Latest / Frightmares / Ep. 154 - Come To Daddy (2019)

Transcript

Ep. 154 - Come To Daddy (2019) · Frightmares

• 0:43
  Speaker 1: Oh man, sleepy a little little, just a little bit.
• 0:47
  Speaker 1: You don't ever sleep though.
• 0:48
  Speaker 2: It's why I am sleepy.
• 0:50
  Speaker 1: Maybe fair fair I had a dad joke and then
• 0:58
  Speaker 1: and then it just went and forwards, you know, like
• 0:59
  Speaker 1: you have the and then it just like all the time,
• 1:02
  Speaker 1: Oh my god. Every day it happens about four or
• 1:05
  Speaker 1: five times a day where I'll go get up to
• 1:07
  Speaker 1: go get something and I'll walk through like a door
• 1:10
  Speaker 1: and be like, hmmm, forgotten everything I needed, and then
• 1:14
  Speaker 1: I can't get it back, and then it drives me insane,
• 1:16
  Speaker 1: the worst. Welcome to My Life, Memory of a Goldfish.
• 1:20
  Speaker 1: We're hello, Welcome to episode one hundred and fifty four.
• 1:23
  Speaker 1: I'm your host, Austin Proctor. That is your co host,
• 1:25
  Speaker 1: spiner A Laffer mab Hi. Hello. Doing the grossest name
• 1:31
  Speaker 1: title for a movie. I hate it.
• 1:32
  Speaker 2: That's not a porn come to daddy.
• 1:34
  Speaker 1: I hate it. I hate it so much. But it's
• 1:36
  Speaker 1: actually like a way good movie and one we shockingly,
• 1:40
  Speaker 1: I don't even know if we've like mentioned it. I'm
• 1:42
  Speaker 1: sure that I don't.
• 1:44
  Speaker 2: Think you and I have. I don't know. Maybe you
• 1:46
  Speaker 2: have in passing, maybe the first time you watched it.
• 1:48
  Speaker 1: Maybe it may have been mentioned or talked about. But yeah,
• 1:51
  Speaker 1: I can't stand that name. It's disgusting. I don't like it.
• 1:54
  Speaker 1: But it makes a lot of sense for the story,
• 1:56
  Speaker 1: which we will tell you in a little bit because
• 1:58
  Speaker 1: we have a whole bunch of shit to time talk about.
• 2:01
  Speaker 1: Are you you probably? Are you probably going to AJJN
• 2:03
  Speaker 1: this year? Are you?
• 2:04
  Speaker 2: I don't know. I'm I'm on the fence.
• 2:08
  Speaker 1: Well you know where to find me if you go.
• 2:11
  Speaker 2: I mean it's fair.
• 2:12
  Speaker 1: Yeah, it's funny because I think it was two years ago.
• 2:16
  Speaker 1: You went with us on Opening Night and we had
• 2:18
  Speaker 1: like a gaggle of like twelve people that went, Yeah,
• 2:21
  Speaker 1: that was a lot of fun. I think that was god,
• 2:23
  Speaker 1: two years ago. That was twenty twenty, twenty years Oh no,
• 2:27
  Speaker 1: it wasn't two years ago.
• 2:28
  Speaker 2: Was three years Saturday. I think even it was twenty nineteen.
• 2:32
  Speaker 1: They didn't even have it in twenty twenty, so yeah,
• 2:34
  Speaker 1: it must have been twenty nineteen.
• 2:36
  Speaker 2: I was, you know, the older I get it's harder
• 2:38
  Speaker 2: because of my leg to do all that stuff.
• 2:40
  Speaker 1: That's true, there's a lot of walking. That's why I
• 2:42
  Speaker 1: like express because then you just get right onto the
• 2:44
  Speaker 1: fucking thing. You don't have to stand there and wait.
• 2:46
  Speaker 1: Express is the best. We did that in twenty eighteen,
• 2:49
  Speaker 1: and we're like, why did we not do this before?
• 2:51
  Speaker 1: Now it's just too fucking expensive. We we got the
• 2:54
  Speaker 1: pass that doesn't even have Fridays or Saturdays this year
• 2:56
  Speaker 1: because of how expensive ajjen is.
• 2:59
  Speaker 2: Yeah right, it's.
• 3:00
  Speaker 1: Uh disgustingly expensive. It was like six hundred and fifty
• 3:03
  Speaker 1: dollars for the tickets we normally get. Ultimate fear was
• 3:06
  Speaker 1: like nine hundred dollars, and I'm like, sweet Christ, So
• 3:09
  Speaker 1: we just got the that's.
• 3:10
  Speaker 2: Just to get in. You're gonna probably spend at least
• 3:12
  Speaker 2: one hundred dollars on drinks, just regular drinks, not like
• 3:14
  Speaker 2: like just water some sent for that night.
• 3:17
  Speaker 1: Well water is free for the most part if you
• 3:19
  Speaker 1: know where to get it.
• 3:20
  Speaker 2: Well yeah, but you know, like if you want like
• 3:22
  Speaker 2: a soda or power that's five six bucks right there.
• 3:25
  Speaker 1: Yeah, And the food is expensive. Everything's fucking expensive, so.
• 3:28
  Speaker 2: Speak of inflation. I went to publics over the weekend,
• 3:31
  Speaker 2: and there are public cookies that are usually like three
• 3:33
  Speaker 2: ninety nine. For twenty four they're now it's not a
• 3:36
  Speaker 2: big hike, but still five nineteen.
• 3:39
  Speaker 1: Really Yeah, I'm like two dollars on cookies.
• 3:41
  Speaker 2: Cookie. I'm like, they've always been three nine.
• 3:43
  Speaker 1: What Wow, I don't like that at all.
• 3:46
  Speaker 2: Inflation is getting cookies not cool? Maybe maybe that's where
• 3:49
  Speaker 2: I draw the line. God damn, it's cookies. Oh dare you?
• 3:52
  Speaker 2: Those are delicious cookies and you took that away from
• 3:54
  Speaker 2: me for two dollars sons of bitches?
• 3:58
  Speaker 1: Oh my god. Yeah, it's too expensive this year. But
• 4:01
  Speaker 1: at least we're going. And like I said, obviously, if
• 4:03
  Speaker 1: you go, you know that, I want to go whenever
• 4:06
  Speaker 1: you go, as long as Friday or Saturday, apparently, because uh,
• 4:10
  Speaker 1: I don't have that. I do have opening weekend, though
• 4:13
  Speaker 1: opening weekend by the time this podcast airs will be
• 4:16
  Speaker 1: today because this episode will air on Friday, the day
• 4:19
  Speaker 1: AHHM starts and it's starting super early this year. But
• 4:23
  Speaker 1: the good news is is we have Monday off because
• 4:26
  Speaker 1: that's fucking the labor day, yeah or whatever. So that's nice.
• 4:30
  Speaker 1: So we're gonna go Saturday, Friday, Saturday, Sunday, and then
• 4:33
  Speaker 1: just recuperate on Monday. Probably watch the a vps on
• 4:36
  Speaker 1: Monday because we just finished Resurrection tonight. Ole boy, mean gap,
• 4:40
  Speaker 1: you're gonna talk about that next week. But yeah, this
• 4:44
  Speaker 1: year at a jhim looks pretty awesome. They have six
• 4:47
  Speaker 1: Finally they released all the houses like a couple days
• 4:49
  Speaker 1: ago or maybe like a week or so ago. They
• 4:51
  Speaker 1: just dropped the last six houses, five scare zones, two shows,
• 4:55
  Speaker 1: and I was like, really weird way to do that.
• 4:58
  Speaker 1: Usually they release a house, a house, house, and then
• 5:00
  Speaker 1: like they'll drop all their originals and shit like that.
• 5:03
  Speaker 2: They know what they're doing.
• 5:04
  Speaker 3: I don't know.
• 5:05
  Speaker 1: This year was weird, Like, I don't know why they
• 5:07
  Speaker 1: took so long and then they just dropped everything. So
• 5:09
  Speaker 1: if you've been listening to the podcast that recently, you
• 5:12
  Speaker 1: know that Halloween is there, Universal Monsters is there, Blumhouse
• 5:17
  Speaker 1: is there, and the other ip that is escaping me
• 5:20
  Speaker 1: Texas Halloween, Deessa Halloween, Halloween Monsters Collide, Blumhouse. Oh, and
• 5:27
  Speaker 1: the weekend. So that's the four ips that they have
• 5:31
  Speaker 1: this year. And I'm excited for the weekend. I don't
• 5:33
  Speaker 1: care what anybody says.
• 5:34
  Speaker 2: And then the sixth, I mean, everybody gets excited for
• 5:36
  Speaker 2: the weekend.
• 5:37
  Speaker 1: There's no work the weekend. The weekend with no E
• 5:40
  Speaker 1: in the end or how does he spell it week
• 5:43
  Speaker 1: I don't even know he spells it a weird way.
• 5:45
  Speaker 2: Uh.
• 5:45
  Speaker 1: So they drove six other houses, which Spirits of the
• 5:48
  Speaker 1: Coven is one of those. It's about a nineteen twenty
• 5:51
  Speaker 1: speakeasy and witches and shit. And then there's one called
• 5:54
  Speaker 1: Bugs Eating Alive, which bugs. It's just gonna be a
• 5:58
  Speaker 1: whole bunch of bugs, it's said in the fifth DS
• 6:00
  Speaker 1: taking a tour of this home of the future. Then
• 6:03
  Speaker 1: they have Fiesta Day Tupercabres, which is pretty self explanatory.
• 6:06
  Speaker 1: It's a Latin American village where the tuber cabre is
• 6:09
  Speaker 1: celebrated with a colorful fiesta. Then they've got Hell Block Horror,
• 6:13
  Speaker 1: which is prison where savage inmates are monstrous creatures, which
• 6:18
  Speaker 1: sounds a lot like a lot of fun. And then
• 6:20
  Speaker 1: fun dead Man's Peer, which was a scare zone way
• 6:24
  Speaker 1: back when, in like twenty sixteen, I want to say,
• 6:27
  Speaker 1: except it was called dead Man's Wharf. So it's a
• 6:30
  Speaker 1: recreation of that scarre zone into a house and it's
• 6:33
  Speaker 1: called Winter's Wake and it's a New England fishing village
• 6:36
  Speaker 1: and you're going through dead Man's Peers. It's really I'm really,
• 6:40
  Speaker 1: I'm probably most excessed fun. Yeah, I'm probably most excited
• 6:43
  Speaker 1: for that one, because that was one of my favorite
• 6:45
  Speaker 1: zones back in twenty sixteen. And then we have like
• 6:47
  Speaker 1: a carbon copy of I can't remember, oh, Dead Exposure,
• 6:52
  Speaker 1: Patient zero, and this one's called Descendants of Destruction and
• 6:55
  Speaker 1: it's about going under the tunnels in New York and
• 6:59
  Speaker 1: the subway and like these hungry mutant looking things, which
• 7:02
  Speaker 1: sounds like Dead Exposure. Like I said, So those are
• 7:05
  Speaker 1: the six fucking a six. They have six original houses
• 7:10
  Speaker 1: this year, which is pretty weird. Usually they have like
• 7:11
  Speaker 1: six eyps or five IYP's, but this year they're doing
• 7:14
  Speaker 1: six originals, which I'm okay with that. I like the
• 7:17
  Speaker 1: original stuff more usually. Anyways, what are the shows? The
• 7:21
  Speaker 1: shows are one of them, okay, So hold on the
• 7:25
  Speaker 1: five scare zones. You've got Horrors of Halloween. It's about
• 7:27
  Speaker 1: the Pumpkin Lord and the Spirit of Halloween. And you've
• 7:30
  Speaker 1: got Scarecrow Cursed Soil, which is the opposite of dead
• 7:33
  Speaker 1: Man's Peer because Scarecrow was a house and now it's
• 7:37
  Speaker 1: a scare zone. So we've got a one scar zone
• 7:40
  Speaker 1: that's now a house, and then a house that is
• 7:42
  Speaker 1: now a scare zone, which is really cool. Sweet Revenge,
• 7:45
  Speaker 1: which is a candy company called Major Sweets turning Children
• 7:48
  Speaker 1: into Craze Killers, which sounds like fun, and then Graveyard
• 7:52
  Speaker 1: Deadly Unrest pretty self explanatory, and then Conjured the Dark,
• 7:56
  Speaker 1: which is on the first All Hallows Eve and Evil
• 7:59
  Speaker 1: Source called forth Monstrosities from Dark Dimensions, and then the
• 8:03
  Speaker 1: two shows we have our Nightmare Fuel, which was one
• 8:06
  Speaker 1: that was there last year. I kind of really don't
• 8:09
  Speaker 1: care about the shows.
• 8:10
  Speaker 2: I like that mayor Fuel. I actually did go last
• 8:12
  Speaker 2: year with a friend for like just for like a
• 8:15
  Speaker 2: couple of hours, just to hang out with her. She
• 8:19
  Speaker 2: works at Universal and she got off but she wanted
• 8:20
  Speaker 2: to go nice so she's like, hey, you want to
• 8:22
  Speaker 2: come over to Hello, come on Hello in hor Night.
• 8:24
  Speaker 2: So okay, okay, So with my arm right, we did No,
• 8:27
  Speaker 2: we only did like two or three shows because of
• 8:29
  Speaker 2: my leg, but we did get the two or three
• 8:31
  Speaker 2: like like main houses, and then we did get to
• 8:33
  Speaker 2: see the Nightmare Fuel, which is especially very like R
• 8:38
  Speaker 2: R rated Circus Sole like it's I was not expecting that.
• 8:42
  Speaker 2: I mean, I'm not complaining, but like damn, I was
• 8:44
  Speaker 2: not expecting that for for that type of like knowing
• 8:48
  Speaker 2: that like kids and stuff can go there yeah.
• 8:49
  Speaker 1: I mean it's usually there's not many kids because it
• 8:53
  Speaker 1: is it is like an adult thing, but there are
• 8:55
  Speaker 1: definitely kids there because people will bring their kids and
• 8:57
  Speaker 1: strollers and I'm like, too soon.
• 8:59
  Speaker 2: I do I do you recommend? Not'm gonna phil if
• 9:01
  Speaker 2: you do fancy. It's about thirty five forty five minutes,
• 9:05
  Speaker 2: like a nice little you sit down, like a break,
• 9:07
  Speaker 2: just to rest your legs water, which is why we went, yeah,
• 9:10
  Speaker 2: to rest my leg for a little bit. But uh, yeah,
• 9:12
  Speaker 2: I thought that was a lot of fun.
• 9:14
  Speaker 1: I've heard it was awesome. And it's not that it's
• 9:16
  Speaker 1: not that I wouldn't appreciate it. It's just like, I
• 9:18
  Speaker 1: don't know. I'm there to do houses. I don't want
• 9:20
  Speaker 1: to stop for an hour to do a show, mainly
• 9:22
  Speaker 1: because I'm old and tired now and I want to
• 9:24
  Speaker 1: get there, do all the houses with express and then
• 9:26
  Speaker 1: go home my days staying till two am or no more.
• 9:30
  Speaker 1: That's right, I'm getting old. So that's coming back, and
• 9:34
  Speaker 1: it's called Wildfire this year, so I mean we may
• 9:37
  Speaker 1: check it out at some point, and then we have Ghoulish,
• 9:40
  Speaker 1: which is Halloween Tail, and that is the Lagoon show,
• 9:44
  Speaker 1: so they spray a bunch of water in the air
• 9:46
  Speaker 1: and they like project a show, which I'll stand there
• 9:49
  Speaker 1: for that or like catch it as I'm walking by,
• 9:51
  Speaker 1: because that's you know, it's pretty neat. So yeah, that's
• 9:53
  Speaker 1: everything going on. And then they have like fucking seventy
• 9:56
  Speaker 1: five food options this year. They have so much shit going.
