Latest / GOLDSTÜCKLi ahoy / Igor Amore holt seine Flöte

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Igor Amore holt seine Flöte · GOLDSTÜCKLi ahoy

• 0:01
  Speaker 0: Goldstückli Ahoj.
• 0:03
  Speaker 0: This show is sponsored by you, listeners out there fanclub.com
• 0:11
  Speaker 1: slash goldstuckli.
• 0:13
  Speaker 1: join the platform now!
• 0:20
  Speaker 1: Goldstruckli ahoj.
• 0:22
  Speaker 1: In your ears it's as sweet as lemonade.
• 0:26
  Speaker 1: There are six new songs.
• 0:28
  Speaker 1: They're good that you can listen to them on their.
• 0:40
  Speaker 0: Ladies and gentlemen, non-binary listeners.
• 0:42
  Speaker 0: This is Goldstückli Ahoj, your favorite format for the topic of new music.
• 0:46
  Speaker 0: you are at the start We're on Stessel and my name is Vincent and I'm sitting next to Ueli Hefliger.
• 0:50
  Speaker 0: Hello
• 0:51
  Speaker 1: Vincent!
• 0:51
  Speaker 1: My dear.
• 0:51
  Speaker 1: how's
• 0:52
  Speaker 0: it going today?
• 0:53
  Speaker 0: Very
• 0:54
  Speaker 1: good
• 0:55
  Speaker 0: Oh yes That can be convincing.
• 0:58
  Speaker 1: Yes, it's just an up and down.
• 1:00
  Speaker 1: And today is so in the middle but easy.
• 1:02
  Speaker 1: Tell me simply from your week?
• 1:03
  Speaker 1: I think that was cool... So this week
• 1:05
  Speaker 0: you were hard with other words!
• 1:07
  Speaker 0: Yeah
• 1:07
  Speaker 1: no not really hard now.
• 1:08
  Speaker 1: The line-up is like
• 1:10
  Speaker 1: where?!
• 1:11
  Speaker 1: But sometimes it's awesome and sometimes not
• 1:17
  Speaker 0: even that great.
• 1:18
  Speaker 0: But as loud as possible, do you know what I mean?
• 1:22
  Speaker 0: But the loudness right now is just average.
• 1:27
  Speaker 0: Okay, cool.
• 1:28
  Speaker 1: Challenge accepted!
• 1:29
  Speaker 0: Very nice.
• 1:30
  Speaker 0: My
• 1:30
  Speaker 1: week was great
• 1:31
  Speaker 0: right?
• 1:32
  Speaker 0: Yeah I took pictures at the European Film Market.
• 1:34
  Speaker 0: This is the fair where it's about the scouts and the rights to films that are parallel to Berlin and as part of the Berlin Wall.
• 1:45
  Speaker 0: And this was very interesting, interesting people on stage, interesting talks I got with them actually only pretty people at EFM but all hands-on people.
• 1:55
  Speaker 0: So everyone has a project like what they
• 1:58
  Speaker 1: really want.
• 1:59
  Speaker 1: Handzom
• 1:59
  Speaker 0: and handzorn Both Yes both.
• 2:01
  Speaker 0: And then the whole thing led me to a crew of one movie that invited me on the red carpet and take pictures there again.
• 2:12
  Speaker 0: The British Nigerian film Lady,
• 2:16
  Speaker 1: which
• 2:17
  Speaker 0: was really legendary for an amazing crew or whatever it is... An all-female cast plays this film in Lagos and the taxi driver tells us about to her gigs and therefore morally and also otherwise not really understood.
• 2:40
  Speaker 0: And then this story develops over ninety minutes, but it is also reached a very general understanding of the topic.
• 2:48
  Speaker 0: when does the point reach where I can no longer or do not want anymore and say fuck you.
• 2:52
  Speaker 0: now there are annoyingly great films by Oliver Nwosu whom one can only watch on Berlinale at that time But i hope he still comes out Amazingly great.
• 3:02
  Speaker 0: I was allowed to accompany the gang on a red carpet, at the Zoo Palace and then I was also allowed into the cinema and watch movies.
• 3:10
  Speaker 0: And afterwards we went for a party here in Skolls!
• 3:15
  Speaker 0: Peter worked with Berlinale as well because while I took pictures... We got an invitation from Europe after the European premiere.
• 3:24
  Speaker 0: Then there were a lot of Shampoos bottles, cards and musicians were hired.
• 3:31
  Speaker 0: a nice party here at our studio with the great gang from Lady.
• 3:37
  Speaker 1: Where does Peter live?
• 3:37
  Speaker 1: From the party
• 3:38
  Speaker 0: man!
• 3:38
  Speaker 0: Yes, Peter has organized a party.
• 3:39
  Speaker 0: A very, very cool movie.
• 3:40
  Speaker 0: if he should come out sometime next time then take a look right away.
• 3:45
  Speaker 0: when someone is listening to you who is in the rental business or wants to advertise on this film maybe... He's
• 3:51
  Speaker 1: looking for an apartment!
• 3:52
  Speaker 0: I don't know whether it was already found for Europe but there isn´t yet clear where and what is now for normal people to be seen.
• 3:59
  Speaker 0: I will definitely give it to you because this film is really, really strong.
• 4:04
  Speaker 0: Such a powerful movie and such great actors.
• 4:09
  Speaker 0: And also the vibe that took place here at this party was amazing too!
• 4:14
  Speaker 0: So it's been really extremely good.
• 4:16
  Speaker 1: We don't have to go on a taxi from our gig because we're already in gold right now.
• 4:22
  Speaker 1: And now we have new music from
• 4:24
  Speaker 0: an artist on the record label, who left us alone for ten years.
• 4:30
  Speaker 0: They had nothing to do with it and all of them waited for new music by Peaches.
• 4:36
  Speaker 0: Ten years?
• 4:38
  Speaker 0: No more records were released since in two thousand
• 4:41
  Speaker 1: five.
• 4:42
  Speaker 1: That's even eleven!
• 4:43
  Speaker 0: And now she has Meryl Niska, so it's called with a bourgeois name.
• 4:47
  Speaker 0: Finally the studio is back, or rather her drum machine and new songs are recorded for the new LP.
• 4:54
  Speaker 0: No Loop So rude.
• 4:56
  Speaker 1: What's up
• 4:59
  Speaker 0: with that?
• 5:05
  Speaker 0: And if you have to use a guide, why not?
• 5:16
  Speaker 0: There are really great titles on this record.
• 5:29
  Speaker 0: Like for example... A title like Not In Your Mouth and None Of Your Business.
• 5:36
  Speaker 0: Fuck your face!
• 5:39
  Speaker 0: No loops or root.
• 5:40
  Speaker 0: Fuck how ya wanna fuck.
