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Brother Directing Duos (w/Geoffrey James and Reilly Anspaugh) · Artists on Artists on Artists on Artists

0:00
Speaker 1: Welcome back to Artists on Artists on Artists on artists. Boy,
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Speaker 1: do we have a panel for you.
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Speaker 2: Today, Mistream's Screenwriting Experts Channel of New Voices in Hollywood.
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Speaker 3: Castumes are correct.
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Speaker 2: Buck Mary Kill wide shot, two shot, close up.
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Speaker 4: This is on Artists on artists on artists.
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Speaker 1: Do you know why they call it show business? I
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Speaker 1: always wondered that.
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Speaker 5: Welcome back to artists on artists on Artists on artists
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Speaker 5: this week. The Cohen brothers, the Safti brothers, the Duplas brothers.
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Speaker 4: What do they all have in common?
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Speaker 5: Well, for one, they're all filmmakers. But what people might
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Speaker 5: not know is that they're also brothers. Today we're sitting
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Speaker 5: down with three of Hollywood's most successful brother directing duos.
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Speaker 2: Some say two heads are better than one, and others
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Speaker 2: say two directors are better than one.
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Speaker 6: Three too many. Let's stick with two.
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Speaker 7: Now, put in your two headphones and let's listen in.
1:00
Speaker 1: How's it going? Everybody? My name is Brody Mitchell.
1:04
Speaker 2: What's up, guys? And I'm Keith Mitchell.
1:06
Speaker 1: And we are the Mitchell Brothers.
1:08
Speaker 2: Nicolls, the Mitchell's, the Mitchell Brothers, the mitch Boys.
1:11
Speaker 5: We are responsible for a lot of Sci Fi Original programming.
1:16
Speaker 2: We made a tarential hurricane, we made a lizard volcano,
1:22
Speaker 2: and of course we made Octopus Island. Octopus Island tsunami. Sorry,
1:29
Speaker 2: I forgot about financial disaster.
1:30
Speaker 1: Yeah, don't forget that.
1:32
Speaker 2: You're the one who always You're the one who always
1:34
Speaker 2: adds the dential disaster. I find the creature.
1:37
Speaker 1: You gotta find the zest.
1:39
Speaker 2: That's how we're a team. We're from San Diego. By
1:42
Speaker 2: the way, are we supposed to say where we're from?
1:44
Speaker 2: We did.
1:46
Speaker 3: Hey, guys, I'm so good to be with you all.
1:49
Speaker 3: Good morning. My name is Tex Bambi.
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Speaker 6: I'm Rex Bamby. We're the Bambi Brothers. We may have
1:57
Speaker 6: seen a couple of our films in The Lightning Found
2:02
Speaker 6: in the Woods, The Post Big Big Aelo. So we
2:08
Speaker 6: did in The Lightning Found in the Woods, The Post
2:11
Speaker 6: with Tom Hanks Meryl Stream.
2:15
Speaker 7: So stoked to fucking be here. These are a bunch
2:19
Speaker 7: of rad dudes.
2:20
Speaker 6: Absolutely rad dudes.
2:22
Speaker 8: Hello, Hello, Hello, man, Oh my god, what incredible company.
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Speaker 1: I am so humbled. Hi. I'm Alex Jorgensen Guinty.
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Speaker 4: I'm Sam and Jorgensen Guinty.
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Speaker 8: This is my little my little baby brother. I'm so
2:38
Speaker 8: happy that that we're we're here today.
2:41
Speaker 1: We we you.
2:41
Speaker 8: Know, you may know us from some of our art
2:44
Speaker 8: house films. You know we're around that sun Dance scene.
2:46
Speaker 8: We're super blessed. We're super excited. You may know us
2:49
Speaker 8: from the color of what and uh, Samon, what was
2:55
Speaker 8: your your favorite one? And I want to let you
2:57
Speaker 8: tell it.
2:58
Speaker 4: My favorite is the one that didn't into Sun Dance.
3:00
Speaker 4: We're across the street at slam Dence and that one
3:04
Speaker 4: was sort of my my first foray into the writing
3:06
Speaker 4: side of things.
3:07
Speaker 2: But that one would have been Sounders.
3:11
Speaker 1: Sounders.
3:11
Speaker 8: That's right, that's right, that's right, and we're just we
3:15
Speaker 8: couldn't be happier to be here.
3:16
Speaker 1: We were just chuffed, absolutely.
3:17
Speaker 4: Checked, and we said, you guys, we said where you're from.
3:20
Speaker 4: Should we say how old we are?
3:22
Speaker 6: Yeah?
3:23
Speaker 4: Yeah, let's.
3:26
Speaker 2: No, we don't.
3:27
Speaker 1: I mean, we don't have to do age. It's I
3:28
Speaker 1: feel like we're all yeah, it's well.
3:30
Speaker 4: People kind of like they react positively when I say
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Speaker 4: how old I am, so I kind of like saying it.
3:34
Speaker 4: I'm ten ten Yeah, Double Digits Club very recent.
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Speaker 6: Congratu Sounders.
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Speaker 5: I was nine, No way, no, how can I ask
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Speaker 5: how old you were when you did Sound of What,
3:48
Speaker 5: because that is uh, I mean that broke my brain.
3:51
Speaker 1: That was so good.
3:53
Speaker 2: Uh yeah, Color of What. Sorry, I just like, I
3:55
Speaker 2: don't know, you don't have to be sorry. I just
4:02
Speaker 2: this is Brodie's bad.
4:04
Speaker 4: And I actually don't do nap time anymore, so you said,
4:07
Speaker 4: I think about that like the nap time. I don't
4:08
Speaker 4: do enough time anymore.
4:09
Speaker 3: No good, good, good good.
4:11
Speaker 1: Just being a little cranky, but no.
4:14
Speaker 8: Yeah, when when we did when we did Color of What,
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Speaker 8: you were uh what like seven.
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Speaker 4: Eight, seven and a half, seven and a half.
4:22
Speaker 6: That's crazy to me because I just remember such a
4:26
Speaker 6: visceral sex scene in that movie.
4:28
Speaker 7: Yeah, and and aren't there there's just like so many drugs.
4:33
Speaker 6: And murder and death. There's that whole decapitation that was
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Speaker 6: almost too to Riy to play at slam Dance.
4:38
Speaker 3: And it was the decapitation of a kid.
4:41
Speaker 2: And I think what was so appoigted to me it
4:43
Speaker 2: was that long monologue about the end, that old man
4:47
Speaker 2: that in depth talked about his life, what he missed,
4:52
Speaker 2: and he kind of summed up all of life and
4:54
Speaker 2: he described it as a calendar putting rocks in a calendar, right.
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Speaker 4: Yeah, gravel into a calendar and you shake it out
5:03
Speaker 4: until you get what's good.
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Speaker 2: And that's what the end of life is.
5:06
Speaker 1: Dude.
5:07
Speaker 3: I don't know if I'm allowed to cuss in front
5:08
Speaker 3: of you, but.
5:09
Speaker 1: He's heard it all.
5:10
Speaker 4: He's I wanted to write about aceptagenarian and I think
5:14
Speaker 4: we did.
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Speaker 1: What's that we wanted to We wanted to write about
5:16
Speaker 1: that because we co wrote it.
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Speaker 4: Genian. That's somebody in their seventies.
5:20
Speaker 2: Oh right, yeah, some your.
5:22
Speaker 8: Word a day calendar. Yeah yeah, yeah, we wrote that together.
5:27
Speaker 8: But but we're not here to talk about us. I mean, like, dude, Salmon,
5:31
Speaker 8: you gotta like step.
5:32
Speaker 1: Down a minute.
5:33
Speaker 8: We are in the presence of some pretty incredible dudes.
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Speaker 4: I can't believe we're here.
5:38
Speaker 8: I mean, Text and Rex Bamby the Mitchell Brothers, Like
5:41
Speaker 8: this isn't this is a dream.
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Speaker 1: It's really a weird.
5:46
Speaker 6: Well, the Jordan sa Guinty, you guys have been coming
5:48
Speaker 6: up quick, like I could say the Brotherhood work kind
5:51
Speaker 6: of like it's been fast. Yeah, we're like yeah.
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Speaker 8: Yeah, yeah, I mean, well it's been fast for Salmon
5:56
Speaker 8: for sure. But I've actually, you know, I'm in the
5:59
Speaker 8: shop I've been doing this for a while. You know,
6:02
Speaker 8: I've been making shorts an indie feature here and there
6:05
Speaker 8: since I was probably like, you know, thirteen fourteen, So
6:08
Speaker 8: I actually really been cutting my teeth.
6:10
Speaker 4: And then.
6:11
Speaker 8: You know, I actually I used to take home videos
6:13
Speaker 8: of Salmon when he was just kind of flopping around,
6:17
Speaker 8: and one day he said, he said, let me take
6:19
Speaker 8: the camera. Yeah, he said, let me shund holy shit.
6:22
Speaker 4: And I just wanted to play around.
6:24
Speaker 1: He wanted to play around a little bit.
6:26
Speaker 8: And and that actually that became the proof of concept
6:30
Speaker 8: for our first short together, which was See How I Run?
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Speaker 6: Oh, I loved that.
6:36
Speaker 1: So it was Samon learning how to walk turned in
6:38
Speaker 1: to see How I Run?
6:39
Speaker 6: Wow.
6:40
Speaker 4: Yeah, surprisingly like throughout the production process, because we all
6:44
Speaker 4: know it takes so long to get a project off
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Speaker 4: the ground. Yeah, and by the time, by the time
6:49
Speaker 4: we were shooting, I knew how to not only knew
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Speaker 4: how to walk, I knew how to run. So that's
6:53
Speaker 4: kind of how like it was an improvised moment, the
6:55
Speaker 4: moment when Tyler in the film kind of autobiographical, Uh,
7:00
Speaker 4: just started running.
7:03
Speaker 5: How soon after you developed object permanence, Salmon, did you
7:07
Speaker 5: start making films?
7:09
Speaker 4: It was simultaneous my love for cinema and my development
7:13
Speaker 4: of the understanding of object permanence. So like, oh god,
7:16
Speaker 4: I would freak out. We would because we we like,
7:19
Speaker 4: you know, we got a small loan from our parents
7:20
Speaker 4: and we just like rented some equipment. And I got
7:24
Speaker 4: so nervous because I went outside to get a little
7:26
Speaker 4: bit of crafty and I was like, oh shit, I
7:28
Speaker 4: think we Oh sorry language, Sam, right, Sorry, I just
7:31
Speaker 4: I'm around adults so much at these Hollywood things.
7:33
Speaker 6: Yeah, we don't care about cursing. Make you think that
7:38
Speaker 6: we would care.
7:39
Speaker 1: He's a growing he's a growing guy. I just wanted
7:41
Speaker 1: to learn his manner, you know.
7:42
Speaker 3: Yeah.
7:45
Speaker 2: Can I ask what is that? By the way, object permanence?
7:49
Speaker 5: So, Keith sidebar real quick. So object permanence is where,
7:54
Speaker 5: you know, when I take a piece of peanut and
7:58
Speaker 5: I put it behind my head, the peanut didn't disappear.
8:01
Speaker 4: Right, I know that.
8:02
Speaker 2: Yeah, yeah, you know that. I know that. I know
8:05
Speaker 2: that it's just in your hand.
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Speaker 1: Awesome, So you have object permanence sick. That's awesome, Keith,
8:11
Speaker 1: that's sick.
8:12
Speaker 2: I didn't know that's what it was, dude.
8:15
Speaker 1: Yeah, yeah, No, it has a name. For it and everything.
8:18
Speaker 5: Kids normally developed around like five years old, and you did.
8:22
Speaker 1: Also, that's you, Dick.
8:24
Speaker 2: It's so fun to find out things that you didn't
8:26
Speaker 2: know you had.
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Speaker 5: Yeah, I think that's something like personally, we really compliment
8:31
Speaker 5: each other in that way because.
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Speaker 1: I went to college, uh and did Keith go.
8:38
Speaker 2: I went to uh Spain?
8:42
Speaker 6: Right, well, I.
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Speaker 8: Mean that really shows you know, tarentiala hurricane. Yeah, when
8:48
Speaker 8: you know it was set in Spain and so was
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Speaker 8: that and.
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Speaker 5: That was a man that was all Keith Keith. Really
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Speaker 5: that was the idea of that was what if we
8:58
Speaker 5: shoot it in Spain.
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Speaker 6: I guess it was crazy because it did not look
9:01
Speaker 6: like Spain at all. It just.
9:05
Speaker 1: That, Yeah, we wouldn't have known.
9:08
Speaker 2: We shot it in Chatsworth. Yeah, we shot it in Chatsworth.
9:12
Speaker 2: We shot Chatsworth for Spain. Yeah yeah, yeah, we shut
9:14
Speaker 2: Chatsworth for all of Spain.
