Latest / The Breakfast Club / Classic Interview: Black Eyed Peas/ SZA / 52 Savage

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Classic Interview: Black Eyed Peas/ SZA / 52 Savage · The Breakfast Club

• 0:00
  Speaker 1: Blake, wake up, You're time to get it off your
• 0:04
  Speaker 1: chat with your mad blas. We want to hear from
• 0:08
  Speaker 1: you on the breakfast blob. Hello, who's that? This is
• 0:11
  Speaker 1: a collar from Sugarland calling from Sugarland. All right, why
• 0:15
  Speaker 1: are you mad this morning? Mamma? I'm mad at this
• 0:17
  Speaker 1: morning because the hospital that I used to work at
• 0:19
  Speaker 1: in the medical center is shut down. So when the
• 0:22
  Speaker 1: hospital shut down, all of these other hospitals in the
• 0:26
  Speaker 1: surrounding areas and other places knew that the hospital shut down,
• 0:29
  Speaker 1: and they knew he was gonna own these jobs. So
• 0:32
  Speaker 1: when we all flock over there at the clock for
• 0:34
  Speaker 1: these jobs, they are like underpaying us like seven to
• 0:38
  Speaker 1: eight dollars because they know we need the jobs. But
• 0:41
  Speaker 1: that's why I'm there. I feel like we're getting pimped.
• 0:43
  Speaker 1: You are being pimp we are exactly. So, I mean, yeah,
• 0:47
  Speaker 1: you can go find other jobs chew enough, but I
• 0:50
  Speaker 1: mean you just think you come from one job. You
• 0:52
  Speaker 1: got to accept the first thing that comes to you
• 0:55
  Speaker 1: because it's better than nothing, and on impordity not going
• 0:57
  Speaker 1: to pay you what you were getting. So that's why
• 0:59
  Speaker 1: i'm this morning. When you're gonna when you're gonna finally
• 1:02
  Speaker 1: accept being a hole because you're so when you stop. Hello,
• 1:08
  Speaker 1: who's this y'all? What's going on? Then? What's up? You matter?
• 1:12
  Speaker 1: You bust this morning? I'm blessed this morning. Don right
• 1:14
  Speaker 1: you blast? Tell us why? Yo? I just want to
• 1:16
  Speaker 1: get a blessed shout out to my girl. Man, it's
• 1:19
  Speaker 1: Glorisia out of Brooklyn. You know what I mean. Sheep
• 1:21
  Speaker 1: me off this morning like a can of butter min
• 1:23
  Speaker 1: bits kiss this morning, three in the morning. Just want
• 1:26
  Speaker 1: to say I'm blessed to her. Shout to her. Man.
• 1:28
  Speaker 1: We're from Atlanta. Mane, did you just say she me off?
• 1:31
  Speaker 1: I think he definitely said that. I think you meant
• 1:33
  Speaker 1: to say you sit off. Well, she fit me off.
• 1:37
  Speaker 1: Get it off your chest eight hundred five eight five
• 1:39
  Speaker 1: one oh five one. If you're upset you need the vent,
• 1:41
  Speaker 1: you could call us, or if you feel blessed, hit
• 1:43
  Speaker 1: us up. It's the breakfast cloak the morning, the breakfast club,
• 1:50
  Speaker 1: pick up the mother mother phone and die. This is
• 1:52
  Speaker 1: your time to get it off your chest. So you're man,
• 1:57
  Speaker 1: we want to hear from you on the breakfast club.
• 1:58
  Speaker 1: But he better have the same energy. Hey, Jasmine, I'm
• 2:02
  Speaker 1: actually kind of man at you? Oh why are you
• 2:04
  Speaker 1: mad at me? What I do? Um? So you and
• 2:06
  Speaker 1: get shouting me out on your podcast? Okay. UM. As
• 2:10
  Speaker 1: far as trying to give me some information, I'm still
• 2:12
  Speaker 1: kind of waiting for that information. DJ Envy. You don't
• 2:15
  Speaker 1: know what you're talking about. I don't know what you you
• 2:17
  Speaker 1: talking about? What? All right? So I wrote you about
• 2:21
  Speaker 1: my mom and an incident that happened to me when
• 2:24
  Speaker 1: I was seventh to fourteen, and you said that you
• 2:27
  Speaker 1: were going to try and get me some information to
• 2:30
  Speaker 1: speak to young women. Okay, yeah, you know what. My
• 2:32
  Speaker 1: wife has all the information DMA. All right, DMA now,
• 2:35
  Speaker 1: and I'll make sure she goes to her DM and
• 2:37
  Speaker 1: answer that. All right, thank you so much. All right,
• 2:39
  Speaker 1: I'm sorry about that. Hello. Who this me? What's up? Bro?
• 2:45
  Speaker 1: What you blessed? It? You mad this morning? Bro? Oh no,
• 2:47
  Speaker 1: I'm told y'all. Well, I'm blussed, man, I'm because it's
• 2:49
  Speaker 1: another beautiful day above ground is to go to this
• 2:52
  Speaker 1: job that I love you eagarate me and charlott Man
• 2:55
  Speaker 1: is a new black doctor shus Man give them with
• 2:57
  Speaker 1: dropping back to black doctor talking about Jolo may here
• 3:06
  Speaker 1: like book any books. Let's get a brother some pop
• 3:09
  Speaker 1: pool kids book. Many may let him go. I'll give
• 3:14
  Speaker 1: you a pop kids book of not coloring books for
• 3:18
  Speaker 1: the culture man, the coaches out here buying books. We
• 3:21
  Speaker 1: got people buying lining up to buy books like they're
• 3:24
  Speaker 1: buying Joindans and yeasys man we are. They're trying to
• 3:26
  Speaker 1: empower and enlighten people. Okay, line that? What up? Yo?
• 3:30
  Speaker 1: What up? Do you they heavy? Now? What's your a
• 3:32
  Speaker 1: k A? Bro pretty toes, sir, pretty tolls? Okay, okay,
• 3:36
  Speaker 1: that about. I didn't know girls was into that. I
• 3:39
  Speaker 1: got a lot of guilts into that. You actually laughed
• 3:41
  Speaker 1: at my name when I came see your book son
• 3:43
  Speaker 1: in la oh, I do remember you starve Pretty Tolls.
• 3:46
  Speaker 1: I had to sign your books? Are pretty? Told you right?
• 3:49
  Speaker 1: And you said, yeah, listen, he bought a copy of
• 3:51
  Speaker 1: my book, Black Privilege. I can care less what his
• 3:53
  Speaker 1: name was. Why why that's why? Is that why? You mad?
• 3:57
  Speaker 1: Just wanted he made fun of your name? Yeah, i'e
• 3:59
  Speaker 1: him mad at that. I've been calling for a while.
• 4:01
  Speaker 1: I could never get through. But I actually want to
• 4:02
  Speaker 1: call a prince to get some boar. So you too, Okay?
• 4:04
  Speaker 1: Did did you enjoy the book sir, I'm reading through it. No,
• 4:08
  Speaker 1: I'm on the chapter say after your dream There you go,
• 4:10
  Speaker 1: so listen. I want you to get works. God wants
• 4:14
  Speaker 1: you to read this chapter right now. The name of
• 4:16
  Speaker 1: that chapter is after your Dreams. Therefore, we don't want
• 4:18
  Speaker 1: to hear you wrap this morning. Have a blessed day, sir,
• 4:23
  Speaker 1: Pretty hurry up. All right, let's say all right, I'm
• 4:26
  Speaker 1: sir Pretty Toad. Pretty toes were pretty on those bars. Listen.
• 4:32
  Speaker 1: The whole principle in my book, After Your Dreams is
• 4:34
  Speaker 1: about after your dreams. If they not your dreams, okay,
• 4:36
  Speaker 1: and that don't sound like rap should be your dreams. Hi,
• 4:39
  Speaker 1: my name is Pretty Toad. Get it off your chest.
• 4:41
  Speaker 1: Eight hundred and five eight five one oh five one.
• 4:43
  Speaker 1: If you're upset you need to vent, you can hear
• 4:45
  Speaker 1: us up, or if you feel blessed, call us up
• 4:46
  Speaker 1: right now. It's the Breakfast Club. Good morning, the Breakfast Club,
• 4:52
  Speaker 1: Well bad moves more. Everybody is DJ Envy Angela, Yee, Charlomagne,
• 4:58
  Speaker 1: the guy. We are to Breakfast Club. We got some
• 5:00
  Speaker 1: special guests in the building, Black Peas. You know what
• 5:08
  Speaker 1: I always wanted to talk to y'all about man, because
• 5:10
  Speaker 1: I don't think people discussed it enough. You guys were
• 5:12
  Speaker 1: really signed with Easy back in the day. Yeah, I
• 5:14
  Speaker 1: was signed U Ruthless. Yeah, signed Ruthless of ninety two
• 5:17
  Speaker 1: when when Drey left, um ice Cube obviously left and
• 5:21
  Speaker 1: um he was going around La just getting like a
• 5:24
  Speaker 1: bunch of battle MC's to be a part of his
• 5:28
  Speaker 1: writing squad, and and uh Me and Apple were signed
• 5:32
  Speaker 1: there for ninety two to ninety five when pass away
• 5:35
  Speaker 1: as a group, Yeah, a different name. It was the
• 5:37
  Speaker 1: name of the group. It was called at band Clan,
• 5:40
  Speaker 1: at band Clan. Yes, still for a tribe on the nation.
• 5:44
  Speaker 1: I mean that's always interesting because people see black Out
• 5:45
  Speaker 1: Peas and they think pop group, pop records, but you
• 5:49
  Speaker 1: know they don't think, like Ruthless is hip hop hip hop? Right? Yeah?
• 5:52
  Speaker 1: So Easy Easy was a big inspiration as far as
• 5:55
  Speaker 1: like his business sense and the things he signed, and
• 5:58
  Speaker 1: he was more than just a rapper, he was an entrepreneur.
• 6:02
  Speaker 1: Signed everything from Bone Thugs to Blood Abraham to app
• 6:07
  Speaker 1: band claim like why would he want us in the stable?
• 6:09
  Speaker 1: Why would he go out and see to find, you know,
• 6:12
  Speaker 1: to fill different niches and and voids and culture. So
• 6:17
  Speaker 1: at the time in ninety two Jiggable Planets and all
• 6:20
  Speaker 1: those folks were like, we're big, this is before farsight,
• 6:24
  Speaker 1: and uh we were. We were there on roofless. So
• 6:26
  Speaker 1: he just really just expanded, you know, our perspective on
• 6:30
  Speaker 1: like what get it means? How did he signy? Where
• 6:33
  Speaker 1: did he find you? So I was I was a
• 6:36
  Speaker 1: club in Hollywood called Ballistics, and you know I was
• 6:39
  Speaker 1: just battle, just one of those backpack battle rappers. And
• 6:43
  Speaker 1: that's how we got signed or no demo, just freestyle.
• 6:46
  Speaker 1: There's no gangster records of Apple and will I am like,
• 6:49
  Speaker 1: hey no, but you know what we were good like
• 6:52
  Speaker 1: Easy's gangster functions and have us performed and it was
• 6:57
  Speaker 1: like the most awkward thing. How was that? That was
• 7:00
  Speaker 1: just like yeah, you know we were like we had
• 7:04
  Speaker 1: like old school like the suits, we cut off the
• 7:08
  Speaker 1: sleeves and you know what I mean, we were like
• 7:11
  Speaker 1: three thrift store shopping and it would be a like
• 7:14
  Speaker 1: Easy East functions and yeah, he would just be like yo, freestyle, freestyle, freestyle,
• 7:20
  Speaker 1: and so we would just you know, battle battle guys
• 7:23
  Speaker 1: the group. Yeah, so I was part of the family
• 7:26
  Speaker 1: called Grassroots. Um. You know there's mcs B boys, musicians poets. Yeah,
• 7:32
  Speaker 1: and we met each other at Ballistics. So it's all
• 7:34
  Speaker 1: these different crews from you know Exhibit to Robin Thick
• 7:39
  Speaker 1: to Leonardo DiCaprio, all these kids. We were teenagers at
• 7:43
  Speaker 1: the time and not to date myself, but we were
• 7:46
  Speaker 1: teenagers and we were just loving hip hop culture. So
• 7:50
  Speaker 1: we I met Will and Apple back then and we
• 7:52
  Speaker 1: created this family. And at the time, it was like,
• 7:55
  Speaker 1: you know, we were just trying to do whatever we
• 7:57
  Speaker 1: could to get our name out there and just continue
• 8:00
  Speaker 1: to tvolve as a mcson and songwriters. Yeah, the hip
• 8:04
  Speaker 1: and to us, hip hop is like it's multidimensional. So
• 8:08
  Speaker 1: you know, we do a poor job celebrating the successes
• 8:11
  Speaker 1: and all the different variations of hip hop. So hip
• 8:14
  Speaker 1: hop as an industry, you know, I think could be
• 8:18
  Speaker 1: a lot bigger than it is. When I mean bigger,
• 8:21
  Speaker 1: I'm talking about like billions and billions of dollars bigger.
• 8:24
  Speaker 1: So the first Facebook, first MySpace was okay player, So
• 8:29
  Speaker 1: we forget all those things, like you know from Kid
• 8:33
  Speaker 1: and Play and MC hammer, those are that's hip hop.
• 8:35
  Speaker 1: Those are TV shows. But as an industry, we we
• 8:38
  Speaker 1: we say, ah, that ain't hip hop, Like hip hop
• 8:41
  Speaker 1: ain't pop. Actually, hip hop is the most popular thing
• 8:43
  Speaker 1: on the planet. So how why do we set you know,
• 8:46
  Speaker 1: segregated and segmented and all these things like this, you know,
• 8:49
  Speaker 1: prison rap is the only thing we consider hip hop
• 8:53
  Speaker 1: when actuality. That's like a setup in my eyes, as
• 8:56
  Speaker 1: a setup for how we how we progress as people,
• 8:59
  Speaker 1: you know, all different, all the different versions of hip
• 9:01
  Speaker 1: hop as hip hop? To me, do you feel like
• 9:03
  Speaker 1: you had to prove yourself because you was such a
• 9:05
  Speaker 1: big hip pop act that you have to prove yourself
• 9:08
  Speaker 1: to the quote unquote hip hop realist and hip hop lyricists. No,
• 9:11
  Speaker 1: you don't do that. That's uh recipe for failure if
• 9:15
  Speaker 1: you ask me. Yeah, you know y. I mean although
• 9:18
  Speaker 1: I love it right, you know, real recognize is real.
• 9:21
  Speaker 1: So you know, I'll produce and and do beats, right
• 9:24
  Speaker 1: hooks and getting the studio chop it up and see
• 9:28
  Speaker 1: the ghost riders battle their ghostwriters. I know, all the
• 9:32
  Speaker 1: different things. So from that, like as far as your career,
• 9:35
  Speaker 1: that that sabotage for yourself, as far as like always
• 9:38
  Speaker 1: trying to get that stamp of approval from folks. But
• 9:42
  Speaker 1: we had to prove ourselves to the record companies because
• 9:45
  Speaker 1: you know, we were inspired by like Tribe book It
• 9:50
  Speaker 1: Down and in LA was predominantly like gangs to music.
