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"Slappers!" (1963) The Cast Reunites · Artists on Artists on Artists on Artists

• 0:00
  Speaker 1: Welcome back to Artists on Artists on Artists on Artists. Boy,
• 0:03
  Speaker 1: do we have a panel for you.
• 0:04
  Speaker 2: Today, History's Screenwriting Expert panel of new voices in Hollywood.
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  Speaker 3: Costumes are Character.
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  Speaker 4: Buck, Mary Kill wide shot, two shot, close up.
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  Speaker 3: This is artist on Artists on artist on artists.
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  Speaker 1: Do you know why they call it show business? I
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  Speaker 1: always wondered that.
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  Speaker 4: Welcome to Artists on Artists on Artists on Artists the
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  Speaker 4: only podcast roundtable series that takes you inside the world
• 0:31
  Speaker 4: of everyone's favorite Hollywood, Hollywood, California. Today, we've reunited the
• 0:35
  Speaker 4: Cats crew and creators of the forgotten film Classic Slappers
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  Speaker 4: to discuss what went into making such a legendary film.
• 0:43
  Speaker 4: Let's listen in.
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  Speaker 1: And this was nineteen sixty three behind you. We couldn't.
• 0:47
  Speaker 1: We couldn't just whip out our phones and sent a text. No.
• 0:51
  Speaker 1: I had to run from Trailer B all the way
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  Speaker 1: to Trailer F to say I've got bird feathers stuck
• 0:57
  Speaker 1: on my behind.
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  Speaker 4: I remember what that looked like. I remember I said
• 1:04
  Speaker 4: turn around, and and and and it was like I
• 1:08
  Speaker 4: was looking at the the NBC logo. It was like
• 1:13
  Speaker 4: I was staring at a peco's rear. It was really
• 1:17
  Speaker 4: funny to me.
• 1:18
  Speaker 1: Well, it wasn't so funny to me in the moment
• 1:21
  Speaker 1: because it took it took several bats to get it out,
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  Speaker 1: but I laughed later.
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  Speaker 4: Good, I'm glad you found the humor in it. Eventually,
• 1:29
  Speaker 4: we should probably get this thing started. I think they're
• 1:31
  Speaker 4: telling us we have to do it intro.
• 1:34
  Speaker 2: Around.
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  Speaker 4: So, so, my name is Samuel Stink. I was on
• 1:40
  Speaker 4: this production. It was called Slappers, and and you know,
• 1:45
  Speaker 4: I played, of course the stinker himself, Samuel Stink. They
• 1:51
  Speaker 4: named it after me. And it's really fun to see
• 1:55
  Speaker 4: all you guys again. It's really fun to be back
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  Speaker 4: here again.
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  Speaker 1: It's so incredible to be here. It's incredible to see
• 2:01
  Speaker 1: all of you. It's like I'm being transported. I of
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  Speaker 1: course am Judith Dubois, former Broadway star turned film star,
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  Speaker 1: turned TV star turned YouTube star, back to film now,
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  Speaker 1: and I'm just so happy to be a part of
• 2:20
  Speaker 1: the Slappers family once more.
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  Speaker 5: Ah, I'll take that note. It's me, Pearls. I am
• 2:30
  Speaker 5: the costumer. Then, I have been in the business longer
• 2:35
  Speaker 5: than most.
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  Speaker 3: Of your parents were alive. I'll say that. Oh, good
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  Speaker 3: to be here.
• 2:43
  Speaker 2: Hey, what's up all I am Keith Toby and I
• 2:51
  Speaker 2: was the child in Slappers. I was Samuel Stink's son
• 2:57
  Speaker 2: on and you know it was really early, one of
• 3:02
  Speaker 2: my first roles, if not my first major film, and yeah,
• 3:07
  Speaker 2: my only film. So happy, happy, happy to be here.
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  Speaker 4: It's good to see you again. I really really mean that. Well,
• 3:17
  Speaker 4: wrinkly stink is what we called you. Rinky stink. Yeah,
• 3:21
  Speaker 4: I really nice to see.
• 3:22
  Speaker 1: We'd say, oh, there he is, rinky Stink. Why aren't
• 3:25
  Speaker 1: you in the school yard?
• 3:27
  Speaker 4: Yeah remember that?
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  Speaker 2: I do? I do, yes, I do.
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  Speaker 4: Remember we'd say where's your jump rope? Remember that?
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  Speaker 2: I yes, I remember that. I remember the teasing, I
• 3:37
  Speaker 2: remember everything.
• 3:39
  Speaker 1: We had the best fun. I would run up to
• 3:41
  Speaker 1: you and I'd say, where's well. I hope you pick
• 3:45
  Speaker 1: me for the kickball team. I hope you picked me
• 3:47
  Speaker 1: for the kickball team in physical education?
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  Speaker 4: Remember when we said, hey, it's a real big bummer
• 3:52
  Speaker 4: that you're missing out on going to school because you
• 3:55
  Speaker 4: don't get any bullies. And then we give you a
• 3:57
  Speaker 4: wet willie? Remember that, pearls.
• 4:00
  Speaker 2: I do remember you three being the worst, the two
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  Speaker 2: main actors and the costume designer.
• 4:05
  Speaker 3: Yeah, well you always rolled with y'all.
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  Speaker 4: We really felt like you were the fourth cast member.
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  Speaker 4: I mean, that's the thing about Slappers. You really look
• 4:14
  Speaker 4: back and you those those costumes. They're really a character.
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  Speaker 4: I mean, let's talk about those costumes.
• 4:20
  Speaker 5: Well, one would think, why is the costumer with the actors?
• 4:27
  Speaker 5: Why is the costumer and the opening titles? Why is
• 4:30
  Speaker 5: the costumer's name on the poster? And that's because in Slappers,
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  Speaker 5: the costumes are a character.
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  Speaker 3: I mean, it's about clothes talking to each other.
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  Speaker 5: Of course, these clothes are a main member, and me,
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  Speaker 5: the operator of the clothes, has gotta do that. So
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  Speaker 5: it's it's it's an honor to be here and be
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  Speaker 5: basically a member of the cast.
