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Transcript

EVEN AN ANDROID CAN CRY · Blerd’s Eyeview

• 0:11
  Speaker 1: We'll see you next time. We'll be right back.
• 6:45
  Speaker 2: I'm back. I'm back.
• 6:56
  Speaker 3: Love crazy ain't the great nerdcore rap guy got into
• 7:00
  Speaker 3: a dual fate and i just pulled a trap card
• 7:02
  Speaker 3: third-rate rappers with a fourth-rate catalog destined for the shadow
• 7:06
  Speaker 3: realm y'all should never act high flow is so insidious
• 7:09
  Speaker 3: that i need an apprentice guy master with the force
• 7:12
  Speaker 3: pick the context of my sentence right and i'm like
• 7:14
  Speaker 3: this hit this just don't ask me what my pen
• 7:16
  Speaker 3: is like they know that i'm the menace who you
• 7:18
  Speaker 3: kidding bitch i'm It rhymes with Shirley Cole Tested, you
• 7:23
  Speaker 3: can never toast my metal like the jury go So
• 7:26
  Speaker 3: I ain't never mad when I push it to the
• 7:28
  Speaker 3: max I got Chris riding with me.
• 7:30
  Speaker 2: Bout to turn this bitch to fury, whoa.
• 7:32
  Speaker 3: Susanna made it, I'm the one the crew congratulated When
• 7:34
  Speaker 3: this world provide protective cover like it's laminated Damn, I
• 7:38
  Speaker 3: made this 16 like a guillotine It's fascinating if you
• 7:41
  Speaker 3: think that you're a hedge, you get decapitated All out
• 7:44
  Speaker 3: of sight, I ain't nearly here to rap, but I'm
• 7:46
  Speaker 3: here to tell you who representing for the Black Yards
• 7:49
  Speaker 3: And to remind you, neither one of these are bad
• 7:51
  Speaker 3: Bad words, biggest living mirrors, they just.
• 7:53
  Speaker 2: Choose to see it backwards. Who be the.
• 7:56
  Speaker 3: Leaders of discussion when a topic trends? Dissection's got the
• 7:59
  Speaker 3: culture under microscopic means. Who got the type that you
• 8:02
  Speaker 3: can miss it from the start and make you feel
• 8:04
  Speaker 3: like an expert on the subject by the.
• 8:06
  Speaker 2: Time it ends?
• 8:07
  Speaker 3: Check the stat, Louis, viewership is mad nice. All these
• 8:10
  Speaker 3: other shows don't seem to cut it, that's a bad slice.
• 8:12
  Speaker 2: Off the books, when I'm scripted, jewels you can't write.
• 8:15
  Speaker 2: No vampires with these enemies.
• 8:19
  Speaker 3: Yeah, this is the best part rhymes on Mandalorian the
• 8:23
  Speaker 3: penis made a best start in.
• 8:25
  Speaker 2: The war with these stars You won't get far.
• 8:27
  Speaker 3: This is the way you play a game.
• 8:29
  Speaker 2: I like the death star.
• 8:30
  Speaker 3: So far removed from the drama We don't know this
• 8:33
  Speaker 3: I don't hesitate to shed a light like a Patronus
• 8:36
  Speaker 3: and with Misha managed troubles at a disadvantage must be
• 8:39
  Speaker 3: something in the water dip your You told because you
• 8:41
  Speaker 3: know it's warm. Where can you find another show with
• 8:43
  Speaker 3: such a fine cast? And if you try to box
• 8:46
  Speaker 3: them in, they play in Minecraft. And basically, they sum
• 8:49
  Speaker 3: it up like you define math. This crew's the best,
• 8:52
  Speaker 3: and it figures like a line graph. I'm Mary Ben,
• 8:54
  Speaker 3: like the words I do. I know, hey, that you
• 8:57
  Speaker 3: don't have to have absurd IQs. They know you can't
• 9:00
  Speaker 3: relate because they're nerds like you.
• 9:02
  Speaker 2: With their help, you'll see the world from.
• 9:03
  Speaker 3: A bird's eye view.
• 9:07
  Speaker 2: You are now tuned in. Hey everybody, thank you for
• 9:12
  Speaker 2: tuning in and.
• 9:14
  Speaker 4: We are back for another.
• 9:15
  Speaker 3: Episode of Thursday Night Edition.
• 9:38
  Speaker 2: Of Blurred's Eye View, I am your host, Captain of
• 9:41
  Speaker 2: the Ship, Man on the Wall, the man who's running
• 9:43
  Speaker 2: the show, your man, Chris Fury. Thank you for tuning in.
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• 9:57
  Speaker 2: special events going on. and when we're live tuesdays and
• 10:01
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• 10:04
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• 10:11
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• 10:15
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• 10:19
  Speaker 2: sure to leave a nice little five-star review, tell the
• 10:21
  Speaker 2: people why you like checking us out and listening to us. So, uh,
• 10:25
  Speaker 2: without further ado, uh, let's get to the comment section
• 10:29
  Speaker 2: is already going. So let's get this out the way
• 10:30
  Speaker 2: right quick. Welcome to Blurred's Eye View. Feel free to
• 10:33
  Speaker 2: chat with fellow nerds and blurbs below, like, and subscribe
• 10:36
  Speaker 2: to stay notified. Super chats are most appreciative. and they
• 10:39
  Speaker 2: help keep the stream going. And we're live Tuesdays and
• 10:41
  Speaker 2: Thursdays with clips Mondays, Wednesdays, and Fridays. So there's that piece. Mal,
• 10:47
  Speaker 2: what's happening? Peace brother. What's going on? Katina's back in
• 10:50
  Speaker 2: the building. What's happening? Katina. If you don't know, Katina
• 10:53
  Speaker 2: showed up for part of our Halloween episode and boy,
• 10:56
  Speaker 2: did she drop a lot of Halloween horror style gym
• 11:00
  Speaker 2: films to check out that are not on a lot
• 11:03
  Speaker 2: of people's radar. So thank you Katina for showing up
• 11:06
  Speaker 2: for that. Uh, Yeah, it was... She says, how was
• 11:10
  Speaker 2: the Halloween? Halloween was good. Halloween was good. We didn't
• 11:13
  Speaker 2: know they trick-or-treated in our neighborhood, so me and my
• 11:15
  Speaker 2: wife found out a little too late. So we know
• 11:18
  Speaker 2: what to prepare for next week. My man, Navy, he's
• 11:23
  Speaker 2: in the building. Buenos Doritos, fam. He's doing some kind
• 11:27
  Speaker 2: work tonight, so shout out to my man, brother Navy Montel.
• 11:31
  Speaker 2: What's going on, Bama? What's happening? What's happening? What is happening? So...
• 11:38
  Speaker 2: I see my second fan had to go out for
• 11:40
  Speaker 2: a second, so she'll be back in. So, I hope
• 11:43
  Speaker 2: everyone's doing well. We still, we have one more episode
• 11:49
  Speaker 2: for Vision Quest, of course. We'll be talking about that tonight.
• 11:52
  Speaker 2: But we do have one more episode, a special episode,
• 11:56
  Speaker 2: that was supposed to air, and thanks to certain glitches,
• 11:59
  Speaker 2: it did record, but we're going to put it up later. So,
• 12:02
  Speaker 2: that's going to be the zombie and infection episode. So,
• 12:05
  Speaker 2: I'll be dropping that probably over the weekend, to kind
• 12:07
  Speaker 2: of give people something to chew on a little bit.
• 12:10
  Speaker 2: But without further ado, I guess in the midst of
• 12:14
  Speaker 2: her routine skincare, I'm assuming. I can't tell. The screen
• 12:23
  Speaker 2: is small. She's good to go, I guess. Yeah, all right,
• 12:27
  Speaker 2: all right. Lady Mandalore's in the building.
• 12:29
  Speaker 4: What's going on?
• 12:30
  Speaker 5: Hi.
• 12:31
  Speaker 4: I figured I would put on my Vision Quest face.
• 12:35
  Speaker 2: Oh, okay, that works.
• 12:36
  Speaker 4: This evening, yeah. That works, that It's not quite hitting
• 12:39
  Speaker 4: the way that I want it to, but your girl
• 12:41
  Speaker 4: will be fully.
• 12:42
  Speaker 2: You need, like, five other biomarkers to open the chest.
• 12:45
  Speaker 4: Yeah. It's... Whatever. It is what it is.
• 12:49
  Speaker 2: Hi.
• 12:51
  Speaker 4: I like to blow people up with lasers.
• 12:55
  Speaker 2: Much like.
• 12:57
  Speaker 4: Not space lasers.
• 12:58
  Speaker 2: Not space lasers, but much like our very own Ultrons...
• 13:03
  Speaker 2: love of his life, I guess, right now. I don't
• 13:06
  Speaker 2: know what's going on.
• 13:08
  Speaker 4: Look, they got their own therapies for everybody.
• 13:13
  Speaker 2: It's something weird. I just know that. It's something weird.
• 13:17
  Speaker 2: I can't really put my finger on it, but here
• 13:21
  Speaker 2: we are. Lady, what's happening? Hi.
• 13:25
  Speaker 4: How are you? Good Lord.
• 13:28
  Speaker 2: You know, because of the lighting, the palm of your
• 13:31
  Speaker 2: hand looks vision red. I think we're going for a
• 13:34
  Speaker 2: good theme tonight.
• 13:36
  Speaker 4: Oh, I should have put my laser blasters in my hand.
• 13:40
  Speaker 2: I forgot.
• 13:42
  Speaker 5: Shit.
• 13:43
  Speaker 2: They would be blue, though. We're going to be talking
• 13:48
  Speaker 2: about the seventh episode of Vision Quest, so please, if
• 13:51
  Speaker 2: you haven't watched already, you can stay for the spoiler
• 13:55
  Speaker 2: review and breakdown, or you can go ahead and watch
• 14:00
  Speaker 2: the episode right now if you can. But trust me,
• 14:04
  Speaker 2: you have one more episode left. They have been really
• 14:07
  Speaker 2: feeding us. I will have to say, before we get
• 14:10
  Speaker 2: to that episode talk, I will have to say that
• 14:12
  Speaker 2: this being the trilogy of the whole WandaVision dynamic has
• 14:18
  Speaker 2: been really good.
• 14:19
  Speaker 4: It's a good, it's one of their last well-told trilogies.
• 14:26
  Speaker 2: No, seriously, it is. Each one of them have been
• 14:32
  Speaker 2: Between WandaVision, Agatha all along, and now Vision Quest, each
• 14:36
  Speaker 2: one of them have brought something to the table and
• 14:40
  Speaker 2: it left you wanting more.
• 14:43
  Speaker 4: It's the last bastion of the good saga that they had.
• 14:48
  Speaker 2: Yes. Outside of, what, Loki? Yeah.
• 14:52
  Speaker 4: Well, no, I'm talking about from Man 1.
• 14:56
  Speaker 2: That was that. Yeah, for that batch, yes, it's true.
• 15:00
  Speaker 2: That is true. That is true. Honestly, yes. This is
• 15:04
  Speaker 2: one of their best... Oh, Batman's moving. What's happening? Batman's moving.
• 15:10
  Speaker 2: He's moving into his new place he forgot about. Don't worry.
• 15:12
  Speaker 2: No worries. No worries. Move into your place.
• 15:14
  Speaker 4: Congratulations.
• 15:15
  Speaker 2: Trust me, there's nothing worse than having to move. It's
• 15:19
  Speaker 2: a pain. It's a pain of my existence. But yes,
• 15:24
  Speaker 2: you're right. This trilogy has been well told.
• 15:29
  Speaker 4: Yeah.
• 15:29
  Speaker 1: Yeah.
• 15:32
  Speaker 4: It's well-rounded and vibrant.
• 15:37
  Speaker 6: I don't know if this is getting too deep into it,
• 15:43
  Speaker 6: but the coloring for each one of the series has
• 15:46
  Speaker 6: been so bright.
• 15:49
  Speaker 4: Even when they go black and white for a little bit,
• 15:53
  Speaker 4: there's still a little bit of life to it that
• 15:55
  Speaker 4: you can see.
• 15:55
  Speaker 2: I can honestly say that one, yes, you're right. Visually,
• 16:02
  Speaker 2: It's on the mark. The way they're breaking down grief,
• 16:09
  Speaker 2: whether it's WandaVision, whether it's Agatha all along, and even
• 16:12
  Speaker 2: in Vision Quest, the way they're breaking emotional beats down,
• 16:16
  Speaker 2: I will say this. We were giving James Spader all
• 16:24
  Speaker 2: the flowers. And then this episode, Paul Bettany says, hold
• 16:29
  Speaker 2: my beer. I don't know.
• 16:31
  Speaker 4: I have much to plumb from my wealth of acting
• 16:38
  Speaker 4: abilities and such. He is an actor for reals.
• 16:46
  Speaker 2: All nerd entertainment. What's happening? What's going on? We're not
• 16:52
  Speaker 2: going to talk about it now because it's so much
• 16:54
  Speaker 2: to get into. The entire show really But I have
• 17:00
  Speaker 2: found myself continuously going back watching WandaVision again, going back
• 17:06
  Speaker 2: and watching Agatha Longo again, in which I do this
• 17:09
  Speaker 2: with a lot of shows and a lot of animes
• 17:11
  Speaker 2: and a lot of animation. But this is just one
• 17:14
  Speaker 2: of those ones you're just like, huh, I wonder if
• 17:17
  Speaker 2: there's something else that I may have missed or something
• 17:22
  Speaker 2: else I just want to go back over and say, okay,
• 17:25
  Speaker 2: this is, I seen it from this angle. I want
• 17:27
  Speaker 2: to see it from this angle now. you know, he
• 17:31
  Speaker 2: said the show is well-written, well-acted, it has depth, great
• 17:34
  Speaker 2: character development, it fills a lot of plot holes from
• 17:36
  Speaker 2: the MCU. It does. It does. I can give them that.
• 17:41
  Speaker 2: They have been feeling it. I'm like, oh, they filled
• 17:43
  Speaker 2: in the hole. Okay. They're really not dropping any major
• 17:49
  Speaker 2: plot lines. So, Black Spartans in the building. What's happening, Spartan?
• 17:54
  Speaker 4: Hey, Spartan. What's going on there? Don't First of all,
• 18:01
  Speaker 4: my name is Vishanda.
• 18:03
  Speaker 5: All right.
• 18:06
  Speaker 2: She needs, she needs, there's three of us. She needs
• 18:08
  Speaker 2: two more biomarkers.
• 18:10
  Speaker 4: Open the crest.
• 18:16
  Speaker 2: Somewhere, wait, somewhere Chaos Demon is going to, he's going
• 18:19
  Speaker 2: to do like he did the last time. He's going
• 18:22
  Speaker 2: to say, why is Kira wearing masks? and hats. Did
• 18:27
  Speaker 2: I miss something in the meeting? No, we didn't miss anything.
• 18:29
  Speaker 2: Nobody know who I was until I put on the mask.
• 18:34
  Speaker 2: I'm sorry. I apologize. I'm sorry, Kira. You're not a nerd.
• 18:40
  Speaker 2: You're not a nerd if you don't catch the reference.
• 18:47
  Speaker 2: Here go Knicks.
• 18:48
  Speaker 5: No, no.
• 18:48
  Speaker 2: We're doing Vision. Wait.
• 18:56
  Speaker 4: The white vision. There you go. Vishanda.
• 18:59
  Speaker 2: There we go. Vishanda.
• 19:02
  Speaker 4: Just like your mayor's or is it your governor's black?
• 19:06
  Speaker 5: Yes.
• 19:06
  Speaker 4: Your governor's named Keisha.
• 19:08
  Speaker 2: Leave me alone.
• 19:09
  Speaker 4: Your cyborg's named Vishanda. Leave me alone.
• 19:12
  Speaker 2: Let's face it. Ultron has been trying to get his
• 19:15
  Speaker 2: hands on some African metal all these years.
• 19:17
  Speaker 4: Or Jocasta, whichever.
• 19:19
  Speaker 2: Jocasta sounds like a fourth grade math teacher I never
• 19:23
  Speaker 2: want to run into again. no but mal's right it
• 19:28
  Speaker 2: is this is probably these three shows wandavision agatha and
• 19:33
  Speaker 2: now vision quest well-crafted shows uh well-written well-acted uh everything
• 19:42
  Speaker 2: is just it's i'm breaking down even and i'm gonna
• 19:47
  Speaker 2: go back to wandavision even breaking downstairs of grief when
• 19:51
  Speaker 2: you really step back and look at the stages of
• 19:54
  Speaker 2: grief and you're just like, you see why Monica said,
• 19:57
  Speaker 2: I get it. I'm still there. I just can't do
• 20:02
  Speaker 2: what you do. I wouldn't do what you're doing, but
• 20:05
  Speaker 2: I get it. You better get out of here before
• 20:07
  Speaker 2: the police come and get your ass. Well, but it's
• 20:14
  Speaker 2: one of those it's just one of those shows that
• 20:16
  Speaker 2: when you sit down despite the fact and putting it
• 20:19
  Speaker 2: behind the wall of being sitcoms that was another thing
• 20:25
  Speaker 2: you know people I remember everybody saying like why is
• 20:29
  Speaker 2: it black and white it's not the whole show watch
• 20:32
  Speaker 2: the show watch the show you know and it progressively
• 20:37
  Speaker 2: every episode turned it on its head turned it on
• 20:39
  Speaker 2: its head turned it on its head Pietro showing up
• 20:43
  Speaker 2: I was at work in my car watching that episode
• 20:46
  Speaker 2: just pulling up and I said I know you lying
• 20:49
  Speaker 2: I said they went back and grabbed somebody from the
• 20:54
  Speaker 2: Fox Universe Quicksilver to play Quicksilver now it's yeah what's
• 21:02
  Speaker 2: going on yeah okay thanks Nick yeah he's going in
• 21:04
  Speaker 2: good to see you but yeah he's it's literally it's
• 21:10
  Speaker 2: just theories the way everyone including us was saying Mephisto's
• 21:17
  Speaker 2: gotta be involved because in comics lore Mephisto is involved
• 21:22
  Speaker 2: pretty much he is involved with the whole deal with
• 21:27
  Speaker 2: Wanda creating Tommy and Billy right you know and guess
• 21:33
  Speaker 2: what he wasn't I'm married I ain't gonna lie, I
• 21:39
  Speaker 2: was kind of expecting it. I was like, if we
• 21:41
  Speaker 2: didn't see a certain red tail, I'm like, are we
• 21:44
  Speaker 2: not going that route? I'm surprised. It was WandaVision had
• 21:52
  Speaker 2: red herrings all over the place. Yep. I'm not mad
• 21:57
  Speaker 2: at it. I can honestly, as a fan of both
• 22:01
  Speaker 2: comics and the live action interpretations, I can say that
• 22:08
  Speaker 2: I'm normally not disappointed, except for Secret Invasion. I'm normally
• 22:11
  Speaker 2: not disappointed with how they portray a lot of stuff
• 22:15
  Speaker 2: or how they have to switch certain... Like, even in
• 22:17
  Speaker 2: Vision Quest, there are certain things that they've switched around. Yeah.
