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144: Top 10 Oscar Snubs & Robberies | #thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: Yo, before you watch this episode of The Ball Brothers,
• 0:03
  Speaker 1: make sure you go to TV and watch the Bar
• 0:05
  Speaker 1: brother Show nine episode. Watch now. We find the posts
• 0:08
  Speaker 1: every time before the show. All right, y'all, walcome to
• 0:10
  Speaker 1: the Boar Brothers. I'm Kevin stay Baker the podcast for friends.
• 0:14
  Speaker 1: Come and give each other a reason to chop it up.
• 0:16
  Speaker 1: So Tony cannot do his walk. Do you do any
• 0:18
  Speaker 1: exercise today? I walked. That's why I was late.
• 0:24
  Speaker 2: Let me tell you the exact reason why I'm late.
• 0:26
  Speaker 2: There's no excuse, but I know the exact because I
• 0:29
  Speaker 2: timed it perfectly. There's this lady that always sees me
• 0:33
  Speaker 2: walking and she just happened to talk to me today
• 0:35
  Speaker 2: for the first time. She was like, Hey, I see
• 0:37
  Speaker 2: you walking here all the time. You've got to be
• 0:40
  Speaker 2: an athlete or something.
• 0:42
  Speaker 1: That's really what happens.
• 0:43
  Speaker 2: Yeah, we talked for about seven minutes, and you about
• 0:47
  Speaker 2: seven minutes late.
• 0:48
  Speaker 1: And it threw me.
• 0:49
  Speaker 2: It threw off my whole because I was like, I'm
• 0:50
  Speaker 2: gonna go home because I know how I know how
• 0:52
  Speaker 2: long it takes me to do that right, and I'm
• 0:54
  Speaker 2: hopping the shower boom pile.
• 0:56
  Speaker 1: And then we talked seven minutes.
• 0:59
  Speaker 2: And there was a Chicago connection and then the extra
• 1:03
  Speaker 2: y'all talking about the Bears, talked about the Bears a
• 1:05
  Speaker 2: little bit because she was originally from Chicago. Bridgeport. I
• 1:08
  Speaker 2: didn't want to hit it with the bomb. Yeah, my
• 1:10
  Speaker 2: brothers got chased out the Bridgeport. They got called the
• 1:12
  Speaker 2: nigga in the I ain't hit it with that, No, no, no,
• 1:16
  Speaker 2: not off the top.
• 1:17
  Speaker 1: That's a lot they called my brother's niggas over there anyway,
• 1:21
  Speaker 1: you know what I'm saying. But that's the exactly tell
• 1:23
  Speaker 1: her next time. Yeah, yeah, once we by the way,
• 1:26
  Speaker 1: my brother got called nigga down Bridgeport.
• 1:28
  Speaker 2: Bridgeport because we used to read movies from the videos
• 1:30
  Speaker 2: to a bridgeport and they got chased the fut of it.
• 1:32
  Speaker 1: Do you think the Bears should have went for it
• 1:35
  Speaker 1: went for two at the end of regulation. No, I
• 1:37
  Speaker 1: think they did the right thing.
• 1:38
  Speaker 2: You do, Yeah, because the way the way the way
• 1:41
  Speaker 2: the Rams were shutting us down. Yeah, it wasn't no
• 1:44
  Speaker 2: guarantee we was gonna get that too, and then it
• 1:46
  Speaker 2: was just straight lost. So I'd rather just all the
• 1:49
  Speaker 2: overtime and then we could we can muster something up
• 1:51
  Speaker 2: because the defense was looking solid through the game, and
• 1:55
  Speaker 2: so I think it was a good call to kick
• 1:57
  Speaker 2: that extra point.
• 1:58
  Speaker 1: All right, so you're said, okay with the season man, Doug.
• 2:01
  Speaker 2: We beat Green Band in the playoffs.
• 2:03
  Speaker 1: You did?
• 2:04
  Speaker 2: He was five and twelve in the season before. Yeah,
• 2:07
  Speaker 2: now we division champs and beat the Packers in the
• 2:09
  Speaker 2: playoffs and everybody's face you win.
• 2:12
  Speaker 1: It was all cake for that being said. Top ten
• 2:17
  Speaker 1: Oscar snubs and robberies. Oo is it my turn to
• 2:20
  Speaker 1: go first? I think it is. Oh, it is because
• 2:24
  Speaker 1: twenty one first last time. Yeah you did, I did
• 2:27
  Speaker 1: the first second episode. Yeah you did the biopics. The
• 2:30
  Speaker 1: biggest snub for me personally in Oscar history is Alan
• 2:36
  Speaker 1: Arkin beating Eddie Murphy for best Supporting Actor in history
• 2:41
  Speaker 1: in history, for Kevin Fredericks and my personal history in
• 2:45
  Speaker 1: history in history. Ain't no way. Alan Arkin beat Eddie
• 2:50
  Speaker 1: Murphy for dream Girls for Supporting Actor. Now, after I
• 2:53
  Speaker 1: watched be and Eddie, I realized that Norbitt came into
• 2:56
  Speaker 1: play and even had nothing to do with they don't gotten,
• 3:00
  Speaker 1: doesn't do it nothing. Eddie Murphy should have won. And
• 3:05
  Speaker 1: now then Archie didn't do a bad job. No disrespect,
• 3:08
  Speaker 1: but a little bit disrespect because he shouldn't have That's
• 3:11
  Speaker 1: just that was Eddie's award.
• 3:15
  Speaker 2: Man, you should have won that, for sure.
• 3:19
  Speaker 1: It was Eddie's award.
• 3:20
  Speaker 2: He should have won that.
• 3:21
  Speaker 1: It broke my heart, right, you broke my first. I agree,
• 3:24
  Speaker 1: all right, that's the one that's that's that's personal to me,
• 3:27
  Speaker 1: because I don't know if Ed's gonna get another chance
• 3:28
  Speaker 1: to get an Oscar because you gotta pay a certain
• 3:30
  Speaker 1: time of movie at a certain time of the year.
• 3:32
  Speaker 1: How it ain't just every movie. Comedies are out for
• 3:36
  Speaker 1: the most part, because here, here's what the oscars do.
• 3:39
  Speaker 1: They'd be like, we kind of owe it to you
• 3:41
  Speaker 1: for the for the work that you put. How Jamie
• 3:43
  Speaker 1: Lee Curtis got her last one that she beat Angela
• 3:45
  Speaker 1: Bassett for. But I feel like Jamie Lee Curtis wasn't
• 3:48
  Speaker 1: really do what you think her one at all. You
• 3:51
  Speaker 1: got Activia. Why do you need an Oscar? You ain't
• 3:56
  Speaker 1: done to you? You got Activia. We didn't do that.
• 4:00
  Speaker 1: I get I see, Okay, we owe Leo one, but
• 4:03
  Speaker 1: I think that was a terrible one as well. The
• 4:06
  Speaker 1: releate was not no Oscar worthy performance. It was no
• 4:10
  Speaker 1: it was I mean, I'm not saying he should have won.
• 4:13
  Speaker 1: I feel you I know what you mean, like, but
• 4:14
  Speaker 1: he was great in that. That just I feel like
• 4:17
  Speaker 1: the don't you know. I don't like about the revenue
• 4:19
  Speaker 1: it was campaigning from the moment the movie came out.
• 4:22
  Speaker 1: It was all an Oscar thing. We shot natural light.
• 4:25
  Speaker 1: I don't care about that. Nobody cares about that. But
• 4:28
  Speaker 1: people in cinematography, Oh we had you know had three thirteen.
• 4:31
  Speaker 1: Can't much lighter life. Nobody cares nothing to me that
• 4:37
  Speaker 1: is still care the light when the fourteen that was
• 4:41
  Speaker 1: it for the day. So so what turn the light on?
• 4:46
  Speaker 1: We can't even tell the difference. Sorry, man, because you
• 4:51
  Speaker 1: brought that up before. Yes, I hate it. I don't
• 4:54
  Speaker 1: like you. Pre campaigning oscars just got be sad, got
• 4:58
  Speaker 1: to be cold outside, got to look cold in them movie.
• 5:00
  Speaker 1: They do be doing that. It's always cold. If you
• 5:02
  Speaker 1: look blue, you can get twenty percent more chance. If
• 5:05
  Speaker 1: the color grade is dark blue, you get twenty percent
• 5:08
  Speaker 1: more chance. Released in October thirty three percent. I don't
• 5:11
  Speaker 1: like that, man, I'm sorry, man, Go ahead.
• 5:14
  Speaker 2: Tom Denzel Washington for Malcolm X, for sure, that should
• 5:19
  Speaker 2: have been in his hand for that role, for that performance.
• 5:23
  Speaker 1: Easy.
• 5:24
  Speaker 2: They gave it the Alpacino for cin of a Woman,
• 5:27
  Speaker 2: which I'm sure he was great in. But there's another No, no,
• 5:33
  Speaker 2: really no, but yes, really the movies you haven't seen.
• 5:37
  Speaker 1: Always surprised. That's because I'm mad because it should have
• 5:39
  Speaker 1: been Malcus.
• 5:41
  Speaker 2: That was Malcolm X win right there. And I feel
• 5:44
  Speaker 2: like they did that because they felt like we old
• 5:46
  Speaker 2: al Pacino.
• 5:47
  Speaker 1: Yeah you never won. Oh it is crazy.
• 5:49
  Speaker 2: He had never won to Oscar before.
• 5:51
  Speaker 1: That's crazy. So they was like, we gotta give one now.
• 5:54
  Speaker 1: But that to me ruins this man bullshit. Imagine if
• 5:57
  Speaker 1: they did that for sports, like Man, these people ain't
• 5:59
  Speaker 1: want to give it to the man. You've got to
• 6:01
  Speaker 1: win to win. Man Will Will kept running into people's
• 6:05
  Speaker 1: best performance of their life. It wasn't and that's why
• 6:08
  Speaker 1: he had to make King Richard like, what you want
• 6:10
  Speaker 1: me to do? This movie came out too all right,
• 6:14
  Speaker 1: I'm gonna go, Okay, this ain't I'm gonna go, what's
• 6:25
  Speaker 1: up got to do with it? Angela bas said, I
• 6:29
  Speaker 1: feel like I just felt like that was I don't
• 6:32
  Speaker 1: know what else she could have done. I don't know
• 6:35
  Speaker 1: what else she could have done to get the Oscar
• 6:37
  Speaker 1: than that, And imagine how much more she would have
• 6:40
  Speaker 1: been paid and respected. And she had that Oscar for
• 6:43
  Speaker 1: that much of her career. That was early ninety ninety three.