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  Speaker 1: Now, for the folks at home, we should probably give
• 4:57
  Speaker 1: a little give it a little synopsis of what's Rappers
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  Speaker 1: was all about. I mean, Slappers follows and correct me
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  Speaker 1: if I'm wrong. It has been several years, but it
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  Speaker 1: follows a young Angenoux on her way to be a
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  Speaker 1: movie star and she encounters a talking wardrobe that alothes
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  Speaker 1: have to work together to get her the big part
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  Speaker 1: of the movie. And you know, Samuel Stink is an
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  Speaker 1: agent and Keith Toby is her son. That she found
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  Speaker 1: in the ground and she adopts him. It's a real
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  Speaker 1: buddy comedy of a of an aging young Angenoux twenty
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  Speaker 1: five and a small boy.
• 5:42
  Speaker 4: That's right, and slappers. Everyone always asks everyone always that's
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  Speaker 4: why is it called slappers? They never mentioned it in
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  Speaker 4: the film.
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  Speaker 3: They never never was.
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  Speaker 4: Sort of thing. And I wanted to know if you
• 5:52
  Speaker 4: guys had any theories on that, because I certainly have
• 5:55
  Speaker 4: a couple. Okay, I'll tell you my theory. My theory,
• 6:00
  Speaker 4: it is all the slapping of the ass that that
• 6:02
  Speaker 4: happens to the main character. You know, she walks in
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  Speaker 4: that casting room at the very end slapped. I mean
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  Speaker 4: this is a different time period obviously.
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  Speaker 1: Oh no, you couldn't do that now. But I was
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  Speaker 1: getting slapped left and right, up and down, right, cheek, left, cheek, hole,
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  Speaker 1: all of it.
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  Speaker 4: That's the big finale. Hole, I mean, there was a
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  Speaker 4: lot of hole slapping. The big finale is you find
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  Speaker 4: the right piece of clothing, and they realized the clothing
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  Speaker 4: is irresistible. You literally get slapped out of town, out
• 6:31
  Speaker 4: of the casting office, down the street, down in Locienega Boulevard,
• 6:35
  Speaker 4: down Rodeo Boulevard, and you find yourself in the ocean
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  Speaker 4: and you sink to the bottom because you're the callouses
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  Speaker 4: from the slaps I have calcified and have made you heavy.
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  Speaker 2: So how did you not realize that's why it was
• 6:50
  Speaker 2: called slappers? I feel like it was very obvious from
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  Speaker 2: the beginning half. Most of the movie is taking up
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  Speaker 2: with this people slapping her.
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  Speaker 3: It was a different time, it was a different.
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  Speaker 2: Times, it was a different time.
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  Speaker 1: It didn't even register.
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  Speaker 4: You don't point that stuff out in the sixties. You know,
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  Speaker 4: that's the doubt you brought up. So it's interesting that
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  Speaker 4: that is the comment on the on the on the
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  Speaker 4: whole film.
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  Speaker 1: Because it's just like smoking a cigarette. You wouldn't even
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  Speaker 1: think to point it out if it's in a scene
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  Speaker 1: somebody slapping my behind over and over again distractingly, so
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  Speaker 1: it wouldn't be something you point out. You just think
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  Speaker 1: of it as scenery. You'd think of it as part
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  Speaker 1: of the me is on send. It wouldn't be an issue.
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  Speaker 1: But now suddenly it's an issue.
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  Speaker 3: I don't know. I'm very old nowadays.
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  Speaker 6: When I get asked to costume a movie, I get
• 7:35
  Speaker 6: asked and they tell me the pitch of the movie,
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  Speaker 6: and I say This is not what we did in
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  Speaker 6: the sixties.
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  Speaker 3: I didn't need we didn't talk about what a movie
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  Speaker 3: was about necessarily. It's just taboo.
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  Speaker 2: It's alldly.
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  Speaker 3: We did it differently back in those.
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  Speaker 2: Times, Keith, this is it differently back then?
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  Speaker 5: Like I hear, I hear, you're supposed to wardrobe people
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  Speaker 5: are just mirror crew. Uh, not as high up as
• 8:02
  Speaker 5: maybe third or fourth on the call sheet, similar to
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  Speaker 5: how I run things.
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  Speaker 4: Per Do you remember, Pearls. We used to have that
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  Speaker 4: rule that you were allowed to walk into any scene
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  Speaker 4: you wanted and you'd have to get paid for that
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  Speaker 4: day as an actor.
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  Speaker 5: Yes, oh yes, And that was before we had residuals
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  Speaker 5: my bud.
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  Speaker 1: That's right, which is and you could stay in the
• 8:20
  Speaker 1: scene forever if you wanted to. You could just hold
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  Speaker 1: it up and we'd have to improvise with you, and
• 8:25
  Speaker 1: you'd you'd play different characters, you'd do silly voices, and
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  Speaker 1: I'd have to be all, well, there's pearl she's part
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  Speaker 1: of the movie now. But that one scene they kept.
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  Speaker 3: Yes, let's play that scene right now for them when
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  Speaker 3: she is talking.
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  Speaker 5: To her wardrobe and I come in there with quite
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  Speaker 5: the you.
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  Speaker 4: Know, Evelyn please put me on a beautiful hat.
• 8:49
  Speaker 1: Well, hattie hat. I'm just not sure if the audition
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  Speaker 1: calls for it. I'm supposed to be a Western cowboy
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  Speaker 1: and you're a little bit more of a beach hat.
• 8:59
  Speaker 5: Eily, you got it would call for a costumer in
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  Speaker 5: this scene.
• 9:04
  Speaker 3: Baba ba ba ba ba ba ba bop goodbye.
• 9:08
  Speaker 2: I can't I can't believe they kept that in. Okay,
• 9:12
  Speaker 2: I'll choose. I'll choose a question from the middle. It says,
• 9:15
  Speaker 2: what was your favorite uh, what is your one of
• 9:18
  Speaker 2: your favorite memories from filming Slappers?
