Latest / Arroe Collins Like It's Live / The Resurrection Episode Eight Calling Up The Muse Redirecting Our Universal Communication Lines
Transcript
- 0:00Speaker 1: You like making discoveries right? How about Arrow dot net,
- 0:03Speaker 1: Rroe dot net. Not a podcast but a podcast network,
- 0:07Speaker 1: twenty different podcasts to choose from. Like street Speak with
- 0:10Speaker 1: Alexa and Clarence. It's one man, a Hugh Man having
- 0:16Speaker 1: a conversation with AI technology. What are the comparisons? Do
- 0:22Speaker 1: they have anything to compare with? Alexa and Clarence Street
- 0:27Speaker 1: Speak on Ero dot net, arr Oe dot net. Enjoy
- 0:31Speaker 1: your exploration. My name is Erro. Do you believe in resurrections?
- 0:38Speaker 1: I mean they happen every day? But are you willing
- 0:40Speaker 1: to listen, to participate, to explore and find newer ways
- 0:44Speaker 1: to understand? This podcast isn't about what we study and
- 0:49Speaker 1: see through the eyes of religion. My boy boy Ernie
- 0:52Speaker 1: spoke with me each chance we had together. But this
- 0:55Speaker 1: isn't about resurrecting a spiritual brother of nearly thirty four years.
- 1:00Speaker 1: This resurrection is that of a writing instrument, verbal documentation
- 1:05Speaker 1: of what some may call a vision quest trusting the
- 1:08Speaker 1: great mysteries of life. Tools are handed to us to
- 1:11Speaker 1: carve out each expectation. This tool was laid to rest
- 1:16Speaker 1: inside a forest to experience the elements of reality while
- 1:19Speaker 1: connecting with a universe that unconditionally shares its stories, But
- 1:24Speaker 1: who's writing it? Welcome to the Resurrection.
- 1:33Speaker 2: The mind boy Boy Ernie writing instrument back into the
- 1:37Speaker 2: ground for another thirty four days for the month of Spring.
- 1:41Speaker 2: I've been doing a lot of research on this as
- 1:43Speaker 2: to what is pulling me in this direction, what is
- 1:45Speaker 2: spiritually calling out to me? And you know, writers, producers, actors,
- 1:52Speaker 2: so many creative people believe and trust in these things
- 1:55Speaker 2: called a muse, the energy that drive behind something that's
- 2:00Speaker 2: taking place creatively inside your mind, body, and soul, and
- 2:04Speaker 2: then it makes its way out to a Tellivision set,
- 2:08Speaker 2: onto Spotify or iHeartRadio. And it's something that you really
- 2:12Speaker 2: can never explain. You just know that somehow, some way
- 2:15Speaker 2: you participated with it. So with the my boy boy
- 2:18Speaker 2: Earnie writing an instrument and it going back in the
- 2:20Speaker 2: ground for thirty four days, what is this writer of
- 2:24Speaker 2: thirty two plus years, what is he really trying to
- 2:28Speaker 2: connect with here? I mean I did bring up a
- 2:30Speaker 2: few times there. Oh. Maybe what I'm doing is I'm
- 2:33Speaker 2: opening up the darker side of the world of spirituality
- 2:36Speaker 2: as well as creativity, and maybe I'm calling up from
- 2:41Speaker 2: the earth something that really shouldn't be up here on
- 2:46Speaker 2: top of the earth. So I continue to dig because
- 2:49Speaker 2: I'm not trying to reinvent stranger things and do something
- 2:53Speaker 2: that a binge watch would suck up in a heartbeat.
- 2:56Speaker 2: So as I continue to dig, what I discovered is
- 3:00Speaker 2: that when a tree falls from its rightful place in
- 3:03Speaker 2: a forest, when it hits that earth, did you know
- 3:07Speaker 2: that it becomes the nursing limb. Now I'm serious. The
- 3:12Speaker 2: roots of the tree, the tree itself, that shell now
- 3:16Speaker 2: starts to feed the rest of the forest, that forest
- 3:19Speaker 2: floor that's been with it all these years, that has
- 3:23Speaker 2: supported it, the rain that has come, and the tree
- 3:26Speaker 2: has protected the ground so it isn't washed away. The
- 3:29Speaker 2: tree that stood there and offered shade when everything else
- 3:32Speaker 2: is burning up, the tree that has been always present.
- 3:38Speaker 2: And what you don't see above the ground is that
- 3:42Speaker 2: the eye can't identify the communication a tree has when
- 3:48Speaker 2: it's the nursing limb. And what I mean by that
- 3:51Speaker 2: is is that the fungus, the fungi below the surface
- 3:55Speaker 2: of the earth, that's the communicator. That's what connects a
- 3:59Speaker 2: tree's roots, everything about a tree to everything else that's living.
