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Gilded Newport Mysteries: Murder at the Breakers · Girls Gone Hallmark | Hallmark Movie Reviews

• 0:13
  Speaker 1: Welcome to Girls Gone Hallmark, a Hallmark review podcast. I'm
• 0:16
  Speaker 1: Megan and I'm your longtime Hallmark movie fan. I'm Wendy.
• 0:20
  Speaker 1: I'm your former Hallmark hater. Today we're discussing Gilded Newport
• 0:25
  Speaker 1: Mysteries Murder at the Breakers, which originally aired on Hallmark
• 0:29
  Speaker 1: Movies and Mysteries on Friday, February second, twenty twenty four.
• 0:35
  Speaker 1: If you want to connect with the two of us
• 0:37
  Speaker 1: outside of the podcast, come follow us on Instagram. We
• 0:39
  Speaker 1: have two accounts. One is Girls Gone Hallmark. We're running
• 0:42
  Speaker 1: a fun Valentine find your perfect date with your favorite
• 0:47
  Speaker 1: Hallmark hunk or sweetheart. It's been fun to see and
• 0:52
  Speaker 1: you can also find us at Megan and Wendy. Come
• 0:55
  Speaker 1: on over and jump into our Facebook group, Girls Gone Home.
• 1:00
  Speaker 1: We've been talking a lot about love youary over there lately.
• 1:05
  Speaker 1: Let's jump right into a synopsis for the Gilded Newport Mysteries. Okay, now,
• 1:10
  Speaker 1: let me just preface this. Okay. IMDb did not have
• 1:16
  Speaker 1: a synopsis, so I went to the Hallmark Channel website
• 1:20
  Speaker 1: and pulled their synopsis, so keep that in mind. Okay,
• 1:25
  Speaker 1: are you ready? I am? It's July eighteen ninety five
• 1:29
  Speaker 1: and the New York elite have decamped to Newport, Rhode
• 1:32
  Speaker 1: Island for a summer of balls, garden parties, and yacht races.
• 1:37
  Speaker 1: Covering these events for the women's pages of The Newport
• 1:41
  Speaker 1: Observer is Emma Vanderbilt Cross, a fearless twenty one year
• 1:45
  Speaker 1: old writer with family ties to the wealthy Vanderbilt family.
• 1:49
  Speaker 1: No mention of a murder that Emma helps investigate to
• 1:54
  Speaker 1: clear her stepbrother's name and or discovers the real killer.
• 1:57
  Speaker 1: It's like the first paragraph of an office that they've
• 2:01
  Speaker 1: got there exactly. That's what we got. Okay, hold on
• 2:06
  Speaker 1: adding a note, Okay. The Gilded Newbort Mysteries. Murder at
• 2:11
  Speaker 1: the Breakers was directed by Terry Ingram. Terry has ninety
• 2:14
  Speaker 1: one directing credits, including Justin twenty twenty three alone, Retreat
• 2:18
  Speaker 1: to You, Making Waves, The Wedding Cottage, and The Wedding
• 2:21
  Speaker 1: Veil Inspiration. Carrie Friends wrote Murder at the Breakers. This
• 2:25
  Speaker 1: is Carrie's first Hallmark writing credit. Danny Griffin plays Jesse White,
• 2:31
  Speaker 1: another Hallmark Nubi here. Danny has six previous acting credits
• 2:34
  Speaker 1: and will also appear in the upcoming movie drug Store June,
• 2:38
  Speaker 1: which I did watch the preview for Very Much Not
• 2:41
  Speaker 1: Hallmark Very Intriguing, which will have limited theatrical release starting
• 2:45
  Speaker 1: late February. Nathan Whitt plays Derek. Nathan has seventy acting
• 2:51
  Speaker 1: credits and three more upcoming projects this year for Hallmark.
• 2:57
  Speaker 1: He's been seen in My Best Friend's Okay, Sealed with
• 3:01
  Speaker 1: a Kiss, Wedding March sixth, A Christmas Treasure Romance, To
• 3:07
  Speaker 1: the Rescue, and Cut Color Murder, to name a few,
• 3:12
  Speaker 1: to name a lot, so many more Hallmark credits alone.
