Latest / The Bootleg Kev Podcast / #650 - Young Drummer Boy & Zayce Hundo on New Album, Swifty Blue, Police Being Fans, Chito Rana$ & More

Transcript

#650 - Young Drummer Boy & Zayce Hundo on New Album, Swifty Blue, Police Being Fans, Chito Rana$ & More · The Bootleg Kev Podcast

0:00
Speaker 1: Yo.
0:00
Speaker 2: Before we get into the interview, man, I want to
0:02
Speaker 2: give a shout to say all my radio stations all
0:04
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0:07
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0:23
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Speaker 2: the country, so you could tap in with that radio show.
0:29
Speaker 2: If you want to know for on in your city,
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Speaker 2: just go to Bootleg Cab dot com. The fullest of
0:33
Speaker 2: cities is there. You might hear us. Let's get into
0:35
Speaker 2: the interview Bootleg Cab Podcast. Man, we got special guests
0:42
Speaker 2: in here, both returning oddly enough. Yeah, Young Drummer Boy
0:47
Speaker 2: and Zace What Jay's last time you're here was with
0:51
Speaker 2: Pac Joko, right, yeah, Park Joko ay Yai Yai and
0:55
Speaker 2: of course Park Joko Man independent rap legend pioneer, Young
1:02
Speaker 2: Drummer Boy. Yeah, we were talking earlier, Man, like you
1:07
Speaker 2: you are, Like I feel like a lot of people
1:10
Speaker 2: who are like in your position don't necessarily like give
1:12
Speaker 2: back as much as you do. And I don't mean
1:13
Speaker 2: like give back like it's for charity. But you're always
1:15
Speaker 2: I feel like tapping in with like the young guys,
1:20
Speaker 2: you know, like a lot of people first, you know,
1:23
Speaker 2: like why is that something that's important for you?
1:27
Speaker 3: Why is it important for me? Shit, I mean, I
1:29
Speaker 3: like to look out for the homies that it'll be
1:31
Speaker 3: like coming up. I know it's hard, bro, it's hard
1:33
Speaker 3: for us to come up, you know what I'm saying,
1:35
Speaker 3: Like when I started by myself and when I got
1:39
Speaker 3: with a little g and then when you know, we
1:41
Speaker 3: went solo, and so this is a tough game, bro.
1:44
Speaker 3: It's like a real, real tough game, you know what
1:46
Speaker 3: I mean.
1:47
Speaker 2: And it's like tough to really like, you know, I
1:50
Speaker 2: feel like, get attention to people who matter. Yeah, it's
1:54
Speaker 2: like a coat sign you don't even know, like a
1:56
Speaker 2: co sign from you or doing a record with somebody
1:58
Speaker 2: could change someone's whole life.
1:59
Speaker 3: I never even looked at it like that, you know
2:01
Speaker 3: what I'm saying. But when we did the records and
2:03
Speaker 3: shit like that, like you know with Lefty say, like
2:05
Speaker 3: with raality, I mean a lot of homies coming up, man,
2:08
Speaker 3: you know what I'm saying, Like I never really looked
2:09
Speaker 3: at it like a co sign and I always looked
2:12
Speaker 3: at it like as a homy point of view. You
2:13
Speaker 3: know what I mean. Right, You're dope. You know what
2:15
Speaker 3: I mean, Like, let's get in here, let's work. I
2:18
Speaker 3: never had like a big ego type shit, right. I
2:20
Speaker 3: mean I think that probably why I didn't really like
2:24
Speaker 3: try to charge everybody, or you know what I'm saying,
2:27
Speaker 3: try to make a dollar off everybody. I just seen
2:28
Speaker 3: the potential of what it could do and like and
2:31
Speaker 3: putting out good music and shit. You know what I'm saying.
2:33
Speaker 3: Like I've never been to Talent Scout, but obviously some
2:36
Speaker 3: of the shit that I fucked with just went up.
2:38
Speaker 2: I heard you talk about trying like signing artists and shit, Like,
2:40
Speaker 2: is that something you're trying.
2:41
Speaker 3: To We're doing that now? Yeah, So we're doing that
2:44
Speaker 3: now right here. We're actually doing like a whole grand
2:47
Speaker 3: opening for our for our studio where we're gonna be.
2:50
Speaker 3: It's I think it's time that I started signing people.
2:52
Speaker 3: You know what I'm saying, just developing talent, yeah, and
2:55
Speaker 3: really helping them get to whatever my platform could do
2:58
Speaker 3: for them. You know what I'm saying. See, we have
3:00
Speaker 3: you know, we have a studio which is a compound,
3:04
Speaker 3: and if we could bring people in there and give
3:07
Speaker 3: them my resources, I think that should it would be dope,
3:09
Speaker 3: you know what I'm saying, and give it and do
3:12
Speaker 3: it the right way too, because you know what I mean,
3:14
Speaker 3: some of these some of these deals out there be
3:15
Speaker 3: crazy as hell.
3:17
Speaker 2: Nah, for sure. Man, I feel like I feel like, uh,
3:20
Speaker 2: the transparency of like record deals will come in public,
3:23
Speaker 2: and like the ease that artists have now to just
3:26
Speaker 2: hit upload on like distroc cute or whatever. I think
3:27
Speaker 2: it's a little bit easier for artists and I get
3:29
Speaker 2: take advantage of. But still you still see motherfuckers getting fucked.
3:33
Speaker 3: Yeah, yeah they do. I mean Ship, I stepped in
3:37
Speaker 3: mud a couple of times, you know what I'm saying.
3:39
Speaker 3: So I had learned that ship our way.
3:41
Speaker 2: But well, like could you had you were with g right,
3:44
Speaker 2: but then did you have distro with Empire?
3:47
Speaker 3: No, we still have open doors with Empire. So we
3:49
Speaker 3: still do what we did now is we do like
3:54
Speaker 3: instead of partnerships instead of label deals. I just have
3:57
Speaker 3: a couple of different open doors where I could distrut.
4:00
Speaker 3: I could distribute music or anybody's music that I that
4:03
Speaker 3: I signed a project. Yeah, I could take it to
4:05
Speaker 3: you know what I'm saying, Orchard, you know, I could
4:07
Speaker 3: take it over here to Empire. So I have a
4:09
Speaker 3: lot of different different ways I could really you know,
4:11
Speaker 3: put put the music out, which I think is good
4:16
Speaker 3: because you know what I'm saying, like distro Kid toom
4:20
Speaker 3: core and a lot of the platforms I mean too
4:23
Speaker 3: Core helped me make my career. My bad catalog was
4:27
Speaker 3: is still on tone Core Yeah, and that helped me
4:29
Speaker 3: buy like the first pad bro Like, tone Core is
4:31
Speaker 3: not bad, but there is a different there is a
4:34
Speaker 3: different reach that you get when you go.
4:36
Speaker 2: To like like like an Empire or like a distributor
4:40
Speaker 2: that has like some sort of like label services.
4:42
Speaker 3: Yeah, so's it's different. Like you could tell. I could
4:45
Speaker 3: tell just by the chech manager and.
4:48
Speaker 2: They actually get you. The other thing, I don't think
4:50
Speaker 2: a lot of people like Gazzi Broke is down to me.
4:52
Speaker 2: He was like, yo, like if you go to Company
4:54
Speaker 2: A and you come to us, like we're going to
4:57
Speaker 2: get you more per stream, right, We're gonna get you
5:01
Speaker 2: all the money per stream as opposed to like I
5:04
Speaker 2: don't want to say, like let's say whatever distro Kid like,
5:08
Speaker 2: your payper stream is will be a lot less, a
5:10
Speaker 2: lot less.
5:10
Speaker 3: That's the difference, I think, just from the checks. So
5:13
Speaker 3: I've I've tried it myself, so like everything that I
5:16
Speaker 3: when I'm talking, because I've done it right. So I
5:19
Speaker 3: have I have records where we made money off of
5:22
Speaker 3: on dishro Kid, and then I see it like trickling
5:25
Speaker 3: in and then I'll around and grab that same record
5:28
Speaker 3: or that same album, and I'll come move it to
5:31
Speaker 3: like to Orchard, and then the money difference, you can
5:34
Speaker 3: see the volume just increase.
5:36
Speaker 2: Right, you know what I mean? How did you end
5:38
Speaker 2: up linking with Zays over here? The DJ Khaled clone?
5:42
Speaker 1: This is the real legend right here, bro, real legend.
5:44
Speaker 2: Nah.
5:45
Speaker 3: I mean they's been with us for a minute. I
5:47
Speaker 3: mean yeah, like six years now, yeah yeah. But he's
5:50
Speaker 3: always on the grind. Man, this guy's business and hustling.
5:54
Speaker 2: What's some stuff you've been producing lately, because you've been
5:56
Speaker 2: like I feel like I've been seeing your name a.
5:58
Speaker 1: Lot every thing, man, Like I'm everywhere for sure. I mean,
6:02
Speaker 1: obviously the drummer. We just dropped the project straight out
6:05
Speaker 1: the nine, so uh but yeah, I mean.
6:08
Speaker 2: The work called back to the back back to the nine. Sorry,
6:13
Speaker 2: how do I know you're out there?
6:15
Speaker 1: Hey?
6:15
Speaker 3: To be fair, we did that ship in four days.
6:17
Speaker 2: Like I was like, oh, that might be a new
6:19
Speaker 2: album back to the nine.
6:20
Speaker 1: Sorry, that's the next album.
6:22
Speaker 2: Yeah.
6:23
Speaker 3: I stressed him out, bro, I stressed him out, like
6:25
Speaker 3: we did. We literally, bro, we literally did that ship
6:28
Speaker 3: in four days. Although songs president, Yeah, four days, four day,
6:32
Speaker 3: four studio days.
6:34
Speaker 1: We got the whole project done partly like two weeks.
