Latest / DISGRACELAND / Cappadonna (Wu-Tang Clan Chapter 6): Someone Else’s Crack Rocks, Turning State’s Evidence, and a Rat in the Inner Circle
Transcript
- 0:00Speaker 1: Disgraceland as a production of Double Elvis. The stories about
- 0:21Speaker 1: Wu Tang Clans Cappadonna are insane. He was arrested for
- 0:26Speaker 1: possession of someone else's crack. He did time at Rikers
- 0:30Speaker 1: Island at the very same time Wu Tang Clan was
- 0:33Speaker 1: being formed without him. He joined Wu Tang once they
- 0:37Speaker 1: were already famous, but he unknowingly brought a rat into
- 0:41Speaker 1: their inner circle. He hired a manager with a criminal
- 0:44Speaker 1: past who was actually a federal informant testifying in two cases,
- 0:50Speaker 1: one involving the mob. And despite making a questionable hire,
- 0:55Speaker 1: Cappadonna made great music, some of the greatest hip hop
- 1:00Speaker 1: music on some of the biggest hip hop albums from
- 1:03Speaker 1: the Wu Tang universe. Unlike that clip I played for
- 1:07Speaker 1: you at the top of the show. That wasn't great music.
- 1:10Speaker 1: That was a preset loop for my melotron called Wolf
- 1:14Speaker 1: Kisses MK one. I played you that clip because I
- 1:19Speaker 1: can't afford the rights to Maria Maria by Santana featuring
- 1:23Speaker 1: the product GMB And why would I play you that
- 1:27Speaker 1: specific slice of nylon stringed cheese? Could I afford it?
- 1:32Speaker 1: Because that was the number one song in America on
- 1:36Speaker 1: May twenty third, two thousand and that was the day
- 1:39Speaker 1: The Village Voice ran a bombshell expose that revealed Cappadonna's
- 1:44Speaker 1: manager to be a shady al Capone wannabee who had
- 1:48Speaker 1: turned state's evidence and gotten cozy with the Feds. On
- 1:53Speaker 1: this episode, someone Else's crack doing time, criminal pass a
- 1:59Speaker 1: rap in the Inner Circle in a wound tang clans Cappadonna.
- 2:03Speaker 1: I'm Jake Brennan in This Is Disgraceland. The cipher was strong.
- 2:40Speaker 1: Not a cipher as in the Final Supreme Number, the
- 2:43Speaker 1: Supreme Numbers being the guiding philosophy of the five percent
- 2:46Speaker 1: Nation aka the Nation of Gods and Earths, but a
- 2:51Speaker 1: cipher as in a group of rappers standing in a
- 2:54Speaker 1: circle making music. A crowd gathered around, and people bob
- 2:59Speaker 1: their heads, and they'd cheered on their favorites, the known
- 3:02Speaker 1: names and the newcomers alike. Their presence raised the steaks.
- 3:06Speaker 1: Higher stakes meant the stronger cipher. The cipher wasn't the
- 3:11Speaker 1: only strong thing. The music was strong too. Old school
- 3:15Speaker 1: fifteen years old, give or take. The honey Drippers impeached
- 3:19Speaker 1: the president a James Brown groove. If James Brown was
- 3:23Speaker 1: like the third Hardest working Man in Showbiz crackled from
- 3:26Speaker 1: the forty five on the turntable, and the DJ looped
- 3:29Speaker 1: the instrumental section of the song with a second turntable
- 3:32Speaker 1: and a duplicate forty five, the kick drum, the high hat,
- 3:36Speaker 1: the snare popping like.
- 3:37Speaker 2: A slap in the face.
- 3:39Speaker 1: It was funky, lean, the perfect foundation for a rapper
- 3:43Speaker 1: to lay down a few bars, and the mcs passed
- 3:46Speaker 1: the mic around and did their best to top the
- 3:48Speaker 1: guy before them. It was simultaneously nerve wracking and thrilling.
- 3:53Speaker 1: And maybe you go into a rap battle feeling a
- 3:55Speaker 1: little self conscious. Maybe you size up the other guys
- 3:58Speaker 1: waiting their turn and get that familiar pain of inadequacy.
- 4:01Speaker 1: By the time the groove gets going and the cipher
- 4:04Speaker 1: starts to do its thing, though, you're feeding off of
- 4:06Speaker 1: that energy, you're confident, and then you're invincible. You're strong,
- 4:11Speaker 1: just like the music and just like the cipher.
- 4:14Speaker 2: But if he had to fall at him, that was
- 4:18Speaker 2: the end.
- 4:19Speaker 1: As soon as he took the mic, you were done.
- 4:23Speaker 1: Only took him half a verse to render you irrelevant.
- 4:26Speaker 1: There was a reason they no longer called Darryl Hill
- 4:29Speaker 1: by his birth name They called him original with a
- 4:32Speaker 1: capital O, because when you're the neighborhood's og, you get
- 4:36Speaker 1: treated with respect. They called him the slang reverend, the
- 4:41Speaker 1: Staten Islands slick rick. They called him Cappuccino, and finally
- 4:47Speaker 1: they called him capa Donna because in the world of
- 4:51Speaker 1: ciphers and rhymes and improvtu rap battles, Cap wasn't just
- 4:55Speaker 1: the down. He was the captain of the Dons. Words
- 4:59Speaker 1: were pure rhythm in his head. Rhyming one word to
- 5:03Speaker 1: the next came as easily to Cap as breathing came
- 5:06Speaker 1: to anyone else. No one could touch him, not Rizza,
- 5:10Speaker 1: not Rizza's cousins either, not old dirty bastard, not Jizza
- 5:14Speaker 1: aka the Genius, a bona fide hip hop godhead who
- 5:17Speaker 1: hailed from bed Sty. Not that the other mcs didn't try.
