and
- 11:38Speaker 2: I think it's because, quite honestly, kids isn't taken as
- 11:41Speaker 2: seriously as it should be.
- 11:43Speaker 1: And I am here to prevent that.
- 11:45Speaker 2: I'm here to say kids do not think, not that
- 11:48Speaker 2: the Christians don't love kids, but when it comes to
- 11:50Speaker 2: the kids entertainment, it's not taken as seriously, quite frankly,
- 11:53Speaker 2: because most people don't do it, like you said, most
- 11:55Speaker 2: people don't think it is as serious. People would rather
- 11:59Speaker 2: make like a Dave movie or Apostle Paul movie, which
- 12:03Speaker 2: are fine movies to make, or they call them a
- 12:05Speaker 2: Sand and Sandals movie. They want to make these Bible movies,
- 12:08Speaker 2: and that's wonderful and they're great, But then we're forgetting
- 12:11Speaker 2: the kids over here and listen, I'd rather start feeding
- 12:15Speaker 2: the kids now while they're young, so that later on.
- 12:17Speaker 2: Because I'm a pastor, I deal with a lot of
- 12:19Speaker 2: adult set of a lot of childhood trauma.
- 12:21Speaker 1: I'm trying to deal.
- 12:22Speaker 2: With a lot of maybe I'd rather feed the kids
- 12:25Speaker 2: now so they don't become adults with a lot of
- 12:27Speaker 2: childhood trauma. You know, Let's get them while they're early,
- 12:29Speaker 2: because the enemy's going after them while they're young as well.
- 12:33Speaker 3: And there's lots of animation on different platforms that I
- 12:38Speaker 3: have to mention that include adult themed content that included
- 12:41Speaker 3: unbiblical worldviews. I think that's one thing we have to
- 12:44Speaker 3: consider higher is in.
- 12:45Speaker 2: Big Yeah, you're exactly right. You know, the biblical worldview
- 12:50Speaker 2: these days is not a popular one. It never has
- 12:52Speaker 2: been popular. Jesus says in the Bible, if the world
- 12:55Speaker 2: hates you, don't worry, because it hated me first.
- 12:57Speaker 1: You know. If you're if you're of the world, you're
- 13:00Speaker 1: not of me. That's what Jesus says.
- 13:02Speaker 2: And so when we're doing when we're doing things for
- 13:04Speaker 2: Him and the world isn't agreeing with us, we're doing
- 13:07Speaker 2: something right. Matthew five eleven says, blessed to you, and
- 13:10Speaker 2: they were violent, curse you for my namesake, and they
- 13:13Speaker 2: you know, they mock and revalue. It means blessed are
- 13:16Speaker 2: you when they do that, when they when they revalue
- 13:19Speaker 2: from my namesake. Jesus says you're doing something right, You're blessed.
- 13:22Speaker 2: So our job is to go into the dark places
- 13:26Speaker 2: in the entertainment world or the world in general, and
- 13:28Speaker 2: try and be that little light, that little firefly if
- 13:30Speaker 2: we can, and and light light the darkness. And so
- 13:33Speaker 2: I want shows that many people laugh. I want shows
- 13:35Speaker 2: that anybody can watch. I want I want shows that
- 13:38Speaker 2: don't embarrass people. I want shows that can And by
- 13:41Speaker 2: the way, here's the important thing. I want these shows
- 13:44Speaker 2: to make a ton of money so we can make
- 13:46Speaker 2: more shows, because it all comes down to finances. It
- 13:49Speaker 2: all comes down to what can we fund, right, And
- 13:52Speaker 2: that's why a lot of people in the Christian world
- 13:55Speaker 2: they don't want to fund a lot of it. They
- 13:56Speaker 2: want to fund all these big movies, which are fine,
- 13:59Speaker 2: but sometimes they don't have the Hollywood level of quality
- 14:02Speaker 2: that's necessary to be competitive. I bring that Hollywood level
- 14:05Speaker 2: of quality to the animation that I do.
- 14:08Speaker 3: Yeah, what we used to be able to sit our
- 14:10Speaker 3: kids in front of Disney Cartoon Network and PBS and
- 14:15Speaker 3: let them watch it and not have to worry about it.