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  Speaker 4: Oh, Keith, I would love to hear your answer for
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  Speaker 4: this one. I'm sure you got a million of them.
• 9:26
  Speaker 1: It's probably nothing but happy memories for you.
• 9:28
  Speaker 4: You must have had a blast on that set.
• 9:31
  Speaker 2: Slappers is how my coke addiction started, just back in
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  Speaker 2: the sixties. They just would leave it everywhere, and I
• 9:37
  Speaker 2: didn't know what it was. That was six, My mom
• 9:40
  Speaker 2: wasn't around, nobody was around, so I thought, what is
• 9:43
  Speaker 2: this snowy stuff? Looks like candy put in my mouth?
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  Speaker 2: And I was hooked. I was hooked from day one.
• 9:50
  Speaker 2: And you can actually tell in the scenes. You can
• 9:53
  Speaker 2: tell the moment I started coke because the rest of
• 9:56
  Speaker 2: the movie, I am this six year old as high
• 9:59
  Speaker 2: as a height left and right. Every single scene of
• 10:03
  Speaker 2: that movie, I was flying, flying, flying, high, And by
• 10:08
  Speaker 2: the end of the movie, I was doing maybe twenty
• 10:10
  Speaker 2: thirty lines a day to start feeding my addiction. It
• 10:14
  Speaker 2: got up to forty right after that movie. Yeah, couldn't
• 10:20
  Speaker 2: get another job. I would walk in there all my auditions,
• 10:23
  Speaker 2: coked up out of the wazoo saying my catchphrase from Slappers.
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  Speaker 3: Wow, that's a good time.
• 10:32
  Speaker 2: Didn't work.
• 10:33
  Speaker 4: Sounds like a wonderful memory, Keith. I'll tell you my
• 10:35
  Speaker 4: favorite memory when that orangutang came on set. Do you
• 10:38
  Speaker 4: guys remember.
• 10:38
  Speaker 1: When you had brother Chimpy.
• 10:41
  Speaker 4: Chimpy the orangutang, which is a funny name because orangutangs
• 10:45
  Speaker 4: are different from chimpanzee. They are Hey, Keith, do you
• 10:50
  Speaker 4: remember when Chimpy rode by you on the on the bicycle.
• 10:54
  Speaker 2: Yeah, you made him throw his poop at me. You
• 10:56
  Speaker 2: made him throw his poop at me.
• 10:57
  Speaker 4: That was a talented, talented orangutang. I'll tell you that much.
• 11:03
  Speaker 1: That's the finest actor I ever worked with in my
• 11:05
  Speaker 1: goddamn life. And I'll take that to my grave, really, honestly,
• 11:09
  Speaker 1: really truly.
• 11:11
  Speaker 4: Keith, I had a question for you. I was wondering.
• 11:14
  Speaker 4: So I've tried to find what you've been up to, Keith,
• 11:16
  Speaker 4: and I can't. What have you been doing?
• 11:20
  Speaker 2: Mmmm? Well, now I'm trying to do this startup. It's
• 11:25
  Speaker 2: an app that teaches kids how to invest. We give
• 11:29
  Speaker 2: kids real money and then they invested. I mean, you
• 11:34
  Speaker 2: know how my story goes huge success after slappers couldn't
• 11:38
  Speaker 2: get another job because everybody knows me as the slapper
• 11:42
  Speaker 2: kid and running with the wrong crowd for a long
• 11:46
  Speaker 2: time in Hollywood a long time. After a while, those
• 11:51
  Speaker 2: slappers residuals which didn't really exist, they run out.
• 11:56
  Speaker 1: So, Keith, can I tell you? My granddaughter showed me
• 12:01
  Speaker 1: this and I thought it was a It was a
• 12:03
  Speaker 1: wonderful skit of you running around pantsless downtime square yelling
• 12:11
  Speaker 1: help me, help me, help me. Oh god, fuck, I
• 12:15
  Speaker 1: thought that was so funny. There was such a wonderful
• 12:17
  Speaker 1: short film you did. It was on it was on YouTube,
• 12:19
  Speaker 1: I believe I think the title of it was former
• 12:22
  Speaker 1: child star loser runs around in circles on cocaine.
• 12:25
  Speaker 4: Now, Oh that's funny, that's a funny.
• 12:28
  Speaker 1: Thing, and I thought it was brilliant.
• 12:31
  Speaker 2: Yeah, thank you, thank you. Yeah.
• 12:36
  Speaker 4: Speaking of brilliant things on YouTube, I wanted to bring
• 12:38
  Speaker 4: that up for you. Of course, Judith, as we all know,
• 12:42
  Speaker 4: you were a massive YouTube star. And I think that's right.
• 12:47
  Speaker 1: And I did say that. I did say that, and
• 12:49
  Speaker 1: I because it's true. You know, in as soon as
• 12:54
  Speaker 1: the film roles started to evaporate, you know, I'm I aged.
• 12:59
  Speaker 1: My granddaughter's said you should start doing makeup tutorials, and
• 13:03
  Speaker 1: so I did. I bought two thousand and four, the
• 13:08
  Speaker 1: first person to buy this. I bought a ring light,
• 13:11
  Speaker 1: a ring light. I bought a ring light circle light
• 13:14
  Speaker 1: makes your face bright. And I started doing YouTube makeup tutorials.
• 13:19
  Speaker 1: And then ten years in I was outed as being
• 13:26
  Speaker 1: a bad person. My assistant leaked some tapes of me.
• 13:34
  Speaker 1: Some would say screaming unjustly. This was a gotcha attack.
• 13:40
  Speaker 3: A gotcha attack.
• 13:41
  Speaker 1: It was a real gotcha attack. I went on an
• 13:45
  Speaker 1: apology tour and boom, best thing for my career I
• 13:49
  Speaker 1: could have done back in the movies.
• 13:51
  Speaker 4: Well, I wanted to bring that up because I don't
• 13:54
  Speaker 4: think anyone seed an apology tour quite like you did.
