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APOLLO 13 Rerelease with New Intro Honoring Jim Lovell · The Cine-Files

0:07
[SPEAKER_18]: Hello and welcome once again to a very special episode of the cinephiles.
0:11
[SPEAKER_18]: I'm Steve Boris, I'm a filmmaker and directing instructor in Los Angeles, California.
0:15
[SPEAKER_18]: Hello, my name is John Rokham, I'm a writer producer and host and voiceover artist here in San Diego, California.
0:20
[SPEAKER_18]: And the reason we're getting together to talk right now, we often do this when we lose actors and writers and directors, but that's this is none of them.
0:29
[SPEAKER_18]: This is a true American hero who we just lost the great great gym level.
0:35
[SPEAKER_18]: And we thought it would be a good idea to re-release one of our favorite episodes, which is Apollo XIII, and we couldn't discuss the great gym level or Apollo XIII without welcoming back to the microphones, animation writer, Dave Rapp, welcome back.
0:49
[SPEAKER_04]: Thank you.
0:50
[SPEAKER_04]: It is good to be back and be with you guys.
0:53
[SPEAKER_04]: Obviously, not for the sad reason that we have today, but any chance that I get to talk about this man or the space program is a plus at my book.
1:02
[SPEAKER_04]: And I think that's one thing that he leaves behind with this.
1:05
[SPEAKER_18]: And what is so special?
1:07
[SPEAKER_18]: So this is Jim level, obviously Tom Hanks plays him in Apollo XIII.
1:11
[SPEAKER_18]: And I'm just curious, what do you think is so special, Dave, about this astronaut?
1:16
[SPEAKER_20]: Dave, before you answer it, we should interject and say for some of the new fans who may be discovering this episode for the first time, Dave Rap was our guest on this episode, which is why he's doing the intro with us and just want to clarify that before we go forward.
1:29
[SPEAKER_20]: So please, go ahead, Dave.
1:31
[SPEAKER_04]: That's true and I believe you guys had me here because I went to school for aerospace engineering.
1:37
[SPEAKER_04]: I am a space nut.
1:39
[SPEAKER_04]: I love the space program and I love Apollo thirteen the movie and I was very happy to talk with you guys But it really resonated for me because I got to hear Jim level speak when I was in high school being one of the science nerds
1:56
[SPEAKER_04]: My chemistry and physics teacher recommended me got me permission to go here at the theater in downtown Columbus and I knew him by name but didn't really know the story of Apollo XIII because you know when I was growing up I was getting all the information and and they don't really want to talk about the failures so Apollo XIII was that like
2:21
[SPEAKER_04]: you know, something that was really being promoted.
2:24
[SPEAKER_04]: And so I knew absolutely nothing.
2:28
[SPEAKER_04]: I sat in the audience and heard him tell the story.
2:31
[SPEAKER_04]: You know, obviously people don't know.
2:33
[SPEAKER_04]: I'm very old.
2:34
[SPEAKER_04]: So this is before the movie came out.
2:37
[SPEAKER_04]: And I'm getting this information and I am just flabbergasted it.
2:41
[SPEAKER_04]: Everything that had to happen, everything that did happen and everything they had to do, both
2:47
[SPEAKER_04]: the astronauts in the capsule and everyone on the ground to get these guys back and of course in typical astronaut fashion the way he told it was just matter of fact no big deal this is what we had to do crazy right blah blah blah you know laugh it off and you know
3:07
[SPEAKER_04]: First of all, it's just to see an astronaut, all of the astronaut, was in same pleasure and honor and then to hear this story that I had never heard before.
3:17
[SPEAKER_04]: And I mean, I was just, I was flabbergasted.
3:20
[SPEAKER_04]: So when the movie came out, I'm like, I know what, after a bit of fear, I know how crazy this is.
3:24
[SPEAKER_04]: I really want to see this movie.
3:26
[SPEAKER_04]: Yeah.
3:27
[SPEAKER_18]: So, well, now I'm actually curious, having heard the story from the horse's mouth and then later seen the movie,
3:34
[SPEAKER_18]: I know it's a dumb question, but did the movie live up to your expectations?
3:39
[SPEAKER_04]: Absolutely, I did.
3:40
[SPEAKER_04]: It exceeded my expectations.
3:42
[SPEAKER_04]: I just thought, you know, I am not a filmmaker or a film instructor.
3:51
[SPEAKER_04]: So I don't know all of the technical stuff, but to the advancement seemed just perfect or just up to what Ron Howard wanted to get the appearance of weightlessness and actual weightlessness, they shot so much of that in the vomit comet.
4:08
[SPEAKER_04]: But it's just, you know, when that realism is there is the fundamental, you forget that it's filmmaking and so it feels authentic and just to see the guys floating around the castle and doing everything.
4:24
[SPEAKER_04]: you're like, yeah, that's, that was it.
4:25
[SPEAKER_04]: You know, so yeah, it was, it was really, it really, I thought was a home run.
4:31
[SPEAKER_04]: And I'm sure, I'm sure I said nothing but positive things when we talked about it.
4:35
[SPEAKER_04]: That was a few years ago, so it's hard to remember exactly what I said.
4:38
[SPEAKER_04]: But yeah, it was, it was a home run for me.
4:41
[SPEAKER_20]: You know, it's funny you talk about the failure's quote unquote of the space program, because I mean, you know, listen, just the space programs in its existence is a success overall, you know, and yes, are there accidents that have happened or things that have gone down, sure.
4:57
[SPEAKER_20]: But I tell you, this Apollo thirteen, even though it's quote unquote considered a failure, which I think is madness, it's actually success in so many other ways, because if you remember what they went through, how they overcame the things they overcame
5:09
[SPEAKER_20]: a literally low percentage chance to survive the things that happened to them in order to come back.
5:15
[SPEAKER_20]: I mean, by every other measure, it is a success other than being able to fully complete their mission as it was mapped out.
5:22
[SPEAKER_20]: So for me, I think it is an absolute success.
5:25
[SPEAKER_20]: I mean, I remember this mission, not even before the movie, I remember this mission more than I remember a lot of the successful missions that went on.
5:35
[SPEAKER_20]: And Jim is an amazing character having amazing human being having been one of the, well, he was one of the first members of the second class of astronauts.
5:43
[SPEAKER_20]: He was the first one to go up four times into space.
5:46
[SPEAKER_20]: And he went on to become it's a serve in NASA as an administrative there as well.
5:51
[SPEAKER_20]: And so.
5:51
[SPEAKER_20]: There was so much about him that conveyed this kind of what we aspire to be.
5:56
[SPEAKER_20]: You know what I'm saying?
5:57
[SPEAKER_20]: Buzz is like, what we probably are, but like, general is what we would like to be.
6:03
[SPEAKER_20]: And so I think there's something really poetic in that.
6:05
[SPEAKER_20]: And who else but Tom Hanks to capture that energy at the prime of his career, just as he's moving into that area of the older statesman and elder statesman as an actor to bring that kind of solidness to the role that permeates throughout the entire movie and
6:21
[SPEAKER_20]: helps you appreciate Jim Loveleva more through Tom Hanks's interpretation.
6:26
[SPEAKER_18]: You know, it's funny.
6:26
[SPEAKER_18]: I was just thinking like one of one of our jobs that we feel on the set of files is to when there's a historical event that we're doing a movie of like Braveheart or the sound of music or anything else is that we try to go, well, what was really happening?
6:39
[SPEAKER_18]: What was really the truth?
6:40
[SPEAKER_18]: And even those like those in particular are both movies, I adore both of them are not based on fact.
6:47
[SPEAKER_18]: They're both have a lot of stuff made up.
6:49
[SPEAKER_18]: And this is the opposite.
6:52
[SPEAKER_18]: I know they were the whole, I remember when we talked about it, the whole crew on the film was going over all the flight logs and everything that happened in Mission Control throughout the whole process and anything that wasn't quite right.
7:03
[SPEAKER_18]: They were like, hey, this not only did they go, we got to fix this, but they discovered things and like what we got to tell this part of the story because it's amazing.
7:11
[SPEAKER_18]: And I think too, like there's something about this film, it's just, it's just my style, it's my kind of thing.
7:18
[SPEAKER_18]: Because I realize more and more, particularly as I do, I'm getting older, is like, I like practically doing things.
7:25
[SPEAKER_18]: That's like, that's what interests me.
7:27
[SPEAKER_18]: How do you make the movie?
7:28
[SPEAKER_18]: How do you run this business?
7:30
[SPEAKER_18]: How do you build this product?
7:31
[SPEAKER_18]: It's the how that fascinates me.
7:35
[SPEAKER_18]: And so, and this is a movie about a bunch of people working together to solve a problem.
7:39
[SPEAKER_18]: And I just love that.
7:41
[SPEAKER_18]: And I really feel this is something we need to all be looking at.
7:45
[SPEAKER_18]: We've got a lot of problems.
7:47
[SPEAKER_18]: And America historically is the greatest problem solving country in the history of the world.
7:53
[SPEAKER_18]: And I'm going to make that big claim.
7:55
[SPEAKER_18]: I don't think that's a true statement.
7:58
[SPEAKER_18]: And I think to some degree, we're not that right now.
8:01
[SPEAKER_18]: We have forgotten how to be a country that can work to solve problems.
8:07
[SPEAKER_18]: We mostly are a country that just is really pissed off at each other.
8:11
[SPEAKER_04]: boy, that's true.
8:12
[SPEAKER_04]: And I was already thinking about the different generation of men.
8:18
[SPEAKER_04]: And you know, you can definitely make complaints about the stoicism of men from that era.
8:24
[SPEAKER_18]: But like, you know, my dad was totally comfortable expression is emotions.
8:29
[SPEAKER_04]: What are you talking about?
8:32
[SPEAKER_04]: But just the fact where, you know, like everybody's like, yeah, this is what we got to do.
8:37
[SPEAKER_04]: Just become cool collecting this that really was pretty much always there in those astronauts, at least public facing, but also, you know, like you said, they have the logs.
8:49
[SPEAKER_04]: just the like, okay, this is what we have to get done and just putting your head down and doing it, not complaining about it, just like, you know, the one scene where they're all kind of losing it and Jim levels, Tom Hanks says, you know, we can keep bouncing off the walls, but we still, when we come down, we're still gonna have these problems.
9:06
[SPEAKER_04]: So let's just get deal with this stuff right now.
9:10
[SPEAKER_04]: And yeah, I like, that's a different class of human, man, that you don't see those people very much anymore.
9:17
[SPEAKER_20]: Well, I would take Steve's common and maybe give a little more historical perspective on it because the movie takes place in nineteen seventy.
9:24
[SPEAKER_20]: The mission happened in nineteen seventy when we were pretty divided as a country as well.
9:28
[SPEAKER_20]: Because this is in the middle of Vietnam.
9:31
[SPEAKER_20]: This is protests in the street.
9:33
[SPEAKER_20]: This is just about to get into that's a great point.
9:36
[SPEAKER_20]: Right, there was just it was the almost mirroring what is going on now.
9:40
[SPEAKER_20]: We think now is really bad, but like in nineteen seven, it was just as bad if people go back and read their history books and experience, certainly older people who were adults during that time could let us know what the energy was like in the country with young people with the flower powers becoming domestic terrorists, flower power people becoming some domestic terrorists.
9:59
[SPEAKER_20]: Like, there was a lot going on.
10:01
[SPEAKER_20]: We're two years away from Munich.
10:02
[SPEAKER_20]: You know, there's so much that was going on.
10:06
[SPEAKER_20]: And so I'm sure, like back in nineteen seventy, hearing this story was something that people were desperate to hear and we're like, why can't we do this here on earth?
10:16
[SPEAKER_20]: Why can't we find a way to work together overcome the problems?
10:20
[SPEAKER_20]: You know, even though it looks like low percentage chance of success, why can't we do that?
10:24
[SPEAKER_20]: And Steve pointed out just a few minutes ago,
10:27
[SPEAKER_20]: We're back in that same boat again here in our world trying to find the way to bring these two divisive sides together so that we can find some common ground to save the country, which in essence is the
10:41
[SPEAKER_20]: rocket ship for lack of another.
10:43
[SPEAKER_04]: Yeah.
10:43
[SPEAKER_04]: Yeah.
10:44
[SPEAKER_04]: Our spaceship or a ship or the end.
10:46
[SPEAKER_04]: No, that's a great point.
10:47
[SPEAKER_04]: That's a really good point.
10:49
[SPEAKER_18]: Dude, it's such a good point.
10:50
[SPEAKER_18]: I hadn't even thought about it, but you're totally right.
10:52
[SPEAKER_18]: The moment at the time that they were coming together to do this amazing thing, our country was just as messed up.
10:58
[SPEAKER_18]: Then is it is now?
11:00
[SPEAKER_18]: I have a question for you, too, gentlemen.
11:02
[SPEAKER_18]: I did not prepare you for this question.
11:04
[SPEAKER_18]: You did not have time to think about it in advance.
11:06
[SPEAKER_20]: What else is new?
11:07
[SPEAKER_20]: But they miss this question.
11:09
[SPEAKER_18]: Yeah.
11:09
[SPEAKER_18]: But this is just what pops into my brain.
11:12
[SPEAKER_18]: When you think of a poll, if I say a poll thirteen, what is the moment that first pops into your head?
11:19
[SPEAKER_18]: Do you mean the movie or the mission?
11:21
[SPEAKER_18]: The movie.
11:21
[SPEAKER_18]: Again, the movie.
11:22
[SPEAKER_18]: Like I'll get one of the one that just keeps popping my head is Gary Sinese and damn simulator trying to take a couple of volts off of that that that just tenacity to do that job is the one that came first in my brain.
11:37
[SPEAKER_04]: That's, you know, boy, I might have to let Johnny go on this one while I think about it.
11:41
[SPEAKER_18]: Well, the question is what popped into your brain?
11:43
[SPEAKER_04]: I know.
11:44
[SPEAKER_04]: Well, the first thing to popped into my brain is actually, uh, is actually Tom Hanks, the Jim levels, uh, closing VO.
11:51
[SPEAKER_15]: I sometimes catch myself looking up at the moon, remembering that change is a fortune in our long voyage.
11:57
[SPEAKER_15]: Thinking of the thousands of people who worked to bring the three of us home.
12:03
[SPEAKER_15]: I look up at the moon and wonder,
12:06
[SPEAKER_15]: When we be going back and who will that be?
12:12
[SPEAKER_04]: I mean, that's the question that's in my head constantly.
12:16
[SPEAKER_04]: When are we going back?
12:17
[SPEAKER_04]: I feel like the only hope for this planet is for us to get off of it.
12:22
[SPEAKER_04]: Otherwise, where is this gonna stay here and destroy each other over the... Do you want us to go and leave resources?
12:27
[SPEAKER_18]: And fuck up that planet.
12:29
[SPEAKER_04]: Yes, that's the only way we will survive.
12:32
[SPEAKER_04]: If we spread like a virus, I watch the matrix.
12:37
[SPEAKER_20]: I think of Jim Lovell's pep talk to Kevin Bacon's character.
12:43
[SPEAKER_20]: Right, because it's like, that guy has a loss of confidence that he's gonna be able to do this.
12:49
[SPEAKER_20]: And it's Jim level that who has to calm him down and get him level about what's happened levels got a level them and what about we're going on to get him to focus and it's because he's lost in his own stuff and sometimes we have to understand members of our society are caught up in their own stuff.
13:07
[SPEAKER_20]: We have to help them see the bigger picture so they can get past that and take part in saving society.
13:16
[SPEAKER_20]: And so I think I always think of that moment.
13:18
[SPEAKER_20]: And then right behind it is exactly what you said Steve.
13:21
[SPEAKER_20]: I think the Gary Sinney's moment is more like when he finally figures it out and let's go with his anger that he's not on the ship.
13:28
[SPEAKER_20]: I think that's an incredible moment as well.
13:32
[SPEAKER_18]: Don't know what it says about us, but I find it interesting that I picked the tenacious working somewhat in isolation, not gonna quit.
13:43
[SPEAKER_18]: John picked the relationship pep talk and strangely enough Dave Rapcho's hope.
13:48
[SPEAKER_04]: Yes, no, right.
13:49
[SPEAKER_04]: Right at the end.
13:50
[SPEAKER_18]: Tell anyone.
13:52
[SPEAKER_18]: You're secret is safe with us.
13:54
[SPEAKER_18]: Well, with that, we're going to take you back to the incredible Ron Howard film, Apollo thirteen and our two part discussion with our special guest, Dave Rap.
14:04
[SPEAKER_15]: This is Houston.
14:06
[SPEAKER_15]: Say again, please.
14:07
[SPEAKER_15]: Houston, we have a problem.
14:16
[SPEAKER_18]: Hello and welcome once again to the cinephiles where each week we enter the world of a great film and explore its themes, the history, the filmmaking and the influence it has on us today.
14:24
[SPEAKER_18]: My name is Steve Morris, I'm a filmmaker and directing instructor in Los Angeles, California.
14:28
[SPEAKER_20]: Hello everyone, my name is John Rookham, I'm a voiceover artist, writer, producer, and host over at Collider video, and also the co-host of Top Ten, and the new Geek buddies that's been going on for a few weeks now, that I co-host with Michael Vogel and Shannon McClung, having a great time, and I can't wait to talk about this movie today.
14:46
[SPEAKER_18]: And we are very happy to welcome back one of our favorite guests, an animation writer and our resident, the cinephiles resident, NASA expert, Dave Rapp, welcome back to the cinephiles.
14:56
[SPEAKER_17]: Thank you.
14:57
[SPEAKER_17]: I am so happy to be back, and especially for this film, and I am all, because I know the fantastic visual component of podcasting, I wore my NASA shirt, I wore my, or my astronaut socks.
15:10
[SPEAKER_17]: Well, never mind.
15:10
[SPEAKER_17]: Where you go, you wear NASA tattoo.
15:12
[SPEAKER_18]: I have all that, yes, you do.
15:15
[SPEAKER_18]: So you are well prepared and of course the movie we're talking about today is Apollo thirteen and it's really you know everyone right now is talking about that this is the fifty eighth anniversary of Apollo eleven and The thing that amazes me and I'm sure Dave you could talk endlessly more about this is The landing on the moon might be the hardest thing humans have ever done
15:37
[SPEAKER_17]: Oh, yeah.
15:37
[SPEAKER_17]: I would absolutely think so.
15:39
[SPEAKER_17]: I mean, I can't think of anything that compares to it.
15:43
[SPEAKER_18]: The numbers I've heard is it's like four hundred thousand people working in concert to make this thing happen.
15:48
[SPEAKER_20]: Yeah.
15:49
[SPEAKER_20]: Well, I think it was fascinating about that Apollo eleven documentary, which I've been seeing yet.
15:52
[SPEAKER_18]: Oh, you interviewed.
15:53
[SPEAKER_18]: That's a great interview to it.
15:55
[SPEAKER_18]: But by the way.
15:55
[SPEAKER_18]: Yeah.
15:56
[SPEAKER_18]: Thank you.
15:57
[SPEAKER_20]: I interviewed Todd Douglas Miller who directed that film on the Deep Cut and he talked about, which you can find on the Collider Conversations podcast feed.
16:03
[SPEAKER_20]: If you want to listen to an hour, just discussing about how we called eleven thousand hours of video and audio and how he put it all together in the process.
16:12
[SPEAKER_20]: I mean, they were working on it for years.
16:15
[SPEAKER_20]: And then eventually the conversations with the families.
16:17
[SPEAKER_20]: He really brings you into the minute detail that had to happen throughout every single step of the process in order for it to happen.
16:29
[SPEAKER_20]: And even then it's still thrilling and scary and all of that when they land and when they come off
16:35
[SPEAKER_20]: You know, you don't know what's going to happen.
16:37
[SPEAKER_20]: And there's these moments of like just quiet when they're going around them.
16:39
[SPEAKER_20]: We're just like, this is insane.
16:41
[SPEAKER_20]: The amount of computations that you need to have that amount of people.
16:45
[SPEAKER_18]: And having that someone is building some bolt that must be to the micro centimeter exactly what fits with this nut that's being built across the country and that all of this must come together.
16:56
[SPEAKER_18]: And if anything is remotely off, then this whole thing doesn't work.
17:00
[SPEAKER_18]: Yeah, it's terrifying.
17:02
[SPEAKER_18]: It's absolute crazy and so so one of the reasons we're doing all Paul thirteen is that we're all kind of looking to the heavens right now and thinking about that had the other reason we're doing a Paul thirteen is it is one of our top picks on Patreon Evan Solar James King and Michael Gullick all wanted this for their Patreon pick and we would love to hear why they wanted a Paul thirteen
17:22
[SPEAKER_00]: Hey guys, I always grew up loving and reading about the space program.
17:26
[SPEAKER_00]: But this was the first movie where I was able to not only watch the harrowing story of how these astronauts get back to Earth, but just see how these missions are run at the ground level.
17:35
[SPEAKER_00]: I would say that the main characters in Heroes of the Story are not so much the astronauts, but really are the people who used all their ingenuity and grit, and with confidence bring these men back home to Earth.
17:46
[SPEAKER_00]: really looking forward to your discussion and breakdown of this incredible film.
17:50
[SPEAKER_29]: Hi Steven John, this is Mike from Massachusetts.
17:53
[SPEAKER_29]: Thank you so much for doing one of my top five favorite movies of all time.
17:57
[SPEAKER_29]: This was the first movie I saw in theaters with my dad after my parents divorced and it really helped for me to see humanity at their best in the worst situation.
18:05
[SPEAKER_29]: There wasn't a bad performance in the film with Ed Harris, Kathleen Quinlan and of course Tom Hanks as definite standouts.
18:12
[SPEAKER_29]: This was a visual and a technical masterpiece, and in the words of Gene Krance, this was our final sour.
18:19
[SPEAKER_29]: Thank you.
18:22
[SPEAKER_03]: I had John and Steve, a long time page on the show, listened to it all the time, on repeat, shout out to Civil War, Shawshank Redemption, and the Breakfast Club.
18:36
[SPEAKER_03]: But for Apollo XIII, I was eight-year-old, the first time I saw that in the movie theater, and it was the first time I consciously really took in what film could do.
18:49
[SPEAKER_03]: Putting it in a place that you could never imagine going,
18:52
[SPEAKER_03]: putting you in the lives of people that seem so outside what you might ever be capable of and seeing just real people try to problem solve.
19:02
[SPEAKER_03]: But it's such a compact story about people overcoming odds that if you told them to do that, probably outside of that situation, probably would tell you it's impossible.
19:15
[SPEAKER_03]: So it's just a great thriller, proud that you guys are finally getting around to it and can't wait to listen.
19:22
[SPEAKER_20]: Wow.
19:23
[SPEAKER_20]: Those are some strong words.
19:25
[SPEAKER_20]: Smartmen.
19:25
[SPEAKER_20]: They always are.
19:26
[SPEAKER_20]: Yep.
19:27
[SPEAKER_20]: I appreciate their words about this movie.
19:28
[SPEAKER_18]: Thank you guys for your support and thank you for picking this movie.
19:31
[SPEAKER_18]: You want to know something really crazy about this?
19:33
[SPEAKER_18]: What's that?
19:33
[SPEAKER_18]: So we're, uh, hundred and fifty.
19:35
[SPEAKER_18]: This probably is our hundred and fifty first episode.
19:38
[SPEAKER_20]: Oh, Dave, you missed it by one.
19:39
[SPEAKER_18]: That's not that right.
19:40
[SPEAKER_18]: This is not only, not only is this our first Ron Howard film.
19:44
[SPEAKER_17]: Oh, whoa.
19:45
[SPEAKER_18]: This is our first Tom Hanks film.
19:47
[SPEAKER_17]: What?
19:48
[SPEAKER_17]: Whoa.
19:48
[SPEAKER_17]: No, no.
19:49
[SPEAKER_18]: And even crazier on some levels.
19:51
[SPEAKER_18]: This is our first Kevin Bacon film.
19:53
[SPEAKER_18]: Oh, I think.
19:55
[SPEAKER_18]: We have three years in our bacon.
19:58
[SPEAKER_18]: We have synonymous.
20:00
[SPEAKER_18]: The cinephiles has failed the six degrees of Kevin Bacon.
20:03
[SPEAKER_18]: I believe that we have a lot of movies now, but I kind of looked through quickly and I was like, I don't see them in any of the movies.
20:09
[SPEAKER_18]: Isn't that crazy?
20:10
[SPEAKER_18]: And yet, it is our third Bill Paxton film.
20:12
[SPEAKER_17]: Yes.
20:13
[SPEAKER_17]: Well, that's fine with that.
20:16
[SPEAKER_18]: The late great.
20:17
[SPEAKER_18]: Dave, do you remember how you first came to this film?
20:19
[SPEAKER_17]: Yeah, I had just moved to Phoenix from Ohio.
20:23
[SPEAKER_17]: I had only been there a couple of months and this movie came out and this movie was one of the big reasons it made me think that I needed to be out in California instead.
20:32
[SPEAKER_17]: I was really.
20:34
[SPEAKER_17]: Yeah, this movie was happening and I was like, I needed to work on this movie.
20:38
[SPEAKER_17]: I need to get out there and be part of stuff like this.
20:40
[SPEAKER_18]: Where were you at this point?
20:42
[SPEAKER_18]: You were graduated from college?
20:44
[SPEAKER_17]: Yes, that was out of college.
20:45
[SPEAKER_17]: I had been working as a grip in an electrician for a while, and I moved out to Phoenix as a sort of a stepping stone to come out here.
20:54
[SPEAKER_17]: And yeah, I was just trying to get myself established there, and I saw this movie.
21:00
[SPEAKER_17]: I was like, God damn it.
21:03
[SPEAKER_17]: What about you, John?
21:04
[SPEAKER_20]: uh... definitely in the theater because what nineteen ninety five so i'm sure i saw it twenty five years old twenty four years old where ever uh... in the theater because i was a massive tom banks fan massive fan of the space program and so and that used to be a problem tagline and that's all they get your and it was a great uh... trailer and one how it is what the time was
21:22
[SPEAKER_20]: In his heyday in the nineties, so just building that thing.
21:25
[SPEAKER_20]: So I was like excited to see what they could do together with this combination.
21:29
[SPEAKER_20]: Plus it was Tom Hanks and one Howard again, which I loved in Splash.
21:32
[SPEAKER_20]: It's Splash.
21:32
[SPEAKER_20]: So I was like excited to see this combination.
21:36
[SPEAKER_18]: So for me, I was in film school living in Los Angeles.
21:38
[SPEAKER_18]: I saw it in the theater.
21:40
[SPEAKER_18]: And I also, this was one of the, I remember one of the first movies I worked in that on that DVD job, fresh out of film school.
21:46
[SPEAKER_18]: So it is when I watched over and over again and as we talked about before on the podcast there's some movies which further viewings made them worse and worse and worse at a Paul thirteen is the opposite every time I watch this movie I was like man this really is a really good movie and the things that get me emotionally every time yeah
22:06
[SPEAKER_18]: Every time Ed Harris sits down, I wouldn't do my notes.
22:10
[SPEAKER_18]: We'll get there.
22:12
[SPEAKER_18]: I'll do a little bit of pre-production.
22:14
[SPEAKER_18]: It started because Jim Lovell, this is obviously based on a true story of the Apollo XIII mission and what they had to do to bring them back home.
22:21
[SPEAKER_18]: And Jim Lovell was writing a book called Lost Moon and the book had not even come out yet.
22:27
[SPEAKER_18]: It hadn't even been written yet and Brian Grazer and Ron Howard heard about it and said, this is a movie we want to do.
22:35
[SPEAKER_18]: And of course Brian Grazer and Ron Howard are one of the probably the most successful producing directing partners in the history of film.
22:45
[SPEAKER_18]: And they were fascinated from the very beginning by this idea of three worlds that there was the world of the astronauts.
22:51
[SPEAKER_18]: There was the world of mission control and there was the world of Maryland level and the family at home and bringing those three worlds together to tell the story.
23:00
[SPEAKER_18]: And the first person they started with of course was Tom Hanks.
23:04
[SPEAKER_18]: And Tom Hanks wanted to be an astronaut when he was a kid.
23:07
[SPEAKER_17]: Of course.
23:08
[SPEAKER_18]: and had the toys and was passionate about it.
23:10
[SPEAKER_18]: And it really sounds like he's a real collaborator on this movie, start to finish, and that Ron Howard welcomed him in.
23:18
[SPEAKER_20]: Well, it's also a surprise considering how he's now producing so many things and involved with some of the documentaries.
23:24
[SPEAKER_20]: Maybe this is where he starts to see, like, there's more than I can do than just act.
23:28
[SPEAKER_17]: Well, I was going to say, because after this, they did from there to the moon, right?
23:31
[SPEAKER_17]: With Tom Hanks and, and, and, imagine, yeah.
23:34
[SPEAKER_18]: I was totally a hundred percent wrong.
23:38
[SPEAKER_18]: This is not our first Tom Hanks movie.
23:40
[SPEAKER_17]: Oh.
23:40
[SPEAKER_18]: League of the Rown.
23:41
[SPEAKER_18]: Yes.
23:41
[SPEAKER_17]: Yes.
23:42
[SPEAKER_17]: Yes.
23:42
[SPEAKER_18]: Yes.
23:43
[SPEAKER_18]: We have then released this.
23:44
[SPEAKER_18]: That's ninety two.
23:45
[SPEAKER_18]: Okay.
23:45
[SPEAKER_18]: So I apologize to the center files.
23:47
[SPEAKER_18]: I made yet another horrible mistake.
23:50
[SPEAKER_18]: Oh, it's quite alright.
23:51
[SPEAKER_18]: But he's on a run because ninety two is League of the Rown.
23:54
[SPEAKER_18]: And he was, you know, from Splash, which is mid eighties and bosom buddies.
23:58
[SPEAKER_18]: Yeah.
23:58
[SPEAKER_18]: And he does all these comedy films, which I, you know, I love Tom Hanks.
24:01
[SPEAKER_18]: Sure.
24:01
[SPEAKER_18]: But then there is Philadelphia in ninety three, sleep is in Seattle in ninety three and force company four.
24:08
[SPEAKER_18]: And this is ninety five.
24:09
[SPEAKER_18]: That is a run.
24:10
[SPEAKER_18]: Yeah.
24:10
[SPEAKER_18]: And Toy Story also.
24:11
[SPEAKER_18]: And Toy Story is ninety five.
24:12
[SPEAKER_18]: Yeah.
24:13
[SPEAKER_18]: Good boy.
24:15
[SPEAKER_18]: And one of the things about this, and we've talked about this on we just did last the Mohicans, which is a tremendously well-researched movie.
24:25
[SPEAKER_18]: This one they really wanted to get it right.
24:27
[SPEAKER_18]: They poured everyone working on this movie as pouring over the transcripts, talking to the technical advisors, talking to Jim Lovell, talking to guys from NASA, talking to Gene Crans, talking to all these people to make sure they really, really get this one right.
24:41
[SPEAKER_18]: And one thing I know on this film, I'm not even going to come close to getting the names of all the great actors.
24:48
[SPEAKER_18]: They're in this film.
24:48
[SPEAKER_18]: Oh, man.
24:49
[SPEAKER_18]: They're such a good cast.
24:50
[SPEAKER_18]: So all the little parts are like, I've seen that guy in something.
24:53
[SPEAKER_18]: That person's in all sorts of things.
24:54
[SPEAKER_18]: This person's in all sorts of things.
24:56
[SPEAKER_18]: But I will say that what we can know is that they had great casting directors, which is, uh, Janet, her chancin and Jane Jenkins cast this film.
25:04
[SPEAKER_18]: And boy, like I said, just take a look at the IMDB start clicking on people and you'll see that, oh, that person was in that TV show.
25:10
[SPEAKER_18]: That person was in this fantastic cast.
25:12
[SPEAKER_20]: We know Clint Howard's in this.
25:15
[SPEAKER_18]: And Ron Howard's parents, both his mom and his parents, yeah.
25:19
[SPEAKER_18]: Would you like to, would you like to get in the movie?
25:21
[SPEAKER_18]: Let's do it.
25:22
[SPEAKER_18]: Yeah.
25:22
[SPEAKER_18]: We start with that score.
25:33
[SPEAKER_18]: And that's James Horner.
25:35
[SPEAKER_18]: And that is one of those like you hear that score in all sorts of stuff today.
25:41
[SPEAKER_18]: And what I forgot in watching it was that we start with the Apollo one disaster.
25:46
[SPEAKER_18]: Yeah.
25:46
[SPEAKER_17]: Yeah.
25:47
[SPEAKER_18]: I had forgotten that as well.
25:48
[SPEAKER_18]: Which is funny because it's one of the the first time we had you on the show.
25:52
[SPEAKER_18]: Oh, the second time we had you on the show was for the right stuff.
25:54
[SPEAKER_18]: Yeah.
25:55
[SPEAKER_18]: And in the right stuff, we meet customers.
25:57
[SPEAKER_20]: Yeah.
25:58
[SPEAKER_18]: And do you remember the big thing that happened to Gus Grisson in the right stuff that was very controversial?
26:04
[SPEAKER_17]: Yeah.
26:04
[SPEAKER_17]: Yeah.
26:04
[SPEAKER_17]: He when he splashed down after his mercury flight, the hatch blew or he blew it, depending on your take on it and they weren't able to recover the vessel.
26:16
[SPEAKER_18]: Yeah, and there was all this controversy of was it his fault?
26:19
[SPEAKER_18]: It was a technical problem.
26:21
[SPEAKER_18]: And apparently, which I didn't know until watching one of the docs is that they read the hatch to make it not possible for it to blow like that.
26:29
[SPEAKER_18]: And at the beginning of this movie, we see Gus Grissom getting into the Apollo one capsule and there's a circuitry problem and lots of pure oxygen in the capsule and it goes on fire and they can't get out through the hatch.
26:41
[SPEAKER_20]: Christmas is just the most tragic figure in the space program.
26:45
[SPEAKER_20]: Oh, I agree.
26:46
[SPEAKER_20]: By so by I mean, of course, Christmas call off in the people on the challenge, but this is more because no matter what happened, it seemed like drama seemed to follow.
26:55
[SPEAKER_17]: Yeah, it was a whole career of crushing blows.
26:58
[SPEAKER_20]: Yeah, and you just kept
27:00
[SPEAKER_20]: trying and in the end, it was like, well, we're just going to set you on fire.
27:04
[SPEAKER_20]: And it's just like, it's sad.
27:06
[SPEAKER_20]: It's so sad.
27:07
[SPEAKER_20]: Whenever I hear his name, I always just feel a certain sadness come over me, because to achieve that level, but to never be able to have any kind of positive result from what you've done is, it must be terrible.
