Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Yours Truly Johnny Dollar: The Amy Bradshaw Matter, Parts Three and Four (EP0959)
Transcript
- 0:29Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
- 0:35is your host, Adam Graham. If you have a comment, email it
- 0:39to me Box thirteen at Great Detectives, follow us on Twitter at Radio Detectors,
- 0:44and become one of our friends on Facebook, Facebook dot com slash Radio
- 0:50Detectives. Before we get started, I want to remind you that you can
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- 1:00be a cruises, airline, tickets, hotels, or rental cars,
- 1:07remember to go to Johnny doollar air dot com first. Johnny dollar air dot
- 1:11Com is a Priceline affiliate, so you get the same advantage of being able
- 1:15to choose from some great published fairs or for being able to name your own
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- 1:23portion of your purchase goes to support the show at no additional cost to you.
- 1:29So remember Johnny dollar Air dot Com. Now it's time to get into
- 1:33today's episode, The Amy Bradshaw Matter from Hollywood. It's time now for Johnny
- 1:42Dollar Elson Teller Police Dquartered Johnny, Yeah, hear what happened at the Criterion
- 1:48theater after the show last night. I was off duty when you called,
- 1:51but Sergeant Rodgers gave me a fill in this morning. So somebody tried to
- 1:53drop a sandbag on Amy brad show Banks day. Yeah, a real near
- 1:57miss. You still think these attempts on our life for publicity stunts. It
- 2:00looks like your hunch was right. I'll have a couple of my boys keep
- 2:04an eye on Amy. Thanks, Johnny. You wanted to know the whereabouts
- 2:07this guy Bill York, the husband Amy separated from What have you got on
- 2:09him? Mal seven sixty eight West fourth Street down in Greenwich Village. Thanks,
- 2:14I'll check it tonight and every weekday Night. Bob Bailey and the Transcribed
- 2:25Adventures of the Man with the Action Packed Expense Account America's Fabulous freelance insurance investigator
- 2:31as Turley Johnny Dollar New York City Expense Accounts submitted by Special Investigator Johnny Doller
- 2:46to the home office Northwestern Indemniny Alliance, Hartford, Connecticut. The following is
- 2:51an accounting of expenditures during my investigation of the Amy Bradshaw matter. Expense account
- 2:58out of eight two seventy five taxi from my hotel at Greenwich village to try
- 3:00and locate a writer named Bill York, who had separated from Amy six months
- 3:05ago. Amy was a good actress, but she couldn't hide the fact she
- 3:08was plenty scared by the attempts on her life in the last three days.
- 3:12My hunch was it was someone close to Amy, and Bill York was very
- 3:15much on my list. After all, he was the beneficiary on her life
- 3:20insurance policy. I hadn't been to this part of the village in two or
- 3:23three years, but from the looks of it, it hadn't changed. The
- 3:25bits defiantly shabby and run down. A few beards here and there, a
- 3:30few gals with long straight hair, bookstores and bars side by side. I
- 3:36checked at the address Ali Sintella had given me. It was a beat up
- 3:38old rooming house. You come down here to interview the famous writer something like
- 3:44that. Not exactly too bad here, I thought you wanted to carry my
- 3:46message to America. Now, I'm afraid that's a little out of my department,
- 3:50mister York. Amy did mention that you were a writer, and tell
- 3:53you exactly what she said. She said, you know, Bill's a writer
- 3:59a sort right well. As a matter of fact, Amy always feel it
- 4:02necessary to apologize for me. There was one thing about our marriage that was
- 4:06always so charming. Well, look, I didn't come here to discuss your
- 4:10marriage, York. I don't know what you's a bitter about. Its none
- 4:13of my business. But what do I have to be bitter about here?
- 4:15I am an artist living an unfettered life of freedom in Greenwich Village? What
- 4:20more could I ask? I guess I haven't read any of your books.
- 4:25Don't worry about it. You're in good company. You win the publishers.