• 3:17
  Speaker 1: Ali Scoby, sister of Tierra who is the star of
• 3:20
  Speaker 1: Hallmark's Ride, plays Emma Vanderbilt Cross. Allie has thirty eight
• 3:24
  Speaker 1: acting credits, which include a role as young Tolly on
• 3:27
  Speaker 1: the Netflix series Firefly Lane. She was in two episodes
• 3:31
  Speaker 1: of Once Upon a Time and seven episodes of When
• 3:33
  Speaker 1: Calls the Heart. Catherine Evans plays Adelaide. Catherine has thirteen
• 3:38
  Speaker 1: previous acting credits, including this series, The Killing One of
• 3:41
  Speaker 1: My Favorites, Nancy Drew, and The Mysterious Benedict Society. This
• 3:46
  Speaker 1: is Catherine's first Hallmark movie. James Drew Dean plays Brady Cross.
• 3:52
  Speaker 1: James has nineteen previous credits, which include Date My Dad.
• 3:56
  Speaker 1: He was in one episode of That Oh Fixer Upper
• 3:59
  Speaker 1: Mysteries one calls the Heart and Mary Go Round. Aisling
• 4:03
  Speaker 1: Goodman plays Grace Winslow. This is Aisling's first Hallmark credit.
• 4:07
  Speaker 1: She has seven previous acting credits and she will also
• 4:10
  Speaker 1: appear in the series Holidays Do Out on Hallmark later
• 4:14
  Speaker 1: this year. We hope we are waiting for the announcement.
• 4:20
  Speaker 1: Ava Tallic plays Gertrude. You might recognize Ava as the
• 4:23
  Speaker 1: oldest daughter Caitlin from My Christmas Family Tree in twenty
• 4:26
  Speaker 1: twenty two. She has nineteen total acting credits and yes,
• 4:30
  Speaker 1: she once appeared in Once Upon a Time Bingo. Jillian
• 4:35
  Speaker 1: Barber plays Nanny O'Neil. Jillian has one hundred and thirty
• 4:38
  Speaker 1: five acting credits including Chesapeake Shores, Cedar Cove, Under the
• 4:42
  Speaker 1: Banner of Heaven Made, and The Man in the High Castle.
• 4:47
  Speaker 1: Speaking of castles, this movie was filmed in Victoria, British Columbia,
• 4:51
  Speaker 1: and the Harley Castle was used both for interior and
• 4:55
  Speaker 1: exterior filming shots. This was filmed in October twenty twenty three.
• 5:00
  Speaker 1: Murder at the Breakers is based on the Gilded Newport
• 5:03
  Speaker 1: Mysteries books by Alyssa Maxwell. There are eleven books, giving
• 5:08
  Speaker 1: us plenty of future story ideas for this potential franchise.
• 5:13
  Speaker 1: Are you ready for first impressions? Sure? Go ahead. Me
• 5:16
  Speaker 1: thinks we might be hard on this movie. Y'all should
• 5:21
  Speaker 1: try reading the IMDb reviews for it. I read before recording,
• 5:27
  Speaker 1: and yes, it's rough out there, particularly for a movie
• 5:32
  Speaker 1: that's only a few days old for that many reviews
• 5:35
  Speaker 1: to be posted. And there are some bad ones. Yeah,
• 5:39
  Speaker 1: but I gotta say they're not wrong. Some of them
• 5:44
  Speaker 1: just come for certain elements of this movie that are
• 5:47
  Speaker 1: not based on the acting or the directing or the scenery,
• 5:49
  Speaker 1: and simply that it is historically inaccurate because of the
• 5:53
  Speaker 1: skin color of some of the actors. And I will
• 5:55
  Speaker 1: say that is where we part ways. Okay, we're going
• 5:58
  Speaker 1: to need to talk about that though. Yeah, okay, okay.
• 6:01
  Speaker 1: My first impression is I'm just here for the inevitable
• 6:04
  Speaker 1: future left Triangle. Oh, I can't do it. This is
• 6:12
  Speaker 1: what upsets me about this movie is, you know, I
• 6:17
  Speaker 1: love down To Abbey and Wendy hates period pieces. I
• 6:21
  Speaker 1: secretly believe that she would actually like down Ton Abbey
• 6:24
  Speaker 1: because it's like very traumatic and this is what Wendy's
• 6:29
  Speaker 1: gonna see in her head when she thinks down to Abbey,
• 6:32
  Speaker 1: and that is just an absolute crime against Julian Fellows,
• 6:36
  Speaker 1: is all I'm gonna say. Do you watch that other
• 6:39
  Speaker 1: Gilded Age ye, set in the same time period. Yeah,
• 6:43
  Speaker 1: I like it. It is not down Ton Abbey, it's created
• 6:46
  Speaker 1: by Julian Fellows, same creator. But it is good. Christine
• 6:51
  Speaker 1: Baransky is a gem. Well, what a fantastic actor she is,
• 6:56
  Speaker 1: and she's great in that it. It isn't down to Nabby,
• 7:00
  Speaker 1: it is enjoyable. It isn't Downton Abbey. That's fine. But
• 7:03
  Speaker 1: is this no okay? Is this a bobo Gilded Age?
