Latest / The Bootleg Kev Podcast / #497 - Huey Briss

Transcript

#497 - Huey Briss · The Bootleg Kev Podcast

0:00
Speaker 1: What up is Huey Bris the Grace Park Legend Long
0:02
Speaker 1: Beach on you can check me out on a Bootleg
0:04
Speaker 1: CAV podcast.
0:05
Speaker 2: Before we start the episode, man, I got to remind
0:08
Speaker 2: everybody that we are on the radio in eighty cities
0:11
Speaker 2: every single day across the country. Man Real ninety two
0:14
Speaker 2: to three every day Monday through Friday in Los Angeles,
0:17
Speaker 2: Wild ninety four to one in Tampa, KKFI in Phoenix.
0:21
Speaker 2: We're all over the place, Miami, Vegas. We can go
0:24
Speaker 2: on and on. Want to give a shout out to
0:26
Speaker 2: our latest affiliate. Shout out to Knoxville, Tennessee, Man Hot
0:29
Speaker 2: one O four point five for being the latest city
0:32
Speaker 2: to join the Bootleg CAV show network. All right, now,
0:35
Speaker 2: I don't ever really talk about the radio show on
0:37
Speaker 2: the podcast, keep them separate. But if you want to
0:38
Speaker 2: listen to the radio show, you can click the link
0:40
Speaker 2: in the bio for a list of all the cities
0:42
Speaker 2: you can listen to at Yeah, that makes sense. Let's
0:46
Speaker 2: get to the interview. Yo, Boutleg CAV podcast special guests
0:57
Speaker 2: in here repping Long Beach, Hueie brist in the building.
1:00
Speaker 2: I didn't think you'd ever come because I tweeted something
1:04
Speaker 2: about Devin Booker, like three years ago. And I'm still
1:06
Speaker 2: Matt and you said you're working to ever come on
1:07
Speaker 2: my show. I said, remind me never to do this show.
1:10
Speaker 2: And now and there you're here, Karma, you're here though.
1:13
Speaker 2: Well this is your old album from a couple of
1:15
Speaker 2: years ago. I just want to say thank you. Most
1:16
Speaker 2: artists don't bring gifts, so we got some blue vinyl. Yeah. Also,
1:20
Speaker 2: most independent artists don't have vinyl. They're broke. Well they also,
1:25
Speaker 2: you know, don't take their business too serious at all.
1:29
Speaker 2: But you have a new album that you're working on. Yes,
1:31
Speaker 2: well it's done. It's coming out December sixth yea like
1:34
Speaker 2: ten days I think Jesus is that ten days from now? Yeah? Oh?
1:39
Speaker 2: Fuck me? Running Thanksgiving as what tomorrow? Oh shit, Well
1:45
Speaker 2: I didn't expect that it's coming as whole. Everything's just
1:48
Speaker 2: flown by. This year was fast as shit, for sure,
1:52
Speaker 2: for sure. Now. I first heard of you through Rest
1:55
Speaker 2: in Peace to Buys, one our guy Buys who passed away.
2:00
Speaker 2: You guys were working together in what capacity? Because I
2:02
Speaker 2: know he was pushing your ship for a long time.
2:04
Speaker 1: He helped me, He changed my life in every way
2:07
Speaker 1: you could think he helped me, like aside from music,
2:09
Speaker 1: heet me like be a better like the great guy.
2:11
Speaker 1: He helped me be a professional yapper. He was a
2:14
Speaker 1: good he knew how to yap. Oh my god, I
2:16
Speaker 1: missed those convos. But he was starting app called you
2:19
Speaker 1: sound I'm sure.
2:20
Speaker 2: I remember you sound sound profile too. He forced me
2:23
Speaker 2: to do it and me too.
2:25
Speaker 1: He was just trying to Actually, he was trying to
2:29
Speaker 1: get me to dissolve every like little small beef. I
2:33
Speaker 1: had it because you know, Long Beach is hell a
2:35
Speaker 1: small hell of weird and I had a lot of
2:37
Speaker 1: fucking beefs because I'm hella good at rapping.
2:38
Speaker 2: Niggas just weren't that fire. I don't want to say
2:43
Speaker 2: their names, but anybody you are cool with now that
2:45
Speaker 2: you can.
2:45
Speaker 1: All of them, like everybody I'm cool with now, but
2:47
Speaker 1: like a little miss like miss mishaps with little with rappers.
2:50
Speaker 2: And anybody who you're making music with now.
2:54
Speaker 1: No, but I do want to make music with them.
2:57
Speaker 1: One dude that I'm super cool with now that I
2:59
Speaker 1: did have a uh miscommunication with. He also has a
3:01
Speaker 1: platform as well. His name is Desi G and the
3:04
Speaker 1: Corner Store The Freestyles Exactly. I want to go on
3:08
Speaker 1: there and be honored.
3:09
Speaker 3: Uh.
3:10
Speaker 1: I tell him on air, like, you know, I was
3:12
Speaker 1: a fucking young, dumb, immature, fucking insecure idiot, and I
3:16
Speaker 1: apologize for whatever I did and said.
3:18
Speaker 2: He's at a long beach. He's at a longa. We
3:20
Speaker 2: grew up together.
3:21
Speaker 1: I love the I love the freestyle series. Literally grew
3:24
Speaker 1: up together. And I have nothing beloved for him. Is
3:26
Speaker 1: I know his family Like nothing beloved for that dude.
3:28
Speaker 1: And actually, the first time I ever was on the
3:31
Speaker 1: radio was a Desi G song. It's called Nothing that
3:34
Speaker 1: buys put together Byes and ar that didn't even want
3:37
Speaker 1: to cut a percentage nothing, he didn't want anything. And
3:41
Speaker 1: the song I actually just performed at Camp flog naw
3:45
Speaker 1: and the song that Mike G brought me out.
3:47
Speaker 2: He asked me, he said, can you do that song
3:49
Speaker 2: with desi G? Nothing?
3:50
Speaker 1: And I'm like, my stomach's turning. I'm like, oh my god,
3:52
Speaker 1: I haven't heard that song in so fucking long, like
3:54
Speaker 1: made me think about Byes. I'm like, look at Byes
3:56
Speaker 1: pulling strings from fucking heaven right, so crazy. That's the
3:59
Speaker 1: only I was like, Yo, I got a new song,
4:00
Speaker 1: like a new album coming do that like we wanted
4:03
Speaker 1: nothing song with Dezig.
4:05
Speaker 2: It's funny, Okay. I can't flog though. That was the
4:09
Speaker 2: most people I've probably ever seen in one setting. Yeah,
4:12
Speaker 2: I was. That was the one, Like I know everybody
4:15
Speaker 2: who's in LA was like, can't flog or a complex
4:17
Speaker 2: cong which one to go to? It was? It was
4:19
Speaker 2: really just like whichever one you get tickets to.