- 4:29It's too bad, must make a little problem in the grocery department. Oh
- 4:32that doesn't worry me. You see, one can always manage to live comfortably
- 4:36in huck h and if one is willing to huck his soul, of course
- 4:42the returns are much greater. I don't get you. That's self surprising,
- 4:46because nobody else but me would call it my soul. It's just the manuscript
- 4:51for an unpublished novel, for years of work and sweat and pain. But
- 4:58my clever pawnbro mister Pomeroy has a fair idea what it means to me.
- 5:02Mike Pomeroy Amy's agent, Tommy cham quite trude. In other words, if
- 5:08you could raise some money, you could get this brainchild of yours out of
- 5:12hawk from him. Tell me how long has it been since you've seen Amy
- 5:16several months? Why you haven't been uptown near her apartment of the last few
- 5:20days? Huh? No? Are you sure? Of course? Anything else?
- 5:28No? Not for now. We will continue with the Bradshaw matter.
- 5:39In a moment, I was getting nowhere in my attempt to find out who
- 5:47was gunning for Amy Bradshawn, I know it. I called Mike Pomeroy,
- 5:51her agent, but he was out, so I took the next name on
- 5:54my list, the producer of Amy's play, Emery Taylor. Expense a count
- 5:58of nine one seventy five cab fair to Taylor's apartment of the mid fifties,
- 6:00near the Museum of Modern Art. Taylor wasn't in, but his wife,
- 6:03Dora was. She was sleet looking and a little on the brittle side.
- 6:09She was sitting behind a small bar on the den, and she looked quite
- 6:12at home there. Drink thanks, Would your husband be back soon? Missus?
- 6:18S Tailey? Who knows? Yeah? Oh, thank you? What
- 6:25do you want to see him? About Amy Bradshaw? What about Amy Bradshaw?
- 6:30I wanted to ask him if he knew of anyone who might want to
- 6:32harm Amy for any reason. Well, I could answer that better than Ema
- 6:36Ray. There is someone there, certainly is who me. Why would you
- 6:44like it if your husband was knocking himself out for your work for a younger
- 6:47woman? Well I wasn't that part of the business, is it? That's
- 6:51not all Amy's heard plenty of people getting where she is. Do you think
- 6:56your husband's one of them? I hope not. Who has she heard missus
- 7:00telling? Do you know Dave Coleman, her director? He has very much
- 7:04in love with Amy? A few months ago? Oh, I see,
- 7:08I don't like to see someone I like get the way he was one night
- 7:13here he had a couple too many said if he couldn't have her? Funny
- 7:20how quick he got over it, though, never says anything about it anymore.
- 7:25Huh, not a word? What about Portcane? Oh, you've met
- 7:30him? Is he one of them that Amy's hurt? No? No,
- 7:33he's not in that category. Whatever happened to hurt him must have happened about
- 7:39the age of five. What do you mean, Oh, isn't that when
- 7:42most of our trouble stuff? I wouldn't know. I once paid a psychiatrist
- 7:46five hundred dollars to tell me that's when mine started your troubles. Sure,
- 7:53can't you tell mister Dollard, I'm the mixed up type, aren't we all?
- 7:59Missus Stelling? I left her still sitting behind the bar, and somehow
- 8:07I felt sorry for her. But she had given a new lead, David
- 8:11Coleman, Amy's director, who had had it bad for him. He just
- 8:13a few months ago and had now completely recovered. Maybe I made a mental
- 8:18note to have a little chat with Coleman at night. Then I put in
- 8:22another call to Mike Pomeroy. This time he was in and I finally talked
- 8:24him into meeting me in a little bar on West forty fourth near the theater.
