Latest / Self-Help Library / Poems of Puncture - Amanda McKittrick Ros
Transcript
- 0:01Speaker 1: Section one of Poems of Puncture. This is a LibriVox recording.
- 0:08Speaker 1: All LibriVox recordings are in the public domain. For more
- 0:11Speaker 1: information ore to volunteer, please visit LibriVox dot org. Poems
- 0:17Speaker 1: of Puncture by Amanda mc kittrick Ross preface met for
- 0:23Speaker 1: LibriVox dot org. Banyugate novelist. Some will damn me till
- 0:30Speaker 1: all's no more. Others curse as ne'er before. Some will
- 0:35Speaker 1: stroke my back for joy that I my pen did
- 0:38Speaker 1: thus employ. But ere you damn or curse or stroke.
- 0:44Speaker 1: Just treat my verses as a joke. And if the
- 0:47Speaker 1: cuddy brained can't see where lies the joke, just think
- 0:51Speaker 1: of me. End of poem. This recording is in the
- 0:58Speaker 1: public domain. Dedication by Amanda mc kittrick Ross read for
- 1:10Speaker 1: LibriVox dot org. Banugate novelist. To him who is most charitable, truthful,
- 1:18Speaker 1: kind and true, whose life is spent in doing good,
- 1:21Speaker 1: to him, her and you, to him whose proud old
- 1:25Speaker 1: name is loved in every home and nook in Antrim's
- 1:29Speaker 1: ancient county. I dedicate my book and of poem. This
- 1:36Speaker 1: recording is in the public domain. Defense by Amanda mc
- 1:47Speaker 1: kittrick ross Read for LibriVox dot Org, Banugate novelist in
- 1:54Speaker 1: rain or drought, sunshine or thaar women for men would
- 1:59Speaker 1: break the law, So why should irene by folk be cursed?
- 2:05Speaker 1: She wasn't the last, She isn't the first who stole
- 2:09Speaker 1: away from her law bound chief to gratify that which
- 2:13Speaker 1: classed her thief. For too many lovers make a ah of
- 2:19Speaker 1: the saintliest wife, a man eer war for clammy passion.
- 2:24Speaker 1: They damn God's law, daunted at nothing, void of awe,
- 2:29Speaker 1: where sexes seek and genders quell Heaven's forgotten hugged is
- 2:35Speaker 1: hell Written eighteen hundred and ninety eight, end of poem.
- 2:42Speaker 1: This recording is in the public domain. A Limb of
- 2:52Speaker 1: Law by Amanda mc kittrick ross read for Librifhoks dot
- 2:58Speaker 1: Org by Newgate novelist. Jordie was a lawyer, bold with wig,
- 3:05Speaker 1: sleek and brown. He wore to cope with his defects.
- 3:09Speaker 1: A horrid, hairless crown, a face all lit with laughter.
- 3:14Speaker 1: Were your purse fat and full? But show to him
- 3:19Speaker 1: a wrinkled one. Then Jordie grew quite cool, like all
- 3:26Speaker 1: his brother Bubbly's. He loved your lucre well, so long
- 3:31Speaker 1: as it he pocketed, you then could go to un
- 3:37Speaker 1: Old Jordie loved to stuff his pouch with guineas thick
- 3:41Speaker 1: or thin, to guard against a future state he knew
- 3:44Speaker 1: awaited him. His huge white tusks were false ones to
- 3:50Speaker 1: match the wig he wore. His heart was likewise ditto,
- 3:55Speaker 1: deception to the core. His tongue was oiled with cunning,
- 4:00Speaker 1: his eyes cased round with fraud. His actions solved the problem.
- 4:06Speaker 1: I don't believe in God. Very snotty was Old Jordy
- 4:12Speaker 1: and pompous to a pea. He liked the folk to
- 4:15Speaker 1: honor him, pay homage to a tea. If once his
- 4:20Speaker 1: coins you trampled on revenge, he'd show you then the
- 4:24Speaker 1: wicked of the wickedest, the beastliest of men. Presumption, pride,
- 4:33Speaker 1: pomposity were traits he tightly hugged. Old Jordy felt so
- 4:39Speaker 1: sure one day he would be doubtless dubbed. But Alas
- 4:46Speaker 1: Alas died did this ass into the grave, was hurled
- 4:53Speaker 1: without title, tear or tremor. To face another world. He's
- 5:00Speaker 1: off to join a regiment of legal rascals there where
- 5:04Speaker 1: conscience will him master. While reveling in Hell's flare four
- 5:11Speaker 1: Never will the law bum roost on Heaven's rung, to
- 5:16Speaker 1: dirty on the saint below ding Dong Dung, written eighteen
- 5:25Speaker 1: hundred eighty one, end of poem. This recording is in
- 5:31Speaker 1: the public domain. Mickey monkey Face mac Blear by Amanda
- 5:43Speaker 1: mc kittrick Ross read for LibriVox dot org by Newgate
- 5:48Speaker 1: Novelist Readers, Did you ever hear of Mickey monkey Face
- 5:54Speaker 1: mac Blear? Six feet and a half of lies and fraud?
- 5:59Speaker 1: Tend bob to the pound? One devil, no god, a
- 6:03Speaker 1: legal log who would grab your gold and for which
- 6:06Speaker 1: he'd sell his soul. I'm told he'd strip your pocket
- 6:11Speaker 1: as well as mine, and tamper with your hum and wine.
- 6:18Speaker 1: His hair is bleached with a downy crown. His lugs
- 6:22Speaker 1: are small, thatched round and round with little tufts of
- 6:26Speaker 1: a dirty hue. But that's no matter to me or you.
- 6:31Speaker 1: This lengthy tool has wee gray eyes away far back
- 6:36Speaker 1: from earth and sky, heavily fringed with coarse, rough hair,
- 6:41Speaker 1: labeling him a human bear. His snout is long with
- 6:46Speaker 1: a flatish top, lined inside with a slimy crop, His
- 6:51Speaker 1: mouth like a slit in a money box portrays his
- 6:54Speaker 1: kindred to a fox. From his chin there droops a
- 6:59Speaker 1: greasy beerd goat like in hue and style. I've heard
- 7:04Speaker 1: his wrinkled neck is long and thin. To see it,
- 7:08Speaker 1: your sight must be and trim. His legs are fleshless
- 7:12Speaker 1: props of bone ending in paddlers, always prone to corns
- 7:18Speaker 1: and bunions. By the score of crooked joints, he has
- 7:21Speaker 1: them galore. These together with heart and hand, form what
- 7:27Speaker 1: you'd call a man. For further proof, well, I blush
- 7:33Speaker 1: to tell my readers now must go to oh were it?
- 7:41Speaker 2: In?
- 7:41Speaker 1: Eighteen hundred and eighty four end of poem. This recording
- 7:47Speaker 1: is in the public domain. The Old Windmill by Amanda
- 7:59Speaker 1: mc kittrick Ross read for Librevox dot Org by Newgate novelist.
- 8:07Speaker 1: Down by the drafts of an old windmill, there sat
- 8:10Speaker 1: on a ledge of stone, a middle aged, fat faced,
- 8:14Speaker 1: clumsy man with a voice you'd call his own. His
- 8:19Speaker 1: hair was bwy and coarse as straw. His face was
- 8:22Speaker 1: a sunburnt tan. His eyes were at war with each other.
- 8:26Speaker 1: I saw he told me his name was Sam. I've
- 8:32Speaker 1: searched quoth he the country wide for friends whom I
- 8:37Speaker 1: used to know, And here am I by this old
- 8:41Speaker 1: windmill without either friend or foe. Black death hath claimed
- 8:47Speaker 1: my kith and kin, that treacherous foe of fate. Now
- 8:52Speaker 1: I'm left bereft to plow through life with no one
- 8:55Speaker 1: to love or hate. Tis strange I've strayed to this
- 9:00Speaker 1: old windmill to meet such a handsome maiden. My travels
- 9:04Speaker 1: ne'er to me have shown one hawf with such beauty laden.
- 9:09Speaker 1: Oh say, will you join your life with mine? Say?
- 9:13Speaker 1: Could ye love me? Ever? By God? If you do,
- 9:16Speaker 1: I swear to night till death, we will never sever.