• 9:59
  Speaker 2: On, right, don't they usually have like four or five, Like,
• 10:02
  Speaker 2: they don't usually have that many, do they? What food options?
• 10:04
  Speaker 1: I mean, it's grown in the past years, but like
• 10:07
  Speaker 1: this year, like this year is like definitely the most
• 10:09
  Speaker 1: food out. They have so much shit to try it
• 10:12
  Speaker 1: is awesome. And then a whole bunch of drinks and
• 10:15
  Speaker 1: stuff like that. I probably won't be doing much drinking
• 10:18
  Speaker 1: this year just because it's exhausting, and again I'm old,
• 10:21
  Speaker 1: I don't. It's just too much to go out and
• 10:23
  Speaker 1: drink and be in the hot sun or be in
• 10:25
  Speaker 1: the just the heat and humidity. But I'm gonna collect
• 10:28
  Speaker 1: all those goddamn blinky cups, that's for sure. Got to
• 10:30
  Speaker 1: collect those every year. So I'm excited about that. That
• 10:33
  Speaker 1: starts this Friday or today and goes all the way
• 10:37
  Speaker 1: through the thirty first of October, which is awesome, So
• 10:41
  Speaker 1: be sure to check out that if you're in the
• 10:42
  Speaker 1: Orlando area or the Hollywood area. I don't know when
• 10:46
  Speaker 1: they start, but probably around the same.
• 10:47
  Speaker 2: Time I would assume a run the same time.
• 10:49
  Speaker 1: Dude, they start earlier and earlier every year. I'm not
• 10:51
  Speaker 1: going to be surprised if next year they're like August thirty,
• 10:53
  Speaker 1: first September. Yeah, but like the second is that's like
• 10:57
  Speaker 1: it was about I think it was the third or
• 10:59
  Speaker 1: fourth last year, but yeah, the second is like the
• 11:02
  Speaker 1: earliest it's ever started.
• 11:03
  Speaker 2: Maybe it's just I don't know what day the second
• 11:05
  Speaker 2: land though. Maybe it's just the days that lands on.
• 11:07
  Speaker 1: That's a Friday, so that's probably why then. No, I know,
• 11:10
  Speaker 1: I'm just saying that's still interesting. It's still just like
• 11:12
  Speaker 1: holy shit, Like it's like we get two full months
• 11:15
  Speaker 1: of ajhen so that's a lot of fun. I'll be
• 11:18
  Speaker 1: going to that a lot, and me and Gabby will
• 11:19
  Speaker 1: all be talking about that probably next episode because we
• 11:22
  Speaker 1: will have been to opening weekend. But let's move on
• 11:25
  Speaker 1: to some ship that we have actually personally watched together,
• 11:28
  Speaker 1: not just watched recently, because I got The Dog Soldiers
• 11:32
  Speaker 1: four k N and we watched that with I fucking
• 11:36
  Speaker 1: just how good was that that transfer?
• 11:38
  Speaker 2: Uh? The for the one for the listeners who have
• 11:42
  Speaker 2: you know known Dog Soldiers was Neil Marshall.
• 11:46
  Speaker 1: Neil Marshallil Marshall, Neil C. Marshall.
• 11:48
  Speaker 2: I think it was his first movie Field in sixteen millimeters,
• 11:52
  Speaker 2: so it was never a great transfer. Then shout died
• 11:54
  Speaker 2: the Blu ray. They they did what they could with
• 11:57
  Speaker 2: It's still not great.
• 11:58
  Speaker 1: But oh yeah, still look like it looks good.
• 12:00
  Speaker 2: The picture in the four K. Definitely like this is
• 12:03
  Speaker 2: the upgrade anybody that loves this movie has been waiting for,
• 12:08
  Speaker 2: you know, as much as you know we hate double dipping,
• 12:10
  Speaker 2: triple dipping, whatever, this is definitely worth whatever, dip, your
• 12:13
  Speaker 2: first dip, your second dip, whatever the fuck this is worth.
• 12:17
  Speaker 2: This is worth the price of admission for this the
• 12:21
  Speaker 2: four K. And you know, if you're if you don't
• 12:23
  Speaker 2: have a four K player, it comes with the Blu ray.
• 12:25
  Speaker 2: So I would still pick up because you know one
• 12:27
  Speaker 2: day you might get a four K player. Anyway, would
• 12:28
  Speaker 2: watch it the best way possible.
• 12:30
  Speaker 1: Yeah, because the four K has almost always come with
• 12:32
  Speaker 1: a Blu ray, so even if you don't have a
• 12:34
  Speaker 1: four K player. About it being about a boom, you
• 12:35
  Speaker 1: got a Blue Ray.
• 12:36
  Speaker 2: Yeah. Now the sound still it's I wish it was,
• 12:39
  Speaker 2: uh like, I'm okay with the five one, but I
• 12:42
  Speaker 2: wish it was boosted up a little because it just
• 12:44
  Speaker 2: sounds like to me, it sounds really it just doesn't pop.
• 12:47
  Speaker 2: It sounds really far away when the action is on there.
• 12:51
  Speaker 2: But like it works like it works because you know,
• 12:54
  Speaker 2: it's one of those movies to where you know, you
• 12:55
  Speaker 2: can watch anytime of day versus you know, oh it's
• 12:58
  Speaker 2: three am, let me watch Diehard. Just kidding. You can't
• 13:00
  Speaker 2: do that if you have full surrouss because you're gonna
• 13:02
  Speaker 2: wake some shit up. If you live in apartment, of
• 13:04
  Speaker 2: course you're gonna wake some people up. But uh so
• 13:06
  Speaker 2: it works for that and uh but when the strouts
• 13:08
  Speaker 2: sound does need to like work like your back speakers,
• 13:11
  Speaker 2: it does actually do a better job than the Blue Ray.
• 13:13
  Speaker 2: So I'd say it's a it's a pretty pretty decent
• 13:15
  Speaker 2: step up from the Shout Factory Blu Ray.
• 13:18
  Speaker 1: Yeah, and you know you were saying, like the sound
• 13:21
  Speaker 1: isn't a whole lot better, But at the end of
• 13:24
  Speaker 1: the day, that picture is overally.
• 13:26
  Speaker 2: It's definitely worth it just for the picture to be
• 13:28
  Speaker 2: quite honest, like I said, that was the biggest grape
• 13:31
  Speaker 2: anybody who have seen the movie from its original Blu
• 13:33
  Speaker 2: Ray release to the Shout Bluey release, Like even Shout
• 13:36
  Speaker 2: was like when the Blu Ray came out, they apologized
• 13:38
  Speaker 2: that they could only get the picture as best as
• 13:40
  Speaker 2: they could, but somehow they made the four K even better.
• 13:44
  Speaker 1: So yeah, four K looks amazing. Still doesn't look as
• 13:47
  Speaker 1: good as I mean, I mean, still looks good, but
• 13:50
  Speaker 1: Alligator and Child's Play two are still, for me, look
• 13:52
  Speaker 1: the best so far that they've done.
• 13:54
  Speaker 2: Out of those. Yes, they those are probably their best
• 13:57
  Speaker 2: four k's out of their whole category.
• 13:59
  Speaker 1: But I mean, I still I think I would still
• 14:01
  Speaker 1: give Dog Soldiers like a four at least just because,
• 14:04
  Speaker 1: like I thought, it was pretty fucking solid and it
• 14:06
  Speaker 1: was a really really well done I didn't see barely
• 14:09
  Speaker 1: any grain. Those color shots like when it was green
• 14:12
  Speaker 1: or the.
• 14:12
  Speaker 2: Green or the blue like those are where the uh so,
• 14:15
  Speaker 2: the non so nice, the non normal like I guess,
• 14:18
  Speaker 2: like the the wherewith vision or the night vision with
• 14:23
  Speaker 2: on the sniper or yeah or whatnot. Those that alone,
• 14:27
  Speaker 2: to me would be worth the price of a four K,
• 14:30
  Speaker 2: Like I mean, that's not even the whole movie, that's
• 14:31
  Speaker 2: throughout this whole hour and forty five minute movie or whatever.
• 14:34
  Speaker 2: But uh, those to me, like that's how you could
• 14:37
  Speaker 2: you show the most improvement, and that's where you can
• 14:39
  Speaker 2: tell the big difference. And you know, they stand out,
• 14:41
  Speaker 2: and you know when you when you look at an
• 14:43
  Speaker 2: upgrade of a movie, you look for things that stand
• 14:46
  Speaker 2: out to see if it was worth it, if they
• 14:48
  Speaker 2: if they if they didn't just put their name on
• 14:50
  Speaker 2: it and call it a day or what. And even
• 14:52
  Speaker 2: though they they did the Blu ray transfer, they also
• 14:55
  Speaker 2: obviously did the four K, but uh, there is a
• 14:57
  Speaker 2: night and day difference with those specific scenes from their
• 15:01
  Speaker 2: version of the Blu Ray to their version of the
• 15:02
  Speaker 2: four K.
• 15:03
  Speaker 1: Yeah it looks so good.
• 15:05
  Speaker 2: Yeah, they did a good job with it.
• 15:06
  Speaker 1: I was, I was, honestly, I didn't think they could
• 15:08
  Speaker 1: do that good of it. I mean, like not not
• 15:10
  Speaker 1: doubting them at all, you know, I just I didn't
• 15:12
  Speaker 1: think they could possibly make like clean it up that good.
• 15:14
  Speaker 2: Yeah, because they mean because they had an issue with
• 15:17
  Speaker 2: the Blue. Usually all their bluarrays look amazing, right, and
• 15:20
  Speaker 2: their four k's also look good, But they couldn't make
• 15:22
  Speaker 2: their Blue Ray really do great. I mean it looked
• 15:24
  Speaker 2: better from than the original, like oh yeah printing of
• 15:27
  Speaker 2: the Blue Ray, but uh still they couldn't do much
• 15:29
  Speaker 2: magic with the Blue Ray. Saw I'm glad they were
• 15:32
  Speaker 2: able to work their magic with the four K to
• 15:34
  Speaker 2: make it look the way it's it should look.
• 15:37
  Speaker 1: Yeah, it looks amazing. So if you have a copy
• 15:40
  Speaker 1: of it already, that's not the four K, I double
• 15:42
  Speaker 1: dipping is worth it on this one. I have the
• 15:45
  Speaker 1: Blu Ray, and I can tell you there's a night
• 15:47
  Speaker 1: and day difference between the Blu Ray and the four K.
• 15:50
  Speaker 1: It really is magnificent how much they cleaned it up.
• 15:53
  Speaker 1: And speaking of four k's as well, I just got
• 15:56
  Speaker 1: cat People in the mail today, nice from and did
• 15:59
  Speaker 1: from Amazon because I didn't care about that poster. Like
• 16:02
  Speaker 1: if I don't care about the poster, I'm like, I'm
• 16:03
  Speaker 1: geting from Amazon. But I haven't even seen that one yet.
• 16:06
  Speaker 1: I don't even know what it's about.
• 16:07
  Speaker 2: But you know I've never seen it.
• 16:08
  Speaker 1: Yeah, you know. Me and being a slave to uh
• 16:11
  Speaker 1: screen factory the worst, the worst. I literally pretty much
• 16:17
  Speaker 1: get not pretty much get everything Collector's edition wise, it's terrible,
• 16:20
  Speaker 1: but at least I'm caught up now to where I
• 16:22
  Speaker 1: can just stay ahead of the game. Although they just
• 16:25
  Speaker 1: dropped two more they have, I know, I know, I'm like,
• 16:31
  Speaker 1: you fucking serious. They dropped roller Ball, which is just
• 16:34
  Speaker 1: a four K not collector's edition. I'll just yeah, I
• 16:37
  Speaker 1: pre ordered that off Amazon because I actually wanted to
• 16:39
  Speaker 1: see that one for a while.
• 16:40
  Speaker 2: You've never seen the original.
• 16:41
  Speaker 1: Never seen the original. I've only seen the remake, which
• 16:45
  Speaker 1: I'm sorry you've wasted roller Ball, like, I actually want
• 16:50
  Speaker 1: to see that.
• 16:51
  Speaker 2: Actually, really, I think really good. I don't know what, I.
• 16:57
  Speaker 1: Don't know, it's horrible. I think I gave that. That's
• 16:59
  Speaker 1: got like a half the.
• 16:59
  Speaker 2: Best part of the remake of Slip knots in it. Yea,
• 17:02
  Speaker 2: I know, like they're actually in the movie.
• 17:04
  Speaker 1: They're in the movie playing song.
• 17:06
  Speaker 2: Like that's about the best part of that movie.
• 17:08
  Speaker 1: I think that was in my review for the Now
• 17:11
  Speaker 1: that you say that, I'm like, let me, I gotta
• 17:13
  Speaker 1: look that up. But uh so, Yeah, they just announced
• 17:16
  Speaker 1: roller Ball, which I want to see, so I pre
• 17:18
  Speaker 1: ordered that. Then they announced Piranha the Origin the original
• 17:23
  Speaker 1: in four K a Rollerballs in four K as well.
• 17:26
  Speaker 1: If I didn't say that, but yeah, so I was like, okay,
• 17:28
  Speaker 1: I'm gonna buy that too, because I it's a collector's
• 17:31
  Speaker 1: edition and I didn't I don't have the Blu ray yet.
• 17:34
  Speaker 2: They also released I know you said too, but I
• 17:38
  Speaker 2: didn't click till just now to correct you. But they
• 17:40
  Speaker 2: actually dropped three of the.
• 17:41
  Speaker 1: I was getting there.
• 17:42
  Speaker 2: Oh my bad. I thought you a few, Oh my bad,
• 17:47
  Speaker 2: I heard you say too, and then clear like no.
• 17:49
  Speaker 1: You're fine, and then they dropped Yeah, another collector's edition
• 17:52
  Speaker 1: called in the Company.
• 17:53
  Speaker 2: Of Wolves, which I've never heard of.
• 17:55
  Speaker 1: Never even heard of. Has it like a three four.
• 17:58
  Speaker 1: I'm like, okay, but yeah, Rollerball the original has a
• 18:01
  Speaker 1: three point two. James con John Houseman, and that's really
• 18:07
  Speaker 1: all the names I recognized. And then Rollerball from two
• 18:11
  Speaker 1: thousand and two as a one point seven. I gave
• 18:13
  Speaker 1: it a wow. That seems really really generous. I gave
• 18:18
  Speaker 1: it a one and a half.
• 18:20
  Speaker 2: Oh no, no, no, the movie is the movie is
• 18:22
  Speaker 2: like a half, but you gave it the extra star
• 18:24
  Speaker 2: to slip knot.
• 18:25
  Speaker 1: Okay, So here here we go. I break it down.
• 18:28
  Speaker 1: It says this gets half a star because somehow got
• 18:31
  Speaker 1: made with a seventy million dollar budget. Jesus, half a
• 18:34
  Speaker 1: star because I respect all other movies the director has done,
• 18:37
  Speaker 1: and half a star because of the slip knot there
• 18:39
  Speaker 1: we go, There we go.
• 18:41
  Speaker 2: I mean, if you look at the cast, you already
• 18:42
  Speaker 2: know it's going to be a dud. Like I could
• 18:44
  Speaker 2: have just looked at the cast known it's gonna be
• 18:45
  Speaker 2: an ass movie.
• 18:46
  Speaker 1: Yeah, because look at the Okay, listen to the other movies.
• 18:49
  Speaker 1: This man has done. That did Rollerball, right, So his
• 18:54
  Speaker 1: name is John McTiernan. He did die Hard, Predator, die
• 18:57
  Speaker 1: Hard with a Vengeance, The Hunt for Redock, over Last Action, HEROTT. Yeah,
• 19:03
  Speaker 1: and then this, well, I mean, I'm sorry, sir. No,
• 19:06
  Speaker 1: he didn't do V for Vendetta?