4:21
Speaker 1: Exactly, And I had tickets to both because like shout
4:24
Speaker 1: out to Complex, kin, I have my own booth there
4:27
Speaker 1: two years ago. No you didn't, I had two years
4:29
Speaker 1: ago booth there. They asked me to do it again.
4:31
Speaker 1: Was a long beach exactly, so they kind of gave
4:34
Speaker 1: me the sympathy booth. They weren't selling all the booths.
4:37
Speaker 1: No disrespect to Complex gn I love you and I
4:38
Speaker 1: appreciate the opportunity, but they weren't. They didn't sell all
4:41
Speaker 1: the boots, so they're like, hey, Bris, like can you
4:43
Speaker 1: do it? And that brought a lot of people through because.
4:45
Speaker 2: People fog nah would have been the one though, Man,
4:47
Speaker 2: oh my god, I shit it at a flog I
4:49
Speaker 2: was in Thailand. I left Dookie on the stage. Nasty
4:54
Speaker 2: how I did that? And it was kind of crazy.
4:57
Speaker 2: I'm not going to call anybody else, but a certain
4:59
Speaker 2: person on the side of the stage was like, do
5:02
Speaker 2: you know, like do you know the lyrics? Like do
5:04
Speaker 2: you know the cue to which you're like, do you know?
5:06
Speaker 2: Mike's hot? And I'm like I looked and I was like,
5:09
Speaker 2: I'm a grown man. I'm like I'm doing I'm pro.
5:11
Speaker 1: I said, uh yeah, but the uh was like a
5:14
Speaker 1: confused like, oh, she doesn't know right, and she said, oh,
5:18
Speaker 1: doesn't look like he knows his cue, like make sure
5:20
Speaker 1: Mike's Mike, Mike's cold.
5:21
Speaker 2: Until it's time to go on.
5:23
Speaker 1: I'm like, oh shit, Like I'm thinking it's like a
5:25
Speaker 1: technical issue or something. Man, that crowd acted like they
5:28
Speaker 1: know me for the whole time. I had a line
5:30
Speaker 1: of white people on the side of the stage waiting
5:32
Speaker 1: for me to get off the stage to take pictures.
5:34
Speaker 2: That's big. Never they after I took all the pictures,
5:37
Speaker 2: they were like, oh, yeah, what's your name? They were
5:39
Speaker 2: just like we just saw you on stage and you
5:40
Speaker 2: were amazing. They don't even care. But that's what's about
5:42
Speaker 2: Like I always say that about like artists who don't
5:46
Speaker 2: take their live show serious, Like yo, that is a
5:48
Speaker 2: real way to like gain fans because cause there's even
5:51
Speaker 2: if you open up for somebody, like if people even
5:55
Speaker 2: if they give you a chance, you know, and you
5:57
Speaker 2: kill it, Like even if you convert ten people, five people,
6:01
Speaker 2: twenty people, Like that's something that shit changed my life.
6:03
Speaker 2: And it was Mike G two. So he has a
6:05
Speaker 2: loyal ass fan base for sure, loyal. So they're like,
6:08
Speaker 2: who the fuck is this guy? Right? And I see
6:10
Speaker 2: when I seen hands go.
6:12
Speaker 1: Humbly speaking, I've never done a show that big ever,
6:16
Speaker 1: and I've never made that many people put their hands up.
6:19
Speaker 2: And if I was like, yeah.
6:21
Speaker 1: This if this is the feeling that uh fucking Roddy
6:24
Speaker 1: Rich and all those guys get to when they.
6:25
Speaker 2: Do, I said, yeah, I gotta make some pits. Yeah,
6:28
Speaker 2: you so give me kind of Are Are you from
6:30
Speaker 2: the same area as I see? You know, I see
6:33
Speaker 2: you repped the north side of the same area as Vince.
6:35
Speaker 2: Literally yeah, like I'm from the Grace Park area. My
6:37
Speaker 2: dad's from Boulevard Mafia. Vince's hood is like two Winds.
6:40
Speaker 2: Two Wins is like Artesia over here.
6:42
Speaker 1: They actually beef by the way, but like two Wins
6:44
Speaker 1: is over here, and then Boulevard is like closer to Compton,
6:46
Speaker 1: so like I'm right in the middle from Grace Park,
6:48
Speaker 1: like I went to like Jordan High, Like I'm up
6:51
Speaker 1: and down Atlantic Long Beach Boulevard fifty fifth Carmelitos.
6:55
Speaker 2: Long Beach is like such an interesting city because like
6:58
Speaker 2: if people who aren't from LA just consider it LA
7:01
Speaker 2: because we think of Snoop and people are like Snoop LA,
7:04
Speaker 2: but it's Long Beach. LA does not like it if
7:06
Speaker 2: you live here. It's like, dude, Long Beach is a
7:07
Speaker 2: serious drive. They don't like us. It's its own thing.
7:11
Speaker 2: It's it's it's it's got its own politics and own
7:14
Speaker 2: county jail, its own county jail. And hell, you know,
7:19
Speaker 2: there's Asian crips.
7:20
Speaker 1: There's all heavy And I didn't meet a blood in
7:23
Speaker 1: person until I was like fourteen fifteen, Like I never
7:28
Speaker 1: I never knew that. I kind of didn't even I
7:29
Speaker 1: thought that was like a figment of TV.
7:32
Speaker 2: So there's not bloods in Long Fuck No. So they're there,
7:35
Speaker 2: they live there and stuff, but they're like their neighborhood
7:37
Speaker 2: isn't there. Hell no, it's so there's nothing but cryp
7:41
Speaker 2: set So they're sets set beef with.
7:42
Speaker 1: Each other that are yes, all crips. Nobody in Long
7:44
Speaker 1: Beach gets along.
7:45
Speaker 2: Got it, got it, got maybe like if that's your
7:48
Speaker 2: cousin or like, but it's like heavy brown and black
7:51
Speaker 2: beef heavy. And then the Asians fit in there somewhere.
7:55
Speaker 1: Asians beef with the Mexicans really bad, Like that's worse
7:58
Speaker 1: than us, Like they like the underdogs, so they're not
8:01
Speaker 1: given fair fades at all. Like you get caught at
8:04
Speaker 1: a fucking liquor store and you're a you're with the Asian.
8:06
Speaker 1: The Mexican's gonna get on the Asian first.
8:08
Speaker 2: Shit. I was just in Thailand with Stupid Young, which
8:12
Speaker 2: was Stupid Young runs Long Beach, which was crazy because
8:15
Speaker 2: he was cracking out in Thailand.
8:16
Speaker 1: Bro Stupid Young's hood. The Asian boys are so cracking
8:20
Speaker 1: in Long Beach. They don't even go to liquor stores.
8:22
Speaker 1: They have a lady that goes and comes and brings
8:25
Speaker 1: alcohol and cups and ice to them.