• 6:48
  Speaker 1: She had the Oscar Oscar winning performance from ninety three,
• 6:52
  Speaker 1: Like that's currency in this world. Oh for sure. I
• 6:54
  Speaker 1: feel like she should have won that, she should have
• 6:57
  Speaker 1: won that. Okay, she just should have one man, she
• 7:01
  Speaker 1: should have won. She should have won that. She just
• 7:06
  Speaker 1: should have won. That should have won. That's a flawless performance.
• 7:10
  Speaker 1: That's as good as Denzel and Malcolm X. She's in
• 7:13
  Speaker 1: Tina Turney and what's something got to do with it?
• 7:15
  Speaker 1: She did just as good. She killed that. I'm with you.
• 7:18
  Speaker 1: That is Tina Turner. I'm with you. Yeah, eat the
• 7:21
  Speaker 1: cake anime, let me see, let me see who she
• 7:24
  Speaker 1: lost to.
• 7:25
  Speaker 2: Yeah, pull it up for what the piano? I've never
• 7:29
  Speaker 2: seen it, so I can't.
• 7:30
  Speaker 1: I can't. I can't. I can't compare. That's what I hate,
• 7:36
  Speaker 1: you know, Oscar. I hate what we should do Oscars
• 7:37
  Speaker 1: we hate the most. I hate Casey Afflex Oscar for
• 7:43
  Speaker 1: Manchester by the Sea. That was the most one note
• 7:47
  Speaker 1: performance of it. I mean, I'm not it was just
• 7:50
  Speaker 1: a boring man and at the end, it was like
• 7:54
  Speaker 1: his kids died in the fire. I then, man, who cares?
• 8:00
  Speaker 1: They turned this blue on in the back. He moped
• 8:03
  Speaker 1: around for an hour and a half, and they gave
• 8:05
  Speaker 1: him an Oscar for that. Leah, he didn't do anything.
• 8:09
  Speaker 1: I would rather give Hugh Jackman an Oscar for logan
• 8:12
  Speaker 1: than that. At least you showed me something, and I
• 8:15
  Speaker 1: didn't say your performances be like, oh, but at least
• 8:17
  Speaker 1: I got to feel something. I felt nothing in Manchester
• 8:20
  Speaker 1: by the Sea. Why I want to do that? My
• 8:22
  Speaker 1: cread write that down top ten oscars we hate, You
• 8:26
  Speaker 1: don't deserve them.
• 8:27
  Speaker 2: Damn they get back.
• 8:31
  Speaker 1: That is my least favorite oscar of all time. I
• 8:35
  Speaker 1: was bored out of my mind and that I saw
• 8:37
  Speaker 1: that movie in theaters. I don't remember it. God, nothing
• 8:41
  Speaker 1: happened but Blue. I was sick of it. Who she
• 8:47
  Speaker 1: lose to Holly Hunter already side? Oh yeah, I don't know.
• 8:54
  Speaker 2: Yeah, she was in Raising Arizona.
• 8:57
  Speaker 1: You don't know nothing about Holly. She's good, though.
• 9:00
  Speaker 2: I can't speak for the piano because sorry, it's not
• 9:03
  Speaker 2: really personal. So wait a minute.
• 9:08
  Speaker 1: Oh I love Anna. She was she was Stockhouse, wasn't she? Yeah?
• 9:12
  Speaker 2: Yeah, she was like the youngest winner. Yeah yeah, listen
• 9:16
  Speaker 2: at home on Okay, all right. I feel like, oh,
• 9:26
  Speaker 2: all right, Lawrence Frishburn. I was gonna say Lawrence Fishburn
• 9:28
  Speaker 2: was snub for What's Love Got to Do With as well,
• 9:31
  Speaker 2: but he went up against Tom Hanks in Philadelphia, So
• 9:33
  Speaker 2: I'm just hush. I'm gonna just shut the hell up
• 9:37
  Speaker 2: on that one because you know what I'm saying. I
• 9:40
  Speaker 2: can't say nothing bad about Tom Hanks's performance in that movie.
• 9:43
  Speaker 1: So I'm gonna just.
• 9:43
  Speaker 2: Move on to something else. So I feel like I'm
• 9:49
  Speaker 2: gonna go more recent. I feel like a major snub
• 9:53
  Speaker 2: sensed on the nomination. It's Tony Collette in Hereditary. They
• 10:00
  Speaker 2: didn't even nominate this women. Woman is insane.
• 10:03
  Speaker 1: I didn't see her. Of course you didn't cause it's scary.
• 10:06
  Speaker 1: Oh yeah, man out.
• 10:07
  Speaker 2: But I'm sick of the hatred the Oscars have against
• 10:09
  Speaker 2: horror movies.
• 10:10
  Speaker 1: I'm with you.
• 10:11
  Speaker 2: Her performance and Hereditary was just she took it there.
• 10:16
  Speaker 2: Why do you why do you have to make a
• 10:18
  Speaker 2: certain type of movie?
• 10:19
  Speaker 1: For a movie is if you win for a comedy,
• 10:24
  Speaker 1: for a sports film, for for a horror film, if
• 10:29
  Speaker 1: that's the best performance that's the best.
• 10:30
  Speaker 2: Perform I would be acting in horror movies. They be
• 10:33
  Speaker 2: showing emotion, they be crying and shit, they'd.
• 10:36
  Speaker 1: Be going in on horror movies. Her horror movie winning
• 10:39
  Speaker 1: in casey affleck, It's blue out. Give me something. They
• 10:48
  Speaker 1: gave Viola Davis Oscar. She was in move for twelve minutes,
• 10:51
  Speaker 1: worked it.
• 10:52
  Speaker 2: She got nominated.
• 10:53
  Speaker 1: She didn't win. Nah, who won for Doubt? Oh but
• 10:58
  Speaker 1: she was lead, wasn't she Merrill was the lead in
• 11:00
  Speaker 1: that movie. But for that, Yeah, for Doubt an Oscar.
• 11:07
  Speaker 1: Yeah she went for That's what's confusing me. Yeah, I
• 11:09
  Speaker 1: forgot okay with Doubt. Yeah she got nominated. She wasn't
• 11:12
  Speaker 1: Doubt for eleven minutes, but it was it was worth it. No,
• 11:14
  Speaker 1: oh yeah she delivered. Okay, all right, I'm up. I'm
• 11:19
  Speaker 1: gonna go color purple for Best Picture. Yeah.
• 11:22
  Speaker 2: That was a hell of fun.
• 11:23
  Speaker 1: I don't know how they didn't win nothing. They didn't
• 11:25
  Speaker 1: win nothing, not one thing for eleven oscars. None.
• 11:30
  Speaker 2: That's they're gonna do the Sinners what that's what the
• 11:33
  Speaker 2: fuck they gonna do the Center.
• 11:35
  Speaker 1: We're gonna do this episode again after Sinners don't win Sinners.
• 11:39
  Speaker 1: I want I feel like Bryan Coogler, he's gonna win.
• 11:43
  Speaker 2: He's gonna lose that Oscar to Paul Thomas.
• 11:46
  Speaker 1: Losing Paul Thomas Edison, and I feel like for that
• 11:49
  Speaker 1: music scene alone, he should win Best Director. Yeah, there
• 11:53
  Speaker 1: was nothing I liked. One battle after another, and it
• 11:55
  Speaker 1: ain't even doing some black white thing.
• 11:57
  Speaker 2: It was good.
• 11:58
  Speaker 1: The director's vision of that one scene in Centers is
• 12:02
  Speaker 1: better than any director scene. I saw. One battle after another.
• 12:05
  Speaker 1: I like one battle after another. I like the performances.
• 12:07
  Speaker 1: I think performances wise they're closer than picture wise. But
• 12:10
  Speaker 1: that scene, that is the director's vision. You gotta that
• 12:14
  Speaker 1: scene was I ain't seen nothing like that. First of all.
• 12:18
  Speaker 1: I I mean I was always gonna watch Centers, But
• 12:21
  Speaker 1: this nigga. Ryan Coogler's explanation of IMAX was the best
• 12:25
  Speaker 1: use of a director in a marketing campaign I've seen
• 12:28
  Speaker 1: since Spike Lee being Spike Lee. I had no idea
• 12:30
  Speaker 1: why I like the IMAX. When that man said that
• 12:33
  Speaker 1: thing went about said the show do go up.
• 12:36
  Speaker 2: That's why Christopher no love Ryan.
• 12:38
  Speaker 1: He like, man, you're talking aspect Rachel. You got a
• 12:40
  Speaker 1: friend in me christ campaign. He's his campaign, this guy, right,
• 12:46
  Speaker 1: He loves cinema because he's about the art of cinema.
• 12:51
  Speaker 1: It's gonna piss me off because the voting. Okay, I'm
• 12:55
  Speaker 1: going to make an analogy and I hope you guys
• 12:57
  Speaker 1: can follow it. There's this white kid named Jimmy Tatrow,
• 13:00
  Speaker 1: no disrespect to him. He makes frat Boy humor very funny.
• 13:04
  Speaker 1: He got a whole bunch of brand deals, and him
• 13:05
  Speaker 1: and dorm Tammant used to both be in all deaf offices.
• 13:08
  Speaker 1: He get brandals McGee, dorm Tammant made black frat Boy humor.
• 13:13
  Speaker 1: They get no brand deals, not only no brandos. They're
• 13:15
  Speaker 1: considered non brand safe from the brands. And I think
• 13:18
  Speaker 1: that's what happens in the oscars. The voting people can
• 13:20
  Speaker 1: see themselves in the movies that reflect themselves, and they
• 13:24
  Speaker 1: don't see themselves in the other movies. And that's why
• 13:27
  Speaker 1: it's like sinners. They don't connect to the cultural relevance
• 13:30
  Speaker 1: of it. They don't connect.
• 13:31
  Speaker 2: But Paul Thomas Anderson, they're like, all right, Okay, that's
• 13:35
  Speaker 2: all of my alley.