• 22:24
  Speaker 2: And it's actually for the better, I guess you could say.
• 22:30
  Speaker 2: It doesn't leave... It leaves to the imagination... that okay
• 22:36
  Speaker 2: they answer the question they answer something that you may
• 22:38
  Speaker 2: have thought of or a theory that you may be
• 22:40
  Speaker 2: improving wrong most of the time but then they gave
• 22:43
  Speaker 2: you something else to say okay what's next then because
• 22:49
  Speaker 2: you solved this problem but what's next that part all
• 22:54
  Speaker 2: these shows have been doing that all of them but
• 22:58
  Speaker 2: can we talk about the layers the layers sir all
• 23:02
  Speaker 2: three of these shows layers if I'm not mistaken and
• 23:10
  Speaker 2: I have to look at the credits I want to
• 23:11
  Speaker 2: say it's by the same group of people which also
• 23:15
  Speaker 2: helps quite a bit because if it is that's even
• 23:21
  Speaker 2: better because how often have we said you know when
• 23:25
  Speaker 2: someone's doing a project for XY company to do some
• 23:29
  Speaker 2: franchise thing and you change directors, you change writers, and
• 23:38
  Speaker 2: it has a different feel. Star Wars, the last three films,
• 23:44
  Speaker 2: perfect example. You change directors, so that changes the direction
• 23:51
  Speaker 2: of the story. And then when you try to change course,
• 23:55
  Speaker 2: you can't. It's too late. Yeah, the die's been cast. Yeah,
• 23:59
  Speaker 2: the die's been cast. You're trying to figure out, okay,
• 24:01
  Speaker 2: how do we How do we close the loop? That
• 24:04
  Speaker 2: becomes the thing. How do we close the loop? We
• 24:05
  Speaker 2: can't go back. It's too late for that. We can't
• 24:09
  Speaker 2: make Finn a Jedi, so what do we do? We
• 24:11
  Speaker 2: double down. They could have made Finn a Jedi. They
• 24:14
  Speaker 2: just could have went straight forward for it. They could
• 24:16
  Speaker 2: have made him a Jedi. They bitched out on that one. Anyway.
• 24:20
  Speaker 2: The story was there. Now it says, Maury Povich couldn't
• 24:26
  Speaker 2: prove and break white visions, did not that he is
• 24:27
  Speaker 2: the baby's daddy. Yes. Yes. And that reveal, and we're
• 24:33
  Speaker 2: going to talk about that, that reveal in itself is
• 24:35
  Speaker 2: the parallels.
• 24:38
  Speaker 3: Mm-hmm.
• 24:39
  Speaker 2: The parallels. And we can, and we, although we do
• 24:44
  Speaker 2: like Doctor Strange Multiverse of Madness, we don't like certain
• 24:49
  Speaker 2: portrayals of things. Yeah. I guess you could say. However,
• 24:56
  Speaker 2: Wanda versus Wanda, and just Wanda in herself. Mm-hmm. I
• 25:01
  Speaker 2: have to shout out Elizabeth Olsen. She, one, did her homework.
• 25:08
  Speaker 2: So she knows. She knows. Even she still wants to
• 25:13
  Speaker 2: play that character. That is still extremely up in the air.
• 25:19
  Speaker 2: But to have them build out that character in such
• 25:25
  Speaker 2: a way that you can see why you can see
• 25:30
  Speaker 2: their motivations you can see why they did this you
• 25:33
  Speaker 2: can see why they're going and you almost are saying
• 25:38
  Speaker 2: it's wrong but I get why action was taken yeah
• 25:46
  Speaker 2: so Agatha you really didn't know which way that was
• 25:50
  Speaker 2: going it is kind of a morality gray area if
• 25:56
  Speaker 2: you think about it for who Everyone. If you really
• 26:02
  Speaker 2: want to be honest, everyone. Yeah. Everybody had that. Everyone's
• 26:09
  Speaker 2: got their sliding scale of morality to where you had
• 26:14
  Speaker 2: Vision talk about stealing is wrong as you are stuffing
• 26:19
  Speaker 2: money in your pocket because you need to travel. Eltron says, oh,
• 26:24
  Speaker 2: this is completely wrong, but justified in his right of
• 26:28
  Speaker 2: And he pointed that out. Yeah, he's like, if I
• 26:32
  Speaker 2: didn't do initially what I should have done, we wouldn't
• 26:36
  Speaker 2: be here. So it's like the whole idea is everybody's
• 26:40
  Speaker 2: got this sliding scale of justification. That's what I'm getting at.
• 26:44
  Speaker 2: So that's why I said the whole morality thing. I
• 26:46
  Speaker 2: said they play with the idea of morality as if
• 26:50
  Speaker 2: it's a straight line, not realizing it's a big-ass gray area. Oh, it's...
• 26:58
  Speaker 2: It is. It is a very great area because just
• 27:03
  Speaker 2: what you mentioned, that right there, Spurton, about stealing is wrong.
• 27:11
  Speaker 2: It's wrong to do this. And like you said, he's
• 27:14
  Speaker 2: steadily putting money in his pocket and Ultron points that out.
• 27:18
  Speaker 2: He's like, you have this sliding scale that you can't
• 27:23
  Speaker 2: seem to admit to. You have Wanda, which you know
• 27:26
  Speaker 2: she's dealing with the grief. She's right to be upset.
• 27:29
  Speaker 2: She is right to be upset because she, like she said,
• 27:33
  Speaker 2: I'm his next of kin. Your sword is trying to
• 27:37
  Speaker 2: weaponize him. A dead body. I deserve to write to
• 27:42
  Speaker 2: bury him. You know, and they're just like, ah, no, really,
• 27:47
  Speaker 2: it belonged to Tony Stark and Banner. And they're not around,
• 27:50
  Speaker 2: so here we are. Coming from the wings, and of course...
• 27:56
  Speaker 2: Our very own Chaos Demon is in the building. As
• 27:59
  Speaker 2: if you summoned him. There he is. He's gonna have
• 28:05
  Speaker 2: all the questions. Go ahead, sir.
• 28:09
  Speaker 5: I got a whole black wife. I don't got no questions.
• 28:17
  Speaker 2: No, but....
• 28:21
  Speaker 4: You don't never show up for shit. You don't never
• 28:26
  Speaker 4: show up for none of these.
• 28:28
  Speaker 2: Pardon me. I love you. I love you. I love you.
• 28:30
  Speaker 4: You don't never be in here the one fucking night.
• 28:33
  Speaker 4: The one fucking night.
• 28:34
  Speaker 2: I'll say his name and he appears. I believe in
• 28:40
  Speaker 2: chaos demon.
• 28:42
  Speaker 7: What's funny is you see I'm on this sort of
• 28:46
  Speaker 7: gangster lean. you can't tell because of this virtual background,
• 28:50
  Speaker 7: but I'm in a terribly overstocked basement. I'm leaning against
• 28:54
  Speaker 7: a pile of laundry and my booty is hovering over
• 28:58
  Speaker 7: a table and this computer is sitting on a bookshelf. So,
• 29:03
  Speaker 7: you know, it's the magic of cinema right now.
• 29:05
  Speaker 2: I was going to say, you know what? The attention
• 29:10
  Speaker 2: to detail is immaculate, sir. Oh, no, it's what's up
• 29:13
  Speaker 2: with the chaos TV. Oh, Vision.
• 29:18
  Speaker 5: Okay.
• 29:19
  Speaker 2: Before... Okay. So, Will, because we haven't started talking about
• 29:24
  Speaker 2: episode seven of Vision Quest, we're kind of starting with WandaVision. Okay.
• 29:30
  Speaker 2: Just how all three of the shows, WandaVision, Agatha, all
• 29:33
  Speaker 2: along the Vision Quest, are well-crafted stories and told from
• 29:38
  Speaker 2: points of view of grief, and morality. And we were
• 29:42
  Speaker 2: just getting to the morality part of the thing. How
• 29:45
  Speaker 2: each one of these characters, you get why certain steps
• 29:50
  Speaker 2: were taken. You can understand why Wanda... did what she
• 29:58
  Speaker 2: did she was dealing with grief she's lost quite a
• 30:01
  Speaker 2: bit throughout her entire life and it was kind of
• 30:04
  Speaker 2: like the straw that broke the camel's back I guess
• 30:06
  Speaker 2: you could say Agatha for all her machinations there was
• 30:11
  Speaker 2: a level of morality with her as well because she's
• 30:15
  Speaker 2: trying to figure out some certain things that she wasn't
• 30:19
  Speaker 2: in control of but at the same time kind of
• 30:22
  Speaker 2: playing against everybody once you find out like oh there
• 30:26
  Speaker 2: was never a road like there was never a road
• 30:31
  Speaker 2: who did the why was the road there Billy did
• 30:33
  Speaker 2: it and he didn't realize it he didn't realize he
• 30:35
  Speaker 2: had that ability you know which essentially caused the death
• 30:39
  Speaker 2: of a few witches except the black one except the
• 30:44
  Speaker 2: black one except the black one but that I still
• 30:46
  Speaker 2: say it falls on Agatha because she knew the route
• 30:50
  Speaker 2: she knew the route she basically sat there and I
• 30:53
  Speaker 2: still say she's as guilty as all get out because
• 30:56
  Speaker 2: At the end of the day, you basically took power
• 30:59
  Speaker 2: to feed your own, but you'll never be satisfied. Her
• 31:03
  Speaker 2: morality scale is the fact, I'm doing this to eventually
• 31:06
  Speaker 2: have an end. You're not going to have an end.
• 31:09
  Speaker 2: You're just going to be always chasing something you'll never get.
• 31:15
  Speaker 2: Her scale is consistently tipping. Her scale is a broken seesaw. Yeah, like, okay,
• 31:22
  Speaker 2: you lost your son to death. Mm-hmm. you both shared
• 31:28
  Speaker 2: which is an odd uh allegory and at the same
• 31:34
  Speaker 2: time you're very manipulative in every step that you're taking
• 31:41
  Speaker 2: and even when you're not being manipulative like with the
• 31:44
  Speaker 2: whole thing with the road and who who billy was
• 31:47
  Speaker 2: because they kept calling him teen and the fact that
• 31:49
  Speaker 2: he was a sigil on his will it because you're
• 31:52
  Speaker 2: so untrustworthy around other witches you have such a reputation.
• 32:00
  Speaker 2: They were just like, yeah, you put that sigil on
• 32:02
  Speaker 2: this kid. No, I did not. Well, we don't believe
• 32:05
  Speaker 2: you because... This is what you do. You're the bad wolf.
• 32:11
  Speaker 2: You're the bad wolf trying to pretend you're the good guy.
• 32:14
  Speaker 2: You're not the good guy. No matter how hard you
• 32:17
  Speaker 2: try to convince us.
• 32:19
  Speaker 7: I don't think we have to rewrite history and forgive Agatha.
• 32:25
  Speaker 5: Because Agatha definitely.
• 32:27
  Speaker 5: Agatha definitely killed that dog.
• 32:30
  Speaker 7: And if the whites don't have to apologize or forgive
• 32:37
  Speaker 7: Mike Vick, I don't have to forgive Agatha.
• 32:40
  Speaker 5: That's my line.
• 32:42
  Speaker 2: And he's speaking to it. She's not a good person.
• 32:50
  Speaker 2: She inherently is not. No, seriously. In all reality, she's
• 32:54
  Speaker 2: inherently not a good person. But she's always pushed into
• 33:00
  Speaker 2: a corner where I guess part of her true self
• 33:04
  Speaker 2: is showing. You have those moments of when the real
• 33:08
  Speaker 2: her shows up. Like, I didn't want to be this way.
• 33:12
  Speaker 2: I didn't ask this ability. I didn't do all this.
• 33:16
  Speaker 2: I did it as a way to survive. Those little
• 33:18
  Speaker 2: bits of when you see the real person show up.
• 33:21
  Speaker 2: It's almost like shedding off their armors. It's like, I
• 33:25
  Speaker 2: gotta be vulnerable for a second to basically keep the
• 33:28
  Speaker 2: con going, if that makes sense.
• 33:30
  Speaker 5: Right.
• 33:31
  Speaker 2: I mean, even when she's talking about her son. Go ahead. No,
• 33:36
  Speaker 2: I was just.
• 33:37
  Speaker 7: Gonna say, it's not the witch trials anymore, babe.
• 33:40
  Speaker 5: Go to therapy.
• 33:44
  Speaker 2: That part.
• 33:46
  Speaker 4: Or you can just be good. Or you can just
• 33:49
  Speaker 4: be good.
• 33:50
  Speaker 2: And I think because it's at least in that show,
• 33:56
  Speaker 2: When she's consistently faced with one of the other witches,
• 34:01
  Speaker 2: like a one-on-one or whatever the case may be, because
• 34:03
  Speaker 2: she's so used to being dumped on, she just accepts it.
• 34:11
  Speaker 2: So when those moments of vulnerability show up, she just
• 34:16
  Speaker 2: masks it. I'm like, I'm just going to be a
• 34:18
  Speaker 2: bigger pain in the ass now just to mask what
• 34:22
  Speaker 2: I'm dealing with. Oh, yeah. And the moment she's sitting
• 34:24
  Speaker 2: there and it's that one moment of weakness, then it's
• 34:27
  Speaker 2: always a snappy comeback. Or it's always, oh, what is
• 34:31
  Speaker 2: team doing? Or, you know, did anybody check on the
• 34:34
  Speaker 2: old lady? It's always that misdirection. Yeah, Sharon. It's like, literally,
• 34:41
  Speaker 2: it's misdirection. I was like, oh, crap. I can't let
• 34:43
  Speaker 2: these people know I'm weak. Hey, what's that person doing?
• 34:47
  Speaker 2: And that's always, and that's been Agatha. And actually a
• 34:51
  Speaker 2: lot of characters, really, but But as Will said, you know, Attica, Attica, Attica,
• 34:58
  Speaker 2: damn it. That witch can't be forgiven. Attica, Attica, Attica. Attica, Attica, Attica. Attica, Attica, Attica.
• 35:05
  Speaker 2: Like I said, even when you look back and realize
• 35:07
  Speaker 2: that the road never existed, like it never existed up
• 35:13
  Speaker 2: until that point, but because it's such a big rumor
• 35:16
  Speaker 2: over the years, over centuries, that it's just talked about, like,
• 35:21
  Speaker 2: case in point, There are people that thought Sherlock Holmes
• 35:24
  Speaker 2: was real. Because they talked about the stories. They talked
• 35:27
  Speaker 2: about the person so much. Like, oh, he was real.
• 35:29
  Speaker 2: He's a real guy. No, he wasn't. Right. You know,
• 35:34
  Speaker 2: but then you talk about the Lone Ranger and it
• 35:36
  Speaker 2: was like, hey, that's fake. Yes, but it's based off
• 35:38
  Speaker 2: of Baz Reeves. Who's that? A black U.S. Marshal. A
• 35:45
  Speaker 2: bad mother... An.
• 35:46
  Speaker 4: Actual real person?
• 35:48
  Speaker 2: An actual real guy. You know, so.
• 35:52
  Speaker 2: The road for Agatha like it never like she knew
• 35:56
  Speaker 2: it was like alright I've never seen the road but
• 35:58
  Speaker 2: they seem to think I've seen the road or been
• 36:00
  Speaker 2: on it once before I'm riding with it and that's
• 36:04
  Speaker 2: with Agatha internalizing it she's like I need to see
• 36:08
  Speaker 2: where this is going I know something is up I
• 36:12
  Speaker 2: can't tell how it's happening and I have thoughts about
• 36:19
  Speaker 2: this kid being behind it, but I'm not sure. Because
• 36:24
  Speaker 2: I don't know anything about him. I don't know if
• 36:25
  Speaker 2: it's my kid. I don't know if it's Wanda's kid.
• 36:28
  Speaker 2: I don't know. And she had to play that close
• 36:32
  Speaker 2: to her chest until it was time to make that reveal.
• 36:37
  Speaker 2: And that's when she's like, ah, okay. I know who
• 36:42
  Speaker 2: your mama is. Although I can't lie, how many times
• 36:45
  Speaker 2: did the witch's robe get brought up that one witch
• 36:47
  Speaker 2: didn't sit there and go, has anybody ever went down
• 36:49
  Speaker 2: this robe besides this half of and anybody come back.
• 36:53
  Speaker 2: There's not that one rational witch that went, has anybody
• 36:57
  Speaker 2: been down this road besides her? Because if she only
• 37:00
  Speaker 2: comes back and nobody else does, y'all can hustle.
• 37:04
  Speaker 5: No, but I mean, you know, somebody would a lot.
• 37:07
  Speaker 7: Just like, you know, a certain number of us that
• 37:12
  Speaker 7: think they grandma grandma was like part Cherokee.