• 5:41
  Speaker 0: Then there's also the one chosen by us.
• 5:44
  Speaker 0: A piece of hanging titties that I want to play today.
• 5:48
  Speaker 1: Autobiographical trains probably.
• 5:50
  Speaker 1: Or rather an announcement.
• 5:51
  Speaker 1: It's not about the whole thing.
• 5:53
  Speaker 1: that will be made clear to you.
• 5:57
  Speaker 1: We all have to look perfect, right?
• 6:00
  Speaker 0: That is one thing for sure.
• 6:02
  Speaker 0: and among other things it is also about becoming older.
• 6:04
  Speaker 0: but still on sexuality... It is perhaps a record that seems to be even more necessary, so from my point of view it's a record which seems to still seem more necessary than those fucking pain away songs.
• 6:17
  Speaker 0: Because back then in the year two thousand was about the pain you feel as an individual with sex almost to fuck off if we can say this directly.
• 6:27
  Speaker 0: Yes
• 6:27
  Speaker 1: yes You could
• 6:29
  Speaker 0: And that was such an individual problem.
• 6:31
  Speaker 0: But now I have the feeling that Meryl Niska aka Pitches has the whole world Older than you, looking so cunt.
• 6:49
  Speaker 0: Oh look at me on
• 6:51
  Speaker 1: my cunt.
• 6:52
  Speaker 1: Thirsty
• 6:54
  Speaker 0: March, my hanging titties Hit like the punch Older than you Looking to
• 6:59
  Speaker 1: con.
• 6:59
  Speaker 1: Oh look at you on my con.
• 7:02
  Speaker 1: Thirsty march My hangin' titties hit Like The Punch.
• 7:06
  Speaker 1: Keep it up,
• 7:15
  Speaker 0: keep it up A venereal.
• 7:27
  Speaker 0: take me away Straight To The Cleaner.
• 7:28
  Speaker 0: Convert You To Gay.
• 7:30
  Speaker 0: Keep It Up Or Get Out Of My Way.
• 7:31
  Speaker 0: I Got The Cure.
• 7:32
  Speaker 0: UK.
• 7:33
  Speaker 0: I Got Venereal.
• 7:34
  Speaker 0: Take Me Away Straight ToTheCleanerConvertYouToGay KeepItUpOrGetOutOfMyWayI gotthecureuk.
• 7:40
  Speaker 1: If u sneeze i say blessu.
• 7:42
  Speaker 1: if u beg I will fist you up your ass, past the tissues.
• 7:46
  Speaker 1: Where to me?
• 7:47
  Speaker 1: I can't issues.
• 7:47
  Speaker 1: If you sneeze i'll say bless you
• 7:49
  Speaker 0: if u beg.
• 7:50
  Speaker 1: I will FIST YOU UP YOUR ASS.
• 7:52
  Speaker 1: Past The Tissues.
• 7:53
  Speaker 1: Where To Me?
• 7:54
  Speaker 1: I Can't Issues.
• 8:01
  Speaker 1: Thirsty much my hanging titties Hit like a punch Older than You Look Until Conthusty Much My Hanging Titties Hit Like A Punch.
• 8:13
  Speaker 1: What's Up With That?
• 8:15
  Speaker 1: All U
• 8:15
  Speaker 0: Nipple Babys Need A Whip Man.
• 8:19
  Speaker 0: Hey Let Me State
• 8:21
  Speaker 1: Fact.
• 8:22
  Speaker 1: Peach is with hanging titties in, let's say, sixteen months.
• 8:28
  Speaker 1: There is a song by Madonna that sounds exactly the same.
• 8:35
  Speaker 1: In sixteen months?
• 8:38
  Speaker 1: Yes, because they need so long to make this sound and run after it.
• 8:47
  Speaker 1: I don't know if Stuart Price would do with it!
• 8:56
  Speaker 1: He's already trying again for quite some time now...
• 9:07
  Speaker 0: I don't know about that, but if Madonna is looking for a new sound then she won't
• 9:31
  Speaker 1: say Oh Stuart Price with
• 9:34
  Speaker 0: you.
• 9:34
  Speaker 0: But it has to be loyal now!
• 9:35
  Speaker 0: I can't think of anything like this anymore.
• 9:39
  Speaker 0: So I can imagine that a sound like this would come out again from Madonna.
• 9:54
  Speaker 0: Wordpeaches with hanging titties just heard at Goldstückler Hall.
• 9:58
  Speaker 0: Speaking
• 9:58
  Speaker 1: of samples... I believe the king of the samples.
• 10:02
  Speaker 1: currently You can really just say that it's
• 10:05
  Speaker 0: Fred again.
• 10:07
  Speaker 1: His name, right?
• 10:08
  Speaker 1: Pitchfork the bloopers music blogger said putting the adverb in his Allias to good use.
• 10:14
  Speaker 1: And that's true, especially the last seven days in my Instagram bubble.
• 10:17
  Speaker 1: Dude it was just Fred again!
• 10:20
  Speaker 1: It has been so popular on all sides of all kinds of
• 10:25
  Speaker 0: channels.
• 10:25
  Speaker 0: Do you make comedy videos like this?
• 10:27
  Speaker 0: No not
• 10:27
  Speaker 1: really.
• 10:27
  Speaker 1: but he played a kind of homecoming festival one week ago at the Alexander Palace in London because his current record is USB which just came out.
• 10:41
  Speaker 1: Ballad ein, nur so zu mit Features und Remixes.
• 10:44
  Speaker 1: Und neuen Songs sind sechsunddreißig Songs auf diesem Album was vor zwei Wochen erschienen ist.
• 10:50
  Speaker 1: Also wie du immer sagst man müsste eigentlich aufzählen wer da nicht drauf
• 10:53
  Speaker 0: ist.
• 10:53
  Speaker 0: Ja?
• 10:54
  Speaker 1: Und seine Kunst!
• 10:54
  Speaker 1: Seine große Kunst is ja nicht einfach Sachen zu sampellen sondern etwas Neues drauszumachen.
• 10:59
  Speaker 1: also es wird halt kein remix Sondern es wird dann take over und er nimmt dann immer Sachen raus aus gewissen Songs
• 11:06
  Speaker 0: um macht
• 11:06
  Speaker 1: daraus einen neuen hit Wie zum Beispiel auch zusammen with Jamie Tee.
• 11:09
  Speaker 1: There was a part of Jamie T's song Hippodrome from the year two thousand and twenty-three, so also four years
• 11:18
  Speaker 0: old.
• 11:18
  Speaker 0: But
• 11:18
  Speaker 1: it generated new riffs like Lights, Burn, Dimmer used in Jamie T. that dropped again and again but this is not the riffraff for the song.