• 13:35
  Speaker 1: And it's like, yeah, that's good. And I'm not even
• 13:37
  Speaker 1: saying like it should win everything, Like if you gave
• 13:42
  Speaker 1: if you gave one baut after another Best Picture. Okay,
• 13:49
  Speaker 1: I'm not agreeing, but I could see you original screen
• 13:53
  Speaker 1: if he loses for Original Screenplaying Director. That's why I'm
• 13:55
  Speaker 1: gonna be like, now, come on, because one bout after
• 13:58
  Speaker 1: another is almost It's a perfect little Oscar segue into
• 14:02
  Speaker 1: the Ether came out in the fall, Sinners came out
• 14:05
  Speaker 1: what February April, April April. That ain't Oscar season time,
• 14:10
  Speaker 1: you know what I mean? So one bat after another,
• 14:13
  Speaker 1: they know their stuff. They got Sean Pyne in there,
• 14:16
  Speaker 1: which to me, he shouldn't. He's great supporting for me.
• 14:19
  Speaker 1: He's great than that he was. I was like, this
• 14:22
  Speaker 1: guy is the spicerless guy's the worst. He did love girls.
• 14:27
  Speaker 1: I feel like he really is crazy though he played
• 14:30
  Speaker 1: that role.
• 14:31
  Speaker 2: I was like, yo, Jesus, down to the walk.
• 14:34
  Speaker 1: He was supposed to be Dad and he came with
• 14:37
  Speaker 1: his face all messed up. I said, man, kill him.
• 14:40
  Speaker 1: He kill him.
• 14:41
  Speaker 2: But yeah, I wanted to win Best Picture. To me,
• 14:44
  Speaker 2: it was my best picture. But I just know the
• 14:47
  Speaker 2: way the world walk. But the oscars do be pulling
• 14:51
  Speaker 2: out of surprise. Yeah, Moonlight to me, I'm surprised. Moonlight
• 14:56
  Speaker 2: one I am too.
• 14:59
  Speaker 1: That's y'all.
• 15:00
  Speaker 2: I just knew Lo La Lamb was gonna scoop it up.
• 15:03
  Speaker 2: That's probably why I Warren Baby Fumble, it's gonna be La.
• 15:07
  Speaker 2: He's like, nah, man, no funk that it's moonlight.
• 15:11
  Speaker 1: Man. He never really looked at was horrible. L and
• 15:14
  Speaker 1: M don't look at all like Yeah, He's just like,
• 15:17
  Speaker 1: y'all all right, go ahead, man. I just want to
• 15:20
  Speaker 1: say that. Yeah, I said color purple, that's what it was,
• 15:22
  Speaker 1: because you know what. But now, against our own thing.
• 15:25
  Speaker 1: Part of the reason that Whoopy got the ghosts, yeah,
• 15:29
  Speaker 1: it's because she.
• 15:31
  Speaker 2: Because they know. And that's what I was coming with
• 15:33
  Speaker 2: on the snub Whoopy Goldberg for Color Purple.
• 15:36
  Speaker 1: Yeah, snug.
• 15:39
  Speaker 2: Snub that should have been her Oscar and then they
• 15:42
  Speaker 2: gave it to it for ghosts, which I feel like
• 15:44
  Speaker 2: should have went to Lorraine Brocco for a Good Fellas. Yeah. No,
• 15:49
  Speaker 2: Whoopy Goldberg was great and that was not Oscar material,
• 15:55
  Speaker 2: especially what Lorraine Brocco did and Good.
• 15:56
  Speaker 1: Fellas man, when you see how she started out in
• 15:59
  Speaker 1: the movie all you know, young and in love, and
• 16:01
  Speaker 1: then she transfers into cocaine paranoid, the dick that We're
• 16:06
  Speaker 1: just trying to hold onto whatever. The mob life is crazy,
• 16:08
  Speaker 1: gun to your face when you wake up in the morning.
• 16:10
  Speaker 1: Come on, man, and the same thing for what we go? Burg?
• 16:13
  Speaker 1: How young and and like vibrant. She was yes in
• 16:17
  Speaker 1: color Color Purple. By the end, I have asked you
• 16:20
  Speaker 1: for anything about y'all asked you anything time? Quita, I
• 16:24
  Speaker 1: know she's gonna slam that table down. I know it's
• 16:27
  Speaker 1: coming coming, yep. And then Oprah gets it back. I
• 16:32
  Speaker 1: get on the phone. Whatever I was doing, she hit
• 16:35
  Speaker 1: that table. Serious, Have I ever asked for you? And
• 16:40
  Speaker 1: she talked about the dad?
• 16:42
  Speaker 2: She lit it up.
• 16:44
  Speaker 1: Oh that scene alone, How y'all watch that? And said, nah, no,
• 16:48
  Speaker 1: I don't. Who won? Oh on, man, we got to
• 16:52
  Speaker 1: dig this up.
• 16:53
  Speaker 2: So Color Purple came out age nineteen eighty seven. Oh yeah,
• 16:59
  Speaker 2: I'm putting that everything I was doing.
• 17:02
  Speaker 1: Who won? Hell no, what are the nominations at man? Old?
• 17:11
  Speaker 2: Color Purple was eighty five? That's what I was fumbling.
• 17:13
  Speaker 2: So Out of Africa beat the Color Purple for Best Picture.
• 17:16
  Speaker 2: Ain't nobody talking about that movie ever?
• 17:18
  Speaker 1: And then and then actress in the leading role.
• 17:23
  Speaker 2: It was Whoopy Goldberg and ban Craft Jessica Lane, Geraldine
• 17:27
  Speaker 2: Paige Haerald, and Meryl Street. First of all, Meryl Street lost.
• 17:34
  Speaker 1: Geraldine Page.
• 17:38
  Speaker 2: Over Whoopy Goldberg man. See this is what I'm talking about.
• 17:40
  Speaker 2: She's probably an old school actress, and they probably like
• 17:43
  Speaker 2: we owe her.
• 17:44
  Speaker 1: That's the thing. If you always paying somebody, you owd
• 17:46
  Speaker 1: and you're missing the person who had the best performance
• 17:48
  Speaker 1: that year and their prime and you don't get another shot.
• 17:52
  Speaker 1: Just play it straight up, everybody. Don't be giving maybe
• 17:55
  Speaker 1: a dude. Arnor Bury Oscar later to Angela Bassett, Listen,
• 17:59
  Speaker 1: I love Angela, Basta said, I love her and I
• 18:02
  Speaker 1: want her to Winford Wakanda forever. But Stephanie Sue had
• 18:08
  Speaker 1: the best role that year. Yeah, she killed it. She
• 18:11
  Speaker 1: Jamie Lee Curtis wasn't even the best supporting actress in
• 18:13
  Speaker 1: her own movie. That Asian woman's audition was better than
• 18:17
  Speaker 1: Jamie Curtis's movie. I don't see how she won. I
• 18:20
  Speaker 1: don't Stephanie Sue. I love you, Angela. How my house
• 18:24
  Speaker 1: right here any days?
• 18:28
  Speaker 2: But Stephanie Sue, I said, girl, you better act Asian girl.
• 18:33
  Speaker 1: Asian girl. She killed it. That's what I'm saying. Just
• 18:36
  Speaker 1: give it to who's earned it. How do you.
• 18:39
  Speaker 2: How do you not give the Best Picture? Look look
• 18:42
  Speaker 2: at this Best Supporting Actress nominations that year, Margaret Avery
• 18:48
  Speaker 2: for The Color Purple, Oprah Winfrey for the Color Purple.
• 18:54
  Speaker 1: Is a White Lady? No she should? Oh yeah, yeah yeah,
• 18:57
  Speaker 1: Sugary's so sugar.
• 18:59
  Speaker 2: Avery and Oprah's character both nominated in the same category
• 19:02
  Speaker 2: in the same film. We could Goldberg nominated for business.
• 19:05
  Speaker 2: How do you get this many actors nominated within the
• 19:09
  Speaker 2: same film and they not win goddamn picture and they
• 19:14
  Speaker 2: don't get nothing.
• 19:14
  Speaker 1: And don't give me this?
• 19:16
  Speaker 2: Who Geraldine Paige The Trip to Bounty for This Ship
• 19:23
  Speaker 2: wasn't even nominated for Best Picture.
• 19:26
  Speaker 1: They lost Best Director to them Best Screenplay? Out of Africa?
• 19:30
  Speaker 1: What is this?
• 19:31
  Speaker 2: Out of Africa?
• 19:32
  Speaker 1: Man? This is like the studio win and everything because
• 19:34
  Speaker 1: they're like, we know this world, give them everything.
• 19:37
  Speaker 2: And they didn't even nominate Steven Spielberg for The Color
• 19:40
  Speaker 2: Purple for Best Director.
• 19:42
  Speaker 1: Yeah he's not even here.
• 19:44
  Speaker 2: Dang, Steve witness ran pretty's honor. Out of Africa kisses
• 19:49
  Speaker 2: a spider woman.
• 19:51
  Speaker 1: This is ridiculous. It's me again, Yeah, you know, just
• 19:58
  Speaker 1: so did I go? Is me? Who just said something bread.
• 20:03
  Speaker 1: We've been arguing. Yeah, Tony just went he said, Okay,
• 20:08
  Speaker 1: you're right. I said that Dark Knight should have won
• 20:10
  Speaker 1: for Best Picture. Okay, let me see who was up again. Okay,
• 20:13
  Speaker 1: And I don't care. I don't care if it's a
• 20:16
  Speaker 1: comic book movie that was the best picture of that year.
• 20:20
  Speaker 1: I want to take a quick break from the show
• 20:22
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• 21:46
  Speaker 1: bluetoo for sponsoring the podcast. It should have won. It's
• 21:51
  Speaker 1: my favorite movie of all time as well. Oh I
• 21:54
  Speaker 1: love it.
• 21:55
  Speaker 2: I respect that. It's a great movie, perfect, nothing wrong.
• 22:01
  Speaker 1: Wait when' that movie come out? I don't know years.
• 22:03
  Speaker 1: I don't have your brain. Two thousand and seven. I
• 22:06
  Speaker 1: think it's two thousand seven, Okay.
• 22:12
  Speaker 2: Two thousand and eight, two thousand and nine, Oh, that's
• 22:22
  Speaker 2: when they expanded it to ten. That's probably the only
• 22:24
  Speaker 2: reason they even gave it the nomination. Probably well then
• 22:28
  Speaker 2: nominated for Best Picture. Dark Knight didn't even get nominated.
• 22:36
  Speaker 1: I don't know. You didn't get down it. What was it?
• 22:38
  Speaker 1: What is the movies that year? No, they got eight
• 22:43
  Speaker 1: nominations or not for Best Picture, costme, design, sound, and
• 22:47
  Speaker 1: stupid crack. Okay, So I remember I was hell, no,
• 22:55
  Speaker 1: it's a good movie. It ain't better than Dark Knight,
• 22:58
  Speaker 1: but it is definitely an Oscar movie.