• 9:54
  Speaker 1: You know, we shop our our demos and stuff, and
• 9:57
  Speaker 1: it's like, oh, I don't know, it just kind of
• 9:59
  Speaker 1: like on the le is it tangible? And we had
• 10:02
  Speaker 1: to like prove ourselves and just kept on doing shows
• 10:05
  Speaker 1: all over LA. And not only that, I mean App
• 10:07
  Speaker 1: came from the Philippines, so Filippino and black. You know,
• 10:10
  Speaker 1: we're much English, so you don't know that much English.
• 10:14
  Speaker 1: And here I am a Native American Mexican kid from
• 10:17
  Speaker 1: from East LA. And Will came from the Project. So
• 10:19
  Speaker 1: we came together for the love of hip hop, Bboying
• 10:23
  Speaker 1: MC and Graffiti DJ, and we encompassed that. No matter
• 10:27
  Speaker 1: what color was, it was, the frequency was hip hop.
• 10:30
  Speaker 1: I want to go back to something Will said because
• 10:31
  Speaker 1: it really makes a lot of sense. Man. I do
• 10:32
  Speaker 1: feel like we cannibalize each other a lot in hip hop,
• 10:35
  Speaker 1: Like when you denounce a hamm or denounce a kid
• 10:38
  Speaker 1: and play like anybody that was successful in the day.
• 10:41
  Speaker 1: It seemed like we would denounce yeah, which which kind
• 10:44
  Speaker 1: of you know, it's thightful the genre. The John could
• 10:47
  Speaker 1: have been way bigger a long time ago. I think,
• 10:48
  Speaker 1: you know, I think it was planned that way. The
• 10:51
  Speaker 1: trickery is down even to the things that we celebrated
• 10:54
  Speaker 1: to call our own. So as soon as like something,
• 10:57
  Speaker 1: it's like a parent and hating their successful child. And
• 11:03
  Speaker 1: you know, um, that's just all part of the conditioning
• 11:06
  Speaker 1: as us as a people. That's why I say you
• 11:08
  Speaker 1: gotta salute Easy because he saw that, he saw that, No,
• 11:12
  Speaker 1: it could be bigger. We can't scratch the john. Yeah, Easy,
• 11:15
  Speaker 1: thank you for you know. And then a little Easy, Um,
• 11:18
  Speaker 1: appreciate your father so much. She you know, really inspired
• 11:21
  Speaker 1: me as as a businessman. And then and then going
• 11:25
  Speaker 1: from there to Jimmy would just the path from drave,
• 11:30
  Speaker 1: dre and easy to us. From Easy to Jimmy is
• 11:34
  Speaker 1: is uh? I don't know that to me, Searing Deputs,
• 11:37
  Speaker 1: do you have any conspiracy theories on Easiest death? Since
• 11:40
  Speaker 1: I mean I every every birthday from ninety two ninety
• 11:43
  Speaker 1: three ninety four ninety five he would call me on
• 11:46
  Speaker 1: my birthday and we would go to Monty's which is
• 11:48
  Speaker 1: right off of Canoga. So the first Calabasas guy was easy.
• 11:52
  Speaker 1: You know. So all these rappers that live out in
• 11:54
  Speaker 1: Calabasas Easy started all that, and so birthday March eighteenth,
• 12:00
  Speaker 1: nineteen ninety five, he's like, Yo, I'm I'm in the hospital.
• 12:03
  Speaker 1: I got broncotis. I'll be out in a couple of days.
• 12:05
  Speaker 1: I have my theories on on on it, but I
• 12:08
  Speaker 1: don't I think he was administered. I don't think he
• 12:12
  Speaker 1: had that. Oh you think somebody uh chected it in them. Yeah,
• 12:18
  Speaker 1: he's such an unstone hero. That's why I like to
• 12:20
  Speaker 1: get as much Easier. Everybody nobody discussed as Easy like
• 12:23
  Speaker 1: they should as much as Easy was. If Easy was
• 12:26
  Speaker 1: still alive, hip hop or heroes that we have now
• 12:30
  Speaker 1: wouldn't be around because Tupac one one in the past.
• 12:34
  Speaker 1: Tupac didn't the past, Binkie won in the past. So
• 12:37
  Speaker 1: those two guys cats still being in the game, you know,
• 12:41
  Speaker 1: the giants today wouldn't be the giants today. All right,
• 12:44
  Speaker 1: we got more with Black Eyed Peas when we come back,
• 12:46
  Speaker 1: don't move. It's the Breakfast Club. Good morning, the Breakfast Club.
• 12:53
  Speaker 1: J Envy Angela yee. Charlomagne, the guy we all the
• 12:55
  Speaker 1: Breakfast Club, black Eye pieces in the building. Charlomagne. I've
• 12:58
  Speaker 1: always liked y'all group because it represents what America could
• 13:01
  Speaker 1: be as far as like diversity, because like three different
• 13:04
  Speaker 1: people from three totally different background how the hell do
• 13:07
  Speaker 1: y'all get together? Like? Yeah, back quick synapses. So I
• 13:10
  Speaker 1: was adopted for the Philippines and my adoptive father was
• 13:14
  Speaker 1: roommate with Will's uncle. My uncle's roommate. What you're there?
• 13:18
  Speaker 1: Oh yeah, oh yes, was homeless and uh and Apple,
• 13:23
  Speaker 1: Apple's dad. You know those programs just twenty five cents
• 13:25
  Speaker 1: to day will help feed this child. Yeah, Apple was
• 13:28
  Speaker 1: one of those kids. You actually got that money. I
• 13:29
  Speaker 1: never donated because I anything, y'all really got. Yeah, and
• 13:35
  Speaker 1: you get, you know, you receive the support and then
• 13:39
  Speaker 1: you you take a photo of all the items and
• 13:43
  Speaker 1: tuition feast for school, and you get to write a
• 13:46
  Speaker 1: thank you letter and uh, what kind of food was it? No,
• 13:49
  Speaker 1: So they give you like twenty dollars a month and
• 13:52
  Speaker 1: then you buy your own food and then you take
• 13:55
  Speaker 1: a photo and receives and then you were submitted to
• 13:58
  Speaker 1: the foundation. Yeah, so he comes from one of those programs.
• 14:01
  Speaker 1: And then my mom and the projects was like the
• 14:03
  Speaker 1: mom that took care of everybody's kids. So when my
• 14:06
  Speaker 1: uncle was like at a low point, he's Apple's dad.
• 14:09
  Speaker 1: Mister Hudgins is like this, like angel dude, right, So
• 14:12
  Speaker 1: I don't know who does that. Sponsors a child meets
• 14:15
  Speaker 1: a stranger, let him stay in the house until he
• 14:19
  Speaker 1: gets stable, brings the sun, Like yo, I'm gonna bring
• 14:22
  Speaker 1: my son to America so he could have a better
• 14:24
  Speaker 1: opportunity for education. My uncle's like, I know somebody that
• 14:28
  Speaker 1: could take care of your son while you enroll him
• 14:31
  Speaker 1: in the school. That person was my mom. So from
• 14:34
  Speaker 1: that point, like, dude didn't know you know, English, And
• 14:35
  Speaker 1: then the projects. It was like around the time when
• 14:38
  Speaker 1: you're sixteen, when you know the big homies you know,
• 14:43
  Speaker 1: is you know, tossing stuff to the little homies to
• 14:45
  Speaker 1: hold and ladies and gentlemen drugs. So I was, you know,
• 14:50
  Speaker 1: it was it was around that time and my mom
• 14:52
  Speaker 1: was strick. So I hung out with Apple and he
• 14:56
  Speaker 1: didn't know English, and hip hop was the thing that
• 15:00
  Speaker 1: we're dancing and battling folks. Was was the thing that
• 15:04
  Speaker 1: we had in common. Wow, did you listen to hipp
• 15:06
  Speaker 1: in the Philippines at all? Yeah? So I'm from a village.
• 15:11
  Speaker 1: And then when I went to school in the city
• 15:13
  Speaker 1: and started uh discovering like h jj fad and w
• 15:18
  Speaker 1: A and break dancing wow, and uh, you know nobody
• 15:23
  Speaker 1: really knows, but I'm like legally blind and one right now,
• 15:27
  Speaker 1: huh close enough. After ten feet I'd be like, like
• 15:34
  Speaker 1: the app is conceded her at clubs. She was like,
• 15:44
  Speaker 1: it's mean through you, like, oh yeah blind and the
• 15:55
  Speaker 1: original Yeah yeah, So what do they all decide to
• 16:04
  Speaker 1: put a female in the book. So we always had
• 16:06
  Speaker 1: a girl in the crew, so whether it was Macy Gray,
• 16:09
  Speaker 1: Um or Estero, Yeah, So we would tour La and
• 16:14
  Speaker 1: when she was coming up, we were coming up at
• 16:16
  Speaker 1: the same time, and it was Black Eyed Peas. The
• 16:19
  Speaker 1: building was like black Eyed Peas, Ozomotley, Macy Gray. That
• 16:22
  Speaker 1: was like, you know who would be touring the colleges
• 16:25
  Speaker 1: or you know different like bar circuits and our whole
• 16:28
  Speaker 1: vision want to like own California. Like if we can't
• 16:32
  Speaker 1: own California colleges, then we should just give up. And
• 16:36
  Speaker 1: and and Macy Gray was a part of that, was
• 16:38
  Speaker 1: part of that circuit with us Ozomotley, black Eyed Peas,
• 16:41
  Speaker 1: Macy Gray. And so she was down doing hooks with us,
• 16:44
  Speaker 1: singing songs, writing songs with us. Then we had this
• 16:47
  Speaker 1: girl name Astero weekends, like the original Canadian thing, so
• 16:52
  Speaker 1: we would go to Canada rop with like Astero back
• 16:54
  Speaker 1: this like ninety uh seven, ninety eight, ninety nine, and
• 16:59
  Speaker 1: then two thousand and we were rocking heavily with uh
• 17:03
  Speaker 1: and through the whole thing. There was this girl named
• 17:05
  Speaker 1: Kim Hill that was like in the with the Peas
• 17:08
  Speaker 1: toured with the piece. She was part of that song
• 17:10
  Speaker 1: joints and jams in the video. And then um so
• 17:12
  Speaker 1: she was when I always associate as being the first
• 17:15
  Speaker 1: woman in Black Eyed Peas, so we always had we
• 17:17
  Speaker 1: always had girls in the crew. And then um um.
• 17:21
  Speaker 1: We have met Fergie and Nicole in the same day
• 17:26
  Speaker 1: at some like radios um concert like you know, like
• 17:29
  Speaker 1: the Wango Tangos, those big things. And yeah, so we
• 17:38
  Speaker 1: met her in the say she was in a group
• 17:40
  Speaker 1: called Eden's Crush. Fergie was in a girl group called
• 17:42
  Speaker 1: Wild Orchid, and we met him backstage and up the coin.
• 17:47
  Speaker 1: So so we just met at the same time, and
• 17:50
  Speaker 1: so I started, you know, working on music because they
• 17:52
  Speaker 1: both wanted to go solo. So I started I did
• 17:54
  Speaker 1: Fergie's like demo package what she called it. And I
• 17:58
  Speaker 1: was gonna help her shop and uh, I took it
• 18:01
  Speaker 1: to Puffy, I took it to Farrell, and then Jimmy
• 18:04
  Speaker 1: walks in as I'm playing the music for Farrell and
• 18:07
  Speaker 1: he was like, come over here. You know, it's hard
• 18:12
  Speaker 1: to sell the girls music. You know, there's too many
• 18:14
  Speaker 1: girls in the industry. We can't We're having a hard
• 18:16
  Speaker 1: time with either artists we have on the label. Why
• 18:20
  Speaker 1: don't you you know, I'm just seeing defined one that
• 18:23
  Speaker 1: sounds like, why don't you put her in the group
• 18:25
  Speaker 1: and sign it to your label? I was like, I
• 18:27
  Speaker 1: don't have a label. It was like now you dude, Wow, Wow,
• 18:35
  Speaker 1: that's interesting. So Nicole wasn't technically gonna be a replacement
• 18:39
  Speaker 1: for Fergie. That was like kind of like an original
• 18:42
  Speaker 1: thing that was gonna happen anyway. Maybe. So the thing
• 18:45
  Speaker 1: was we had before we met. So in that meeting
• 18:51
  Speaker 1: with Nicole and Fergie in Minnesota in two thousand and
• 18:54
  Speaker 1: two January, we were like, yo, Nicole, you should rock
• 19:00
  Speaker 1: with us. She was she would had a boyfriend is
• 19:02
  Speaker 1: due named Nick Hacks and three eleven and he was
• 19:05
  Speaker 1: like no, wow. She was like, well, my boyfriend doesn't
• 19:09
  Speaker 1: want me to let me join the group. Yeah, who's
• 19:14
  Speaker 1: gonna send a girl on a you know, on touring
• 19:16
  Speaker 1: with a bus to dudes he worried about you'd been
• 19:19
  Speaker 1: worried about Jimmy. Jimmy, so so the we don't know
• 19:29
  Speaker 1: anything about yeah, so so we uh so that didn't happen.
• 19:34
  Speaker 1: And then Fergie was like just always coming to the studio.
• 19:37
  Speaker 1: One thing about ferg like she would just always come
• 19:39
  Speaker 1: to the studio and and be there with us. While
• 19:42
  Speaker 1: we were doing Elephant, it was it was done, the
• 19:45
  Speaker 1: record was finished. When Jimmy was like, put her in
• 19:47
  Speaker 1: the group, I'm like, Jimmy, the records finished, we're done.
• 19:50
  Speaker 1: It was like figure it out, call me letter and
• 19:53
  Speaker 1: now was that? So we had to figure it out,
• 19:55
  Speaker 1: like yo, guys, what we're gonna do with this opportunity here?
• 19:58
  Speaker 1: You know. And at the time, you know, Steve Stout
• 20:01
  Speaker 1: was ahead of black music at Interscope. So Steve Stout
• 20:04
  Speaker 1: would be like, you know, will problem with you is
• 20:08
  Speaker 1: you're a selfish rapper. I'm like what remember this? He
• 20:12
  Speaker 1: was like, problem with you? You're a selfish rapper. I
• 20:14
  Speaker 1: was like, but I don't smoke weeding you want me
• 20:16
  Speaker 1: to say? Because the song was like smoke, smoke machines
• 20:20
  Speaker 1: and laser rais. He's like, what the is the smoke
• 20:22
  Speaker 1: machine and what the is laser raised? I'm like, you know,
• 20:26
  Speaker 1: the smoke machine in the club. He was like, listen,
• 20:29
  Speaker 1: you should say smoking trees and getting paid stout, but
• 20:33
  Speaker 1: I don't smoke. That's your problem. You're fucking selfish. You
• 20:38
  Speaker 1: only think that could have applied to him too, because
• 20:42
  Speaker 1: he was only thinking about what he knew. So every time.