8:28
Speaker 2: So he has a guy who uh, this dude Steve,
8:31
Speaker 2: who I met in Bangkok and he's a stupid young
8:36
Speaker 2: og yeah from Asian boys. Yeah, and he did a
8:40
Speaker 2: stint in prison and got out and moved to Bangkok
8:42
Speaker 2: and opened a dispensary that's Gangston. So I'm like out
8:45
Speaker 2: there and I'm like like pulling up to this dude's
8:48
Speaker 2: dispensary is called California's Finest, of course, and it's like
8:52
Speaker 2: the most like laed out like storage just in the
8:54
Speaker 2: middle of Bangkok in the middle. And then there's this dude, Steve,
8:57
Speaker 2: who's like the most like hardcore crip Asian dude you've
9:01
Speaker 2: ever met in your life. And he's just like thriving
9:05
Speaker 2: in Thailand.
9:07
Speaker 1: I can see that. Yeah, Long Beach is weird. It's
9:09
Speaker 1: like the water out there is so different. We could
9:11
Speaker 1: travel anywhere and like adapt so crazy and like I'll
9:14
Speaker 1: be I would never be surprised if like stupid young
9:18
Speaker 1: opened up his own fuckings.
9:19
Speaker 2: No, he's doing his thing, man, and uh you know
9:21
Speaker 2: I was. I was just trying to work with him too.
9:23
Speaker 2: If you could hook that up, that's easy work, I
9:25
Speaker 2: told I just told him, I'm like, bro, I see,
9:27
Speaker 2: I see the way you're moving around in Thailand, dog, Like,
9:31
Speaker 2: you know what's great about you being out here? You
9:33
Speaker 2: have your guard down. He was chilling, probably because it's like,
9:36
Speaker 2: you know, if you're in La you're moving around like
9:38
Speaker 2: you got problems to everybody. It's like it's like, dude,
9:41
Speaker 2: you just never know the brown is. Even if you're
9:44
Speaker 2: in Vegas, you never know Asians brown too.
9:47
Speaker 1: I don't want to speak on I need to find out,
9:49
Speaker 1: like in the comments, please let me.
9:51
Speaker 2: I'll say this. I did see one of Stupid Young's
9:53
Speaker 2: friends with the tattoo the City Yellow Boys. Okay, that
9:56
Speaker 2: makes sense, but I I it's an observation, understood, not
9:59
Speaker 2: a death claration for me. Understood, understood, understood, understood. I'm not.
10:03
Speaker 2: I'm not confirming nor disconfirming. Much respect to to all
10:07
Speaker 2: the yellows. Uh talk about your your new project you
10:12
Speaker 2: got coming. You got a new record out right now.
10:14
Speaker 2: That's dope that you said. It's kind of like you
10:16
Speaker 2: stepping into like a new uh you know, uh, something
10:19
Speaker 2: that maybe could get played in the clubs, get played
10:21
Speaker 2: in the day parties.
10:22
Speaker 1: Unfortunately, I had to conform. As you can see, I'm here.
10:25
Speaker 1: I've been performing to things lately.
10:27
Speaker 2: Yeah, sometimes, I mean conforming is one way to put it.
10:30
Speaker 1: I have to, But I was basically what happened was
10:33
Speaker 1: the I was already kind of like working on an album,
10:36
Speaker 1: and I was like oh.
10:37
Speaker 2: I'm not gonna make no I'm gonna do all no hooks.
10:40
Speaker 2: You know how to underground guys get and I get channel.
10:43
Speaker 2: Trust is my guy. He's from Compton. She started the
10:45
Speaker 2: genre Compton House. He hit me, Actually I hit him.
10:49
Speaker 2: I was blowing him up for months, like, please, can
10:51
Speaker 2: I get in a session with you? You're blowing up
10:53
Speaker 2: right now. I know you.
10:54
Speaker 1: It's not like you're some fucking guy that I know you. Dude,
10:57
Speaker 1: so like he's he never he never not said it,
11:01
Speaker 1: but he was, you know, he was very like working
11:04
Speaker 1: and busy. He was running sessions with DJ Quick Randomly.
11:08
Speaker 1: He texts me an address, that's it in a time,
11:11
Speaker 1: be here, don't be late. Like fuck, I don't have
11:14
Speaker 1: any gas. I don't have anything. I like, hit a bitch,
11:17
Speaker 1: can I borrow some money for your gass? And I'm
11:19
Speaker 1: weaaring fucking wherever I am? I go way to fucking
11:22
Speaker 1: undisclosed location. I knock on the fucking door. A lady
11:26
Speaker 1: comes out like, who are you here for? It gives
11:27
Speaker 1: me this weird ass look, coo youre here for? I'm like, trust,
11:30
Speaker 1: I'm like all humbled and shit. She's like, oh, I
11:33
Speaker 1: go to the door. Fucking DJ Quick answered the door.
11:37
Speaker 1: Mind blown. You should have seen me. Everybody in the
11:39
Speaker 1: room is like looking at how I'm gonna react. Mind
11:41
Speaker 1: is blown. I'm like what the fuck. He's like, yeah,
11:43
Speaker 1: it's me.
11:43
Speaker 2: It's me.
11:44
Speaker 1: I'm like, nah, homie, Like you're not just about to
11:47
Speaker 1: just open the door and fuck me up like that. Bro, Like, nah,
11:49
Speaker 1: I'm gonna try this again. I went out, open the
11:51
Speaker 1: door again. It's still there. He's still there. I'm like, okay,
11:53
Speaker 1: this isn't a dream. I'm fanning out. He's a Channels
11:57
Speaker 1: in there, just being super chill, like yeah, just got
12:00
Speaker 1: done running a fucking thirty hour session, Like we're all tired,
12:02
Speaker 1: we're all about to go home.
12:03
Speaker 2: Yeah, Quick's been on it, dude, he's been working. Dude.
12:06
Speaker 1: I'm like, hell Na, like something got to shake. They're
12:09
Speaker 1: playing me the new record. It was Quick and.
12:11
Speaker 2: Problem Trooper Coo exactly.
12:14
Speaker 1: So problems running through records, just letting me hear shit
12:18
Speaker 1: and like great album.
12:19
Speaker 2: I'm honored. At this time, I'm like, what the fuck
12:21
Speaker 2: is going on? Like Channel's on here, Like what the fuck?
12:23
Speaker 2: My boy Barney's there, he's helping write with Channel.
12:25
Speaker 1: It's just a lot going on at one time, Buddy
12:29
Speaker 1: walks in randomly. I guess he got the same message, right,
12:32
Speaker 1: But he's buddy, so he can come whenever he wants.
12:35
Speaker 2: Quick's like, oh shit, Buddy, here, I can't leave yet,
12:37
Speaker 2: Like nah.