• 7:08
  Speaker 1: A bobo Gilded Age? Indeed? Yeah? Okay, all right, let's
• 7:12
  Speaker 1: talk what we did like about it. I have a
• 7:16
  Speaker 1: few actually good, Why don't you go ahead. I loved
• 7:19
  Speaker 1: Jillian Barber, who plays Nanny O'Neill. She's my number one
• 7:23
  Speaker 1: as well, right, witty and quick, and I love the
• 7:27
  Speaker 1: dynamic between she and Emma. And I think that her
• 7:31
  Speaker 1: love of mystery novels and the tropes in mystery novels
• 7:35
  Speaker 1: is a fun, humorous element or she's that's a red herring. Yeah.
• 7:39
  Speaker 1: I like when they call out the tropes behind what
• 7:42
  Speaker 1: they're doing. They're like, we're making a mystery movie, but
• 7:44
  Speaker 1: let's talk about the tropes a mystery storytelling. Sure. I
• 7:47
  Speaker 1: like that too. It feels like a little easter egg. Yeah.
• 7:50
  Speaker 1: I did say that when it comes to period pieces,
• 7:53
  Speaker 1: this ain't it. But I did love the costuming, Henry.
• 7:57
  Speaker 1: I think that's where the majority of the budget went.
• 8:00
  Speaker 1: I did not find myself fully in versed in the
• 8:03
  Speaker 1: time period. But Christy Kinghorn is the costume designer, as
• 8:07
  Speaker 1: does appear to be her first period piece in her
• 8:09
  Speaker 1: twenty two movies, and she is also the costume designer
• 8:13
  Speaker 1: for the upcoming Holidays. I think she did a fantastic job,
• 8:19
  Speaker 1: particularly because there are so many scenes where there's a
• 8:23
  Speaker 1: deep supporting casts, a lot of costuming, a lot of
• 8:27
  Speaker 1: moving parts, and I think it was really well done.
• 8:30
  Speaker 1: I agree. I that was my second liked as well.
• 8:35
  Speaker 1: I did think they were beautiful. Yeah, I liked them.
• 8:39
  Speaker 1: I love the costume. Some funny lines in this movie.
• 8:44
  Speaker 1: I liked the beginning where mister newspaper boss says, I
• 8:50
  Speaker 1: know women and they don't want to read about politics.
• 8:54
  Speaker 1: It's funny. It was funny. I just it was funny too,
• 8:58
  Speaker 1: and I appreciate it. Emma's kind of you could tell
• 9:01
  Speaker 1: she was like, shut up. But it's that kind of
• 9:05
  Speaker 1: stuff that I hate in period pieces, and not even
• 9:09
  Speaker 1: period pieces, even in like dated movies from the eighties,
• 9:13
  Speaker 1: when they say shit like that, it just ruffles my feathers,
• 9:16
  Speaker 1: even when the characters are pushing back against it. Not
• 9:20
  Speaker 1: when they're pushing back against it, but in this particular movie,
• 9:23
  Speaker 1: they not pushing back against it. Really, I was trying
• 9:26
  Speaker 1: to trying, she's not gonna Okay, this is where I
• 9:29
  Speaker 1: think about it, especially and I'm gonna talk about the
• 9:32
  Speaker 1: way Home in last week's episode, episode two of season two,
• 9:38
  Speaker 1: when she's Cat's like trying to get away from Goodwin
• 9:42
  Speaker 1: Cyrus Goodwin and he's and she's talking back to him,
• 9:45
  Speaker 1: right the hell are you doing? And he's shocked that
• 9:48
  Speaker 1: a woman is speaking to him like that. That's when
• 9:51
  Speaker 1: I like it, because she's like fighting back. I don't
• 9:55
  Speaker 1: want I feel like Emma just take down and died. Yeah,
• 10:00
  Speaker 1: but it was relevant of the time, So what can
• 10:04
  Speaker 1: you do? And this is why I don't like period pieces. Okay.