• 20:46
  Speaker 1: I love stout at the time. So I was like, yo, Jimmy, like,
• 20:49
  Speaker 1: can you put us over here with Ron Fair? He
• 20:52
  Speaker 1: was like, he was like, well, what the does Ron
• 20:55
  Speaker 1: Fair know about hip hop? I was like nothing, And
• 21:00
  Speaker 1: that's the point. I'd rather be over here with somebody
• 21:02
  Speaker 1: who's not gonna stifle us in a form of hip
• 21:05
  Speaker 1: hop and not you know, see all the other versions.
• 21:09
  Speaker 1: Maybe the other versions ain't selling right now, but that
• 21:11
  Speaker 1: doesn't mean that you know, it's gonna stay that way forever.
• 21:14
  Speaker 1: Vision rather go over here with Rob Fair, all right,
• 21:18
  Speaker 1: if that's what you want to do. So we went
• 21:19
  Speaker 1: from Interscope to A and M and with it. With
• 21:23
  Speaker 1: then we had like freedom to express in flex and
• 21:26
  Speaker 1: just dream as big as possible. All Right, we got
• 21:29
  Speaker 1: more with Black Eyed Peas. When we come back, it's
• 21:31
  Speaker 1: a breakfast club. Good Morning. Somebody is DJ Envy Angela,
• 21:34
  Speaker 1: yee Chelamine the guy. We all the breakfast Club Black
• 21:37
  Speaker 1: Eyed Peas in the building. Now, you guys did a
• 21:39
  Speaker 1: new comic book and Fergie said she would love to
• 21:42
  Speaker 1: be a part of it. But oh yeah, so natural
• 21:44
  Speaker 1: the song we wrote that m We've been writing that
• 21:47
  Speaker 1: for the past five years. The whole the thesis of
• 21:50
  Speaker 1: the of the story is you know, takes place in
• 21:53
  Speaker 1: nineteen eighty hip hop is bubbling out. The Bronx and
• 21:58
  Speaker 1: the star of the of of of the world that
• 22:01
  Speaker 1: we built is zulu X and the blast Masters. They
• 22:04
  Speaker 1: travel into lay they they they run into crypts and Bloods.
• 22:08
  Speaker 1: They realize their feuding on where they're selling a certain
• 22:11
  Speaker 1: type of drug and they're trying to get the crypts
• 22:14
  Speaker 1: and the bloods to stop selling it because it's turning,
• 22:16
  Speaker 1: you know, the community into you know, zombies. So what
• 22:20
  Speaker 1: we did was we over exaggerated on on crackheads to
• 22:23
  Speaker 1: zombies um by by borrowing from things that actually happened.
• 22:26
  Speaker 1: So in doing that we had to go took care
• 22:29
  Speaker 1: arrests and ask care arrests for his blessing to call
• 22:31
  Speaker 1: them the crew the blast masters. Um. So when they
• 22:35
  Speaker 1: when when they get to uh you know you know
• 22:38
  Speaker 1: that that that thickness with the bloods and the crypts
• 22:40
  Speaker 1: and asking them to cease to stop selling this drug. Um,
• 22:43
  Speaker 1: they asked who the supplier was, and they realized that
• 22:45
  Speaker 1: it's a shape shifting alien who had who has been
• 22:49
  Speaker 1: you know, divisive and uh in the in the African
• 22:53
  Speaker 1: American community from slavery, the white man killing, killing the
• 22:59
  Speaker 1: Martin Malcolm X and and taking a part of the
• 23:02
  Speaker 1: Black Panther party and now it's on its way to
• 23:05
  Speaker 1: uh the poison hip hop community, and and and and
• 23:10
  Speaker 1: in the book, it's amazing. There's this section in the
• 23:12
  Speaker 1: book where he was like, and this time the black
• 23:14
  Speaker 1: man would enslave themselves. UM. So it's it's an amazing Um.
• 23:21
  Speaker 1: You know, it pulls on what's actually going on in
• 23:25
  Speaker 1: in the world. Um, but then like you know, heightens
• 23:29
  Speaker 1: it with like awesome you know myth egyptology. I love
• 23:33
  Speaker 1: the fact that the messaging too, because messaging is is
• 23:36
  Speaker 1: very important. Like you y'all are delivering messages through your
• 23:39
  Speaker 1: art right and like, you know, where is the love?
• 23:41
  Speaker 1: You know, I look around and this climate and ask
• 23:42
  Speaker 1: myself that constantly. You know, what, what do you think
• 23:44
  Speaker 1: can be done to make people feel more love in
• 23:46
  Speaker 1: this climate? Yeah? So the word thing is like with
• 23:50
  Speaker 1: all the things that are happening right now, there's not
• 23:53
  Speaker 1: that many artists so that are you know, speaking on
• 23:57
  Speaker 1: the time, So the very few given the amount of
• 24:00
  Speaker 1: people that have access to be able to reach right so,
• 24:04
  Speaker 1: everyone has the ability to put stuff in SoundCloud and YouTube,
• 24:08
  Speaker 1: but it seems as if like those types of messages,
• 24:12
  Speaker 1: those types of songs don't work, and they don't work
• 24:15
  Speaker 1: on purpose. Um. And so you know, to Kendrick Lamars,
• 24:20
  Speaker 1: thank you, j Coles, thank you for for for for
• 24:24
  Speaker 1: for doing your part and for for y'alls generation. But
• 24:28
  Speaker 1: if this was an era, it would be like the fifties.
• 24:31
  Speaker 1: So the fifties and the forties, they didn't really talk
• 24:33
  Speaker 1: about the war and the times. It was whay baba,
• 24:36
  Speaker 1: bluh blaba and bamboo tooty fruity. There was little a
• 24:39
  Speaker 1: whole bunch of little Richard, little Walker. Um, so you're
• 24:42
  Speaker 1: not getting no more by the way, he said, little Richard,
• 24:45
  Speaker 1: I don't even know that. Yeah, do any of you
• 24:47
  Speaker 1: a couple of days ago, he's happy. Yeah, so you
• 24:53
  Speaker 1: know so. But but love, like love, for some reason,
• 24:55
  Speaker 1: it's like a weak thing when really it's the strongest thing, right.
• 24:59
  Speaker 1: So so we just do our part. And this book
• 25:02
  Speaker 1: right here is like to us love. It's like a
• 25:04
  Speaker 1: different way of saying. Uh, you know, writing writing those
• 25:08
  Speaker 1: types of records. You said the music is designed that way.
• 25:12
  Speaker 1: It's designed not the work like the positive music. What
• 25:14
  Speaker 1: do you what do you think that is? Um? Uh?
• 25:20
  Speaker 1: I really, I really think there is like a higher
• 25:23
  Speaker 1: working on a frequency level to keep us chasing nothing. Nothing,
• 25:31
  Speaker 1: Nothing is worth money, right writing songs like don't get
• 25:34
  Speaker 1: me wrong, we wrote songs like Boom Boom. Power really
• 25:36
  Speaker 1: ain't about nothing like that. I'm not saying that everything
• 25:39
  Speaker 1: that we do is super conscious. That's not that's not real.
• 25:42
  Speaker 1: But for some reason, nothing pays, and substance is risky,
• 25:49
  Speaker 1: and substance is hard to get over. Substance is uh,
• 25:53
  Speaker 1: you know, people ain't really spitting substance. A lot of
• 25:58
  Speaker 1: people say, what's cold? Gegter. I've had a lot to
• 25:59
  Speaker 1: do with that though, because if you look at what
• 26:01
  Speaker 1: the East Coast was doing at that time, you know,
• 26:03
  Speaker 1: you know, the public enemy's charist one the records like
• 26:06
  Speaker 1: self destruction, and then you had the West Coast come
• 26:08
  Speaker 1: with the gangster I mean just to Uhwa had especially
• 26:12
  Speaker 1: self So I mean that was kind of like the
• 26:15
  Speaker 1: no but but but yeah, yeah, okay, you're talking about that.
• 26:19
  Speaker 1: So there's there's a part of defining ones. When Jimmy
• 26:21
  Speaker 1: was like, I don't know if I'm protecting free speech
• 26:25
  Speaker 1: or supporting homage, that part of the documentary was like
• 26:30
  Speaker 1: so happy spoke on that because in reality, it's like
• 26:34
  Speaker 1: prison commercials. And if you think of like you know,
• 26:38
  Speaker 1: who owns prisons, they're they're privatized. You could own the prison.
• 26:42
  Speaker 1: And if you think of the folks that are like
• 26:44
  Speaker 1: occupying prisons, it's like blacks and Latins. The Black Eye Peace.
• 26:48
  Speaker 1: Basically you can take us the book at Amazon now
• 26:56
  Speaker 1: it's on Amazon, and Natives now they can say that
• 27:02
  Speaker 1: the jail because they get comments in jail down too, right,
• 27:05
  Speaker 1: So you think that is a committed to track On
• 27:07
  Speaker 1: always spoke on that. He spoke on that there was
• 27:09
  Speaker 1: a correlation between the private prison industry in the record
• 27:13
  Speaker 1: labels purposely dumb down the black and brown community and
• 27:19
  Speaker 1: make them gravitate towards discrete life through music. I believe
• 27:23
  Speaker 1: that's true, making it to where we just disconnect ourselves
• 27:27
  Speaker 1: from anything that you know that obviously looks different than that.
• 27:32
  Speaker 1: So the fact that hip hop in its popular sense
• 27:36
  Speaker 1: doesn't see black eye pieces hip hop that was designed.
• 27:40
  Speaker 1: You know that that's by design. But we appreciate you, guys. Man,
• 27:45
  Speaker 1: I can talk to them forever. Man, we got so Yes,
• 27:47
  Speaker 1: Apple pick it up right now. Yes, salute the Apple suit,
• 27:50
  Speaker 1: the taboo suit, to which cleft John the black eye piece. Appreciate, appreciate.
• 27:56
  Speaker 1: You think Charlote ain't gonna jump, gonna do like a
• 28:06
  Speaker 1: low blow. I say, it's what he's gonna say. They
• 28:12
  Speaker 1: call him. Remember when they called you white Cliff? So
• 28:14
  Speaker 1: check this stock one time they used to call him
• 28:17
  Speaker 1: white Cliff ever since our first tour nineteen ninety eight
• 28:20
  Speaker 1: smoking groups. So my head was like the day that
• 28:23
  Speaker 1: they called white Cliff. Will I made it right. So anyways,
• 28:27
  Speaker 1: make a long story short. You know it's two thousand
• 28:30
  Speaker 1: and fifteen. I'm in New York. We're doing uh Central
• 28:35
  Speaker 1: Park and uh white clifs like your will. I mean,
• 28:38
  Speaker 1: she used to my daughter and she was like, oh,
• 28:41
  Speaker 1: I can't take a picture of my ch I was like,
• 28:42
  Speaker 1: of course, black clip. And so the daughter says, dad,
• 28:45
  Speaker 1: you do the black boy? Like yeah, the black guy
• 28:58
  Speaker 1: the break first Club wanting everybody is DJ Envy, Angela Yee, Charlomne,
• 29:07
  Speaker 1: the guy we all the breakfast club. We got a
• 29:08
  Speaker 1: special guest in the building down. Hold on. I'm super
• 29:10
  Speaker 1: excited for this one. Yes, because my girl Sissa is here.
• 29:13
  Speaker 1: The side chick zig zags. First of all, the whole album,
• 29:24
  Speaker 1: just a lot of the album. First of all, have
• 29:27
  Speaker 1: you never had a side check? Of course had a few.
• 29:32
  Speaker 1: Also did she know that? Yes? Okay, that's a different thing.
• 29:35
  Speaker 1: Don't know. Did they all know they were side check
• 29:38
  Speaker 1: your mar Yeah? Now, but you're talking about a lot
• 29:41
  Speaker 1: of long But you know, I listened to the album
• 29:44
  Speaker 1: and I feel like the album represents for the girl
• 29:47
  Speaker 1: who was dating a guy who has another girl. But
• 29:51
  Speaker 1: like most side chicks do, they catch feelings and they
• 29:54
  Speaker 1: want to be the main girl. Weekend, the weekend, the
• 29:56
  Speaker 1: weekends on there. Yeah, what I don't remember the names
• 29:59
  Speaker 1: of it. That's the only one. Oh, it seems like
• 30:01
  Speaker 1: it's more than that. And it seems like you're connected
• 30:03
  Speaker 1: to that because that's the light. Yeah, I'm not gonna
• 30:09
  Speaker 1: lie to the weekend. It's a standout song on there though,
• 30:12
  Speaker 1: like I really did. I was listening to it and
• 30:14
  Speaker 1: I really loved it, and I was tweeting about it,
• 30:16
  Speaker 1: and now I'm doing a side chick playlist for title
• 30:18
  Speaker 1: because of the song. But what I'm actually saying the
• 30:23
  Speaker 1: song is my man is your man? Like we all
• 30:26
  Speaker 1: share the same dudes saying that I'm aware, I don't care.
• 30:28
  Speaker 1: I don't need to be his girl, not even saying
• 30:31
  Speaker 1: that you're his girls, saying none of us are his girl.
• 30:33
  Speaker 1: All of us are just out here trying to get
• 30:35
  Speaker 1: different things for different reasons. And my particular reason is
• 30:38
  Speaker 1: just get here and do what you said you was
• 30:39
  Speaker 1: gonna do Friday and Saturday on this particular song right
• 30:43
  Speaker 1: all weekends unless particular it is that the best part
• 30:46
  Speaker 1: of the week. I think it's like taking the power
• 30:48
  Speaker 1: back because it's like women just are supposed to do
• 30:51
  Speaker 1: something with like cry and feel weird and like oh
• 30:54
  Speaker 1: my god, like I don't have no like he's not
• 30:56
  Speaker 1: my man. I have Steff, which just it doesn't matter.
• 30:58
  Speaker 1: Just enjoy your life. It's almost important to you if
• 31:01
  Speaker 1: you want to kick it with them, A kick it
• 31:02
  Speaker 1: with them if you don't move on, like it's not
• 31:05
  Speaker 1: a big it doesn't have to be a thing. So
• 31:06
  Speaker 1: it's not about pickings being swim out here. When it
• 31:09
  Speaker 1: comes to men, it's just about comfortability. It's just about
• 31:11
  Speaker 1: like being confident in yourself because if you I think
• 31:15
  Speaker 1: most men don't tell women you're not my only one.
• 31:18
  Speaker 1: Oh no, that's how you get in trouble. You gotta
• 31:19
  Speaker 1: be honest from uptown. I think you have a rare
• 31:23
  Speaker 1: knack f honesty. I think most men do not possess that,
• 31:27
  Speaker 1: not even most men, just human beings in general. Like
• 31:29
  Speaker 1: I would be scared and nervous to admit the things
• 31:31
  Speaker 1: that I feel out loud, maybe in a one on
• 31:34
  Speaker 1: one room like with a dude, but on wax it's
• 31:37
  Speaker 1: a lot different. Like I can come clean about all
• 31:39
  Speaker 1: kinds of things. So I don't know, it's like a
• 31:41
  Speaker 1: men kind of have I don't ask, don't tell policy.