- 9:22Speaker 1: His eyes grew bright with a flame of light, yet
- 9:25Speaker 1: filled again with pity. As I stretched my hand to
- 9:28Speaker 1: say good night, ere I moved towards the city. Ah,
- 9:33Speaker 1: sweetest angel, these eyes e'er saw you'll never go and
- 9:37Speaker 1: leave me with a heart all pricked with pangs of throw. Ah, maiden, dear,
- 9:42Speaker 1: don't grieve me haunted, for I with your face, I'll
- 9:47Speaker 1: be stuccoed with rarest charm. Just say you'll love me, then,
- 9:52Speaker 1: God above me, curse me if I thee harm. Though
- 9:56Speaker 1: I'm clad in rags and tatters, torn, yet these cover
- 9:59Speaker 1: as soul of honor and a heart of joy, if
- 10:02Speaker 1: you me employ to be its worthy donor. I am
- 10:07Speaker 1: poor of purse, pray, is this a curse? But once
- 10:11Speaker 1: it seem'd with plenty, then I was press'd to dine
- 10:16Speaker 1: with the king. Now that my means are scanty, all
- 10:20Speaker 1: seems so changed, since fate me maimed and robb'd me
- 10:25Speaker 1: of costly pleasure. There are now no dames with perfumed
- 10:30Speaker 1: names to come and steal my treasure. Driven here by
- 10:37Speaker 1: the steed of fate. Oh God, give me strength to mutter,
- 10:42Speaker 1: darling my own, my heaven, my earth. See how I
- 10:47Speaker 1: shake and flutter, Come into my arms, O my charge
- 10:52Speaker 1: of charms. Till I clasp and kiss you ever tell
- 10:57Speaker 1: me you love me, Then heaven above me I will
- 11:00Speaker 1: seal my bold endeavor. Then we swayed and swooned, aye
- 11:06Speaker 1: and honeymooned and plighted our troth together, for bad or good,
- 11:11Speaker 1: we have eaten the food digested in every weather. Tis lady, lightheart.
- 11:17Speaker 1: Now I pose twas a lord. I wedded Shirley, who
- 11:22Speaker 1: feigned a beggar to test my love the love of yours,
- 11:27Speaker 1: so truly written eighteen hundred and eighty seven, end of poem.
- 11:35Speaker 1: This recording is in the public domain. A Wish by
- 11:45Speaker 1: Amanda mc kittrick Ross, read for LibriVox dot Org by
- 11:50Speaker 1: Newgate novelist. I wish you all a diamond dear each day,
- 11:56Speaker 1: a golden god of cheer, a silver pipe to smoke
- 12:00Speaker 1: quite handy, a copper flask well filled with brandy. Don't
- 12:05Speaker 1: let these make you unruly, while ever I remain thine
- 12:10Speaker 1: truly written eighteen hundred and seventy five, end of poem.
- 12:21Speaker 1: This recording is in the public domain. The Ugliest Brute
- 12:33Speaker 1: in Britain by Amanda McKittrick Ross read for LibriVox dot
- 12:39Speaker 1: Org by Newgate novelist. Oh bully Rag, Oh bully rag,
- 12:46Speaker 1: A boasty, brainless, empty gag. You fancy you're a clever fellow,
- 12:51Speaker 1: because amongst the brutes you bellow tis generally the low
- 12:55Speaker 1: bred hound who barks and makes the biggest sound. For
- 12:59Speaker 1: one who's my degree is good will not acknowledge aught
- 13:02Speaker 1: that's rude. As a shell of law you pose, I
- 13:06Speaker 1: hear battling for a lower sphere tis then you'll meet
- 13:11Speaker 1: your pal. So dear nicky monkey face mac blear, who
- 13:16Speaker 1: shovels coke to the reverend Bloke, because he gave him
- 13:20Speaker 1: lots of rope to right the folk he robbed in town,
- 13:24Speaker 1: evading thus the clergy's frown. May I here describe this
- 13:31Speaker 1: scathing scribe who lives by tarnishing your hide. His coat
- 13:36Speaker 1: tails ever on the swag while carrying his old stinking bag.
- 13:40Speaker 1: How he struts on with its filthy handle grasped by
- 13:44Speaker 1: his paw of vice and scandal, as if bound for Heaven,
- 13:49Speaker 1: sweet and sainted, though with hell he's best acquainted. He's
- 13:54Speaker 1: low of flesh and high of bone, with heart as
- 13:57Speaker 1: callous as a stone, shoulders square and a crop of
- 14:01Speaker 1: hair just like my old chestnut mare. A forehead low
- 14:05Speaker 1: and pencil marked about the brows to make them arched.
- 14:09Speaker 1: A pair of eyes a cloudy gray, so like a pig's.
- 14:12Speaker 1: The folk, I'll say, one star is square, shaped like
- 14:17Speaker 1: a goat's, the other brother to a stoat's. Between the
- 14:21Speaker 1: cheeks there shoots a hose short with two spouts you'd
- 14:24Speaker 1: call a nose. His blood is dirty, poor, and muddy,
- 14:28Speaker 1: not like the blood of anybody producing sometimes tiny creepers,
- 14:33Speaker 1: amusing to all eager peepers. His upper lip is sunken
- 14:38Speaker 1: in to cover rotten pegs within his chin. He cocks
- 14:42Speaker 1: up when he's spouting, shaking his pow when he is shouting,
- 14:48Speaker 1: thinking all such traits are clever as he fights his
- 14:51Speaker 1: flimsy cases, ever, fortifying him a donkey like many another
- 14:56Speaker 1: brother flunky. His neck is long and a rammy yellow,
- 15:01Speaker 1: which helps to lengthen this bass fellow. His lugs are
- 15:05Speaker 1: large and lie in line with a snout that God
- 15:08Speaker 1: forbid twas mine. His head, shaped like a rotten pair,
- 15:13Speaker 1: has bumps stuck round it here and there, stuffed with
- 15:17Speaker 1: muddy brains and batter with a slit in front whence
- 15:21Speaker 1: oozes clatter. His arms are lengthy, bony wattles, and at
- 15:26Speaker 1: a sail would go as chattels a body shooting forth
- 15:30Speaker 1: in branches, backed up by two poor, dirty haunches. While
- 15:35Speaker 1: a portion of it don't despise, it makes young generations
- 15:40Speaker 1: rise to bless or curse the lustful donor who prides
- 15:44Speaker 1: in being called its owner. On his chill blained feet,
- 15:48Speaker 1: he often hobbles overwear his brother cobbles, who's a brick
- 15:53Speaker 1: at boring holes in leather and closing them in every
- 15:56Speaker 1: weather for patching. Wow, well you couldn't match him. Like
- 16:02Speaker 1: Bully Rag, you've got to watch him and like his
- 16:05Speaker 1: legal brother Noodle Jinx, the god of Cobbler Doodle readers one,
- 16:13Speaker 1: and I'll beware of this and every legal bear. His
- 16:16Speaker 1: hobby is to catch all clowns who don't know black
- 16:20Speaker 1: from white or brown. If perchance you are too clever,
- 16:24Speaker 1: soon they'll from your service sever But if you don't
- 16:28Speaker 1: know be from ben, they'll play whack at your silver. Then, now,
- 16:33Speaker 1: Bully Rag, you vulgar Gag, don't shake so much your
- 16:37Speaker 1: empty head, for you'll soon find to every mind your
- 16:41Speaker 1: flunts are but a puff of wind that stinks the
- 16:44Speaker 1: air when you are there, and sickens all your brother bears.
- 16:49Speaker 1: Take my advice and go to grass and graze like
- 16:53Speaker 1: any other ass. You'll be at home amongst the brutes.
- 16:58Speaker 1: There's nothing better, will you suit than braying with a
- 17:01Speaker 1: donkey brother out amongst the grass and heather, unrefined for
- 17:06Speaker 1: shed or shanty on my soul. You'll look right cantie.
- 17:11Speaker 1: If you fail to like it, well go where your
- 17:14Speaker 1: legal brothers. Dwell written eighteen hundred and eighty six and
- 17:22Speaker 1: a poem. This recording is in the public domain. Fanny
- 17:33Speaker 1: Malone by Amanda mc kittrick Ross read for Lebrivox dottalg By,
- 17:40Speaker 1: Newgate novelist. There lived on a mountain side a maid
- 17:46Speaker 1: I once well knew. Her name was Fanny Malone, who
- 17:50Speaker 1: mostly dressed in blue when I was but a school girl.
- 17:54Speaker 1: She was trim and tall, older than I, bolder than I,
- 17:57Speaker 1: and wore a silken shawl. The cottage Fanny lived in
- 18:02Speaker 1: was thatched with heather brown, far up a lonely mountain,
- 18:06Speaker 1: away from any town. Since ever, I remember, she always
- 18:10Speaker 1: lived alone, Queen of the mountain district she many acres owned.
- 18:17Speaker 1: Twas a snowy night in winter, the flakes fell soft
- 18:20Speaker 1: and fast, covering all the country with a mantle white
- 18:24Speaker 1: and vast. The light in Fanny's window shone steadily around
- 18:29Speaker 1: to guide the lonely traveler whose step was lost to sound. Hark,
- 18:35Speaker 1: there's the stroke of midnight. I must to bed repair.