• 23:00
  Speaker 2: I remember watching so AMC does this thing where they
• 23:02
  Speaker 2: show you all the Best Picture nominees. You could you
• 23:06
  Speaker 2: could pay and just watch him back to back. So
• 23:09
  Speaker 2: I did that for this year. Benjamin Button, Frost Nicks
• 23:12
  Speaker 2: and Milk the Reader and Slunt. So I watched them
• 23:14
  Speaker 2: all that day and they give you unlimited popcorn. You
• 23:18
  Speaker 2: were in heaven tone man, listen. They was just and
• 23:22
  Speaker 2: I saw I saw him all at the same time.
• 23:23
  Speaker 2: I do feel like slum Dog was the best of
• 23:26
  Speaker 2: the five, or you're wrong. But the fact that the
• 23:30
  Speaker 2: Dark Knight didn't even get nominated, and that.
• 23:34
  Speaker 1: Was such a good movie though, jam on, it was
• 23:37
  Speaker 1: such a good premise. It was I didn't know what
• 23:40
  Speaker 1: was happening for fifteen minutes. I said, oh, oh, this
• 23:42
  Speaker 1: is how he knows, This is how he knows.
• 23:45
  Speaker 2: And Heath Ledger at the Oscar for Joker.
• 23:47
  Speaker 1: Yeah, they were shocking him and stuff. Yeah all right, man,
• 23:51
  Speaker 1: come on man, oh oh, I ain't never heard those
• 23:53
  Speaker 1: at all. Man, Man, Okay, another snub. I'm a go with.
• 24:03
  Speaker 2: Sam Jackson and Jangle un Chain. Yeah, he should have
• 24:07
  Speaker 2: got an Oscar nomination for that. He should have because
• 24:10
  Speaker 2: he to me, he was more despicable than Leo's care
• 24:14
  Speaker 2: easy because I expect some good old fashioned racist character
• 24:17
  Speaker 2: like him.
• 24:18
  Speaker 1: But man, the ultimate villain and the way he was.
• 24:22
  Speaker 2: A sad he was when Leo got killed.
• 24:26
  Speaker 1: Where did that.
• 24:26
  Speaker 2: Movie come out that Nigga owned that nan?
• 24:32
  Speaker 1: Twenty twelve? Okay, ain't been that long fourteen years? Lord,
• 24:41
  Speaker 1: I know it seemed like he was twenty twelve because
• 24:44
  Speaker 1: twenty thirteen Oscars.
• 24:48
  Speaker 2: Oh okay, so it was nominated to twenty twelve Oscars.
• 24:52
  Speaker 1: They came out in twenty twelve, nominated twenty thirteen.
• 24:55
  Speaker 2: Okay, this website got it it twenty twelve, so it
• 24:59
  Speaker 2: went up again a.
• 25:01
  Speaker 1: More Argo. Argo was good leave Miss rob Life of Pie.
• 25:06
  Speaker 1: That was good.
• 25:07
  Speaker 2: Lincoln was boring. Civil Linis playbook. I didn't get Zero
• 25:11
  Speaker 2: Dark thirty was good.
• 25:14
  Speaker 1: What do you mean you didn't get it? I didn't.
• 25:16
  Speaker 2: I didn't get Civil Lina's playbook. I was just like
• 25:19
  Speaker 2: man out the year that just tapped out. Daniel day
• 25:22
  Speaker 2: Lewis one a year for Lincoln. He beat Hugh Jackman,
• 25:26
  Speaker 2: Joaquin Phoenix, he beat Denzel he beat Bradley Cooper, Jennifer
• 25:32
  Speaker 2: Lawrence one a year being Now, Naomi Watts Qua Jinnee Wallace.
• 25:39
  Speaker 1: Beat to the Southern Wild Love Her, and that that
• 25:43
  Speaker 1: movie was weird. It was weird, but it's Oscar material.
• 25:46
  Speaker 2: I'm sick of weird shit. I'm tired of these weird
• 25:50
  Speaker 2: ass movies.
• 25:50
  Speaker 1: Man. Oh yeah, oh yeah, like they jerking off Marty
• 25:54
  Speaker 1: Supreme Tough and it's not weird. It's good, but it's like, oh.
• 25:59
  Speaker 2: Since it's a rest inducing movies, he says, it's gonna
• 26:01
  Speaker 2: get your nerves bad, let's nominate it.
• 26:04
  Speaker 1: It's director Uncut Jams again.
• 26:07
  Speaker 2: It's uncut Jim's energy, except this time I don't like
• 26:10
  Speaker 2: the main character as much. I'm not rooting for Timothy's character.
• 26:15
  Speaker 1: Oh really, No, that's a tough watch.
• 26:17
  Speaker 2: Because I was rooting for like Adam Sandler you get
• 26:20
  Speaker 2: the money right and to settle this ship and you
• 26:22
  Speaker 2: know what I'm saying. But this time I'm like, man,
• 26:24
  Speaker 2: this he's a prick, you know what I mean. He's
• 26:28
  Speaker 2: good though, he's good in it, it's just his character.
• 26:31
  Speaker 2: The character.
• 26:31
  Speaker 1: I'm just like, yeah.
• 26:34
  Speaker 2: Though, yeah, because he out here smashing dudes, women and
• 26:38
  Speaker 2: just all for self, all selfish, you know what I mean.
• 26:42
  Speaker 1: And so and then in the end it's like, Okay,
• 26:46
  Speaker 1: it was good, but it's like it's not best picture,
• 26:50
  Speaker 1: but Timothy is good in it. But it's that that energy.
• 26:55
  Speaker 1: You said, what another is gonna win it? Yeah? I
• 26:59
  Speaker 1: think trying probably gonna get Best Actor. This is Michael B. Jordan.
• 27:04
  Speaker 1: I listen, I probably just come across Super pol Black
• 27:09
  Speaker 1: because I just think acting like Twins nuanced Twins is
• 27:15
  Speaker 1: a hard acting Joe. That's harder than than. It's harder
• 27:20
  Speaker 1: than Split. It's easier, very different character.
• 27:22
  Speaker 2: It's easier when you got vastly different characters like what's
• 27:26
  Speaker 2: his name did in that movie Tom Hardy when he
• 27:28
  Speaker 2: was the Twins, Yeah, the the Creed Something Brothers, or
• 27:33
  Speaker 2: or even when Mark Ruffalo played twins in that HBO joint.
• 27:37
  Speaker 2: It was a vast I feel like it's more difficult,
• 27:40
  Speaker 2: it's way harder. Yeah, for sure.
• 27:42
  Speaker 1: Yeah, because twins in real life. It's gonna be a
• 27:45
  Speaker 1: subtle difference, for sure, more so than that.
• 27:48
  Speaker 2: Jordan did Smokestack Mountain Man up again.
• 27:54
  Speaker 1: It's me. I'm throwing me in there all the time. Man,
• 28:00
  Speaker 1: it is came mats to be talking. I don't remember
• 28:02
  Speaker 1: that it was listening to you. I'm gonna say Shotting
• 28:07
  Speaker 1: Redemption as Best Picture. Na, what one?
• 28:11
  Speaker 2: It went up against? Forrest Girl, all right, whole fiction,
• 28:15
  Speaker 2: whole fiction.
• 28:16
  Speaker 1: All right, all right, you got me a Forrest come back.
• 28:18
  Speaker 2: It's all the same.
• 28:18
  Speaker 1: They do her name for Selma.
• 28:21
  Speaker 2: Let's see who she went up against when that movie
• 28:23
  Speaker 2: come out twenty and forty eight. I thought she was
• 28:26
  Speaker 2: coming with no years like that. It came out in
• 28:29
  Speaker 2: twenty fifteen, fourteen. Okay, so it lost to Birdman, the
• 28:38
  Speaker 2: Michael O.
• 28:38
  Speaker 1: Keaton.
• 28:38
  Speaker 2: Yeah, no, no, for director. No, best picture was bird.
• 28:43
  Speaker 1: I'm talking about best direction direct her name? Oh okay, whoever? Director?
• 28:46
  Speaker 1: Birdman probably won too, though she wasn't even nominated.
• 28:51
  Speaker 2: She wouldn't even They didn't even give her a nomination,
• 28:54
  Speaker 2: but who won Birdman?
• 28:59
  Speaker 1: That was like one. Yeah, yeah, she should at least
• 29:06
  Speaker 1: got a nomination, but she was up against some stiff competition.
• 29:10
  Speaker 2: So she was up against Richard link Letter for Boyhood.
• 29:13
  Speaker 2: That took crazy, that took years.
• 29:15
  Speaker 1: I love that, right, Yes, solidified in that.
• 29:21
  Speaker 2: Yeah, Fox Catcher, A lot of people haven't seen that movie,
• 29:24
  Speaker 2: but as good as hell. It's good Grand Budapest Hotel,
• 29:30
  Speaker 2: it's good.
• 29:30
  Speaker 1: They just love him. That's my favorite. Wes Anderson, I
• 29:34
  Speaker 1: mean Wes Anderson the Colors, Colors twelve people, but.
• 29:42
  Speaker 2: This Magnum opus in that's good.
• 29:45
  Speaker 1: But they just he's like a Hollywood darling. Yeah, he
• 29:48
  Speaker 1: just be like I'm in the West Anderson and up
• 29:49
  Speaker 1: maybe like you could do it again, Wes. He's an
• 29:53
  Speaker 1: all tour y'all.
• 29:54
  Speaker 2: And then the Imitation Game is the last slot.
• 29:57
  Speaker 1: Oh I love that movie. That was a good movie. Fantastic.
• 30:00
  Speaker 2: Yeah, that was a good movie.
• 30:01
  Speaker 1: So it's tough. Was that Ben in the Comor Patch? Yeah? Yeah,
• 30:05
  Speaker 1: it was tough competition that you just thrown. It was
• 30:08
  Speaker 1: only five slack get one out? Who would you take out?
• 30:10
  Speaker 2: Wes Anderson? No, the other one, the one you didn't see. Yeah,
• 30:15
  Speaker 2: get it out of here now, man, Fox schedule is good.
• 30:17
  Speaker 1: I never saw that. All right, O, goat one more,
• 30:22
  Speaker 1: let's get it all right, snug. I don't remember.
• 30:27
  Speaker 2: Snubville USA, Noville USA. I feel like, let me make
• 30:36
  Speaker 2: let me see who he was up against before I
• 30:38
  Speaker 2: say anything. I'm going to nineteen ninety one. Okay, I'm
• 30:45
  Speaker 2: going away, man, it be this is why I'm confused,
• 30:49
  Speaker 2: so I.