- 5:22Speaker 1: In fact, many of them were taught how to wrap
- 5:24Speaker 1: in the first place by capa Donna. Breath control, word choice,
- 5:28Speaker 1: the mechanics of a line. Cap knew how to do
- 5:31Speaker 1: all of it first, and he knew how to do all.
- 5:33Speaker 2: Of it best.
- 5:35Speaker 1: If you wanted a fraction of his ability, you sat
- 5:38Speaker 1: at his feet on any given speak corner or back
- 5:41Speaker 1: staircase on Staten Island, and you did your best to
- 5:44Speaker 1: attempt to be CAP's equal. Don't try too hard, though
- 5:47Speaker 1: there was no being equal to Cappa Donna. He was
- 5:50Speaker 1: always one step ahead in his mind and on the mic.
- 5:55Speaker 1: Everyone in park Hill knew this, yet not everyone in
- 5:58Speaker 1: Staten Island saw this. In fact, some saw Cap as
- 6:03Speaker 1: something else, a menace, a part of the problem, and
- 6:07Speaker 1: for no other reasons than the music he liked, the
- 6:09Speaker 1: clothes he war, and the color of his skin.
- 6:14Speaker 2: Never was that more clear.
- 6:15Speaker 1: Than one day in the early nineteen nineties, when Cap,
- 6:17Speaker 1: around twenty years old, was chilling on the street corner.
- 6:21Speaker 1: There was no cipher today, just words forming rhythms inside
- 6:25Speaker 1: his head. Preparation for the next cipher was a constant.
- 6:29Speaker 1: But as Cap prepared, suddenly there was someone else, a
- 6:33Speaker 1: guy right there in CAP's peripheral vision, running, panting, sweating.
- 6:39Speaker 1: Cap turned his head to look the world, pumped on
- 6:43Speaker 1: the brakes, and the air got thick. The guy hauling
- 6:46Speaker 1: out in CAP's direction moved in slow motion. He was
- 6:50Speaker 1: gradually getting closer.
- 6:52Speaker 2: Behind him.
- 6:53Speaker 1: Cap saw two NYPD officers in close pursuit, and their
- 6:57Speaker 1: movements were just as drawn out and pronounced, arms pumping slowly,
- 7:00Speaker 1: legs pounding the pavement with giant, earth shattering steps. The
- 7:05Speaker 1: guy was close to Cap now, his labored breathing like
- 7:08Speaker 1: a slow down windstorm, and just as he passed by,
- 7:12Speaker 1: he dropped something and the whirl quickly hit the gas.
- 7:17Speaker 1: The slow most splintered into pieces. CAP's head snapped to
- 7:20Speaker 1: follow the guys. He tore past, and nearly knocking him
- 7:22Speaker 1: over in the process. Cap looked down at the ground
- 7:25Speaker 1: and saw a paper bag crumpled there at his feet.
- 7:28Speaker 1: He turned his head back to where the guy had
- 7:29Speaker 1: come from, and now those two cops were right there,
- 7:33Speaker 1: so close he could smell the chocolate glazed on their breath.
- 7:36Speaker 1: And the cops paid no mind to the other guy.
- 7:38Speaker 1: He was long gone. Didn't matter. They had what they wanted.
- 7:42Speaker 1: They told Cap to put his hands where they could
- 7:44Speaker 1: see them. They grabbed Cap like he was Staten Island's
- 7:46Speaker 1: most wanted. They made sure it wasn't gentle, and one
- 7:49Speaker 1: of the cops picked up the bag from the ground.
- 7:52Speaker 1: He reached inside and pulled out vials of crack rocks.
- 7:55Speaker 1: Cap felt the cuffs go on as he was red
- 7:57Speaker 1: his rights. This was a cipher now a circle of
- 8:02Speaker 1: steel locked tight and strong around his wrists. But he
- 8:06Speaker 1: didn't belong in police custody, not right now, he didn't.
- 8:10Speaker 1: That wasn't his bag of dope. But this also wasn't
- 8:12Speaker 1: a rap battle, so Cap had less of a chance
- 8:15Speaker 1: of winning. Instead, Cap lost big time. The NYPD didn't
- 8:20Speaker 1: care if the other guy got away. They were done running,
- 8:23Speaker 1: and they took whoever they could get. And who was
- 8:25Speaker 1: this guy? Not a rapper dealing out unbeatable rhymes? He
- 8:29Speaker 1: was a street hood dealing out crack a pestilence. They'd
- 8:33Speaker 1: testify under oath that that was true. Some seven ish
- 8:37Speaker 1: years later, in nineteen ninety seven, this arrest was once
- 8:40Speaker 1: again of importance, not just to the NYPD, but to
- 8:43Speaker 1: the FBI and the ATF as well, because in nineteen
- 8:46Speaker 1: ninety seven, a man named Robert Johnson, an alleged known
- 8:50Speaker 1: associate of Cappadonna, was gunned down by two mass men
- 8:54Speaker 1: on Staten Island.