• 11:25
  Speaker 1: And Fridergen gets there... To make a new song out of it.
• 11:30
  Speaker 1: Where
• 11:30
  Speaker 0: you think, oh crap!
• 11:31
  Speaker 0: And this Instagram party was so intense that now again you have to play Fred again and again because it's the Fred again right?
• 11:38
  Speaker 0: Because there really is a lot going
• 11:40
  Speaker 1: on lately or am I wrong?
• 11:41
  Speaker 1: We didn't talk about it once here in Format, we just
• 11:42
  Speaker 0: talked over it
• 11:43
  Speaker 1: all the time.
• 11:44
  Speaker 1: Oh okay.
• 11:44
  Speaker 1: My love for Fred again started with Angie McMahon five years ago.
• 11:47
  Speaker 1: I think with Mangie... M-m-mangie Of course with Angie.
• 11:51
  Speaker 0: Mangee!
• 11:52
  Speaker 0: There was only one small
• 11:55
  Speaker 1: sentence taken out of Angie's songs,
• 11:58
  Speaker 0: I've been lost.
• 12:00
  Speaker 0: Yes now i remember!
• 12:01
  Speaker 0: Then
• 12:01
  Speaker 1: we had Ten here with Josie for
• 12:05
  Speaker 0: about four years
• 12:06
  Speaker 1: but never again.
• 12:07
  Speaker 1: and Now this USB album came out such a collection of things that he has never released.
• 12:13
  Speaker 1: And then in this festival in the Alley Pally just all offered.
• 12:17
  Speaker 1: It's not only the best curator, according to Diplo from around the world.
• 12:23
  Speaker 1: But it also has things that were inspired by
• 12:27
  Speaker 0: generations.
• 12:27
  Speaker 0: He was behind the curtain and then Jamie T came up on stage here and then everything else would be here.
• 12:31
  Speaker 0: Mike Skinner probably?
• 12:32
  Speaker 1: Exactly!
• 12:33
  Speaker 1: Mike Skinners was still there.
• 12:34
  Speaker 1: Mike skinner gave his song about Turn The Page in Remix.
• 12:37
  Speaker 1: Then came Jamie a hip hopper who put a rhyme over it.
• 12:42
  Speaker 1: afterwards Um, had Fred again born slippy on gespielt from underworld.
• 12:47
  Speaker 1: and um The great Mike Skinner got a song from his first album called
• 12:53
  Speaker 0: Week Become Heroes.
• 12:53
  Speaker 0: Okay, that's too much detail for me... No!
• 12:55
  Speaker 0: You
• 12:56
  Speaker 1: have to look at
• 12:57
  Speaker 0: it!
• 12:57
  Speaker 0: It's so cool!
• 12:59
  Speaker 0: I'm looking at you now but you have to tell the story every second of this kind and then Mike Skinners is on the right side of the stage.
• 13:09
  Speaker 1: Something like that?
• 13:11
  Speaker 1: And then you see
• 13:12
  Speaker 0: Carl
• 13:12
  Speaker 1: Heidt with Bon Slippi laying out in the back.
• 13:15
  Speaker 1: It was just a moment And I was so happy the whole week that it wasn't just shit, my week.
• 13:22
  Speaker 1: But Fred again really filled me with the sun in my heart and I was really happy about this absolute mayhem!
• 13:29
  Speaker 1: Yes...I'll
• 13:29
  Speaker 0: take a look at the footage because i think the track is good but on four and half minutes longer there are some moments where they're weak maybe not weak.
• 13:39
  Speaker 0: when you experience the audience There's an off-beat breakdown of the beat and then we start over There's no climax.
• 13:49
  Speaker 0: The climax doesn't... It comes early,
• 13:52
  Speaker 1: right?
• 13:53
  Speaker 1: What I love
• 13:55
  Speaker 0: about it is the vocal chain of Jamie T., how they worked on his voice.
• 14:00
  Speaker 0: It's slightly distorted and a little bit at the border to be enjoyable too.
• 14:05
  Speaker 0: Only then makes sense when the synthesizer comes around in a similar way.
• 14:09
  Speaker 0: You're warm at first and your voice is so distorted, but then the synth comes inside you like this... Yes yes
• 14:13
  Speaker 1: totally!
• 14:14
  Speaker 1: And I just love everything how it's all staged up there.
• 14:17
  Speaker 1: And then it still stays with everyone and says This probably best thing i'll ever do and did nothing.
• 14:24
  Speaker 1: Then you can see how they perform on stage and all of them have a party.
• 14:27
  Speaker 1: I love that.
• 14:28
  Speaker 1: So one simply can't find
• 14:29
  Speaker 0: him bad either?
• 14:30
  Speaker 0: No He's very busy.
• 14:33
  Speaker 0: Game through shout and wise.
• 14:35
  Speaker 0: You have to publicize a lot these days, as Daniel Eck schon said or a friend of Spotify.
• 14:41
  Speaker 0: And he just doesn't let it go!
• 14:48
  Speaker 0: So that's not bad either.
• 14:52
  Speaker 0: what will happen in the end.
• 14:55
  Speaker 0: But I thought
• 15:14
  Speaker 1: we would've had him on the show more often.
• 15:17
  Speaker 1: now... ...I'll take everything back together with Uli Hifleger.
• 15:22
  Speaker 1: Fred again & Jamie Tee with Lights, Burn & Dimmer.
• 15:30
  Speaker 1: Nervous as hell, so I didn't win a lot.
• 15:34
  Speaker 1: You're the soul on the lemon and it's all heart-cracking.
• 15:36
  Speaker 1: South of the river Mindful of any sitting cans for the liquor.
• 15:46
  Speaker 1: Three life flickers, feelin' in my blood Any wish.
• 16:02
  Speaker 1: way I turn out that lies burn dimmer or not?
• 16:07
  Speaker 1: Heart-crackin', south with a river Mindfull of any sittin' cans from the liquor.
• 16:19
  Speaker 1: Fred again with Jamie T together.
• 16:21
  Speaker 1: lights burn dimmer.
• 16:24
  Speaker 1: the first song from the current Fred again album usb.
• 16:29
  Speaker 1: Thirty-six songs on it.
• 16:31
  Speaker 1: That's really a party, a riot!
• 16:32
  Speaker 1: A big party.
• 16:33
  Speaker 1: and in a few weeks there will be even another USP out of the remixes.
• 16:46
  Speaker 1: Ah, crazy.
• 16:49
  Speaker 1: Rewind.
• 16:49
  Speaker 1: So if you don't know better because he is just an easy guy If we didn't know that well then one could almost accept the AI to help him so quickly.
• 17:16
  Speaker 1: so many songs can be published.
• 17:18
  Speaker 1: Yes yes but this is already good.