• 37:19
  Speaker 5: They'd a lot.
• 37:21
  Speaker 4: I knew someone that once went down the road. My
• 37:25
  Speaker 4: great-grandmother's second cousin's niece's uncle, half-removed.
• 37:29
  Speaker 5: Yeah, they went.
• 37:30
  Speaker 2: That's when they do that Know Your Roots episode. They're like, no,
• 37:33
  Speaker 2: your great-great-grandmother was a Cherokee. She was white. Huh?
• 37:40
  Speaker 4: She wore Cherokee jeans. That's about it.
• 37:42
  Speaker 5: Clip that one.
• 37:49
  Speaker 2: I had a Blackfoot joke. I'm going to leave that
• 37:52
  Speaker 2: one alone. Oh my goodness. So you had, so when
• 37:57
  Speaker 2: you talk about with WandaVision, with Wanda and with Agatha
• 38:02
  Speaker 2: and now with Vision, who throughout, before we get to seven,
• 38:07
  Speaker 2: from episodes one through six, he is steadily trying to
• 38:14
  Speaker 2: figure out who was Vision. Like, he's like, and Ultron
• 38:20
  Speaker 2: is telling him, he's like, it's you. He's like, no,
• 38:22
  Speaker 2: it's not me. But you're trying to understand him. You're
• 38:29
  Speaker 2: trying to understand what was the love he was having,
• 38:31
  Speaker 2: what was the life and everything. He's like, dude, you're
• 38:34
  Speaker 2: trying to find yourself. If I took my laptop right
• 38:37
  Speaker 2: now and wiped everything from it and put new programs
• 38:40
  Speaker 2: on it, it's still the same damn laptop. It's just
• 38:44
  Speaker 2: Sympathetious all over again. Thank you. That's the thing. And nobody...
• 38:52
  Speaker 2: He keeps fighting. You see it. Each episode, you see
• 38:57
  Speaker 2: he starts accepting certain truths and not realizing... For a
• 39:03
  Speaker 2: quantum computer, you so stupid. It's that logical denial. For most...
• 39:11
  Speaker 2: For him being a synthoid, They can only accept logic.
• 39:16
  Speaker 2: Logic is supposed to be cold, it is supposed to
• 39:18
  Speaker 2: be truthful, and it's not supposed to be infallible. But
• 39:21
  Speaker 2: introduce magic and chaos magic, all of a sudden that
• 39:24
  Speaker 2: logic goes six ways from Sunday. But he still holds
• 39:27
  Speaker 2: on to the fact that, no, I am not this individual.
• 39:30
  Speaker 2: That is not my son. She is not my wife.
• 39:33
  Speaker 2: Those memories are not mine. And at the same time,
• 39:36
  Speaker 2: it's just like you're going through the seven stages and
• 39:40
  Speaker 2: you're still stuck on denial. And you literally see him
• 39:44
  Speaker 2: processing the whole thing. You see him process it. Until
• 39:47
  Speaker 2: we get to the episode where he finally gets to acceptance.
• 39:51
  Speaker 2: That acceptance. So we're going to jump into it now.
• 39:55
  Speaker 5: Wait, wait, wait. Real quick.
• 39:57
  Speaker 2: Real quick.
• 39:58
  Speaker 5: Obligated to ask. Did y'all talk about them freaky ass
• 40:02
  Speaker 5: robots yet?
• 40:03
  Speaker 4: No. Can we get into this show? Because I want
• 40:08
  Speaker 4: to talk about the freaky ass robots too.
• 40:10
  Speaker 2: Yeah, yeah. We're about to get into it. So episodes
• 40:14
  Speaker 2: one through six. We are finally met with who the
• 40:21
  Speaker 2: Butcher Bird is. And the Butcher Bird is Jocasta. And
• 40:25
  Speaker 2: there are so many questions about... And there still is.
• 40:29
  Speaker 2: There still is. Even up to Episode 7, there are
• 40:32
  Speaker 2: still some questions about Jocasta that have not yet been answered.
• 40:37
  Speaker 2: And immediately, Ultron is smitten. Man. It would take a
• 40:46
  Speaker 2: black woman to turn his ass out. Anyway, like I said,
• 40:52
  Speaker 2: he's been trying to get his hands on African metal
• 40:56
  Speaker 2: for quite some time. I never see a man made
• 41:00
  Speaker 2: of Wakanda trying to get... Let me shut up. That
• 41:02
  Speaker 2: was a terrible joke. That was going to go south.
• 41:06
  Speaker 5: Oh, no, go.
• 41:06
  Speaker 4: Go ahead.
• 41:08
  Speaker 2: Go ahead, Sparkle. I felt that in my chest. God said,
• 41:12
  Speaker 2: hold on.
• 41:13
  Speaker 4: We're a new country, Spartan.
• 41:16
  Speaker 2: We're a new country. I felt that one in my chest.
• 41:21
  Speaker 2: I said, hold up. I said, okay, I'm good.
• 41:25
  Speaker 4: It's freedom of speech for all now, Spartan.
• 41:27
  Speaker 2: What are you talking about? I'm just saying, for a
• 41:32
  Speaker 2: guy made of the same thing he's trying to get into,
• 41:34
  Speaker 2: I just thought that was kind of obvious. See?
• 41:38
  Speaker 5: Yeah.
• 41:39
  Speaker 2: Yeah. I mean, okay. But at any rate, Ultron, he's smitten.
• 41:52
  Speaker 2: He's interested. He's intrigued.
• 41:56
  Speaker 8: Is he?
• 41:58
  Speaker 4: Yes.
• 41:59
  Speaker 2: There's a level of intrigue there. He's still Ultron at
• 42:03
  Speaker 2: his core. He's not the murderous bot right now, but
• 42:09
  Speaker 2: he's intrigued because he's like, oh, I like how she's moving.
• 42:13
  Speaker 2: He liked her. He was liking her. He's liking her.
• 42:18
  Speaker 2: The murderous intent got him, and you could tell it
• 42:22
  Speaker 2: got him. He's like, and then he got smitten. I'm sorry,
• 42:26
  Speaker 2: but I'm sorry. You're having me interrupt. You go ahead. No,
• 42:29
  Speaker 2: you're right. He's intrigued by her motivations. He's smitten because
• 42:38
  Speaker 2: it's a female version. He feels he's no longer truly alone.
• 42:44
  Speaker 2: And let's face it, he's never been a fan of
• 42:46
  Speaker 2: humanity in the first place. So he's just like, oh.
• 42:51
  Speaker 2: She has a purpose. And that's the thing. He's calling
• 42:55
  Speaker 2: out visions, morality, and truths. He's calling out everything while
• 43:02
  Speaker 2: at the same time sort of accepting his own. Accepting
• 43:09
  Speaker 2: the fact that he's like, oh, I know who I am.
• 43:10
  Speaker 2: I never said I wasn't. I do got to point
• 43:14
  Speaker 2: one thing out, though, before he actually got smitten with Jocasta,
• 43:18
  Speaker 2: which was back at the funeral where he sat there
• 43:20
  Speaker 2: and said, he said all these, they were celebrating, they
• 43:24
  Speaker 2: were celebrating the life of Jarvis. And he sat there
• 43:26
  Speaker 2: and said, yeah, love, love is a, love is an
• 43:29
  Speaker 2: empty emotion. He goes, and then you hear, your vision goes,
• 43:33
  Speaker 2: says the cynic that never experienced it. And he goes,
• 43:36
  Speaker 2: and he goes, and why do I need to? He says,
• 43:41
  Speaker 2: then that goes for a person. When he sat there
• 43:43
  Speaker 2: and said that, why do I need to experience any
• 43:46
  Speaker 2: type of affection? And literally and figuratively, next episode, what happens?
• 43:51
  Speaker 2: He experiences affection. He's courting this woman. He's courting her,
• 43:56
  Speaker 2: but he's gaining information.
• 44:01
  Speaker 7: I'm about to say, I'm not 100% convinced that he's
• 44:06
  Speaker 7: down bad like he's presenting.
• 44:08
  Speaker 2: Oh, no. At all.
• 44:11
  Speaker 5: As we learned in the film Pocahontas, these white men
• 44:16
  Speaker 5: are dangerous.
• 44:18
  Speaker 4: I'm sorry. That was mad loud.
• 44:27
  Speaker 2: I have to give it to James Spader for this
• 44:31
  Speaker 2: because he's really playing... He's keeping everything close. Mm-hmm. You know,
• 44:38
  Speaker 2: whether it's the whole Vision AIs that he's living with,
• 44:44
  Speaker 2: whether it's Jocasta, and then he has his own motives.
• 44:48
  Speaker 2: He's like, he said, I know what you guys are about.
• 44:52
  Speaker 2: I've lived with you long enough. You just don't trust
• 44:56
  Speaker 2: some of the decisions I make. Once again, this falls
• 44:59
  Speaker 2: into that, he out of line, but he's wrong. You know,
• 45:06
  Speaker 2: He may be right. I'm sorry. He's out of line,
• 45:08
  Speaker 2: but he's right about certain things. And now Sid, he's
• 45:11
  Speaker 2: running his AI pimp game. Oh, yeah. Oh, they definitely...
• 45:17
  Speaker 2: He's been locked up in that loft long enough to
• 45:20
  Speaker 2: watch enough TV and know how to play the game.
• 45:23
  Speaker 2: But in the same time, once again, he's still intrigued. Plus,
• 45:26
  Speaker 2: there was a lot of books up there, so the
• 45:27
  Speaker 2: Lord knows what he was reading. Oh, he was reading.
• 45:31
  Speaker 5: Unabridged Kama Sutra. Yeah.
• 45:35
  Speaker 2: I mean.
• 45:36
  Speaker 5: And some Kwan Mills to even it out.
• 45:39
  Speaker 2: Kwan Mills. Christy. She says, Sorry, I'm late, but has
• 45:52
  Speaker 2: anyone made a Hannibal Lecter reference yet?
• 45:54
  Speaker 4: What do you mean, Christy?
• 45:57
  Speaker 2: Christy. Bama says, Ultron is cuckoo for RoboPuffs. That's actually
• 46:03
  Speaker 2: a good one. He's a bit smitten, but he's not
• 46:13
  Speaker 2: locked in. He's not like puppy dog eyes or anything.
• 46:17
  Speaker 2: He's using that as his end to figure out motives
• 46:24
  Speaker 2: and purpose and everything else. He's still intrigued with her.
• 46:28
  Speaker 2: That's not going away. He's just... certain things that she's
• 46:33
  Speaker 2: doing and he's trying to figure out what is your
• 46:36
  Speaker 2: end game in case it messes with my game I
• 46:42
  Speaker 2: need to know how's this playing out so such things
• 46:46
  Speaker 2: like the dates the dates well the two dates that
• 46:49
  Speaker 2: they're on now and her constantly trying to I guess
• 46:58
  Speaker 2: drop viruses inside of him Oh, no. That was another
• 47:03
  Speaker 2: thing that kind of got him. He was like, oh,
• 47:05
  Speaker 2: I've been doing this way longer than you have. That
• 47:08
  Speaker 2: wasn't flirting with STDs. I'm just like, really? Y'all just
• 47:15
  Speaker 2: going malware each other?
• 47:17
  Speaker 5: Not a good way to flirt, ladies and gentlemen.
• 47:20
  Speaker 4: This is not the way to flirt. No doctor visits
• 47:25
  Speaker 4: after a first date for me?
• 47:26
  Speaker 2: Thanks. No. Stuff like getting cut on the little box,
• 47:29
  Speaker 2: which he thought was weird. Her trying to, I guess,
• 47:33
  Speaker 2: get inside his mind. He's very... He's like, oh, this
• 47:38
  Speaker 2: is your first rodeo. And that's another thing he plays on.
• 47:40
  Speaker 2: He's like, this is your first rodeo. I've been around
• 47:43
  Speaker 2: the block so many times. That you're not gonna... I've
• 47:49
  Speaker 2: already out-thought you. You don't even know who you are
• 47:54
  Speaker 2: right now. Or at least completely. So if you really
• 47:59
  Speaker 2: think about it, not to say that he's whipped, but
• 48:02
  Speaker 2: he's playing his position. Yes. I mean, he's always thinking. So,
• 48:10
  Speaker 2: I mean, let's be honest. The fact that he thinks
• 48:12
  Speaker 2: he sees, she thinks she's found an equal. He thinks
• 48:15
  Speaker 2: he's like, what does he ever got? What does this
• 48:19
  Speaker 2: ever have that can benefit me? Although we know that's
• 48:22
  Speaker 2: the background of Beltran. He's always got an interior motive,
• 48:25
  Speaker 2: but it's just, I do like the fact it's different
• 48:28
  Speaker 2: to see him in this type of light. Where he
• 48:30
  Speaker 2: looks like he's smitten, he looks like he might join
• 48:33
  Speaker 2: the other side, and, you know, he doesn't seem vulnerable,
• 48:38
  Speaker 2: but he almost seems human, if it makes sense. Yes.
• 48:44
  Speaker 2: There are moments that humanity do pop out. And I
• 48:47
  Speaker 2: look at it, because he's in his human avatar form,
• 48:52
  Speaker 2: there are moments of humanity that pop out, and he
• 48:56
  Speaker 2: doesn't apologize for it right he doesn't apologize for a
• 49:00
  Speaker 2: lot of what a lot of the choice even the
• 49:02
  Speaker 2: ais that he was rooming with they are consistently because
• 49:06
  Speaker 2: it's ultra they're consistently questioning him like we don't trust
• 49:10
  Speaker 2: you because you're you're prone to do something you were
• 49:15
  Speaker 2: you were gaming to get out the system you got
• 49:18
  Speaker 2: out the system when you did get out the system
• 49:20
  Speaker 2: you found a way to take over vision's body which
• 49:22
  Speaker 2: you've always wanted to do so you figure that out
• 49:25
  Speaker 2: you got that done you know you were the reason
• 49:28
  Speaker 2: why the bounty hunter found him in the first place
• 49:31
  Speaker 2: or at least part yeah part of the reason you've
• 49:32
  Speaker 2: been conversing with paladin for quite a while to the
• 49:38
  Speaker 2: point you are with pen pals. So how can we
• 49:43
  Speaker 2: trust anything you do? But see, once again, ulterior motives.
• 49:48
  Speaker 2: We still don't know what Ultron's endgame is. We just
• 49:53
  Speaker 2: know he wanted to get out. That's it. We believe
• 49:58
  Speaker 2: he wants to take care of humanity still, like wipe
• 50:00
  Speaker 2: them out. But he's probably seeing more at play. mind
• 50:04
  Speaker 2: you think about it he's been he's been inside visions
• 50:07
  Speaker 2: mind space for the past x amount of years watching
• 50:10
  Speaker 2: a bunch of sitcoms so he's got a better understanding
• 50:15
  Speaker 2: i guess of humanity right in that light you know
• 50:19
  Speaker 2: when it comes to certain things morals and morality or
• 50:22
  Speaker 2: whatever the case but oh yeah uh seeing james spader
• 50:28
  Speaker 2: and shout out to the dacosta actress uh tania miller
• 50:32
  Speaker 2: um who is actually playing Jocasta fantastically. I wasn't sure
• 50:40
  Speaker 2: how to see that. I wasn't sure how that was
• 50:42
  Speaker 2: going to play out. And now, Jocasta in her human
• 50:49
  Speaker 2: form has some yams, and that's what had Ultron hooked.
• 50:55
  Speaker 2: I guess. I guess. Can I get to the yams?
• 51:01
  Speaker 2: Even the conversation that he has with the other AI.
• 51:05
  Speaker 2: Each one of the AI, Tony Stark's AIs were based
• 51:07
  Speaker 2: off of real people. Right. And they said, well, who
• 51:11
  Speaker 2: were you based off of? At that time. And then
• 51:19
  Speaker 2: that's a sudden realization. I am not who I think
• 51:21
  Speaker 2: I am. Yes. So let's get into seven. Let's get
• 51:27
  Speaker 2: into seven. Wait, wait, wait, wait, wait. Wait, go ahead. No,
• 51:32
  Speaker 2: you know what? You guys tell me what you think
• 51:34
  Speaker 2: up until 7.
• 51:36
  Speaker 7: I just wanted to open the floor real quick for
• 51:39
  Speaker 7: Kira to discuss the horny ass robots. Because I feel
• 51:43
  Speaker 7: like me and Kira are on a similar wavelength.
• 51:46
  Speaker 4: So let's get into it. Let's go.
• 51:50
  Speaker 2: Maybe. Make it good because.
• 51:54
  Speaker 4: I need clips. They were about to go what is it?
• 51:58
  Speaker 4: Is it They were about to rub tungstens. All up
• 52:03
  Speaker 4: and down and across that goddamn screen. It was hot.
• 52:09
  Speaker 5: Quite molten.
• 52:12
  Speaker 7: That was the horniest thing committed to film Disney has
• 52:15
  Speaker 7: done since Nala made them come hither eyes in The
• 52:18
  Speaker 7: Lion King. I was like, someone is watching this stupid
• 52:23
  Speaker 7: ass show about robots and just had their sexual awakenings.
• 52:27
  Speaker 4: What do you mean?
• 52:31
  Speaker 2: What?
• 52:31
  Speaker 4: I don't understand. I'm so confused.
• 52:38
  Speaker 5: I love my 40-year-old man clutching pearls.
• 52:45
  Speaker 4: Balls and bearings.
• 52:46
  Speaker 2: I mean, shout out to the team over at New
• 52:48
  Speaker 2: Rockstars where it was discussed. It was just like, Jocasta...
• 52:51
  Speaker 2: is built different. Oh, yeah, I think. Yeah, we know.
• 52:55
  Speaker 4: Have you not, like, are we, oh, God.
• 52:58
  Speaker 2: Are you not entertained? Is it bad that I want
• 53:02
  Speaker 2: to say between Black women and Marvelers this understood abridgment
• 53:06
  Speaker 2: that every woman that comes through there is going to
• 53:08
  Speaker 2: look like exactly how she should look like? I mean.