12:38
Speaker 1: They pop up with some drinks, everybody's the party starts,
12:41
Speaker 1: you know, Buddy come in. It's it's it's a whole
12:42
Speaker 1: different energy. So channel's like fuck. It plays a beat,
12:46
Speaker 1: the beat that's on my fucking album. I just write
12:48
Speaker 1: a verse really quick, like the quickest verse I've ever wrote,
12:52
Speaker 1: no pun and I'm writing the verse quickest. Fuck and
12:55
Speaker 1: Buddy just like, let me go on the studio. He
12:58
Speaker 1: goes in the studio, does the hook. We've got to
12:59
Speaker 1: rewrite the whole verse.
13:00
Speaker 2: Now. I'm like, god damnit. Now not at all. It's
13:03
Speaker 2: a dance song, now, dancer. I don't want to round man, sir.
13:07
Speaker 2: I'm like, God damn it, I gotta write a dance song.
13:09
Speaker 2: I'm like, uh. I start going through my notes, I
13:12
Speaker 2: like I have nothing. I'm like, God damn it. I'm
13:14
Speaker 2: like fuck. I write the verse like.
13:15
Speaker 1: That's why the first verse is so short, because I'm like, fuck,
13:19
Speaker 1: I don't write these kind of songs for real. So
13:21
Speaker 1: I have to write a verse about a bitch I
13:22
Speaker 1: met in the club, which I don't meet bitches in
13:24
Speaker 1: the club.
13:25
Speaker 2: So his hook kind of dictated like, okay, well now
13:27
Speaker 2: I gotta go.
13:27
Speaker 1: There, which makes sense because fifty cent I saw fifty
13:29
Speaker 1: interviews like I can't even write a verse without a hook.
13:31
Speaker 2: I'm like, well, I can't write it. I get the
13:33
Speaker 2: hook from the verse. That's how I write, Like I'm tupac,
13:37
Speaker 2: So that makes sense, buddy, killed it. I fucking.
13:42
Speaker 1: Write the verse. And then everybody's tired, mind you, They've
13:45
Speaker 1: been in the studio all day. So I'm like, fun,
13:47
Speaker 1: all right, can I take this song? And Todd is there?
13:49
Speaker 1: Shout out to Todd. Todd is Larry Junes engineer.
13:51
Speaker 2: Okay, Todd didn't have to send me the session, mind you,
13:56
Speaker 2: because that's not my session, right, I'm blowing Todd up, Yo,
13:59
Speaker 2: can you send me that session.
14:00
Speaker 1: I don't even have an engineer at the time. I'm like,
14:01
Speaker 1: how the fuck am I gonna I gotta finish this song?
14:03
Speaker 1: Like Quick's in there. Quick saw me do my verse,
14:06
Speaker 1: saw me do it, and just dipped. He was all right, cool,
14:08
Speaker 1: like keep doing your thing. Baby got up out of there.
14:11
Speaker 1: I sat on that song for like maybe like a
14:15
Speaker 1: month or two. And then this girl I'm dating at
14:17
Speaker 1: the time, right now, I was about to say at
14:19
Speaker 1: the time, do not don't leave me. This girl I'm
14:22
Speaker 1: dating was as a fucking Channel Tress fan like she
14:27
Speaker 1: loves him. She's like, no, you need to finish this song.
14:30
Speaker 1: It's the last thing you do. I'm like, all right,
14:34
Speaker 1: a higher engineer with money I don't have in the studio,
14:36
Speaker 1: I can afford finish the second verse. Then I have
14:40
Speaker 1: to pay another session to get Barney Barney Bones who
14:44
Speaker 1: helps Channel Right all the time, to come do his part,
14:48
Speaker 1: and then I have to book another session to mix
14:51
Speaker 1: it master it. So at this point I'm in the
14:53
Speaker 1: red in my own fucking budget.
14:55
Speaker 2: I'm like, damn truly independent.
14:56
Speaker 1: I'm truly independent, and I'm like, fuck dude, like whatever. Randomly,
15:02
Speaker 1: a song I did with Smino and Jid because of Buddy.
15:06
Speaker 1: Buddy invited me to the session. I marked the song
15:09
Speaker 1: that's my kind of rappers right marked it. It leaked
15:12
Speaker 1: because you know, damn well, Jibs people and Smino aren't
15:15
Speaker 1: going to just let some city let some shit leak out,
15:17
Speaker 1: like I mean, let some shit clear that wouldn't have
15:19
Speaker 1: got clear. They just got off tour. Oh yeah, they
15:21
Speaker 1: had the dre they had the dress right, yep, yep.
15:25
Speaker 2: So we're trying to like maybe perform the song. You know,
15:27
Speaker 2: it's very like high hopes, like maybe Whybeo will drop
15:30
Speaker 2: it after the tour, very very very immature thinking. But
15:35
Speaker 2: I mean they're both on major labels too. It's not
15:37
Speaker 2: happening for me. It's a little bit harder. It's a
15:39
Speaker 2: little bit harder to get those records out. It's almost like,
15:41
Speaker 2: if you're an independent artist, it would behoove you to
15:44
Speaker 2: work with major artists. It's like it was cool to
15:47
Speaker 2: send around to people and.
15:48
Speaker 3: Yeah, like I got some shit with Jit and but
15:51
Speaker 3: I guess one of the engineers at the studio heard
15:54
Speaker 3: it and he mixed it and sent it to me,
15:57
Speaker 3: and then it leaked.
15:58
Speaker 2: It was a form of Smino Jid leaks that came out.
16:01
Speaker 2: The leak got to.
16:03
Speaker 1: Create music, create music, heard that it was creating, So
16:07
Speaker 1: I posted it.
16:08
Speaker 2: Now everybody's posting.
16:09
Speaker 1: It like fucking we got off here, we can keep
16:10
Speaker 1: up with Jid and Smino, duh. And then fucking that
16:14
Speaker 1: got me a little distribution deal with Create that helped
16:18
Speaker 1: me pay for the video for this, and helped me
16:21
Speaker 1: get me a nice little car. And like I've invested
16:23
Speaker 1: in my own studio. Bought the fucking Bay ten seventy three,
16:26
Speaker 1: the distresser compressor, the Noyman ten, the Noyman, the funk.
16:32
Speaker 2: I mean, you got like the fucking that's that's the
16:34
Speaker 2: vocal chain, that's all you need. Killed it and it's
16:36
Speaker 2: right in the crib hollow.
16:38
Speaker 1: Put the kid to sleep. I got an SSL like
16:41
Speaker 1: a Very. I don't think they make.
16:42
Speaker 2: It anymore like a Very.
16:43
Speaker 1: You didn't make it the small SSL, Yeah, I don't.
16:47
Speaker 1: I got the I got like the OG one somehow
16:49
Speaker 1: because of shout out to Vinyl, but I mean not Vinyl.
16:52
Speaker 2: Uh. I can't even vintage Kings. So you're recording yourself
16:57
Speaker 2: all day's.
