Latest / Comedy Central Stand-Up / MIguel Lago - Hijopouta III
Transcript
- 0:02Comedy Central Podcast. No. Thank you very much, friends. I don
- 0:25' t deserve any less. It' s a real pleasure, a great
- 0:29joy, isn' t it? I would dare even say why not what
- 0:32a luxury for each and every one of you that I am here. Also,
- 0:38among other things, because I want to leave something pointed out, after
- 0:43so many years in this house with you, I want to make something clear.
- 0:46I am not one of the few artists in this country who, in
- 0:50addition to being very attractive, have a way of saying it, a wide
- 0:55cultural background. I mean, I' m a person with a very high
- 0:57culture. Actually, I have college education. I' m a graduate of
- 1:00Hispanic philology. I got a degree in Hispanic philology in case I didn'
- 1:03t do well about the show having something safe. I mean, I know
- 1:07this is going wrong with me now, and with my philologist' s resume,
- 1:11I get the money. I mean, it' s one thing.
- 1:14What I want to give you curiously is that there are a lot of people
- 1:18working on television, of familiar faces that are also philologists. You didn'
- 1:23t know, for example, Jorge Javier Vázquez. Jorge Javier Vázquez is a
- 1:29Spanish philologist and faggot, falcon, very faggot. It' s funny to
- 1:42say the word faggot. It' s so funny to me, because it
- 1:45automatically divides the room into two. There are those who have laughed truth and
- 1:49then there are those who have bothered them, that is, the people who
- 1:52have offended. Because Miguel La Hago has used the word maricom which is a
- 1:55word that evokes the monster of Francoism. I guess right now the social network
- 2:00is smoking? Why are Assachis smoking? I can already imagine how my twitter
- 2:04should be, that is, it must be blown up that if Miguel something
- 2:07that if you are a homophobe, that yes, that if you are a
- 2:09son of the Great Whore, it has nothing to do with telling someone queer
- 2:13but people on Twitter gets hot. That wouldn' t have happened before.
- 2:20Before. I' m talking during Francoism why, because I couldn' t
- 2:23have said that, because before there was the censor figure. It' s
- 2:27worth it to the defender in a man who was going through the theaters saying
- 2:31he was going through the script and saying what to say and what not to
- 2:34say. He took this and crossed it out. This is not, this
- 2:38is not, this is immoral, this is shameful, this is intolerable,
- 2:40this cannot be done. Then I almost got to the best of it because
- 2:44the dinner was cold, it gave the woman a shit, but because they
- 2:46had a confused moral code, because I liked that there were censors I wish.
- 2:52They would really come back, uh, I wish, because at least
- 2:55I would have located it, I mean, there would be a censor there
- 3:01and I would try to dodge it somehow, but there would be one me
- 3:07against what I can' t, it' s against what Spain has become,
- 3:12which is a country of fifty million censors, fifty million each of us.
- 3:14That is, at least, exhausting, always saying what can be said,
- 3:19what can be said, what can be said in a newspaper, what
- 3:21can be said on a television. That' s tiring and you want to
- 3:24tell me I buy any joke that starts with that faggot in Triana neighborhood.
- 3:30I buy it good and as the joke is, there' s a faggot,
- 3:38a stutterer and a lame fuck stop the car, I mean, tell
- 3:42me. Please, I like it. I like it. It makes me
- 3:49feel good. In fact, Spanish means what it does to feel modern.
- 3:53He grabs to according to what things, for example, to read fifty shades
- 3:59of Grey, It is not true to feel modern, fifty shadows and you
- 4:02believe all you know this trilogy, which goes basically to fuck, that is,
- 4:10to fuck you. I tell, for example, the argument of the
- 4:12first novel. In it appears our protagonist, Anastasia Steel, a young girl
- 4:15of twenty- three, twenty- four years. What do you know in
- 4:18an interview and by chance our protagonist, Christian Grey, multimillionaire twenty- eight
- 4:27billionaire years. I' m talking about money, but more, that'
- 4:30s to bore you, it' s an exaggerated thing. He pilots his
- 4:32own helicopter and is also described as the most beautiful, handsome and attractive man
- 4:38in the history of mankind. Don' t ask me why she' s
- 4:44attracted to him and she starts a clear relationship that he sets the ground.
- 4:49He doesn' t call her a girl. If you want to be with
- 4:53me, I want to explain that I' m into s. M.