• 10:07
  Speaker 1: I did like at the end of this movie where
• 10:09
  Speaker 1: the movie gives the viewers like all of the clues
• 10:12
  Speaker 1: that had been like dropped throughout the movie that I
• 10:14
  Speaker 1: didn't like really catch because I was not that invested
• 10:19
  Speaker 1: in it. But I did that scene. It was like
• 10:22
  Speaker 1: quick like they it was like a flashback scene to
• 10:25
  Speaker 1: when she sees something or blah blah blah, she starts
• 10:28
  Speaker 1: noting all the clues together. Yeah. I liked that. Yeah,
• 10:31
  Speaker 1: Hallmark's pretty good about it. That and their mysteries like
• 10:34
  Speaker 1: reminding their viewers remember when we showed you this and
• 10:37
  Speaker 1: usually been paying attention. I appreciate that too. I read
• 10:41
  Speaker 1: a lot of reviews that are like, it wasn't that
• 10:42
  Speaker 1: hard to solve the mystery? I never agree with that.
• 10:47
  Speaker 1: I agree to you. And at one point I was like,
• 10:49
  Speaker 1: is it Nanny O'Neill, who is the killer here? And
• 10:51
  Speaker 1: that's gonna be really disappointing. I think I've guessed exactly
• 10:56
  Speaker 1: one time who the killer was, and I am they
• 10:59
  Speaker 1: just they do it lot a good job of leading
• 11:02
  Speaker 1: you down the wrong path with all their supporting characters. Yeah,
• 11:05
  Speaker 1: I agree. Are you ready for wishes? I have one
• 11:08
  Speaker 1: more little liked. Yeah. I like that we're getting somewhat
• 11:13
  Speaker 1: new faces to the network, with the exception of Nathan
• 11:17
  Speaker 1: witt He. I mean, he's a familiar face to me,
• 11:22
  Speaker 1: but he still had a very limited role overall, So
• 11:26
  Speaker 1: it's not like in previous where we see like a
• 11:29
  Speaker 1: new face attached with an established actor. You know we're getting,
• 11:32
  Speaker 1: but one part of me really likes that. The other
• 11:36
  Speaker 1: part of me really craves familiar face. I don't know,
• 11:41
  Speaker 1: what do you think about this new crop of look
• 11:44
  Speaker 1: I like a combination of I like getting familiar faces.
• 11:49
  Speaker 1: I wouldn't want to see all of our Hallmark faves
• 11:52
  Speaker 1: wiped out. Yeah, but what's been fun is Tyler's in
• 11:55
  Speaker 1: a new movie and people are trying to figure out
• 11:58
  Speaker 1: bits and pieces. I know, I posted about it on
• 12:01
  Speaker 1: our instag I know I love it, and I think
• 12:03
  Speaker 1: that's fun. Everyone has that to look forward to, and
• 12:06
  Speaker 1: I'm always gonna love seeing those faces. But I think
• 12:09
  Speaker 1: change it up. I don't look. I love Nikki de
• 12:14
  Speaker 1: Looach and Andrew Walker, but I don't need necessarily to
• 12:16
  Speaker 1: see them as a couple for the nineteenth time in
• 12:19
  Speaker 1: every single movie that comes out on homework. Change it up? Yeah,
• 12:23
  Speaker 1: I agree, agree, we can wear Nikki and Andrew, but no,
• 12:27
  Speaker 1: don't go anywhere I'm nix it up a little bit. Yeah, okay,
• 12:32
  Speaker 1: here's my big wish. Many of the actors in this
• 12:36
  Speaker 1: movie could have used a dialect coach. Oh, you think
• 12:39
  Speaker 1: the cadence and intonation of speaking from eighteen ninety five,
• 12:44
  Speaker 1: Captain obvious is very different from twenty twenty four. And
• 12:47
  Speaker 1: you can't just pick up some of the phrases. You
• 12:50
  Speaker 1: can't say and how over and over again and hope
• 12:54
  Speaker 1: we forget that they're speaking the way I'm speaking right now,
• 12:56
  Speaker 1: which is if I were to jump in the Poorte
• 13:00
  Speaker 1: even pond and time travel back to eighteen ninety five.
