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Shakespeare Monologues Collection vol 07 - William Shakespeare · Twelfth Night - William Shakespeare

• 0:02
  Speaker 1: All the world's the stage from As You Like It
• 0:06
  Speaker 1: at one, Scene seven by William Shakespeare. This is a
• 0:10
  Speaker 1: LibriVox recording. For more information or to volunteer, please visit
• 0:14
  Speaker 1: LibriVox dot org. Recording by Alexander Hasten. All the world's
• 0:24
  Speaker 1: the stage, and all the men and women merely players.
• 0:29
  Speaker 1: They have their exits and their entrances. And one man
• 0:32
  Speaker 1: in his time plays many parts, his acts being seven ages.
• 0:38
  Speaker 1: First the infant, muling and puking in the nurse's arms,
• 0:42
  Speaker 1: and then the whining schoolboy with a satchel and shining
• 0:45
  Speaker 1: morning face, creeping like snail unwillingly to school. And then
• 0:50
  Speaker 1: the lover, sighing like furnace with a woeful ballad made
• 0:55
  Speaker 1: to his mistress's eyebrow. Then a soldier full strange uls
• 1:01
  Speaker 1: and bearded like the pard, jealous in honor, sudden and
• 1:04
  Speaker 1: quicken quarrel, seeking the bubble reputation even in the cannon's mouth.
• 1:10
  Speaker 1: And then the justice in fair round belly with good
• 1:14
  Speaker 1: cap and lined with ice, severe and beard of formal cup,
• 1:19
  Speaker 1: full of wise saws and modern instances. And so he
• 1:23
  Speaker 1: plays his part. The sixth age shifts into the lean
• 1:27
  Speaker 1: and slippered pantaloon with spectacles and nose and pouch on side.
• 1:32
  Speaker 1: His youthful hose well saved a world too wide for
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  Speaker 1: his shrunk shank, and his big manly voice, turning again
• 1:40
  Speaker 1: toward childish trouble pipes and whistles in his sound last
• 1:47
  Speaker 1: scene of all that ends this strange, eventful history, his
• 1:52
  Speaker 1: second childishness and mere oblivion, sans teeth, sans eyes, sans taste, sounds,
• 2:01
  Speaker 1: everything end off. All the world's a stage from As
• 2:08
  Speaker 1: You Like It, Act one, scene seven. This recording is
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  Speaker 1: in the public domain.
• 2:22
  Speaker 2: Come on, Norissa, from The Merchant of Venice, Act three,
• 2:26
  Speaker 2: Scene four by William Shakespeare. This is a LibriVox recording.
• 2:32
  Speaker 2: For more information or to volunteer, please visit LibriVox dot org.
• 2:39
  Speaker 2: Recording by Charlene V. Smith. Come on, Norissa, I have
• 2:46
  Speaker 2: work in hand that you yet know.
• 2:48
  Speaker 3: Not all.
• 2:49
  Speaker 2: We'll see our husbands before they think of us, but
• 2:52
  Speaker 2: in such a habit that they shall think we are
• 2:54
  Speaker 2: accomplished with that we lack. I'll hold thee any wager
• 3:00
  Speaker 2: when we have both accoutered like young men. I'll prove
• 3:03
  Speaker 2: the prettier fellow of the two, and wear my dagger
• 3:07
  Speaker 2: with a brave of grease, and speak between the change
• 3:10
  Speaker 2: of man and boy with a reed voice, and turn
• 3:13
  Speaker 2: two mincing steps into a manly stride, and speak a
• 3:18
  Speaker 2: phrase like a fine bragging youth, and tell quaint lies
• 3:22
  Speaker 2: how honorable ladies sought my love, which are denying. They
• 3:27
  Speaker 2: fell sick and died. I could not do with all.
• 3:31
  Speaker 2: Then I'll repent and wish for all that that I
• 3:34
  Speaker 2: had not killed them. And twenty of these puny lies,
• 3:38
  Speaker 2: I'll tell that men shall swear I've discontinued school above
• 3:42
  Speaker 2: a twelvemonth. I've within my mind a thousand raw tricks
• 3:45
  Speaker 2: of these bragging jacks, which I will practice. But come,
• 3:51
  Speaker 2: I'll tell thee all my whole device, when I am
• 3:52
  Speaker 2: in my coach, which stays for us at the park gate.
• 3:56
  Speaker 2: And therefore haste away, for we must measure twenty miles
• 3:59
  Speaker 2: to day end of Come on Nerissa from The Merchant
• 4:05
  Speaker 2: of Venice, Act three, Scene four. This recording is in
• 4:09
  Speaker 2: the public domain. Recording by Charlene V.
• 4:13
  Speaker 4: Smith Even or odd of all Days in the year
• 4:22
  Speaker 4: Nurses monologue from Romeo and Juliet, Act one, seene three
• 4:27
  Speaker 4: by William Shakespeare. This is a LibriVox recording. For more
• 4:32
  Speaker 4: information or to volunteer, please visit LibriVox dot org. Recording
• 4:39
  Speaker 4: by Ruth Golding. Even or odd of all days in
• 4:45
  Speaker 4: the year, come lamousye at night shall she be fourteen?
• 4:49
  Speaker 4: Susan and she God rest all Christian souls were of
• 4:53
  Speaker 4: an age. Well, Susan is with God. She was too
• 4:57
  Speaker 4: good for me. But as I said on La, I
• 5:00
  Speaker 4: must eve at night shall she be fourteen? That shall
• 5:03
  Speaker 4: she marry? I remember it well, tis since the earthquake
• 5:08
  Speaker 4: now eleven years, and she was weaned. I never shall
• 5:12
  Speaker 4: forget it of all the days of the year. Upon
• 5:14
  Speaker 4: that day, for I had then laid wormwood to my
• 5:18
  Speaker 4: dog sitting in the sun under the dove house wall.
• 5:22
  Speaker 4: My lord and you were then at Mantua. Nay, I
• 5:25
  Speaker 4: do bear a brain. But as I said, when it
• 5:28
  Speaker 4: did taste the wormwood on the nipple of my dog
• 5:30
  Speaker 4: and felt it bitter, pretty fool to see it tetchy
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  Speaker 4: and fall out with the dog shake quoth the dove house,
• 5:40
  Speaker 4: twas no need I trow to bid me trudge. And
• 5:44
  Speaker 4: since that time it is eleven years. For then she
• 5:48
  Speaker 4: could stand alone. Nay, by the rude she could have
• 5:51
  Speaker 4: run and modeled all about for even the day before
• 5:54
  Speaker 4: she broke her brow. And then my husband, God be
• 5:58
  Speaker 4: with his soul, he was a merry man, took up
• 6:02
  Speaker 4: the child. Yea quoth he, dost thou fall upon thy face?