- 8:28But when I got there, I could see that he wasn't feeling very
- 8:31cooperative. Look, Dollar, I suggested once before, nice and polite,
- 8:35that maybe you should try minding your own business. I got the message,
- 8:37all right, Pomeroy, and now I've got one for you. I am
- 8:41minding my own business. This is what I was hired to do. The
- 8:45insurance company. I represent holes of pretty hefty life insurance policy on Amy and
- 8:48if she's in any danger. They want to know. But I told you
- 8:50before I think this whole thing is pretty silly. I had a talk with
- 8:54bill Yorke the right of this morning. Even though he and Amy are separated,
- 8:58you know, he's still the beneficiary on pomas soul. So he says
- 9:01he's in hock to you. He's a bum. He wasn't doing Amy any
- 9:05good. She was worrying about him when they split up. I told him
- 9:07as long as he stayed away from her, didn't write a see her,
- 9:09I'd keep him in groceries. I see. But naturally I wanted some security.
- 9:15The manuscript of his book, for instance, so great Unborn American Novel.
- 9:20And apparently that manuscript means a lot. That's why I figured it'd be
- 9:22good security. It's a mind of dollar. You look like you smelled something
- 9:28bad? Do I am? What? Am? I supposed to be a
- 9:31philanthropist? Let me make one thing, Claire Pomeroy. As far as the
- 9:35kind of loans you make, I agree with you. It's none of my
- 9:37business. But maybe I just got a sensitive nose. Yeah. Anyway,
- 9:41now I want my doll back. Is anything wrong with that thing? I've
- 9:43got a play land up. I know we'll go over big. I want
- 9:46to produce it. York's tab was run up to several thousand bucks. Now
- 9:50I could use the money, I see. The stupid part of the whole
- 9:52deal is that York could pay me back within a couple of months if he
- 9:54wanted to. Sure, it's a lot of dough floating around to be made
- 9:58in television these days, but that Prima Donna thinks he's way above that sort
- 10:03of thing. This play you want to produce Pomeroy? Will it star Amy?
- 10:11No? She lamented, Oh well, thanks for the information be seen,
- 10:20I doubted. On my way over to the Criterion Theater, I thought
- 10:28about Pomeroy a rugged customer, and I felt he was one more who wouldn't
- 10:33let anyone stand in the way of anything he wanted to do. After the
- 10:37show, I picked up Amy backstage and took her back to her apartment.
- 10:39She looked very tired and didn't say much. We said good night at the
- 10:43front entrance, and I started walking along the sidewalk. Then I spotted somebody
- 10:48in the shadows across the street. Again watching I could tell from miss hat
- 10:50and coat he was the same one who had been there the night before last.
- 10:54I kept on walking until I reached the corner, and then circled halfway
- 10:56around the block to an alley and edged up on him from behind. He
- 11:00didn't see me until I dove at him. Well, Bill York, what
- 11:09are you doing here? So? You haven't been there Amy for a long
- 11:11time? Huh? Except tonight and the night before last, watching her apartment.
- 11:16Come on, New York, start talking and it better be good,
- 11:37Johnny Deller alson Teller Police Headquarters. Johnny better get over here to my hotel
- 11:41Romel. I've got company. Who is it? Bill York, Amy Bradshaw's
- 11:43ex husband. Right? I caught him watching her apartment half an hour ago,
- 11:46and he's the one who was watching it the other night. This time
- 11:48I had better luck catching him. Has he opened up yet? No,
- 11:50but he will. Johnny, take it easy with him. I think he's
- 11:54got plenty to tell us. Looks like he's the boy we're after all.
- 11:58I'll be right over New York City. Expense accounts submitted by Special investigator Johnny
- 12:07Dollar did the home office Northwestern Indemnity Alliance, Hartford, Connecticut. The following
- 12:11is an accounting of expenditures during my investigation of the Amy Branshaw matter. Amy
- 12:16star of a Broadway play, and somebody was out to get her expense account
- 12:24Item ten three dollars repairs to one coat sleeve torn in the process of inviting
- 12:28build York up to my hotel room. Look, dully a goodness right to
- 12:33drag me a pitio room this way, York. You're gonna sit right here
- 12:35until you open up and tell me all about the attempt on Amy Branshaw's life.