9:16
Speaker 1: We did shoot Chatsworth for Spain.
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Speaker 6: A lot of yeah, a lot of characters just saying
9:22
Speaker 6: Spanish things.
9:23
Speaker 2: Yeah yeah, well and yeah, Sugutta Familia, which I obviously
9:26
Speaker 2: put in, you know, because the Tarantulists takeover su Gotta
9:29
Speaker 2: Familia and they finished building it because historically Sugratta Familia
9:32
Speaker 2: isn't built and kind of when the hurricane is over,
9:35
Speaker 2: they have built it in their image and now Familia
9:38
Speaker 2: is not Ala.
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Speaker 8: It's like you know, with hurricanes, you know, there's so
9:42
Speaker 8: much destruction, there's so much being torn down, there's so
9:44
Speaker 8: much loss. But with the tarantula hurricane, what you did
9:48
Speaker 8: you know in in building that with the tarantulism, it
9:52
Speaker 8: ended up being a story about hope, and that was
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Speaker 8: takeaway from.
9:55
Speaker 2: I appreciate that out because, like you know, in this
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Speaker 2: sci fi world, they don't like to use the world
10:00
Speaker 2: it's beautiful, they don't like to use.
10:01
Speaker 3: No, they hate it.
10:03
Speaker 5: Every meeting we had with the network, when we would
10:06
Speaker 5: describe something as, oh, it's this beautiful scene where these
10:09
Speaker 5: tarantulas and these and these sharks work together, they'd be like, beauty, No, no,
10:15
Speaker 5: don't give me that.
10:16
Speaker 2: Yeah, where do we put Nicole Rocchi? That's what they ask,
10:18
Speaker 2: Where do we.
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Speaker 9: Put also an incredible incredible I mean we couldn't together,
10:26
Speaker 9: I have we couldn't think of anyone else's mother Tarantula
10:28
Speaker 9: after we saw her.
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Speaker 6: I think we've actually got a clip of that of
10:31
Speaker 6: that of that movie. If you guys want to played,
10:33
Speaker 6: are you guys cool?
10:34
Speaker 8: Yeah?
10:34
Speaker 5: Yeah, yeah, yeah a dream? What what scene should we do?
10:37
Speaker 5: Should we do the one where she's at the church?
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Speaker 2: Yeah, yeah, the one where she has that moment in
10:43
Speaker 2: front of the virsion Mary Yeah, yeah.
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Speaker 5: Yeah, Okay, let's play that clip. So let's see the
10:47
Speaker 5: let's set the scene for them. So Nicole Ritchie is
10:51
Speaker 5: a scientist. She's been studying the tarantula hurricane and she
10:55
Speaker 5: knows that it's about to be bad, but nobody's listening
10:58
Speaker 5: to her in her office because of sexism. So she
11:02
Speaker 5: is wow, you know, she's working on these tarantelas and
11:06
Speaker 5: it's a sort of like we wanted to pay homage
11:08
Speaker 5: to our Christian roots and uh.
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Speaker 1: So she is a is a woman of science.
11:14
Speaker 5: But at the end of the day, when the tarantulas
11:16
Speaker 5: are coming, when they're on their way, she turns to God.
11:19
Speaker 5: And that's basically her appealing.
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Speaker 1: To a higher power.
11:23
Speaker 2: And not to sip on your toes, but it's important
11:26
Speaker 2: when they are in Spain.
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Speaker 5: Yes, absolutely, Keith, absolutely, thank you for pointing that out.
11:33
Speaker 1: Great, let's play that clip.
11:43
Speaker 6: I don't know what I'm getting here, are doing here?
11:47
Speaker 6: I need a mirror. There's making means everywhere. I know
11:52
Speaker 6: you wing to do. I guess I'm a woman as scientist,
11:56
Speaker 6: but I'll turn to god.
11:58
Speaker 1: Hey lady, there there's an evacuation order. You gotta get
12:02
Speaker 1: out of here.
12:04
Speaker 6: Gun, he's gone. I'm gonna go soon.
12:07
Speaker 2: Yeah, yeah here, Ah, there's directels right, yeah, yeah.
12:15
Speaker 6: What is happening?
12:17
Speaker 2: Oh my god, what's happening?
12:19
Speaker 6: You know?
12:20
Speaker 2: And yeah that's the opening scene.
12:22
Speaker 7: What a way to what a way to paint? Paint
12:25
Speaker 7: the world, and it goes.
12:26
Speaker 2: From there world and you know what happens from there?
12:28
Speaker 2: You know what I mean?
12:29
Speaker 8: I mean you could see it's like you you you
12:32
Speaker 8: get the Paea, you get the spiders, you get the science,
12:34
Speaker 8: you get the God. I mean, it's just like what
12:37
Speaker 8: a better I mean, you're really showing, not telling.
12:40
Speaker 1: And that's I think the strongest part of that opening.
12:43
Speaker 5: That's what we try to do here at the Sci
12:44
Speaker 5: Fi Channel. We try to show and not tell.
12:47
Speaker 2: We show a lot. We showed twenty five movies a year.
12:51
Speaker 2: Twenty five movies a year.
12:52
Speaker 3: You guys, turn you really do you?
12:56
Speaker 1: You don't know?
12:56
Speaker 8: Turns them out And I just I'm so sorry. I'm
12:58
Speaker 8: just so honored. You know, the Post is one of
13:01
Speaker 8: Samon and my favorite.
13:02
Speaker 4: Films, and thank you so much.
13:05
Speaker 1: Oh my god, I mean like we are yeah, I.
13:10
Speaker 4: Mean on the subject of learning manners to you guys,
13:13
Speaker 4: didn't even lead with that. That was like the third
13:15
Speaker 4: credit you listed, so humble. I really appreciate that you're.
13:18
Speaker 8: Being like, we're in Sundance and you guys, are you
13:21
Speaker 8: just you slipped the Post in third in your order
13:23
Speaker 8: of credits.
13:24
Speaker 1: It's it's amazing.
13:25
Speaker 5: That just shows you, know, how top build your other
13:28
Speaker 5: work is like, how influential that you can place Meryl
13:32
Speaker 5: Streep at third billing.
13:34
Speaker 3: Thank you guys, Thank you guys.
13:35
Speaker 6: Yeah, well, in our head, you know, we try to
13:37
Speaker 6: treat every movie equally, you know, there is no even
13:40
Speaker 6: though the Post Oscar dominant nominated, even though it had.
13:46
Speaker 3: Oh sorry, I'm doing that thing where I repeat him again.
13:49
Speaker 6: Sorry, this always happens.
13:51
Speaker 3: Yeah.
13:51
Speaker 1: So are you guys twins?
13:54
Speaker 6: Yeah, we're twins, We're twins, We're trip I'm sorry, we're tins.
13:57
Speaker 4: Were triplets, triplet were twin We're so just.
14:04
Speaker 6: No, no, no, there was and there was never another
14:06
Speaker 6: one and there was never another one.
14:08
Speaker 2: There is no one.
14:10
Speaker 7: And I do want to take this opportunity to say
14:12
Speaker 7: that the New York Times article that is about to
14:14
Speaker 7: come out is bullshit.
14:16
Speaker 6: It's absolute bullshit. It's honestly kind of disrespectful that we
14:19
Speaker 6: did a whole movie about the New York Times called
14:23
Speaker 6: The Post, and now they're fucking ripping us apart. They're
14:27
Speaker 6: about to fucking send fake news, rip us apart. So guys,
14:31
Speaker 6: just don't listen to it when it comes out.
14:34
Speaker 2: Wait, the Post is about the New York Times, was
14:37
Speaker 2: about the.
14:37
Speaker 6: Washington No, it's about the New York Times. You guys
14:41
Speaker 6: never got that.
14:41
Speaker 5: No is genius, man.
14:46
Speaker 6: Yeah, it was about the Washington Post, like that's like
14:48
Speaker 6: the main newspaper. But if you guys see the background,
14:50
Speaker 6: there's all this New York Post stuff, you know, New
14:55
Speaker 6: York Times. Yeah, you guys, a lot of people kind
14:58
Speaker 6: of miss our movies. That's like the big thing is like.
15:01
Speaker 5: It was a very literal adaptation of what happened in
15:05
Speaker 5: the Washington Post covered Watergate.
15:07
Speaker 7: But beautiful and it's crazy though that everybody misses what
15:11
Speaker 7: it's really about.
15:13
Speaker 6: Yeah, it's about love, about.
15:15
Speaker 3: Love at the Times. Yeah, thank you guys.
15:18
Speaker 7: I mean, we have been around for a while, But
15:21
Speaker 7: I mean, look at us, we're all sets of brothers.
15:24
Speaker 7: Should we talk about like the way we grew up?
15:25
Speaker 7: Because I mean me and Rex, I mean we were twins,
15:30
Speaker 7: so we come together. We learned freaking final cut pro together.
15:34
Speaker 7: We learned how to talk to a woman together. We
15:37
Speaker 7: learned everything together.
15:38
Speaker 6: And learn how to talk to a woman with a brother,
15:40
Speaker 6: a twin brother and not triplets is tough.
15:42
Speaker 2: How did you specifically learn that?
15:44
Speaker 3: I mean, how did anybody learn how to talk to
15:46
Speaker 3: a woman together?
15:47
Speaker 1: Specifically together? What did that look like? You talking to
15:52
Speaker 1: a lot of tag teams together?
15:53
Speaker 4: So I'm about to enter my tweenage years too, so
15:56
Speaker 4: like I get any advice that you have?
15:59
Speaker 6: Yeah? Yeah, Basically what we would try to do is
16:02
Speaker 6: we'd kind of each have a couple of lines and
16:03
Speaker 6: we kind of tag and tag out.
16:05
Speaker 3: So I would school man.
16:07
Speaker 6: Yeah, I would go up and be like, hey, lady,
16:09
Speaker 6: looking good today? And then so was she?
16:12
Speaker 1: Was she much?
16:13
Speaker 6: Always older? Always we're aiming for thirties.
16:15
Speaker 7: To you know, when you're a young boy, all you
16:17
Speaker 7: want to do is talk to those hot moms, right.
16:20
Speaker 6: Yeah, you want to get in that carpool line when
16:22
Speaker 6: all the kids are being picked up. Salmon knows inspect.
16:26
Speaker 4: I respect you guys such so much as a directing duo.
16:28
Speaker 4: So I just like I want to model myself and
16:30
Speaker 4: you lean any information for my taks. Yes, you've had me.
16:37
Speaker 1: I mean it's like, you know, we worked a ton
16:40
Speaker 1: of success.
16:40
Speaker 6: With the ladies. I mean, we'll be honest.
16:42
Speaker 8: Oh come man, I mean I thought were here to
16:44
Speaker 8: talk about movies, right.
16:46
Speaker 4: I didn't tell them about the one the one woman
16:50
Speaker 4: who broke your heart and you kind of never got
16:51
Speaker 4: over Salmon.
16:53
Speaker 8: Oh no, yeah, I mean like I was in a
16:55
Speaker 8: long term relationship.
16:57
Speaker 3: Uh what oh what?
17:00
Speaker 9: Oh?
17:00
Speaker 4: Friends? We were.
17:02
Speaker 8: It was a it was an intense, volatile, emotional rollercoaster
17:07
Speaker 8: of a friendship.
17:11
Speaker 1: I my god.
17:13
Speaker 8: I didn't want to bring it up earlier because I
17:15
Speaker 8: know we were talking about one incredible work she did,
17:17
Speaker 8: but it was Richie, it was.
17:22
Speaker 2: And did she call you? She called you d boy,
17:26
Speaker 2: directed boy. She used to I remembering, remember those text
17:32
Speaker 2: she used to show us, bro, Do you remember those
17:34
Speaker 2: texts she shows books?
17:35
Speaker 1: They were like where are you, what are you up to?
17:38
Speaker 1: What are you wearing? Where are you going?
17:40
Speaker 2: She'd always say, this guy's on my jack, this guy's
17:42
Speaker 2: on my.
17:43
Speaker 5: Jack Cole Ritchie was always talking about her, jock, let
17:48
Speaker 5: me tell you yeah, yeah, I mean.
17:53
Speaker 8: Listen, like I was young then, and it was it
17:57
Speaker 8: was tough because I feel like she couldn't give me
18:00
Speaker 8: what I was giving her. But I learned a lot
18:02
Speaker 8: from that, and I'm and I'm ready to move forward
18:03
Speaker 8: and I'm ready to show Salmon how to treat a woman.
18:08
Speaker 6: Well, wow, how would you do that? In your head?
18:11
Speaker 6: How would you do that?
18:12
Speaker 1: How would I treat a woman?
18:13
Speaker 2: Well?
18:13
Speaker 1: How would I show Samon how to treat a woman?
18:15
Speaker 2: Well?