16:58
Speaker 1: I just hired an engineer from haw he's out here
17:01
Speaker 1: and he's like working out Pulse, getting hell of money
17:05
Speaker 1: at Pulse. So now I kind of can give it,
17:07
Speaker 1: like y'all got two hundred dollars. Then you come through,
17:08
Speaker 1: He's like, yeah, I'll do it.
17:09
Speaker 2: Come on.
17:10
Speaker 1: So now he helps me out a lot now, thank god,
17:12
Speaker 1: But are you still out Long Beach. No, I'm in
17:15
Speaker 1: Hollywood now, Smart fifteen minutes from here.
17:17
Speaker 2: Smart killed it. Rent control building, rent controls the move.
17:21
Speaker 2: Oh my god, that saw, I know, God was real. Bro,
17:23
Speaker 2: I'll tell you that story later. Yeah, my boy lives
17:26
Speaker 2: in an apartment in North Hollywood and his rent is
17:29
Speaker 2: so disrespectfully cheap that it like I want to like
17:34
Speaker 2: throw him out and move into his apartment. You would
17:36
Speaker 2: hate me. Then, two bedroom, two bathroom, two parking spots,
17:40
Speaker 2: so my boys got the same shit and he's paying
17:42
Speaker 2: fifteen to sixty a month. He killed me off. Yeah,
17:46
Speaker 2: Nico Blitz said, motherfucker. He's been living there for like
17:48
Speaker 2: six years. He's he killed it. Don't move it, lovely.
17:51
Speaker 2: It was that three years ago. So however much it's increased,
17:54
Speaker 2: it isn't that much because it's rent controlled. So I'm like, dude,
17:56
Speaker 2: you're winning killed it, winning killed it. So I'm like,
18:00
Speaker 2: no matter how, no matter what happens, never moved, sublease it.
18:04
Speaker 2: I'm like, don't ever move bro. Like it's a two bedroom,
18:07
Speaker 2: you don't have any kids, who cares.
18:09
Speaker 1: It's amazing and we switch rooms all the time. She
18:12
Speaker 1: wants my room sometimes I want her room. She lives
18:14
Speaker 1: with me now, so it's so gangster. I'm so, I'm blessed.
18:18
Speaker 1: I killed that and I put the studio in the
18:19
Speaker 1: room and I just recording there all day, this whole
18:22
Speaker 1: pretty much the last couple songs of this project, and
18:26
Speaker 1: all my next shit is in the fucking crib fire.
18:28
Speaker 2: How smart though you save money that way, I'm never
18:30
Speaker 2: leaving that shit. What have you been able to sit
18:33
Speaker 2: with the Kendrick album? Yet? I love it? Yeah? All
18:36
Speaker 2: the way through Kendrick keeps sucking up my rollout. Yeah,
18:39
Speaker 2: I mean like I was fucking up a lot of
18:41
Speaker 2: rollouts anytime he drops. To be honest, he kind of.
18:44
Speaker 1: I learned a valuable lesson on patience because the video
18:48
Speaker 1: was supposed to come out when he dropped the Surprise
18:52
Speaker 1: Little Album. My video was supposed to come out that day,
18:54
Speaker 1: but my video guy didn't have the titles done yet.
18:58
Speaker 2: Ah, So I was like getting upset because the day
19:01
Speaker 2: before I'm like, like the font and stuff exactly, And
19:04
Speaker 2: the day before I'm like, we need the video to
19:06
Speaker 2: drop tomorrow because the song comes out tomorrow and then
19:08
Speaker 2: creates like chill out. We could push the DSPs through
19:10
Speaker 2: the weekend. Drop it on Monday today. Yes, ma'am, goodness, gracious,
19:14
Speaker 2: there's a phone call, just hit ignore young lady. Goodness. Yeah.
19:19
Speaker 2: I was in Thailand walking out of Rolling Loud and
19:22
Speaker 2: my boy was like, Kendrick just dropped and I was
19:25
Speaker 2: like what, and it was Thailand is fifteen hours ahead
19:30
Speaker 2: of La goddamn. So it's like tomorrow at night. Damn.
19:35
Speaker 2: It's crazy. So I'm like what and like, so we're
19:38
Speaker 2: walking out, I'm listening to this shit in my ear
19:41
Speaker 2: like this, like what the fuck? I couldn't get past
19:43
Speaker 2: the first song for a minute. I was like, because
19:45
Speaker 2: you had to like dissect it, you had to go wait, wait,
19:47
Speaker 2: what did he say? What do you say? He came
19:49
Speaker 2: out Snoop. Yes, that fucked me up for sure, And
19:53
Speaker 2: I like how Snoop you know, replied like a good
19:56
Speaker 2: sport and was like it was the Edibles. It's it's
19:59
Speaker 2: because I I kind of felt him, because when Snoop,
20:01
Speaker 2: when when I saw that, I felt like, I mean,
20:03
Speaker 2: obviously it's not my position to feel any type of way,
20:06
Speaker 2: but I did kind of feel like I would like,
20:08
Speaker 2: why would Snoop validate then Corny Ship like you know,
20:11
Speaker 2: but it's like Snoop, Snoop post Hell is ship on
20:13
Speaker 2: his pitch, his pagoops damn near mean pin. I was
20:15
Speaker 2: about to say, yeah, mean page. So it's like I
20:18
Speaker 2: feel like with with Snoop, you really can't like Snoop's
20:21
Speaker 2: hard is. I feel like in a good.
20:23
Speaker 1: Place always, especially with Kendrick. He he knighted him, He
20:27
Speaker 1: knighted him on stage. Kendrick is knighted by the gods.
20:30
Speaker 2: Yeah, no, it's wild. Yeah, I thought it was joked
20:32
Speaker 2: that he put on a bunch of young guys too.
20:34
Speaker 2: You know.
20:34
Speaker 1: I listened to it the first I was in New
20:37
Speaker 1: York when it dropped, So it was super surreal for
20:39
Speaker 1: me because I'm like on the subway listening to it, like.
20:42
Speaker 2: What is going on right now? Like who is he
20:45
Speaker 2: talking about? Why? Who's this other guy?
20:47
Speaker 1: All the track lists were Yeah, there was hidden I
20:50
Speaker 1: didn't know none of those guys except I just knew.
20:52
Speaker 2: I knew obviously Wally Paeso and uh I never heard
20:56
Speaker 2: of Lefty was dope, Pacs'm hip on every anybody now Yeah,
21:01
Speaker 2: and then but I didn't. I couldn't tell it was
21:04
Speaker 2: right away, Like I know a couple of records, But
21:06
Speaker 2: I feel like Wally really deserved it. Though for sure
21:11
Speaker 2: some big everybody thought, yeah with the future thing, Well
21:15
Speaker 2: he's got some he signed us. He might have a
21:18
Speaker 2: situation that he's gonn announce.
21:20
Speaker 1: The man I've seen he's with Zona man a lot.
21:22
Speaker 1: That's my triplet. Me him and Buddy are triplets.