• 19:08
  Speaker 2: Who directed to VD? Yes he did?
• 19:09
  Speaker 1: No, he didn't.
• 19:10
  Speaker 2: Who directed V Frendetta?
• 19:11
  Speaker 1: I can look it up. It's not Robert mctiernanan V four? No, John,
• 19:18
  Speaker 1: Do you thinking James mctigue, Well.
• 19:21
  Speaker 2: Maybe that's what I'm thinking of. What else did he do?
• 19:23
  Speaker 1: James mctigue?
• 19:24
  Speaker 2: Just give me one, Just give me one?
• 19:26
  Speaker 1: The Raven?
• 19:27
  Speaker 2: Oh okay, that's what I was thinking of.
• 19:28
  Speaker 1: Yep. No, we're good, Okay, we're good. Yeah.
• 19:30
  Speaker 3: Well, I mean, you know, to be fair, their initials.
• 19:33
  Speaker 1: M James Matigue mctigue and then John McTiernan, you know,
• 19:39
  Speaker 1: very similar, but they both have Jay and mixing them.
• 19:41
  Speaker 2: Yeah, exactly.
• 19:42
  Speaker 1: So yeah, Rollerball in the Company of Wolves and Pirana.
• 19:46
  Speaker 1: I'm pre order. I got a preorder and then I
• 19:48
  Speaker 1: got it. There's two other ones that are limited editions,
• 19:50
  Speaker 1: Space Truckers and Final Judgment and Stripped to Kill or
• 19:55
  Speaker 1: something like that. They're limited to fifteen hundred uns. I'm like,
• 19:58
  Speaker 1: I gotta get those because they've got good reviews. That's
• 20:00
  Speaker 1: not shout though, is yeah, it's cream, It's scream. Oh,
• 20:02
  Speaker 1: the one's a double feature, and then ones just by itself,
• 20:05
  Speaker 1: and I'm like, those all sound great. I gotta order
• 20:07
  Speaker 1: those two. Fucking releasing so much shit, I can't even
• 20:12
  Speaker 1: when I'm caught up with everything, I still can't keep
• 20:15
  Speaker 1: up because like every couple.
• 20:16
  Speaker 2: Of weeks, I don't dare they keep releasing physical media
• 20:19
  Speaker 2: the audacity so.
• 20:21
  Speaker 1: Much though, I so much shout Factory. Can I just
• 20:25
  Speaker 1: open up a line of credit with you guys at
• 20:26
  Speaker 1: this point? Can you do like a monthly club where
• 20:29
  Speaker 1: I pay like one hundred bucks a month and you
• 20:31
  Speaker 1: just send me every screen Factory release is that? How that?
• 20:33
  Speaker 1: Can we do that?
• 20:34
  Speaker 2: Many? Can I just start a tab with you? Like
• 20:35
  Speaker 2: I'm not ordering drinks? Put a warning?
• 20:37
  Speaker 1: Yeah, let me just start it? Yeah? Good God?
• 20:39
  Speaker 2: And every one you ask me if I want to
• 20:41
  Speaker 2: close up with tab and I'm like, actually, I don't,
• 20:42
  Speaker 2: because you more movies, goddamn forever forever.
• 20:49
  Speaker 1: I'm gonna rack up so much debt it's not even funny. Uh.
• 20:53
  Speaker 1: Oh god, do we only have forty nine minutes left
• 20:56
  Speaker 1: of fucking Oh god, I hope that's not true. Oh shit,
• 21:02
  Speaker 1: Oh no, that's not good. All right, Well, hopefully that's
• 21:06
  Speaker 1: not true because we're only at like twenty one minutes.
• 21:09
  Speaker 2: Oh shit, I mean why wouldn't that be true? It's
• 21:11
  Speaker 2: saying that right there.
• 21:12
  Speaker 1: I don't know. I didn't pay attention. This is what
• 21:15
  Speaker 1: happens when you don't fucking pay attention. Classic whatever. We
• 21:18
  Speaker 1: should be fine.
• 21:19
  Speaker 2: Probably maybe it's us.
• 21:22
  Speaker 1: Oh god, we're just gonna have to cut it short.
• 21:24
  Speaker 1: I guess tin of a bitch I was not paying
• 21:26
  Speaker 1: Can I like delete things off of this?
• 21:29
  Speaker 3: No, I don't think why we were recording it.
• 21:31
  Speaker 2: That wouldn't been good.
• 21:32
  Speaker 1: Shit. Oh that sucks. Oh wait, wait, yes, second, No,
• 21:37
  Speaker 1: I can't. Uh. Oh, that's not good. We're gonna have
• 21:42
  Speaker 1: to cut it short. That's fine, Uh do do do?
• 21:45
  Speaker 1: So yes, Dog Soldiers four K. That was awesome. Now
• 21:48
  Speaker 1: let's move on to something we watched that was terrible.
• 21:51
  Speaker 1: Oh my goodness.
• 21:52
  Speaker 2: We're not gonna have time to refew the movie after this.
• 21:54
  Speaker 1: Uh god, this movie is so bad. So every now
• 21:56
  Speaker 1: and again, me and Spencer, Spencer will virtue a movie,
• 22:00
  Speaker 1: you know, we'll call each other hit play and then
• 22:02
  Speaker 1: we'll just watch it on nights we can't hang out.
• 22:05
  Speaker 1: So I know, I think this was kind of both
• 22:08
  Speaker 1: of our pick.
• 22:09
  Speaker 2: No, actually you you you you picked this and I
• 22:12
  Speaker 2: was in this because I saw alligator, just like an
• 22:14
  Speaker 2: alligator and it's a tie W horror, so we and
• 22:16
  Speaker 2: we you.
• 22:17
  Speaker 1: Know, yeah, because I okay, so I saw this. I
• 22:19
  Speaker 1: just I met, like whose decision it was to watch it?
• 22:21
  Speaker 2: Because I remember you mentioned it to me and then
• 22:24
  Speaker 2: I'm like, oh, this sounds fun and you told me
• 22:26
  Speaker 2: it was on a show or so like ad to List,
• 22:27
  Speaker 2: and then I think I said we should virtually this
• 22:29
  Speaker 2: one day. So it was you introduced the movie to
• 22:32
  Speaker 2: my brain and I was like, maybe we should watch
• 22:34
  Speaker 2: this together one day.
• 22:35
  Speaker 1: Okay, well we're both at fault. Well then, uh yeah,
• 22:41
  Speaker 1: it's the movie called The Pool. I saw this on
• 22:43
  Speaker 1: like someone had made a top ten Gator movies or whatever,
• 22:47
  Speaker 1: and I saw, you know, crawl like Placid, all the
• 22:50
  Speaker 1: good ones on there, and then I saw this one.
• 22:51
  Speaker 1: I looked it up and I had a two point
• 22:53
  Speaker 1: six and I'm like, eh, but I was like, hey,
• 22:54
  Speaker 1: it's tie, so maybe, you know, maybe it's just not appreciated.
• 22:59
  Speaker 1: I don't know, you know, like may on a lot
• 23:00
  Speaker 1: of viewers. Yeah, maybe it's just not a lot. I
• 23:01
  Speaker 1: don't know. I was maybe there's something wrong with the
• 23:03
  Speaker 1: ratings because I was like, it's the tai horror movie
• 23:05
  Speaker 1: about an alligator, Like this sounds great. And then I'd
• 23:08
  Speaker 1: say probably about.
• 23:10
  Speaker 2: Thirty seconds into the movie.
• 23:12
  Speaker 1: We realized thirty seconds into the movie because oh it
• 23:15
  Speaker 1: doesn't it fucking Tarantinos. You It like shows the like
• 23:18
  Speaker 1: this part of the movie towards it, which has no
• 23:21
  Speaker 1: relevance at all. It's just like you're getting attacked by
• 23:24
  Speaker 1: an alligator. You're just spoiling shit at this point, right,
• 23:27
  Speaker 1: So it shows something way further in the down in
• 23:29
  Speaker 1: the movie, and the alligator looked so bad. I mean,
• 23:33
  Speaker 1: the fucking alligator from Lake Placid looked better than that,
• 23:36
  Speaker 1: And that movie was from ninety nine looked so bad
• 23:40
  Speaker 1: it was, and this movie was four years old.
• 23:43
  Speaker 2: Yeah, well come eighteen eighteen?
• 23:45
  Speaker 1: Okay, Yeah, like what the fuck man's I don't know
• 23:48
  Speaker 1: how a movie from nineteen ninety nine looks better than
• 23:50
  Speaker 1: this movie. But like, you know, if you're gonna make
• 23:52
  Speaker 1: a movie about an alligator, you either need to use
• 23:55
  Speaker 1: a real one or have good enough CG to where
• 23:57
  Speaker 1: it doesn't look because it's not believable. How am I
• 24:00
  Speaker 1: supposed to put myself in the headspits of this movie
• 24:02
  Speaker 1: if I can't keep me.
• 24:04
  Speaker 2: I'm a good, good effort. But like, yeah, like there
• 24:08
  Speaker 2: are some movies we can forgive that look kind of
• 24:10
  Speaker 2: like like The myst The creatures kind of don't look great,
• 24:13
  Speaker 2: but you're still into the movie.
• 24:14
  Speaker 1: Yeah, because they're not. They don't have That's the problem
• 24:17
  Speaker 1: with this movie is there was so much of the
• 24:19
  Speaker 1: gator with the mist at least there wasn't. It wasn't
• 24:22
  Speaker 1: constant all the time, and it didn't look you know,
• 24:25
  Speaker 1: some was good, but some was definitely bad.
• 24:27
  Speaker 2: Yeah, but also but also the main focus wasn't the
• 24:29
  Speaker 2: the the CG and the mist the main focus was
• 24:32
  Speaker 2: how people react to crisis situations, where this was literally
• 24:38
  Speaker 2: the focus was literally you might as well just put
• 24:42
  Speaker 2: a computer in there and and and walk it like
• 24:44
  Speaker 2: a like prosthetics or something that it probably would have
• 24:47
  Speaker 2: made more sense.
• 24:48
  Speaker 1: Just have a guy in a gator.
• 24:51
  Speaker 2: Suites and what I mean and what I mean like
• 24:53
  Speaker 2: the cigy look bad. Is so even when he was
• 24:55
  Speaker 2: attacking this gator, which obviously he was not, he literally
• 24:58
  Speaker 2: was just bashing the air. At this point, everything involved
• 25:02
  Speaker 2: everything that was involved with the gator, regardless if it
• 25:05
  Speaker 2: was him hitting it with his fists or hitting it
• 25:07
  Speaker 2: with an object, those all looked CG because it was
• 25:13
  Speaker 2: so like I literally like the like the movie was
• 25:15
  Speaker 2: was green screen and it was just this guy standing
• 25:18
  Speaker 2: on a stage and everything else was just on the computer.
• 25:21
  Speaker 2: But the computer like shut the bed halfway through, but
• 25:23
  Speaker 2: they continue to anyways, Yeah, the computer needed to go home.
• 25:27
  Speaker 1: Yeah, so you know it's the basic setup is this
• 25:30
  Speaker 1: guy is cleaning a pool over like a six day
• 25:36
  Speaker 1: or over a course of a week or something because
• 25:38
  Speaker 1: the guy who owns it is leaving, so he's got
• 25:41
  Speaker 1: to drain it and you know, clean it out. So
• 25:45
  Speaker 1: my first problem was when he went to drain the pool,
• 25:48
  Speaker 1: there's just this drain in the bottom of the pool,
• 25:50
  Speaker 1: just sucking the water out. I'm like, where's that water going?
• 25:53
  Speaker 1: Is that a common thing overseas you can just drain
• 25:55
  Speaker 1: a pool into the sewers? Because that doesn't see, you know,
• 25:57
  Speaker 1: that doesn't seem normal. So oh, that was my first problem.
• 26:01
  Speaker 1: And then when he got stuck in the pool. There's
• 26:03
  Speaker 1: no ladders anywhere. What fucking pools don't have ladders, you
• 26:09
  Speaker 1: know what I mean?
• 26:09
  Speaker 2: And to give you contacts, it's an Olympic sized pool,
• 26:13
  Speaker 2: so it's fucking deep.
• 26:14
  Speaker 3: Yeah, it's like it's not just a normal pool.
• 26:16
  Speaker 2: Yeah, it's deep.
• 26:17
  Speaker 1: It's probably you know, twelve eighteen feet deep. And I'm like, okay,
• 26:21
  Speaker 1: is there no shallow wind at all? Because usually, I
• 26:24
  Speaker 1: mean even even.
• 26:25
  Speaker 2: An Olympic pool, because they're always jumping and stuff, so
• 26:27
  Speaker 2: you got to make sure there's enough that they're not
• 26:28
  Speaker 2: going to hurt themselves going back.
• 26:29
  Speaker 1: I thought there was at least some sort of tapering.
• 26:31
  Speaker 1: Maybe there's not. I don't know. Well, I don't know
• 26:33
  Speaker 1: enough about it.
• 26:34
  Speaker 2: I mean, I like I said, same with you, I
• 26:35
  Speaker 2: could be wrong, but I feel like with Olympic sized pools,
• 26:38
  Speaker 2: it's they might once like one size fits all.
• 26:41
  Speaker 1: Yeah, they might just be all the same.
• 26:43
  Speaker 2: With all the all the tricks they're doing and stuff.
• 26:44
  Speaker 2: You want to make sure when they land in the
• 26:45
  Speaker 2: pool they're not gonna hit their head on the bottom,
• 26:47
  Speaker 2: because if there's a shallow wind and they and they
• 26:49
  Speaker 2: do the trick wrong, they're fucked.
• 26:50
  Speaker 1: Well yeah, I mean if they if they had a
• 26:53
  Speaker 1: like a high dive, then obviously the deep end would be.
• 26:56
  Speaker 2: Which the high dive, there's those those three, but it
• 26:58
  Speaker 2: was in the middle of it. So I think that's why,
• 27:00
  Speaker 2: because because you know, when you're up in the air,
• 27:02
  Speaker 2: you can literally fly go anywhere. You could shift your
• 27:04
  Speaker 2: body in any way you want to go. So I
• 27:06
  Speaker 2: feel like maybe that particular poll was for safety preposes.
• 27:11
  Speaker 2: They just maybe I don't know.
• 27:12
  Speaker 1: I don't know, but you should at least have a ladder,
• 27:14
  Speaker 1: because how do you expect people to get out of
• 27:16
  Speaker 1: the pool if they can't hoist themselves up, you know,
• 27:18
  Speaker 1: like oh.
• 27:19
  Speaker 2: Wait, yeah, which actually they could when it was filled up.
• 27:21
  Speaker 2: He was fine when it was filled up. The issue
• 27:23
  Speaker 2: was when it was draining and he was still in there.
• 27:24
  Speaker 1: Yeah, so there's no fucking ladder, which I thought was stupid.
• 27:28
  Speaker 1: And the phone too, This is another fucking stupid thing.
• 27:31
  Speaker 1: I just every time one of these things happened, I
• 27:33
  Speaker 1: was like, down, half star, this is so stupid. He
• 27:36
  Speaker 1: like gets his phone eventually and then drops it in
• 27:38
  Speaker 1: the water and it dies, And I'm like, this is
• 27:40
  Speaker 1: twenty eighteen. Fucking phones are waterproof, dude, But maybe they're
• 27:46
  Speaker 1: Asian countries are so far ahead of us with technology.
• 27:48
  Speaker 2: Man, maybe tie isn't.
