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Suspense - "The Long Wait" (Old Time Radio, 1949) · Suspense | Old Time Radio

• 0:00
  Speaker 1: From November 2nd, 1949, comes Suspense, Episode 4, The Long Wait.
• 0:07
  Speaker 1: In Manhattan, Dan Verrill has just been released from prison,
• 0:10
  Speaker 1: carrying a grievance over the death of his brother, Richie.
• 0:14
  Speaker 1: His path leads to Lois Williams, a troubled woman connected
• 0:18
  Speaker 1: with Richie's final days, while Police Lieutenant Len Bush keeps watch.
• 0:23
  Speaker 1: Burt Lancaster stars as Dan Verrill, with Betty Lou Gerson
• 0:28
  Speaker 1: as Lois in an original radio play by Fred Freiberger,
• 0:32
  Speaker 1: produced by William Speer and directed by Norman MacDonald.
• 0:37
  Speaker 2: Settle in for.
• 0:38
  Speaker 1: Late 40s New York, where old associations and difficult choices await. Now,
• 0:44
  Speaker 1: back to the golden age of radio.
• 0:58
  Speaker 2: Suspense.
• 1:05
  Speaker 3: Autolite and its 96,000 dealers present Mr. Burt Lancaster in
• 1:10
  Speaker 3: The Long Wait, a suspense play produced and edited by
• 1:13
  Speaker 3: William Spears.
• 1:19
  Speaker 4: Over the river and through the woods to grandmother's house
• 1:22
  Speaker 4: we go.
• 1:22
  Speaker 2: The horse knows the way to carry the sleigh.
• 1:25
  Speaker 5: Hey, that's not the way hurrah for Thanksgiving Day goes.
• 1:28
  Speaker 2: What do you mean? Why I wrote it?
• 1:29
  Speaker 4: No matter. The 1950 version is different.
• 1:32
  Speaker 6: Listen.
• 1:33
  Speaker 5: Over the river and through the woods the snow is
• 1:35
  Speaker 5: soft and white. Grandpa is happy with his jalopy. His
• 1:39
  Speaker 5: spark plugs are autolite. Over the river and through the
• 1:42
  Speaker 5: woods blow high, ye winds blow low. The car is
• 1:45
  Speaker 5: as snappy as Grandma and Pappy. Because Autolite resistor spark
• 1:49
  Speaker 5: plugs get it going faster in cold temperatures. Give smooth,
• 1:52
  Speaker 5: even spark all along the line of fire. Let your
• 1:55
  Speaker 5: engine idle smoother, run better on leaner gas mixtures.
• 1:58
  Speaker 4: Save gas. Wait a minute. These last lines don't rhyme. Why,
• 2:01
  Speaker 4: sure they do.
• 2:02
  Speaker 5: Your car and Autolite resistor spark plugs are always in rhyme.
• 2:06
  Speaker 5: In fact, you're always right with Autolite.
• 2:09
  Speaker 3: And now, with the long wait and with the performance
• 2:12
  Speaker 3: of Burt Lancaster, Autolite hopes once again to keep you in... Suspense!
• 2:25
  Speaker 2: When I stepped off the train at Grand Central, I
• 2:27
  Speaker 2: spotted Len Bush waiting for me. All the heat of
• 2:30
  Speaker 2: my body sucked into my head. I knew that feeling.
• 2:33
  Speaker 2: I felt that way every time I wanted to kill
• 2:35
  Speaker 2: a man. He waved to me. I turned my back
• 2:38
  Speaker 2: and I started up the ramp to the upper level
• 2:40
  Speaker 2: in the street. He caught up to me and he
• 2:42
  Speaker 2: kept pace with his long, shuffling look.
• 2:45
  Speaker 4: Don't get me wrong, Dan. I don't want to hound you.
• 2:48
  Speaker 2: Then why begin, Lieutenant?
• 2:49
  Speaker 4: Something you said to the warden before you left.
• 2:52
  Speaker 2: You want to repeat on it? I told him I'd
• 2:54
  Speaker 2: be back for the limit.
• 2:55
  Speaker 7: In this town, we don't even like guys to steal
• 2:57
  Speaker 7: apples off pushcarts.
• 2:59
  Speaker 4: So when it comes to murder.
• 3:00
  Speaker 2: You can't touch me. I served my full time.
• 3:02
  Speaker 6: I'm clean.
• 3:03
  Speaker 2: We just got to sit back and wait for it
• 3:05
  Speaker 2: to happen.
• 3:06
  Speaker 7: Your brother died two years ago. Everybody's cooled off. Why
• 3:10
  Speaker 7: don't you let it lay?
• 3:11
  Speaker 2: I don't cool so easy.
• 3:13
  Speaker 4: If Richie could come back, he'd say forget it.
• 3:15
  Speaker 2: Don't tell me what my brother would say.
• 3:16
  Speaker 6: All right, all right, I won't.
• 3:19
  Speaker 7: I don't know why I butt into other people's affairs anyway.
• 3:22
  Speaker 7: It's not my job to worry about things before they happen.
• 3:25
  Speaker 2: You'll be the first to know, Lieutenant.
• 3:26
  Speaker 7: You're a jerk if you put your neck in a
• 3:28
  Speaker 7: noose to rub out a dame like Lois Williams.
• 3:31
  Speaker 4: So long, Dan.
• 3:36
  Speaker 2: I waited until he was swallowed in the crowd. Then
• 3:39
  Speaker 2: I went across and downed Park until I made the
• 3:40
  Speaker 2: Coronet Hotel on 40th Street.
• 3:42
  Speaker 8: Downed Park?
• 3:44
  Speaker 4: Oh, yes.
• 3:44
  Speaker 2: Mr.
• 3:45
  Speaker 8: Thompson reserved a room for you.
• 3:47
  Speaker 9: Here.
• 3:47
  Speaker 8: 423.
• 3:49
  Speaker 2: The elevator was an old cage that pulled itself upwards
• 3:52
  Speaker 2: like an old man with asthma climbing stairs. I caught
• 3:55
  Speaker 2: the reflection of my face in the panel mirror of
• 3:57
  Speaker 2: the cage. Three years housekeeping where the state had left
• 4:00
  Speaker 2: a mark. A little paler, maybe. Serene was the word
• 4:03
  Speaker 2: for me. That's the way the reporter put it. The
• 4:06
  Speaker 2: serene countenance of an alabaster saint showing no trace of
• 4:09
  Speaker 2: the killer rampant under the shield. Only I hadn't killed anyone.