21:25
Speaker 2: While he's got some ship. He came with what was
21:29
Speaker 2: his first song, not paranoid, uh, just trying to kill
21:33
Speaker 2: me for some scandalous.
21:36
Speaker 1: Scandalus is huge in the hood. I mean we were
21:39
Speaker 1: like okay, Like scandalss is a classic boom. Then he
21:41
Speaker 1: drops the O three flow and like, if you've ever
21:46
Speaker 1: dealt with a dude who's been to jail before on
21:48
Speaker 1: any level, that is their ship.
21:50
Speaker 2: Yeah, you could play that. You could play that in
21:53
Speaker 2: the club. And he's very different because he doesn't. I
21:56
Speaker 2: don't feel like he wants to come off like he's
21:58
Speaker 2: some super blood. He doesn't. But the other thing that's
22:01
Speaker 2: interesting about Wally is like he is a like he
22:05
Speaker 2: really has the real capacity and ability to like wrap
22:09
Speaker 2: his fucking ass. Oh yeah, I've ciphered with that man. Actually,
22:13
Speaker 2: he's come on a freestyle a couple of times on here,
22:15
Speaker 2: and every time I'm just like, oh my god, what
22:18
Speaker 2: one takes it?
22:18
Speaker 1: Oh yeah he has a classic one here? Yeah yeah,
22:21
Speaker 1: I common it's just so good man.
22:22
Speaker 2: I'm like, dude, you're a fucking alien. He doesn't even try.
22:25
Speaker 2: He's an alien, don't. I don't forget which major label
22:28
Speaker 2: had him signed. That was it Atlantic? They fuck that
22:30
Speaker 2: up though, Oh they know they did. Though a lot.
22:32
Speaker 1: I feel like a lot of labels know when they
22:34
Speaker 1: fuck up because they can't they can't market them the
22:37
Speaker 1: way they.
22:37
Speaker 2: I don't understand what the like. Uh, it feels like
22:40
Speaker 2: there's this huge like wall of like labels that just
22:45
Speaker 2: don't know how to market West Coast artists that aren't
22:47
Speaker 2: already like super on.
22:49
Speaker 1: Even then, like even Roddy, Like they don't know how
22:52
Speaker 1: to to his next level. Like a lot of people
22:53
Speaker 1: don't know what to do with the West Coast.
22:55
Speaker 2: Yeah, the Roddy thing is interesting because I truly feel
22:58
Speaker 2: like he's a study of like somebody who who's momentum
23:02
Speaker 2: was truly affected by COVID. You know, wow, I didn't
23:05
Speaker 2: even think about that because he had his whole festival
23:08
Speaker 2: run that was coming. He had the biggest song on
23:11
Speaker 2: the planet when COVID started. You know, the box was
23:13
Speaker 2: the biggest song on the planet and still I mean
23:15
Speaker 2: it was went like diamond, didn't it. Yeah? I think so.
23:18
Speaker 2: I mean that's all time crazy single. Whoever is a
23:21
Speaker 2: part of that song. I know it's doing fair, But
23:23
Speaker 2: I think when when with COVID, it's like everybody was
23:26
Speaker 2: sitting down overthinking ship. I had heard that that second
23:29
Speaker 2: album had like four different versions. The version that ended
23:32
Speaker 2: up coming out was like not the version a lot
23:34
Speaker 2: of people said should have came out. But I also
23:37
Speaker 2: thought that this shit was cool. We had some shit
23:39
Speaker 2: on there. Line. I love Roddy man. I think Roddy's
23:41
Speaker 2: incredible me too, and I want to work with him.
23:44
Speaker 2: But I do think the COVID thing was just a
23:46
Speaker 2: weird thing because there were certain like younger artists who
23:48
Speaker 2: like didn't know what to do. Like I was like, Okay,
23:50
Speaker 2: well if COVID's here, do we still work, Well, we
23:52
Speaker 2: can't tour, So like he was really you gotta understand
23:55
Speaker 2: his tour was going on when that album came out, the.
24:00
Speaker 1: First one or the second one, the first one, h
24:02
Speaker 1: anti social one, Yeah, oh my god.
24:04
Speaker 2: So he was doing fifteen eighteen hundred cap venues, oh
24:09
Speaker 2: my god, when he should have been doing like three
24:12
Speaker 2: four five thousand, So he didn't even really get to
24:15
Speaker 2: fully like crack the tour after the album hit and
24:17
Speaker 2: like Blue the fuck he's an arena artist? No, yeah,
24:21
Speaker 2: I mean I think I don't know. I wouldn't. I
24:22
Speaker 2: don't know if he is now, but I think that
24:25
Speaker 2: he's capable of being an arena golf wing.
24:28
Speaker 1: When Mustard brought him out, oh yeah, that was the
24:30
Speaker 1: most respectfully, that was like the most of the crowd.
24:35
Speaker 2: I mean, he's got them hit. They were washing to
24:37
Speaker 2: his songs. Riddy's got hits, and he's got He's got
24:39
Speaker 2: this like the songs that are just so easy to
24:40
Speaker 2: sing along too, like his melodies are un like unfukiable
24:43
Speaker 2: for us. Was on Kendergarten Uh siete uh pay so
24:50
Speaker 2: so who am I forgetting? It? Is one more? I
24:55
Speaker 2: know there's a few more hit a hit, a hitted,
24:59
Speaker 2: hitted baby love his verse. Yeah, people be hitting meet
25:02
Speaker 2: the whoops. They love him, Yes, yes, and I think
25:06
Speaker 2: he might be.
25:06
Speaker 1: Kendricks's cousin says, uh huh, Dodie Dodi's Hey, now say
25:11
Speaker 1: now that's him he on Hay Now say.
25:13
Speaker 2: Now, oh that song is nast What is on Dodger Blue?
25:18
Speaker 2: A ZI, there we go. He's on Dodger Blue. Uh
25:23
Speaker 2: it's Wally and Roddy.
25:27
Speaker 1: And I feel like a Z Shike is on a
25:29
Speaker 1: sick run. He was just on He's on a t
25:31
Speaker 1: D run. He school boys ship, got his own song
25:34
Speaker 1: for sure. He's on Kendrick ship. I feel like if
25:36
Speaker 1: he gets on one more t D artist ship, they
25:38
Speaker 1: might as well sign him.
25:40
Speaker 2: Yeah, hey man, him and him and Rucie had a
25:42
Speaker 2: great album.
25:42
Speaker 1: That they dropped a couple of years and and Shike
25:44
Speaker 1: like kind of like got load of great kind of
25:46
Speaker 1: popping like between one take Jay and Shike and then
25:49
Speaker 1: like load the Great is like insane.
25:52
Speaker 2: Yeah, I feel like, uh, I mean, ship man, it's up.
25:56
Speaker 2: It's just really up to all everybody to deliver, you know.