• 27:50
  Speaker 1: I'm just saying. I'm just saying it's twenty eighteen. You
• 27:53
  Speaker 1: should your phone should be waterproof. So those three problems
• 27:56
  Speaker 1: I was like, oh my god. But then yeah, the
• 27:59
  Speaker 1: other problem too is like did no one fucking go
• 28:01
  Speaker 1: check on him except for the fan or whatever, Like
• 28:05
  Speaker 1: there's no one else thinking for this man. You might
• 28:08
  Speaker 1: know where he is.
• 28:08
  Speaker 2: Like I said, maybe one or two days, like I
• 28:10
  Speaker 2: get it, like whatever, but like he was gone for
• 28:12
  Speaker 2: a straight week, like nobody was, Like he hasn't checked
• 28:17
  Speaker 2: in what's going on?
• 28:19
  Speaker 1: If I didn't text my mom or dad for like
• 28:21
  Speaker 1: five or six days, I'd probably be like, hey, wait,
• 28:23
  Speaker 1: what are you doing? What's going on? And then they'd
• 28:25
  Speaker 1: send a search party for me or something like. So
• 28:27
  Speaker 1: there's just so many problems with this movie. And then
• 28:29
  Speaker 1: at one point he goes to like get out under
• 28:33
  Speaker 1: the sewers and then comes back up like in a
• 28:35
  Speaker 1: different pool or something like that, and I was like,
• 28:37
  Speaker 1: this is the dumbest ship. Right Like there was apparently
• 28:40
  Speaker 1: two side by side pools.
• 28:41
  Speaker 2: I'm like, which is which is so interesting? Because there
• 28:44
  Speaker 2: were so many wide shots of the pool. I'm like,
• 28:47
  Speaker 2: I know where the fuck did this come from?
• 28:49
  Speaker 1: Where did what?
• 28:50
  Speaker 2: Like, there's there's no way that we saw that big
• 28:54
  Speaker 2: of a wide shot and we didn't see any second.
• 28:57
  Speaker 2: It's like the second pool just grew like an hour
• 29:00
  Speaker 2: into the movie.
• 29:00
  Speaker 1: As soon as I saw that, that's where I checked out.
• 29:03
  Speaker 1: I was like, and I'm done, and I just I
• 29:05
  Speaker 1: tuned in every now and again and that was it.
• 29:07
  Speaker 2: And then that one specific scene for no god damn
• 29:10
  Speaker 2: reason you know what's seeing him? I was literally I
• 29:13
  Speaker 2: literally done, Like I literally like when I said when
• 29:16
  Speaker 2: I text you, I'm done, Like I kept it on,
• 29:19
  Speaker 2: but I didn't watch it. I was I was, I
• 29:20
  Speaker 2: was on Facebook. I'm like, this there's nothing, no.
• 29:23
  Speaker 1: This movie not there's no redemption here. Yeah, this movie
• 29:26
  Speaker 1: me to the ground and then just sucking.
• 29:30
  Speaker 2: One. Like the movies that started to should go up
• 29:33
  Speaker 2: not down radically.
• 29:34
  Speaker 1: Yeah, because I like and I was like, no, super decision,
• 29:37
  Speaker 1: hate this too. Oh this happened terrible one and a half.
• 29:40
  Speaker 1: Oh oh okay, that's great one. Nope, it's like it
• 29:43
  Speaker 1: just kept going down. Awful. That was awful. Now I
• 29:46
  Speaker 1: understand the one or the two point six rating. Not
• 29:50
  Speaker 1: only did the CG just suck a bunch, it's so bad,
• 29:53
  Speaker 1: it's so bad. It also had a terrible story and
• 29:56
  Speaker 1: I'm like, character.
• 29:57
  Speaker 2: I did not Yeah, I didn't give a shit about
• 29:59
  Speaker 2: any of them.
• 30:00
  Speaker 1: I didn't have to care about anybody. So it was
• 30:02
  Speaker 1: just not great. I think the only redeeming thing was
• 30:04
  Speaker 1: that it was a tie movie. That's really the only
• 30:07
  Speaker 1: thing that if it was like.
• 30:08
  Speaker 3: Uh, it wasn't that much dialogue, so like, I know,
• 30:11
  Speaker 3: no I have to.
• 30:12
  Speaker 1: I'm just saying, if it was an American main movie happen,
• 30:14
  Speaker 1: it would have been a half star, like fuck you,
• 30:17
  Speaker 1: So that's the pool not gonna recommend seeing that would
• 30:22
  Speaker 1: not No, That's why I'm telling you about it now,
• 30:26
  Speaker 1: so you don't have to watch it yep, or put
• 30:28
  Speaker 1: it on if you want to have a laugh. I
• 30:29
  Speaker 1: don't know. All right, real quick, before we do the movie, ooh, hello,
• 30:35
  Speaker 1: fancy things, let's talk about some shit that's coming out
• 30:37
  Speaker 1: on physical media. So I wrote down a whole bunch
• 30:42
  Speaker 1: of stuff here, and I'll go all the way through
• 30:44
  Speaker 1: the ones that I know are coming out so and
• 30:46
  Speaker 1: the ones that are horror as well. So we've got
• 30:48
  Speaker 1: Poulterguys four K coming out next month September twentieth, be
• 30:51
  Speaker 1: sure to PERI order that on Amazon. Then we also
• 30:53
  Speaker 1: have the Watcher Blu ray from IFC Films coming out
• 30:57
  Speaker 1: on ten to four, so that's October. We computer that
• 31:00
  Speaker 1: on Amazon as well. Then we have Transfers four K
• 31:04
  Speaker 1: Full Moon Features. I am gonna wait on that one
• 31:07
  Speaker 1: because it's fifty dollars right now on Amazon. That's that's
• 31:11
  Speaker 1: a bit much. And now, but that comes out ten eleven.
• 31:14
  Speaker 1: Then we've got Happy Birthday to Me Blue ray Keino
• 31:16
  Speaker 1: Lurber coming out eleven eighteen. Then we've got Earth Girls
• 31:21
  Speaker 1: Are Easy by Vestaurant, that's a Blu ray coming out
• 31:24
  Speaker 1: eleven eight twenty two, and then Mystery Men four K
• 31:29
  Speaker 1: from Keino Why nobody asks for it, but here it
• 31:33
  Speaker 1: is no mystery Man. Four K yeah, eleven twenty two.
• 31:37
  Speaker 1: I will be one hundred and ten percent yes buying.
• 31:39
  Speaker 2: I will get it out of I don't need it,
• 31:41
  Speaker 2: but I'll get it. Look, I have it on blue ray,
• 31:43
  Speaker 2: and it's perfectly.
• 31:44
  Speaker 1: Perfect on blue ray, but it could be even perfect
• 31:47
  Speaker 1: perfect four K exactly.
• 31:49
  Speaker 2: That's just one of those movies that you're like, this
• 31:51
  Speaker 2: is just funny, like I have to get it.
• 31:52
  Speaker 1: Yeah, I'm getting it, all right. So let's talk about
• 31:58
  Speaker 1: this movie. Come to Daddy. Still hate that title, but
• 32:01
  Speaker 1: we're gonna get into the IMDb fact shit right here,
• 32:04
  Speaker 1: right now. So this movie is from twenty nineteen, released
• 32:07
  Speaker 1: on February seventh of twenty twenty. This is one of
• 32:10
  Speaker 1: those movies that went to like festivals and circuits or
• 32:13
  Speaker 1: not circuits whatever those are. Circuits. Yes, they went to
• 32:16
  Speaker 1: circuits and film festivals and stuff like that. Rated R
• 32:20
  Speaker 1: for moderate sex and nudity, severe violence and gore, severe profanity,
• 32:24
  Speaker 1: seventy four fucks, twelve shits and ten cunts, moderate alcohol,
• 32:29
  Speaker 1: drugs and smoking, and moderate frightening and intense scenes. Runtime
• 32:32
  Speaker 1: of an hour and thirty six minutes. I honestly wanted
• 32:35
  Speaker 1: more of This movie listed as a comedy horror mystery
• 32:39
  Speaker 1: thriller directed by a man named Aunt Timpson, who has
• 32:42
  Speaker 1: three directing credits. Also did a short called crab Boy
• 32:46
  Speaker 1: with an upcoming movie called The Salamander Lives Twice. Don't
• 32:48
  Speaker 1: know what either of those are, but he definitely did them.
• 32:51
  Speaker 1: Written by Toby Harvard, who has seven writing credits, and
• 32:54
  Speaker 1: also did the segment Geeves for Grandad in The Abcs
• 32:57
  Speaker 1: of Death two, and he also wrote the he Strangler.
• 33:00
  Speaker 1: Have you seen that Artist? Artist is great? It's the
• 33:08
  Speaker 1: weirdest fucking movie. Oh god, it's called the I know.
• 33:13
  Speaker 1: I remember watching that and I was like, my eyes
• 33:15
  Speaker 1: but I wasn't ready. I was like, I am not
• 33:17
  Speaker 1: ready for this. I need some milk. That's a funny
• 33:19
  Speaker 1: fucking movie. It is very weird.
• 33:21
  Speaker 2: You need some milk.
• 33:23
  Speaker 1: He needs some milk? Oh yeah, like what, Yeah, he
• 33:27
  Speaker 1: needs some milk? Is that Kevin Hart thing or whatever?
• 33:29
  Speaker 1: You never heard that audio on TikTok before.
• 33:31
  Speaker 2: If I have, I don't remember it.
• 33:33
  Speaker 1: Some milk, Okay, I don't know. Trying to be hip
• 33:35
  Speaker 1: and young, I'm not. And then he also wrote crab
• 33:40
  Speaker 1: Boy in the Salamander movie that Aunt Timpson is involved in,
• 33:43
  Speaker 1: and Ant Timpson has a writing credit for this because
• 33:46
  Speaker 1: it was this movie was based in based off of
• 33:48
  Speaker 1: an idea from him. So it's like, you know character,
• 33:52
  Speaker 1: you know, it's like how John Carpenter or someone gets
• 33:55
  Speaker 1: credited for Halloween, like, you know, characters based off of this.
• 33:58
  Speaker 1: I guess that's what he's gonna credit for this for
• 34:00
  Speaker 1: I don't know. Composed by a man named Carl Solve
• 34:04
  Speaker 1: Steven who has forty nine composer credits. Also did a
• 34:06
  Speaker 1: lot of TV shows and shorts I hadn't heard of.
• 34:09
  Speaker 1: And then we've got cinematography by Daniel Katz, who has
• 34:12
  Speaker 1: fifty one cinematographer credits. Also did the Vanishing of Vanus, Vanishing, Vanishing,
• 34:19
  Speaker 1: This is all fucking natural Soberness Sydney Hall, which is
• 34:24
  Speaker 1: a really good A twenty four movie if you haven't
• 34:26
  Speaker 1: seen that one. And then we've got Elijah Wood as
• 34:30
  Speaker 1: Norville Greenwood, weird fucking name it is, who has one
• 34:35
  Speaker 1: hundred and twenty acting credits. You might know him from
• 34:37
  Speaker 1: a little thing called The Lord of the Rings trilogy.
• 34:39
  Speaker 1: He played a man named Frodo. He was also in
• 34:41
  Speaker 1: the Faculty as Casey Connor, which is a fucking delightful
• 34:45
  Speaker 1: I'd call that a team screen from ninety nine, I want.
• 34:49
  Speaker 2: To say ninety eight.
• 34:51
  Speaker 1: Eight, one of those two years. And then he is
• 34:53
  Speaker 1: also in the Maniac remake as Frank, which is a
• 34:57
  Speaker 1: fucking masterpiece. That is one of the rare times where
• 35:00
  Speaker 1: I prefer the remake over the original, mainly because of
• 35:03
  Speaker 1: how it was filmed. Fucking beautiful, Yes, so good. Then
• 35:07
  Speaker 1: we've got Stephen mccattie as Gordon, who has two hundred
• 35:09
  Speaker 1: and sixteen acting credits. Was in Pontypool as Grant Mazzie,
• 35:14
  Speaker 1: Watchman as Hollis Mason and the Fountain as Grand Inquisitor Celestio.
• 35:20
  Speaker 1: That guy. Then we've got Garfield Wilson as Ronald Plumb.
• 35:25
  Speaker 1: Really hasn't done too much seventy acting credits TV shows
• 35:28
  Speaker 1: and stuff I did not recognize. Then we've got Madeleine
• 35:32
  Speaker 1: say Sammy as Glad as thirty six acting credits. Is
• 35:35
  Speaker 1: also in Slow West as Merrimacio, which is another great
• 35:38
  Speaker 1: eight twenty four joint if you haven't seen that as well.
• 35:42
  Speaker 1: Martin Donovan is Brian one hundred and sixteen acting credits.
• 35:45
  Speaker 1: Was also in Tenant as Fay Big Little Lies as
• 35:48
  Speaker 1: Martin Martin Norton, Oh my god, Martin Howard, and Weeds
• 35:52
  Speaker 1: as Peter Scottson. I know him from Weeds. Yeah. Did
• 35:55
  Speaker 1: you ever watch that Showeds? Yeah? Yeah, so he is
• 35:57
  Speaker 1: the FBI agent in Weeds. And then last but not least,
• 36:01
  Speaker 1: we've got Michael Smiley as Jethrow, who has one hundred
• 36:04
  Speaker 1: and eight acting credits. Was also in Free Fire as
• 36:06
  Speaker 1: Frank the Lobster as Loner Swimmer and Rogue One as
• 36:10
  Speaker 1: doctor Evison Evason. That guy estimated budget of question Mark
• 36:16
  Speaker 1: because it's an indie film, so sometimes had information is
• 36:19
  Speaker 1: not available, but apparently it had a worldwide box office
• 36:21
  Speaker 1: grows of one hundred and seventeen point nine thousand dollars,
• 36:26
  Speaker 1: so that's something. Film in Tofino and Vancouver, British Columbia, Canada.
• 36:30
  Speaker 1: You can watch it on Amazon Prime. I fucking bought
• 36:33
  Speaker 1: this like when it came out digitally and then like
• 36:35
  Speaker 1: a month later it was just streaming on Prime. I'm like,
• 36:37
  Speaker 1: you bitch, Like I don't mind noting it obviously, but
• 36:40
  Speaker 1: I was like, you s have the bitch movies that
• 36:43
  Speaker 1: came out around the same time. We've got the Lodge
• 36:46
  Speaker 1: Color Out of Space, Birds of Prey, and the Fantastical
• 36:49
  Speaker 1: Emancipation of One Harley Quinn something like that, fantas Fantasy
• 36:54
  Speaker 1: Island Camp, Coldbrook, VFW, Monster Hunter, Brahms, The Boy two,
• 36:59
  Speaker 1: and Practical Joe the Movie, and The Invisible Man. One
• 37:03
  Speaker 1: of the greatest from twenty twenty. That was twenty twenty, right, No, yeah,
• 37:08
  Speaker 1: Invisible Man twenty twenty.
• 37:10
  Speaker 2: Sure, twenty twenty was pandemic, so.
• 37:12
  Speaker 1: Like, yeah, but it was probably January.
• 37:14
  Speaker 2: Yeah, maybe it was. Yeah, maybe it was January twenty twenty.
• 37:16
  Speaker 1: I think it was January, yeah, because I remember being like,
• 37:19
  Speaker 1: oh god, January is usually when stuff they really kind
• 37:21
  Speaker 1: of just released stuff. I hope this isn't like one
• 37:24
  Speaker 1: of those, and then it ended up being one of
• 37:25
  Speaker 1: the one of the greatest of the years.
• 37:26
  Speaker 2: It's pretty good.
• 37:28
  Speaker 1: Way good. Let me get out my notes now, because
• 37:30
  Speaker 1: we're going into a favorite shit here. Did you have
• 37:34
  Speaker 1: a specific horror memento, sir?
• 37:39
  Speaker 2: Yes, and no, it's more like I don't mean, it's
• 37:43
  Speaker 2: pretty much the like the Last.
• 37:46
  Speaker 1: Kill, the Last One, Oh, okay, like I would.