18:15
Speaker 8: Both, Well, you know, I I like to meet people
18:21
Speaker 8: the old fashioned way.
18:22
Speaker 1: I you know, I'm not about those apps. I'm not about.
18:28
Speaker 4: Alex. He denounced the apps when he got the No,
18:31
Speaker 4: that wasn't it wasn't but it was part of it. No,
18:33
Speaker 4: it wasn't part I don't know. I haven't developed like
18:37
Speaker 4: a social filter.
18:38
Speaker 6: I don't know what you.
18:38
Speaker 7: Don't because my uh my caption on my photo was
18:43
Speaker 7: the post wasn't about Watergate. It was about the New
18:47
Speaker 7: York Times and they about that checked they gave me
18:50
Speaker 7: off that app.
18:51
Speaker 3: So you're not alone. You're not alone, Alex.
18:53
Speaker 8: No. I mean it's like and it didn't even matter
18:55
Speaker 8: to me. So she because now I can, like I
18:56
Speaker 8: can focus on chasing the story. I can chase the
18:58
Speaker 8: story and the dream. And so you know, I I'll
19:01
Speaker 8: go to the farmer's market with salmon, and if I see,
19:05
Speaker 8: you know, a beautiful lady, I will slipper sliper my number,
19:10
Speaker 8: and uh, you know, just see what happens. And that's
19:13
Speaker 8: and that's the most you can do. And it's just
19:14
Speaker 8: it's just playing it kind I'm all about it.
19:17
Speaker 6: So you wouldn't You're not actually talking to her, You're
19:19
Speaker 6: just trying to stash a number. I am not speaking
19:22
Speaker 6: to her.
19:22
Speaker 8: No, I'm not speaking to her because I don't want
19:23
Speaker 8: to infringe on her space or her time. And so
19:26
Speaker 8: I'm just gonna I'm just gonna put my number in there,
19:28
Speaker 8: and if she calls, she calls.
19:29
Speaker 6: Yeah. Yeah. Well here's a great question for the fish bowl.
19:33
Speaker 6: I just got what how do you how does the
19:35
Speaker 6: duo break down? You know, are you guys fully collective
19:39
Speaker 6: or is it kind of you guys have different jobs?
19:42
Speaker 6: You know, how does it break down? And I would say,
19:44
Speaker 6: this is a greatly worded question, is very very easy
19:48
Speaker 6: to understand.
19:49
Speaker 2: It's nice big long slips of paper to put in that. Yeah,
19:53
Speaker 2: yeah we can go first Brody. Brody and I. You know,
19:58
Speaker 2: we're like two sides of the same coin, but we
20:01
Speaker 2: there are you know now we're not a one sided coin.
20:04
Speaker 2: And that you know, there's a heads and the tails.
20:07
Speaker 1: Yeah.
20:08
Speaker 5: Like, there's so many, as you guys know, extra tasks
20:12
Speaker 5: that you wouldn't even think of when you start to
20:15
Speaker 5: make a movie.
20:15
Speaker 1: They just pile up. It's uh, you know, it's it's tough.
20:19
Speaker 5: I would say that I I do handle a lot
20:22
Speaker 5: of the writing and directing.
20:25
Speaker 1: I would say Keith kills it at location scouting.
20:29
Speaker 2: I'm really good at location scouting and specifically art direction
20:33
Speaker 2: approval if somebody has you know.
20:37
Speaker 6: Like again, like and I love your location scouts because
20:40
Speaker 6: we got Chatsworth for Spain, and you guys always try
20:44
Speaker 6: to shoot on location but not actually on location.
20:46
Speaker 3: When you made Burbank look like a river, we.
20:49
Speaker 2: Made like fuck me. We we shot Burbank for Wyoming,
20:55
Speaker 2: and then recently in this movie that's coming out soon,
20:58
Speaker 2: we shot uh mar Vista for Venice.
21:04
Speaker 6: Which is crazy because Venice is just right down the street. Yeah,
21:07
Speaker 6: Venice Beach, California.
21:08
Speaker 3: Was that a per issue or like a budget issue
21:11
Speaker 3: or like why why choose to do it?
21:12
Speaker 2: And we just felt right and I was in charge,
21:15
Speaker 2: and I said, let's make the choice. It's awesome. But
21:18
Speaker 2: I just think we compliment those things because you know,
21:21
Speaker 2: Brodie doesn't need to be bothered with that. He's writing
21:23
Speaker 2: the entire script, he's directing the actress, he's fictioning it.
21:26
Speaker 5: And I will write sixty scripts a year. And so
21:30
Speaker 5: because we do pump out kind of a lot of
21:32
Speaker 5: content and a lot of the you know, the location
21:35
Speaker 5: choices we make are not necessarily budget related because we
21:39
Speaker 5: made so many of these movies that Sci Fi kind
21:42
Speaker 5: of trusts us, you know, and so we're we're what
21:46
Speaker 5: a blessing?
21:46
Speaker 1: What a guess? Yeah, So they're very generous.
21:49
Speaker 2: And to be clear, like also like like the idea
21:52
Speaker 2: comes from both of us. As I mentioned earlier, I
21:54
Speaker 2: come up with the creature and Brody comes up with
21:57
Speaker 2: the disaster. So we spend a lot out of time
22:00
Speaker 2: kind of we call it wired in where we lock
22:03
Speaker 2: ourselves in our house that we share in the Palisades,
22:07
Speaker 2: and we live together. We do well, we share, we
22:10
Speaker 2: but we both own the same house. We share a
22:14
Speaker 2: house that we own that we do all of our
22:16
Speaker 2: creative stuff and we call it.
22:17
Speaker 6: Does sound like you guys are living together.
22:19
Speaker 5: Yes, we call it the office, but we're we're just
22:22
Speaker 5: always at.
22:23
Speaker 1: The So you both own the house that you both
22:25
Speaker 1: live at.
22:25
Speaker 3: And work from home.
22:27
Speaker 2: It's first and foremost where we work. And then if
22:29
Speaker 2: we end up falling asleep there, I guess we wake
22:32
Speaker 2: up here.
22:32
Speaker 1: And how many nights a week would you sleep there?
22:34
Speaker 2: Seven? Seven?
22:35
Speaker 1: Seven? So you live there? So it sounds like you
22:37
Speaker 1: live there.
22:37
Speaker 6: Yeah, I really feel like you live.
22:39
Speaker 1: No, No, we have I have a different house.
22:41
Speaker 6: I have.
22:44
Speaker 5: No because I send it to the office. But my
22:47
Speaker 5: wife and kids live in San Diego, where we're from,
22:50
Speaker 5: and so I I live there. But I will say
22:55
Speaker 5: seven nights out of the week I am at the
22:57
Speaker 5: office seven while we're shooting. Is fifty one weeks out
23:01
Speaker 5: of the year.
23:02
Speaker 1: Got it?
23:03
Speaker 2: And I think kids are awesome though.
23:05
Speaker 1: Thank you, thank you. Janine Tyler.
23:09
Speaker 2: Yeah, Rex, Yeah, what name?
23:13
Speaker 6: Good name?
23:14
Speaker 1: Yeah, they're in like first and fourth grade.
23:18
Speaker 2: I want to say, yeah one of them is driving?
23:21
Speaker 2: When when is the other one? When is one of
23:26
Speaker 2: them driving?
23:27
Speaker 1: Okay?
23:27
Speaker 4: So what is okay?
23:30
Speaker 5: So I think the fourth grader is actually sixteen, and
23:34
Speaker 5: I think I'm I think I'm mixed up because I
23:37
Speaker 5: I haven't been home since two thousand and three.
23:40
Speaker 2: Let's chase his back. Let's chase his back. So they
23:42
Speaker 2: were on the set of Uh. They were on the
23:46
Speaker 2: set of Hawk Hawk Monsoon.
23:49
Speaker 6: Yeah. I love that when instead of rain, it was
23:52
Speaker 6: a bunch of hawks. Yeah.
23:55
Speaker 1: And the hail was their eggs.
23:57
Speaker 8: That one was pretty scary for salmon. Salmon was a
23:59
Speaker 8: little gone with that one came out, and no one
24:01
Speaker 8: was hard for him.
24:01
Speaker 2: To see when that came out. How old were you
24:04
Speaker 2: you said that was?
24:05
Speaker 4: That was the last time you saw them was two
24:06
Speaker 4: thousand and three, and that was when you're on set.
24:08
Speaker 4: So I would have been born.
24:11
Speaker 1: You weren't born, Yeah, I would see. The math of
24:12
Speaker 1: that doesn't quite add up.
24:13
Speaker 5: I think in two thousand and three, I you know
24:15
Speaker 5: what it was in two thousand and three, I was
24:17
Speaker 5: with my other previous family in Texas in Texas.
24:22
Speaker 3: Wow.
24:23
Speaker 5: But they have since gone and they're off doing their
24:26
Speaker 5: own thing.
24:28
Speaker 2: They're gone, creatively, they're gone.
24:31
Speaker 3: And which one of them is driving?
24:33
Speaker 2: I think all of them and they all drove away
24:35
Speaker 2: and they're gone. So we're not talking about them.
24:37
Speaker 1: Sorry, Keith, Sorry, I didn't really think you were so
24:40
Speaker 1: protective of Sorry.
24:40
Speaker 2: I'm protective of my baby, bro. I'm protective of him.
24:43
Speaker 4: So then I get it.
24:45
Speaker 1: Man, I get it, Man, I get it. She's great
24:49
Speaker 1: at his pr.
24:50
Speaker 2: I'm so good at it. I'll shout at about any
24:53
Speaker 2: public relations I just learned about this.
24:54
Speaker 4: Actually, is that what you meant?
24:56
Speaker 6: Good job?
24:56
Speaker 8: Yeah, Samon, nice, Yeah, nice one man, good job, Samon.
25:00
Speaker 7: When you said you do art approval, does that mean
25:02
Speaker 7: like they hand up two things and they're like, which
25:04
Speaker 7: one and you point to.
25:05
Speaker 2: One exactly, I mean, man, which sponge? And then they
25:09
Speaker 2: send me three options and I get to pick the
25:11
Speaker 2: best one for the movie. And that's the same thing
25:13
Speaker 2: with tables. That's the same thing with pens. That's the
25:16
Speaker 2: same thing with outfits. That's the same thing sometimes with backgrounds.
25:20
Speaker 2: That's the same thing with cars.
25:22
Speaker 3: And that's the same water bottles.
25:24
Speaker 2: We use water bottles. And then crafty, I get to pick,
25:27
Speaker 2: I get to pick faster your decisions.
25:29
Speaker 4: Is that why you're good at them?
25:30
Speaker 2: Or it depends on whatever else is going on. You know,
25:33
Speaker 2: we got twenty five movies a year, so there's a
25:35
Speaker 2: lot of Sometimes I'm like, what pen is this for?
25:37
Speaker 2: You know, it's like hard to remember. It's likes Nicole
25:39
Speaker 2: Richie holding this pin in this movie? Is Nicole Richie
25:41
Speaker 2: holding this pin in this movie?
25:42
Speaker 6: You know?
25:42
Speaker 5: And that changes who's holding the pen. It changes, you know,
25:45
Speaker 5: because are you going to use a fountain pen? No,
25:48
Speaker 5: because it's a lightning storm.
25:50
Speaker 1: That doesn't make sense exactly, so you're probably.
25:52
Speaker 2: Holding a plot hole.
25:54
Speaker 3: We are just full of stuff.
25:57
Speaker 2: We've got a lot of stuff and stuff we haven't
25:59
Speaker 2: even mentioned yet, but we will in full today. Vambi bros.
26:05
Speaker 2: Bambi bros. I got a question for you guys. What
26:08
Speaker 2: is what? How's that team breaking down? Oh?
26:11
Speaker 6: Yeah, we really do kind of everything together. It's kind
26:15
Speaker 6: of actually amazing how well we work together. It's kind
26:19
Speaker 6: of every choice, every moment, everything that we've ever ever
26:22
Speaker 6: do is kind of at the same time. We love
26:26
Speaker 6: to finish each other's kind of.
26:29
Speaker 3: I want to my wife. That's just how we grew up.
26:34
Speaker 3: You know, we share a brain mhm.
26:38
Speaker 6: And it's like and I know, I know on set
26:40
Speaker 6: sometimes I can get really confusing for the actors because
26:42
Speaker 6: they're like, who do we listen to? Because we disagree
26:45
Speaker 6: a lot. You know, sometimes it'll be like cut and
26:47
Speaker 6: I'll be like, go bigger, go bigger, go bigger, And
26:50
Speaker 6: then you know, text will will immediately be like, we
26:52
Speaker 6: need to bring it down. We need to be smaller,
26:54
Speaker 6: we need to be.
26:56
Speaker 8: Is there someone like, you know, for the actors, because
26:59
Speaker 8: you know, I I like think of myself as as an.
27:01
Speaker 1: Actors director, right for the actors.