• 4:14
  Speaker 6: Yet.
• 4:18
  Speaker 2: I got out of the elevator and I found 423.
• 4:21
  Speaker 2: Inside I made for the bathroom. I felt under the washstand.
• 4:24
  Speaker 2: The gun was there. Shorty Thompson had a tape neatly
• 4:27
  Speaker 2: in place just like he'd promised. I pried it loose.
• 4:32
  Speaker 2: I heard someone at the door. I yanked it open.
• 4:35
  Speaker 2: Lois Williams came in. Not exactly came in. She sort
• 4:40
  Speaker 2: of slid in along the wall and hung there like
• 4:42
  Speaker 2: a busted balloon. The little rat was as beautiful as ever.
• 4:45
  Speaker 2: The scared look in her eyes made them brighter and greener.
• 4:49
  Speaker 2: She was wearing one of those curved gowns that she
• 4:51
  Speaker 2: used to design for herself and was pointed up neat
• 4:53
  Speaker 2: and tidy. She stared at the gun in my hand
• 4:57
  Speaker 2: in a kind of a glad, hungry way.
• 5:00
  Speaker 10: I'd save you the trouble of coming for me.
• 5:02
  Speaker 2: I'd have found you. But thanks anyway.
• 5:06
  Speaker 10: What are you waiting for?
• 5:06
  Speaker 2: I don't know.
• 5:08
  Speaker 4: Go ahead.
• 5:09
  Speaker 10: Kill me.
• 5:10
  Speaker 2: Don't hurry me.
• 5:11
  Speaker 10: Go ahead. You want me dead and I don't want
• 5:13
  Speaker 10: to live.
• 5:16
  Speaker 2: You want to die. That's why you came to me.
• 5:19
  Speaker 11: Just one thing, Dan, about Richie. I didn't think he'd
• 5:21
  Speaker 11: kill himself.
• 5:22
  Speaker 2: You figured he'd enjoy looking at his wife and kids
• 5:23
  Speaker 2: through bars for the next ten years, huh?
• 5:25
  Speaker 12: I've lost every friend I had because of that. Nobody
• 5:28
  Speaker 12: will speak to me, have anything to do with me.
• 5:30
  Speaker 12: I can't get a job either. No club will hire me.
• 5:32
  Speaker 10: They're all afraid of me.
• 5:33
  Speaker 9: What do you expect?
• 5:34
  Speaker 2: They all knew how I felt about my brother. By
• 5:37
  Speaker 2: the way, how is Tim Grady? I'm going to look
• 5:40
  Speaker 2: him up, too.
• 5:41
  Speaker 10: That's a kick.
• 5:42
  Speaker 12: I ratted on Richie to save Tim, and then he
• 5:44
  Speaker 12: shook me loose. He didn't want anything to do with
• 5:47
  Speaker 12: a squealer, he said.
• 5:48
  Speaker 2: And you still love that dirty... It took him to
• 5:52
  Speaker 2: make you miserable enough to want to die, huh?
• 5:54
  Speaker 11: All right, so now you know. No job, no friends,
• 5:57
  Speaker 11: no Tim. I got nothing to live for.
• 5:58
  Speaker 2: My brother had everything to live for, and you... He
• 6:01
  Speaker 2: killed himself.
• 6:02
  Speaker 11: I'd save the post-mortem till after you do the job.
• 6:06
  Speaker 2: This was the day who caused my brother's death. But
• 6:09
  Speaker 2: she wasn't scared. She was begging for it. Something was wrong.
• 6:13
  Speaker 2: She came closer to me. She looked up at me
• 6:15
  Speaker 2: with that haunted thing all over her. Desire for an
• 6:19
  Speaker 2: end of life. I thought of her suddenly dead, still
• 6:22
  Speaker 2: looking at me like that. I couldn't do it. It
• 6:27
  Speaker 2: wasn't right. I put my gun back in my pocket.
• 6:29
  Speaker 2: She saw me do it.
• 6:30
  Speaker 11: Even when I try to get myself killed, I fumble.
• 6:33
  Speaker 10: I'll take care of it myself.
• 6:34
  Speaker 9: Hey, watch it, you crazy little.
• 6:36
  Speaker 8: Come here.
• 6:37
  Speaker 2: I'm allergic to people jumping out of windows. Especially out
• 6:40
  Speaker 2: of a room registered in my name.
• 6:42
  Speaker 10: Why?
• 6:44
  Speaker 11: Why did you stop me?
• 6:46
  Speaker 2: You always were a high-strung game.
• 6:48
  Speaker 9: Now go on, go home.
• 6:50
  Speaker 2: Go home and sleep it off like it was a jag.
• 6:51
  Speaker 10: I don't have a home.
• 6:55
  Speaker 2: You really don't, huh?
• 6:56
  Speaker 9: I got nothing.
• 6:57
  Speaker 10: I told you, I got nothing.
• 6:59
  Speaker 9: No.
• 7:01
  Speaker 2: No, it's no fun this way.
• 7:05
  Speaker 6: Oh, well.
• 7:06
  Speaker 2: Wait a minute. I'll stake you to a room in
• 7:08
  Speaker 2: the hotel. Here. Here, have a drink. You'll feel better.
• 7:11
  Speaker 9: Thanks.
• 7:17
  Speaker 2: Lois. Lois, I'd like to help you.
• 7:21
  Speaker 10: You help me?
• 7:23
  Speaker 9: Why?
• 7:25
  Speaker 2: To tell you the truth, I don't know. But I
• 7:28
  Speaker 2: know what Richie meant to me. I was with him
• 7:29
  Speaker 2: when he died. I heard the way he called your name.
• 7:32
  Speaker 10: Dan, listen to me.
• 7:33
  Speaker 2: Before you became a singer, you were a dress designer.
• 7:36
  Speaker 10: Oh, what does that prove?
• 7:37
  Speaker 2: Well, it proves your troubles are over if you want
• 7:38
  Speaker 2: them to be.
• 7:39
  Speaker 10: The only way my troubles will be over is for
• 7:41
  Speaker 10: you to use a gun.