27:17
[SPEAKER_17]: I thought this was a great move, though.
27:19
[SPEAKER_17]: I had forgotten to.
27:20
[SPEAKER_17]: It really started with this.
27:22
[SPEAKER_17]: Seems like you would start with what you go into next, which is the landing on the moon, and this is the thing.
27:27
[SPEAKER_17]: But this is so good, because it tells us that this is going to be a story about adversity.
27:33
[SPEAKER_17]: Right.
27:34
[SPEAKER_17]: And it also tells you know, even though there is going to be a lot of flag waving here, this isn't
27:39
[SPEAKER_17]: this is going to show the space program wards and all sort of thing and also it because they show you what happened here and then then when Jim level talks to his son about it you know what he's referencing and then when his son his mom talks to his son later it's perfect it's a perfect build up that's just beautiful
27:57
[SPEAKER_17]: Yeah.
27:57
[SPEAKER_18]: Well, and it's also, it sets it like, no, this is dangerous.
28:01
[SPEAKER_18]: Things can go wrong.
28:01
[SPEAKER_18]: Right.
28:02
[SPEAKER_18]: You know, it establishes right away.
28:04
[SPEAKER_18]: And it's something we talked about when we talked about the right stuff is a lot of these astronauts came out of being test pilots where the survival rate is really, really low.
28:13
[SPEAKER_18]: In order to do a dangerous dangerous, or in order to do something that's never been done before, you take on tremendous amounts of risk.
28:19
[SPEAKER_18]: And, of course, the person who's narrating a lot of this is Walter Krunkheim.
28:23
[SPEAKER_30]: Inspired by the late President Kennedy, in only seven years, America has risen to the challenge of what he called the most hazardous and dangerous and greatest adventure, in which man has ever embarked.
28:37
[SPEAKER_30]: Here's what I didn't know.
28:38
[SPEAKER_18]: I just assumed that this was all old Walter Cronkite footage.
28:44
[SPEAKER_17]: But it's not.
28:44
[SPEAKER_17]: Yeah, I believe it.
28:45
[SPEAKER_17]: They did such a good job of blending actual footage of newscast stuff with stuff that they shot themselves.
28:51
[SPEAKER_18]: And this is Walter Cronkite in nineteen ninety five.
28:55
[SPEAKER_18]: And they went to him and they'd written the text.
28:57
[SPEAKER_18]: This is what I love.
28:58
[SPEAKER_18]: They'd written the text.
29:00
[SPEAKER_18]: He read it.
29:01
[SPEAKER_18]: He read it again.
29:02
[SPEAKER_18]: He took out a pen.
29:05
[SPEAKER_18]: He made some cuts.
29:06
[SPEAKER_18]: He made some edits.
29:07
[SPEAKER_18]: And he turned it into cronkeye.
29:09
[SPEAKER_18]: It was shorter.
29:10
[SPEAKER_18]: It was tighter and it was way more dramatic.
29:12
[SPEAKER_18]: And Ron Howard just describes it as just going, oh, that's perfect.
29:16
[SPEAKER_18]: That's why he's Walter Cronkeye.
29:17
[SPEAKER_20]: Well, if you, the thing that Todd said to me, which I didn't know about was the stuff in the Walter Crank height speech about when they landed on the moon, it was all in prompt, right?
29:27
[SPEAKER_20]: It was not written at all.
29:28
[SPEAKER_20]: Wow.
29:29
[SPEAKER_20]: Off the cuff, five minutes speech about the whole situation.
29:31
[SPEAKER_20]: He's like, oh my god.
29:33
[SPEAKER_18]: Well, and that's what we're going to go to right now because it is July, twenty-th, nineteen-sixy-nine, which is just a little more than fifty years ago.
29:41
[SPEAKER_18]: I was not quite a year old and we see Tom Hanks in a convertible and we see Kevin Bacon, who is demonstrating it.
29:52
[SPEAKER_18]: A joining of a bottle and a glass for a woman.
29:56
[SPEAKER_07]: And Tracy, I'll tell you what you feel about things sliding, everything's a clicking.
30:00
[SPEAKER_07]: It's like no other feeling in the world.
30:04
[SPEAKER_18]: And we end up with the level house and there's a big party because it's the day of landing on the moon.
30:10
[SPEAKER_18]: And we get some jokes from our astronauts.
30:12
[SPEAKER_18]: Tom Hanks comes in and says, you know, what's the occasion?
30:15
[SPEAKER_18]: And that's what we hear that his character Jim Level has had more time and space than anybody else.
30:20
[SPEAKER_18]: Gary Sinese comes in, Bill Paxton comes in, and what we find out is that they're going to be coming soon, because they are the crew for Apollo, fourteen.
30:29
[SPEAKER_18]: So we got a little ways to go for them.
30:31
[SPEAKER_18]: And then we have this bill to that moment of Lenny on the moon.
30:35
[SPEAKER_18]: I think that's one of those things, man, I wish I could have been seen it.
30:39
[SPEAKER_18]: I'm sure I was sitting in front of the TV with my parents as a baby.
30:43
[SPEAKER_18]: I can't imagine.
30:44
[SPEAKER_17]: Right.
30:45
[SPEAKER_17]: No, I just missed it.
30:46
[SPEAKER_17]: But yeah, I mean, I don't know that there's anything else in certainly in the latter half of the twentieth century went in the TV age that united people like this.
30:57
[SPEAKER_17]: And I think it's just that this party is just a great expositional thing.
31:01
[SPEAKER_17]: It lets you meet the characters, learn about them.
31:03
[SPEAKER_17]: You get to see how the astronauts are competitive with each other when P Conrad is introduced to them.
31:10
[SPEAKER_17]: But then once that moment happens, everyone in the room is just humbled.
31:14
[SPEAKER_17]: And everybody's having that experience.
31:15
[SPEAKER_17]: It's awesome.
31:16
[SPEAKER_18]: Yeah, even at the moment before they go, wait, it's too late to abort the mission.
31:20
[SPEAKER_18]: And they make the joke and then everyone's quits him down and then it is quiet.
31:23
[SPEAKER_18]: And there is this moment, which is one of the great, you know, there, I think there are two cronkite moments that I can picture.
31:30
[SPEAKER_18]: And one is the death of Kennedy.
31:32
[SPEAKER_18]: And the other is this moment where he takes off his glasses.
31:35
[SPEAKER_12]: Yeah, on strong is on the move.
31:38
[SPEAKER_12]: And there are about thirty eight year old American standing on the surface of
31:44
[SPEAKER_18]: And you could see he's moved and amazed and just, by the way, it is insane to me that this footage does not exist in its original form.
31:53
[SPEAKER_18]: I don't know, people know this, but they actually, the actual video of the moon landing, the original is gone, destroyed.
32:03
[SPEAKER_18]: That's just crazy to me.
32:04
[SPEAKER_18]: And there's this moment as we watch and hear the one small step for a man and one giant lead for mankind and we see everyone's faces and the camera is on Tom Hanks.
32:24
[SPEAKER_18]: And his performance is just filled with so much there.
32:30
[SPEAKER_18]: Like the amazement it's seen what he's seen, the desire for it to be him, like all of those things are in that look.
32:38
[SPEAKER_17]: Yeah, absolutely.
32:40
[SPEAKER_18]: And apparently originally they did it as a static shot.
32:43
[SPEAKER_18]: So they just had the camera on sticks and Ron Howard's watching his performance.
32:47
[SPEAKER_18]: It's just a reaction shot.
32:48
[SPEAKER_18]: First of all, we'll get his reaction.
32:50
[SPEAKER_18]: And he sees there's so much going on that he kind of goes over to his DP and it's pushing on him.
32:54
[SPEAKER_18]: And they were fortunately on the dolly already.
32:56
[SPEAKER_18]: It's either able to just slowly do that little pushing on him.
33:00
[SPEAKER_18]: And it's just, it's so powerful.
33:02
[SPEAKER_18]: Awesome.
33:03
[SPEAKER_18]: It's later, it's after the party.
33:04
[SPEAKER_18]: Tom Hanks, whose gym level is outside sitting on a lawn chair, looking up at the moon, and what's he doing?
33:10
[SPEAKER_18]: Covering it with his thumb.
33:12
[SPEAKER_18]: So apparently something that Jim level did from the space capsule looking down at Earth, he would cover it with his thumb.
33:19
[SPEAKER_18]: I think that's just, what is that mean?
33:22
[SPEAKER_18]: Why are we looking at that?
33:24
[SPEAKER_18]: What is that telling us?
33:29
[SPEAKER_20]: You're the rocket scientist.
33:32
[SPEAKER_17]: Well, I can see covering the earth when you're on one of his Gemini missions or on Apollo eight because it's like this is, you know, just like everything.
33:40
[SPEAKER_17]: This is whole world.
33:42
[SPEAKER_17]: Everybody you know, everything you've ever experienced is there.
33:45
[SPEAKER_17]: And now it's not.
33:46
[SPEAKER_17]: And just all behind your thumb.
33:49
[SPEAKER_17]: It's crazy.
33:49
[SPEAKER_18]: Yeah.
33:50
[SPEAKER_18]: I think it's something about scale and distance.
33:54
[SPEAKER_18]: And that I will be there.
33:56
[SPEAKER_18]: That's where I'm going to that little tiny, small thing is actually a really big thing that someday I'm going to stand on.
34:02
[SPEAKER_18]: Yeah.
34:03
[SPEAKER_18]: And out comes his wife, Marilyn Catherine Quinlan.
34:06
[SPEAKER_17]: She's great in this book.
34:07
[SPEAKER_17]: She's amazing in this movie.
34:10
[SPEAKER_17]: She every time she gets a chance to do something, she does the maximum with it.
34:14
[SPEAKER_17]: And which is not to say she's chewing the scenery.
34:16
[SPEAKER_17]: She is making the best use of all of her time on screen.
34:19
[SPEAKER_18]: Yeah.
34:20
[SPEAKER_18]: Absolutely.
34:21
[SPEAKER_18]: And they're both a little bit drunk.
34:24
[SPEAKER_18]: And you know, we hear a little bit about what Neil Armstrong's wife is going to be feeling at this moment.
34:29
[SPEAKER_18]: And I love this where Jim level says Christopher Columbus Charles Lindberg and Neil Armstrong.
34:41
[SPEAKER_18]: Neil Armstrong.
34:42
[SPEAKER_18]: Can you imagine if like somebody of ours, who we maybe respect and maybe are competitive with and maybe think we're the, and it's like, you know, Christopher Columbus, Charles Lindberg and Dave Ratt.
34:57
[SPEAKER_18]: I'm sure I blew the buck, blew the levels on that one.
35:01
[SPEAKER_18]: So much in that line.
35:03
[SPEAKER_18]: And then we get to this next thing, which is from now on, we live in a world where man has walked on the moon.
35:08
[SPEAKER_17]: like that's like almost like you've got it's like it's breaking the sound barrier it's it's circumnavigating the globe it's I don't know being being dubbed to the enterprise it's like something that's what the world is never the same but you also get their relationship and the relationship of all the wives with the astronaut husbands right there because she's saying something completely different he's not hearing it she's like this is a horrible terrible thing to worry about stress about and he's like this is awesome
35:35
[SPEAKER_17]: And they're just like, that's the dynamic.
35:38
[SPEAKER_17]: This is what she signed up for.
35:39
[SPEAKER_18]: The next line is a line that might be one of my favorite lines of the movie, which apparently came from Tom Hanks, and this came from him and Ron Howard having a conversation.
35:47
[SPEAKER_18]: And the line is, it's not a miracle.
35:52
[SPEAKER_18]: We just decided to go.
35:53
[SPEAKER_18]: Yeah.
35:56
[SPEAKER_18]: There's so much in this movie that is about hard work in perseverance and smarts and engineering and discipline and collaboration that so matches up with my philosophy.
36:08
[SPEAKER_18]: Oh yeah.
36:09
[SPEAKER_20]: Well also the connection here is the thumb thing and this line are connected because to him
36:16
[SPEAKER_20]: I think the thumb is his way of going like, I did it to the earth, I can do it to the moon.
36:21
[SPEAKER_20]: If I did it in that place, I can do it in this place.
36:24
[SPEAKER_20]: And we just decided to go do it.
36:26
[SPEAKER_20]: That's the kind of, I don't know what the word, there's a phrase to a right, there's a phrase to it about just doing it.
36:33
[SPEAKER_20]: And this is going to lay, this is definitely laying the groundwork.
36:39
[SPEAKER_20]: for what level is going to have to do on that mission later on when things start falling apart.
36:42
[SPEAKER_20]: This idea of, we just, we decided to live.
36:46
[SPEAKER_20]: We decided to figure it out.
36:47
[SPEAKER_20]: We decided to get it done.
36:48
[SPEAKER_20]: We decided to get back home.
36:50
[SPEAKER_20]: And this is like, that's his just mentality.
36:52
[SPEAKER_20]: Once he decides to do something, he believes he can get it done or human beings can get it done if they set their mind to it.
36:58
[SPEAKER_17]: And I think that's a great point.
36:59
[SPEAKER_20]: I think there's something about that.
37:00
[SPEAKER_20]: It's really powerful.
37:01
[SPEAKER_18]: Yeah, I totally agree.
37:02
[SPEAKER_18]: And then she asked where her mountain is.
37:05
[SPEAKER_18]: So I had to look it up.
37:06
[SPEAKER_18]: This is not actually scientifically.
37:08
[SPEAKER_18]: There's not a mountain island.
37:11
[SPEAKER_18]: He said, the gym level called it that and all the other astronauts at that time called it that, but it did not get named that.
37:17
[SPEAKER_17]: Well, I, I named a star after my daughter when she was born.
37:20
[SPEAKER_17]: That's counselor.
37:21
[SPEAKER_17]: That's a real thing.
37:22
[SPEAKER_17]: Sure.
37:23
[SPEAKER_18]: I mean, you can buy a star, can't you?
37:25
[SPEAKER_18]: Yeah, that does count.
37:28
[SPEAKER_17]: It doesn't count.
37:30
[SPEAKER_18]: I mean, isn't it like the scientific registry or something?
37:33
[SPEAKER_18]: I don't know.
37:34
[SPEAKER_18]: You ruining all my lives.
37:36
[SPEAKER_18]: And then they get a little romantic, and it's very cute.
37:38
[SPEAKER_18]: Hello.
37:39
[SPEAKER_18]: We're off in the, like, I think it's the vehicle assembly building.
37:42
[SPEAKER_18]: Yeah.
37:43
[SPEAKER_18]: Which apparently is huge.
37:45
[SPEAKER_18]: Yes.
37:45
[SPEAKER_18]: Have you been there?
37:46
[SPEAKER_18]: No, I will.
37:48
[SPEAKER_18]: And now we have Tom Hanks, given the tour.
37:53
[SPEAKER_15]: The astronaut is only the most visible member of a very large team, and all of us, right down to the guy sweeping the floor, are honored to be a part of it.
38:01
[SPEAKER_18]: Because a lot of what astronauts do when they're not on the mission is a lot of public relations.
38:06
[SPEAKER_15]: What did the man say?
38:07
[SPEAKER_15]: Give me a lever long enough, and I'll move to the world.
38:09
[SPEAKER_15]: Well, that's exactly what we're doing here.
38:11
[SPEAKER_15]: This is divine inspiration folks.
38:13
[SPEAKER_15]: The best part of each one of us, the belief that anything is possible.
38:18
[SPEAKER_15]: Things like a computer that can fit into a single room.
38:22
[SPEAKER_15]: and hold millions of pieces of information.
38:25
[SPEAKER_18]: And he is talking about the big team that is used to make this happen.
38:29
[SPEAKER_18]: And immediately he's getting heckled by a senator who's kind of, why are we even doing this?
38:34
[SPEAKER_23]: Now Jim, people in my state have been asking why we're continuing to fund this program.
38:39
[SPEAKER_23]: I'm now that we beat Russians to the moment.
38:42
[SPEAKER_17]: Yeah, who's also Roger Corman.
38:46
[SPEAKER_18]: And Roger Corman for though, he's come up before on the show, but he is the master of low budget horror science fiction action films, particularly in the sixties and seventies, and he gave a start to all sorts of directors, including Peter Fonda, including Martin Scorsese, including Ron Howard, a whole bunch of other people work for him, and a lot of those guys ended up putting him in their movies, and this was his chance.
39:11
[SPEAKER_17]: He was in science of the lamps that we did.
39:12
[SPEAKER_17]: That's right.
39:13
[SPEAKER_18]: Well, because he's just John also playing a senator.
39:15
[SPEAKER_18]: I kind of wish I had somehow found a way to Roger Corman or a rod.
39:24
[SPEAKER_18]: I kind of had my Roger Corman like experience with Fred Lyntrop.
39:28
[SPEAKER_18]: That was sort of my Roger Corman experience.
39:30
[SPEAKER_18]: And he's kind of going, but why should we even have to do this?
39:33
[SPEAKER_18]: Imagine if Christopher Columbus had come back from the new world and no one returned in his footsteps.
39:39
[SPEAKER_18]: That's a big, serious, heavy line which we could still ask today, since we still aren't going back.
39:45
[SPEAKER_18]: And what is the next question he gets asked?
39:48
[SPEAKER_18]: Is it a big, serious, heavy, philosophical line?
39:51
[SPEAKER_18]: No.
39:51
[SPEAKER_33]: How do you go to the bathroom space?
39:55
[SPEAKER_15]: I tell you, it's a highly technical process of cranking down the window and looking for a gas station.
40:01
[SPEAKER_17]: The most common question, any of the astronauts was asked.
40:04
[SPEAKER_18]: Uh, can you explain how it's done?
40:06
[SPEAKER_18]: It's suction.
40:09
[SPEAKER_18]: That's fair.
40:10
[SPEAKER_18]: And it comes deep self-slayton.
40:12
[SPEAKER_18]: And he's one of the Mercury seven, right?
40:14
[SPEAKER_18]: Yes.
40:15
[SPEAKER_18]: He's not one of the main characters in the right stuff, though.
40:18
[SPEAKER_17]: He's like, no, he's, I mean, he's one of the guys.
40:20
[SPEAKER_18]: I know, but he's not one of our main.
40:22
[SPEAKER_17]: Right, because he's the only one of the main seven that didn't go.
40:24
[SPEAKER_17]: He got diagnosed with a heart murmur, some sort of heart condition early on.
40:28
[SPEAKER_17]: And so there were six actual six mercury flights.
40:32
[SPEAKER_17]: Yeah.
40:33
[SPEAKER_18]: And he wants to have a word with Jim Lovell.
40:36
[SPEAKER_18]: And this is where storytelling happens to the cut.
40:40
[SPEAKER_18]: I have something important to talk to you about cut to Jim Lovell comes home excited.
40:45
[SPEAKER_30]: Yeah.
40:51
[SPEAKER_18]: Finds his wife who's having an argument with their daughter and says, you know, that Easter vacation trip we had planned for October.
41:02
[SPEAKER_15]: I can now, there might be a slight change in destination.
41:08
[SPEAKER_15]: Maybe say the moon.
41:13
[SPEAKER_18]: It's great.
41:14
[SPEAKER_18]: That's a really good moment.
41:16
[SPEAKER_18]: And the reason is is that, uh, uh, uh, who's it?
41:19
[SPEAKER_18]: Is it to, oh, our shepherd has an ear infection.
41:21
[SPEAKER_18]: Yeah.
41:22
[SPEAKER_18]: Which is weird to me because, okay, he has an ear infection, which causes the Apollo fourteen crew to get bumped up to a ball of thirteen.
41:28
[SPEAKER_18]: And then the measles thing is going to mess up the Apollo thirteen crew.
41:32
[SPEAKER_18]: Right.
41:33
[SPEAKER_18]: Someone say it was cursed.
41:34
[SPEAKER_20]: I feel like this is, that's what is, it's all set to the number thirteen.
41:38
[SPEAKER_18]: I mean,
41:42
[SPEAKER_18]: I think it seems scientifically good.
41:44
[SPEAKER_20]: I don't trust odd numbers.
41:46
[SPEAKER_20]: And there's a lot of the numbers.
41:48
[SPEAKER_20]: Apollo one.
41:49
[SPEAKER_18]: I actually.
41:50
[SPEAKER_20]: I agree.
41:50
[SPEAKER_20]: Apollo eleven.
41:51
[SPEAKER_20]: Apollo eleven.
41:52
[SPEAKER_20]: I think I like it.
41:55
[SPEAKER_18]: You're also anti odd numbers.
41:57
[SPEAKER_17]: I'm not superstitious, but I am OCD and I prefer even numbers.
42:00
[SPEAKER_17]: Yes, because you know that you can always divide them by two.
42:02
[SPEAKER_17]: There's a foul.
42:03
[SPEAKER_17]: It's an odd number.
42:04
[SPEAKER_17]: It's like prime.
42:05
[SPEAKER_18]: Yeah, that'd be prime.
42:06
[SPEAKER_18]: Those are the best numbers.
42:07
[SPEAKER_17]: Oh, those are the ones you definitely don't trust.
42:11
[SPEAKER_18]: I love the moment where the argument with the daughter is about the clothes that she's wearing.
42:19
[SPEAKER_18]: And she comes out and says, Dad, can I wear this?
42:20
[SPEAKER_18]: And he says, sure.
42:22
[SPEAKER_18]: And she says, Jim, and he says, no.
42:27
[SPEAKER_18]: And immediately against the thing that you pointed at before.
42:30
[SPEAKER_18]: His reaction is, this is great.
42:33
[SPEAKER_18]: her reaction is oh yeah and she is superstitious yeah and she's also immediately like so that's only in six months are you sure you have enough time for six months you can her worry is palpable absolutely and of course now we jump to it's three months to launch and our guys are in the simulator and apparently the actual astronauts they spent like cumulatively like a year in the simulator
42:58
[SPEAKER_18]: just working every possible scenario every single thing that could go wrong over and over and over again to be fair half of that was Gary Sinese.
43:07
[SPEAKER_18]: And the people on the outside, they decide to mess with them a little and so they're starting to do this docking maneuver which is something we're going to see when we're actually out in space and they realize something goes wrong and he manages to
43:19
[SPEAKER_18]: make it work.
43:20
[SPEAKER_18]: And in first time Hanks is like, way, we should back off and try it again.
43:22
[SPEAKER_18]: And he says, no, no, I got it.
43:24
[SPEAKER_18]: And they capture it.
43:25
[SPEAKER_18]: And I love that what they're working with is a little camera and like a little suction cup or something.
43:30
[SPEAKER_18]: And that's what they're trying to maneuver.
43:32
[SPEAKER_18]: I can't imagine building one of these simulators and having it respond the way that an actual spaceship would respond.
43:39
[SPEAKER_17]: How do you know?
43:39
[SPEAKER_17]: Yeah, it goes to what you said John about the thousands of people, hundreds of thousands of people that have to build everything and use it to like I would rather be involved in the sixty space program than today because even though technology is better today, I don't trust the work ethic of everybody that's sure.
43:58
[SPEAKER_17]: The sixty's everybody was like in it patriotic working hard.
44:03
[SPEAKER_17]: Like, well, it's crazy.
44:04
[SPEAKER_18]: Well, one of the things I don't try, which is so different is that there was a time when there were people that actually knew how to do all the stuff.
44:11
[SPEAKER_18]: Right.
44:11
[SPEAKER_18]: And now you don't have, uh, what is it, Katherine Johnson, who's, you know, literally the human computer, who did all the math.
44:19
[SPEAKER_18]: Right.
44:19
[SPEAKER_18]: You just enter the numbers into a computer and it says, here's the answer.
44:23
[SPEAKER_18]: And there's even all sorts of now, a lot of engineering design, which the computer AI has figured out how to make the right way.
44:31
[SPEAKER_19]: Yeah.
44:32
[SPEAKER_18]: Look at the back.
44:33
[SPEAKER_18]: Well, it's like, you know, if you were in the seventies and you were like in the home brew computing club, you knew every component in your computer.
44:41
[SPEAKER_05]: Yeah.
44:41
[SPEAKER_18]: Today, the vast majority of people that work on computers, which is millions of people, they don't know what's going on inside there.
44:47
[SPEAKER_19]: Right.
44:48
[SPEAKER_18]: They're just handed it that.
44:49
[SPEAKER_18]: Yeah.
44:49
[SPEAKER_18]: Yeah.
44:50
[SPEAKER_18]: It's a different world.
44:51
[SPEAKER_18]: Um, but they're working in the simulator and they managed to do it and everyone says good job.
44:55
[SPEAKER_18]: And we're heading out and it's time for the backup team to come in and just as they're heading out, Gary Sinese, who plays Ken Manningley, what does he say?
45:02
[SPEAKER_11]: And when it wasn't perfect, you just have too much fuel.
45:05
[SPEAKER_11]: I love the curve.
45:07
[SPEAKER_11]: Not by much.
45:08
[SPEAKER_11]: Listen, guys.
45:09
[SPEAKER_11]: I want to work it again.
45:10
[SPEAKER_11]: Hey.
45:13
[SPEAKER_11]: We got to be up with the Dom Patrol, I had it for Beth Page, what, oh, seven hundred?
45:16
[SPEAKER_11]: It feels up it, oh, seven.
45:17
[SPEAKER_11]: Yeah, I know, but my rate of turn is still a little too slow there.
45:21
[SPEAKER_11]: I'm really think we should work it again.
45:22
[SPEAKER_18]: And there's a look from Jim Lovell who goes, well, let's get it right.
45:27
[SPEAKER_11]: Okay, set it up again, Frank.
45:29
[SPEAKER_18]: Which also means that the backup crew, including Kevin Bacon, they're not getting the time in the simulator.
45:36
[SPEAKER_18]: Gary, it's so funny kids.
45:37
[SPEAKER_18]: So this is right after four scum.
45:39
[SPEAKER_18]: Yeah.
45:39
[SPEAKER_18]: So you abacked a back Tom Hanks at Gary Sinney's movies.
45:42
[SPEAKER_18]: Yeah.
45:43
[SPEAKER_18]: Had we seen him before for Scump?
45:46
[SPEAKER_20]: I'm not sure.
45:47
[SPEAKER_20]: That's a good question.
45:48
[SPEAKER_20]: If we had seen him in a way that was notable, I'm not sure one of my son men came out.
45:53
[SPEAKER_20]: It might have been after.
45:54
[SPEAKER_18]: I thought it was after.
45:55
[SPEAKER_18]: Because I know they're steppin' Wolf guy.
45:57
[SPEAKER_18]: Yeah.
45:57
[SPEAKER_18]: That guy needs a steppin' Wolf, which is... Which is... Which is... With Malcolm Vitch and a whole bunch of other people and this is one of the great theaters in Chicago.
46:05
[SPEAKER_18]: Yeah.
46:05
[SPEAKER_18]: With a really kind of open up the world of theater in the late eighties early nineties.
46:12
[SPEAKER_20]: Yeah, if my cement was before, it's ninety-two.
46:14
[SPEAKER_20]: Oh, it's ninety-two.
46:14
[SPEAKER_20]: So and midnight clear was ninety-two as well, which is kind of smaller independent films.
46:19
[SPEAKER_20]: So he'd had some kind of name and then he was in the stand in ninety-four then.
46:24
[SPEAKER_20]: All right.
46:25
[SPEAKER_20]: Then in four scump and then quicken the dead as well, ninety-five.
46:30
[SPEAKER_20]: He's making his move, basically.
46:31
[SPEAKER_18]: This is my favorite Garcinies.
46:33
[SPEAKER_18]: I think in this moment.
46:33
[SPEAKER_18]: Oh, really?
46:34
[SPEAKER_18]: Yeah.
46:34
[SPEAKER_18]: I like that strong statement.
46:36
[SPEAKER_18]: All right.
46:36
[SPEAKER_18]: I just, he's so solidly that character for me.
46:40
[SPEAKER_17]: Yeah, that's true.
46:41
[SPEAKER_17]: And I mean, this, this cast I said before, it's like, you know, nobody doesn't love Tom Hanks.
46:47
[SPEAKER_17]: He's the serily of acting.
46:49
[SPEAKER_17]: Let's say.
46:51
[SPEAKER_17]: And then Bill Paxon's been one of my favorites ever since, ever since weird science.
46:56
[SPEAKER_17]: You know, I love Kevin Bacon.
46:58
[SPEAKER_17]: Come on, six degrees of Kevin Bacon.
47:00
[SPEAKER_17]: And then yeah, and coming right off for a scum to put Gary Sunnis, it's just, it's an amazing team.
47:06
[SPEAKER_18]: Do you think having six degrees of Kevin Bacon was good for Kevin Bacon or bad for Kevin Bacon?
47:12
[SPEAKER_20]: I don't think Kevin Bacon could care less.
47:14
[SPEAKER_20]: It's great branding for him.
47:16
[SPEAKER_20]: People are talking about him all the time.
47:18
[SPEAKER_18]: That's such a weird like your name.
47:21
[SPEAKER_18]: Kind of rhymes with this thing.
47:24
[SPEAKER_18]: Yeah.
47:25
[SPEAKER_18]: It's the first thing now everyone will think of.
47:29
[SPEAKER_18]: Honestly, Kevin Bacon's always good.
47:32
[SPEAKER_18]: Yeah.
47:32
[SPEAKER_20]: He's always good.
47:33
[SPEAKER_20]: By the way, is Gary Sunnis the most Tom Hanks.
47:36
[SPEAKER_20]: It's like the most name person that has worked with Tom Hanks.
47:40
[SPEAKER_20]: Because you look at what force gumped this and the green mile.
47:44
[SPEAKER_20]: Those are three.
47:46
[SPEAKER_17]: He's worked a long way in green mile.
47:47
[SPEAKER_20]: Yeah.
47:48
[SPEAKER_20]: I don't know if there are any other actors that have worked as many as much with Tom Hanks.
47:52
[SPEAKER_20]: Tim Allen.
47:54
[SPEAKER_18]: Oh, fair point.
47:56
[SPEAKER_18]: I don't know.
47:59
[SPEAKER_18]: He's not the TV actor.
48:03
[SPEAKER_18]: But anyway, but now we go into this.
48:05
[SPEAKER_18]: We actually see them.
48:06
[SPEAKER_18]: They're in their suits.
48:07
[SPEAKER_18]: They're in space.
48:08
[SPEAKER_18]: They're zero gravity.
48:10
[SPEAKER_18]: And we're like, oh, shit.
48:12
[SPEAKER_18]: We like skipped into space.
48:14
[SPEAKER_18]: What's what's happened here?
48:20
[SPEAKER_18]: And then the hatch burst open, and it is suddenly super, super scary.
48:27
[SPEAKER_18]: And I think you have that quick transition to, oh, they're in space, did I skip something?
48:31
[SPEAKER_18]: Wait, what's going on?
48:33
[SPEAKER_18]: Oh, it's a dream.
48:33
[SPEAKER_17]: Yeah.
48:35
[SPEAKER_17]: And I don't know where is the place to talk about this, but I feel like we need to talk about the technical aspect of shooting this weightless scenes, because this movie is so important to have
48:47
[SPEAKER_17]: to have all the astronaut scenes in the capsule's feel realistic.
48:51
[SPEAKER_17]: And the fact that they actually did make them wait lists for these scenes, you couldn't have done it with wires or CGI.
48:57
[SPEAKER_18]: Could I tell you something interesting?
48:59
[SPEAKER_17]: Please do.
49:00
[SPEAKER_18]: This scene is with wires.
49:02
[SPEAKER_18]: This scene is not in the vomit comment.
49:04
[SPEAKER_18]: So what I'm talking about is Well, no, but this is it's really interesting so so and we'll get into it is that Is that what they did for this film was actually shoot a ton of stuff in zero G in the Casey one thirty five is what it is and what Ron Howard said was he didn't want this scene to look like that And so this is done when the old school technique with wires and all that and it's only a couple of shots
49:28
[SPEAKER_18]: Okay, and so he wanted it.
49:30
[SPEAKER_18]: He wanted people to actually go like, oh, is this the best you can do with zero g so that later on when he actually shows the full zero g that it's really impressive.
49:40
[SPEAKER_17]: Yeah, but I remember when they get to zero geos, like, how are they doing this?
49:43
[SPEAKER_17]: I remember watching the movie in the theater and being like, I, this is amazing.
49:46
[SPEAKER_17]: This really looks like I can't tell.
49:48
[SPEAKER_17]: And then it gets to be so real that you forget it and you're in, you're completely in the movie.
49:52
[SPEAKER_17]: It's so real that, you know, nothing draws you out of the moment.
49:56
[SPEAKER_18]: Yeah.
49:57
[SPEAKER_18]: And we think that this is probably going to be Jim Lovell's dream, but in fact, it's not.
50:01
[SPEAKER_18]: It's Marilyn, it's his wife.
50:03
[SPEAKER_18]: And she wakes up and then she hears,
50:06
[SPEAKER_18]: her husband talking to her son.
50:09
[SPEAKER_18]: At a first it starts off with just him explaining the trip to the moon.
50:14
[SPEAKER_14]: And I take the controls and I steer it around and I fly it down.
50:18
[SPEAKER_14]: Adjusting it here, the attitude there, pitch roll for a nice soft landing on the moon.
50:27
[SPEAKER_14]: Better than the alarm's from.
50:29
[SPEAKER_14]: Way better than Pete Conrad.
50:31
[SPEAKER_18]: And a couple of things about this.
50:32
[SPEAKER_18]: One is one of the big chores in this movie.
50:34
[SPEAKER_18]: There's so much exposition to get out.
50:36
[SPEAKER_18]: There's so much complicated science.
50:38
[SPEAKER_18]: The audience has to know.
50:39
[SPEAKER_18]: And how are you going to do that?
50:41
[SPEAKER_18]: And what they did was that this scene is actually just kind of improv.
50:45
[SPEAKER_18]: And it's a way of doing a the exposition of we're going to go to the moon at this speed.
50:49
[SPEAKER_18]: And we're going to go around the move and then I'm going to land on this lander and
50:52
[SPEAKER_18]: That's all, so it's all exposition to the argument of science stuff, but it also feels like dad reassuring his kid.
50:59
[SPEAKER_18]: So it has an emotional component, and then you get into the second half of the scene, which is what you mentioned before of the kid saying,
51:09
[SPEAKER_18]: And this comes from Ron Howard was talking to, because they talked to everyone at NASA, they could.
51:16
[SPEAKER_18]: They huge participation.
51:17
[SPEAKER_18]: And he was talking to a shuttle astronaut from the Space Shuttle.
51:22
[SPEAKER_18]: And he was talking about that he went up right after the Challenger explosion.
51:26
[SPEAKER_18]: And this is a conversation that he had with his son.