6:36
Speaker 3: Yeah, because I just went in there. I was like, yo,
6:39
Speaker 3: that till today's ready. Like I already took a long
6:42
Speaker 3: enough break, bro.
6:43
Speaker 1: So this really was like my first project with him
6:46
Speaker 1: that I got to lead on. Like as far as production, it's.
6:50
Speaker 2: Like really kind of like set the sound right, yeah, like, hey,
6:53
Speaker 2: look this is what we're gonna do.
6:54
Speaker 1: Yeah, we still have the you know, the homie one
6:56
Speaker 1: hundred and six to six. He does a lot of
6:59
Speaker 1: work too. But uh, I was grateful to take the
7:02
Speaker 1: lead on this one, and you know what I mean,
7:03
Speaker 1: proud of it. I'm proud of that project, not not
7:05
Speaker 1: for sure.
7:06
Speaker 3: I think it's important. I think it's important to like,
7:08
Speaker 3: you know, fuck with I mean, obviously in my career
7:10
Speaker 3: I fucked with different producers.
7:13
Speaker 2: Working out. I hit you about it. I was like,
7:15
Speaker 2: want Carlo Records, tough.
7:17
Speaker 3: You fun with that one. Yeah, I'm still kind of
7:19
Speaker 3: like getting to know the records and ship since we
7:21
Speaker 3: dropped him so fast.
7:22
Speaker 2: Yeah. Would it come out in February?
7:25
Speaker 1: Yeah, run there the beginning of February.
7:27
Speaker 2: Yeah. Yeah.
7:28
Speaker 3: I was just kind of like, it's the top of
7:30
Speaker 3: the year.
7:30
Speaker 2: That's got to be weird when you put something so
7:32
Speaker 2: quick after recording it. Yeah, you're like, damn, I ain't
7:35
Speaker 2: ready to perform yet.
7:36
Speaker 1: That's why I forgot the title.
7:39
Speaker 3: Yeah, it was the top of the year, and I
7:41
Speaker 3: was like, man, we got to do something. And I
7:43
Speaker 3: already know they knows what he's doing, bro, So I
7:45
Speaker 3: was like, Jay's just run some beats, let me just
7:48
Speaker 3: hear some ship, let me just be a rapper. Yeah,
7:51
Speaker 3: you know what I mean for a week instead of trying.
7:53
Speaker 2: And that's how and it came out.
7:55
Speaker 3: Yeah, And it came out like that.
7:56
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9:19
Speaker 2: a couple of years ago, Well shiit twenty twenty three.
9:22
Speaker 2: You and g ended up getting back together, which I
9:27
Speaker 2: feel like was big for the culture and uh, just
9:30
Speaker 2: a big statement. How is he doing? Because there was
9:32
Speaker 2: like speculation he had got deported and he came out
9:35
Speaker 2: and said that was fake news, Like, yeah, how was
9:37
Speaker 2: he doing?
9:38
Speaker 3: Like what's going on with him? He's good, man, he's good.
9:40
Speaker 3: I mean, everybody's gonna have a story to tell, you
9:42
Speaker 3: know what I'm saying. But for G I mean, he's
9:44
Speaker 3: gonna have to tell his own story.
9:46
Speaker 2: You know. I saw that for a Sam strip club
9:47
Speaker 2: not too long. Yeah, that was throwing money at Sam's.
9:51
Speaker 3: I think I seen him at what Up Dough over
9:52
Speaker 3: there eating some pieces.
9:53
Speaker 2: Sam's is not in Mexican.
9:56
Speaker 3: Yeah, I mean, look, he's always gonna do what he's
9:58
Speaker 3: gonna do. He's always you know, keep his keeps his
10:01
Speaker 3: personal life how it is, and when he comes out,
10:04
Speaker 3: when he comes out, especially when we come out together,
10:06
Speaker 3: we make a big impact and shit, so you know,
10:08
Speaker 3: I'd rather let him tell whatever he got going on.
10:10
Speaker 2: I feel like he's done a really good job of
10:12
Speaker 2: like and you too, honestly, Like, uh, just like I
10:15
Speaker 2: feel like a lot of like the La Mexican rap
10:22
Speaker 2: scene has has had a tend tendency to get messy.
10:25
Speaker 2: Oh hell yeah, and because like you'll see like because
10:28
Speaker 2: like you know, in shout outs like food community and
10:30
Speaker 2: like some of these blogs. But like at the end
10:32
Speaker 2: of the day, I feel like a lot of guys
10:34
Speaker 2: want to make it almost blogs, yeah, and like they'll
10:37
Speaker 2: like kind of lean into some of the bullshit. Like,
10:41
Speaker 2: but I feel like you've done a pretty good job
10:44
Speaker 2: of like I mean, here and there, there's like some
10:46
Speaker 2: fun shit that comes up. But yeah, but it's like,
10:49
Speaker 2: for you, is it pretty important to just kind of
10:51
Speaker 2: like cause you're a grown ass man dog like.
10:53
Speaker 3: Yeah, yeah, yeah, you can't get caught up in the bullshit.
10:55
Speaker 2: Like like you don't want to be like participating in
10:57
Speaker 2: the circus, I'm sure.
10:58
Speaker 3: Yeah. I mean, like the Internet is always going to
11:01
Speaker 3: be the Internet, you know what I'm saying, and like,
11:02
Speaker 3: especially when it comes to like beefing and shit like that,
11:05
Speaker 3: I don't think none of that is real, you know
11:06
Speaker 3: what I'm saying, Like you can't really beef over the internet.
11:10
Speaker 3: I know there's been some real rat beef, but you know,
11:13
Speaker 3: you know, in history, but like nowadays, it's like people
11:17
Speaker 3: are beefing on purpose, you know, to get certain you
11:21
Speaker 3: know what I mean streams or to get certain looks,
11:23
Speaker 3: and that's just like pretty fake, you know, so I
11:26
Speaker 3: try to stay away from that.
11:27
Speaker 2: I feel like to even the way you handled the
11:29
Speaker 2: Swifty Blue thing was the most grown ass man way
11:32
Speaker 2: of handling it.
11:33
Speaker 3: I forgot what I did, what I do.
11:35
Speaker 2: I just remember the way you replied. It was like
11:37
Speaker 2: you it was almost like it just didn't bother you. Yeah.
11:39
Speaker 3: Yeah, like it was like so now it was like yeah,
11:43
Speaker 3: oh yeah, I remember you did me about that. Yeah
11:46
Speaker 3: when you see that happen, yeah yeah, see he just
11:49
Speaker 3: tried to take credit for something that he didn't really
11:51
Speaker 3: know what happened. You know what I'm saying. Because I
11:54
Speaker 3: think you were like, yo, post with the chain then yeah,
11:56
Speaker 3: like show me the chain, yeah for sure, you know,
11:59
Speaker 3: I mean the whole thing was like somebody took my
12:01
Speaker 3: chain in Denver, right, This was the story that came out,
12:05
Speaker 3: and then he had heard about it and he took
12:10
Speaker 3: full credit for it right on the internet. But the
12:13
Speaker 3: funny thing is, like, I ain't been in Denver in
12:16
Speaker 3: like two years, so right away they just missed me
12:18
Speaker 3: with that one, you know what I'm saying. Like it
12:20
Speaker 3: was out of left field. So I'm like, okay, you know,
12:23
Speaker 3: so when he hit me back, he was actually like
12:26
Speaker 3: trying to get me, like to be like, man, I'm
12:28
Speaker 3: just trying to help you out type shit, and he's.
12:30
Speaker 2: Like maybe he was trying to reach out in his
12:33
Speaker 2: own weird way.
12:34
Speaker 3: Yeah, just on some dumb shit, you know what I'm saying.
12:37
Speaker 2: But Swift, he's a good dude.
12:38
Speaker 3: Man.
12:38
Speaker 2: I just think sometimes man, the Internet, Man, the Internet,
12:40
Speaker 2: some motherfucker dog.
12:41
Speaker 3: The Internet takes people, bro.
12:44
Speaker 1: I think a lot of young homies could learn from
12:46
Speaker 1: Drummer though, because he handles himself very professional boss. You know,
12:51
Speaker 1: Like he said, the Internet could be crazy, they could
12:54
Speaker 1: spend shit a lot of different ways. But since I've
12:56
Speaker 1: known him, he's always handled himself and like stood out
12:59
Speaker 1: of that shit.
12:59
Speaker 2: So how long have you been taking golf, Like, seriously,
13:05
Speaker 2: were you because you know, for people who don't know,
13:06
Speaker 2: golf is an expensive endeavor, Yeah it is. It's different
13:10
Speaker 2: when you go with your homies and you use their clubs,
13:13
Speaker 2: you know what I'm saying, Like, but when you got
13:16
Speaker 2: to like you gotta get the shoes, you gotta get
13:18
Speaker 2: the fucking clubs. This ship is not cheap. Though, when
13:21
Speaker 2: did you really really like dive in, dive in?
13:23
Speaker 3: I think when I dove into golf is when I
13:26
Speaker 3: like actually started learning how to really play that motherfucker.
13:29
Speaker 3: Because it's a fun ass like thing to do.
13:32
Speaker 2: It's also very difficult.
13:33
Speaker 3: No, it's hard. Yeah, it's definite because.
13:35
Speaker 2: It's really you're playing yourself low key, you're playing the
13:37
Speaker 2: course like.
13:38
Speaker 3: Yeah, ain't nobody helping you. You got to just do it.
13:40
Speaker 3: I mean you're you're you're in competition with with whoever's
13:43
Speaker 3: with you to get a lower score, right right, right,
13:45
Speaker 3: but like it's really you yeah, and the course, Yeah
13:48
Speaker 3: for sure. I mean yeah, I think I took it
13:50
Speaker 3: seriously when I actually started learning, you know what I mean,
13:53
Speaker 3: And then I wanted to learn more. But hell yeah, bro,
13:56
Speaker 3: we dropped, we drop bread just going like especially going
13:59
Speaker 3: as much, just like right now we're slow down for
14:01
Speaker 3: a little bit, but as much as we were going.