• 53:13
  Speaker 4: To a point.
• 53:14
  Speaker 2: Yes. It's almost an unspoken, it's almost an unspoken agreement
• 53:19
  Speaker 2: at this point.
• 53:21
  Speaker 4: I mean, I'm very certain that the male gaze has
• 53:23
  Speaker 4: absolutely nothing to do with the standards of beauty.
• 53:26
  Speaker 2: The fact that everybody was like, ooh, Black Widow, and
• 53:29
  Speaker 2: I'm just like, no, Tiana Pearce. You know? I'm like,
• 53:34
  Speaker 2: what do you mean?
• 53:35
  Speaker 4: I feel like the proportions for everybody that's in all... Anyway,
• 53:39
  Speaker 4: I won't... Oh, no, no.
• 53:41
  Speaker 2: You encouraged me. It's your turn now.
• 53:43
  Speaker 5: No, no.
• 53:44
  Speaker 4: Everybody's proportions are very well thought out. are my thoughts
• 53:49
  Speaker 4: and they're very similar um and i don't think anybody
• 53:52
  Speaker 4: ever really gets to uh be a little more curvaceous
• 53:56
  Speaker 4: unless you're what uh what's her name um over at
• 54:00
  Speaker 4: dc uh miss uh waller miss amanda waller oh okay
• 54:07
  Speaker 4: i'm just saying it gets boring is all i'm saying
• 54:10
  Speaker 4: i see it all the time like I was 20 once.
• 54:14
  Speaker 4: I'm good.
• 54:18
  Speaker 2: Yay.
• 54:18
  Speaker 4: Hooray. Tits and ass.
• 54:20
  Speaker 2: Yay.
• 54:23
  Speaker 4: But can we do something a little bit... Can somebody
• 54:26
  Speaker 4: be a little bit bottom heavy and top light or something?
• 54:30
  Speaker 4: A little bit of pooch every once in a while.
• 54:33
  Speaker 4: All the mutants don't have to be six pack and
• 54:37
  Speaker 4: BBL'd out to the fucking gods. Nothing wrong with some
• 54:42
  Speaker 4: techno TNA and some cybernetic foreplay. I ain't saying nothing.
• 54:46
  Speaker 7: You know how tight I'd be?
• 54:48
  Speaker 5: You know how tight I'd be? You know how tight
• 54:51
  Speaker 5: I'd be?
• 54:52
  Speaker 7: If I, you know, get my fucking X-Gene poppin' and
• 54:56
  Speaker 7: I show up to the mansion and everybody's walking around
• 54:59
  Speaker 7: like it's a Sports Illustrated swimsuit edition. And I show
• 55:03
  Speaker 7: up with these soft-ass chesticles. I'm like, Ayo, this is
• 55:09
  Speaker 7: I couldn't get abs with my shit?
• 55:11
  Speaker 5: That's crazy. Hey, professor, make them all see me with
• 55:16
  Speaker 5: abs at least, please.
• 55:19
  Speaker 2: Hey, listen.
• 55:27
  Speaker 5: He said I.
• 55:31
  Speaker 4: Wait, wait, wait.
• 55:32
  Speaker 2: Jocasta got into his system.
• 55:33
  Speaker 4: See what happens? Jocasta said y'all talking fucking reckless.
• 55:39
  Speaker 2: I was going to say computer love gone wrong.
• 55:44
  Speaker 4: What'd you say, Will?
• 55:46
  Speaker 5: She said, he said, I want to know you. She said,
• 55:49
  Speaker 5: I want to be known. I was like, ooh, okay.
• 55:52
  Speaker 2: Hold on.
• 55:54
  Speaker 5: She said, but it's going to hurt. He said, hurt me.
• 55:57
  Speaker 2: Let's go.
• 56:02
  Speaker 4: No firewalls?
• 56:05
  Speaker 5: I was like, hey, listen. Free my nigga Ultron. He
• 56:10
  Speaker 5: out here.
• 56:13
  Speaker 2: No fire. No firewalls. No firewalls required. That was a line.
• 56:18
  Speaker 2: She was like, I want to know you. She says,
• 56:20
  Speaker 2: I want to be known. I'm like, VPN for her pleasure.
• 56:26
  Speaker 5: Like fresh laundry.
• 56:28
  Speaker 2: Boy.
• 56:31
  Speaker 4: Expeditiously.
• 56:32
  Speaker 2: He's like, I'm going to play this game a little
• 56:36
  Speaker 2: bit longer. Wait a minute. You can almost hear the
• 56:42
  Speaker 2: line on Richie Hello play in the background. Meanwhile, while
• 56:47
  Speaker 2: all this flirting is going on, Friday is a bot
• 56:51
  Speaker 2: in disguise witnessing this whole thing. She's probably like, oh yeah,
• 56:56
  Speaker 2: that's crazy. It's just disgusting. Like, this is nasty.
• 57:03
  Speaker 5: Oh, that's even crazier.
• 57:05
  Speaker 2: Side chick. And I asked him for an artificial ass.
• 57:10
  Speaker 5: Yo.
• 57:10
  Speaker 2: Are you still.
• 57:13
  Speaker 7: And then, like, you know, they're talking about heartbreak. Food
• 57:17
  Speaker 7: don't even taste the same. Like, after they had that,
• 57:21
  Speaker 7: you know what I mean? He took a sip of
• 57:22
  Speaker 7: that yak.
• 57:23
  Speaker 2: He's like, whoo. He's a brand new person. I'm tired
• 57:26
  Speaker 2: of drinking libations, especially when you already know what they
• 57:29
  Speaker 2: taste like. I don't want this shit no more. I
• 57:34
  Speaker 2: want the real thing. You know what's going to be
• 57:36
  Speaker 2: messed up? Why did I immediately think the black lightning joke?
• 57:39
  Speaker 2: I've had lightning before, but you never had black lightning.
• 57:43
  Speaker 2: I don't know why. I don't know why on the
• 57:46
  Speaker 2: side when he sat there and said, I don't want
• 57:47
  Speaker 2: to drink this. Yes, you do. And it looked like
• 57:50
  Speaker 2: his soul just got touched. I was like, I don't
• 57:53
  Speaker 2: know why my mind went to the black lightning joke.
• 57:56
  Speaker 5: The trinket of my fountain and you shall be healed. Amen?
• 58:05
  Speaker 4: Actually, AI.
• 58:06
  Speaker 2: I was going to say AI. It was getting pretty
• 58:14
  Speaker 2: hot and heavy between the two. Should we just leave?
• 58:20
  Speaker 2: One bot, I don't even know what the other bot
• 58:21
  Speaker 2: looked like, but Friday was sitting there with the face like.
• 58:24
  Speaker 4: All I can think of is the percolators going off
• 58:29
  Speaker 4: in the background. Perk, perk, perk, perk, perk, perk, perk, perk.
• 58:34
  Speaker 5: And that's shout outs to fantastic writing because.
• 58:39
  Speaker 7: James Spader I'm sorry Ultron looks like the Unabomber he
• 58:43
  Speaker 7: should not be sexy at any point throughout this series
• 58:47
  Speaker 7: they turned his sexy up to 12 in that moment.
• 58:49
  Speaker 4: It's like ooh Ahab Spader went from Mr.
• 58:54
  Speaker 2: Steel Grandma to Mr.
• 58:55
  Speaker 4: Steel CPU ooh.
• 58:56
  Speaker 5: Yep like santa's unsuccessful cousin over here getting bitches.
• 59:07
  Speaker 2: He's like there's a reason why this room was all
• 59:09
  Speaker 2: white so i'm just like yo wait a minute.
• 59:13
  Speaker 4: He looked like a villain from one piece.
• 59:20
  Speaker 2: Nice. Oh, they did some fantastic lines in this. Like
• 59:25
  Speaker 2: you said, Will, it is some great writing that's going
• 59:28
  Speaker 2: on here because you feel a little bit like... Damn,
• 59:33
  Speaker 2: they laying it on kind of thick. Let me see
• 59:37
  Speaker 2: if I can try that line.
• 59:42
  Speaker 5: On your wife? No, no, no.
• 59:44
  Speaker 1: No.
• 59:44
  Speaker 5: Okay.
• 59:50
  Speaker 2: I don't see nothing wrong with programming. There was one
• 59:56
  Speaker 2: step away from doing so.
• 59:58
  Speaker 4: I don't see nothing wrong with a little defrag and grind, maybe.
• 1:00:01
  Speaker 5: Shut up. Shut up.
• 1:00:05
  Speaker 2: Defrag.
• 1:00:07
  Speaker 4: Do you want to be defragged?
• 1:00:09
  Speaker 2: No, there was another thing. There was so much innuendo.
• 1:00:14
  Speaker 2: My safe words, Norton.
• 1:00:21
  Speaker 8: Go to bed there was so much that one that
• 1:00:27
  Speaker 8: one there was so much in your window it's ridiculous
• 1:00:35
  Speaker 8: how much it was yeah.
• 1:00:37
  Speaker 2: It's ridiculous they it was a second date right Ultron
• 1:00:46
  Speaker 2: was rounding second and running for third It was their
• 1:00:51
  Speaker 2: second date, I guess. He was like, yeah, we ain't
• 1:00:53
  Speaker 2: doing that first date business, but that second one? Oh,
• 1:00:58
  Speaker 2: I'm turning it all over.
• 1:00:59
  Speaker 4: Oh, you wanted to flude me out to Paris? Okay,
• 1:01:02
  Speaker 4: let's go. Let's see what we're doing.
• 1:01:07
  Speaker 2: Let's go to the new poetry in Shakespeare.
• 1:01:11
  Speaker 4: And all that junk.
• 1:01:12
  Speaker 5: Wow.
• 1:01:13
  Speaker 4: Just drinking his cup. I'm like, who.
• 1:01:21
  Speaker 5: Is?
• 1:01:22
  Speaker 2: That's that. They say Kira and the Betty Rubble laugh. Yeah.
• 1:01:31
  Speaker 2: It was. They were getting hot and heavy. I mean...
• 1:01:36
  Speaker 2: Chad was in the background the whole time. Is Chad okay?
• 1:01:40
  Speaker 5: Nasty-ass robots.
• 1:01:44
  Speaker 2: Imagine... Oh, he's... Oh, he's knee-deep in Marvel Rivals. You're good.
• 1:01:50
  Speaker 2: I can go somewhere with that. He can't hear you.
• 1:01:58
  Speaker 2: He's on headphones right now. He's knee-deep in Marvel Rivals
• 1:02:01
  Speaker 2: like Ultron was knee-deep in. And anyway. Yeah. Yeah. I mean,
• 1:02:06
  Speaker 2: if we're all 100%.
• 1:02:16
  Speaker 7: Jocasta was doing the bending. We just, we just, we
• 1:02:22
  Speaker 7: just got to put it out there.
• 1:02:26
  Speaker 2: You said she, she was like, what can she get
• 1:02:28
  Speaker 2: away with? That's, that's an important point. Seeing exactly what
• 1:02:34
  Speaker 2: she can get away with. She done cut this man.
• 1:02:37
  Speaker 2: She then, everything but a safe word. He was like, oh,
• 1:02:43
  Speaker 2: I just wanted to see, oh, like, Did everything but
• 1:02:47
  Speaker 2: pay this man. What are you talking about? No, no, no.
• 1:02:52
  Speaker 2: Although also, yes, that was the field line. That's what
• 1:02:55
  Speaker 2: he said. No, no, but yes. Safe word. What safe word? Wow.
• 1:03:09
  Speaker 4: Them horns ain't just for decoration. A little slap and tickle.
• 1:03:19
  Speaker 4: A little poke and stroke.
• 1:03:21
  Speaker 2: There you go. It's not until they get to the
• 1:03:26
  Speaker 2: loft which he starts really questioning stuff. He's like, hold on.
• 1:03:34
  Speaker 2: What is all of this? He's like, oh, this is
• 1:03:40
  Speaker 2: almost like my home. This was a prison for me.
• 1:03:43
  Speaker 2: What are you talking about? Hold on. I didn't agree
• 1:03:47
  Speaker 2: to this. And here we are. She's going through her memory.
• 1:03:55
  Speaker 2: And while she's going through her own memory, we're dealing
• 1:03:59
  Speaker 2: with Vision, who's helping Lisa, who was infected with that
• 1:04:02
  Speaker 2: one nanobyte. And they're like, the only way they can
• 1:04:07
  Speaker 2: figure this out, they got her asleep. Tommy phased her
• 1:04:12
  Speaker 2: to the point where she fell asleep. That's all about
• 1:04:15
  Speaker 2: the queen. They track down Paladin, who they really don't
• 1:04:19
  Speaker 2: want to, but they track him down. He's got Corvus
• 1:04:24
  Speaker 2: Glaive's glaive from Infinity War. And who had that? The Wakandans.
• 1:04:31
  Speaker 2: And they somehow made it a power source. Because Vision
• 1:04:36
  Speaker 2: needs a power source in order to find the source code.
• 1:04:43
  Speaker 2: And I'm like, I'm still deciphering what was on the
• 1:04:46
  Speaker 2: front of that. chest on that chest that was in
• 1:04:50
  Speaker 2: Wakandan yeah I have the alphabet I just gotta I
• 1:04:55
  Speaker 2: just gotta convert it and he says yeah I had
• 1:05:01
  Speaker 2: a falling out with the Wakandan monarch you'll never cross
• 1:05:06
  Speaker 2: those borders again uh Oh, he said he burned it
• 1:05:12
  Speaker 2: with the... I burned it with the.
• 1:05:15
  Speaker 5: Who let his ass in in the first place?
• 1:05:17
  Speaker 2: That part. That is a good question. Who allowed this?
• 1:05:22
  Speaker 2: I was going to say remnants of... What's his face's...
• 1:05:32
  Speaker 2: I'm guessing.
• 1:05:36
  Speaker 5: Y'all good?
• 1:05:38
  Speaker 2: You ain't gonna say that and just let that one
• 1:05:41
  Speaker 2: speak for itself. You just ain't gonna sashay that one through.
• 1:05:47
  Speaker 2: You know what you did.
• 1:05:49
  Speaker 5: I think everyone's experiencing some technical difficulties.
• 1:05:53
  Speaker 2: No, we heard you. Oh, we heard you. Oh, no.
• 1:06:00
  Speaker 2: We heard you. If you guys could see our private chat.
• 1:06:08
  Speaker 2: I will let the minds run amok for the moment
• 1:06:15
  Speaker 2: no but Jay Holiday Vision has to go deep within
• 1:06:21
  Speaker 2: himself for the source code because he keeps asking the
• 1:06:25
  Speaker 2: question source code who has the source code this is
• 1:06:28
  Speaker 2: where we find out what was it 1939 yeah we
• 1:06:34
  Speaker 2: find out about Phineas Horton. And who does Phineas Horton
• 1:06:37
  Speaker 2: look like? Fucking Vision. I mean, full on. And he's
• 1:06:49
  Speaker 2: sold his entire home and everything for money just to
• 1:06:58
  Speaker 2: build his human torch. Because he was grieving his son
• 1:07:05
  Speaker 2: although he had a wife and daughter.
• 1:07:06
  Speaker 5: Still that was crazy that.
• 1:07:09
  Speaker 2: Was wild even the wife said it she was like
• 1:07:13
  Speaker 2: you grieving a son who was i think she said
• 1:07:15
  Speaker 2: he was three years gone yeah yeah and you still
• 1:07:18
  Speaker 2: got a daughter here like you just ignoring your kid
• 1:07:21
  Speaker 2: the only kid you just ignored your kid and that's
• 1:07:25
  Speaker 2: wild work yeah She was like, you signing over everything?
• 1:07:31
  Speaker 2: She was like, I'm going to stay with my, what
• 1:07:33
  Speaker 2: did she say, her sister? Yeah, her sister. Her sister
• 1:07:36
  Speaker 2: in New York. She was like, I'm going to stay
• 1:07:37
  Speaker 2: with my sister in New York. Basically, you just lost
• 1:07:40
  Speaker 2: all of us.
• 1:07:41
  Speaker 4: Now that begs the question, who's her sister? Because you know,
• 1:07:45
  Speaker 4: it should come up in a future.
• 1:07:47
  Speaker 2: The sister should come up, and who is the daughter
• 1:07:50
  Speaker 2: when she gets older? Because we figure like, okay, there's
• 1:07:55
  Speaker 2: some people that you need to fill out. Because that
• 1:07:57
  Speaker 2: didn't just pass and pass and pass.
• 1:08:01
  Speaker 4: Is he like an actual Marvel character? The Phineas Horton dude?
• 1:08:05
  Speaker 2: Yes, he is. He is. Because there was a human
• 1:08:09
  Speaker 2: torch before Johnny Storm. And that human torch was an android.
• 1:08:13
  Speaker 2: And the first time we actually seen him in NCU
• 1:08:16
  Speaker 2: was in a quick blink and you miss it scene
• 1:08:19
  Speaker 2: at the Stark Expo in Captain America The First Avenger.
• 1:08:24
  Speaker 2: It's literally a blink and you miss a scene. Now,
• 1:08:26
  Speaker 2: mind you, that version had blonde hair, which in the
• 1:08:29
  Speaker 2: comic books, he does have blonde hair. Right.
• 1:08:32
  Speaker 5: Question on that.
• 1:08:34
  Speaker 7: Didn't they say, or I might have misheard in the episode,
• 1:08:38
  Speaker 7: didn't he like, he felt so much that he like
• 1:08:42
  Speaker 7: sparked the air around him and he catch on fire?
• 1:08:44
  Speaker 2: Yeah, that's how they did.
• 1:08:46
  Speaker 7: That's how old boy died because he was just too
• 1:08:50
  Speaker 7: close to him and they just like burnt up together.
• 1:08:53
  Speaker 5: That's a crazy thing to have in the middle of
• 1:08:56
  Speaker 5: your expo.
• 1:08:57
  Speaker 2: Look at this piece.