27:04
Speaker 8: Is there at the end of the day, one voice
27:06
Speaker 8: that they're like, Okay, this is this is.
27:08
Speaker 1: The final call? Or is it? They just kind of
27:10
Speaker 1: have to I will say down the middle.
27:13
Speaker 7: Usually Rex is with the actors, and sometimes I'm a
27:18
Speaker 7: crew I'm a crew junkie.
27:22
Speaker 3: I just like.
27:25
Speaker 6: He's like yeah, and he's got those grips on his
27:28
Speaker 6: little pinky, and I just.
27:30
Speaker 3: You know what I mean, I love to like, what
27:33
Speaker 3: do you mean you should.
27:35
Speaker 6: Watch him work? Watch him?
27:37
Speaker 2: What's the definition of having grips on your pinky?
27:40
Speaker 6: They want it? They want it, they want it.
27:43
Speaker 7: I mean you know when you're just when you're like, uh,
27:45
Speaker 7: doing a big company move and you're like, grips, pinky,
27:50
Speaker 7: get on my Like it's like you.
27:54
Speaker 1: Said, they want it.
27:56
Speaker 3: What's up?
27:57
Speaker 1: Rex said that regarding you and the grips. We're like,
28:00
Speaker 1: what does that mean? And he said, they want it
28:03
Speaker 1: like you.
28:04
Speaker 6: Guys never had this if you guys never had this
28:06
Speaker 6: situation where you're like or a crew and they just like,
28:10
Speaker 6: there's member of that crew. Yeah, they want a pinky
28:13
Speaker 6: like and a pinky you know, they want to I'll
28:15
Speaker 6: just say it. I'll be the one to say it.
28:17
Speaker 6: Most of the crew want to fuck my brother. They
28:20
Speaker 6: want to fucking roast like a pig.
28:22
Speaker 1: Yeah, and I'll say they want to roast it.
28:26
Speaker 6: They want to roast like a little pig.
28:28
Speaker 1: Samon, close your ears, what sex act? Does that mean?
28:32
Speaker 6: You've never heard of roasting somebody like a pig.
28:34
Speaker 2: I think they're talking about I feel towering.
28:36
Speaker 3: Yeah, Eiffel Tower of the Grips. Upon my wife's approval.
28:42
Speaker 6: And she's she's great.
28:44
Speaker 3: I mean Megan Fox. I mean she's an incredible woman
28:47
Speaker 3: and I love her to death.
28:48
Speaker 1: She forgot you were married to miss Fox. I'm so
28:51
Speaker 1: sorry I forgot about that.
28:53
Speaker 6: Yeah anyway, but yeah, we are really good. So really
28:57
Speaker 6: like when the actors go, I when we were and
29:00
Speaker 6: we're both giving notes and they say, who do I
29:02
Speaker 6: listen to? Who? Do I fucking listen to? I say,
29:03
Speaker 6: you listen to fucking both of us. Okay, we hire
29:07
Speaker 6: both of us.
29:07
Speaker 7: Yeah, grabbed them by the chin and you said, you
29:09
Speaker 7: listen to fucking both of us. While I was Eiffel towering,
29:12
Speaker 7: I'm two key grips in the bathroom.
29:15
Speaker 6: And he said, where's your brother? And I said, look
29:17
Speaker 6: and listen, guy, I'm about to grab you by the
29:19
Speaker 6: balls and string you up around here. You Bamby and
29:26
Speaker 6: Text Bamby's getting it in the stall. So you shut
29:29
Speaker 6: the fuck up and you do the fucking lines, buddy.
29:33
Speaker 6: So yeah, that's how we work. We really work together,
29:35
Speaker 6: really really well. Like I would like, like Alex kind
29:38
Speaker 6: of said, like I don't consider myself a director or
29:40
Speaker 6: actress director. I consider myself director. So like that's kind
29:44
Speaker 6: of what I'm doing, is I'm grabbing hold of set
29:47
Speaker 6: while Text kind of grabs hold of a lot of
29:49
Speaker 6: different crew members.
29:51
Speaker 7: Now, what about you guys, because Alex and Salmon, it's
29:54
Speaker 7: just like so hard for me to think the age difference.
29:57
Speaker 7: There has to be like like are you guys fifty
30:00
Speaker 7: fifty sixty forty?
30:01
Speaker 3: Like where does that lie?
30:03
Speaker 4: Well, it's I think I'm more of the ideas. Guy.
30:07
Speaker 4: You know, a lot, I've done a lot of the
30:09
Speaker 4: initial treatments for a lot of our features.
30:11
Speaker 1: You can't even read yet, so that's.
30:13
Speaker 4: And I can't even read and is well, it's hard
30:18
Speaker 4: because I've had to do school on set, you know,
30:20
Speaker 4: so there's a lot of things that I've missed, and
30:22
Speaker 4: I'm to go to school. Yeah, yeah, you know for
30:25
Speaker 4: like part of the day. And so usually I'm in
30:27
Speaker 4: charge when I'm not in school, and then when I'm
30:28
Speaker 4: in school, Alex sort of takes over until i can
30:30
Speaker 4: get back as soon as I can get back basically, well.
30:33
Speaker 1: I mean, and that also just you know, it depends
30:35
Speaker 1: on the on the project.
30:36
Speaker 8: Right, It's like it's not the sam and show every
30:39
Speaker 8: shoot there, but there are.
30:41
Speaker 1: Some where it's like, you know, I'll let him, I'll
30:42
Speaker 1: let him take the reins.
30:43
Speaker 8: A little bit more because he's growing, he's learning, he's
30:45
Speaker 8: finding his voice, he's finding his eye, he's finding his vision. Yeah,
30:48
Speaker 8: and then you know, I'll I'll kind of be more
30:51
Speaker 8: in charge of the technical side. I'm working pretty close
30:53
Speaker 8: with our DP and I'm giving the actors help when
30:57
Speaker 8: they need it.
30:58
Speaker 1: But people are I mean, I'm not lie. You see
31:00
Speaker 1: a ten year old.
31:01
Speaker 8: Directing an entire film set, and that's something you want
31:04
Speaker 8: to see. And so, of course naturally people are drawn
31:06
Speaker 8: to the actors, come.
31:07
Speaker 6: To me with questions, Oh so I get so it's
31:10
Speaker 6: kind of like you're trying to help the actors, but
31:12
Speaker 6: they usually go, I'd like to speak to the other brother.
31:15
Speaker 4: No.
31:15
Speaker 5: No, the actors come to me and they're like, oh,
31:17
Speaker 5: so they bypass alex entirely.
31:19
Speaker 4: Well, no, I think they just they resonate, like because
31:22
Speaker 4: I don't have that childlike curiosity, which I think a
31:24
Speaker 4: lot of artists are, right.
31:25
Speaker 1: Child so it's not childlike.
31:26
Speaker 4: You have a childlike and I haven't lost that sense,
31:29
Speaker 4: and so it's like, yeah, yeah, it does seem like
31:32
Speaker 4: you have the childlike curiosity, but also like the anger
31:35
Speaker 4: of a forty year old divorced man. It's hard because again,
31:37
Speaker 4: I'm growing up around all these adults in Hollywood, and
31:40
Speaker 4: I'm not in school with my peers. I'm around people
31:42
Speaker 4: like your guys. Is it so I feel like a
31:43
Speaker 4: little precocious. I feel like I know a little bit
31:45
Speaker 4: more than the average ten year old, other than how
31:47
Speaker 4: to read, because I don't have some Yeah.
31:49
Speaker 7: God, it must be crazy to be your your school tutor,
31:51
Speaker 7: your set tutor, and you're you're the tutor for the
31:54
Speaker 7: director and writer.
31:56
Speaker 1: Yeah, because you can.
31:57
Speaker 5: Only work like probably what an hour going to happen
32:00
Speaker 5: at a.
32:00
Speaker 4: Time at a time. Yeah, and then I need like
32:02
Speaker 4: a thirty minute school break, and so that's and.
32:05
Speaker 8: Then I'm able to fly in and they get one
32:07
Speaker 8: clear voice of like, all right, Alex Guinty is here.
32:10
Speaker 1: Don't worry, we've gone.
32:11
Speaker 4: We usually try to schedule that for like, yeah, like
32:13
Speaker 4: you were saying, company moves or like lighting changes, so
32:15
Speaker 4: that by the time I'm done with school, I get
32:17
Speaker 4: to come back for the creative decisions. Awesome, But it's
32:19
Speaker 4: also a big part of it is that I am ten.
32:21
Speaker 4: You know, I'm not eighteen. So when I'm brought onto
32:23
Speaker 4: these projects, a lot of companies and a lot of
32:26
Speaker 4: investors feel a little bit more comfortable that it's Alex
32:28
Speaker 4: and Salmon because they know that Alex is a college graduate.
32:31
Speaker 2: Samon. I was gonna ask you too, like, yeah, you
32:33
Speaker 2: you are ten, you're not eighteen, but you sound eighteen,
32:36
Speaker 2: you sound thirty, you sound forty. When did your voice drop?
32:39
Speaker 4: It was a lot of watching movies with Alex, you know,
32:42
Speaker 4: just say like, oh, people respect.
32:44
Speaker 2: So you're just kind of forcing your voice lower until
32:46
Speaker 2: it just clicked.
32:48
Speaker 4: Yes, one hundred.
32:49
Speaker 1: Homes dropped and it's lower than mine.
32:53
Speaker 2: Elizabeth Holmes ing it.
32:55
Speaker 4: Yes, you guys know her.
32:58
Speaker 2: We went to high school together at me and Liz.
33:00
Speaker 2: I love her. Yeah, well I love her. Well.
33:07
Speaker 6: I had a question really quick for Jorgenson Guinty, just
33:10
Speaker 6: what are your parents like, Like, what do they feel
33:12
Speaker 6: about it?
33:13
Speaker 1: I was wondering the same thing.
33:14
Speaker 2: What's that question?
33:17
Speaker 8: Well, our mom, Carol, I mean she's just like she's
33:21
Speaker 8: she's about I mean, I'm sorry for getting emotional. She's
33:23
Speaker 8: just like our biggest support system and we we do
33:26
Speaker 8: everything for her.
33:27
Speaker 1: Yeah no, I mean like I'm a mom's boy, do anything.
33:32
Speaker 8: And then my dad Gary, Yeah, he's a.
33:37
Speaker 1: Quiet guy, you know, I mean he's he's really supportive.
33:41
Speaker 8: He's he actually is a librarian and a pushover.
33:47
Speaker 6: Well I wouldn't say when you're pushing him over every
33:50
Speaker 6: once in a while.
33:50
Speaker 4: Well, he's not my dad, that's Alex's my dad. My
33:54
Speaker 4: dad's name is Ryan, and he's the man.
33:56
Speaker 3: That guy sounds like an awesome dude.
33:59
Speaker 4: For work, he works in the MLB and like an
34:02
Speaker 4: administrative capacity.
34:03
Speaker 2: Now way, I love.
34:05
Speaker 8: Baseball, you know, like Ryan, I mean Ryan, Ryan's Ryan's nice.
34:10
Speaker 8: But Gary, Gary actually got me into the love of storytelling.
34:13
Speaker 8: Gary was the one who would he interroused my first
34:16
Speaker 8: library card.
34:17
Speaker 6: So the MLB what team, just like the MLB or
34:20
Speaker 6: just it's the MLB League office, So like I get
34:22
Speaker 6: to see all the ballparks.
34:23
Speaker 4: It's so cool. So and he's also like I mean
34:26
Speaker 4: like he's really he's a good looking guy. And then Alex,
34:31
Speaker 4: you want to talk about your dad.
34:32
Speaker 8: I was just talking about my dad. I was talking
34:34
Speaker 8: about my dad. Then you interrupted me talking about Gary
34:36
Speaker 8: to talk about.
34:36
Speaker 1: Ryan and Ryan's night. You know, he's he's a nice guy.
34:39
Speaker 8: You know before he got with, uh got with We're
34:44
Speaker 8: just say before he married our mom. Sorry, just sometimes
34:48
Speaker 8: it's like I feel like they don't actually have a
34:51
Speaker 8: lot of things to talk about. It feels like more
34:53
Speaker 8: of just kind of like a feral chemistry that they
34:55
Speaker 8: share and less of like something that's pretty deep. And
34:59
Speaker 8: that was actually part of inspiration for the color of What,
35:01
Speaker 8: because it's just like watching them and then thinking about
35:04
Speaker 8: what game anyway, So that sex scene was about your
35:09
Speaker 8: parents or that that ravenous, ravenous, rabid almost sex scene
35:16
Speaker 8: was about our mom and Salmon's dad.
35:21
Speaker 1: And wow, that I remember.
35:23
Speaker 8: Distinctly that that that sex scene, it was kind of
35:26
Speaker 8: based on real life in the way that he asked me.