• 30:49
  Speaker 1: Gotta do Okay, let me make sure.
• 30:56
  Speaker 2: All right, never mind, I was gonna do Johnson Ingleton
• 31:00
  Speaker 2: for boys in the Hood, and he was up against
• 31:03
  Speaker 2: Silence as the Lamb.
• 31:04
  Speaker 1: So I'm gonna just shut my ass up. Sometimes you
• 31:07
  Speaker 1: just gotta set your ass up.
• 31:11
  Speaker 2: But the Snubville US as boys in the Hood not
• 31:14
  Speaker 2: getting the Best Picture nomination. Yes, we can take the
• 31:18
  Speaker 2: princes Tides the fuck up out of here. We can
• 31:20
  Speaker 2: get bugs either fuck up out of here. We can
• 31:23
  Speaker 2: leave in JFK Silence of the Lambs and beauty in
• 31:25
  Speaker 2: the beasts. Put boys in the hood in there for
• 31:28
  Speaker 2: best any of those.
• 31:29
  Speaker 1: Hood classes getting nominated for anything in that entire do
• 31:33
  Speaker 1: the right thing got snubbed. I don't remember any of
• 31:36
  Speaker 1: those things getting nominated.
• 31:38
  Speaker 2: I think do the right thing. They ain't even nominate Spike.
• 31:43
  Speaker 2: They didn't even nominate Spike Leef to do the right thing.
• 31:45
  Speaker 2: That's Snubville.
• 31:49
  Speaker 1: That's crazy. All right, you feel good.
• 31:56
  Speaker 2: Because I remember Ken Basinger spoke out against it at
• 31:59
  Speaker 2: the Oscars. She's like the fact that you know, do
• 32:02
  Speaker 2: the right thing, ain't getting nominated something he said someone.
• 32:06
  Speaker 1: If you notice that the actors this award season, they
• 32:09
  Speaker 1: win and they be like, Michael B. Jordan, you really did?
• 32:13
  Speaker 1: I mean, I know I'd be the.
• 32:14
  Speaker 2: Sign of we know y'all getting slighted. Yes, It's like
• 32:19
  Speaker 2: how mac Lamore did with jam when he won Best Best.
• 32:24
  Speaker 1: Did it when she won for her moment she was like, man,
• 32:27
  Speaker 1: Ryan Coogler, Brian Cougler, y'all, I'm gonna take it with me,
• 32:31
  Speaker 1: you know what I'm saying, because that's y'all have they
• 32:34
  Speaker 1: and they they turned right to it. But when Kanye
• 32:38
  Speaker 1: go and take the from Taylor Swift, now he crazy.
• 32:40
  Speaker 1: Taylor Swift got to say it herself, Kanye, you can't
• 32:42
  Speaker 1: take it from her, you know what I'm saying. But
• 32:45
  Speaker 1: that's be happening. It's like the artists understand, but the
• 32:48
  Speaker 1: Academy don't. They don't see it the same way. That's
• 32:51
  Speaker 1: across all platforms. All right, this or that, are we
• 32:59
  Speaker 1: not doing it? Be underneath there it be looking like
• 33:03
  Speaker 1: a different thing. So we're not doing this or that yet.
• 33:05
  Speaker 1: We'll get coming to it. Top ten comedic Actresses of
• 33:10
  Speaker 1: all time. Yeah, this is tough. This is gonna be tough.
• 33:14
  Speaker 1: Ten is tough, ten is tough, man, ten is tough.
• 33:23
  Speaker 1: There's so many. I know.
• 33:25
  Speaker 2: I was looking at this list.
• 33:26
  Speaker 1: I was like, how do you even decide? Because you
• 33:29
  Speaker 1: got TV and film.
• 33:32
  Speaker 2: I know I know who's going in for sure.
• 33:34
  Speaker 1: Okay, throw who you're going in?
• 33:36
  Speaker 2: Ball Oh man, God, you got to have her in there.
• 33:39
  Speaker 1: She she you got.
• 33:41
  Speaker 2: She is the proto type physicmedic, comedy, funny when she's
• 33:47
  Speaker 2: the foundation.
• 33:48
  Speaker 1: When her when she was on that conveyor belt trying
• 33:52
  Speaker 1: to eat man, I said, she was doing that commercial
• 33:59
  Speaker 1: whatever the vitamins that she was getting drunk. She was
• 34:02
  Speaker 1: getting drunk as they kept doing the takes. That was
• 34:07
  Speaker 1: the next thing I was gonna say, Lucille, motherfucking ball nigga.
• 34:13
  Speaker 1: You gotta kick it off her name like that.
• 34:15
  Speaker 2: You gotta get it, man.
• 34:19
  Speaker 1: You know who I'm gonna go. I'm gonna go. I'm
• 34:23
  Speaker 1: gonna go. Tisa Campbell, Yes, Martin, my wife and kids.
• 34:29
  Speaker 1: That's what she.
• 34:32
  Speaker 2: Had.
• 34:32
  Speaker 1: Two big shows, two different characters, two different decades. No,
• 34:38
  Speaker 1: Tisha Campbell, don't get it out. She's still here.
• 34:41
  Speaker 2: She was funny Journey, She funny in cameos. When she
• 34:45
  Speaker 2: popped up in Boomerang, she funny when she pop up
• 34:48
  Speaker 2: and uh, it was something else she popped them in.
• 34:51
  Speaker 1: I was like, yo, Manisha Campbell, Man, I love her well.
• 35:00
  Speaker 1: She also got too. She got three, actually she got three.
• 35:04
  Speaker 1: She got mar and everybody hates Chris and the neighborhood.
• 35:10
  Speaker 1: And they both can sing. You see a teacher Camel
• 35:12
  Speaker 1: video when she was young singing good. She's she can sing. Yeah,
• 35:18
  Speaker 1: her and Pam together then, man, that teacher Campbell to
• 35:22
  Speaker 1: Sheena Arnold, Powerhouse.
• 35:24
  Speaker 2: I don't know why they don't have a show because
• 35:27
  Speaker 2: tsina on that neighborhood.
• 35:28
  Speaker 1: But they done. Though this is the final season. It's
• 35:30
  Speaker 1: time for them to have their own show. To queue
• 35:33
  Speaker 1: it up. Cue that ship up.
• 35:34
  Speaker 2: Y'all watching right here right now, we need to tea
• 35:38
  Speaker 2: sa Campbell to Sheena Arnold, show Man, they need a
• 35:42
  Speaker 2: sitcom with they are the leads our because fourthwith fourthwith
• 35:47
  Speaker 2: now for everybody, now, man, I love teacher Campbell.
• 35:51
  Speaker 1: Yeah.
• 35:51
  Speaker 2: When she had that headboard on her, I said, man,
• 35:55
  Speaker 2: y'all And when her mount.
• 35:58
  Speaker 1: Okay, was gonna go for you, baby, he want her
• 36:03
  Speaker 1: to show up. Man, what are we talking about? She
• 36:11
  Speaker 1: was right there, Man, tell you come on, man, that's
• 36:18
  Speaker 1: comedy right there. All right, I'm gonna go this. This
• 36:26
  Speaker 1: list is crazy. This is this week the snuffs here.
• 36:29
  Speaker 1: We're not in charge of the snow. We're gonna about
• 36:33
  Speaker 1: the snow. This list is crazy. I'm gonna say this one.
• 36:38
  Speaker 1: Julian Louis drive Yeah, dog SEINFELDEP. She is so old Christine,
• 36:47
  Speaker 1: and you know she's a billionaire too. Her dad is
• 36:51
  Speaker 1: like some big tycoon the industry, oilers or text something.
• 36:55
  Speaker 1: And he gave her more money because she was the
• 36:57
  Speaker 1: only one of the kids not trying to get the money.
• 36:59
  Speaker 1: She was like, I'm just just go through my active thing.
• 37:01
  Speaker 1: He was like, man, you know what, couple yet other kids,
• 37:05
  Speaker 1: but you don't even believe me. Funny the marble stuff,
• 37:12
  Speaker 1: that's the lady with the I love her. I think
• 37:15
  Speaker 1: she is so funny and the she was like in Seinfeld.
• 37:18
  Speaker 1: She was she was the homegirl, and you hadn't seen
• 37:22
  Speaker 1: like a homegirl not be loving. I know she was
• 37:24
  Speaker 1: like with Jerry sometimes and all that stuff, but like
• 37:26
  Speaker 1: the masturbation thing she's in, Oh yeah, she's playing.
• 37:29
  Speaker 2: They was falling off one by one. The episode where
• 37:35
  Speaker 2: George was like, yo, when I'm not having sex, I'm
• 37:38
  Speaker 2: getting smarter, and then uh, not having sex. On the
• 37:45
  Speaker 2: woman's side, she was getting dumber and she was just
• 37:47
  Speaker 2: a lot. She could like get the sentence out. She
• 37:51
  Speaker 2: was just like, oh, you see what's happening.
• 37:54
  Speaker 1: Yeah. I just love her brand of humor.
• 37:57
  Speaker 2: Man, I think deep actually beeps.
• 38:01
  Speaker 1: Just man her with the assistance. The stuff she would
• 38:04
  Speaker 1: say when people are walking up right when they walked away,
• 38:09
  Speaker 1: would like bro. I was like, this is really perfect.
• 38:13
  Speaker 1: That's also really cast a really good on they cast.
• 38:17
  Speaker 2: Every time I see an episode of I'm all in yeah,
• 38:19
  Speaker 2: every yeah, she's good.
• 38:21
  Speaker 1: All right, you're up. This is tough. It's all time.
• 38:27
  Speaker 2: That's that's you know what I'm saying. How many people
• 38:30
  Speaker 2: we got so far? We got four weeks, two weeks
• 38:33
  Speaker 2: and we got four Yeah, I just want to combo
• 38:41
  Speaker 2: these next two up.
• 38:43
  Speaker 1: Who just do one because together. Man, watch you heard
• 38:46
  Speaker 1: a combo jumped off mine with yours?
• 38:50
  Speaker 2: Oh Carol Burnette, Oh my god, taking it back to this,
• 38:56
  Speaker 2: Carol Burnet, I used to watch it to show my
• 39:00
  Speaker 2: mom classic and I used to love watching them break
• 39:06
  Speaker 2: character throughout the skin.
• 39:07
  Speaker 1: Yeah, what's his name?
