Latest / Leo Tolstoy Works Collection / Sonnets and Songs - Arthur Upson
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- 0:00Speaker 1: Sonnets and songs by Arthur Upson Read for LibriVox dot
- 0:06Speaker 1: Org by Bruskachuk dedication, introductory poem and note dedication to Ursula,
- 0:15Speaker 1: who chose and arranged this verse. It is inscribed with
- 0:18Speaker 1: love a You, Summer nineteen o eight. Introductory poem, His
- 0:25Speaker 1: Lovers to Arthur Upson by Ruth Shephard Phelps. We see
- 0:31Speaker 1: THEE in the clear aspiring flame on autumn. Hearts the
- 0:36Speaker 1: moon and each white star restore us thy deep love Wise,
- 0:40Speaker 1: smile afar about the world. Read roses, breathe thy fame
- 0:46Speaker 1: in many gardens, old rich words, proclaim THEE. Music sings
- 0:52Speaker 1: THEE in each magic bar, and all the rare and
- 0:56Speaker 1: lovely things that are bloom newly now to sell a
- 1:00Speaker 1: rate thy name. And so this world is fairer than
- 1:04Speaker 1: before with THEE in sunset, cloud and the blue day.
- 1:09Speaker 1: Thou needest not, oh perfect longer stay, but oh without THEE,
- 1:16Speaker 1: how to win thy lore? Yet even death, for THEE
- 1:21Speaker 1: hath shed despair, dark death is beautiful. Now thou art there.
- 1:28Speaker 1: Introductory note by Ruth Shephard Phelps. This little group of
- 1:34Speaker 1: sonnets and songs chosen from the collected poems of Arthur
- 1:38Speaker 1: Upson is almost identical with a selection made at the
- 1:42Speaker 1: poet's request a few weeks before the end of his life.
- 1:46Speaker 1: It bears the title and the dedication he intended for it.
- 1:50Speaker 1: Acknowledgment of their kind. Permission to reprint these poems is
- 1:54Speaker 1: tendered to missus Julia Clayfon Opson, Mister Edmund D. Brooks,
- 1:59Speaker 1: and the Bellman r sp end of section. This recording
- 2:06Speaker 1: is in the public domain. After a dull match concert
- 2:16Speaker 1: by Arthur Upson read for LibriVox dot org. Out of
- 2:22Speaker 1: the conquered past, unravishable beauty, parts that are dew and dust,
- 2:27Speaker 1: rebuking the dream of death, flower of the clay downcast,
- 2:32Speaker 1: triumphant in earth's aroma, strings that were strained in rust
- 2:37Speaker 1: but tremble with music's breath, Wine that was spilt in haste,
- 2:42Speaker 1: arising in fumes, more precious garlands that fell forgot, rooting
- 2:48Speaker 1: to wondrous bloom, youth that would flow to waste, pausing
- 2:53Speaker 1: in pool green valleys, and passion that lasted, not surviving
- 2:58Speaker 1: the voiceless two hum.
- 3:02Speaker 2: End of poem.
- 3:03Speaker 1: This recording is in the public domain. The Earth errand
- 3:13Speaker 1: by Arthur Upson read for LibriVox dot org. This memory
- 3:20Speaker 1: laden star that winds through space her wistful ways, searching
- 3:25Speaker 1: for that she yet not finds in all her yesterdays.
- 3:29Speaker 1: She's a troubled thought whose quest gone forth among the spheres.
- 3:34Speaker 1: She'll never know delight nor rest nor respite from her fears,
- 3:39Speaker 1: but still veer on through void and flame, and still
- 3:43Speaker 1: expectant yearn till with her prize to whence she came,
- 3:48Speaker 1: she doth at length return The sun that lends her
- 3:53Speaker 1: living light to tell her gilded years, the moon that
- 3:58Speaker 1: lanterns her at night to search among the spheres. The
- 4:03Speaker 1: starry hosts that weel about and watch her mases wind
- 4:08Speaker 1: serve humbly, with nor dread nor doubt, that she one
- 4:12Speaker 1: day will find. That she one day will find the
- 4:16Speaker 1: prize they sent her forth to earn, and with it
- 4:20Speaker 1: through the waiting skies, triumphantly return.
- 4:27Speaker 2: End of poem. This recording is in the public domain.
- 4:36Speaker 1: Vere Levie by Arthur Upson read for LibriVox dot org.
- 4:43Speaker 1: The statue by Victor Rousseau in the Palais de Bouzare, Brussels.
- 4:50Speaker 1: Angel hast thou betrayed me long ago in the forgotten
- 4:54Speaker 1: land of souls that wait. Thou leddest me to the
- 4:58Speaker 1: outward folding gate, bidding me live. I leaned into the
- 5:03Speaker 1: flow of earthward rushing spirits, fain to know what our
- 5:07Speaker 1: humanity and human fate of which the rumor reached to
- 5:12Speaker 1: where we sate in our cool, hidden, dreamless, antiglow. But
- 5:17Speaker 1: I learn not, and am bewildered here to know why Thou,
- 5:22Speaker 1: with seeming kindly hands didst let me forth, explorer of
- 5:28Speaker 1: a star, where all is strange, and very often fear
- 5:32Speaker 1: urges retreat to that forgotten land's unthoughtful shores, where Thou
- 5:38Speaker 1: and silence are.
- 5:42Speaker 2: End of poem.
- 5:43Speaker 1: This recording is in the public domain. Phantom Life by
- 5:53Speaker 1: Arthur Upson read for LibriVox dot org. My days are
- 6:00Speaker 1: phantom days, each one the shadow of a hope. My
- 6:04Speaker 1: real life never was begun, nor any of my real
- 6:07Speaker 1: deeds done. I live so quietly I know there must
- 6:11Speaker 1: be many a sun that does not see me as
- 6:14Speaker 1: I go among my shadows to and fro. End of poem.