• 37:50
  Speaker 2: I would have to say, that's probably like that goes
• 37:54
  Speaker 2: that that whole scene between like what happens and the
• 37:57
  Speaker 2: end is probably combination of my horror moment and uh
• 38:00
  Speaker 2: favorite kill.
• 38:01
  Speaker 1: Okay, well, my favorite horror moment was the Prong to
• 38:06
  Speaker 1: the Dick area.
• 38:07
  Speaker 2: Oh yeah, that's pretty good though.
• 38:08
  Speaker 1: That was my favorite horror moment. But then my favorite
• 38:10
  Speaker 1: kill was the guy who gets crushed and his brain
• 38:13
  Speaker 1: is like hanging out.
• 38:14
  Speaker 2: That's what I've done.
• 38:15
  Speaker 1: Yeah, so our kind of coincide.
• 38:17
  Speaker 2: Uh.
• 38:18
  Speaker 1: Did you have a favorite character?
• 38:19
  Speaker 2: Not really, I I didn't. I didn't love I didn't
• 38:23
  Speaker 2: hate everybody, but I love them.
• 38:24
  Speaker 1: Either fucking love jeth Throwe Jethrow.
• 38:30
  Speaker 2: Maybe the cop, the cop with it with I was
• 38:36
  Speaker 2: dying maybe, you know what. Honestly, the cop was my
• 38:37
  Speaker 2: favorite because bullshit.
• 38:40
  Speaker 1: We'll get and we'll get to that, okay. Uh yeah,
• 38:43
  Speaker 1: my favorite character is Jet Throw. He's just this weird guy. Uh.
• 38:47
  Speaker 1: And that's that's the guy played by Michael Smiley, super
• 38:50
  Speaker 1: weird guy. Yours was the cop that's hilarious. Of the
• 38:54
  Speaker 1: least favorite character, did you have one?
• 38:57
  Speaker 2: Yeah? The uh, the coroner, no, uh, the Gordon.
• 39:07
  Speaker 1: Yes, the old guy.
• 39:08
  Speaker 2: Yes, I'm trying to the old.
• 39:11
  Speaker 1: Guy that that that you know, Yes, him, Yeah, same.
• 39:15
  Speaker 2: I'm not a fan.
• 39:15
  Speaker 1: He's a he's a bag of ship. I'm not a
• 39:18
  Speaker 1: fan of that guy at all. A Jesus, uh what
• 39:25
  Speaker 1: what did you have? A favorite line? There we go,
• 39:27
  Speaker 1: that's what I mean.
• 39:28
  Speaker 2: Line no, but a line of dialogue, yes, the whole conversation.
• 39:34
  Speaker 2: That was so because that's just matter of like m Bruges,
• 39:37
  Speaker 2: like like the random like just you know what, we're
• 39:39
  Speaker 2: just gonna we're gonna say as many times we can't
• 39:42
  Speaker 2: in a sentence, so unnecessary, but it was great. It
• 39:44
  Speaker 2: was hilarious.
• 39:45
  Speaker 1: Okay, I had three. First one was when Gordon said
• 39:49
  Speaker 1: I shouldn't have had that second beer for breakfast. That
• 39:52
  Speaker 1: made me laugh, Norville calling his uh that hold on
• 39:56
  Speaker 1: that guy a count over? Yeah, and then and when
• 40:00
  Speaker 1: Jethro said I'm out of here like Vladimir.
• 40:03
  Speaker 2: Yeah, that's dumb, but yeah, funny, so stupid.
• 40:07
  Speaker 1: I hate you, fucking hate you. Oh man, this movie
• 40:11
  Speaker 1: is like shockingly hilarious, Like it's funny because they play
• 40:15
  Speaker 1: it so straight, and then the comedy will just kind
• 40:17
  Speaker 1: of come out of nowhere and you're like that was
• 40:19
  Speaker 1: perfectly timed. Yeah, every single time, I'm like, all right,
• 40:22
  Speaker 1: I could.
• 40:22
  Speaker 2: Yeah. The tallest shift of this movie is very different
• 40:25
  Speaker 2: in the last like a half hour.
• 40:26
  Speaker 1: Oh yeah, it goes through a lot. It's a lot
• 40:29
  Speaker 1: of fun. So let's see here, all right IMDb summary.
• 40:34
  Speaker 1: Right here is a man in his thirties travels through
• 40:37
  Speaker 1: a remote cabin to reconnect with his a strange father.
• 40:40
  Speaker 1: So right off the bat, this movie doesn't waste any time.
• 40:44
  Speaker 1: And you see a like a big bus traveling through
• 40:48
  Speaker 1: the forest and then it stops and then Norville gets
• 40:51
  Speaker 1: off who is Elijah Wood? And then motherfucker just like
• 40:54
  Speaker 1: goes into the into the woods.
• 40:55
  Speaker 2: Yeah, he just walks.
• 40:56
  Speaker 1: Walks into the woods with this giant luggage bag.
• 41:00
  Speaker 2: Some might say Elijah walked in the woods yits yeah those.
• 41:05
  Speaker 1: Dad, No, he really did though. So he's just going
• 41:09
  Speaker 1: over down trees and all this shit. He looks way
• 41:12
  Speaker 1: too fancy to be there. And then eventually he finally
• 41:15
  Speaker 1: stumbles upon you know, a shore and there's sand and
• 41:19
  Speaker 1: you know there's like either the oh some sort of
• 41:21
  Speaker 1: ocean or a lake or something there, and then there's
• 41:23
  Speaker 1: just this awesome like UFO style house. That's what at
• 41:26
  Speaker 1: least that's what Elijah would calls it. And it's i'd
• 41:30
  Speaker 1: say what like twenty feet off the ground or something
• 41:32
  Speaker 1: like that. It's pretty high up on the ground. And
• 41:35
  Speaker 1: then he goes up there and knocks on the door
• 41:37
  Speaker 1: and says, hey, Dad, it's me. Oh my god, you
• 41:40
  Speaker 1: send me that note. And Dad is like, looks like
• 41:44
  Speaker 1: who are you?
• 41:45
  Speaker 2: Yeah, there's a there's a good thirty second pause of
• 41:47
  Speaker 2: just back and forth of like who the fuck.
• 41:50
  Speaker 1: Yeah, and he's like, it's me, your son, norvil Uh.
• 41:55
  Speaker 1: I got your letter and I'm here, and then he
• 41:56
  Speaker 1: just like embraces him and hugs him, and I'm like, already,
• 41:59
  Speaker 1: I'm uncomfortable. Something's going on here. This is my third
• 42:03
  Speaker 1: time watching it, so I already know all the twisties
• 42:06
  Speaker 1: that happen. There's like i'd say, there's like four or
• 42:07
  Speaker 1: five different twists and turns. We'll probably do one or two,
• 42:11
  Speaker 1: not all of them. So immediately I know what's going
• 42:13
  Speaker 1: on at this point going into the movie. But you know,
• 42:17
  Speaker 1: he gets there and his dad's acting all weird, and
• 42:20
  Speaker 1: I mean, I guess I guess I would be too
• 42:22
  Speaker 1: if I hadn't seen my son and it had been
• 42:24
  Speaker 1: like thirty thirty years thirty years. But he's like it
• 42:27
  Speaker 1: just seems like he's irritated that he's there, and that's
• 42:31
  Speaker 1: when his name is Gordon Norvel's dad, and that's when
• 42:36
  Speaker 1: he's like, hey, we should go take a picture out
• 42:38
  Speaker 1: on our little deck. And Norvil's got this limited.
• 42:42
  Speaker 2: Gold limited real gold phone.
• 42:45
  Speaker 1: Yeah limit, there's only twenty May, and I'm like.
• 42:48
  Speaker 2: No, there's nineteen.
• 42:49
  Speaker 1: Yeah, yeah, why would you have that? So he goes
• 42:51
  Speaker 1: to take a picture, it falls into the water, breaks
• 42:54
  Speaker 1: on the rock, and you know, of course, Elij's like
• 42:56
  Speaker 1: what the fuck hello, and he's like, yeah, now there's
• 42:58
  Speaker 1: night dealing. And that's when he says I shouldn't have
• 43:00
  Speaker 1: had that second beer for breakfast, and I was like, ah, nice,
• 43:04
  Speaker 1: that's gonna be me one day. So yeah, his phone
• 43:07
  Speaker 1: is in communicado, which watching it again, I felt was
• 43:12
  Speaker 1: done intentionally and you'll know why when you watch the movie.
• 43:16
  Speaker 1: So then we find out later too that Norville doesn't
• 43:19
  Speaker 1: drink something about he was dependent on it. And then
• 43:23
  Speaker 1: he also tried to kill himself.
• 43:25
  Speaker 2: Yeah, he tried to kill himself.
• 43:26
  Speaker 1: Did he did he say sorry?
• 43:28
  Speaker 2: He said he was he got close, that's right.
• 43:31
  Speaker 1: He wrote the letter.
• 43:32
  Speaker 2: He wrote the letter, He filled the tub and he
• 43:34
  Speaker 2: got in the tub and he just didn't go through
• 43:36
  Speaker 2: with it.
• 43:37
  Speaker 1: He didn't do it, so you find out that he
• 43:40
  Speaker 1: obviously was suicidal at one point. That's why he doesn't drink.
• 43:43
  Speaker 1: And then his fucking dad. His dad just like looks
• 43:46
  Speaker 1: at him like that's a cute story, pours a huge
• 43:49
  Speaker 1: glass of wine and then like chugs it in front
• 43:51
  Speaker 1: of him. He's like, are you tempted? I'm like, wow,
• 43:54
  Speaker 1: what a dick, Like, why are you calling me all
• 43:57
  Speaker 1: You're calling me all the way out here to ask
• 43:59
  Speaker 1: me about not drinking. A fucking loser. So I thought
• 44:02
  Speaker 1: that was a pretty dick move. And then they're talking
• 44:05
  Speaker 1: and this is probably my I think this is probably
• 44:07
  Speaker 1: my favorite interaction the whole movie, because we find out
• 44:10
  Speaker 1: that Norvil's dad, Gordon, used to be a limo driver
• 44:14
  Speaker 1: and norvels in the music business, and he name drops
• 44:17
  Speaker 1: all these people rappers I can't remember their name, but
• 44:19
  Speaker 1: then he name drops Elton John and this is like
• 44:21
  Speaker 1: my favorite fucking conversations. It is so funny because, uh,
• 44:26
  Speaker 1: Norvil's going on and on about Elton, I mean, Reginald
• 44:29
  Speaker 1: and about all this stuff, and his dad's like, no shit,
• 44:33
  Speaker 1: I know Elton John. I was this limo driver for
• 44:35
  Speaker 1: ten years, and you're like, oh, this is cool. They
• 44:38
  Speaker 1: both know Elton John. So then Gordon's like, you know what,
• 44:42
  Speaker 1: let's call him. Norble's like no, no, no, he doesn't
• 44:45
  Speaker 1: like to be called after eight, and Gordon's like, he
• 44:47
  Speaker 1: told me to call him.
• 44:47
  Speaker 2: Over never, let's fucking go.
• 44:50
  Speaker 1: Let's go, and so he like goes to start calling
• 44:54
  Speaker 1: him up and then that's when he's like whoa, whoa, whoa. Okay, like,
• 44:58
  Speaker 1: don't actually know him, and Gordon was like huh interesting
• 45:02
  Speaker 1: and hangs up the phone, and it was like, neither do.
• 45:04
  Speaker 2: I I was really hoping they would have just gone
• 45:08
  Speaker 2: with it because who was he actually calling, I know,
• 45:13
  Speaker 2: dialing random number.
• 45:14
  Speaker 1: He was just dialing a random number. I thought it
• 45:16
  Speaker 1: was so funny. It was like so so both of
• 45:18
  Speaker 1: them were bullshitting each other, and then his dad is like, well,
• 45:21
  Speaker 1: now we know you're full of shit, and I'm like, dude,
• 45:23
  Speaker 1: did you just invite your son here to just like
• 45:25
  Speaker 1: completely shit all over him, because like that's a weird
• 45:28
  Speaker 1: thing to do. I haven't seen you in thirty years,
• 45:30
  Speaker 1: by the way, fuck you what the hell? Man? So
• 45:33
  Speaker 1: it's you're like at this point, you're like so confused
• 45:35
  Speaker 1: what is actually happening with this man? So they both
• 45:39
  Speaker 1: don't know Elton Elton John. They both confess and that
• 45:45
  Speaker 1: night this is actually something else too that if you
• 45:48
  Speaker 1: hear this is the first time I actually heard this
• 45:51
  Speaker 1: out of three times I've watched it. But he's snooping
• 45:53
  Speaker 1: on his dad. Actually, wait, it might not be this time. Sorry,
• 45:58
  Speaker 1: it's it's later on. But he snoops in on a
• 46:00
  Speaker 1: on his dad on the phone, and he, you know,
• 46:02
  Speaker 1: he hears normals till normal like runs across the house
• 46:04
  Speaker 1: and acts like he's asleep, and then Gordon comes in
• 46:07
  Speaker 1: and checks on him to make sure he's asleep. So
• 46:09
  Speaker 1: you're like, okay, what's that up to. He's up to
• 46:11
  Speaker 1: some shady shit. You know, it's kind of suspicious to
• 46:14
  Speaker 1: do that. Why are you checking on him? Like he's
• 46:16
  Speaker 1: your you know, five year old, So that was kind
• 46:19
  Speaker 1: of weird. Red flags are definitely going off for sure.
• 46:23
  Speaker 1: And then the next day when they're talking, he sorry,
• 46:28
  Speaker 1: he's asking Gordon like, why did you want me here?
• 46:31
  Speaker 1: You asked me here? It seems like you don't want
• 46:33
  Speaker 1: me here? What's going on? And then like a few
• 46:35
  Speaker 1: seconds go by and he's like, I gotta take a
• 46:37
  Speaker 1: shit and then let's go for a swims. What I
• 46:41
  Speaker 1: just asked you why you called me here after thirty
• 46:43
  Speaker 1: years and you had a shit? That's what we're going with, right,
• 46:47
  Speaker 1: So you're like, Okay, Dad is really in a weird mood.
• 46:51
  Speaker 1: And I love this scene too, when they're on the
• 46:53
  Speaker 1: beach and they're both just standing there not doing anything,
• 46:56
  Speaker 1: and then they both just charge into the ocean. But
• 46:58
  Speaker 1: then Gordon stops and it's just Elijah in the water.
• 47:01
  Speaker 1: So he's like on his back and shit just floating out,
• 47:03
  Speaker 1: you know, in the ocean or wherever they are, and
• 47:06
  Speaker 1: like it was like a rock that lands like right
• 47:09
  Speaker 1: next to his head. Yeah, he has like this huge
• 47:11
  Speaker 1: rock about you know, he headsize that just lands about
• 47:15
  Speaker 1: three inches to norvels right, And then of course he
• 47:18
  Speaker 1: pops up and looks at Gordon, who's just standing on
• 47:20
  Speaker 1: the beach like fucking weirdo. And you're like, okay, at
• 47:24
  Speaker 1: this point, like what were you when you're your first
• 47:26
  Speaker 1: time watching at this point your first watch, Like what
• 47:28
  Speaker 1: were you feeling?
• 47:30
  Speaker 2: Well, my first watch, I didn't know what happened, but
• 47:32
  Speaker 2: I was no.
• 47:33
  Speaker 1: I'm saying like that, I'm saying like on your first
• 47:34
  Speaker 1: watch at that point, like, what did you think was
• 47:36
  Speaker 1: going on? Because I I was like, does he want
• 47:38
  Speaker 1: to like bring him out there to kill him and
• 47:40
  Speaker 1: collect on some insurance or something like That's what I thought.