51:29
[SPEAKER_18]: Oh, wow.
51:29
[SPEAKER_18]: Because his son had seen the Challenger explosion and said, Dad, did you know those people?
51:33
[SPEAKER_18]: He said, yeah.
51:35
[SPEAKER_14]: Yeah, I did.
51:35
[SPEAKER_14]: I mean, the astronauts in the fire.
51:39
[SPEAKER_31]: What happened again?
51:42
[SPEAKER_14]: Well, I'll tell you some about that fire.
51:44
[SPEAKER_14]: A lot of things went wrong.
51:49
[SPEAKER_14]: The door.
51:52
[SPEAKER_14]: It's called a hatch.
51:54
[SPEAKER_14]: They couldn't get it open when they needed to get out.
51:57
[SPEAKER_14]: That was one thing.
51:59
[SPEAKER_14]: And a lot of things went wrong in that fire.
52:09
[SPEAKER_14]: Oh yes, absolutely.
52:10
[SPEAKER_14]: We fixed it.
52:12
[SPEAKER_18]: It's not a problem anymore.
52:14
[SPEAKER_18]: I can't imagine having a conversation there, like that with your kid.
52:18
[SPEAKER_18]: No.
52:19
[SPEAKER_20]: It seems like every space movie or space show has to have that conversation with the wife that's freaky and scary.
52:26
[SPEAKER_20]: It's like scary.
52:27
[SPEAKER_20]: And the conversation with the kid explaining the situation.
52:29
[SPEAKER_20]: Even in first man, which turned the genre on its head in terms of space movies by not having it be that way, has a forced conversation with his kids before he goes up, right?
52:41
[SPEAKER_20]: Claire for a young man that he has to talk.
52:43
[SPEAKER_20]: to his sons.
52:44
[SPEAKER_20]: Right.
52:44
[SPEAKER_20]: I kind of like that, too.
52:46
[SPEAKER_18]: We're often a car and they're again, they're kind of talking.
52:50
[SPEAKER_18]: You could see her negativeness about it.
52:52
[SPEAKER_18]: Yeah, of course.
52:52
[SPEAKER_18]: Everything that's happening because she's freaked out.
52:54
[SPEAKER_18]: And she loves him.
52:55
[SPEAKER_18]: And she loves him.
52:56
[SPEAKER_18]: And then a car pulls up next to him.
52:58
[SPEAKER_18]: And it's actually recognizes him and kind of wants a drag race.
53:01
[SPEAKER_18]: The node Ron Howard said about this moment.
53:04
[SPEAKER_18]: This is tribute to American graffiti which of course is a Ron Howard you know, which is Lucas with Ron Howard is a star good point and then what we hear is that Maryland doesn't want to be at the launch.
53:17
[SPEAKER_18]: Right.
53:18
[SPEAKER_15]: Yeah, Maryland we've had these kids for a while now
53:24
[SPEAKER_15]: They're very kept and they're coming to the other one.
53:26
[SPEAKER_33]: Yes, but now I have your mother.
53:28
[SPEAKER_33]: She's just had this too.
53:29
[SPEAKER_15]: Mom's fine.
53:30
[SPEAKER_33]: I mean, it's not like I've never been to a launch before the other wives.
53:34
[SPEAKER_33]: I'm not done three.
53:35
[SPEAKER_33]: I just don't think I can go through all now.
53:38
[SPEAKER_18]: I think it's a really good husband wife moment.
53:41
[SPEAKER_18]: It is.
53:42
[SPEAKER_18]: Because it's not a fight.
53:45
[SPEAKER_18]: No, no.
53:46
[SPEAKER_18]: It's sort of, uh, oh, I'm disappointed.
53:50
[SPEAKER_18]: I'm really not happy about this.
53:52
[SPEAKER_18]: I'm not going to force you to do it.
53:54
[SPEAKER_18]: It's a really good thing.
53:55
[SPEAKER_17]: And you also get the foreshadowing because when that guy wants to drag him, his car stalls.
53:59
[SPEAKER_17]: His car stalls.
54:00
[SPEAKER_17]: His equipment failure.
54:02
[SPEAKER_18]: There are several equipment failures throughout the film.
54:05
[SPEAKER_18]: Yeah.
54:06
[SPEAKER_18]: If he was reading the science, is if Jim didn't read science?
54:07
[SPEAKER_18]: Well, he already ignored the fact that it was Apollo thirteen.
54:09
[SPEAKER_18]: True.
54:09
[SPEAKER_18]: I mean, that's true.
54:09
[SPEAKER_18]: Well, he already ignored the fact that it was Apollo thirteen.
54:12
[SPEAKER_18]: True.
54:12
[SPEAKER_18]: I mean, that's true.
54:13
[SPEAKER_20]: Well, he already ignored the fact that it was Apollo thirteen.
54:14
[SPEAKER_20]: True.
54:15
[SPEAKER_20]: I mean, that's true.
54:15
[SPEAKER_20]: I figured that out.
54:16
[SPEAKER_20]: Apollo eleven works because one and one is a balance.
54:18
[SPEAKER_20]: So, so an eleven is fine.
54:20
[SPEAKER_18]: All right.
54:20
[SPEAKER_18]: So, should we skip all the odd number?
54:22
[SPEAKER_18]: Wait a second.
54:23
[SPEAKER_18]: This is an odd number podcast.
54:25
[SPEAKER_18]: This is one fifty one.
54:27
[SPEAKER_18]: But it's a palandrom, so that's okay.
54:28
[SPEAKER_18]: Yeah, right.
54:29
[SPEAKER_18]: Thank God.
54:30
[SPEAKER_18]: I was.
54:31
[SPEAKER_18]: And it's also a type of rum.
54:32
[SPEAKER_18]: It's true.
54:33
[SPEAKER_18]: It's true.
54:33
[SPEAKER_18]: Fair enough.
54:34
[SPEAKER_18]: Maybe we should have some one fifty one right now.
54:36
[SPEAKER_18]: I like that idea.
54:37
[SPEAKER_18]: I do not.
54:40
[SPEAKER_18]: This is the last thing I need.
54:43
[SPEAKER_18]: And he heads off to a plane and she watches him fly away and then we are taking some pictures of the crew and actually it's funny we're mentioning that because the next question they get in their news conferences doesn't the number thirteen bother you.
54:58
[SPEAKER_18]: And this does, and there's, it's not just a Paul thirteen, but they're gonna like orbit the moon on the land on the moon on the thirteen, then there's a thirteen, there's like a whole bunch of thirteen's coming up.
55:08
[SPEAKER_18]: counting fate.
55:09
[SPEAKER_20]: Just got to be hubris hubris.
55:14
[SPEAKER_18]: Well, it's something I didn't say before.
55:15
[SPEAKER_18]: Do you remember what Tom Hanks is response to it being thirteen when Marilyn brings it up?
55:21
[SPEAKER_18]: It's the number after twelve.
55:22
[SPEAKER_18]: Yeah.
55:23
[SPEAKER_18]: Yeah.
55:23
[SPEAKER_18]: That line came from Tom Hanks.
55:24
[SPEAKER_19]: That's a simple response.
55:27
[SPEAKER_19]: It's exactly what I would say.
55:30
[SPEAKER_17]: It's not the floor after twelve and most hotels or other buildings.
55:34
[SPEAKER_17]: Yeah, those hotels are stupid.
55:39
[SPEAKER_18]: What's so funny is I'm so anti superstitious.
55:41
[SPEAKER_18]: You are really that I will I will walk under the ladder.
55:44
[SPEAKER_17]: Oh, I do that too.
55:45
[SPEAKER_18]: Yeah, if there were so much superstitious next to me, I will like, oh, really.
55:49
[SPEAKER_18]: What it was, and yet, I mean, it's so funny is when you start thinking this way, you could find stuff.
55:54
[SPEAKER_18]: My first kind of bigger film at film school, which was written by our friend Josh Haber, produced by our friend Mac Garcia, and I directed, we broke, I don't know, you know, fifteen, twenty mirrors in a whole bunch of different places for the scene.
56:09
[SPEAKER_18]: That movie sucked.
56:12
[SPEAKER_18]: There you go.
56:13
[SPEAKER_18]: The scene look cool.
56:14
[SPEAKER_18]: All right.
56:16
[SPEAKER_18]: And then this is what we kind of heard this.
56:19
[SPEAKER_18]: sort of foreshadowing it at the party with the moonland.
56:21
[SPEAKER_18]: He was, are we even going to make it to Apollo fourteen?
56:23
[SPEAKER_18]: And then we heard it with the senator saying, why are you even doing this?
56:27
[SPEAKER_18]: You already did it once.
56:28
[SPEAKER_18]: And now we're here with the reporter saying, the public thinks it's routine.
56:32
[SPEAKER_18]: That's, I think that says so much about human nature.
56:36
[SPEAKER_18]: That we did it twice, right?
56:38
[SPEAKER_18]: Yeah.
56:38
[SPEAKER_18]: And the public's like, yeah, we're over it.
56:40
[SPEAKER_18]: Yeah.
56:41
[SPEAKER_18]: We conquered it.
56:41
[SPEAKER_18]: It boggles my mind.
56:43
[SPEAKER_20]: It says, it's how we are.
56:45
[SPEAKER_20]: That's why they stopped, like, the space shuttle at some point, like, and before the challenge, they had to, people were starting to feel like it was, oh, it was like, oh, no big deal.
56:55
[SPEAKER_17]: Oh, yeah.
56:55
[SPEAKER_17]: I'm sure that Chris McCalf was there as a PR.
56:58
[SPEAKER_17]: Yeah.
56:58
[SPEAKER_17]: I mean, trying to get people and kids and be graded so they could show the launches again and get people to watch.
57:03
[SPEAKER_18]: I mean, to me, it's like, you've seen the triple-lindi once.
57:07
[SPEAKER_18]: Why would you ever need to see it again?
57:10
[SPEAKER_18]: It's still my favorite run in danger of the shot ever.
57:13
[SPEAKER_18]: We still haven't talked about doing that on the back of the phone.
57:15
[SPEAKER_18]: We have to talk about doing that on the back of the phone.
57:18
[SPEAKER_18]: You're a melon.
57:19
[SPEAKER_18]: And of course, it's definitely routine about flying to the moon.
57:22
[SPEAKER_15]: I can back to that.
57:25
[SPEAKER_15]: And I think that an astronaut's last mission is final flight.
57:31
[SPEAKER_15]: Well, that's always going to be very special.
57:35
[SPEAKER_15]: Why is this your last gen?
57:38
[SPEAKER_15]: I'm in command of the the best ship with the best crew that anybody could ask for.
57:43
[SPEAKER_15]: And I'll be walking in a place where there is four hundred degrees difference between sunlight and shadow.
57:52
[SPEAKER_15]: I can't imagine the ever-topping that.
57:55
[SPEAKER_20]: Dave, these are all cocky guys aren't they?
57:57
[SPEAKER_20]: Not cocky in a sense of like overtly going up like they're super confident.
58:02
[SPEAKER_17]: Yeah.
58:02
[SPEAKER_17]: You have to have a certain sense of confidence to be able to go up in a, you know, because they were all test pilots.
58:09
[SPEAKER_17]: Like you were saying before one and there was a period where one and four were died.
58:13
[SPEAKER_17]: Yeah.
58:13
[SPEAKER_17]: So if you're the guy who lived, you're like, you know, I've been touched by God.
58:16
[SPEAKER_17]: I'm blessed.
58:17
[SPEAKER_17]: They just have that right.
58:19
[SPEAKER_17]: What is that stuff?
58:20
[SPEAKER_18]: Oh, man.
58:24
[SPEAKER_18]: And then we see the big, uh, I think it's called the crawler, which was the real thing that transported the Saturn rockets that I think they used for the shuttle to apparently Ron Howard got to drive it.
58:34
[SPEAKER_18]: What?
58:36
[SPEAKER_18]: That's so awesome.
58:37
[SPEAKER_18]: You can't imagine.
58:38
[SPEAKER_18]: I mean, I'm sure it goes like a quarter of a mile an hour or something, but that would still be terrifying to drive something like that.
58:47
[SPEAKER_18]: And D comes up and
58:48
[SPEAKER_18]: It says we got some problems.
58:50
[SPEAKER_18]: There's some lab work that came back and it's I guess one of the guys on the backup crew got the measles.
58:55
[SPEAKER_18]: Yeah, German measles and so and they're all got exposed to it and and Jim is like well, I've had the measles, but Ken Maddenly which is the Gary Sinese character has not you know
59:09
[SPEAKER_18]: And now we have the meeting where the medical crew has said the flight surgeons has said, madingly can't go.
59:17
[SPEAKER_15]: You want to break up my crew two days before the launch.
59:20
[SPEAKER_15]: When we can predict each other's moves, we can read the tone of each other's voices.
59:24
[SPEAKER_20]: This is a great scene for him too.
59:26
[SPEAKER_20]: It is.
59:27
[SPEAKER_20]: You know, because Tom's been kind of sitting this thing, chill, chill, chill.
59:30
[SPEAKER_20]: And then once you upset his apple cart, it's all bets are off.
59:34
[SPEAKER_15]: I've trained for the frown more highlands.
59:37
[SPEAKER_20]: And this is flight searchin' horseship, Digg.
59:40
[SPEAKER_20]: That nerd rage.
59:41
[SPEAKER_20]: He was nerd rage all over the place about it because like it's so important to him to go.
59:47
[SPEAKER_20]: And then he needs his crew in order for him to go.
59:50
[SPEAKER_18]: I cannot qualify this as nerd rage.
59:52
[SPEAKER_18]: Now, okay.
59:52
[SPEAKER_18]: I'm not sure what the technical definition is, but this is literally a life and death situation.
59:57
[SPEAKER_18]: There is good reason for him to be upset.
1:00:00
[SPEAKER_18]: Yes, pose.
1:00:01
[SPEAKER_18]: I mean, when you like, might a thought of what nerd rage is is like, you rearrange my comic books.
1:00:06
[SPEAKER_18]: Oh, no, no.
1:00:07
[SPEAKER_18]: What's your damn name?
1:00:08
[SPEAKER_18]: You cast Robert Pattinson as Batman Ryan.
1:00:10
[SPEAKER_18]: Well, exactly.
1:00:11
[SPEAKER_18]: On shot first is ultimate nerd race.
1:00:13
[SPEAKER_18]: These are all things that are not are the antithesis of life and death.
1:00:17
[SPEAKER_18]: Well, to you.
1:00:19
[SPEAKER_18]: No tape or it is life and death, but they're wrong.
1:00:23
[SPEAKER_18]: Sure in your opinion.
1:00:24
[SPEAKER_18]: Whether or not, no, this is not a matter of opinion.
1:00:28
[SPEAKER_18]: I feel like I'm having a nerd race.
1:00:29
[SPEAKER_05]: Oh boy.
1:00:32
[SPEAKER_18]: But I think it's a great way.
1:00:33
[SPEAKER_18]: When you're going in space, if they take the pilot away, who's practiced, this is actually a life and death decision.
1:00:40
[SPEAKER_18]: That's fair.
1:00:42
[SPEAKER_18]: I'm really upset about this.
1:00:43
[SPEAKER_20]: Clearly.
1:00:44
[SPEAKER_20]: Well, I'll put the convoy's back.
1:00:45
[SPEAKER_17]: It's also though it's also a great scene like you said, John, because it shows.
1:00:50
[SPEAKER_17]: Yes, he has to go, but what's the cost?
1:00:53
[SPEAKER_17]: Yeah.
1:00:54
[SPEAKER_17]: I need my crew, but I guess I don't really need them if I'm going to look because they're like, if you want to stick with madingly, you're not on thirteenth.
1:01:00
[SPEAKER_20]: Right.
1:01:00
[SPEAKER_20]: We'll push in your back another mission or two.
1:01:02
[SPEAKER_20]: Yeah.
1:01:02
[SPEAKER_20]: And it's like, oh, I'll lose my chance to walk on the moon.
1:01:05
[SPEAKER_20]: Right.
1:01:06
[SPEAKER_20]: there's see and there's that that's why I like this film there's a little bit of under the current absolute of this selfish desire to achieve something and it's all in that look of him looking at Armstrong walking on the moon it's all their hands face and so when it comes out like this he's been sitting on at the whole time yeah I I think it's I think it is such a and I don't think that he is behaving I don't think it's immoral the choice he makes but it is definitely
1:01:33
[SPEAKER_18]: selfish to some degree.
1:01:34
[SPEAKER_18]: Yeah, you know, and we cut to Kevin Bacon and the shower with a girl and the phone rings.
1:01:42
[SPEAKER_18]: She's like, don't answer and he's like, no, I have to answer every call because I'm on the back up group.
1:01:47
[SPEAKER_18]: It's kind of pitch in a morning as he walks out and he picks up.
1:01:49
[SPEAKER_18]: Mrs. All played great picks up the phone, listens, listens, screams.
1:01:57
[SPEAKER_05]: Yeah.
1:01:59
[SPEAKER_18]: That's a great moment.
1:02:00
[SPEAKER_18]: And what's even better, and again, this is, this is pure filmmaking is then everything is told in the cut.
1:02:05
[SPEAKER_18]: You're in this excited, screaming, happy, jack swaggered moment and cut to silence.
1:02:13
[SPEAKER_18]: Gary Sinese, taking it in.
1:02:15
[SPEAKER_18]: Yeah.
1:02:15
[SPEAKER_18]: It's a great, great moment.
1:02:17
[SPEAKER_18]: Mm-hmm.
1:02:18
[SPEAKER_18]: Apparently, they had a whole dramatic scene written that was, you know, them telling him with lots of, and they just didn't like it.
1:02:25
[SPEAKER_18]: And again, it sounds like it was Tom Hanks's idea.
1:02:27
[SPEAKER_18]: Why don't you just play the reaction?
1:02:29
[SPEAKER_20]: Yeah, subtlety.
1:02:30
[SPEAKER_20]: That's smart.
1:02:31
[SPEAKER_20]: Well, hi.
1:02:39
[SPEAKER_18]: What I love about Gary Sinese's performance and what I love about that character is that it's just the, he is trying really, really hard to be the honorable guy.
1:02:50
[SPEAKER_18]: You know, he's trying definitely.
1:02:53
[SPEAKER_18]: And you could see all of that pain, oh, I'd not go into the moon.
1:02:57
[SPEAKER_18]: Like everything I've been working harder than anybody else for, I'm not gonna get.
1:03:00
[SPEAKER_20]: That's understandable, too.
1:03:02
[SPEAKER_20]: A hundred percent medical guys.
1:03:07
[SPEAKER_11]: I mean, I know it's their ass if I get sick up there, but I mean, Jesus.
1:03:11
[SPEAKER_18]: And then you see the emotion kind of take him for a minute and he gets angry and then he's like, and then he pulls it back and he's like, Swagger he'll he'll be fine.
1:03:21
[SPEAKER_11]: He's strong.
1:03:23
[SPEAKER_11]: I'll be a hell of a mission, one for the books.
1:03:26
[SPEAKER_18]: It's trying to do the right thing.
1:03:27
[SPEAKER_18]: It's crushing.
1:03:28
[SPEAKER_18]: Yeah.
1:03:29
[SPEAKER_18]: And then the moment that's just, and you cut to Tom Hanks and Bill Paxton who are just kind of being there for him.
1:03:36
[SPEAKER_18]: And then the moment that is just the worst is he goes, hey, why don't I go talk to D, can them?
1:03:41
[SPEAKER_18]: I'm sure we can work it out.
1:03:43
[SPEAKER_18]: This was my call.
1:03:45
[SPEAKER_18]: Yeah, that stinks.
1:03:47
[SPEAKER_18]: Well, here it is.
1:03:48
[SPEAKER_18]: So that's an interesting statement.
1:03:50
[SPEAKER_18]: Why does Tom Hanks, so was it his call?
1:03:54
[SPEAKER_18]: Do you define this as this was his call?
1:03:56
[SPEAKER_20]: Well, yes, in the way that they're going forward in the mission without him as opposed to going forward in the mission without that whole crew.
1:04:05
[SPEAKER_20]: Exactly.
1:04:05
[SPEAKER_20]: That's his call.
1:04:07
[SPEAKER_18]: So he could have said, because if they had said to him, there's a chance that Maddenly might have the measles.
1:04:14
[SPEAKER_18]: Do you want to take him or not take him?
1:04:16
[SPEAKER_18]: He would have said, take him.
1:04:17
[SPEAKER_18]: Right.
1:04:18
[SPEAKER_18]: He doesn't tell Maddenly that part of it.
1:04:21
[SPEAKER_18]: He says this is my call.
1:04:22
[SPEAKER_18]: Like to me,
1:04:24
[SPEAKER_18]: This is him.
1:04:24
[SPEAKER_18]: This is what it means to be the boss sometime.
1:04:27
[SPEAKER_18]: Yes.
1:04:27
[SPEAKER_18]: Yep.
1:04:27
[SPEAKER_18]: Take the great point.
1:04:28
[SPEAKER_20]: Yeah.
1:04:29
[SPEAKER_18]: Is that because he, because how is Maddie going to feel about him?
1:04:32
[SPEAKER_18]: I mean, that's, you know, like, oh, he could hate him.
1:04:36
[SPEAKER_18]: Right.
1:04:36
[SPEAKER_18]: He just took, I just took away the most important thing in the world to you.
1:04:39
[SPEAKER_18]: He doesn't throw it off.
1:04:40
[SPEAKER_18]: He could have easily said it was the fight surgeons call and when I done it.
1:04:43
[SPEAKER_19]: Right.
1:04:44
[SPEAKER_18]: It's a really interesting.
1:04:45
[SPEAKER_18]: It's rough.
1:04:46
[SPEAKER_20]: I think it also allows for later on for Sunnis to be able to work with those guys later because he doesn't blame them.
1:04:53
[SPEAKER_20]: Right.
1:04:53
[SPEAKER_20]: Blame his time and his head.
1:04:54
[SPEAKER_20]: Even though knows the right thing, he blames a level.
1:04:58
[SPEAKER_18]: But his reaction to that moment.
1:05:00
[SPEAKER_18]: Yeah.
1:05:00
[SPEAKER_18]: I mean, he doesn't yell at him.
1:05:02
[SPEAKER_18]: He gets up.
1:05:04
[SPEAKER_18]: And he says, look, I don't have the measles.
1:05:08
[SPEAKER_18]: I'm not going to get the measles.
1:05:10
[SPEAKER_18]: And he walks out.
1:05:11
[SPEAKER_18]: Yeah.
1:05:12
[SPEAKER_18]: and packs in Fredo runs after him, which apparently Fred and can, they were like best friends throughout the entire astronaut program.
1:05:20
[SPEAKER_18]: No.
1:05:21
[SPEAKER_18]: Let's take Kevin's, not Kevin Spacey, Kevin Bacon, and put him in the simulator.
1:05:27
[SPEAKER_19]: This seems just rough.
1:05:30
[SPEAKER_18]: because they throw something at him.
1:05:32
[SPEAKER_18]: And we had seen earlier, again, it's a perfect script construction earlier.
1:05:37
[SPEAKER_18]: We saw them throw something he can manually.
1:05:39
[SPEAKER_18]: He handles it.
1:05:40
[SPEAKER_18]: Now they throw something which sounds like it was far easier to deal with at Kevin Bacon.
1:05:45
[SPEAKER_18]: Does not handle it.
1:05:46
[SPEAKER_30]: Yeah.
1:05:46
[SPEAKER_18]: And the looks from Tom Hanks, Bill Paxton, as we, he does something and they're like, oh, what are you doing?
1:05:52
[SPEAKER_18]: And then it's, hey, we're at three G's.
1:05:56
[SPEAKER_18]: Five G's.
1:05:56
[SPEAKER_21]: We're coming into Steve.
1:06:01
[SPEAKER_21]: I'm gonna stay in this row and see if I can pull this out.
1:06:05
[SPEAKER_21]: Or did jeez?
1:06:07
[SPEAKER_21]: Nine.
1:06:09
[SPEAKER_21]: Ten.
1:06:13
[SPEAKER_18]: Or twelve jeez.
1:06:14
[SPEAKER_18]: Well jeez, I'm running off.
1:06:15
[SPEAKER_17]: And you could see Kevin Bacon known like, oh, I just killed us.
1:06:18
[SPEAKER_17]: Yeah.
1:06:19
[SPEAKER_17]: But yeah, it's great.
1:06:20
[SPEAKER_17]: It shows how hard it is to step into a, it's stepping into a role or replace somebody.
1:06:24
[SPEAKER_17]: Nobody, like the new guy, the guys who are there, they don't want the new guy there and the new guy's got to prove himself and it's right.
1:06:29
[SPEAKER_18]: Well, and in this particular case, their debt, like literally they're going in two days, less than two days at this point, our life will be entirely in this guy's hands.
1:06:41
[SPEAKER_18]: That is a rough thing to be in.
1:06:43
[SPEAKER_20]: But you had to wonder, why?
1:06:45
[SPEAKER_20]: Why they were so determined to do it anyway?
1:06:48
[SPEAKER_20]: They could have just made level step down the space program.
1:06:52
[SPEAKER_20]: Like the guys in charge, I could have been like, but then you have not go, but then you have, it pushes things back, right?
1:06:58
[SPEAKER_18]: But then you have the whole team, how much is the next team been training at all?
1:07:02
[SPEAKER_20]: That's what I'm saying.
1:07:03
[SPEAKER_20]: So, I think the space program themselves had a selfish desire to get back up there as quickly as possible.
1:07:10
[SPEAKER_20]: Oh, you're saying cancel the whole mission?
1:07:11
[SPEAKER_20]: Yes.
1:07:12
[SPEAKER_17]: Because logically, that's what you do.
1:07:13
[SPEAKER_17]: The backup crew can't go.
1:07:14
[SPEAKER_17]: Yeah.
1:07:15
[SPEAKER_17]: Right.
1:07:15
[SPEAKER_17]: So you're starting to bring fourteen up.
1:07:17
[SPEAKER_17]: Right.
1:07:18
[SPEAKER_17]: They did because they need months and months.
1:07:20
[SPEAKER_17]: So yeah, if they don't let Jim level go with Jack, you have to scrap the whole thing.
1:07:25
[SPEAKER_17]: Exactly.
1:07:25
[SPEAKER_18]: Well, this is this where I my guess is you have both experienced a thing like this where in planning for the whatever.
1:07:32
[SPEAKER_18]: You put so much energy into this thing and we got to do this exactly the right way.
1:07:36
[SPEAKER_18]: It's going to be exactly.
1:07:37
[SPEAKER_18]: And then when you get really close, you have to make a decision on the CD or pants.
1:07:41
[SPEAKER_18]: And all that planning shit kind of is out the window because now I'm certainly working on a movie.
1:07:45
[SPEAKER_18]: It's always like that.
1:07:47
[SPEAKER_18]: You know, like, oh, I plan to do all this.
1:07:51
[SPEAKER_18]: I guess I'll do that.
1:07:51
[SPEAKER_20]: Well, that's what you hope.
1:07:54
[SPEAKER_20]: The planning does give you more information.
1:07:56
[SPEAKER_20]: That decision comes.
1:07:57
[SPEAKER_20]: Yeah.
1:07:57
[SPEAKER_17]: Yeah.
1:07:58
[SPEAKER_17]: As a writer, you write something.
1:08:00
[SPEAKER_17]: You spend a long time writing a script and then they're shooting it and the actor comes to you right before this.
1:08:05
[SPEAKER_17]: I don't want to do this line.
1:08:06
[SPEAKER_17]: This doesn't make sense.
1:08:07
[SPEAKER_17]: And you're like, uh, what about this?
1:08:09
[SPEAKER_17]: Yeah.
1:08:09
[SPEAKER_17]: It worked all out of my ass.
1:08:10
[SPEAKER_18]: Well, those are the small ones.
1:08:13
[SPEAKER_18]: The bigger ones are like, oh, I just ran out of money, lost the location.
1:08:17
[SPEAKER_18]: The actor doesn't show up.
1:08:18
[SPEAKER_18]: I have to invent a new scene.
1:08:20
[SPEAKER_18]: That's why I'm not a director.
1:08:21
[SPEAKER_20]: You've had actors not show up for scenes.
1:08:25
[SPEAKER_18]: I have, I haven't had that one, but I know the tap and all the time.
1:08:30
[SPEAKER_18]: I mean, with my student films, it happens all the time.
1:08:33
[SPEAKER_20]: I choke with mother fucker out.
1:08:34
[SPEAKER_18]: But you remember when we did something like it hot?
1:08:37
[SPEAKER_20]: Yeah.
1:08:38
[SPEAKER_18]: Marilyn Road and shop over and over and over again.
1:08:40
[SPEAKER_18]: Oh, yeah.
1:08:41
[SPEAKER_18]: I mean, there's, we've done, or, you know, think about a copaloid apocalypse now.
1:08:45
[SPEAKER_20]: Right.
1:08:45
[SPEAKER_18]: It's like, oh, a hurricane is destroyed all your stuff.
1:08:47
[SPEAKER_18]: Brando shows up fat.
1:08:49
[SPEAKER_18]: Yeah.
1:08:49
[SPEAKER_18]: Like, he's like, we have no ending to the film.
1:08:51
[SPEAKER_18]: Yeah.
1:08:52
[SPEAKER_18]: You know, it's like, these are to the constant sort of marching had a heart attack.
1:08:56
[SPEAKER_18]: You know, like, like, what do I do now?
1:08:57
[SPEAKER_20]: This is what John Ford never worked with.
1:08:59
[SPEAKER_20]: Brando.
1:09:00
[SPEAKER_18]: Sure.
1:09:00
[SPEAKER_20]: When that shit.
1:09:01
[SPEAKER_20]: Yeah.
1:09:02
[SPEAKER_20]: John Wayne shows up on time, son.
1:09:04
[SPEAKER_18]: Because John Ford is scary.
1:09:06
[SPEAKER_20]: He's right.
1:09:06
[SPEAKER_20]: And that's just, I never mind.
1:09:09
[SPEAKER_18]: And we he has a little conversation with DEC and and again DEC's like how are we doing yeah and Jim level says the right thing if I if I had a dollar for every time they killed being that thing I would not to work for you
1:09:22
[SPEAKER_18]: which I'm sure is true.
1:09:24
[SPEAKER_18]: Oh, yeah.
1:09:24
[SPEAKER_18]: But every time that he got killed in that thing was months ago, it wasn't too dead.
1:09:29
[SPEAKER_18]: It wasn't with a day before the launch.
1:09:31
[SPEAKER_17]: No, but you make a great point.
1:09:32
[SPEAKER_17]: It's you keep seeing Tom Hanks doing this Jim level thing of the understated leadership.
1:09:37
[SPEAKER_17]: Yeah.
1:09:37
[SPEAKER_17]: This is what I have to say to to madingly.
1:09:40
[SPEAKER_17]: This is what I have to say to D. This is what I have to do to get everything going smoothly.
1:09:45
[SPEAKER_18]: Well, here's, okay, I don't know how to frame this quite the right way.
1:09:48
[SPEAKER_18]: One of the things that happens with the astronauts, and we saw it in the right stuff, and we're certainly seeing it here, is there is the public facing personality, which is, I'm in charge, I'm patriotic, I'm self-sacrificing, I'm extremely competent, I'm calm,
1:10:05
[SPEAKER_18]: and that that is hiding whatever the inner stuff is right and they were to me and you see it in this film later when we get to all your on box or you're not on box will see these moments of like I can't let the real emotion what's going on show both because within a leadership situation you don't want all that to show because you got other people who might you might freak out but also you know the general public out there who needs an image of a hero that isn't necessarily the truth yeah
1:10:30
[SPEAKER_18]: How important is that in life to present false odds that are highly respectable knowing that those things are not necessarily the truth?
1:10:40
[SPEAKER_17]: Oh man, that's a good point.
1:10:43
[SPEAKER_17]: I would say that back in this time, they were very important.
1:10:47
[SPEAKER_17]: But now that we live in a day where everybody's on social media, everybody's
1:10:51
[SPEAKER_17]: There's your still presenting something that's false, but you're giving people so much access to your life that they can see behind the curtain.
1:10:58
[SPEAKER_17]: So a lot of times it seems pointless to put up a facade because you're giving cameras on you from all angles.
1:11:08
[SPEAKER_17]: You can't hide the wards.
1:11:10
[SPEAKER_17]: I don't know.
1:11:10
[SPEAKER_17]: I just think it's become less important even though people still try to do it.
1:11:16
[SPEAKER_18]: I feel like I'm so mixed on this thing because both on a macro level like post
1:11:22
[SPEAKER_18]: Kennedy Vietnam, Watergate, Nixon, and going up into today, we have pulled off the veneer of all the people that are supposed to be heroes.
1:11:33
[SPEAKER_18]: And there are people like Mark Marin is when that comes to mind, where him putting out his, this is my real feelings, are great comedians and artists who are going, no, I have all this dark shit in me, and here it is.
1:11:44
[SPEAKER_18]: I'm really happy those things exist.
1:11:47
[SPEAKER_18]: But I also think having Captain America,
1:11:50
[SPEAKER_18]: to look up to, and seeing that Captain America as a possibility for me as a kid, and something to aspire to in terms of this is the right way to behave.
1:12:00
[SPEAKER_18]: This is what he's wrote.
1:12:01
[SPEAKER_18]: And I don't mean just Captain America, the Marvel character, but I mean that general idea of the soldier, the president, the leader, the hero, the John Wayne, even though that wasn't true, was something that was valuable.
1:12:14
[SPEAKER_18]: And I think we've lost something,
1:12:16
[SPEAKER_18]: by not having those fake things to look up to.
1:12:19
[SPEAKER_18]: And to some degree, they're real because Jim level is a real hero.
1:12:21
[SPEAKER_18]: Yeah.
1:12:22
[SPEAKER_18]: You know what I mean?
1:12:23
[SPEAKER_18]: Like the ability to take control of his emotions in that moment and in many moments that we're going to see and then do the right thing, that saves lives, the same with everybody else we see.
1:12:32
[SPEAKER_18]: Yeah.
1:12:33
[SPEAKER_18]: If you take away the models of that behavior, then can we have what happens in this movie happen?
1:12:38
[SPEAKER_18]: I guess that's maybe my question.
1:12:40
[SPEAKER_17]: Yeah.
1:12:41
[SPEAKER_17]: I think I don't want to get political, but you could take, say, any two recent presidents and say that one of them put on the face of leadership.
1:12:49
[SPEAKER_17]: Yes.
1:12:50
[SPEAKER_17]: And one of them.
1:12:50
[SPEAKER_17]: The traditional one, the tradition one and one of them put on the false face of what they wanted people to think or isn't putting on a face or something.