• 13:57
  Speaker 4: Fifty five cities across the country.
• 14:00
  Speaker 1: Fifty five cities sold out crowds.
• 14:04
  Speaker 2: Just you said, I apologized.
• 14:05
  Speaker 1: To thousands and thousands of people.
• 14:09
  Speaker 7: I costumed that show, didn't I?
• 14:11
  Speaker 1: You costumed every show. I loved those feather suits.
• 14:15
  Speaker 4: You want you are so if this is what I read,
• 14:19
  Speaker 4: you wore a long feather suit, large feather suit, and
• 14:23
  Speaker 4: you walk out, and then you have everyone line up
• 14:24
  Speaker 4: and you tell them I'm sorry, one by one, and
• 14:26
  Speaker 4: that's the end of the show.
• 14:28
  Speaker 1: And then they'd cheer, they cheer, and they'd yell. I
• 14:31
  Speaker 1: went to baseball stadiums, I did the forum. I think
• 14:34
  Speaker 1: the show that made me cry was the Hollywood Bowl
• 14:36
  Speaker 1: because I wish crazy.
• 14:39
  Speaker 2: They're saying that they've got a little bit of footage
• 14:41
  Speaker 2: from the Hollywood Bowl show. Maybe we can watch that.
• 14:45
  Speaker 7: Play it, please play.
• 14:48
  Speaker 1: I'm sorry, I Judiph Dubois am very sorry. I'm sorry
• 14:56
  Speaker 1: for the things I said. Did you just say thank you?
• 15:00
  Speaker 4: Yeah, you're the one you're apologizing to me, right, I'm
• 15:03
  Speaker 4: just thinking you.
• 15:03
  Speaker 1: For Oh my god, so many people don't say thank you,
• 15:09
  Speaker 1: thank you, thank you, thank you. Hollywood Bowl. I'm so sorry. Wow,
• 15:22
  Speaker 1: I cried that day. I've never felt so loved.
• 15:26
  Speaker 4: That's really wonderful. It's really wonderful to hear that apologs
• 15:29
  Speaker 4: you to it works. I think if more people did
• 15:31
  Speaker 4: it like you did, I think that would really be
• 15:33
  Speaker 4: a good thing for us to see in this country.
• 15:36
  Speaker 2: Well, I've got a question actually for Pearls, because I've
• 15:39
  Speaker 2: heard Pearls you are now somehow a series guest star
• 15:44
  Speaker 2: on a Nickelodeon show because you just kept on walking in.
• 15:48
  Speaker 2: They just started writing you into their scenes. Is that true?
• 15:51
  Speaker 1: Oh yeah, uncle Funny, go funny.
• 15:54
  Speaker 7: Yeah, that's it, Uncle Funny.
• 15:56
  Speaker 3: A yeah.
• 15:58
  Speaker 6: You know what they don't tell you about this business
• 16:01
  Speaker 6: that if you're watching this at home, when you are
• 16:03
  Speaker 6: a piece of shit that is honored and I interrupted
• 16:08
  Speaker 6: enough people, and when you interrupt enough motherfuckers, they will listen,
• 16:16
  Speaker 6: whether you are a costumer or whatever.
• 16:19
  Speaker 8: So that's I mean, Uncle Funny is a result of
• 16:25
  Speaker 8: awful behavior on my part.
• 16:27
  Speaker 7: And that's how Hollywood rolls.
• 16:30
  Speaker 4: I think what's amazing about that production, Parola is your
• 16:35
  Speaker 4: character's name is also Uncle Funny. But it's very clear
• 16:38
  Speaker 4: that the main character is named uncle Funny, and then
• 16:41
  Speaker 4: one time you walked in, the main character obviously being
• 16:44
  Speaker 4: played by Keith Carrodine.
• 16:46
  Speaker 3: You walk bless his soul, blessed, so.
• 16:48
  Speaker 4: I can't believe it came back to Earth for this one.
• 16:51
  Speaker 7: And I meant, like, I love him, bless his.
• 16:54
  Speaker 4: It's pretty incredible. Bless his whole, Bless his soul. That's
• 16:58
  Speaker 4: what we used to say. And you came in and
• 17:00
  Speaker 4: I remember the first scene I saw this. You came
• 17:02
  Speaker 4: in and you said, no, I'm also Uncle Funny, and
• 17:05
  Speaker 4: then that's kind of what happened.
• 17:08
  Speaker 9: Yeah, I mean there's a lot of backlash I would
• 17:13
  Speaker 9: I would get and my team and I we just
• 17:15
  Speaker 9: took it and we said, let's take the label we've
• 17:18
  Speaker 9: been given and let's run with it.
• 17:20
  Speaker 3: Let's I am a.
• 17:21
  Speaker 7: Piece of shit, and I will take the title of
• 17:24
  Speaker 7: those movies. I love going on set and saying I'm
• 17:28
  Speaker 7: the director and I'm not. It's just fun. When you
• 17:31
  Speaker 7: get to be my age, it's all about having fun.
• 17:35
  Speaker 4: That's fantastic. I agree with you as well on that one.
• 17:38
  Speaker 1: That is wonderful, and I enjoy so many of your films.
• 17:44
  Speaker 1: You were in cars too, Yes, I was myself into
• 17:49
  Speaker 1: cars too, which is impressive because you don't need to
• 17:52
  Speaker 1: be there. There's no costumer there, it's animated.
• 17:55
  Speaker 7: Yeah, I found a way.
• 17:57
  Speaker 4: That kind of stunned me, to be honest, Perl. When
• 17:59
  Speaker 4: I was watching that with my grandkids and Pearls walks in,
• 18:04
  Speaker 4: of course I let out of gasp.
• 18:06
  Speaker 3: Oh, you said, don't you have a famous grandson.
• 18:09
  Speaker 8: Who's just on a musician.
• 18:11
  Speaker 4: Now, yes, my grandson. You might know him, Hosier.
• 18:18
  Speaker 3: Take me the Church.