35:29
Speaker 8: Ryan asked me if he could marry my mom and
35:34
Speaker 8: I said, you know, treat well, and he said sure,
35:37
Speaker 8: and that he.
35:38
Speaker 1: Ended the conversation really really quickly. He said sure, and then.
35:40
Speaker 8: They just ran off And I would imagine that that's
35:43
Speaker 8: when that happened, and so that that came into the movie.
35:46
Speaker 8: And that's actually how Samon was conceived.
35:48
Speaker 1: Wow, I mean.
35:49
Speaker 5: Right when you know, right when you know, that's what
35:51
Speaker 5: I always.
35:52
Speaker 7: And it feels like you guys know that you really
35:54
Speaker 7: know how Samon was coming.
35:56
Speaker 1: I mean the timing.
35:56
Speaker 8: I mean it was nine months to the day of
35:58
Speaker 8: that that day Sam and popped right on out he
36:02
Speaker 8: and there he was and so Sam and what was that?
36:05
Speaker 8: You know, I've actually never we never really talked about this,
36:08
Speaker 8: but what was that like for you to film that
36:12
Speaker 8: knowing that that's.
36:14
Speaker 6: How you that was your conception?
36:16
Speaker 4: Yeah, well, in a way, it was a it was
36:18
Speaker 4: an artistically and creatively cathartic experience because you're basically rebirthing you, right,
36:24
Speaker 4: And we learned about the Renaissance. We actually used to
36:26
Speaker 4: build these before. My last year in school was kindergarten
36:29
Speaker 4: and we did this like Renaissance experiment where we built
36:31
Speaker 4: like a cast lot of cardboard and so that was,
36:34
Speaker 4: you know, in a way, all of our homes. But
36:36
Speaker 4: on set that day I.
36:37
Speaker 2: Was created me. Yeah, what's that by the way.
36:43
Speaker 5: Oh okay, Keith sidebar. So the Renaissance was basically something
36:47
Speaker 5: that happened in about fifteen hundred to sixteen hundred.
36:50
Speaker 2: Here are.
36:52
Speaker 5: Yeah on Earth, I would say, largely as it's depicted
36:56
Speaker 5: in Europe, but you know, our textbooks could be wrong.
37:00
Speaker 5: So Italy, France, Germany, they're all having this rebirth of
37:05
Speaker 5: art following the Bubonic plague. Oh yes, so these are
37:10
Speaker 5: like really old people, right, So imagine our grandpa, imagine
37:15
Speaker 5: our grandpa's grandpa's grandpa something like that.
37:18
Speaker 2: Oh okay, yeah, I got it. Yeah man, awesome. That
37:24
Speaker 2: sounds like a blast. And you did that in kindergarten.
37:28
Speaker 2: You were in that in kindergarten.
37:29
Speaker 3: Oh god, okay, I'm gonna take a question from the
37:31
Speaker 3: fish bowl. This one looks really fun.
37:34
Speaker 7: What's a moment on set where you guys worked best together?
37:40
Speaker 6: A great question, Well, Organ sing Ginty's why don't you
37:43
Speaker 6: guys take this away? Because I'm really really interested in
37:46
Speaker 6: that you're this kind of like set dynamic of you guys.
37:48
Speaker 3: I still don't understand your process.
37:49
Speaker 6: It does feel like there's an obvious power dynamic and
37:52
Speaker 6: I'm not going to be the one to call it out,
37:53
Speaker 6: but it does.
37:54
Speaker 2: But Alex knows it.
37:56
Speaker 1: Oh you want me to call it out?
37:58
Speaker 4: Yeah?
37:59
Speaker 1: Oh you want me to? Oh suddenly, Oh, Guinty's in
38:01
Speaker 1: the spotlight for once? Tell you know what I've been
38:05
Speaker 1: meaning to talk to you about that. Man.
38:07
Speaker 8: I feel like I'll be honest, you know, I feel
38:10
Speaker 8: like I'm in a group of really awesome, like minded people,
38:12
Speaker 8: artists that I really trust. And uh, you know what, Salmon,
38:16
Speaker 8: I would like to have more of a leadership position
38:18
Speaker 8: in our in our working relationship. Salmon is on his phone.
38:22
Speaker 8: So how did you even get a phone? How did
38:23
Speaker 8: you even get a phone? You're too young to have
38:25
Speaker 8: a phone.
38:26
Speaker 4: You know. Sorry, I just just a follow up email.
38:30
Speaker 1: Because I know you cannot read. You can't read.
38:33
Speaker 7: Dictate It's like one of those learning annexes on the
38:36
Speaker 7: iPad with.
38:37
Speaker 1: Email from why are you telling this right now?
38:40
Speaker 2: You can?
38:40
Speaker 4: I have to voice, I have to voice the text
38:42
Speaker 4: big picture.
38:43
Speaker 1: Jesus Christ, I finally get to answer. Jesus.
38:46
Speaker 4: Thank you so much for no boo last night.
38:50
Speaker 3: Did you make phone calls?
38:52
Speaker 4: I had such a good time talking about if I
38:55
Speaker 4: would be a good fit at several of Disney's studios.
38:59
Speaker 4: You see you on Monday for the start of the
39:02
Speaker 4: big job.
39:04
Speaker 1: Salmon, you took this and see, this is exactly what
39:07
Speaker 1: I mean.
39:07
Speaker 8: I am always second to Salmon, and I don't know
39:11
Speaker 8: how and sure word, does salmon have the better ideas?
39:14
Speaker 1: Maybe? Does Salmon have a really keen eye and the
39:17
Speaker 1: sense for vision? For composition? Absolutely? But I can't help
39:23
Speaker 1: but just say, I'm twenty five fucking years old. He's ten.
39:26
Speaker 1: I'm sorry. I know that's the gimmick.
39:28
Speaker 4: But like what I thought you said, you were getting
39:30
Speaker 4: your own meetings. We've been trying to branch out from
39:32
Speaker 4: the duo recently. But yeah, no, that was just I
39:37
Speaker 4: just kind of stealed the deal. We haven't put any
39:38
Speaker 4: ink to page yet, but yeah, I might have a
39:42
Speaker 4: first Loick deal at.
39:42
Speaker 1: Disney and Alex anything going on for you?
39:47
Speaker 8: So, Lou, I've been doing some commercial spots lately.
39:51
Speaker 6: Yikes, yikes, yikes, sorry sorry, No, that's great.
40:01
Speaker 2: What commercial work is work? Rex?
40:03
Speaker 6: Wow?
40:03
Speaker 2: So you you criticize people's jobs just for taking jobs
40:06
Speaker 2: for money?
40:07
Speaker 6: No, no, no, I've never taken a job for money.
40:09
Speaker 2: All my sci fi movies.
40:10
Speaker 1: Have never taken a job for money.
40:11
Speaker 4: Have you been offered a job for money? No?
40:14
Speaker 2: I do everything for free, So I.
40:16
Speaker 5: Handle I handle a lot of the finances. Keith has
40:21
Speaker 5: electively chosen not to receive a paycheck, but I do
40:25
Speaker 5: you know, I fund the house.
40:27
Speaker 1: I fund a lot of these things.
40:29
Speaker 2: Are you know we want to say, I say, Brodie
40:31
Speaker 2: handle all of it. Just make sure I'm fed. And
40:34
Speaker 2: it hasn't been a problem yet.
40:37
Speaker 1: That's so beautiful.
40:38
Speaker 8: I mean, listen, I am so inspired by you guys
40:41
Speaker 8: and what beautiful, beautiful relationships you have. And I can't
40:47
Speaker 8: help but wish that we had the same.
40:49
Speaker 6: Sam, Well, can I give you a little bit of
40:51
Speaker 6: a vice if I can, I mean, I would say,
40:54
Speaker 6: hold on to that brotherhood because you never know when
40:56
Speaker 6: it's going to end. Well, yeah, someday sometimes come in.
41:02
Speaker 7: Yeah, brotherhoods are especially like I don't know when there's
41:05
Speaker 7: I don't know, I don't know.
41:06
Speaker 3: It's just it's crazy.
41:09
Speaker 6: It's crazy when you can just you think somebody's gonna
41:11
Speaker 6: be in your life forever and then something.
41:12
Speaker 4: And then they're not.
41:13
Speaker 5: Yeah, I mean, fifty percent of brotherhood's end and the
41:18
Speaker 5: you know, the rates for brotherhoods ending are really high.
41:21
Speaker 6: And that's the saddest thing about a brotherhood, is it
41:24
Speaker 6: It has to end at some point.
41:25
Speaker 8: Well, I mean, and we're half brothers, so I almost
41:27
Speaker 8: I wonder if it's like twenty five percent for the yeah,
41:30
Speaker 8: for our rape up.
41:32
Speaker 2: Yeah, are you guys talking about your triplet? Are you
41:35
Speaker 2: guys talking about your triplet? Is that what you guys?
41:37
Speaker 3: We don't have ret We don't don't we don't have one.
41:40
Speaker 6: We don't have one, and we never had one.
41:42
Speaker 2: I'm sorry, Like, I'm not someone to lie because it's
41:45
Speaker 2: too hard for me to keep up with and it's
41:47
Speaker 2: hard for me to sit here and watch you do
41:48
Speaker 2: this because I used to serve. I used to surf
41:51
Speaker 2: with Lex every single day. I used to surf with
41:54
Speaker 2: Lex banby your triplet. I used to surf with him
41:57
Speaker 2: down in La Joya. We grew up together. So I
42:02
Speaker 2: just want to let y'all know that I know Lex
42:04
Speaker 2: and I know he's doing good and he sends his love.
42:06
Speaker 2: He told he told me to tell you guys hi, And.
42:09
Speaker 6: We don't talk about Lex right now, and we'll never
42:11
Speaker 6: talk about Lex again, Okay, okay.
42:14
Speaker 7: And I don't know how long ago you said you
42:18
Speaker 7: talked to Lex when you're surfing, because Lex isn't alive anymore.
42:22
Speaker 6: Lex died, Okay. There was an accident, an accident.
42:26
Speaker 3: You know, so it's out.
42:28
Speaker 2: Well, this is confusing for me because I talked to
42:30
Speaker 2: him yesterday and he told me he was alive.
42:32
Speaker 6: Well, maybe you should think a little bit more. Maybe
42:35
Speaker 6: somebody's texting you from his phone.
42:37
Speaker 2: Yeah, told me that he told me his family doesn't
42:39
Speaker 2: support his lifestyle, that he went into finance.
42:42
Speaker 6: Yeah, that's crazy because Lex is actually dead and he's
42:45
Speaker 6: been for a.
42:47
Speaker 3: Long time from a baggag Cheetos.
42:48
Speaker 6: And it was an accident.
42:50
Speaker 3: Got leukemia from a baggage Cheetos when we're twelve.
42:54
Speaker 2: This is confused.
42:55
Speaker 6: He died when we were twelve and thirteen, This is yeah.
42:59
Speaker 4: And I was the mechanics of that because I if
43:02
Speaker 4: it's a high chance of that, I don't want to.
43:04
Speaker 6: Know the mechanics of it. Stay away from the cheetos
43:06
Speaker 6: that look a little funky. That's all I'm gonna say.
43:09
Speaker 2: And I'll tell you again, my brain feels like cotton
43:12
Speaker 2: candy right now because he told me yesterday he does
43:15
Speaker 2: not have leukemia. And he told me that he is
43:18
Speaker 2: a Wall Street shark. He serves in La Joya. He
43:22
Speaker 2: has a blast post COVID.
43:26
Speaker 3: And works on Wall Street.
43:28
Speaker 1: Well, I mean you could do Wall Street from anywhere.
43:30
Speaker 2: You can do Wall Street from anywhere. He loves the
43:33
Speaker 2: COVID post COVID lifestyle of working from home because he
43:36
Speaker 2: doesn't have to be there when they ring the big bell.
43:39
Speaker 3: So then, what did you did he say anything about us?
43:41
Speaker 6: What did he have to mention to say that ghost?
43:46
Speaker 2: He told me he loves you guys. And then this
43:48
Speaker 2: is what confusing is because he told me I think
43:51
Speaker 2: they're dead, and so I'm confused. And I was just
43:55
Speaker 2: gonna mostly ask who's telling the truth. Which one of
43:58
Speaker 2: y'all is dead?
43:59
Speaker 3: That mother fucker saw the post. He knows her a lot.
44:02
Speaker 5: Yeahud be if we asked your parents how many children.
44:08
Speaker 1: Would they say are alive?
44:10
Speaker 6: It would say five?
44:12
Speaker 1: My god, there's more.
44:15
Speaker 6: Yeah.
44:15
Speaker 7: And I also want to shout out to sex who
44:17
Speaker 7: did the wardrobe for the post.
44:19
Speaker 3: She's an awesome wardrobe stylist.