• 39:10
  Speaker 2: Harvey Korman just couldn't hold it together, Carol Burnett Foundational.
• 39:15
  Speaker 1: I'm gonna throw hub in there, all right, Okay, man,
• 39:21
  Speaker 1: this is tough. I don't like this man. This is
• 39:27
  Speaker 1: if I'm gonna get slice and Dice, I'm gonna go
• 39:28
  Speaker 1: off what I believe. I'm gonna go off with what
• 39:31
  Speaker 1: I believe. For Gina Hall Man, Regina Hall, I think
• 39:35
  Speaker 1: she might be the person I want to work with
• 39:37
  Speaker 1: the most. Me too. She can do it all. I
• 39:40
  Speaker 1: want big probably one battle for another, get me more hurt.
• 39:44
  Speaker 1: I wanted more of her too. When she came in
• 39:46
  Speaker 1: the bathroom, gave old girl the code bro hung for Jesus.
• 39:51
  Speaker 1: She was amazing, scary movie, so funny pay Yeah, she's
• 40:00
  Speaker 1: Hare's girl. She's showing I'm supposed to be in friends
• 40:03
  Speaker 1: with this little money Ray I'm boring too. Yeah, I
• 40:08
  Speaker 1: want she was good at her and Marsein Martin had
• 40:10
  Speaker 1: a movie Little Something, and she was the straight man
• 40:15
  Speaker 1: and girls trip. She sure was. She was the straight
• 40:19
  Speaker 1: man and girls trip. I just think Regina Hall deserves more.
• 40:24
  Speaker 1: She just can do it all. And I just feel
• 40:27
  Speaker 1: like she's not properly rated. She's not giving getting her
• 40:30
  Speaker 1: opportunities that she deserves. She can't do she can't do
• 40:33
  Speaker 1: no wrong to me. Uh even best Man, Yeah, she
• 40:39
  Speaker 1: was great. She's never not great. She's funny. Man her
• 40:43
  Speaker 1: more stuff. I'm with you and she said that the
• 40:46
  Speaker 1: first person you wanted to cast with her? Who said that?
• 40:48
  Speaker 1: Paul Thomas Anderson, that's fine? In one battle? What are
• 40:55
  Speaker 1: you watch it?
• 40:55
  Speaker 2: I didn't know he was with Mardo.
• 40:57
  Speaker 1: I had no. I didn't know that. I hadn't see
• 41:00
  Speaker 1: this movie. I said, because you know what I click
• 41:03
  Speaker 1: on when I find out about you? It does? It does?
• 41:08
  Speaker 1: It does? Leah, it does? The movie made more sense?
• 41:12
  Speaker 1: I said, no, I ain't want to say it, but man,
• 41:16
  Speaker 1: people said it because I clicked around that Wikipedia. I said, huh,
• 41:21
  Speaker 1: because a lot of criticisms of the movie. If you
• 41:23
  Speaker 1: if you click on that Wikipedia on the spouse, then
• 41:26
  Speaker 1: you're like, all right, now, yeah you know so, yeah,
• 41:29
  Speaker 1: you're right, You're right, all right, Phrone, you up.
• 41:33
  Speaker 2: Almost almost slid my up in here.
• 41:37
  Speaker 1: Maya's got a strong case live action singing movies. Rudolph,
• 41:45
  Speaker 1: fuck it, Minie Ripperton. Baby Maya Rudolph is amazing. I've
• 41:50
  Speaker 1: seen her in the hotel in New York. She's a
• 41:52
  Speaker 1: sweet little baby. She is amazing. Geez, she got it.
• 41:55
  Speaker 1: She makes it look easy. She does, Yeah, she does.
• 41:58
  Speaker 1: Can I give you one of my fabs and then
• 42:00
  Speaker 1: then you gonna have to be mad at me? Tina Fay,
• 42:03
  Speaker 1: That's who I wanted to pair with. Lovely Tina Faye.
• 42:08
  Speaker 1: Me too her and see Corel Date Night. One of
• 42:11
  Speaker 1: my favorite rom coms, thirty Rock is that cutaway scenes.
• 42:18
  Speaker 1: I said, Now, you're the white girl who gets it.
• 42:20
  Speaker 1: Sarah Palin is one of the best characters on Saturday
• 42:23
  Speaker 1: Night Live. I see what happily believes. She killed their campaign.
• 42:27
  Speaker 1: I just can't take you seriously because Tina Fay is
• 42:30
  Speaker 1: doing you every week. And that's prior to social media
• 42:32
  Speaker 1: being as big as it was, like, Saturday Life still
• 42:35
  Speaker 1: carried a lot of weight. Sarah Palin would do something
• 42:37
  Speaker 1: and then Tina would kill her that Saturday. I don't
• 42:39
  Speaker 1: know They're like, I can't vote for her. I can't
• 42:42
  Speaker 1: vote for her. She looked like her. Russell's right over there.
• 42:47
  Speaker 1: She's good, mean girls, she's good. She can write. She
• 42:52
  Speaker 1: told Boy and Yang and that man y'all about a
• 42:54
  Speaker 1: year away from being too famous for saying that stuff,
• 42:57
  Speaker 1: and almost a year to the day they went viral
• 42:58
  Speaker 1: from saying the same thing Tina. They just told them, Wow,
• 43:01
  Speaker 1: Tina Fey big white. Yeah, good choice. How many is that?
• 43:07
  Speaker 1: I want? We need not right, we gotta do there.
• 43:14
  Speaker 1: I want to. I want to go on her podcast
• 43:16
  Speaker 1: so bad. She looks like a good hand. It's a
• 43:18
  Speaker 1: great title. Robin the d.
• 43:23
  Speaker 2: You know we Elsa is a good comedic actress too.
• 43:25
  Speaker 2: Speaking of Robin is Gabrielle Dennis.
• 43:28
  Speaker 1: She really is. She be delivered. Gabrielle Dennis. Hm. I
• 43:35
  Speaker 1: feel like she just hasn't have enough opportunities. She's part
• 43:37
  Speaker 1: of the reason our age we ain't getting the films
• 43:40
  Speaker 1: and the TV show. She's really good in every time,
• 43:43
  Speaker 1: and she could do dramatic dramatic one time, wasn't she Yeah? Yeah,
• 43:48
  Speaker 1: even her dog on Old Spots commercial she's funny in
• 43:50
  Speaker 1: thirty seconds. Yeah, she was funny. She's good in the
• 43:53
  Speaker 1: Luke Cage. Yeah, man, God damn it that Quinn's of
• 44:01
  Speaker 1: Brunson on here. Some of them are some of the people.
• 44:03
  Speaker 1: I just don't have the length of career yet because
• 44:07
  Speaker 1: Quentin is killing an Abbot. She and Arnold and Teacher
• 44:13
  Speaker 1: Campbell had that show and then ten years later had
• 44:16
  Speaker 1: a whole another show. So it's hard to compete with
• 44:17
  Speaker 1: somebody who just has twenty years on you, but her
• 44:20
  Speaker 1: trajectory because I've been watching Quentin since a large he
• 44:25
  Speaker 1: got money. So from instag one day we're gonna count
• 44:28
  Speaker 1: how you did on social media to your first thing couse,
• 44:32
  Speaker 1: from from from Instagram to BuzzFeed to Black Ladies Sketch
• 44:36
  Speaker 1: Show to Abbot. Quldn't have been funny a long time,
• 44:39
  Speaker 1: about twelve, twelve, thirteen years now, Yeah, long career. She
• 44:43
  Speaker 1: was the best part of us Feed to me, she
• 44:45
  Speaker 1: was doing that Millie Rock all across the all across
• 44:48
  Speaker 1: the Paris and stuff. That's funny. People be gay her picture,
• 44:53
  Speaker 1: people be gay. I love Kate McKinnon. She'd be cracking me. Man,
• 44:58
  Speaker 1: this is tough. Yeah, Kristen Wiggers my little damn it.
• 45:03
  Speaker 1: You know what I want to ask you, have you
• 45:05
  Speaker 1: seen a movie funnier than Bridesmaids since Bridesmaids came out?
• 45:08
  Speaker 1: I couldn't think of anything funnier since Bridesmaids. When did
• 45:11
  Speaker 1: they come out? Twenty the year old on I spent
• 45:16
  Speaker 1: ten years. I believe that's been year. It's been more
• 45:17
  Speaker 1: than twenty eleven. I don't know nothing that's been funner
• 45:21
  Speaker 1: than Bridesmaids since twenty eleven. Top to bottom, I don't
• 45:25
  Speaker 1: think so. I've seen some funny stuff. Yeah, I don't
• 45:28
  Speaker 1: think top to bottom.
• 45:29
  Speaker 2: I don't think anything is top Bridesmaids comedically, because because
• 45:34
  Speaker 2: Black Dynamite was before.
• 45:35
  Speaker 1: When's Girls Trip is after? I like Girl Strip, but
• 45:39
  Speaker 1: I think Bridnese Maids funny. All right, all right, come on, man,
• 45:43
  Speaker 1: hurry up. This is tough. It's tough. Yeah. Melissa McCarthy
• 45:47
  Speaker 1: sitting right here, Dorothy is and I pulled up to
• 45:52
  Speaker 1: the movies for that one too.
• 45:54
  Speaker 2: Several times.
• 45:55
  Speaker 1: I've seen that's all spied the movies. I saw the heat,
• 45:58
  Speaker 1: the heat she carried. She's funny, and Bridesmaids identity there, yeah,
• 46:03
  Speaker 1: oh my god, she had a movie. I'll take you, Spencer.
• 46:08
  Speaker 1: I might have to go, but Woopy Goldberg sending right,
• 46:11
  Speaker 1: I think, I think Woopy Goldberg gotta be. I'm gonna
• 46:14
  Speaker 1: let you have Whoopy Golber. I'm gonna take me. Listen,
• 46:16
  Speaker 1: Whoop we go out and taking Whoopy? You taking betause
• 46:18
  Speaker 1: you don't appreciate her Sister Act two Back and Happen
• 46:20
  Speaker 1: and not do.
• 46:21
  Speaker 2: Does I appreciate Burglar Jumping Jack Flash?
• 46:23
  Speaker 1: I appreciate sister Act Sister Act two Fatal Beauty. You
• 46:27
  Speaker 1: ain't even seen these three movies.
• 46:28
  Speaker 2: I just said, I'm taking whooping.
• 46:30
  Speaker 1: You get a listen, okay, man, because you ain't see
• 46:33
  Speaker 1: Fatal Beauty. You ain't seen did it? Man? I did it?