- 6:21Speaker 1: This recording is in the public domain. At the Hills
- 6:30Speaker 1: Top Bides Love by Arthur Ubson read for LibriVox dot org.
- 6:38Speaker 1: Mine is no wayside, Rose all may attend at the
- 6:43Speaker 1: hill's top. It grows at the road's end, deep in
- 6:48Speaker 1: unchidden weeds, rose without stain his soul. Its beauty feeds
- 6:54Speaker 1: who can attain. He who attains thereto faith must discs
- 7:00Speaker 1: glows ere he will shake the dew round its repose.
- 7:05Speaker 1: No pleasant garden slope waiteth for him. It is to
- 7:11Speaker 1: him whose hope stayeth undim who trusting receives it, a
- 7:17Speaker 1: faith in the dale, his hoping achieves it. His toil
- 7:23Speaker 1: shall avail.
- 7:27Speaker 2: End of poem.
- 7:28Speaker 1: This recording is in the public domain. Love's Patience by
- 7:38Speaker 1: Arthur Upson read for LibriVox dot org. I learned to
- 7:44Speaker 1: like behind my life's desire, that I impelled not rashly
- 7:49Speaker 1: to despair, may rather guide still hope to some sweet
- 7:54Speaker 1: air of high achievement, where with statelier fire, nearer the stars,
- 8:00Speaker 1: my passion may aspire. Slow tongued experience teaches me to
- 8:06Speaker 1: bear on lips more patient loves, impatient prayer, with toiling
- 8:11Speaker 1: hands to weave my dreams attire. Yet, Oh, when fragrant
- 8:17Speaker 1: evening dims the world, what moonflames burn in all the
- 8:22Speaker 1: lamps of dew, What lonely roses lift their hearts impearled.
- 8:28Speaker 1: What silence waits the step and voice of you? Then
- 8:35Speaker 1: then all fails. My empty arms outstart for one brief
- 8:41Speaker 1: hour to strain you to my heart.
- 8:46Speaker 2: End of poem.
- 8:47Speaker 1: This recording is in the public domain. A motif out
- 8:57Speaker 1: of Loewengrin by Arthur Upson read for LibriVox dot Org.
- 9:04Speaker 1: Unearthly beauty of soft light persuadeth this castle, which two
- 9:09Speaker 1: shadows did belong, And through its farthest vaults, sweet mellow song,
- 9:15Speaker 1: the silence of my wintry halls upbraideth gently as saffron dawn,
- 9:22Speaker 1: that smiling fadeth the sable yielding ours these search along
- 9:29Speaker 1: and with them souls of roses, dead, faint throng of
- 9:33Speaker 1: odors of old years, that all pervadeth. Lady, this thing
- 9:39Speaker 1: I speak not, do not fear it twere more than friendship.
- 9:44Speaker 1: Yet no better name dares my most grateful heart's allegians
- 9:49Speaker 1: claim lest this, as I do, think the brother's spirit
- 9:54Speaker 1: to him. Swan brought to Braband's castled shore, who named
- 10:00Speaker 1: Aloud was lost forevermore. End of poem. This recording is
- 10:08Speaker 1: in the public domain. My song must not forsake me.
- 10:18Speaker 1: By Arthur Upson, read for LibriVox dot org. Not mine
- 10:25Speaker 1: from thee loved heart to feel such tide as this
- 10:30Speaker 1: mine own doth pour thee? Still, shall I not go
- 10:34Speaker 1: all unsatisfied enough that I adore THEE? And if thou
- 10:40Speaker 1: never wakest to my song not weakly shall it falter? Proudly?
- 10:45Speaker 1: I pace love's lonely courts along unto their inmost halter. Ah.
- 10:52Speaker 1: Some day, if within thy pleasant sleep, faint echoes of
- 10:57Speaker 1: me find thee white heart made dreams, be not too
- 11:01Speaker 1: fair or deep or soothing to unbind THEE. Perchance, even then,
- 11:07Speaker 1: responding to that sound, thout hail and overtake me, clearing
- 11:12Speaker 1: the idle distance at a bound my song must not
- 11:17Speaker 1: forsake me.
- 11:20Speaker 2: End of poem.
- 11:21Speaker 1: This recording is in the public domain. The Lake by
- 11:31Speaker 1: Arthur Upson, read for LibriVox dot org. When in our
- 11:38Speaker 1: drifting boat, the early light salute you, bending to trail
- 11:43Speaker 1: your arm, where yellow lilies rise, lifting your full white
- 11:48Speaker 1: throat to free its morning music. Then do I dread
- 11:53Speaker 1: the charm of your deep and changeful eyes. When at
- 11:59Speaker 1: the night young hour the first fair planet rises, shaking
- 12:04Speaker 1: her petal's gold afar in the fields of air. When
- 12:09Speaker 1: to that flaming flower lonely the dim lake answers, Then
- 12:15Speaker 1: how my heart grows bold, wishing that you were there?
- 12:21Speaker 1: End a poem. This recording is in the public domain.
- 12:31Speaker 1: Absence and Presence by Arthur Upson Read for LibriVox dot org.
- 12:39Speaker 1: Absence is full of song of you, which dies when
- 12:43Speaker 1: I once more look down within your eyes. I know
- 12:48Speaker 1: not why not one least syllable reaches your ears from
- 12:52Speaker 1: all I long to tell. Let it be so, for
- 12:57Speaker 1: in your silence I perceive you spell bound two and
- 13:02Speaker 1: therein read all absent lovely words you ever sigh the
- 13:07Speaker 1: self same words that.
- 13:08Speaker 2: Fail me in my need. End of poem.