- 8:55Speaker 2: It looked like a hit, and at.
- 8:57Speaker 1: Least one of the guns used in the murder could
- 8:59Speaker 1: be traced back to a bat of gunspot in Steubenville,
- 9:01Speaker 1: Ohio by other known associates of CAP's hip hop group.
- 9:03Speaker 2: Wu Tang Clan.
- 9:06Speaker 1: But back in the early nineties, when Cap was arrested
- 9:09Speaker 1: for the bag of crack dropped at his feet, Wu
- 9:11Speaker 1: Tang Clan weren't yet a thing. They were just about
- 9:14Speaker 1: to be. The Riza began to assemble as soon to
- 9:17Speaker 1: be legendary collective right around the time the Cap was apprehended. Cap,
- 9:22Speaker 1: of course, was a no brainer for the collective's original lineup.
- 9:26Speaker 1: He had style, he had rhymes, he had an unfuckiable flow,
- 9:30Speaker 1: and he was one of Staten Island's best. If pushed,
- 9:34Speaker 1: several of the other members of Wu Tang would probably
- 9:37Speaker 1: admit that they were not equals when it came to
- 9:39Speaker 1: Cappadonna's skills. But equality had nothing to do with it,
- 9:43Speaker 1: because this Wu Tang Clan took shape and then took
- 9:46Speaker 1: off like a shot. They did so without the original
- 9:49Speaker 1: with a capital low, without the slang reverend the Staten
- 9:53Speaker 1: Island slick rick. Because Cappa Donna was doing time at
- 9:57Speaker 1: Riker's Island for someone else's drugs nineteen ninety two, New
- 10:24Speaker 1: York City, Goldilocks was clean out of ecstasy. He needed
- 10:28Speaker 1: a re up, so he called this guy, Lord Michael
- 10:32Speaker 1: wasn't just Goldilocks's e connection. Lord Michael introduced all of
- 10:36Speaker 1: Staten Island to the drug a few years prior. Around
- 10:40Speaker 1: the same time, he also introduced Manhattan clubs to techno
- 10:43Speaker 1: music from the UK in New York City in nineteen
- 10:46Speaker 1: ninety two. If you wanted the best new acid house
- 10:49Speaker 1: tracks from across the Pond were the best e that
- 10:52Speaker 1: money could buy, you call it Lord Michael. Goldilocks said
- 10:56Speaker 1: he needed twenty thousand hits of this stuff. Lord Michael
- 10:59Speaker 1: said that would set them back one hundred and eighty
- 11:01Speaker 1: thousand dollars. No problem, Goldilocks had a cash His assistant
- 11:06Speaker 1: would be right over to make the trade. Everyone called
- 11:09Speaker 1: Goldilocks's assistant mister Purple on account of the fact that
- 11:13Speaker 1: he wore purple clothes and dyed his hair purple. Or
- 11:16Speaker 1: maybe it was because Quentin Tarantino's Reservoir Dogs had just
- 11:19Speaker 1: hit theaters. Either way, dude was impossible to miss when
- 11:24Speaker 1: he showed up at Lord Michael's swank Gramercy Park apartment
- 11:26Speaker 1: later that day. Lord Michael was waiting for him. So
- 11:30Speaker 1: we're to undercover cops who had planted themselves outside of
- 11:33Speaker 1: the apartment door and before mister Purple could even step inside,
- 11:37Speaker 1: the cops emerged from their hiding place, guns drawn, one
- 11:41Speaker 1: hundred percent serious. Purple was one hundred percent fought. They
- 11:45Speaker 1: pushed him inside the apartment and the door swung shut
- 11:48Speaker 1: behind them. The cops told Purple and Lord Michael to
- 11:52Speaker 1: hit the floor. They both did. Purple was shaking with fear.
- 11:57Speaker 1: One of the cops stared at the bulge in Purple's pants,
- 12:00Speaker 1: nearly two hundred grand in your pocket? Or are you
- 12:02Speaker 1: just happy to see me? Purple wasn't laughing. The cops
- 12:05Speaker 1: cuffed them, and then they cut Lord Michael, lying next
- 12:08Speaker 1: to Purple on the swank apartment's swanky floor. The cops
- 12:12Speaker 1: took the one hundred and eighty grand from Purple's pocket
- 12:14Speaker 1: and left. When mister Purple returned to his boss, Goldilocks,
- 12:19Speaker 1: empty handed and recounted to the story about getting ripped
- 12:22Speaker 1: off by two cops, Goldilocks didn't think it made sense.
- 12:26Speaker 1: In fact, the story stunk. He couldn't help, but wonder
- 12:30Speaker 1: was he being played? Was Lord Michael actually behind the ripoff?
- 12:35Speaker 1: But Goldilocks's suspicions were short lived. Lord Michael's number two
- 12:39Speaker 1: came around and told Goldilocks to chill. The only thing
- 12:42Speaker 1: to be concerned about was crooked cops. New York was
- 12:46Speaker 1: crawling with badge wearing degenerates, and Lord Michael had nothing
- 12:49Speaker 1: to do with the shakedown. This guy, lord Michael's number two.