44:22
Speaker 7: She's our younger sister and she's just now breaking into
44:24
Speaker 7: the biz.
44:25
Speaker 6: And her name is sex Bamby, Sex Bamby, and she's
44:28
Speaker 6: a woman named sex Bamby, the only girl in our
44:31
Speaker 6: family name sex Bamby.
44:33
Speaker 2: Incredible, incredible that film Sex Famby.
44:40
Speaker 1: My god, I I am just I'm blown away.
44:43
Speaker 6: You know.
44:43
Speaker 8: I always thought that you two were just this pair
44:46
Speaker 8: of twins, you guys against the world. But there's you,
44:48
Speaker 8: there's Lex, and there's sex Bamby, and there's a fifth
44:51
Speaker 8: mm hmm.
44:52
Speaker 1: I'd just hear more about this.
44:54
Speaker 4: Wait is this this wouldn't be pex Bamby, famous bodybuilder.
44:58
Speaker 6: Yeah, that he's actually.
45:00
Speaker 1: Related to pex Bambi, Sam, how do you x bamb Is?
45:04
Speaker 4: On one of our visits to La we went to
45:06
Speaker 4: Venice Beach. I saw the golds gym thing and I
45:09
Speaker 4: started getting into like reading about muscles. I'm too young
45:12
Speaker 4: to work out.
45:13
Speaker 6: So we are actually uh sink sink tuplet. And but
45:20
Speaker 6: in order for, you know, to sell the brand. We
45:22
Speaker 6: have to be twins. Now we're the only ones that really, really,
45:25
Speaker 6: really really wanted to pursue this. Some of the other
45:28
Speaker 6: family members wanted to pursue it and then bailed on us. Okay,
45:33
Speaker 6: and so when we had to make tough decisions on
45:36
Speaker 6: set and there was three of us, maybe it was
45:38
Speaker 6: a little better because we had two versus three. We
45:40
Speaker 6: all we never had a fifty to fifty split.
45:42
Speaker 3: And thank god, I just have my brother now to console.
45:48
Speaker 3: Before I want to fuck my wife.
45:49
Speaker 7: I just have to talk to one of them, because
45:51
Speaker 7: before it was out of hand.
45:53
Speaker 3: You ask everybody's approval on everything.
45:57
Speaker 6: And let's just say Lex did not like Let's just
46:01
Speaker 6: say Lex does not like Texas wife. That's really what
46:04
Speaker 6: it comes down to. It'd be a lot of no, no,
46:07
Speaker 6: you can't fuck your wife, no, no, no, no no. Sex.
46:10
Speaker 6: Bamby always was saying.
46:12
Speaker 1: Yes, okay, so sex Bamby, like, what's her deal? Right now?
46:19
Speaker 6: She's a costumer, she's great, she's.
46:21
Speaker 1: In wardrobe's but like, what's her deal?
46:24
Speaker 3: Sex? She's just an awesome girl. She loves possible girl.
46:28
Speaker 8: Okay, sorry, she's nineteen, but you guys are. You're quintuplets,
46:32
Speaker 8: and she is years younger.
46:33
Speaker 3: I mean she's a nineteen year old.
46:36
Speaker 6: Yeah, she lives like a nineteen year old. That's the thing.
46:38
Speaker 4: We live like.
46:39
Speaker 6: We're a little bit older. But she and she's great.
46:41
Speaker 6: She's single. If you want to go on a date
46:43
Speaker 6: with her.
46:44
Speaker 5: Actually, I was wondering about that, if she would be
46:48
Speaker 5: available to.
46:49
Speaker 6: You know, we talk to us, talk to us. After this, I.
46:51
Speaker 1: Would love to have a general meeting with her at night.
46:54
Speaker 6: Sure, you can talk to us.
46:57
Speaker 1: If you just want to slip my number into her toe. Oh,
47:00
Speaker 1: we can do that too, I can.
47:01
Speaker 4: He's rite it down for you someone.
47:03
Speaker 1: That's how I flirt with someone I know.
47:05
Speaker 4: And how many people have called you, it doesn't matter.
47:10
Speaker 4: The only thing that matters when it comes to flirting
47:12
Speaker 4: with someone to get there.
47:14
Speaker 8: I've gotten a call, but it was a butt dial
47:17
Speaker 8: from one of the people.
47:19
Speaker 1: No, from Harry, my dad.
47:23
Speaker 2: So you're just bragging about a butt dial and defensive.
47:27
Speaker 1: My phone hasn't my phone hasn't been ringing for months,
47:29
Speaker 1: all right, I admit it. Well you can since the
47:32
Speaker 1: color of what.
47:33
Speaker 2: Yay, Alex dude, I kind of like you. I think
47:36
Speaker 2: you're a good guy. So if you ever want to
47:38
Speaker 2: chat about.
47:38
Speaker 1: It, you don't have to say that.
47:39
Speaker 8: Everyone always likes Sam, Sam Salmon the Savant, Samon the Star, Salmon,
47:45
Speaker 8: Salmon the big boy. Well, you know what, Salmon's a
47:47
Speaker 8: baby boy, and I'm the big boy around here.
47:50
Speaker 1: I'm the big man.
47:50
Speaker 6: Come on, yeah, yeah, yeah.
47:52
Speaker 1: Who has to drive you to set? Who has to
47:55
Speaker 1: who has to accompany you on flights?
47:56
Speaker 8: Because you can't be an unaccompanied minor, because like, no
47:59
Speaker 8: one's gonna.
48:00
Speaker 6: Do with art and just kind of sounds like they're
48:02
Speaker 6: a babysitter.
48:03
Speaker 8: I know no, actually, yeah no, no, I'm an artist.
48:07
Speaker 1: I'm a goddamn artist, all right.
48:09
Speaker 8: Every everything we've ever done is because I could hold
48:11
Speaker 8: the cameras too heavy for him.
48:14
Speaker 2: Can I ask you a question, Alex? There was a
48:15
Speaker 2: question that you guys kind of diverted earlier that Rex asked,
48:20
Speaker 2: excuse me, I'm not sure, bro, don't ever disrespect me.
48:24
Speaker 2: For the record, I will not be pushed over.
48:27
Speaker 6: I'm very red right now, your face very red.
48:31
Speaker 5: Keith sidebar let's cool off a bit, buddy, But it's
48:36
Speaker 5: gonna be okay. Thanks, It's gonna be okay. Are we
48:40
Speaker 5: ready to get back out there.
48:41
Speaker 2: You're my rock, all right, hey, and your my bird.
48:46
Speaker 2: Let's go Alex. The question that Rex asked earlier, I
48:50
Speaker 2: think it would be really fun to answer, what was
48:53
Speaker 2: the best moment you guys had on sets together?
48:56
Speaker 6: Did I ask that?
48:58
Speaker 3: Text?
48:59
Speaker 2: Text?
49:00
Speaker 1: Yeah, oh, text, We're so sorry.
49:03
Speaker 8: It's a great question, and it's honestly, Can I be honest,
49:07
Speaker 8: It's been a long time since we've had nice moments.
49:10
Speaker 1: A lot of times on set, I'm trying to put
49:12
Speaker 1: on a mask.
49:13
Speaker 8: I'm trying to put on a good face. I'm trying to,
49:15
Speaker 8: you know, be the good older brother that I that
49:17
Speaker 8: I got to be.
49:18
Speaker 1: But right the days I remember actually the day we
49:22
Speaker 1: wrapped the color of what.
49:25
Speaker 8: We were setting up for the Martini shot, and I
49:29
Speaker 8: looked at I looked at Salmon, and I said, make
49:33
Speaker 8: that a virgin Martini shot. Samon, you take the reins
49:36
Speaker 8: on this one. And and Samon led us through the
49:40
Speaker 8: end of the film. He let us through the last
49:41
Speaker 8: take and then wee Sam is a virgin. So Sam,
49:45
Speaker 8: I can't drink and he has his ten.
49:52
Speaker 4: You can't make fun of me that because I am ten,
49:54
Speaker 4: he has ten.
49:55
Speaker 3: So not making funny. I would never it's all good.
49:58
Speaker 1: No, no, it's yeah.
50:01
Speaker 8: But we we held each other and cried, Sam, And
50:05
Speaker 8: I mean that's how I remember it.
50:06
Speaker 1: I assume it's the same way for you.
50:09
Speaker 4: Uh, it was a little different in my memory. And
50:12
Speaker 4: I know that I'm a little younger, so you know,
50:14
Speaker 4: trust whoever's memory you want. But the way I remembered
50:17
Speaker 4: it is that you were desperately running through the shot
50:21
Speaker 4: list fast while I was in class so that you
50:23
Speaker 4: could get the Martini shot to direct it. And then
50:26
Speaker 4: I like finally made it out of class, and then
50:28
Speaker 4: you were like and then you kind of like put
50:30
Speaker 4: on this visage of like being happy that I was back,
50:33
Speaker 4: but like then you were kind of brooding over by
50:34
Speaker 4: Crafty for the last shot when everybody like celebrated or
50:38
Speaker 4: but then.
50:38
Speaker 1: We did hug We held each other and cried. We
50:39
Speaker 1: hugged and cried.
50:40
Speaker 4: You tackled me into a grip truck.
50:43
Speaker 6: Yeah.
50:45
Speaker 8: I guess, I just I guess it's just like memory
50:47
Speaker 8: is subjective, and I guess we'll never actually know what
50:49
Speaker 8: really happened. But at least for me, it was a
50:50
Speaker 8: really special moment. I was like, this is my baby brother,
50:53
Speaker 8: This is my baby brother.
50:55
Speaker 4: Well, you held my face into the concrete and said this.
50:57
Speaker 4: You pointed to like the cast and said, this is
50:59
Speaker 4: my baby brother.
51:00
Speaker 6: Really hitting that baby.
51:02
Speaker 8: He was he is a baby, you know, you know
51:04
Speaker 8: we have nicknames or on set, and you know, he
51:06
Speaker 8: was always he was baby, and so that was just
51:09
Speaker 8: kind of a fun joke.
51:10
Speaker 1: You would always say, hey, baby, your baby, and so.
51:13
Speaker 8: That was like, that was fun because I also showed
51:15
Speaker 8: off our age difference because no one called me baby,
51:17
Speaker 8: but he was he was baby.
51:18
Speaker 1: What did they call you?
51:20
Speaker 3: What they call me?
51:21
Speaker 1: They called They called me big man. Everyone we walk
51:24
Speaker 1: around they said, hey, big Man.
51:26
Speaker 6: That honestly sounds like a like they're calling you the
51:28
Speaker 6: young person, because you usually say that to kids, man,
51:33
Speaker 6: what's up big man?
51:36
Speaker 8: It off and get big man, I get Champ, I
51:39
Speaker 8: get I get son, I'd get a little guy.
51:43
Speaker 6: He was baby.
51:44
Speaker 1: I mean like he was like unequivocally baby, and so
51:46
Speaker 1: that was like, dude, that was well.
51:48
Speaker 6: I will say on set like usually I'm like, what's
51:50
Speaker 6: up baby, you know, like to a lot of people.
51:52
Speaker 6: That was the only time we'll equally.
51:55
Speaker 4: People would be like, oh, like Sam and baby, and
51:57
Speaker 4: then it would just like especially when like older act
52:00
Speaker 4: rest salmon Baby. No, they'd be like, salmon baby coming
52:04
Speaker 4: to my trailer. We're all having fun, and then Alex
52:06
Speaker 4: would be like, oh, me too, and then they would
52:07
Speaker 4: kind of close the door.
52:10
Speaker 8: Yeah, I was doing I was I was helping up
52:13
Speaker 8: with their start paperwork, and so it was like I
52:14
Speaker 8: actually didn't have time.
52:15
Speaker 4: Oh you're doing third a D work work like Alex
52:19
Speaker 4: on set. I just want to be like clear.
52:21
Speaker 3: Oh god, wow, whoa.
52:24
Speaker 7: I will question what's next for everybody? What's everybody working on?
52:28
Speaker 2: Text?
52:29
Speaker 4: And Rex would love to hear your guys, because I'm
52:32
Speaker 4: huge fans of you.
52:33
Speaker 6: Well, we got a couple of things lined up we're
52:35
Speaker 6: really excited about. We got this little indie flick called
52:38
Speaker 6: Elephants in the Sun. We got another flick called Clock Mountain.
52:44
Speaker 4: And for each of these, can you give just a
52:45
Speaker 4: short log line?
52:47
Speaker 6: Yeah, So, Elephants in the Sun is about this elephant
52:49
Speaker 6: trainer who ends up finding this woman living with another
52:53
Speaker 6: elephant and they fall in love.
52:55
Speaker 7: And Clock Mountain is about a really tired, tired claw
53:01
Speaker 7: and it's kind of the origin story of Clogsworth from
53:05
Speaker 7: Beauty and the Beast, but we're doing it through the
53:08
Speaker 7: lens of clock and it's actually going to be a horror.