• 47:43
  Speaker 1: I thought he brought him out there to kill him
• 47:45
  Speaker 1: for some reason, Like I don't know what it was,
• 47:47
  Speaker 1: but I figured that's what that's what was going on
• 47:50
  Speaker 1: because it seemed like he wanted him dead. With breaking
• 47:52
  Speaker 1: his phone, that felt like it was on purpose. Throwing
• 47:55
  Speaker 1: a boulder at him, I mean, there was no one
• 47:56
  Speaker 1: else in there. That boulder didn't just fall from the sky.
• 47:59
  Speaker 1: So it's very suspicious right now as to what's going on,
• 48:02
  Speaker 1: and you kind of get a sense that his dad
• 48:05
  Speaker 1: isn't who he says he is or something. So yeah,
• 48:09
  Speaker 1: this is when you hear him on the phone again,
• 48:12
  Speaker 1: and if you hear it, listen really close to he says,
• 48:15
  Speaker 1: I don't want to be a babysitter.
• 48:16
  Speaker 2: Yeah.
• 48:17
  Speaker 1: So you think at this point that he's talking to
• 48:19
  Speaker 1: Norval's mom because I believe by this point he's called
• 48:22
  Speaker 1: her once or twice, Yeah, talking about how how weird
• 48:25
  Speaker 1: dad is. So I think you're like, Okay, maybe he's
• 48:27
  Speaker 1: just talking to the wife he doesn't want to be
• 48:30
  Speaker 1: a babysitter. That's kind of weird. Why did you? And again,
• 48:33
  Speaker 1: why did you invite him out there? This makes no sense?
• 48:36
  Speaker 1: Excuse me? And then he asks again about the fucking letter.
• 48:39
  Speaker 1: He's like, dude, why are you? Like, what do you
• 48:41
  Speaker 1: what did you want me for? And then he says
• 48:43
  Speaker 1: fucking drop it. He's like, Okay, you left when I
• 48:45
  Speaker 1: was five. It's thirty years later. What's going on? And
• 48:48
  Speaker 1: then Gordon's like, I don't know, you shit, and he's
• 48:50
  Speaker 1: like becoming increasingly more drunk and drunk, and it's like
• 48:53
  Speaker 1: the middle of the fucking day and he's just fucking hammered,
• 48:56
  Speaker 1: chugging bottles of alcohol and uh, Norvil says he knows
• 49:00
  Speaker 1: exactly what's going on, but Gordon's like, you don't know
• 49:02
  Speaker 1: what's fucking going on, And turns out he really doesn't
• 49:04
  Speaker 1: fucking know what going on because shit happens. And Normal's like, no,
• 49:09
  Speaker 1: you wrote that when you were drunk and you don't
• 49:11
  Speaker 1: remember sending it, and that's what happened. And then I
• 49:14
  Speaker 1: think this is when they get into that weird, cunt.
• 49:16
  Speaker 2: Com weird conversation.
• 49:19
  Speaker 1: He calls Gordon calls Normal a hunt for wearing clothing
• 49:24
  Speaker 1: or something, and it's just like you probably shove rats
• 49:27
  Speaker 1: up your vagina and You're like, what the fuck is
• 49:30
  Speaker 1: the what is this? So that all goes on and
• 49:33
  Speaker 1: tensions start like really like rising, and then Normal's like,
• 49:38
  Speaker 1: you know what, I'm just gonna leave. And then Gordon's like,
• 49:42
  Speaker 1: if you if you left right now, you died in
• 49:44
  Speaker 1: those woods. Yeah, and I'm like, well, he did walk there,
• 49:47
  Speaker 1: so he could probably get out. But again I'm like,
• 49:49
  Speaker 1: maybe that's code for if you leave, I'm gonna send
• 49:51
  Speaker 1: someone to track you down. Yeah. Like it's it's so
• 49:56
  Speaker 1: weird at this point, so Normal doesn't know what to do.
• 50:00
  Speaker 1: And then this is when Gordon fucking pulls a cleaver
• 50:03
  Speaker 1: out on his ass, like I'm talking huge meat cleaver
• 50:06
  Speaker 1: ye for no fucking reason, and then starts going to
• 50:11
  Speaker 1: attack him. And then he clutches his chest uh no,
• 50:14
  Speaker 1: not Norvil Gordon and falls over dead just just man
• 50:20
  Speaker 1: has a heart attack right in front of his son,
• 50:23
  Speaker 1: which I thought was kind of a twist. If that
• 50:25
  Speaker 1: was a small twist for me, I was like, oh,
• 50:27
  Speaker 1: he's fucking dead. Dad is gone, Oh shit, okay.
• 50:31
  Speaker 2: Yeah, and then that's the only that's only about like
• 50:32
  Speaker 2: forty minutes in the movie.
• 50:33
  Speaker 1: Yeah, that's about thirty forty minutes in. So I'm like,
• 50:36
  Speaker 1: oh shit, okay, like that's kind of interesting. And then
• 50:40
  Speaker 1: he calls to report the death, and the fucking cop
• 50:43
  Speaker 1: who shows up, he's just like, you know, he's just
• 50:47
  Speaker 1: like staring him down. He's like, I believe you. It's like,
• 50:49
  Speaker 1: why do you believe me? He's like, you got crazy eyes.
• 50:51
  Speaker 1: He's like, I got this theory that all bad guys
• 50:54
  Speaker 1: have raisin eyes and you don't have raisin eyes.
• 50:56
  Speaker 2: And I'm like what, And then he looks at the
• 50:58
  Speaker 2: guys like that motherfuckers raisin eyes.
• 51:00
  Speaker 1: He's like that your dad. He's like yeah.
• 51:02
  Speaker 2: He's like I'm sorry, which is funny too, because Norville
• 51:06
  Speaker 2: did lie. He did, didn't. He left out the whole
• 51:10
  Speaker 2: confrontation left He actually lied about what happened. So I'm like,
• 51:14
  Speaker 2: this cop is stupid.
• 51:16
  Speaker 1: I'm sorry, pal, But the whole raisin thing is I've
• 51:20
  Speaker 1: never heard that before ever. Of just like, yeah, raisin eyes,
• 51:24
  Speaker 1: I've never heard that theory. And of course it's it's
• 51:26
  Speaker 1: the small town cop who comes up with this raisin
• 51:28
  Speaker 1: eye theory and it's hilarious because he was spot on
• 51:32
  Speaker 1: with Gordon because he was obviously evil old man drunk
• 51:35
  Speaker 1: trying to kill his son, Like, who fucking does that?
• 51:37
  Speaker 1: It's been thirty years, come out to the farm. I'll
• 51:39
  Speaker 1: fucking chappion half with Mike Cleaver. But yeah, that whole
• 51:43
  Speaker 1: interaction was so and it was like perfectly you know,
• 51:46
  Speaker 1: like like the comedy was so well timed because you're like,
• 51:49
  Speaker 1: holy shit, what's going on? And then you get a
• 51:51
  Speaker 1: little bit of comic relief and you're like, it's kind
• 51:53
  Speaker 1: of funny even though there's a dead guy right there.
• 51:55
  Speaker 1: You're like, that's kind of funny. Because after that the
• 52:00
  Speaker 1: cop on cut when he when he uncovers Gordon and
• 52:02
  Speaker 1: says he has raising eyes. He's like, okay, the corner
• 52:05
  Speaker 1: will take it from here. You know, she's gonna come
• 52:09
  Speaker 1: do her thing. And then my like my favorite follow
• 52:12
  Speaker 1: up to the little conversation they had, he was like,
• 52:13
  Speaker 1: I can burpman command if it'll make you feel better,
• 52:16
  Speaker 1: and then it just yeah, dead ass at him and
• 52:19
  Speaker 1: as soon as normals like no, I'm okay, he's like.
• 52:23
  Speaker 2: Like it must be a small island for this cop
• 52:26
  Speaker 2: to be like.
• 52:28
  Speaker 1: Just like Jesus crazy. He didn't even consent to that,
• 52:31
  Speaker 1: and you're burping through him saying no. It's like all right,
• 52:35
  Speaker 1: So yeah, honestly that cop was pretty good. It was
• 52:38
  Speaker 1: a pretty good, just small role. So yeah, he just
• 52:41
  Speaker 1: burbs right through normal saying no. Which it's just it
• 52:44
  Speaker 1: was so funny. I forgot about that scene that it happened,
• 52:46
  Speaker 1: and I just started cackling. It was so funny. And
• 52:49
  Speaker 1: this is when the corner shows up takes the body
• 52:52
  Speaker 1: and she's like, Hey, I'm gonna embalm him, do all
• 52:54
  Speaker 1: the ship that I need to do, and then I'm
• 52:55
  Speaker 1: gonna bring him back here. Normles like wait what you're
• 52:58
  Speaker 1: bringing him back? He's like, there's a flood and storage
• 53:01
  Speaker 1: is a problem, so we'll have to come back here.
• 53:03
  Speaker 1: But don't worry. He'll be good. He'll be all embalmed
• 53:05
  Speaker 1: and blood.
• 53:06
  Speaker 2: Like how weird is that?
• 53:08
  Speaker 1: That is weird? But I mean small town, you know
• 53:10
  Speaker 1: what I mean?
• 53:10
  Speaker 2: True, But like you're dead, dead or dead whoever, like,
• 53:14
  Speaker 2: like in.
• 53:15
  Speaker 3: General, anything dead in my house will be weird.
• 53:18
  Speaker 2: Yeah right, I mean they're good to go, they're not
• 53:20
  Speaker 2: going to smell or anything, but like what if they
• 53:22
  Speaker 2: forget He's there and they and they just like you
• 53:25
  Speaker 2: try to sell a house and you forget that he's
• 53:27
  Speaker 2: in the bonnets. It's like it's like that's that's from
• 53:29
  Speaker 2: step brothers.
• 53:30
  Speaker 1: Yeah, oh good, it's just died yesterday. Could you give
• 53:35
  Speaker 1: us some space? He just died yesterday, spregancy Dick Derek.
• 53:42
  Speaker 1: So that's really weird. So not only is his dad dad,
• 53:45
  Speaker 1: now he has to live with his dead body in
• 53:47
  Speaker 1: the house, which sounds like so much fun. He's just
• 53:51
  Speaker 1: he was just like what and now he has to
• 53:53
  Speaker 1: wait for family to come and take care, you know,
• 53:55
  Speaker 1: like they have to have a funeral for the dad
• 53:58
  Speaker 1: and all this shit. So it's it's just like so
• 54:01
  Speaker 1: much is happening to poor Norvil at this point, You're like,
• 54:04
  Speaker 1: holy shit. So he is gonna be at the house
• 54:08
  Speaker 1: while his family makes arrangement. And then this is when
• 54:10
  Speaker 1: the coroner mentions the normal that he has kind eyes.
• 54:12
  Speaker 1: And I'm sure Norma's like, what the fuck is everyone
• 54:14
  Speaker 1: talking about my eyes today? It's like yeah, he's like,
• 54:16
  Speaker 1: Normal's like, yeah, I don't have raisin eyes, according to
• 54:20
  Speaker 1: that cop. And he's like Raisin and she's like raisin eyes.
• 54:22
  Speaker 1: Who the fuck' said that the cop. She's like, yeah,
• 54:24
  Speaker 1: he's like fucking idiot. It's like yeah, so I've got
• 54:28
  Speaker 1: kind unraisin eyes, That's what I've got. So anyways, the
• 54:33
  Speaker 1: later that day she comes back with the father. They
• 54:35
  Speaker 1: have like a small heart to heart saying, you know, hey,
• 54:37
  Speaker 1: I know it's weird, but like just talk, you know,
• 54:39
  Speaker 1: just talk to him, get all the things out that
• 54:41
  Speaker 1: you wanted to say, and just just do it while
• 54:44
  Speaker 1: he's here, you know, while you have the time, and
• 54:47
  Speaker 1: like I could see that, I could see that happening
• 54:49
  Speaker 1: or like helping, you know what I mean. I know
• 54:50
  Speaker 1: it's weird, but like, yeah, say all the stuff you
• 54:52
  Speaker 1: wanted to stay over the past thirty years that you couldn't.
• 54:55
  Speaker 1: And then this is where it gets really weird. It
• 54:57
  Speaker 1: kind of takes like this paranorm normal turn almost because
• 55:02
  Speaker 1: that night he starts hearing all this banging like around
• 55:05
  Speaker 1: the house, which wasn't there before. It was. This is
• 55:09
  Speaker 1: the first time it's happened, so you're like, okay, is
• 55:11
  Speaker 1: this about to go full on? Like like ooky spooky,
• 55:15
  Speaker 1: Like what's going on? I don't understand. So he goes
• 55:18
  Speaker 1: to investigate and then he sees the room where his
• 55:20
  Speaker 1: dad is that, and the fucking body bag is like open.
• 55:23
  Speaker 1: It's like unzipped a little bit, and you're like, okay,
• 55:25
  Speaker 1: that was definitely zipped all the way. So he closes
• 55:27
  Speaker 1: it and continues to hear banging all throughout the next day,
• 55:30
  Speaker 1: and then he goes to call the corner at some
• 55:32
  Speaker 1: point for something.
• 55:33
  Speaker 3: And then the phone rings because he got drunk.
• 55:36
  Speaker 1: No no, no, He goes to call and then when
• 55:38
  Speaker 1: he picks it, oh yeah, yeah, there's no one there.
• 55:40
  Speaker 2: Yeah the first time.
• 55:41
  Speaker 1: Yeah, So and he's like, hello, what's going on? So
• 55:43
  Speaker 1: no one's on the other end of the line. You're like, Okay,
• 55:47
  Speaker 1: goes back to the room where his dad is. That
• 55:49
  Speaker 1: body bag is slightly opened. Again. You're like, what the
• 55:51
  Speaker 1: fuck's going on. Either someone's in the house doing this
• 55:54
  Speaker 1: or it's fucking paranormal. What's happening? More banging that night,
• 55:59
  Speaker 1: and more bang the next morning. And then when he's
• 56:01
  Speaker 1: peeing the next day, he he like looks out this
• 56:04
  Speaker 1: little window, sees like someone walking in the woods hides
• 56:07
  Speaker 1: looks back and there's no one there again, and I'm like,
• 56:09
  Speaker 1: it literally turns into a fucking ghost movie. Yeah, it's
• 56:12
  Speaker 1: really weird and it's not ghost movie at all, because uh,
• 56:16
  Speaker 1: we're about to find out. But later that night, he
• 56:18
  Speaker 1: pours himself a huge glass of wine because I think
• 56:21
  Speaker 1: i'd probably give in to see my dad after thirty years,
• 56:26
  Speaker 1: him almost trying to kill me, him dying. There's banging
• 56:29
  Speaker 1: noises in the house. I'm seeing people in the woods
• 56:31
  Speaker 1: just gonna say fuck it. And then it cuts to
• 56:33
  Speaker 1: him later just fucking having the time of his life,
• 56:35
  Speaker 1: peeing off rocks into the ocean, having the having like
• 56:39
  Speaker 1: a blast. And that's when he picks up the phone.
• 56:41
  Speaker 2: Oh yeah, and starts like hitting on this just the
• 56:44
  Speaker 2: corner while he's drunk.
• 56:45
  Speaker 1: Yeah, because he's like, we had something, you know.
• 56:48
  Speaker 2: She's like, no, no, we didn't.
• 56:49
  Speaker 1: But it's weird because like when they were talking, it
• 56:51
  Speaker 1: seems like they did. I got that vibe, and I'm like, okay,
• 56:54
  Speaker 1: I know she's trying to be nice.
• 56:55
  Speaker 2: Probably why.
• 56:58
  Speaker 1: I'm just saying, I mean it was probably done intentional,
• 57:00
  Speaker 1: because like she really gave off the vibe that she
• 57:02
  Speaker 1: was interested in him and she wanted to go to fucking.