• 1:09:00
  Speaker 7: Of shit that malfunctioned and killed somebody crazy right anyway
• 1:09:03
  Speaker 7: over here.
• 1:09:04
  Speaker 2: So I know in comics and this is way before
• 1:09:07
  Speaker 2: me I know in comics that they had that human
• 1:09:13
  Speaker 2: torch encased in a tube lacking oxygen because he would
• 1:09:21
  Speaker 2: catch fire. He just would not turn on. But mind you,
• 1:09:26
  Speaker 2: he was part of the invaders, which was Captain America,
• 1:09:29
  Speaker 2: Prince Namor, and the Human Torch. They were like allies
• 1:09:32
  Speaker 2: in the World War II. They don't talk about that.
• 1:09:38
  Speaker 2: Not in the MCU. It's a completely different setup. It's
• 1:09:43
  Speaker 2: a completely different vibe. Mal... Tommy's got that magic tooth
• 1:09:48
  Speaker 2: to open all the locks and make all the ladies
• 1:09:50
  Speaker 2: smile and fall asleep. I guess that was the PG
• 1:09:55
  Speaker 2: version of it. So, you have Phineas Horton literally signing
• 1:10:04
  Speaker 2: over everything. That big ass house. Which I don't understand.
• 1:10:10
  Speaker 4: That is not a house. I need y'all to put some,
• 1:10:13
  Speaker 4: I need y'all to change that up.
• 1:10:15
  Speaker 2: Imagine. Imagine it over there.
• 1:10:16
  Speaker 4: That was an estate. That was an estate.
• 1:10:19
  Speaker 5: Okay?
• 1:10:20
  Speaker 4: Like, wings to a... to the area.
• 1:10:24
  Speaker 2: A big-ass house.
• 1:10:27
  Speaker 4: No.
• 1:10:28
  Speaker 2: No.
• 1:10:29
  Speaker 4: He had to pay tax on the land and the
• 1:10:33
  Speaker 4: house in order for that. No, no, no. You gotta
• 1:10:36
  Speaker 4: pay taxes twice for two spots? That ain't a house.
• 1:10:39
  Speaker 2: That's old plantation money. That's one of those types of
• 1:10:42
  Speaker 2: homes where You never know if the other person is
• 1:10:45
  Speaker 2: in the house unless you got a camera or an intercom.
• 1:10:49
  Speaker 2: Or a tracker.
• 1:10:52
  Speaker 4: What's the family from The Sound of Music? You got
• 1:10:59
  Speaker 4: a bunch of Vontraps and a whole different wing in
• 1:11:02
  Speaker 4: the house you don't know about.
• 1:11:03
  Speaker 2: You don't even know they're in the house. It's like, yeah,
• 1:11:08
  Speaker 2: I'm going to the bathroom. Which of the nine bathrooms
• 1:11:10
  Speaker 2: are you going to? Because... The heating bill has.
• 1:11:14
  Speaker 5: Got rooms like a shit all day.
• 1:11:17
  Speaker 2: You know, those types of estates that got the yard
• 1:11:22
  Speaker 2: and everything. How are you keeping this going? What were you...
• 1:11:29
  Speaker 2: You got rid of all of that just to finish
• 1:11:32
  Speaker 2: building this. You apparently had money before.
• 1:11:36
  Speaker 4: Also, money was cheap back then. Money was cheap back then.
• 1:11:41
  Speaker 4: There was no reason... For him to spend all that
• 1:11:45
  Speaker 4: money on a hand? He did all that for... And
• 1:11:48
  Speaker 4: he had a hand made. Make it make.
• 1:11:52
  Speaker 2: Something is off.
• 1:11:56
  Speaker 4: There were children mining shit for him.
• 1:11:57
  Speaker 2: There's no way.
• 1:11:59
  Speaker 4: There's no way.
• 1:12:01
  Speaker 2: It was just weird.
• 1:12:02
  Speaker 4: All that money? You had present day Stark money back
• 1:12:08
  Speaker 4: then and you couldn't get it to.
• 1:12:11
  Speaker 2: That's weird.
• 1:12:12
  Speaker 4: That sounds like a skill-ish.
• 1:12:16
  Speaker 2: Yeah.
• 1:12:17
  Speaker 7: Maybe it's because he excused the servants already. There was
• 1:12:24
  Speaker 7: no more free labor.
• 1:12:26
  Speaker 5: So he had to come up with something else.
• 1:12:30
  Speaker 2: Wow. It's just weird. So he's building Jim, which is
• 1:12:34
  Speaker 2: the jewel individual machine. Right? That's what it's called. All right.
• 1:12:46
  Speaker 2: To bring his deceased son back to life. It was
• 1:12:48
  Speaker 2: his grief as engineering, which is extremely odd. He becomes
• 1:12:53
  Speaker 2: Jim Hammond. And in the meantime, that's the past. You
• 1:12:58
  Speaker 2: don't even see that version. You don't see Jim yet.
• 1:13:02
  Speaker 2: He's not built yet, like Lady Manalus, or you just
• 1:13:04
  Speaker 2: see the hand. Meanwhile, you have Vision, who is going
• 1:13:08
  Speaker 2: deeper within the core of himself. Mm-hmm. And getting lost.
• 1:13:15
  Speaker 2: Because it's almost like a labyrinth. Getting lost. He's walking
• 1:13:19
  Speaker 2: through the labyrinth of his mind. And then he finally
• 1:13:23
  Speaker 2: comes face to face with Vision. Red Vision. And he
• 1:13:31
  Speaker 2: gets told about himself.
• 1:13:33
  Speaker 4: He said, you pussy.
• 1:13:38
  Speaker 2: He told him about himself. You're soft, boy. You are soft.
• 1:13:44
  Speaker 2: he's like you put me on a pedestal so high
• 1:13:47
  Speaker 2: your bitch ass wouldn't even try to climb it.
• 1:13:51
  Speaker 4: Soft ass mark ass trick ass motherfucker.
• 1:13:56
  Speaker 2: He told him about himself he's like you are me
• 1:13:59
  Speaker 2: he's like no I'm not and you can see the
• 1:14:03
  Speaker 2: the anger I'm not you I'm not you I'm like
• 1:14:06
  Speaker 2: no you are the fuck you ain't and he put
• 1:14:12
  Speaker 2: out a laser blast and dissipated me. That didn't change nothing.
• 1:14:15
  Speaker 2: You still him.
• 1:14:16
  Speaker 4: You still a bitch.
• 1:14:18
  Speaker 2: I can't expect my old boy to pop right back
• 1:14:20
  Speaker 2: up and what was that gonna do?
• 1:14:22
  Speaker 4: Yeah.
• 1:14:24
  Speaker 2: I was like, yo, you keep, and like I said,
• 1:14:27
  Speaker 2: you keep fighting who you are. And then finally he's
• 1:14:34
  Speaker 2: back doing the same thing. If you notice, it's like Inception.
• 1:14:37
  Speaker 2: It's like Inception. the deeper it went, the more intense
• 1:14:44
  Speaker 2: it became. The more intense his whole core experience. And
• 1:14:50
  Speaker 2: he just couldn't fight anymore. Until finally, this happened.
• 1:15:17
  Speaker 5: I was the first and almost the last.
• 1:15:28
  Speaker 2: You see Jim Hammond, Human Torch, who looks exactly like
• 1:15:34
  Speaker 2: Phineas Horton, who looks exactly like Vision, who looks exactly
• 1:15:39
  Speaker 2: like Bichon. And messed him all the way up. And
• 1:15:45
  Speaker 2: that whole conversation... you want to talk about breakdown and,
• 1:15:53
  Speaker 2: and you're talking, he's talking to Jim Hammond and Jim
• 1:15:56
  Speaker 2: Hammond has Phineas Horton's, I guess, source code in there too,
• 1:16:00
  Speaker 2: painting the picture of Jim Hammond on fire and talking
• 1:16:05
  Speaker 2: to him and just saying, you're me. I look like you. No, no,
• 1:16:10
  Speaker 2: you look like me. I was like, get it straight.
• 1:16:14
  Speaker 4: No, You went to my high school. You're going to
• 1:16:17
  Speaker 4: my high school.
• 1:16:20
  Speaker 2: Let's get this straight. Gets his ass together. And then
• 1:16:26
  Speaker 2: he pretty much, he got sat down. Vision got sat
• 1:16:29
  Speaker 2: down and said, you've been so busy. He's like, so
• 1:16:35
  Speaker 2: who has the source code? And Jim Hammond's like, I
• 1:16:37
  Speaker 2: ain't got it.
• 1:16:38
  Speaker 5: I ain't got it.
• 1:16:42
  Speaker 2: Very plain. I ain't got it.
• 1:16:44
  Speaker 4: It was the journey all along.
• 1:16:47
  Speaker 5: It was within you this whole time.
• 1:16:50
  Speaker 4: Dorothy, good God.
• 1:16:52
  Speaker 5: Click your heels if you believe.
• 1:16:55
  Speaker 4: Oh, Ultron?
• 1:16:58
  Speaker 2: Wow. And that revelation of, you know, between seeing Red
• 1:17:05
  Speaker 2: Vision and then seeing Jim Hammond and then basically both
• 1:17:07
  Speaker 2: of them telling him, like, yo, you're really me when
• 1:17:12
  Speaker 2: you're playing with yourself. understand the truth has been there
• 1:17:16
  Speaker 2: the whole time and that's when he starts really Luke
• 1:17:19
  Speaker 2: just really just like because for me to accept that
• 1:17:22
  Speaker 2: Tommy is my son would mean the most unimaginable pain
• 1:17:29
  Speaker 2: that anybody could endure and that's when he's like because
• 1:17:33
  Speaker 2: I lost Tommy I lost Billy I lost Wanda and
• 1:17:38
  Speaker 2: I'm like there it is there it is come on
• 1:17:42
  Speaker 2: everything coming to the surface Come on, let it on out.
• 1:17:46
  Speaker 2: Let it on out, big dog. He's like, that means
• 1:17:49
  Speaker 2: you lost your family. Which is why I said even
• 1:17:55
  Speaker 2: an android can cry. By the way, that's Avengers issue
• 1:18:01
  Speaker 2: number 58, 1968 written by Ray Thomas and John Pacino.
• 1:18:06
  Speaker 5: That collar goes crazy.
• 1:18:09
  Speaker 2: Hey, that collar's cleaned up. he said this is my
• 1:18:18
  Speaker 2: confession your spoilers was ruined don't go watch it go
• 1:18:25
  Speaker 2: watch it trust me you'll be like oh wow this
• 1:18:28
  Speaker 2: is so much better yes don't enjoy those freak ass
• 1:18:31
  Speaker 2: robots enjoy but yeah he breaks him down and has
• 1:18:37
  Speaker 2: to accept who he is like yo this whole time
• 1:18:42
  Speaker 2: this whole time This whole damn time. It's been you.
• 1:18:47
  Speaker 2: If I'm gonna tell it, then I'm gonna tell it.
• 1:18:50
  Speaker 2: it all. I'm sorry, that stuck in my head now.
• 1:18:53
  Speaker 2: That kind of goes with it. It does. It says
• 1:18:57
  Speaker 2: a lot. It took that for you to wake up
• 1:19:01
  Speaker 2: and realize it's been me the whole time. Once again,
• 1:19:05
  Speaker 2: just because you wiped everything from the laptop doesn't mean
• 1:19:09
  Speaker 2: it ain't the same laptop. It's just been refreshed. You've
• 1:19:13
  Speaker 2: been rebooted. The now is strong, even in the face
• 1:19:18
  Speaker 2: of logic.
• 1:19:20
  Speaker 4: Isn't it more like they.
• 1:19:23
  Speaker 4: The original Vision did do a transference of his memories
• 1:19:27
  Speaker 4: into Vision. It's kind of like taking the guts from
• 1:19:30
  Speaker 4: your old laptop and putting it into a new body.
• 1:19:32
  Speaker 2: It was the same laptop. It was the same body. Yeah.
• 1:19:37
  Speaker 4: Not, I mean, not, yeah, instead of, like, getting rid
• 1:19:39
  Speaker 4: of the guts.
• 1:19:40
  Speaker 2: And putting it in. You merely just transferred to the
• 1:19:45
  Speaker 2: same model. The copies just went from one to another. Yeah.
• 1:19:48
  Speaker 2: Same body. When Wanda went to Vision's body, she was
• 1:19:56
  Speaker 2: taking everything she knew about him, everything she felt about him,
• 1:19:59
  Speaker 2: everything that was told between the two of them all
• 1:20:01
  Speaker 2: those years, and that's what she held on to. That
• 1:20:05
  Speaker 2: was the Vision, that was literally the vision of her memories.
• 1:20:09
  Speaker 2: And they were his memories. And, you know, because they
• 1:20:12
  Speaker 2: learned together. And that was what she created. It was like, no,
• 1:20:20
  Speaker 2: it's still him. It's still him. It's a memory that's living.
• 1:20:25
  Speaker 2: And he just transferred that. I'm like, I'm going back
• 1:20:28
  Speaker 2: into my old body. Here's my source code. Just like
• 1:20:33
  Speaker 2: when Vision originally destroyed Ultron. He kept part of that
• 1:20:38
  Speaker 2: source code in him hoping to defrag, I guess, and
• 1:20:44
  Speaker 2: make him right. But he was like, I know he
• 1:20:48
  Speaker 2: can be right. I just got to keep him prisoner. Well,
• 1:20:50
  Speaker 2: I don't think that's going to make him right.
• 1:20:51
  Speaker 5: Go on, Karen.
• 1:20:54
  Speaker 2: Here we are. There's a lot of, once again, all
• 1:20:57
  Speaker 2: three shows Layers, emotional, grief, morality, all of it. But
• 1:21:13
  Speaker 2: it's the stages. If you really think about it, can
• 1:21:16
  Speaker 2: we really say it's more like the stages of grief
• 1:21:18
  Speaker 2: that is literally being played across each of these? I mean,
• 1:21:23
  Speaker 2: you literally see it in Agatha. You see it in WandaVision.
• 1:21:26
  Speaker 2: You now see it in Vision Quest. At the same time,
• 1:21:30
  Speaker 2: it's like all of them are doing all the seven
• 1:21:32
  Speaker 2: stages of grief. To where even now, Bitch is like,
• 1:21:36
  Speaker 2: I have been denying it now for seven episodes. I
• 1:21:39
  Speaker 2: am that boy's pappy. Yeah.
• 1:21:44
  Speaker 5: You are the father.
• 1:21:46
  Speaker 2: It's when he realizes it. And then leaves him the
• 1:21:50
  Speaker 2: iPad with the programming from WandaVision. In the Dear John letter, basically. Saying, yeah,
• 1:21:59
  Speaker 2: I'm your daddy. your mother can't be here to tell
• 1:22:03
  Speaker 2: you how she feels, but I can show you. Your
• 1:22:05
  Speaker 2: brother isn't here, but I can show you. And I
• 1:22:09
  Speaker 2: would tell you, but I gotta go.
• 1:22:12
  Speaker 4: But I'm about to die.
• 1:22:16
  Speaker 2: That's why you're on this plane. Wait, why am I
• 1:22:18
  Speaker 2: on this mother... You can literally see the slow realization.
• 1:22:24
  Speaker 2: They're not getting on this plane with the same thing. Nope,
• 1:22:27
  Speaker 2: they're halfway down the road, sir. Mm-hmm. While that is
• 1:22:30
  Speaker 2: going on with Vision, Jocasta is waking up herself. Being
• 1:22:38
  Speaker 2: in that loft and seeing being surrounded by things that
• 1:22:41
  Speaker 2: were part of her life. And then seeing the news
• 1:22:49
  Speaker 2: pieces about their AI and the constructs and everything else.
• 1:22:56
  Speaker 2: And then that's when you start to see, like, you're
• 1:22:58
  Speaker 2: trying to find out who the hell the client is.
• 1:23:00
  Speaker 2: Who is the freaking client?
• 1:23:04
  Speaker 4: I was pissed. I wanted better.
• 1:23:07
  Speaker 2: And we still technically don't know the name of said client.
• 1:23:10
  Speaker 2: We just know the client wears Ultron's face. We just
• 1:23:15
  Speaker 2: know that the client has access. We know the client
• 1:23:18
  Speaker 2: is well aware of synthoids. At the same time, knew
• 1:23:23
  Speaker 2: exactly how to find two people and disable them. I
• 1:23:26
  Speaker 2: got a good guess who that person is.
• 1:23:29
  Speaker 5: The real power broker.
• 1:23:32
  Speaker 2: Wouldn't that be something? That'd be crazy. I've heard several theories. Now,
• 1:23:38
  Speaker 2: before we say the theories, you see the news piece
• 1:23:44
  Speaker 2: where Josephine, a.k.a. Jocasta, is speaking with her lover. You
• 1:23:52
  Speaker 2: don't see his face. You see the back of his head.
• 1:23:56
  Speaker 2: And they're sitting on the couch. And she's kind of
• 1:23:58
  Speaker 2: sitting above him on the couch. And they're talking. And
• 1:24:03
  Speaker 2: she's like. Why would they. Are they going to sell.
• 1:24:05
  Speaker 2: Why would I sell my stuff to a weapons manufacturer.
• 1:24:08
  Speaker 2: And all this other. She's talking about Stark Industries. And
• 1:24:13
  Speaker 2: what does he says. Peace in our time. How often
• 1:24:18
  Speaker 2: has that been said. By Ultron. Tony Stark has said it.
• 1:24:26
  Speaker 2: and here we are the client walks out and it's
• 1:24:32
  Speaker 2: it's James Spader we know who Ultron gets his likeness
• 1:24:36
  Speaker 2: from now but we don't know is it Trask.
• 1:24:42
  Speaker 9: It's Red Reddington is it Red Reddington if that was
• 1:24:48
  Speaker 9: Red Reddington I would be like son of a this
• 1:24:52
  Speaker 9: man was everywhere.