- 12:41You come in, Oh, well, Hi, Johnny York. This
- 12:45is Detective Lieutenant Elson Teller. Look, and what's this all about? Well,
- 12:48I kind of thought that's what you'd tell us, mister York. This
- 12:52is crazy. Why would I want to kill Amy? You're aware that you're
- 12:54still a beneficiary on Amy's insurance policy even if I show you need money,
- 13:00and you need it bad. You're several thousand bucks in debt to Mike Pomeroy,
- 13:03Amy's agent. He's been pressing you for it lately, and I know
- 13:07you can't get the manuscript of your novel Lot a Hawk from him until you
- 13:09pay off. You've got two strikes against your York motive and opportunity. Opportunity
- 13:16sure, but motive no dollar. I've never had any reason to kill Amy.
- 13:22It's truci and I couldn't make it together. But I guess that was
- 13:26more my fault than hers. Go on. You see, Amy's never let
- 13:31anything stand in the way of what she wanted. What she wanted I didn't.
- 13:35I guess we just lived in two different worlds. What do you mean.
- 13:39She's always been a success and I've always been a failure. You still
- 13:43haven't explained why you're lying to me, York. When I talked to you
- 13:46this morning, you told me you hadn't been near Amy for a long time.
- 13:50But when I caught up with you in front of her apartment tonight,
- 13:52I realized you were the same one who was watching a night before last.
- 13:54How about that, York, You fellows don't believe me much? What do
- 13:58you mean? Sure, once in a while I go stand outside her apartment
- 14:03house, look up at the light on the window, maybe think a little
- 14:09about how things might have been. That's all. Maybe you'd better come downtown
- 14:16of New York. We'll check your story further. If you're clean, you
- 14:18got nothing to worry about, all right, Lieutenant sorrygant take mister York down
- 14:24to the car and wait for me there, Johnny. Who else had he
- 14:31talked to everybody close to her, But the one who interested me most is
- 14:37a agent, Mike Pomeroy. He'd be a pretty rough customer when he wants
- 14:41to, and he thinks Samy's standing in the way of a career for an
- 14:43actress he's currently interested in. Let's talk about somebody else for a moment.
- 14:48Oh you, Johnny, I think you're getting a little bit out of love.
- 14:52What do you mean? Down at police headquarters, we got a little
- 14:54black book. It tells us what to do and what not to do.
- 14:58It doesn't say anything about insure its investigators dragging possible suspects to their hotel room
- 15:03to question them. Listen, now, when I'm assigned to a case,
- 15:05I usually try to break it anyway. I can't. I know. It's
- 15:07just that I think you're taking this case pretty big. Meaning yesterday I told
- 15:11you that if I didn't know you better, I'd think you were falling for
- 15:15Amy a little yourself. Think it over, Johnny. We will continue with
- 15:24the Bradshaw matter in a moment. Expense account at am eleven four dollars drinks
- 15:35for me. I thought about what else and tell it said the possibility I
- 15:39was falling for Amy. Bradshaw thought about it for two hours. Finally I
- 15:46decided I had to find out if he was right. I went over to
- 15:48Amy's apartment. It was good of you to come over, Johnny. This
- 15:56can't seem to sleep lately. Yeah, I noticed there's a policeman on duty
- 16:00down in the lobby. Well, tennants and teller arrange for then. It's
- 16:04funny. It should make me feel better, but it doesn't. Just keeps
- 16:10reminding me of it threat on my life. I'm glad you're here, Johnny.
- 16:18It's am awfully glad. Maybe I shouldn't say that, but do you
- 16:23hear any objections? Now? Who could excuse me? Yeah? Sure?
- 16:33Hello? Yes? Oh? Porter? What? No, I'm sorry?