- 4:58Bondash, domination, submission and masochism. Come on, he likes to give
- 5:03it, but shit like pianos, that' s ping pam ping. He
- 5:06has in his house a quarter of the pain and towards the end of the
- 5:11novel, she wants to experiment, he begins to develop according to what behaviors
- 5:15with him, but one day he already wants a little more he takes off
- 5:16his belt, hits him a marimba I swear to you eh, that is
- 5:19the girl seemed. Ben Ur started pite Pa Pi Path. It is known
- 5:24that he felt bad and left it and this is how the first novel is
- 5:31summed up. I have just saved you twenty- six euros and wasted time
- 5:39with real intellectual terrorism. What' s the bet seller? It is the
- 5:47best- selling book in Spain for the last fifteen years. It' s
- 5:51awesome, I mean, all the women have read it, they' re
- 5:55reading it. It' s a pass. I, as an international artist,
- 5:57travel a lot and yes always in all airports there is always an aunt
- 6:02with the little book of Marras next to me in the waiting room. He
- 6:04' s there reading the book and I get nervous. You know why I
- 6:08feel like saying" Holy Cochina" to her, but I' m telling
- 6:14her anyway, she' s offended because I' m a woman like that.
- 6:15Oh, how modern. I' m just reading through grey shadows and
- 6:17then you get offended when I give you a dick in the face. Let
- 6:20' s get this straight. It' s not normal. It' s
- 6:30that double standard that bothers me so much. Imagine me coming out on TV
- 6:32in an interview and telling me without a doubt what I like best in bed
- 6:38is hitting a woman. I' m not working again. No. No,
- 6:46my career is over, it' s over, it' s over,
- 6:48but that book can tell you what difference it makes look like. I
- 6:50' m gonna tell a story. Ninety- one year, end of year
- 6:56Tuesday and thirteen Tuesdays and thirteen, unforgettable duo that made us enjoy Christmas They
- 7:00made a very famous sketch that everyone will remember that it was that of my
- 7:04husband beats me. He went out to Millan characterized as a woman with a
- 7:09black eye and said that I cried ay. My husband beats me, he
- 7:12hits me, he beats me like that half an hour, my husband beats
- 7:15me, he hits me. And the next sketch passed an advance. The
- 7:18show was burying the husband who had died and she cried. Oh, he
- 7:25' s gonna hit me now, so he doesn' t hit me anymore.
- 7:28The whole of Spain got wild, didn' t applaud the skeech.
- 7:31Well, that was wonderful. Today u See the writer who writes it already
- 7:38decides not to record it. Let' s say it' s decided to
- 7:42record it. It' s recorded, it' s decided not to mount
- 7:45it, let' s put it together, decide not to broadcast it,
- 7:48let' s say it' s broadcast. The next day they close the
- 7:51channel is over and twenty- five years ago and you' re telling me
- 7:57we' re more advanced today. That' s not a lie, least
- 7:59of all in the smoke humor seen today. If you want to make a
- 8:01joke a little bit, you know what I say by squeezing a little bit,
- 8:05you have to do it at home, because at home it' s
- 8:07the only place you feel safe, unless you' re walkers. This is
- 8:11because camels have been robbed of their house. You know, he' s
- 8:16been mugged. He' s been assaulted by three Romans. Well, you
- 8:18don' t know if they were Romans, but I put my hand on
- 8:20the fire. The point is, they broke into his house at dawn.
- 8:26They tied him up and gagged him. They tied him up so he wouldn
- 8:31' t escape and gagged him so he wouldn' t sing. The news
- 8:43case. What struck me powerfully is that they didn' t hit anything.
- 8:50They didn' t attack him, they didn' t touch his hair,
- 8:54nothing. That' s very nice. I don' t think there'
- 9:00s a bigger man who' s born to an artist than to jump into
- 9:07his house and not hit him I hope that one day it happens to me,
- 9:11look at what I' m saying, because I guess when they were
- 9:15preparing the assault, because someone warmed his mouth, we went in there and
- 9:20we grabbed him pein pam pan and said another no for real. How we
- 9:20' re gonna hit Camilo is this. How we' re going to beat
- 9:26the man who made us vibrate with Jesus Christ Superstar. How we' re
- 9:30gonna beat the man who made us dance with living like this is dying of
- 9:33love. He also made mollamazo. I don' t argue with you,
- 9:37but he' s got something on me. Melina forgive me everything for nothing
- 9:41and they didn' t hit her how nice? Because with José Luis Moreno
- 9:50there was no doubt. Hey I mean, Hahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahaha People get hot. Also,
- 10:05and today where, when you' re already entangled by something, you
- 10:09get angry, so I could say no, no, no, what you
- 10:11' re doing today, protest on Twitter, you know on Facebook, put
- 10:16on your wall things clear and denounce this whole situation and what you' ve
- 10:20said, what you' ve said, because of course, Tuesday and 13
- 10:24today I couldn' t work. But Jorge Javier Vázquez, who well,
- 10:26Jorge Javier Vázquez can be every afternoon with his cut of suckers on television for
- 10:31four hours, tearing apart, vilifying, insulting, and that can be done.