25:59
Speaker 2: And I think I think now it's like it's almost
26:02
Speaker 2: like the industry has always been so like non West
26:08
Speaker 2: Coast biased, like it's always the South or East Coast
26:13
Speaker 2: artists get all love or fucking Canadian art. But I
26:16
Speaker 2: do feel like Kendrick's like forcing the moment to where
26:18
Speaker 2: if you're from LA like the labels would be doing
26:20
Speaker 2: themselves a disservice to not look at you and be like, hey,
26:24
Speaker 2: how do we make this happen? Like I think Lefty
26:26
Speaker 2: Gunplay is going to get a stupid bag. Stupid bag,
26:31
Speaker 2: Like what like this guy is a fucking He's like
26:36
Speaker 2: he just did some shit with O j Z and
26:37
Speaker 2: then you see how they rolled it out. I thought
26:39
Speaker 2: he's got a song out with Jeremiah right now. Him
26:41
Speaker 2: and oh Jeez's been working him and hit Boy got
26:43
Speaker 2: a damn your whole album together. He's been working with
26:46
Speaker 2: tight Ali sign. Like, I feel like that's your right
26:48
Speaker 2: of passage if hit Boy like gives you an album.
26:52
Speaker 2: It's like hitt Boy is free big hit by the way,
26:56
Speaker 2: but yeah, hit Boy's been on a crazy run. But yeah,
26:58
Speaker 2: for sure, it's something like a right passage. For sure.
27:01
Speaker 1: It's like, oh, hit boys fucking with you, Like, I
27:02
Speaker 1: still got work to do. I need to get the
27:03
Speaker 1: hit Boy and I still need to get.
27:06
Speaker 2: You haven't worked with hit Boy yet.
27:07
Speaker 1: Nah, that's the hommie, But I still need to get
27:09
Speaker 1: like hit Boy and Alchemist, Alchemist the one. If I
27:11
Speaker 1: could just get them too, and just like I'll be okay.
27:15
Speaker 2: Who do you? Do you have any other features on
27:16
Speaker 2: your new project? Buddy's on there, Barney Bones is on there?
27:20
Speaker 2: Who else is on there? Channels on there? I don't
27:25
Speaker 2: think it's anybody else. I don't not off the top
27:28
Speaker 2: of my head, I don't. I'll be wrapping way better
27:30
Speaker 2: than niggas. So it's like there's gonna be trying to
27:32
Speaker 2: come to the studio with me. You you have like
27:34
Speaker 2: a pretty crazy independent catalog too, Like you've you drop
27:37
Speaker 2: a lot, Like I think twenty twenty three years old,
27:40
Speaker 2: you had three or four hours that you dropped. I
27:41
Speaker 2: was hurting that year too. Is it like for you
27:44
Speaker 2: being like an independent artist and this is like how
27:46
Speaker 2: you pay your bills? Do you see, like the the
27:50
Speaker 2: more music you are able to drop, does it help
27:53
Speaker 2: with like raising all sales? The sickest part. I made
27:58
Speaker 2: the most money this year and I didn't even.
28:00
Speaker 1: Drop really like how though I have no idea? Just
28:05
Speaker 1: off music, yes, off of merch music shows. Buddy put
28:09
Speaker 1: me on his album. We went straight to Japan.
28:12
Speaker 2: You went to your Japan's crazy. I hate to be
28:18
Speaker 2: that rapper that's like, oh I'm big in Japan. No,
28:20
Speaker 2: but that's the thing I swear to god, me and
28:21
Speaker 2: Buddy did like five shows out there. I was just
28:24
Speaker 2: talking to my boys and they they're part of a
28:27
Speaker 2: group called bad Hop, which is like the only hip
28:30
Speaker 2: hop group they ever saw to Tokyo Dome I thought
28:32
Speaker 2: was shit. And they were just talking about how Japanese,
28:36
Speaker 2: he said, Asian fans period. He's like they buy everything. Oh,
28:40
Speaker 2: I sold out. He was like, Yo, if you got
28:42
Speaker 2: a T shirt, if you got a lunchbox, if you
28:44
Speaker 2: got a fucking pencil, they're buying it. I should have
28:47
Speaker 2: I should have went around like if you could get
28:49
Speaker 2: cracking in Japan, you're the man.
28:51
Speaker 1: That's the only thing that makes people out here fuck
28:53
Speaker 1: with me for real, because they'd be like even like
28:56
Speaker 1: the all the West Coast dudes like Jay Worthy others
28:59
Speaker 1: like you go to go to Japan, like Japan, Like
29:01
Speaker 1: Jay Worthy's really big in Japan.
29:03
Speaker 2: I bet he's huge out there. Yeah. And I don't
29:05
Speaker 2: even know, Like I wonder like, is it just like
29:08
Speaker 2: is it just that the music resonates them? Niggas wear
29:10
Speaker 2: do rags out there for sure, And there's like the
29:13
Speaker 2: Japanese solos, Yes, they think.
29:16
Speaker 1: You can't tell them that until I come around and
29:18
Speaker 1: they're like, oh, yeah, that that's Melanie.
29:20
Speaker 2: I just wonder what is the what is the the
29:24
Speaker 2: highway for the music to pop over there? Is it
29:27
Speaker 2: the obviously it's the Internet, but is there do you
29:29
Speaker 2: have to put work in out there for to like translate?
29:31
Speaker 2: I think it was. I think it's like a conscious
29:33
Speaker 2: effort of like, hey, we need to put some effort
29:35
Speaker 2: into Japan for it to work. No. I think that's
29:37
Speaker 2: what they don't fuck with. I think you just need
29:39
Speaker 2: a lowrider in your video and they're like, we're in
29:43
Speaker 2: that simple so their culture. They love jay Z so
29:47
Speaker 2: much out there too. Jay Z so so Yankee hats
29:51
Speaker 2: they love that.
29:52
Speaker 1: Yeah, if you're really from New York or really from LA,
29:55
Speaker 1: they fuck with you interesting, They fuck with you heavy,
29:59
Speaker 1: like they're gonna ask you to like LA. Like if
30:02
Speaker 1: you wear that het out there, they're gonna think you're
30:03
Speaker 1: from San Francisco.
30:04
Speaker 2: Oh that's fire.
30:05
Speaker 1: Your your representation, No representation matters out there like a motherfucker.
30:10
Speaker 1: Like any advice from any West Coast artists, go as
30:13
Speaker 1: west as possible.
30:15
Speaker 2: If you want to get that Japan money, yes, because
30:17
Speaker 2: they're given to you. G Perico, probably go out there
30:19
Speaker 2: and eat what g Perico goes anywhere and eats because
30:24
Speaker 2: he's a supercrip, the super Crypt. He is super he's
30:29
Speaker 2: got he could go anywhere.
30:32
Speaker 1: He's he was one of the He's the first major
30:35
Speaker 1: West Coast artists that gave me a feature.