- 18:39Speaker 1: Fanny spake these words aloud, as nobody was there. She
- 18:43Speaker 1: reached forth for the candle, when lo she saw a
- 18:47Speaker 1: face against the pane, before she drew the window blind across.
- 18:53Speaker 1: Ah Madam, don't be frightened, I have wandered lost my
- 18:56Speaker 1: way I saw your joyful light shine forth. Please let
- 19:00Speaker 1: me in. I pray. I'm faint and weary walking. My
- 19:04Speaker 1: heart is torn and sad. If you do not let
- 19:07Speaker 1: me in, sweet maid, I feel I'm going mad. I'm
- 19:11Speaker 1: a major in the army under our blessed Queen. I've
- 19:14Speaker 1: paid her homage, kissed her hand, her aid de camp
- 19:17Speaker 1: have been. I belong to Castlewellyn, not very far from here.
- 19:22Speaker 1: God grant me strength to reach it. But this I
- 19:25Speaker 1: greatly fear. I'll neither hurt nor harm you, sweet maid
- 19:30Speaker 1: of beauty. Great if only me you shelter from such choking,
- 19:34Speaker 1: blinding flakes. I'll pay you for your trouble. I'll shield
- 19:38Speaker 1: you from all fear. If your door to me you open,
- 19:41Speaker 1: at which I'm now so near. Ah, Sir, your words,
- 19:46Speaker 1: you've spoken well. But I'm a lonely maid. I've lived
- 19:49Speaker 1: for well nigh twenty years upon this mountain side. My
- 19:53Speaker 1: door I've never opened once. After night's dark pall was
- 19:58Speaker 1: spread around this cottage ground, my castle. Dear, my awe.
- 20:02Speaker 1: I was left a little orphan in the care of
- 20:05Speaker 1: Rosy Ray, whose mother was an actress to sing and
- 20:08Speaker 1: dance and play. She died when I was thirteen years
- 20:11Speaker 1: exactly two a week. Since then, I've lived here quite alone.
- 20:15Speaker 1: Such life, I find a treat. I've read and read
- 20:18Speaker 1: of men like you who shelter, bought and got upon
- 20:22Speaker 1: a lonely mountain track when death they only sought. So pray.
- 20:26Speaker 1: Don't urge upon me to ope to you my door.
- 20:29Speaker 1: I'm sorry to refuse you, but don't request me more.
- 20:34Speaker 1: Ah madam, I am dying cold and hunger me accost.
- 20:38Speaker 1: If you fail to give me shelter upon my word,
- 20:41Speaker 1: I'm lost. I don't mind so much the body, it
- 20:44Speaker 1: will very soon decay, But I have got a soul
- 20:47Speaker 1: to save for ever and for aye. I've sown my
- 20:51Speaker 1: seeds of wildness. I'm reaping them just now. I wish
- 20:55Speaker 1: to be repentant. Oh, can you tell me how my
- 20:59Speaker 1: strength this ebbing from me? God's angry with me. Still,
- 21:03Speaker 1: I'll crave for time, for things sublime, all evil thoughts
- 21:07Speaker 1: to kill. Too late, too late, our words I hate.
- 21:11Speaker 1: But there might still be time for me to seek
- 21:14Speaker 1: forgiveness for every sin and crime. I crave your leave
- 21:18Speaker 1: to enter. Pray shelter me to night, tis aid. I
- 21:22Speaker 1: want my sins me haunt O God, my wrongs, thou right,
- 21:28Speaker 1: don't treat me as a ruffian. I'm honor to the core.
- 21:32Speaker 1: If you have any sympathy, you'll open wide your door.
- 21:36Speaker 1: I ask of you no favor without a due reward.
- 21:39Speaker 1: I only wish to die where some one will this body. God,
- 21:44Speaker 1: My soul seems soiled and dirty to you. I make
- 21:47Speaker 1: it known, and in this state can't enter God's holy,
- 21:51Speaker 1: spotless home. I hear its tired echo against this ear
- 21:55Speaker 1: of woe. Bid farewell to my body in tones of
- 21:58Speaker 1: hopeless throe. Ah, for God's sake, hear me, maiden, give
- 22:03Speaker 1: me the aid I ask. I really can no further go.
- 22:06Speaker 1: My limbs refuse the task. Is there no pity in
- 22:10Speaker 1: your heart? Pray? Is it one of steel? Tomorrow it
- 22:13Speaker 1: will be too late. I make my last appeal. If
- 22:17Speaker 1: I could reach my mother, she'd throw open wide her door.
- 22:21Speaker 1: My father me would welcome as oft he did before.
- 22:24Speaker 1: But too late. It is the echo that rings within
- 22:27Speaker 1: my ear. If you fail to give me shelter or
- 22:30Speaker 1: my words of pity, fear, Ah, sir, don't think me cruel,
- 22:35Speaker 1: but I dread the words of man. I live alone,
- 22:38Speaker 1: no one I own nor seek I heart or hand.
- 22:41Speaker 1: If I perchance you shelter, God knows what sort of
- 22:44Speaker 1: end would happen to a lonely maid without a single friend.
- 22:49Speaker 1: You may be bright as bravery, you may be kind
- 22:52Speaker 1: and true, but I have read so much of men
- 22:54Speaker 1: I have no faith in you. So move away, dear stranger.
- 22:58Speaker 1: I'll show you down the hill, and again I'll place
- 23:01Speaker 1: my candle on the little window sill. No sound came
- 23:05Speaker 1: ever after, But just at dawn next day I beheld
- 23:09Speaker 1: a crowd of people not very far away, while on
- 23:12Speaker 1: the ground there did abound a heap of whitest snow,
- 23:16Speaker 1: beneath which lay the body of Major Matman Row. Twas
- 23:21Speaker 1: then my conscience stabbed me. All seemed to me so dark,
- 23:25Speaker 1: this precious soul I might have saved, now lay both
- 23:28Speaker 1: cold and stark. His pleading words, I think I hear.
- 23:31Speaker 1: I see that face so white against the little window
- 23:35Speaker 1: pane upon that snowy night. Readers, if ever you are
- 23:40Speaker 1: asked to do a kindly deed, go render all the
- 23:44Speaker 1: help you can to any one in need. For bear
- 23:47Speaker 1: in mind the day will dawn when some one's aid
- 23:50Speaker 1: you'll want ah. Never let the words too late. Your
- 23:55Speaker 1: conscience ever Haunt writ in eighteen hundred and seven eight
- 24:02Speaker 1: and of poem. This recording is in the public domain.
- 24:13Speaker 1: Rover by Amanda Macittrick Ross red for LibriVox dot Org
- 24:22Speaker 1: by Newgate novelist. Rover is a pretty dog with glossy,
- 24:29Speaker 1: glossy skin. He watches like the devil you, me and him.
- 24:35Speaker 1: His eyes would twinner. Preacher's always on the move. His
- 24:40Speaker 1: face is grave and saddened, which any one can prove.
- 24:44Speaker 1: Rover is a pretty dog. He watches all the folk
- 24:48Speaker 1: who stumps along the footpath, while some his coat will stroke.
- 24:53Speaker 1: Let one who is a prowler be seen about or
- 24:56Speaker 1: near tis. Then he turns out growler. But this is
- 25:01Speaker 1: nothing queer. Rover is a pretty dog, despite his grayish face.
- 25:07Speaker 1: Like me, he once was younger and quicker in the pace.
- 25:11Speaker 1: His breast is quite a picture down which is traced
- 25:15Speaker 1: a line of hair so white and glossy. This little
- 25:19Speaker 1: dog of mine, Rover is a pretty dog. He loves
- 25:23Speaker 1: his master's tread. Twould do you good to hear him
- 25:27Speaker 1: beg a bit of bread? He does the thing so
- 25:30Speaker 1: canty you've got to laugh aloud. For though he's only
- 25:35Speaker 1: a dog, he's really very proud. Rover is a pretty dog.
- 25:40Speaker 1: He wags his tail with glee as the cups and
- 25:43Speaker 1: saucers rattle. He knows he's in for tea. Just offer
- 25:47Speaker 1: this infusion to Rover without cream. He'll sniff all o'er
- 25:52Speaker 1: his platter and very angry seem. Rover is a pretty dog.
- 25:58Speaker 1: He knows what people say. Scold him, then he droops
- 26:01Speaker 1: his head and shyly walks away. Praise him, and he waltzes.
- 26:06Speaker 1: Write about your feet. Talk to him. He'll talk to
- 26:10Speaker 1: you in groaning accents. Sweet. Rover is a pretty dog.
- 26:16Speaker 1: Could teach the human creature love in all its many forms.