• 13:03
  Speaker 1: Other than the fact that I wear pants, would be
• 13:05
  Speaker 1: a dead giveaway from I am not from their time.
• 13:08
  Speaker 1: I think Jillian Barber is great. The fact that she's
• 13:13
  Speaker 1: so established shines. And Danny Griffin gets a bit of
• 13:16
  Speaker 1: a pass, probably because of his accent. It just is
• 13:19
  Speaker 1: gonna I think an English accent is a great way
• 13:22
  Speaker 1: to make someone sound either fancy or old timey. Yeah. Sure,
• 13:27
  Speaker 1: but the vast majority of the rest of our actors, actually,
• 13:31
  Speaker 1: Nathan Wit does a better job than most. Some of
• 13:37
  Speaker 1: the rest of them really are just reading lines. And
• 13:41
  Speaker 1: I think the majority of the budget was probably sepent
• 13:45
  Speaker 1: on wardrobe and not on things like a dialect coach
• 13:49
  Speaker 1: and time too. You know how quick these turnarounds are.
• 13:52
  Speaker 1: I think I had heard. I think it was Andrew
• 13:54
  Speaker 1: Walker had said in an interview, like I think they
• 13:57
  Speaker 1: get the script and then three days later there on
• 14:01
  Speaker 1: set with it and there's just no time, Like where
• 14:04
  Speaker 1: are you going to How long are you able to
• 14:06
  Speaker 1: practice a dialect like that? You just so? I agree, like,
• 14:11
  Speaker 1: maybe let's give more time to our actors so they
• 14:16
  Speaker 1: are more believable. Yeah, I agree. One of my wishes
• 14:21
  Speaker 1: is I felt like Emma was too contemporary for eighteen
• 14:25
  Speaker 1: ninety five. And I don't know if it's the actress perhaps,
• 14:30
  Speaker 1: and it might come down to her dialect. And that's
• 14:34
  Speaker 1: a fully fleshed out thought there. I didn't quite get
• 14:38
  Speaker 1: to it until you said about the dialect, but agree.
• 14:40
  Speaker 1: I thought the pace was really slow. It hardly kept
• 14:44
  Speaker 1: my interest. And Megan and I had been discussing watching
• 14:50
  Speaker 1: this movie prior to watching it. She's it's eighty minutes, Wendy,
• 14:53
  Speaker 1: you can do it. You can do it, because I
• 14:55
  Speaker 1: was really not looking forward to it, and it's still
• 14:58
  Speaker 1: the eighty minutes. I felt like an eternity it took
• 15:02
  Speaker 1: forever to get through this for me. Also, I'm not
• 15:05
  Speaker 1: sure I liked detective Jesse White, the actor, fine, nice
• 15:12
  Speaker 1: looking man, like whatever I did, he was so boring
• 15:15
  Speaker 1: as a detective. And maybe it was just the time period.
• 15:19
  Speaker 1: I don't know. I expected not more enthusiasm, but more
• 15:23
  Speaker 1: like action. Maybe everything was so like they would find
• 15:28
  Speaker 1: like a dead body and then they're just having these conversations.
• 15:31
  Speaker 1: There's no seal off the room or close the gates whatever,
• 15:36
  Speaker 1: nothing like that. It's just so slow. I it it
• 15:41
  Speaker 1: felt like he was letting Emma take the reins, drive
• 15:46
  Speaker 1: and direction of the investigation. Yeah, and my watching Curious Caterer,
• 15:50
  Speaker 1: like is happening here? She's no goldie. No. Okay, so
• 15:56
  Speaker 1: let's talk about the inaccuracies. Okay, So well, a lot
• 16:01
  Speaker 1: of people are calling out, specifically the casting of Nathan
• 16:05
  Speaker 1: as Derek, because are we going to see a wealthy,
• 16:10
  Speaker 1: desirable bachelor. Are we going to see a person of
• 16:14
  Speaker 1: color in that role in eighteen ninety five? That is
• 16:18
  Speaker 1: probably a no. I've been thinking about this ever since
• 16:20
  Speaker 1: I read those reviews. Think of the musical Hamilton. Yeah,
• 16:24
  Speaker 1: when all those old white guys, most of them are
• 16:28
  Speaker 1: old white guys. There are some actual people of color
• 16:31
  Speaker 1: in those roles, but are played like George Washington's always
• 16:36
  Speaker 1: played by a big black dude, And they're trying to
• 16:39
  Speaker 1: subvert history there, right, everyone knows that's not the way
• 16:43
  Speaker 1: history looked. What's the goal there? Like, what's more important
• 16:48
  Speaker 1: the historical accuracy of the way it looked or adding
• 16:54
  Speaker 1: a little bit of diversity to our casting? Yes? Does
• 16:58
  Speaker 1: it really matter if there is a person of color
• 17:02
  Speaker 1: playing this role? No, it really doesn't. But I could,
• 17:07
  Speaker 1: I understand, I fully understand. I'm also trying to open
• 17:15
  Speaker 1: the memory file here and think about the Christmas movie
• 17:21
  Speaker 1: where it was like The Rockets a Christmas Holiday Spectacular?