- 12:54Speaker 1: He was very convincing, so convincing that Goldilocks bought it
- 12:58Speaker 1: and then continued to buy drugs from Lord Michael. In reality, though,
- 13:02Speaker 1: Goldilocks had every right to be concerned, because the whole
- 13:06Speaker 1: story was bullshit, the story, the police, the feigned innocence,
- 13:11Speaker 1: all of it. The cops who busted Purple at Lord
- 13:13Speaker 1: Michael's apartment, they weren't real cops. There were a couple
- 13:16Speaker 1: of Lord Michael's thugs pretending to be cops. Lord Michael
- 13:21Speaker 1: robbed his own client, and then he paid his number
- 13:23Speaker 1: two guy five grand to go bullshit that client into
- 13:26Speaker 1: believing he had been robbed. It hadn't always been like
- 13:30Speaker 1: this at first. Lord Michael aka Michael Caruso was interested
- 13:35Speaker 1: in drugs and music. Caruso was a major catalyst for
- 13:39Speaker 1: rave music in America. When he brought a creative techno
- 13:41Speaker 1: twelve inches back to Staten Island from the UK. He
- 13:45Speaker 1: was there for the dawn of disco two thousand at
- 13:47Speaker 1: the infamous Limelight Club, where party animals like Michael Alec
- 13:51Speaker 1: held court and long before Alec murdered and dismembered his friend,
- 13:55Speaker 1: which you can hear all about in Season one of Disgraceland.
- 13:58Speaker 2: But I digressed.
- 13:59Speaker 1: The app hemisphere at Limelight was all inclusive, positive and
- 14:03Speaker 1: homicide free, no matter if you were a punk.
- 14:06Speaker 2: Or a yuppie, straight or gay, cool or lame.
- 14:09Speaker 1: Caruso's future shock parties where MDMA and PCP get gobbled
- 14:13Speaker 1: up like tic TACs and pixie sticks with the stuff
- 14:16Speaker 1: of legend. Michael Caruso was at the forefront of American
- 14:19Speaker 1: club culture as it was quickly changing. But Caruso's sudden
- 14:23Speaker 1: clout and fame in the New York club scene changed
- 14:26Speaker 1: him too.
- 14:28Speaker 2: Soon.
- 14:28Speaker 1: It was less about music and drugs and more about
- 14:31Speaker 1: power grabs, home invasions, robberies, and scams, like the time
- 14:36Speaker 1: he orchestrated the armed theft of twelve thousand dollars in
- 14:39Speaker 1: a box a ketamine from the apartment of a party promoter.
- 14:42Speaker 1: They bound with duct tape during the promoter's birthday party.
- 14:45Speaker 1: No less as DJ Frankie Bones put it, Caruso wanted
- 14:50Speaker 1: to be quote the al Capone of raves unquote, and
- 14:53Speaker 1: if Caruso was al Capone, then New York Mayor Rudy
- 14:57Speaker 1: Giuliani was elliot ness. Just like the city was cracking
- 15:01Speaker 1: down on drugs sold on the streets, they began to
- 15:04Speaker 1: crack down on nightclubs, Limelight in particular, which Giuliani equated
- 15:09Speaker 1: to a drug supermarket. In nineteen ninety six, Giuliani brought
- 15:14Speaker 1: the hammer down after a family blamed Limelight's owner Peter
- 15:17Speaker 1: Geishen for the drug overdose death of their son. Geishen
- 15:21Speaker 1: and New York club culture were put on trial, which
- 15:24Speaker 1: meant suddenly Michael Caruso needed a new place to crash.
- 15:28Speaker 1: At the same time, Cappadonna, a few years out of
- 15:31Speaker 1: prison and since welcomed back into the Wu Tang clan
- 15:34Speaker 1: family as their unofficial tenth member, needed a personal manager.
- 15:39Speaker 1: Caruso's reputation preceded him. Wu Tang were likely well aware
- 15:43Speaker 1: of his role in those batshit robberies and violent power moves.
- 15:48Speaker 1: Caruso's do or die lifestyle was endearing to some of
- 15:50Speaker 1: them because it reminded them of the times when they
- 15:53Speaker 1: had to make their bones in that world, plus, managing
- 15:56Speaker 1: a member of Wu Tang wasn't exactly a job for
- 15:58Speaker 1: just anyone. You had to have some serious life experience
- 16:02Speaker 1: and a set of brass balls to survive in this
- 16:04Speaker 1: particular world. So Cap brought Caruso on board. Caruso tried
- 16:11Speaker 1: to blend in, but like mister Purple before him, he
- 16:14Speaker 1: was incapable of blending. An Italian guy with gold teeth
- 16:18Speaker 1: and corn rows is.
- 16:19Speaker 2: Gonna stick out.
- 16:21Speaker 1: It may have been a foolish look, but it was
- 16:23Speaker 1: only foolish until Lord Michael menacingly peeked out from behind
- 16:26Speaker 1: the elaborate get up to put the screws to that
- 16:28Speaker 1: night's victim. In nineteen ninety nine at a show at
- 16:32Speaker 1: the Palladium in Worcestern, Massachusetts. The victim was a fledgling
- 16:35Speaker 1: concert promotion company. It caused AP Daddy Productions an arm
- 16:39Speaker 1: and a leg to put on a show featuring Cap
- 16:41Speaker 1: and inspected deck. In fact, the Harvard undergrads behind ap
- 16:46Speaker 1: Daddy were already hemorrhaging cash before the show even started.