- 26:20Speaker 1: He's love in every feature. This world would be a
- 26:24Speaker 1: pleasure to all within its rim, if to a certain
- 26:28Speaker 1: extent its folk would follow him. Rover is a pretty dog.
- 26:34Speaker 1: He'll chase, dull care away with kindness. He will conquer
- 26:39Speaker 1: no matter what you say beat him. He will dawn
- 26:43Speaker 1: a frown, then reach you his wee paw, which means, oh,
- 26:47Speaker 1: I'll forgive you. This is the better law. Rover is
- 26:52Speaker 1: a pretty dog. His ways most folks should follow obedience personified.
- 26:58Speaker 1: None of his ways are hollow. He'll lick the hand
- 27:02Speaker 1: that harms him. Readers, do thou the same. He likewise
- 27:08Speaker 1: will caress you if him you wrongly blame. Rover is
- 27:13Speaker 1: a pretty dog. I'd rather have him far than human
- 27:16Speaker 1: creatures one might meet, whose words are always war, whose
- 27:21Speaker 1: acts are mean and meddling, and give the judice dart.
- 27:27Speaker 1: Every time they meet you, they try to stab your heart.
- 27:32Speaker 1: Rover is a pretty dog. He has a winning way,
- 27:36Speaker 1: you see. It's not the gifted who kindest things do
- 27:39Speaker 1: say for Rover, though he's speechless of love. You'd learn
- 27:44Speaker 1: far more from him, though only a dog, than from
- 27:49Speaker 1: any social ahem written nineteen hundred and two and of poem.
- 28:00Speaker 1: This recording is in the public domain. Reverend Goliath gin
- 28:12Speaker 1: Bottle by Amanda mc kittrick Ross, read for LibriVox dot org, Bine,
- 28:17Speaker 1: Newgate novelist. His reverence looks big, but he never looks
- 28:24Speaker 1: trig with a face like a fire brick, whitish and long.
- 28:28Speaker 1: His globes are like holes you would see in a
- 28:31Speaker 1: blanket when burned round and wide by a fire that's strong.
- 28:37Speaker 1: His forehead is flat, but no matter for that. On
- 28:40Speaker 1: itself are two hair brushes turned up on end, just
- 28:44Speaker 1: like you'd see on an old Japanese. So these gopher
- 28:48Speaker 1: brows on my clergyman friend. His hair was once blacker,
- 28:52Speaker 1: but now it is checkered, which if chipp'd off and woven,
- 28:56Speaker 1: would make a wee shawl. He could dawn on a Sunday,
- 29:00Speaker 1: for sure. It's the fashion for clergy to spout in
- 29:03Speaker 1: a bit over all. His neck, like a bullock's, gets
- 29:08Speaker 1: streaked like a tulip when bawling forth phrases of taunt
- 29:12Speaker 1: crammed with jeer, impressing thee ginnies who listen his whinnies
- 29:17Speaker 1: that he is the bully will rule them with fear.
- 29:24Speaker 1: This footstool of foppery crammed with black mockery is a
- 29:28Speaker 1: traitor to Christ, to his people, his God. He assumes
- 29:32Speaker 1: the black ensign as a token or symbol that he
- 29:35Speaker 1: is a Christian, But alas he's a fraud, So don't
- 29:40Speaker 1: be deceived in this mock limb of Saintdom. Who'd succor
- 29:43Speaker 1: the villain, the cheat, and the rogue, And then the
- 29:46Speaker 1: next moment he'd turn and disown it and swear he
- 29:49Speaker 1: detested the same ones. By God, He's a tyrant by nature.
- 29:55Speaker 1: In every feature in home or in pulpit the tyranny's there.
- 30:00Speaker 1: I've known him to pitch his poor wife out at
- 30:02Speaker 1: midnight because her we fortune she'd not with him share.
- 30:07Speaker 1: Tis strange he is licensed to preach Christianity when a
- 30:11Speaker 1: trait of it isn't within his foul breast. Tis a
- 30:14Speaker 1: sin to behold such a viper of vanity set apart
- 30:18Speaker 1: to expound Jehovah's behest. So readers, beware of this big
- 30:24Speaker 1: holy snare who brays like a cuddy and growls like
- 30:28Speaker 1: a dog, who refuses to tell you there's only hell
- 30:31Speaker 1: for you if you fail in your duty to Christ
- 30:34Speaker 1: or your God. Arouse in your hundreds, go peel him
- 30:38Speaker 1: like onions, tear into tatters his garb of deceit, jeer him,
- 30:43Speaker 1: and sneer him, And never you fear him. But twenty
- 30:47Speaker 1: to one he will be to retreat to every soul
- 30:51Speaker 1: who peruses these verses. I hope when we meet on
- 30:55Speaker 1: the great throne on high, that you will be able
- 30:57Speaker 1: without foe, or cable to know so for a fact
- 31:00Speaker 1: where his reverence doth lie, And that will be down
- 31:04Speaker 1: with his old chum, the devil, whose ways he has
- 31:07Speaker 1: hugged as his actions do tell should he yell for
- 31:11Speaker 1: some water to me, it won't matter how I'll dance
- 31:14Speaker 1: up above when I see him in h ret In
- 31:20Speaker 1: eighteen hundred and eighty two, end of poem. This recording
- 31:26Speaker 1: is in the public domain to those whom The Shoe
- 31:35Speaker 1: fits by Amanda McKittrick Ross Readfolibrivox dot Org by Newgate novelist.
- 31:45Speaker 1: There's nothing in the world I hate like a drunken woman.
- 31:49Speaker 1: She drags herself so very low you couldn't call her human.
- 31:52Speaker 1: She rises mostly every day at sunrise, noon or night.
- 31:56Speaker 1: Her one and only thought is wears the drink to
- 31:59Speaker 1: make her tight. Tis mostly low bred mothers who love
- 32:03Speaker 1: their liquor, so nor is it to be wondered at
- 32:06Speaker 1: their mates would give a blow. For many a sober
- 32:10Speaker 1: husband who has a drunken wife would rather far be
- 32:13Speaker 1: dead than live with her in constant strife. Twere better
- 32:17Speaker 1: far that women would scorn strong drink to smell, and
- 32:21Speaker 1: thus evade preparing their sacred souls for hell, For it
- 32:25Speaker 1: very often happens that bipeds so inclined would practice tricks
- 32:30Speaker 1: more filthy than drinking too much wine. Ere long they grow,
- 32:34Speaker 1: regardless of God, Man or sin. The longer they do tipple,
- 32:39Speaker 1: their actions grow more grim. Such intoxicating drabbies should be
- 32:44Speaker 1: tied to a stake, their buttocks whipped with fishing hooks,
- 32:48Speaker 1: than frizzled on the grate. See how their dirty tartles
- 32:52Speaker 1: sweep the muddy way, their treaders stuck in sandals, mere
- 32:57Speaker 1: clods of dirty clay, hurrying to the gin shop after
- 33:01Speaker 1: they palm their shawls, then waddling home with drunken breaths
- 33:05Speaker 1: to fight with drunken trolls. Their children scabbed in bleary,
- 33:09Speaker 1: sit frozen on the step to watch their drunken mothers
- 33:13Speaker 1: swagger down the track. Then the cry of hunger rents
- 33:17Speaker 1: the stifled air. Oh mother, give us bread, for we've
- 33:21Speaker 1: got a pain down there, pointing to their stomachs, bawling
- 33:25Speaker 1: loud for food. Instead, these strumpets slap them when in
- 33:30Speaker 1: a drunken mood. God help the weary husbands who toil
- 33:35Speaker 1: hard all day, and when their work is ended, what
- 33:38Speaker 1: comfort have they pray? Ye Christians of the city, ye
- 33:44Speaker 1: boasters of the town, show by your acts of sympathy
- 33:48Speaker 1: you'll track the drunkard down reason with the fallen calm,
- 33:52Speaker 1: the angry, breast, sleek the hand that strikes you. This
- 33:57Speaker 1: is God's request. Show by your DearS of kindness, Show
- 34:01Speaker 1: by your words of love, you mean to stay their habits,
- 34:05Speaker 1: to prepare them for above Ah. The reward, the promise
- 34:10Speaker 1: to save a soul from hell. The joy twill bring
- 34:14Speaker 1: hereafter none but those can tell who made the greatest effort,
- 34:19Speaker 1: Who sacrificed the most to bring these drunken drabbies in
- 34:23Speaker 1: touch with Heaven's host tis then you'll be rewarded not
- 34:29Speaker 1: by flattering tongues, but by the choicest being who earth
- 34:34Speaker 1: from Heaven hung Written eighteen hundred and eighty end of poem.