14:04
Speaker 3: We're going like every single day.
14:06
Speaker 2: What's like an average cost to go to like one
14:10
Speaker 2: of these nice courses, A nice course, like a really
14:12
Speaker 2: nice one, because there's some sick ones, Like have you
14:15
Speaker 2: been like like as a pebble beach.
14:17
Speaker 3: It's somewhere here you're talking about like you're talking about
14:20
Speaker 3: like a rack around in pebble beach, Jesus, you know
14:23
Speaker 3: what I'm saying. And then they got the poor man's
14:25
Speaker 3: pebble Beach. I think it's like in where's that one
14:27
Speaker 3: at like Newport what they call it the Port? It's
14:31
Speaker 3: still nice as fun, but that's still like four hundred
14:33
Speaker 3: round Jesus. I want to open the golf course. Bro.
14:39
Speaker 2: My dad was the head groundskeeper. He's like digging ditches
14:43
Speaker 2: and yeah at a golf course. My whole childhood city
14:47
Speaker 2: course in Phoenix.
14:48
Speaker 3: Damn.
14:48
Speaker 2: That's yeah.
14:49
Speaker 3: So I kind of grew up like I played golf
14:51
Speaker 3: in Phoenix too.
14:52
Speaker 2: Out there, we have more golf courses per capita than
14:55
Speaker 2: anywhere in the country. I did not know that you
14:57
Speaker 2: could fucking throw a rock and hit a golf course
14:59
Speaker 2: in Phoenix.
15:00
Speaker 3: Okay. You know, the golf became such an accession that
15:03
Speaker 3: when we would do shows like going around the different
15:07
Speaker 3: you know states and stuff like that, we would go,
15:09
Speaker 3: we would look for golf courses to go while we're
15:11
Speaker 3: out there. So I'll even extend to day. So see
15:14
Speaker 3: if they booked me, like to go do a show
15:16
Speaker 3: from Friday Saturday, I'll be like, okay.
15:18
Speaker 2: We'll let's stay till Monday Sunday we play golf.
15:21
Speaker 3: Yes, it's like that type ship.
15:22
Speaker 2: You know, you're like in it when you travel with
15:25
Speaker 2: the golf clubs. Yeah, checking them clubs. Bro that she
15:29
Speaker 2: gives me anxiety. Anything, get in on some of that
15:32
Speaker 2: cocaine and that can can. Yeah, No, it's definitely. I
15:38
Speaker 2: I one of my best friends is part of a
15:41
Speaker 2: country club and b oh yeah, I'm on the motherfucking
15:44
Speaker 2: golf course with this dude for his wedding weekend. And
15:47
Speaker 2: Jordan's the only the only polo I had was like
15:51
Speaker 2: a cookies polo.
15:52
Speaker 3: You've seen that ship, what I did with a left
15:55
Speaker 3: du and that ship, that ship was legendary.
15:56
Speaker 2: That ship was fucked so long ago.
15:58
Speaker 3: Now tight shirt on and then fucking.
16:02
Speaker 2: It looked like you guys were ready to kill Lefty
16:05
Speaker 2: like you were like, fun, I want to come back here.
16:07
Speaker 2: That's crazy as.
16:10
Speaker 3: I think he did, cause the big records over there,
16:13
Speaker 3: he showed up in jeans, definite was definitely do not
16:16
Speaker 3: know how to go. I know, you know what, he
16:17
Speaker 3: had a little he had a couple of hits, but nah, bro,
16:20
Speaker 3: I take that for quick.
16:21
Speaker 2: Have you left you? Obviously? Man, it's been dope to
16:24
Speaker 2: see him get clean and that grammy. How big of
16:26
Speaker 2: a deal you think that is just for latinos rappers
16:30
Speaker 2: from LA for him to be able to put that
16:32
Speaker 2: grammy on the on the mantle, I.
16:34
Speaker 3: Think it's a huge deal. I think it's I mean,
16:37
Speaker 3: it's something that was not really achievable or it hasn't
16:40
Speaker 3: been achievable for for none of us. You know what
16:42
Speaker 3: I'm saying. He did it, you know, I mean regardless
16:44
Speaker 3: of you know the bands term where people are talking
16:47
Speaker 3: about ship like he got a motherfucker.
16:49
Speaker 2: And I mean that shit's catchy. Yeah, like for real,
16:53
Speaker 2: I hope he does a record with that as the hook,
16:56
Speaker 2: like his own record with that as the hook.
17:00
Speaker 1: Yeah.
17:00
Speaker 3: I've been a Lefties corner for from the from the
17:03
Speaker 3: gate you know I met you know, when I met Lefty,
17:05
Speaker 3: he was like before, like right before he took off
17:07
Speaker 3: like one of the homies, uh, one of the homies monos. Man,
17:11
Speaker 3: he's in the FEDS right now. But he introduced me
17:14
Speaker 3: to him. And then the first time I met Lefty,
17:17
Speaker 3: like he was just in a little club that we
17:18
Speaker 3: were that we were at one of my little homies
17:21
Speaker 3: Hennessy he was, he was doing the show there, you know.
17:24
Speaker 3: I think it was like in somewhere in the o C.
17:28
Speaker 3: And left he came up with the homie and he
17:30
Speaker 3: was just like, hey, like this, we got something to speak.
17:32
Speaker 3: He wants to spit something to you. And he spit
17:34
Speaker 3: the letters the song the drummer. Yeah, he just spit
17:38
Speaker 3: it like a cappella right there. But he was, you know,
17:41
Speaker 3: saying he was low. He was still he was still Lefty.
17:43
Speaker 3: So I was like, man, that' shit hard and ship,
17:44
Speaker 3: you know what I'm saying. But you know, sometimes you
17:46
Speaker 3: you know, it's a club vibe, so it's like you
17:47
Speaker 3: don't really like you're not really locked in, right, you
17:50
Speaker 3: know what I mean? And then I was like, dope, see,
17:53
Speaker 3: but I'm the type of person like I'll fuck with
17:56
Speaker 3: the Homies as soon as I see it, Like, I
17:59
Speaker 3: guess that's a different went back to like what you
18:00
Speaker 3: were saying earlier, like I like to fuck with the
18:04
Speaker 3: Homies and I like to and I like to help
18:06
Speaker 3: him come up as much as I can. You know
18:07
Speaker 3: what I'm saying. I don't you know, I don't really
18:09
Speaker 3: look at myself like you know, I'm gonna help you
18:11
Speaker 3: blow up. It's never that. It's so we just kind
18:13
Speaker 3: of like, just make this record because I know this
18:15
Speaker 3: record could be big. That's all I That's all I
18:18
Speaker 3: really have in my mind when I when I go
18:20
Speaker 3: through the ship like that, you know what I'm saying.
18:21
Speaker 3: And but with Lefty, once he started dropping his ship
18:26
Speaker 3: and I seen him taking it seriously, then I'm like,
18:29
Speaker 3: all right, I want to Now now I feel like
18:31
Speaker 3: we could actually work because I take this shit real seriously.
18:34
Speaker 2: Sure, you know what I mean.
18:35
Speaker 3: So it's like once the Homies really start putting in work,
18:38
Speaker 3: I'm like, Okay, that's what I kind of look for.
18:41
Speaker 2: I still haven't figured out how he's well, I guess
18:46
Speaker 2: it doesn't really matter unless on some flags it But
18:48
Speaker 2: the fact left he has so many records on DSPs,
18:51
Speaker 2: on other people's beats that I know he didn't clear right,
18:56
Speaker 2: I'm like, I'm like, and you know it's it's I
18:59
Speaker 2: saw he linked with the game randomly all start weekend.
19:02
Speaker 2: I think it was whose podcast was that wasn't the
19:05
Speaker 2: Fat Job and yeah, Jada Ship and Jada and I was.
19:09
Speaker 2: I always wonder like if game is aware that, like
19:11
Speaker 2: he has like a song on that we spotted of
19:15
Speaker 2: the game.
19:16
Speaker 3: Don't say that ship. We didn't do ship?
19:21
Speaker 2: Well, I guess we did.
19:22
Speaker 3: Yeah we do. I mean we do like interpolations and ship.
19:25
Speaker 3: So like as far as like the Winks to beat.
19:28
Speaker 2: Or find someone who reproduced.
19:29
Speaker 3: It on YouTube, yeah that too. I mean, but we
19:32
Speaker 3: we actually paid, so I helped produce the record. So
19:35
Speaker 3: when it came to the to the Winks and Ship
19:37
Speaker 3: that me and him drop, me and Lefty drop. What
19:39
Speaker 3: we did was from from scratch. We just started and
19:41
Speaker 3: we we did. We did the whole beat like me
19:45
Speaker 3: and uh and one six to six and I try
19:49
Speaker 3: to switch a couple of notes in there to make
19:51
Speaker 3: it interpolations.
19:52
Speaker 2: Do you feel like because I feel like this is
19:54
Speaker 2: happening a lot where I'll see motherfuckers have like an
19:58
Speaker 2: in house producer and they'll find a beat they like
20:01
Speaker 2: on YouTube, or they'll do a record on someone else's beat,
20:05
Speaker 2: and then somebody will be like, yo, I need five hundred,
20:07
Speaker 2: Like no, fuck that, I'm gonna just have a homie reproduce.
20:09
Speaker 2: It is that common? And do you look at that
20:12
Speaker 2: as like a big no no in the producer world.