- 16:50Speaker 1: Why because Wu Tang took what they wanted and stuck
- 16:54Speaker 1: AP Daddy with the bill room service at the hotel,
- 16:57Speaker 1: Pants and shirts straight off the rack during a meet
- 17:00Speaker 1: and greet at a hip hop clothing store. Caruso didn't
- 17:03Speaker 1: need to flash a piece or tie anyone up with
- 17:05Speaker 1: duct tape for this particular scam to work out. These
- 17:08Speaker 1: Ivy League herbs were green as hell. All it took
- 17:12Speaker 1: was a few members of Wu Tang's entourage selling tickets
- 17:14Speaker 1: and VIP passes on the download of people waiting in
- 17:17Speaker 1: line outside the venue. Cap Deck and Caruso left wister
- 17:21Speaker 1: with cash lining their pockets, while Ap Daddy were left
- 17:24Speaker 1: begging their daddies for a bailout. That same year, at
- 17:29Speaker 1: a show with Cap and Ghost Face Killer in Washington, DC,
- 17:32Speaker 1: things took a more violent turn. The concert promoter, an
- 17:36Speaker 1: adult this time, offered Cap and Ghost a Ford explorer
- 17:40Speaker 1: to get them back and forth from the venue to
- 17:41Speaker 1: the hotel. Caruso was pissed. He wanted something bigger. Where's
- 17:46Speaker 1: the van, he asked the promoter. I don't get a
- 17:48Speaker 1: fucking van, I want a thousand dollars right now. The
- 17:51Speaker 1: promoter looked at Caruso like he was from outer space.
- 17:54Speaker 2: What a van? This was it? Man? A Ford explorer?
- 17:58Speaker 2: Take it or leave it.
- 18:00Speaker 1: Caruso made sure everyone could see the handgun he's stuffed
- 18:02Speaker 1: in the waistband of his jeans. It's about to get
- 18:05Speaker 1: real in here, he said, I'm about to come up
- 18:07Speaker 1: with some heat. Caruso never followed through with this threat,
- 18:10Speaker 1: and he never got what he wanted either, but he
- 18:13Speaker 1: made a lasting impression. The concert was incredible, except for
- 18:17Speaker 1: having to deal with Caruso, which was a nightmare. And
- 18:19Speaker 1: that's what the promoter later said, anyway, adding that in
- 18:22Speaker 1: this business you run into a lot of assholes, but
- 18:25Speaker 1: Caruso was the biggest dickhead I've ever had to deal with.
- 18:29Speaker 1: The concert promoter's candid opinion was not news to Capadonna,
- 18:32Speaker 1: Ghost Face or anyone in Wu Tang. They all knew
- 18:35Speaker 1: that Caruso was a dickhead, but he was their dickhead, you.
- 18:39Speaker 2: Know what I mean.
- 18:40Speaker 1: Here's the thing, though, Okay, here's multiple things. One Michael
- 18:44Speaker 1: Caruso aka Lord Michael, wasn't supposed to be messing with
- 18:46Speaker 1: dudes in DC. Two he wasn't supposed to be outside
- 18:50Speaker 1: the state of New York. Three he wasn't supposed to
- 18:53Speaker 1: be associating with known criminals, which technically cap and ghost
- 18:56Speaker 1: most certainly were. And four he definitely wasn't to be
- 19:00Speaker 1: carrying a gun. Why Because Michael Caruso was a cooperating
- 19:04Speaker 1: witness for the federal government. Some in law enforcement thought
- 19:08Speaker 1: he had something to do with the death of his housekeeper,
- 19:10Speaker 1: which supposedly was a suicide, and in order to save
- 19:14Speaker 1: his own ass, he turned state's evidence during the trial
- 19:17Speaker 1: of Peter Geishen and Limelight. He was an informant, a rat,
- 19:21Speaker 1: maybe even worse if what they said about his housekeeper
- 19:24Speaker 1: was true.
- 19:25Speaker 2: But just like Goldilocks.
- 19:26Speaker 1: Before them, Cap and Ghost and Wu Tang only knew
- 19:30Speaker 1: part of the Michael Caruso's story, and it was only
- 19:33Speaker 1: a matter of time before they knew the whole thing.
- 19:41Speaker 2: We'll be right back after this. We're we're, we're.
- 19:48Speaker 1: Don't believe anything you read about me in the papers.
- 19:50Speaker 1: It's all bullshit. Michael Caruso was running that smoke screen again.
- 19:55Speaker 1: He told capa Donna and the guys in Wu Tang
- 19:57Speaker 1: clan whatever he had to in order to convince him
- 19:59Speaker 1: that he was the guy they were beginning to think
- 20:01Speaker 1: that he was, just like he convinced Goldilocks that he
- 20:05Speaker 1: didn't rob him even though he actually had. But unlike
- 20:08Speaker 1: that business with Goldilocks. Caruso no longer had a number
- 20:11Speaker 1: two to deliver the message for him. He did his
- 20:14Speaker 1: own dirty work. Now, haven't you read stuff about yourself
- 20:17Speaker 1: that isn't true? Cap knew better than to believe everything
- 20:21Speaker 1: he read in the papers, the times, the posts that
- 20:23Speaker 1: whatever the fuck if you believe the papers and you
- 20:25Speaker 1: believe the Wu Tang were gun runners or gangbangers, that
- 20:29Speaker 1: the Bureau of Alcohol, Tobacco and Firearms had reason to
- 20:32Speaker 1: launch a probe into those dubious claims, or that the
- 20:35Speaker 1: FBI had reason to investigate the group not as a
- 20:37Speaker 1: musical collective, but as a criminal organization. Cap knew what
- 20:42Speaker 1: it was like to be seen as something you weren't.