- 13:14Speaker 1: This recording is in the public domain. A Song of
- 13:23Speaker 1: Love and Your Dreams by Arthur Upson Read for LibriVox
- 13:29Speaker 1: dot org. If life be the street where dreams are sold,
- 13:35Speaker 1: faith is the purse of exhaustless gold. Dreams are a many,
- 13:40Speaker 1: both false and true, but loves is the home. You
- 13:44Speaker 1: fetch them too, and they're all alone with love. You
- 13:48Speaker 1: pour the dreams you bought on your chamber floor, And
- 13:53Speaker 1: when Love looks each packet through his smile, turns all
- 13:59Speaker 1: the false one's true end of poem. This recording is
- 14:05Speaker 1: in the public domain. The Mystery of Beauty by Arthur
- 14:15Speaker 1: Upson read for LibriVox dot org one for whom is beauty?
- 14:23Speaker 1: Where no eyes attend as richly goes the day, and
- 14:27Speaker 1: every dawn reddens along green rivers, whereupon none ever gaze
- 14:33Speaker 1: think could earth see an end of all? The twilight lovers,
- 14:37Speaker 1: whose thoughts blend with scent of garden blooms they call
- 14:41Speaker 1: their own, would not as close the yellowest rose out
- 14:45Speaker 1: blown be after them, the murmurous evening's friend. Then where
- 14:52Speaker 1: for beauty? If in mortal ie that loves them stars
- 14:56Speaker 1: no challenge read to shine, and all the wonder of
- 15:00Speaker 1: a sunset sky wax not more wondrous for such smile
- 15:06Speaker 1: as thine? Why pray? If not for love which cannot die,
- 15:12Speaker 1: this old earth, loving love of thine and mine. Two,
- 15:18Speaker 1: When we two from our summer hills have passed, and
- 15:22Speaker 1: autumn burns beneath thy praise no more, nor any winter's
- 15:26Speaker 1: raving at our door shuts one within the other's heart
- 15:30Speaker 1: more fast neither springs roses. Learn what lips thou hast,
- 15:36Speaker 1: oh than this thing called beauty to its core Our
- 15:40Speaker 1: wedded soul shall penetrate before one thought unto eternity is caste.
- 15:47Speaker 1: Then shall we know the Violet's pretext, learn more definite,
- 15:52Speaker 1: a promise of the rose and its fulfillment. When the
- 15:57Speaker 1: maples turn, be part of all the glory among those.
- 16:01Speaker 1: Or help the may with her uncoiling fern, and breathe
- 16:06Speaker 1: the trillium open where it grows.
- 16:11Speaker 2: End of poem.
- 16:12Speaker 1: This recording is in the public domain. The Tragic Winds
- 16:22Speaker 1: by Arthur Upson read for LibriVox dot org I lay
- 16:29Speaker 1: in a rich chamber, candle dim and night long dreamt awake.
- 16:35Speaker 1: The ancient winds, like remote music, made a dusk of sound,
- 16:41Speaker 1: vials throbbing out some earth impassioned hymn from halls of
- 16:45Speaker 1: regal rebels and bright sins, far voices as of love, madwomen, crowned,
- 16:52Speaker 1: star gemmed despairs, the queens of legend lands, seated within
- 16:59Speaker 1: the gateways of their towers, eyes full of smiles, forgotten,
- 17:04Speaker 1: unfelt tears, uncounted falling in their idle hands, which whitely
- 17:11Speaker 1: drooped upon their laps like flowers. And Taya's sisters, these
- 17:17Speaker 1: and Phedra's fears methought their murmurs gathered in the night,
- 17:23Speaker 1: and all these wretched queens of ancient care joined faintly
- 17:28Speaker 1: their involuntary moan till pale Aurora passion toward the light
- 17:34Speaker 1: slight Cynthia fled adown her brightening stare, and day brought
- 17:40Speaker 1: other worlds to rule my own.
- 17:46Speaker 2: End of poem.
- 17:47Speaker 1: This recording is in the public domain. To a Picture
- 17:56Speaker 1: of My Mother as a girl by Arthur Upson, read
- 18:00Speaker 1: for LibriVox dot org. Did ever a youth pass by
- 18:06Speaker 1: the spot your fragrance love made dear without a heart
- 18:11Speaker 1: leap at the lot that drew his fancy near? Was
- 18:15Speaker 1: ever a maid of fairy stuff like this in days
- 18:19Speaker 1: of old? Arose already fine enough without that heart of gold?
- 18:28Speaker 2: End of poem. This recording is in the public domain.
- 18:37Speaker 1: Song of Agamede from the City by Arthur Upson read
- 18:43Speaker 1: for LibriVox dot org. Grow grow thou little tree his
- 18:50Speaker 1: body at the roots of thee, since last year's loveliness
- 18:55Speaker 1: in death, the living beauty nourisheth bloom blue whom thou
- 19:00Speaker 1: little tree thy roots around the heart of me. Thou
- 19:05Speaker 1: canst not blow to white and fair from all the
- 19:09Speaker 1: sweetness hidden there? Die die thou little tree, and be
- 19:15Speaker 1: as all sweet things must be, deep where thy petals drift,
- 19:20Speaker 1: I too would rest the changing seasons through end of poem.
- 19:28Speaker 1: This recording is in the public domain. The Sobbing Woman
- 19:38Speaker 1: by Arthur Upson read for LibriVox dot org. I heard
- 19:45Speaker 1: a woman sobbing in the night against a casement high
- 19:50Speaker 1: and as she cried our heartless world's deliberate homicide, our
- 19:56Speaker 1: tragic barnage, our mortal slight of elemental claims, and the
- 20:01Speaker 1: dark plight of the poor. I faced there, rigid, open eyed,
- 20:07Speaker 1: across the unechoing street, in silence tide, her weary moaning
- 20:14Speaker 1: whither in her sight some star appeared to soothe her
- 20:18Speaker 1: present pain with memory, sweet or quiet sleep. Strong hand
- 20:25Speaker 1: blunted her keen edged woe or other fear came smothering
- 20:30Speaker 1: down too close for sob or tear. I could not guess.