• 57:06
  Speaker 2: And when she downtown that night, man, and when she
• 57:08
  Speaker 2: mentioned like the phone number, she didn't say, here's the
• 57:10
  Speaker 2: number to the Corners office.
• 57:11
  Speaker 1: Here's my phone.
• 57:12
  Speaker 2: Yeah, And I'm like, okay, I'm not like like I'm
• 57:15
  Speaker 2: not the smartest when it comes to women, but I'm like,
• 57:18
  Speaker 2: if a woman strictly gives me her numbers, so this
• 57:20
  Speaker 2: is my number, not hey, this is the numbers to
• 57:22
  Speaker 2: the office, yeah.
• 57:23
  Speaker 1: This is mine, i'd be like, okay.
• 57:25
  Speaker 2: So so when is it, Dick, what are we doing here?
• 57:28
  Speaker 1: Wow?
• 57:29
  Speaker 2: Okay, not really, but you know what I'm.
• 57:30
  Speaker 1: Saying, whenever, Yeah, when are we going on a date?
• 57:32
  Speaker 1: Because like you're obviously interested, right probably obviously not obviously not. Yeah,
• 57:38
  Speaker 1: so because and she's like adamant about it too, And
• 57:40
  Speaker 1: of course he's like, but wait no, I really like
• 57:42
  Speaker 1: hold on, like can you just like come hang out,
• 57:44
  Speaker 1: like just come over and hang out? I did you?
• 57:46
  Speaker 1: Yeah She's like no. He's like, oh come on. I
• 57:48
  Speaker 1: just like he's like, I need someone. So she says no,
• 57:50
  Speaker 1: and I'm like, interesting, Okay, you know, respect you if
• 57:53
  Speaker 1: you do this, not if that's not what you want. Respect,
• 57:55
  Speaker 1: Like no worries. I just I was on fucking normal side.
• 57:58
  Speaker 1: I thought, yeah, for real, I felt something there two
• 58:00
  Speaker 1: for them, So you know, he's like fucking whatever. So
• 58:05
  Speaker 1: he hangs with the phone. She's like, don't call me
• 58:07
  Speaker 1: outside business hours, Okay, all right, fine, And then here's
• 58:11
  Speaker 1: more banging noise and I'm wondering if it's the dead
• 58:14
  Speaker 1: dad at this point, and then he just that's when
• 58:16
  Speaker 1: he lets it all out in front of his dad.
• 58:17
  Speaker 1: He's like, you're freaking you're the cunt, blah blah blah,
• 58:19
  Speaker 1: and then he falls asleep next to him. And then
• 58:21
  Speaker 1: he wakes up the next day next to his dead
• 58:23
  Speaker 1: dad and his fucking head has turned to look So
• 58:27
  Speaker 1: you're like, what is happening? Ghost story? It's not a
• 58:31
  Speaker 1: ghost story. We're about to get there, ladies and gentlemen.
• 58:35
  Speaker 1: So yeah, this is when Norville notices something odd in
• 58:39
  Speaker 1: the wall, like on the wall, there's like a little
• 58:41
  Speaker 1: section of wall that like pulls out and there's like
• 58:44
  Speaker 1: a little cubby full of shit in there. And he
• 58:47
  Speaker 1: sees pictures of what we assume is him as a kid,
• 58:51
  Speaker 1: his mom, and then a guy plot twist. The guy
• 58:56
  Speaker 1: is not the guy that it's that that yeah, that
• 59:00
  Speaker 1: like that is in the body bag. So Gordon is
• 59:03
  Speaker 1: not the man in the pictures. It is a completely
• 59:05
  Speaker 1: different face. So at this point you're like Okay, obviously
• 59:10
  Speaker 1: Gordon's not my dad, or he is my dad, and
• 59:14
  Speaker 1: these are pictures of another man and like a different kid, yes,
• 59:18
  Speaker 1: because you don't know that it's you know, you don't
• 59:21
  Speaker 1: know that it's Elijah would in those pictures. It's just
• 59:23
  Speaker 1: you know, like it's like, okay, those are the two possibilities. Okay,
• 59:25
  Speaker 1: maybe this.
• 59:26
  Speaker 2: Is, by the way, by the way Elijah would act,
• 59:29
  Speaker 2: so you can assume.
• 59:30
  Speaker 1: Yeah, you can assume because of how he's acting. But
• 59:33
  Speaker 1: at the same time, and you're like, okay, you know
• 59:35
  Speaker 1: those pictures are if they're if they're you with your dad,
• 59:37
  Speaker 1: that was you when you were five years your old
• 59:39
  Speaker 1: or younger. So it's like, yeah, you're like, okay, I
• 59:42
  Speaker 1: don't know what's going on here, but you can assume
• 59:44
  Speaker 1: that that is not his dad, and his dad the
• 59:46
  Speaker 1: guy in the pictures is his dad, And you're like,
• 59:48
  Speaker 1: where's that guy? If Gordon was in his house and
• 59:52
  Speaker 1: now ted So that's a huge fucking twist right there.
• 59:56
  Speaker 1: You're like, oh my god, the guy that was posing
• 59:58
  Speaker 1: as his dad, I don't think that's his dad anymore.
• 1:00:00
  Speaker 1: And then that's when he continues to keep hearing noises
• 1:00:03
  Speaker 1: and at this point he's fucking fed up with it,
• 1:00:06
  Speaker 1: pulls off this rug like that's the only rug in
• 1:00:09
  Speaker 1: the center of the room. And there's like this fucking
• 1:00:10
  Speaker 1: man hole cover that lives up into this secret room downstairs.
• 1:00:16
  Speaker 1: That's like twist number three, Like what the fuck is this? Okay,
• 1:00:19
  Speaker 1: so that's where the noise is coming from. Obviously it's
• 1:00:21
  Speaker 1: not ghosts and all that shit. And then he goes
• 1:00:25
  Speaker 1: down in there and he sees this guy down in there.
• 1:00:30
  Speaker 1: He's got one arm tied up, he's all bloodied and battered,
• 1:00:33
  Speaker 1: he's missing an ear. And it's the guy from the
• 1:00:35
  Speaker 1: photos upstairs. And you're like, so this is your dad downstairs.
• 1:00:41
  Speaker 1: Guy upstairs, You're like at this point, you're like, this
• 1:00:44
  Speaker 1: is a lot to digest. So his name is Brian,
• 1:00:48
  Speaker 1: and he's down there. And as soon as they start
• 1:00:50
  Speaker 1: to be like you know, cause even Brian's like, oh
• 1:00:52
  Speaker 1: my god, Norville, you came, like my son, it's good
• 1:00:54
  Speaker 1: to see you. But You're like, I don't know, man,
• 1:00:56
  Speaker 1: I feel like this still might be an act. I
• 1:00:58
  Speaker 1: don't know what to believe anymore.
• 1:01:00
  Speaker 2: I'm still wondering how he sent that letter, what how
• 1:01:03
  Speaker 2: did him tied up down there? Even send the letter.
• 1:01:06
  Speaker 1: He may have sent it before oh yeah, before he
• 1:01:08
  Speaker 1: got tied up the show. Yeah maybe I don't you know,
• 1:01:10
  Speaker 1: like I don't know it's true.
• 1:01:11
  Speaker 2: Yeah, we don't know how long he was down there.
• 1:01:13
  Speaker 1: Yeah, you don't know how long he was down there.
• 1:01:14
  Speaker 1: He might have sent it before knowing he was probably
• 1:01:16
  Speaker 1: gonna be in trouble, you know what I mean. He
• 1:01:19
  Speaker 1: probably sends it up prehmptively like fuck, like after after
• 1:01:22
  Speaker 1: what happened with the group happened, He's probably like, fuck,
• 1:01:25
  Speaker 1: I'm gonna need some help, so that he might have
• 1:01:27
  Speaker 1: done it them. But yeah, I kind of wondered that too.
• 1:01:29
  Speaker 1: It is definitely a question I had. So as soon
• 1:01:32
  Speaker 1: as they're like trying to talk this all out, they
• 1:01:35
  Speaker 1: hear footsteps upstairs and Brian's like, okay, uh, you gotta
• 1:01:38
  Speaker 1: like you gotta go hide the night. He's like, these
• 1:01:40
  Speaker 1: next ninety seconds are gonna change your life forever. Men
• 1:01:43
  Speaker 1: upstairs are coming down here to hurt and kill me.
• 1:01:46
  Speaker 1: You have to hide, and then you know, at the
• 1:01:49
  Speaker 1: right time, you come out and club this guy to
• 1:01:51
  Speaker 1: death with like a five pound weight, like what And
• 1:01:57
  Speaker 1: that's where all ended, cause you're so much happens so much,
• 1:02:01
  Speaker 1: so much happens, and and this is only about fifty
• 1:02:05
  Speaker 1: three minutes into the movie. And there's like another good
• 1:02:07
  Speaker 1: forty minutes after this with more twisties and turns and
• 1:02:11
  Speaker 1: body count starts to pile up. It's fucking wild. Yeah yeah,
• 1:02:17
  Speaker 1: so here, let's hear it. Let's hear your thoughts. Overall
• 1:02:20
  Speaker 1: consensusul Can, I can't speak to that consensus of this.
• 1:02:25
  Speaker 1: I mean I liked it, that's it.
• 1:02:27
  Speaker 2: Yeah, I'm kidding. Yeah, and a podcast, bye, guys. No,
• 1:02:31
  Speaker 2: I mean, well, so the first time I watched it,
• 1:02:32
  Speaker 2: obviously with you back whenever, like you've already seen it,
• 1:02:35
  Speaker 2: was you saw it prior to me watching it with you,
• 1:02:39
  Speaker 2: so yeah, because you're the one who told me you
• 1:02:42
  Speaker 2: should watch this, and you had it on Primes. So
• 1:02:43
  Speaker 2: I came over and we watched it.
• 1:02:45
  Speaker 1: Oh yeah, that's right.
• 1:02:46
  Speaker 2: Yeah, exup, I've to have even heard of it at
• 1:02:48
  Speaker 2: the time.
• 1:02:49
  Speaker 1: Wow, wow, I should have wrote that down one of
• 1:02:52
  Speaker 1: the few times have you heard this? Have you seen this? Note?
• 1:02:55
  Speaker 2: Yes? Well, during this podcast I've mentioned too that I've
• 1:02:57
  Speaker 2: not either seen or heard of what movie wise, what
• 1:03:02
  Speaker 2: cat people haven't seen? And I've never a company of
• 1:03:04
  Speaker 2: wolves or whatever it's called.
• 1:03:05
  Speaker 1: Oh yeah, yeah, do when I get whenever that comes in,
• 1:03:07
  Speaker 1: we'll have to watch that because it's like I said,
• 1:03:09
  Speaker 1: it's got like a three point four and I'm like,
• 1:03:10
  Speaker 1: I've never even heard of this movie. It's gotta be good.
• 1:03:13
  Speaker 1: So yeah, back to this.
• 1:03:14
  Speaker 2: But so so so I didn't know going in what
• 1:03:17
  Speaker 2: to expect. You gave me us a brief synopsis, but
• 1:03:21
  Speaker 2: nothing to like prepare me for what actually does happen,
• 1:03:25
  Speaker 2: So you know, you know, you know, watching or whatever.
• 1:03:28
  Speaker 2: I mean, I feel like at the end of the
• 1:03:31
  Speaker 2: first watch, like you were saying, not necessarily a lot
• 1:03:33
  Speaker 2: to digest, but you're just like, I saw a lot
• 1:03:36
  Speaker 2: of stuff in my eyes in an hour into thirty
• 1:03:38
  Speaker 2: two minutes.
• 1:03:39
  Speaker 1: Yeah for seriously, Like I mean, for a short run time.
• 1:03:42
  Speaker 2: Like I mentioned earlier, it goes the total total I.
• 1:03:46
  Speaker 1: Can't speak, OK, dude, it's contagious today.
• 1:03:48
  Speaker 2: Total shifts, and like you said, it's got like four
• 1:03:52
  Speaker 2: different categories of of genres. So we have the first
• 1:03:56
  Speaker 2: I want to say, like the first twenty twenty five
• 1:03:59
  Speaker 2: minutes is like drama slash dark comedy. And then when
• 1:04:03
  Speaker 2: we reveal this guy downstairs who's supposedly his real Dad,
• 1:04:09
  Speaker 2: We get now into okay, there's a man downstairs, which
• 1:04:12
  Speaker 2: we can get into the horror element.
• 1:04:13
  Speaker 1: Of it all, definitely like thriller mystery. At that point
• 1:04:15
  Speaker 1: you're like what, And then.
• 1:04:19
  Speaker 2: When we get introduced to another character, it goes back
• 1:04:21
  Speaker 2: into the type of comedy thriller type of thing. And
• 1:04:25
  Speaker 2: then when we get to also more of a conversation
• 1:04:29
  Speaker 2: that you know on Norville has with this actual so
• 1:04:32
  Speaker 2: called maybe real Dad, we get more into the mystery
• 1:04:35
  Speaker 2: of like, Okay, now we know we're the thirty years gone,
• 1:04:39
  Speaker 2: why this happened? Blah blah blah. And now we're about
• 1:04:42
  Speaker 2: an hour into the movie. It's a little about thirty minutes,
• 1:04:44
  Speaker 2: give or take. So now we have three out of
• 1:04:46
  Speaker 2: four of the said genres all on the table. So
• 1:04:50
  Speaker 2: now now it starts the third act of unraveling. But
• 1:04:53
  Speaker 2: you're like, okay, there's only thirty minutes. What the fuck?
• 1:04:56
  Speaker 2: Like is it gonna be rushed? Like now we're wondering,
• 1:04:58
  Speaker 2: like we got all this information and now we only
• 1:05:00
  Speaker 2: have so little time to unravel the rest of this,
• 1:05:04
  Speaker 2: like are we gonna rush it? Like most movies? Like
• 1:05:07
  Speaker 2: not most movies. Some movies would or are we going
• 1:05:10
  Speaker 2: to make sense of this, and now it's going to
• 1:05:14
  Speaker 2: be like a run for your life. Well kind of
• 1:05:16
  Speaker 2: where are we going from here? Because I feel like
• 1:05:18
  Speaker 2: it has you know, cross all the t's daughter of
• 1:05:20
  Speaker 2: the lines at this point. So now you're like, like,
• 1:05:23
  Speaker 2: what's going on? And then and then it just goes
• 1:05:26
  Speaker 2: like full blown like like thriller horror, the comedies out
• 1:05:30
  Speaker 2: the window. The mystery not been solved, but you but
• 1:05:34
  Speaker 2: it has in a sense like you still have questions,
• 1:05:36
  Speaker 2: but now the big question has been answered more or less.
• 1:05:39
  Speaker 2: So now it goes all ways straight to like like
• 1:05:42
  Speaker 2: that thriller horror like you know that's like you said,
• 1:05:45
  Speaker 2: the body count start like starts, yeah, like outside of
• 1:05:50
  Speaker 2: the unfortunate uh heart attack the Gordon took, which you
• 1:05:54
  Speaker 2: know that that's just normal stuff, like no one killed anybody.
• 1:05:57
  Speaker 1: He just died, probably died of probably too much drinking
• 1:06:00
  Speaker 1: and stress.
• 1:06:01
  Speaker 2: That makes sense. This is now where the horror BodyCount,
• 1:06:05
  Speaker 2: like the horror elements of this movie start to take place.
• 1:06:07
  Speaker 2: And it's literally NonStop for the next half hour.
• 1:06:10
  Speaker 1: Yeah, seriously, it goes like full Scooby Doo chasing adventure.
• 1:06:14
  Speaker 1: It's like a certain point where someone's trying to get
• 1:06:17
  Speaker 1: something back and it's just like.