20:16
Speaker 1: Yeah, it's a lot common now. Like I see that
20:19
Speaker 1: a lot of people come to me and ask me
20:21
Speaker 1: to do that. But I'll tell them like, I'll just
20:23
Speaker 1: go off the vibe more like, I don't really like
20:25
Speaker 1: to recreate something that's already there, you know, take the BPM,
20:29
Speaker 1: the vibe, you know what I mean, make it similar.
20:31
Speaker 1: But yeah, like just straight up copying it.
20:34
Speaker 2: Is I feel like actually happens a lot. It does
20:37
Speaker 2: all the time.
20:38
Speaker 3: That's the cheat code. Man.
20:39
Speaker 2: I've been guilty of it too, yo man t K
20:42
Speaker 2: Man remake, But it happens. What about? I feel like
20:47
Speaker 2: the new thing is like, uh, we're gonna start seeing
20:49
Speaker 2: bruhs like entire They're gonna have like real production catalogs
20:53
Speaker 2: that they didn't even touch an instrument for. They're just
20:55
Speaker 2: typing in prompts on so with AI No, that's just
21:00
Speaker 2: it's crazy crazy.
21:01
Speaker 3: But the homies that like sometimes they'll fuck around with
21:05
Speaker 3: it and it sounds weird, Like damn.
21:07
Speaker 2: That's just a slap. Some of that should be crazy.
21:11
Speaker 2: Yeah it is.
21:12
Speaker 3: How do you feel about that? Um?
21:15
Speaker 2: I don't want to know about it. If it's happening, right,
21:18
Speaker 2: If I know that you're rapping on a beat that
21:20
Speaker 2: AI made, I'm not gonna fuck with it. So if
21:22
Speaker 2: you're gonna do it, lie to everybody.
21:25
Speaker 3: Just die with the lie.
21:26
Speaker 2: Yeah, die with the lie, because otherwise, like motherfuckers is
21:29
Speaker 2: gonna be like you're rapping over AI beats. The funny
21:33
Speaker 2: shit is is motherfuckers swear that they're good songwriters now
21:39
Speaker 2: because they could put in anything into that app and
21:42
Speaker 2: it'll make it sound like a good song.
21:44
Speaker 3: I feel like seniors could get away with that more though, right, Yeah,
21:49
Speaker 3: because because rap rap is no no no.
21:53
Speaker 2: I mean, like, I've had homies like TK who'll be like, Bro,
21:57
Speaker 2: I'm such a good songwriter. Bro, listen to this ship
21:59
Speaker 2: that sooner spit out and I'd be like, dog, I
22:02
Speaker 2: just wrote the gayest song dissing my best friend on
22:05
Speaker 2: SUNO and it sounds like a hit. You could put
22:08
Speaker 2: anything in that motherfucker and it will make it sound crazy.
22:12
Speaker 1: Yeah, I think it's just another tool. But depending on
22:15
Speaker 1: how you use it, you know.
22:16
Speaker 2: Yeah, I feel like the good thing about it is
22:18
Speaker 2: if you want to sample some shit, you could just
22:22
Speaker 2: have it spit something out and then you chop it, right,
22:24
Speaker 2: So as opposed to having a clear sample, it'll make
22:27
Speaker 2: it a lot easier because that's the one. I feel
22:29
Speaker 2: like clear and samples.
22:30
Speaker 3: But I feel like bro like like coming from where
22:33
Speaker 3: I I, you know, I come from like making beats.
22:36
Speaker 3: That's that's where I started. My whole career is making beats.
22:40
Speaker 3: I just feel like it's not the same as like
22:42
Speaker 3: it's definitely not the same digging through crage and then
22:44
Speaker 3: started then from there going through YouTube for hours just
22:48
Speaker 3: finding like different samples and shit like that. And then
22:51
Speaker 3: there's a certain type of frequency that they just knows
22:54
Speaker 3: I fucking hate. And we had the battle on the
22:56
Speaker 3: on the project a little actually what Carlo, Yeah no, no,
23:02
Speaker 3: no no, I love it now. Yeah, But at first
23:05
Speaker 3: there was some things that happened in there that had
23:08
Speaker 3: to take like that that were tickn out by AI. Right,
23:13
Speaker 3: So some sounds that were tiken out by I don't
23:16
Speaker 3: know what it is, you know, I.
23:17
Speaker 1: Mean just like it removes like the drums of vocals, right,
23:20
Speaker 1: but it leaves like this kind of I don't know,
23:23
Speaker 1: like a sound like a like a yeah, like this
23:26
Speaker 1: sounds funny. I fucking hate that sound.
23:29
Speaker 3: So I'm like, just do it the old school way.
23:32
Speaker 3: Just just drop them, drop the lows, drop that, you know,
23:35
Speaker 3: drop the high, just keep the mid, and just do
23:38
Speaker 3: it like for you know, we don't have to fucking
23:40
Speaker 3: go and have this like magic wand that pulls out
23:43
Speaker 3: the one sound we need, you know what I'm saying, right,
23:47
Speaker 3: So I was like and then once we did it,
23:49
Speaker 3: it was great. I was like, I love it. We
23:52
Speaker 3: had like we had a whole debate in the studio,
23:54
Speaker 3: like we had like four or five different producers in
23:56
Speaker 3: there listening to it, no just saying which one it better.
24:01
Speaker 2: So there was like five different.
24:04
Speaker 3: So it was like this this one was raw, and
24:06
Speaker 3: it was just like we did it off of a
24:08
Speaker 3: fucking just straight sample, and this one was some of
24:11
Speaker 3: the noises were chicking out of fucking you know, digitally
24:14
Speaker 3: ticking out and at the end the raw and uncut
24:18
Speaker 3: when one man.
24:19
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Speaker 2: three call Raffi okay. On the album, you have a
25:29
Speaker 2: song called Gangster Movie. What's your top five gangster movies
25:33
Speaker 2: of all time?
25:35
Speaker 3: Uh? Casino, it'll be good Fellas. Uh, what is that one? Bronx?
25:43
Speaker 3: Hell for sure a Bronx. Tell what's Sonny Man? And
25:47
Speaker 3: then uh, what's that one where he goes undercover? Oh Donny, Yeah,
25:54
Speaker 3: Donny Basco that one too. Yeah, and fucking scarface the carface,
26:00
Speaker 3: her face is mandatory that five and everything.
26:03
Speaker 2: Good Fellow's my favorite man.
26:05
Speaker 3: The only thing I hate, you know what, it's good
26:07
Speaker 3: Fellas or Casino. One of them fucking things pissed me
26:09
Speaker 3: off is the fucking cheating bitch.
26:12
Speaker 2: It's Casino.
26:13
Speaker 3: Casino. Oh yeah, I turn it off once. I know
26:17
Speaker 3: that's just coming. I don't know if it's like she's.
26:19
Speaker 2: Off in the hotel with BRU.
26:21
Speaker 3: I don't know if it's PTSD now that she ain't
26:23
Speaker 3: never happened to me, but I feel like if it
26:25
Speaker 3: did happen to me, bro, that should be fucking like
26:27
Speaker 3: I just it gives me like worse. I fucking hate her.
26:30
Speaker 2: Yeah, yeah, I'm pretty sure, that's Casino.
26:33
Speaker 3: It is right. She goes, she takes money off the
26:35
Speaker 3: bank and then she fucking goes and she does she
26:38
Speaker 3: fucks it off. Yeah, we're like with her, like yes, yes, yes,
26:41
Speaker 3: I think that's her like child that was like her childhood,
26:44
Speaker 3: like that still had a hold on her. Man. That
26:47
Speaker 3: can that can that can happen to anybody.
26:49
Speaker 2: Okay, you got back to the nineties? Is the last
26:51
Speaker 2: song on the album Give me your favorite nineties albums?
26:53
Speaker 2: Give me five of them?
26:54
Speaker 3: Are you tripping?
26:55
Speaker 2: Bro?
26:57
Speaker 3: Nineties albums? I could name some hours, but I don't
27:02
Speaker 3: think so.
27:03
Speaker 2: Like what.
27:05
Speaker 3: I gotta looked at my at my confidant. That's the nineties. Yeah,
27:11
Speaker 3: the Chronics, the nineties, Yeah, the East that was the nineties. Yeah,
27:14
Speaker 3: there you go. Just the years would fuck me up.
27:17
Speaker 3: My deeps in the nineties too infamous, Yeah, yeah, nineteen
27:20
Speaker 3: ninety five, ninety six year Okay, yeah, that's when like
27:24
Speaker 3: Alchemists and all that too. That was the nineties, right,
27:26
Speaker 3: Tupac shit Alchemist shit yeah yeah, Alchemist.
27:29
Speaker 2: Well Alchemists is like, yeah, he was the only thing
27:30
Speaker 2: that fuck me was the years.
27:31
Speaker 3: But those are those are like the.
27:33
Speaker 2: Ones you're a big mob deep guy.
27:34
Speaker 3: Yeah, because Alchemists and Scissa and the beat makers and shit.
27:38
Speaker 2: You know, would you have you linked up with Alchemists
27:41
Speaker 2: or mad Him yet?
27:42
Speaker 3: I haven't, and I would be that, you know. That
27:43
Speaker 3: was one of my like like, I don't know what
27:46
Speaker 3: you call those, but that's what I always want to
27:48
Speaker 3: do because that's who I was listening to, like you know,
27:51
Speaker 3: and then like Psycho Realm type beats and shit like
27:53
Speaker 3: this is the type of shit that I would listen
27:55
Speaker 3: to that inspired me to make music, even though my
27:58
Speaker 3: music don't sound like that or my beats obviously it
28:01
Speaker 3: took on their own form, you know what I mean.
28:04
Speaker 3: But those were those were the ship. Like even DJ Quick,
28:07
Speaker 3: a lot of DJ Quick, like my brother Smoking would
28:09
Speaker 3: just he would put me on like we would be
28:11
Speaker 3: in a work truck, but I would be my brother's
28:13
Speaker 3: work truck and we would just he would just play shit.