• 31:45
  Speaker 1: You don't ask them. You know, I'm saying if you
• 31:49
  Speaker 1: don't ask them a specific question, they're not going to
• 31:52
  Speaker 1: volunteer information. I'm telling you off top, I got a
• 31:54
  Speaker 1: woman I've been on my Woman in nineteen years. I'm
• 31:56
  Speaker 1: letting you know from the start. I mean us too. Yeah,
• 32:00
  Speaker 1: I'm letting you go from the beginning. I feel like
• 32:02
  Speaker 1: like for certain people, like people would be like, well,
• 32:04
  Speaker 1: you didn't ask him if he had kids, You didn't
• 32:05
  Speaker 1: ask him if he was married. Kids, just don't tell you.
• 32:11
  Speaker 1: Have you ever had a guy not tell you he
• 32:12
  Speaker 1: had kids or not tell you little kid? Don't feel
• 32:14
  Speaker 1: like I I have dated enough kids with kids. I've
• 32:18
  Speaker 1: maybe dated like one dude with kids, and I don't know,
• 32:22
  Speaker 1: like it was very I love kids, so I'm not
• 32:25
  Speaker 1: the person that you have to hide kids round. I'm
• 32:27
  Speaker 1: always just like let's all play, like, let's all go somewhere.
• 32:30
  Speaker 1: But I don't know, No, after this album, right, I
• 32:32
  Speaker 1: listened to album, I felt like you needed a hug. Like, no,
• 32:37
  Speaker 1: I feel like you got so much, you know, I
• 32:48
  Speaker 1: I'm exasperated. No, I just it's really just I never
• 32:53
  Speaker 1: really talked about like relationships in a direct way. I'm
• 32:56
  Speaker 1: we used to be very metaphorical, very figurative, very like
• 33:00
  Speaker 1: kind of scared, like to talk about the way I
• 33:01
  Speaker 1: felt in a literal way, like very directly. And I
• 33:04
  Speaker 1: think all these relationships I'm talking about are over, so
• 33:07
  Speaker 1: like you needed to man for approval because in some
• 33:08
  Speaker 1: of the songs it felt like you were looking for
• 33:10
  Speaker 1: approval as to say, my ass looks bigger. You know, yeah,
• 33:15
  Speaker 1: I think all women are. It's I think from the
• 33:17
  Speaker 1: person that it's like, it's weird. You could be this
• 33:20
  Speaker 1: hell confident person. But if the one person that you
• 33:23
  Speaker 1: want to find you beautiful it doesn't find you beautiful.
• 33:27
  Speaker 1: It kind of doesn't mean anything, Like it just negained
• 33:29
  Speaker 1: all these things even though all these things are still true,
• 33:31
  Speaker 1: Like they're still beautiful, you're still narly. Like I've been thick,
• 33:34
  Speaker 1: I've been then, I've had ass, I've lost ass, and
• 33:38
  Speaker 1: I felt like insecure in the process of losing weight
• 33:43
  Speaker 1: and losing booty, but like you love me and you're
• 33:46
  Speaker 1: my friends, so I'm like, glide to me for today
• 33:48
  Speaker 1: and then tomorrow you can complain and be like, okay,
• 33:49
  Speaker 1: we'll Did you have a guy that was like all
• 33:51
  Speaker 1: into you when you was like bigger and yeah, it's
• 33:55
  Speaker 1: like he was kind of making you feel bad about
• 33:56
  Speaker 1: being bigger, but when you lost the weight, he's still
• 33:58
  Speaker 1: tried to like play mind game. No, no, I actually,
• 34:01
  Speaker 1: uh I am blessed to have dealt with real news.
• 34:05
  Speaker 1: That's crazy. Like when I was bigger, I was actually
• 34:07
  Speaker 1: mad at my man because it didn't tell me. Yeah,
• 34:09
  Speaker 1: how did you miss that? Like, but it's more so
• 34:11
  Speaker 1: he loved you regardless, and that was the key. And
• 34:14
  Speaker 1: I think it's much so the way you see yourself,
• 34:17
  Speaker 1: because you know, we don't see the world as it
• 34:18
  Speaker 1: is received as we are. So I felt that I
• 34:21
  Speaker 1: felt ugly, I felt undeserving, so I would look for
• 34:24
  Speaker 1: things and like probably like dig in places that there
• 34:27
  Speaker 1: weren't any things to be, you know, to be dug.
• 34:30
  Speaker 1: So what happened to him? The record song on the
• 34:34
  Speaker 1: album is about that guy. I know all of them.
• 34:37
  Speaker 1: First of all, it's the album's dope. Thank you, No,
• 34:40
  Speaker 1: it's really dope. But you keep repeating, do you even
• 34:43
  Speaker 1: know I'm alive? Yeah? It sounds like you're trying to
• 34:46
  Speaker 1: get someone's attention. Yeah. Well, so I feel like over
• 34:49
  Speaker 1: the last four years I haven't been just doing music.
• 34:52
  Speaker 1: I've been bearing friends, family like bearing family members, bearing weight.
• 34:57
  Speaker 1: The way I feel about myself, the way I feel
• 34:59
  Speaker 1: about the world, the where I feel about God, the
• 35:01
  Speaker 1: way I process information, Like I don't know I felt
• 35:05
  Speaker 1: like trapped in myself and around my friends and then
• 35:08
  Speaker 1: around like guys like I just I couldn't explain it.
• 35:11
  Speaker 1: It was weird. It was like I felt very invisible
• 35:13
  Speaker 1: around the very many people. So that's why you said,
• 35:15
  Speaker 1: do you even know my lives? So you're talking to
• 35:16
  Speaker 1: a whole bunch of people. Most of the album is
• 35:18
  Speaker 1: me talking to me, like if I'm singing from the
• 35:20
  Speaker 1: girlfriend and from the other perspective, like I've been a
• 35:23
  Speaker 1: girlfriend that didn't know and I've been a girl that
• 35:25
  Speaker 1: didn't know that you had a girlfriend. So it's like,
• 35:28
  Speaker 1: I don't know. It's like you just got to sing
• 35:31
  Speaker 1: from different points of view, like from your where your
• 35:34
  Speaker 1: mind is a different experiences you exactly like the pop
• 35:37
  Speaker 1: dog entertainment have anything to do with that which you're
• 35:39
  Speaker 1: feeling like you're not alive because they wouldn't give you
• 35:42
  Speaker 1: a release date. Oh my god? No, Okay, So ye
• 35:46
  Speaker 1: wake up one day and kind of bug out on
• 35:47
  Speaker 1: him just a little bit. Did what happened? Did she
• 35:51
  Speaker 1: just woke up one day and was like, I don't
• 35:52
  Speaker 1: know if you said you wanted off the label? Are you? Like?
• 35:54
  Speaker 1: When's my album coming out? It was nintime, but you
• 35:58
  Speaker 1: know I was conscious I made I made a decision
• 36:04
  Speaker 1: you regret that drove you to that. Um, I'm just
• 36:08
  Speaker 1: hella childish and I think when I just get caught up,
• 36:11
  Speaker 1: like depending on what it is like, I don't know,
• 36:14
  Speaker 1: Like I just felt very overwhelmed. I felt like the pressure.
• 36:18
  Speaker 1: It's like halfway through. I felt like people were expecting
• 36:21
  Speaker 1: something from me, and that was awesome to day. I
• 36:23
  Speaker 1: U I watched somebody like pass Away for the first time.
• 36:26
  Speaker 1: It was really crazy. I was hello emotional, I was
• 36:29
  Speaker 1: hello over it. And then I'm also a scorpio, which
• 36:32
  Speaker 1: should just like just add that who called you first
• 36:35
  Speaker 1: after you put that out there? Who was the first
• 36:36
  Speaker 1: call that you got? That's how I think nobody even
• 36:38
  Speaker 1: called me because I think they were just like they
• 36:41
  Speaker 1: were like, I'm like, but altoth like if she is
• 36:46
  Speaker 1: she wold, like is she okay? Or I think everybody
• 36:49
  Speaker 1: just assumed that I was wild and I was gonna
• 36:50
  Speaker 1: be fine. But I thought, of course top like all
• 36:54
  Speaker 1: side of the obvious, like top, I spoke to die,
• 36:57
  Speaker 1: I spoke to Punch that night and that I don't know.
• 37:00
  Speaker 1: I think they didn't even say anything. They just listened
• 37:04
  Speaker 1: to me and that's all you need some time somebody
• 37:06
  Speaker 1: to listen. Yeah, we got more with Scissor when we
• 37:08
  Speaker 1: come back. We got to talk the album some more.
• 37:10
  Speaker 1: Her catching her boyfriend having an orgy and did she
• 37:14
  Speaker 1: cheap back on him. We'll find out about all that
• 37:16
  Speaker 1: when we come back. Keep a lockets to Breakfast Club.
• 37:18
  Speaker 1: Good morning morning. Everybody is DJ envi Angela Yee, Charlomagne
• 37:22
  Speaker 1: the guy. We all the Breakfast Club. We have Scissor
• 37:25
  Speaker 1: in the building. Of course, she signed to t d E.
• 37:28
  Speaker 1: Now ye. Now think about when you first signed to
• 37:30
  Speaker 1: T d E and how you are now. Yeah, it
• 37:33
  Speaker 1: was a lot of artist development for you. So what
• 37:36
  Speaker 1: does artist development actually mean? I mean it means that
• 37:39
  Speaker 1: you put out you put out it. I really don't know.
• 37:41
  Speaker 1: If I always want to know, I can ask you
• 37:42
  Speaker 1: because it's right, you know, because like even just the
• 37:45
  Speaker 1: way that you dress, the way that you present yourself,
• 37:47
  Speaker 1: the confidence that you have, just even your music from
• 37:49
  Speaker 1: early on, and how I progressed to now you being
• 37:52
  Speaker 1: able to open up and be honest about your experiences,
• 37:55
  Speaker 1: like at this table with y'all. I just thought that
• 37:57
  Speaker 1: was but I don't know. I just didn't. I don't know,
• 38:00
  Speaker 1: but that's artists development, even just writing for other people.
• 38:03
  Speaker 1: I don't agree with that. Yeah, I think you just
• 38:05
  Speaker 1: think you just grow as a human being. Yeah, I
• 38:07
  Speaker 1: don't think. I don't think anybody at TV could teach
• 38:09
  Speaker 1: you how to be No, no no, no, not that they
• 38:11
  Speaker 1: teach you. But I think sometimes people want to sign
• 38:14
  Speaker 1: people there they're ready to put out right now, they
• 38:16
  Speaker 1: already have everything ready. And for you, it was more
• 38:18
  Speaker 1: like you discovering yourself and people need time to do
• 38:21
  Speaker 1: that and it is time to grow. I commend my
• 38:23
  Speaker 1: label because they didn't know that I needed time to
• 38:25
  Speaker 1: do that. And even when I gained weight and lost
• 38:28
  Speaker 1: weight and stopped lotioning and started lotioning one like it's
• 38:32
  Speaker 1: to call my hair. I'm not coming my hair. I'm
• 38:34
  Speaker 1: getting braceists. I'm not getting bracists. Like just went through mad,
• 38:36
  Speaker 1: different phases of wild and out like being me, and
• 38:39
  Speaker 1: I think they just supported me every time. I'm not
• 38:41
  Speaker 1: giving you a release they needed if you're an ashy woman.
• 38:46
  Speaker 1: But a girl cannot be sitting in the studio as crazy.
• 38:49
  Speaker 1: Now she exfoliates and she does a little bit what
• 38:52
  Speaker 1: means you not want to use. But I don't want
• 38:56
  Speaker 1: to like it looks like an extra five whole minute
• 39:01
  Speaker 1: if well, I now used body oil and him boil
• 39:03
  Speaker 1: and coconut oil and lots of oils and shape, but
• 39:06
  Speaker 1: but not still not every day like I can't. It's
• 39:08
  Speaker 1: still like a tad like I tell you like five
• 39:10
  Speaker 1: whole minutes to get your whole body because it first
• 39:12
  Speaker 1: of all, okay, this is funny if you think about
• 39:14
  Speaker 1: humectans in the way that those work. You got a
• 39:16
  Speaker 1: lotion while you wet so that you like keep the
• 39:18
  Speaker 1: moisture in. It looks like now I gotta air dry,
• 39:20
  Speaker 1: and it's like this is now fifteen minutes into my
• 39:22
  Speaker 1: I gotta go. So now I'm not lotioning from a woman.
• 39:25
  Speaker 1: You know, women have to take a little bit of
• 39:26
  Speaker 1: extra time already. No, No, if I was fifteen minutes late,
• 39:31
  Speaker 1: you would you would say, all right, do you take
• 39:33
  Speaker 1: the time to put lotion on your elbow time. Let's
• 39:37
  Speaker 1: let's talk about this sound of this album. You said
• 39:38
  Speaker 1: you change the sound of this album, and listen to you, am,
• 39:41
  Speaker 1: there's nothing like this album out that I've heard in
• 39:44
  Speaker 1: a while. So why did you what makes you change
• 39:46
  Speaker 1: the sound of the album, and why I don't think
• 39:49
  Speaker 1: I consciously changed the sound. I think I just didn't
• 39:52
  Speaker 1: know what my son was. Like. I didn't know who
• 39:54
  Speaker 1: I was, or what I wanted to make sonically, or
• 39:56
  Speaker 1: what I was trying to achieve, or what I was
• 39:57
  Speaker 1: attracted to sonically. Like I think music was like a
• 40:01
  Speaker 1: separate entity and I was just over here being me.
• 40:04
  Speaker 1: But I didn't know how to conjoin the two or
• 40:05
  Speaker 1: like merge me into the way that I process music.
• 40:08
  Speaker 1: So when you turn down all the reverb and all
• 40:11
  Speaker 1: the plugins and all the stacks and all these things,
• 40:13
  Speaker 1: like you left just with your boys and your thoughts,
• 40:16
  Speaker 1: and then now you kind of have to say something.
• 40:18
  Speaker 1: You don't have to say anything, but you have to
• 40:20
  Speaker 1: meet it. So the easiest thing to say is the truth.
• 40:24
  Speaker 1: On Supermodel, you said you said you've been secretly banging
• 40:27
  Speaker 1: your dudes Homeboy interview. That was supposed to first of all,
• 40:32
  Speaker 1: I supposed to go through all these songs in a
• 40:33
  Speaker 1: very tender, safe place space, and now I feel I
• 40:37
  Speaker 1: feel attacked. I did not. I didn't come up with
• 40:42
  Speaker 1: any any explanations. I respect the honesty, I respect the
• 40:45
  Speaker 1: truth I wrote. But you said you've been secretly banging
• 40:49
  Speaker 1: your dudes. Yeah, boys, And was it happened once? I hope?
• 40:56
  Speaker 1: So tell you got to tell this story. He had
• 40:58
  Speaker 1: an orgy in Vegas. His man's called me and told
• 41:01
  Speaker 1: me so that they were having I don't know his
• 41:04
  Speaker 1: man was hating on him as much as his man
• 41:07
  Speaker 1: was comfortable with me, like I was friends with his friends.