• 17:23
  Speaker 1: Look at the MPR sessions The Tiny Desk session from him.
• 17:26
  Speaker 1: He does a concert for fifteen minutes.
• 17:29
  Speaker 1: I really had to look at him.
• 17:43
  Speaker 1: When i saw how he made all his analog instruments and constructed it.
• 17:49
  Speaker 1: So Tiny Desk will now watch the wonderful artist Fred again?
• 17:53
  Speaker 1: And what is your name in another session, which you are so excited about right now?
• 18:19
  Speaker 1: The one who played it was Allie Pally, that's where it was.
• 18:23
  Speaker 1: And his Mayhem was basically the USB tour.
• 18:26
  Speaker 1: Okay good!
• 18:26
  Speaker 1: You'll probably find this on YouTube too.
• 18:29
  Speaker 1: Yes, you can find it on YouTube or just by watching The Streets, by Underworld and by watching Fred again.
• 18:36
  Speaker 1: Oh yes!
• 18:36
  Speaker 1: And everywhere in Snippets.
• 18:38
  Speaker 1: All of them.
• 18:38
  Speaker 1: Eswa Collective, Nia Archives are all included.
• 18:42
  Speaker 1: Very nice.
• 18:42
  Speaker 1: Fred again is a smart guy with skills that doesn't need AI to produce music.
• 18:48
  Speaker 1: By the way, Taranomi Doyle isn't here either... Okay?
• 18:52
  Speaker 1: I have a little side-quest story about Taranomidoyle which has also been played into me through Berlinale.
• 19:14
  Speaker 1: Taranomy Doyle took up an
• 19:18
  Speaker 0: acapella
• 19:19
  Speaker 1: piece for the film Rose with Sandra Hüller.
• 19:27
  Speaker 0: that the film will be extremely well spoken internationally.
• 19:35
  Speaker 0: Every
• 19:37
  Speaker 1: time every critic, including American movie critics... I would also like to mention that
• 19:55
  Speaker 0: this song, this acapella piece makes everything clear
• 20:08
  Speaker 1: in the film.
• 20:08
  Speaker 1: That of Tara?
• 20:09
  Speaker 1: Yes!
• 20:09
  Speaker 1: So she
• 20:10
  Speaker 0: wrote with her
• 20:13
  Speaker 1: own power and her own brain, one
• 20:17
  Speaker 0: song and also
• 20:19
  Speaker 1: recorded at
• 20:23
  Speaker 0: home alone on its own with a mic which is now going through the ceiling internationally.
• 20:43
  Speaker 0: But what happens three days
• 20:56
  Speaker 1: later?
• 21:00
  Speaker 0: She goes into your own Spotify profile and realizes Oh i have four new songs published.
• 21:14
  Speaker 0: They all sound like plastic pop but with my voice And with my face on cover.
• 21:20
  Speaker 0: Paranomi Doris Opfer geworden, einer AI-Attacke.
• 21:25
  Speaker 0: Irgendjemand hat sich quasi ihre Musik genommen und hat die durch den Algorithmus Wolf gejagt bzw er hat der künstlichen Intelligenz gesagt ja lern doch hiermit mal Musik machen.
• 21:36
  Speaker 0: Und dann sind da jetzt drei neue Stücke aufgepoppt bei Spotify with which Taranomi Doll didn't have anything to do, but they sounded like they were sung by her.
• 21:46
  Speaker 0: The music was also very plastic-poppy so it didn't fit.
• 21:49
  Speaker 0: Kenner would immediately remember that Kenner could not be Tara... But this suddenly existed and of course the artist got too excited about it.
• 21:58
  Speaker 0: Spotify is gone now, but Apple Music is still there, these pieces.
• 22:02
  Speaker 0: So everything is quite remarkable.
• 22:04
  Speaker 0: maybe as A little warning to the musicians out there, take a look at your profile.
• 22:12
  Speaker 0: if you haven't published new songs with which they don't know anything.
• 22:17
  Speaker 0: Because somehow that's already an amazing number!
• 22:18
  Speaker 0: The one who did it or the other person will then also have channels set up where the coal flows back to those who wrote their prompts because of... Can you write a Taranomi Doyle song?
• 22:32
  Speaker 0: So completely crazy.
• 22:33
  Speaker 1: That's crazy.
• 22:33
  Speaker 1: I mean, it is cool that you can claim on the streaming platform and they will take it down.
• 22:37
  Speaker 1: It already works out but... You have to
• 22:39
  Speaker 0: know how to do this right?
• 22:40
  Speaker 0: Yes exactly!
• 22:41
  Speaker 1: As an artist one has got to say that it was my fault.
• 22:45
  Speaker 0: But what kind of... Frequency is still driving me crazy.
• 22:48
  Speaker 0: Imagine if in a year there were so many delicious things in your mouth like indie stuff.
• 22:57
  Speaker 0: Then comes some sort of A.I.
• 22:59
  Speaker 0: Slop on your artist page And then maybe there are people who want to listen in and say that the new Taranomi Doll songs are so bad, I wouldn't like it at a concert.
• 23:10
  Speaker 0: It became strange.
• 23:11
  Speaker 0: Exactly!
• 23:11
  Speaker 0: I think they offered themselves a pop song now... I can no longer hurt them anymore.
• 23:16
  Speaker 1: Sell out?
• 23:17
  Speaker 0: Yes exactly!
• 23:17
  Speaker 0: That's why Better Check Yourself Before You Rack Yourself Probs.
• 23:21
  Speaker 0: go out on Taranomidol for this great acapella And we are convinced that it will continue to run well.
• 23:28
  Speaker 1: From the film Rose, I
• 23:29
  Speaker 0: think?
• 23:29
  Speaker 0: Yes exactly!
• 23:30
  Speaker 0: The Rose is a movie which runs on Berlinale by Markus Schleinzer and with Sandra Hüller in the main role who plays one person... ...which also lifts up gender clichés A black-and-white shot played in the past.
• 23:49
  Speaker 0: So as you can see from the episodes schon geil also
• 23:51
  Speaker 1: weil wir das jetzt nicht spielen werden.
• 23:53
  Speaker 1: diesen song von tarano medoi parken in trailer von den film wo du ja so
• 23:57
  Speaker 0: gut der
• 23:58
  Speaker 1: ton vor bei uns ins gold later
• 24:00
  Speaker 0: genau und jetzt entschuldige ich mich dafür dass sich so ab.
• 24:03
  Speaker 0: I'm out of weight.
• 24:04
  Speaker 0: No, what do you say?
• 24:05
  Speaker 0: I am out of it
• 24:07
  Speaker 1: because I
• 24:07
  Speaker 0: wanted to tell the story.
• 24:09
  Speaker 0: Now we can continue with new music that has nothing to do with AI.