• 17:24
  Speaker 1: Oh yeah, wasn't there some like backlash on that too
• 17:29
  Speaker 1: in terms of Rockets didn't hire women of color to
• 17:34
  Speaker 1: be rocket dancers during the time that movie took place,
• 17:38
  Speaker 1: and there were people who were upset about that as well.
• 17:41
  Speaker 1: Is it just the woke police on Hallmark who are
• 17:44
  Speaker 1: upset about these things? So look, if you do the
• 17:47
  Speaker 1: tiniest Google search, First of all, there is a term
• 17:50
  Speaker 1: for it. It's called race reversed casting. There's an example
• 17:53
  Speaker 1: that comes up, Jodie Turner Smith she's a British and
• 17:56
  Speaker 1: Jamerican actress. She plays the wife of Henry the Eighth
• 17:58
  Speaker 1: in the British MINISERI Anne Boleyn. That was a white
• 18:02
  Speaker 1: woman and there's two very strong opinions about it. The
• 18:07
  Speaker 1: opinions are, it's not and I feel like it's the
• 18:12
  Speaker 1: Wolf Police sin. It's not racist to say that a
• 18:14
  Speaker 1: white person should play a white character. Then there's the
• 18:17
  Speaker 1: other side of the coin, saying, if we're going to
• 18:20
  Speaker 1: make content that portrays life pre nineteen seventy five, maybe
• 18:28
  Speaker 1: we're just accepting that if we want it to be
• 18:30
  Speaker 1: one hundred percent historically accurate, we're just going to be
• 18:32
  Speaker 1: dealing with white casts unless we're dealing with people in
• 18:37
  Speaker 1: positions of service. Perhaps, And I think people are saying,
• 18:40
  Speaker 1: it's okay you the same way you can have a
• 18:43
  Speaker 1: gender reverse role, you can swap the race of the character,
• 18:47
  Speaker 1: unless I think you're trying to make a very specific
• 18:49
  Speaker 1: point in the piece about race, which they're not doing here.
• 18:55
  Speaker 1: Fair think you make a very good argument, And is
• 18:59
  Speaker 1: it fair for me to like, I wanted their dialogue
• 19:01
  Speaker 1: to be historically accurate, but I'm cool with the fact
• 19:04
  Speaker 1: that the race of our characters isn't historically accurate. Yeah,
• 19:08
  Speaker 1: but honestly, this review is not meant to be a
• 19:12
  Speaker 1: think piece. So yes, yeah, I hear you. I hear you.
• 19:16
  Speaker 1: I think you make a good argument and you can
• 19:19
  Speaker 1: feel complicated about it. It's all right. Okay, okay. Did
• 19:24
  Speaker 1: you have any did you see that? I have two?
• 19:27
  Speaker 1: Let me hear one's from IMDb. Did you see this one?
• 19:30
  Speaker 1: I don't think so. The characters Alice and Gertrude Vanderbilt
• 19:34
  Speaker 1: are played by real life mother and daughter Apra and
• 19:37
  Speaker 1: Ava tellek oh interesting. And my other is Brady goes
• 19:43
  Speaker 1: to prison. He's thrown in that single jail cell in
• 19:45
  Speaker 1: that weird room off of the police officer's office, and
• 19:49
  Speaker 1: he never changes. He's in his shirt sleeves from the
• 19:53
  Speaker 1: party the entire time. Oh, he takes off his tie
• 19:56
  Speaker 1: and whatever coat he was wearing, but he's in a white,
• 19:58
  Speaker 1: buttoned down shirt the entire time. You're upset. They didn't
• 20:02
  Speaker 1: put him in like a stripe jumpsuit or what it
• 20:06
  Speaker 1: was many days long. He didn't change, just those ones. Obviously,
• 20:10
  Speaker 1: those scenes were probably filmed back to back because they're like,
• 20:13
  Speaker 1: where can we get a cage? They didn't have any
• 20:17
  Speaker 1: budget for his costumes. After yeah, they ran out of it.