1:12:59
[SPEAKER_18]: Different people would probably peg different presidences, the phone one, but that's decide the point.
1:13:04
[SPEAKER_18]: Yes.
1:13:04
[SPEAKER_18]: It's the night before the launch.
1:13:07
[SPEAKER_18]: and spectators have come up and our astronauts are there and they're of course far away because they can't get sick and they're kind of waving and who shows up Maryland.
1:13:15
[SPEAKER_18]: That's a great moment.
1:13:17
[SPEAKER_15]: Well hey that looks like Maryland level but he can't be.
1:13:21
[SPEAKER_15]: He's not coming to the launch.
1:13:22
[SPEAKER_34]: I heard it was going to be a hell of a show.
1:13:25
[SPEAKER_15]: Who told you that?
1:13:26
[SPEAKER_34]: Some guy I know.
1:13:28
[SPEAKER_18]: And there's great smiles between them, and you just really taught me Hanks and Catherine Quinn that are great.
1:13:33
[SPEAKER_17]: Yeah, you feel the love, but then also that dynamic is still there because he's like, you can't quit me and he doesn't even, I don't think even think he says goodbye.
1:13:41
[SPEAKER_17]: He just turns like you heard what happened with Ken and just turns around and leaves.
1:13:46
[SPEAKER_17]: I'm going off now to go into space for a week.
1:13:50
[SPEAKER_20]: Because it makes a bigger deal out of it than it becomes an emotional thing for her to carry.
1:13:55
[SPEAKER_20]: Yeah.
1:13:55
[SPEAKER_20]: If he makes it like it's just a Tuesday, then she doesn't have to carry that weight.
1:14:00
[SPEAKER_17]: There wasn't.
1:14:01
[SPEAKER_17]: Don't worry.
1:14:02
[SPEAKER_17]: Yeah, they're what you just heard about that.
1:14:04
[SPEAKER_20]: Yeah.
1:14:05
[SPEAKER_17]: And I'm done.
1:14:05
[SPEAKER_20]: And that's their, you know, relationship.
1:14:08
[SPEAKER_18]: Well, you know, it's weird way this is related to the previous question.
1:14:11
[SPEAKER_18]: He is not showing his true feelings to her and expecting her not to show her true feelings to him.
1:14:16
[SPEAKER_18]: Right.
1:14:16
[SPEAKER_18]: Her job is not to is to pretend she's not afraid.
1:14:19
[SPEAKER_18]: That's the point.
1:14:20
[SPEAKER_18]: That is her job on the night before he leaves.
1:14:21
[SPEAKER_18]: Definitely.
1:14:22
[SPEAKER_18]: Yeah.
1:14:22
[SPEAKER_18]: That's her job.
1:14:23
[SPEAKER_18]: Yeah, it's funny how often I, I've noticed this, you know, being a parent and all sorts of situations, frequently our job is not to actually reveal our true feelings.
1:14:32
[SPEAKER_18]: Oh, of course.
1:14:33
[SPEAKER_18]: No.
1:14:33
[SPEAKER_18]: No.
1:14:33
[SPEAKER_18]: Yeah.
1:14:35
[SPEAKER_18]: Yeah.
1:14:36
[SPEAKER_18]: Yeah.
1:14:36
[SPEAKER_18]: Because like, this is not the time for that.
1:14:38
[SPEAKER_18]: Yeah.
1:14:38
[SPEAKER_16]: You know, right.
1:14:39
[SPEAKER_18]: Now is the, yeah.
1:14:40
[SPEAKER_18]: I mean, yeah.
1:14:41
[SPEAKER_18]: I have a lot of thoughts on that.
1:14:44
[SPEAKER_18]: It's April, eleven, nineteen, seventy.
1:14:47
[SPEAKER_18]: My wife's one-year birthday.
1:14:49
[SPEAKER_18]: Oh, she's one-year-old on this day.
1:14:51
[SPEAKER_05]: Oh, wow.
1:14:52
[SPEAKER_18]: Yeah.
1:14:53
[SPEAKER_18]: And we see Goethe, I think he's name is.
1:14:56
[SPEAKER_18]: Goethe vent.
1:14:57
[SPEAKER_18]: Goethe vent is, I guess, the doctor guy, what is he?
1:15:00
[SPEAKER_18]: Scientist?
1:15:01
[SPEAKER_18]: Yeah, that's the rocket scientist.
1:15:02
[SPEAKER_17]: No, he's just a dude who helps him in his suit and then he brings him, he's the like, he's his shaperoning.
1:15:07
[SPEAKER_17]: He gets him in the suit.
1:15:09
[SPEAKER_17]: I don't know his title, but he gets him in the suit and puts him in the gaps.
1:15:12
[SPEAKER_17]: Oh, and he's not a doctor.
1:15:13
[SPEAKER_17]: They're getting some little stuff to put on them.
1:15:15
[SPEAKER_18]: Yeah.
1:15:16
[SPEAKER_20]: Massive fluffer.
1:15:18
[SPEAKER_18]: And we put the suit on to a party.
1:15:22
[SPEAKER_18]: Massive fluffer is gonna be my favorite.
1:15:25
[SPEAKER_18]: So I'm going for his haul over there.
1:15:28
[SPEAKER_18]: I mean, when you get the rocket to go up, it really goes up.
1:15:32
[SPEAKER_18]: And we talk about, talk about third stage.
1:15:37
[SPEAKER_18]: It's a lot of jokes here folks.
1:15:39
[SPEAKER_18]: Man, we have lift off on that one.
1:15:41
[SPEAKER_05]: Anyway, all right.
1:15:43
[SPEAKER_18]: All right, dad.
1:15:48
[SPEAKER_18]: Maryland is in the shower.
1:15:50
[SPEAKER_18]: She's washing your hands.
1:15:51
[SPEAKER_18]: We hear the sound of a ring drop.
1:15:53
[SPEAKER_18]: It drops into the drain.
1:15:54
[SPEAKER_18]: She can't get it out.
1:15:56
[SPEAKER_18]: True story really happened.
1:15:57
[SPEAKER_17]: Yeah.
1:15:58
[SPEAKER_17]: But now that's Safari and in Burbank.
1:16:05
[SPEAKER_18]: And you know, we have that music as they get into the suits and the beautiful shots as they stand up in a frame.
1:16:12
[SPEAKER_18]: I think the shot selection in camera movement in this movie is great.
1:16:16
[SPEAKER_18]: I mean, Ron Howard, I was debating what I would say this, but I guess I'll say it right now.
1:16:21
[SPEAKER_18]: I think Ron Howard might be the most underrated director in Hollywood film.
1:16:26
[SPEAKER_18]: I think this guy has made a lot of really good films.
1:16:29
[SPEAKER_18]: This probably is my favorite of his films.
1:16:31
[SPEAKER_18]: Yeah.
1:16:32
[SPEAKER_18]: And he is a consummate craftsman.
1:16:34
[SPEAKER_18]: He's gotten great performances out of people and nobody puts him on any of the lists.
1:16:38
[SPEAKER_18]: No.
1:16:38
[SPEAKER_14]: Yeah.
1:16:39
[SPEAKER_14]: It's a shame.
1:16:40
[SPEAKER_18]: Yeah.
1:16:40
[SPEAKER_18]: And I'm not saying that, I mean, he has he made a movie like Jaws, has he made a movie like The Godfather, Taxi Driver?
1:16:45
[SPEAKER_18]: Right.
1:16:46
[SPEAKER_18]: No.
1:16:47
[SPEAKER_18]: But he's made a lot of really good movies and some movies that nobody cares about.
1:16:51
[SPEAKER_18]: That's also true.
1:16:55
[SPEAKER_18]: There's the moment where Bill Paxon has to spit out his gum and the guy has to hold his gum.
1:17:00
[SPEAKER_18]: This was the real Fred.
1:17:01
[SPEAKER_18]: This was his one objection to the film.
1:17:03
[SPEAKER_18]: He's like, I don't chew gum.
1:17:07
[SPEAKER_18]: Apparently Kevin Bacon freaked out.
1:17:09
[SPEAKER_18]: They put the first time they put that helmet on him.
1:17:13
[SPEAKER_18]: Which doesn't surprise me if you're a little claustrophobic and you're suddenly breathing in that thing Because they were the real suits.
1:17:19
[SPEAKER_18]: I mean they were really had on board air and like damn right.
1:17:22
[SPEAKER_18]: That's got a freaky.
1:17:23
[SPEAKER_18]: I would ask about on the whole suit.
1:17:25
[SPEAKER_18]: Yeah The launch sequence the build up to the launch and the launch itself I think is phenomenal filmmaking
1:17:43
[SPEAKER_18]: And they go, they're going up into the elevator and the gantry, the looks between the astronauts are just great.
1:17:49
[SPEAKER_18]: You see fear and excitement and intensity and like, I've had some moments that were exciting in my life.
1:17:57
[SPEAKER_18]: I cannot imagine.
1:17:59
[SPEAKER_18]: There's nothing remotely close to what this would be.
1:18:03
[SPEAKER_18]: Yeah.
1:18:04
[SPEAKER_18]: Should there be?
1:18:05
[SPEAKER_18]: Fair.
1:18:06
[SPEAKER_18]: Yeah.
1:18:07
[SPEAKER_18]: There's so much tension.
1:18:08
[SPEAKER_18]: The shot selection is beautiful.
1:18:10
[SPEAKER_18]: All of this stuff is constructed.
1:18:12
[SPEAKER_18]: They worked with digital domain.
1:18:13
[SPEAKER_18]: It's a lot of model work.
1:18:14
[SPEAKER_18]: It's a lot of compositing.
1:18:16
[SPEAKER_18]: It's a lot of multipasses.
1:18:18
[SPEAKER_18]: They really were in the real area at Cape Cranaveral or they really did do some of these moves, but all the stuff at the rocket that's all put in post.
1:18:27
[SPEAKER_18]: It looks absolutely amazing.
1:18:30
[SPEAKER_18]: And Tom Hague said, the one shot he always wanted to do at his entire life as soon as he became an actor was to be in a space suit and walk across the gantry into a capsule.
1:18:40
[SPEAKER_18]: That was like what he wanted to do.
1:18:44
[SPEAKER_18]: You know what's cool?
1:18:44
[SPEAKER_18]: Like it was now that we're entering like this world of VR and things.
1:18:48
[SPEAKER_18]: We're going to be able to kind of visually do some things like this.
1:18:52
[SPEAKER_20]: Almost bought the Oculus yesterday.
1:18:53
[SPEAKER_20]: Yeah, I ordered it because I tried it out last week and a friend broke almost broke my legs doing it because I don't know if you know this story Steve, but I was I put on the Oculus and it's that game where you walk across the plank that's hanging off the building.
1:19:07
[SPEAKER_20]: Okay.
1:19:08
[SPEAKER_20]: And if you have a fear of heights, it's legitimate.
1:19:10
[SPEAKER_20]: Yeah.
1:19:11
[SPEAKER_20]: Like, you know, and so one of my co-workers thought it'd be funny, because the other guy is like, step to you right.
1:19:17
[SPEAKER_20]: And apparently you actually do fall when you step off the plank.
1:19:20
[SPEAKER_20]: Like if you fall and it can't see anything else.
1:19:22
[SPEAKER_20]: So you legitimately in the world.
1:19:24
[SPEAKER_20]: Well, he thought it'd be funny to push me as I'm stepping to my right to fall.
1:19:29
[SPEAKER_20]: So I freaked out because I have a fear of heights.
1:19:32
[SPEAKER_20]: And I immediately like jumped
1:19:34
[SPEAKER_20]: and put and fell on both my knees and my elbows on the concrete of or cement of our place and so I'm just now today seven days later able to walk without pain but it was like the worst and but it sold the VR thing to me a thousand percent and it's like four hundred to five hundred dollars but in my head I'm like this could be worth it because apparently you can watch TV shows or you go nature stuff like
1:19:58
[SPEAKER_20]: All of it is available to you in a very real in comes in way.
1:20:02
[SPEAKER_20]: So you're right.
1:20:03
[SPEAKER_20]: And there is a net there is a space thing.
1:20:05
[SPEAKER_20]: Oh, sure.
1:20:05
[SPEAKER_20]: Space app on it.
1:20:06
[SPEAKER_20]: So I'm like, Oh, my God.
1:20:07
[SPEAKER_18]: So I got it.
1:20:09
[SPEAKER_18]: Oh, you.
1:20:09
[SPEAKER_18]: It's great.
1:20:10
[SPEAKER_18]: Oh, yeah.
1:20:10
[SPEAKER_18]: And then I broke it and it's getting and it's being sent back to me tomorrow.
1:20:13
[SPEAKER_18]: I mean, I didn't break it, but it, it, it stopped working.
1:20:17
[SPEAKER_18]: Oh, just not working.
1:20:18
[SPEAKER_18]: Yeah, so I sent it.
1:20:19
[SPEAKER_18]: The tracking went off.
1:20:20
[SPEAKER_18]: And so Oculus is replacing it.
1:20:21
[SPEAKER_18]: So it will show up again tomorrow.
1:20:23
[SPEAKER_18]: Nice.
1:20:23
[SPEAKER_18]: And maybe I will check out this pacing.
1:20:25
[SPEAKER_18]: I think there should be some rules about VR.
1:20:27
[SPEAKER_18]: OK.
1:20:28
[SPEAKER_18]: Like you do not mess with someone.
1:20:29
[SPEAKER_05]: Well, of course not.
1:20:30
[SPEAKER_05]: I'm going to tell you also the thing.
1:20:32
[SPEAKER_18]: You know, the thing that happens with young, particularly men of like, it'll be fun to do this thing that'll scare the crap out of someone and possibly hurt them.
1:20:40
[SPEAKER_18]: It won't that be awesome.
1:20:42
[SPEAKER_18]: Like you're standing on the cliff near the water.
1:20:44
[SPEAKER_18]: And I'll just push them off the cliff into the water.
1:20:47
[SPEAKER_18]: Once you get to a certain age, it's like, no!
1:20:51
[SPEAKER_18]: Don't do that thing, somebody would just take longer to get out of place, I guess.
1:20:54
[SPEAKER_18]: I love to, by the way, the way they have to strap them in, and they actually have to step on their shoulder to push it down.
1:21:00
[SPEAKER_18]: That is a tight seat belt.
1:21:02
[SPEAKER_20]: That's why I like that scene and arm again.
1:21:05
[SPEAKER_17]: That's the best line ever.
1:21:08
[SPEAKER_25]: You know what I'm asking?
1:21:10
[SPEAKER_25]: Right.
1:21:11
[SPEAKER_25]: I got that excited scared feeling.
1:21:13
[SPEAKER_25]: Like, nine new percent excited, two percent scared.
1:21:16
[SPEAKER_25]: Maybe it's more.
1:21:18
[SPEAKER_25]: It could be two, it could be ninety-eight percent scared, two percent excited.
1:21:20
[SPEAKER_25]: That's what makes it so intense.
1:21:22
[SPEAKER_25]: It's so confused.
1:21:24
[SPEAKER_25]: I can't really figure it out.
1:21:27
[SPEAKER_17]: Either way, either way, it's a rush.
1:21:28
[SPEAKER_17]: It's a rush.
1:21:29
[SPEAKER_17]: It's a rush.
1:21:30
[SPEAKER_17]: Ed Harris.
1:21:33
[SPEAKER_17]: I can't believe we, it takes this long in the movie to get to Ed here, right?
1:21:36
[SPEAKER_17]: So good.
1:21:38
[SPEAKER_18]: Who came from the right style?
1:21:39
[SPEAKER_18]: Yeah.
1:21:39
[SPEAKER_18]: Yeah.
1:21:40
[SPEAKER_18]: He is so good in this movie.
1:21:41
[SPEAKER_18]: He, I won't say he steals the film because that's not possible.
1:21:45
[SPEAKER_18]: But every moment he's in, he is amazing and fascinating and carries so much strength.
1:21:50
[SPEAKER_18]: He plays Gene Kranzu is one of the many, what's his title?
1:21:53
[SPEAKER_18]: The flight director.
1:21:54
[SPEAKER_18]: Flight director.
1:21:56
[SPEAKER_18]: And the, the way we're introduced to him is a box comes in that's heading towards him because his wife has made something.
1:22:02
[SPEAKER_18]: We hear that there's a tradition and we open it up and we see this vest and he puts on the vest and everyone applause and goes, I guess we can go now.
1:22:12
[SPEAKER_18]: This is a real tradition.
1:22:13
[SPEAKER_18]: She was really was superstitious and she really did so a new, I don't know if it was a new vest every time, wasn't it?
1:22:18
[SPEAKER_18]: I think it was, yeah.
1:22:20
[SPEAKER_20]: See Steve, so wait, so it's superstition.
1:22:22
[SPEAKER_20]: Look at them.
1:22:23
[SPEAKER_18]: All right, lots of people are superstitious.
1:22:25
[SPEAKER_18]: What's it a waste coat?
1:22:26
[SPEAKER_18]: Yeah.
1:22:27
[SPEAKER_18]: Did he really call it that?
1:22:28
[SPEAKER_18]: I think so.
1:22:28
[SPEAKER_18]: Yeah.
1:22:28
[SPEAKER_18]: That's awesome.
1:22:29
[SPEAKER_18]: I love the shot of Gunter sealing the hatch.
1:22:32
[SPEAKER_18]: Yeah.
1:22:32
[SPEAKER_18]: Through the hatch.
1:22:33
[SPEAKER_18]: That's really cool.
1:22:33
[SPEAKER_17]: And it's like that was door.
1:22:35
[SPEAKER_17]: So many locks and tumblers.
1:22:36
[SPEAKER_17]: And you're like, it's a little, it's a little ominous, even though it's not.
1:22:40
[SPEAKER_17]: You're in there.
1:22:41
[SPEAKER_18]: Well, you're on top of like, you know, ten thousand pounds of like a few or whatever it is.
1:22:45
[SPEAKER_18]: Yeah.
1:22:47
[SPEAKER_18]: And now it's time for a go-no go-for-lunch.
1:22:49
[SPEAKER_13]: Paul at thirteen flag controllers.
1:22:51
[SPEAKER_13]: Listen up.
1:22:53
[SPEAKER_13]: Give me a go-no, go-for-lunch.
1:22:55
[SPEAKER_13]: I love this.
1:22:56
[SPEAKER_18]: Yeah.
1:22:56
[SPEAKER_18]: Just going around the room, hearing the goes from each of the department.
1:23:00
[SPEAKER_18]: Booster.
1:23:01
[SPEAKER_09]: Go.
1:23:01
[SPEAKER_09]: Retro.
1:23:02
[SPEAKER_09]: Go, final.
1:23:03
[SPEAKER_09]: We're going fly, guidance code.
1:23:05
[SPEAKER_13]: Surgeon.
1:23:06
[SPEAKER_13]: Go fly.
1:23:07
[SPEAKER_13]: E-com.
1:23:08
[SPEAKER_13]: We're going fly.
1:23:08
[SPEAKER_13]: GMC.
1:23:09
[SPEAKER_13]: We're going.
1:23:10
[SPEAKER_13]: Tell me you, go control.
1:23:11
[SPEAKER_13]: Go fly.
1:23:12
[SPEAKER_13]: Procedures.
1:23:13
[SPEAKER_13]: Go.
1:23:13
[SPEAKER_13]: E-com.
1:23:15
[SPEAKER_13]: F-A-O.
1:23:16
[SPEAKER_13]: We are going.
1:23:17
[SPEAKER_13]: Network.
1:23:17
[SPEAKER_13]: Go.
1:23:18
[SPEAKER_13]: Cover.
1:23:19
[SPEAKER_28]: Go.
1:23:19
[SPEAKER_13]: Capcom.
1:23:20
[SPEAKER_13]: We're going fly.
1:23:22
[SPEAKER_13]: If launch control is used then we go for launch.
1:23:25
[SPEAKER_06]: We are going for launch.
1:23:28
[SPEAKER_18]: You can see Ken Mattingly out on this field far away, looking at the rocket ship, standing next to his Corvette.
1:23:35
[SPEAKER_18]: We have inside the capsule, the camera is panning across the faces.
1:23:39
[SPEAKER_18]: This is a real tension builder suspension.
1:23:43
[SPEAKER_18]: And a lot of this is this is editorial, this is music, this digital domain doing some great special effects.
1:23:49
[SPEAKER_18]: And there's this moment, whereas the tension is building, Jim Lovell looks at the abort switch.
1:23:55
[SPEAKER_18]: Why?
1:23:56
[SPEAKER_18]: Why did he look at it at this moment?
1:23:57
[SPEAKER_18]: It's the last chance.
1:24:00
[SPEAKER_18]: I would think so.
1:24:01
[SPEAKER_20]: It's the last chance to flick it and then this thing.
1:24:03
[SPEAKER_18]: Yeah.
1:24:04
[SPEAKER_18]: Yeah.
1:24:04
[SPEAKER_18]: And if something goes wrong, I'm what happened?
1:24:06
[SPEAKER_18]: Do you know what happens if they hit the abort?
1:24:09
[SPEAKER_17]: Oh, yeah, the capsule pops off the top, and it has a, the Howard Jettison.
1:24:14
[SPEAKER_17]: They call it, he does it later in the movie.
1:24:17
[SPEAKER_17]: There's a, the tower will set us in the off, and it'll pull the capsule off, and then it's got a parachute, and it supposedly will deliver them to the ground safely.
1:24:25
[SPEAKER_18]: Because it, and maybe we'd have been better off with that switch now, you think about it.
1:24:30
[SPEAKER_18]: We're going for launch.
1:24:37
[SPEAKER_18]: and there's close-ups of the crew and the ignition sequence starts and they start shaking, we hear Tom Hanks say, the wives are crying, the rocket starts, we hit ignition and that huge explosion happens and apparently I think it was Buzz Aldrin saw the footage and said, wow, where did you find this?
1:24:57
[SPEAKER_18]: You must have found this in a vault somewhere and Ron Howard said, no, no, we made all this.
1:25:02
[SPEAKER_18]: And he said, wow, that's really good.
1:25:03
[SPEAKER_18]: Can we use it?
1:25:12
[SPEAKER_18]: There's a great top-down shot of the rocket coming towards camera because Ron Howard wanted to show shots at first that we were used to seeing and then show shots that were impossible that humans could have seen.
1:25:23
[SPEAKER_18]: And the rocket goes up and we're in the clouds and then we see space appear.
1:25:27
[SPEAKER_18]: It's funny.
1:25:27
[SPEAKER_18]: I have a note that says, ask Dave what that tower thing that gets shot off is.
1:25:31
[SPEAKER_18]: You already answered.
1:25:34
[SPEAKER_18]: And then we get to the first stage.
1:25:36
[SPEAKER_18]: This is so cool when that first stage drops off and he says get ready for a little bump or something.
1:25:42
[SPEAKER_18]: Yeah.
1:25:42
[SPEAKER_20]: Yeah.
1:25:43
[SPEAKER_18]: A little jolt and they fly forward despite being strapped in with someone shoulder on their arms and then that next stage ignites it.
1:25:51
[SPEAKER_18]: They get thrust back.
1:25:53
[SPEAKER_18]: So cool.
1:25:54
[SPEAKER_18]: And then all of a sudden we have five engines and one of them goes out.
1:25:59
[SPEAKER_15]: Here's those historic team.
1:26:00
[SPEAKER_15]: We've got a center engine cut off.
1:26:01
[SPEAKER_15]: Go on the other floor.
1:26:03
[SPEAKER_18]: And there is a quick kind of panic.
1:26:05
[SPEAKER_18]: And there are looks between our crew members, which are really the, oh, we're going to die.
1:26:10
[SPEAKER_18]: The good shot we're going to die right now.
1:26:12
[SPEAKER_18]: And then they go down and they say, no, no, we're okay.
1:26:14
[SPEAKER_18]: You just have to burn them a little longer.
1:26:16
[SPEAKER_18]: And you remember what Jim level says at that moment?
1:26:19
[SPEAKER_18]: Yeah, we just had our one glitch.
1:26:20
[SPEAKER_18]: We just set our glitch for the mission.
1:26:22
[SPEAKER_18]: Which is in the transcript, he really said that.
1:26:24
[SPEAKER_18]: Yeah.
1:26:25
[SPEAKER_20]: Yeah, they said they adhered to the transcripts pretty close really close for all the interactions with NASA.
1:26:31
[SPEAKER_20]: I mean, except for the Houston wave of problem, that didn't happen.
1:26:34
[SPEAKER_18]: Yeah, that didn't happen.
1:26:35
[SPEAKER_18]: Ken wants back to his car.
1:26:37
[SPEAKER_18]: They do one more burn and Jim level says in gentlemen, that is how we do that.
1:26:43
[SPEAKER_18]: And now they start to take their stuff off.
1:26:44
[SPEAKER_18]: And this is the first actual vomit comet shot in the movie where they do start selling that real real zeroed gravity.
1:26:52
[SPEAKER_17]: I just can't even imagine you get twenty five seconds every time they had to they had to choreograph this into twenty five second bursts to get these shots take after take after take with the cameraman floating and the director floating everybody floating like there's nobody else immune to it you know everybody's wait let's
1:27:11
[SPEAKER_18]: It's so insane.
1:27:11
[SPEAKER_18]: So what I think what happened is is they said, you know what, in order for our actors to know what this is like, we're going to take them on the Casey one thirty five to experience zero G. And they went up there and they brought a couple of cameras just to do some test footage and apparently Bill Paxon is the guy who got it, like, just loved it.
1:27:27
[SPEAKER_18]: And we just do influence.
1:27:30
[SPEAKER_18]: And they do it a bunch, and it was Steven Spielberg, who said, because he's an executive producer, and he said, you should shoot the movie in there.
1:27:37
[SPEAKER_18]: And they go, we can't, we can't do that.
1:27:39
[SPEAKER_18]: We just did it to give the actress the experience.
1:27:41
[SPEAKER_18]: He says, no, you should.
1:27:42
[SPEAKER_18]: They decide to shoot a certain set of scenes, but they didn't shoot, they're not going to shoot close-ups.
1:27:47
[SPEAKER_18]: They're not going to shoot two shots.
1:27:48
[SPEAKER_18]: It's only the wide shots, because they only can do it for a twenty-five, forty-six, whatever it is.
1:27:53
[SPEAKER_18]: And everything else is shot on a stage.
1:27:55
[SPEAKER_18]: And they do maybe,
1:27:57
[SPEAKER_18]: hundred shots or something and they said I totally made up that number so that's right and they go and Ron Howard goes back to universal and says listen I think we should do more and convinces them to do two or three times as much as they've already done wow they ended up doing six hundred of these parabolic flights
1:28:18
[SPEAKER_18]: Because every because you do a shit, you know, if you had to do four takes, well, that was four times you had to do it, you know, and and they did six hundred.
1:28:24
[SPEAKER_18]: They have more zero G time than a lot of people than NASA program because no one else.
1:28:30
[SPEAKER_18]: I mean, and it costs so much to do every one of these.
1:28:33
[SPEAKER_17]: And I don't know how you act.
1:28:34
[SPEAKER_17]: because you only is like if you're an astronaut first of all you don't have to act and you're just up there waitless but you have you've had time to get used to it as the actors like this is happening just now for under a minute and I have to ignore all the weird sensations in my body and just give a performance well I don't know how you do it well and I think of things like well there's a guy who has to pull focus yeah which means he's the person's like the distance you are from camera to pull football he's in zero good gee so he's experienced his own thing but he has to be on the camera and the cameras moving and the you know it's like
1:29:03
[SPEAKER_18]: You think of how long it takes to set up a shot and to practice it and to get it just right, and you have, right?
1:29:09
[SPEAKER_18]: You're going up this, because before you have the zero G moment, you have the going up really massive G's moment, getting ready to do that shot, and then you've got to, I can't imagine.
1:29:19
[SPEAKER_17]: At the bottom of every arc, then you're way at least two G's.
1:29:25
[SPEAKER_17]: So you're coming down.
1:29:26
[SPEAKER_17]: So you have to here, two, three hundred, four hundred pounds of pressure.
1:29:31
[SPEAKER_18]: And these are only the wide shots.
1:29:33
[SPEAKER_18]: So when they're in the plane, the lighting is really limited because you only have so much space.
1:29:39
[SPEAKER_18]: So they built the set inside the plane and they put some lighting there.
1:29:42
[SPEAKER_18]: And then when they go on set, they have to match what's in the plane.
1:29:46
[SPEAKER_18]: So even though they're on a big stage, and then they have to create the sense of zero-g gravity and exactly the space that they were in before to match a shot, they might have shot two months ago, while floating around on a plane.
1:29:58
[SPEAKER_18]: That is, this is advanced.
1:30:00
[SPEAKER_17]: I cannot.
1:30:00
[SPEAKER_17]: I can't film it.
1:30:01
[SPEAKER_17]: Imagine the technicalities in making this.
1:30:05
[SPEAKER_17]: It's crazy, yeah.
1:30:07
[SPEAKER_09]: My booster, I show this for B-Shut Down.
1:30:10
[SPEAKER_27]: TLS on the money.
1:30:12
[SPEAKER_27]: Looks good, fly.
1:30:13
[SPEAKER_13]: Roger Fido.
1:30:16
[SPEAKER_13]: OK, guys.
1:30:19
[SPEAKER_13]: Going on the moon.
1:30:20
[SPEAKER_18]: And Fred throws up.
1:30:23
[SPEAKER_18]: Which he says he did not throw up.
1:30:25
[SPEAKER_18]: Oh, yeah, I heard that too.
1:30:26
[SPEAKER_18]: And the transcripts and all the records say he did.
1:30:29
[SPEAKER_17]: Yeah.
1:30:31
[SPEAKER_17]: I think Jim and level even talked about.
1:30:33
[SPEAKER_17]: I'm bearing the lead a little bit here.
1:30:34
[SPEAKER_17]: But when I was in high school, I wasn't nerd, not like the cool guy that I am now.
1:30:40
[SPEAKER_17]: But some of the transformation.
1:30:42
[SPEAKER_17]: Yeah, thanks.
1:30:43
[SPEAKER_17]: Some of the nerds got taken to see Jim level speak.
1:30:48
[SPEAKER_17]: And so I got to go see him speak.
1:30:49
[SPEAKER_17]: I was sixteen or seventeen and I knew his name.
1:30:54
[SPEAKER_17]: I didn't know anything about this story.
1:30:57
[SPEAKER_17]: And I was like, and he gets up there and tells this story and I'm like, what the app is going on?
1:31:04
[SPEAKER_17]: This is insane.
1:31:05
[SPEAKER_17]: And he just kept going through and I'm like, this is the most amazing thing.
1:31:08
[SPEAKER_17]: And he was just like, yeah, this happened.
1:31:10
[SPEAKER_17]: Yeah.
1:31:11
[SPEAKER_17]: You know, it was unbelievable.
1:31:12
[SPEAKER_17]: So you knew the story before seeing this film.
1:31:15
[SPEAKER_17]: Yeah.
1:31:16
[SPEAKER_17]: Wow.
1:31:16
[SPEAKER_17]: Yeah.
1:31:17
[SPEAKER_17]: I really knew nothing about it.
1:31:18
[SPEAKER_17]: Well, that's, that's what I meant about, you know, one of the things I meant about having the Apollo one thing start things out.
1:31:25
[SPEAKER_17]: Like, our space program was touted.
1:31:27
[SPEAKER_17]: We only talked about the victories, you know, right?
1:31:29
[SPEAKER_17]: You weren't there.
1:31:31
[SPEAKER_17]: We weren't alive when they were happening.
1:31:32
[SPEAKER_17]: It's not like they were taught in schools.
1:31:34
[SPEAKER_17]: It's just like, hey, we went to the moon.
1:31:36
[SPEAKER_17]: It's like, hey, no, all this shit happened.
1:31:39
[SPEAKER_17]: And a lot of it was tough.
1:31:40
[SPEAKER_17]: I had no idea what the story wasn't till he told me and I could not believe it.
1:31:44
[SPEAKER_17]: It's time for a docking maneuver.
1:31:46
[SPEAKER_19]: Yeah.
1:31:46
[SPEAKER_17]: Hello.
1:31:47
[SPEAKER_18]: This is what we saw Kevin Bacon demonstrates the bottle in the glass at the beginning of our film.
1:31:53
[SPEAKER_18]: This is what we saw Ken Maddingley practice and to successfully.
1:31:57
[SPEAKER_18]: And now it's Jack's wagerts time.
1:31:59
[SPEAKER_18]: And man, there is a lot of nervousness in the room that he's going to do this thing well.
1:32:05
[SPEAKER_18]: It is beautifully constructed with the looks.
1:32:08
[SPEAKER_18]: Tom Hanks gives Kevin Bacon a look.
1:32:11
[SPEAKER_18]: He knows he's getting a look.
1:32:15
[SPEAKER_18]: Fred is obviously nervous.
1:32:17
[SPEAKER_18]: And I love to when it's getting closer.
1:32:20
[SPEAKER_18]: He's like, I got it.
1:32:21
[SPEAKER_18]: I got it.
1:32:21
[SPEAKER_18]: I got it.
1:32:22
[SPEAKER_18]: And then it's great into that home.
1:32:26
[SPEAKER_17]: What's this great thing like in the right stuff is like you know that this is gonna be fine.
1:32:31
[SPEAKER_17]: Well, you know, like it's so good.
1:32:33
[SPEAKER_17]: It building tension for moments that we know are gonna turn out.
1:32:38
[SPEAKER_17]: Okay, and it's but like you said, it's a great way to show their relationships.
1:32:42
[SPEAKER_17]: It gives you a little bit of comic relief in the scraping noise.
1:32:45
[SPEAKER_17]: It's yeah.
1:32:46
[SPEAKER_17]: It's a good moment.
1:32:47
[SPEAKER_15]: I gotta get out of this too.
1:32:48
[SPEAKER_15]: Houston, we are ready for the beginning of the PTC and I think once we're in that barbecue roll.
1:32:56
[SPEAKER_15]: Jack and I will eat.
1:32:57
[SPEAKER_15]: Hey, I'm hungry.
1:32:58
[SPEAKER_17]: Are you sure?
1:32:59
[SPEAKER_16]: I could eat the ass out of a dead line ostracian.
1:33:02
[SPEAKER_17]: Great look by Tom Hacks.
1:33:04
[SPEAKER_18]: What I know, the origin of this particular shore.
1:33:08
[SPEAKER_18]: So Gary Bucy was visiting.
1:33:10
[SPEAKER_18]: Oh, yeah.
1:33:12
[SPEAKER_18]: And Ron and Phil went to Gary Bucy and say, what would be a really country boy thing to say?
1:33:17
[SPEAKER_18]: Yeah.