- 20:44Speaker 1: Case in point, the time he was arrested for someone
- 20:47Speaker 1: else's drugs when they were thrown at his feet. It
- 20:50Speaker 1: was his word against the NYPDS. He had no other choice.
- 20:54Speaker 1: But he didn't bitch and moan about taking the heat.
- 20:57Speaker 1: He did his time at Rikers for a crime he
- 20:59Speaker 1: didn't commit. And let's say, for argument's sake, there were
- 21:03Speaker 1: other crimes he committed in his lifetime that was beside
- 21:07Speaker 1: the point. The point was that he was innocent of
- 21:10Speaker 1: this particular crime, and this crime was the only one
- 21:15Speaker 1: that got him sent away. It didn't give him much
- 21:17Speaker 1: faith in the justice system. It reinforced something that he
- 21:20Speaker 1: already knew that he was not equal in the eyes
- 21:23Speaker 1: of the law. But as a five percenter, he had
- 21:26Speaker 1: to strive to be equal in the way he did
- 21:28Speaker 1: his life. Deal equally with all people. That's what Supreme
- 21:32Speaker 1: number six was all about.
- 21:34Speaker 2: Equality.
- 21:35Speaker 1: Six was also the number of the devil, because the
- 21:39Speaker 1: devil has the power to be equal to man, but
- 21:42Speaker 1: Wu Tang had strength in numbers to keep the devil
- 21:45Speaker 1: at bay. That when Kap emerged from his prison stay
- 21:48Speaker 1: a free man, he was welcomed into the Wu Tang
- 21:50Speaker 1: family with open arms. His first appearance as part of
- 21:55Speaker 1: the Klan was the nineteen ninety five single ice Cream,
- 21:58Speaker 1: a track from Ray Kwan only built for a Cuban
- 22:01Speaker 1: Links album. The next year, he traded verses on Ghostface's
- 22:05Speaker 1: solo debut Iron Man, and even made the cover two
- 22:08Speaker 1: and then the year after that, Cap made his official
- 22:11Speaker 1: Wu Tang debut on the Wu Tang Forever album, most
- 22:14Speaker 1: notably on the hit single Triumph. At first, Cap was
- 22:17Speaker 1: a featured performer rather than an official full time member,
- 22:21Speaker 1: but that was just on paper. In spirit, he was
- 22:24Speaker 1: a member. These other nine guys were the only guys
- 22:27Speaker 1: he could trust, the guys he came up with, the
- 22:29Speaker 1: guys he mopped the floor with at rap battles back
- 22:32Speaker 1: in the day, lovingly mopped the floor with, of course,
- 22:35Speaker 1: because that was a big part of the rapport then
- 22:37Speaker 1: and now, giving each other shit.
- 22:39Speaker 2: Your verse was tight, no doubt, But.
- 22:41Speaker 1: I'm going to fucking destroy you on this next go round.
- 22:44Speaker 2: One.
- 22:44Speaker 1: Upsmanship raised the stakes. It made a strong bond even stronger, strong,
- 22:50Speaker 1: like a cipher strong in the way only ten equally
- 22:53Speaker 1: worthy MC's can be. Michael Caruso, though, CAP was beginning
- 22:58Speaker 1: to wonder if that dude was he to the rest
- 23:00Speaker 1: of them from the jump, Caruso trafficked not just in
- 23:03Speaker 1: party drugs, but in deception. He used a friend who
- 23:07Speaker 1: taped thousands of pills to her body under her large
- 23:09Speaker 1: flowing sun dresses to move ecstasy from London to New
- 23:12Speaker 1: York without drawing suspicion. The paunch that he served at
- 23:16Speaker 1: Future Shock Knights the club Knight was spiked with MDMA.
- 23:20Speaker 2: And what about the death of.
- 23:21Speaker 1: Caruso's housekeeper in his apartment. The guy had his brains
- 23:25Speaker 1: blown out, but Caruso swore it was a suicide. But
- 23:28Speaker 1: when the cops first showed up to the crime scene,
- 23:31Speaker 1: Caruso was holding the thirty two in his hand, and
- 23:33Speaker 1: the housekeeper had something like one hundred pills worth of
- 23:36Speaker 1: Valume in his bloodstream. If you're that fucked up on valume,
- 23:40Speaker 1: how could you hold a gun to your own head,
- 23:42Speaker 1: let alone squeeze the trigger. Then there was the Facts,
- 23:48Speaker 1: thirty pages sent to Wu Tang's offices from a Village
- 23:51Speaker 1: Voice reporter. The Facts was full of legal documents. Village
- 23:56Speaker 1: Voice articles ironclad proved that the group had a rat
- 24:01Speaker 1: in their midst. Still, it's unclear if anyone in the
- 24:05Speaker 1: Wu Tang camp even put eyes on this fact. When
- 24:08Speaker 1: Ghost Face Killo was approached by someone from the Voice
- 24:10Speaker 1: to comment on Caruso and the allegations surrounding him, Ghosts
- 24:13Speaker 1: got defensive.