• 6:07
  Speaker 4: Thou wilt fall backward when thou hast more wit, wilt
• 6:11
  Speaker 4: thou not jewel? And by my holy Dame, the pretty
• 6:16
  Speaker 4: wretch left crying and said, aye, to see now how
• 6:22
  Speaker 4: a jestu'll come about? I warrant and I should live
• 6:26
  Speaker 4: a thousand years. I never should forget it. Wilt thou
• 6:29
  Speaker 4: not jewel? Quoth he, and pretty fool? It's stinted, and said, aye,
• 6:38
  Speaker 4: endeth even or odd of all days in the year.
• 6:41
  Speaker 4: From Romeo and Juliet at one scene three. This recording
• 6:46
  Speaker 4: is in the public domain. Fi fi un knit that
• 6:57
  Speaker 4: threatening unkind brow from The Taming of the Shrew, Act five,
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  Speaker 4: seen two by William Shakespeare. This is a LibriVox recording.
• 7:09
  Speaker 4: For more information or to volunteer, please visit LibriVox dot org.
• 7:15
  Speaker 4: Recording by Ruth Golding fi fi unknit that threatening unkind brow,
• 7:25
  Speaker 4: and dart not scornful glances from those eyes to wound
• 7:29
  Speaker 4: thy lord, thy King, thy governor it blots thy beauty,
• 7:34
  Speaker 4: as frosts to bite the meads, confound thy fame, as
• 7:39
  Speaker 4: whirlwinds shake fair buds, And in no sense is meet
• 7:43
  Speaker 4: or amiable. A woman moved is like a fountain, troubled, muddy, ill, seeming, thick,
• 7:52
  Speaker 4: bereft of beauty. And while it is so none so
• 7:57
  Speaker 4: dry or thirsty, will deign to sip or touch one
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  Speaker 4: drop of it. Thy husband is thy lord, thy life,
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  Speaker 4: thy keeper, thy head, thy sofvereign, one that cares for
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  Speaker 4: thee and for thy maintenance, commits his body to painful labor,
• 8:17
  Speaker 4: both by sea and land, to watch the night in storms,
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  Speaker 4: the day in cold, whilst thou liest warm at home,
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  Speaker 4: secure and safe, and craves no other tribute at thy
• 8:31
  Speaker 4: hands but love, fair looks, and true obedience. Too little
• 8:37
  Speaker 4: payment for so great a debt, such duty as the
• 8:43
  Speaker 4: subject owes the prince. Even such a woman oweth to
• 8:46
  Speaker 4: her husband. And when she is froward, peevish, sullen, sour,
• 8:52
  Speaker 4: and not obedient to his honest will, what is she
• 8:56
  Speaker 4: but a foul, contending, rebel, and graceless trait to her
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  Speaker 4: loving lord? I am ashamed that women are so simple
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  Speaker 4: to offer war where they should kneel for peace or
• 9:10
  Speaker 4: seek for rule, supremacy, and sway when they are bound
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  Speaker 4: to serve love and obey. Why are our bodies soft
• 9:19
  Speaker 4: and weak and smooth, unapt to toil and trouble in
• 9:23
  Speaker 4: the world, but that our soft conditions and our hearts
• 9:27
  Speaker 4: should well agree with our external parts. Come, come, you
• 9:32
  Speaker 4: froward and unable worms. My mind hath been as big
• 9:37
  Speaker 4: as one of yours, my heart as great. My reason
• 9:40
  Speaker 4: haply more to bandy word for word and frown for frown.
• 9:45
  Speaker 4: But now I see our lances are but straws, our
• 9:49
  Speaker 4: strength as weak, our weakness past. Compare that seeming to
• 9:54
  Speaker 4: be most, which we indeed least are. Then veil your
• 9:59
  Speaker 4: sl damas for it is no boot, and place your
• 10:03
  Speaker 4: hands below your husband's foot, in token of which duty,
• 10:08
  Speaker 4: if he please, my hand is ready, May it do
• 10:12
  Speaker 4: him ease? End of five five unknit that threatening unkind
• 10:19
  Speaker 4: brow from the Taming of the Shrew, Act five, Scene two.
• 10:25
  Speaker 4: This recording is in the public domain. Recording by Ruth Golding.
• 10:36
  Speaker 5: Friends Romans Countryman, lend me your ears from Julius Caesar,
• 10:42
  Speaker 5: Act three, Scene two by William Shakespeare. This is a
• 10:47
  Speaker 5: LibriVox recording. For more information or to volunteer, please visit
• 10:51
  Speaker 5: LibriVox dot org. Recording by Hattie Lennox. Friends, Romans, countrymen,
• 11:04
  Speaker 5: lend me your ears. I come to bury Caesar, not
• 11:09
  Speaker 5: to praise him. The evil that men do lives after them.
• 11:14
  Speaker 5: The good is oft inturid with their bones. So let
• 11:19
  Speaker 5: it be with Caesar. The noble Brutus hath told you
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  Speaker 5: that Caesar was ambitious. If it were so, it was
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  Speaker 5: a grievous fault, And grievously hath Caesar answered it here
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  Speaker 5: under leave of Brutus, and the rest. For Brutus is
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  Speaker 5: an honorable man. So are they all all honorable men?
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  Speaker 5: Come I to speak at Caesar's funeral. He was my friend,
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  Speaker 5: faithful and just to me. But Brutus says he was ambitious,
• 12:03
  Speaker 5: and Brutus is an honorable man. He hath brought many
• 12:09
  Speaker 5: captives home to Rome, whose ransoms did the general coffers fill?
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  Speaker 5: Did this in Caesar seem ambitious? When that the poor
• 12:19
  Speaker 5: have cried, Caesar hath wept. Ambition should be made of
• 12:23
  Speaker 5: sterner stuff. Yet Brutus says he was ambitious, and Brutus
• 12:32
  Speaker 5: is an honorable man. You all did see that on
• 12:37
  Speaker 5: the lupercal I thrice presented him a kingly crown, which
• 12:41
  Speaker 5: he did thrice refuse. Was this ambition, yet, Brutus says
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  Speaker 5: he was ambitious, and sure he is an honorable man.