• 41:09
  Speaker 1: Like his friends were like my son. That's so they
• 41:12
  Speaker 1: so they felt like but they told me on something
• 41:13
  Speaker 1: like to say, his friends like your son. Yes, it
• 41:15
  Speaker 1: was like an accident because you know it was like
• 41:17
  Speaker 1: if you like, if I'm nurturing right, hold on now,
• 41:20
  Speaker 1: So your your man's homeboy called you to tell you
• 41:25
  Speaker 1: that your man was having it, but it ain't come
• 41:27
  Speaker 1: out like that, and you rewarded him with no, no, no, boy,
• 41:34
  Speaker 1: he was doing that. I did not sleep with the
• 41:37
  Speaker 1: boy that told me to snitch, right, Okay, he's fair.
• 41:40
  Speaker 1: You shouldn't trust him in hinds, I'm pretty sure I
• 41:44
  Speaker 1: can't trust any of them. And he told on them
• 41:46
  Speaker 1: you can. You can't of them who sleep that's kind
• 41:49
  Speaker 1: of the bottom. Like that's so it was his boy
• 41:52
  Speaker 1: that I just like a boy that I liked and
• 41:55
  Speaker 1: I've been seeing and we had like been kind of
• 41:57
  Speaker 1: talking and like I wasn't giving him any play because
• 42:00
  Speaker 1: I liked my boyfriend and I should. I wanted him
• 42:03
  Speaker 1: to like me, and then he just didn't. On the
• 42:05
  Speaker 1: Vountain's Day, he like aimed me with a value. It
• 42:08
  Speaker 1: was crazy. He aimed me, didn't call me, didn't text me.
• 42:10
  Speaker 1: He aimed me on top of the orgy phone call.
• 42:15
  Speaker 1: So I'm just like you was aim anymore. It was crazy. Well,
• 42:19
  Speaker 1: this was back then. This is all old. Yeah, of
• 42:21
  Speaker 1: course you don't get a man back like that, though
• 42:24
  Speaker 1: you can't. I'm no matter. It wasn't intentional. It was
• 42:27
  Speaker 1: just now if the song is more intentional than the action, right,
• 42:31
  Speaker 1: you were songs on time exactly. I was mad as
• 42:34
  Speaker 1: hell on some score, butios quite long ago. I would
• 42:38
  Speaker 1: never wish that on me. Did you tell the guy? No?
• 42:42
  Speaker 1: But y'all just did so not out. First of all,
• 42:46
  Speaker 1: most of the people that I've dated are so arrogant.
• 42:49
  Speaker 1: They would never even assume that this is about them.
• 42:51
  Speaker 1: They'd be like, it wants to be about No, they're
• 42:53
  Speaker 1: still arrogant. They're gone. No, absolutely not. They'd be like,
• 42:57
  Speaker 1: I know Jay's not gonna make it. She would never
• 42:58
  Speaker 1: trip on me like that or whatever. How the dude
• 43:00
  Speaker 1: who smashed on Valentine? They definitely gonna say, so he's
• 43:02
  Speaker 1: the most arrogant. He'll be like who that? Like, I wonder,
• 43:08
  Speaker 1: it's definitely And that's I'm sure I was a orgual
• 43:11
  Speaker 1: what he called us in here? Your man is here
• 43:12
  Speaker 1: doing an orgy? Like, how was that? Oh? My god?
• 43:15
  Speaker 1: It was so it had it slipped out. It was
• 43:18
  Speaker 1: an accident, that's not slipped out. I think he was
• 43:21
  Speaker 1: definitely on something as well. So he was in a
• 43:24
  Speaker 1: very good mood and that's how that happened. And I
• 43:26
  Speaker 1: was like, oh, it's crazy, so crazy time. Have you
• 43:33
  Speaker 1: ever cheated you're talking about the album? Yes, oh no, yes,
• 43:39
  Speaker 1: But I feel like if a dude is not cheating
• 43:43
  Speaker 1: you as his girl, if he's who knows, if he's
• 43:46
  Speaker 1: claiming you in every circle, if he's having orgies, who
• 43:49
  Speaker 1: knows if he's having or who knows if he's even
• 43:51
  Speaker 1: considering you in the same way that you're seeing him
• 43:53
  Speaker 1: as a man who like, you're not his girl in
• 43:55
  Speaker 1: his brain? So did I cheat on anyone? Because you
• 43:58
  Speaker 1: didn't have a just looks you were trying to You
• 44:02
  Speaker 1: told everyone you didn't have a girl. Ain't you told
• 44:04
  Speaker 1: me you didn't have a girl. No, No, that's your
• 44:06
  Speaker 1: guilt talking again. I was talking to you. I would
• 44:14
  Speaker 1: never have you seeing somebody now, huh um um um
• 44:23
  Speaker 1: for to think of this album. No lord, no, no,
• 44:28
  Speaker 1: I uh. I was trying to explain what my seeing
• 44:32
  Speaker 1: someone situation. I'm learning about myself. I'm learning about and honestly,
• 44:36
  Speaker 1: I think I was in a lot of these unhealthy
• 44:37
  Speaker 1: relationships because I didn't have enough self love, like built
• 44:40
  Speaker 1: up so and I found when I fixed the way
• 44:44
  Speaker 1: I felt a boy myself, like, these situations didn't happened
• 44:47
  Speaker 1: to me anymore. Like I haven't dealt with a trife
• 44:49
  Speaker 1: dude and so long like and so long, and I'm
• 44:54
  Speaker 1: super blessed and grateful for that. But I don't know.
• 44:56
  Speaker 1: I'm just chilling. You can't trust guys at this point
• 44:58
  Speaker 1: in your in your career. After sexy Now you don't
• 45:01
  Speaker 1: got all sexy and glow up on him. You got
• 45:03
  Speaker 1: an album coming out. People know you're about to blow
• 45:06
  Speaker 1: somebody out here gonna try to trap you. I cannot,
• 45:09
  Speaker 1: I simply cannot. Now. I like a you say that
• 45:13
  Speaker 1: somebody at that I listen, I like, um, you were
• 45:18
  Speaker 1: classy for like forty minutes, and I was like, wow,
• 45:21
  Speaker 1: this is so long. All we got more with siss
• 45:24
  Speaker 1: when we come back, don't move. It's the breakfast Club.
• 45:26
  Speaker 1: Good morning, the breakfast Club. We are the breakfast Club.
• 45:33
  Speaker 1: We have Scissor in the build. And of course she's
• 45:35
  Speaker 1: signed to tde Home of Kendrick Lamar and Schoolboy Q.
• 45:39
  Speaker 1: Now Charlemagne. If it stopped wearing your job after nine eleven, Um,
• 45:44
  Speaker 1: that is semi true. Yes, I read that somewhere. No, yeah,
• 45:47
  Speaker 1: so um. My parents my mother's Christian and my father's Muslim.
• 45:52
  Speaker 1: So I would wear my job whenever. My mom was
• 45:56
  Speaker 1: very supportive, Like I went to Muslim prep school on Fridays,
• 45:59
  Speaker 1: I went to you with my dad, and I felt
• 46:02
  Speaker 1: very My dad kind of ran my household, so that's
• 46:05
  Speaker 1: just kind of the way everybody went. But I still
• 46:07
  Speaker 1: would go to church my mom every other Sunday or
• 46:09
  Speaker 1: et cetera, because my dad is understanding and a human being.
• 46:13
  Speaker 1: I don't know when nine to eleven happened, and it
• 46:15
  Speaker 1: was just like like kids were very like yeah, and
• 46:19
  Speaker 1: they were very sure about the way that they felt
• 46:21
  Speaker 1: about me, or about the religion or about Islam. Or
• 46:25
  Speaker 1: like the idea, and as kids, they thought it was
• 46:28
  Speaker 1: like a very separate thing, like you don't believe in God,
• 46:30
  Speaker 1: you believe in a lie when like the exact literally
• 46:33
  Speaker 1: the translation, like it just means God, it's another word.
• 46:36
  Speaker 1: It pains me to see all this like Islamophobia growing
• 46:39
  Speaker 1: and like snowballing and all the bandwagoning because I know
• 46:45
  Speaker 1: the damnage that I can really cause and where that
• 46:47
  Speaker 1: comes from, and comes from a place of ignorance and fear.
• 46:49
  Speaker 1: Now I'm a place of I don't even know. You know,
• 46:53
  Speaker 1: nobody wants to be that hateful or that, but nobody
• 46:55
  Speaker 1: wants to be that scared either. So it's just like,
• 46:58
  Speaker 1: I don't know, it did affect you in a way
• 47:00
  Speaker 1: because he was kind of choosing, like I guess, fear
• 47:03
  Speaker 1: or faith. Yeah, yes, a lot of things. It's weird,
• 47:06
  Speaker 1: like religion when you're young versus religion when you're older.
• 47:09
  Speaker 1: It's shaped by your parents, the relationship with the church,
• 47:11
  Speaker 1: the people in the church, et cetera. Like and when
• 47:13
  Speaker 1: I say church, I mean any denomination as a congregation.
• 47:16
  Speaker 1: It took me a long time to like fall out
• 47:18
  Speaker 1: of fear and like kind of fall into faith. But
• 47:22
  Speaker 1: it's weird. I got into Christianity afterwards to learn, and
• 47:25
  Speaker 1: not because I was afraid of Islam, but just because
• 47:29
  Speaker 1: I spent like a lot of my childhood running from
• 47:32
  Speaker 1: like the issues with my dad and that represented Islam
• 47:36
  Speaker 1: at the time for me, and plus nine eleven plus
• 47:39
  Speaker 1: everything else, which is like, I guy, just want to
• 47:40
  Speaker 1: try something else, Like I just want to Like my
• 47:45
  Speaker 1: dad is very stern. My dad is very stern, and
• 47:48
  Speaker 1: he's very He doesn't mince words and he doesn't renig
• 47:51
  Speaker 1: on things that he says, and sometimes, you know, I
• 47:57
  Speaker 1: don't know. I think my dad was just growing at
• 47:59
  Speaker 1: the same my parents were growing at the same time
• 48:01
  Speaker 1: that I was growing, and I'm sure they wanted more
• 48:03
  Speaker 1: for me. Initially they were afraid that I wouldn't have enough,
• 48:07
  Speaker 1: or that I wouldn't be enough. And I don't know.
• 48:09
  Speaker 1: I think my dad was just I get it. I
• 48:12
  Speaker 1: get it he was really going hard on some whole
• 48:14
  Speaker 1: other ship. But I'm not afraid of anything. Didn't want
• 48:18
  Speaker 1: you in the music industry. Then it wasn't the music
• 48:20
  Speaker 1: industry that he didn't want. It was more so he
• 48:22
  Speaker 1: wanted me to do something one my life, and he
• 48:24
  Speaker 1: felt like he wasn't sure if being in music was
• 48:27
  Speaker 1: like doing something with my life. But but now he is. Yeah,
• 48:31
  Speaker 1: he's down, he's so and he calls me and like
• 48:35
  Speaker 1: thank you on me mad when here the whole album now,
• 48:40
  Speaker 1: like I'm singing about me and from my perspective and everything.
• 48:46
  Speaker 1: You think they're gonna talk to you about it and
• 48:47
  Speaker 1: ask you questions since you said your mom never really
• 48:49
  Speaker 1: addressed certain things about relationship. That's funny. My mom is
• 48:52
  Speaker 1: now Like when I do, I do talk to her
• 48:54
  Speaker 1: about like men and the way I feel now, and
• 48:56
  Speaker 1: she's very like she wants me to be patient and
• 49:01
  Speaker 1: like be loving and understanding, but also like not taking
• 49:05
  Speaker 1: the control. Yeah, what's that mean? When I first think
• 49:09
  Speaker 1: about control, like the computer key, I think about sneaking
• 49:11
  Speaker 1: up into my parents added to wait for the dialogue
• 49:15
  Speaker 1: to like work, even though I'm banned from the phone
• 49:17
  Speaker 1: and banned from the computer. Like it might be thirty sister,
• 49:19
  Speaker 1: you make a lot of old Oh you might if
• 49:30
  Speaker 1: I was literally there's Twitter and aim and into all
• 49:34
  Speaker 1: that came in the same of my lifetime. So like
• 49:36
  Speaker 1: I would here before Twitter, I was here before real internet,
• 49:40
  Speaker 1: like before it was like a whole Worldwide Web and
• 49:43
  Speaker 1: she was at the time. Oh yeah, but I wasn't
• 49:46
  Speaker 1: just on Juno and like googling random things like that's
• 49:49
  Speaker 1: what any of us were doing on the internet back then.
• 49:50
  Speaker 1: It's not to look at like, let me just google
• 49:52
  Speaker 1: what else is? Look like? What's that that you can
• 49:58
  Speaker 1: ride around in that little van and just walk up
• 50:00
  Speaker 1: to random girls and try to get them to have sex? Right, No,
• 50:12
  Speaker 1: roll up in a creepy van and ask women girls
• 50:15
  Speaker 1: in Okay, I'm sorry, Okay, that's all. Control is a concept.
• 50:25
  Speaker 1: It's just I've just lacked control in my whole life,
• 50:28
  Speaker 1: and I think I've craved it my whole life, and
• 50:31
  Speaker 1: I couldn't really arrive at it. And now I'm not
• 50:33
  Speaker 1: really looking to arrive at it anymore. I'm just happy
• 50:36
  Speaker 1: to be present and there's no susting control anyway. She's
• 50:39
  Speaker 1: a concept, it's a word. It's a fantasy. And but
• 50:42
  Speaker 1: if you focus on controlling, like the way you feel
• 50:46
  Speaker 1: in the now and what you do with it now,
• 50:49
  Speaker 1: I feel like it leads to having true control in
• 50:52
  Speaker 1: the future. We like watching you figure it out that
• 50:55
  Speaker 1: I'm really dope. I'm not just saying that. It's really
• 50:59
  Speaker 1: it's a really good up. We appreciate you should be
• 51:02
  Speaker 1: proud of yourself. Here we got yes, all right, this scissor,
• 51:07
  Speaker 1: it's the Breakfast Club. Good morning, It's time for Donkey
• 51:14
  Speaker 1: of the Day, Democrat. So being Dunkey of the day
• 51:19
  Speaker 1: a little bit of a mixed up, so like a
• 51:20
  Speaker 1: Donkey o the day. Now I've been called a lot
• 51:28
  Speaker 1: of my twenty three years that Donkey of the Day
• 51:30
  Speaker 1: is a new wife. Now the Breakfast Club is in
• 51:37
  Speaker 1: eighty plus markets in one hundred and fifty country, so
• 51:39
  Speaker 1: we have a lot of new listeners who probably don't
• 51:40
  Speaker 1: even know who Charlomagne the God is. So use my
• 51:43
  Speaker 1: time off to catch up on some of my past work. Okay, okay,
• 51:47
  Speaker 1: if you knew here, I do a segment every day
• 51:49
  Speaker 1: called Donkey of the Day donkey as in jackass, and
• 51:51
  Speaker 1: that's when I give someone the credit they deserve for
• 51:53
  Speaker 1: being stupid. So if you've never heard of it, this
• 51:56
  Speaker 1: is new to you. But if you are a regular listener,
• 51:57
  Speaker 1: then this is an oldiep but goody because it's the
• 52:00
  Speaker 1: best of the Donkey of the Day. Donkey to Day
• 52:02
  Speaker 1: goes to she now West Coast, you know she now
• 52:04
  Speaker 1: West Coast and I had a little encounter earlier this
• 52:07
  Speaker 1: year on MTV's Ridiculousness. Let's hear it in case you're
• 52:10
  Speaker 1: not familiar. My only strategy is just can tell the truth.