• 18:22
  Speaker 4: Yes, yes, yes, I.
• 18:24
  Speaker 1: Knew it was Hoser. It sounded so familiar.
• 18:27
  Speaker 4: Yes, Hojier. Yes, that's my son, my grandson, Hosier. That's
• 18:32
  Speaker 4: his real first name. By the way, it's very cute.
• 18:34
  Speaker 3: He's a shoot the gun that Scottish.
• 18:38
  Speaker 4: Yeah, Irish, yes, Irish. Yeah, his his father. My son
• 18:43
  Speaker 4: ended up marrying some Mick and I moved to Dublin,
• 18:47
  Speaker 4: and of course.
• 18:51
  Speaker 2: You can't say that anymore.
• 18:53
  Speaker 4: I can say it. I'm i'm I'm I'm a I'm
• 18:55
  Speaker 4: a father in law to a Mick.
• 18:57
  Speaker 2: I can say it, Yes, he can, you can. Uk.
• 19:01
  Speaker 4: That song take Me to Church is actually based on me,
• 19:04
  Speaker 4: because I was screaming that once when I was there,
• 19:07
  Speaker 4: because I had found out that my grandson Hojia was uncircumcised,
• 19:12
  Speaker 4: so I said, take me to church. We need to
• 19:14
  Speaker 4: rectify this, we need to.
• 19:15
  Speaker 1: Change this, We need to put a foreskin back on.
• 19:18
  Speaker 1: I remember that that in your Christmas letter.
• 19:21
  Speaker 4: I did because I you know, I said take me actually,
• 19:24
  Speaker 4: I said take me to synagogue, because I'm of course
• 19:28
  Speaker 4: Jewish and that's where circumcisions happen. But he changed it
• 19:32
  Speaker 4: because he's a dirty mick, and he changed it to
• 19:34
  Speaker 4: a Catholic thing. So I mean, always always erasing the Jews,
• 19:39
  Speaker 4: that's the thing.
• 19:41
  Speaker 3: I mean, it doesn't really flow off the tongue. Take
• 19:44
  Speaker 3: me that synagogue.
• 19:46
  Speaker 4: I mean, look, I I of course pitched a couple
• 19:48
  Speaker 4: of ways that he could have made it happen talking
• 19:51
  Speaker 4: about this now, but this is something about this, you know.
• 19:54
  Speaker 4: Of course, I said, you know, synagogue, now, synagogue. Now
• 19:59
  Speaker 4: I'm asking to go to the synagogue now. Yes, of course,
• 20:04
  Speaker 4: of course.
• 20:04
  Speaker 2: So he recorded the song and then you called him
• 20:06
  Speaker 2: and pitched that out. Is that? What is that? What happened?
• 20:09
  Speaker 4: Yes? Well I saw him doing it, you know, had
• 20:11
  Speaker 4: some sort of recording or something like that, and you
• 20:14
  Speaker 4: got on the little microphone and I said it can
• 20:16
  Speaker 4: we give you know, here's a little suggestion. Of course,
• 20:18
  Speaker 4: he said, inks for grandpathering so much.
• 20:20
  Speaker 1: And then I remember, that's how used to you used
• 20:23
  Speaker 1: to give me notes because you weren't the director. But
• 20:26
  Speaker 1: sometimes in scenes you would say, I have a little suggestion.
• 20:32
  Speaker 4: Yes, yes, some people like to call that notes. Yeah,
• 20:36
  Speaker 4: sometimes it's a it's a thing I learned. When you
• 20:39
  Speaker 4: want someone to listen to you, you change your tone. So,
• 20:41
  Speaker 4: of course, yeah, something like this. Maybe you try this
• 20:44
  Speaker 4: little thing right here, Maybe you do that.
• 20:46
  Speaker 1: You were always right.
• 20:47
  Speaker 8: The only scene I didn't walk in and ruin was
• 20:50
  Speaker 8: because you changed your tone and you told me stop it.
• 20:53
  Speaker 7: This is this is hurting all our feelings.
• 20:56
  Speaker 4: Yes, Burrows, I did do that, and because I also
• 20:59
  Speaker 4: found out that you react very similar to the tone,
• 21:02
  Speaker 4: just like a dog would. You are very sensitive to tones,
• 21:07
  Speaker 4: and some call that in the industry, you're kryptonite.
• 21:10
  Speaker 6: Yes, that ruined me on the set of Diamond Junkie Boy,
• 21:16
  Speaker 6: did it?
• 21:16
  Speaker 4: Yes? I heard they put one of those white noise
• 21:19
  Speaker 4: machines at the edge of Diamond Junkie and one of
• 21:21
  Speaker 4: those dog whistles.
• 21:22
  Speaker 2: Yes, I'll tell you this.
• 21:23
  Speaker 8: When someone changes their tone, I don't know where I
• 21:26
  Speaker 8: am or what's happening.
• 21:28
  Speaker 3: And that's why I'm so bad.
• 21:31
  Speaker 7: With working on movies. When people are doing accents, I
• 21:34
  Speaker 7: get confused.
• 21:36
  Speaker 1: Yes, you know, changes in decibel can be hard on
• 21:39
  Speaker 1: all of.
• 21:40
  Speaker 7: Us, Yes, especially as we all get older.
• 21:42
  Speaker 8: I mean I'm looking at a table of sixty plus
• 21:44
  Speaker 8: aside from Keith.
• 21:45
  Speaker 3: I mean we're getting up there.
• 21:48
  Speaker 4: How old are you now, Keith? What fifty?
• 21:50
  Speaker 2: I'm thirty five.
• 21:52
  Speaker 1: Keith, there's been something that's bothering me. I wanted to
• 21:55
  Speaker 1: get it off my chest. Keith, I'm very sorry for
• 21:59
  Speaker 1: pants you at the premiere. Yeah, that was that was inappropriate. Yeah,
• 22:04
  Speaker 1: I've been told it's wrong, and I'm sorry.
• 22:07
  Speaker 4: That was an incredible apology. Judith, you're so good at those,
• 22:11
  Speaker 4: You're so good at those.