• 46:37
  Speaker 1: Whoopy Goldberg? Yeah, arnor mentions. I'm gonna throw in uh
• 46:42
  Speaker 1: Martin Gibbs. I'm gonna throw in uh Jennifer Lewis. I
• 46:46
  Speaker 1: want her to pay my mom for Lewis's man. Funny.
• 46:48
  Speaker 1: Jennifer Lewis is very when she cuts Tupac out poetic justice.
• 46:55
  Speaker 1: Just put the fucking secred red out boy and also
• 46:59
  Speaker 1: n C nash Man Renal nine one one man is
• 47:04
  Speaker 1: so funny. The other lady in there, I can't remember
• 47:07
  Speaker 1: her name is. She's in Bridesmaids I believe as well.
• 47:11
  Speaker 1: You know what I'm talking about. Them two in Renal Night, Yes,
• 47:15
  Speaker 1: it's something like that, them too, Yes, them two in
• 47:20
  Speaker 1: Renal nine one one. Have you seen that? Oh dog?
• 47:23
  Speaker 1: Ni Nash so funny in that she had the she
• 47:25
  Speaker 1: had this squiggly sideburns dog. It used to be so funny, man,
• 47:31
  Speaker 1: That whole show was really funny. But she is the
• 47:33
  Speaker 1: funniest part. It's funny to me.
• 47:38
  Speaker 2: Man, Robin, the d Wan, the Sikes, Jennifer Coolidge, Katherine O'Hara.
• 47:44
  Speaker 1: There's so many Catherine o' harris, Ship's Creek. Angel loves her.
• 47:51
  Speaker 1: She's great. Angel talks about I don't know some movies
• 47:54
  Speaker 1: she talked about with her. She had them wigs on
• 47:56
  Speaker 1: the wall in Shit's Creek. Brisia Webb. Brisia Webb is
• 48:00
  Speaker 1: on that same trajectory Shore webbon a lot of funny stuff.
• 48:03
  Speaker 2: Rather Wilson used to funny. I ain't seen her in
• 48:05
  Speaker 2: a man Palmer is funny.
• 48:10
  Speaker 1: That's a lot to y'all. Be mad in the comments. Okay,
• 48:12
  Speaker 1: we understand, we understand. We couldn't fit everybody. It's only ten.
• 48:17
  Speaker 2: Just back up, off man, Just be mad.
• 48:19
  Speaker 1: Pick your own list. The only person you can defend
• 48:23
  Speaker 1: is Lucia Bard. She ain't coming off that list. Hell,
• 48:27
  Speaker 1: she's solidified coming off that list. All right. Kim Fields
• 48:32
  Speaker 1: another good one. Funny, She's been funny in a long time.
• 48:39
  Speaker 1: All Right, This or that is it? Me or him?
• 48:44
  Speaker 1: All right? This or that? What we got after? Actress edition?
• 48:50
  Speaker 1: One actor and actress in all their catalog must go?
• 48:55
  Speaker 1: All right, this is brutal the list.
• 49:00
  Speaker 2: Oh, I'm giving it the care.
• 49:03
  Speaker 1: Okay, actor and actress addition one actor actress and all
• 49:08
  Speaker 1: of their catalog. All right.
• 49:12
  Speaker 2: Tom Cruise versus Keanu Reeves.
• 49:18
  Speaker 1: One Gotta go is daddy? Isn't it? What Tom Cruise
• 49:26
  Speaker 1: is the movie star? No Speed, No Matrix. Matrix is
• 49:29
  Speaker 1: what I'm gonna miss the most. I love No Point,
• 49:33
  Speaker 1: Tom Cruise, Top Gun, Top Gun, Maverick, which was fantastic,
• 49:37
  Speaker 1: all the Mission Impossibles, everything, Mission Impossible. I can't lose it.
• 49:44
  Speaker 1: Your boy with Robert H. Ray Man. What's that movie
• 49:50
  Speaker 1: with Tom Cruise and Dustin Hoffman? Raymon? Good? Tropic Thunder,
• 49:56
  Speaker 1: He had the fat.
• 49:57
  Speaker 2: Hands, keeping man. He was funny and it was It
• 50:02
  Speaker 2: was a cameo.
• 50:03
  Speaker 1: But No Mission Impossible alone franchise for franchise, Miss Impossible Alone,
• 50:07
  Speaker 1: On On On, Mission Impossible Alone, Top Gun, Mission Impossible,
• 50:11
  Speaker 1: speed speak Jo john Wick, Listen, I like john Wick.
• 50:16
  Speaker 1: But after one, it's it's the main movie the Matrix
• 50:20
  Speaker 1: first really good, second, one good third one. I don't
• 50:23
  Speaker 1: miss it, got to miss it at all. Yeah, Tom Cruise, Man,
• 50:27
  Speaker 1: he is the movie stars, movie star. And what's the
• 50:31
  Speaker 1: one we slid in the socks? Risky risky business. You
• 50:35
  Speaker 1: ain't see that movie, see, I said, sliding socks.
• 50:38
  Speaker 2: I see, you're just going on the scene. Gone, I'm
• 50:45
  Speaker 2: gonna have to lose. But it's tough though.
• 50:51
  Speaker 1: He made it too easy easy, it's easy being cheesy. Cruise.
• 50:56
  Speaker 2: His catalog is too dense.
• 50:58
  Speaker 1: It's too dense. Man.
• 50:59
  Speaker 2: He got he got Jared McGuire, got ray Man, got
• 51:02
  Speaker 2: mister the other one.
• 51:03
  Speaker 1: I was trying to think. He got born on the
• 51:04
  Speaker 1: fourth of July. You know what I'm saying.
• 51:06
  Speaker 2: He got the Minority Report, he got one World. You
• 51:08
  Speaker 2: know what I'm saying, he got the firm, he got
• 51:11
  Speaker 2: a few good men. Yeah, you know what I'm saying.
• 51:13
  Speaker 1: This is what I was easy, and.
• 51:15
  Speaker 2: It's crazy last Sam Murai and he's more versatile than that. Yes,
• 51:20
  Speaker 2: all right, you know what I'm saying. Okay, Michael Eley, Well,
• 51:25
  Speaker 2: Terrence Howard.
• 51:27
  Speaker 1: One gotta go, one gotta go. I got Michael Yeah yeah,
• 51:34
  Speaker 1: Terrence Howard got hustling Flow, they got Sunset Park, he
• 51:38
  Speaker 1: got best Man, Empire, Empire, he got the President, he
• 51:44
  Speaker 1: say Maine. Yeah he's Terrence Terrence how pretty easy. Yeah,
• 51:49
  Speaker 1: you know what I'm saying. Ey threw them babies out
• 51:52
  Speaker 1: the window too. That's a demerit.
• 51:53
  Speaker 2: Oh I ain't see that movie. Oh my god, got
• 51:56
  Speaker 2: the Colored Girls, got no interest? All right, this is
• 51:59
  Speaker 2: you be a little tougher. Okay, Okay, Sandra Bullot, she's
• 52:04
  Speaker 2: comedic too. Julia Roberts my two favorite white women. Talk
• 52:10
  Speaker 2: about two fair white women of all time.
• 52:12
  Speaker 1: Tough right here? Yeah, get your feet together. Okay, movies
• 52:17
  Speaker 1: now let me think.
• 52:18
  Speaker 2: You gotta break it all my love for Julia out.
• 52:21
  Speaker 1: Take take it out.
• 52:21
  Speaker 2: Just look at the resume.
• 52:22
  Speaker 1: Okay, you got Aaron Brockovich, you got pretty Woman, you
• 52:25
  Speaker 1: got the Oceans eleven Pelican brief. Okay, you got speed,
• 52:30
  Speaker 1: you got bird Box, you got that romantic comicy with
• 52:33
  Speaker 1: Ryan Reynolds, the proposed the Proposal. She's really funny in
• 52:37
  Speaker 1: that you got speed two, cruise control got blind side.
• 52:41
  Speaker 1: It's not her fault. She was good, she was great.
• 52:44
  Speaker 1: She was good at it. Who got gravity? Gravity? Practical?
• 52:51
  Speaker 1: Magic under the seen?
• 52:52
  Speaker 2: And man, what movies am I gonna miss the most?
• 52:54
  Speaker 2: So I gont no Oceans eleven?
• 52:56
  Speaker 1: Nope, no pretty woman and Brakovich, no sleeping with the end.
• 53:03
  Speaker 1: I gotta go central Bullock. And when you're losing someone
• 53:06
  Speaker 1: losing Sandra. Ocean's eleven is probably my most easily rewatchable
• 53:11
  Speaker 1: movie franchise of all time, the whole region, not the
• 53:14
  Speaker 1: old franchise. I don't like twelve twelve was, but eleven
• 53:17
  Speaker 1: and thirteen.
• 53:18
  Speaker 2: Oh you gotta have eight in there with Sandra Bullock.
• 53:23
  Speaker 1: I was talking about that one. That one is not poorly.
• 53:27
  Speaker 1: I don't like the problem with eight is the problem
• 53:29
  Speaker 1: with twelve. I don't like the heights was the secret
• 53:32
  Speaker 1: heightst that we didn't show you? Oh yeah, if you're
• 53:34
  Speaker 1: gonna do the heighst? I don't like what secretly when
• 53:37
  Speaker 1: y'all was watching the movie, we did this last Tuesday?
• 53:40
  Speaker 1: What I want to watch what happens? And then you
• 53:46
  Speaker 1: could trick me, like in thirteen you thought the helicopter
• 53:48
  Speaker 1: was this and the gun, Like, you tricked me, but
• 53:50
  Speaker 1: you can't show me. So I've never seen never foreseen
• 53:53
  Speaker 1: footage that we didn't get a part of. Yeah, like
• 53:55
  Speaker 1: that's not fair. So that's why eight and twelve have
• 53:58
  Speaker 1: the same problem. And I'm like, they sitting in jail
• 54:00
  Speaker 1: the whole time in twelve, and they did the thing
• 54:01
  Speaker 1: two weeks ago.
• 54:02
  Speaker 2: I'm really only feeling one. To be honest with you,
• 54:04
  Speaker 2: I love thirteen thirteen.
• 54:07
  Speaker 1: You know, remember thirteen was Appucna was opening the he
• 54:10
  Speaker 1: was trying to get the five star hotel. I remember,
• 54:12
  Speaker 1: and he was like the golf course and the food.
• 54:14
  Speaker 1: You think you got my handicapin. The guy walked out.