• 24:14
  Speaker 0: It comes from Brooklyn and by the artist Jaya Bay.
• 24:18
  Speaker 0: Okay!
• 24:19
  Speaker 0: Jaya bay brought us a song here which allows us to shift the blues again, free ourselves from dark thoughts.
• 24:47
  Speaker 1: maybe just enjoy the day or at least get on with it.
• 25:00
  Speaker 1: We hear
• 25:01
  Speaker 0: this piece now and here for the first time, I also heard from the artist for
• 25:25
  Speaker 1: the very first time
• 25:26
  Speaker 0: even though she is already relatively well-known and successful in some way.
• 25:34
  Speaker 0: A great range!
• 25:38
  Speaker 0: It's exactly like you to me but i'm really glad that you suggest Yaya here because somehow yes over a million months so countless albums have been released.
• 26:05
  Speaker 0: Now comes her seventh right?
• 26:09
  Speaker 0: Yeah.
• 26:10
  Speaker 0: That's great!
• 26:12
  Speaker 0: You've never heard of it before?
• 26:15
  Speaker 0: Yes, that is great to finally discover the daughter of Granddaddy IU.
• 26:33
  Speaker 0: for us by the way Here is a well-known rapper, who also plays with Rizzer and so on.
• 26:47
  Speaker 0: The artistic
• 26:49
  Speaker 1: abilities are in the family.
• 26:53
  Speaker 1: We now hear that this part may be played
• 26:57
  Speaker 0: by the flute which leads to better launas in the background.
• 27:07
  Speaker 0: I love the flute!
• 27:12
  Speaker 0: It's like a big movie!
• 27:16
  Speaker 0: Full of
• 27:17
  Speaker 1: Jaya Bay with Blue, new at Goldstückli Ahoj.
• 27:22
  Speaker 1: It
• 27:22
  Speaker 0: belongs to... your favorite format with new music in the luggage.
• 27:34
  Speaker 0: The flute that you mentioned, I also think it's great!
• 27:46
  Speaker 0: You can always look
• 28:19
  Speaker 1: at the streaming platforms and see who is still playing when they play a instrument.
• 28:26
  Speaker 1: And by Yaya Bay was actually only called SIDA and the flutistin.
• 28:31
  Speaker 1: Justin Lee Hopper – I'm happy about this because if I have calls like this on Rekha Chat, there are bands where you kind of talk.
• 28:36
  Speaker 1: How can you bring out your records?
• 28:38
  Speaker 1: I always say, give it to the musician who played with them.
• 28:42
  Speaker 1: That will be shown.
• 28:43
  Speaker 1: For example if he has a flutist or something like that... This is my case for example
• 28:46
  Speaker 0: and this
• 28:47
  Speaker 1: one's really recorded
• 28:48
  Speaker 0: now!
• 28:48
  Speaker 0: But there isn't a drummer in the picture but only the flutists.
• 28:50
  Speaker 0: Exactly right.
• 28:51
  Speaker 0: I
• 28:51
  Speaker 1: think Jaya did the beats himself maybe.
• 28:53
  Speaker 0: It could have been so.
• 28:55
  Speaker 0: Great music definitely and great flute.
• 28:58
  Speaker 0: And with flutes it goes on directly.
• 29:02
  Speaker 0: HGHT and Ego Amore.
• 29:03
  Speaker 0: let me go.
• 29:06
  Speaker 0: But we have another song with flutes.
• 29:08
  Speaker 0: In the luggage for the rubric, which is called... You hear that!
• 29:26
  Speaker 0: Out of the
• 29:28
  Speaker 1: pants, into the
• 29:32
  Speaker 0: fantasy world.
• 29:33
  Speaker 0: There were rarely songs that seemed to be shocking before the comma on me where I never thought about hearing it again.
• 29:40
  Speaker 0: and then after a comma I think, no, it's funny.
• 29:42
  Speaker 0: Eyes
• 29:43
  Speaker 1: on the comma itself.
• 29:44
  Speaker 0: Igor Amore gets his flute out from his pants, you know?
• 29:48
  Speaker 0: And then they sing into the fantasy world.
• 29:52
  Speaker 1: That's good!
• 29:53
  Speaker 1: But like you said, we're not playing HGCT right now at this point but Nick Cave and The Bad Seas.
• 30:00
  Speaker 0: I already know which song.
• 30:01
  Speaker 0: Which one?
• 30:03
  Speaker 0: What is it called
• 30:06
  Speaker 1: again?
• 30:07
  Speaker 1: Where he starts
• 30:08
  Speaker 0: flötening a lot.
• 30:09
  Speaker 0: They all play so shriek.
• 30:10
  Speaker 0: Yes
• 30:11
  Speaker 1: totally i remember that very well.
• 30:12
  Speaker 1: When this flute came, she thought that reminds me of something.
• 30:16
  Speaker 1: What is it?
• 30:16
  Speaker 1: Ah yes exactly, Breathless by Nick Cave!
• 30:20
  Speaker 1: And now in the research I found out there's a very sweet story behind this song.
• 30:25
  Speaker 1: you have to pick up because unfortunately already deceased former pianist from Bad Seeds Conway Savage went on a concert at Melbourne in the eighties with The Dirty Three And with this trio is Warren Ellis, the current violinist of The Bad Seeds.
• 30:43
  Speaker 1: He was also there and played the flute at a lead.
• 30:49
  Speaker 1: Conway went to Warren Ellis after the concert.
• 30:52
  Speaker 1: he said good show mate but if I see you play that flute again i'll ram it up your arse.
• 30:58
  Speaker 1: And Warren was so impressed by this statement that she put the flute aside and never noticed it again.
• 31:04
  Speaker 1: And about fifteen years later, Nick Cave then took on the song Breathless as if he had recorded a solo instrument.
• 31:12
  Speaker 1: Warren!
• 31:13
  Speaker 1: Don't you have a flute
• 31:14
  Speaker 0: with him?
• 31:15
  Speaker 0: Yes I would say yes because he is an artist.
• 31:18
  Speaker 0: Nick Cave said we are making a song called Breathless which means there needs to be an instrument played with the breath in this song.
• 31:27
  Speaker 0: And then Warren said, you have to play the flute.
• 31:30
  Speaker 0: Get it out of your pants!
• 31:31
  Speaker 0: Then Warren
• 31:31
  Speaker 1: still has a story from Conway that says only if Conway is not here we can do this early in the morning before Conway comes into the studio.
• 31:42
  Speaker 1: And Warren didn't get it.
• 31:43
  Speaker 1: He tried to play this flute for ten or fifteen
• 31:47
  Speaker 0: times,
• 31:48
  Speaker 1: then Walk of Shame went into the director and said no that's not true!
• 31:52
  Speaker 1: And Nick also said that was shit.