• 7:42
  Speaker 2: There's a way that doesn't hurt so much. The nerve
• 7:44
  Speaker 2: doc says there's nothing like starting your own business or
• 7:46
  Speaker 2: cracking a safe to get your mind off troubles.
• 7:50
  Speaker 10: What do you know about psychiatry?
• 7:51
  Speaker 2: Nothing. But I know plenty about cracking safes. And I
• 7:55
  Speaker 2: understand business is almost the same thing. Go into business.
• 7:59
  Speaker 10: I haven't got a dime.
• 8:02
  Speaker 2: I'll supply the coin. We'll be partners.
• 8:05
  Speaker 10: Yeah?
• 8:05
  Speaker 4: In what?
• 8:07
  Speaker 2: The dress business.
• 8:08
  Speaker 10: The dress business.
• 8:11
  Speaker 11: The boys would laugh you out of town.
• 8:13
  Speaker 2: Nobody laughs at Dan Varel. Well, come on. What do
• 8:16
  Speaker 2: you say? Partners?
• 8:17
  Speaker 10: I haven't designed a dress for years.
• 8:20
  Speaker 2: Oh, it'll come back to you? Once you're in business,
• 8:22
  Speaker 2: you're sure to make a lot of new friends. Get
• 8:24
  Speaker 2: a new slant on life. I'll tell you what I'll do.
• 8:26
  Speaker 2: I'll talk to the old gang into giving you a
• 8:27
  Speaker 2: break again. If things go on smooth, you'll be happy again.
• 8:30
  Speaker 10: You think so?
• 8:32
  Speaker 2: I looked at her a minute, and then I put
• 8:34
  Speaker 2: across the clitor. Lois, I'll bet even Tim Grady comes back.
• 8:41
  Speaker 2: I was always baffled by the effect a guy could
• 8:43
  Speaker 2: have on a dame. I watched Hope push some of
• 8:46
  Speaker 2: the unhappiness off her face. Mentioned the guy, and the
• 8:49
  Speaker 2: dame's heart changes places with her brain. She hesitated a second.
• 8:54
  Speaker 10: I'll give it a try.
• 8:56
  Speaker 2: Good. Now, do you think you can make it past
• 8:59
  Speaker 2: bridges and open manholes, or do you need protection?
• 9:02
  Speaker 10: I'm all right now. After all, we're partners.
• 9:12
  Speaker 2: I raised 20 grand, and Lois went all out spending it.
• 9:14
  Speaker 2: She threw herself into the job with all she had,
• 9:16
  Speaker 2: and she had plenty. She was going to open on
• 9:18
  Speaker 2: Madison Avenue. I spent a lot of time with Lois,
• 9:20
  Speaker 2: talk and dress shop. She took me to spots to, well,
• 9:23
  Speaker 2: you know, to check styles. Dog show, the art galleries,
• 9:25
  Speaker 2: the opera. She was beginning to show signs of wanting
• 9:27
  Speaker 2: to live again. A month after we became partners, she
• 9:30
  Speaker 2: told me.
• 9:30
  Speaker 10: We can open tomorrow, Dan, except that, well, I.
• 9:33
  Speaker 2: Let's have it, Lois.
• 9:34
  Speaker 12: The money's all run out, and Dan, we have to
• 9:36
  Speaker 12: advertise and get a sales force.
• 9:38
  Speaker 2: What'll it take?
• 9:39
  Speaker 10: Five thousand. Oh, three thousand.
• 9:42
  Speaker 2: I'll get it.
• 9:43
  Speaker 10: Oh, Dan.
• 9:46
  Speaker 2: She kissed me. I fought down the chill that sent
• 9:49
  Speaker 2: along my spine. I said, I want you to be happy, Lois.
• 9:58
  Speaker 2: I went over to the Emerald Club on 6th. 60th
• 10:00
  Speaker 2: to raise the money. I'd stayed away from the old
• 10:02
  Speaker 2: spots till now. Lou Henry, who owned the place, glad-handed
• 10:04
  Speaker 2: me when I walked in.
• 10:05
  Speaker 6: Hey, Dan Barrow. Where you been, boy?
• 10:08
  Speaker 2: All around and about.
• 10:09
  Speaker 4: Yeah, you're awful early, Dan.
• 10:10
  Speaker 9: Tables don't open till 10.
• 10:12
  Speaker 2: I need five grand, Lou.
• 10:13
  Speaker 6: Five grand?
• 10:15
  Speaker 9: Without even a hello to soften me up?
• 10:16
  Speaker 2: I need it, Lou. I figured you'd let me have it.
• 10:20
  Speaker 2: For past favors.
• 10:23
  Speaker 6: Oh, sure, Dan. Don't mean no more to me than
• 10:26
  Speaker 6: my right arm.
• 10:28
  Speaker 2: Thanks. Be seeing you.
• 10:30
  Speaker 9: Say, Dan, buddy of your brother's is out there at
• 10:32
  Speaker 9: the bar.
• 10:33
  Speaker 4: Shorty Thompson.
• 10:34
  Speaker 2: Oh, thanks again. I'd like to see Shorty.
• 10:38
  Speaker 8: Another one, bartender.
• 10:41
  Speaker 2: Hello, Shorty.
• 10:42
  Speaker 8: Oh, you, huh? Hey, you're in business, Dan. Something real imaginative.
• 10:49
  Speaker 2: Yeah, legitimate, too. Ladies' gowns.
• 10:52
  Speaker 8: Ain't that a riot?
• 10:56
  Speaker 2: Shorty was drunk. I don't like to talk to drunks.
• 10:59
  Speaker 2: I was going to leave when I saw who the
• 11:00
  Speaker 2: guy was on the other side of Shorty. It was
• 11:03
  Speaker 2: Lieutenant Len Bush. Shorty turned his back on me and
• 11:06
  Speaker 2: spoke to him.
• 11:06
  Speaker 13: This guy is Richie Farrell's brother, as though you didn't know.
• 11:09
  Speaker 13: A few years ago, the joke was on you, Lieutenant.
• 11:13
  Speaker 13: You put Dan away for sticking up a jewelry store.
• 11:16
  Speaker 13: You didn't really believe Dan Verrill would pull anything as
• 11:18
  Speaker 13: crude as that. It was Richie who'd done it. But
• 11:22
  Speaker 13: Big Brother here took the rap.