- 34:42Speaker 1: This recording is in the public domain. The Spa Balin
- 34:53Speaker 1: a Hinch, County Down by Amanda Mukittrick Rass read for
- 34:59Speaker 1: the brivok dot Org Brangugate novelist. The prettiest little spot
- 35:06Speaker 1: on Earth or mortal ever saw, is a mile or
- 35:09Speaker 1: so from bell In a Hinch, and called by name
- 35:12Speaker 1: the Spa, a health resort of diamond type, where springs
- 35:16Speaker 1: abound galore. Once drink these crystal tonics, you'd ask for
- 35:20Speaker 1: nothing more. There You've got a whole divine in which
- 35:25Speaker 1: to sing and pray, which gratifies the human eye to
- 35:28Speaker 1: look at every day. Right at its back, there rears
- 35:32Speaker 1: a manse where lives the Holy mac, whose father Adam
- 35:36Speaker 1: owned us all. We can't deny this fact. South of
- 35:40Speaker 1: this hall of Goddom there stands a national school, where
- 35:45Speaker 1: little folk are taught to write and read and feel
- 35:48Speaker 1: the rule. Beyond all winds a labyrinth so intricate and
- 35:52Speaker 1: queer within you must not enter if possessed of any fear.
- 35:58Speaker 1: Its paths are strayed and crooked. They lead you here
- 36:01Speaker 1: and there. The more you try your exit, the deeper
- 36:05Speaker 1: gets the lair. For hours I've trodden on them. My
- 36:08Speaker 1: mind a bower of dread. Lest I should get be knighted,
- 36:12Speaker 1: and this labyrinth be my bed. Once enter it, your
- 36:16Speaker 1: do miscaste, unless a friend is nigh to lead you
- 36:19Speaker 1: in and out its crooks and save you many a
- 36:22Speaker 1: sigh should you chance its center to attain. A rustic
- 36:26Speaker 1: house abides, where the heart unfettered, tells its joys and
- 36:30Speaker 1: all its sorrow's hides. Twas there within this winding span
- 36:35Speaker 1: of art, love came to me. The day was fine
- 36:38Speaker 1: and sunny for both butterfly and bee I'd lost my
- 36:42Speaker 1: way when forward came a gentleman from town, who proffered
- 36:46Speaker 1: me assistance as he led me round and round. Its
- 36:50Speaker 1: rustic heart arrived at we sat down to chat and rest.
- 36:54Speaker 1: The moments crept to hours. Within this lover's nest, the
- 36:58Speaker 1: clouds of heaven at last began to spread their grayish
- 37:02Speaker 1: sails above this bower of rural worth. So many lovers hail.
- 37:08Speaker 1: We parted friends upon that day two lynks of love's
- 37:11Speaker 1: bright chain, which afterwards were soldered into one. For now
- 37:15Speaker 1: I reign as Missus Morris Munday of fame and fortune fair.
- 37:20Speaker 1: I'd stray within its nooks again to meet what I
- 37:23Speaker 1: met there. The spa is bounded on the north by
- 37:27Speaker 1: an hotel of old, but since its second baptism Hydro,
- 37:32Speaker 1: it's cold, I'm told. Its east is piebald, here and there,
- 37:36Speaker 1: with trees and houses small, ending in a villa built
- 37:40Speaker 1: which crowns the others all. Its southern wing is bounded
- 37:44Speaker 1: by this winding dream of old, whose zig zag interior
- 37:48Speaker 1: glad and sad tales oft has told. Along its west
- 37:52Speaker 1: stands nature, whose parasols so grand have often sheltered you
- 37:56Speaker 1: and me from soul's hot scorching hand. Two springs of
- 38:01Speaker 1: icy waters within its boundary lie one sulfur and one
- 38:05Speaker 1: iron to drink when you are dry. There also is
- 38:09Speaker 1: a ball room in which to dance and sing, and
- 38:12Speaker 1: play a game of cards or bridge, in fact, play anything.
- 38:17Speaker 1: Refreshments too, you'll find within this spacious room of note tis.
- 38:22Speaker 1: Here your wants are all supplied, from tea to tobler,
- 38:25Speaker 1: dote for whisky, wine or brandy. To get these wood
- 38:29Speaker 1: you pinch, you'd have to tramp to Walker's Hotel of Ballina. Hinch.
- 38:35Speaker 1: Take warning, then, my readers, when sickness tries you soar,
- 38:39Speaker 1: just pack your owls and off you go for health,
- 38:42Speaker 1: if nothing more, to the brightest little spot on earth.
- 38:46Speaker 1: So don't have doubt or dread. You'll ne'er regret a
- 38:49Speaker 1: visit to this healthy northern bed. You've got a decent
- 38:53Speaker 1: lodging house in old times called hotel, but under perfumed management,
- 38:58Speaker 1: Hydro just dues as well. So any of my patrons
- 39:03Speaker 1: who claim to be select and seek a change this
- 39:07Speaker 1: hydro will your comfort well. Protect your souls are soothed
- 39:12Speaker 1: on Sundays by sermons, choice and rare. Your lungs are
- 39:16Speaker 1: fed on week days with rairest purest air, your mind
- 39:20Speaker 1: becomes a bower of ease and goodly thought. Your strength
- 39:24Speaker 1: will increase daily, which to the spa you brought. Now
- 39:29Speaker 1: buck up, sickly sinners throughout this isle of Saints, repair
- 39:34Speaker 1: to where such bracing air will stay your grave complaints.
- 39:38Speaker 1: Think of the spa, dream of it. The thought is
- 39:41Speaker 1: not enough, Ah, you must go. It fattens you. The
- 39:46Speaker 1: spas the best of stuff. Written nineteen hundred seven, end
- 39:54Speaker 1: of poem. This recording is in the public domain. Frank
- 40:06Speaker 1: Ferrard by Amanda M. Kittrick Ross read for LibriVox dot
- 40:12Speaker 1: Org by Newgate novelist. I married my wife at the altar,
- 40:18Speaker 1: arrayed in purest white, a pledge to all who were
- 40:23Speaker 1: present that her morals were all right. Little I dreamt
- 40:29Speaker 1: such a model of purity standing there would have given
- 40:33Speaker 1: to others the very thing which I alone should share.
- 40:38Speaker 1: She swore how she loved me, only me and me alone.
- 40:42Speaker 1: But in her years of girlhood man, she had never
- 40:46Speaker 1: known a myth. Our life to begin with a myth
- 40:51Speaker 1: during every hour. For now I know from her tainted lips.
- 40:57Speaker 1: I married a bruise aed flower, I got a divorce
- 41:01Speaker 1: and parted. Now we are as twain. I wouldn't accept
- 41:07Speaker 1: the world as a bribe and marry a woman again.
- 41:10Speaker 1: You might fathom the depth of the ocean, or touch
- 41:13Speaker 1: the northern Pole, but to fathom a woman's virtue, man
- 41:18Speaker 1: couldn't upon my soul. Written eighteen hundred and ninety end
- 41:28Speaker 1: of poem. This recording is in the public domain. A
- 41:39Speaker 1: warning by Amanda mc kittrick Ross read for LibriVox dot
- 41:46Speaker 1: Org by Newgate Novelist. Some day, when I breathe my
- 41:53Speaker 1: last and bit farewell to you all. If I had
- 41:57Speaker 1: a fault, it will meet with a halt. When I
- 41:59Speaker 1: am beyond recall, the tongues of evil and spite will
- 42:04Speaker 1: cease reviling. Then the greatest enemies, when alive, will when dead,
- 42:10Speaker 1: be greatest friends. It won't matter a rap to me. Then,
- 42:15Speaker 1: when the mind is free from stab and the body
- 42:19Speaker 1: at rest in its moss lined nest, and the soul
- 42:23Speaker 1: in glory clad, how the tongues of the treacherous wag
- 42:29Speaker 1: their words will be lost in the air. Just throw
- 42:33Speaker 1: me your word of kindness now, for when dead, I
- 42:37Speaker 1: will not care. Ah, weep not for me when I
- 42:42Speaker 1: am gone, don't drop your false tears on my bier
- 42:47Speaker 1: for me. You weep not when I am alive, then
- 42:52Speaker 1: I'll not want your tear. Life would be lined with
- 42:56Speaker 1: more love and a longer life for us all if
- 43:00Speaker 1: you and such as you upon earth would spill less
- 43:04Speaker 1: bitter gall written nineteen hundred and two, end of poem.
- 43:13Speaker 1: This recording is in the public domain. Epitaph on Lady
- 43:24Speaker 1: Diana Duff by Amanda mc kittrick Ross, read for LibriVox
- 43:29Speaker 1: dot org. When youugate novelist, here lie the remains of
- 43:36Speaker 1: fair Lady Diana, who once shone a star in the
- 43:40Speaker 1: heaven of fame. How sadly they'll miss her, who often
- 43:43Speaker 1: did kiss her and trod on her virtue, and sipped
- 43:46Speaker 1: her champagne. May her sins be forgiven, though black as
- 43:51Speaker 1: the raven. May her soul bear the trademark of purity too.