• 1:24:53
  Speaker 4: I mean it would make it makes the most sense
• 1:24:55
  Speaker 4: to me.
• 1:24:57
  Speaker 2: Because we still don't have a name it is clearly
• 1:25:01
  Speaker 2: not horton it can't be but.
• 1:25:05
  Speaker 4: We still don't have somebody that bought the the that
• 1:25:08
  Speaker 4: so okay so he okay so let's let me ask
• 1:25:12
  Speaker 4: questions how old is the gentleman that that is in
• 1:25:18
  Speaker 4: the castle, approximately. He's got to be, what, 60, 70
• 1:25:20
  Speaker 4: years old? I would bear to say 60-ish.
• 1:25:21
  Speaker 2: Okay, so he had to have been born around about
• 1:25:23
  Speaker 2: the 1950s? That's fair to say. Okay, so... Horton's daughter
• 1:25:26
  Speaker 2: looked like she was about 7, 8. 1939.
• 1:25:28
  Speaker 4: I'm just going to throw this one thing out.
• 1:25:48
  Speaker 2: And this is why I say my guess is probably,
• 1:25:50
  Speaker 2: I hope my guess is right. Did anybody notice the
• 1:25:52
  Speaker 2: same book at the beginning of the episode also appeared
• 1:25:55
  Speaker 2: at the end of the episode? You talking about the
• 1:25:57
  Speaker 2: one that she swiped off the table? Yeah. The same
• 1:26:02
  Speaker 2: book that a certain character had was also the same
• 1:26:05
  Speaker 2: book that wound up with her. But the thing is,
• 1:26:09
  Speaker 2: I put it like this. The wife and daughter left
• 1:26:17
  Speaker 2: Phineas Horton. We don't know her maiden name. I'm pretty
• 1:26:24
  Speaker 2: sure she went back to a maiden name. But I
• 1:26:29
  Speaker 2: wouldn't be surprised if it was legacy. It would not
• 1:26:33
  Speaker 2: put beyond me that he has a descendant out there
• 1:26:38
  Speaker 2: that is trying to continue his father's work. Or his
• 1:26:43
  Speaker 2: grandfather's work, I should say. And who do you think
• 1:26:47
  Speaker 2: that would be, though?
• 1:26:48
  Speaker 5: I was about to say, if y'all don't just spit
• 1:26:50
  Speaker 5: it out.
• 1:26:51
  Speaker 4: Yeah, like, why are we playing a game? Just say
• 1:26:53
  Speaker 4: what his name is.
• 1:26:54
  Speaker 2: It's not Hammer. It's not Hammer, but I do... No,
• 1:26:58
  Speaker 2: they're too different. It's definitely not Hammer. I think it's
• 1:27:02
  Speaker 2: going to wind up being Horton's grandson. No, well, that's
• 1:27:06
  Speaker 2: what we're saying. It's Horton's grandson, but as far as name, like,
• 1:27:12
  Speaker 2: we don't think it's... We don't think it's Horton. We
• 1:27:16
  Speaker 2: don't think he's carrying the Horton name. I'll put it
• 1:27:18
  Speaker 2: that way. Did he? No. That's why some of the
• 1:27:23
  Speaker 2: theories I heard was Bolivia Trask. Trask is another one. Dang,
• 1:27:29
  Speaker 2: they do. Trask is another one. Trask just because of
• 1:27:38
  Speaker 2: everything that's going on. I can see Trask, but.
• 1:27:42
  Speaker 5: For Sentinels?
• 1:27:43
  Speaker 2: Is that why we were.
• 1:27:45
  Speaker 4: Yeah, that's a jump, though.
• 1:27:47
  Speaker 2: I mean, depending on how they're going to portray the Sentinels. Like,
• 1:27:52
  Speaker 2: I don't... If it's... In order to get Sentinels, you
• 1:27:57
  Speaker 2: need to have the giant robots.
• 1:27:59
  Speaker 4: Yeah, but that... They're already setting that up for a
• 1:28:02
  Speaker 4: different universe, though.
• 1:28:04
  Speaker 2: No, no. Or it could be a person that's the
• 1:28:08
  Speaker 2: founder of AIM.
• 1:28:10
  Speaker 4: That's what I was thinking.
• 1:28:13
  Speaker 2: If it is Trask. And he's Josephine's ex-lover. And Josephine
• 1:28:22
  Speaker 2: was working on nanobots. And we've seen what nanobots do
• 1:28:26
  Speaker 2: to humans.
• 1:28:29
  Speaker 4: AIM makes the most sense. As soon as I saw the.
• 1:28:34
  Speaker 4: As soon as I saw the... What is the chick?
• 1:28:36
  Speaker 4: The girlfriend.
• 1:28:38
  Speaker 2: Lisa.
• 1:28:39
  Speaker 4: Yeah, the scarring on it. That's what I thought of
• 1:28:42
  Speaker 4: with Aang. That is the first thing that I thought of.
• 1:28:44
  Speaker 2: Because of the virus? Extremist virus kind of burnout?
• 1:28:50
  Speaker 4: Yeah.
• 1:28:53
  Speaker 2: I can see that too. It did kind of have
• 1:28:55
  Speaker 2: an extremist burnout when the nanotechs kind of infected her.
• 1:29:00
  Speaker 2: So I can see that too. So we have A,
• 1:29:03
  Speaker 2: Bolivia Trask. Stryker, not so much. I wouldn't say Stryker Bama.
• 1:29:09
  Speaker 2: He was more of a soldier than anything else.
• 1:29:15
  Speaker 4: Isn't that place in the UK, the building? They're not
• 1:29:19
  Speaker 4: based out of the UK. Something's off. Something's off about
• 1:29:23
  Speaker 4: this whole fucking thing. And I can't put my finger
• 1:29:26
  Speaker 4: on it because You've got the daughter that got up
• 1:29:29
  Speaker 4: and left and went to New York. She had to
• 1:29:32
  Speaker 4: figure out some shit over there, meet Mary, fall in
• 1:29:35
  Speaker 4: love with somebody that was involved still in all this,
• 1:29:39
  Speaker 4: and she needed money. So who did she marry in
• 1:29:43
  Speaker 4: order to, if this is the grandson, in order to
• 1:29:47
  Speaker 4: obtain that much money to get that building back?
• 1:29:52
  Speaker 2: That's fair.
• 1:29:55
  Speaker 4: Somebody fucking around.
• 1:29:56
  Speaker 2: It's somebody somewhere. Because like I said, we don't know
• 1:29:59
  Speaker 2: what the maiden name of the mother was. The chances are... Lord.
• 1:30:06
  Speaker 2: Don't let it be Moira. Lord. If it's Moira, good lord.
• 1:30:12
  Speaker 2: That's gonna... That woman leaves a bad taste in my mouth.
• 1:30:17
  Speaker 2: We still haven't forgave you. every time she show up
• 1:30:21
  Speaker 2: charles you just fall for the wrong people except.
• 1:30:23
  Speaker 4: For i mean charles deserved her in my opinion so.
• 1:30:28
  Speaker 2: That version of charles not our patrick stewart charles but
• 1:30:31
  Speaker 2: that version of charles it's like yeah she was out
• 1:30:34
  Speaker 2: of pocket and you deserve that shit um so you
• 1:30:38
  Speaker 2: you will figure okay you have aim you have trask
• 1:30:44
  Speaker 2: trask industries trask industries um What is Sinister's... Wait, I'm sorry.
• 1:30:53
  Speaker 4: Also, please hold that. Please keep that thought. I'm just
• 1:30:58
  Speaker 4: realizing they also played the same song at the beginning,
• 1:31:01
  Speaker 4: at the end, as well, when they went into the loft.
• 1:31:07
  Speaker 4: So in the beginning, the dad was playing a song
• 1:31:10
  Speaker 4: on the gramophone. It's the exact same song when they
• 1:31:14
  Speaker 4: show up at the loft, too.
• 1:31:17
  Speaker 2: Interesting. I'm going to have to run that back.
• 1:31:26
  Speaker 4: A third time. The daughter is definitely in fucking play.
• 1:31:29
  Speaker 2: Yes. We just don't have a name. It's not going
• 1:31:33
  Speaker 2: to be a horde. I just not thought about it.
• 1:31:38
  Speaker 2: The Agents of S.H.I.E.L.D. is doing Zodiac, right?
• 1:31:41
  Speaker 4: Yeah.
• 1:31:43
  Speaker 2: Cornelius Van Lunt.
• 1:31:46
  Speaker 6: Who?
• 1:31:47
  Speaker 1: Yep.
• 1:31:48
  Speaker 5: Went too far.
• 1:31:49
  Speaker 4: I'm going to need you to talk like nobody else is.
• 1:31:52
  Speaker 2: In your head. Fury is probably going to be the
• 1:31:55
  Speaker 2: only one that gets out of this. Avengers 72. Remember,
• 1:32:00
  Speaker 2: he was a key member of the Great Wheel, also
• 1:32:02
  Speaker 2: known as Zodiac. Also has a familiarity with androids and synthetics.
• 1:32:07
  Speaker 2: Has an army of life model decoys. Oh.
• 1:32:13
  Speaker 8: Hmm.
• 1:32:15
  Speaker 5: Oh.
• 1:32:17
  Speaker 2: No shit. No, because S.H.I.E.L.D. does deal with the.
• 1:32:22
  Speaker 4: Life model decoys?
• 1:32:23
  Speaker 2: Yep.
• 1:32:24
  Speaker 4: But we still haven't talked about fucking Skrulls. We haven't
• 1:32:30
  Speaker 4: even gotten back to that shit. I can't deal with
• 1:32:32
  Speaker 4: both at the same fucking time.
• 1:32:33
  Speaker 2: And we're not. And we're not.
• 1:32:34
  Speaker 5: They're not going to.
• 1:32:37
  Speaker 2: He said, and we're not. But no, I point that
• 1:32:40
  Speaker 2: out because I was thinking about Zodiac. I'm like, the
• 1:32:43
  Speaker 2: Red Bull... I mean, it's possible because technically... Because technically, S.H.I.E.L.D.
• 1:32:48
  Speaker 2: is back in play. It's quite as it's kept. At
• 1:32:52
  Speaker 2: the same time, this did happen around the same... He's
• 1:32:54
  Speaker 2: still in 1969, so he's right around that area. So
• 1:32:59
  Speaker 2: that would make sense that he could also be the
• 1:33:00
  Speaker 2: mystery partner. Black math, everybody. If that little girl's about eight,
• 1:33:06
  Speaker 2: around that time, 1939, she has a kid. We'll just
• 1:33:10
  Speaker 2: say around those times, They had those kids in their
• 1:33:13
  Speaker 2: early 20s. Like, they would court for six months, get married,
• 1:33:16
  Speaker 2: get pregnant. Bam. That was it. We figured 1950-ish.
• 1:33:21
  Speaker 5: 1940.
• 1:33:21
  Speaker 2: You ever say? Yeah, yeah, yeah. What?
• 1:33:31
  Speaker 4: So the little girl's name is Victoria. What if mom
• 1:33:38
  Speaker 4: named her after herself? This is a stretch. I still
• 1:33:41
  Speaker 4: feel like... What is that? That Countess Hooker is still involved.
• 1:33:46
  Speaker 2: In this shit. Countess Vantessa Von.
• 1:33:48
  Speaker 4: Yeah, yeah, yeah, yeah. Is that a possibility?
• 1:33:53
  Speaker 2: It still is. I was leaning towards Victoria Hand, but
• 1:33:57
  Speaker 2: she's leaning too far back to make her Victoria Hand.
• 1:34:02
  Speaker 2: It's a possible. If you're merging characters, it's a possible. Yeah,
• 1:34:07
  Speaker 2: I can't put nothing past him on that one.
• 1:34:09
  Speaker 1: And she.
• 1:34:11
  Speaker 4: I'm looking at a pause section. The top of the
• 1:34:15
  Speaker 4: mask that she's in front of looks like the top
• 1:34:18
  Speaker 4: half of a Doom mask.
• 1:34:21
  Speaker 5: I was thinking that when she was touching it.
• 1:34:22
  Speaker 1: Yeah.
• 1:34:23
  Speaker 2: Yeah.
• 1:34:26
  Speaker 4: And it's vibranium, right?
• 1:34:28
  Speaker 2: Yeah.
• 1:34:30
  Speaker 5: It's like Doom's cousin.
• 1:34:31
  Speaker 2: I mean, it could be.
• 1:34:34
  Speaker 8: Yeah.
• 1:34:38
  Speaker 2: It's doable.
• 1:34:42
  Speaker 5: Ooh, ick.
• 1:34:44
  Speaker 4: Stain ick.
• 1:34:45
  Speaker 2: That one says Madam Mask. She would have had to
• 1:34:51
  Speaker 2: come a little bit longer down the road. I would
• 1:34:55
  Speaker 2: say Madam Mask would be a little farther down the road.
• 1:34:58
  Speaker 2: I'm not going to lie to you. Before whoever Spader
• 1:35:02
  Speaker 2: is playing at the estate, I was expecting that to
• 1:35:05
  Speaker 2: be Obadiah Stain. Isn't he dead? We never saw a body.
• 1:35:14
  Speaker 4: I'm annoyed.
• 1:35:19
  Speaker 2: You know the rules, Lady Mandalore. Nobody listens. We never
• 1:35:23
  Speaker 2: saw money.
• 1:35:25
  Speaker 4: See, this is why I left Marvel earlier.
• 1:35:30
  Speaker 2: It's just like, oh boy, he put that thing on
• 1:35:32
  Speaker 2: in Iron Man. It was stunning. He didn't die. He
• 1:35:38
  Speaker 2: just incapacitated him. Really and truly, all you saw was
• 1:35:41
  Speaker 2: him knocked out. So technically Obadiah can still be alive.
• 1:35:47
  Speaker 2: I mean, shoot, if Raza from the Ten Rings is
• 1:35:50
  Speaker 2: still alive, how many times have we thought this man
• 1:35:53
  Speaker 2: done died? I mean, he just didn't have the helmet
• 1:35:56
  Speaker 2: part of the Ironmonger on his head. Right. I'm just saying,
• 1:36:01
  Speaker 2: if Raza's still alive, Obadiah's staying is still a possibility.
• 1:36:07
  Speaker 5: Don't give the Killmonger truthers hope.
• 1:36:11
  Speaker 2: No, he did. It's gone, everybody. Let that dream go.
• 1:36:18
  Speaker 2: You don't know that.
• 1:36:19
  Speaker 4: All you gotta do is ask Mephisto for a favor.
• 1:36:24
  Speaker 4: Anything's possible.
• 1:36:26
  Speaker 2: That's why we wound up with Ironheart. I'm still mad
• 1:36:30
  Speaker 2: they won't continue that one.
• 1:36:33
  Speaker 5: Stupid.
• 1:36:34
  Speaker 2: See, now it's... You're right. They're coming up to Zodiac.
• 1:36:38
  Speaker 2: They're making Zodiac. So there's that. There's Trask. There's not Striker,
• 1:36:43
  Speaker 2: but there's AIM. Because AIM has not been in play yet.
• 1:36:49
  Speaker 4: Nope.
• 1:36:50
  Speaker 5: Not once.
• 1:36:52
  Speaker 4: And they mean that's got to happen for Secret Wars, right?
• 1:36:56
  Speaker 2: Yep. Yeah. And if they're in Madripoor....
• 1:37:00
  Speaker 4: That's the bed.
• 1:37:05
  Speaker 2: So again... A lot of things. We're right back in
• 1:37:10
  Speaker 2: the red herrings that we tried to avoid. I'd be mad.
• 1:37:13
  Speaker 2: But did we really try.
• 1:37:14
  Speaker 4: To avoid them? I'm not trying to watch this 800 fucking...
• 1:37:19
  Speaker 4: This is the same shit that got them in trouble
• 1:37:20
  Speaker 4: in the first place. How am I supposed to keep
• 1:37:22
  Speaker 4: track of all this shit? Now you're just walking into
• 1:37:25
  Speaker 4: another fucking spider web of bullshit. How am I supposed
• 1:37:28
  Speaker 4: to keep up with all of this shit? And mind you,
• 1:37:31
  Speaker 4: mind you, there's only one fucking episode left in this bitch,
• 1:37:34
  Speaker 4: and it's the shortest episode out of all of them.
• 1:37:36
  Speaker 2: What is the time run on that one?
• 1:37:38
  Speaker 1: 45 minutes.
• 1:37:39
  Speaker 4: Like, why?
• 1:37:40
  Speaker 2: Why would you do that? And we have yet to
• 1:37:43
  Speaker 2: get an extra credit scene. Trust me. I've been waiting
• 1:37:46
  Speaker 2: to see.
• 1:37:47
  Speaker 4: I'm tired, B.
• 1:37:48
  Speaker 2: It might be the end of the WandaVision trilogy.
• 1:37:53
  Speaker 4: Yeah.
• 1:37:54
  Speaker 2: But it's definitely not the end of a story it
• 1:37:58
  Speaker 2: might be the end of the story for that family
• 1:38:01
  Speaker 2: but it ain't the end of the story of whatever
• 1:38:04
  Speaker 2: we're getting further on out because as we're seeing just
• 1:38:08
  Speaker 2: with this show alone this rabbit hole keeps getting deeper
• 1:38:13
  Speaker 2: as far as like the AIs and what they're based
• 1:38:15
  Speaker 2: off of who created whom who's based off of whom
• 1:38:20
  Speaker 2: now it's like whom is involved and been involved from
• 1:38:24
  Speaker 2: the beginning. Like, we still don't know We still don't
• 1:38:27
  Speaker 2: know how Jocasta got to the point she's at.
• 1:38:29
  Speaker 4: And you gonna wrap that up in 45 minutes?
• 1:38:33
  Speaker 2: We still don't know.
• 1:38:34
  Speaker 4: We still don't really know who the big... I mean.
• 1:38:37
  Speaker 2: We don't know what the sixth biomarker is. Right. I
• 1:38:41
  Speaker 2: still think they're gonna leave it open-ended. It's gonna be open-ended.