• 31:54
  Speaker 1: The flute was really
• 31:55
  Speaker 0: shit,
• 31:56
  Speaker 1: wasn't he?
• 31:57
  Speaker 1: And then they had an idea.
• 31:59
  Speaker 1: okay let's just try everything together.
• 32:01
  Speaker 1: and just do the intro.
• 32:03
  Speaker 1: Minus,
• 32:04
  Speaker 0: minus plus?
• 32:05
  Speaker 1: Yes exactly!
• 32:06
  Speaker 1: Just turn around a little bit, put on some reverb and that's it for this intro.
• 32:09
  Speaker 1: But I also
• 32:10
  Speaker 0: think Nick Cave
• 32:11
  Speaker 1: is a little freaky because
• 32:12
  Speaker 0: he knows about the story with Conway & Warren who says you haven't played here in fifteen years but now comes your big moment with the flute solo.
• 32:21
  Speaker 1: It went well at the end.
• 32:23
  Speaker 1: so i think very sweetly because Conway had to... I think it was in the hospital because he had a tumor and had to be operated out.
• 32:35
  Speaker 1: Unfortunately, one year later he died but before that Warren wrote another letter
• 32:42
  Speaker 0: after Paris saying... That's very warm-hearted and sad at the same time.
• 32:47
  Speaker 1: But a nice story that fits well with the Bad Seeds to Nick
• 32:51
  Speaker 0: Cave?
• 32:51
  Speaker 0: And now, after you've heard this song by Goldstückler Heuig, Nick Cave & The Bad Seedz... ...and some breathless songs!
• 33:00
  Speaker 0: It's up in the morning it's on dance A little white clouds like gambling lanes.
• 33:09
  Speaker 0: I am a breathless over you Breathless!
• 33:16
  Speaker 0: With a lot of breath.
• 33:30
  Speaker 0: ...flirted in by Warren Ellis.
• 33:38
  Speaker 0: I had the thought that it was a child choir or something like that, but what do you think
• 34:24
  Speaker 1: about
• 34:25
  Speaker 0: how children flirt?
• 34:32
  Speaker 0: In the case of Warren Ellis.
• 34:42
  Speaker 0: he played just as
• 34:46
  Speaker 1: a seven-year-old who got such a recorder gift.
• 34:56
  Speaker 1: Do this again!
• 34:59
  Speaker 1: But it didn't help either.
• 35:03
  Speaker 1: And funny enough we found out that BBC... The BBC also did not flirt well and asked
• 35:30
  Speaker 0: for an edit from Mute Records where they came up with
• 35:53
  Speaker 1: it.
• 35:53
  Speaker 1: And that's what they got, and then Nick Cave said the BBC played it without a flute.
• 36:14
  Speaker 1: It was a flop!
• 36:15
  Speaker 1: But also
• 36:18
  Speaker 0: an awesome T-shirt – BBC Mute The Flute.
• 36:23
  Speaker 0: Very good!
• 36:24
  Speaker 0: We're coming from a beautiful melody from the past of one of Nick Cave's masterpieces in pop international.
• 36:32
  Speaker 0: which is actually an expanded solo project by Julian McCammon and that in my opinion, the talent borrows genius steals.
• 36:48
  Speaker 0: concept completely understood.
• 36:50
  Speaker 0: So talented people who lie to themselves, but brilliant people just steal ideas and that's what comes here at Victoryland!
• 36:58
  Speaker 0: Yes
• 36:58
  Speaker 1: I think so too.
• 36:59
  Speaker 1: Julian McCammon could be known if you want.
• 37:01
  Speaker 1: he is actually a guitarist from Blood of a post rock band from Philadelphia.
• 37:06
  Speaker 1: He has then with his friend Dan Howard who lives in Brooklyn again.
• 37:10
  Speaker 1: Brooklyn did a joint thing where said i would like to make a solo project.
• 37:24
  Speaker 1: My heart is a room with no cameras in it.
• 37:32
  Speaker 1: I got God!
• 37:37
  Speaker 1: New pornographers, clap your hands a year.
• 37:39
  Speaker 1: And of course because we're from New York.
• 37:41
  Speaker 1: the Rapture and LCD sound
• 37:43
  Speaker 0: system.
• 37:43
  Speaker 0: Okay I only have one parallel so you just wrote down another name.
• 37:47
  Speaker 0: for me this band sounds like the Talking Arcade Fireheads in The Underworld featuring an LCD Sound System.
• 37:55
  Speaker 0: Okay good but
• 37:55
  Speaker 1: you also listen to the LCD Sound Systems?
• 37:56
  Speaker 1: Yes totally!
• 37:57
  Speaker 1: Because
• 37:57
  Speaker 0: of that
• 37:58
  Speaker 1: keyboard then.
• 37:59
  Speaker 0: Like the song is set up between David Byrne's talking heads and James Murphy by the LCD sound systems.
• 38:06
  Speaker 0: Yes, to sing.
• 38:07
  Speaker 0: And that's amazing because I've heard it on
• 38:20
  Speaker 1: the last album of this year in spring and she was completely at home with her guitar
• 38:43
  Speaker 0: rock.
• 38:48
  Speaker 0: That was like a homework when Blanc was a little bit
• 39:00
  Speaker 1: more focused but he actually thought about tape as well.
• 39:41
  Speaker 1: so now is his first EP.
• 39:45
  Speaker 1: So let's start.
• 39:46
  Speaker 1: To.
• 39:46
  Speaker 1: Julien McCammon is here with Victoryland and his current album, which has been released last week.
• 39:57
  Speaker 1: I got God!
• 39:59
  Speaker 1: I love it!
• 40:00
  Speaker 1: That sounds much better than what came out in the year of twenty-four because that sounds like a bad Strokes demo for this record.
• 40:22
  Speaker 1: The ratio wasn't right at all.
• 40:30
  Speaker 1: The guitar was too loud compared to the voice.
• 40:40
  Speaker 1: It was exhausting listening to that.
• 40:49
  Speaker 1: Of course you heard only three or four songs but it was exhausting And I think that's a lot cooler here.
• 41:09
  Speaker 1: Why don't you take the ideas from other bands as well?
• 41:33
  Speaker 1: If we do it right, why not!
• 41:36
  Speaker 1: Here is Victoryland with iGotGord.
• 41:40
  Speaker 1: Ah super, iGotGod.
• 41:45
  Speaker 1: I love this album.
• 41:46
  Speaker 1: You have to listen too.
• 41:49
  Speaker 1: My heart has a room With no cameras in it.
• 41:53
  Speaker 1: Not like us at Gold, but quite different.
• 41:57
  Speaker 1: But great album, Victoryland.
• 41:59
  Speaker 1: I also like it.