• 12:53
  Speaker 5: I speak not to disprove what Brutus spoke, But here
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  Speaker 5: I am to speak what I do know. You all
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  Speaker 5: did love him once, not without cause.
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  Speaker 6: What cause withholds.
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  Speaker 5: You then to mourn for him? Oh judgment, Thou art
• 13:08
  Speaker 5: fled to British beasts and men have lost their reason.
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  Speaker 7: Bear with me.
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  Speaker 5: My heart is in the coffin there with Caesar, and
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  Speaker 5: I must pause till it come back to me. End
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  Speaker 5: of Friends, Romans, countrymen, lend me your ears from Julius Caesar,
• 13:31
  Speaker 5: Act three, Scene two. This recording is in the public domain.
• 13:36
  Speaker 5: Recording by Hattie Lennox.
• 13:43
  Speaker 8: For Our Lawrence's Herbs to men monologue from Romeo and
• 13:46
  Speaker 8: Juliet Act two, Scene three recorded for Theprobox dot Org
• 13:50
  Speaker 8: bysure to Goal. The gray eyed morn smiles on the
• 13:54
  Speaker 8: frowning night, checkering the eastern clouds with streaks of light
• 13:59
  Speaker 8: and fleckle darkness like a drunkard. Reels from Fourth Day's
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  Speaker 8: Path and Titan's fiery wheels. Now ere the sun advance's
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  Speaker 8: burning eye, the day to cheer, and night's dank dew
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  Speaker 8: to dry. I must upfill this outseer cage of hours
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  Speaker 8: with baleful weeds and precious juiced flowers. The earth is
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  Speaker 8: Nature's mother, is her tomb, what is her burying grave,
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  Speaker 8: That is her womb? And from her womb children of
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  Speaker 8: diverse kind. We sucking on her natural bosom, find many,
• 14:31
  Speaker 8: for many virtues excellent none, but for some, and yet
• 14:35
  Speaker 8: all different. Oh, Michael, is the powerful grace that lies
• 14:39
  Speaker 8: in herbs, plants, stones, and their true qualities. For not
• 14:44
  Speaker 8: so vile that on the earth doth live, but to
• 14:46
  Speaker 8: the earth some special good doth give, nor aught so good,
• 14:50
  Speaker 8: but strained from that fair use revolts from true birth.
• 14:54
  Speaker 8: Stumbling on abused virtue itself turns vice being misapplied, and
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  Speaker 8: vice sometimes by action dignified Within the infant rind of
• 15:05
  Speaker 8: this weak flower, poison hath residence and medicine power. For
• 15:10
  Speaker 8: this being smelt with that part cheers, each part being tasted,
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  Speaker 8: stays all senses with the heart. Two such opposed kings,
• 15:19
  Speaker 8: and camp them still in men as well as in herbs.
• 15:23
  Speaker 8: Grace and rude will and where the worser is predominant
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  Speaker 8: full soon the kinker death eats up that plant. End
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  Speaker 8: of monologue. Mist recordings in the public domain. For more
• 15:37
  Speaker 8: information or a volunteer, please visit libervox dot org.
• 15:48
  Speaker 9: Here is a knocking indeed from McBeth Act to Scene
• 15:51
  Speaker 9: three by William Shakespeare. This is a LibriVox recording. For
• 15:56
  Speaker 9: more information or to volunteer, please visit LibriVox dot org.
• 16:02
  Speaker 9: Recording by Tatiana. He is a knocking indeed. A man
• 16:13
  Speaker 9: will portal of the hell gate. He should have old
• 16:16
  Speaker 9: turning the key. Knock, knock, knock, who's there? In the
• 16:24
  Speaker 9: name of the Ilzebub. He's a farmer that hanged himself
• 16:30
  Speaker 9: on the expectation of plenty.
• 16:33
  Speaker 10: Come in time, have napkins enough about you for he
• 16:37
  Speaker 10: you sweat for? Knock knock? Who's there? In the Devil's name? Faith?
• 16:45
  Speaker 10: He is an equivocator that could swear in both the
• 16:49
  Speaker 10: scales against either scale who committed treason enough for God's sake,
• 16:54
  Speaker 10: it could not equivocate to Heaven. Come in at go
• 17:00
  Speaker 10: with the gator. No, knock knock, who's there? Faith? He's
• 17:09
  Speaker 10: an English taylor. Come hither for stealing out of a
• 17:12
  Speaker 10: French hose. Come in Taylor, he you may roast your goose.
• 17:20
  Speaker 10: Knock knock, never requiet. What are you? But this place
• 17:27
  Speaker 10: is too cold for hell, old devil? Porterit no further.
• 17:32
  Speaker 10: I had thought to have led in some of all
• 17:35
  Speaker 10: professions that go the Primrose Way to the everlasting bonfire,
• 17:41
  Speaker 10: and none and none. I'd pray you remember the porter?
• 17:48
  Speaker 11: Was it so late?
• 17:48
  Speaker 10: Friend? Ere you went to bed? That you do lie
• 17:51
  Speaker 10: so late? Faith, sir, we were carousing till the second
• 17:54
  Speaker 10: cock and drink, sir, is a great provoker of three
• 17:59
  Speaker 10: things things? What three things does drink especially provoke? Mary, sir? Nose, painting, sleep,
• 18:08
  Speaker 10: and erin lechery, Sir? It provokes and unprovokes. It provokes
• 18:18
  Speaker 10: the desire, but takes away from the performance. Therefore, much
• 18:26
  Speaker 10: drink maybe said to be an equivocator with lichery. It
• 18:30
  Speaker 10: makes him and it mars him. It sets him on
• 18:33
  Speaker 10: and takes him off. It persuades him and disheartens him,
• 18:38
  Speaker 10: makes him stand to and not stand to. In conclusion,
• 18:46
  Speaker 10: it equivocates him in a sleep, and giving him the
• 18:49
  Speaker 10: lie leaves him. I believe drink gave thee the lie
• 18:53
  Speaker 10: last night. Then it did, sir in the very throat
• 18:56
  Speaker 10: of me. But I requited him for his lie, and
• 18:59
  Speaker 10: I think being too strong for him, though we took
• 19:03
  Speaker 10: up my legs sometime yet I made a shift to
• 19:08
  Speaker 10: cast him. Ah is thy master?
• 19:17
  Speaker 9: Stirring end of here's a knocking indeed from Macbeth, Act two,
• 19:24
  Speaker 9: Scene three. This recording is in the public domain and
• 19:29
  Speaker 9: was recorded by Tatiana.