- 16:41No, really, Porter's out of the question. No, good night Porter
- 16:48kaye huh. Yes. I suppose he means well, but he can be
- 16:52rather annoying. Do you have a cigarette? Johnny? Thanks? You seemed
- 17:03rather quiet tonight. Oh, just thinking. I guess, Funny, I'm
- 17:11meeting like this. Yeah, just a few days ago, I didn't know
- 17:17you at all. Now I know what I don't know, Johnny. I
- 17:26don't know Amy. It's a mistake. Johnny, I'm sorry, wasn't it?
- 17:36Yes, Johnny, I'm afraid I've heard a couple of people in the
- 17:41past. I don't want to hurt. You, don't worry, you want
- 17:45And that's the wonderful thing about being an actress. You play so many parts.
- 17:52The kiss I was playing a part. Huh. Even if it weren't,
- 17:57Johnny, be no good, it would always be something between us.
- 18:03It's right over there in the mantle the clock. Yes, we can't turn
- 18:10it back. If i'd met you a long time ago before, Mike,
- 18:15or but I didn't. No, so is the clock so bad? Amy?
- 18:22It is? To an actress sometimes I pretend it isn't there. You
- 18:26ever do that, Jenneral It doesn't do any good. But you can try.
- 18:32You can live a whole life trying. Isn't that really what we all
- 18:36do? I don't know. We go along, playing our parts, doing
- 18:41what we have to do, pretending the clock isn't there all the while it
- 18:48is, And though we keep on fighting against it, we know we can't
- 18:52turn it back. We can't even stop it. One thing I'd accomplished,
- 19:02I guess I decided I wouldn't be seeing Amy anymore after this case was wound
- 19:07up. Winding it up, though, was another question, and I was
- 19:11still as far from home as ever on it. But I couldn't seem to
- 19:15get port of Kine and his quaint little hobby of collecting things out of my
- 19:18mind. Well, good evening, mister Dollar. Almost Kane, come in,
- 19:25come in. Thanks. I know it's late. I'm sorry, not
- 19:29at all. As a matter of fact, I was hoping i'd see you
- 19:30again. I don't want to keep you. I see your hat and cold.
- 19:33Now I'm not going out. I have just commit. Oh you said
- 19:37you were hoping you'd see me again. Yes, I enjoyed our other little
- 19:40chat very much. I suppose you came to talk some more about Amy Bradshaw.
- 19:45A matter of fact, mister Kane, I came to talk about you,
- 19:47splendid about your hobby, collecting a fascinating hobby, mister Dollar. You
- 19:52take it pretty seriously, don't you. I've devoted most of my life to
- 19:55it, and I may say that I've succeeded rather brilliantly with it. Each
- 19:57item in my collection is in comparable, without equal. Yeah, one of
- 20:02a kind, And that, of course is precisely why Amy is necessary to
- 20:06complete the collection, the crowning and final addition final. Yes, for your
- 20:11information, mister Dollar. When I've acquired Amy, I intend to cease my
- 20:15hobby. She will complete my collection without her, though it is still incomplete
- 20:21mine. If I ask you a couple of questions, mister Kane, not
- 20:23at all. You seem to have been pretty successful with your collection. Have
- 20:27you ever run up against an item you wanted but couldn't get? Of course,
- 20:30not that just doesn't happen. Has it ever happened? I can't remember
- 20:36that. Yes, as it did happen one when I was nine years old,
- 20:44playmate of mine at a lollipop that I admired greatly. He wouldn't give
- 20:48it to me, and he wouldn't sell it to me. What did you
- 20:52do? I did the only logical thing there was to do. I smashed
- 20:56the lollipop, mister Dollar. Johnny Dollar will be back in a moment to
- 21:15tell you about tomorrow's episode. Friends, send for your set of some of
- 21:19the most exciting toys of the year. Six giant inflatable toys for only one
- 21:23dollar, some up to three feet tall. You get bounce O, the
- 21:26Happy Clown, Happy the Australian Kangaroo, Roscoe, the two feet long roller
- 21:30skating bear, Whitey the fat indoor snowman, Mortimer the giant mouse eighteen inches