• 42:01
  Speaker 1: It definitely is awesome for people who... If you didn't get the sound system, then you can put yourself in this soundtrack with Victoryland.
• 42:12
  Speaker 1: Yes but if you don´t have an LCD sound system... You really need to listen to that.
• 42:17
  Speaker 1: The first two or three records of those are legendary!
• 42:21
  Speaker 1: On the topic of what you didn't get with me, I also have a melody on the Platte Teller.
• 42:27
  Speaker 1: It's from Pale Jay!
• 42:28
  Speaker 1: He is already very well known and has reached star status in some circles.
• 42:49
  Speaker 0: This week i heard him for the first time... ...and fell in
• 43:04
  Speaker 1: love with his voice right
• 43:08
  Speaker 0: away.
• 43:09
  Speaker 1: Here as well it's
• 43:17
  Speaker 0: a bit like the cross-example to Carina Lomax, her wife with an active voice.
• 43:38
  Speaker 0: We're here with this guy who has a very high voice.
• 43:42
  Speaker 1: But he's only the producer not the voice.
• 43:44
  Speaker 0: Pale Jay is the voice.
• 43:46
  Speaker 0: Ah,
• 43:46
  Speaker 1: okay!
• 43:46
  Speaker 1: I thought it was Common Sains.
• 43:48
  Speaker 1: Common
• 43:48
  Speaker 0: Sainz has designed this beat again but the voice comes from Pale Jay who is very little known about him.
• 43:54
  Speaker 0: He wears a red mask
• 43:56
  Speaker 1: and... This red wool hat?
• 43:57
  Speaker 1: Exactly
• 43:57
  Speaker 0: like a stormhawk so that you don't see anything of his face.
• 44:01
  Speaker 0: he's almost like Cido with such an A Unkendlichmachung von Gesicht unterwegs.
• 44:06
  Speaker 0: Und will das aber auch beibehalten?
• 44:07
  Speaker 0: Er möchte nichts zu seiner Person offenlegen, sondern er will die Musik für sich sprechen lassen.
• 44:12
  Speaker 0: Das finde ich schon sehr gut!
• 44:13
  Speaker 0: Aber was man von ihm weiß ist dass ein ausgebildeter Jazz-Sänger und Pianist is... und das hört man auch.
• 44:18
  Speaker 0: Es gibt eine Color Session mit ihm wo er eben mit dieser roten Wollmütze auf den Kopf vor das Mikrofon steppt und plötzlich im Fall Setto da mit den klarsten Tönen seine Songs ins Mikrofone rein singt.
• 44:30
  Speaker 0: Wahnsinnig gut!
• 44:32
  Speaker 0: In Kalifornien But where it comes from, that's not so clear either.
• 44:37
  Speaker 0: I looked at Reddit once because i found this very interesting and there are reasons for that.
• 44:41
  Speaker 0: There is some who say he came
• 44:43
  Speaker 1: here from Switzerland.
• 44:44
  Speaker 0: Ah really?
• 44:45
  Speaker 0: Yes!
• 44:45
  Speaker 0: Because apparently music videos have been shot in Switzerland into three or four pieces And you ask yourself why a guy like him should shoot music videos in Switzerland.
• 44:53
  Speaker 0: That would be a good question to ask.
• 44:55
  Speaker 0: You can also do something with Germany on the record A feature with Fahrod on the new one Who is also working here.
• 45:02
  Speaker 0: Ah, yes!
• 45:03
  Speaker 0: So it's all a bit... you don't know exactly.
• 45:05
  Speaker 0: But there are two or three things to explain about the new album The Celestial Suit.
• 45:13
  Speaker 0: His debut album from the year of twenty-one was recorded again or reinterpreted under the help of other musicians.
• 45:21
  Speaker 0: And so it comes to this Tres Ubers song, which is very similar, has been published again in a year and twenty-one already, under the translation DOS Ubers.
• 45:32
  Speaker 0: So now there are three dreams together with the Common Saints!
• 45:35
  Speaker 0: That's an amazing number for such an AB comparison.
• 45:38
  Speaker 0: First great idea that you say I just want my debut album out, hug me once more and then with some friends.
• 45:44
  Speaker 0: And what you can do here now is really to listen to the two variants in AB comparison.
• 45:52
  Speaker 0: That's very, very great because one really also hears that the artist has developed further into his ability of mixing and mastering under circumstances to record songs too Because it just sounds a little bit cooler.
• 46:04
  Speaker 0: I have the feeling that the version of Dorsu was in the year Mastering or mixing.
• 46:11
  Speaker 0: It's still relatively close to what I understand, it is not so high-fives yet and there are no low fives in between.
• 46:18
  Speaker 0: And this variant here that is a great art.
• 46:21
  Speaker 0: you have to treat every frequency as a full professional again for example i don't want to get stuck anymore.
• 46:30
  Speaker 0: That's why i would say pale j doesn´t only produce me but also many others behind the ability to do the same.
• 46:34
  Speaker 0: I can only recommend this artist to you.
• 46:40
  Speaker 0: Take a look at everything he has published so far, also these color stations are ultra impressive and maybe it doesn't matter where they come from?
• 46:49
  Speaker 0: Maybe the artist helps if he really comes out of Switzerland or Germany.
• 46:54
  Speaker 0: just to hide that.
• 46:55
  Speaker 0: because when one says now i am the pale jay from switzerland How do you call it?
• 47:00
  Speaker 0: The Hermannos Gutierrez.
• 47:01
  Speaker 0: They did that,
• 47:01
  Speaker 1: to say the name of Switzerland?
• 47:04
  Speaker 1: For years!
• 47:04
  Speaker 0: They also moved where they came from right?
• 47:05
  Speaker 0: Yes
• 47:06
  Speaker 1: not necessarily but with them was the door opener then just a management in USA.
• 47:11
  Speaker 1: Then Dan Auerbach and now Jack Johnson and so on.
• 47:14
  Speaker 1: all these axes.
• 47:16
  Speaker 1: But you're right.
• 47:18
  Speaker 1: Switzerland and Germany are also closed doors, I think so
• 47:21
  Speaker 0: too.
• 47:21
  Speaker 0: Especially for music like this one in Amiland.
• 47:25
  Speaker 0: there's a lot of Hispanic people out there and black musicians inside... What am I?
• 47:30
  Speaker 0: People who have the soul and blood in America because they've been introduced into the milk powder, that's why we're now on a type from Switzerland or Germany.
• 47:43
  Speaker 0: Wait, that's why I don't think it is so stupid if you do an international career.
• 47:48
  Speaker 0: Want to hide there a little bit.
• 47:48
  Speaker 0: but maybe Pal-J will also come originally from California?
• 47:52
  Speaker 0: We don' t know.