• 11:24
  Speaker 2: Shut up, Shorty.
• 11:25
  Speaker 8: Used to be sort of a gag with the boys.
• 11:27
  Speaker 13: If Richie got shot, Danny Boy would do the bleeding
• 11:30
  Speaker 13: for him. Everybody knew that Richie was one in a million.
• 11:35
  Speaker 13: Everybody knew that Danny Boy would die for the kid.
• 11:37
  Speaker 8: Yeah, I'm gonna let you in on a secret, Bush.
• 11:41
  Speaker 13: Danny Boy's partner is the dame who killed Richie Varo.
• 11:45
  Speaker 2: You're drunk, Shorty.
• 11:46
  Speaker 8: Get away from me, you rat.
• 11:50
  Speaker 2: I turned back to the bar and I kept my
• 11:51
  Speaker 2: temper in my pocket. If Shorty kept talking like that,
• 11:53
  Speaker 2: it wouldn't be healthy for him and I didn't want
• 11:55
  Speaker 2: to do anything to him. He was Richie's best friend.
• 11:58
  Speaker 2: Two more of Richie's friends walked in while I was
• 12:00
  Speaker 2: downing my drink. Gus Manning and Tommy Argo. I put
• 12:03
  Speaker 2: my glass down and I started to leave.
• 12:05
  Speaker 9: Just a minute, Dan.
• 12:07
  Speaker 2: What's on your mind?
• 12:07
  Speaker 6: The way I get the news, you and Lois are
• 12:09
  Speaker 6: teamed up.
• 12:11
  Speaker 2: Yeah?
• 12:11
  Speaker 6: That's all I want to know, you think?
• 12:13
  Speaker 2: Hey, hold it, Gus, hold it.
• 12:14
  Speaker 4: Maybe Dan's got it scrambled. Lieutenant, Lois Williams is a
• 12:17
  Speaker 4: dame who pinned the rap on Richie, ain't she? Any
• 12:19
  Speaker 4: newspaper morgue will give you the answer.
• 12:21
  Speaker 2: Look, I know she testified against him.
• 12:23
  Speaker 5: And you know she lied about your brother to save
• 12:24
  Speaker 5: Tim Grady.
• 12:25
  Speaker 2: I know.
• 12:26
  Speaker 3: Well?
• 12:28
  Speaker 2: All right. Lieutenant, the boys and I want to have
• 12:32
  Speaker 2: a little talk.
• 12:33
  Speaker 6: Okay, Dan, it's your funeral.
• 12:36
  Speaker 2: We all watched Len put on his hat and walk out.
• 12:39
  Speaker 2: I put my back up against the bar so none
• 12:40
  Speaker 2: of them could get behind me.
• 12:42
  Speaker 6: Well, what are we waiting for? Cut it out, you guys!
• 12:50
  Speaker 4: Cut it out!
• 12:52
  Speaker 9: Dan, you okay?
• 12:53
  Speaker 1: Yeah.
• 12:54
  Speaker 5: What happened?
• 12:55
  Speaker 2: Boys don't like me just now. They want to keep
• 12:58
  Speaker 2: me from making a girl happy.
• 12:59
  Speaker 9: Yeah, yeah, the girl responsible for your brother's death.
• 13:02
  Speaker 2: Yeah, that's right.
• 13:17
  Speaker 3: Autolite is bringing you Mr. Burt Lancaster in The Long Wait,
• 13:21
  Speaker 3: tonight's production in radio's outstanding theater of thrills, Suspense.
• 13:32
  Speaker 5: And now it's time for my Thanksgiving fairy tale. Last night,
• 13:35
  Speaker 5: my car called me out to the garage.
• 13:37
  Speaker 9: Harlow, I don't think... I think you ought to do
• 13:41
  Speaker 9: something about it.
• 13:42
  Speaker 4: Well, open your hood and say ah.
• 13:44
  Speaker 12: Ah.
• 13:45
  Speaker 5: Oh, your spark plugs need replacing. I'll buy you a
• 13:47
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• 13:50
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• 13:52
  Speaker 9: Gosh, Harlow, would you? That's better than turkey on Thanksgiving.
• 13:56
  Speaker 9: Just think how I'll run.
• 13:58
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• 14:01
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• 14:04
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• 14:08
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• 14:11
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• 14:14
  Speaker 9: I know all that, so why wait?
• 14:17
  Speaker 5: Well, I hustled up a set of Autolite resistor spark
• 14:19
  Speaker 5: plugs and those eyes, I mean those Autolite bullseye headlights,
• 14:23
  Speaker 5: lit up with joy.
• 14:24
  Speaker 9: You're a good boss, Harlow.
• 14:27
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• 14:29
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• 14:31
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• 14:35
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• 14:38
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• 14:44
  Speaker 3: And now, Autolite brings back to our Hollywood soundstage our
• 14:48
  Speaker 3: star Burt Lancaster with Betty Lou Gerson in The Long Wait,
• 14:52
  Speaker 3: a tale well-calculated to keep you in.
• 14:55
  Speaker 4: Suspense!
• 15:00
  Speaker 2: I sent the five grand to Lois so that she
• 15:02
  Speaker 2: could open the doors while I went after business. And
• 15:04
  Speaker 2: I knew where to get them. Nobody spends dough on
• 15:07
  Speaker 2: a dame like a hood when he's loaded. On Thursday,
• 15:09
  Speaker 2: the Third National Bank was held up. Friday morning, I
• 15:13
  Speaker 2: knocked on a door on 8th Avenue.
• 15:14
  Speaker 11: Who is it?
• 15:15
  Speaker 2: Me, Dan Farrell. Busy now, Dan.
• 15:19
  Speaker 4: Some other time?
• 15:22
  Speaker 2: Hello, Tony. Oh, hello, Glenda.
• 15:25
  Speaker 10: Hello.
• 15:26
  Speaker 4: What do you want, Dan?
• 15:27
  Speaker 2: You knocked over the third national. What is this, a hijack?
• 15:30
  Speaker 9: No.
• 15:31
  Speaker 2: Your dame looks like she needs a lot of clothes.
• 15:33
  Speaker 11: After last night, I figure I'm getting plenty of that.