- 21:34long, and last, but not least, a great giant talking Sata,
- 21:38a roly fully giant over three feet tall and thirty two inches around the belly
- 21:42that actually says Merry Christmas out loud when you pull the tape. That six
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- 22:00if you ought to right now, you get Peter the Rabbit over two feet
- 22:03tall, absolutely free. If not delighted with your Giant Animals, your money
- 22:07refunded immediately. Order today. You may never hear this offer again. Rush
- 22:11one dollar plus ten cents for packing and mailing in cash, check or money
- 22:15order to Giant Animals Box one nine oh seven, Grand Central Station, New
- 22:18York City. That's one dollar plus ten cents for each cent with your name
- 22:22of address to Giants Animals Box nineteen o seven, Grand Central Station, New
- 22:27York City. Now here's our star to tell you about tomorrow's episode of the
- 22:36Amy Bradshaw Matter. Tomorrow, Well, it's the wind up and a pretty
- 22:41rough one. Join us, won't you? Yours Truly Johnny Dollar. Yours
- 22:51Truly Johnny Dollar, starring Bob Bailey, is transcribed in Hollywood, written by
- 22:56Robert Wife. It is produced and directed by Jack Johnstone. Be sure to
- 23:00join us tomorrow night at same time and station for the next exciting episode of
- 23:04Yours Truly. Johnny Deller, Roy Rowan speaking welcome back. Well, there's
- 23:37probably a big leap from smashing a lollipop when you're nine years old, or
- 23:45threatening you want to threatening a woman who refuses your advances is what we assume
- 23:49to be middle aged adult. I know it's not Vincent Price, but the
- 23:55guy who does the voice of this King character has a sort of Vincent Price
- 24:00field though. I think in some ways it's kind of allusion to Charles Foster
- 24:07King, who of course collected many many things, as could be seen in
- 24:11the movie Citizen Kane and hurry up and get your giant animals. I'll be
- 24:18happy when that promotion's over all. Right, Well, now we turn to
- 24:22listener comments and feedback, and we have this comment from John regarding the Local
- 24:27Diamond Matter. I was little put off by the supposed Dutch diamond dealer who
- 24:34kept using German words in a mock German accent. The writer's research didn't provide
- 24:38him with any Dutch verse to use things for things like no goodbye or other
- 24:42simple terms. Well, thanks so much for the comment. John. Now,
- 24:48I've been a couple of weeks since I listened to this serial, but
- 24:52as I recall it, the firm, the local diamond firm, was Dutch.
- 24:59But use jogging my memory and using John Abbott's book The Who Is Johnny
- 25:07Dowler Matter as a kind of guide to that, I don't believe that the
- 25:14agent of the local diamond company said he was Dutch, only that the local
- 25:19diamond company was a Dutch firm and he was named Zindorf Jan Zindorf. Now,
- 25:27it's best I can tell. I've done some research and Zindorff appears to
- 25:34be an Austrian name, and Jan could be any number of countries as a
- 25:41male name. So it seems to me like while it's a Dutch company,
- 25:45that Zindorf was a national of another country, probably Austria, working for the
- 25:53Lorco Diamond company, or they just totally messed up on the research one or
- 26:00the other, but I'll kind of lean towards the other. I think that
- 26:04particularly for whatever reason around that time Hollywood, I had a lot of folks
- 26:12who could do really good German and Austrian accents, perhaps because of the war,
- 26:18and those accents tend to be a little more recognizable. So that's my
- 26:23hunch. There may be an expert out there who thinks I'm totally wrong,
- 26:26and if so, I'd like to know it. Email me at Box thirteen
- 26:30at great Detectives dot net, follow us on Twitter at Radio Detectives, and
- 26:34be sure and fill out our listeners survey survey dot Great Detectives dot net.
- 26:40From Boise, Idaho. This is your host, Adam Graham. Sign and off.