- 10:37It' s funny. And the people he does go out on the
- 10:39street and he shows that people like him are going at best people get hot
- 10:45Twitter. I remember a case. A while ago. You know when she
- 10:48died, Sister Mary, Sister Mary, the nun steals children, which is
- 10:52how posterity has passed. Sister Maria, the baby nun. The lady died
- 10:56at eighty- seven years of age and at that time social networks were combustible.
- 11:01I open Twitter and read the tweet of a 17- year- old
- 11:05boy. He said I read attention. He had a hundred and twenty characters
- 11:11left. He' s got that little. He paid attention, put Fallece,
- 11:20Sister Mary. That' s what happens to him as a whore,
- 11:26hahahahaha, what I hear, but seriously, for a whore you want to
- 11:31come here like eighty- seven years. The ladies are dead for whore.
- 11:31You' re telling me seriously You want there really is a direct relationship between
- 11:37being a whore and dying. The kid was at home I got the news
- 11:41out of the way. That' s what happens to her as a whore
- 11:43to send, and she doesn' t care about everything. The boy was
- 11:46already coming Calentito who, in a way, I can understand. I can
- 11:50understand that you are robbed of your son and you are not upset a priori,
- 12:00but I put myself on the other side, year nine hundred and fifty
- 12:07- nine, Madrid, a marriage of forty- two. Forty- three
- 12:11years, they' ve been married 15 years and have no children. She
- 12:16cries every night until she falls asleep, holding her withered belly because she fails
- 12:22to make her dream come true as a child, which was to be a
- 12:24mother. He' s broken, he' s even started drinking because he
- 12:30can' t make the woman of his life happy and that' s killing
- 12:35him inside one day. A friend tells him he knows he' s been
- 12:39told that he knows about a nun who for a hundred thousand pesetas gives you
- 12:43a child and this man mortgages himself, seeks the money from where he doesn
- 12:50' t have it. When with a hundred thousand pesetas of the fifty-
- 12:52nine year you bought three floors in the center of Madrid, he gets that
- 12:58money and like for a baby to make his wife happy. That' s
- 13:03the nicest thing I' ve ever seen in my life. Fuck. That
- 13:07' s beautiful and also, responsibility, because you have a biological child,
- 13:13you drop it in the park and give it to you. You fall off
- 13:16a slide, a child who cost you 100, 000 pesetas doesn' t
- 13:20forgive him. That' s a lifeless one. You' re in the
- 13:22park with a hell of a tension. Good shit and since I' m
- 13:24over two years old, consumption doesn' t cover you. See who you
- 13:28claim when you' re 15. Dad tells you I' m gothic.
- 13:31Go get the nun' s accounts Forget about it You' re sold.
- 13:37I understand that some people leave a little bit You know what happens to me,
- 13:41I just understand parenthood as something animal. I' m a father,
- 13:46I have two children and I understand it this way. In fact, last
- 13:50week I was seeing Susana griso because I used to see Ana Rosa, but
- 13:56Ana Rosa gets her locked up. Then I see Susana. I was seeing
- 14:01Susana when I see a middle- aged marriage with a child about twelve years
- 14:05old. Fat ugly glasses good anyway. The point is they were going to
- 14:11talk about bullying I see, they' re going to talk about bullying and
- 14:13me at home bullying, bullying, a bullying case and me? Bullying?
- 14:16Bullying, bullying, so, bullying, bullying me? They' re gonna
- 14:18talk about bullying, bullyingbullyin, bullying, so, bullying, bullying and me,
- 14:22what' s bullying gonna be? Bullying? They' re going to
- 14:24talk about bullying, about what? Bullyin, bullyin, bullyn bullyng, bullying,
- 14:26bullying and me, what' s bullying? I' m looking for
- 14:31him on the Internet bullying what it was like all my life beating up the
- 14:33fool in the class. Now they call him bullying. The point is that
- 14:37the mother comes out and says good morning, Susana, thank you for inviting
- 14:43us to your show. We' re already desperate, desperate because my son
- 14:48gets beat up in high school like a piano laughs at Tube, Christian Gray,
- 14:54that is, the child is shocked and we can' t do it
- 14:56anymore. We can no longer use it because attention I open quotes says we
- 15:03have already put seventeen complaints in the school, fourteen complaints in the Community of
- 15:09Madrid and twelve complaints to the Ombudsman of the meno and the child they continue
- 15:13to beat good that they have hit him this morning that then we will not
- 15:16take out of the recess. I' ve already brought a black eye.