28:16
Speaker 3: He would just be like listen to the beach, listen
28:17
Speaker 3: to the beats and ship like that, and we would
28:19
Speaker 3: listen to a lot of like Warren g Ship too.
28:21
Speaker 2: Warn't is crazy producer. People don't even give his credit
28:23
Speaker 2: like that.
28:24
Speaker 3: Yeah, No, Warren GY's crazy.
28:26
Speaker 2: Yeah he did some ship Brounk man.
28:28
Speaker 3: Yeah, so I be yeah, so don't funk. Don't get
28:31
Speaker 3: me fucked up on this tip. But I just the years,
28:34
Speaker 3: it's kind of like, not fuck my deep man. I
28:36
Speaker 3: don't think a lot of people would expect you to
28:37
Speaker 3: fuck with my deep like that.
28:39
Speaker 1: Nah, mob deep man, they should. Those are definite legends
28:42
Speaker 1: right there.
28:43
Speaker 3: You know what I mean?
28:44
Speaker 2: Uh, what is it about like where you guys are from?
28:48
Speaker 2: Because I feel like LA and Sam Bernardino on Riverside
28:52
Speaker 2: and just everything like west of here gets for people
28:57
Speaker 2: who aren't from California. We just kind of even folks
29:01
Speaker 2: from Arizona, like everything might as well be the same,
29:04
Speaker 2: Like we look at San Bernardino as LA for an
29:06
Speaker 2: Arizona or Ontario might as well be LA. You know,
29:09
Speaker 2: right right, you're right, But what would you say is
29:10
Speaker 2: like kind of like the cultural difference between like growing
29:13
Speaker 2: up on that side, uh and you know La. I
29:18
Speaker 2: feel like Las La. I always kind of see guys
29:22
Speaker 2: from the outskirts of LA or outskirts of southern California
29:25
Speaker 2: always kind of have more of a chip on their shoulder.
29:28
Speaker 3: From the outside. Yeah, I would say, well, you know,
29:33
Speaker 3: it's just you know, it started expanding that way, right,
29:36
Speaker 3: So people from La started moving out to the furthest city,
29:39
Speaker 3: you know what I'm saying. So like Sambordino, you know, it.
29:41
Speaker 2: Was a lot more affordable to live out there too, right.
29:44
Speaker 3: So you know what I mean, shout out to a
29:46
Speaker 3: lot of the homies and a lot of homies from
29:48
Speaker 3: as Ontario or Sambordino, you know, Riverside and all that shit.
29:52
Speaker 3: You know, they really had it down out there. I
29:54
Speaker 3: think they just I think it's just a little battle
29:57
Speaker 3: that's always been going on, you know where it just
30:01
Speaker 3: came out of nowhere. It was like l a against
30:04
Speaker 3: ie when it's not.
30:05
Speaker 2: Really like that.
30:06
Speaker 3: It's not like no real official like it just like
30:09
Speaker 3: little hatred back and forth type shit, you know what
30:11
Speaker 3: I'm saying.
30:12
Speaker 2: Yeah, I feel like too. It's like you go out
30:14
Speaker 2: there like I was, like, dude, Pomona had the what
30:16
Speaker 2: was that day party? That'd be cracking out there. It
30:18
Speaker 2: was like red Cups Sundays or something like that. Yeah,
30:21
Speaker 2: it was like on the roof.
30:22
Speaker 3: Yeah that's a Fox theater.
30:24
Speaker 2: Yeah, I used to do I DJ that ship. That
30:25
Speaker 2: ship was a movie.
30:26
Speaker 3: It would always be cracking.
30:28
Speaker 2: That shit was.
30:28
Speaker 3: I was never allowed to really be out there like
30:30
Speaker 3: that because well, you know, like the Pomoni PDUs to
30:33
Speaker 3: shut down all my shows right there, they shut down
30:35
Speaker 3: the Fox Theater ones like.
30:36
Speaker 2: Just because they're afraid some shit was gonna happen.
30:37
Speaker 3: Yeah, just some bullshit, just hating bro when.
30:40
Speaker 2: It had happened that like never, So nothing ever like
30:43
Speaker 2: sparked them to be like never.
30:45
Speaker 3: They just were like hat They just they just I
30:47
Speaker 3: just been on their radar for so long. Yeah, you
30:50
Speaker 3: know what I'm saying. And even this last case that
30:53
Speaker 3: I caught like in twenty twenty two or some shit
30:56
Speaker 3: man like on some bullshit, I was innocent. That was insane.
31:00
Speaker 3: They tried to say I had something on me, and
31:02
Speaker 3: ship I feel like they put it there, you know
31:04
Speaker 3: what I mean.
31:06
Speaker 2: But no, it can't.
31:07
Speaker 3: It went down to the to the fact that I mean,
31:10
Speaker 3: it got so crazy that they've been watching like my
31:14
Speaker 3: moves and like you know, when I was really in
31:18
Speaker 3: the streets like running around, there was like a whole
31:20
Speaker 3: different gang unit back then, you know what I mean,
31:23
Speaker 3: And then now it was like a new gang unit,
31:25
Speaker 3: you know what I'm saying, Like for these past couple
31:27
Speaker 3: of years that don't even know me They've never arrested me.
31:30
Speaker 3: They've never dealt with me when I was really out
31:33
Speaker 3: there running wild, you know what I'm saying, because obviously
31:35
Speaker 3: shit changed once I started really taking my career seriously.
31:38
Speaker 2: Of course, man, you got you got ship to lose now.
31:41
Speaker 3: But I'll bullshit you not when I when I got
31:44
Speaker 3: pulled over, we didn't get pulled over. They just pulled
31:47
Speaker 3: up on us, you know what I'm saying, And they
31:48
Speaker 3: just knew who we were. But they knew who one
31:50
Speaker 3: of the little homies was. As soon as they looked
31:52
Speaker 3: into the into like into the beans. They looked down
31:54
Speaker 3: because I was like in the driver's seat. They were like,
31:57
Speaker 3: they're like, drummer, Bro, this never met me. There was
32:00
Speaker 3: like drummer and they just acted like they knew me.
32:02
Speaker 3: I'm like what I'm like, They're like, oh yeah, drummer.
32:06
Speaker 3: And then they try to pull us out, did all
32:08
Speaker 3: kinds of illegal ship, pulled this out and all that,
32:10
Speaker 3: And by that time, already I'm already up on game.
32:12
Speaker 3: I already got lawyers already. I'm like, bro, you guys
32:14
Speaker 3: can't do this ship.
32:15
Speaker 2: That's crazy.
32:16
Speaker 3: I'm not you know, I'm saying, like no, no, you
32:18
Speaker 3: know due process.
32:19
Speaker 2: No fucking yeah, and.
32:20
Speaker 3: That's what you know, that's why it was. You know,
32:22
Speaker 3: what happened happened like it was a D reject. But anyways,
32:25
Speaker 3: they were like reciting some of my fucking songs and
32:28
Speaker 3: ship ship, you know, just.
32:30
Speaker 2: Riding around bumping your ship.
32:32
Speaker 3: That's what they exactly what they said. They were like,
32:35
Speaker 3: we listened to your ship and I was like, the fuck.
32:37
Speaker 3: My little honey looked at me like crazy. I was like, bro,
32:39
Speaker 3: don't it be crazy like that. I don't know these motherfuckers,
32:42
Speaker 3: but they were reciting some of my songs like they
32:45
Speaker 3: were fans. Like they were fans.
32:48
Speaker 2: That's pretty I mean, that's kind of cool.
32:50
Speaker 3: Not when they arrest you do.
32:53
Speaker 1: You know?
32:54
Speaker 3: I got to pay ten bands to get out on ball.
32:56
Speaker 3: I was like, man, I was like, what's my bell?
32:58
Speaker 3: They were like it's one hundred. I was like one hundred,
33:00
Speaker 3: what's that? Okay? Temp alright, I gotta do. I gotta
33:02
Speaker 3: pay ten. I was like, I'll be out by the night.
33:04
Speaker 3: They're like, all right, we're gonna save your career. I
33:07
Speaker 3: can say this story right. They're gonna save my career right,
33:11
Speaker 3: And I was like, all right, how you gonna do that.
33:13
Speaker 3: They're like, you just tell us where this this and
33:15
Speaker 3: this is that, and then we'll let you go. I
33:18
Speaker 3: was like, Bro, you was talking about ruining my career.
33:20
Speaker 2: What the fuck.
33:22
Speaker 3: Fuck we're talking about? I said, Man, bring me, put
33:25
Speaker 3: me in the fucking ship, let me get on the phone,
33:27
Speaker 3: let me pay the temp ban, and I'll be out
33:30
Speaker 3: of here.
33:30
Speaker 2: Like, oh that's wild. Yeah, would you like cause I
33:34
Speaker 2: feel like obviously that's where you're from. Like at a
33:36
Speaker 2: certain point in time, they gotta start looking at you
33:38
Speaker 2: like like a community leader. Uh, like somebody who's a positive.
33:42
Speaker 3: And we've done a lot of shit for the community.
33:44
Speaker 3: I mean we try to you know what I'm saying, Like,
33:46
Speaker 3: you know, we go to you know, uh God's pantry
33:50
Speaker 3: right there in Pomona.
33:51
Speaker 2: Like if you connected with any of the councilmen or
33:52
Speaker 2: any other local politicians at all.
33:54
Speaker 3: No, I think you know what I think it is
33:56
Speaker 3: is I'm still my raps is still kind of you know,
33:58
Speaker 3: I mean out there right you know, and I feel
34:02
Speaker 3: like to to really touch bases with them.
34:06
Speaker 2: I would love to you.