- 20:36Speaker 1: Some fate may understand that spins unseen her endless umber skein.
- 20:45Speaker 2: End of poem.
- 20:46Speaker 1: This recording is in the public domain. The Incurables by
- 20:56Speaker 1: Arthur Upson read for librivoxtuttle long up and down. I
- 21:04Speaker 1: paced the house of pain on their white thrones reclin'd
- 21:09Speaker 1: the dwellers there in regal reticence and superb despair, maimed, marred,
- 21:16Speaker 1: half blotted out, as they had lain for expiation, under
- 21:21Speaker 1: the disdain of life's great grinding car repulsive, fair, old, young, loud,
- 21:29Speaker 1: gentle now alike did bear that kingly quiet. Where to
- 21:34Speaker 1: those attain whom life has conquered, and whom death has
- 21:39Speaker 1: smitten with the universal light their erstwhile fret forgotten entire
- 21:46Speaker 1: beneath the eternal sun, they lay and red in air,
- 21:51Speaker 1: the old laws written of silence, and their souls were
- 21:56Speaker 1: outward set, where young and old, and air and fowl
- 22:01Speaker 1: are one end of poem. This recording is in the
- 22:06Speaker 1: public domain. Chorus from the City by Arthur Upson read
- 22:18Speaker 1: for LibriVox dot org of all it went forth to
- 22:24Speaker 1: eu Keener, pronounced of his sire, reluctant, impelled by the
- 22:29Speaker 1: gods unescapable fire, to choose for his doom, or to
- 22:35Speaker 1: perish at home of disease, or be slain of his
- 22:39Speaker 1: foes among men, Where Troy surges down to the seas Polyides,
- 22:46Speaker 1: the soothsayer spaketh inflamed by the God of his son,
- 22:52Speaker 1: whom the fates singled out. Did he brute it abroad?
- 22:57Speaker 1: And eu Keener went down to the ships with his
- 23:00Speaker 1: armor and men, and straightway grown dim on the gulf,
- 23:06Speaker 1: past the isles he passed never again. Why weep, ye,
- 23:11Speaker 1: o women of Corinth, the doom ye have heard? Is
- 23:16Speaker 1: it strange to your ears that ye make it so
- 23:19Speaker 1: mournful a word? Is he who so fair in your
- 23:24Speaker 1: eyes to his manhood of grew alone in his doom
- 23:30Speaker 1: of pale death, or of mortals the beaten so few?
- 23:35Speaker 1: Oh weep not, companions and lovers, turn'd back to your joys.
- 23:43Speaker 1: The defeat was not his, which he chose, nor the
- 23:47Speaker 1: victory Troy's him a conqueror beauteous in youth, or the
- 23:53Speaker 1: flood his fleet brought, and the swift spear of Paris
- 23:59Speaker 1: that slew completed the conquest. He sought not the falling,
- 24:04Speaker 1: proclaims the defeat, but the place of the fall, and
- 24:10Speaker 1: the fate that decrees, and the God that impels through
- 24:15Speaker 1: it all regard not blind mortal's divisions of slayer and slain,
- 24:22Speaker 1: but invisible glories dispense wide over the war gleaming Plain.
- 24:31Speaker 1: End of poem. This recording is in the public domain.
- 24:40Speaker 1: Arlington by Arthur Upson read for LibriVox dot org. No
- 24:48Speaker 1: tap of drum, nor sound of any horn shall call
- 24:52Speaker 1: them now from this unbattled height. No more the picket
- 24:56Speaker 1: dreads the traitor knight, nor would the marcher te delay.
- 25:00Speaker 1: The morn fell some upon the field with victory torn
- 25:05Speaker 1: from weakening grasp, and some before the fight, doomed by
- 25:10Speaker 1: slow fevers or the stray shots spiked, And some old wounds,
- 25:16Speaker 1: through quiet years have worn, and all are folded now
- 25:21Speaker 1: so peacefully within her breast, whose glory was their dream,
- 25:27Speaker 1: from her own sanguine fields, from isles, extreme from the
- 25:32Speaker 1: long tumult of the land and sea, where lies the
- 25:37Speaker 1: steel Potomac's jeweled stream, like the surrendered sword of memory.
- 25:45Speaker 2: End of poem.
- 25:46Speaker 1: This recording is in the public domain. Between Hingham and
- 25:56Speaker 1: Braintree by Arthur Upson, red for LibriVox dot org for
- 26:03Speaker 1: Elsie Sea. Between Braintree and Hingham, beyond the roaring town,
- 26:09Speaker 1: the land shrank into shadow as the sun dropped down.
- 26:14Speaker 1: The apple trees were ghostly. The peach tree seemed to
- 26:18Speaker 1: bleed as the train rushed on to Hingham. With my
- 26:22Speaker 1: heart's sore need Between Braintree and Hingham. The rocks were
- 26:28Speaker 1: ashen gray, the creeks were bare of water, and the
- 26:32Speaker 1: brown boats lay tipped in the tideless bottoms without a
- 26:38Speaker 1: hope to rise. And all the world grew blacker neath
- 26:43Speaker 1: the low black skies. Between Hingham and Braintree. As the
- 26:49Speaker 1: train leaped on to town, the fields were full of sunshine,
- 26:54Speaker 1: and Heaven came down and lay along the waters that
- 27:00Speaker 1: trimmed the grassy flume and gleamed among the fruit boughs,
- 27:05Speaker 1: a burst with bloom. Between Hingham and Braintree, the rocks
- 27:11Speaker 1: were green bedight, the hilltops were a wondrous Arcadian delight.
- 27:18Speaker 1: The dories and the cat boats danced gaily side by side,
- 27:23Speaker 1: and the sails were sheeted silver on the full flood tide.
- 27:31Speaker 2: End of poem.