53:14
Speaker 5: Yeah, so you're doing a show, so you're doing you're
53:16
Speaker 5: following the story of a clock, but through the lens
53:19
Speaker 5: of a clock.
53:20
Speaker 6: Yeah, so it's crazy.
53:22
Speaker 3: So it's the clock seeing a clock.
53:25
Speaker 1: Is a twenty four about this?
53:27
Speaker 4: Yeah?
53:28
Speaker 6: They do? They do?
53:29
Speaker 2: You tell?
53:29
Speaker 6: The next thing we're doing is uh where we are
53:31
Speaker 6: rebooting The Lord of the Rings on Amazon? My god?
53:34
Speaker 2: That way?
53:36
Speaker 4: Also, how did you bury the lead there?
53:40
Speaker 3: You're crazy?
53:41
Speaker 6: It's just they're all equal, they're all doing it.
53:43
Speaker 7: We're doing it in partnership with Gatoraide and we're doing Yeah.
53:51
Speaker 7: So so it's they're going to be in shorter forms.
53:56
Speaker 7: They're going to play like at the super Bowl?
53:58
Speaker 8: Are they going to be like are they going to
53:59
Speaker 8: be like ritically shot like Snapchat is going to be.
54:03
Speaker 6: We're trying to do both.
54:04
Speaker 3: We're trying to do an A cam and a B camp.
54:06
Speaker 7: So so are these commercials?
54:09
Speaker 6: No, they're not commercials.
54:14
Speaker 2: I don't want you guys to have to spoil anything.
54:16
Speaker 2: But might we see frodo sweating green or orange?
54:20
Speaker 6: I mean, come on, duh, because a lot.
54:23
Speaker 3: Of the thing now is my wife I don't know.
54:26
Speaker 6: Only with my permission, only with my permission?
54:29
Speaker 2: Do you book the grips? Is the question?
54:31
Speaker 4: Have you shot? Have you shot any of these yet? Oh?
54:34
Speaker 6: Yeah, we've shot book one and book two? Kind of
54:37
Speaker 6: uh are.
54:38
Speaker 4: There any moments from set?
54:40
Speaker 6: You know?
54:41
Speaker 4: I wonder how that differs if it's you know, product
54:43
Speaker 4: placement and sponsored.
54:44
Speaker 6: Well, that's the beauty of the Gatorade. Really let us
54:46
Speaker 6: go free with everything.
54:49
Speaker 2: Such a j R.
54:51
Speaker 6: Told the estate was not happy, but they ended up
54:55
Speaker 6: being such good guys.
54:56
Speaker 3: Yeah, such good guys on all fronts.
54:58
Speaker 6: Yeah, like a lot of it instead of drink mead
55:00
Speaker 6: or going to taverns. A lot of those Gatorade you know,
55:04
Speaker 6: the ring.
55:04
Speaker 5: Is now they label like the bottles or the you know,
55:08
Speaker 5: the canisters.
55:09
Speaker 4: Like printing a lot more.
55:11
Speaker 6: It's like you think about the original Lord of the
55:13
Speaker 6: Rings when they're in the tavern and they're just drinking drinks.
55:16
Speaker 6: It's now it's all Gatorade paraphernalia. And there's a lot
55:19
Speaker 6: of athletes sitting there, the Ring Raiths. We actually got
55:22
Speaker 6: a bunch of football players, which are great. They're gonna
55:24
Speaker 6: and very funny.
55:26
Speaker 3: A great group of guys in that team.
55:29
Speaker 6: Yeah, the dumping you do the dumping of all the
55:32
Speaker 6: time expect you guys, wait wait until they destroy the ring,
55:35
Speaker 6: wait until they just wait for that.
55:36
Speaker 4: Dum, wait till the ring. But the ring still kind
55:40
Speaker 4: of holds true to how it looks like in the
55:41
Speaker 4: original movies.
55:42
Speaker 6: Yeah, exactly, it's just Zack instead of Alvin, it says Gatorade.
55:46
Speaker 6: That's the only big that's a big difference.
55:48
Speaker 2: But it's exciting on the list, freaking goose bumps thinking
55:52
Speaker 2: about that.
55:52
Speaker 4: That's great.
55:53
Speaker 6: So check out Gatorade presents the Lord of the Rings Trilogy,
55:57
Speaker 6: coming to most devices. They'll be on TV, it'll be
56:00
Speaker 6: ont on.
56:01
Speaker 5: Amazon Prime on Amazon, and it's also gonna be the
56:05
Speaker 5: Super Bowl halftime show.
56:07
Speaker 6: They're gonna Yeah, they're gonna play it.
56:09
Speaker 4: So it's first time ever it's not music.
56:12
Speaker 2: Y'all are really bearing the lead because this is kind
56:14
Speaker 2: of changing the entire landscape of almost every media. But
56:17
Speaker 2: I wouldn't.
56:18
Speaker 6: I would not write off, I would not write up
56:20
Speaker 6: our movie.
56:20
Speaker 1: About the clock, no Clock Mountain. I cannot wait for
56:24
Speaker 1: Clock Mountain.
56:25
Speaker 4: Well, you wake up and you would go to set
56:27
Speaker 4: for both of those projects as if they're both big
56:29
Speaker 4: deal hierarchy.
56:31
Speaker 6: So we wake up in our same bed, we say
56:34
Speaker 6: our morning kisses. We kind of move on from there.
56:36
Speaker 1: We get to say your morning kisses.
56:39
Speaker 6: Yeah, you guys don't say your kisses.
56:41
Speaker 1: I say, what would that look like?
56:43
Speaker 3: Sure, I'll do it.
56:44
Speaker 6: Yeah, we can do our morning ritual.
56:46
Speaker 7: Ready, I'm waking up, ready, waking up. My eyes are opening,
56:49
Speaker 7: waking up. Hey brother, I kiss you today. I kiss
56:54
Speaker 7: my wife and I kiss my three children.
56:58
Speaker 6: Hey, brother, I kiss you today. You don't kiss your wife,
57:04
Speaker 6: and you better not.
57:05
Speaker 1: So you guys also live together?
57:07
Speaker 4: Oh yeah, just like the Mitchell brothers.
57:09
Speaker 1: You guys also live together.
57:12
Speaker 3: But they don't live together.
57:13
Speaker 6: No. No, that's why we were asking earlier. Because we
57:15
Speaker 6: live together. We live together. We really live together, you know,
57:19
Speaker 6: inside and out?
57:20
Speaker 5: Really do your wife and kids also live there?
57:23
Speaker 2: Yeah?
57:23
Speaker 6: Yeah all the time. Yeah they're great. She's great. And
57:27
Speaker 6: when you know, great guys, guys.
57:30
Speaker 3: Great group of guys are kiddos. Okay, Mitchell brothers, what
57:34
Speaker 3: about you?
57:35
Speaker 2: What are you guys?
57:35
Speaker 4: This morning routines?
57:37
Speaker 2: Oh, what's up?
57:38
Speaker 6: Upcoming projects? Come next?
57:40
Speaker 4: Salmon?
57:41
Speaker 6: Also morning routines, let's hear it.
57:43
Speaker 1: Okay, maybe let's start with morning routines.
57:46
Speaker 5: So so we don't live together.
57:50
Speaker 1: Our office beds are in the same room.
57:53
Speaker 5: So every once in a while, if we have to
57:54
Speaker 5: sleep at the office, we'll each you know, get up
57:58
Speaker 5: from our bed.
57:59
Speaker 6: Are they bunked beds or they.
58:01
Speaker 2: Loft it's a double loft. So there's the desk at
58:04
Speaker 2: the bottom because this person in office, and then there's
58:06
Speaker 2: a bed above the deck.
58:08
Speaker 6: Like a college freshman dormitory.
58:10
Speaker 2: Yeah. Well, it's like an adult kind of film office. Yeah,
58:13
Speaker 2: it's kind of.
58:14
Speaker 5: Like, yeah, like if if two adults were making a movie,
58:17
Speaker 5: that's where they would office.
58:18
Speaker 2: Yeah. So we wake up, we talk about how behind
58:21
Speaker 2: we are on a lot of the stuff we're doing,
58:23
Speaker 2: and then we look and then we talk about positives.
58:25
Speaker 2: It's our versions of roses and thorns.
58:27
Speaker 5: Yeah, but we start with thorns.
58:29
Speaker 2: We start the day with so we're behind on this,
58:32
Speaker 2: we're behind on that, but then we got this today,
58:35
Speaker 2: We got that today.
58:36
Speaker 6: What were some positives from today's morning?
58:39
Speaker 5: Oh? Today, Well we are thorns. We woke up and
58:44
Speaker 5: we said, you know, we are behind on uh chinchilla
58:50
Speaker 5: lightning storm. We're behind on that. We're behind on nearly
58:53
Speaker 5: every aspect of that.
58:58
Speaker 2: The positive was approved seventy five separate cups for over
59:04
Speaker 2: three hundred and fifty seats.
59:06
Speaker 5: Oh yeah, and it was great because they were all
59:08
Speaker 5: the same cup, just.
59:09
Speaker 2: You know, but it was like, can we make it work?
59:12
Speaker 2: Can we get the cup in the right locations when
59:14
Speaker 2: we need it? Well, it fit the schedules to have
59:16
Speaker 2: that cup in all of these scenes, and they.
59:18
Speaker 5: Are factory produced, so I will say every single cup
59:21
Speaker 5: will turn out the same.
59:22
Speaker 1: It also sounds like you run continuity as well as
59:26
Speaker 1: well as kind of like making decisions on what the
59:30
Speaker 1: art is.
59:30
Speaker 8: You're making sure that continuity is the same across every
59:33
Speaker 8: single frame.
59:34
Speaker 2: Yeah.
59:35
Speaker 6: Yeah, man.
59:35
Speaker 2: And then movies were working on should we just go
59:38
Speaker 2: through a list of like I don't know ten movies?
59:39
Speaker 6: We got?
59:40
Speaker 3: Yeah, do all ten?
59:42
Speaker 2: Okay, so here's okay, So we got Weasel, Earthquake, Yeah, fall.
59:59
Speaker 5: Down, Okay, so we got we got uh, we got
1:00:05
Speaker 5: b Rain so that's a rain story.
1:00:09
Speaker 2: We got we got Jellyfish, Sish.
1:00:13
Speaker 5: Sleet, we got we got Red Robin Tornado, which I
1:00:20
Speaker 5: will say, yeah, yeah.
1:00:23
Speaker 4: More brand.
1:00:25
Speaker 1: That's amazing.
1:00:26
Speaker 5: Yeah, so that'll be available on Prime video in between episodes.
1:00:32
Speaker 6: Is doing a lot of sponsored stuff, right, which is great?
1:00:35
Speaker 4: Is that sponsored by Red Robin or is it kind
1:00:36
Speaker 4: of sponsored by a competitor to kind of make it
1:00:38
Speaker 4: seem like red So it.
1:00:40
Speaker 5: Is the Cheesecake Factory presents Red Robin Tornado, so.
1:00:45
Speaker 4: You know, sort of souring the name of Red Robin.
1:00:48
Speaker 3: Got a lot more to go?
1:00:49
Speaker 2: Yeah, we got we got sixty more. Let's do these fast.
1:00:52
Speaker 2: So uh A goose flood.
1:00:55
Speaker 3: Goose flood. I read that Deadline article about Goose flood.
1:00:58
Speaker 2: Y'all gonna put backward? Yeah, yeah, yeah, yeah. Clint Eastwood's
1:01:02
Speaker 2: yeah movie. Yeah, Clint Eastwood's last movie that he said
1:01:05
Speaker 2: he wanted to go out on Goose flood.
1:01:06
Speaker 5: They're putting him down after that.
1:01:10
Speaker 4: I thought they put him down in that was the room.
1:01:13
Speaker 2: It's you can't reveal that yet. Might be our first enuff.
1:01:18
Speaker 5: Okay, so then we have then we have worm mudslide.
1:01:22
Speaker 5: Early bird gets the mud slide.
1:01:25
Speaker 2: Anyway, that's really good. We've got bear drought.
1:01:32
Speaker 6: It's a situation where there's no bears don't.
1:01:37
Speaker 4: Have water to drink or the drought is a bear bears.
1:01:41
Speaker 5: You know, so the bears are really thirsty. It's honestly
1:01:45
Speaker 5: more of a nature documentary than anything else.
1:01:48
Speaker 1: That one is for Animal Planet.
1:01:50
Speaker 4: How is it communicated visually that they're thirsty.
1:01:54
Speaker 5: It's just kind of I mean, it's real footage of
1:01:56
Speaker 5: bears today wandering around a fos today.
1:02:00
Speaker 6: Nice.
1:02:02
Speaker 4: We have we have access to water. So are you
1:02:05
Speaker 4: taking the water away from the bears for the movie?