34:06
Speaker 3: I mean, if anyway I could give back, I'm gonna
34:08
Speaker 3: give back, you know what I mean. So now we
34:10
Speaker 3: get back into any way we can on our own,
34:12
Speaker 3: you know what I'm saying, Like where God's pantry, different
34:14
Speaker 3: people will go do Turkey giveaways, and you know, if
34:16
Speaker 3: they want me to pop up certain places, I'll pop
34:18
Speaker 3: up just for the free, you know. If it has
34:20
Speaker 3: to do with Pomona, like you know, the kids come,
34:23
Speaker 3: they have like a like a low Rider day where
34:25
Speaker 3: the kids get to come around and see all the
34:27
Speaker 3: cards and shit. I'll pop out type shit just to
34:30
Speaker 3: just to do it, you know, and take pictures and
34:32
Speaker 3: you know, talk to people and shit like that. But
34:34
Speaker 3: I think my music is still a little too ady
34:37
Speaker 3: for them to full to really commit, you know what
34:39
Speaker 3: I'm saying. And some of my partners have been telling me, like, man,
34:42
Speaker 3: you gotta turn it down a little bit so we
34:43
Speaker 3: could get you into these other things.
34:44
Speaker 2: I feel like Nipsey had that moment where you would
34:46
Speaker 2: see like Nipsey like kind of trying to ingratiate himself
34:49
Speaker 2: with at least having some political allies. And right right,
34:52
Speaker 2: you know what I'm saying, where it's like if you
34:54
Speaker 2: ever wanted to open a store or open a restaurant,
34:58
Speaker 2: like the city will get by hind it as supposed
35:00
Speaker 2: to be like, oh, we gotta watch out. Yeah, you
35:03
Speaker 2: know that crazy drummer boy right around town bumping.
35:06
Speaker 3: Yeah, he's opening the restaurant. Crazy, bro, That shit was wild, man,
35:13
Speaker 3: It is, you know, pretty crazy. But it's crazy that
35:16
Speaker 3: like they never ever had no contact with me, Like
35:18
Speaker 3: so they didn't know me. All they know is what
35:20
Speaker 3: the internet scenes, right, and everybody believes, even including them.
35:23
Speaker 3: They believe everything they see on the internet.
35:25
Speaker 2: You know what I'm saying, Only imagine that motherfuckers are
35:27
Speaker 2: board man eating donuts to the parking lot, probably looking.
35:29
Speaker 2: They're probably watching YouTube. They're probably watching all these fucking blogs,
35:33
Speaker 2: like ill check this motherfucker out.
35:34
Speaker 3: Yeah, there's like a YouTube channel called Promoting PDA or
35:37
Speaker 3: something like that, and they be commenting on all my videos.
35:39
Speaker 3: This is really Yeah, all that you don't know if
35:41
Speaker 3: it's really the promoting.
35:43
Speaker 2: Who's logged in. That's like that's their gig.
35:45
Speaker 3: They all have the passwords.
35:46
Speaker 2: They're fucking YouTube. Just all right, let's leave a comment
35:50
Speaker 2: under this guy's music video. That's pretty But you know
35:53
Speaker 2: what's funny.
35:53
Speaker 3: They even be trying to hate bro. They be like, oh,
35:55
Speaker 3: we haven't seen this dude.
35:56
Speaker 2: The promoters like that. They be hating, bro, this fool
35:59
Speaker 2: is not even outside like that.
36:00
Speaker 3: Yeah, they're gonna make me go back outside. It's yeah,
36:04
Speaker 3: but it's crazy.
36:04
Speaker 2: What's the best Mexican food in Pomona?
36:08
Speaker 3: And for me, it's always been Mexico right there by
36:11
Speaker 3: by the Indian Hill Swami. That's why I was going
36:13
Speaker 3: when I was a kid. It was Mexico. It's still there, fire,
36:17
Speaker 3: you know what I mean. My dad used to take
36:19
Speaker 3: us there every day. I mean every day, like after
36:22
Speaker 3: church and ship. We would go there since I was young.
36:24
Speaker 3: In Tacos, Mexico. And they're open twenty four hours.
36:27
Speaker 2: That's the best. There's no twenty four hour Mexican food
36:30
Speaker 2: in the valley. I don't know how we are in
36:33
Speaker 2: the San Fernando Valley and the only thing we got
36:35
Speaker 2: is fucking trucks open until two. There's no drive through you.
36:39
Speaker 1: Albertos, no no.
36:41
Speaker 2: In Phoenix we got Philibertos and Albertos and Robertos all
36:45
Speaker 2: the births a night dog. Yeah, ain't no fucking Berthos
36:48
Speaker 2: in the valley.
36:50
Speaker 1: Ain't we got an open one?
36:52
Speaker 2: Or even like we can, we can give Taco Gallivan
36:55
Speaker 2: be open all night. I want one of them joints
36:57
Speaker 2: over here. Oh them ships are cool for a change.
37:00
Speaker 3: No, it hits, it hits. I mean, but yeah, that
37:03
Speaker 3: twenty four hour joints is something else? Are you?
37:07
Speaker 2: Are you gonna have a more active year in twenty
37:09
Speaker 2: twenty six, like in terms of like I was just
37:10
Speaker 2: gonna be the only Alby drop.
37:11
Speaker 3: You're gonna hand on food. They were going crazy this year.
37:14
Speaker 2: Because I feel like you dropped last year.
37:16
Speaker 3: But I feel like I took a break last year,
37:17
Speaker 3: So I was we took a bit of a Yeah, yeah,
37:19
Speaker 3: I chilled. Man, Sometimes you need that break in twenty
37:22
Speaker 3: four right, I think we Hell yeah we did, but
37:24
Speaker 3: now I don't think you had an album. I think
37:26
Speaker 3: we're doing more singles. Yeah yeah, but we was definitely
37:28
Speaker 3: touching millions. Yeah, yeah, yeah, we was out there. I
37:31
Speaker 3: think around that time, well, we dropped the ship in
37:33
Speaker 3: twenty twenty three, like the end of twenty twenty three,
37:36
Speaker 3: ride that wave with that album with the H forty seven,
37:40
Speaker 3: and then around the same time, I was we were
37:42
Speaker 3: doing this ship with a rowdy and lefty and that
37:44
Speaker 3: was touching ms. You know what I'm saying. So it
37:48
Speaker 3: definitely gave me a breather, you know what I mean.
37:50
Speaker 2: It was sure, it was a little breather because.
37:51
Speaker 3: You need bro in this game. You need you need
37:54
Speaker 3: some breathers to really, like, you know, focus on on
37:56
Speaker 3: yourself because this shit could get away from you real fast.
37:59
Speaker 2: You know, you gotta work on that golf game.
38:02
Speaker 3: Yeah, yeah, for sure. But right now my plan is
38:05
Speaker 3: I'm working with Cheeto Man. Big shout out to chee Tonas.
38:07
Speaker 3: I know that, you know, the fans been wanting to
38:08
Speaker 3: see that for a minute. I think that's gonna be
38:10
Speaker 3: good for for you know, the West Coast scene, the
38:13
Speaker 3: West Coast sound for us.
38:15
Speaker 2: He's from sack.
38:17
Speaker 3: Yeah, but he's definitely from from up north. But he's
38:20
Speaker 3: he's on he's on our side out here, you know
38:21
Speaker 3: what I mean. So I me and him about to
38:24
Speaker 3: do some crazy ship.
38:26
Speaker 2: Yeah, I saw. He's actually super super slept on. I
38:29
Speaker 2: feel like still, you know what I'm saying.
38:31
Speaker 3: Like, yeah, he slept on, but he's selling our shows.
38:34
Speaker 3: He just sold out like four shows back to back.
38:38
Speaker 2: Phoenix coming up.
38:39
Speaker 3: Yeah, I'm pretty sure that's gonna be sold out too.
38:41
Speaker 2: Probably.
38:42
Speaker 3: He's a real man. He's he's dope. He does his ship,
38:45
Speaker 3: you know, what I mean.
38:45
Speaker 2: I feel like him getting locked up like was like
38:47
Speaker 2: super unfortunate because he kind of like threw a bit
38:50
Speaker 2: of a hiccup and like I feel like, man, when
38:53
Speaker 2: you got to go sit down?
38:55
Speaker 3: Yeah, sitting down could definitely you know, it just depends,
38:58
Speaker 3: you know, how you bounce back though, you know what
39:00
Speaker 3: I mean.
39:00
Speaker 2: Are you still in contact with Roddy Rax?
39:04
Speaker 3: I haven't talked to him for a minute because, like
39:05
Speaker 3: I said, I closed myself off. But as soon as
39:08
Speaker 3: he's ready to come out and start dropping music, you know,
39:11
Speaker 3: I'd definitely be right there there.
39:12
Speaker 2: He's so talented, man, Yeah, he could wrap his fucking
39:15
Speaker 2: ass off. Bro.
39:16
Speaker 3: Yeah for sure.
39:17
Speaker 2: Who do you want to produce for that you haven't
39:19
Speaker 2: produced for yet? Zace? Besides DJ Khalen. Never seen both
39:23
Speaker 2: of you guys in the same place at the same time,
39:25
Speaker 2: I know, the same president or you look like an
39:29
Speaker 2: Armenian Carl Oh no, I don't know. But what about
39:32
Speaker 2: that dude over there that least that we call him
39:35
Speaker 2: no Mexican not. We'll just lean into it when you're
39:38
Speaker 2: when you're over here, just say yes, what's my name?
39:41
Speaker 2: But yes, brother, do you have come? Ob where's that picture?
39:44
Speaker 3: At X.
39:45
Speaker 1: Who do I want to work with? I haven't worked
39:47
Speaker 1: with I really like to work with payso I haven't
39:53
Speaker 1: really got to work with him.
39:55
Speaker 2: Heaby dope, Yeah, yeah, dope pays So I just saw
39:59
Speaker 2: you with pay so yeah.