• 54:16
  Speaker 1: He was like, oh, they'll tricked me all the way
• 54:18
  Speaker 1: through and through. And then they had the other guy,
• 54:20
  Speaker 1: the other thief was with them. They tricked him too. Yeah,
• 54:28
  Speaker 1: that one is the hardest. Sandra Bullock and Julia, that's
• 54:31
  Speaker 1: the toughest one. But I also really liked Aaron Brockovich.
• 54:36
  Speaker 1: But Speed is a good no love Speed. Speed is
• 54:40
  Speaker 1: just a movie. That's just the bus goes under the Yeah. Yeah, men,
• 54:46
  Speaker 1: if you ain't no this is the rule, you're also
• 54:49
  Speaker 1: losing Demolition Man Oh, she was so funny in that too,
• 54:54
  Speaker 1: And you're losing love posting number nign Oh, it's just tough.
• 55:04
  Speaker 2: You're losing miss congeniality wanting in gravity. I said that before, but.
• 55:13
  Speaker 1: It was good too.
• 55:18
  Speaker 2: I'm a I gotta say with Julia, I think I'm
• 55:22
  Speaker 2: a woman.
• 55:23
  Speaker 1: It's just so, it's so good. Aaron Brockovich, it's so good.
• 55:29
  Speaker 1: I feel like you know what, man, I feel like
• 55:31
  Speaker 1: Julia ain't got into real estate. For me.
• 55:34
  Speaker 2: It's really Ocean's eleven because I like that oce Is eleven.
• 55:39
  Speaker 2: She's not a major part.
• 55:40
  Speaker 1: Of CenTra Bullet.
• 55:41
  Speaker 2: Man.
• 55:42
  Speaker 1: I'm sorry, Julia, I'm losing my favorite Julia. You're not
• 55:46
  Speaker 1: in You're not in my favorite thing. Yeah, she's not
• 55:49
  Speaker 1: in Ocean's eleven like that. No, she's in there, but
• 55:51
  Speaker 1: she ain't in there. No. So yeah, I'm losing. I'm
• 55:54
  Speaker 1: losing Julia.
• 55:55
  Speaker 2: You're keeping Sandra's not because she got my mom's name.
• 56:01
  Speaker 2: Viola Davis, Angela Basson. You ain't shift for this, Marquita
• 56:08
  Speaker 2: worth a damn their whole catalog, this face off.
• 56:12
  Speaker 1: You ain't worth a hot damn damn. I'm gonna tell
• 56:16
  Speaker 1: you what makes it. This is this is hard. What
• 56:22
  Speaker 1: makes it easy? Error is Jackson five American Dream. I
• 56:29
  Speaker 1: can't lose it. I can lose how to get Away
• 56:32
  Speaker 1: with Murder, Viola in Doubt and and uh Fences Woman
• 56:39
  Speaker 1: King severely underrated, but Angela Bassett, What Love's got to
• 56:45
  Speaker 1: do with it? Black Panther one and two Boys in
• 56:51
  Speaker 1: the Hood. Jackson five American Dream is a cultural classic.
• 56:57
  Speaker 1: That's just part of the fabric of my being. And
• 57:01
  Speaker 1: she's in there. She in a few Missing Impossibles as well,
• 57:03
  Speaker 1: and she's in the Few Mission Impossibles. She's in nine
• 57:07
  Speaker 1: one one. You know, I don't got to watch that
• 57:09
  Speaker 1: on Fox. You'll be watching it. I'll be watching television.
• 57:14
  Speaker 1: Wait next up.
• 57:15
  Speaker 2: I Stella got her groove back?
• 57:16
  Speaker 1: Tate Diggs young, but you've never seen it. Why would
• 57:20
  Speaker 1: I watch that? It's a blind it's a good little black.
• 57:23
  Speaker 1: Why would I watch Why would I watch some of
• 57:26
  Speaker 1: this stuff? Everybody watches that. Gotta consider how old I
• 57:29
  Speaker 1: was when stuff was? How old were you when Stella
• 57:31
  Speaker 1: I got a groove back? When they're too young, you
• 57:33
  Speaker 1: could have been giving her a groove back. You're around
• 57:35
  Speaker 1: the age.
• 57:35
  Speaker 2: You probably be around the age Tate dig was Angelot
• 57:37
  Speaker 2: Basket pulled up on me for the groove back.
• 57:40
  Speaker 1: I would have gave her exactly what she wanted, respectfully.
• 57:43
  Speaker 1: Tate Diggs is fifty five. When was Stella when that
• 57:49
  Speaker 1: movie come out? Oh yeah, so you were twenty one,
• 57:52
  Speaker 1: twenty one, you could have been Hire. I wasn't watching it, Winston,
• 57:57
  Speaker 1: I wasn't watching it. I can't believe it. So you
• 58:00
  Speaker 1: saw the people from that, you was like, man, I'm out, Man,
• 58:03
  Speaker 1: I'm out. I saw Way Nextail in theaters. What's the difference.
• 58:08
  Speaker 1: I was like, I felt like.
• 58:09
  Speaker 2: Way Nextail it was more hype around it, so I
• 58:12
  Speaker 2: had to pull up on that.
• 58:13
  Speaker 1: But this one, I was just like, all right, man,
• 58:17
  Speaker 1: it's cool. You know what I'm saying. That wasn't That wasn't.
• 58:19
  Speaker 2: That wasn't for me, demograph, but I would I would
• 58:23
  Speaker 2: also lose all the Davis reluctantly no.
• 58:27
  Speaker 1: That she's good, Like nobody talks about Woman King. I
• 58:31
  Speaker 1: love the Woman King. Yeah, Davis, how to get made Murder,
• 58:35
  Speaker 1: especially early episodes, really good.
• 58:37
  Speaker 2: She's fantastic, all right, Meryl Street.
• 58:43
  Speaker 1: Asked my white girl, Glenn Close. I already know what
• 58:48
  Speaker 1: he picking. Meryl Street, Mayl Street. There was part of
• 58:51
  Speaker 1: tooth For to Come Out? Man, huh the works part
• 58:53
  Speaker 1: of too For to Come Out? Yeah. I like Glenn Close.
• 58:57
  Speaker 1: She wasn't that Tyler Perry movie she was. It was weird. No,
• 59:01
  Speaker 1: that was what's his name?
• 59:03
  Speaker 2: The other dude, other dude, the other filmmaker, not Tyler Perry,
• 59:08
  Speaker 2: precious dude.
• 59:10
  Speaker 1: Oh Daniel, it was yeah, I got to keep she
• 59:16
  Speaker 1: can saydn't something else.
• 59:18
  Speaker 2: I think Meryl Street might be the greatest absolute actor
• 59:23
  Speaker 2: male or female, I've ever seen.
• 59:25
  Speaker 1: I would I would not argue with you.
• 59:28
  Speaker 2: I think she is the most I know they'd be
• 59:30
  Speaker 2: like Daniel day Lewis, But I don't know if that
• 59:33
  Speaker 2: nigga can do comedy. No, and she know Mayl Street
• 59:36
  Speaker 2: can be funny, and I feel like he's allure is
• 59:38
  Speaker 2: like he's method acting. He'll even be hearing about Meryll
• 59:43
  Speaker 2: doing all that methody stuff.
• 59:45
  Speaker 1: Now, I don't know she's a method actor. You see
• 59:46
  Speaker 1: Kristen Stewart say that male men have to do method
• 59:50
  Speaker 1: acting because they're afraid to be vulnerable, so they have
• 59:53
  Speaker 1: to be like in order to do it. He's like
• 59:55
  Speaker 1: he's in character all the time. She's like, you never
• 59:56
  Speaker 1: hear women do that, and they deliver far better performances.
• 59:59
  Speaker 1: And you never hear of a woman being a method actress.
• 1:00:02
  Speaker 1: They be normal on set because they're able to be
• 1:00:04
  Speaker 1: vulnerable and men aren't. In order to do it. He's
• 1:00:07
  Speaker 1: met it, he's met it. And I was like, I
• 1:00:09
  Speaker 1: never even thought about that point, because I rarely hear
• 1:00:13
  Speaker 1: about She pulled the two foul for this room. You
• 1:00:17
  Speaker 1: hear about it. Women be going to work, picking up
• 1:00:20
  Speaker 1: their kids, getting gased. Come and deliver the thing, and
• 1:00:24
  Speaker 1: go by the grocery store and go see a movie,
• 1:00:26
  Speaker 1: go to a concert. I never even thought about that.
• 1:00:29
  Speaker 1: You got lock and stuff in the hotel. You got
• 1:00:31
  Speaker 1: locky stuff in the hotel for six months pre production.
• 1:00:33
  Speaker 1: It's all it was dark. He was musty. It's all
• 1:00:36
  Speaker 1: this other stuff. But you gotta see. You gotta keep
• 1:00:40
  Speaker 1: my headline. They gotta close my eyes. You can't look
• 1:00:43
  Speaker 1: at them on set. You'll never women be like hello,
• 1:00:45
  Speaker 1: on time to act, okay, and I'm acting okay, let's launch.
• 1:00:52
  Speaker 1: She purposely distanced herself that I see. I can see that,
• 1:00:57
  Speaker 1: but you ain't hear her, just like she was locked
• 1:00:59
  Speaker 1: in the part. And in six months, I.
• 1:01:01
  Speaker 2: Feel like that's the most common form of method acting
• 1:01:03
  Speaker 2: with people distance themselves from people. But I feel like
• 1:01:06
  Speaker 2: that's the easier one.
• 1:01:07
  Speaker 1: For sure. You ain't see they was on drugs and stuff.
• 1:01:11
  Speaker 1: You don't hear that women got on the man. I
• 1:01:13
  Speaker 1: got to do something today. I can't just be as
• 1:01:16
  Speaker 1: my character and stuff. Man. I got dinner. Me and
• 1:01:19
  Speaker 1: my friends are going out. Man, I'm regular because.
• 1:01:21
  Speaker 2: They gotta come home with them kids. Yeah, Mom, why
• 1:01:24
  Speaker 2: are you acting like this? I'm in character, bitch. See,
• 1:01:29
  Speaker 2: I'm picking Meryl to stay.
• 1:01:31
  Speaker 1: She's my favorite. She's my favorite actions of all times.
• 1:01:34
  Speaker 1: All right, all right, we're done, one o two, y'all
• 1:01:37
  Speaker 1: getting healthy episodes. That was a good loan, good loan.
• 1:01:40
  Speaker 1: All right, We'll see y'all next week.