- 15:16Don' t you see the makeup one to cover it up and we can
- 15:20' t do it anymore. And it fits me like that. I took
- 15:24a role and a pen. I started accounting. I say let' s
- 15:28see. Let' s see first day your son comes home twelve years old
- 15:31with a black eye. You say. These are kid stuff. On the
- 15:35second day we already have to if you' re going to talk to the
- 15:39teacher, on the third day with the head of studies, on the fourth
- 15:41day with the director, on the fifth day threats to report and on the
- 15:46sixth you file a complaint. This means that your son has been beaten seventeen
- 15:48plus six twenty- three times, but that' s the 24th beating.
- 15:52I' m sick of them not listening to you at school. Where you
- 15:54go to the Community of Madrid, where you put a total of fourteen denunciations,
- 15:58plus thirty, but that is to beat thirty- nine. Seeing that
- 16:02the Community of Madrid also does not put a brake on the matter, you
- 16:04go to the Ombudsman of the Minor where you make twelve more complaints than I
- 16:08do. I think the official, when I' m going to get you
- 16:11in, takes out the pink paper Hostia, the usual thing that they'
- 16:14ve hit the kid, throwing a total of fifty- one beatings, but
- 16:18it' s that beating fifty- two. The best thing you can think
- 16:22of is going to TV. Of course, that' s a great idea.
- 16:25Go on TV, make the kid famous, let everyone know about him.
- 16:27If when I cross it and say look, today they didn' t
- 16:30hit it. It' s not normal. Let' s see. It
- 16:41' s not normal for you to let your 12- year- old come
- 16:47in that you' ve fucked up fifty- three times. It' s
- 16:52not normal that I don' t even get half a look. This is
- 16:57very simple. I repeat, I have two children, yes, twelve years
- 17:02old. Any one of my kids gets home. It' s very simple.
- 17:08I' m going to school the next day I' m telling you,
- 17:12I want to know who hit you. I put them in the trunk
- 17:15of my car. I' ll take them off the ground. I hit
- 17:18shit whose only limit is blood. Once I finish, I put a plastic
- 17:22in the trunk, put them back in the emergency room, because I'
- 17:26m not a hanger where I leave them as a photocopy of my deni and
- 17:30a note for their parents who say come home that I' m waiting for
- 17:34you children of the Great Whore. And when the father sees it, I
- 17:37blow it, too, and it' s bigger than you. I'
- 17:40ll get him in the back, but I' m gonna blow him up,
- 17:45' cause no one touches my kids. Gentlemen, you have to go
- 17:49back to the fifties when you could hit a child, you have to go
- 17:53back, you have to beat the kids to see the others, not yours.
- 18:08And we' re always the same, always the same with the same
- 18:11bullshit. That shouldn' t be done. That shouldn' t be said.
- 18:17I remember when the cruise went down the Concordia coast you remember the coast
- 18:22concordia that Italian cruise that I don' t know how it did, but
- 18:29I find it harder to dump it than to sink it. I mean,
- 18:30you give me a pick and a shovel and I' ll sink your boat.
- 18:34You' re asking me to dump him here I don' t even
- 18:37know where to start, I mean, what I wanted to get into port
- 18:40by touching my knee. I don' t understand. The fact is that
- 18:42he turns to the boat, turns to the boat and then produces the most
- 18:52famous anecdote that is that it has to do with the captain Tino esque.
- 18:56The captain is that Tino declared attention. I will not add or take away
- 19:04any words from the captain' s official statement to the maritime authorities. The
- 19:11captain is Kettino declared that I stumbled on board the first boat, save lives
- 19:19that was headed for port and once on land, I thought better handling from
- 19:26this location the rescue work. I say good and if I bring you a
- 19:30gintonic, it' s already a crazy thing. I was bringing in just
- 19:33like we' re going down slowly. Please, automatically, not to applaud
- 19:37you with a certain criterion. Increase automatically. The international community points to Captain
- 19:45Esquetino as a coward and a miserable, when I believe that this man,
- 19:52his only sin is to be a human being. I mean, he did
- 19:56what anyone else would do to save himself, because the nuance is that the
- 20:00captain is in his house today and there are twenty- three at the bottom
- 20:06of the sea. Let' s not forget that. Let' s not
- 20:10forget that. You remember when they were there in the reporters good afternoon.