30:38
Speaker 2: He's, by the way, the fucking nicest guy ever. I
30:41
Speaker 2: didn't even you would never know that man gang Bang
30:43
Speaker 2: if he didn't look like a supercrypt. He does look
30:46
Speaker 2: like a supercrypt. Though. Yes he has like a vintage
30:48
Speaker 2: bandana collection. That's a wild sentence. I promise you, Like, Yo,
30:54
Speaker 2: you see this. I got this from a Korean dollar
30:56
Speaker 2: store in ninety nine.
30:57
Speaker 1: He's gonna he's gonna hit you in this interview. Come
31:00
Speaker 1: out and be like he ain't lying. Lat Nigga got different.
31:02
Speaker 2: That one from six.
31:03
Speaker 1: I got that from O six like this one was
31:05
Speaker 1: in the Chronic video. He's like, I collect bandanas, it's vintage.
31:09
Speaker 2: Do for this on stage.
31:10
Speaker 1: You get it the blues in Vegas the night he
31:12
Speaker 1: was killed, and he don't like back pocket of either.
31:14
Speaker 1: He put that bitch all the way on on his
31:17
Speaker 1: head like he's such a crip that the.
31:19
Speaker 2: You know what I would we got to give to
31:21
Speaker 2: that credit to him because he's one of the forefronts
31:25
Speaker 2: of the bandana movement still, and I'm not talking about
31:28
Speaker 2: putting one in your pocket, but I'm talking about like
31:29
Speaker 2: the applying it to your head. Yes, in full force.
31:32
Speaker 2: He does not play. Yeah, he's still there's a few
31:35
Speaker 2: guys who wear bandanas, but I feel like jee Perico's like.
31:37
Speaker 1: The bandana whever and Gee Perico is filthy rich, don't
31:41
Speaker 1: that's not why let's I'm away these let's not get
31:45
Speaker 1: that fucked got rich guy taught me more about financial
31:49
Speaker 1: literacy than.
31:51
Speaker 2: Anybody. He's the one that told me, maybe like a
31:54
Speaker 2: year ago. He's like, oh yeah, if you're going like
31:56
Speaker 2: Blue Leg Cab or Just Incredible or any of these platforms,
31:58
Speaker 2: he's like, just just spitch who notes, Just spit your
32:01
Speaker 2: own notes, apt like whatever you got, spit it, like,
32:03
Speaker 2: don't play, Like, don't go up there and think like motherfuckers,
32:06
Speaker 2: I'm gonna see that. Yeah, Like I'm gonna go up
32:08
Speaker 2: there and like you know, don't go do a performing.
32:10
Speaker 1: He's like just specifically like this platform and like the
32:13
Speaker 1: like these other ones, He's like, go up there and
32:15
Speaker 1: like spin. Motherfuckers are watching because He's like niggas in
32:18
Speaker 1: jail and niggas all over it.
32:19
Speaker 2: They watched that ship. Is one of the smartest guys
32:21
Speaker 2: in hip hop. Man. He taught me a lot. He
32:24
Speaker 2: got this indie rapt shit figured out.
32:26
Speaker 1: He that's why I move how I move. He gave
32:28
Speaker 1: me that feature and told me, like, get away from this, dude,
32:31
Speaker 1: stop messing with that. Dude, where's your publicist? Why aren't
32:33
Speaker 1: you putting money towards this? Oh you got if you
32:35
Speaker 1: get it? He's he told me, if you get a
32:37
Speaker 1: distribution deal, spend all your money on the budget on
32:39
Speaker 1: digital marketing. M He's like all of it, Like, don't
32:42
Speaker 1: waste a dollar, keep all of it for digital market
32:45
Speaker 1: I just spend You know, I got a child.
32:46
Speaker 2: So what would be digital marketing be for people who
32:49
Speaker 2: are watching who don't understand like that.
32:50
Speaker 1: Sleeping on gems, Instagram pages, Spotify, marquees, making sure that
32:55
Speaker 1: your ship front center ads fucking making sure that your
32:59
Speaker 1: ship is like visit bull and they can see you,
33:01
Speaker 1: especially if you're handsome. You know what I'm saying, Like,
33:04
Speaker 1: make sure you put your image first, because that's what
33:07
Speaker 1: really draws people to him. His image is like top
33:10
Speaker 1: tier that's true. And he wears he can wear red
33:13
Speaker 1: and people are like, are you.
33:14
Speaker 2: Going is that's his clothing line? You get it? Blue
33:16
Speaker 2: T shirt, very top is blue. That's how we met
33:18
Speaker 2: because I was I.
33:20
Speaker 1: I used to be partnered with the Art Gallery and
33:24
Speaker 1: Long Beach and he wanted to shoot a video and
33:26
Speaker 1: he wanted to do a photo shoot and he wanted
33:28
Speaker 1: to do a campaign like he wanted to do three
33:29
Speaker 1: and one at the Art Gallery, and I gave him
33:31
Speaker 1: like an incredible deal.
33:32
Speaker 2: Yeah, and it was crazy, great guy, man, that Guparico
33:35
Speaker 2: changed my life. Yo, what uh for you? Man? This
33:39
Speaker 2: new album? I'm assuming are you already kind of because
33:42
Speaker 2: you drop so often? Are you already kind of working
33:43
Speaker 2: on the next thing? Yeah?
33:45
Speaker 1: Me and Channel Tress, that's who did the single. We
33:47
Speaker 1: got the EP pretty much done, so that's what's next.
33:50
Speaker 2: Yeah.
33:50
Speaker 1: And then the dude Rohan, I'm going to sign him
33:53
Speaker 1: to my My. I'm gonna start a label after this.
33:55
Speaker 1: And then you want to sign only producers.
33:57
Speaker 2: Like DJ's and like fucking engineers. Drew and Buddy do
34:01
Speaker 2: like a full, full, full thing. I'm on Buddy's next single.
34:04
Speaker 2: I would love to do something with Buddy we just
34:06
Speaker 2: need to sit down because he's independent. Now he's up Empire, right,
34:09
Speaker 2: I'll let him tell it. Well, I don't know. I
34:12
Speaker 2: know he had if he had a cup of tea
34:14
Speaker 2: at Empire exactly. He was over there, Okay, I don't
34:18
Speaker 2: he got some big news coming too. He's like Wally,
34:21
Speaker 2: Jesus them guys Compton. Yeah, there's something in the water
34:24
Speaker 2: over there. Something is in the water in Compton. I
34:26
Speaker 2: think that is a fair state, for sure. There it is, man.
34:29
Speaker 2: We'll look. Your new album's coming out December sixth. Yes,
34:32
Speaker 2: people can still buy vinyl from your old albums. I'm
34:34
Speaker 2: assuming it's all online. Bristol, miss dot com go support
34:38
Speaker 2: uh and I appreciate you pulling up and go watch
34:39
Speaker 2: the freestyle this guy just did too, because it is
34:41
Speaker 2: fucking fire boom heree Brice