• 15:36
  Speaker 2: What are you two talking about? I'm in the dress business, Tony.
• 15:39
  Speaker 2: Tell the other boys, too. I want all the dames
• 15:41
  Speaker 2: buying their clothes from Lois Williams. Sure.
• 15:45
  Speaker 4: What do I care where they buy them?
• 15:52
  Speaker 2: The next day, I ran into Numbers Johnson. He ran
• 15:54
  Speaker 2: the policy record on the east side.
• 15:56
  Speaker 6: I don't have a dame, Dan. You know that.
• 15:58
  Speaker 2: Yeah, I know. It's about time you gave your wife
• 16:00
  Speaker 2: a break.
• 16:01
  Speaker 6: If I buy her clothes now, she'll expect me to
• 16:03
  Speaker 6: every time I hit.
• 16:04
  Speaker 2: That's the idea. Do you see it my way, or
• 16:07
  Speaker 2: do I.
• 16:07
  Speaker 6: I don't figure it. You, in the dress business.
• 16:10
  Speaker 2: Well, if I keep having you in the dress business,
• 16:12
  Speaker 2: I'll stay out of the numbers business. Which way do
• 16:14
  Speaker 2: you want to play?
• 16:16
  Speaker 6: The doll will get some new duds.
• 16:23
  Speaker 2: Once the ball started rolling, it became a mountain. Lois
• 16:26
  Speaker 2: knew all the angles on female thrills. Her clientele was
• 16:29
  Speaker 2: strictly 10th Avenue, but she turned them out on a
• 16:30
  Speaker 2: long island, and they loved it. One dame tells another,
• 16:33
  Speaker 2: and in no time at all, the shop is jammed
• 16:35
  Speaker 2: with customers. It was a crime the way the dame
• 16:38
  Speaker 2: spent the dough the hoods go to to make so
• 16:39
  Speaker 2: much trouble to collect. Lois glowed like a firefly. She
• 16:43
  Speaker 2: was the complete businesswoman. She loved being surrounded with dolls
• 16:46
  Speaker 2: who bounced in and out with business of the shop,
• 16:48
  Speaker 2: business that must have madame's attention. I asked her during
• 16:51
  Speaker 2: a lull, You happy, Lois?
• 16:54
  Speaker 10: Yes, Dad. Almost completely.
• 16:57
  Speaker 11: I do miss the old gang, though.
• 16:59
  Speaker 10: Come in.
• 17:00
  Speaker 11: Pardon me, Miss Williams. There's a Mrs.
• 17:02
  Speaker 10: Verrill outside.
• 17:03
  Speaker 11: She wants to see Mr.
• 17:04
  Speaker 9: Verrill.
• 17:05
  Speaker 2: Mrs.
• 17:05
  Speaker 10: Ver... Oh.
• 17:08
  Speaker 2: Richie's wife, June. She was supposed to be in the
• 17:11
  Speaker 2: mountains with the kid. That's why I sent her money.
• 17:13
  Speaker 2: I didn't want her to know about this. She was
• 17:16
  Speaker 2: waiting for me on the street. She had a roll
• 17:18
  Speaker 2: of bills in her hand and she threw it at
• 17:19
  Speaker 2: my feet. The roll bounced against the storefront. I saw
• 17:23
  Speaker 2: the rubber band snap off it and the bills unwrapped
• 17:25
  Speaker 2: like a sigh of relief.
• 17:26
  Speaker 11: You think I'd take your money now?
• 17:28
  Speaker 2: Now? What do you mean?
• 17:29
  Speaker 10: You and Lois.
• 17:31
  Speaker 2: Okay, so it's tainted money, but you got a kid.
• 17:33
  Speaker 2: You need it.
• 17:34
  Speaker 11: You thought a lot of Richie, didn't you?
• 17:35
  Speaker 2: As much as you did.
• 17:37
  Speaker 11: Oh, no, much more. When Richie had pneumonia, I remember
• 17:40
  Speaker 11: how hard you took it. During the crisis, you wouldn't
• 17:42
  Speaker 11: eat or drink or talk. I remember thinking it If
• 17:46
  Speaker 11: Richie dies, Dan will.
• 17:48
  Speaker 10: Die, too.
• 17:49
  Speaker 2: Take the money for the kid.
• 17:50
  Speaker 10: You loved Richie.
• 17:52
  Speaker 11: And now you're sponsoring that woman with his blood.
• 17:54
  Speaker 6: June, wait!
• 17:56
  Speaker 11: I'll kill you both!
• 18:03
  Speaker 2: Nobody was going to keep me from doing what I wanted.
• 18:05
  Speaker 2: Not Lynn Bush following me around, or Shorty Thompson hating
• 18:08
  Speaker 2: my guts, or Richie's wife itching to kill me. I'd
• 18:11
  Speaker 2: given Lois back an urge to live. I swore I
• 18:13
  Speaker 2: was going to make her happy. and I was on
• 18:15
  Speaker 2: first base. She had a going business. Lois's old gang
• 18:22
  Speaker 2: hung out in the village, the bolo room. Richie, Lois,
• 18:25
  Speaker 2: and Tim Grady used to pal around with the musicians
• 18:27
  Speaker 2: who played the spot. They used to wait until closing time,
• 18:30
  Speaker 2: then huddle with the jive artists until morning. When Lois
• 18:32
  Speaker 2: and Tim double-crossed Richie, the other kids cut Lois out
• 18:35
  Speaker 2: of their hair, and Tim Grady left town. That night
• 18:39
  Speaker 2: I went down to the bolo room to get Lois's
• 18:41
  Speaker 2: friends back for her. I walked in just as the
• 18:47
  Speaker 2: last paying customers left. The kids were getting set for
• 18:50
  Speaker 2: a jam session when they spotted me. The place became
• 18:54
  Speaker 2: full of hush. They glared at me, hating me, for
• 18:57
  Speaker 2: not daring to open their mouths. I picked a menu
• 18:59
  Speaker 2: up off the table and I laid it on the bar.
• 19:01
  Speaker 2: I pulled a pencil out of my pocket. I said,
• 19:05
  Speaker 2: I'm giving a party for Lois Williams. You're all invited.
• 19:08
  Speaker 2: Saturday night, Gold Room, Coronet Hotel. Whitey Jones?
• 19:12
  Speaker 9: Yeah?