- 14:17Speaker 1: That's no longer the case.
- 14:18Speaker 3: I'm really grateful that you are doing what you're doing.
- 14:23Speaker 3: Let's same subjects sub briefly before we close here. You
- 14:25Speaker 3: also lead the Lion and the Lamb Foundation, which is
- 14:29Speaker 3: a nonprofit supporting entertainment that inspires the next generation. You
- 14:34Speaker 3: also run Goods Hartman Art Academy. That's something else, but
- 14:38Speaker 3: before we close, tell us about those two endeavors and
- 14:41Speaker 3: maybe what people should know about those.
- 14:43Speaker 2: You are so kind, Michael, Thank you, Britch Harvard Art Academy.
- 14:46Speaker 2: I have a ton of online courses that teach you
- 14:48Speaker 2: not only how to draw, but how to write and
- 14:51Speaker 2: how to produce and how to navigate.
- 14:53Speaker 1: The entertainment industry.
- 14:54Speaker 2: Anyone can teach you how to draw, but everybody can
- 14:56Speaker 2: teach you how to navigate the entertainment industry. The guy
- 14:59Speaker 2: who runs Disney Studios who doesn't draw a thing, makes
- 15:02Speaker 2: a lot more money than the people that draw for
- 15:04Speaker 2: Disney Studios.
- 15:05Speaker 1: And I've been in the industry a.
- 15:06Speaker 2: Million years and I've seen a lot of people do
- 15:10Speaker 2: very well, but they don't really have the artistic talent
- 15:13Speaker 2: that all these other people working really hard to have either.
- 15:15Speaker 2: So I want to show there's guys my age that
- 15:18Speaker 2: are living paycheck to paycheck because they didn't know how
- 15:20Speaker 2: to handle their business. They could handle their art really well,
- 15:23Speaker 2: but not the business end. So my job is to
- 15:25Speaker 2: teach people how to make it in the business world
- 15:27Speaker 2: of entertainment. That's what I want to do. In fact,
- 15:29Speaker 2: I have a brand new seminar coming out in March,
- 15:31Speaker 2: March thirteenth and fourteenth. It's called Hartcon for Borch Hartman.
- 15:35Speaker 2: It's in Calabasas, California. You can sign up now. But
- 15:38Speaker 2: I'm bringing artists, writers, producers, directors, and voice actors for
- 15:42Speaker 2: two days to teach you what it takes to make
- 15:45Speaker 2: it in the industry. And I really want you to
- 15:47Speaker 2: come to that. And Line and Lamb Foundation is my
- 15:50Speaker 2: nonprofit foundation where if you want to donate to that,
- 15:52Speaker 2: you can support us and what we're doing. And I
- 15:54Speaker 2: think that'd be a lot of fun too. So it's
- 15:56Speaker 2: Line and Lambfoundation dot org because we need your support
- 16:00Speaker 2: if we're going to get this off the ground.
- 16:02Speaker 3: And Butch Hartman Studios is Butch Hartman Studios dot com.
- 16:05Speaker 3: Answer that is h A R T M M A
- 16:08Speaker 3: N or M O N M A N.
- 16:10Speaker 2: Buch Harmamn Butch hart Man, Butchartman Studios doc.
- 16:13Speaker 1: I see I say that I'm the art maan, Butch
- 16:15Speaker 1: Hartman the art man. That's what I say. I'm trying
- 16:17Speaker 1: easy to remember.
- 16:18Speaker 3: Hey, Butch always heard dog and see you.
- 16:20Speaker 1: Thanks so much, Michael, thank you for having me on.
- 16:22Speaker 1: That's a bluffing.
- 16:25Speaker 3: If you like today's episode, please subscribe and leave a
- 16:27Speaker 3: five star review. That's how we help more people just
- 16:30Speaker 3: like you find the show. A big thanks to the
- 16:33Speaker 3: team at life Audio for their partnership with us on
- 16:36Speaker 3: the podcast. If you go to life audio dot com,
- 16:38Speaker 3: you will find dozens of other faith centered podcasts in
- 16:41Speaker 3: their network.
- 16:43Speaker 1: See you next time.