• 22:14
  Speaker 1: Mean to show off. I didn't want to show off,
• 22:16
  Speaker 1: but I'm I'm sorry.
• 22:18
  Speaker 3: I want to put a I want to put you
• 22:20
  Speaker 3: in a gown for that. That was so good.
• 22:22
  Speaker 4: Oh man, if you had a head dress with Brian Stones,
• 22:26
  Speaker 4: can you imagine what that would look like?
• 22:28
  Speaker 1: Oh? I'm sorry, I'm sorry, I'm sorry, I'm sorry. I
• 22:31
  Speaker 1: don't want to make this all about me, but i'm.
• 22:33
  Speaker 3: Sorry to get you on uncle Bunny.
• 22:37
  Speaker 1: Oh you know, i'd love let's talk after this because
• 22:41
  Speaker 1: I love to do it.
• 22:42
  Speaker 8: And I'd love to get in front of you and
• 22:44
  Speaker 8: interrupt you while you're doing it.
• 22:45
  Speaker 4: It sounds good.
• 22:47
  Speaker 2: Well, does anybody else have anything else they want to
• 22:51
  Speaker 2: apologize for?
• 22:53
  Speaker 1: Hmm?
• 22:55
  Speaker 4: Let me see, Hmmm, I don't.
• 22:59
  Speaker 1: I don't know if I remember much else.
• 23:02
  Speaker 4: Yes, that's everything we've mentioned. Is the cap of what
• 23:06
  Speaker 4: I remember. I don't remember a single other thing about
• 23:09
  Speaker 4: the film other than what we've discussed. Is there something
• 23:11
  Speaker 4: you're thinking of?
• 23:13
  Speaker 2: Yeah, well, Sammy, you don't, Samuel, you don't remember, you know,
• 23:18
  Speaker 2: setting up that pie on the rake, making me step
• 23:21
  Speaker 2: on the rake, the pie, slapping me in the face,
• 23:24
  Speaker 2: you calling in the crew and going, look at this
• 23:26
  Speaker 2: stupid Irish kid. Look how dummy is Do you not remember?
• 23:30
  Speaker 1: That?
• 23:31
  Speaker 4: Doesn't ring a pel? Keep going though, maybe it'll maybe
• 23:33
  Speaker 4: it'll trigger.
• 23:34
  Speaker 2: Was just one of the occasions you don't remember coming
• 23:39
  Speaker 2: into my trailer, taking me out of my trailer, ripping
• 23:43
  Speaker 2: the sides of my trailer off, and then riding This
• 23:47
  Speaker 2: kid thinks he's something never never never, because I remember
• 23:53
  Speaker 2: it like it was yesterday.
• 23:55
  Speaker 4: Doesn't ring a pell? Try another? Well else, anything else?
• 24:00
  Speaker 2: Pearls?
• 24:01
  Speaker 4: Those Those sound to me like completely foreign I can't
• 24:05
  Speaker 4: even fathom.
• 24:06
  Speaker 1: Are you sure that was Samuel? Are you sure that
• 24:09
  Speaker 1: wasn't some sort of.
• 24:10
  Speaker 2: I've got pictures or animals, It's not. I watched this
• 24:14
  Speaker 2: man do it, and he said, you remember this, you
• 24:17
  Speaker 2: remember this day forever because I wanted to live an
• 24:20
  Speaker 2: infamy and ruin your life now.
• 24:23
  Speaker 4: And this was on Slappers. This wasn't on anything else.
• 24:27
  Speaker 2: We haven't worked on anything else. We just had. My
• 24:30
  Speaker 2: only movie is Slappers. Pearls. You don't remember putting me
• 24:34
  Speaker 2: in that toddler's outfit the one that was built for
• 24:38
  Speaker 2: a one year old that said I've got poopy in
• 24:41
  Speaker 2: my dipe please change me, and everybody gathering around you,
• 24:47
  Speaker 2: especially Judith, going look look look this kid's got poopy
• 24:51
  Speaker 2: in his dipey. What a dirty, dirty Irish man. You
• 24:56
  Speaker 2: guys don't remember what you're describing.
• 24:58
  Speaker 1: Sounds like a dream, I think. Are you sure you
• 25:01
  Speaker 1: aren't dreaming?
• 25:05
  Speaker 2: No, I've got I couldn't be dreaming it. No, that's impossible.
• 25:10
  Speaker 2: I couldn't. These are things that happened to me. Ye
• 25:12
  Speaker 2: remember these? Huh.
• 25:14
  Speaker 8: I'm starting to think that you asked us all here
• 25:16
  Speaker 8: today together so you can get apologies at.
• 25:20
  Speaker 2: Part yes, maybe I did call the producers and say, hey,
• 25:23
  Speaker 2: I like these panels. I need these people to apologize
• 25:25
  Speaker 2: to me because of what they did.
• 25:28
  Speaker 4: Maybe I'm gonna be honest. I thought this was interesting.
• 25:30
  Speaker 4: We were doing a reunion panel because, as we all know,
• 25:33
  Speaker 4: sappers paid three hundred dollars worldwide.
• 25:39
  Speaker 3: I know, I never get asked about this.
• 25:41
  Speaker 7: I was shocked.
• 25:42
  Speaker 1: Yeah, they let it run for thirty minutes in theaters
• 25:45
  Speaker 1: before they pulled it.
• 25:47
  Speaker 2: Well, most of the movie was just a woman being
• 25:49
  Speaker 2: slapped in different areas.
• 25:53
  Speaker 1: Which was in vogue. It was in vogue in the
• 25:55
  Speaker 1: time it was of the time it was off. It
• 25:58
  Speaker 1: was timely.
• 25:59
  Speaker 4: I mean, we have to. So I'm selling a short
• 26:01
  Speaker 4: that was three hundred dollars in the sixties. You know,
• 26:03
  Speaker 4: present day money that would be seven hundred, eight hundred dollars.
• 26:08
  Speaker 2: You guys don't remember it.