• 52:13
  Speaker 1: It's like, whatever I said about you, I'm gonna say
• 52:15
  Speaker 1: to you, and I'm gonna continue to say it to
• 52:17
  Speaker 1: your regards. How say something doesn't make it the truth.
• 52:20
  Speaker 1: I told her she was whack wrapping one time. Okay,
• 52:26
  Speaker 1: good for the good people that said no. Well, Little Way,
• 52:33
  Speaker 1: who close signed Drank and Nicki Minaj is the same
• 52:35
  Speaker 1: person who co signed me. I want to be et
• 52:36
  Speaker 1: Award with Young Money. I got song called French Montana
• 52:39
  Speaker 1: YG Tie Dollar side snoop Dog, I want mind You,
• 52:44
  Speaker 1: I don't snoop Dog. After getting into a verbal argument
• 52:47
  Speaker 1: with him because he respected me so much, after I
• 52:50
  Speaker 1: spoke my Monta, he still came back into the song
• 52:52
  Speaker 1: water talking with your hands. Track record bron Sorry, Okay,
• 52:59
  Speaker 1: it's funny today because musical track record show people always
• 53:07
  Speaker 1: like to say Wayne found Nikki and Drake, but they
• 53:09
  Speaker 1: always leave out a little twist and Tiger. Chanelle is hilarious,
• 53:13
  Speaker 1: bless her little heart. The thing about Chanelle West Coast
• 53:15
  Speaker 1: is that She's always talking about this imaginary resume she has.
• 53:19
  Speaker 1: She's always talking about this track record. She's like the
• 53:21
  Speaker 1: side chick who claims she's the main chick. But when
• 53:23
  Speaker 1: you ask the guys about it that she claims to
• 53:25
  Speaker 1: be with, they don't claim like that. Now on Loving
• 53:28
  Speaker 1: Hip Hop Hollywood, Chelle west Coast is trying to convince
• 53:30
  Speaker 1: a producer name A One to do something that no
• 53:33
  Speaker 1: producer really wants to do, and that's recording music with her.
• 53:37
  Speaker 1: Chanelle west Coast has to produce a A One about
• 53:39
  Speaker 1: helping her make some mayonnaise music. Yes, Chanelle wanted to
• 53:41
  Speaker 1: know if A One is interested in helping her provide
• 53:44
  Speaker 1: a soundtrack for her unseasoned chicken breast, and A One
• 53:47
  Speaker 1: had to remind her that back in the day, when
• 53:48
  Speaker 1: I wanted to work with you, you played me, oh, yes,
• 53:51
  Speaker 1: we've heard this tell before. Back then you didn't want me.
• 53:54
  Speaker 1: Now I'm a hot day all on me. That's what
• 53:55
  Speaker 1: happened with Chanelle and A One on Loving Hip Hop Hollywood.
• 53:58
  Speaker 1: Can we hear a bit of this? Please and sing?
• 54:00
  Speaker 1: And I really liked the definitely linked up just so
• 54:03
  Speaker 1: you could get familiar like I was with Little Wayne
• 54:05
  Speaker 1: young money like I sat and played all my music
• 54:07
  Speaker 1: for Little Wayne and I have songs with French Montana,
• 54:10
  Speaker 1: Snoop Be Real Tie all the side. Yeah, you could
• 54:15
  Speaker 1: ask them. I meant you before. Um, I wasn't as high.
• 54:20
  Speaker 1: I was in session with French Montana. You know, I'm like, yo,
• 54:22
  Speaker 1: we should work and you had a chaise one. I
• 54:25
  Speaker 1: don't know. You probably never looked at me, but I
• 54:27
  Speaker 1: was trying to work with you. Disclaim me. You know,
• 54:31
  Speaker 1: I hope the best for you. I can't work. I
• 54:36
  Speaker 1: dropped on a clues bomb for a one, damnit right.
• 54:40
  Speaker 1: That's why you got to treat everyone with respect, because
• 54:42
  Speaker 1: you never know who's gonna be who. Okay. Basically a
• 54:45
  Speaker 1: one told the Delhi owner to hold the man eates
• 54:47
  Speaker 1: now when the mail that Inchanel West Coach wasn't allowed
• 54:50
  Speaker 1: on a one sandwich. When she got introduced to a
• 54:53
  Speaker 1: tribe called Curve, not only did she start running down
• 54:55
  Speaker 1: her track record, it was interesting to see how she
• 54:57
  Speaker 1: took me telling her that she was whacked. Charn Us,
• 55:00
  Speaker 1: you don't like if you know mine track? Charlot Mayne
• 55:04
  Speaker 1: said it right, Oh no, I had to tell him
• 55:06
  Speaker 1: what it was. Charlm Mayne also has went out some
• 55:08
  Speaker 1: of the biggest rappers in history. So I'm I'm up
• 55:11
  Speaker 1: there with Kanye and breaking everybody else. Charlot Mayne and
• 55:18
  Speaker 1: just in Channel West Coast, you're just putting me up
• 55:21
  Speaker 1: in the caliber of the mother. This int Wow, that's
• 55:24
  Speaker 1: very ambitious. That's dope, Chanelle West Coast things. Because I
• 55:27
  Speaker 1: have called out Drake and Kanye before that, since I
• 55:30
  Speaker 1: called her whack as well, she's on that level. First
• 55:33
  Speaker 1: of all, even though Drake has never been my cup
• 55:35
  Speaker 1: of green tea, I've always said he was an extremely
• 55:37
  Speaker 1: talented individual. Just because I called Kanye West Kanye Kardashian,
• 55:41
  Speaker 1: and I think he's in the sunken places, not me,
• 55:43
  Speaker 1: and I am not a fan. Kanye wasn't a musical legend. You, Chanel,
• 55:46
  Speaker 1: are none of these things. All right. Let's be clear
• 55:48
  Speaker 1: on that. There are four types of delusionals delusions in
• 55:51
  Speaker 1: this world, all right. You got bizarre delusions, non bizarre delusions,
• 55:55
  Speaker 1: mood congruent delusions, mood neutral delusions. I would say, Chanel,
• 55:58
  Speaker 1: you fall under the bizarre delusions category. Somebody asked me
• 56:02
  Speaker 1: what bizarre delusions are. Nobody's gonna ask me Bizarre delusions
• 56:07
  Speaker 1: are considered extremely odd, highly implausible, and inappropriate based on
• 56:11
  Speaker 1: the person's culture and life experiences. Okay, an example of
• 56:15
  Speaker 1: a bizarre delusion would be the belief that an alien
• 56:18
  Speaker 1: performed surgery and replaced all your blood with kool aid
• 56:21
  Speaker 1: without leaving the star. Okay, are Chanelle West Coast thinking
• 56:25
  Speaker 1: she's on the same level is draking Kanye West? Because
• 56:27
  Speaker 1: Charlemagne has so called this all of them. I have
• 56:30
  Speaker 1: been very specific about any reason why I wasn't feeling
• 56:33
  Speaker 1: drinking Kanye about something. But those guys are extremely talented,
• 56:37
  Speaker 1: just like what you, Chanelle. I think you're a lovely person,
• 56:40
  Speaker 1: but you're just a whack artist. Okay. I think Donald
• 56:42
  Speaker 1: Trump is whack, and I've said that he's whack a
• 56:44
  Speaker 1: bunch of times on this radio. But that don't make
• 56:47
  Speaker 1: you the president, doesn't, Chanelle, doesn't make you one of
• 56:49
  Speaker 1: the highest politicians in the world, does it? Just because
• 56:51
  Speaker 1: I just you and Donald Trump? Chanelle, you're a whack rapper. Okay.
• 56:55
  Speaker 1: You have done music with all of those people. You
• 56:57
  Speaker 1: got this long track record and it's gotten you absolutely
• 56:59
  Speaker 1: know you have every musical cheat cold known the man,
• 57:03
  Speaker 1: and you keep failing and you know what they say,
• 57:05
  Speaker 1: when all else fails, there's always delusion. You know, don't
• 57:10
  Speaker 1: go chasing Texas Peak. Stick to the helmets and the
• 57:12
  Speaker 1: miracle whip that you're used to please gives you now
• 57:16
  Speaker 1: West Coast the biggest hull body and CDJ mzy Angela Yee,
• 57:23
  Speaker 1: Charlomagne the guy. We are the breakfast Club. We got
• 57:25
  Speaker 1: a special guest in the buildings all the way from Dallas, Texas.
• 57:28
  Speaker 1: Yah fifty two fifty two ya. How you doing? What's
• 57:34
  Speaker 1: going on? What's happening? Brother? And trying to get to
• 57:36
  Speaker 1: the business now listen, trying to bring old people back.
• 57:38
  Speaker 1: That's what I'm doing. People never left. They don't even
• 57:41
  Speaker 1: know they're here. They ain't getting no respects there are now.
• 57:44
  Speaker 1: Like I tell people, don't just respect me, now go
• 57:47
  Speaker 1: respect the other old catch. She was just respect them
• 57:49
  Speaker 1: back in the day before I started this. Why do
• 57:51
  Speaker 1: you think they don't respect old people. I know they don't.
• 57:53
  Speaker 1: I live in the city. I know they don't. They
• 57:55
  Speaker 1: they're not hit them across the street no more. They're
• 57:56
  Speaker 1: not doing all that. You ain't hell no that them
• 58:00
  Speaker 1: down in the street. They're not helping them. They're not
• 58:02
  Speaker 1: doing all that. They still make fun old cast they
• 58:05
  Speaker 1: shoot shots at me. But man, I love life and
• 58:07
  Speaker 1: I'm so confident. I love it as a rapper. I'm
• 58:12
  Speaker 1: an entertainment. Entertainment, am a dj able. When I started
• 58:15
  Speaker 1: to rap, that means I gotta start talking. They gotta
• 58:17
  Speaker 1: start saying my issues. Now, you're not that old. Ain't
• 58:21
  Speaker 1: even old? They say, I'm old. I saw I'm fifty three.
• 58:24
  Speaker 1: Now you can't even get free pancakes. That the eye
• 58:27
  Speaker 1: off yet. No, this kills me because I gotta have that.
• 58:32
  Speaker 1: But you know, I just I mean the respect level
• 58:34
  Speaker 1: went up. Yeah, it's more of it's more of just
• 58:37
  Speaker 1: a cat rapping over It's more than that. It's a
• 58:39
  Speaker 1: way they're saying. You ain't never too old to do.
• 58:42
  Speaker 1: You ain't got to look a certain way. You ain't
• 58:44
  Speaker 1: gotta get fixed. If I wouldn't ever old, my Matthew,
• 58:47
  Speaker 1: I would have never known about it. So Chela Mayne
• 58:49
  Speaker 1: has told many people up here that they were too
• 58:51
  Speaker 1: old to pursue a career. And uh, ain't you no more?
• 58:56
  Speaker 1: That ain't you no more. It's more than just I mean,
• 58:59
  Speaker 1: I'm bigger than just me wrapping over beat. I can
• 59:01
  Speaker 1: do that all damn like they said out here, I'm
• 59:03
  Speaker 1: nice son, give us some bars right now? Fifty two?
• 59:06
  Speaker 1: Why because you're a round with I ain't no rasper
• 59:09
  Speaker 1: entertain them, but I entertain you're trying to beat on
• 59:11
  Speaker 1: the woman's freestyle. I coppella. I'm telling just to pay attention,
• 59:16
  Speaker 1: like got this bard slinching them need to mention. See
• 59:18
  Speaker 1: I'm locking them up and sensing them sex, and I'm
• 59:21
  Speaker 1: asking them questions them distressing and taking my listens. I'm
• 59:25
  Speaker 1: a chief and ring of the hard mors and old body,
• 59:27
  Speaker 1: and here got really no harbor kipping cars of fantasy
• 59:31
  Speaker 1: at the barn, tipping toe to the two lists because
• 59:33
  Speaker 1: we having fun, y'all, that's nothing. That ain't even nothing,
• 59:37
  Speaker 1: though I'm nicer than that on a beat. That's you
• 59:39
  Speaker 1: know you asked me to rapping. I don't know what cousins.
• 59:43
  Speaker 1: It's my nephew. He acts like this all the time,
• 59:46
  Speaker 1: My nephew. All y'all left you if you under fifty
• 59:49
  Speaker 1: three years old. Angel was a woman, so she can't
• 59:51
  Speaker 1: ask my niece right there? So what about you get
• 59:54
  Speaker 1: with the water names. I didn't have no lame fifty
• 59:58
  Speaker 1: two SAPs. I'm fifty two years old, and then I
• 1:00:01
  Speaker 1: did the little pressure thing on the back porch. I just,
• 1:00:03
  Speaker 1: you know, I just felt like this this is a
• 1:00:05
  Speaker 1: pressure beat. I'm gonna call the pressure. And this cat
• 1:00:08
  Speaker 1: came on this page with old Fidgy two Savage got
• 1:00:12
  Speaker 1: a new song, got called Harvel Pressure. So I got it,
• 1:00:18
  Speaker 1: and then I ain't gonna lie as nails like then,
• 1:00:21
  Speaker 1: I'm DJ Sway because I'm a DJ. That's why I'm
• 1:00:23
  Speaker 1: a hottest DJ, and ain't gonna lie stunning. That's what
• 1:00:25
  Speaker 1: the I'm the hottest DJA. I wanted people to watch
• 1:00:30
  Speaker 1: the voy that made them. They knowing them, they ain't
• 1:00:33
  Speaker 1: gonna lie to hell. No, I'm J Swaye. That's my name.
• 1:00:36
  Speaker 1: Then my cousin says, no, hold up. Look they got
• 1:00:38
  Speaker 1: half stag Figgey two Savage everywhere. So I was like,
• 1:00:42
  Speaker 1: that's my name. You know what I'm saying. I mean,
• 1:00:44
  Speaker 1: I got a wrong with it. And then I looked
• 1:00:47
  Speaker 1: at it differently as my I ain't gonna say fans
• 1:00:49
  Speaker 1: because I don't like to wear a fans because I
• 1:00:51
  Speaker 1: peeter fans. So they y'all my supporters. I looked at
• 1:00:54
  Speaker 1: them and I said this might work, and then I
• 1:00:57
  Speaker 1: thought about him, and they were you know him, I said, noah,
• 1:01:00
  Speaker 1: nah man and man, look at this page is all professional.