• 19:35
  Speaker 3: Shall I speak ill of him? That is my husband?
• 19:39
  Speaker 3: From Romeo and Juliet, Act three, Scene two by William Shakespeare.
• 19:45
  Speaker 3: This is a LibriVox recording. For more information or to volunteer,
• 19:49
  Speaker 3: please visit LibriVox dot org. Recording by Victoria Grace. Shall
• 19:57
  Speaker 3: I speak ill of him that is my husband?
• 20:00
  Speaker 12: Ah, poor, my lord?
• 20:02
  Speaker 3: What tongue shall smooth thy name? When I thy three
• 20:06
  Speaker 3: hours wife have mangled it? But wherefore villain didst thou
• 20:12
  Speaker 3: kill my cousin? That villain cousin would have killed my husband? Back,
• 20:17
  Speaker 3: foolish tears, back to your native spring. Your tributary drops
• 20:22
  Speaker 3: belong to woe, which you mistaking offer up to joy.
• 20:27
  Speaker 3: My husband lives. That Tibblet would have slain, and Tibblet's dead.
• 20:32
  Speaker 3: That would have slain my husband all this is comfort?
• 20:36
  Speaker 3: Wherefore we buy then some word there was worser than
• 20:40
  Speaker 3: Tibblet's death that murdered me. I would forget it, fain,
• 20:44
  Speaker 3: but oh, it presses to my memory, like damned guilty
• 20:49
  Speaker 3: deeds to sinner's minds. Tibbolt is dead and Romeo banished,
• 20:56
  Speaker 3: That banished, that one word banished, hath slain ten thousand Tibblets.
• 21:03
  Speaker 3: Tipplet's death was woe enough if it had ended there,
• 21:07
  Speaker 3: or if sour woe's lights and fellowship and needley will
• 21:11
  Speaker 3: be ranked with other griefs. Why followed not when she
• 21:15
  Speaker 3: said Tippolet's dead, thy father or thy mother? Nay or both,
• 21:21
  Speaker 3: which modern lamentations might have moved, But with a rear
• 21:25
  Speaker 3: ward Following Tibbot's death, Romeo is banished to speak. That
• 21:32
  Speaker 3: word is father, mother, Tibolt, Romeo, Juliet.
• 21:38
  Speaker 12: All slain, all dead. Romeo is banished. There is no end,
• 21:45
  Speaker 12: no limit, measure bound in that word's death. No words
• 21:50
  Speaker 12: cannot woe sound Where is my father and my mother?
• 21:54
  Speaker 7: Nurse?
• 21:57
  Speaker 13: End of?
• 21:58
  Speaker 3: Shall I speak ill of him? That is my husband?
• 22:01
  Speaker 3: From Romeo and Juliet, Act three, Scene two by William Shakespeare.
• 22:07
  Speaker 3: This recording is in public domain.
• 22:20
  Speaker 7: I know that virtue to be in you, Brutus. From
• 22:24
  Speaker 7: Julius Caesar by William Shakespeare, Act one, Scene two. This
• 22:29
  Speaker 7: is a LibriVox recording. For more information or to volunteer,
• 22:34
  Speaker 7: please visit LibriVox dot org. Recording by Neil Donnelly. I
• 22:41
  Speaker 7: know that virtue to be in you, brutus, as well
• 22:44
  Speaker 7: as I do know your outward favor. Well, honor is
• 22:48
  Speaker 7: the subject of my story. I cannot tell what you
• 22:51
  Speaker 7: and other men think of this life, but for my
• 22:53
  Speaker 7: single self, I had as lief, not be as lived,
• 22:57
  Speaker 7: to be in awe of such a thing as I might.
• 23:01
  Speaker 7: I was born free as Caesar, so are you. We
• 23:05
  Speaker 7: both have fed as well, and we can both endure
• 23:07
  Speaker 7: the winter's cold as well as he. For once upon
• 23:11
  Speaker 7: a raw and gusty day, the troubled Tiber chafing with
• 23:14
  Speaker 7: her shores, Caesar said to me, dareest thou cassiust, Now
• 23:19
  Speaker 7: leap in with me into this angry flood and swim
• 23:22
  Speaker 7: to yonder point. Upon the word accoutered as I was,
• 23:26
  Speaker 7: I plunged in and bade him follow. So indeed he did.
• 23:31
  Speaker 7: The torrent roared and we did buffet it with lusty sinews,
• 23:35
  Speaker 7: throwing it aside and stemming it with hearts of controversy.
• 23:39
  Speaker 7: But ere we could arrive the point proposed. Caesar cried,
• 23:42
  Speaker 7: help me, Cassius, or I sink i as eneas our
• 23:47
  Speaker 7: great ancestor did from the flames of Troy upon his
• 23:50
  Speaker 7: shoulder the old anchises bear. So from the waves of Tiber,
• 23:54
  Speaker 7: did I the tired Caesar. And this man is now
• 23:58
  Speaker 7: become a god. And cat vicious is a wretched creature,
• 24:01
  Speaker 7: and must bend his body if Caesar carelessly, but not
• 24:05
  Speaker 7: on him. He had a fever when he was in Spain,
• 24:09
  Speaker 7: and when the fit was on him, I did mark
• 24:11
  Speaker 7: how he did shake? Tis true, this god did shake
• 24:16
  Speaker 7: his coward lips did from their color fly. And at
• 24:19
  Speaker 7: that same eye whose bend doth all the world, did
• 24:23
  Speaker 7: lose his luster. I did hear him groan ah, And
• 24:27
  Speaker 7: that tongue of his that bad. The Romans mark him
• 24:30
  Speaker 7: and write his speeches in their books. Alas it cried,
• 24:34
  Speaker 7: give me some drink Titanus as a sick girl. Ye Gods,
• 24:39
  Speaker 7: it doth amaze me a man of such a feeble
• 24:42
  Speaker 7: temper should so get the start of the majestic world,
• 24:45
  Speaker 7: and bear the palm alone, and of I know that
• 24:50
  Speaker 7: virtue to be in you Brutus from Julius Caesar by
• 24:54
  Speaker 7: William Shakespeare, Act one, Scene two. This recording is in
• 24:59
  Speaker 7: the public domain.