• 19:12
  Speaker 14: Yeah.
• 19:13
  Speaker 2: I'm putting you down, plus your dame and three guests.
• 19:17
  Speaker 4: Suppose I can't make it.
• 19:18
  Speaker 2: Then throw away your piano. You'll never play it with
• 19:21
  Speaker 2: broken hands. Phil Blass, you, your dame and three friends,
• 19:26
  Speaker 2: and your horn.
• 19:27
  Speaker 6: Well?
• 19:29
  Speaker 9: Okay, yeah, sure, Danny, sure.
• 19:30
  Speaker 2: Jerry Barton, Mel Folley.
• 19:32
  Speaker 15: What?
• 19:32
  Speaker 2: Joe Ward, Les Seltzer, your dames and three friends.
• 19:36
  Speaker 8: Okay.
• 19:38
  Speaker 2: And make sure that Lois knows that you're all tickled
• 19:39
  Speaker 2: to death to see her. I'll be checking you off
• 19:41
  Speaker 2: as you come in. I'll be seeing you. It was Friday,
• 19:54
  Speaker 2: the day before the party. Hello?
• 19:57
  Speaker 9: Hello, Dan.
• 19:58
  Speaker 6: Yeah?
• 19:59
  Speaker 9: This is Lou Henry, down at the Emerald Club.
• 20:00
  Speaker 2: Yeah.
• 20:01
  Speaker 9: Look, I don't want you to think I'm butting any
• 20:03
  Speaker 9: of your affairs, Dan, but we'll know how you feel
• 20:05
  Speaker 9: about Lois. Yeah?
• 20:06
  Speaker 2: Yeah.
• 20:07
  Speaker 9: Well, June, your brother's wife's been down here talking to
• 20:09
  Speaker 9: Shorty Thompson. So what? She talked Shorty into rubbing out Lois.
• 20:12
  Speaker 2: What?
• 20:12
  Speaker 9: He's on his way now. Remember who told you, Dan?
• 20:17
  Speaker 2: I dialed my body call on the fly. If Shorty
• 20:19
  Speaker 2: touched Lois now, being a buddy of Richie's wouldn't help him.
• 20:21
  Speaker 2: The same went for June.
• 20:24
  Speaker 9: Hello? Lois Williams dresses.
• 20:26
  Speaker 2: Give me Miss Williams.
• 20:27
  Speaker 9: I'll connect you with her office.
• 20:30
  Speaker 2: Come on, snap it up, snap it up.
• 20:31
  Speaker 9: I'm ringing, sir.
• 20:32
  Speaker 2: Come on, Lois, answer. Come on.
• 20:35
  Speaker 9: Miss Williams' office.
• 20:35
  Speaker 2: Put Lois on.
• 20:36
  Speaker 14: She's not in.
• 20:37
  Speaker 9: Who's calling me?
• 20:38
  Speaker 2: It's me, Dan Farrell. Where'd she go?
• 20:39
  Speaker 10: Mr.
• 20:39
  Speaker 5: Farrell?
• 20:40
  Speaker 9: You just called, Mr. Farrell.
• 20:42
  Speaker 2: What do you mean, I just called?
• 20:44
  Speaker 14: Well, someone called, said it was you, and spoke to
• 20:46
  Speaker 14: Miss Williams. I wonder why they'd do that.
• 20:48
  Speaker 2: Well, never mind that.
• 20:48
  Speaker 14: What did she, what did he say? Miss Williams always
• 20:51
  Speaker 14: goes to the Museum of Art at this time of
• 20:52
  Speaker 14: day to copy designs. She made an appointment to meet you.
• 20:56
  Speaker 14: I mean, the man who called at the museum.
• 20:58
  Speaker 9: She just left.
• 21:01
  Speaker 2: I didn't wait for the elevator. I took the stairs
• 21:02
  Speaker 2: three at a time going down. I came out on
• 21:04
  Speaker 2: the street. A cab was idling on the other side
• 21:06
  Speaker 2: of the avenue. I cut through the traffic to get
• 21:08
  Speaker 2: to it. I hopped into the cab, and for five bucks,
• 21:10
  Speaker 2: the hacky crashed lights all the way. I was at
• 21:12
  Speaker 2: the museum and nothing flat. The main thing of the
• 21:14
  Speaker 2: building was quiet as a wall. I cursed myself for
• 21:16
  Speaker 2: not asking what room Lois would be in.
• 21:19
  Speaker 6: Here, here, you can't run here.
• 21:21
  Speaker 2: Did you see a girl with drawing papers and crayons? Tall, beautiful, well-stacked?
• 21:24
  Speaker 2: I see hundreds of them. Well, where would she go
• 21:26
  Speaker 2: to draw designs?
• 21:27
  Speaker 9: The armor room, maybe.
• 21:28
  Speaker 6: The Egyptian room or the famous paintings. Second floor.
• 21:34
  Speaker 2: I had visions of her dead in some corner. I
• 21:35
  Speaker 2: thought of her all twisted in the heap. I hit
• 21:37
  Speaker 2: the Egyptian room on the run and I stopped short.
• 21:40
  Speaker 2: Lois was standing at the other end. She was behind
• 21:42
  Speaker 2: a mummy case. And on the other side of it
• 21:43
  Speaker 2: was Shorty. He had a knife in his hand. They
• 21:45
  Speaker 2: didn't see me. I sneaked up on them and I
• 21:47
  Speaker 2: watched Lois fighting to move her lips.
• 21:49
  Speaker 8: You ain't fit to live.
• 21:51
  Speaker 10: Please, Shorty.
• 21:53
  Speaker 5: Lois, run.
• 21:53
  Speaker 2: Run for me.
• 21:55
  Speaker 10: Dad.
• 21:55
  Speaker 6: I hate to do this, Shorty.
• 21:58
  Speaker 15: He came this way, Lieutenant.
• 22:01
  Speaker 11: Dad, he tried to kill me.
• 22:03
  Speaker 4: Tough to keep up with you, Dan.
• 22:04
  Speaker 2: Still with me, Lieutenant?
• 22:05
  Speaker 4: I always keep an eye on my friends. Who's this
• 22:08
  Speaker 4: laying here? Shorty Thompson.
• 22:11
  Speaker 2: You better take him in. He tried to kill Miss Williams.