• 1:01:04
  Speaker 1: Now he stuck my jetto ass in between all this
• 1:01:06
  Speaker 1: Professionals didn't have to do that, right. So he's seen something.
• 1:01:10
  Speaker 1: He's saying, it's entering. No, it's more than incident. God
• 1:01:12
  Speaker 1: damn it. It's it's art. Because when I put it together,
• 1:01:15
  Speaker 1: drop a track on it. I mean, I'm good. But
• 1:01:17
  Speaker 1: you know this man gave me that name. I appreciate it.
• 1:01:20
  Speaker 1: So I ran with it because all my coming through
• 1:01:23
  Speaker 1: FIDGIT was saving thought of to go for me page.
• 1:01:25
  Speaker 1: Before you get into that, let's talk about your teeth
• 1:01:27
  Speaker 1: for a second, and let's get into lack thereof know
• 1:01:30
  Speaker 1: what I'm saying. So what happened to your teeth? He
• 1:01:36
  Speaker 1: thank you? I got more than my parents, okay. I
• 1:01:46
  Speaker 1: had money, thank you from projects? Your parents from projects? Okay.
• 1:01:51
  Speaker 1: Then they got together and they had first ain't never hand,
• 1:01:54
  Speaker 1: no daddy first. Oh you know what that is? I
• 1:01:56
  Speaker 1: would ever say that in the house. Daddy was out
• 1:01:58
  Speaker 1: of my boat. We don't have we didn't have that,
• 1:02:02
  Speaker 1: we didn't have Christmas. So you you, you, you was
• 1:02:05
  Speaker 1: gifted with all that privilege. Ain't never no gifted. I
• 1:02:08
  Speaker 1: don't believe in privilege. That's bullish gifted as somebody handing
• 1:02:11
  Speaker 1: you something that's just that's what you call privilege. That
• 1:02:14
  Speaker 1: ain't privilege. If my daddy had money, they handed it down.
• 1:02:17
  Speaker 1: You ain't done. So I ain't giving you no credit
• 1:02:19
  Speaker 1: for that. I get traded. That that comes from what
• 1:02:22
  Speaker 1: they call the mud. What I'm saying, that's that's what
• 1:02:25
  Speaker 1: a credit I get them credit. I don't trip on
• 1:02:27
  Speaker 1: those silver spoon because I had a dirty fot you
• 1:02:29
  Speaker 1: feel me? So that's what they looking about me is
• 1:02:32
  Speaker 1: I'm real, ain't no faith. I didn't wait to get
• 1:02:34
  Speaker 1: my grill done to come on the show. I hadn't
• 1:02:36
  Speaker 1: wait to get my grill done the start talking closed mouth.
• 1:02:39
  Speaker 1: Ain't getting let alone fed? How much these probably one
• 1:02:43
  Speaker 1: hundred thousand? And what I hear that's real money. You're
• 1:02:46
  Speaker 1: a card of me. Got that bag? Know this thing
• 1:02:50
  Speaker 1: and it ain't I read searched the part. Ain't actually
• 1:02:53
  Speaker 1: I get my gold funny Pace for like forty thousand
• 1:02:56
  Speaker 1: because I'm not. I'm not greedy. I don't ever want
• 1:02:58
  Speaker 1: to be rich. I don't want to be hung. We
• 1:03:00
  Speaker 1: saw him super humble. You feel me, let me read
• 1:03:02
  Speaker 1: the summary for the go fund me fund that you
• 1:03:05
  Speaker 1: can't see, can't take take off. I can do that.
• 1:03:14
  Speaker 1: She'll choot myself, be the local and get it back
• 1:03:17
  Speaker 1: to me. And she was playing out serious. She said,
• 1:03:19
  Speaker 1: I would chew your steak up for you and give
• 1:03:23
  Speaker 1: it to you, and if it's not chewed up enough,
• 1:03:26
  Speaker 1: then you can give it back. I thought you was married.
• 1:03:28
  Speaker 1: You should matter, said the girls to me as miss Savage.
• 1:03:33
  Speaker 1: But then she say, missus happens, couple of picks. That's over.
• 1:03:39
  Speaker 1: You know how I go. We got more with fifty
• 1:03:41
  Speaker 1: two Savage. When we come back to don't Move. It's
• 1:03:44
  Speaker 1: the breakfast club morning more than everybody is DJ Envy
• 1:03:48
  Speaker 1: angela Ye, Charlomagne the guy. We are the breakfast club.
• 1:03:51
  Speaker 1: We got fifty two Savage in the building. Now, Charlomagne,
• 1:03:55
  Speaker 1: you don't think you do all for groupies. No, you
• 1:03:57
  Speaker 1: know what I'm saying, taking baggart Now, I'm still good,
• 1:04:00
  Speaker 1: I'm still nice, man. Ask somebody, all right, get back
• 1:04:06
  Speaker 1: to go fund me. Okay, Jay right, that's one of
• 1:04:10
  Speaker 1: my business partners. Read its raising money for fifty two
• 1:04:14
  Speaker 1: Savage a ka DJ s Wade fifty a new set
• 1:04:17
  Speaker 1: of thief, A new set of tief. His career has
• 1:04:21
  Speaker 1: been moving at a fast pace, and he was first
• 1:04:23
  Speaker 1: recognized onlining online as a rapping grandpa. He is glad
• 1:04:27
  Speaker 1: that he has shown people that you can be any
• 1:04:29
  Speaker 1: age or look different and still live your dream. The
• 1:04:31
  Speaker 1: role model that he has become for the children to
• 1:04:33
  Speaker 1: young adults has been enjoying him overall, but his missing
• 1:04:35
  Speaker 1: tief still causes people to focus on his appearance instead
• 1:04:38
  Speaker 1: of his talent. You think so, No, I know so,
• 1:04:41
  Speaker 1: and then I don't trip on it. But it's the truth.
• 1:04:43
  Speaker 1: You know. I gotta go with the troop or anything else.
• 1:04:46
  Speaker 1: Look at you. That's the first thing you see. How
• 1:04:47
  Speaker 1: you doing? Baby? He's so created. What's the first thing
• 1:04:49
  Speaker 1: you see? I see you? Yeah, I seen the change.
• 1:04:52
  Speaker 1: That's bulls women, mother, y'all go from shoes all way
• 1:05:00
  Speaker 1: up the first they're blinding. Okay, I hear what's next.
• 1:05:04
  Speaker 1: You ain't handle teeth, thank you, but not from you
• 1:05:07
  Speaker 1: up your mouth. They're lying to you. You know you
• 1:05:09
  Speaker 1: know what they're lying to. You know you ain't got
• 1:05:11
  Speaker 1: no teeth to see what? But I do? I do.
• 1:05:17
  Speaker 1: Look at people's finger nails and their teeth when the
• 1:05:20
  Speaker 1: first really okay to be honest, yeah, we can do
• 1:05:24
  Speaker 1: the for me. But look first, I don't give a
• 1:05:27
  Speaker 1: because I'm gonna eat regardless. I'm gonna still do what
• 1:05:29
  Speaker 1: I'm gonna do regardless. All it takes is you wanting
• 1:05:32
  Speaker 1: to be you got a man up and do that.
• 1:05:35
  Speaker 1: If this was stopping me, what I'd be at the
• 1:05:36
  Speaker 1: breakfast club with no breakfast what I'm being there five
• 1:05:39
  Speaker 1: if I want on top of my game. No, it's
• 1:05:41
  Speaker 1: rather you won't even let me come on your show
• 1:05:43
  Speaker 1: because you say they ain't good enough. I watch this,
• 1:05:45
  Speaker 1: I know I don't go Snoop. You gotta record with
• 1:05:47
  Speaker 1: Snoop Dog. That's the thing, And that's what makes me
• 1:05:50
  Speaker 1: know something's going on because I'm not I'm not contacting them,
• 1:05:54
  Speaker 1: they contacting me. I've seen you're a mic app Snoop.
• 1:05:56
  Speaker 1: Same thing, Mike. What made me get that mic? It's
• 1:05:59
  Speaker 1: like my Big Mama song? You got a big Girl.
• 1:06:02
  Speaker 1: I want to get on that. Yeah, I ain't really finished.
• 1:06:04
  Speaker 1: It was a little bit of that. I'm the type
• 1:06:06
  Speaker 1: of dude that will be with Big Mama. Hey. I'm like, hey, yeah,
• 1:06:11
  Speaker 1: the Big Mama Because big Mama cooked something. And that's
• 1:06:16
  Speaker 1: the kind of bro that that's a real horse, see
• 1:06:20
  Speaker 1: what I'm saying. So that's why the thing you think
• 1:06:26
  Speaker 1: you was here, but that's New York and our little
• 1:06:29
  Speaker 1: New You ain't gonna lie food. I've been outside last
• 1:06:31
  Speaker 1: night's ciphering with on the block. Thirty four in the morning.
• 1:06:38
  Speaker 1: What time I was going to get a snack? I
• 1:06:43
  Speaker 1: soft cookies, cookies, so we're cipher on the block. I
• 1:06:49
  Speaker 1: know you had a boy the more. Sorry, so everything
• 1:06:53
  Speaker 1: from club every now I can. I can eat anything. Okay,
• 1:06:56
  Speaker 1: it's just with thecision. Take my time something goddamn Harry,
• 1:07:03
  Speaker 1: give me to the hospital. Please get to go fund me,
• 1:07:06
  Speaker 1: then go for me to read off up what I'm
• 1:07:09
  Speaker 1: trying to tell you. That bits pointed up and I
• 1:07:12
  Speaker 1: come down. Come on, man, I think my that's oh yeah,
• 1:07:17
  Speaker 1: I picked that back. That's the main reason I won't
• 1:07:19
  Speaker 1: s went to the hospital. Chips to go to the
• 1:07:23
  Speaker 1: hospital because now and read and I can't explain it.
• 1:07:27
  Speaker 1: It makes me nervous shaking it. To go for me
• 1:07:30
  Speaker 1: and give you I don't know how to read. Told on,
• 1:07:33
  Speaker 1: hold on, I'm gonna post it. That's gonna go fund
• 1:07:37
  Speaker 1: me dot com friends, Now as you while you quiet
• 1:07:40
  Speaker 1: your ass, gonna post it day right now? You're lying,
• 1:07:46
  Speaker 1: I answered, grus so I knew it a Why that
• 1:07:53
  Speaker 1: can't be? So who you who you thought this girl was?
• 1:07:56
  Speaker 1: Everybody who thought Angela was somebody? Oh huh yeah her
• 1:08:00
  Speaker 1: by in my bad take my hands back to tell us, man,
• 1:08:11
  Speaker 1: do you have grand hits? Hell? Yeah? How many? Fifteen?
• 1:08:15
  Speaker 1: What did they think? What do they think of your
• 1:08:18
  Speaker 1: Some of them like stop stop savage, they want to
• 1:08:21
  Speaker 1: turn back into Papa. Yeah, oh some of them thing.
• 1:08:24
  Speaker 1: But the rest of late like this, I mean, I'm
• 1:08:26
  Speaker 1: soaking it in and I really, I really this really
• 1:08:28
  Speaker 1: hadn't really hit me. All. This what they call fame,
• 1:08:31
  Speaker 1: but I always been famous that I need. I want
• 1:08:33
  Speaker 1: the bag the fame. Don't mean you want to rest.
• 1:08:36
  Speaker 1: We started talking to you like, I mean, I want
• 1:08:38
  Speaker 1: to deal somewhere TV stuff. That's that, Mike. We got
• 1:08:42
  Speaker 1: some ruins so at the stay tuned well. The gofund
• 1:08:46
  Speaker 1: me is gofund me dot com, slash Savage, new set
• 1:08:50
  Speaker 1: of t fund okayfty two Savage, new set of fifty
• 1:08:53
  Speaker 1: two Savage, new set of Okay y'all go donate right
• 1:08:57
  Speaker 1: now we're gonna get fifty two Savage details stand up,
• 1:09:00
  Speaker 1: hope he no loss, min mego he gonna pour fold.
• 1:09:05
  Speaker 1: I mean your did strow. I'm about to lay the gold,
• 1:09:09
  Speaker 1: but just can't take no more because I thought you
• 1:09:11
  Speaker 1: was a whole. I mean on top of my floor
• 1:09:14
  Speaker 1: when I'll be sliding deep horn o Lord on top
• 1:09:17
  Speaker 1: of the game with Savage being the streets. I'm about
• 1:09:20
  Speaker 1: to run up in creek. Okay, didn't know how I
• 1:09:22
  Speaker 1: see I'm running the stable friest your hord's the flavor
• 1:09:26
  Speaker 1: of the week. Chola man Man gold chain Man had
• 1:09:29
  Speaker 1: to plug the o G fifty two saves far from average.
• 1:09:33
  Speaker 1: I smashed to be hot save on the show man.
• 1:09:38
  Speaker 1: Y'all know what it is to follow you fifty two.
• 1:09:41
  Speaker 1: Please follow me at DJ Swade fifty that's it's w
• 1:09:45
  Speaker 1: A D E. Swade like that Doctor material D Wade
• 1:09:49
  Speaker 1: first day Way at djade fifty go find dot com
• 1:09:52
  Speaker 1: flash fifty two Savage, you set a fund fifty two Savage, Yes,
• 1:09:56
  Speaker 1: Stave for joining us up or day the Breakfast Morning.
• 1:10:03
  Speaker 1: Everybody is DJ Envy Angela Yee, Charlemagne the guy. We
• 1:10:06
  Speaker 1: are the Breakfast Club. We have some special guests with
• 1:10:09
  Speaker 1: us in the building. This is such a beautiful thing. Man,
• 1:10:11
  Speaker 1: we had this, uh, this young old man fifty two
• 1:10:13
  Speaker 1: Savage stay with up fifty two and then my guy
• 1:10:17
  Speaker 1: Daniel Rubinstein. I was connected with him through mister flawless
• 1:10:21
  Speaker 1: and lawless and Daniel Rubinstein is a man of his word.
• 1:10:25
  Speaker 1: A few weeks later they both were sitting here and
• 1:10:27
  Speaker 1: fifty two Savage got thirty two teeth. Swag is different,
• 1:10:37
  Speaker 1: doctor Rubinstein a long time. So I've done this from
• 1:10:41
  Speaker 1: fifty two Savage steak. Can he eat everything? Is he
• 1:10:44
  Speaker 1: fully good to do whatever he needs to do. It's
• 1:10:46
  Speaker 1: like anything else when you get something new, it takes
• 1:10:48
  Speaker 1: a little bit of practice, but once he gets the
• 1:10:50
  Speaker 1: hang of it, he could eat anything. Basically, Howard, was
• 1:10:52
  Speaker 1: the procedure putting these teeth? And did you have to
• 1:10:54
  Speaker 1: knock out this three teeth or the teeth in night?