40:00
Speaker 3: Not pacers a homie. Check out this picture though, that's
40:05
Speaker 3: the homie right there. Tell me they ain't look exactly
40:08
Speaker 3: the same. Brow that was like, No, that's bullshit. This
40:11
Speaker 3: fool looks Look at his picture. Can you see from
40:15
Speaker 3: that far look at the camera. Man, shout out to
40:20
Speaker 3: my man right there, Man, he's that's ex Mandosa right there. Man,
40:24
Speaker 3: he's undercover DJ Cally you seen it?
40:29
Speaker 2: Yo? Have you ever heard of this car dealer in
40:31
Speaker 2: Vegas named chop hold on, fool, I'm gonna show you
40:34
Speaker 2: exactly who you look like.
40:35
Speaker 3: Though, Nah, that's crazy.
40:39
Speaker 2: This is funny because you look like this fool. Dog
40:42
Speaker 2: for real?
40:43
Speaker 1: I heard if bulet keV don't make fun of you.
40:45
Speaker 1: He don't really like you. Oh yeah, let me just
40:51
Speaker 1: shave my head.
40:51
Speaker 3: Yeah for sure.
40:55
Speaker 2: This who had a TV show and he's like he's
41:00
Speaker 2: it's just like a ridiculous bruh dog.
41:02
Speaker 3: This is you.
41:05
Speaker 2: That's you. You are a car dealer same glasses.
41:10
Speaker 1: I'm out here, Dylan Dylan.
41:11
Speaker 2: Beats Hey, don't forget. If you're not on my bookie
41:14
Speaker 2: and you're a sports fan, get in on the action.
41:17
Speaker 3: Man.
41:17
Speaker 2: NBA playoffs are coming, they're steadily approaching end of the
41:20
Speaker 2: season awards. You can go ahead and throw a little
41:22
Speaker 2: something on those, little action on them. Also baseball season.
41:28
Speaker 2: Go to my bookie right now. Use the promo code bootleg.
41:31
Speaker 2: And if you put some action on something up to
41:33
Speaker 2: five hundred bucks and you happen to lose, it's all good.
41:38
Speaker 2: They're gonna give you that right back. Risk free. Use
41:41
Speaker 2: that promo code bootleg at my bookie. Get in on
41:44
Speaker 2: the action. I've been rocking with my bookie as a customer,
41:49
Speaker 2: like twelve years. My bookie promo code bootleg. Head over.
41:53
Speaker 2: How much from you? If I'm like some random full
41:56
Speaker 2: off the streets and I'm like, y'a, I need to
41:57
Speaker 2: be how much.
41:58
Speaker 1: Charging fifty thousand, two thousands?
42:01
Speaker 2: That's too much?
42:04
Speaker 1: All right?
42:05
Speaker 3: But he only has to sell like you to have
42:07
Speaker 3: a good year.
42:07
Speaker 2: You won't sell for.
42:10
Speaker 3: You. Guys. Have faith in it, bro.
42:13
Speaker 2: What if I'm like, what if I'm hella trash like
42:17
Speaker 2: I'm talentless.
42:18
Speaker 3: Don't don't say no numbers. They they're gonna have to
42:21
Speaker 3: call one hundred day.
42:23
Speaker 2: What if like I have like an investor okay, okay,
42:27
Speaker 2: and I have like like a bread behind me, and
42:29
Speaker 2: I'm like, look, man, but on a ratchet trash I
42:34
Speaker 2: just started a few weeks ago. But you know my
42:37
Speaker 2: dad is behind me. He's a dentist. How much would
42:40
Speaker 2: it cost for you to do an EP for me?
42:42
Speaker 3: Now? Is he a dentist and like a little spot
42:44
Speaker 3: in Pomona or is he like a dentist in Calabasta
42:48
Speaker 3: in Laguna Hill? Okay, now we're talking different money right there.
42:51
Speaker 2: With some money, like I want you to record me.
42:53
Speaker 2: I want you to give me beats I wanted to.
42:56
Speaker 2: I want to do the primary artist, my trash ship ses.
43:01
Speaker 1: I would say between like like twenty or thirty thousand.
43:05
Speaker 2: What if I got fifteen fifteen all at once, cash
43:09
Speaker 2: tax free for one beat for for a five song EP?
43:12
Speaker 3: Oh man, damn, but what if he blows up? All right,
43:16
Speaker 3: we'll take the fifteen, but we want seventy five percent
43:20
Speaker 3: on my manager. Okay, we're taking the rais. This guy's
43:25
Speaker 3: did you know how many he's got beats out there. Man,
43:28
Speaker 3: he's been producing for a.
43:29
Speaker 2: Lot of money.
43:30
Speaker 1: I have twenty five songs that have dropped since January.
43:33
Speaker 1: That's gone.
43:33
Speaker 2: Dude. Fuck.
43:35
Speaker 3: I feel like Zay does so much producing out here
43:39
Speaker 3: for so many people, and he got a big record
43:42
Speaker 3: come in. I don't know if you can speak about that,
43:44
Speaker 3: speak about it.
43:44
Speaker 1: Don't be a pussy Oh no uh With Vic Rosecrans,
43:47
Speaker 1: we got one with three one, oh Baby, oh fire,
43:50
Speaker 1: and they really like it. So they're gonna press play
43:52
Speaker 1: on that, like come on, man, that's that's that's gonna
43:55
Speaker 1: be like a because I know Vic's doing like some
43:58
Speaker 1: DJ type ship. Yeah, it's working on a project, and
44:01
Speaker 1: I'm you know, he asked me to help out, so
44:04
Speaker 1: it should be should be dope.
44:06
Speaker 2: I'm just gonna pour dy coke on a mic.
44:09
Speaker 3: You hear that and make that a commercial?
44:12
Speaker 2: Good old aspertain baby, we got we got.
44:15
Speaker 3: A lot of things coming. I'm gonna do it with me.
44:17
Speaker 3: He's we're gonna I'm gonna.
44:18
Speaker 2: Like ready sure, so you guys have a bunch of
44:21
Speaker 2: like ship already just ready to go.
44:23
Speaker 3: I got a whole Spanish project that I've never done before.
44:27
Speaker 3: It is coming.
44:28
Speaker 2: Are you like super super fluent or you like because
44:33
Speaker 2: alexis like is he speaks Spanish like a pissa, but
44:37
Speaker 2: like Defoe has like sometimes when he comes when he's
44:40
Speaker 2: writing Spanish, it it's definitely hard his help, Like he'd
44:43
Speaker 2: be like, Yo, does this sound al right? Does this
44:45
Speaker 2: sound like crazy?
44:45
Speaker 1: You gotta speak it correctly, right, like it's politically correct.
44:49
Speaker 3: There's certain words that that that you have to say
44:52
Speaker 3: that you can say wrong and you won't even know it,
44:55
Speaker 3: you know what I'm saying, Like when you throw the
44:56
Speaker 3: R when you don't, you know, like a.
44:59
Speaker 2: Little ship where gotta be like yo, almost like playing
45:01
Speaker 2: for somebody.
45:02
Speaker 3: Yes, like Vos Vodios would be like you know what
45:04
Speaker 3: I mean, neighborhoods, and then Virio like Vodos would be
45:09
Speaker 3: like various, like little.
45:11
Speaker 2: Cious, like how many hoes you got video video areas?
45:18
Speaker 2: You don't?
45:18
Speaker 3: You don't roll the R as hard as like Virio?
45:21
Speaker 2: Right? What was it like going going out to Mexico
45:23
Speaker 2: and doing stuff?
45:24
Speaker 1: I mean, it's it was a whole It was an
45:29
Speaker 1: eye opener.
45:29
Speaker 2: Man.
45:30
Speaker 3: We plan on doing a lot more. That's why I'm
45:33
Speaker 3: doing this whole Spanish album and we're gonna do some
45:35
Speaker 3: songs with had Maki's out there, huge artists. I don't know,
45:39
Speaker 3: you know who had right, huge man, we're doing some
45:43
Speaker 3: ship with him out there. We went out there to
45:45
Speaker 3: win Ajuato in Mexico. I went to the slums and
45:49
Speaker 3: I saw I was like, damn, those were the slums.
45:52
Speaker 2: That's not like how far is that from from? Like
45:55
Speaker 2: let's say, CJ. Did you drive there?
45:58
Speaker 3: TJ?
45:59
Speaker 1: From TJ?
46:00
Speaker 3: It's still a four hour flight into the motherland.
46:02
Speaker 2: Oh yes, you're like in there. You can't drive there, Yeah,
46:05
Speaker 2: you can't.
46:05
Speaker 3: And you can't drive out either.
46:07
Speaker 2: Yeah.
46:08
Speaker 3: So yeah, you know what I'm saying. Like we went
46:10
Speaker 3: out there. I was still like, you know what I mean,
46:13
Speaker 3: I'm still gonna stand on this. I think I'm the first,
46:15
Speaker 3: like Mexican American American artists to really go out there
46:18
Speaker 3: to the slums and shoot like that.
46:20
Speaker 2: Be scared God.
46:22
Speaker 3: I had some people contest that though, like people like
46:24
Speaker 3: in the comments, because I didn't really put it out
46:27
Speaker 3: there like that like the blogs put it out there,
46:30
Speaker 3: you know. But then I was trying to do some
46:32
Speaker 3: research and see who was really shooting like music videos
46:35
Speaker 3: like deep in the slums out there that didn't have
46:37
Speaker 3: to be there. Like I didn't have to be there,
46:39
Speaker 3: you know what I'm saying, Like I could travel back
46:41
Speaker 3: and forth type shit, you know what I mean. But
46:43
Speaker 3: I chose, you know, I chose to go out there
46:46
Speaker 3: and shoot the music videos out there because we're just
46:49
Speaker 3: I feel like there's a whole fan base and a
46:52
Speaker 3: whole you know, support system out there that we haven't
46:54
Speaker 3: showed love to, right, So I was like, let's go
46:58
Speaker 3: and and sure enough, we got the most love we
47:00
Speaker 3: ever gotten anywhere.