• 25:11
  Speaker 1: Is this a dagger from Macbeth, Act two, Scene one
• 25:16
  Speaker 1: by William Shakespeare. This is a LibriVox recording. For more
• 25:20
  Speaker 1: information or to volunteer, please visit LibriVox dot org. Recording
• 25:28
  Speaker 1: by Alexander Houston. Is this a dagger which I see
• 25:36
  Speaker 1: before me? The handle toward my hand? Come, let me
• 25:43
  Speaker 1: clutch thee. I have thee not, and yet I see
• 25:46
  Speaker 1: thee still? Are they not fatal vision? Sensible to feeling?
• 25:52
  Speaker 1: As to sight? Art thou? But a dagger of the mind,
• 25:57
  Speaker 1: a false creation proceeding from the press brain. I see
• 26:03
  Speaker 1: the yet informed with palpable as this which now I draw.
• 26:08
  Speaker 1: Marshallessed me. The way that I was going in such
• 26:11
  Speaker 1: an instrument, I was to use my eyes and made
• 26:14
  Speaker 1: the fools of the other senses. That's worth all the rest.
• 26:18
  Speaker 1: I see the still on thy blade and dungeon gouts
• 26:24
  Speaker 1: of blood, which was not so before. There's not such thing.
• 26:29
  Speaker 1: It is the bloody business which informs thus to mine
• 26:32
  Speaker 1: eyes now o'er the one half world. Nature seems dead
• 26:37
  Speaker 1: and wicked dreams abuse, the curtains sleep. Witchcraft celebrates pale
• 26:44
  Speaker 1: Acty's offerings and withered murder, alarmed by his sentinel, the wolf,
• 26:52
  Speaker 1: whose howls has watched. Thus with his stealthy pace, with
• 26:57
  Speaker 1: Tarquin's ravishing sties to wars, his design moves like a ghost,
• 27:03
  Speaker 1: was sure and firm set art. He had not my
• 27:06
  Speaker 1: steps which way they walk? For fear thy very stone's
• 27:11
  Speaker 1: plate of my whereabout? And take the present horror from
• 27:15
  Speaker 1: the time which now suits with it. Whiles I threat
• 27:24
  Speaker 1: he lives words to the heat of deeds. Two cold
• 27:28
  Speaker 1: breath gives I go, and it is done. The bell
• 27:38
  Speaker 1: invites me. Hear it not duncan, for it is a
• 27:41
  Speaker 1: knell sums thee heaven or the hell end off is
• 27:56
  Speaker 1: the sidaga from Macbeth at to see. This recording is
• 28:02
  Speaker 1: in the public domain.
• 28:15
  Speaker 14: Now is the Winter of Our Discontent from Richard the
• 28:18
  Speaker 14: third Act one seene one by William Shakespeare. This is
• 28:23
  Speaker 14: a LibriVox recording. For more information or to volunteer, please
• 28:27
  Speaker 14: visit LibriVox dot org. Recording by Sheldon Greeves now is
• 28:35
  Speaker 14: the winter of our discontent made glorious summer by this
• 28:39
  Speaker 14: sun of York. And all the clouds that lowered upon
• 28:43
  Speaker 14: our house in the deep bosom of the ocean buried.
• 28:48
  Speaker 14: Now are our brows bound with victorious wreaths, Our bruised
• 28:53
  Speaker 14: arms hung up for monuments, Our stern alarums changed to
• 28:58
  Speaker 14: merry meetings. Are our dreadful marches to delightful measures. Grim
• 29:04
  Speaker 14: visaged war hath smoothed his wrinkled front, and now, instead
• 29:10
  Speaker 14: of mounting barded steeds to fright the souls of fearful adversaries,
• 29:15
  Speaker 14: he capers nimbly in a lady's chamber to the lascivious
• 29:20
  Speaker 14: pleasing of a lute. But I that am not shaped
• 29:25
  Speaker 14: for sportive tricks, door made to court an amorous looking glass,
• 29:30
  Speaker 14: I that to rudely stamped and want love's majesty to
• 29:34
  Speaker 14: strut before a wanton, ambling nymph. I that am curtailed
• 29:39
  Speaker 14: of this fair proportion, cheated a feature, by dissembling nature, deformed, unfinished,
• 29:45
  Speaker 14: sent before my time into this breathing world, scarce half
• 29:49
  Speaker 14: made up, and that so lamely and unfashionable that dogs
• 29:54
  Speaker 14: bark at me as I halt by them. Why I,
• 30:00
  Speaker 14: in this weak and piping time of peace, have no
• 30:05
  Speaker 14: delight to pass away the time unless to see my
• 30:08
  Speaker 14: shadow in the sun and descant on mine own deformity.
• 30:13
  Speaker 14: And therefore, since I cannot prove a lover to entertain
• 30:17
  Speaker 14: these fair well spoken days, I am determined to prove
• 30:22
  Speaker 14: a villain and hate the idle pleasures of these days.
• 30:27
  Speaker 14: Plots have I laid and inductions dangerous by drunken prophecies, libels,
• 30:33
  Speaker 14: and dreams, to set my brother Clarence and the King
• 30:36
  Speaker 14: in deadly hate, the one against the other. And if
• 30:41
  Speaker 14: King Edward be as true and just as I am, subtle,
• 30:45
  Speaker 14: false and treacherous, this day should Clarence closely be mewed
• 30:49
  Speaker 14: up about a prophecy which says that g of Edward's heirs,
• 30:54
  Speaker 14: the murderer, shall be dive thoughts down to my soul.
• 31:00
  Speaker 14: Here Clarence comes end of Now is the Winter of
• 31:07
  Speaker 14: our Discontent from Richard the third Act one, seen one
• 31:11
  Speaker 14: by William Shakespeare. This recording is in the public domain.
• 31:24
  Speaker 11: Now the Hungry Lion roars from our Midsummer Night Stream,
• 31:28
  Speaker 11: Act five, seen too by William Shakespeare. Now the Hungry
• 31:33
  Speaker 11: Lion roars, and the wolf behowls the moon, whilst the
• 31:37
  Speaker 11: heavy plowman snores, all with weary task for dun Now
• 31:42
  Speaker 11: the wasted hands do glow, whilst the screech owl screeching loud,
• 31:47
  Speaker 11: puts the wretch that lies in woe in remembrance of
• 31:51
  Speaker 11: a shroud. Now it is the time of night that
• 31:54
  Speaker 11: the graves all gaping wide. Every one lets forth his
• 31:58
  Speaker 11: sprite in the che churchway paths to glide, and we
• 32:02
  Speaker 11: fairies that do run by the triple Hecate's team from
• 32:07
  Speaker 11: the presence of the sun, following darkness like a dream.
• 32:12
  Speaker 11: Now our frolic, not a mouse shall disturb this hollowed house.