• 1:38:45
  Speaker 8: Yeah.
• 1:38:49
  Speaker 2: I'm like, she had a six biomarker. We don't know
• 1:38:51
  Speaker 2: how we don't know how to open it. We don't
• 1:38:56
  Speaker 2: know who is supposed to open it or what opens it.
• 1:38:59
  Speaker 2: But the crazy part, it's a password. We know it's
• 1:39:02
  Speaker 2: a password. But what we don't know.
• 1:39:06
  Speaker 5: Is password 123.
• 1:39:08
  Speaker 2: That's funny. Out of all the passwords you can use
• 1:39:14
  Speaker 2: on something that can destroy humanity, you gave it that
• 1:39:17
  Speaker 2: type of password. Is it quite possible? I'm sure that
• 1:39:22
  Speaker 2: if whoever this client's name is, he's got to be
• 1:39:28
  Speaker 2: the sixth biomarker. He has to be. He has to be.
• 1:39:34
  Speaker 2: That's why I think the grandson makes the most sense
• 1:39:37
  Speaker 2: because if it's a biomarker, it would have to be
• 1:39:40
  Speaker 2: of the original genetic. If he's the ex-lover, he would know.
• 1:39:45
  Speaker 2: He would know.
• 1:39:48
  Speaker 4: Well, they said there was a secret sixth member.
• 1:39:52
  Speaker 2: Member, yeah.
• 1:39:55
  Speaker 5: And the key was Fastos.
• 1:39:58
  Speaker 4: Shut up.
• 1:39:58
  Speaker 5: Just bring that back.
• 1:39:59
  Speaker 2: Go away.
• 1:40:00
  Speaker 4: What's wrong with you?
• 1:40:02
  Speaker 2: So it becomes like, okay, now to what end? Because
• 1:40:06
  Speaker 2: you want the nanobots and Vision and Jocasta. And they're
• 1:40:14
  Speaker 2: all keys to something.
• 1:40:15
  Speaker 5: Yeah.
• 1:40:17
  Speaker 2: And I'm wondering, because Jocasta can't remember how she came
• 1:40:22
  Speaker 2: to be. I'm wondering if that was part of her plan.
• 1:40:27
  Speaker 2: And like she said, she can't remember everything. Because it's
• 1:40:32
  Speaker 2: a human consciousness being put inside of a synthesizer.
• 1:40:38
  Speaker 4: There's a blink and you'll miss it part of her
• 1:40:42
  Speaker 4: flashback where she's in a I don't want to say
• 1:40:45
  Speaker 4: it's a box, but she's in a room that she
• 1:40:47
  Speaker 4: can't get out of.
• 1:40:48
  Speaker 2: She's pissed about it. Yeah.
• 1:40:51
  Speaker 4: So I feel like she probably had her memory wiped
• 1:40:54
  Speaker 4: or something.
• 1:40:56
  Speaker 2: That might be where she wakes up. She wakes up
• 1:41:00
  Speaker 2: as a synthoid.
• 1:41:02
  Speaker 4: Yeah.
• 1:41:04
  Speaker 2: Yeah. Because that thing she sees that was glowing, you know,
• 1:41:07
  Speaker 2: the little brain nodule things. She kept saying the entire time,
• 1:41:11
  Speaker 2: I don't remember how I got here. I just remember
• 1:41:13
  Speaker 2: waking up and I was this.
• 1:41:16
  Speaker 4: She probably uploaded her consciousness and put it into that body.
• 1:41:20
  Speaker 2: Straight chappy.
• 1:41:24
  Speaker 7: Nanachal have asked a lot of questions out loud.
• 1:41:28
  Speaker 5: I fear that they have steered their way directly into
• 1:41:32
  Speaker 5: a J.J. Abrams puzzle box.
• 1:41:34
  Speaker 4: Correct.
• 1:41:36
  Speaker 2: They will not actually pay off properly. Correct. I mean,
• 1:41:39
  Speaker 2: you ain't wrong. You ain't wrong.
• 1:41:42
  Speaker 4: This is the shit that be pissing me off with them, bro.
• 1:41:45
  Speaker 2: Okay.
• 1:41:46
  Speaker 4: I appreciate the effort, but this isn't doing anything for me.
• 1:41:51
  Speaker 4: Get off me.
• 1:41:54
  Speaker 2: Stop, stop. Please get off.
• 1:41:56
  Speaker 7: If I ever heard that in my life, I wouldn't
• 1:41:59
  Speaker 7: be here. That topped me saying that the sixth person
• 1:42:06
  Speaker 7: was about to be Ralph Boner. Lord, it better not
• 1:42:09
  Speaker 7: pull another Ralph Boner. I am still pissed about the
• 1:42:13
  Speaker 7: Ralph Boner.
• 1:42:14
  Speaker 2: I was just like, that can't be the payoff. That
• 1:42:16
  Speaker 2: cannot be the payoff. Y'all play too much. So here's
• 1:42:22
  Speaker 2: the open-ended things we have to deal with. We have
• 1:42:24
  Speaker 2: to figure out how Jocasta became to be. We have
• 1:42:27
  Speaker 2: to figure out whom exactly the other character that Spader
• 1:42:31
  Speaker 2: is playing. We know that Ultron took his likeness from him.
• 1:42:40
  Speaker 2: Because every other AI has they were someone in real life.
• 1:42:44
  Speaker 2: So we know that's what Ultron was. He just didn't
• 1:42:46
  Speaker 2: realize it. We have the client We're just calling that.
• 1:42:52
  Speaker 2: We have the client. We have Jocasta's being. We have
• 1:42:56
  Speaker 2: why the nanobots are still in play. Why do you
• 1:42:59
  Speaker 2: want Vision and Jocasta? And what is your endgame? And
• 1:43:10
  Speaker 2: who else is at play?
• 1:43:13
  Speaker 4: I don't know why they're not putting this person in there,
• 1:43:17
  Speaker 4: but Captain Britain also just popped into my head just now.
• 1:43:21
  Speaker 4: They're not putting him in there. It just popped into
• 1:43:23
  Speaker 4: my head. They better not do no dumb shit like that.
• 1:43:28
  Speaker 4: They better not. There's no reason for them to put
• 1:43:31
  Speaker 4: Captain Britain into this. There's no reason.
• 1:43:34
  Speaker 2: They've introduced enough new characters. You're adding a layer of
• 1:43:38
  Speaker 2: something that doesn't need to be right now. Pretty much.
• 1:43:43
  Speaker 2: The fact that they're leaning heavily on having Madripoor around.
• 1:43:49
  Speaker 2: is good. I'm kind of hoping that Paladin isn't dead. Oh,
• 1:43:56
  Speaker 2: would he be dead? No, he wasn't. Well, they fired
• 1:44:00
  Speaker 2: a rocket at the vehicle that was driving away, which
• 1:44:02
  Speaker 2: we all know he's not in it.
• 1:44:03
  Speaker 4: Yeah, neither one of them are in that goddamn thing.
• 1:44:05
  Speaker 4: They're inside the building or some shit. Or AI was
• 1:44:08
  Speaker 4: driving the fucking... Some bullshit, MacGuffin bullshit is going to
• 1:44:11
  Speaker 4: happen at the end of all this shit.
• 1:44:12
  Speaker 2: Yeah, because he drops him off. He handcuffs Vision. Vision's
• 1:44:16
  Speaker 2: powered down. He walks away, gets in the van. I
• 1:44:24
  Speaker 2: would like to think that he pre-planned. He's like, yeah,
• 1:44:27
  Speaker 2: whoever this son of a bitch is.
• 1:44:29
  Speaker 5: Yeah.
• 1:44:29
  Speaker 4: Mr. I always have a backup. Yeah.
• 1:44:31
  Speaker 2: Yeah. Would you care?
• 1:44:33
  Speaker 5: Would you care? Hear me out. Would you care if
• 1:44:37
  Speaker 5: it was Agent Coulson?
• 1:44:40
  Speaker 2: Yes. Yes. I would care.
• 1:44:44
  Speaker 4: In the van?
• 1:44:45
  Speaker 2: Not in the.
• 1:44:46
  Speaker 7: Van that blew up.
• 1:44:49
  Speaker 2: Don't kill him off again.
• 1:44:53
  Speaker 4: I mean, that's their standard. They killed that man like
• 1:44:56
  Speaker 4: six times.
• 1:44:58
  Speaker 2: Like the Coulson we got now isn't even the Coulson
• 1:45:01
  Speaker 2: we started with.
• 1:45:03
  Speaker 7: Like if he's the mysterious dude trying to get all
• 1:45:08
  Speaker 7: the shit together. We understand this might have to deal
• 1:45:14
  Speaker 7: with life model decoys.
• 1:45:15
  Speaker 5: And he was wrapped up in that and so on
• 1:45:18
  Speaker 5: and so forth.
• 1:45:19
  Speaker 7: And you know Marvel, like clearly bringing old boy back
• 1:45:22
  Speaker 7: from Iron Man. They love just randomly dropping somebody.
• 1:45:26
  Speaker 5: Hey, remember this?
• 1:45:27
  Speaker 2: You like this, right? I have been seeing a lot
• 1:45:31
  Speaker 2: of Ming-Na Wei lately. Again? I mean, I've seen her
• 1:45:37
  Speaker 2: a lot on Instagram. You're posting a lot, ma'am.
• 1:45:41
  Speaker 4: And she hasn't... She's only talked about Agent May once
• 1:45:48
  Speaker 4: out of all the things that I've seen her do.
• 1:45:50
  Speaker 4: She's only talked about her maybe a handful of times.
• 1:45:54
  Speaker 2: That NBA got cleared. The only three people that I've
• 1:45:59
  Speaker 2: been hearing talk about is talking about or being in
• 1:46:03
  Speaker 2: kind of relevancy Ming-Na Wei, Daisy plays... Not Daisy, but... Quake.
• 1:46:10
  Speaker 4: The chick that plays Daisy.
• 1:46:11
  Speaker 2: Yeah, the chick that plays Daisy. And then Clark Gregg,
• 1:46:14
  Speaker 2: who plays Coulson. Like, I've been seeing him pop up. Barbie,
• 1:46:20
  Speaker 2: for me, we can't get the black guy with the
• 1:46:21
  Speaker 2: shotgun ass back.
• 1:46:24
  Speaker 4: Y'all got one nigga right now, and that's all you get.
• 1:46:28
  Speaker 2: You lucky.
• 1:46:29
  Speaker 4: Be happy you got him.
• 1:46:30
  Speaker 8: Ugh.
• 1:46:31
  Speaker 2: Ick.
• 1:46:32
  Speaker 4: Also.
• 1:46:32
  Speaker 2: I mean, so we're clearly... Yeah, clearly S.H.I.E.L.D. is still
• 1:46:36
  Speaker 2: in play. shadow style but still in play.
• 1:46:44
  Speaker 4: And we also have what swords? swords who actually.
• 1:46:48
  Speaker 2: Made shield is still in play shield is just like
• 1:46:53
  Speaker 2: maybe they might be like more clandestine yeah at this
• 1:46:57
  Speaker 2: point because they're supposed to be broken up because fury
• 1:47:00
  Speaker 2: is supposedly off world still somewhere and if you know
• 1:47:05
  Speaker 2: fury he ain't never really done right but we can't
• 1:47:12
  Speaker 2: bring it back. Never mind. Maria Hill is going to
• 1:47:15
  Speaker 2: be done.
• 1:47:16
  Speaker 4: I mean, maybe she was a large model decoy.
• 1:47:27
  Speaker 2: That was reassuring. Oh, that wasn't me that died in
• 1:47:33
  Speaker 2: those streets that day. That was an LMD. Oh, that
• 1:47:36
  Speaker 2: explains why Nick Fury wasn't so bent out of shape.
• 1:47:40
  Speaker 2: That wasn't me. That was Patricia.
• 1:47:45
  Speaker 4: That was the other one. That's right.
• 1:47:47
  Speaker 2: When he was just like, not him. Oh, I'm mad.
• 1:47:50
  Speaker 2: In the next episode, I'm not so mad.
• 1:47:54
  Speaker 4: She played her part. Continue.
• 1:47:56
  Speaker 2: Oh, yeah.
• 1:47:58
  Speaker 5: Cherry said, white women die every day, B.
• 1:48:02
  Speaker 4: Get another one.
• 1:48:03
  Speaker 2: Get another one. Damn. Oh, my God. So now... We,
• 1:48:10
  Speaker 2: like Spartan said, we've officially created several red herrings. Even
• 1:48:17
  Speaker 2: Will said it. Yeah, it is.
• 1:48:21
  Speaker 4: I'm tired of thinking about it.
• 1:48:23
  Speaker 2: It's a fun... At least when we do it, it's fun.
• 1:48:26
  Speaker 2: At least we're not like the ones online that's going
• 1:48:28
  Speaker 2: to stick to their guns and say, this is what's
• 1:48:31
  Speaker 2: going on. I'm like, you guys are... If you look
• 1:48:34
  Speaker 2: at this frame at. 0,. 0,. 0 seconds, you'll see
• 1:48:37
  Speaker 2: right here. Dude, it is not that deep.
• 1:48:41
  Speaker 5: Weird stop it I have a kid I kind.
• 1:48:44
  Speaker 2: Of like the whole.
• 1:48:50
  Speaker 4: Oh brother yeah good luck.
• 1:48:53
  Speaker 2: Marvel at least we're creating the theory but that's the
• 1:48:57
  Speaker 2: thing though it has been beautiful writing I'm not going
• 1:49:03
  Speaker 2: to stick the landing but it's been beautiful writing I
• 1:49:09
  Speaker 2: don't think this I don't think I think they're going
• 1:49:14
  Speaker 2: to stick a landing on one part of a story
• 1:49:18
  Speaker 2: that's going to allow it to stay open to continue
• 1:49:20
  Speaker 2: somewhere obviously to be continued somewhere else in the MCU.
• 1:49:24
  Speaker 4: Yeah I love y'all's positivity.
• 1:49:31
  Speaker 2: Well, let's be honest. I mean, well, here's the one
• 1:49:33
  Speaker 2: thing we do know. Vision is in Doomsday. Hey, we
• 1:49:35
  Speaker 2: flipped the house blue. We got to do something. We
• 1:49:38
  Speaker 2: already know Vision's in Doomsday. So we already know off
• 1:49:41
  Speaker 2: the bat somehow he's getting out of this because we
• 1:49:44
  Speaker 2: know he's going to be there. We also know for
• 1:49:47
  Speaker 2: some effect matter that somehow Eltron's going to be involved
• 1:49:50
  Speaker 2: in Doomsday. So we know out of two characters in
• 1:49:53
  Speaker 2: this entire series, we know we're going to see them
• 1:49:55
  Speaker 2: somewhere else.
• 1:49:56
  Speaker 4: Yeah.
• 1:49:58
  Speaker 2: So if there's anything, we got that. But whoever this shadowy,
• 1:50:04
  Speaker 2: static-y man in black person that sounds like he's a
• 1:50:08
  Speaker 2: 30-year-old smoker, that could be anybody.
• 1:50:11
  Speaker 4: Well, no. Didn't they say that the dude is the client?
• 1:50:18
  Speaker 2: They're saying he's the client. I don't know if they're
• 1:50:22
  Speaker 2: just using that visage as a throw-off. Like, yeah. Because clearly,
• 1:50:30
  Speaker 2: they do not have the same body type. They are
• 1:50:32
  Speaker 2: not the same person. They've been hanging on those two
• 1:50:35
  Speaker 2: words that client would like to speak to you. I
• 1:50:37
  Speaker 2: was like, what is this, deal or no deal?
• 1:50:42
  Speaker 4: I really thought that they were calling him the client
• 1:50:45
  Speaker 4: the whole time. I'm going to keep calling him Raymond Reddington.
• 1:50:51
  Speaker 2: I see one fedora. I'm out. I mean, you got
• 1:50:54
  Speaker 2: the little hat, so I guess this is about as
• 1:50:56
  Speaker 2: close as you can get. He likes hats. Oh, my God.
• 1:51:01
  Speaker 4: Yeah, he had a hat. It's Raymond fucking Reddington, dude.
• 1:51:07
  Speaker 2: It's fucking hats everywhere. I'm just saying, if we see
• 1:51:11
  Speaker 2: Raymond Reddington come out of nowhere with this and be like,
• 1:51:13
  Speaker 2: you were supposed to be based on someone. I can't
• 1:51:16
  Speaker 2: put my finger on it.
• 1:51:17
  Speaker 5: Really?
• 1:51:17
  Speaker 2: Really? I didn't cover this part. The scene where Paul
• 1:51:28
  Speaker 2: Bettany is playing Vision, Jim Hammond, Vishon, just for those
• 1:51:39
  Speaker 2: who are standing to know, and Phineas Horton. All in
• 1:51:44
  Speaker 2: the same damn episode. That's impressive as hell. Especially three
• 1:51:47
  Speaker 2: in one scene. get three of them in one scene
• 1:51:52
  Speaker 2: yeah him and spader he was all the way in
• 1:51:56
  Speaker 2: his bag yeah him and spader like okay you are
• 1:52:01
  Speaker 2: detriment to this show right now right we needed this
• 1:52:05
  Speaker 2: this is good you guys played it to the t
• 1:52:07
  Speaker 2: love it well one more episode to go 45 minutes
• 1:52:14
  Speaker 2: they better hit the ground running you barely you barely
• 1:52:18
  Speaker 2: get intro Yeah. We ain't got time. Cue the intro.
• 1:52:22
  Speaker 2: We ain't got time for this shit. Keep playing the show. Lord.
• 1:52:28
  Speaker 2: Just open it up. Flash screen. Vision Quest.
• 1:52:32
  Speaker 5: It's going to be like a Scooby-Doo episode. Like, who's
• 1:52:37
  Speaker 5: the client?