• 22:13
  Speaker 4: Yeah, I guess it better.
• 22:15
  Speaker 2: Come on, Lois. By the way, Bush. You better pick
• 22:18
  Speaker 2: up June Barrel, too. She was in on it. In
• 22:21
  Speaker 2: case you don't know who she is, she's my sister-in-law.
• 22:32
  Speaker 2: With June and Shorty out of the way for a while,
• 22:33
  Speaker 2: nothing was going to upset things now. The party Saturday
• 22:36
  Speaker 2: night in the gold room was a big success. Every
• 22:38
  Speaker 2: time somebody tried to make a break for home, I
• 22:41
  Speaker 2: beat them to the exit and insisted they stay. The
• 22:43
  Speaker 2: place was full of smiles and heart-of-dudes, and only Lois
• 22:45
  Speaker 2: didn't know they were phoning. She was a dream in
• 22:48
  Speaker 2: a green, backless evening gown, held up by a deep
• 22:51
  Speaker 2: breath and an anxious look. She bubbled around, greeting people.
• 22:56
  Speaker 6: Lois?
• 22:57
  Speaker 1: Dan!
• 22:57
  Speaker 11: Where have you been hiding?
• 22:59
  Speaker 2: No place. Tell me, Lois, you happy?
• 23:01
  Speaker 4: Dan.
• 23:02
  Speaker 2: Just be happy. That's all I ask. Just be happy.
• 23:05
  Speaker 10: I'm doing my best, Dan.
• 23:07
  Speaker 2: Is there any guy here you like?
• 23:09
  Speaker 4: Anybody?
• 23:09
  Speaker 11: There's just one guy for me, Dan.
• 23:13
  Speaker 10: He's not here.
• 23:14
  Speaker 2: But he is. He's back in town. He's at the
• 23:17
  Speaker 2: Sphinx Hotel. Tim. Yeah. Lois, I think I'll drop over
• 23:22
  Speaker 2: and see him now.
• 23:22
  Speaker 10: Dan, you're not going to do anything?
• 23:24
  Speaker 2: Don't worry, Lois. I'm going to fix everything. She had
• 23:34
  Speaker 2: her job, her friends. Just one thing more. Just Tim
• 23:38
  Speaker 2: Grady to make the picture complete. The Sphinx Hotel was
• 23:41
  Speaker 2: over on 6th Avenue. I walked. I wanted time to
• 23:45
  Speaker 2: cool off. I wanted to do things right.
• 23:48
  Speaker 8: Yes?
• 23:49
  Speaker 10: Mr.
• 23:49
  Speaker 2: Grady's room?
• 23:50
  Speaker 14: One moment, please.
• 23:56
  Speaker 8: Hello?
• 23:57
  Speaker 2: This is Dan Barrow. Dan. Yeah, remember?
• 24:02
  Speaker 9: It's 3 a.m., Dan.
• 24:03
  Speaker 2: I won't take much of your time.
• 24:05
  Speaker 9: Won't tomorrow do?
• 24:06
  Speaker 2: I'm coming up now. I pushed open the door and
• 24:15
  Speaker 2: I went in. I was standing by the bed. He
• 24:18
  Speaker 2: was wearing a monogrammed black robe over some flashy yellow pajamas.
• 24:22
  Speaker 2: He glad-handed me.
• 24:22
  Speaker 4: Come in, Dan. Come on in.
• 24:25
  Speaker 9: Have a cigarette?
• 24:26
  Speaker 2: I took one and I watched him going through hard
• 24:28
  Speaker 2: times trying to light it for me. I let him
• 24:31
  Speaker 2: sweat for a while and then pulled out my lighter,
• 24:33
  Speaker 2: lit my cigarette and shoved the lighter under his face
• 24:34
  Speaker 2: so I could light his. He couldn't stand still. He
• 24:38
  Speaker 2: moved around the room like a... like a cat on
• 24:40
  Speaker 2: hot coals. He was a big, good-looking chap. Broad shoulders
• 24:43
  Speaker 2: with all the trimmings. Pearly hair, dimple on his chin.
• 24:46
  Speaker 15: I just got back out on the coast. That's the
• 24:48
  Speaker 15: place to be, Dan. You never saw anything like it. Boy,
• 24:51
  Speaker 15: the things that go on in L.A.
• 24:53
  Speaker 6: Someday.
• 24:54
  Speaker 2: Light someplace. Anything you say, Dan. Lois is a great dame.
• 25:00
  Speaker 15: She sure is, Dan.
• 25:01
  Speaker 6: She sure is.
• 25:02
  Speaker 4: Anybody says different should get slugged.
• 25:04
  Speaker 2: Yeah.
• 25:05
  Speaker 15: Listen, Dan, there never was anything between me and Lois.
• 25:07
  Speaker 15: Anybody says different's a no-good liar... We were just good friends.
• 25:10
  Speaker 15: We hardly ever even.
• 25:11
  Speaker 4: Relax.
• 25:13
  Speaker 15: Hey, you and Lois are partners?
• 25:15
  Speaker 2: Yeah.
• 25:16
  Speaker 15: She must be pretty near the happiest girl in town.
• 25:18
  Speaker 2: Pretty near. You know, when I first saw Lois a
• 25:21
  Speaker 2: few months ago, she was all set to kill herself.
• 25:23
  Speaker 15: Oh, wait a minute, Dan. I tell you.
• 25:24
  Speaker 2: Sit down, Tim. You make me nervous. Nobody's blaming you
• 25:28
  Speaker 2: for the way she felt. And Amara... Amara, I pull
• 25:32
  Speaker 2: out of the partnership. And Lois will be alone again.
• 25:35
  Speaker 2: I don't want her to be alone. It's not good
• 25:36
  Speaker 2: for her.
• 25:37
  Speaker 15: Anything I can do, you know.
• 25:39
  Speaker 2: She's in love with you. I'd like to see her
• 25:41
  Speaker 2: get married. A woman with... with $ 75, 000 business, well... She
• 25:48
  Speaker 2: needs someone to look after her interests. The mention of
• 25:52
  Speaker 2: the 75 grand, his eyes lit up like Broadway after dark.