- 43:55Speaker 1: For Lady Diana has left none to mourn her, so
- 43:59Speaker 1: deeply as I do, so lightly as you, written eighteen
- 44:04Speaker 1: hundred ninety three, end of poem. This recording is in
- 44:11Speaker 1: the public domain. Jamie jar by Amanda mc kittrick Ross,
- 44:22Speaker 1: read for LibriVox dot org by Newgate novelist. Here lies
- 44:29Speaker 1: a blooming rascal, once known as Jamie Jar, a lawyer
- 44:33Speaker 1: of the lowest type, who loved your name. To char
- 44:37Speaker 1: of clownish ways and manners. He aped at speaking fine,
- 44:41Speaker 1: which proved as awkward to him as a drawing room
- 44:44Speaker 1: to swine. I stood while the ground was hollowed. To
- 44:49Speaker 1: admit this pile of stink. They placed the coffin upside down.
- 44:54Speaker 1: The men upon the brink. How the stony mold did
- 44:58Speaker 1: thunder upon the coffin rump. The fainter grew the rattle
- 45:03Speaker 1: the deeper. Jamie sunk, his mouth now shut forever, his
- 45:09Speaker 1: lying tongue now stalk. His paws lie still, and never
- 45:13Speaker 1: more can stab you in the dock. Earth is by
- 45:17Speaker 1: farther richer Hell, one border more. Heaven rejoices to be
- 45:23Speaker 1: free from such a legal bore. Written eighteen hundred and
- 45:29Speaker 1: eighty end of poem. This recording is in the public domain.
- 45:43Speaker 1: Saphire a slick by Amanda mc kittrick Ross read for
- 45:48Speaker 1: LibriVox dot Org by Newgate novelist. The end has come.
- 45:56Speaker 1: Her bodies warm. The villain's dead now hath ceased from
- 46:01Speaker 1: working harm. The soul hath fled. Yes, there she lies
- 46:06Speaker 1: a mass of sin, saphire, a slick No more we'll
- 46:10Speaker 1: hear her lying din. Her tongues now thick the average age.
- 46:16Speaker 1: She hadn't reached all new full well. But long enough
- 46:20Speaker 1: she swore and preach'd this limb of hell a kindly word.
- 46:25Speaker 1: She never spake to beast or man, though often tied
- 46:30Speaker 1: to bed and stake, she'd writhe and damn. She plies
- 46:35Speaker 1: her oars on water's dead. She's sailing now, where wind
- 46:39Speaker 1: and thunder are ahead o'er her dead brow. At last
- 46:44Speaker 1: she lands upon the brink where evil dwells. She realizes
- 46:48Speaker 1: now methinks that there's a hell. She twists in pain.
- 46:53Speaker 1: She groans aloud, Oh God, come nigh.
- 46:56Speaker 2: Had I my life to live again, I'd never lie.
- 46:59Speaker 2: Give me thine aid for Jesus' sake. Oh take my
- 47:03Speaker 2: soul with thy son's blood. Are write my name on
- 47:07Speaker 2: Heaven's roll. Too late, Her doom is down below, her
- 47:12Speaker 2: souls secure with him who taught her every day all
- 47:15Speaker 2: things impure. We're glad she's dead. We all rejoice e'en
- 47:20Speaker 2: at her fall. No more to hear that lying voice
- 47:24Speaker 2: or wicked call. Written eighteen hundred and.
- 47:28Speaker 1: Eighty end of poem. This recording is in the public domain.
- 47:43Speaker 1: The Old Chestnut by Amanda mc kittrick Ross read for
- 47:49Speaker 1: LibriVox dot Org, by Newgate novelist. The chestnut tree in
- 47:56Speaker 1: the garden where first I breathed, the air stilla, its
- 48:00Speaker 1: pyramids of bloom on nature, bright and fair. It eye
- 48:06Speaker 1: stands tall and stately, though fifty years or more have
- 48:11Speaker 1: fled along since I was born, beside its leafy shore.
- 48:16Speaker 1: Its trunk is thick and tall and straight. Its boughs
- 48:20Speaker 1: and branches many grow round about without a doubt to
- 48:25Speaker 1: shelter all and any beneath its shade. I oft, have
- 48:30Speaker 1: sat in happy hours of glee. All care to me
- 48:34Speaker 1: A stranger was under this chestnut tree oft. Still I
- 48:40Speaker 1: go and gaze upon its lofty form of old, and
- 48:44Speaker 1: sit beneath its wings of peace, still dear to me
- 48:48Speaker 1: as gold. Long may its branches bright and green obeisance
- 48:54Speaker 1: to me, Make long may it live of trees the
- 48:58Speaker 1: Queen for naught but old Time's sake, written nineteen hundred
- 49:04Speaker 1: and eleven, end of poem. This recording is in the
- 49:10Speaker 1: public domain. The Town of Terre by Amanda McKittrick Ross
- 49:22Speaker 1: read for LibriVox dot Org by Newgate novelist. By the
- 49:29Speaker 1: side of the sea, there rests a town with imports
- 49:32Speaker 1: of every class of clowns, from the space within the
- 49:35Speaker 1: poorhouse walls, to the houses nearing the freestone hall, from
- 49:40Speaker 1: the lanes where lewdness and filth exist, from the shanties
- 49:44Speaker 1: erected at every twist, from the shells of show on
- 49:48Speaker 1: the top of a height, down to hollows as dark
- 49:51Speaker 1: as night. There exists a swarm of odds and ends,
- 49:55Speaker 1: whom folk of importance would not call friends. Within in
- 50:00Speaker 1: its limits of rustic glow, you'll find some folk as
- 50:03Speaker 1: pure as snow. The clergy, of course, are here included.
- 50:07Speaker 1: They don't belong to that class deluded. Go hear them
- 50:12Speaker 1: preach on a Sunday morn, you'd think they couldn't tell
- 50:16Speaker 1: hip from a horn. They so heavenly seem in their
- 50:19Speaker 1: deathlike cloaks with a symbol of purity at their throats degraded. Indeed,
- 50:25Speaker 1: would the scoundrel be who'd molest these tutors of Calvary?
- 50:31Speaker 1: Tare has got doctors by the score to attend the
- 50:34Speaker 1: wants of both rich and poor. And amongst them all
- 50:38Speaker 1: there's only one whom you could call a gentleman. Some
- 50:43Speaker 1: of the others are coarse and rough, cursing and swearing
- 50:46Speaker 1: and all such stuff. But in every town there's mostly
- 50:51Speaker 1: one who, for swearing lies, is second to none, and
- 50:55Speaker 1: mark you. The town of tare Hymn holds within its
- 50:58Speaker 1: cloak of rustic, though tis stuffed with teachers of every grade,
- 51:03Speaker 1: of every make and stamp and shade, who try to
- 51:06Speaker 1: cram you with acres of lore instead of yards as
- 51:10Speaker 1: in days of yore. Then there are drapers to clothe
- 51:13Speaker 1: you too, in black or white, in pink or in blue,
- 51:17Speaker 1: and grocers to fill your hungry bags, and butchers to
- 51:20Speaker 1: grease them with mutton scrags. Builders who don't know f
- 51:25Speaker 1: from Z, but with aid from others, can go ahead.
- 51:28Speaker 1: Tinkers and tailors are plentiful too, who make cans and
- 51:32Speaker 1: clothes for me and for you. Sawyers and colliers and
- 51:36Speaker 1: mercantile factors, bobbies and cabbies and handsome inspectors, jewelers who
- 51:42Speaker 1: have great ups and downs, Lawyers the greatest of all
- 51:47Speaker 1: living hounds, Knights who believed in a hug and a squeeze,
- 51:51Speaker 1: with grandma faced antiques who loved to be teased publicans.
- 51:57Speaker 1: Don't think you're left in the cold, for the devil
- 51:59Speaker 1: upon you has got a good hold. There's old Tabby Tuffy,
- 52:04Speaker 1: the maid of the mill, whose grandfather kept a tidy
- 52:07Speaker 1: wee still, and bushels of other old spinsters too, who
- 52:12Speaker 1: fancy they're better than I. Or you never speak of
- 52:16Speaker 1: that devil despiser Lundy who wouldn't eat eggs that were
- 52:19Speaker 1: laid on a Sunday. And Crabby mac Fluster of Windy Mount,
- 52:24Speaker 1: who follows women in endless count and mark you. Crabby's
- 52:28Speaker 1: fancies are high as the pigs are low. That grunt
- 52:31Speaker 1: and the stye, the rowdy, the dowdy, the crooked, the strait,
- 52:36Speaker 1: the fat and the lean folk of every make, the
- 52:39Speaker 1: halt and the maimed of far off strain, the jew
- 52:43Speaker 1: and the gentile. The town of Terre claims it's undefiled.
