Latest / Dazed and confused: Led Zeppelin Bio. / Episode 8 - Led Zeppelin III

Transcript

Episode 8 - Led Zeppelin III · Dazed and confused: Led Zeppelin Bio.

• 0:00
  This is Dainsten confust the podcast about Led Zeppelin. The band had not stopped
• 0:19
  traveling for about two years and decided to take a vacation, but it was
• 0:25
  work vacation. Robert Pland and Jimmy Page, along with some of their assistants,
• 0:31
  decided to rent a luxurious cabin in the Welsh mountains. The place was
• 0:35
  called bron Your, a name that would not only give title to a composition,
• 0:45
  but was also a set of pieces based on folk roots that would be
• 0:54
  included in their next albums. Originally an idea was to rest, but they
• 0:58
  joined with a couple of acoustic guitars and at night around the fireplace and some
• 1:02
  glasses of whiskey, they started to play and sing. In this way new
• 1:07
  melodies began to be born in bro Your Jimmy Page was really known by Robert
• 1:14
  Pland. It was not the same to be there in the midst of so
• 1:21
  much peace as to live together in the trageneo of the tours. The songs
• 1:23
  that came from there indicated the band, the group, the direction the group
• 1:29
  would follow. From there forward let Zeppelin Thirteen would be a very different album
• 1:33
  from the previous two. The preponderance of acoustic instruments was dominant. There were
• 1:38
  echoes of music from the North American west coast, from bands like Buffalo Springfield
• 1:45
  and Burds, and soloists like Johnny Mitchell, a new melodic sense that combined
• 1:49
  perfectly with the hard and rough rock they had been performing before, with a
• 1:53
  greater freshness and renewed spirit. Topics followed were like the Edmiran sond and Celebration
• 2:02
  Day, or the dramatic intense blues of minor tonality called Sean Civing Loving You,
• 2:07
  but also many more serene ones, such as Tangeraine or Dart' s
• 2:12
  dh Way, of which John Paul Jones said well came out after listening a
• 2:17
  lot to Jenny Mitchell on the road. There were also some experiments in the
• 2:23
  arrangements, especially the string orchestrations. By cleaning the modal style in Frience background,
• 2:30
  which would be the much more elaborate Cashmer song by Fysical Graffity of nineteen
• 2:36
  hundred and seventy- five. With all the time available, the group was
• 2:39
  able to work quietly on the recording, for which the four members settled in
• 2:44
  a hamsfear mansion in England and when they created the mobile studio of the Rolling
• 2:47
  Stones, they had special that good house called headc Grass John, because Jones
• 2:53
  answers absolutely nothing. It was a huge wet empty mansion. Everyone thinks it
• 2:59
  was luxuries, but no. The only good thing I had was that it
• 3:02
  was so unwelcome that I forced you to record as quickly as possible in order
• 3:07
  to get out of there. With all that, remember that they could record
• 3:10
  That the Ways sitting on the grass, and that was a very nice thing
• 3:14
  to do. While the album was being processed, letd Zeppeling performed triumphantly at
• 3:17
  the British Bath Festival at last recorded by the massive acetation of his own homeland.
• 3:22
  Then they started another tour of North America with absolute fills at the Mason
• 3:28
  Square Gardent in New York. Everything was going on wheels and it was supposed
• 3:31
  that the third album would have a major success, but it wasn' t.
• 3:37
  Led Zeppelin Tres was the least sold of the group' s first five
• 3:40
  albums. Media criticism this time people didn' t support it as much as
• 3:45
  the first two. Let Zeppelin became acoustic, cried scandalized, a press headline
• 3:51
  in the United States and although time has put in place everyone, today the
• 3:54
  album is appreciated a great stir, at that time it was a relative failure
• 4:00
  and it was a severe blow to the members of Led Zeppelin. Jimmy.
• 4:05
  Ten years later, in an interview, when we recorded Zeppelin Tres, Crobis
• 4:10
  and Land Nash had just formed and that kind of music was still not well
• 4:15
  received, as in several pieces. We used acoustic guitars. Suddenly some accused
• 4:18
  us of traitors and Jimmy Pace wondered about Christ where they have their heads and
• 4:26
  ears. They don' t realize that there were three songs with acoustic guitars
• 4:30
  on the first album and two on the second. Still, Jimmy thought it
• 4:36
  was his most mature job up to that point. For him it was a
• 4:40
  very good record, but obviously, people usually expect something preconceived and that'
• 4:45
  s why they were disappointed. Him. He advised them that when they approached
• 4:48
  a new album they would forget what they were hearing and forget about the band
• 4:55
  called Led Zeppelin, which is just listening without prejudice to what was on the
• 5:00
  album in particular, and despite the reviews. Robert Robert plant Sorry I was
• 5:08
  optimistic now that they had made Led Zeppelin three. The sky for him was
• 5:12
  the limit. The album shows that they are capable, that they were able
• 5:16
  to change and do as many things as they wanted. That meant that there
• 5:19
  are limited possibilities and addresses in which they could go. They weren' t
• 5:25
  stuck and the album was proof of it. This is how Led Zeppeling faced
• 5:34
  in those years criticism and fans that the truth was told. Many times,
• 5:41
  fans take so much of a band that they even feel more important than the
• 5:47
  band in question. And this is a very strange thing, because the band
• 5:56
  or bands always seek to take out material that suits them, that they convince
• 6:01
  them, that they cause that emotion to play live and that they themselves feel
• 6:08
  the passion of being in the studio recording it expressing their art and good,
• 6:17
  as well as and there have been many people who stop following a band because
• 6:23
  it changes a little their style, because it reinvents itself from time to time.
• 6:31
  There are also new followers who know the band and by accepting that new
• 6:36
  material and ignoring the previous one, when they discover the previous material plus the
• 6:42
  one that had brought them in the first instance, because they make their admiration
• 6:46
  capital and fans become a little bit wider in their acceptance of what the band
• 6:53
  can create. He didn' t make those who from the beginning started and
• 6:59
  who later have already brought those who created the music that drove them crazy at
• 7:08
  concerts Jimmy Page has always been very criticized because he himself produced the led Zeppling
• 7:18
  albums, but he also had the criticism of those who initially sought to listen
• 7:26
  to Jarburts and then the New Yarburts were already beginning to create reviews because they
• 7:33
  didn' t sound exactly like the Jarburts. And all those kinds of situations
• 7:36
  already had Jimmy Page used to all this kind of wavering from the public and
• 7:43
  the press. That' s why he followed and followed the four firm in
• 7:50
  his belief of creating music that would convince them and they would soon be convincing
• 8:00
  more than one with the next album. I am and or Tis. I
• 8:03
  hope you' re liking this podcast. Dered Zeppelin apologizes a little bit for
• 8:07
  the irregularity, this life thing remembers. Your support is to give like,
• 8:13
  share and as here we are on the next broadcast of this confust the Led
• 8:20
  Zeppeling podcast. See you later.