• 1:10:56
  Speaker 1: I didn't. Actually his four and a half four and
• 1:10:59
  Speaker 1: a half were and a half teeth, so um, and
• 1:11:01
  Speaker 1: I actually incorporated his teeth with the whole procedure, and
• 1:11:05
  Speaker 1: I didn't take them out because actually I used them
• 1:11:07
  Speaker 1: as anchors to hold everything together. So lessing in disguise, Yeah,
• 1:11:11
  Speaker 1: tell me how this all happened, and explain what kind
• 1:11:14
  Speaker 1: of teeth these are, because I know you said they
• 1:11:15
  Speaker 1: were different procedures that you could do to give him
• 1:11:18
  Speaker 1: his teeth. So what procedure did you do? Okay, so
• 1:11:20
  Speaker 1: you know having four and a half teeth, you could
• 1:11:22
  Speaker 1: do that sounds so crazy. You could do a massive
• 1:11:28
  Speaker 1: surgery place implants, takes six months to heal, then another
• 1:11:30
  Speaker 1: six months to do it. It could be over a year,
• 1:11:33
  Speaker 1: a year and a half. I was like, I want
• 1:11:34
  Speaker 1: a gentleman to go out today with a smile that's
• 1:11:37
  Speaker 1: gonna last for a long long time. Correct. So I
• 1:11:40
  Speaker 1: used my noggin and I spoke to my team and
• 1:11:42
  Speaker 1: I was like, what can we do? And we decided
• 1:11:44
  Speaker 1: to use his actual healthy four and a half teeth
• 1:11:47
  Speaker 1: as anchors for the whole smile makeover. And basically that's
• 1:11:51
  Speaker 1: holding everything together and it's nice and tighten there and
• 1:11:55
  Speaker 1: I'm never going to take Oh. It took roughly like
• 1:12:00
  Speaker 1: eight to ten hours. No, it wasn't eight to ten
• 1:12:03
  Speaker 1: hours consecutive. It was we did a little work pause.
• 1:12:06
  Speaker 1: We had to have some my lap technicians work on it,
• 1:12:09
  Speaker 1: come back working a little bit more. So it was
• 1:12:11
  Speaker 1: basically like four to six appointments all in one shot,
• 1:12:14
  Speaker 1: and you did it in your office. In my office,
• 1:12:16
  Speaker 1: A lot of people said that it would be you know,
• 1:12:17
  Speaker 1: your dentist, or he would have to go to an
• 1:12:19
  Speaker 1: oral surgeon. But that has to be carefu. I brought
• 1:12:22
  Speaker 1: everyone to my office, got a time. I made it happen.
• 1:12:26
  Speaker 1: How do you feel? Fifty two? Good? All, I'm fine.
• 1:12:29
  Speaker 1: Have you always had when the last time you had
• 1:12:31
  Speaker 1: all your teeth in your mouth? I can't remember? Probably, uh,
• 1:12:34
  Speaker 1: sixteen seventeen eighteen. How did you lose them? To begin with,
• 1:12:37
  Speaker 1: let's not taking all I head etan can is going
• 1:12:40
  Speaker 1: to sleep with now ladies in myth and that oh no,
• 1:12:43
  Speaker 1: I hated him. It was associated dent with pain. Absolutely
• 1:12:47
  Speaker 1: you don't right now, I don't, but I'm learning. Did
• 1:12:50
  Speaker 1: you have to? How did that? I gave him a
• 1:12:55
  Speaker 1: little overcame, but no, not really. I mean I knew
• 1:12:57
  Speaker 1: exactly where I needed to touch this teeth, and I
• 1:13:00
  Speaker 1: knew that some areas are not going to feel anything,
• 1:13:03
  Speaker 1: and he did really really well. Have you to talk
• 1:13:05
  Speaker 1: about maintenance after the fact, because he didn't know how
• 1:13:07
  Speaker 1: to take care of his teeth before. We don't want
• 1:13:09
  Speaker 1: him to look. So they gave me a hole talking
• 1:13:11
  Speaker 1: about talk. So I used to have a half. I
• 1:13:14
  Speaker 1: ain't had that time and I'm finish, but he gave
• 1:13:17
  Speaker 1: me this time a whole pegs the toothpaste last meeting
• 1:13:22
  Speaker 1: less than the Europe So hey, now you're about just
• 1:13:26
  Speaker 1: to see Now you gotta start hang out with saving
• 1:13:29
  Speaker 1: money at first. Now Charloman was asking about maintaining how
• 1:13:32
  Speaker 1: how does he maintain his grill? Now? Okay, so you
• 1:13:35
  Speaker 1: know many of us are off for thirty two teeth.
• 1:13:37
  Speaker 1: Then we started losing it throughout life. So right now,
• 1:13:40
  Speaker 1: fifty two Savage has four and a half teeth in
• 1:13:41
  Speaker 1: his mouth, and those are the most important teeth in
• 1:13:44
  Speaker 1: his mouth because that's what's going to hold everything together.
• 1:13:47
  Speaker 1: So the way you maintain it, you gotta brush, floss,
• 1:13:50
  Speaker 1: use mouth rents. Just really keep an eye on those
• 1:13:52
  Speaker 1: four and a half teeth. Fifty two. You cannot clean
• 1:13:55
  Speaker 1: your jury more than you clean your teeth. Okay, they're
• 1:13:57
  Speaker 1: gonna see this first. Well I gotta do this first. Look,
• 1:13:59
  Speaker 1: how my mom, what's the first thing you're gonna do
• 1:14:01
  Speaker 1: when you get back to Dallas? Take things out? So
• 1:14:04
  Speaker 1: he could take the teeth out. Yeah, I'm trying to
• 1:14:06
  Speaker 1: get used to him. So he's making me. He's making
• 1:14:08
  Speaker 1: me where man keep him in now, he won't have
• 1:14:12
  Speaker 1: any problem with the teeth just falling out here in
• 1:14:13
  Speaker 1: the club, DJ and Or. That's what I told him.
• 1:14:15
  Speaker 1: I said, I don't own nothing that moves when I
• 1:14:17
  Speaker 1: moved right, So he was like, Okay, I'll take critics
• 1:14:19
  Speaker 1: and the teeth will stay in because we're using his
• 1:14:23
  Speaker 1: actual teeth as anchors. And I mean his vone is
• 1:14:26
  Speaker 1: so strong, even though he had so much, So you
• 1:14:29
  Speaker 1: gotta Paul that day. Jesus christ bone is so strong.
• 1:14:33
  Speaker 1: What the hell? No coming? That was gonna hold up
• 1:14:39
  Speaker 1: really well, really well. Now, if somebody wanted to do
• 1:14:41
  Speaker 1: this procedure and pay for it, how much would it?
• 1:14:44
  Speaker 1: Course ball Park pay for it? You don't know? We do?
• 1:14:47
  Speaker 1: You know? Do we do? We didn't get the money,
• 1:14:49
  Speaker 1: let's go fund me. They don't know nothing. How much
• 1:14:52
  Speaker 1: would it have? Of course Ballpark because we did it.
• 1:14:54
  Speaker 1: Also one day I brought the whole team. I mean,
• 1:14:56
  Speaker 1: it could arrange between fifteen and twenty five. Goodness, she
• 1:15:00
  Speaker 1: is Merry Christmas. It's worth it, though, it's worth it,
• 1:15:03
  Speaker 1: definitely worth I got a percentage on it now. But
• 1:15:08
  Speaker 1: I'm blessed though. I mean, that's what you're sharing. That's true.
• 1:15:11
  Speaker 1: I asked you that. He was like, no, the change.
• 1:15:13
  Speaker 1: I was like, no, I did not say the change.
• 1:15:15
  Speaker 1: Do I need to rewind? I told him, asked somebody, no,
• 1:15:20
  Speaker 1: DJ DJ. You said, yeah, that's really that's the reason
• 1:15:25
  Speaker 1: why I want to because people noticed this and won't
• 1:15:27
  Speaker 1: give me a chance to see my talents just for
• 1:15:29
  Speaker 1: the hater. That's why I got Yeah. Now they can
• 1:15:31
  Speaker 1: can't get it for me. They can't talk negative about
• 1:15:33
  Speaker 1: you now. They can't, but they can't. They gonna do that.
• 1:15:35
  Speaker 1: They just can't use this, but they still will. Was
• 1:15:39
  Speaker 1: paid for it, you know how brothers do what on
• 1:15:42
  Speaker 1: that girl? For me? They were like, well, you got
• 1:15:43
  Speaker 1: all them chains, why can't he just pay? Well? How
• 1:15:45
  Speaker 1: was I was flying before the teeth? So when I
• 1:15:48
  Speaker 1: thought away my most, you fly away my stuff thought
• 1:15:51
  Speaker 1: because I ain't got teeth now I'm still be clean.
• 1:15:54
  Speaker 1: You gotta have some mess to look at too. Something
• 1:15:56
  Speaker 1: as sensory up now, what you were saying like one
• 1:15:59
  Speaker 1: of the biggest things that you could changing his total
• 1:16:02
  Speaker 1: face fifty two savage faces that the lower portion of
• 1:16:04
  Speaker 1: the face. If you don't have teeth, it kind of collapses, right,
• 1:16:07
  Speaker 1: and it makes you look a lot older. So when you,
• 1:16:10
  Speaker 1: you know, put in teeth properly, it will build up
• 1:16:12
  Speaker 1: that part of the mouth and it makes you look
• 1:16:14
  Speaker 1: so much younger. And that's why all these comments that
• 1:16:16
  Speaker 1: he's getting, like, man, you look like you're twenty five
• 1:16:18
  Speaker 1: years old, now thirty five years old. They're lying there,
• 1:16:20
  Speaker 1: definitely lying. I'm gonna say, early forties. Somebody want to
• 1:16:23
  Speaker 1: ride away, gonna lying, boy, don't fall five. You're trying
• 1:16:29
  Speaker 1: to get in my pocket. I pushed the button on that.
• 1:16:35
  Speaker 1: But I love man from New York. I gonna be honest. Man,
• 1:16:37
  Speaker 1: I went to West Coast, I went to Atlanta. I
• 1:16:40
  Speaker 1: mean a lot of places. When I came to New York,
• 1:16:42
  Speaker 1: I was like, damn, I knew York. I can't. Never
• 1:16:44
  Speaker 1: had a good rapport with the South, So I want
• 1:16:45
  Speaker 1: to us gonna be but the East Coast man, stay
• 1:16:48
  Speaker 1: up all the way up, and a lot of want
• 1:16:50
  Speaker 1: to do is just say, I really appreciate it. I
• 1:16:53
  Speaker 1: really didn't expect it. I didn't expect this much. I
• 1:16:56
  Speaker 1: spect maybe, but well, you get on, so I don't mind.
• 1:16:57
  Speaker 1: Felt because we've been talking or whatever. But that's far
• 1:17:00
  Speaker 1: as I thought it would go. But for them to
• 1:17:02
  Speaker 1: step up and do this for me, it's probably the
• 1:17:04
  Speaker 1: first time I actually faded the turn because I didn't
• 1:17:07
  Speaker 1: expect it, right. It came out of left field, and
• 1:17:10
  Speaker 1: I was like, oh, man, so with them, Well, I'm
• 1:17:13
  Speaker 1: from South Carolina, so my hospitality a little different, man,
• 1:17:15
  Speaker 1: But you know, salute the doctor. Real hospitality got me up.
• 1:17:18
  Speaker 1: All love my brother. Salute to doctor Rubinstein, you know,
• 1:17:21
  Speaker 1: like for him, but him spend his money on this,
• 1:17:24
  Speaker 1: but not only that, he took a day out of
• 1:17:26
  Speaker 1: his practice where he hadn't had patience and even many
• 1:17:30
  Speaker 1: different things. And it makes his team effort and it
• 1:17:32
  Speaker 1: is appreciation your team. Man. By myself, I wouldn't be
• 1:17:35
  Speaker 1: able to achieve this. I mean my whole squad. They
• 1:17:37
  Speaker 1: worked so hard and the energy is very similar to mine,
• 1:17:39
  Speaker 1: and they're all my right hands, and they really do
• 1:17:42
  Speaker 1: it for the bottom of their hearts. So I think,
• 1:17:44
  Speaker 1: you know, I love what I do and I'm very
• 1:17:45
  Speaker 1: blessed that I was able to help him and whoever
• 1:17:48
  Speaker 1: else I can. And your practice is benson Hurst Dental
• 1:17:50
  Speaker 1: in Brooklyn, right, Yeah, what can people get in touch
• 1:17:52
  Speaker 1: with you if they if they want to. Instagram is cool,
• 1:17:54
  Speaker 1: okay with Instagram? D are underscore Rubinstein? Are you b
• 1:17:59
  Speaker 1: I N s H T E I N you the
• 1:18:02
  Speaker 1: kids as well? I work with some kids. Sure, there's
• 1:18:04
  Speaker 1: not going to last you go here from doctor Rubinstein. THO,
• 1:18:06
  Speaker 1: We're gonna have him up here a lot, just talking
• 1:18:08
  Speaker 1: about teeth and whatnot. And we gotta get doctor Rubinstein
• 1:18:11
  Speaker 1: on TV. He's too handsome not to be on television.
• 1:18:13
  Speaker 1: You guys are amazing. Thank you for having me. Really
• 1:18:15
  Speaker 1: appreciate that you shot you shooting your shot over. It's
• 1:18:17
  Speaker 1: my guy right there. Well listen, Ronald applause and fifty
• 1:18:19
  Speaker 1: two salvage man drop the two Bob for fifty two
• 1:18:22
  Speaker 1: and doctor Rubenstein. Thank you guys, Thank you manys again, man,
• 1:18:26
  Speaker 1: thank you so very much for coming up here and
• 1:18:28
  Speaker 1: enjoy the team. Bay. Why was fatboy call? You? Try
• 1:18:31
  Speaker 1: to call the man? I've just seen fatboy running around.
• 1:18:32
  Speaker 1: He's sleeping. He fell to sleep, boy, tap boy? What
• 1:18:38
  Speaker 1: are you doing? Fat boy fell to sleep? Flatboy? What up?
• 1:18:41
  Speaker 1: My brother said? I got no breakfast for your fan
• 1:18:44
  Speaker 1: boys already? How are you, mister generous? What's happening, mister generously,
• 1:18:49
  Speaker 1: what's up? I love you foys, he said, what's up?
• 1:18:54
  Speaker 1: Where I what's up? People? Man? I love y'all. Man,
• 1:18:56
  Speaker 1: I appreciate y'all. Shout out to the Breathash Club, Charlottemagne,
• 1:18:59
  Speaker 1: d And and Joliere all beautiful. Shout out to the doctor.
• 1:19:02
  Speaker 1: Know what I'm saying. One of the first times I
• 1:19:05
  Speaker 1: heard of Doctor Rubenstein was two Fat Boys Instagram. Of
• 1:19:08
  Speaker 1: course you get my teeth right, this is my doctor.
• 1:19:11
  Speaker 1: You get my teeth like you MAKEE sure I'm good.
• 1:19:13
  Speaker 1: And now we got fifty two good. So thank doctor Rubenstein,
• 1:19:16
  Speaker 1: helping the culture a long time. Yeah, you know, it's
• 1:19:21
  Speaker 1: the Breakfast Club. The Lord