1:33:18
[SPEAKER_18]: This is a Gary Bucy line.
1:33:19
[SPEAKER_18]: Of course it is.
1:33:20
[SPEAKER_18]: Right.
1:33:20
[SPEAKER_18]: It makes so much sense.
1:33:21
[SPEAKER_20]: And no country boy has ever said this ever.
1:33:24
[SPEAKER_20]: He just assumed this sounds country.
1:33:25
[SPEAKER_18]: Again, this is a great cut.
1:33:27
[SPEAKER_18]: I cut it the ass out of a dead right now, so it's cut to just a gross after a tobacco shot.
1:33:32
[SPEAKER_18]: Yeah.
1:33:33
[SPEAKER_18]: There's a lot of smoke and a lot of smoke in this.
1:33:36
[SPEAKER_18]: Yeah.
1:33:37
[SPEAKER_18]: And I think the guy putting the ash tray out is Clint Howard.
1:33:40
[SPEAKER_18]: Yeah.
1:33:41
[SPEAKER_18]: Sounds good, right?
1:33:42
[SPEAKER_18]: Yeah.
1:33:43
[SPEAKER_18]: And we kind of say, see you tomorrow.
1:33:44
[SPEAKER_18]: And we fade to black.
1:33:45
[SPEAKER_18]: It's day three.
1:33:46
[SPEAKER_18]: We see the sunrise over the capsule.
1:33:48
[SPEAKER_18]: We see Jim level peen into the suction tube.
1:33:53
[SPEAKER_18]: They see the, uh, they do the off board dump, uh, what they do.
1:33:57
[SPEAKER_18]: And we see a beautiful spray of urine flying out into space.
1:34:02
[SPEAKER_18]: This apparently was one of the actual astronauts favorite parts of the film.
1:34:05
[SPEAKER_18]: Yeah.
1:34:06
[SPEAKER_18]: Because this is the question they got asked over and over again.
1:34:09
[SPEAKER_18]: Right.
1:34:09
[SPEAKER_18]: There it is.
1:34:10
[SPEAKER_18]: Here it comes.
1:34:12
[SPEAKER_18]: The constellation urine.
1:34:14
[SPEAKER_18]: And now it's time to head for their father's broadcast.
1:34:16
[SPEAKER_18]: And one of the daughters doesn't want to go because the Beatles just broke up, which I understand.
1:34:22
[SPEAKER_18]: And we see Tom Hanks begin the broadcast.
1:34:25
[SPEAKER_18]: Okay, good evening.
1:34:27
[SPEAKER_09]: America and welcome aboard Apollo XIII.
1:34:31
[SPEAKER_18]: And we're going to turn on some beautiful music and we start playing spirit in the sky.
1:34:45
[SPEAKER_18]: I think this sequence is totally amazing.
1:34:47
[SPEAKER_18]: Yeah.
1:34:48
[SPEAKER_18]: All the zero G stuff is so fun.
1:34:51
[SPEAKER_18]: It's kind of the most joyful in the whole movie.
1:34:53
[SPEAKER_18]: Yeah.
1:34:53
[SPEAKER_18]: It is.
1:34:54
[SPEAKER_18]: Except for that we find out that the networks are not carrying it.
1:34:58
[SPEAKER_18]: Yeah.
1:34:59
[SPEAKER_20]: Which is once again, it's where the space program was at this time.
1:35:02
[SPEAKER_17]: We did it already, what's the big deal we're moving on to?
1:35:05
[SPEAKER_17]: If you look at the TV's too, you see one of the shows is I Dream of Jeannie, which is a show about an astronaut.
1:35:12
[SPEAKER_17]: Yeah, they'd rather watch the fake show.
1:35:14
[SPEAKER_18]: To be fair, that astronaut does have a jeannie.
1:35:16
[SPEAKER_18]: Yeah, that's a good point.
1:35:18
[SPEAKER_18]: I mean, come on.
1:35:19
[SPEAKER_18]: Barbara Eden.
1:35:20
[SPEAKER_18]: I'd watch that show.
1:35:21
[SPEAKER_18]: Sure.
1:35:21
[SPEAKER_18]: I did watch that show a lot.
1:35:23
[SPEAKER_18]: I can't imagine watching that today.
1:35:25
[SPEAKER_18]: I can't imagine that would be a fun thing to watch.
1:35:29
[SPEAKER_18]: And this is also where we first cut to the old folk's home.
1:35:32
[SPEAKER_18]: And we meet Jim's mom, which is Ron Howard's mom.
1:35:37
[SPEAKER_18]: She's really good at it.
1:35:39
[SPEAKER_18]: And she's a little upset because her son is supposed to be on TV.
1:35:43
[SPEAKER_18]: And the really sad thing is Marilyn kind of going, do they know they're not on the air?
1:35:46
[SPEAKER_18]: It's like we're not going to tell him.
1:35:49
[SPEAKER_18]: It's so crushing.
1:35:50
[SPEAKER_18]: Once again, there's a white lies you're talking about.
1:35:53
[SPEAKER_18]: Right?
1:35:53
[SPEAKER_18]: Yeah, exactly.
1:35:54
[SPEAKER_18]: Putting on a face.
1:35:55
[SPEAKER_21]: I'd love to the moment where Jack's Vibert Kevin Bacon says, well, if anyone from the IRS is watching, I forgot to file my ten, forty returns, and then I meant to do it today, but that's no joke.
1:36:10
[SPEAKER_24]: They'll jump on him.
1:36:12
[SPEAKER_18]: That was an improvised line.
1:36:14
[SPEAKER_15]: So this is the crew of Apollo XIII.
1:36:18
[SPEAKER_15]: wishing everyone back on earth.
1:36:20
[SPEAKER_15]: Wasn't evening.
1:36:23
[SPEAKER_18]: And we see, I guess, Zander Berkeley is sort of the press representative guy.
1:36:28
[SPEAKER_18]: He's the one real dick.
1:36:30
[SPEAKER_18]: It seems like in the movie.
1:36:32
[SPEAKER_17]: Oh, Zander.
1:36:33
[SPEAKER_17]: He does a good job, though, of making it, he's not arch, you know, unbelievable.
1:36:37
[SPEAKER_17]: He doesn't seem insidious, but he is, uh, eki.
1:36:42
[SPEAKER_17]: Yeah.
1:36:42
[SPEAKER_18]: Well, he just is a little cold.
1:36:44
[SPEAKER_18]: And we're done with our broadcast and Houston says when you get a chance, if you could just stir your oxygen tanks.
1:36:50
[SPEAKER_18]: And there's a great shot of Kevin Bacon as he's reaching for that switch.
1:36:54
[SPEAKER_18]: And you know that, oh, this is gonna be it.
1:36:57
[SPEAKER_18]: And he hits the switch and we go inside the circuits and there's kind of an explosion and suddenly all hell breaks.
1:37:08
[SPEAKER_07]: Hey, we've got a problem here.
1:37:11
[SPEAKER_18]: alarms are going off, the master arms go off.
1:37:14
[SPEAKER_18]: You know, they kind of go to swagger.
1:37:15
[SPEAKER_18]: What'd you do?
1:37:16
[SPEAKER_18]: He's like, I just skirt the tanks.
1:37:17
[SPEAKER_18]: Yeah.
1:37:18
[SPEAKER_18]: And in Houston, all the monitors are going down.
1:37:20
[SPEAKER_18]: And the things are going, hey, wire.
1:37:22
[SPEAKER_18]: And then we have Tom Hanks saying Houston, we have a problem.
1:37:26
[SPEAKER_19]: Yeah.
1:37:27
[SPEAKER_18]: Which was not from the three steps.
1:37:29
[SPEAKER_18]: It's something apparently Jim Lovell said in talking to Ron Howard.
1:37:33
[SPEAKER_15]: Oh, wow.
1:37:33
[SPEAKER_18]: Yeah.
1:37:34
[SPEAKER_15]: At least.
1:37:35
[SPEAKER_18]: Yeah.
1:37:35
[SPEAKER_18]: The head of the horse's mouth.
1:37:36
[SPEAKER_18]: Yeah.
1:37:37
[SPEAKER_18]: But he did not actually say it at the time.
1:37:39
[SPEAKER_15]: There's another master alarm, Houston.
1:37:41
[SPEAKER_18]: I'm checking a quote.
1:37:42
[SPEAKER_15]: There's so much chaos going on in this moment.
1:37:45
[SPEAKER_15]: It's really well filmed.
1:37:46
[SPEAKER_15]: Apparently this is like all the actors, all the Houston control people.
1:38:00
[SPEAKER_18]: are just pouring through all the transcripts and coming to Ron Howard and saying, well, what if I say this?
1:38:04
[SPEAKER_18]: What if I say this?
1:38:05
[SPEAKER_18]: And he's calling all of that and kind of deciding, okay, yes, that's good.
1:38:08
[SPEAKER_18]: That's not.
1:38:09
[SPEAKER_18]: Let's put that over here.
1:38:10
[SPEAKER_18]: Let's have you say this at this in time.
1:38:11
[SPEAKER_18]: You did all out and just building the script as they go based on all these things, the actors and other people are finding within the transcripts.
1:38:19
[SPEAKER_17]: That's amazing.
1:38:19
[SPEAKER_17]: And they do such a good job of doing, it's all this technical jargon that nobody knows.
1:38:25
[SPEAKER_17]: I don't, I'm not even going to pretend I know, but like, you get from context how bad it is.
1:38:30
[SPEAKER_16]: You still have a main plus A underbolt now too.
1:38:34
[SPEAKER_16]: It's reading twenty five and a half.
1:38:35
[SPEAKER_16]: Main bus B is reading zip right now.
1:38:37
[SPEAKER_17]: But you're like, what?
1:38:39
[SPEAKER_17]: But you're like, fuck, I'm scared.
1:38:41
[SPEAKER_18]: What is so great, too, is that they've managed to convey that this is really scary and right on the edge of panic, but also that these are all professionals who are really well trained, who are staying remarkably calm and on point of trying to do their jobs while it's happening.
1:38:58
[SPEAKER_13]: He come with your dad to tell you.
1:38:59
[SPEAKER_24]: Oh, two tank two not reading at all.
1:39:01
[SPEAKER_24]: Tank one is at a seven hundred twenty five PSI and falling fuel sales one and three are wrong.
1:39:09
[SPEAKER_24]: Oh, what's going on here?
1:39:10
[SPEAKER_18]: Fly, let me get back to you.
1:39:11
[SPEAKER_18]: And then this is moment two where Houston starts to go, this can't, we can't have a quadruple failure.
1:39:15
[SPEAKER_18]: This is all, maybe it's instrumentation.
1:39:17
[SPEAKER_18]: Yeah.
1:39:17
[SPEAKER_18]: Maybe nothing's happening.
1:39:18
[SPEAKER_18]: Yeah.
1:39:19
[SPEAKER_18]: And then we hear Fredo saying, we got a wicked shimmy up here.
1:39:23
[SPEAKER_13]: We got a chance for you guys to talk about bangs and shimmy's up there.
1:39:26
[SPEAKER_13]: Don't sound like instrumentation to me.
1:39:28
[SPEAKER_18]: I love to and throughout this we have this zero g maneuvering going back and forth past each other and it's like nothing we've ever seen in a movie.
1:39:37
[SPEAKER_18]: It's interesting the difference I think this, you know, conversation we have many times between of course you could do all of that zero g stuff by just doing everything in CG.
1:39:45
[SPEAKER_18]: Yeah, it's not the same.
1:39:51
[SPEAKER_16]: Roger and the signal strength is binding.
1:39:53
[SPEAKER_15]: We want the story here, Jack.
1:39:54
[SPEAKER_15]: We keep floating with gamble lock.
1:39:56
[SPEAKER_18]: Everyone's still talking and panicked and all this technical stuff and then everything quiets down.
1:40:02
[SPEAKER_18]: As Tom Hanks turns and looks out the window and all the sound goes into the background and we see the gas.
1:40:13
[SPEAKER_18]: We are venting something out into space and the camera pushes in on at first.
1:40:20
[SPEAKER_09]: Right now.
1:40:20
[SPEAKER_09]: Definitely a gas and some sort.
1:40:26
[SPEAKER_15]: It's got to be the oxygen.
1:40:31
[SPEAKER_18]: And then there are a look.
1:40:31
[SPEAKER_18]: Suddenly, and this is, again, classic filmmaking rule of an order to have a moment be traumatic.
1:40:37
[SPEAKER_18]: Chaos, Chaos, Chaos, Chaos.
1:40:38
[SPEAKER_18]: It's slow, silent.
1:40:41
[SPEAKER_18]: And then this moment takes on all of this weight.
1:40:45
[SPEAKER_18]: And it's kind of like, did you hear me?
1:40:49
[SPEAKER_07]: Roger Odyssey, we copy, you're venting.
1:40:51
[SPEAKER_18]: And then snap everybody goes back to work.
1:40:58
[SPEAKER_18]: And this is where, man, that hurts.
1:40:59
[SPEAKER_18]: So he just cuts through everything.
1:41:02
[SPEAKER_13]: Quiet down.
1:41:03
[SPEAKER_13]: Quiet down.
1:41:04
[SPEAKER_13]: Let's stay cool, people.
1:41:06
[SPEAKER_13]: Procedures, I need another computer up in the RTCC.
1:41:09
[SPEAKER_13]: Want everybody to alert your support teams.
1:41:12
[SPEAKER_13]: Wake up, anybody you need, get them in here.
1:41:15
[SPEAKER_13]: Let's work the problem people.
1:41:17
[SPEAKER_13]: Let's not make things worse by guessing.
1:41:20
[SPEAKER_18]: And I love the way this line is written.
1:41:22
[SPEAKER_13]: Ed Harris' line is, can we review our status here, shy?
1:41:25
[SPEAKER_13]: Let's look at this thing from there.
1:41:27
[SPEAKER_13]: a major standpoint of status.
1:41:30
[SPEAKER_18]: And I love that line because the repetition of status is actually bad writing in a way.
1:41:35
[SPEAKER_18]: And what it is, and I'm sure it's out of the transcripts, is it shows his nervousness because he says this thing in a weird way, but it also shows his control.
1:41:44
[SPEAKER_18]: And because his next line is, what have we got on this spacecraft?
1:41:47
[SPEAKER_13]: That's good.
1:41:49
[SPEAKER_18]: And the responses, I'll get back to you.
1:41:51
[SPEAKER_18]: Yeah, that's brutal.
1:41:52
[SPEAKER_18]: That's brutal.
1:41:53
[SPEAKER_18]: We hear from Fred the ship's bleeding to death.
1:41:56
[SPEAKER_18]: And then we have the shot of Clinton Howard's glasses, which is a reflection of the computer screen.
1:42:01
[SPEAKER_18]: It's such a good shot.
1:42:02
[SPEAKER_18]: Holds back as he wipes them.
1:42:04
[SPEAKER_18]: It's an amazing shot.
1:42:06
[SPEAKER_18]: And this is the moment where he's really good in this movie.
1:42:09
[SPEAKER_18]: And his weird look worked so perfectly for this character.
1:42:14
[SPEAKER_18]: And he recommends shutting down the fuel cells or shutting down the valves, the fuel cells.
1:42:19
[SPEAKER_18]: And this is an example of like, maybe Dave, you know what that means.
1:42:23
[SPEAKER_18]: I don't know what that means.
1:42:24
[SPEAKER_18]: I mean, I know what a fuel cell is.
1:42:25
[SPEAKER_18]: I know what a valve is.
1:42:27
[SPEAKER_18]: But I have no idea what that means on a space capsule.
1:42:30
[SPEAKER_18]: And so now you've said a thing that no one in the audience just means, how is it dramatic?
1:42:33
[SPEAKER_18]: Right.
1:42:34
[SPEAKER_18]: Well, it's all the reactions from everybody in the room that makes it dramatic.
1:42:37
[SPEAKER_18]: Right.
1:42:37
[SPEAKER_18]: And because we, because they all go, oh, shit.
1:42:40
[SPEAKER_18]: We the audience all go, oh, shit.
1:42:42
[SPEAKER_18]: Yeah.
1:42:43
[SPEAKER_13]: This is a big, this is a big deal.
1:42:45
[SPEAKER_13]: You're close.
1:42:46
[SPEAKER_13]: I mean, you can't open them again.
1:42:47
[SPEAKER_13]: You can't land on a moon with one healthy fuel cell.
1:42:51
[SPEAKER_24]: Jean, the Odyssey is dying.
1:42:54
[SPEAKER_24]: From my chair here, this is the last option.
1:42:57
[SPEAKER_18]: And there's a look up to Ed Harris.
1:43:01
[SPEAKER_15]: Capcom let's have them close reactant valves and they tell them and then there's the reaction on the spaceship because they know what the problem with that means yeah and I love again the repetition are you saying you want the horse mash closing down the reactants for fuel cells shut down shutting down the fuel cells did I hear you right and they asked if he copies you copy yes Houston we copy
1:43:29
[SPEAKER_18]: We just lost the moon.
1:43:31
[SPEAKER_18]: What a moment.
1:43:33
[SPEAKER_18]: What a great.
1:43:33
[SPEAKER_18]: But to this, that's what we've built to.
1:43:35
[SPEAKER_18]: From Tom Hanks' look at the beginning of the movie, to Jack's Wagner's reaction when he finds out he's going to go to them in the capsules and all of it, like, we're going to the moon.
1:43:44
[SPEAKER_18]: And in this moment, we're not going to the moon.
1:43:47
[SPEAKER_18]: But it's going to get worse because we shut down the fuel, the fuel, the valves, and the reactors, whatever it is.
1:43:53
[SPEAKER_18]: And they look at that auction tank, and they look at the number.
1:43:57
[SPEAKER_18]: And it's at two hundred or something, and it sort of seems to stabilize, and then it drops right out to zero.
1:44:05
[SPEAKER_16]: Shit.
1:44:06
[SPEAKER_16]: God damn it.
1:44:08
[SPEAKER_18]: Houston, uh, O two on one is still falling.
1:44:11
[SPEAKER_18]: What thing I was wonder?
1:44:12
[SPEAKER_18]: Was Clinton Howard totally wrong?
1:44:15
[SPEAKER_18]: What would have happened if they didn't do that?
1:44:19
[SPEAKER_17]: I wish I could tell you that I knew enough about it to give you a confidence.
1:44:22
[SPEAKER_17]: I don't know, but I don't even want to pretend I know that much.
1:44:25
[SPEAKER_18]: And then there's a long pause and Tom Hanks says, but how long does it take to power up the limb?
1:44:31
[SPEAKER_18]: Three hours by the checklist.
1:44:34
[SPEAKER_15]: We don't have that much time.
1:44:38
[SPEAKER_18]: Tom Hicks' performance is so good and they just start moving.
1:44:41
[SPEAKER_17]: And he's ahead of, he's ahead of mission control on that.
1:44:43
[SPEAKER_17]: Right.
1:44:45
[SPEAKER_17]: He's a leader.
1:44:45
[SPEAKER_17]: He knows what, you know, the decision means that they just made and this is the only choice.
1:44:50
[SPEAKER_17]: And, you know, mission control comes and tells him that five seconds, ten seconds, however much later, but he was already on it.
1:44:56
[SPEAKER_15]: We already have Brett O in the land Houston.
1:44:59
[SPEAKER_22]: We've got serious time for us to hear a jam.
1:45:01
[SPEAKER_22]: You've got to get the guidance program transferred.
1:45:03
[SPEAKER_22]: You've got to do it before you're out of power and the command module.
1:45:06
[SPEAKER_22]: We're not going to be able to navigate up there.
1:45:09
[SPEAKER_15]: How much time can you give me a number?
1:45:11
[SPEAKER_15]: Well, we're looking at less than fifteen minutes of life supporting the Odyssey.
1:45:16
[SPEAKER_18]: And now it's how do we transfer, and I don't even know, again, I don't really know what they're trying to do.
1:45:20
[SPEAKER_18]: Transfer all the information transfer systems transfer controls down to the lunar module, which it's not set up for, get it all turned on so they can get into it and be safe because the service module or whatever is gonna die.
1:45:33
[SPEAKER_18]: And there is a, and one of the most dramatic moments is Tom Hanks doing math.
1:45:38
[SPEAKER_15]: Okay, I used to check me.
1:45:40
[SPEAKER_15]: I've completed these Gable Conversions, but
1:45:44
[SPEAKER_17]: I need a double check of the arithmetic.
1:45:45
[SPEAKER_17]: My nerd brain loves the fact that it's not just Tom Hanks, it's, they go down to Mission Control and everybody is double checking the math.
1:45:53
[SPEAKER_17]: So you have like, fourteen white guys and white shirts and blitzers.
1:45:57
[SPEAKER_17]: What slide rules?
1:45:57
[SPEAKER_17]: Doing slide rules and stuff and you're tense.
1:46:00
[SPEAKER_17]: You're like, what's the answer going to be?
1:46:01
[SPEAKER_17]: You don't even know what they're doing.
1:46:02
[SPEAKER_17]: You don't even know what number they go up with.
1:46:04
[SPEAKER_17]: It doesn't matter.
1:46:05
[SPEAKER_18]: And they all agree on the math.
1:46:06
[SPEAKER_17]: Yeah.
1:46:07
[SPEAKER_18]: And you're like, oh, good.
1:46:08
[SPEAKER_18]: Thank God.
1:46:10
[SPEAKER_18]: It's funny.
1:46:11
[SPEAKER_18]: Did you ever learn how to use a slide rule?
1:46:14
[SPEAKER_20]: to explain it to me again.
1:46:14
[SPEAKER_20]: I mean, I use an abacus in preschool.
1:46:18
[SPEAKER_20]: So it sounds like a no.
1:46:20
[SPEAKER_20]: What's a slide rule?
1:46:21
[SPEAKER_18]: So a slide rule, it was like the size of a ruler.
1:46:23
[SPEAKER_18]: Oh, is it the, is it the steel one?
1:46:27
[SPEAKER_18]: Could have been steel.
1:46:27
[SPEAKER_18]: Yeah.
1:46:28
[SPEAKER_18]: And it had little sliders in it to do.
1:46:30
[SPEAKER_18]: And it would do a risk to take.
1:46:31
[SPEAKER_18]: Yeah, I dad showed me how to use one.
1:46:33
[SPEAKER_18]: And of course, we were kids right when calculators happen.
1:46:36
[SPEAKER_18]: Right.
1:46:36
[SPEAKER_18]: And so they became obsolete, right when we were, but they're kind of an amazing, an advocacy, too.
1:46:41
[SPEAKER_18]: But the slide rules like an amazing little piece of engineering.
1:46:44
[SPEAKER_18]: And then they start shutting down.
1:46:47
[SPEAKER_18]: They start shutting down everything.
1:46:48
[SPEAKER_18]: And we cut to, did Cabot.
1:46:50
[SPEAKER_18]: And he's making little, did Cabot for those of you don't know, was a talk show host who did marvelous interviews in the late sixties and early seventies.
1:46:58
[SPEAKER_18]: And he did.
1:46:59
[SPEAKER_18]: And he's making little monologue jokes about Jack Swagger, you know, and kind of a girl in every port joke.
1:47:05
[SPEAKER_18]: And Ken Maddingley is watching it and he gets frustrated.
1:47:08
[SPEAKER_18]: He's got some beers and he goes up and switches off the TV just as the image switches to, you know, special report.
1:47:17
[SPEAKER_17]: I don't know, I couldn't find confirmation of this, but I've heard that Tom Hanks was a super fan of Dick Cavitt, and that's why he was in Forest Gump.
1:47:27
[SPEAKER_17]: He claims to have watched scene like all the episodes and know it will tell you like the guest list from certain episodes and stuff.
1:47:35
[SPEAKER_18]: But the person who didn't turn off the TV is Marilyn.
1:47:38
[SPEAKER_18]: And she hears it and she is on the phone with NASA screaming on them, telling asking, you know, what's going on on the spaceship?
1:47:46
[SPEAKER_18]: Is he losing oxygen?
1:47:47
[SPEAKER_18]: Can he even get back?
1:47:48
[SPEAKER_32]: No, don't give me that NASA bullshit.
1:47:50
[SPEAKER_32]: I want to know what's happening with my husband.
1:47:52
[SPEAKER_18]: And we're back on the spacecraft and we're switching over to the Aquarius and there's some things, I don't know what's not set up yet, but they switched stuff over and suddenly the thing is just out of control.
1:48:05
[SPEAKER_15]: Trying to pitch down, but we onto the left.
1:48:07
[SPEAKER_15]: Why can't I know this out?
1:48:10
[SPEAKER_15]: So flying with a dead elephant on our back.
1:48:15
[SPEAKER_18]: And what's really interesting about this moment where he says it's flying like a dead elephant is this is we here Jim level get pissed off.
1:48:26
[SPEAKER_15]: Roger that Houston.
1:48:26
[SPEAKER_09]: I don't need to hear the obvious.
1:48:28
[SPEAKER_09]: I got the frappin' eight ball right now.
1:48:29
[SPEAKER_22]: And we're on Fox.
1:48:31
[SPEAKER_22]: Aquarius is Houston.
1:48:32
[SPEAKER_22]: We got you both on box.
1:48:34
[SPEAKER_09]: You weren't working.
1:48:35
[SPEAKER_09]: You wanted us to go to box, Andy?
1:48:37
[SPEAKER_09]: We have a hot mic.
1:48:38
[SPEAKER_22]: We're re-members.
1:48:41
[SPEAKER_18]: This is like the one moment where he publicly loses it.
1:48:44
[SPEAKER_18]: We're back with Marilyn and she hears that her son is calling her.
1:48:47
[SPEAKER_18]: Yeah, and she goes up in this scene.
1:48:49
[SPEAKER_18]: Oh god.
1:48:50
[SPEAKER_17]: Absolutely.
1:48:51
[SPEAKER_18]: She goes in and I love that he's in under the covers.
1:48:55
[SPEAKER_18]: Yeah, and he's got space sheets and he's got the flashlight.
1:48:58
[SPEAKER_17]: Yeah.
1:48:59
[SPEAKER_18]: When you're a kid, flashlight time under the covers is like that.
1:49:02
[SPEAKER_18]: Did you have that?
1:49:03
[SPEAKER_18]: Oh, yeah, of course.
1:49:04
[SPEAKER_18]: That is like so cool.
1:49:05
[SPEAKER_18]: And he's going, she comes in and he goes, why is everyone here?
1:49:08
[SPEAKER_18]: And first, she kind of goes, oh, well, you know, your husband, your father's in space.
1:49:12
[SPEAKER_18]: And that's why they're here.
1:49:13
[SPEAKER_18]: Yeah.
1:49:15
[SPEAKER_02]: And then she says, something broken, your daddy's spaceship.
1:49:21
[SPEAKER_02]: And he's going to have to turn around before he then gets to the moon.
1:49:25
[SPEAKER_17]: Oh, and he says, he says, I said the door.
1:49:30
[SPEAKER_18]: It kills me.
1:49:31
[SPEAKER_18]: That is it.
1:49:32
[SPEAKER_18]: And what's funny.
1:49:33
[SPEAKER_18]: So here's what's amazing about this.
1:49:35
[SPEAKER_18]: It's similar to something we talked about on Braveheart.
1:49:37
[SPEAKER_18]: They added the Apollo one sequence at the beginning because they wanted to show danger.
1:49:42
[SPEAKER_18]: That this is a dangerous thing and things go wrong.
1:49:45
[SPEAKER_18]: They had no plan of this scene with the kid when they added that seriously.
1:49:48
[SPEAKER_18]: They added the early scene with the kid because of the conversation that Ron Howard had with the Space Shuttle guy.
1:49:55
[SPEAKER_18]: And it's only those two things combined that created this third scene.
1:49:59
[SPEAKER_18]: This wasn't in the original plan.
1:50:00
[SPEAKER_18]: Wow.
1:50:00
[SPEAKER_18]: It came out of stuff that happened as they're making the film.
1:50:03
[SPEAKER_18]: Serendipity.
1:50:04
[SPEAKER_18]: And that moment of, was it the door?
1:50:07
[SPEAKER_18]: It's so crushing.
1:50:09
[SPEAKER_18]: Yeah, painful.
1:50:10
[SPEAKER_18]: And scary.
1:50:11
[SPEAKER_18]: And that kid, I don't know who he is, but his performance is.
1:50:13
[SPEAKER_18]: He's the kid from pet cemetery.
1:50:15
[SPEAKER_18]: Oh, yeah.
1:50:16
[SPEAKER_18]: Yeah.
1:50:16
[SPEAKER_18]: Okay.
1:50:17
[SPEAKER_22]: Jack, we close out your position now.
1:50:22
[SPEAKER_07]: Do we know for sure that we can power this thing back up?
1:50:25
[SPEAKER_22]: Copy that jack.
1:50:27
[SPEAKER_22]: We'll just have to deal with that later.
1:50:33
[SPEAKER_18]: And the looks?
1:50:34
[SPEAKER_18]: Because they know what that means.
1:50:35
[SPEAKER_18]: That means that when we shut this thing down,
1:50:37
[SPEAKER_18]: There's a chance we'll never be able to turn it back on and we're going to freeze the death in space.
1:50:42
[SPEAKER_18]: That is what this is about.
1:50:42
[SPEAKER_20]: I saw him again.
1:50:43
[SPEAKER_20]: If you use a big wrench, you can get anything to work at equally well-researched films.
1:50:51
[SPEAKER_18]: I have sure it is.
1:50:53
[SPEAKER_18]: And they finally do go and they do the final shut off and the camera does this pan along all of those dead instruments.
1:51:01
[SPEAKER_18]: And now we are coming back to Mission Control where Ed Harris, Gene Grants is going to lead the first meeting on what exactly to do.
1:51:10
[SPEAKER_18]: And the first thing that happens is he walks up to it overhead projector, and that doesn't work.
1:51:15
[SPEAKER_18]: And I think this is like what we've been talking about before.
1:51:17
[SPEAKER_18]: And if you're talking about it, one is is that we live in an imperfect world and stuff breaks all the time.
1:51:22
[SPEAKER_18]: And the other thing is that in our world here, if my battery died on our recorder or something happened, we would just replace it, get a new one.
1:51:32
[SPEAKER_18]: That can't happen on Apollo XIII.
1:51:34
[SPEAKER_18]: Things break up there, and they're broke.
1:51:37
[SPEAKER_13]: I want you all to forget the flight plan.
1:51:40
[SPEAKER_13]: From this moment on, we are improvising a new mission.
1:51:43
[SPEAKER_18]: And our first question is whether or not we want to can abort the mission and have a direct return or whether we need to continue around the moon and use the gravity to slingshot back towards Earth.
1:51:53
[SPEAKER_18]: And pretty quickly, we decide that they don't have the engines for the direct return.
1:51:58
[SPEAKER_01]: No, the lamb will not support three guys for that amount of time.
1:52:02
[SPEAKER_01]: And barely holds.
1:52:02
[SPEAKER_01]: I mean, we have got to do a direct abort.
1:52:05
[SPEAKER_01]: We're doing about face.
1:52:06
[SPEAKER_01]: We bring the guys right home right now.
1:52:07
[SPEAKER_27]: Get them back soon.
1:52:08
[SPEAKER_27]: Absolutely.
1:52:09
[SPEAKER_27]: We don't even know if the Odyssey's engines have been working.
1:52:11
[SPEAKER_27]: And there's been serious damage to this spacecraft.
1:52:13
[SPEAKER_27]: They blow up and they die.
1:52:15
[SPEAKER_01]: That is not the only thing we can do.
1:52:16
[SPEAKER_18]: And then the guy from Grumman, who is the guy that built the lamb, is going, we can't make any guarantees.
1:52:23
[SPEAKER_06]: We designed the lamb to land on the moon.
1:52:25
[SPEAKER_06]: Not far the engine out there for course, Greg.
1:52:27
[SPEAKER_06]: Well,
1:52:29
[SPEAKER_13]: Unfortunately, we're not landing on the moon, aren't we?
1:52:32
[SPEAKER_13]: I don't care what anything was designed to do.
1:52:34
[SPEAKER_13]: Care about what it can do.
1:52:35
[SPEAKER_18]: It's later on.
1:52:37
[SPEAKER_18]: And one of the things they're starting to talk about is sleep.
1:52:39
[SPEAKER_18]: We got to get those astronauts to go to sleep.
1:52:42
[SPEAKER_18]: We're back with Ed Harris and Mission Control and President Nixon wants a quote.
1:52:47
[SPEAKER_18]: In fact, what he really wants is odds.
1:52:49
[SPEAKER_18]: Gina, I've got to give him odds.
1:52:51
[SPEAKER_18]: I'd do one against three to one.
1:52:52
[SPEAKER_18]: I don't think they're that good.
1:52:53
[SPEAKER_18]: We are not losing those men.
1:52:55
[SPEAKER_18]: It's not five to one four.
1:52:57
[SPEAKER_18]: Like they're a deep trouble.
1:52:58
[SPEAKER_18]: Look, tell him three to one.
1:53:01
[SPEAKER_18]: We're heading off to the dark side of the moon, which means we're going to lose acquisition of signal.
1:53:05
[SPEAKER_18]: And we have the guys looking out the window at the moon, seeing it in the way that none of us and most humans in the world have never seen it.
1:53:13
[SPEAKER_18]: And the first thing they see is Mount Maryland.
1:53:16
[SPEAKER_18]: They asked Jim to take a look.
1:53:18
[SPEAKER_18]: Does he go take a look?
1:53:19
[SPEAKER_18]: No.
1:53:20
[SPEAKER_18]: Why not?
1:53:21
[SPEAKER_18]: He's seen it.
1:53:23
[SPEAKER_18]: If you saw a beautiful mountain and had a chance, I'd been to meet you semi-fifteen times.
1:53:27
[SPEAKER_18]: Yeah, I don't not look at half-done because I've seen it.
1:53:31
[SPEAKER_17]: It would break as hard to look, and not to see it from the ground level.
1:53:35
[SPEAKER_08]: Where is the system?
1:53:37
[SPEAKER_08]: We expect losses signal in approximately ten seconds.
1:53:40
[SPEAKER_21]: It's so hard to catch you on the flip side.
1:53:49
[SPEAKER_17]: When I heard Jim level tell this story, this was, he's a good storyteller too.
1:53:54
[SPEAKER_17]: Like every, you know, he explains everything and gone wrong, we move into the thing and now we're going around the back.
1:54:00
[SPEAKER_17]: And not knowing if they're ever like what's going, what's still happening to their ship if they're going to, if they're going to be able to receive them when they get back around again.
1:54:09
[SPEAKER_17]: I can't imagine that level of silence.
1:54:11
[SPEAKER_18]: Oh my god.
1:54:11
[SPEAKER_18]: You know, the dark side of the moon level of silence.