- 4:05Speaker 2: So to place this writing instrument to my boy boy,
- 4:08Speaker 2: or any writing instrument next to him inside this forest,
- 4:14Speaker 2: I am inviting communication with the muse. The next level,
- 4:22Speaker 2: the study of creativity, the activation of everything that is
- 4:28Speaker 2: inside the imagination that can become a reality. It's not
- 4:41Speaker 2: that I laugh at a rainy morning. It's not that
- 4:44Speaker 2: I complain about a rainy day. I celebrate it. Because
- 4:48Speaker 2: I'm the weird one. I usually write it off and
- 4:50Speaker 2: put it underneath the umbrella or the title of the
- 4:53Speaker 2: poet in the forest. But I wanted to do some
- 4:56Speaker 2: research on the actual transformation of energy when it comes
- 4:59Speaker 2: to laying this writing instrument to my boy boy Ernie
- 5:03Speaker 2: writing instrument in the soil with him. I've done a
- 5:05Speaker 2: lot of research on this, trying to figure out there's
- 5:07Speaker 2: no way in hell that I could be the only
- 5:10Speaker 2: one who admits to publicly doing this. And yet in
- 5:13Speaker 2: all the research that I've been putting into this for
- 5:15Speaker 2: the past three to six months, nobody I can't find
- 5:19Speaker 2: a name of anybody who pulls off a ritual like this.
- 5:23Speaker 2: I mean, I've seen stories about authors who put apple
- 5:26Speaker 2: cores inside their desk because they love the scent of
- 5:29Speaker 2: apples while they were writing, but transforming objects for meaning.
- 5:33Speaker 2: It's artists and authors have always used special notebooks as
- 5:37Speaker 2: well as pens to keep their projects alive. The closest
- 5:41Speaker 2: conceptual parallel to this idea of a writing instrument being
- 5:44Speaker 2: in the ground next to my boy boy Ernie who
- 5:46Speaker 2: was with me for thirty four years, who was with
- 5:48Speaker 2: me for thirty four years, It's called a ritual of incubation,
- 5:54Speaker 2: something that age and time as well as rest will
- 5:59Speaker 2: create a ritual incubation. It's also a symbolic connection of time,
- 6:05Speaker 2: decay and rediscovery. You see what I mean. This isn't
- 6:09Speaker 2: such a stupid idea. This is something that really would
- 6:13Speaker 2: help a lot of authors understand that that writing instrument
- 6:15Speaker 2: isn't just a bunch of ink falling free from its
- 6:18Speaker 2: nib or rollerball end. It's something that does come with
- 6:22Speaker 2: a purpose, something you would like to do in planting
- 6:26Speaker 2: a pan or a writing instrument in the ground. It's
- 6:29Speaker 2: also seen as the performance like that of being up
- 6:33Speaker 2: on stage, and you've got to bring that performance forward.
- 6:37Speaker 2: So I guess the bottom line here is is that
- 6:39Speaker 2: there have been no other famous authors known for burying
- 6:42Speaker 2: a writing instrument, but the idea itself fits perfectly within
- 6:45Speaker 2: the psychology of all things. Creative writers are often guilty
- 6:51Speaker 2: of doing one thing, making the act of writing feel earn.
- 6:54Speaker 2: We don't think that we have done this. We feel
- 6:57Speaker 2: like that we've been chosen, We've earned the right to
- 6:59Speaker 2: be here in the moment. There are many stories of
- 7:02Speaker 2: writing instruments, but the goal is for you to create
- 7:06Speaker 2: your own story. And one thing that I won't do
- 7:08Speaker 2: as a writer, I will never accept your ideas of excuse, Well,
- 7:14Speaker 2: I wasn't feeling it. Oh, I don't know what to say.
- 7:16Speaker 2: You know what, you have enough to say because I
- 7:18Speaker 2: see your social media and I hear your conversations. You've
- 7:21Speaker 2: got enough to say. The goal is to create a
- 7:23Speaker 2: sense that the work is coming from something deeper than
- 7:27Speaker 2: the moment. It is the resurrection, a writing instrument, the
- 7:33Speaker 2: my boy Boy Ernie writing instrument in the soil, in
- 7:37Speaker 2: this forest with my boy boy Ernie.
- 7:41Speaker 1: The resurrection. It's a true story. Learn more about this
- 7:45Speaker 1: forest and My Boy Boy Ernie on Ero dot net
- 7:48Speaker 1: a R r Oe dot Net. His story, his journey
- 7:54Speaker 1: a new path with the writing Instrument are available on
- 7:56Speaker 1: the podcast The Lyrics from Ernie's Forest. Episodes of this
- 8:00Speaker 1: podcast will focus on the transition of materialistic value to
- 8:04Speaker 1: that of an authentic storyteller. The ice storms, a record
- 8:08Speaker 1: setting eleven inches of snow, The fear of walking to
- 8:12Speaker 1: the gravesite to find nothing, the resurrection, faith, hope, forgiveness
- 8:19Speaker 1: and discovery. What lessons will the writing instrument bring back
- 8:22Speaker 1: to the surface of walking forward? Let it rise above
- 8:27Speaker 1: our tears.