- 27:32Speaker 1: This recording is in the public domain. Wheat Elevators by
- 27:42Speaker 1: Arthur Upson Read for LibriVox dot org castles or Titan's
- 27:50Speaker 1: houses or huge fanes of ancient gods that yet compel
- 27:55Speaker 1: men's fear? What powers? What pumps? Do these be?
- 28:00Speaker 2: Token?
- 28:00Speaker 1: Here blooming aloft upon the plow seemed plains, souls of
- 28:06Speaker 1: ripe seasons, spirits of sweet rains flock hither, and the
- 28:11Speaker 1: sinewy yellow year heaps their high chambers with Pactolian gear,
- 28:16Speaker 1: more precious than those golden Lydian grains, nor fortresses nor
- 28:23Speaker 1: Demigod's abodes. These are upraised to well feared deities whose
- 28:29Speaker 1: power is iron, and whose splendid sway is undisputed now
- 28:34Speaker 1: as when great roads and tire and carthage flourished serving
- 28:40Speaker 1: these or Joseph stored Egyptian corn Away.
- 28:47Speaker 2: End of poem.
- 28:48Speaker 1: This recording is in the public domain. From Octaves in
- 28:58Speaker 1: an Oxford Garden by Arthur Upson Red for liibrivox dot
- 29:03Speaker 1: Org Wadham. The day is like a sabbath in a swoon,
- 29:10Speaker 1: slow in September's blue go fair cloud things poisoning a
- 29:15Speaker 1: slant upon their charmid wings, arrested by some backward thought
- 29:20Speaker 1: of June. Softly, I tread and with repentant shoon have
- 29:26Speaker 1: fearfully in sweet imaginings, where broods like courtyards of departed kings,
- 29:33Speaker 1: the old quadrangle paved with afternoon. There dwells the very
- 29:39Speaker 1: soul of quietness, seclusion, spirit deep within the green, secure
- 29:45Speaker 1: from fame, as some unsung demean in far Ionian hills
- 29:51Speaker 1: there waits to bless with her all healing mothersoft caress,
- 29:56Speaker 1: the sympathy of trees, that friend unseen soother of moods
- 30:02Speaker 1: on whom all hearts do lean sooner or later, and
- 30:06Speaker 1: their cares confess as one whose road winds upward, turns
- 30:12Speaker 1: his face unto the valleys where he late hath stood,
- 30:16Speaker 1: leaning upon his staff in peace, to brood on many
- 30:21Speaker 1: a beauty of the distant place. So I in this
- 30:26Speaker 1: cool garden pause, a space reviewing many things in many
- 30:32Speaker 1: a mood, accumulating friends in solitude, from the assembly of
- 30:38Speaker 1: my thoughts and days lost inheritance. This is my lost inheritance.
- 30:47Speaker 1: I look with brotherliest affections, yearning forth to the flower
- 30:52Speaker 1: bearing sod. Oh, what is worth the strange estate of
- 30:56Speaker 1: flesh I strangely took in the soft soil, the garden breezes,
- 31:02Speaker 1: shook from the wall chink. But now there's measure of
- 31:06Speaker 1: earth to match my body's dust. When its rebirth to
- 31:10Speaker 1: sod restores old functions, I forsook vicissitude. Strange that a
- 31:20Speaker 1: sod for just a thrill or two should ever be
- 31:23Speaker 1: seduced into the round of change. Wherein its present state
- 31:28Speaker 1: is found in this my form forsake its quiet, true
- 31:34Speaker 1: and fruitfulest retirement to go through the heat, the strain,
- 31:39Speaker 1: the languor, and the wound, forget soft rain, to hear
- 31:44Speaker 1: the stormier sound exchange for burning tears. It's peaceful, dew
- 31:52Speaker 1: old song and a river. It was the lip of
- 31:57Speaker 1: murmuring Thames along when new lights sought the woods all
- 32:02Speaker 1: strangely fair, such quiet lights as saints transfigured, where in
- 32:08Speaker 1: minster windows crept the woods among and far as from
- 32:13Speaker 1: some hazy hill. Yet strong methought an upland shepherd piped
- 32:19Speaker 1: it there, rousing a silvern echo in her lair. Sweet
- 32:25Speaker 1: Thames run softly till I end my song. My Spencer
- 32:31Speaker 1: lay the dewey gress upon his pages, shone before me,
- 32:35Speaker 1: as I read like the gold daisies gleaming round his bed,
- 32:41Speaker 1: His lantern verses upward to me, shone, and never yet
- 32:46Speaker 1: his song's rich note hath known. Sweet Thames ran softly
- 32:52Speaker 1: by his burthen sped and shell, while hymns are sung
- 32:57Speaker 1: and prayers are said. Low cha ranting is glad prothelamion
- 33:04Speaker 1: saint Paul's one time from that gray close I did
- 33:09Speaker 1: emerge wherethrough I had been toiling, and to me, like
- 33:14Speaker 1: some benignant rock above the sea, Saint Paul's great brow
- 33:19Speaker 1: above the mist and surge loomed kindly, and methought did
- 33:24Speaker 1: kindly urge all men up to it, till there came
- 33:27Speaker 1: to be a hush on hearts, a deep tranquility of
- 33:31Speaker 1: healing virtue round the Minster's verge Roman glasswhere preserved in
- 33:39Speaker 1: the Ashmolean Fair, crystal cups are dug from Earth's old crust,
- 33:45Speaker 1: shattered but lovely, for at price of all their shameful
- 33:49Speaker 1: exile from the banquet hall, they have been bargaining beauties
- 33:54Speaker 1: from the dust. So dig my life, but deep enough
- 33:58Speaker 1: you must find broken friendships round its inner wall, which
- 34:02Speaker 1: wants my careless hand let slip and fall brave with
- 34:08Speaker 1: faint memories, rich in rainbow rust, Life's usurpation, tell them,
- 34:17Speaker 1: sweet evening breeze pois'd here No less I love their memory,
- 34:22Speaker 1: whom thou goest to greet out there at Heaven's gate,
- 34:26Speaker 1: but that I meet less oft the idle thoughts of
- 34:30Speaker 1: old distress. Tell them the thought of them still lives
- 34:35Speaker 1: to bless. But since I learned how much despite defeat.