• 26:09
  Speaker 1: You imagine how many houses you could buy.
• 26:12
  Speaker 5: Good god, three hundred dollars back then was so small,
• 26:16
  Speaker 5: And you look at it now when you go, oh
• 26:19
  Speaker 5: my god, our little slappers make seven hundred and fifty dollars.
• 26:24
  Speaker 3: Oh my god.
• 26:27
  Speaker 1: The national release all fifty states, globebally even, and our.
• 26:35
  Speaker 5: Little movie went all the way globally bringing back seven
• 26:41
  Speaker 5: hundred and fifty US.
• 26:43
  Speaker 1: And when all little family, all little family of just
• 26:47
  Speaker 1: a ragtag groups of people, storytellers, we brought in three
• 26:52
  Speaker 1: hundred smacker room.
• 26:53
  Speaker 2: The budget was two million dollars. Two million dollars and back.
• 26:57
  Speaker 3: Then that was two million back then.
• 27:00
  Speaker 4: Now back then, and that's the different it changed that up.
• 27:02
  Speaker 4: That's seven hundred and eight hundred million. Now.
• 27:07
  Speaker 1: You know they talk about these avatars, these marvels, these
• 27:11
  Speaker 1: you know, these movies that they they have, these nine
• 27:14
  Speaker 1: hundred million dollar budgets. They bring in one point five
• 27:17
  Speaker 1: billion dollars.
• 27:19
  Speaker 3: That's that.
• 27:20
  Speaker 1: You couldn't do that then. You couldn't do that. Then
• 27:23
  Speaker 1: it was it was three hundred dollars if you were lucky,
• 27:26
  Speaker 1: and if you weren't lucky, you'd be gone.
• 27:30
  Speaker 2: Well, I think our movie was gone too. Nobody ever
• 27:32
  Speaker 2: talks about it. You guys don't remember any of the
• 27:34
  Speaker 2: things of talking about.
• 27:35
  Speaker 1: Four hundred people who saw it for you know, the
• 27:38
  Speaker 1: first thirty minutes.
• 27:39
  Speaker 2: For seventy five cents. So none of you remember this Judith,
• 27:44
  Speaker 2: you don't remember pooping in that pool and then putting
• 27:47
  Speaker 2: me in the pool and saying, look the kid pooped
• 27:50
  Speaker 2: in that pool. None of you guys remember this, remember.
• 27:53
  Speaker 1: A very nice apology for me ten minutes ago. But
• 27:57
  Speaker 1: I don't remember that.
• 27:59
  Speaker 8: Okay, I guess I remember steamrolling you during your scenes, Keith.
• 28:03
  Speaker 8: But any of this poopy business, I I don't.
• 28:10
  Speaker 2: That's another thing. I never got a line in the movie.
• 28:12
  Speaker 2: I try to get my my my line in the movie.
• 28:15
  Speaker 1: Which was crazy because on the script you had so many.
• 28:19
  Speaker 4: Yes, I'm sorry, Keith. None of that poop sufferings a
• 28:24
  Speaker 4: bell to me, and knowing me, I wouldn't touch the
• 28:26
  Speaker 4: stuff you did.
• 28:29
  Speaker 2: You touched a lot of poop on that set. You
• 28:31
  Speaker 2: touched its poop.
• 28:32
  Speaker 4: Quite frankly, you sound crazy.
• 28:35
  Speaker 2: No, I'm not crazy. Okay, I'm better now. I'm better now, Keith.
• 28:39
  Speaker 1: I just remembered something I want to apologize for. So
• 28:43
  Speaker 1: you started doing cocaine as a six year old. Obviously
• 28:46
  Speaker 1: we've talked about it. But I noticed that you were
• 28:49
  Speaker 1: doing it wrong, that you weren't rubbing it on your grums.
• 28:51
  Speaker 1: You were just sticking it straight down your throat, and
• 28:53
  Speaker 1: that's not an efficient way to do it. And I
• 28:55
  Speaker 1: didn't correct you because I thought he's a child, he's
• 28:57
  Speaker 1: a boy. He knows what he's doing. Somebody problem taught
• 29:00
  Speaker 1: that way. I don't want to, you know, overstep on
• 29:02
  Speaker 1: the father what he's teaching you. But I'm sorry. I
• 29:05
  Speaker 1: should have asserted myself as a woman and said, you know,
• 29:08
  Speaker 1: rub it on your gums.
• 29:09
  Speaker 4: That is a fantastic apart me.
• 29:22
  Speaker 1: Oh, stop your all too much. Thank you, Thank you
• 29:26
  Speaker 1: for giving me the chance to say I'm.
• 29:28
  Speaker 8: Sorry, and thank you for giving me the chance to
• 29:31
  Speaker 8: be a costumer an actor.
• 29:34
  Speaker 3: We bother that you will, just thank You's.
• 29:37
  Speaker 4: A question, girls, I got a question for you that's
• 29:39
  Speaker 4: been just digging in my crawl ever since I met you.
• 29:42
  Speaker 4: Why didn't you just try to be an actor? Why
• 29:44
  Speaker 4: did you always come on as a costumer and then
• 29:47
  Speaker 4: force yourself in as an actor? Why didn't you try
• 29:49
  Speaker 4: to do the normal route? Because I know that's your passion.
• 29:52
  Speaker 6: I want to say something to you now, and I'll
• 29:54
  Speaker 6: say it never again. I emen after playing a customer.
• 30:03
  Speaker 4: No.
• 30:05
  Speaker 8: Pearl all these years, this has been a method for
• 30:12
  Speaker 8: a role I'll be doing in a couple of years.
• 30:15
  Speaker 1: So this was forty years worth of actors preparation for
• 30:20
  Speaker 1: what's that role?
• 30:21
  Speaker 9: Now?
• 30:22
  Speaker 7: It's we start production in the fall. It's called the Costumer.
• 30:28
  Speaker 1: Wow, I have to say, I feel like I've been
• 30:32
  Speaker 1: bamboozled a little bit. Do I even know you?