- 24:15Speaker 2: How could you say that about Mike? Ghost replag he's
- 24:17Speaker 2: a good guy.
- 24:19Speaker 1: Michael Caruso meanwhile doubled down on defending himself. He swore
- 24:23Speaker 1: to Wu Tang that he never told the Feds anything
- 24:25Speaker 1: about them.
- 24:26Speaker 2: In fact, he said he never.
- 24:28Speaker 1: Informed on anyone period whether ghosts or cap or any
- 24:31Speaker 1: of them knew it. At the time, they weren't being
- 24:34Speaker 1: told the whole truth, and when the truth did come out,
- 24:37Speaker 1: it shook Wu Tang Clan to their core. On May
- 25:06Speaker 1: twenty third, two thousand, The Village Voice published an article
- 25:10Speaker 1: that went deep into Michael Caruso's crimes and transgressions. The
- 25:15Speaker 1: article made it very clear that Caruso had managed to
- 25:18Speaker 1: con just about everyone he associated with, including Wu Tang Clan.
- 25:23Speaker 1: It outed Caruso as a rat in the Peter Geisen case.
- 25:27Speaker 2: It labeled him a federal informant. But there was more.
- 25:31Speaker 1: The article shed light on Caruso's latest role as a
- 25:34Speaker 1: cooperating witness and a case against a former business partner
- 25:37Speaker 1: who had ties to the New York Mafia's Five Families.
- 25:41Speaker 1: Caruso was set to testify against this wise guy in
- 25:44Speaker 1: just a few months time. Just three days after the
- 25:47Speaker 1: Voice article hit stance, a headline and Rolling Stone magazine
- 25:51Speaker 1: read Wu Tang Clan Fire's manager. After Village Voice expose,
- 25:57Speaker 1: a spokesperson for Wu Tang issued a statement that the
- 26:00Speaker 1: group was distancing themselves from Cruso. The timing could not
- 26:05Speaker 1: have been worse. This was the moment that the ATF
- 26:08Speaker 1: and the FBI were beginning to watch every little move
- 26:11Speaker 1: the Wu Tang made in preparation for a Rico prosecution
- 26:14Speaker 1: case that labeled the hip hop group a major criminal organization.
- 26:18Speaker 1: Associating with a guy who associated with guys connected to
- 26:21Speaker 1: the mafia not.
- 26:23Speaker 2: A good look.
- 26:24Speaker 1: What's more, learning that someone in your camp was a snitch,
- 26:27Speaker 1: and not just a snitch, but a snitch working to
- 26:29Speaker 1: aid the federal government was enough to turn even the
- 26:32Speaker 1: most minor paranoia into full blown delusion. And so, just
- 26:38Speaker 1: as Wu Tang were distancing themselves from Michael Caruso, Wu
- 26:42Speaker 1: Tang distanced themselves from Cappadonna, or at least some in
- 26:46Speaker 1: Wu Tang did.
- 26:48Speaker 2: Raykwon, for one.
- 26:49Speaker 1: Called in the New York hip Hop station Hot ninety
- 26:51Speaker 1: seven to say that Cap was never an original member.
- 26:54Speaker 1: Just look at the back of the Wu Tang Forever
- 26:56Speaker 1: CD those tracks say featuring capa Donna. But the splintering
- 27:00Speaker 1: of Wu Tang didn't stop there. It was the year
- 27:03Speaker 1: two thousand, the millennium Big Change.
- 27:06Speaker 2: Was on the horizon.
- 27:08Speaker 1: Hip hop was continuing to evolve. Jay Z outcasts, Diddy,
- 27:13Speaker 1: Lil Wayne, and Eminem dominated the airwaves. It was also
- 27:17Speaker 1: the year of Wu Tang's third studio album, The w
- 27:20Speaker 1: another number one hip hop and R and B album,
- 27:23Speaker 1: another platinum cellar, and their clothing line Wuwar was just
- 27:27Speaker 1: as successful from a business perspective. Looking from the outside in,
- 27:31Speaker 1: Wu Tang had never been stronger, but from the inside
- 27:35Speaker 1: looking out, things weren't so stable. Doubt had been introduced
- 27:39Speaker 1: into the group's own private shout in. But with that
- 27:42Speaker 1: doubt came the question of equality. Were they all being.
- 27:45Speaker 2: Treated equally and fairly?
- 27:48Speaker 1: It was one guy making more than the rest. Egos
- 27:51Speaker 1: started to call the shots. One by one, guys began
- 27:54Speaker 1: to ask Rizza to release them from their contracts. These
- 27:58Speaker 1: were the contracts that Riza set up with each member
- 28:00Speaker 1: eight years earlier in ninety two, when the group first
- 28:03Speaker 1: signed with Loud Records, contracts that split their earnings fifty
- 28:07Speaker 1: to fifty with Rizza and Wu Tang Clan Productions. All
- 28:11Speaker 1: the guys in Wu Tang had one of these contracts,
- 28:13Speaker 1: all except Jizza, who didn't do written contracts with his brothers.