1:54:14
[SPEAKER_18]: Yeah.
1:54:15
[SPEAKER_18]: That's just in on a ship where I don't know if this radio is going to keep working.
1:54:20
[SPEAKER_18]: Yeah.
1:54:21
[SPEAKER_18]: And then we cut to and this is what's so interesting is we intercut this with quote unquote archival footage of Jack's wager Kevin Bacon being interviewed from before the moonshot.
1:54:35
[SPEAKER_21]: He passed into a lunar sunrise, over a lunar surface, and it must be an awe-inspiring sight.
1:54:42
[SPEAKER_21]: I can't wait to see myself.
1:54:43
[SPEAKER_18]: And what's interesting that Ron Howard says is most of this, they didn't know where they were gonna put it, is that they decided to do all this stuff because they thought they might use it, but they didn't know where.
1:54:54
[SPEAKER_18]: And it became such a structural, this is where the editors, I don't have the name of the editor in front of me.
1:54:58
[SPEAKER_18]: But this is where it's structural, this movie was so much created in post.
1:55:01
[SPEAKER_17]: And they do such a good job with that because you get these interviews with all three of them as you go through the movie and it sort of builds, it goes from swagger to haze to the level.
1:55:11
[SPEAKER_17]: And so you get these personal moments that it's not them freaking out in the capsule.
1:55:15
[SPEAKER_17]: It's their life before sort of.
1:55:17
[SPEAKER_17]: Right.
1:55:17
[SPEAKER_17]: And it's, yeah, it's so integral.
1:55:19
[SPEAKER_17]: I can't believe they didn't know what they were going to do with that.
1:55:21
[SPEAKER_18]: No, it's, it's, and it's so beautifully done.
1:55:23
[SPEAKER_18]: There's great things they do of intercutting gym level and Maryland level as if they're connected, like psychically or spiritually connected even across these huge boundaries of spaces that he kind of switches a light on.
1:55:35
[SPEAKER_18]: and we see Maryland City in the chair and there's that NASA squawk box in the foreground which is they're using what's called a split die-opter which means that they're both Maryland and the squawk box are in focus and what she's listening to is nothing yeah because she's waiting yeah and we see that lunar sunrise and they come over what was supposed to be their landing site
1:56:02
[SPEAKER_18]: That's just an amazing, you know what's amazing about film is that here's an experience that none of us could ever have and we never will have.
1:56:12
[SPEAKER_18]: We are never going to be orbiting the moon looking down at the place that would have been our landing site but we're never going to land there.
1:56:19
[SPEAKER_18]: And yet through the medium of film, we can feel the emotions of this experience that is so far beyond anything in our world, literally in our world.
1:56:29
[SPEAKER_18]: That's what film can do.
1:56:30
[SPEAKER_18]: It can make you feel things and understand them in a way that you couldn't possibly from your own perspective.
1:56:37
[SPEAKER_17]: that's amazing and it's such a great moment because early on you said you know when they close the fuel cells we lost the moon and you're like oh we're crushed we're hurt with these guys and yeah and it ends up getting so much worse and this is the moment though where Jim level now that we're going over it and he's not he doesn't get his moment is you know he this is the turn we're gone past this so what's my goal now but and before we do that what do we have
1:57:05
[SPEAKER_17]: Oh, his daydream about it.
1:57:06
[SPEAKER_17]: He dreams.
1:57:06
[SPEAKER_17]: Yeah.
1:57:07
[SPEAKER_18]: What have seen himself in that moment on the moon?
1:57:09
[SPEAKER_17]: Yeah.
1:57:09
[SPEAKER_17]: Sorry.
1:57:09
[SPEAKER_17]: I skipped it.
1:57:10
[SPEAKER_18]: Yeah.
1:57:10
[SPEAKER_18]: No, it's fine.
1:57:11
[SPEAKER_18]: Because, and that's, but then this is the turning point of the film is after he has this daydream where he sees himself on the moon, sees the footprint, sees him bending over and touching the, the, the, the soil or the, the dirt on the moon.
1:57:23
[SPEAKER_18]: What do you call it on the moon?
1:57:24
[SPEAKER_18]: It's not Earth.
1:57:25
[SPEAKER_18]: It's like a ejector or something like that and then Jim turns to them and I love this is so formal what he says
1:57:42
[SPEAKER_18]: I'd like to go.
1:57:44
[SPEAKER_18]: I love that.
1:57:44
[SPEAKER_18]: I love that.
1:57:45
[SPEAKER_18]: Get some dialed back in.
1:57:46
[SPEAKER_18]: And that's the turning point.
1:57:48
[SPEAKER_18]: This is the turning point of the movie.
1:57:49
[SPEAKER_18]: And it's literally, we've just been at the farthest distance from Earth.
1:57:53
[SPEAKER_18]: It is the turning point of the Apollo thirteen mission and it is the turning point of the film as well.
1:57:58
[SPEAKER_13]: So you're telling me you can only give our guys forty five hours.
1:58:04
[SPEAKER_13]: That brings them to a bat there.
1:58:07
[SPEAKER_13]: Gentlemen, that's not acceptable.
1:58:10
[SPEAKER_18]: And then we have this guy, the actor's name I don't know, his character's name is John.
1:58:14
[SPEAKER_18]: He is based on a real NASA guy.
1:58:16
[SPEAKER_18]: And he brings up what the real problem is that they none of them have really figured out yet, which is they don't have enough power.
1:58:23
[SPEAKER_10]: Power is everything.
1:58:25
[SPEAKER_10]: Without it, they don't talk to us.
1:58:27
[SPEAKER_10]: They don't correct their trajectory.
1:58:28
[SPEAKER_10]: They don't turn the heat shield around.
1:58:30
[SPEAKER_10]: We gotta turn everything off.
1:58:32
[SPEAKER_18]: Now.
1:58:33
[SPEAKER_18]: And that right now they're using sixty amps, which is how much the breaker on my circuit board to run my electricity is sixty amps.
1:58:43
[SPEAKER_18]: And they have to bring it down to twelve amps, which they describe as enough to run a vacuum cleaner.
1:58:50
[SPEAKER_10]: The more time we talk down here, the more juice they waste up there, I've been looking at the data for the past hour.
1:58:54
[SPEAKER_18]: That's the deal.
1:58:54
[SPEAKER_10]: That's the deal.
1:58:55
[SPEAKER_18]: And there's a long pause, and it Harris goes.
1:58:59
[SPEAKER_18]: Okay, John.
1:59:01
[SPEAKER_13]: And then we finish it down.
1:59:02
[SPEAKER_18]: We'll power down the limb.
1:59:04
[SPEAKER_18]: And that means that we're going to have a frozen command module and we're going to have to fire it up with cold batteries.
1:59:09
[SPEAKER_18]: And everyone's like, let's never, never been done.
1:59:11
[SPEAKER_18]: Never, never even been simulated.
1:59:13
[SPEAKER_18]: Which is so amazing because we hear they've simulated everything they could think of.
1:59:17
[SPEAKER_18]: They didn't simulate this.
1:59:19
[SPEAKER_18]: And then we get the speech from at Harris.
1:59:21
[SPEAKER_18]: I want people and our simulators working re-entry scenarios.
1:59:24
[SPEAKER_13]: I want you guys to find every engineer who designed every switch, every circuit, every transistor, and every light bulb that's up there.
1:59:29
[SPEAKER_13]: Then I want you to talk to the guy in the assembly line who actually built the thing.
1:59:33
[SPEAKER_13]: Find out how to squeeze every amp out of both of these goddamn machines.
1:59:38
[SPEAKER_13]: I want this mark all the way back to Earth with time to spare.
1:59:43
[SPEAKER_13]: We never lost an American in space where sure it's hell not going to lose one on my watch.
1:59:47
[SPEAKER_13]: Failure is not an option.
1:59:49
[SPEAKER_17]: He really said shit like that.
1:59:51
[SPEAKER_17]: Yeah.
1:59:51
[SPEAKER_17]: That's the name of his book.
1:59:52
[SPEAKER_17]: He wrote a book.
1:59:53
[SPEAKER_18]: Failure is not an option.
1:59:55
[SPEAKER_18]: In my experience failure is an option.
1:59:58
[SPEAKER_18]: Well, it's not an option.
1:59:59
[SPEAKER_18]: It's more of a destination.
2:00:00
[SPEAKER_18]: Yeah.
2:00:01
[SPEAKER_18]: Right.
2:00:03
[SPEAKER_18]: It's an inevitable.
2:00:04
[SPEAKER_18]: It seems like, but not on his watch.
2:00:08
[SPEAKER_18]: Um, they find him mad anyway.
2:00:11
[SPEAKER_18]: How much did he had to drink?
2:00:13
[SPEAKER_18]: Good question.
2:00:15
[SPEAKER_18]: I think he's enough to kill all those measles.
2:00:18
[SPEAKER_18]: Exactly.
2:00:19
[SPEAKER_18]: And they tell them what's going on and that they're going to need them on the simulator.
2:00:22
[SPEAKER_18]: Um, and now we get him in John and this is like a great little relationship that happens in the film.
2:00:27
[SPEAKER_18]: of Ken going into the simulator and John being outside and them trying to figure out not only how to run the whole system, I guess, under twenty amps, but also there can't be any spikes when anything starts up because it's going to blow the system out, I guess.
2:00:42
[SPEAKER_11]: I need the same cold and dark, give me the exact same conditions you've got in there now and I need the present status of every instrument.
2:00:48
[SPEAKER_11]: You've got, I need a flashlight.
2:00:51
[SPEAKER_11]: That's not what they have up there and don't give me anything they don't have on board.
2:00:54
[SPEAKER_18]: He's such a cool hero.
2:00:56
[SPEAKER_18]: Gary Sinese in this film.
2:00:58
[SPEAKER_18]: On board, there's starting to shut stuff down.
2:01:00
[SPEAKER_18]: And one of the things they find out is no more waste dumps.
2:01:02
[SPEAKER_18]: So we introduce how they pee in space and that they dump it off board.
2:01:06
[SPEAKER_18]: And now we find out, oh, they're just going to have a lot of frozen pee floating around.
2:01:11
[SPEAKER_05]: Yeah.
2:01:12
[SPEAKER_18]: They finally shut down the computer.
2:01:13
[SPEAKER_18]: And then they say, that's it.
2:01:14
[SPEAKER_18]: We just put sur Isaac Newton in the driver seat.
2:01:17
[SPEAKER_18]: That's a great line.
2:01:18
[SPEAKER_18]: Guess what?
2:01:19
[SPEAKER_18]: More problems.
2:01:20
[SPEAKER_18]: CO-II.
2:01:22
[SPEAKER_18]: And it's because they didn't think that they were going to have three guys.
2:01:25
[SPEAKER_18]: They were only supposed to have two guys in the limb and only for a small amount of time.
2:01:29
[SPEAKER_18]: Now they got three guys in there for a long time and the CO-II is building up.
2:01:33
[SPEAKER_18]: Unfortunately, the filter or whatever the scrubber that they have in the command capsules square and this one is round and Ed Harris says, you're going to have to figure out how to put a square peg in a round hole.
2:01:47
[SPEAKER_18]: And then there's a great, again, a great cut.
2:01:49
[SPEAKER_18]: You know what's great about this movie too, by the way?
2:01:52
[SPEAKER_18]: It's fun.
2:01:52
[SPEAKER_05]: Yeah.
2:01:53
[SPEAKER_18]: This next sequence is fun.
2:01:55
[SPEAKER_18]: Like it is stressful and filled with suspense.
2:01:58
[SPEAKER_18]: But now we cut to a guy who's a pretty nerdy-looking guy who's apparently was a writer on Happy Days.
2:02:05
[SPEAKER_18]: Oh, seriously?
2:02:06
[SPEAKER_18]: And he dumps a whole bunch of stuff on a table and says, OK, people listen up, people upstairs.
2:02:15
[SPEAKER_28]: And there's this one and we got to come through.
2:02:18
[SPEAKER_28]: We got to find a way to make this
2:02:22
[SPEAKER_28]: I'll fit into the hole for this.
2:02:26
[SPEAKER_28]: Use enough and but that.
2:02:27
[SPEAKER_18]: This is all the random stuff they have.
2:02:30
[SPEAKER_18]: It's such a cool idea.
2:02:31
[SPEAKER_18]: Like, here's just everything they might have.
2:02:34
[SPEAKER_18]: What can we do with it?
2:02:35
[SPEAKER_18]: And then we cut to there's more like biographical material on TV.
2:02:40
[SPEAKER_18]: And Marilyn's watching it.
2:02:41
[SPEAKER_18]: And Ninn walks in or Berkeley and says they want to put a transmitter on your lawn.
2:02:44
[SPEAKER_17]: Oh man, this moment.
2:02:46
[SPEAKER_18]: It is so great.
2:02:48
[SPEAKER_18]: And of course, her first upset is, wait, I thought the networks didn't care about.
2:02:51
[SPEAKER_18]: Nobody cared about this mission.
2:02:52
[SPEAKER_18]: It's like, well, they care now.
2:02:53
[SPEAKER_23]: Yeah.
2:02:54
[SPEAKER_23]: Look.
2:02:56
[SPEAKER_23]: I realize how hard this is, Marilyn, but the whole world is caught up in it.
2:03:00
[SPEAKER_23]: No, Henry.
2:03:03
[SPEAKER_34]: Those people don't put one piece of equipment on my lawn.
2:03:08
[SPEAKER_34]: If they have a problem with that, they can take it up with my husband.
2:03:11
[SPEAKER_34]: He'll be home on Friday.
2:03:14
[SPEAKER_17]: And there's the thing, her voice breaks on home and it's like the best delivery.
2:03:19
[SPEAKER_17]: I love like that is her best line in the home movie.
2:03:23
[SPEAKER_18]: It's great.
2:03:23
[SPEAKER_18]: Yeah.
2:03:24
[SPEAKER_18]: And one of the things that we've been hearing throughout is we've been hearing music on the tape deck.
2:03:28
[SPEAKER_18]: We first heard the music on the tape deck when we heard spirit in the spot sky when they did their broadcast.
2:03:33
[SPEAKER_18]: And now that music on the tape deck is good.
2:03:37
[SPEAKER_17]: And it's like country music.
2:03:40
[SPEAKER_18]: It's a great, great metaphor for what's going on.
2:03:43
[SPEAKER_18]: And one of the other things is going a little slower is Fred.
2:03:47
[SPEAKER_18]: Fred is sick.
2:03:49
[SPEAKER_18]: And we see him taking some pills.
2:03:51
[SPEAKER_18]: Again, real zero gravity popping those pills.
2:03:55
[SPEAKER_18]: And Jim's noticed, he's like, you don't look too good.
2:03:58
[SPEAKER_18]: And he first says, you know, I'll survive and he says, we'll take some aspirin.
2:04:02
[SPEAKER_18]: I took some.
2:04:04
[SPEAKER_18]: And then there's this really sweet moment where he talks about getting his wife pregnant and it was an accident.
2:04:09
[SPEAKER_17]: Yeah.
2:04:10
[SPEAKER_17]: and just the irony of, you know, they didn't let, they didn't let madingly go up there because they didn't want them sick when they're coming back from the moon and Fred gets sick.
2:04:20
[SPEAKER_18]: Well, it's funny, it's, in a weird way, NASA is really a control freak's nightmare because, because the, you know, it's like, you can't actually control everything.
2:04:28
[SPEAKER_18]: I mean, they try really, really hard and do a fine job, but, you know, he's got some weird urinary tract infections.
2:04:34
[SPEAKER_16]: It hurts when I urinate.
2:04:39
[SPEAKER_16]: We're not getting enough water.
2:04:40
[SPEAKER_16]: I'm drinking my ration the same as you.
2:04:44
[SPEAKER_16]: I think I'll swagger gave me the clap.
2:04:49
[SPEAKER_18]: And Fred's worried about the batteries because they're getting cold and cold batteries have different levels of efficiency.
2:04:54
[SPEAKER_18]: And Jack's worried too.
2:04:55
[SPEAKER_18]: He comes up and he's worried about reentry.
2:04:59
[SPEAKER_18]: And we can feel the tension start to build.
2:05:01
[SPEAKER_18]: As Fred is trying to talk about his thing and Jack is trying to talk about his thing.
2:05:05
[SPEAKER_18]: And at first they kind of dismiss him.
2:05:07
[SPEAKER_18]: Jack is saying we're going to come into shallow.
2:05:08
[SPEAKER_18]: And he's like, look, there's nine hundred PhDs down there.
2:05:11
[SPEAKER_18]: You think you're going to figure out something, you know, how'd you figure that out?
2:05:13
[SPEAKER_18]: And he says, I can add.
2:05:17
[SPEAKER_18]: And then there's this moment.
2:05:19
[SPEAKER_16]: Oh, God!
2:05:20
[SPEAKER_16]: Hey!
2:05:21
[SPEAKER_16]: Get!
2:05:23
[SPEAKER_16]: This piece of shit's going to get you all.
2:05:24
[SPEAKER_16]: All right.
2:05:25
[SPEAKER_16]: That's because that's the only thing we got left, Jack.
2:05:27
[SPEAKER_17]: Yeah, not a flat-out accusation, but an insinuation for sure.
2:05:31
[SPEAKER_16]: What do you say for him?
2:05:33
[SPEAKER_16]: Well, I think you know what I'm saying.
2:05:35
[SPEAKER_21]: I'll wait a minute.
2:05:37
[SPEAKER_21]: All I did was stir those tanks.
2:05:39
[SPEAKER_21]: Was that gauge reading before he hit the switch?
2:05:41
[SPEAKER_21]: You don't tell me how to fly the damn CM, all right?
2:05:43
[SPEAKER_24]: I don't even do a job.
2:05:45
[SPEAKER_24]: Ask me to stir the damn tanks and I stir the tanks.
2:05:47
[SPEAKER_18]: This apparently never happened.
2:05:49
[SPEAKER_18]: That's what, this is something creative for dramatic effect.
2:05:52
[SPEAKER_20]: Yeah, they claim it never happened.
2:05:54
[SPEAKER_17]: Yeah.
2:05:55
[SPEAKER_17]: But it ends with that awesome moment of, I don't know if you're gonna get to this or not, but Hank's a level, calming them both down, and then it gets heated up again, and then it gets interrupted by by mission control.
2:06:09
[SPEAKER_17]: And he's like, are we on Vox?
2:06:10
[SPEAKER_17]: I'm like, no, I mean he clicks and he's super calm.
2:06:13
[SPEAKER_17]: It was like just the best time.
2:06:15
[SPEAKER_17]: It made me miss him doing comedy so much.
2:06:17
[SPEAKER_17]: He's all heated up.
2:06:18
[SPEAKER_17]: Are we on Vox?
2:06:19
[SPEAKER_17]: No, I was like,
2:06:19
[SPEAKER_17]: Okay, Houston.
2:06:23
[SPEAKER_18]: It's totally funny.
2:06:24
[SPEAKER_05]: Yeah.
2:06:24
[SPEAKER_18]: Be it's totally the leader.
2:06:26
[SPEAKER_18]: Right.
2:06:27
[SPEAKER_18]: Coming in and settling down and doing what has to be done for this is that we're not doing this now and see it is that astronaut voice coming back.
2:06:34
[SPEAKER_18]: Right.
2:06:35
[SPEAKER_18]: Like it is that whatever shit is going on, you know, between the three of us on the cinephiles, no one listening will know.
2:06:42
[SPEAKER_18]: Oh, that's probably not a bad example.
2:06:45
[SPEAKER_17]: No, it's like it's like the overhead going out.
2:06:48
[SPEAKER_17]: It's it's
2:06:49
[SPEAKER_18]: says something but it's also much needed little bit of comic little bit of comedy well and the other thing too is like we're gonna go from tension to tension because we had emotional tension because there was conflict between these two guys and what now we kind of resolve that we put that down and that what Houston is calling for is check your CO two yeah and of course it's way up
2:07:10
[SPEAKER_18]: And they all know what that means.
2:07:12
[SPEAKER_18]: And we have those guys who have been working on that makeshift scrubber running down the hallway, dropping stuff, trying to keep everything together.
2:07:20
[SPEAKER_18]: They drop it on Gene's desk, and they go, this is what they got to make.
2:07:24
[SPEAKER_18]: And they go, do you have the procedures?
2:07:26
[SPEAKER_18]: And you say, yep, we got it.
2:07:27
[SPEAKER_18]: And they go up to the crew.
2:07:28
[SPEAKER_18]: It's like, OK, we've got to plan for you.
2:07:30
[SPEAKER_18]: Do you have your flight book?
2:07:32
[SPEAKER_18]: And they go, yeah, first thing, rip the cover off.
2:07:35
[SPEAKER_18]: I mean, bacon's like gladly.
2:07:38
[SPEAKER_18]: The Ripley cover off.
2:07:40
[SPEAKER_18]: A lot of this is in zero G. A lot of this running round is actually, you know, shot on that plane.
2:07:46
[SPEAKER_18]: And here's what I found that's really interesting.
2:07:49
[SPEAKER_18]: A lot of this is Adlib.
2:07:51
[SPEAKER_20]: Oh, wow.
2:07:52
[SPEAKER_18]: And the reason is is because Ron Howard wanted to create the same chaos that's actually happening.
2:07:58
[SPEAKER_18]: So he gave the procedure to the guys on the radio, which is probably guys who are just off camera.
2:08:05
[SPEAKER_18]: And then he, but he didn't give the procedure to the guys who are actually filming it.
2:08:09
[SPEAKER_18]: So the actors.
2:08:10
[SPEAKER_18]: So they were saying to the actors, okay, you need to get this, I love there's a sock, by the way, one of the day to get as a sock.
2:08:16
[SPEAKER_18]: Like get this and duct tape this and the actors are going, wait, get what?
2:08:19
[SPEAKER_18]: And how do we do this?
2:08:20
[SPEAKER_18]: Okay, I've got this and now what do I do?
2:08:22
[SPEAKER_18]: A lot of it's Adlib.
2:08:23
[SPEAKER_17]: That's great.
2:08:23
[SPEAKER_18]: Adlib stuff is not zero G. Yeah, I think that's really great.
2:08:29
[SPEAKER_18]: And we come to a press conference where they're talking about the two climbing.
2:08:31
[SPEAKER_18]: I love that they asked Zander Berkeley
2:08:34
[SPEAKER_29]: What about their love of carbon dioxide?
2:08:37
[SPEAKER_23]: It's climbing.
2:08:39
[SPEAKER_18]: And then the reporter says, you're saying they're almost out of usable air and the other guy who I don't know he is, but more the government guy said, no, that's not what he said.
2:08:47
[SPEAKER_18]: He said we're working on it.
2:08:48
[SPEAKER_18]: It's like, yeah, no, I heard him say it's climbing just a second ago.
2:08:53
[SPEAKER_18]: And this of course is inner cut with them, inner cut with them building the filter, inner cut with them with news reports of them explaining what this is.
2:09:01
[SPEAKER_18]: And this is this technique that Ron Howard said they developed for the shows.
2:09:04
[SPEAKER_18]: They really needed to make sure that people understood the stuff.
2:09:07
[SPEAKER_18]: And so first we'd have
2:09:09
[SPEAKER_18]: Mission control, say a thing, which none of us understand.
2:09:11
[SPEAKER_18]: And then he would have responses to the thing to make us understand it a little more.
2:09:15
[SPEAKER_18]: Then he would cut out to news reporters who are explaining the thing for the general public.
2:09:21
[SPEAKER_18]: And then when he comes back, now that we're dealing it, now the assumption is everyone understands what it is.
2:09:26
[SPEAKER_18]: It does this over and over and over again throughout the film.
2:09:29
[SPEAKER_18]: Make sure we get it.
2:09:30
[SPEAKER_18]: The crew's starting to cough and Fred tears the bag.
2:09:34
[SPEAKER_18]: And that's it.
2:09:35
[SPEAKER_18]: I would be the guy that cared for the better.
2:09:39
[SPEAKER_18]: So here, I'm just putting this out there.
2:09:41
[SPEAKER_18]: If we ever have to build a makeshift CO-II scrub it, and it involves carefully taking care of small things, I don't give me the job.
2:09:50
[SPEAKER_18]: I am not, I will tear the bag.
2:09:53
[SPEAKER_18]: But they do manage to, I think they have a second bag and they can kind of tape it together.
2:09:56
[SPEAKER_18]: And Jack is starting to not feel good.
2:10:00
[SPEAKER_18]: and that you can see them all starting to get scared.
2:10:03
[SPEAKER_18]: And the Fred's family's watching the TV and his wife just gets up and turns it off.
2:10:08
[SPEAKER_18]: And we see the meters now up at fifteen, which is where we've heard that if you get there, you start to lose cognitive ability, get dizzy, lose vision, and eventually you're going to die.
2:10:19
[SPEAKER_18]: We hear Kronkite say this is the most serious situation we've ever faced in manned spaceflight, and they put that filter in space and they turn it on.
2:10:28
[SPEAKER_18]: And there's a long pause and you could see and feel not only the astronauts holding their breath, but everyone on earth is holding their breath and all of us are kind of holding our breath.
2:10:37
[SPEAKER_18]: And this moment and Jim level says, just breathe normal fellas.
2:10:41
[SPEAKER_18]: Yeah.
2:10:43
[SPEAKER_17]: And again, it's got to be at one of those zero g shots because Kevin Bacon is perpendicular to the other two guys.
2:10:50
[SPEAKER_17]: Got his head right next to the thing.
2:10:52
[SPEAKER_17]: He's like, I can hear air flow like he's like, so can I blow your mind?
2:10:56
[SPEAKER_17]: Yeah.
2:10:57
[SPEAKER_17]: No, it's not zero shot.
2:10:58
[SPEAKER_18]: Damn it again.
2:10:59
[SPEAKER_18]: So here's what they did.
2:11:00
[SPEAKER_18]: This is what's so amazing is that.
2:11:03
[SPEAKER_18]: So here's how they did a lot of this.
2:11:05
[SPEAKER_18]: So when it's zero, it's only when you really see things floating and they're floating.
2:11:11
[SPEAKER_18]: Here's what they did.
2:11:12
[SPEAKER_18]: So the set is on a gimbal.
2:11:15
[SPEAKER_18]: And a gimbal means that you can tilt it.
2:11:16
[SPEAKER_18]: I'm doing hand gestures for everyone listening.
2:11:18
[SPEAKER_18]: The gimbal means that you can move the whole set and rotate it.
2:11:21
[SPEAKER_18]: No, I don't think it rotates.
2:11:22
[SPEAKER_18]: Three, sixty, but it can probably rotate a hundred and eighty degrees.
2:11:25
[SPEAKER_18]: They have basically these little teeter-totter seats that they could put all the actors on, and they could put them, so they would have the set tilted like forty-five or eighty degrees, okay?
2:11:37
[SPEAKER_18]: And then they would have an actor who strapped into a little seat, and the little seat is on a little teeter-totter, so it could move hydraulically up and down just a little bit, and there was three of them, so they could have one coming from the ceiling, and the camera is also on a gimbal, so you might have the camera off at a ninety-degree angle this way,
2:11:54
[SPEAKER_18]: uh... the set tilted at a ninety forty five degree angle the other way and then actors placed in various positions so that ones coming looks like it's coming in from the ceiling but really it's coming in from the side awesome isn't it yeah and that's how they did a lot and because they're on these little teeter tauter sliders that are hydraulically controlled they're kind of giving this motion back for a little bit as well and they but but they do have to figure out how to intercut this with all the other stuff that was shot in zero g it's totally
2:12:21
[SPEAKER_18]: The level of craftsmanship and hard work of filmmaking is not unlike putting a man on the man.
2:12:27
[SPEAKER_06]: That's what I'm gonna say.
2:12:28
[SPEAKER_18]: They put that thing in and the meter doesn't go down and it doesn't go down and there's this musical build and tension builds and tension builds and then the music drops off at a little light switches from orange to green.
2:12:43
[SPEAKER_18]: And that meter starts going down.
2:12:45
[SPEAKER_17]: That's great.
2:12:45
[SPEAKER_18]: The ultimate McGyver.
2:12:46
[SPEAKER_18]: Totally.
2:12:50
[SPEAKER_18]: And we're good.
2:12:51
[SPEAKER_18]: And I love the line, is that the, you know, because the astronauts are the guys running the radio, which is something we saw in the radio stuff, is that astronaut, I remember who it is, who's running the radio.
2:13:01
[SPEAKER_18]: turns to the nerdy guy who helped who supervise building that thing and says you're a steely eyed missile man.
2:13:06
[SPEAKER_18]: Yeah.
2:13:07
[SPEAKER_18]: Brett Cohen.
2:13:09
[SPEAKER_18]: That's the actor.
2:13:09
[SPEAKER_18]: Not the actor.
2:13:12
[SPEAKER_17]: Who was also in from the earth to the moon by the way.
2:13:14
[SPEAKER_18]: Oh, nice.
2:13:15
[SPEAKER_18]: Going and again going from tension to tension.
2:13:18
[SPEAKER_18]: We just resolve this.
2:13:20
[SPEAKER_18]: Master alarm goes off.
2:13:21
[SPEAKER_18]: Ken Maddingley failed in the simulator.
2:13:23
[SPEAKER_18]: Yeah.
2:13:24
[SPEAKER_18]: Something spiked.
2:13:25
[SPEAKER_18]: And they kind of go to Ken's like man, you need a break and he says.
2:13:28
[SPEAKER_18]: They don't get one.
2:13:29
[SPEAKER_18]: I don't get one.
2:13:30
[SPEAKER_20]: That's my favorite line of the movie.
2:13:31
[SPEAKER_20]: It's great.
2:13:32
[SPEAKER_20]: I know there's a lot of great lines of the movie, but that's my favorite line.
2:13:35
[SPEAKER_17]: They don't get one.
2:13:36
[SPEAKER_17]: I don't get one.
2:13:37
[SPEAKER_17]: No, it summarizes his character up.
2:13:40
[SPEAKER_20]: Exactly.
2:13:40
[SPEAKER_20]: And that in some way he's part of the team, he's part of the mission.
2:13:45
[SPEAKER_18]: Well, and really if he did go on the mission,
2:13:50
[SPEAKER_18]: They all die.
2:13:50
[SPEAKER_18]: Right.
2:13:51
[SPEAKER_18]: Yeah.
2:13:51
[SPEAKER_18]: That's the really.
2:13:52
[SPEAKER_20]: That's the thing that's because I don't think Jack's wagger could do this.
2:13:55
[SPEAKER_20]: No.
2:13:56
[SPEAKER_20]: Of all the lunar seeing.
2:13:57
[SPEAKER_20]: Yeah.
2:13:58
[SPEAKER_20]: Of all the lunar seeing craziness of this is that it might have been divine intervention that he did get kicked off the thing because those guys most likely would have died without him down on the ground.
2:14:09
[SPEAKER_20]: We don't know for sure, but it's certainly a strong possibility.
2:14:12
[SPEAKER_18]: Well, I have opinions about the divine intervention part, but I totally agree with you on the other part.
2:14:18
[SPEAKER_18]: Do you know what you're talking about?
2:14:21
[SPEAKER_18]: I just want to be at the gates when it happens.
2:14:26
[SPEAKER_18]: You will be alone because I won't be there.
2:14:28
[SPEAKER_18]: I'll say something.
2:14:31
[SPEAKER_18]: If it happens, I definitely want you to be there.
2:14:32
[SPEAKER_20]: Great.
2:14:33
[SPEAKER_18]: Because I want to witness.
2:14:35
[SPEAKER_18]: I am dying before the both of you.
2:14:36
[SPEAKER_18]: That's for sure.
2:14:37
[SPEAKER_18]: That's what I'll be there.
2:14:39
[SPEAKER_18]: Well, that's that's a that's a subject for another podcast.
2:14:43
[SPEAKER_17]: Are we doing Jacob's ladder anytime soon?
2:14:44
[SPEAKER_05]: Oh my god, I'm back for that.
2:14:47
[SPEAKER_17]: I only saw that once in the eighties.
2:14:49
[SPEAKER_17]: I saw that once.
2:14:50
[SPEAKER_17]: I never want to see it again.
2:14:51
[SPEAKER_17]: Altered States and Jacob's ladder.
2:14:52
[SPEAKER_17]: That's a one two punch.
2:14:53
[SPEAKER_18]: Oh, god.
2:14:54
[SPEAKER_18]: I'm Altered States freaked me out.
2:14:56
[SPEAKER_18]: Oh, that's a good move.
2:14:56
[SPEAKER_18]: That movie freaked me out.
2:14:58
[SPEAKER_17]: I watched it on a video tape.
2:14:59
[SPEAKER_18]: Nope.
2:15:00
[SPEAKER_18]: I still remember anyway.
2:15:01
[SPEAKER_18]: Okay, progress the caveman days.
2:15:02
[SPEAKER_18]: I was like,
2:15:05
[SPEAKER_18]: And I'd never, I hadn't done a drugs at this point.
2:15:07
[SPEAKER_18]: I've never seen that movie just going.
2:15:09
[SPEAKER_18]: What the hell is this?
2:15:10
[SPEAKER_18]: They're like, I call it altered states.
2:15:12
[SPEAKER_18]: Yeah, they're like the title.
2:15:13
[SPEAKER_18]: You know, have you heard a bunch of people who are doing these sensory deprivation thing?
2:15:18
[SPEAKER_18]: Yes, all the rage now.
2:15:19
[SPEAKER_18]: Yeah.
2:15:20
[SPEAKER_18]: Yeah.
2:15:21
[SPEAKER_18]: Yeah.
2:15:22
[SPEAKER_18]: Maybe that's why I don't want to do it.
2:15:24
[SPEAKER_18]: Well, though, I don't want to become a caveman.
2:15:25
[SPEAKER_20]: The guy I just
2:15:27
[SPEAKER_20]: The guy just interviewed for a collider commerce for DeepCut, Abby Belkin, who's from Tel Aviv, he directed the Mike Wallace's here documentary.
2:15:35
[SPEAKER_20]: We were talking about this idea of meditation, but he said the next level is the sensor that we just, you gotta go and do this sensor deprivation thing.
2:15:43
[SPEAKER_20]: It's insane.
2:15:44
[SPEAKER_20]: And there are now, but there's also tents out in Nevada, somewhere where it's sound deprivation.
2:15:50
[SPEAKER_20]: There's no, you can't, it's nothing.
2:15:52
[SPEAKER_20]: I've heard it freaks you out.
2:15:53
[SPEAKER_20]: Yes.
2:15:54
[SPEAKER_17]: Yes, and I'm just alone with me.
2:15:56
[SPEAKER_17]: I don't want it.