• 32:17
  Speaker 11: I am sent with broom before to sweep the dust
• 32:20
  Speaker 11: behind the door. End of Now, the hungry lion roars
• 32:26
  Speaker 11: from A Midsummer Night's Dream, Acts five, Scene two. This
• 32:30
  Speaker 11: recording is in the public domain.
• 32:35
  Speaker 14: No matter where, of comfort, no man speak from Richard
• 32:39
  Speaker 14: the second Act three, Scene two by William Shakespeare. This
• 32:45
  Speaker 14: is a LibriVox recording. For more information or to volunteer,
• 32:49
  Speaker 14: please visit LibriVox dot Org. Recording by Sheldon Greeves. No
• 32:57
  Speaker 14: matter where of comfort, no maare man speak. Let's talk
• 33:03
  Speaker 14: of graves and worms and epitaphs make dust our paper,
• 33:09
  Speaker 14: and with rainy eyes right sorrow on the bosom of
• 33:13
  Speaker 14: the earth. Let's choose executors and talk of wills. And
• 33:18
  Speaker 14: yet not so, for what can we bequeath save our
• 33:21
  Speaker 14: deposed bodies to the ground, our lands, our lives, and
• 33:27
  Speaker 14: all our balling brooks. And nothing can we call our
• 33:31
  Speaker 14: own but death, and that small model of the barren earth,
• 33:36
  Speaker 14: which serves as paste and cover to our bones. For
• 33:41
  Speaker 14: God's sake, let us sit upon the ground and tell
• 33:45
  Speaker 14: sad stories of the death of kings. How some have
• 33:49
  Speaker 14: been deposed, some slain in war, some haunted by the
• 33:53
  Speaker 14: ghosts they have deposed, some poisoned by their wives, some
• 33:59
  Speaker 14: sleeping kids, all murdered. For within the hollow crown that
• 34:06
  Speaker 14: rounds the mortal temples of a king keeps death his court.
• 34:11
  Speaker 14: And there the antic sits, scoffing his state and grinning
• 34:15
  Speaker 14: at his pomp, allowing him a breath, a little scene
• 34:20
  Speaker 14: to monarchize, be feared and kill with looks, infusing him
• 34:24
  Speaker 14: with self and vain conceit, as if this flesh which
• 34:28
  Speaker 14: walls about our life were brass, impregnable and humored. Thus
• 34:33
  Speaker 14: comes at the last, and with a little pin bores
• 34:39
  Speaker 14: through his castle wall and farewell King, Cover your heads
• 34:49
  Speaker 14: and mock not flesh and blood, with solemn reverence, throw
• 34:52
  Speaker 14: away respect, tradition, form, and ceremonious duty. For you have
• 34:58
  Speaker 14: but mistook me all this while I live with bread
• 35:03
  Speaker 14: like you feel, want taste, grief, need friends subjected. Thus,
• 35:12
  Speaker 14: how can you say to me? I am a king,
• 35:19
  Speaker 14: and of no matter where of comfort? No man speak?
• 35:22
  Speaker 14: From Richard the second Act three, scene two. This recording
• 35:27
  Speaker 14: is in the public domain.
• 35:34
  Speaker 15: Oh, God of Battles, from the Life of King Henry,
• 35:37
  Speaker 15: the fifth act four, Scene one, by William Shakespeare. This
• 35:42
  Speaker 15: is a LibriVox recording. For more information or to volunteer,
• 35:46
  Speaker 15: please visit LibriVox dot org. Recording by Michael MacDonald, Oh
• 35:53
  Speaker 15: God of Battles, steal my soldier's hearts, possess them not
• 35:57
  Speaker 15: with fear, take from them now the Senate of Reckoning,
• 36:00
  Speaker 15: if the opposed numbers pluck their hearts from them? Not today,
• 36:05
  Speaker 15: o Lord, Oh not today, Think not upon the fault
• 36:09
  Speaker 15: my father made encompassing the crown. I Richard's body have
• 36:13
  Speaker 15: interred anew and on it have bestowed more contrite tears
• 36:17
  Speaker 15: than from it issued forced drops of blood. Five hundred
• 36:21
  Speaker 15: poor I have in nearly pay, who twice a day
• 36:24
  Speaker 15: their withered hands hold up toward Heaven to pardon blood.
• 36:28
  Speaker 15: And I have built two chantries with a sad and
• 36:31
  Speaker 15: solemn priest sing still for Richard's soul? More will I do?
• 36:36
  Speaker 15: Though all that I can do is nothing worth, since
• 36:40
  Speaker 15: that my penitence comes after all, imploring pardon, and of
• 36:46
  Speaker 15: Oh God of battles. From the Life of King Henry,
• 36:50
  Speaker 15: the fifth, Act four, Scene one. This recording is in
• 36:55
  Speaker 15: the public domain. Recording by Michael MacDonald.
• 37:12
  Speaker 11: Oh that this two too solid flush would melt from Hamlet,
• 37:16
  Speaker 11: Act one, seen too by William Shakespeare. This is a
• 37:20
  Speaker 11: lubrivox recording. For more information or to volunteer, please visit
• 37:26
  Speaker 11: liubrivox dot org. Recording by Caitlin Cooper. Oh that this
• 37:32
  Speaker 11: two too solid flesh would melt, thaw and resolve itself
• 37:36
  Speaker 11: into a dew. Or that the Everlasting had not fixed
• 37:41
  Speaker 11: his count and gainst self slaughter. Oh God, God, how weary, stale,
• 37:47
  Speaker 11: flat and unprofitable seemed to me all the uses of
• 37:50
  Speaker 11: this world fie on it. Ah fi 'tis an unweeded
• 37:56
  Speaker 11: garden that grows to seed things rank and gross, and
• 37:59
  Speaker 11: nature possess it merely that it should come to this,
• 38:04
  Speaker 11: but two months dead, Nay, not so much, not to
• 38:09
  Speaker 11: so excellent a king that was to this hyperion, to
• 38:12
  Speaker 11: a satdter, so loving to my mother, that he might
• 38:16
  Speaker 11: not beteem the winds of heaven. Visit her face too roughly,
• 38:20
  Speaker 11: Heaven and earth. Must I remember why she would hang
• 38:25
  Speaker 11: on him, as if increase of appetite had grown by
• 38:27
  Speaker 11: what it fed on. And yet within a month, let
• 38:32
  Speaker 11: me not think on it, frail tea, thy name is woman.