• 1:06:19
  Speaker 2: All this shit and then all that's done, and then
• 1:06:21
  Speaker 2: you have the conclusion of about two and a half
• 1:06:24
  Speaker 2: three minutes maybe give or take back to drama.
• 1:06:27
  Speaker 1: Yeah, and I'm just like, yeah, I like.
• 1:06:32
  Speaker 2: What like like the the amount of tonal changes in
• 1:06:36
  Speaker 2: the short amount of time is and the way it
• 1:06:39
  Speaker 2: works most A lot of times, I can't say most
• 1:06:41
  Speaker 2: A lot of times it doesn't work very like well,
• 1:06:44
  Speaker 2: usually if you have a dark comedy and a horror,
• 1:06:47
  Speaker 2: that's all it is. But they mixed like four things
• 1:06:50
  Speaker 2: in there and it all fit. Like the mystery aspect
• 1:06:53
  Speaker 2: was was the whole like Okay, why was he gone
• 1:06:56
  Speaker 2: for thirty years? Like like what like what happened?
• 1:06:58
  Speaker 1: Is?
• 1:06:58
  Speaker 2: Is normal? Gonna get his questions answered blah blah blah,
• 1:07:02
  Speaker 2: and then you know, in that short little like you know,
• 1:07:05
  Speaker 2: three to five minute conversation that they have, you get
• 1:07:09
  Speaker 2: that answer. It may not be as satisfying as you
• 1:07:12
  Speaker 2: were hoping, but you get the answer of the thirty
• 1:07:15
  Speaker 2: year gap, which is understandable. So the whole mystery aspect
• 1:07:19
  Speaker 2: is done for in five minutes or less, but like
• 1:07:23
  Speaker 2: done correctly. Yeah, I didn't feel like anything was missing.
• 1:07:27
  Speaker 2: I felt like it was perfectly said. I mean, yes,
• 1:07:30
  Speaker 2: we still had questions, but like the big answer was there,
• 1:07:33
  Speaker 2: and I feel like maybe later on we'd get we
• 1:07:36
  Speaker 2: would get those answers, or maybe by the time the
• 1:07:38
  Speaker 2: movie ends we realize we don't really care if we
• 1:07:40
  Speaker 2: get those answers or not. They're just they're just there
• 1:07:43
  Speaker 2: because you know, every explanation required, you know, sometimes there's
• 1:07:47
  Speaker 2: always good there's alsos gonna be another question with an explanation,
• 1:07:50
  Speaker 2: no matter what, because nothing can never fill in all
• 1:07:53
  Speaker 2: the blanks as much as you'd like it to.
• 1:07:55
  Speaker 1: Yeah, and this movie does a great job of that.
• 1:07:57
  Speaker 1: You do, Yeah, you do get the answer for why
• 1:08:01
  Speaker 1: he's been gone for thirty years, why Norville grew up
• 1:08:04
  Speaker 1: in Beverly Hills and had a really cushy life, and
• 1:08:07
  Speaker 1: all this shit. You get answers to everything. Nothing's really
• 1:08:09
  Speaker 1: left without being like besides like maybe the letter, you know,
• 1:08:12
  Speaker 1: like when did he send that out?
• 1:08:13
  Speaker 2: Yeah, still still never explain that.
• 1:08:16
  Speaker 1: Yeah, So I mean, but that's like that's not like
• 1:08:18
  Speaker 1: a huge or.
• 1:08:19
  Speaker 2: How long he was down in that down there to
• 1:08:21
  Speaker 2: you know, which which.
• 1:08:23
  Speaker 1: I guess a couple of days. I mean yeah.
• 1:08:24
  Speaker 2: Yeah, Like I said, questions that if they're not answered,
• 1:08:27
  Speaker 2: you're not itching for an answer. But it's still one
• 1:08:29
  Speaker 2: of those things you're like, it'd be cool if they
• 1:08:31
  Speaker 2: told me, because I mean, yeah.
• 1:08:32
  Speaker 1: It'd be cool, but yeah, I'm not gonna. I'm not gonna,
• 1:08:35
  Speaker 1: you know.
• 1:08:35
  Speaker 2: And they did all of this without letting us forget,
• 1:08:38
  Speaker 2: which is not a bad thing. So without let us forget,
• 1:08:41
  Speaker 2: this was an indie film, like from day one, Like
• 1:08:44
  Speaker 2: the moment the movie comes on to the moment it ends,
• 1:08:47
  Speaker 2: it just feels indy. It doesn't feel big budget. It
• 1:08:50
  Speaker 2: doesn't feel I mean, it wasn't theatrical. You definitely didn't
• 1:08:56
  Speaker 2: feel theatrical, but like all the acting, like none of
• 1:09:00
  Speaker 2: it felt but none of it felt weak either, Like
• 1:09:04
  Speaker 2: none of it felt. It felt exactly to me what
• 1:09:06
  Speaker 2: I think an indie film should feel.
• 1:09:09
  Speaker 1: Like this is honestly a movie that that should be
• 1:09:11
  Speaker 1: A twenty four or like IFC Midnight, that's not it's weird.
• 1:09:15
  Speaker 2: Yeah, Lionskate did it, Yeah, which which A twenty four
• 1:09:20
  Speaker 2: is diverted like any movie that comes out of A
• 1:09:22
  Speaker 2: twenty four, it's Lionsgate produces the blu rays. But yeah,
• 1:09:26
  Speaker 2: and Honestly, I don't know if you've seen this movie,
• 1:09:28
  Speaker 2: and I can't really explain. Even if you have seen
• 1:09:31
  Speaker 2: this movie, I can't really explain why I felt this way.
• 1:09:34
  Speaker 2: But by the time it was over, I got throughout
• 1:09:37
  Speaker 2: the whole movie. Like another indie film called Swiss Army
• 1:09:39
  Speaker 2: Man with the Daniel Rodcliffe and uh Paul Danel, it
• 1:09:43
  Speaker 2: just gave me that the flow, the feeling, like the
• 1:09:45
  Speaker 2: flow of the movie, even though two widely different genres. Yeah,
• 1:09:49
  Speaker 2: it just gave me that flow and feeling of that.
• 1:09:51
  Speaker 2: And to me, Swiss Army which is actually a twenty
• 1:09:53
  Speaker 2: four I believe, was just a fucking fantastic movie. Yeah,
• 1:09:57
  Speaker 2: so it gave me just that feeling. I think that's
• 1:09:59
  Speaker 2: what I meant when I say, you have no doubt
• 1:10:02
  Speaker 2: this is an independent film, but like it's got the
• 1:10:04
  Speaker 2: feeling you need it to feel like nothing nothing was
• 1:10:07
  Speaker 2: lazy or left undone or said, or performances were left
• 1:10:11
  Speaker 2: shitty or like everyone gave it. They're all on no
• 1:10:13
  Speaker 2: matter how stupid or uh small it was.
• 1:10:17
  Speaker 1: Yeah, didn't. It wasn't like it was like, ooh, this
• 1:10:19
  Speaker 1: is an indie movie. It's painful. It's like this is
• 1:10:21
  Speaker 1: how indie movies. This is like a great example of
• 1:10:24
  Speaker 1: an indie movie how it should be done. It was
• 1:10:26
  Speaker 1: so it was just it's so like it came out
• 1:10:28
  Speaker 1: of nowhere. I saw Eliza would was attached to it.
• 1:10:30
  Speaker 1: I saw his horror. I was like, he doesn't do
• 1:10:32
  Speaker 1: too many of those, but when he does, I love them.
• 1:10:34
  Speaker 1: Ye gotta check this out. And I didn't have. I
• 1:10:36
  Speaker 1: had no idea what to expect because it's such a
• 1:10:39
  Speaker 1: simple premise. A guy is going to see as his
• 1:10:41
  Speaker 1: strange father. Anything can happen, and the events that like
• 1:10:45
  Speaker 1: came out of it. I was like, holy shit, no
• 1:10:49
  Speaker 1: business being that good.
• 1:10:50
  Speaker 2: Just like, just like Willie's One Land. It's got a
• 1:10:52
  Speaker 2: weird title. But then when we watched the movie, you're like, Okay,
• 1:10:55
  Speaker 2: this makes all the sense in the world.
• 1:10:56
  Speaker 1: Yeah, And it's just it's so it's such an un
• 1:11:00
  Speaker 1: believably just good. It's so good something that needs to
• 1:11:04
  Speaker 1: be talked about more. It's still pretty pretty fresh. It's
• 1:11:07
  Speaker 1: only about, you know, two years old, but it's just
• 1:11:09
  Speaker 1: so damn good. And I want everyone to check this
• 1:11:11
  Speaker 1: out because I just I'm also a huge fan of
• 1:11:13
  Speaker 1: Elijah Wood, not just because of the Lord of the rings,
• 1:11:15
  Speaker 1: but anything actor Wilfrid.
• 1:11:18
  Speaker 2: I loved him on Wilfrid Wild was an amazing show.
• 1:11:22
  Speaker 1: So funny. So he's just really good in general. He's
• 1:11:24
  Speaker 1: also in a movie reviewed on the show called Cooties,
• 1:11:27
  Speaker 1: which is fucking o good.
• 1:11:28
  Speaker 2: He's also in uh, you know, I mean we've really
• 1:11:30
  Speaker 2: we've said some of his movies, but also like Sin City. Yeah,
• 1:11:33
  Speaker 2: the good Son, which he was a baby, which you
• 1:11:38
  Speaker 2: know from from that from that movie. He blew me
• 1:11:40
  Speaker 2: away from that movie and he was a little tike,
• 1:11:42
  Speaker 2: his little kid.
• 1:11:42
  Speaker 1: He's a little kid. Yeah. So he's just a great
• 1:11:44
  Speaker 1: actor and I can't wait to see anything else he does.
• 1:11:47
  Speaker 1: It's horror, I mean really anything else he does, but
• 1:11:49
  Speaker 1: especially like.
• 1:11:50
  Speaker 2: You should definitely check out the movie if you haven't
• 1:11:52
  Speaker 2: a grand piano okay with him And I don't remember
• 1:11:54
  Speaker 2: if it's horror or not, but I.
• 1:11:55
  Speaker 1: Just remember that's fine. He's really good.
• 1:11:58
  Speaker 2: It's another like independent is show really good.
• 1:12:02
  Speaker 1: Well, let's get to some stuff here towards the end,
• 1:12:05
  Speaker 1: as we were just about done here, there's no mid
• 1:12:08
  Speaker 1: or post credit scene. I couldn't find any taglines. I
• 1:12:11
  Speaker 1: do have some bit of trivia and no goofs so
• 1:12:14
  Speaker 1: the origin of the movie came when Aunt Timpson's father
• 1:12:17
  Speaker 1: passed away and his father's partner thought it was best
• 1:12:19
  Speaker 1: to bring him home after embalming as a way for
• 1:12:21
  Speaker 1: him to spend time with the grieving oh with the
• 1:12:24
  Speaker 1: grieving family, the week was spent with the corpse in
• 1:12:26
  Speaker 1: an open coffin. Then people that he didn't know came
• 1:12:30
  Speaker 1: to pay their respects to his father, sharing stories of
• 1:12:32
  Speaker 1: a man that did not seem like his father, So
• 1:12:34
  Speaker 1: that's where the story came from. Both Aunt Timpson and
• 1:12:37
  Speaker 1: Elijah would injure themselves rink filming for a while. Aunt
• 1:12:40
  Speaker 1: had to continue directing while sitting on a chair with
• 1:12:43
  Speaker 1: the microphone given by the sound department, along with speakers
• 1:12:46
  Speaker 1: put on the camera and The cabin used in the
• 1:12:48
  Speaker 1: movie is actually a private family residence that belongs to
• 1:12:51
  Speaker 1: the owner of the Wiccan Ninnish in in Tofino. It
• 1:12:57
  Speaker 1: is located on private island shared by the High End
• 1:13:00
  Speaker 1: hotel and can be seen from several room locations in
• 1:13:03
  Speaker 1: the Point building. The cabin, beach and surrounding rainforests is
• 1:13:07
  Speaker 1: inaccessible to members of the public. Goofs like I said,
• 1:13:11
  Speaker 1: there's none six point zero out of ten on IMDb,
• 1:13:14
  Speaker 1: three point one out of five on Letterbox. I gave
• 1:13:19
  Speaker 1: it a four, You gave it a four. Not surprised.
• 1:13:23
  Speaker 1: We always almost always have the same almost almost always
• 1:13:26
  Speaker 1: have the same ratings. And then usually me and Corey
• 1:13:30
  Speaker 1: are off by like usually like about half sometimes, and
• 1:13:34
  Speaker 1: then me and Gabby are usually wildly different. We're usually
• 1:13:37
  Speaker 1: wildly different. It's so funny. Uh, what are we doing
• 1:13:41
  Speaker 1: next week? Me and Gabby are doing something something good? Wait, no,
• 1:13:46
  Speaker 1: we did something bad last week? Right. I can tell
• 1:13:50
  Speaker 1: you are actually and everyone else on this show that's listening,
• 1:13:53
  Speaker 1: Me and you were meant to do our themes this year.
• 1:13:56
  Speaker 1: We're gonna be movies that we loved or movies that
• 1:13:59
  Speaker 1: we hated wanted to revisit.
• 1:14:02
  Speaker 2: Actually we hated the Pool, So I guess we're kind
• 1:14:05
  Speaker 2: of doing it.
• 1:14:06
  Speaker 1: Okay, true, but yeah, I just think it's uh, oh yeah,
• 1:14:08
  Speaker 1: we did what we do in the Shadows. We literally
• 1:14:10
  Speaker 1: did three I didn't even realize this. We did three
• 1:14:14
  Speaker 1: found footage movies back to back because we did the
• 1:14:16
  Speaker 1: stackrament what we do in the Shadows and Incantation, which
• 1:14:18
  Speaker 1: we're all found footage movies did not did not Oh yeah,
• 1:14:23
  Speaker 1: you know mockumentary. Did not plan that at all, but
• 1:14:26
  Speaker 1: there we go. So yeah, me and Gabby will be
• 1:14:29
  Speaker 1: back next week doing It's I thought it was a
• 1:14:32
  Speaker 1: vampire movie for some reason, but it's not. It's not
• 1:14:35
  Speaker 1: it's about death. I'll just leave it at that, So no,
• 1:14:39
  Speaker 1: I know, it's just funny because for some reason I
• 1:14:41
  Speaker 1: was thinking of Daybreakers though, oh okay, yeah, not the
• 1:14:45
  Speaker 1: one we're doing, which I don't know why. They kind
• 1:14:46
  Speaker 1: of sound similar but they do. So me and Gabby
• 1:14:49
  Speaker 1: will be back next week doing that and also talking
• 1:14:51
  Speaker 1: about all things HHN our favorite houses of the weekend,
• 1:14:55
  Speaker 1: all that jazz U. Follow us on Facebook at Frightmares.
• 1:14:58
  Speaker 1: We just hit twelve five hundred likes on Facebook, which
• 1:15:02
  Speaker 1: is freaking amazing. I'm gonna try to get us to
• 1:15:05
  Speaker 1: fifteen by the end of the year. That's definitely the goal.
• 1:15:07
  Speaker 1: Follow us on Instagram, Frightmar's podcast and slash your app
• 1:15:12
  Speaker 1: and Frighten Maar's podcast Twitter, fright Mare's Underscore pod. I
• 1:15:16
  Speaker 1: am Doctor Proctor on Letterbox.
• 1:15:18
  Speaker 2: You are Slaferman.
• 1:15:20
  Speaker 1: Slackerman literally the coolest name ever. So jealous that way,
• 1:15:25
  Speaker 1: so jealous of that. So yeah, until next week, guys,
• 1:15:28
  Speaker 1: stay tuned.
• 1:15:29
  Speaker 2: And stay wait for it.
• 1:15:32
  Speaker 1: Spooky, nice,