2:15:57
[SPEAKER_17]: Yeah, this is like an old boy.
2:15:58
[SPEAKER_20]: I know.
2:15:59
[SPEAKER_20]: It's time to eat face yourself.
2:16:03
[SPEAKER_18]: If there's some way that instead of just being alone with you, you were like alone with John.
2:16:07
[SPEAKER_18]: I would prefer that.
2:16:11
[SPEAKER_18]: He doesn't hear.
2:16:12
[SPEAKER_18]: I don't hear.
2:16:15
[SPEAKER_18]: Perfect.
2:16:16
[SPEAKER_18]: Maryland goes to C. Jim's mom.
2:16:18
[SPEAKER_34]: There's been an accident to me.
2:16:20
[SPEAKER_34]: It's okay.
2:16:21
[SPEAKER_34]: He's all right.
2:16:23
[SPEAKER_34]: But he's not going to get to walk on the moon.
2:16:25
[SPEAKER_18]: I love her sort of response.
2:16:26
[SPEAKER_34]: Well, they said he was.
2:16:29
[SPEAKER_18]: And then her daughter starts to lose it.
2:16:31
[SPEAKER_18]: And a little girl does a good job.
2:16:33
[SPEAKER_18]: She's crying and mom says, are you scared?
2:16:37
[SPEAKER_31]: And she nods and mom says, don't you worry honey, if they could get a washing machine to fly.
2:16:48
[SPEAKER_31]: I can make it land it.
2:16:51
[SPEAKER_18]: That's great.
2:16:52
[SPEAKER_18]: Yeah.
2:16:52
[SPEAKER_18]: That's a great great moment.
2:16:55
[SPEAKER_18]: Back to speed to space.
2:16:57
[SPEAKER_18]: That taper quarter is going real slow.
2:16:59
[SPEAKER_18]: Yeah.
2:17:00
[SPEAKER_18]: And it's getting real cold.
2:17:01
[SPEAKER_18]: The song that's playing by the way is blue moon.
2:17:05
[SPEAKER_19]: Oh, it's nice.
2:17:06
[SPEAKER_18]: Yeah.
2:17:07
[SPEAKER_18]: And then that tape.
2:17:08
[SPEAKER_18]: And we see a bag of pea separate off of the wall and that attack stops.
2:17:15
[SPEAKER_18]: They do a great job of making it cold and sad and depressing and wet and dank and dark.
2:17:23
[SPEAKER_17]: I don't know how you get that condensation on every surface in my set.
2:17:28
[SPEAKER_18]: So what's interesting too, so when they shot the zero G, they couldn't do this, but when they shot the stage stuff, it was thirty eight degrees in there.
2:17:34
[SPEAKER_18]: for three weeks, I think.
2:17:35
[SPEAKER_17]: Yeah, I was I was the scene where he's talking to where's Hayes and and level are talking.
2:17:41
[SPEAKER_17]: And your their breath is coming out.
2:17:42
[SPEAKER_17]: And I thought about that this time I'm like, huh, we're a long time.
2:17:45
[SPEAKER_17]: Yeah, it's brutal.
2:17:46
[SPEAKER_18]: Well, and they're, you know, this gimbal thing I was describing in the stage.
2:17:49
[SPEAKER_18]: So they're strapped in.
2:17:50
[SPEAKER_18]: It's a ninety degree angle hanging upside down in thirty eight degree weather.
2:17:54
[SPEAKER_18]: You know, and this clue.
2:17:54
[SPEAKER_18]: And here's what, so here's what Ron Howard when he was casting the movie is he knew the movie was going to be hard.
2:18:00
[SPEAKER_18]: And he went and what he was talking to actors.
2:18:02
[SPEAKER_18]: He tried to scare the crap out of him.
2:18:05
[SPEAKER_18]: And said, it's gonna be really hard.
2:18:06
[SPEAKER_18]: Particularly to the astronauts, obviously.
2:18:07
[SPEAKER_18]: But even the Michigan trod guys, and he'd say it's gonna be hard and it's gonna be long hours.
2:18:13
[SPEAKER_18]: And he would look, and if they flinched it all, he didn't cast him.
2:18:17
[SPEAKER_18]: And he only cast the people that went, let's do it.
2:18:20
[SPEAKER_18]: And it sounds like all of them.
2:18:21
[SPEAKER_18]: This was a team effort.
2:18:23
[SPEAKER_18]: This was, they felt they were doing some important in all of them.
2:18:27
[SPEAKER_18]: That's why I say they're reading the transcripts.
2:18:29
[SPEAKER_18]: They're staying up late.
2:18:29
[SPEAKER_18]: They're suggesting lines.
2:18:31
[SPEAKER_18]: They're all busing their ass because they felt like they were part of something important.
2:18:34
[SPEAKER_17]: And that it's amazing how much that pair parallels are come through in the movie because you need everybody in mission control needs to be a steel eyed missile man just like the dudes in the caps.
2:18:43
[SPEAKER_17]: Yep.
2:18:44
[SPEAKER_18]: What I love to like the who's a hero is that nerdy guy and Clint Howard and all these people are heroes.
2:18:50
[SPEAKER_18]: Yeah, you know, it's not just the you know heroic looking astronaut guys.
2:18:55
[SPEAKER_17]: Well, and they got they got the presidential metal freedom after this and Gene Krans and the and from I know Gene definitely did, but I think the whole
2:19:04
[SPEAKER_17]: Mission control crew was included in that.
2:19:07
[SPEAKER_17]: Wow.
2:19:08
[SPEAKER_17]: It wasn't just the astronauts.
2:19:10
[SPEAKER_18]: Um, good news though.
2:19:12
[SPEAKER_18]: Nixon has said the tax thing is going to be okay.
2:19:15
[SPEAKER_18]: I'm just going to give him an extension.
2:19:17
[SPEAKER_18]: Thanks, Dick.
2:19:17
[SPEAKER_17]: Yeah.
2:19:18
[SPEAKER_18]: That news.
2:19:18
[SPEAKER_18]: Thanks, Dick.
2:19:20
[SPEAKER_18]: That news Fred has a fever of a hundred and four.
2:19:23
[SPEAKER_18]: I mean, that's high.
2:19:24
[SPEAKER_17]: Fred.
2:19:24
[SPEAKER_17]: That's not good.
2:19:25
[SPEAKER_18]: What I've had a fever.
2:19:26
[SPEAKER_18]: I don't want to do anything like nothing.
2:19:29
[SPEAKER_18]: I'm like, duh.
2:19:30
[SPEAKER_18]: So people say would you please be in a thirty eight degree thing and and two will deal with computers and moving this like,
2:19:37
[SPEAKER_18]: I don't really want to.
2:19:38
[SPEAKER_17]: You'd like to control the pitch on a burn.
2:19:41
[SPEAKER_18]: I'm sorry.
2:19:43
[SPEAKER_18]: And all this talk of medical stuff and gym level stands up and rips off all those medical attachments and e flat lines on mission control.
2:19:52
[SPEAKER_10]: Like I just lost level.
2:19:54
[SPEAKER_18]: What I wonder is they've shut everything down, but apparently they haven't shut that down.
2:19:57
[SPEAKER_18]: Yeah.
2:19:58
[SPEAKER_18]: Must be on a different battery or something.
2:20:01
[SPEAKER_17]: This again, though, this because you brought this up before I never thought of it this way.
2:20:05
[SPEAKER_17]: Did Jim level do this because this is really his thing because he's so good at keeping the facade, keeping the image of the leader or was this good leadership?
2:20:14
[SPEAKER_17]: I was totally good leaders, right?
2:20:16
[SPEAKER_17]: He did this for Fred.
2:20:17
[SPEAKER_17]: Yeah.
2:20:19
[SPEAKER_17]: I hundred percent.
2:20:19
[SPEAKER_18]: I think that just occurred to me just now.
2:20:21
[SPEAKER_18]: And I love the reaction is that because first one guy goes, oh my god, he's died, but he realized that he did it on purpose and the shot of Ed Harris and his smile and nod.
2:20:35
[SPEAKER_18]: One thing that Ron Howard said that's really interesting about this movie is Ed Harris and not only to Ed Harris and Tom Hanks are they never in the room together.
2:20:45
[SPEAKER_18]: But they never actually speak to each other.
2:20:47
[SPEAKER_18]: Any time that Ed Harris is quote unquote communicating with Tom Hanks, he is doing it through other people.
2:20:53
[SPEAKER_18]: And so here he goes, he smiles, he goes, it's okay, it's just a little rebellion.
2:20:58
[SPEAKER_18]: And then they say it's okay, but they never interact directly, which is really interesting.
2:21:04
[SPEAKER_18]: Day six, again, the spaceship is shallow in, which means that they're going to bounce right off the atmosphere and they're going to have to do another burn.
2:21:13
[SPEAKER_18]: Also, it's lunch time or dinner time or breakfast time.
2:21:15
[SPEAKER_18]: It doesn't really matter, but we're gonna have an ice cold frozen solid hotdog.
2:21:20
[SPEAKER_18]: The lightful and Fred is coughing.
2:21:23
[SPEAKER_18]: It is really uncomfortable.
2:21:26
[SPEAKER_18]: And we they tell them you're gonna have to make a course correction and they're like, okay, it's gonna take us a little time to fire up the computer.
2:21:33
[SPEAKER_18]: No computer.
2:21:35
[SPEAKER_17]: That is.
2:21:36
[SPEAKER_17]: Oh, I feel like the thing about most real-life movies based on real events is you can tell at some point like because like, oh, this is kind of weird and this would never happen in a story.
2:21:47
[SPEAKER_17]: This seems like you wrote it because it's one goddamn thing after the other.
2:21:51
[SPEAKER_17]: Yep.
2:21:52
[SPEAKER_17]: Like how is it possible that you keep having to do this and this and this?
2:21:57
[SPEAKER_17]: It's I can't get it.
2:21:59
[SPEAKER_18]: And they apparently had to do like more burns.
2:22:01
[SPEAKER_18]: There was like three or four in the course of this thing.
2:22:03
[SPEAKER_18]: And they actually filmed another one.
2:22:05
[SPEAKER_18]: And they decided it was more dramatic to just have the one.
2:22:08
[SPEAKER_18]: The only change they made is it's a thirty-nine-second burn in the film and it was shorter.
2:22:12
[SPEAKER_18]: Other than that.
2:22:13
[SPEAKER_18]: And they made it filmically more dramatic.
2:22:15
[SPEAKER_18]: But it is what happened.
2:22:16
[SPEAKER_18]: Yeah.
2:22:17
[SPEAKER_18]: And finally, it's Jim Lovell that says, well, if I can basically aim at the earth when we can keep it straight.
2:22:26
[SPEAKER_18]: He's got it.
2:22:27
[SPEAKER_18]: Roka now has his thumb up.
2:22:28
[SPEAKER_18]: That's why he was practicing this.
2:22:33
[SPEAKER_17]: The song, Andy.
2:22:34
[SPEAKER_17]: Is this an Owen Meaney thing?
2:22:35
[SPEAKER_17]: Are we?
2:22:36
[SPEAKER_17]: Jim Love was been preparing.
2:22:38
[SPEAKER_17]: Wow.
2:22:39
[SPEAKER_18]: That is a deep, that is a deep, a genre of being referenced right there.
2:22:45
[SPEAKER_18]: And prayer.
2:22:46
[SPEAKER_18]: And again, we hear now the news reporter explaining, again, this is just pure exposition, it's so dramatic.
2:22:52
[SPEAKER_08]: In order to enter the atmosphere safely, the crew must aim for a car to just two and a half degrees wide.
2:22:58
[SPEAKER_08]: If they're too steep, they'll incinerate in the steadily taking an air.
2:23:01
[SPEAKER_08]: If they're too shallow, they'll ricochet off the atmosphere like a rock skipping off a pond.
2:23:05
[SPEAKER_18]: So we understand now what the stakes are.
2:23:07
[SPEAKER_18]: And now we go back to Gene and the Grumman guy saying, can this thing do it?
2:23:14
[SPEAKER_18]: And he's like,
2:23:15
[SPEAKER_06]: Jean, I want you to understand, they've never tried just before.
2:23:18
[SPEAKER_06]: Burn, cold soap, burn, cold soap, burn manual control.
2:23:22
[SPEAKER_06]: Looking really nice.
2:23:23
[SPEAKER_06]: Really nice.
2:23:24
[SPEAKER_06]: I just want you to know the engines never been tried like this.
2:23:28
[SPEAKER_06]: That's all I'm trying to tell you.
2:23:30
[SPEAKER_18]: We were supposed to land on the moon.
2:23:33
[SPEAKER_18]: That's what we're supposed to do.
2:23:35
[SPEAKER_18]: Apparently, Grummond didn't have these objections.
2:23:38
[SPEAKER_18]: I mean, they weren't as wimpy as this guy's portrayed.
2:23:43
[SPEAKER_18]: It's time for the burn.
2:23:47
[SPEAKER_15]: This is pretty cool, yeah.
2:23:48
[SPEAKER_15]: That's your arm off.
2:23:51
[SPEAKER_18]: It's just a can of really dramatically perfectly set up structure.
2:23:55
[SPEAKER_18]: I do imagine that they ended up being okay.
2:23:57
[SPEAKER_18]: Happy to that thing.
2:23:59
[SPEAKER_18]: Great, great chaos too far too back.
2:24:01
[SPEAKER_18]: And everyone's trying to get it into control.
2:24:03
[SPEAKER_18]: And then it's the, you know, they hit the ten second mark and they shut down the burn.
2:24:08
[SPEAKER_18]: And then they go, yep, that was good.
2:24:12
[SPEAKER_18]: I'd love to that right when they finish, what happens when we're back at Mission Control, their Grumman guy goes, no!
2:24:20
[SPEAKER_18]: How about that lemon?
2:24:22
[SPEAKER_18]: Yeah, I guess to keep you job.
2:24:24
[SPEAKER_18]: That's an improv from it here.
2:24:27
[SPEAKER_18]: And that was an idea on the set.
2:24:28
[SPEAKER_18]: Is that Ron Howard said, hey, you know what?
2:24:30
[SPEAKER_18]: Why don't we do a take where you celebrate?
2:24:32
[SPEAKER_18]: And so he said, say I knew it, and then Ed Harris throughout the improv line.
2:24:36
[SPEAKER_18]: That's great.
2:24:36
[SPEAKER_18]: Yeah.
2:24:37
[SPEAKER_18]: I mean, this movie in terms of what, again, this is why I think Ron Howard is so underrated.
2:24:42
[SPEAKER_18]: It's not that Tom Hanks isn't being creative and all these other people aren't being created, but to kind of preside over that level of chaos and decide what is going to go and what isn't going to go.
2:24:51
[SPEAKER_18]: That's amazing.
2:24:54
[SPEAKER_18]: On board of the spacecraft, the line is, let's help we never have to do that again.
2:24:59
[SPEAKER_13]: Gentlemen, given our guys enough to survive to reentry, well done.
2:25:06
[SPEAKER_18]: And now the big question is the start-up procedure.
2:25:08
[SPEAKER_18]: Do we have it?
2:25:09
[SPEAKER_18]: Nope.
2:25:11
[SPEAKER_18]: And we're back with Ken and he goes through all this procedure and it's not enough.
2:25:17
[SPEAKER_18]: And I love the discussion.
2:25:18
[SPEAKER_10]: The thrusters are going to put you over a budget on apps, Ken.
2:25:21
[SPEAKER_11]: Well, they've been sitting at two hundred below for four days, John.
2:25:24
[SPEAKER_11]: They've got to be heated.
2:25:25
[SPEAKER_10]: Fine, then trade off the parachutes, something.
2:25:28
[SPEAKER_11]: Well, if the shoots don't open, the less the point.
2:25:30
[SPEAKER_10]: Ken, you're telling me what you need.
2:25:31
[SPEAKER_10]: I'm telling you what we have to work with at this point.
2:25:34
[SPEAKER_10]: I'm not making this stuff up.
2:25:35
[SPEAKER_11]: You're going to need all these systems, Jim.
2:25:38
[SPEAKER_10]: We do not have the power, Ken.
2:25:39
[SPEAKER_10]: We just don't have the power.
2:25:41
[SPEAKER_18]: And they go, okay, I guess we're going to have to start from scratch.
2:25:45
[SPEAKER_18]: Again, and again, here is a really dramatic thing that is getting to the real point is really my new electrical engineering.
2:25:52
[SPEAKER_05]: Yeah.
2:25:53
[SPEAKER_18]: Yeah.
2:25:53
[SPEAKER_18]: That's where the drama's coming from.
2:25:55
[SPEAKER_18]: It's not aliens coming to take over the world.
2:25:57
[SPEAKER_18]: It's not serial killers trying to kill us.
2:25:59
[SPEAKER_18]: It's just can we get more amperage out of this circus.
2:26:03
[SPEAKER_18]: I think a needle move on an ammeter.
2:26:05
[SPEAKER_17]: Yeah.
2:26:07
[SPEAKER_18]: And now again, we cut to these interview footage, and it's footage with Jim Lovell, and they're interviewing him, and they asked him if he was scared.
2:26:18
[SPEAKER_18]: And originally, this story, which is a real story of Jim Lovell's, was going to happen with the family.
2:26:25
[SPEAKER_18]: It was going to be a scene with dialogue.
2:26:28
[SPEAKER_18]: Maybe it was going to happen with astronauts.
2:26:31
[SPEAKER_18]: And Tom Hicks didn't like it that way.
2:26:33
[SPEAKER_18]: and they started talking about a name they came up with this idea of doing it this news footage and then it becomes this amazing connection as he tells this miraculous story where and the story is is that he's in combat and he's flying back and he doesn't have no really where his ship is to the aircraft carrier to land on and then his system fails so the lights all go out in his cockpit and only because the light goes out in his cockpit does he see the phosphorescent trail led by the aircraft carrier
2:27:02
[SPEAKER_18]: and that shows him his way home, which is a miraculous story.
2:27:06
[SPEAKER_18]: Yeah.
2:27:07
[SPEAKER_18]: Even I will say that's an amazing story.
2:27:11
[SPEAKER_18]: And it is a true story, but what's so remarkable about it is it becomes a love moment because it's Marilyn who's watching him tell about this miracle that brought him home.
2:27:21
[SPEAKER_15]: Yeah.
2:27:22
[SPEAKER_18]: And Kathleen Klinland's just reaction shot amazing.
2:27:25
[SPEAKER_15]: If my cockpit lights hadn't shorted out, there's no way I'd have ever been able to see that.
2:27:31
[SPEAKER_15]: You, uh, you never know what events are going to transpire to get you home.
2:27:39
[SPEAKER_18]: On board, it's cold.
2:27:41
[SPEAKER_18]: And they have, they hear this sound of a, which ends up being a burst helium disc, whatever that is.
2:27:48
[SPEAKER_18]: And that is another thing that came up on the set.
2:27:51
[SPEAKER_18]: They had like a whole bunch of other disasters that decided not to use.
2:27:54
[SPEAKER_18]: And as they go into this, they're rehearsing the scene, which is going to be the scene about entry angle and, oh, sorry.
2:28:05
[SPEAKER_18]: It's going to be a scene about the startup procedure and how they're going to do it.
2:28:09
[SPEAKER_18]: But the scene felt dead at the beginning.
2:28:12
[SPEAKER_18]: And this burst helium disc, which is a thing that had happened, was one of the many things they decided not to include in the movie.
2:28:19
[SPEAKER_18]: And as they're doing the rehearsal and Ron Howard's going,
2:28:22
[SPEAKER_18]: The scene is not having, we need to start with literally a bang.
2:28:25
[SPEAKER_18]: And it goes, oh, remember that burst helium disc?
2:28:28
[SPEAKER_18]: Let's add that here.
2:28:29
[SPEAKER_18]: Let's that create that as the opening the scene.
2:28:31
[SPEAKER_18]: So the energy is really high when we come in and that changes the energy throughout the scene.
2:28:36
[SPEAKER_18]: Really good director man.
2:28:38
[SPEAKER_18]: Really good.
2:28:40
[SPEAKER_18]: And they're asking for the procedure.
2:28:45
[SPEAKER_18]: And the response to him Houston is that's coming real soon, of course.
2:28:50
[SPEAKER_18]: And that's when they know they don't have it.
2:28:53
[SPEAKER_18]: They don't know.
2:28:53
[SPEAKER_18]: Yeah, it's an amazing revelation.
2:28:55
[SPEAKER_18]: And then Jim level does a thing, which is very not astronaut.
2:29:00
[SPEAKER_18]: Because in general, the astronaut say, OK, copy that Houston, we're standing by.
2:29:05
[SPEAKER_18]: But that's not what he says.
2:29:06
[SPEAKER_15]: He says Houston, we
2:29:09
[SPEAKER_15]: We just can't throw this together at the last minute.
2:29:12
[SPEAKER_15]: So here's what you're going to do.
2:29:15
[SPEAKER_15]: You're going to get the procedure up to us whatever it is.
2:29:19
[SPEAKER_15]: And we're going to go over it step by step so there's no foul ups.
2:29:24
[SPEAKER_15]: But I have to tell you all little tired up here.
2:29:27
[SPEAKER_15]: The world's getting awfully big in the window.
2:29:30
[SPEAKER_18]: So he is giving Houston orders.
2:29:32
[SPEAKER_17]: That's just great.
2:29:33
[SPEAKER_17]: After this many days, it comes out, man.
2:29:36
[SPEAKER_18]: Yeah.
2:29:38
[SPEAKER_18]: And again, they get that kind of non committed quote back.
2:29:41
[SPEAKER_18]: They don't know how to do it.
2:29:42
[SPEAKER_18]: And then the, but the one thing they do say that is a little bit reassuring is saying, we're going to get that right up to you.
2:29:46
[SPEAKER_18]: Ken is working on it.
2:29:49
[SPEAKER_18]: They feel pretty good that Ken is hitting on this.
2:29:53
[SPEAKER_18]: Um, back with Ken again.
2:29:55
[SPEAKER_18]: We hear about Ken.
2:29:56
[SPEAKER_18]: We cut to Ken.
2:29:57
[SPEAKER_18]: This is how good editing works.
2:29:59
[SPEAKER_10]: I know this sequence works.
2:30:00
[SPEAKER_10]: Yeah.
2:30:00
[SPEAKER_10]: The sequence looks good.
2:30:01
[SPEAKER_10]: We're just over budget on the average.
2:30:03
[SPEAKER_18]: And then Ken comes up with the idea that really saves everything.
2:30:07
[SPEAKER_18]: which is their batteries on the one.
2:30:09
[SPEAKER_18]: What if we can, you know, reverse polarity on stage three, you know, it's so funny because in most, like in a Star Trek episode, this would just be bullshit.
2:30:20
[SPEAKER_18]: That is exactly like, well, if I change the frequency of the dilithium crystals and recharge the deflector dish to reverse, you know, superpower, the shield generator, that's what you hear on a Star Trek episode.
2:30:32
[SPEAKER_18]: I kept them in here.
2:30:35
[SPEAKER_18]: You could always be my Scotty.
2:30:37
[SPEAKER_18]: And here we've got an actual real thing, which is he realizes that, oh, if we can pull just a little bit of juice out of the batteries from the limb, that might be just enough to push us over.
2:30:47
[SPEAKER_18]: And of course, the first response is that we've been done before.
2:30:50
[SPEAKER_18]: We've got no procedure for this, and which is like we just need four amps.
2:30:55
[SPEAKER_18]: Gene is freaking out about the procedure.
2:30:57
[SPEAKER_13]: God damn, I don't want another estimate.
2:31:00
[SPEAKER_13]: I want the procedures.
2:31:02
[SPEAKER_13]: Now.
2:31:03
[SPEAKER_18]: and we go to Ken's switching stuff on and again, if I, could you imagine the pitch meaning?
2:31:08
[SPEAKER_18]: Listen, there's gonna be a really dramatic sequence, a dude in a little dark room is going to one by one throw switches, and another dude in another room is gonna look at a amp meter as it goes up, really dramatic.
2:31:27
[SPEAKER_18]: And yet it is.
2:31:28
[SPEAKER_18]: Yeah, absolutely.
2:31:29
[SPEAKER_18]: It is super dramatic.
2:31:31
[SPEAKER_18]: And we walk as we switch as go on and we watch that meter go up and up and it gets right at the twenty.
2:31:36
[SPEAKER_18]: Yeah.
2:31:37
[SPEAKER_18]: It looks like it's gonna go over.
2:31:39
[SPEAKER_18]: And then the moment where John asks.
2:31:42
[SPEAKER_18]: Is your computer on now?
2:31:45
[SPEAKER_11]: Up and running.
2:31:47
[SPEAKER_11]: And we look.
2:31:51
[SPEAKER_10]: John.
2:31:56
[SPEAKER_10]: I think we got it buddy.
2:32:00
[SPEAKER_18]: Yeah.
2:32:01
[SPEAKER_18]: I love there's this feeling that they're friends.
2:32:03
[SPEAKER_18]: Yeah.
2:32:03
[SPEAKER_18]: They probably, I don't even know if they ever met before.
2:32:05
[SPEAKER_18]: Exactly.
2:32:06
[SPEAKER_18]: And they have like, they've been through some shit.
2:32:08
[SPEAKER_18]: Yeah.
2:32:08
[SPEAKER_18]: Sitting in this room.
2:32:10
[SPEAKER_18]: And the reaction from Gary Sinese is great.
2:32:12
[SPEAKER_18]: They run into NASA again, just clutching their notes, run into mission control.
2:32:17
[SPEAKER_18]: Ken Maddingley apparently always wore a jack and tie in mission control.
2:32:20
[SPEAKER_18]: And he puts one on now.
2:32:22
[SPEAKER_18]: That's okay, little tidbit.
2:32:24
[SPEAKER_18]: And they ask them, well, have you tried this out?
2:32:27
[SPEAKER_18]: Have you, have you tested this?
2:32:28
[SPEAKER_18]: Is like, no.
2:32:31
[SPEAKER_18]: No time.
2:32:32
[SPEAKER_18]: And Ken gets on the radio.
2:32:34
[SPEAKER_18]: And the first thing level asks is,
2:32:37
[SPEAKER_18]: are the flowers blooming in Houston, which is a reference.
2:32:41
[SPEAKER_18]: And it cancels bounces.
2:32:42
[SPEAKER_18]: Negative.
2:32:43
[SPEAKER_18]: I don't have the measles.
2:32:45
[SPEAKER_18]: Who is he sitting next to?
2:32:46
[SPEAKER_18]: Then doctor.
2:32:48
[SPEAKER_18]: We're back at Maryland's house.
2:32:49
[SPEAKER_18]: And this is this inner cutting between the space and mission control and Maryland and her family.
2:32:55
[SPEAKER_18]: And she's got two guys with her who she brings over and says, hey, can you just distract Jim's mom?
2:33:01
[SPEAKER_18]: She goes, I don't know where her name is.
2:33:04
[SPEAKER_18]: Blanch.
2:33:04
[SPEAKER_18]: Of course, it's Blanch.
2:33:05
[SPEAKER_18]: Well, here are two nice men are talking.
2:33:08
[SPEAKER_18]: This is Neil Armstrong, and this is Buzz Aldrin.
2:33:11
[SPEAKER_17]: Is this true?
2:33:13
[SPEAKER_17]: I have no idea.
2:33:14
[SPEAKER_17]: I don't love this moment because again, it's just a much needed moment of levity.
2:33:20
[SPEAKER_17]: And yeah, and because Blanc's reaction is, oh, do you guys work with my son?
2:33:24
[SPEAKER_17]: Yeah, you have to spend one day.
2:33:26
[SPEAKER_18]: Yeah.
2:33:27
[SPEAKER_18]: And I love it.
2:33:28
[SPEAKER_18]: And they take it just right, which is they kind of go, you don't know who we are.
2:33:31
[SPEAKER_18]: And they're right into like, yeah, we do.
2:33:35
[SPEAKER_18]: Um, yeah, great.
2:33:36
[SPEAKER_18]: Um, and Ken is working with Jack on this procedure.
2:33:39
[SPEAKER_18]: And again, Kevin Bacon is great.
2:33:41
[SPEAKER_07]: He says, Ken, um, well, I'm having trouble reading my own writing.
2:33:47
[SPEAKER_07]: I guess a little more tired than I thought.
2:33:49
[SPEAKER_18]: And there's a look and there's a pause.
2:33:52
[SPEAKER_11]: And he says, uh, don't worry, Jack.
2:33:54
[SPEAKER_11]: I'll talk you through it.
2:33:55
[SPEAKER_17]: And again, it's awesome, too, because now we get, we don't just see Kevin Bacon reading off of a sheet that he wrote down.
2:34:03
[SPEAKER_17]: It's an interaction between people.
2:34:05
[SPEAKER_18]: Oh, that's a great point.
2:34:07
[SPEAKER_18]: Yeah, totally, really good point.
2:34:09
[SPEAKER_18]: And he gives him the first thing to do, and Jack reaches for the panel, which is wet.
2:34:14
[SPEAKER_18]: And he stops, and he says can, and they could see the nervousness.
2:34:18
[SPEAKER_18]: There's a lot of compensation on this panel.
2:34:20
[SPEAKER_18]: What's the word on these shorting out?
2:34:23
[SPEAKER_11]: Again, it's just... We'll just take that one at a time, Jack.
2:34:28
[SPEAKER_18]: Which beans?
2:34:28
[SPEAKER_18]: Yeah.
2:34:29
[SPEAKER_18]: We have no idea.
2:34:30
[SPEAKER_18]: Right?
2:34:31
[SPEAKER_18]: We don't know what's going to happen.
2:34:33
[SPEAKER_18]: And Jack's response is like trying to turn on a toaster through a car wash.
2:34:41
[SPEAKER_18]: and they turn the first thing on and lights turn on.
2:34:43
[SPEAKER_18]: We've got a new problem fellas.
2:34:45
[SPEAKER_18]: We're underweight.
2:34:47
[SPEAKER_17]: Because I've never had it.
2:34:49
[SPEAKER_18]: I certainly never had that problem.
2:34:52
[SPEAKER_18]: Because we didn't go to the moon.
2:34:54
[SPEAKER_18]: We got no moon rocks.
2:34:55
[SPEAKER_18]: So in addition to this startup procedure, we're going to have to have the guys move a whole bunch of ballast essentially down to the command module because it's supposed to be heavier.
2:35:06
[SPEAKER_18]: And as Jack has continued to go through the procedure, one thing we notice is the word no.
2:35:12
[SPEAKER_18]: I'm a big piece of paper on one of the switches.
2:35:16
[SPEAKER_18]: And I love that it's just there.
2:35:17
[SPEAKER_18]: Like he's like, why is there?
2:35:19
[SPEAKER_18]: What does that mean?
2:35:20
[SPEAKER_18]: The reporters are out on the level one.
2:35:22
[SPEAKER_18]: And this is the first time we hear that there's another son.
2:35:24
[SPEAKER_18]: We haven't seen, I think since the very beginning of the moment, he's in military academy.
2:35:30
[SPEAKER_18]: And it's interesting.
2:35:30
[SPEAKER_18]: So Ron Howard, when he first found that out, he's like, oh, that's too bad because it's going to make it so much less dramatic.
2:35:35
[SPEAKER_18]: And I wish that he basically, when I wish that wasn't true, and then he realized, oh, it's really dramatic.
2:35:39
[SPEAKER_17]: Yeah.
2:35:40
[SPEAKER_18]: Having that kid all alone in uniform, not with his family.
2:35:44
[SPEAKER_17]: He's just got to sit at a desk and pretend like he's not freaking out while all the other kids are looking at it.
2:35:49
[SPEAKER_18]: Well, and all the other kids are all listening to this thing like normal human.
2:35:53
[SPEAKER_05]: Yeah.
2:35:53
[SPEAKER_05]: Yeah.
2:35:53
[SPEAKER_18]: And he, and imagine too, like the kid behind you is that guy's son.
2:35:56
[SPEAKER_18]: I mean, the whole situation is really, really weird.
2:36:00
[SPEAKER_18]: And I love the teacher just pats him on the shoulder.
2:36:02
[SPEAKER_18]: That's, that's all you get.
2:36:04
[SPEAKER_05]: You get one pat.
2:36:13
[SPEAKER_18]: We're still putting stuff away and we're we're just kind of getting all of the start-up procedures through a blink to laboratory command module to accept right?
2:36:23
[SPEAKER_18]: That's a firm go ahead and try it And we hit the last switch and everything comes online both in the capsule and back in Houston a blink completed
2:36:38
[SPEAKER_18]: And there's just this great sort of yes in Houston.
2:36:42
[SPEAKER_18]: Like, okay, we got past that thing.
2:36:46
[SPEAKER_18]: And I love to the moment between Jack and Ken where he says, oh, and everything work Ken, I wish you were here.
2:36:52
[SPEAKER_18]: And he says, I bet you do.
2:36:55
[SPEAKER_18]: There's a lot in that line.
2:36:58
[SPEAKER_18]: And in another moment, because again, it's a really well structured movie.
2:37:01
[SPEAKER_18]: Despite the fact that it's made based on a real story, they managed to have these great
2:37:06
[SPEAKER_18]: character resolution moments, which is Fred turns to Jack and says, way to go Jack.
2:37:12
[SPEAKER_18]: That in that says, we have resolved our previous conflict, right?
2:37:15
[SPEAKER_18]: And Jack takes it in and you could see it.
2:37:17
[SPEAKER_18]: It's right there.
2:37:20
[SPEAKER_18]: We're still not out of the woods.
2:37:22
[SPEAKER_18]: There's typhoon.
2:37:23
[SPEAKER_17]: That's what I'm talking about.
2:37:26
[SPEAKER_17]: This is shit.
2:37:26
[SPEAKER_17]: You can't write this shit.
2:37:28
[SPEAKER_18]: I'm starting to believe this thirteen thing.
2:37:30
[SPEAKER_18]: Jane.
2:37:33
[SPEAKER_19]: Where did they land?
2:37:33
[SPEAKER_18]: You believe it's god thing, too.
2:37:35
[SPEAKER_18]: Well, that's what we'll see.
2:37:39
[SPEAKER_18]: and now they cut the service module free and for the first time they get a look at it and this is terrifying because they see it was really really damaged.
2:37:47
[SPEAKER_18]: The point like how did we even survive that and the damage goes right up to the heat shield on the command module.
2:37:54
[SPEAKER_18]: Of course it does.
2:37:55
[SPEAKER_18]: And nobody even talks about it.
2:37:57
[SPEAKER_18]: Everyone's got to have the thought.
2:37:59
[SPEAKER_18]: And again, this is just this great exposition.
2:38:01
[SPEAKER_18]: Now we have some news reporters depositing on the heat shield and how that works because the audience has to know this.