- 20:14We' re here with the survivors of the Costa Concordia. Let' s
- 20:18see, let' s see, let' s see, let' s
- 20:22see, let' s see, let' s see, let' s
- 20:22see, let' s see, let' s see, let' s
- 20:22see, let' s see, let' s see, let' s
- 20:22see, let' s see, let' s see, let' s
- 20:22see, let' s see, let' s see, let' s
- 20:22see, let' s see, let' s see, let' s
- 20:22see, let' s see, let' s see, let' s
- 20:22see, let' s see, let' s see, let' s
- 20:22see, let' s see, let' s see, let' s
- 20:22see, let' s see, let' s see, let' s
- 20:22see, let' s see. Survivor is a category at least elevated by
- 20:26that rule of three. I am a flu survivor who has ravaged humanity throughout
- 20:30history. It is a waste of billions of innocent lives, for we are
- 20:36survivors because we have made a partnership and we are going to meet once a
- 20:40year. So fuck knowing what restaurant you give me is pretty, because you
- 20:42are good come ah, Super well, we are here with the survivors of
- 20:48the Costa Concordia, this, Señora, marriage of Valencia. Let' s
- 20:52talk, see how they feel, how they meet, and Mrs A takes
- 21:00mom to drink. We' re with the psychological help I say, well,
- 21:06you already brought psychological help from before. This fool goes because you can
- 21:19believe he' s the ship' s crew, bartenders, personal boat drivers
- 21:26in general, banging on the passengers to get out. First you can believe
- 21:34it. I, yes, you can' t be the people since you
- 21:41saw Titanic It' s believed that while the ship is sinking, the other
- 21:45plays the violin, so save yourself who can and the lady doesn' t.
- 21:51First, first the passengers and then the crew. Of course, the
- 21:56typical Indian waiter, who embarked eleven months a year for three hundred dollars a
- 22:02month, has to let pass first to a marriage in Valencia that has spent
- 22:07twelve zero euros on a week' s vacation to see if they stick a
- 22:11fuck and recover the magic walks and that they give them asses and again we
- 22:22tend to put up with that friend touches balls that we all have the typical
- 22:27ready. So with a lot of smart feces, you know what a smart
- 22:33guy is. A smart one is the one who tells you an absolute obviousness,
- 22:37but he tells you with a tone, an authorization, a category that
- 22:41seems to be discovering America, the bastard. We all have a brother-
- 22:45in- law who' s smart, a father- in- law who
- 22:45' s a liko. They' re usually in your political family. There
- 22:49you go. It comes from the Costa Concordia and tells you about If I
- 22:56saw myself in a similar situation like that of the Costa Concordia, my first
- 23:03reaction, the natural one, would be to help others to a risk of
- 23:11my own integrity, because I do not. Not me. I fly 200
- 23:18times a year and 200 times without exception. I sit at the emergency door
- 23:25and the 200 times without exception comes there to the assistant with that roll of
- 23:29Hello. Good afternoon, because everyone is spoken to normally except the one at
- 23:33the emergency door who talks to him like he' s an asshole. Not
- 23:34me. I' ve been told hello you' re coming with your parents.
- 23:38Well, the point is, it adds good afternoon. You' re
- 23:44at the emergency door. In case of an accident. Here are the instructions
- 23:47on how to open it and remember to leave the cabin and help the rest
- 23:51of the passage leave the ship. Two hundred times a year I look that
- 23:59professional in the eye and in all the cold blood. I' m telling
- 24:03you, of course, in case of an accident. In case of an
- 24:11accident, I will. When inside I' m thinking and shit like this
- 24:17falls off. I' ll go out first and pick you up who'
- 24:21s going out I' ll never close the door again. Look what I
- 24:22' m saying to you, you have, well, I' m saying
- 24:27it publicly. If I' m on the Concordia coast, okay I'
- 24:36m going on the first boat, on the first boat that goes to port,
- 24:41okay I' m going on Captain Bots'. I kill people.
- 24:47Oh, but when I say I kill people, I say I kill literal
- 24:48people. I mean, I' m going to the kitchen. I pick
- 24:51up a knife, I pull out hearts, fourth laugh at the last scene
- 24:55of any Tarantino movie. He rides a fucking pickle. I kill people,
- 25:00but I get out first. My wife will see what I do. Everything
- 25:03has to be said because I don' t want to, I don'
- 25:10t want to die. Call me your eccentric and above all. I don
- 25:15' t want to live in a country where there are forty or fifty million
- 25:21censors. I' m also not interested in one where today Tuesday and thirteen,
- 25:26because they couldn' t work, in which the humorists are being permanently
- 25:29cut off. And above all, I refuse, as a professional and as
- 25:33a person, to be part of a system in which people like Javier Vázquez
- 25:3825 hours a week ago live and people as a good source are at home.
- 25:45I' ll pass. Thank you.