• 30:35
  Speaker 4: Yeah? What is this smoking mirrors before us? What is this?
• 30:40
  Speaker 7: Well, it's all a mirror child's play, my boy.
• 30:45
  Speaker 4: Well, I hope, I hope you win some big award
• 30:48
  Speaker 4: for that.
• 30:49
  Speaker 6: Absolutely, thank you, and I just want to say I'm
• 30:53
  Speaker 6: grateful to be amongst you all here today.
• 30:56
  Speaker 7: This was a wonderful This was a wonderful gathering.
• 31:00
  Speaker 1: Yeah, this has been They're asking us if anyone has
• 31:04
  Speaker 1: anything they'd like to, you know, promote any projects that
• 31:08
  Speaker 1: are coming up. I'll go first. The Judith Dubois Show
• 31:12
  Speaker 1: is going to be streaming live on YouTube starting next week.
• 31:18
  Speaker 1: It's where I log on and I apologize for every
• 31:21
  Speaker 1: time I've used a slur and I apologize for it
• 31:24
  Speaker 1: with a song. So that's next Tuesday.
• 31:28
  Speaker 4: I starting in the summer, I'm going to be a
• 31:34
  Speaker 4: regular judge on the hit Fox show The Masked Poet.
• 31:39
  Speaker 4: I'm going to be guessing who different poets are under
• 31:44
  Speaker 4: their masks. It's very exciting. That's kind of what I'm
• 31:48
  Speaker 4: going up to. As you own the I don't want
• 31:50
  Speaker 4: to spoil anything, but there is one person that will
• 31:53
  Speaker 4: be performing as a poet, and they do get kicked
• 31:59
  Speaker 4: off in the earlier episode, so I'm allowed to say it.
• 32:01
  Speaker 4: The penguin is being played by Sean Aston.
• 32:05
  Speaker 3: Shut the fuck door.
• 32:07
  Speaker 4: Yeah, so, and you have to hear.
• 32:10
  Speaker 2: Oh, I know, I've I've already looked into it. I'm
• 32:12
  Speaker 2: a big Sean Aston poet guy. He did a lot
• 32:15
  Speaker 2: of god stuff.
• 32:16
  Speaker 4: Fantastic, It's very Christian. You know. I am the one,
• 32:20
  Speaker 4: the one in the way. You have to hear this
• 32:22
  Speaker 4: penguin's poetry, really really really fantastic stuff. What about you, Keith?
• 32:27
  Speaker 4: What are you doing pool?
• 32:32
  Speaker 2: We have no recollection.
• 32:34
  Speaker 4: Yes, I don't even know what I said.
• 32:35
  Speaker 2: I think I was possessed just now, you guys, you
• 32:39
  Speaker 2: guys know what you did.
• 32:40
  Speaker 1: Are you shitting your pants? You little shit boy? No,
• 32:43
  Speaker 1: I don't even remember saying that.
• 32:45
  Speaker 3: Hey, stage, hand over there.
• 32:47
  Speaker 7: Bring that bag I gave you earlier today. Dump it
• 32:50
  Speaker 7: on his head.
• 32:51
  Speaker 2: What's that bag? Oh my god? What is this? Macaroni?
• 32:54
  Speaker 1: Jesus Jesus, Oh my god, macaroni boy. I completely forgot.
• 32:59
  Speaker 2: About No, please, okay, I don't remember what you guys
• 33:04
  Speaker 2: can download the app you guys can download the app
• 33:07
  Speaker 2: Wall Street Junior if you have a child that's interested
• 33:10
  Speaker 2: in investing. It's one thousand dollars. It's a really good investment.
• 33:14
  Speaker 2: I think kids really learn how to lose money and
• 33:16
  Speaker 2: gain money quick. So Wall Street Junior, that's my app,
• 33:19
  Speaker 2: that's my startup. It's it's to help kids.
• 33:23
  Speaker 4: Okay, Wall Street Poonier Great.
• 33:26
  Speaker 1: Poon Well Street Poopier the poop app that I heard
• 33:30
  Speaker 1: you loud and clear.
• 33:32
  Speaker 2: Nothing to do with poo poopy poopy.
• 33:34
  Speaker 3: I coke and poopy poopy.
• 33:36
  Speaker 2: That's just mean. That's just you know I struggle with coke,
• 33:39
  Speaker 2: and you know I haven't. I didn't poop anywhere.
• 33:42
  Speaker 4: That was blanked enough from you, boy. I'm tired of this.
• 33:45
  Speaker 1: You take me to church, Keith, Keith, I, I do
• 33:49
  Speaker 1: want to ask a question about your app. It's for children.
• 33:53
  Speaker 1: Can my son see more butts? Sign up?
• 33:58
  Speaker 2: Well? I guess if he's interesting today?
• 34:01
  Speaker 1: Did you hear the name? I said, no?
• 34:04
  Speaker 2: What did you see with Seymour?
• 34:06
  Speaker 4: But what about my son? Hey? What about my son? Keith?
• 34:10
  Speaker 2: Dickhead pussy This spin artists on artists on artists on
• 34:14
  Speaker 2: artists answering the question, and that's why they call it
• 34:17
  Speaker 2: show business. We'll see you next week.
• 34:22
  Speaker 1: Hi.
• 34:22
  Speaker 5: I'm Angela Jarretona, I'm Jeremy Colhayne, I'm Patrick McDonald, and
• 34:25
  Speaker 5: I'm Kylie Brakman.
• 34:26
  Speaker 1: Artists on Artists On Artists on Artists is an improvised
• 34:29
  Speaker 1: Hollywood roundtable podcast available on iTunes and Spotify.
• 34:33
  Speaker 2: You can follow us at aoaoaoa pod on Twitter and Instagram.
• 34:37
  Speaker 2: That's right, four a's with three o's in between.
• 34:40
  Speaker 4: Then.
• 34:40
  Speaker 2: Pod music for this week's episode was provided by Gabriel Ponton.
• 34:44
  Speaker 1: That's all for now, good Night, Hollywood,