• 25:55
  Speaker 2: Reading his mind was like looking through a dirty window
• 25:58
  Speaker 2: into a filthy room. It hurt to think a foul
• 26:00
  Speaker 2: ball like Tim Grady could make a girl do anything
• 26:02
  Speaker 2: for him. Well, damn it. It's about time she got
• 26:05
  Speaker 2: a proposal for marriage.
• 26:06
  Speaker 15: Yeah.
• 26:07
  Speaker 2: Yeah. Why don't you call her up, Tim?
• 26:11
  Speaker 6: Yeah.
• 26:12
  Speaker 15: Good idea, Dan.
• 26:12
  Speaker 2: I mean right now. Stuyvesant 1541.
• 26:17
  Speaker 6: Now?
• 26:18
  Speaker 2: Well, sure, sure.
• 26:19
  Speaker 6: If you think.
• 26:22
  Speaker 15: I won't know what to say. It's been so long.
• 26:26
  Speaker 2: Say you want to marry her.
• 26:28
  Speaker 6: Yeah.
• 26:29
  Speaker 15: Yeah, sure.
• 26:31
  Speaker 3: Lois?
• 26:32
  Speaker 6: Hello, baby.
• 26:34
  Speaker 4: Well, I see you knew the old voice.
• 26:40
  Speaker 2: I closed the door. I didn't know if I'd be
• 26:43
  Speaker 2: able to control myself, if I'd listen to any more.
• 26:46
  Speaker 2: I got to the dress shop at 10 o'clock the
• 26:48
  Speaker 2: next morning. Lois was floating around like a... like a
• 26:51
  Speaker 2: waft of loveliness. She touched the inkstand on her desk,
• 26:54
  Speaker 2: moved a chair, straightened a picture. Wasn't conscious of what
• 26:56
  Speaker 2: she was doing. She talked fast and happy about things
• 26:59
  Speaker 2: that didn't mean a thing. She flung open a window
• 27:01
  Speaker 2: and hugged the inrush of air. She spoke with her
• 27:04
  Speaker 2: back to me.
• 27:05
  Speaker 11: Oh, Dan, it's wonderful, it's wonderful, isn't life beautiful?
• 27:08
  Speaker 2: You're happy, huh, Lois?
• 27:09
  Speaker 11: Tim was waiting when I got here this morning.
• 27:11
  Speaker 10: He proposed.
• 27:12
  Speaker 11: He said you wanted it that way, too. I guess
• 27:15
  Speaker 11: I'm the happiest woman in the world.
• 27:17
  Speaker 2: Can I use your phone?
• 27:18
  Speaker 4: Sure.
• 27:19
  Speaker 6: Sure.
• 27:19
  Speaker 11: Call Paris, Bombay, Shanghai. Imagine, Tim.
• 27:25
  Speaker 9: Homicide, Lieutenant Bush.
• 27:27
  Speaker 2: Dan Verrill talking. I'm at Lois' shop. If you get
• 27:29
  Speaker 2: here in five minutes, it'll be about right.
• 27:31
  Speaker 11: Yes, Dan, I'm the happiest woman.
• 27:34
  Speaker 10: In the world, and I owe it all to you.
• 27:37
  Speaker 4: Oh.
• 27:39
  Speaker 2: She turned from the window and saw the gun in
• 27:40
  Speaker 2: my hand. Now you're worth killing!
• 28:00
  Speaker 3: Suspense, presented by Autolite. Tonight's star, Burt Lancaster, with Betty
• 28:05
  Speaker 3: Lou Gerson.
• 28:08
  Speaker 9: Thanks again, Harlow.
• 28:10
  Speaker 4: That's my car talking, folks.
• 28:12
  Speaker 9: I ran great today, didn't I? With those new Autolite
• 28:15
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• 28:17
  Speaker 5: Like a charm. Friends, if you want your car to
• 28:20
  Speaker 5: run better, switch to Wide Gap Autolite resistor spark plugs.
• 28:23
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  Speaker 5: in cold temperatures. Made by Autolite, they're one of more
• 28:28
  Speaker 5: than 400 products for cars, trucks, planes, and boats produced
• 28:32
  Speaker 5: in 28 Autolite plants coast to coast. These include complete
• 28:36
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  Speaker 5: get Autolite original factory parts at your neighborhood service station,
• 29:00
  Speaker 5: car dealer, garage, or repair shop. Remember, you're always right
• 29:04
  Speaker 5: with Autolite. Next Thursday for Suspense, James Stewart will be
• 29:18
  Speaker 5: our star. The play is called Mission Completed, and it is,
• 29:22
  Speaker 5: as we say.
• 29:23
  Speaker 4: A.
• 29:24
  Speaker 3: Tale well calculated to keep you in.
• 29:27
  Speaker 4: Suspense!
• 29:32
  Speaker 5: Tonight's Suspense play was produced and edited by William Spear
• 29:37
  Speaker 5: and directed by Norman MacDonald. Music for Suspense... is composed
• 29:40
  Speaker 5: by Lucian Morawieck and conducted by Lud Bluskin. The Long
• 29:44
  Speaker 5: Wait is an original play by Fred Freeburger. Bird Lancaster
• 29:48
  Speaker 5: is the star of The Hawk and the Arrow, a
• 29:50
  Speaker 5: Norma F.R. production soon to be released by Warner Brothers.
• 29:54
  Speaker 5: In the coming weeks, you will hear such stars as
• 29:56
  Speaker 5: Mickey Rooney, Lana Turner, and Eddie Cantor. Don't forget, next Thursday,
• 29:59
  Speaker 5: same time, Autolite will present Suspense, starring James Stewart. Meanwhile,
• 30:05
  Speaker 5: see the very informative story about Suspense in the current
• 30:08
  Speaker 5: issue of Quick Magazine.
• 30:16
  Speaker 9: You can buy Autolite.
• 30:17
  Speaker 14: Resistor spark plugs, Autolite safe-full batteries, Autolite electrical parts at
• 30:21
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• 30:22
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• 30:24
  Speaker 4: Good night. Freedom is everybody's job.
• 30:27
  Speaker 5: Take an active part in national, state, and community affairs
• 30:30
  Speaker 5: to protect your liberties. This is CBS, the Columbia Broadcasting System.
• 30:41
  Speaker 5: For now, we leave suspense and the long wait. Follow
• 30:45
  Speaker 5: suspense for more classic broadcasts.