2:38:09
[SPEAKER_18]: And Zander kind of goes off on all the problems.
2:38:12
[SPEAKER_18]: Heat shields and parachutes and all these things that can go wrong.
2:38:16
[SPEAKER_18]: Very callous manner.
2:38:17
[SPEAKER_18]: Very callous.
2:38:19
[SPEAKER_18]: And we hear about the whole world sort of coming together.
2:38:22
[SPEAKER_18]: The Pope is making prayers.
2:38:24
[SPEAKER_18]: Congress is having people prayers.
2:38:25
[SPEAKER_18]: Other countries are asking to help.
2:38:28
[SPEAKER_18]: And we have a quiet moment with Jim seeing Fred just freezing.
2:38:35
[SPEAKER_18]: And he comes up and it is tender and he hugs him and talks about when we when we splash down it's going to be in the South Pacific.
2:38:42
[SPEAKER_18]: It's going to be eighty degrees.
2:38:44
[SPEAKER_18]: Jim said he didn't hug Fred for nearly this long time.
2:38:48
[SPEAKER_18]: I love Bill Paxton.
2:38:49
[SPEAKER_18]: God damn it.
2:38:50
[SPEAKER_18]: Yeah, it's true.
2:38:53
[SPEAKER_11]: And how we deal with guys, we're closing in on Lunar Module Genesis and as you know, that is time, critical.
2:38:59
[SPEAKER_18]: And Jim is at the window and he wipes the condensation off the window and looks out at the beautiful horizon of Earth and Maryland looks up.
2:39:09
[SPEAKER_18]: And again, this is, it's the same as the moment before.
2:39:11
[SPEAKER_18]: It's like they're looking at each other.
2:39:12
[SPEAKER_18]: Yeah.
2:39:13
[SPEAKER_18]: It's really a beautiful moment.
2:39:14
[SPEAKER_18]: Yeah.
2:39:17
[SPEAKER_18]: they close off the hatch and everybody is back on the Odyssey and there's great great looks between Jack and Jim and Jim sits down in the pilot seat and it first you're kind of like what's going on like we don't understand quite what the awkward moment is and then Jim realizes and kind of Jack is sort of looking at him like as my chair and Jim realizes it and and just switches off.
2:39:40
[SPEAKER_18]: But again, so sometimes you might think, Jim, I think he's the better pilot.
2:39:45
[SPEAKER_18]: I mean, he has more time and space than anybody.
2:39:47
[SPEAKER_18]: That's true.
2:39:48
[SPEAKER_18]: He could say Captain Kirk might say, I'm going to pilot this in.
2:39:52
[SPEAKER_18]: Well, Captain, it was Sulu.
2:39:54
[SPEAKER_18]: But it was Sulu.
2:39:55
[SPEAKER_18]: He wouldn't.
2:39:56
[SPEAKER_18]: But if it was Sulu's last minute replacement, Kirk might take the con.
2:40:01
[SPEAKER_18]: Yeah.
2:40:03
[SPEAKER_20]: Yeah.
2:40:04
[SPEAKER_20]: Um, well, the card would spend six days on some Shakespeare silly like we now make a decision by the end of it.
2:40:09
[SPEAKER_20]: That's the difference.
2:40:11
[SPEAKER_18]: Oh my god.
2:40:12
[SPEAKER_18]: That's my damn difference.
2:40:15
[SPEAKER_20]: Anyway, all right.
2:40:16
[SPEAKER_18]: It's a slight digression.
2:40:18
[SPEAKER_18]: Um, Kirk is Jim Love, let's go.
2:40:23
[SPEAKER_18]: I don't know, no, because Jim level gives up the chair and lets the inexperienced guy stay there.
2:40:28
[SPEAKER_18]: It's true, but yeah.
2:40:31
[SPEAKER_18]: I understand.
2:40:32
[SPEAKER_18]: Now, I'm just thinking about which Star Trek character he's trying to like.
2:40:35
[SPEAKER_18]: The car is just going to say might be my people.
2:40:37
[SPEAKER_18]: All fair point and then it's when Jim notices the no paper.
2:40:42
[SPEAKER_18]: What is that?
2:40:46
[SPEAKER_07]: I was getting a little punchy and I didn't want to cut the lime loose with you guys still in it.
2:40:50
[SPEAKER_18]: And I love that Jim kind of goes.
2:40:52
[SPEAKER_18]: It's good thinking.
2:40:53
[SPEAKER_17]: Yeah, I mean, that's what I love.
2:40:54
[SPEAKER_17]: It's like when when Kevin Bacon says that we as the audience laugh, think that's funny.
2:41:00
[SPEAKER_17]: And then Jim levels reactions like, yeah, that makes sense.
2:41:03
[SPEAKER_17]: That makes sense.
2:41:03
[SPEAKER_17]: And then it's like, doubly funny.
2:41:04
[SPEAKER_17]: Like, oh, shit, I thought you were going to be upset.
2:41:06
[SPEAKER_17]: You're like, no, that's a good idea.
2:41:07
[SPEAKER_17]: You know what?
2:41:08
[SPEAKER_18]: Again, here's the only thing I can relate it to is we've all been in
2:41:12
[SPEAKER_18]: We all been in circumstances where maybe we were not quite as cognizant in the reality as we should have been.
2:41:19
[SPEAKER_18]: And I think if one of us had said, like, well, I had to make a note just to guess what, do we probably would have gone?
2:41:23
[SPEAKER_18]: Makes sense.
2:41:26
[SPEAKER_18]: And then we cut loose the limb.
2:41:28
[SPEAKER_18]: And the last moment is he says, you know, she sure was a good chip and they say farewell.
2:41:34
[SPEAKER_18]: That's a nice moment.
2:41:35
[SPEAKER_18]: Yeah, hippie name, but a good chip.
2:41:37
[SPEAKER_20]: It's kind of a throwback to that kind of thing of being captain of a vessel in the sea.
2:41:43
[SPEAKER_20]: She was a good ship.
2:41:44
[SPEAKER_20]: Yeah, right?
2:41:45
[SPEAKER_20]: Absolutely.
2:41:45
[SPEAKER_20]: You forget that sometimes when you're looking at astronauts.
2:41:48
[SPEAKER_18]: You see this.
2:41:49
[SPEAKER_20]: rocket ships is more than just ships.
2:41:51
[SPEAKER_18]: We're getting it's time.
2:41:53
[SPEAKER_18]: It's time.
2:41:53
[SPEAKER_18]: The aircraft carriers in place.
2:41:56
[SPEAKER_18]: It's the U.S.
2:41:57
[SPEAKER_18]: S. E. Wood Gima.
2:41:58
[SPEAKER_18]: Sorry, the U.S.
2:41:59
[SPEAKER_18]: We're not on Star Trek anymore, right?
2:42:02
[SPEAKER_18]: Now we start here about this thing, the blackout.
2:42:04
[SPEAKER_18]: Last three minutes.
2:42:05
[SPEAKER_18]: Never goes more than three minutes.
2:42:08
[SPEAKER_18]: And that's where we, we're going to know if it goes to four minutes, they're dead.
2:42:11
[SPEAKER_18]: Yeah.
2:42:12
[SPEAKER_18]: And we're still worried about those batteries.
2:42:14
[SPEAKER_18]: We're still worried that we're too shallow.
2:42:16
[SPEAKER_18]: And Gene Krans says, I think we could do about it.
2:42:21
[SPEAKER_13]: And they don't need to know, do they?
2:42:22
[SPEAKER_01]: Copy that.
2:42:23
[SPEAKER_17]: Which is exactly what Swagger was saying earlier when they started the whole fight.
2:42:28
[SPEAKER_17]: That was great point.
2:42:29
[SPEAKER_17]: Yeah.
2:42:30
[SPEAKER_17]: That is a great point.
2:42:31
[SPEAKER_18]: The guy who is kind of the government guy says, be the worst disasters ever experienced.
2:42:38
[SPEAKER_13]: They'll do respects.
2:42:39
[SPEAKER_13]: I believe this is going to be our finest hour.
2:42:42
[SPEAKER_18]: You know, there's a time most of the time saying corny shit is corny.
2:42:48
[SPEAKER_18]: And there are certain times where it's like, fuck yeah.
2:42:52
[SPEAKER_18]: That is awesome.
2:42:53
[SPEAKER_18]: That's why you cast the right actor for that kind of stand.
2:42:55
[SPEAKER_18]: Exactly.
2:42:57
[SPEAKER_18]: I think honestly, I had seen at Harrison a bunch of stuff, including the right stuff.
2:43:01
[SPEAKER_18]: This is the movie where I truly fell in love with it.
2:43:03
[SPEAKER_18]: Oh yeah.
2:43:04
[SPEAKER_20]: This is Truman Show back to back.
2:43:05
[SPEAKER_18]: Yeah.
2:43:07
[SPEAKER_18]: I haven't seen Truman Show since it came out.
2:43:09
[SPEAKER_18]: Oh, man.
2:43:10
[SPEAKER_18]: Wow.
2:43:11
[SPEAKER_18]: Does it hold up?
2:43:12
[SPEAKER_18]: Is it?
2:43:12
[SPEAKER_18]: Yeah.
2:43:13
[SPEAKER_18]: I liked it a lot.
2:43:14
[SPEAKER_18]: Yeah.
2:43:15
[SPEAKER_18]: It's almost time.
2:43:16
[SPEAKER_20]: It's no ice-fen tour, but it holds up.
2:43:18
[SPEAKER_18]: Yeah.
2:43:22
[SPEAKER_18]: It's almost time.
2:43:23
[SPEAKER_18]: And then, again, speaking of corny stuff, Jim level turns over to them.
2:43:27
[SPEAKER_18]: It says gentlemen.
2:43:28
[SPEAKER_15]: Gentlemen.
2:43:31
[SPEAKER_15]: been a privilege flying with you.
2:43:33
[SPEAKER_17]: And I love the reactions because you can see it on both Bill Pax and Anne Kevin Bacon's faces like this means something coming from this guy.
2:43:40
[SPEAKER_17]: Yeah, it's like they take it in.
2:43:43
[SPEAKER_17]: Yeah, he's their hero.
2:43:45
[SPEAKER_18]: I mean, this is like, talk about going out in a blaze of patriotic glory.
2:43:50
[SPEAKER_18]: You're on your way to the, I mean, like, this is it.
2:43:52
[SPEAKER_18]: You're in this moment.
2:43:53
[SPEAKER_18]: Like, yeah, it's, it's amazing.
2:43:55
[SPEAKER_18]: And the music, it's as we hit the atmosphere and it is intense and scary.
2:44:02
[SPEAKER_18]: It starts to shake.
2:44:03
[SPEAKER_18]: It's bright red light.
2:44:05
[SPEAKER_18]: It gets hotter and hotter, and then this moment that is so cool, where that condensation that it froze in on the controls starts to melt and it essentially starts to rain on.
2:44:14
[SPEAKER_17]: It's hard to, you can see it a little bit, but like when I heard Jim level talk, he was like, it was raining in the capsule.
2:44:22
[SPEAKER_17]: like I can't even imagine that.
2:44:24
[SPEAKER_18]: Yeah it's such a it's crazy and we see the helicopters circling over the water and we see people everywhere watching on TV and again we're even the smallest subplot we're gonna resolve because the daughter who's had the conflict with mom is gonna run to mom to be held in this moment and the little boy
2:44:43
[SPEAKER_17]: Mommy, you're squishing me.
2:44:46
[SPEAKER_18]: You can't tell, it's that's a great one.
2:44:48
[SPEAKER_18]: And of course, we have the news reporters saying, reinforcing this idea, no ship has ever been in black out for longer than three minutes.
2:44:55
[SPEAKER_18]: So we know that after three minutes, this is going to be a real problem.
2:45:00
[SPEAKER_18]: And that big clock runs out of those three minutes.
2:45:04
[SPEAKER_18]: And now we're past it.
2:45:08
[SPEAKER_18]: And we hear Walter Cronkite and he's saying that those three minutes are over.
2:45:15
[SPEAKER_18]: And I don't know if this is ninety five Walter Cronkite or this is archival walk and then use both.
2:45:21
[SPEAKER_18]: And I'm really curious about it.
2:45:23
[SPEAKER_18]: And then you just have those looks.
2:45:24
[SPEAKER_18]: and you have Neil and Buzz sitting with mom and you have Marilyn sitting there with her kids and we have the lookouts on the ship and we have Houston calling and everyone is nervous and this feels like it goes on forever.
2:45:37
[SPEAKER_18]: I actually wished I had timed it because
2:45:40
[SPEAKER_18]: I'm curious if it was a minute in the film.
2:45:43
[SPEAKER_18]: You know, my guess is it probably was about a minute.
2:45:46
[SPEAKER_18]: But it feels just forever.
2:45:48
[SPEAKER_18]: Yeah.
2:45:49
[SPEAKER_18]: And there's the kid in military school and he he looks down and then he looks up at that clock and we're back to Gene and Houston who started to believe that they're probably dead and you could really feel it and then just as he Ed Harris is having that reaction of, oh, we have lost them.
2:46:06
[SPEAKER_18]: Yeah, you hear the static.
2:46:10
[SPEAKER_18]: Before we hear their voices, we see that capsule and those parachutes.
2:46:14
[SPEAKER_18]: And it is just great.
2:46:27
[SPEAKER_17]: I fucking love it.
2:46:29
[SPEAKER_18]: You want to know the Filmic Technique they used to create the parachute capsules splash down?
2:46:34
[SPEAKER_18]: Yeah, what's that?
2:46:35
[SPEAKER_18]: They built a space capsule with parachutes and they dropped it out of a helicopter.
2:46:39
[SPEAKER_18]: Totally real size, hundred percent.
2:46:42
[SPEAKER_18]: They just did it for real.
2:46:45
[SPEAKER_18]: It's just such a great moment and then we get, we talked about the very beginning of this podcast.
2:46:50
[SPEAKER_18]: Ed Harris' reaction.
2:46:51
[SPEAKER_20]: Yeah.
2:46:51
[SPEAKER_17]: This is, this is probably my favorite moment of the movie.
2:46:54
[SPEAKER_17]: I think it's mine too.
2:46:55
[SPEAKER_17]: Yeah.
2:46:56
[SPEAKER_17]: It's just the fact that, I mean, you did see him lose his temper when he wanted the procedures, but like he has been the guy who has been the rock.
2:47:05
[SPEAKER_17]: You know, she can control the whole time and he finally gives himself a moment.
2:47:10
[SPEAKER_17]: And he just sits down and like wipes his eyes and lets it all sit in for just for a moment.
2:47:17
[SPEAKER_17]: And then he fucking wipes his eyes clean, stands back up and he's back in.
2:47:23
[SPEAKER_18]: happy and moved and exhausted and overwhelmed and controlled.
2:47:29
[SPEAKER_18]: So in one of the documentaries, there's a documentary that has the Real Gene Crancene.
2:47:35
[SPEAKER_18]: And he's telling the story of this moment.
2:47:37
[SPEAKER_18]: And this clip is in, if you have the Blue Ray, which you can buy on cinephiles.net, and you watch it, you can see this moment where Gene Crancene, where in telling the story of the moment where they came out of the silence and heard their voices,
2:47:49
[SPEAKER_18]: Gene Krans has this reaction where he stops talking, can't keep speaking, wipes his eyes, gets the square jawed, kind of resistance to the emotion, let's it go, and then starts talking again.
2:48:02
[SPEAKER_18]: Ron Howard shows this to Ed Harris.
2:48:04
[SPEAKER_18]: And Ed Harris says, so you'd like me to try to do something like this, and Ron's kind of drop-off goes, seems like it might be a good idea.
2:48:13
[SPEAKER_18]: And Ed Harris says, okay, we'll give it a try.
2:48:18
[SPEAKER_18]: And that's where this moment comes from.
2:48:20
[SPEAKER_18]: Yeah.
2:48:21
[SPEAKER_18]: It is a stunning bit of silent acting.
2:48:23
[SPEAKER_18]: It chokes me up just to you telling me that story.
2:48:26
[SPEAKER_18]: Yeah.
2:48:27
[SPEAKER_18]: It's so powerful.
2:48:29
[SPEAKER_18]: And the cam work here, the way the camera is pushing it pushes in on Gary Sinese.
2:48:33
[SPEAKER_18]: It pushes in on other characters.
2:48:35
[SPEAKER_18]: It's, you know, and it's from this high, which one how to call the gods angle view of floating in and seeing in the drama is just really great.
2:48:45
[SPEAKER_18]: Um, and their celebration on the aircraft carrier, you know, everyone hugging the son of the military academy and we have the scuba guy, recovery guy, jump out of that chopper and knock on that hatch.
2:48:56
[SPEAKER_18]: Um, and Jim gives the flump thumbs up and they're kind of sitting there kind of wrecked.
2:49:00
[SPEAKER_19]: Yeah.
2:49:01
[SPEAKER_18]: And I love him reaching over to help Fred get the the belts, you know, the straps off and Fred takes his hand off.
2:49:08
[SPEAKER_18]: That's great.
2:49:11
[SPEAKER_18]: And now we have the recovery where they're lifting first jack, or Fred's already up in the helicopter, lifting jack up.
2:49:17
[SPEAKER_18]: And then we see Tom Hanks come out of that capsule and him get lifted up.
2:49:22
[SPEAKER_18]: And I mean, you know, you just want to cheer.
2:49:25
[SPEAKER_18]: You want to cheer as they get brought up.
2:49:26
[SPEAKER_18]: You want to cheer as they make it onto the aircraft, come out of the helicopter, onto the aircraft carrier.
2:49:32
[SPEAKER_18]: And then we have Tom Hanks on the aircraft carrier.
2:49:36
[SPEAKER_18]: And we hear this voice over.
2:49:38
[SPEAKER_15]: Our mission was called a successful failure, and that we returned safely but never made it to the moon.
2:49:45
[SPEAKER_15]: In the following months, it was determined that a damaged coil built inside the oxygen tank, sparked during our cryoster, and caused the explosion that crippled the honest.
2:49:55
[SPEAKER_15]: It was a minor defect that occurred two years before I was even named the Flight's Commander.
2:50:00
[SPEAKER_18]: Here's what's interesting about this speech.
2:50:02
[SPEAKER_18]: They had written a bunch of different versions of it.
2:50:05
[SPEAKER_18]: And when you're filming one of the things you need to do is you want to kind of time things out.
2:50:10
[SPEAKER_18]: So if you have a scene on set that has to time out to a speech, you want to have a recording of the speech ahead of time in order to play the scene.
2:50:19
[SPEAKER_18]: So you can actually be playing.
2:50:20
[SPEAKER_18]: Okay, this is the forty five seconds we have for the speech and this is where I'll be saying this and this is where I'll be saying this.
2:50:26
[SPEAKER_18]: So they weren't really happy with the writing of the speech in the script.
2:50:30
[SPEAKER_18]: So Ron Howard and Tom Hanks took what they had and in the hotel room the night before they kind of edited together a bunch of things and it is literally like the last day of shooting and they're in the hotel room and they call up the sound guy and the sound guy comes over and Tom Hanks sitting in the hotel room just records the speech.
2:50:46
[SPEAKER_18]: So they can have temp track to do this with.
2:50:49
[SPEAKER_18]: And then when they get to post, they rewrite it, and they bring Tom Hanks into a real studio, and they record it, and they put it in the movie, and Ron Howard didn't like it, so they did record it a different one, and they run Howard didn't like it.
2:50:59
[SPEAKER_18]: And then finally, they went back to that original recording from the hotel room where Tom Hanks was pretty exhausted after shooting this film, and that is what they used in a politics.
2:51:08
[SPEAKER_15]: I sometimes catch myself looking up at the moon, remembering the changes of fortune in our long voyage.
2:51:14
[SPEAKER_15]: Thinking of the thousands of people who worked to bring the three of us on.
2:51:20
[SPEAKER_15]: I look up at the moon and wonder when we be going back and who will that be?
2:51:32
[SPEAKER_18]: And we have reached the end of a Paul Thurting.
2:51:36
[SPEAKER_18]: We made it through a live.
2:51:40
[SPEAKER_18]: Obviously, this was a huge hit.
2:51:41
[SPEAKER_18]: It made three hundred and fifty five million dollars worldwide had nine Oscar nominations, including supporting actor for Ed Harris, who lost to Kevin Spacey from the usual suspects.
2:51:53
[SPEAKER_18]: Supporting actress, Kathleen Quinlan, who lost to Mirasor Vino in a mighty act of anxiety.
2:52:01
[SPEAKER_06]: Wow.
2:52:02
[SPEAKER_18]: It was also nominated for Art Direction Score Best Picture, which it lost to Braveheart.
2:52:08
[SPEAKER_18]: By the way, when they announced the winner of Best Picture, they said, Bruh and Brian Grazer thought he said, Brian, they were saying, Braveheart, and he stood up and then realizes that it wasn't him, they said, Braveheart, because at that moment, and the person who is sitting next to him at the Oscars is Jim Lovell, and he said, don't worry, I never made it to the moon.
2:52:35
[SPEAKER_18]: That's amazing.
2:52:37
[SPEAKER_18]: It was also known for screenplay, which lost the sense of sensibility.
2:52:41
[SPEAKER_18]: The only ones at one were for editing, which I think it originally deserves and sound.
2:52:46
[SPEAKER_18]: I'm surprised it wasn't nominated for a visual effects.
2:52:50
[SPEAKER_18]: It's a stunning in this movie.
2:52:53
[SPEAKER_18]: And this has become, you know, as you said before, Tom Hanks went on to work on from the earth to the moon.
2:52:57
[SPEAKER_18]: And I think this rekindled at least to some degree, some fascination would space travel, which is, you know, mostly waned again.
2:53:04
[SPEAKER_18]: Yeah.
2:53:05
[SPEAKER_20]: It has, but look at all the stuff that's going on this year and like PBS did a fantastic documentary about Apollo eleven as well.
2:53:12
[SPEAKER_20]: There's one running now that I can remember what channel it's on about, uh, I think it's on HBO about this as well.
2:53:20
[SPEAKER_20]: Every few years, the interest in what happened pops up.
2:53:24
[SPEAKER_20]: But the thing is, I think we've gone, we've gone to the trap.
2:53:27
[SPEAKER_20]: What we've all ended the trap up as a side is, we've kind of done everything we can do.
2:53:31
[SPEAKER_20]: And that's the thing.
2:53:32
[SPEAKER_20]: Until we start to go, we're going to Mars.
2:53:35
[SPEAKER_20]: Then I think people are like, oh shit, then they get invested in it.
2:53:39
[SPEAKER_20]: But I think when it comes to the right now, the space program, there's not really anything of note that we're doing just yet.
2:53:44
[SPEAKER_20]: And I think that is what's going to get people back in another, that it should go that way.
2:53:48
[SPEAKER_20]: But I imagine that's what?
2:53:49
[SPEAKER_18]: I think we don't ever lose the fascination.
2:53:51
[SPEAKER_18]: I think you've exactly put your finger on what's going on.
2:53:55
[SPEAKER_18]: But what I don't disagree, but what so bothers me is that it is planning scientific exploration as entertainment.
2:54:04
[SPEAKER_18]: Yeah.
2:54:04
[SPEAKER_18]: It's like, you know, man.
2:54:06
[SPEAKER_18]: I mean, and I think that's what it televised it.
2:54:08
[SPEAKER_18]: Well, it's not just you're going to televised it.
2:54:10
[SPEAKER_18]: It's that we need to get the funding for to do it.
2:54:13
[SPEAKER_18]: You know, this line in right stuff.
2:54:14
[SPEAKER_18]: No bucks, no buck Rogers is that in order to do these things, you have to have people excited and the things that get people excited are not necessarily the most scientifically important or, you know,
2:54:26
[SPEAKER_18]: I mean, Ron Howard is a genius at making an amp meter become really dramatic.
2:54:31
[SPEAKER_18]: But in general, if we showed, look, ladies, gentlemen, look at this amp meter, that's not gonna, that's not gonna work out.
2:54:37
[SPEAKER_18]: John, do you have final thoughts on Apollo thirteen?
2:54:39
[SPEAKER_20]: Sure, I can tell you this.
2:54:42
[SPEAKER_20]: How can that's what it was said you could tell us this.
2:54:44
[SPEAKER_20]: I got the right line.
2:54:47
[SPEAKER_20]: Can you tell us?
2:54:48
[SPEAKER_20]: Yeah.
2:54:50
[SPEAKER_20]: It's not my favorite space movie and I know people were revered and love it as much as they do and I think because ironically because of the stoic nature of Tom Hanks
2:55:02
[SPEAKER_20]: I never feel like they're out of trouble.
2:55:05
[SPEAKER_20]: I never feel like they're in trouble.
2:55:07
[SPEAKER_20]: I always feel like they're going to figure it out.
2:55:09
[SPEAKER_20]: And I know the story, of course, of all.
2:55:11
[SPEAKER_20]: But it's ironically because Tom is so level-headed, I don't find this one to be one of my favorite ones.
2:55:18
[SPEAKER_20]: I like when things are more emotional and space.
2:55:21
[SPEAKER_20]: because space can do that to exposes you know what I'm saying and so but that being said this is a masterful movie in terms of technique in terms of the acting in terms of the drama and the tension and the way things are built from beginning to end
2:55:36
[SPEAKER_20]: And you get to actually feel more for the family than you usually do in most of these space films where they're just like the wife, the child, you know, they get one or two scenes.
2:55:46
[SPEAKER_20]: This is, you actually live with this, like you, the grandparents, this multi-generational family that you're dealing with.
2:55:53
[SPEAKER_20]: And that's something rare in a space film.
2:55:55
[SPEAKER_20]: And then to add into this whole thing is the Gary Sunnis Kevin Bacon situation, which I think is
2:56:01
[SPEAKER_20]: fantastic as well to show you I may be a lesson like just because you get taken off something doesn't necessarily mean you're not you're not going to somehow come back and sometimes thing something in the universe has a plan for you that you don't even know is there and I love that this movie exposes that so well
2:56:22
[SPEAKER_20]: And yeah, that's what I can tell.
2:56:23
[SPEAKER_20]: And it's, it's, it's a great watch.
2:56:25
[SPEAKER_20]: It's a great watch.
2:56:26
[SPEAKER_20]: It's always a great watch.
2:56:27
[SPEAKER_20]: I don't always feel emotionally invested as strongly as maybe you guys do, but it's a fantastic watch.
2:56:33
[SPEAKER_20]: It's undeniable.
2:56:34
[SPEAKER_20]: And in retrospect, when last thing, you could argue that it has the case against Braveheart.
2:56:40
[SPEAKER_18]: You could absolutely argue it.
2:56:42
[SPEAKER_18]: I think
2:56:43
[SPEAKER_18]: for me, because we just did Braveheart.
2:56:45
[SPEAKER_18]: And we did.
2:56:46
[SPEAKER_18]: I really like Braveheart.
2:56:47
[SPEAKER_18]: I actually think I'd like a Paul Thirteen Better.
2:56:49
[SPEAKER_18]: So I'm saying, yeah, I think that the, I, I might be that the peaks of Braveheart in terms of the male emotional, it might be a little bit higher, but the craftsmanship and the, yep, there's so much stuff in this that I, yeah, I must have historically more accurate.
2:57:06
[SPEAKER_19]: Well, there's no question about that.
2:57:09
[SPEAKER_17]: Dave, do you have final thoughts?
2:57:11
[SPEAKER_17]: Ah, yeah, definitely.
2:57:12
[SPEAKER_17]: I mean, I'm just grateful to get to get asked to come do this because I, you know, I've watched this movie so many times, but never with the critical eye.
2:57:22
[SPEAKER_17]: I just enjoyed it before.
2:57:23
[SPEAKER_17]: And now watching it, I can see that, you know, I think like I said, maybe in the first part that
2:57:30
[SPEAKER_17]: I don't think that this movie could have happened without the technical stuff of shooting in the case of one thirty five and making me believe right because I believe that because I can see that they were wait list I believe that this was happening and I was in it and I'd never looked at it from the story point before but it's the editing and the story everything
2:57:52
[SPEAKER_17]: is so well crafted.
2:57:54
[SPEAKER_17]: And to me, this has always been an amazing movie because you usually see the heroes, the astronauts, the heroes.
2:58:01
[SPEAKER_17]: And they do amazing heroic stuff.
2:58:03
[SPEAKER_17]: But to me, this story was the gut punch of it that really resonated with me is there are hundreds of heroes that are all the geeky guys that mission control, all these people that worked, you know, like Jim Level says at the end of the movie, that's hundreds of people that worked so hard to bring the heroes home.
2:58:22
[SPEAKER_17]: And that was, that's a story that I've never really seen before.
2:58:25
[SPEAKER_17]: So you have heroic stuff going on in space, heroic stuff going on on the ground.
2:58:29
[SPEAKER_17]: And then so much heart in it also.
2:58:33
[SPEAKER_17]: And so that's why this is always gonna be one of my favorites and why I'm really happy that I got to talk about it with you.
2:58:39
[SPEAKER_17]: And my last note on my phone is the last thing that Jim level says when will we be going back?
2:58:45
[SPEAKER_17]: I really like it God I watch this movie and I want to I want to build them the base on the moon I want to go to Mars and you know No bucks no buck Rogers but also no buck Rogers no bucks you got to make a story that's a good people excited
2:59:01
[SPEAKER_18]: I've been thinking a lot about this and I think what I really love about this movie is and you kind of touched on it, is it exemplifies a different species of heroism.
2:59:10
[SPEAKER_18]: Like what we tend to think of as a heroic film and what we see all the time in a Marvel movie or anything else is that one person who does things that are so far beyond anything that any of us could do and it's uniquely impossibly dramatically heroic.
2:59:26
[SPEAKER_18]: And what this movie is celebrating is dedication, intelligence, hard work, it's celebrating collaboration, teamwork, and the idea that we all work together can do something important.
2:59:40
[SPEAKER_18]: And as we're in this time where we, I don't know, there's so much magical thinking in our world right now.
2:59:45
[SPEAKER_18]: There's so much of
2:59:47
[SPEAKER_18]: not just the nuts and bolts, how are we going to do it?
2:59:51
[SPEAKER_18]: Like that's the big thing that I think about the statement of that came from the Tom Hanks of it's not a miracle.
2:59:57
[SPEAKER_18]: We just decided to do it.
2:59:59
[SPEAKER_18]: And this is something that happens all the time in my classes where a student will say, well, I want to do this.
3:00:03
[SPEAKER_18]: My next question is, that sounds great.
3:00:05
[SPEAKER_18]: How are you going to do it?
3:00:06
[SPEAKER_18]: You know, how are you going to accomplish it?
3:00:08
[SPEAKER_18]: And both in terms of Ron Howard in making this film, the tremendous amounts of craftsmanship, the blending of those zero G shots with the stage shots, the use of the transcriptions, the improvisations with the actors, the collaborations with the actors, the work with the editors, the work with the music and sound people, and I'm not making any comparison between Apollo thirteen, the real story and the making of the film.
3:00:33
[SPEAKER_18]: I'm not trying to say that.
3:00:34
[SPEAKER_18]: But what I am trying to say is there's a celebration of craftsmanship, hard work, and intelligence that is so important to me.
3:00:40
[SPEAKER_18]: And one of the big things I think is there are people who when a thing goes wrong, their first reaction is it's not my fault.
3:00:48
[SPEAKER_18]: Or maybe it's your fault.
3:00:50
[SPEAKER_18]: blame that person.
3:00:51
[SPEAKER_18]: And there are other people who's first reaction is how we can fix it.
3:00:54
[SPEAKER_18]: And this is a movie about how we're going to fix it.
3:00:56
[SPEAKER_18]: There is only one very brief moment of blame and it's subtle in the film.
3:01:01
[SPEAKER_18]: The main thing that is happening is this is the situation we're in.
3:01:05
[SPEAKER_18]: What do we got to do?
3:01:06
[SPEAKER_18]: And it doesn't matter how hard it is, how difficult it is, how time-consuming it is, how much invention it is, how we have to throw out the rulebook.
3:01:12
[SPEAKER_18]: It's we are going to figure out how to solve this problem.
3:01:15
[SPEAKER_18]: And I think this movie, Apollo Thirteen, is a thing we need today because we've got a lot of problems and there are a lot of people throwing around a lot of blame and there are not enough people saying we've got to fix it and how are we going to do it?
3:01:27
[SPEAKER_18]: So, that's what we think of Apollo XIII.
3:01:30
[SPEAKER_18]: Of course, we love hearing what you think of a film, so please visit our Facebook page, do a search for the cinephiles.
3:01:36
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3:01:41
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3:01:42
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3:01:44
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3:01:45
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3:01:47
[SPEAKER_18]: Leave YouTube comments on YouTube.
3:01:49
[SPEAKER_18]: We love responding to them.
3:01:50
[SPEAKER_18]: They're always really fun to read.
3:01:52
[SPEAKER_18]: If you want to suggest a film like Apollo thirteen was suggested you can do so on our patreon.page patreon.com slash the cine files.
3:02:00
[SPEAKER_18]: But also just for three dollars a month you can be a huge help to the show and you can listen to our cine files shorts, which we try to record as often as possible.
3:02:09
[SPEAKER_18]: It's John and I talking about all sorts of different topics.
3:02:12
[SPEAKER_18]: You can buy the film or stream it through our websites and a files.net.
3:02:15
[SPEAKER_18]: And if you want to reach me, you can do so.
3:02:18
[SPEAKER_18]: Twitter at SR Morris on Instagram at SR Morris one.
3:02:21
[SPEAKER_18]: John, how about you?
3:02:21
[SPEAKER_20]: You can always reach me at the Rooka says on Twitter and on Instagram, see all the things I'm doing, all the crazy shows I'm doing as well.
3:02:28
[SPEAKER_18]: And Dave, thank you so much for bringing your expertise to the show.
3:02:31
[SPEAKER_18]: It's always fun having you on the cinephiles.
3:02:33
[SPEAKER_18]: If anyone wanted to reach you on the social media, I already know the answer.
3:02:37
[SPEAKER_18]: Yeah, no, you can I walk around the valley a lot.
3:02:40
[SPEAKER_18]: So we tell them that you have a beautiful pink Mohawk right now.
3:02:43
[SPEAKER_17]: Yeah, if you see somebody with the pink Mohawk and tattoos walking around the valley, that's probably me.
3:02:48
[SPEAKER_18]: You kind of get to get swarmed by space-happy fans.
3:02:52
[SPEAKER_18]: And I think that is it for this week.
3:02:54
[SPEAKER_18]: Hopefully you will see us on our next journey into the world of film.
3:02:58
[SPEAKER_18]: And I really hope we make it back home on the cinephiles.