- 34:41Speaker 1: My life demands that I shall make complete. I must
- 34:45Speaker 1: yield up my cherished loneliness traces something of sorrow. Am
- 34:53Speaker 1: I not denied share of the Earth's old universal pain?
- 34:58Speaker 1: I own? Though, but as hillsides own the rain or
- 35:03Speaker 1: solid sands. The long waves stroking side still, though no
- 35:09Speaker 1: rains upon the steep may bide and harmlessly. The sea
- 35:13Speaker 1: floods rise and wane, The downward torrent traces do remain,
- 35:19Speaker 1: and sands bare record of the sedulous tide. He is
- 35:24Speaker 1: no lover of the sea who loses sound of her
- 35:28Speaker 1: voices inland wandering still should her old melodious mystery spring
- 35:35Speaker 1: around him? When he wears aware, he chooses, and so
- 35:41Speaker 1: within me. Rhythmic life refuses, by any other pulse than yours,
- 35:47Speaker 1: to swing far from your friendship's ocean. Though I sing
- 35:52Speaker 1: where the hills tire and the rough pathway bruises.
- 35:58Speaker 2: End of poem.
- 36:00Speaker 1: Recording is in the public domain. Minstrels in Bloomsbury by
- 36:10Speaker 1: Arthur Upson read for LibriVox dot Org to Covent Garden,
- 36:17Speaker 1: people stream to drink the music. There upon the curb
- 36:22Speaker 1: we stay to dream with melody more rare sing on
- 36:27Speaker 1: enchanted minstrel girl, Thou artless, young and fair. The buses
- 36:32Speaker 1: in Southampton row the jingling handsomes here bear London, heedless
- 36:38Speaker 1: to and fro in search of evening cheer for us,
- 36:43Speaker 1: Thou art enough, dear voice, forgetful, sweet and clear. Our
- 36:48Speaker 1: day long toil, but goes to win another toilsome day.
- 36:53Speaker 1: Play on oblivious, violin, soft harp, beseech thee play, and
- 37:00Speaker 1: thou pale girl with eyes aflame, sing on for us
- 37:05Speaker 1: who stay.
- 37:08Speaker 2: End a poem. This recording is in the public domain.
- 37:17Speaker 1: Thought of Stephenson by Arthur Upson, read for LibriVox dot
- 37:23Speaker 1: Org high and alone. I stood on Cotton Hill, above
- 37:29Speaker 1: the scene that was so dear to him whose exile
- 37:32Speaker 1: dreams of it made exile dim. October wooed the folded
- 37:38Speaker 1: valleys till in mist they blurred, even as our eyes
- 37:42Speaker 1: up fell under a too sweet memory. Spires did swim,
- 37:48Speaker 1: and gables rust red on the gray sea's brim. But
- 37:53Speaker 1: on these heights the air was soft and still, yet
- 37:58Speaker 1: not all still. An a in breeze will turn here,
- 38:02Speaker 1: as from bourns in aromatic seas, as round old shrines,
- 38:07Speaker 1: A new freed soul might yearn with incense of rich
- 38:12Speaker 1: earthly reveries, vanish the isles, mist, exile, searching pain, but
- 38:20Speaker 1: the brave soul is free, is home again.
- 38:27Speaker 2: End of poem.
- 38:28Speaker 1: This recording is in the public domain. After reading The
- 38:37Speaker 1: Golden Treasury in the Green Park by Arthur Upson read
- 38:42Speaker 1: for LibriVox dot Org off Piccadilly, with its pavement cries
- 38:49Speaker 1: its maddening monotone of wheel and hoof in the Green Park,
- 38:54Speaker 1: primeval summer lies, How near? How yearning? Yet? How are
- 39:00Speaker 1: aloof Oh City, symbol of a world that's still heedless
- 39:06Speaker 1: of beauty under heaven rolls and thou blithe meadow all
- 39:12Speaker 1: with larks, a thrill like poetry, that pasture of great souls.
- 39:18Speaker 1: Ye twain so thundered, shall forever dwell a tumult and
- 39:24Speaker 1: a blessing side by side Here as to toil worn
- 39:29Speaker 1: argo once befell, a singing island on a thundering tide,
- 39:34Speaker 1: where men might stretch them out in blood. Release we two,
- 39:39Speaker 1: much wondering, hail this hour of peace.
- 39:45Speaker 2: End of poem. This recording is in the public domain.
- 39:54Speaker 1: On the Lower Rhine by Arthur Upson read for librivo
- 40:00Speaker 1: dot org. Dusodorf. Heina's Birthplace by Dusodorf. The singing rhine
- 40:08Speaker 1: stream bends Age wanted from his earlier lyric tone. A
- 40:14Speaker 1: master singer, somewhat pensive, grown in more of epic stateliness.
- 40:20Speaker 1: He wends where youth in memory only still attends with
- 40:25Speaker 1: foregone passions, raptures long since flown. So sweeps he down
- 40:32Speaker 1: from Minster crown'd Cologne, and to the silent level sea
- 40:37Speaker 1: descends not such o Heina, thy mad stream of song,
- 40:43Speaker 1: though now beyond our fitful ocean's hem the eternal tide
- 40:48Speaker 1: of beauty harbor thee thou fleddest the broken crags of
- 40:53Speaker 1: life along beating white flowers of foam out over them,
- 40:59Speaker 1: and passionately soughtest thy mother See.
- 41:05Speaker 2: End of poem.