• 38:35
  Speaker 11: A little month or ere, those shoes were old with
• 38:39
  Speaker 11: what she followed my poor father's body, like Niobe all tears.
• 38:43
  Speaker 11: Why she even she, oh God, a beast that one's
• 38:49
  Speaker 11: discourse of reason would have mourned longer, married with my uncle,
• 38:53
  Speaker 11: my father's brother, but no more like my father than
• 38:57
  Speaker 11: I to Hercules. Within a month ere, yet the salt
• 39:01
  Speaker 11: of most unrighteous tears had left the flushing in her
• 39:04
  Speaker 11: galled eyes. She married, Oh, most wicked speed, to post
• 39:09
  Speaker 11: with such dexterity to ancestrous sheets. It is not, nor
• 39:14
  Speaker 11: can not come to good, but break my heart, for
• 39:18
  Speaker 11: I must hold my tongue, and of oh, that this
• 39:22
  Speaker 11: too too solid flesh should melt from Hamlet, Act one,
• 39:27
  Speaker 11: Scene too. This recording is in the public domain.
• 39:35
  Speaker 6: So Many Journeys. May the Sun and Moon from Hamlet,
• 39:39
  Speaker 6: Act three, Scene two by William Shakespeare. This is a
• 39:46
  Speaker 6: LibriVox recording. For more information or to volunteer, please visit
• 39:53
  Speaker 6: LibriVox dot org. Read by Rebecca Fritz. So many Journeys.
• 40:03
  Speaker 6: May the Sun and Moon make us again count ere,
• 40:06
  Speaker 6: or love be done? But woe is me. You are
• 40:12
  Speaker 6: so sick of late, so far from cheer and your
• 40:16
  Speaker 6: former state, that I distrust you. Yet though I distrust
• 40:23
  Speaker 6: discomfort you, my lord, it nothing must. For woman's fear
• 40:29
  Speaker 6: and love holds quantity in neither aught or in extremity.
• 40:36
  Speaker 6: Now what my love is proof hath made you known.
• 40:41
  Speaker 6: And as my love is sized, my fear is so.
• 40:45
  Speaker 6: Where love is great, the littlest doubts are fear. Where
• 40:50
  Speaker 6: little fear grows great, great love grows there. End of
• 40:57
  Speaker 6: So Many Journeys. May the Sun and Moon from Hamlet,
• 41:01
  Speaker 6: Act three, Scene two. This recording is in the public domain.
• 41:19
  Speaker 16: Thou knowest the mask of night is on my face
• 41:21
  Speaker 16: from Romeo and Juliet, Act two, Scene Too, by William Shakespeare.
• 41:27
  Speaker 16: This is the LibriVox recording. For more information or to volunteer,
• 41:31
  Speaker 16: please visit LibriVox dot org. Recording by Brianna Rupe. Thou
• 41:38
  Speaker 16: knowest the mask of night is on my face? Else
• 41:43
  Speaker 16: would a maiden blush? But paint my cheek for that
• 41:47
  Speaker 16: which thou hast heard me speak tonight? Fain would I
• 41:50
  Speaker 16: dwell on?
• 41:50
  Speaker 11: Four?
• 41:51
  Speaker 16: Fain fain deny what I have spoke? But fou will compliment?
• 41:57
  Speaker 16: Dost thou love me? I know thou wilt say I,
• 42:02
  Speaker 16: and I will take thy word. Yet if thou swear'st
• 42:05
  Speaker 16: thou mayst prove false a lover's perjuries, then say joy
• 42:10
  Speaker 16: laughs o, gentle Romeo. If thou dost laugh, pronounce it faithfully.
• 42:16
  Speaker 16: Or if thou thinkest I am too quickly won, I'll
• 42:19
  Speaker 16: frown and be diverse and say thee nay, so thou
• 42:22
  Speaker 16: wilt woo. But else not for the world In truth
• 42:27
  Speaker 16: the montague, I am too fond, and therefore thou mayst
• 42:32
  Speaker 16: think myhavior light. But trust me, gentlemen, I'll prove more true.
• 42:37
  Speaker 16: And those that have more cunning to be strange, I
• 42:40
  Speaker 16: should have been more strange. I must confess, but that
• 42:44
  Speaker 16: thou horver hurtst ere I was ware my true love's passion. Therefore,
• 42:48
  Speaker 16: pardon me and not impute this yielding to light love,
• 42:53
  Speaker 16: which the dark knight hath so discovered, and of thou knowest.
• 43:03
  Speaker 16: The mask of night is on my face from Romeo
• 43:05
  Speaker 16: and Juliet, Act two, scene two. This recording is in
• 43:10
  Speaker 16: the public domain. Recording by Brianna Rupe of Surgeon Bay, Wisconsin.
• 43:28
  Speaker 9: The raven himself is horse from Macbeth, Act one, scene five,
• 43:33
  Speaker 9: line thirty one by William Shakespeare. This is a LibriVox recording.
• 43:38
  Speaker 9: For more information or to volunteer, please visit LibriVox dot org.
• 43:44
  Speaker 9: Recording by Tatiana. The raven himself is horse that croaks
• 43:52
  Speaker 9: the fatal entrance of Duncan under my battlements. Comeu, Spirit
• 44:00
  Speaker 9: that tend on mortal thoughts. Come sex me here and
• 44:06
  Speaker 9: fill me from the crown to the toe top full
• 44:10
  Speaker 9: of direst cruelty, Make thick my blood. Stop up the
• 44:22
  Speaker 9: access and passage to remorse that no compunctuous visitings of
• 44:26
  Speaker 9: nature shake my fell purpose, nor keep peace between the
• 44:31
  Speaker 9: effect and it. Come to my woman's breasts and take
• 44:36
  Speaker 9: my milk for gall, you murdering ministers, wherever in your
• 44:41
  Speaker 9: sightless substances you wait on nature's mischief. Come thick night
• 44:52
  Speaker 9: and pall thee in the dumbest smoke of hell. But
• 44:55
  Speaker 9: my keen knife see not the wound it makes, nor Heaven.
• 45:00
  Speaker 9: Peep through the blanket of the dark.
• 45:01
  Speaker 17: To cry, hold hold great glans Worthy cordor greater than both.
• 45:09
  Speaker 17: By thee, all hail hereafter thy letters have transported me
• 45:15
  Speaker 17: beyond this ignorant present, and I feel now the future
• 45:20
  Speaker 17: in the instant end of the raven himself is Horse
• 45:28
  Speaker 17: from Macbeth, Act one, Scene five, line thirty one. This
• 45:33
  Speaker 17: recording is in the public domain and was recorded by Tatiana.