- 52:48Speaker 1: Bankers so graceful and sweet are samples of saintdom you
- 52:52Speaker 1: don't often meet. Then there are elders to auction your souls.
- 52:56Speaker 1: The higher, the bidder, the larger, the tull and frow,
- 53:00Speaker 1: the old foggies whose hobby is money who gather and
- 53:03Speaker 1: hoard it as bees do their honey. Dispensers of justice
- 53:07Speaker 1: too rivet its heart, some of whom try to act
- 53:10Speaker 1: well their part, some gentle and high born, some low
- 53:14Speaker 1: bread and rough, while others are made of far better stuff.
- 53:19Speaker 1: All such noodles it takes to make up a town,
- 53:22Speaker 1: from lord lazy bones down to the humblest clown. And
- 53:27Speaker 1: tear has its sample of such like galore. It holds
- 53:30Speaker 1: imports from every place the world o'er. So the pick
- 53:34Speaker 1: of the town I hold fast and tight. Farewell to
- 53:38Speaker 1: you all, I bid thee good night return eighteen hundred
- 53:43Speaker 1: ninety end of poem. This recording is in the public domain.
- 53:56Speaker 1: The Old Home by Amanda McKittrick Ross read for LibriVox
- 54:02Speaker 1: dot Org by Newgate novelist. Don't I see the Old
- 54:09Speaker 1: Home over there in the square, with its rose laden
- 54:12Speaker 1: walls so descriptive of care? They are white as that
- 54:16Speaker 1: virtue I knew when a boy beneath their sweet scent,
- 54:20Speaker 1: dressed in brown corduroy. Let me wander the world o'er
- 54:26Speaker 1: and wide through its halls. Let me grace the King's mansions,
- 54:31Speaker 1: pay court to his calls. Should I bathe deep in luxuries,
- 54:36Speaker 1: dens of device, my old home. Oh give me, were
- 54:41Speaker 1: it not tenth so nice? In hours of ease midst
- 54:46Speaker 1: the world's chiefest stuff, Though I dine in its castles,
- 54:50Speaker 1: where nothing is rough. Though I soar in the air
- 54:55Speaker 1: of talent and song, and drink of the best, which
- 54:59Speaker 1: off leads me wrong. Though I flatter the fair, the
- 55:04Speaker 1: high born, I squeeze and sit with his Majesty, all
- 55:08Speaker 1: at my ease. Yet my thoughts I revert to the
- 55:13Speaker 1: old walls of snow, to the home of my youth,
- 55:17Speaker 1: the mind it will go, Written eighteen hundred and eighty four,
- 55:25Speaker 1: end of poem. This recording is in the public domain.
- 55:35Speaker 1: The Village of Hell by Amanda McKittrick Ross readflibrivox dot
- 55:42Speaker 1: org by Newgate novelist. I've touched all corners of this
- 55:48Speaker 1: planet Earth, at times of plenty and times of dearth.
- 55:52Speaker 1: I've chatted with high born, the low and ill bred,
- 55:55Speaker 1: and listened to clergy prey over the dead. I've visited
- 55:59Speaker 1: regions you'd fear to behold, and sections unfit for young
- 56:03Speaker 1: or for old. But the crown of my travels to you.
- 56:07Speaker 1: I now tell for all that is vile is the
- 56:10Speaker 1: village of Hell. The road it is broad that leads
- 56:16Speaker 1: you there, thousands of rovers to it repair to view
- 56:20Speaker 1: this wee village, so rustic, so hot and twig. All
- 56:24Speaker 1: the villains who live in this spot, the legless and
- 56:27Speaker 1: breadless and crafty. You see, the wag and the witty,
- 56:31Speaker 1: the wasp and the bee, and hood of the tavern
- 56:34Speaker 1: who winks near its well, how he welcomes you all
- 56:38Speaker 1: to the village of Hell, that the devil resides there.
- 56:44Speaker 1: There isn't a doubt her breath is inhaled by the
- 56:46Speaker 1: village throughout. Folk miscall the poor devil by classing him he.
- 56:52Speaker 1: But the devil of devils is trulier she for cunning
- 56:56Speaker 1: and craft for lies her I find to excel in
- 57:00Speaker 1: all evil attached to her kind. Her tongue wags ding
- 57:05Speaker 1: dong like the clink of a bell as she paddles
- 57:08Speaker 1: away through the village of Hell. Tis composed of wee
- 57:14Speaker 1: poke holes erected in haste, the majority of them all
- 57:17Speaker 1: going to waste, some covered with whiskers a dull browny green,
- 57:22Speaker 1: while others wear faces a shame to be seen. But
- 57:26Speaker 1: the funniest feature there isn't a closet the needs of
- 57:30Speaker 1: your nature in which to deposit. So call it a dunghill,
- 57:34Speaker 1: or call it a well tis always best known as
- 57:38Speaker 1: the village of Hell Reriten, eighteen hundred and eighty end
- 57:46Speaker 1: of poem. This recording is in the public domain. Love
- 57:57Speaker 1: by Amanda mc kittrick Ross at willibrivox dot org. When youugate, novelist,
- 58:06Speaker 1: my thoughts fly aloft as the birds in the air
- 58:09Speaker 1: when folded in sleep, A stranger to care for something
- 58:14Speaker 1: is always at work with a will, and that is
- 58:17Speaker 1: the brain. For it can't be still. It whispers of
- 58:21Speaker 1: love in its maddened state. Its echo you hear, asleep
- 58:25Speaker 1: or awake. Be deaf to its sound, be blind to
- 58:29Speaker 1: its sway. The passion of love must have its way.
- 58:34Speaker 1: Go shake Love out where the rays of the sun
- 58:38Speaker 1: will burn its fibers one by one. Yet its ashes
- 58:42Speaker 1: soon will glow again, to blaze far brighter by ten
- 58:46Speaker 1: times ten. Go drop it down in the ocean, deep,
- 58:53Speaker 1: bury it high in the mountain, peak, lash it into
- 58:57Speaker 1: limitless space. Still you'll find it. King of the human race.
- 59:04Speaker 1: Suppose you were safe in Heaven's cell, and I, whom
- 59:07Speaker 1: you loved, were down in hell, you would jump through
- 59:11Speaker 1: sky and air and sea to enjoy old love once
- 59:15Speaker 1: more with me? For what of hymns sung by saints
- 59:20Speaker 1: in heaven and the prayers of angels seven times seven,
- 59:25Speaker 1: when compared with that passion so grand, so great, that
- 59:29Speaker 1: rules the world asleep or awake? Written eighteen hundred ninety seven,
- 59:39Speaker 1: end of poem. This recording is in the public domain.
- 59:49Speaker 1: Epitaph on large Bones the Lawyer by Amanda makittrich Ross,
- 59:56Speaker 1: red Philbrivox dot org. Bine nugate novelist. Beneath me Here
- 1:00:04Speaker 1: in stinking clumps lies Lawyer large bones, all in lumps,
- 1:00:09Speaker 1: a rotten mass of clock holed clay, which grows more
- 1:00:14Speaker 1: honeycombed each day. See how the rats have scratched his face. Now,
- 1:00:21Speaker 1: so unlike the human race, I very much regret I
- 1:00:28Speaker 1: can't assist them in their eager bent Written nineteen hundred,
- 1:00:37Speaker 1: end of poem. This recording is in the public domain.
- 1:00:47Speaker 1: Lawyer Jock by Amanda mc kittrick Ross read from Leibrivox
- 1:00:51Speaker 1: dot org. When yougate novelist away on the hill of Revenge,
- 1:00:58Speaker 1: north of the Pathway of Spy, lived a lawyer of
- 1:01:01Speaker 1: little account for he never did anything right. His name
- 1:01:05Speaker 1: was Jock for a Starter, a son of old miser Madil,
- 1:01:10Speaker 1: who charged forty percent on all money lent and kept
- 1:01:14Speaker 1: a private wee still in the guts of a kennel
- 1:01:19Speaker 1: of bloodhounds. I first laid looks upon Jock, whose outfit
- 1:01:25Speaker 1: would really remind you of an underbred bantecock. South of
- 1:01:30Speaker 1: his throat, so shaped like a goat, rested a knot
- 1:01:34Speaker 1: of gray, a vest of red, with hair on his
- 1:01:38Speaker 1: head as black as bleak dismay. Jock sleepd his coils
- 1:01:44Speaker 1: that were over oiled on either side of a line
- 1:01:48Speaker 1: which seemed to be drawn so straight and long from
- 1:01:51Speaker 1: his forehead down to his spine. His face, so shaped
- 1:01:57Speaker 1: like a butter spade, was of color a corpsey pail,
- 1:02:01Speaker 1: with a treacherous look in every nook from the top
- 1:02:04Speaker 1: of it down to his hum His jacket was quite
- 1:02:11Speaker 1: out of fashion. I knew by the cut of its
- 1:02:14Speaker 1: front twas something like drug it. His granny wore in
- 1:02:18Speaker 1: a petticoat round her rump. His breeches were horsy and
- 1:02:23Speaker 1: narrow and short in the shank, you know, a drab
- 1:02:27Speaker 1: with a stripe, and socks dirty white which made him
- 1:02:30Speaker 1: a shabby show. Twas away, far back in the fifties,
- 1:02:36Speaker 1: when love wasn't quite so rife, Jock had the cheek
- 1:02:41Speaker 1: to send me a note asking to be his wife.