- 28:17Speaker 1: Jizza did handshakes. But this wasn't nineteen ninety two anymore,
- 28:21Speaker 1: and Wu Tang wasn't just a group of neighborhood guys
- 28:24Speaker 1: looking to lift themselves off the streets and into a
- 28:26Speaker 1: better life. It was the year two thousand. They had
- 28:30Speaker 1: the better life, and the better life felt different. It
- 28:34Speaker 1: didn't feel personal anymore. It felt like business. Just what
- 28:39Speaker 1: Wu Tang's business was at this particular moment in time
- 28:42Speaker 1: depended on who you asked. Federal Bureau of Investigation Memo
- 28:48Speaker 1: date four or five, two thousand precedents, routine kid number
- 28:53Speaker 1: two eight one f dash ny dash two seven one
- 28:56Speaker 1: seven four seven title Wu Tang Clan synopsis requests the
- 29:01Speaker 1: assistance of the fast unit to be involved in the
- 29:04Speaker 1: above captioned case details. The Wu Tang Clan is a
- 29:08Speaker 1: well known musical group from the Staten Island, New York
- 29:10Speaker 1: area that specializes in rap type music. The Wu Tang
- 29:14Speaker 1: Clan was started in the early nineteen nineties and was
- 29:17Speaker 1: founded by It is primarily made up of the above
- 29:21Speaker 1: case captioned individuals who are more widely known by their
- 29:24Speaker 1: street names in the music industry. Now, the guns purchased
- 29:27Speaker 1: by the Wu Tang Clan have been traced to the Steubenville,
- 29:30Speaker 1: Ohio area. Once individuals have proven themselves as good and
- 29:33Speaker 1: loyal members of associates. They are offered contracts to record
- 29:37Speaker 1: rap music under one of the Wu Tang clan's record labels.
- 29:41Speaker 1: Numerous recording companies were incorporated in bank accounts established.
- 29:44Speaker 2: Some of the legitimate businesses operated.
- 29:46Speaker 1: By the Wu Tang Clan include record companies, record labels, albums,
- 29:51Speaker 1: real estate, a car leasing company, a clothing line, and
- 29:54Speaker 1: a production company. This case is being worked in conjunction
- 29:57Speaker 1: with Squad C thirty Violent Crime Slash Gang Squad, the
- 30:01Speaker 1: US Attorney's Office Eastern District of New York, the one
- 30:04Speaker 1: and twenty Precinct Detectives Unit NYPD Staten Island in the
- 30:08Speaker 1: Richmond County District Attorney's Office, Staten Island. It has anticipated
- 30:13Speaker 1: that the RCDAO Forfeiture Unit.
- 30:15Speaker 2: Will also be involved in this case.
- 30:17Speaker 1: It is requested that the nyfbi's Fast Unit become involved
- 30:21Speaker 1: with this matter also. It has been assigned to the
- 30:24Speaker 1: task of identifying the flow of money through the assets
- 30:27Speaker 1: and entities controlled by the Wu Tang Clan and will
- 30:29Speaker 1: work in conjunction with the Fast Unit.
- 30:33Speaker 2: The Fast Unit, or.
- 30:34Speaker 1: Financial Analysis Strategic Targeting, was a top secret unit developed
- 30:39Speaker 1: as part of the FBI's anti money laundering investigations, and
- 30:42Speaker 1: intelligence strategy. The team was made up of customs agents,
- 30:46Speaker 1: FBI agents, the DEA, the Brooklyn DA's office, the Manhattan
- 30:50Speaker 1: DA's office, and New York State Police in order to
- 30:54Speaker 1: identify targets, gather intelligence, and then pass that information along
- 30:58Speaker 1: the cooperating agencies. The FBI was undeterred in its pursuit
- 31:02Speaker 1: of equality, specifically in that important value in American society
- 31:07Speaker 1: where everyone has equal justice under the law. The law
- 31:11Speaker 1: was there to be obeyed. No one was above it,
- 31:15Speaker 1: not the Gambino family, but not Wu Tang Clan. Agents
- 31:20Speaker 1: at the FBI's New York Field office dug through old
- 31:22Speaker 1: arrest records courtesy of their NYPD colleagues to find some
- 31:26Speaker 1: more dirt on the hip hop group. They planned to
- 31:28Speaker 1: turn this ant hill into a mountain, drug deals, robbery, shooting,
- 31:33Speaker 1: stints at rikers, whatever they could get to build their case,
- 31:36Speaker 1: and through blood, sweat and tears, earned the justice that
- 31:39Speaker 1: they craved.
- 31:40Speaker 2: And they were close.
- 31:42Speaker 1: They just needed a little more time and a few
- 31:44Speaker 1: more pieces of hard evidence. They'd get there, and when
- 31:48Speaker 1: they did, Wu Tang Clan, as the world knew them,
- 31:52Speaker 1: would come crashing to the ground. All the way back
- 31:56Speaker 1: to the streets from where they came. Jake Brennan in
- 32:01Speaker 1: this episode of Disgraceland is to be continued. Disgraceland was
- 32:19Speaker 1: created by Yours Truly and is produced in partnership with
- 32:21Speaker 1: Double Elvis. Credits for this episode can be found on
- 32:25Speaker 1: the show notes page at disgracelampod dot com. If you're
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