- 41:06Speaker 1: This recording is in the public domain. Souvenants Deliege by
- 41:17Speaker 1: Arthur Upson Read for Liprivox dot Org November, Gray City
- 41:25Speaker 1: by the Silver Muse. I fling one precious day to
- 41:28Speaker 1: thee of my brief days, Take it and give remembrance.
- 41:34Speaker 1: Mellow praise of chimes across a moonlit evening rain of
- 41:40Speaker 1: light echoes the full wavy swing of burdened barges down
- 41:45Speaker 1: thy waterways, noise, nearest music, the blue, holy haze and
- 41:52Speaker 1: perfume of old halters, wing on wing of iridescent doves,
- 41:58Speaker 1: descending soft within in a Gothic gait, where one strews
- 42:02Speaker 1: bread for alms to the air's beggars, beyond her arcade's
- 42:09Speaker 1: recessive pinnacles, aloft November's vista, deepening to one blur of
- 42:15Speaker 1: blue and gray behind her upturned head.
- 42:21Speaker 2: End a poem. This recording is in the public domain.
- 42:30Speaker 1: After reading an old comedy by Arthur Upson, read for
- 42:35Speaker 1: LibriVox dot org for h ab I close the book,
- 42:42Speaker 1: thee in it gentle mime, in undisturbed seclusion, hid away
- 42:47Speaker 1: TwixT dot moroccos, Where shall non gainsay thine obvious humor
- 42:53Speaker 1: of a simpler time? So an old grandsire's chimney corner rhyme,
- 42:59Speaker 1: secure in so smiles of those who love him may
- 43:02Speaker 1: never uncold, unkindred hearing play, but live alway its crisp
- 43:08Speaker 1: and mirthful prime. There waits bold, pleasant wit, all undismayed,
- 43:15Speaker 1: unconscious of this devious age of ours, forever alien to
- 43:20Speaker 1: our sighs and tears. And there the sweep of fair
- 43:25Speaker 1: antique brocade the undying perfume of forgotten flowers, and laughter
- 43:32Speaker 1: ringing faintly from old years.
- 43:36Speaker 2: End of poem.
- 43:38Speaker 1: This recording is in the public domain. After reading an
- 43:47Speaker 1: Italian Garden by Arthur Upson, read for LibriVox dot org
- 43:54Speaker 1: for r to him no more an inward hate shall speak,
- 43:59Speaker 1: nor aught, but beauty sing. Who walks within this garden late,
- 44:04Speaker 1: and hears the fountain murmuring a vestige of some other day,
- 44:10Speaker 1: once lived, but dim remember'd, now goes in the moon's
- 44:15Speaker 1: familiar way beneath the stately. I likes bow the parterre,
- 44:21Speaker 1: I but half forget the tuscan melancholy night. Too faintly
- 44:27Speaker 1: I regain them, yet too keenly to have lost them.
- 44:31Speaker 1: Quite was I the other of some song that many
- 44:36Speaker 1: a year hath left the lips of her who walks
- 44:40Speaker 1: alone along the water where the triton dips, and she
- 44:46Speaker 1: how her rispetty claim the sad, bewildered heart of me,
- 44:51Speaker 1: that ever almost seth her name, yet loseth it continually slow,
- 44:59Speaker 1: moving down on the marble stair, or leaned on sculptured balustrade,
- 45:05Speaker 1: Her face is shadowed by her hair, her arms are
- 45:09Speaker 1: buried in its shade. Oh, would she lift that face
- 45:14Speaker 1: or free those hidden hands? I know that soon my faint, old,
- 45:20Speaker 1: faded Italy again might blossom to the moon.
- 45:28Speaker 2: End of poem. This recording is in the public domain.
- 45:37Speaker 1: Chorus from the City by Arthur Upson, read for LibriVox
- 45:43Speaker 1: dot org. Vgina's foam is high and wild, where Pan
- 45:49Speaker 1: immortal sits enisled. But thou and I, with flying oar
- 45:55Speaker 1: seek Citalia's sacred shore. The city of the islet crown
- 46:01Speaker 1: well knows that rocky islands frown, But thou and I
- 46:05Speaker 1: together learned what fires upon her altars burned. Oh, many
- 46:11Speaker 1: a sail goes gleaming there, bound for some olive garden fair.
- 46:16Speaker 1: But thou and I made fast to her and found
- 46:20Speaker 1: her cypress lovelier. The shrines of Aphrodite lift their smoke
- 46:26Speaker 1: in every village rift, But thou and I, remote from man,
- 46:31Speaker 1: propitiate the woodland pan.
- 46:36Speaker 2: End of poem.
- 46:37Speaker 1: This recording is in the public domain. Golden Rod by
- 46:47Speaker 1: Arthur Upson, read for LibriVox dot org. Doubtless twas here
- 46:54Speaker 1: we walked, but yesterday seeing not any beauty save the
- 46:59Speaker 1: green of meadows, Or were slipp'd the brook between a
- 47:04Speaker 1: ribbon of blue and silver. Yet the way is strange.
- 47:10Speaker 1: In golden paths I see astray. Do you remember, comrade,
- 47:16Speaker 1: to have seen bought forward in these meadows? That should
- 47:21Speaker 1: mean a culmination in such fair display. We noticed not
- 47:27Speaker 1: the humble stalks amid the many roadside grasses. But it
- 47:33Speaker 1: seems they were preparing this, And when their dreams were
- 47:37Speaker 1: ripe for doing, they could no more be hid than
- 47:42Speaker 1: golden thoughts that bloomed to action when their hearts make
- 47:48Speaker 1: heroes out of common men.
- 47:52Speaker 2: End of poem. This recording is in the public domain.
- 48:01Speaker 1: In October by Arthur Upson, read for LibriVox dot org.