• 45:44
  Speaker 7: Thy Wish. Was father Harry to that thought? From Henry
• 45:48
  Speaker 7: the Fourth Part II, Act four, Scene five by William Shakespeare.
• 45:53
  Speaker 7: This is a LibriVox recording. For more information or to volunteer,
• 45:57
  Speaker 7: please visit LibriVox dot org. Recording by Nil Donnelly thy
• 46:03
  Speaker 7: Wish was father Harry to that thought? I stay too
• 46:07
  Speaker 7: long by thee. I weary THEE dost thou so hunger
• 46:12
  Speaker 7: from mine empty chair that thou wilt needs invest THEE
• 46:15
  Speaker 7: with my honors before thy hour.
• 46:17
  Speaker 1: Be ripe, o foolish youth.
• 46:20
  Speaker 7: Thou seekest the greatness, Thou will overwhelm thee. Stay but
• 46:24
  Speaker 7: a little, for my cloud of dignity is held from
• 46:26
  Speaker 7: falling with so weak a wind that it will quickly drop.
• 46:30
  Speaker 7: My day is dim. Thou hast stolen that which, after
• 46:34
  Speaker 7: some few hours were thine without offense, And at my
• 46:38
  Speaker 7: death thou hast sealed up my expectation. Thy life did manifest.
• 46:43
  Speaker 7: Thou lovest me not, and thou wilt have me die
• 46:46
  Speaker 7: assured of it. Thou hidest thousand daggers in thy thoughts,
• 46:50
  Speaker 7: which thou hast wetted on thy stony heart to stab
• 46:53
  Speaker 7: at half an hour of my life. What canst thou
• 46:57
  Speaker 7: not forbear me half an hour and get thee gone,
• 47:01
  Speaker 7: and dig my grave thyself, and bid the merry bells
• 47:05
  Speaker 7: ring to thine. Ear that thou art crowned, not that
• 47:09
  Speaker 7: I am dead. Let all the tears that should bedo
• 47:12
  Speaker 7: my hearst be drops of balm to sanctify thy head.
• 47:16
  Speaker 7: Only compound me with forgotten dust. Give that which gave
• 47:20
  Speaker 7: thee life unto the worms. Pluck down my officers, break
• 47:24
  Speaker 7: my decrees for now a timest come to mock at form.
• 47:29
  Speaker 7: Harry the Fifth is crown'd up, vanity down, Royal state.
• 47:34
  Speaker 7: All you sage counselors, hence and to the English court,
• 47:38
  Speaker 7: assemble now from every region apes of idleness, Now neighbor confines,
• 47:44
  Speaker 7: purge you of your scum. Have you a ruffian that
• 47:48
  Speaker 7: will swear, drink, dance, revel the Knight, rob murder, and
• 47:52
  Speaker 7: commit the oldest sins the newest kind of ways. Be happy.
• 47:57
  Speaker 7: He will trouble you no more. England shall double gild
• 48:01
  Speaker 7: his trouble guilt. England shall give him office, honor might.
• 48:06
  Speaker 7: For the fifth. Harry, from curbed license plucks the muzzle
• 48:09
  Speaker 7: of restraint, and the wild dog shall flesh his tooth
• 48:13
  Speaker 7: on every innocent. Oh, my poor kingdom sick with civil blows,
• 48:18
  Speaker 7: when that my care could not withhold thy riots. What
• 48:22
  Speaker 7: wilt thou do when riot is thy care? Oh thou
• 48:26
  Speaker 7: wilt be a wilderness again, peopled with wolves, thy old inhabitants.
• 48:33
  Speaker 7: End of thy wish? Was Father Harry to that thought
• 48:36
  Speaker 7: from Henry The Fourth, Part two, Act four, Scene five
• 48:40
  Speaker 7: by William Shakespeare. This recording is in the public domain. O,
• 48:50
  Speaker 7: My good lord, why are you thus alone from Henry
• 48:54
  Speaker 7: the Fourth, Part one, Act two, Scene three by William Shakespeare.
• 49:01
  Speaker 13: This is a LibriVox recording. For more information or to volunteer,
• 49:06
  Speaker 13: please visit LibriVox dot org. Recording by Caroline Francis. O,
• 49:14
  Speaker 13: My good lord, why are you thus alone? For what
• 49:20
  Speaker 13: offense have I this fortnight? Been a banished woman from
• 49:23
  Speaker 13: my Harry's bed? Tell me, sweet Lord, what ist that
• 49:29
  Speaker 13: takes from thee thy stomach pleasure and thy golden sleep.
• 49:34
  Speaker 13: Why dost thou bend thine eyes upon the earth and
• 49:37
  Speaker 13: start so often when thou sit'st alone? Why hast thou
• 49:42
  Speaker 13: lost the fresh blood in thy cheeks and given my
• 49:46
  Speaker 13: treasures and my rights of thee to thick eyed, musing
• 49:49
  Speaker 13: and cursed melancholy in thy faint slumbers. I, by thee,
• 49:54
  Speaker 13: have watched and heard thee murmur tales of ironed wars,
• 49:59
  Speaker 13: speak to her, of manage, to thy bounding steed, cry
• 50:03
  Speaker 13: courage to the field. And thou hast talked of sallies
• 50:08
  Speaker 13: and retires, of trenches, tents, of palaesidios, frontiers, parapets, of basilis,
• 50:16
  Speaker 13: of cannon, culverin, of prisoners, ransom, and of soldiers slain,
• 50:22
  Speaker 13: and all the currents of a heady fight. Thy spirit
• 50:28
  Speaker 13: within thee hath been so at war, and thus hath
• 50:32
  Speaker 13: so bestirred thee in thy sleep that beads of sweat
• 50:36
  Speaker 13: have stood upon thy brow like bubbles in a late
• 50:40
  Speaker 13: disturbed stream. And in thy face strange motions have appeared,
• 50:48
  Speaker 13: such as we see when men restrain their breath on
• 50:51
  Speaker 13: some great sudden hest. Oh what portents are these? Some
• 50:57
  Speaker 13: heavy business hath my lord in hand, and I must
• 51:01
  Speaker 13: know it else he loves me not end of O,
• 51:10
  Speaker 13: my good lord? Why are you thus alone? From Henry?
• 51:13
  Speaker 13: The fourth Part one, Act two, Scene three. This recording
• 51:20
  Speaker 13: is in the public domain.