• 20:20
  Speaker 1: They're like, sorry, dude, you gotta just rumple it up
• 20:23
  Speaker 1: a little bit. Yeah, here are my did you see?
• 20:25
  Speaker 1: That's first of all, this is taking place Okay at
• 20:29
  Speaker 1: the beginning of the movie, they had these aerial shots
• 20:32
  Speaker 1: of Rhode Island, like these ocean front homes on cliffs, right,
• 20:36
  Speaker 1: but we never ever see the ocean again. It's they're
• 20:40
  Speaker 1: always in some kind of a forest or outdoor area,
• 20:42
  Speaker 1: but we're not overlooking the ocean with that outdoor scene,
• 20:47
  Speaker 1: and the ocean's right behind them. Did I miss it?
• 20:49
  Speaker 1: I don't know. I might have, but Okay, the point remains,
• 20:53
  Speaker 1: they're not giving you Newport Rhode Island in many of
• 20:56
  Speaker 1: the other scenes exactly. Speaking of outside, there were a
• 21:00
  Speaker 1: couple of scenes where they were truly outside filming in rain.
• 21:04
  Speaker 1: You could see the rain and they had umbrellas, and
• 21:08
  Speaker 1: I was like, where did they get those old timey umbrellas?
• 21:10
  Speaker 1: At they had created that me too, what's the word
• 21:17
  Speaker 1: I'm looking for accuracy? I like that as well, But
• 21:20
  Speaker 1: I was like, I'm sure they didn't plan for rain, Like,
• 21:24
  Speaker 1: how did they get these umbrellas? I don't know, maybe
• 21:26
  Speaker 1: they did plan for it. I just thought it was cool.
• 21:29
  Speaker 1: My final did you see that is the guy Goddard,
• 21:33
  Speaker 1: the guy that got killed. Yes, he had these crazy
• 21:37
  Speaker 1: like mutton chop beard like style. Do you know what
• 21:40
  Speaker 1: I'm talking about? Mutton chop were like those crazy side
• 21:43
  Speaker 1: burns all the way down, like on his cheeks, and
• 21:45
  Speaker 1: so I googled and apparently it was popular during that
• 21:48
  Speaker 1: time period. So I thought that was cool of the
• 21:50
  Speaker 1: actor to go there with his facial hair. Yeah, you
• 21:54
  Speaker 1: think he grew it or do you think it's fake? No?
• 21:56
  Speaker 1: I think it was real because I did look him
• 21:58
  Speaker 1: up on IMDb and there were some photos of him
• 22:01
  Speaker 1: like with it with facial hairlins. Oh, so he can
• 22:04
  Speaker 1: grow a beard. Yeah yeah, yeah cool. What did you
• 22:09
  Speaker 1: rate Murder at the Breakers? I gave it one star?
• 22:12
  Speaker 1: Oh oh my god, I know. I don't even know
• 22:15
  Speaker 1: if I've ever given a movie one star. I just
• 22:18
  Speaker 1: really did not enjoy. Wow. I gave it two point
• 22:21
  Speaker 1: five stars right down the middle, right, Yeah, now, I
• 22:26
  Speaker 1: just one star for costumes. Yeah. This big week on
• 22:30
  Speaker 1: Girls Gone Homework. We'll be back tomorrow with our review
• 22:32
  Speaker 1: of The Way Home episode three, and on Thursday, Period
• 22:38
  Speaker 1: Piece adjacent paging mister Darcy, tune in, we'll be back,
• 22:44
  Speaker 1: and before you go, we love your five star ratings
• 22:47
  Speaker 1: and reviews, so hop into the podcast app of your
• 22:50
  Speaker 1: choice and leave us a five star rating if you
• 22:52
  Speaker 1: love this podcast and a written review. Thanks, We'll see
• 22:55
  Speaker 1: you next time. Bye bye s