- 48:09Speaker 1: The maples, their old sumptuous hues resume around the woodland
- 48:14Speaker 1: pool's bright glass and strong the ear's blue incense and
- 48:20Speaker 1: recession song sweep over me their music and perfume. Dear Earth,
- 48:27Speaker 1: that I reproach THEE in my gloom, I would forget
- 48:31Speaker 1: as thou forgot'st I long to make redress for such
- 48:36Speaker 1: a filial wrong, and praise THEE now for all thy
- 48:40Speaker 1: ruddy bloom, so fond a mother to be used so ill.
- 48:46Speaker 1: Yet this poor heart of mine hath ever been prey
- 48:50Speaker 1: to its own unwarranted alarms, shall fret and beg forgiveness.
- 48:56Speaker 1: So until thou fold my thankless body warmly in and
- 49:02Speaker 1: draw me back into thy loving arms.
- 49:08Speaker 2: End a poem. This recording is in the public domain.
- 49:18Speaker 1: When rose Leaves Fall by Arthur Upson Read forlibrivox dot org.
- 49:26Speaker 1: When rose leaves fall in evenings cold, to mingle with
- 49:31Speaker 1: their mother mold. Look to it, lest thy heart be
- 49:35Speaker 1: set to seek strange blossoms, and forget thy roses and
- 49:40Speaker 1: their sway of old. Run not to lesser blooms, nor
- 49:46Speaker 1: fold unto thy heart the creed. Those hold who stand
- 49:50Speaker 1: like stoics by and let their rose leaves fall, but
- 49:56Speaker 1: gather them as precious, gold, rich, spiced, high placed, and
- 50:01Speaker 1: orient bold. They shall be summer to thee. Yet, what
- 50:06Speaker 1: though they fade and thou regret, thou canst make theirs
- 50:11Speaker 1: a boon untold When rose leaves fall.
- 50:17Speaker 2: End of poem. This recording is in the public domain.
- 50:26Speaker 1: Springtide of the Soul by Arthur Upson, Read for LibriVox
- 50:32Speaker 1: dot org. For r. B. The flesh too fragrant, whitening
- 50:39Speaker 1: of a bow full, flooding fields, and softening sod doth
- 50:43Speaker 1: yearn the spirit will to Autumn's wooing burn, and to
- 50:48Speaker 1: October is her tenderest vow October springtide of the soul.
- 50:54Speaker 1: What now may I compare to raptures that return when
- 50:59Speaker 1: round thine auburn hair, these eyes discern first the wild
- 51:04Speaker 1: purple berries kiss thy brow. My soul bends to thee
- 51:10Speaker 1: as a waiting bride, long from her maiden chamber, searching
- 51:15Speaker 1: far doth see at last beneath the vesper star, her
- 51:20Speaker 1: sunset lover toward her castle ride. She flings her evening
- 51:25Speaker 1: casement open wide and leans out through the trembling lettice bar,
- 51:31Speaker 1: Then turning, sets her chamber door ajar, and flies back
- 51:35Speaker 1: to the crimsoning window side. Submit thyself to beauty, cry
- 51:41Speaker 1: the lords of this autumnal pageant day, and skies that
- 51:46Speaker 1: dwell in calm like love, remembered hyes, and the dim
- 51:51Speaker 1: dusk of topaz, golden hordes streaking the forest like old
- 51:56Speaker 1: painted words fading along some saint's page, Fair and wise
- 52:03Speaker 1: and windy rivers whose mingled voices rise to smite, rich, vibrant,
- 52:09Speaker 1: melancholy chords. Friend of my heart, among the autumn trees,
- 52:15Speaker 1: we walk together, bearing thought to thought of this vast
- 52:19Speaker 1: symbol Earth, wherein lie wrought hints of immortal dreams and destinies.
- 52:26Speaker 1: And you and I are part of all of these,
- 52:31Speaker 1: ourselves mysterious emblems. Tones have caught from voices far wherein
- 52:38Speaker 1: our souls have sought, deep meanings, silent midhurts melodies.
- 52:46Speaker 2: End of poem.
- 52:48Speaker 1: This recording is in the public domain. Ex Libris by
- 52:58Speaker 1: Arthur Upson read for Life LibriVox dot org. In an
- 53:03Speaker 1: old book at even as I read fast fading words,
- 53:07Speaker 1: adown my shadowy page, I cross'd a tale of how
- 53:12Speaker 1: in other age at Arqua, with his books around him,
- 53:16Speaker 1: sped the word to Petrarch, and with noble head bowed
- 53:21Speaker 1: gently o'er his volume, that sweet sage to silence paint
- 53:26Speaker 1: his willing seniorage. And they who found him whispered he
- 53:32Speaker 1: is dead. Thus timely from old comradeships, would I to
- 53:37Speaker 1: silence also rise? Let there be night stillness, and only
- 53:44Speaker 1: these staid watchers by, and no light shine save my
- 53:49Speaker 1: low study light blest of his kind intent some human
- 53:55Speaker 1: cry interpret not the messenger aright.
- 54:01Speaker 2: End of poem.
- 54:02Speaker 1: This recording is in the public domain. When the song
- 54:11Speaker 1: is done by Arthur Upson read for LibriVox dot org.
- 54:18Speaker 1: When the song is done and his heart is ashes,
- 54:22Speaker 1: never praise the singer whom you silent heard. What to
- 54:27Speaker 1: him the sound? What your eyes fond flashes? When the
- 54:31Speaker 1: singing's over, Say no word, Ye who darkling stood? Think
- 54:37Speaker 1: your noon of praises? Can it glimmer down to his
- 54:41Speaker 1: deep set bower? Never round him shone. Once your garden mazes,
- 54:48Speaker 1: Now his wanderings over, Bring no flower. End of poem.
- 54:55Speaker 1: This recording is in the public domain. End of Sonnets
- 55:00Speaker 1: and Songs by Arthur Upson.