• 47:52
  Speaker 0: That speaks
• 47:53
  Speaker 1: a lot for him coming
• 47:54
  Speaker 0: out of here.
• 47:55
  Speaker 0: Yes somewhere after
• 47:56
  Speaker 1: the name Jacob Fetter read where then he thinks yes with pal J. So when there really is white bread and jacob is called pal Jay can then
• 48:10
  Speaker 0: also vote.
• 48:14
  Speaker 0: But as you say Maybe just doesn't matter.
• 48:17
  Speaker 0: Yeah, perhaps it doesn´t matter.
• 48:19
  Speaker 0: And under circumstances Are you stupid?
• 48:21
  Speaker 0: I'm not Pale Jay.
• 48:22
  Speaker 0: You're stupid!
• 48:23
  Speaker 0: I come from the deepest hole in the jungle.
• 48:25
  Speaker 0: Neuköllner Tilidines needs to be found.
• 48:29
  Speaker 0: So now but Pale Jay, so really... Now we've quenched again.
• 48:32
  Speaker 0: The more money we get here of the fan club people who are unprofessional here.
• 48:37
  Speaker 0: Pale Jay at Goldstuckli with three Suvers out of two Trauben won three.
• 48:56
  Speaker 0: That was Pale Jay with Trace Uvers, the new version of his song.
• 49:14
  Speaker 0: DOSUVAS from the year twenty-one.
• 49:22
  Speaker 0: Also here again the hint... on the possibility to make great AB comparisons here.
• 49:38
  Speaker 0: Just two versions, you know how we compared it a few weeks ago with the Muppets?
• 49:58
  Speaker 0: The old version and new one.
• 50:08
  Speaker 0: You can do that again with Pale J And then they won't choose each other for a second because this is great shit.
• 50:20
  Speaker 0: I've always asked myself when listening what the BULZER was.
• 50:27
  Speaker 0: Because in the middle of songs like this you're doing something like this in the Bulza.
• 50:35
  Speaker 0: It sounds like... That means he actually has two... so he sings.
• 50:40
  Speaker 0: That's Spanish.
• 50:42
  Speaker 0: It sounds like it only goes into the pulse.
• 50:48
  Speaker 0: Yes, and I also understood something with a nasovas.
• 50:53
  Speaker 0: A nasovasa?
• 50:54
  Speaker 0: That would be awesome!
• 50:56
  Speaker 0: If he comes from Germany or Switzerland then he should have another German version for the Seesamstrasse.
• 51:23
  Speaker 0: Well, so what's up?
• 51:27
  Speaker 0: What is going on here?
• 51:31
  Speaker 0: Or something like that.
• 51:37
  Speaker 0: So we still have one song left.
• 51:41
  Speaker 0: Oh yeah it is just another
• 51:47
  Speaker 1: one!
• 51:48
  Speaker 1: Just another one.
• 51:49
  Speaker 1: We've already played
• 51:54
  Speaker 0: it very quickly.
• 51:59
  Speaker 1: Very
• 52:02
  Speaker 0: good.
• 52:03
  Speaker 0: That's very short.
• 52:04
  Speaker 0: Fred again.
• 52:07
  Speaker 0: Yeah, yeah babe.
• 52:08
  Speaker 0: Heeches has already played.
• 52:11
  Speaker 0: I haven't played yet.
• 52:16
  Speaker 0: Victoryland has already been played.
• 52:25
  Speaker 0: Yes me too.
• 52:26
  Speaker 0: Palejay has also played... What else do you need now?
• 52:30
  Speaker 1: McLouie.
• 52:31
  Speaker 1: Ah
• 52:32
  Speaker 0: the McLouis.
• 52:32
  Speaker 0: Good.
• 52:33
  Speaker 1: It's only
• 52:34
  Speaker 0: the McLouis.
• 52:35
  Speaker 0: The McLoui.
• 52:35
  Speaker 0: A
• 52:36
  Speaker 1: new singer-songwriter was discovered by Sufi and Stevens.
• 52:38
  Speaker 1: She has already made a lot of music, but now she's making solo music and released her first single, Gone Girl.
• 52:48
  Speaker 1: She was born in California and studied at the Berkeley College Of Music.
• 52:53
  Speaker 1: She lives on Catskills in Hudson Valley from New York City.
• 52:56
  Speaker 1: And there she makes music together with Sofia as well.
• 53:01
  Speaker 1: She started to make music early this morning when Queen discovered herself.
• 53:06
  Speaker 1: He
• 53:06
  Speaker 0: also
• 53:07
  Speaker 1: wrote a rock opera for himself and founded an all-female cover band, where they covered Led Zeppelin, Creamy, Deep Purple.
• 53:18
  Speaker 1: Until the neighbors said that Smoke on The Water won't be played here anymore!
• 53:23
  Speaker 1: And then it had to
• 53:24
  Speaker 0: stop.
• 53:24
  Speaker 0: Smoke On The Water is a song about Switzerland
• 53:27
  Speaker 1: again?
• 53:27
  Speaker 1: Yes,
• 53:28
  Speaker 0: Montreux.
• 53:28
  Speaker 0: There was smoke in the water...
• 53:31
  Speaker 1: Down to Montreux!
• 53:32
  Speaker 0: All right.
• 53:33
  Speaker 0: I think
• 53:33
  Speaker 1: it's a great last song.
• 53:36
  Speaker 1: Yes, and that is also a little bit of an elite That the people are demanding again more in the present to be involved.
• 53:53
  Speaker 1: So here screens sometimes.
• 53:56
  Speaker 1: don't use phones but just do something with your
• 54:02
  Speaker 0: hands A little away from daily grind maybe even take a break challenges of everyday life.
• 54:37
  Speaker 1: And that's the most important statement, she wants people to learn
• 55:00
  Speaker 0: how to be human again.
• 55:07
  Speaker 0: So just focus on
• 55:10
  Speaker 1: being a person
• 55:12
  Speaker 0: and stay there instead of taking any insta story with you.
• 55:21
  Speaker 0: Yes!
• 55:23
  Speaker 0: The video is great
• 55:25
  Speaker 1: too.
• 55:30
  Speaker 0: if you look at it from one of your devices then this doesn't work without them.
• 55:52
  Speaker 0: She plays herself out of their eyes as a little girl how she just goes through her adult life and still feels like a little girl, which I also have quite often where i always think that sometimes it feels like eleven or twelve.
• 56:15
  Speaker 0: A lot of situations!
• 56:16
  Speaker 0: So here is a woman over the girl in herself who may be there but disappeared.
• 56:32
  Speaker 0: That's why this song is called Gone Girl.
• 56:33
  Speaker 0: Here is McLouie And out are Ueli and Vincent.
• 56:35
  Speaker 0: See you next time, bye!