47:02
Speaker 2: Like you like, was there, Like, did you run any
47:05
Speaker 2: sketchy shit at all?
47:05
Speaker 3: Like? Nah, because I was. I was with the real
47:08
Speaker 3: members out there, you know what I'm saying.
47:09
Speaker 2: So they had to like, motherfuckers really need to worry
47:12
Speaker 2: about the cops out there.
47:13
Speaker 3: You know. That's that's yeah, definitely what you gotta worry about.
47:15
Speaker 2: Yeah, It's like and then like I feel like if
47:19
Speaker 2: you make caddles, like you gotta worry abou where you're
47:21
Speaker 2: at because you're like, yeah, you're thinking about that.
47:24
Speaker 3: If you're talking about that, yeah, that ship you probably you.
47:27
Speaker 2: Know, they don't give a fuck if you're a Southsider,
47:29
Speaker 2: you know what I'm saying, That does not concern them
47:32
Speaker 2: very much.
47:32
Speaker 3: Yes, Yeah, you can't really speak on stuff me personally,
47:36
Speaker 3: Like I've never I've never claimed to to to be
47:39
Speaker 3: on that side of the you know what I mean?
47:41
Speaker 3: The tracks, right, So I can't rap about stuff like that,
47:44
Speaker 3: you know what I'm saying, because if I did it,
47:45
Speaker 3: I'll just be rapping about some ship I don't know about,
47:47
Speaker 3: you know. Yeah, but the way we just made this
47:50
Speaker 3: happen was just so beautifully. And now that you know,
47:52
Speaker 3: these records are coming together like we did, we did
47:55
Speaker 3: like as soon as we finished this album, we automatically
47:58
Speaker 3: started working on the Spanish album. And I think it's gonna,
48:02
Speaker 3: it's gonna, it's gonna, it's gonna shake some ship up.
48:04
Speaker 3: You know what I'm saying.
48:05
Speaker 2: You know, are you switching the beats up it all?
48:08
Speaker 1: Yeah? It's more hip hop esque, you know, yeah, super raps.
48:13
Speaker 3: But I mean, you know what's dope about it all?
48:17
Speaker 2: Dude? The guy be selling out everything, which we almost
48:21
Speaker 2: had on that Alexis record. He's he was on Empire
48:25
Speaker 2: something MX fuck fools huge.
48:28
Speaker 3: It's not head on MX.
48:29
Speaker 1: Nah.
48:30
Speaker 2: I know him. It's m hm no, it's gonna bother me.
48:37
Speaker 2: This guy's he at for a set there. He was
48:40
Speaker 2: like one of Empire's biggest artists.
48:43
Speaker 1: Yeah, their numbers are different, they're different, bro.
48:46
Speaker 2: Biggest rapper from Mexico. It's gonna be on the first
48:49
Speaker 2: page because this guy sold out in Monterey. He did
48:52
Speaker 2: like a fucking stadium dog.
48:56
Speaker 3: Now that's what they're doing. Here's the thing. They don't
48:58
Speaker 3: even need like America. They don't need the States to
49:03
Speaker 3: be popping. Like the homie out there head on, he's
49:06
Speaker 3: from the Susios. Click, you know what I'm saying, Like,
49:08
Speaker 3: that's that's that's where he came over here and g
49:10
Speaker 3: signed up to the Susios, you know what I mean.
49:12
Speaker 3: And this this was on private jets over there. Bro,
49:14
Speaker 3: he got his own private jets.
49:16
Speaker 2: Was big. I think he did it. I think I
49:17
Speaker 2: want to say he did something to snow the product
49:18
Speaker 2: a few years ago too. How do I spell his name?
49:22
Speaker 3: Head?
49:23
Speaker 2: Yeah, G E R A M. Because he's got to
49:27
Speaker 2: be related to this other artist I'm thinking of, because
49:30
Speaker 2: I know I'm not crazy related. No, they all have
49:33
Speaker 2: fans also, like oh, yeah, I was ship. What's this
49:37
Speaker 2: fucking dude? This guy's like oh secan, Oh motherfucker's massive. Yeah,
49:43
Speaker 2: Like that was like the Tupac out there. This was
49:45
Speaker 2: got five point two monthly listeners. Jesus Christ, bro, Like
49:50
Speaker 2: I like, I remember they were showing us like footage
49:52
Speaker 2: like his like like he had like sold out like
49:53
Speaker 2: a state, like a like a stadium or some ship
49:56
Speaker 2: like in the middle of Mexico. I was like, damn.
49:58
Speaker 2: And then you listen to him, and this fool was
49:59
Speaker 2: just rapping.
50:00
Speaker 3: The love is different when we go out there. The
50:04
Speaker 3: embrace they have for us is like way different, bro.
50:07
Speaker 3: Like out here, there's so many egos. There's so many people,
50:10
Speaker 3: you know what I mean doing this shit. You know
50:12
Speaker 3: what I mean that say they come from the slums there,
50:15
Speaker 3: or feel like they come from the slums, but the
50:17
Speaker 3: people out there actually come from the slums. Bro.
50:20
Speaker 2: And yeah, I feel like Mexico as a country is
50:22
Speaker 2: just such a more graceful place than here. Yeah. We're
50:25
Speaker 2: so wrapped up in culture or an ego like you said,
50:29
Speaker 2: and wrapped up in like hating and thinking that like
50:33
Speaker 2: someone else's success has something to do with my shit, you.
50:36
Speaker 3: Know right, I think, Yeah, it's really like that. That's
50:39
Speaker 3: probably why I fuck with a lot of artists. But
50:41
Speaker 3: I never try to hate on people and I you know,
50:44
Speaker 3: I fucked with like the most artists out here. I
50:47
Speaker 3: feel like being you know what I'm saying a Mexican
50:49
Speaker 3: American rapper. I think I've fucked with like, you know,
50:53
Speaker 3: pretty much everybody. You know what I'm saying. I've dabbled
50:55
Speaker 3: everywhere with a lot of singles, a lot of songs
50:58
Speaker 3: that I put out. I had a lot of people
50:59
Speaker 3: on my albums Drake or Rest in Peace, you know
51:01
Speaker 3: what I'm saying, like Phoenix, everybody, man, because I never
51:04
Speaker 3: really been trying to hate and then even people like
51:07
Speaker 3: Tommy Gunn's coming over here and even you know, lower
51:09
Speaker 3: artists that are barely making it out, Like I just
51:12
Speaker 3: always try to try to keep my door open, you
51:14
Speaker 3: know what I'm saying. That's what I want to do
51:15
Speaker 3: with the studio, too, is really opening because it's been
51:18
Speaker 3: a private studio for the last like five years. And
51:20
Speaker 3: Ship it's in uh'n door. So right now we just
51:25
Speaker 3: we're just hooking it up, you know what I mean.
51:26
Speaker 3: And I think the ship that we're doing Pace with
51:29
Speaker 3: cheet Tho is gonna be big. Me and Pace got
51:32
Speaker 3: some got a big show coming up, you know, I mean,
51:34
Speaker 3: shout out to pay, so ship, you know something.
51:37
Speaker 2: Is coming soon. I don't think he's working.
51:40
Speaker 3: He's working on a few things right now, you know
51:42
Speaker 3: what I'm saying. So you know, I just got I
51:45
Speaker 3: just I support and I and I and I really
51:47
Speaker 3: rock with with everybody doing their ship like the Homies,
51:50
Speaker 3: unless you unless they're really on some hater ship. Then
51:53
Speaker 3: I'll just be on my raight rod ship too, and
51:54
Speaker 3: I'll just be like, man, we just ignore it. Yeah,
51:57
Speaker 3: it's just like whatever, bro, you.
51:58
Speaker 2: Know what I mean.
51:58
Speaker 3: But but so far we do get a lot of
52:01
Speaker 3: love and people are really you know, fuck with us,
52:03
Speaker 3: and shit, I've been blessed to be having people fuck with.
52:05
Speaker 2: Us, was the man. The album is out, Back to
52:08
Speaker 2: the nine, that train from back to.
52:10
Speaker 3: The nine, Back to the nine out now, new ship
52:13
Speaker 3: coming out, Man, stop playing.
52:14
Speaker 2: Yes, sir, go get the album. Uh and you guys
52:17
Speaker 2: got a Spanish seat album on the way. And then
52:19
Speaker 2: you got a bunch of shit I'm sure coming.
52:21
Speaker 3: Yeah, I'm dropping four tastes by the end of this year.
52:23
Speaker 3: Four of them are coming out.
52:25
Speaker 2: Four more, three three more, three more, three more four total. Yeah.
52:28
Speaker 2: I love it, man, Yeah, man, man, you independent dog.
52:31
Speaker 2: You gotta run up that catalog.
52:32
Speaker 3: Yeah, you're running that one up.
52:34
Speaker 2: You know, I'm saying boy Zay's hundoy. You have fifteen
52:37
Speaker 2: to twenty five thousand dollars Rich Dennis Father from LAGOONA Hills.
52:42
Speaker 2: Tap in tap for them, beats Man, hit.
52:45
Speaker 3: Up backs Man, Doosha slash fucking DJ called over there.
52:49
Speaker 2: Shout out to DJ Call and Chop of the Vegas
52:52
Speaker 2: car Dealer.
52:53
Speaker 1: Shout out there, man, that's my family.
52:55
Speaker 2: Hey, it is the biggest Armenia producer of the game. Hey,
52:57
Speaker 2: want to shout out to our new sponsor over at Ease. Man,
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