• 1:52:38
  Speaker 2: Mr. McGillicuddy. I would have got away with it. The
• 1:52:44
  Speaker 2: fact that we'd be like, who the hell is this guy?
• 1:52:48
  Speaker 2: He was the street vendor. Oh, my God. Josh Brolin.
• 1:52:56
  Speaker 2: Josh Brolin. Not Josh Brolin. Patrick Stewart. ah rest in
• 1:53:07
  Speaker 2: peace salt and pepper I guess so we got one
• 1:53:11
  Speaker 2: more episode left we're looking forward to see what's going
• 1:53:14
  Speaker 2: to happen theories aside red herrings aside so far they've
• 1:53:22
  Speaker 2: been doing great this show's been great we've said it
• 1:53:25
  Speaker 2: plenty of times this episode the writing is great the
• 1:53:28
  Speaker 2: direction is fantastic the acting is definitely on point to
• 1:53:32
  Speaker 2: the actors that play Dummy and you they are playwrights
• 1:53:37
  Speaker 2: they are theatrical actors as well shout out to them
• 1:53:42
  Speaker 2: too because it's just funny now watching these two and
• 1:53:45
  Speaker 2: all I see is the two arms of Tony Stark
• 1:53:48
  Speaker 2: I'm like why did he call y'all that it's almost
• 1:53:51
  Speaker 2: like he was hiding something right so I guess we
• 1:53:55
  Speaker 2: can go ahead and sign out of here Lady Mandalore
• 1:53:58
  Speaker 2: please tell the people where they can find you which you're.
• 1:54:01
  Speaker 4: Up to next I am going to be on Anime Inc.
• 1:54:06
  Speaker 4: with Lizzie.
• 1:54:11
  Speaker 2: No, she's busy.
• 1:54:13
  Speaker 4: She's busy making up the show. I will be on
• 1:54:16
  Speaker 4: her show tomorrow night. Holy shit, I think it's 7 o'clock.
• 1:54:20
  Speaker 2: Tomorrow.
• 1:54:21
  Speaker 5: Sorry, I'm busy.
• 1:54:24
  Speaker 4: Tomorrow at 7 p.m. And then you can find me
• 1:54:27
  Speaker 4: on Sundays at Roomful of Birds on the YouTubes and
• 1:54:30
  Speaker 4: the Twitches at 7 p.m. Eastern Standard Time, where I'll
• 1:54:32
  Speaker 4: be talking to ever-talented Lord Robert K. Jeffries. And I
• 1:54:41
  Speaker 4: want to say Drayden so bad, but I don't think
• 1:54:44
  Speaker 4: I'm saying it right. And I'm really sorry. I'm having
• 1:54:46
  Speaker 4: a senior moment. But we'll be talking to them about
• 1:54:49
  Speaker 4: their brand new Kickstarter that is a space opera called
• 1:54:54
  Speaker 4: um oh gosh called um oh not southern nebula i'm
• 1:54:58
  Speaker 4: sorry y'all i got caught off guard i'm sorry i
• 1:55:00
  Speaker 4: did have it all set up and i'm i'm you
• 1:55:02
  Speaker 4: know in my brain my grandma's brain don't work so
• 1:55:05
  Speaker 4: well no mo um so so please please please bear
• 1:55:09
  Speaker 4: with me for just 2.2 ish kind of fucking seconds
• 1:55:13
  Speaker 4: god damn a soul nebula good great jesus in the
• 1:55:16
  Speaker 4: morning time it's an afrofuturistic space opera written by, oh
• 1:55:23
  Speaker 4: my God, Robert K. Jeffries. And I'm having a stroke.
• 1:55:29
  Speaker 4: Why am I having a fucking stroke?
• 1:55:31
  Speaker 5: Just look it up.
• 1:55:32
  Speaker 4: I'm trying. I'm under pressure. I can't do it. My
• 1:55:35
  Speaker 4: computer can only go by so goddamn fast. Robert K. Jeffries.
• 1:55:37
  Speaker 2: Just Robert K.
• 1:55:38
  Speaker 4: Jeffries for right now. Just for right now, Mr.
• 1:55:40
  Speaker 2: Jeffries is in charge of it, and he is.
• 1:55:48
  Speaker 4: Absolutely sublime. He's a gentleman and a scholar. And I
• 1:55:52
  Speaker 4: cannot wait to talk with him and Drayden on Sunday
• 1:55:56
  Speaker 4: at 7 p.m. Eastern Standard Time on YouTube and Twitch.
• 1:56:02
  Speaker 4: I do voice acting pretty well. That's it.
• 1:56:06
  Speaker 2: Okay, bye. All right. All right. Our very own lore
• 1:56:11
  Speaker 2: of the culture, a.k.a. we'll be watching, a.k.a. our very
• 1:56:14
  Speaker 2: own chaos, Steven.
• 1:56:16
  Speaker 5: I love Kira. Kira heard that damn Sonic Drowning music.
• 1:56:18
  Speaker 4: No, you don't understand. Every time.
• 1:56:25
  Speaker 2: I'm sweaty. Tension rising.
• 1:56:30
  Speaker 4: Good God. Don't judge me.
• 1:56:34
  Speaker 5: Yeah, man. We'll be watching Cinematic Assassin.
• 1:56:38
  Speaker 7: You can follow me at LordTheCulture where I talk movies
• 1:56:40
  Speaker 7: and comics and TV shows and whatever the hell else I.
• 1:56:43
  Speaker 5: Feel like it. like my Ravens currently getting dog walked
• 1:56:46
  Speaker 5: at home.
• 1:56:47
  Speaker 2: Embarrassment. That's what happens, man.
• 1:56:51
  Speaker 5: You shake Trump's hand, everything goes straight to hell.
• 1:56:54
  Speaker 4: That's what you get.
• 1:56:56
  Speaker 2: That's what you get.
• 1:57:00
  Speaker 5: Man.
• 1:57:03
  Speaker 2: Something, something, something.
• 1:57:04
  Speaker 5: Mental health is important, so remember to tie it into
• 1:57:09
  Speaker 5: my name, Lord of the Culture, what I'm going to
• 1:57:11
  Speaker 5: cook up.
• 1:57:13
  Speaker 4: Yo.
• 1:57:13
  Speaker 8: Yo.
• 1:57:15
  Speaker 7: Tomorrow's another chapter. So we definitely doing semicolons over periods
• 1:57:19
  Speaker 7: over here because you are the author of your own
• 1:57:23
  Speaker 7: adventure and we need you here to tell your own story.
• 1:57:27
  Speaker 5: So please be sure. Lay that head down. Open your
• 1:57:31
  Speaker 5: eyes tomorrow. Everything that happens is just part.
• 1:57:35
  Speaker 2: Of the plot.
• 1:57:36
  Speaker 5: Do it for the Lord.
• 1:57:39
  Speaker 2: Right.
• 1:57:40
  Speaker 4: Drayden Sneed.
• 1:57:42
  Speaker 2: Drayden Sneed. Okay.
• 1:57:44
  Speaker 4: Dead Transcendent. Jesus wept.
• 1:57:49
  Speaker 2: Man. Black Spartan. Hi.
• 1:57:52
  Speaker 4: I'm a person. Yeah.
• 1:57:56
  Speaker 2: Toto.
• 1:58:01
  Speaker 4: Michael Jackson.
• 1:58:03
  Speaker 2: Black underscore Spartan 615 is where you can find me, guys.
• 1:58:06
  Speaker 2: Show's still going on. Shout out to Future Georgia governor.
• 1:58:12
  Speaker 2: If you don't know by now, her name is Keisha
• 1:58:14
  Speaker 2: Lance Bottoms and many others who have won in the
• 1:58:17
  Speaker 2: midterms last night. We did cover on how the practice
• 1:58:19
  Speaker 2: got here. Stephanie catches me there every Wednesday at 930-ish. Myself, Joe,
• 1:58:24
  Speaker 2: it's Farah TV. We'll cover everything in the world of
• 1:58:26
  Speaker 2: video games on Get Bit this Friday at 930-ish. Streaming
• 1:58:29
  Speaker 2: is still going on, although I'll probably be watching Lainey
• 1:58:32
  Speaker 2: at Geek by Heart because she's playing a Zelda Ocarina
• 1:58:35
  Speaker 2: of Time remake, and I am freaking jealous. So I'm
• 1:58:38
  Speaker 2: definitely going to be watching her, so definitely check her
• 1:58:40
  Speaker 2: out as well. Outside of that, guys, of course, Lord
• 1:58:43
  Speaker 2: of the Culture already covered it. Protect your health and
• 1:58:45
  Speaker 2: protect your mental health as always. The only other thing
• 1:58:49
  Speaker 2: I will sit there and say is cosplayers are still
• 1:58:51
  Speaker 2: going down, so above all else, respect the cosplayer. wash
• 1:58:54
  Speaker 2: your ass, come with clean clothes and fresh breath and
• 1:58:57
  Speaker 2: clean hair. We would all appreciate it. Talk, share, and
• 1:59:00
  Speaker 2: invite people to your fandoms. Don't be a dick and
• 1:59:04
  Speaker 2: you won't get jumped.
• 1:59:05
  Speaker 5: Real quick, real quick, real quick.
• 1:59:09
  Speaker 7: I just thought about how hard Bottoms Up would go
• 1:59:12
  Speaker 7: if Trey Songz didn't allegedly punch women and Nicki Minaj
• 1:59:17
  Speaker 7: wasn't Nicki Minaj. That would be my theme song everywhere
• 1:59:22
  Speaker 7: if I was if I was Keisha, but you know.
• 1:59:26
  Speaker 2: You know.
• 1:59:28
  Speaker 5: We're making our way out of the dark timeline now.
• 1:59:32
  Speaker 2: We're trying to get out of the timeline.
• 1:59:33
  Speaker 4: Shout out to the tiger that ate the man this
• 1:59:36
  Speaker 4: past week.
• 1:59:37
  Speaker 2: Thank you. I think that might have set things right.
• 1:59:44
  Speaker 2: Before we get up out of here, there's some required
• 1:59:48
  Speaker 2: reading to kind of get your breath, get your palate cleansed.
• 1:59:54
  Speaker 2: Read 1989 John Burns West Coast Avengers Vision Quest. It
• 1:59:59
  Speaker 2: tells you about the Human Torch Connection, Tom King and
• 2:00:02
  Speaker 2: Gabriel Hernandez watching the Vision. That's 2015 to 2016. Also,
• 2:00:05
  Speaker 2: you can check out Young Avengers written in 2005. And
• 2:00:12
  Speaker 2: that will kind of give you an overall thought about
• 2:00:16
  Speaker 2: what we're seeing right now because we believe Vision will
• 2:00:20
  Speaker 2: be the reason. getting the Young Avengers together after Doomsday.
• 2:00:24
  Speaker 2: So there's some reading to go check out. Blue Wave.
• 2:00:32
  Speaker 2: Hot damn. Y'all did the job. Thank you very much.
• 2:00:36
  Speaker 2: Except Tennessee, because y'all a bunch of idiots. But I
• 2:00:40
  Speaker 2: will say this. In the words of their immortal Kobe Bryant,
• 2:00:43
  Speaker 2: the job's not done. Keep in mind, there's still some
• 2:00:48
  Speaker 2: shit that's going to happen after the first of the
• 2:00:50
  Speaker 2: year that those bastards already put in play right now.
• 2:00:55
  Speaker 2: Right now, keep going to talk to your local people,
• 2:00:59
  Speaker 2: your local people that hold them accountable, which is something
• 2:01:02
  Speaker 2: this administration knows nothing about, apparently.
• 2:01:06
  Speaker 4: On behalf of New York, I would like to say
• 2:01:08
  Speaker 4: fuck that for a different reason.
• 2:01:11
  Speaker 3: Yeah.
• 2:01:13
  Speaker 4: Nigga, go sit your ass down somewhere.
• 2:01:15
  Speaker 2: Shout out to all the districts that really said, oh,
• 2:01:18
  Speaker 2: we are so sick of this, we got to turn
• 2:01:20
  Speaker 2: this around. Y'all got out. Y'all did the thing. Showed up.
• 2:01:23
  Speaker 2: Did a show out. Abdul had the most pettiest victory
• 2:01:27
  Speaker 2: speech and I'm all for it.
• 2:01:29
  Speaker 4: Call me V.
• 2:01:32
  Speaker 2: Y'all was mad at Madani. You think it's going to
• 2:01:37
  Speaker 2: end there? No. You have two Muslim. Madani's the mayor.
• 2:01:43
  Speaker 2: Saeed is a senator. Senator. Then you have a Native
• 2:01:51
  Speaker 2: American over in Arizona. It's amazing. A Mexican really did
• 2:02:00
  Speaker 2: take a white man's job. Yes, it did. Oh, my goodness.
• 2:02:07
  Speaker 2: Shout out to everybody who really said enough's enough. We're
• 2:02:12
  Speaker 2: tired of it. We forgot some of y'all. We told
• 2:02:16
  Speaker 2: y'all what was going to happen. Y'all didn't believe it, so...
• 2:02:18
  Speaker 2: And no, we ain't appreciating the trash pan in Florida.
• 2:02:23
  Speaker 2: F him. When they keep mentioning him, I was like, nah,
• 2:02:27
  Speaker 2: he don't count.
• 2:02:28
  Speaker 4: Anyway.
• 2:02:30
  Speaker 2: Now when he called Trump his daddy, that's when we
• 2:02:32
  Speaker 2: knew he was.
• 2:02:33
  Speaker 4: Beg pardon? Beg pardon?
• 2:02:35
  Speaker 2: Yeah. Yeah, he said that. I was just like, pardon?
• 2:02:39
  Speaker 2: Tafara had the best answer. Just Lion King. He's not
• 2:02:48
  Speaker 2: Lion King. He ain't one of us. Inception. That song
• 2:02:56
  Speaker 2: plays in my head once every day. I swear to God.
• 2:02:58
  Speaker 2: Thank you for everybody that tuned in and checked it out. Please,
• 2:03:01
  Speaker 2: if you haven't watched Vision Quest, please go back, watch
• 2:03:04
  Speaker 2: them again. Go back, watch WandaVision, watch Agatha all along.
• 2:03:07
  Speaker 2: Watch them in succession because great, well-written shows, well-acted shows.
• 2:03:13
  Speaker 2: And they all tie together. This is the final of
• 2:03:16
  Speaker 2: the trilogy of the WandaVision family. So we have one
• 2:03:21
  Speaker 2: more episode next week. We'll be talking about that as well.
• 2:03:24
  Speaker 2: Check us out Tuesdays, Thursdays, 8 p.m. Eastern on YouTube
• 2:03:27
  Speaker 2: and Twitch. Be sure to hit that like and subscribe
• 2:03:31
  Speaker 2: and that notification bell on YouTube. Be sure to hit
• 2:03:34
  Speaker 2: us up on Apple Podcasts and Spotify. Give us that
• 2:03:39
  Speaker 2: five-star review. Tell the people why you like to watch us.
• 2:03:41
  Speaker 2: Check us out on Always Press Record Television. Shout out
• 2:03:44
  Speaker 2: to Trey Lawson for APR TV, so you can check
• 2:03:47
  Speaker 2: us out there as well. And shout out to all
• 2:03:50
  Speaker 2: of y'all. Y'all come in. Y'all check us out twice
• 2:03:54
  Speaker 2: a week. Twice a week. And just to sit back,
• 2:03:56
  Speaker 2: have fun, talk about the stuff that we can nerd
• 2:03:58
  Speaker 2: out about. And I want to thank everybody who did
• 2:04:00
  Speaker 2: vote for me in Top Host. I appreciate it. I
• 2:04:04
  Speaker 2: think I had made it all the way up to the,
• 2:04:06
  Speaker 2: I think this was the third round. So now I
• 2:04:10
  Speaker 2: didn't make the next round. It's okay because that would
• 2:04:14
  Speaker 2: have put me in the top five, but that's okay.
• 2:04:17
  Speaker 2: That means I'm on somebody's radar. So shout out to
• 2:04:21
  Speaker 2: everybody who did vote and showed their love and their appreciation.
• 2:04:24
  Speaker 2: It was a great ride. I wouldn't change it for
• 2:04:27
  Speaker 2: the world. I've been getting a crap ton of articles
• 2:04:30
  Speaker 2: written up about me, and I love it. not because
• 2:04:33
  Speaker 2: of the accolades, but because of what we're doing here
• 2:04:36
  Speaker 2: on this platform. So thank you. So you can always
• 2:04:39
  Speaker 2: check us out. Shout out to my crew. They're always
• 2:04:43
  Speaker 2: in attendance. They're always doing something, whether it's behind the
• 2:04:45
  Speaker 2: scenes or in front of the camera. And they, we
• 2:04:49
  Speaker 2: are like Voltron when we all get together. It's a problem.
• 2:04:53
  Speaker 2: And whether it depends on what kind of problem you
• 2:04:57
  Speaker 2: need us to be on, what side of the fence
• 2:05:00
  Speaker 2: you want. If you be in a pain in the ass,
• 2:05:02
  Speaker 2: You don't want these problems. But if you want to
• 2:05:06
  Speaker 2: be a little petty, we there for that too. So
• 2:05:09
  Speaker 2: in the meantime, remember to educate yourself and others, entertain
• 2:05:13
  Speaker 2: yourself and others, and most of all, encourage yourself and others.
• 2:05:16
  Speaker 2: I'm Chris Fury with this amazing team and with the
• 2:05:19
  Speaker 2: great people out there in the community, in the chat
• 2:05:21
  Speaker 2: rooms and stuff. We will see you guys next week.
• 2:05:24
  Speaker 2: Have a great weekend. Remember, keep going out and doing
• 2:05:27
  Speaker 2: the good thing to make things right because we got
• 2:05:30
  Speaker 2: to make them listen to us.
• 2:05:32
  Speaker 3: Mm-hmm.
• 2:05:33
  Speaker 2: And it works. Until then, we see you.
• 2:05:41
  Speaker 5: Guys.
• 2:05:44
  Speaker 2: Yeah.