1:02:08
Speaker 5: No, So that is climate change and we're just taking
1:02:12
Speaker 5: it as it's naturally happening.
1:02:14
Speaker 1: I didn't have science anyway, So thirteen more.
1:02:20
Speaker 2: Let's go to do him fast, fast, past past fast.
1:02:25
Speaker 1: We got angelfish fire.
1:02:29
Speaker 6: I just want to stop and talking about each one
1:02:31
Speaker 6: of these angel fish fire. That's that's fun.
1:02:35
Speaker 3: That one.
1:02:36
Speaker 5: No, no, because he will already be put down.
1:02:41
Speaker 1: So he's not free.
1:02:43
Speaker 2: After angelfish, After angel fish fire, we're going to be
1:02:46
Speaker 2: working on a caterpillar honeymoon.
1:02:51
Speaker 5: The script that read that is a love story.
1:02:57
Speaker 1: I will say that is more of.
1:02:58
Speaker 6: A love story by some issues with.
1:03:01
Speaker 2: Sci fi, with but but but the secret is the
1:03:04
Speaker 2: honeymoon is in the middle of a a.
1:03:09
Speaker 6: Sleet, necessarily dangerous, but it does spoil a honeymoon.
1:03:16
Speaker 2: Yeah yeah, yeah.
1:03:19
Speaker 5: So the next one is uh uh eel piranha. So
1:03:24
Speaker 5: that's a half eel, half piranha, and it's just in
1:03:27
Speaker 5: regular water. There's no weather monsterflick though.
1:03:30
Speaker 6: I dig it, I dig it, and that's very small too.
1:03:33
Speaker 2: The next one is squid fog Squid fog Man.
1:03:37
Speaker 7: That sounds like like like a really cool flick.
1:03:41
Speaker 1: Yeah, yeah, it'll be really cool.
1:03:43
Speaker 5: And then we also have a plant tropical storm and
1:03:47
Speaker 5: that's like a bunch of spiky plants traveling through the
1:03:50
Speaker 5: mid Atlantic.
1:03:52
Speaker 1: Oh, I smell, I smell south By.
1:03:54
Speaker 5: With that one, let me just tell you just well
1:03:56
Speaker 5: fingers crossed up by.
1:03:58
Speaker 2: And then to be honest, we're after that starting a
1:04:03
Speaker 2: eight to ten series movie. It's a a trilogy times
1:04:08
Speaker 2: three that is called Flamingo Rock Slide.
1:04:11
Speaker 4: You're doing like a cgi carry Fisher thing for.
1:04:14
Speaker 2: That, right, We are bringing back carry Fisher for it.
1:04:16
Speaker 6: Yeah yeah, And she's going to be the Flamingo or
1:04:19
Speaker 6: she's going to be the rock slide.
1:04:22
Speaker 2: So it's the people that are caught in a rock
1:04:24
Speaker 2: side of Flamingos.
1:04:26
Speaker 6: She's going to start to bring somebody back only for
1:04:29
Speaker 6: them to die in a rock slide.
1:04:30
Speaker 2: They're not dead, they're trapped.
1:04:32
Speaker 5: We are currently working with the estate about how dead
1:04:37
Speaker 5: we can show an already dead person.
1:04:40
Speaker 1: But we are pushing for full Death.
1:04:43
Speaker 2: Yeah, and then we get it. That feels good, and
1:04:45
Speaker 2: then that'll take us to December and then do you
1:04:47
Speaker 2: want to reveal.
1:04:48
Speaker 5: The last Yeah, that was Flamingo Rock slide one, two
1:04:51
Speaker 5: three does a lot of work, yeah, a.
1:04:55
Speaker 1: Lot of work.
1:04:55
Speaker 8: And this is September now. So if you have all
1:04:57
Speaker 8: these pictures lined up and this will take you through.
1:05:00
Speaker 8: So what is like a shooting schedule look like for
1:05:02
Speaker 8: each of these?
1:05:02
Speaker 2: All I can say is we love our first team,
1:05:04
Speaker 2: we love our second team, we love our additional units.
1:05:07
Speaker 2: That's all I can say.
1:05:08
Speaker 3: That's all we can say.
1:05:12
Speaker 5: But we are you know, we were shooting all the
1:05:14
Speaker 5: flamingos at once Avatar style, so that shouldn't be it
1:05:18
Speaker 5: probably our.
1:05:20
Speaker 2: Final go ahead.
1:05:21
Speaker 5: Yeah, it is shark, dino, bird fish, cat, dog Tornado. Yeah,
1:05:30
Speaker 5: whoa all the animals at once, They're swirling around.
1:05:34
Speaker 6: Nobody knows what feel like. Zoo Tornado might be a
1:05:36
Speaker 6: more accurate name what you want, but.
1:05:39
Speaker 1: They don't have all the animals.
1:05:41
Speaker 2: This isn't it's just those spot and it doesn't do
1:05:43
Speaker 2: as well to be honest for se O because when
1:05:45
Speaker 2: people are searching on the internet for the movie.
1:05:48
Speaker 4: People are looking on the pet Finder and then the
1:05:50
Speaker 4: movie trailer comes.
1:05:51
Speaker 8: These these projects you got coming up sound incredible, and
1:05:55
Speaker 8: if you if you need any additional help, or if
1:05:59
Speaker 8: you just need any other like, that'd.
1:06:00
Speaker 4: Be great, united amazing.
1:06:06
Speaker 2: We need a lot of help.
1:06:08
Speaker 1: I will say, I don't know where I am at
1:06:10
Speaker 1: any moment.
1:06:11
Speaker 5: Because every if I stop to think about how much
1:06:13
Speaker 5: I have to do, I will rip my hair out
1:06:15
Speaker 5: and go to the hospital.
1:06:16
Speaker 2: We're on we're on press right now. We're doing this
1:06:18
Speaker 2: right now because we're on press for Goila Avalanche, and
1:06:21
Speaker 2: it is It makes me want to blow my brain.
1:06:23
Speaker 5: And currently, as we're speaking, I have been texting about
1:06:28
Speaker 5: a thousand different decisions for the Bingo rock slide.
1:06:32
Speaker 1: I can only imagine.
1:06:33
Speaker 3: So Alan Salmon, what are you guys?
1:06:36
Speaker 2: Oh?
1:06:37
Speaker 4: Well, I do And now I owe Disney five new
1:06:40
Speaker 4: projects by the end of the next fiscal years. So
1:06:43
Speaker 4: we're gonna get cracking on that. One of them's a
1:06:45
Speaker 4: VR experience.
1:06:46
Speaker 1: You're going to get cracking on that.
1:06:47
Speaker 4: Oh me, Me and Bob iger Uh And we have
1:06:50
Speaker 4: a whole team set up there. So we're gonna some
1:06:52
Speaker 4: of it's gonna be for Fox Television, some of it's
1:06:54
Speaker 4: gonna be for FXX.
1:06:55
Speaker 1: Did you sorry?
1:06:56
Speaker 8: But it's like I don't want to stay over here.
1:06:57
Speaker 8: But it's like, did you bring up my name in any.
1:06:59
Speaker 1: Of these meetings?
1:07:00
Speaker 2: Uh?
1:07:01
Speaker 4: You know what, you didn't come up?
1:07:03
Speaker 6: They?
1:07:03
Speaker 4: Oh they did, they did. I tried not to join
1:07:06
Speaker 4: in with the you know, if someone's down, don't kick
1:07:08
Speaker 4: them while they're down.
1:07:10
Speaker 8: But they were probably like, oh, let's get Guinty in
1:07:11
Speaker 8: on this. If we're doing a deal with Sam and
1:07:13
Speaker 8: we need Guinty in there too.
1:07:14
Speaker 4: They were talking about creating like a fake project to
1:07:16
Speaker 4: put you on and then just kind of put you
1:07:18
Speaker 4: through development hell as a prank.
1:07:19
Speaker 6: Well that's nice. At least.
1:07:23
Speaker 1: It's good to feel included. Yeah, it's okay.
1:07:25
Speaker 8: I actually I you know, I have some projects coming
1:07:29
Speaker 8: up for myself.
1:07:29
Speaker 1: I have a couple.
1:07:30
Speaker 4: But dad back in Elgin, Illinois, Dad said you might
1:07:34
Speaker 4: help him his buddy out with like a sofa historic commercial.
1:07:37
Speaker 1: I was literally say, it's Casper's. There's mattress.
1:07:40
Speaker 6: Wow, they're good.
1:07:42
Speaker 1: The trouble past.
1:07:43
Speaker 4: Casper Mattress or Cass Casper's Mattresses.
1:07:46
Speaker 1: Casper's Mattresses.
1:07:48
Speaker 4: Right, so it's just a mattress store in Elgin.
1:07:50
Speaker 3: Sure, Well but it's.
1:07:51
Speaker 1: Still I mean, it's like no, it's it's exciting, man.
1:07:53
Speaker 1: I mean, listen, like.
1:07:54
Speaker 8: You gotta keep the chops fresh, you gotta like you
1:07:56
Speaker 8: gotta keep the knives sharp, as I always say. And
1:08:00
Speaker 8: but Sam and I we do have one project coming
1:08:03
Speaker 8: up together.
1:08:03
Speaker 4: We do that we are contractually obligated that.
1:08:05
Speaker 8: We're both very project is that it is called, uh,
1:08:10
Speaker 8: the the Babe who killed Me?
1:08:13
Speaker 6: Oh like I said that to follow up to Babe
1:08:15
Speaker 6: the Pig.
1:08:16
Speaker 8: It is, Yes, that's exactly what they're They're letting us read.
1:08:19
Speaker 8: They're letting us bring back Babe. And so we're kind
1:08:22
Speaker 8: of making it into a Noir.
1:08:23
Speaker 2: Thriller this time Babe the predator.
1:08:29
Speaker 6: Where is the detective?
1:08:31
Speaker 1: So Babe's like an evil pig who killed me?
1:08:34
Speaker 6: The Babe.
1:08:34
Speaker 2: Have you ever thought.
1:08:35
Speaker 1: About making the pig like a sort of earthquake situation.
1:08:39
Speaker 7: Or like maybe the pig like like, uh, like breaks
1:08:44
Speaker 7: a story for the New York Times and then Watergate happens.
1:08:49
Speaker 1: Yeah, he breaks it before water.
1:08:53
Speaker 2: Working with pigs. Pigs are really smart. We worked with
1:08:55
Speaker 2: a lot of pigs on pig Blizzards and yeah, what happened.
1:09:03
Speaker 2: Let's just say, let's just really smart.
1:09:05
Speaker 1: They're like you could tell him to sit and it
1:09:06
Speaker 1: would sit.
1:09:07
Speaker 2: No, let no.
1:09:08
Speaker 6: I don't know.
1:09:09
Speaker 5: Who was directing the movie at a certain point, whether
1:09:12
Speaker 5: it was me or whether it.
1:09:13
Speaker 2: Was the Let's just say I looked around and all
1:09:16
Speaker 2: the pigs were wearing hats, and I said, I didn't
1:09:18
Speaker 2: improve that, and I didn't even get those.
1:09:20
Speaker 6: And then they were on.
1:09:21
Speaker 1: Those director's chairs that were shaped like pig size.
1:09:24
Speaker 5: They were I don't know where they got this farm
1:09:27
Speaker 5: situation hallucination.
1:09:29
Speaker 4: Did Keith kind of keep his cool or did he
1:09:31
Speaker 4: sort of start to get really angry like earlier.
1:09:33
Speaker 2: I started shooting. I started shooting.
1:09:38
Speaker 7: This has been Artists on Artists on Artists on Artists,
1:09:41
Speaker 7: answering the question.
1:09:42
Speaker 3: Now, that's why they call it showbiz. Have a good night, Hollywood. Hi,
1:09:49
Speaker 3: I'm Angela Jertana, I'm Jeremy.
1:09:50
Speaker 2: Colhayne, I'm Patrick McDonald's, and.
1:09:52
Speaker 1: I'm Kylie Brakman. Artists on Artists on Artists.
1:09:55
Speaker 5: On Artists is an improvised Hollywood roundtable podcast available on
1:09:58
Speaker 5: iTunes and Spotify.
1:10:00
Speaker 6: You can follow us at aoaoaoa pod on Twitter and Instagram.
1:10:04
Speaker 2: That's right, four a's with three o's in between then.
1:10:07
Speaker 6: Pod music for this week's episode was provided by Gabriel Ponton.
1:10:11
Speaker 5: Our guests this week were Jeffrey James and Riley on
1:10:14
Speaker 5: SPA of The Headgum Podcast Review Review. Subscribe to them
1:10:18
Speaker 5: wherever you get your podcasts, and also follow them on
1:10:20
Speaker 5: Instagram at Jeffrey James.
1:10:22
Speaker 1: And at Riley on SPA. That's all for now, good Night, Hollywood,