- 1:02:46Speaker 1: I dyed it with human ochre, tore it in pieces,
- 1:02:50Speaker 1: ten wrote on the mouth of the cover that I
- 1:02:55Speaker 1: was no bunty. Hen Jock handed round the tit bits
- 1:03:01Speaker 1: of his missive to all the dogs occupying his kennel,
- 1:03:05Speaker 1: in which they snarled and leaped like frogs. Then there
- 1:03:10Speaker 1: was general snigger one day when they turned up to
- 1:03:14Speaker 1: Jock the notice that I had got married, but not
- 1:03:19Speaker 1: to a bantecock. I meet him betimes on the wayside,
- 1:03:25Speaker 1: but never within my thoughts for anything nearer. Nothing was
- 1:03:30Speaker 1: never by sexes rot. The etiquette of his kennel has
- 1:03:35Speaker 1: suffered a nasty shock by allowing within its school of
- 1:03:40Speaker 1: sin such a dirty wee banty cock Retten, eighteen hundred
- 1:03:46Speaker 1: and ninety one, and of poem. This recording is in
- 1:03:54Speaker 1: the public domain. Lines on Missus John Majerry by Amanda M.
- 1:04:05Speaker 1: Kittrick Ross read Velebrivox dot org. When you gate novelist,
- 1:04:12Speaker 1: noblest woman ever born, never sad nor yet forlorn. Thou
- 1:04:18Speaker 1: hast lived the average life to thine husband, kindly wife,
- 1:04:23Speaker 1: always to thy neighbor's kind, oft their sores, Thou didst
- 1:04:27Speaker 1: well bind to the hungry, gavest food still, and ever
- 1:04:32Speaker 1: doing good. Many a gentle word let fall to friend
- 1:04:36Speaker 1: and stranger, one, and all clothed the naked, fed the poor,
- 1:04:42Speaker 1: never shut to them. Thy door warmed the wandering outcast
- 1:04:47Speaker 1: oft uttering words both sweet and soft. God, I pray
- 1:04:52Speaker 1: shall THEE reward whom thou didst not disregard. Life was
- 1:04:57Speaker 1: severed from the friend whom God, as husband, didst THEE send,
- 1:05:01Speaker 1: leaving THEE to mourn a loss worse than any human cross.
- 1:05:05Speaker 1: Nothing but his love canst heal the wound, which often
- 1:05:09Speaker 1: thou dost feel. Still blest with children numbering two, who
- 1:05:14Speaker 1: ever mindful are of you, toiling on thy form to bless,
- 1:05:18Speaker 1: offering thee their sweet caress. Long may they live thy
- 1:05:22Speaker 1: cheek to chafe as thou didst many a sickly waif.
- 1:05:27Speaker 1: Long may you live to be calld blest by those
- 1:05:29Speaker 1: you help'd when in distress. And when thy day blinks
- 1:05:33Speaker 1: out its light. I pray that thou shalt see no Knight,
- 1:05:38Speaker 1: And as time moves, as move it must to witness thee.
- 1:05:42Speaker 1: When turn'd to dust, thy soul shall dwell in holy realms,
- 1:05:47Speaker 1: while we with grief will be o'erwhelm'd, parting with thy
- 1:05:51Speaker 1: noble form that often soothed and calm'd a storm tis,
- 1:05:56Speaker 1: then thoult join thy husband, dear inglory, or in too
- 1:06:00Speaker 1: all fear tis, then thou'lt meet thy true reward. When
- 1:06:04Speaker 1: God shall thee with glory God upon Earth's face, both
- 1:06:10Speaker 1: broad and long, Thine equal yet has to be borne,
- 1:06:15Speaker 1: for since the flood that drenched the earth, no better
- 1:06:19Speaker 1: being ere drew breath, written eighteen hundred ninety end of poem.
- 1:06:28Speaker 1: This recording is in the public domain. Doctor Bushy Brows
- 1:06:39Speaker 1: by Amanda mc kittrick Ross read from the Brivoxtot leg
- 1:06:42Speaker 1: when yougate novelist. There lived in the village of Vice,
- 1:06:48Speaker 1: a doctor you couldn't call nice, for he had a
- 1:06:51Speaker 1: face like the whole of his race, as false as
- 1:06:54Speaker 1: the devil's. This doesn't embrace the dales, is as full
- 1:06:58Speaker 1: of device. His brows were bushy and black, which denoted
- 1:07:03Speaker 1: he wasn't the whack over. They crossed at the top
- 1:07:07Speaker 1: of his snout, which showed that the wearer was merely
- 1:07:10Speaker 1: a lout, like a half civilized steeple jack. Had you
- 1:07:15Speaker 1: wished to give him a quid, which into his pocket
- 1:07:18Speaker 1: he slid, how he'd shape at kissing the Bible so
- 1:07:22Speaker 1: sly and swear a lie as high as the sky,
- 1:07:27Speaker 1: which many a time he did. But Alas the King
- 1:07:32Speaker 1: of Clay sent for the doctor one day and told
- 1:07:35Speaker 1: him to strip from head to hips, closing forever his
- 1:07:39Speaker 1: lying lips and of hope didn't give him a ray.
- 1:07:44Speaker 1: The soul and body, which fought indeed in word and thought,
- 1:07:48Speaker 1: now ended the duel. The soul went to fuel the body,
- 1:07:51Speaker 1: to feed the worms with gruel for the devil at
- 1:07:54Speaker 1: last him caught two doctors deer in every sphere. Never
- 1:07:59Speaker 1: swear lies for favor or gear. Don't add your souls
- 1:08:03Speaker 1: to the devil's rule, but try to attain that heavenly
- 1:08:07Speaker 1: goal Purchased alone by fear, written eighteen hundred ninety end
- 1:08:14Speaker 1: of poem. This recording is in the public domain. Poe
- 1:08:26Speaker 1: the Lawyer by Amanda Mikittrie cross read for the Brevox
- 1:08:30Speaker 1: Dottle Bhenugate novelist of all the names within my knowledge
- 1:08:36Speaker 1: ere enrolled at a school or college. The ugliest and
- 1:08:40Speaker 1: most obscene is Poe, the lawyer of cackle Green. To
- 1:08:45Speaker 1: call a man by such a name, especially one who
- 1:08:48Speaker 1: apes at fame, is styling human nature low by giving
- 1:08:52Speaker 1: it the name of Poe. From humblest Cot to proudest Castle, Poe,
- 1:08:58Speaker 1: we call the dirty vessel out this thought. You couldn't
- 1:09:03Speaker 1: blink that pose another name for stink. Now Poe would
- 1:09:10Speaker 1: tell you tis superior, calling by name posterior. And why
- 1:09:17Speaker 1: he doesn't alter Poe to chamber, Damn me if I know.
- 1:09:24Speaker 1: Written eighteen hundred and ninety end of poem. This recording
- 1:09:30Speaker 1: is in the public domain. Farewell by Amandamer Kittrick Ross
- 1:09:42Speaker 1: read Felebrevox Dotleg by Newgate novelist. Farewell to all my
- 1:09:51Speaker 1: friends and foes. When again we'll meet, God knows, however,
- 1:09:57Speaker 1: should it be above where not abi but holy love,
- 1:10:01Speaker 1: I'll greet you with a saintly smile, that e'en the
- 1:10:05Speaker 1: devil would beguile. Perchance it should be down below. I'll
- 1:10:10Speaker 1: grin at every one I know, And if our lot
- 1:10:13Speaker 1: be in between, I'll bless the pope and curse the King,
- 1:10:18Speaker 1: written nineteen hundred and eleven end of poem. This recording
- 1:10:25Speaker 1: is in the public domain, and and of Poems of
- 1:10:31Speaker 1: Puncture by Amanda Makittrick Ross. Thank you for listening.